Their general, who rode on a car drawn by panthers, was quite beardless, with not even a vestige of fluff on his face, had horns, was crowned with grape-clusters, his hair tied with a fillet, his cloak purple, and his shoes of gold. Of his lieutenants, one was short, thick-set, paunchy, and flat-nosed, with great upright ears; he trembled perpetually, leant upon a narthex-wand, rode mostly upon an ass, wore saffron to his superior's purple, and was a very suitable general of division for him. The other was a half-human hybrid, with hairy legs, horns, and flowing beard, passionate and quick-tempered; with a reed-pipe in his left hand, and waving a crooked staff in his right, he skipped round and round the host, a terror to the women, who let their dishevelled tresses fly abroad as he came, with cries of Evoe—the name of their lord, guessed the scouts. Their flocks had suffered, they added, the young had been seized alive and torn piecemeal by the women; they ate raw flesh, it seemed.

All this was food for laughter, as well it might be, to the Indians and their king: Take the field? array their hosts against him? no, indeed; at worst they might match their women with his, if he still came on; for themselves such a victory would be a disgrace; a set of mad women, a general in a snood, a little old drunkard, a half- soldier, and a few naked dancers; why should they murder such a droll crew? However, when they heard how the God was wasting their land with fire, giving cities and citizens to the flames, burning their forests, and making one great conflagration of all India—for fire is the Bacchic instrument, Dionysus's very birthright—, then they lost no more time, but armed; they girthed, bitted, and castled their elephants, and out they marched; not that they had ceased to scorn; but now they were angry too, and in a hurry to crush this beardless warrior with all his host.

When the two armies came to sight of one another, the Indians drew up their elephants in front and advanced their phalanx; on the other side, Dionysus held the centre, Silenus led his right, and Pan his left wing; his colonels and captains were the satyrs, and the word for the day evoe. Straightway tambourines clattered, cymbals sounded to battle, a satyr blew the war-note on his horn, Silenus's ass sent forth a martial bray, and the maenads leapt shrill-voiced on the foe, girt with serpents and baring now the steel of their thyrsus-heads. In a moment Indians and elephants turned and fled disordered, before even a missile could carry across; and the end was that they were smitten and led captive by the objects of their laughter; they had learnt the lesson that it is not safe to take the first report, and scorn an enemy of whom nothing is known.

But you wonder what all this is about—suspect me, possibly, of being only too fresh from the company of Bacchus. Perhaps the explanation, involving a comparison of myself with Gods, will only more convince you of my exalted or my drunken mood; it is, that ordinary people are affected by literary novelties (my own productions, for instance) much as the Indians were by that experience. They have an idea that literary satyr-dances, absurdities, pure farce, are to be expected from me, and, however they reach their conception of me, they incline to one of two attitudes. Some of them avoid my readings altogether, seeing no reason for climbing down from their elephants and paying attention to revelling women and skipping satyrs; others come with their preconceived idea, and when they find that the thyrsus-head has a steel point under it, they are too much startled by the surprise to venture approval. I confidently promise them, however, that if they will attend the rite repeatedly now as in days of yore, if my old boon-companions will call to mind the revels that once we shared, not be too shy of satyrs and Silenuses, and drink deep of the bowl I bring, the frenzy shall take hold upon them too, till their evoes vie with mine.

Well, they are free to listen or not; let them take their choice. Meanwhile, we are still in India, and I should like to give you another fact from that country, again a link between Dionysus and our business. In the territory of the Machlaeans, who occupy the left bank of the Indus right down to the sea, there is a grove, of no great size, but enclosed both round about and overhead, light being almost excluded by the profusion of ivy and vine. In it are three springs of fair pellucid water, called, one of them the satyrs' well, the second Pan's, and the other that of Silenus. The Indians enter this grove once a year at the festival of Dionysus, and taste the wells, not promiscuously, however, but according to age; the satyrs' well is for the young, Pan's for the middle-aged, and Silenus's for those at my time of life.

What effect their draught produces on the children, what doings the men are spurred to, Pan-ridden, must not detain us; but the behaviour of the old under their water intoxication has its interest. As soon as one of them has drunk, and Silenus has possessed him, he falls dumb for a space like one in vinous lethargy; then on a sudden his voice is strong, his articulation clear, his intonation musical; from dead silence issues a stream of talk; the gag would scarce restrain him from incessant chatter; tale upon tale he reels you off. Yet all is sense and order withal; his words are as many, and find their place as well, as those 'winter snowflakes' of Homer's orator. You may talk of his swan- song if you will, mindful of his years; but you must add that his chirping is quick and lively as the grasshopper's, till evening comes; then the fit is past; he falls silent, and is his common self again. But the greatest wonder I have yet to tell: if he leave unfinished the tale he was upon, and the setting sun cut him short, then at his next year's draught he will resume it where the inspiration of this year deserted him.

Gentlemen, I have been pointing Momus-like at my own foibles; I need not trouble you with the application; you can make out the resemblance for yourselves. But if you find me babbling, you know now what has loosed my tongue; and if there is shrewdness in any of my words, then to Silenus be the thanks.



HERACLES, AN INTRODUCTORY LECTURE

Our Heracles is known among the Gauls under the local name of Ogmius; and the appearance he presents in their pictures is truly grotesque. They make him out as old as old can be: the few hairs he has left (he is quite bald in front) are dead white, and his skin is wrinkled and tanned as black as any old salt's. You would take him for some infernal deity, for Charon or Iapetus,—any one rather than Heracles. Such as he is, however, he has all the proper attributes of that God: the lion's-skin hangs over his shoulders, his right hand grasps the club, his left the strung bow, and a quiver is slung at his side; nothing is wanting to the Heraclean equipment.

Now I thought at first that this was just a cut at the Greek Gods; that in taking these liberties with the personal appearance of Heracles, the Gauls were merely exacting pictorial vengeance for his invasion of their territory; for in his search after the herds of Geryon he had overrun and plundered most of the peoples of the West. However, I have yet to mention the most remarkable feature in the portrait. This ancient Heracles drags after him a vast crowd of men, all of whom are fastened by the ears with thin chains composed of gold and amber, and looking more like beautiful necklaces than anything else. From this flimsy bondage they make no attempt to escape, though escape must be easy. There is not the slightest show of resistance: instead of planting their heels in the ground and dragging back, they follow with joyful alacrity, singing their captor's praises the while; and from the eagerness with which they hurry after him to prevent the chains from tightening, one would say that release is the last thing they desire. Nor will I conceal from you what struck me as the most curious circumstance of all. Heracles's right hand is occupied with the club, and his left with the bow: how is he to hold the ends of the chains? The painter solves the difficulty by boring a hole in the tip of the God's tongue, and making that the means of attachment; his head is turned round, and he regards his followers with a smiling countenance.

For a long time I stood staring at this in amazement: I knew not what to make of it, and was beginning to feel somewhat nettled, when I was addressed in admirable Greek by a Gaul who stood at my side, and who besides possessing a scholarly acquaintance with the Gallic mythology, proved to be not unfamiliar with our own. 'Sir,' he said, 'I see this picture puzzles you: let me solve the riddle. We Gauls connect eloquence not with Hermes, as you do, but with the mightier Heracles. Nor need it surprise you to see him represented as an old man. It is the prerogative of eloquence, that it reaches perfection in old age; at least if we may believe your poets, who tell us that

Youth is the sport of every random gust,

whereas old age

Hath that to say that passes youthful wit.

Thus we find that from Nestor's lips honey is distilled; and that the words of the Trojan counsellors are compared to the lily, which, if I have not forgotten my Greek, is the name of a flower. Hence, if you will consider the relation that exists between tongue and ear, you will find nothing more natural than the way in which our Heracles, who is Eloquence personified, draws men along with their ears tied to his tongue. Nor is any slight intended by the hole bored through that member: I recollect a passage in one of your comic poets in which we are told that

There is a hole in every glib tongue's tip.

Indeed, we refer the achievements of the original Heracles, from first to last, to his wisdom and persuasive eloquence. His shafts, as I take it, are no other than his words; swift, keen-pointed, true-aimed to do deadly execution on the soul.' And in conclusion he reminded me of our own phrase, 'winged words.'

Now while I was debating within myself the advisability of appearing before you, and of submitting myself for a second time to the verdict of this enormous jury, old as I am, and long unused to lecturing, the thought of this Heracles portrait came to my relief. I had been afraid that some of you would consider it a piece of youthful audacity inexcusable in one of my years. 'Thy force,' some Homeric youth might remark with crushing effect, 'is spent; dull age hath borne thee down'; and he might add, in playful allusion to my gouty toes,

Slow are thy steeds, and weakness waits upon thee.

But the thought of having that venerable hero to keep me in countenance emboldens me to risk everything: I am no older than he. Good-bye, then, to bodily perfections, to strength and speed and beauty; Love, when he sees my grey beard, is welcome to fly past, as the poet of Teos [Footnote: Anacreon.] has it, with rush of gilded wings; 'tis all one to Hippoclides. Old age is Wisdom's youth, the day of her glorious flower: let her draw whom she can by the ears; let her shoot her bolts freely; no fear now lest the supply run short. There is the old man's comfort, on the strength of which he ventures to drag down his boat, which has long lain high and dry, provision her as best he may, and once more put out to sea.

Never did I stand in more need of a generous breeze, to fill my sails and speed me on my way: may the Gods dispose you to contribute thereto; so shall I not be found wanting, and of me, as of Odysseus, it shall be said

How stout a thigh lurked 'neath the old man's rags!



SWANS AND AMBER

You have no doubt a proper faith in the amber legend—how it is the tears shed by poplars on the Eridanus for Phaethon, the said poplars being his sisters, who were changed to trees in the course of their mourning, and continue to distil their lacrimal amber. That was what the poets taught me, and I looked forward, if ever fortune should bring me to the Eridanus, to standing under a poplar, catching a few tears in a fold of my dress, and having a supply of the commodity.

Sure enough, I found myself there not long ago upon another errand, and had occasion to go up the Eridanus; but, though I was all eyes, I saw neither poplars nor amber, and the natives had not so much as heard of Phaethon. I started my inquiries by asking when we should come to the amber poplars; the boatmen only laughed, and requested explanations. I told them the story: Phaethon was a son of Helius, and when he grew up came to his father and asked if he might drive his car, and be the day-maker just that once. His father consented, but he was thrown out and killed, and his mourning sisters 'in this land of yours,' I said, 'where he fell on the Eridanus, turned into poplars, and still weep amber for him.'

'What liar took you in like that, sir?' they said; 'we never saw a coachman spilt; and where are the poplars? why, do you suppose, if it was true, we would row or tow up stream for sixpences? we should only have to collect poplar-tears to be rich men.' This truth impressed me a good deal; I said no more, and was painfully conscious of my childishness in trusting the poets; they deal in such extravagant fictions, they come to scorn sober fact. Here was one hope gone; I had set my heart upon it, and was as much chagrined as if I had dropped the amber out of my hands; I had had all my plans ready for the various uses to which it was to be put.

However, there was one thing I still thought I really should find there, and that was flocks of swans singing on the banks. We were still on the way up, and I applied to the boatmen again: 'About what time do the swans take post for their famous musical entertainment?—Apollo's fellow craftsmen, you know, who were changed here from men to birds, and still sing in memory of their ancient art.'

But they only jeered at me: 'Are you going to lie all day about our country and our river, pray? We are always on the water; we have worked all our lives on the Eridanus; well, we do see a swan now and again in the marshes; and a harsh feeble croak their note is; crows or jackdaws are sirens to them; as for sweet singing such as you tell of, not a ghost of it. We cannot make out where you folk get all these tales about us.'

Such disappointments are the natural consequence of trusting picturesque reporters. Well now, I am afraid the newcomers among you, who hear me for the first time, may have been expecting swans and amber from me, and may presently depart laughing at the people who encouraged them to look for such literary treasures. But I solemnly aver that no one has ever heard or ever shall hear me making any such claims. Other persons in plenty you may find who are Eridanuses, rich not in amber, but in very gold, and more melodious far than the poets' swans. But you see how plain and unromantic is my material; song is not in me. Any one who expects great things from me will be like a man looking at an object in water. Its image is magnified by an optical effect; he takes the reality to correspond to the appearance, and when he fishes it up is disgusted to find it so small. So I pour out the water, exhibit my wares, and warn you not to hope for a large haul; if you do, you have only yourselves to blame. H.



THE FLY, AN APPRECIATION

The fly is not the smallest of winged things, on a level with gnats, midges, and still tinier creatures; it is as much larger than they as smaller than the bee. It has not feathers of the usual sort, is not fledged all over like some, nor provided with quill- feathers like other birds, but resembles locusts, grasshoppers, and bees in being gauze-winged, this sort of wing being as much more delicate than the ordinary as Indian fabrics are lighter and softer than Greek. Moreover, close inspection of them when spread out and moving in the sun will show them to be peacock-hued.

Its flight is accompanied neither by the incessant wing-beat of the bat, the jump of the locust, nor the buzz of the wasp, but carries it easily in any direction. It has the further merit of a music neither sullen as with the gnat kind, deep as with the bee, nor grim and threatening as with the wasp; it is as much more tuneful than they as the flute is sweeter than trumpet or cymbals.

As for the rest of its person, the head is very slenderly attached by the neck, easily turned, and not all of one piece with the body as in the locust; the eyes are projecting and horny; the chest strong, with the legs springing freely from it instead of lying close like a wasp's. The belly also is well fortified, and looks like a breastplate, with its broad bands and scales. Its weapons are not in the tail as with wasp and bee, but in its mouth and proboscis; with the latter, in which it is like the elephant, it forages, takes hold of things, and by means of a sucker at its tip attaches itself firmly to them. This proboscis is also supplied with a projecting tooth, with which the fly makes a puncture, and so drinks blood. It does drink milk, but also likes blood, which it gets without hurting its prey much. Of its six legs, four only are for walking, and the front pair serves for hands; you may see it standing on four legs and holding up a morsel in these hands, which it consumes in very human fashion.

It does not come into being in its ultimate shape, but starts as a worm in the dead body of man or animal; then it gradually develops legs, puts forth wings and becomes a flying instead of a creeping thing, which generates in turn and produces a little worm, one day to be a fly. Living with man, sharing his food and his table, it tastes everything except his oil, to drink which is death to it. In any case it soon perishes, having but a short span of life allotted to it, but while it lives it loves the light, and is active only under its influence; at night it rests, neither flying nor buzzing, but retiring and keeping quiet.

I am able to record its considerable wisdom, shown in evading the plots of its enemy the spider. It is always on the look-out for his ambushes, and in the most circumspect way dodges about, that it may not be caught, netted, and entangled in his meshes. Its valour and spirit require no mention of mine; Homer, mightiest-voiced of poets, seeking a compliment for the greatest of heroes, likens his spirit not to a lion's, a panther's, a boar's, but to the courage of the fly, to its unshrinking and persistent assault; mark, it is not mere audacity, but courage, that he attributes to it. Though you drive it off, he says, it will not leave you; it will have its bite. He is so earnest an admirer of the fly that he alludes to it not once nor twice, but constantly; a mention of it is felt to be a poetic ornament. Now it is its multitudinous descent upon the milk that he celebrates; now he is in want of an illustration for Athene as she wards off a spear from the vitals of Menelaus; so he makes her a mother caring for her sleeping child, and in comes the fly again. Moreover he gives them that pretty epithet, 'thick- clust'ring'; and 'nations' is his dignified word for a swarm of them.

The fly's force is shown by the fact that its bite pierces not merely the human skin, but that of cattle and horses; it annoys the elephant by getting into the folds of its hide, and letting it know the efficiency of even a tiny trunk. There is much ease and freedom about their love affairs, which are not disposed of so expeditiously as by the domestic fowl; the act of union is prolonged, and is found quite compatible with flight. A fly will live and breathe for some time after its head is cut off.

The most remarkable point about its natural history is that which I am now to mention. It is the one fact that Plato seems to me to have overlooked in his discourse of the soul and its immortality. If a little ashes be sprinkled on a dead fly, it gets up, experiences a second birth, and starts life afresh, which is recognized as a convincing proof that its soul is immortal, inasmuch as after it has departed it returns, recognizes and reanimates the body, and enables it to fly; so is confirmed the tale about Hermotimus of Clazomenae—how his soul frequently left him and went off on its own account, and afterwards returning occupied the body again and restored the man to life.

It toils not, but lives at its case, profiting by the labours of others, and finding everywhere a table spread for it. For it the goats are milked, for its behoof and man's the honey is stored, to its palate the chef adapts his sauces; it tastes before the king himself, walks upon his table, shares his meal, and has the use of all that is his.

Nest, home, local habitation, it has none; like the Scythians, it elects to lead a wandering life, and where night finds it, there is its hearth and its chamber. But as I said, it works no deeds of darkness; 'live openly' is its motto; its principle is to do no villany that, done in the face of day, would dishonour it.

Legend tells how Myia (the fly's ancient name) was once a maiden, exceeding fair, but over-given to talk and chatter and song, Selene's rival for the love of Endymion. When the young man slept, she was for ever waking him with her gossip and tunes and merriment, till he lost patience, and Selene in wrath turned her to what she now is. And therefore it is that she still, in memory of Endymion, grudges all sleepers their rest, and most of all the young and tender. Her very bite and blood-thirst tell not of savagery, but of love and human kindness; she is but enjoying mankind as she may, and sipping beauty.

In ancient times there was a woman of her name, a poetess wise and beautiful, and another a famous Attic courtesan, of whom the comic poet wrote:

As deep as to his heart fair Myia bit him.

The comic Muse, we see, disdained not the name, nor refused it the hospitality of the boards; and parents took no shame to give it to their daughters. Tragedy goes further and speaks of the fly in high terms of praise, as witness the following:

Foul shame the little fly, with might courageous, Should leap upon men's limbs, athirst for blood, But men-at-arms shrink from the foeman's steel!

I might add many details about Pythagoras's daughter Myia, were not her story too well known.

There are also flies of very large size, called generally soldier- flies, or dog-flies; these have a hoarse buzz, a very rapid flight, and quite long lives; they last the winter through without food, mostly in sheltered nooks below the roof; the most remarkable fact about these is that they are hermaphrodites.

But I must break off; not that my subject is exhausted; only that to exhaust such a subject is too like breaking a butterfly on the wheel.



REMARKS ADDRESSED TO AN ILLITERATE BOOK-FANCIER

Let me tell you, that you are choosing the worst way to attain your object. You think that by buying up all the best books you can lay your hands on, you will pass for a man of literary tastes: not a bit of it; you are merely exposing thereby your own ignorance of literature. Why, you cannot even buy the right things: any casual recommendation is enough to guide your choice; you are as clay in the hands of the unscrupulous amateur, and as good as cash down to any dealer. How are you to know the difference between genuine old books that are worth money, and trash whose only merit is that it is falling to pieces? You are reduced to taking the worms and moths into your confidence; their activity is your sole clue to the value of a book; as to the accuracy and fidelity of the copyist, that is quite beyond you.

And supposing even that you had managed to pick out such veritable treasures as the exquisite editions of Callinus, or those of the far-famed Atticus, most conscientious of publishers,—what does it profit you? Their beauty means nothing to you, my poor friend; you will get precisely as much enjoyment out of them as a blind lover would derive from the possession of a handsome mistress. Your eyes, to be sure, are open; you do see your books, goodness knows, see them till you must be sick of the sight; you even read a bit here and there, in a scrambling fashion, your lips still busy with one sentence while your eyes are on the next. But what is the use of that? You cannot tell good from bad: you miss the writer's general drift, you miss his subtle arrangements of words: the chaste elegance of a pure style, the false ring of the counterfeit,—'tis all one to you.

Are we to understand that you possess literary discernment without the assistance of any study? And how should that be? perhaps, like Hesiod, you received a laurel-branch from the Muses? As to that, I doubt whether you have so much as heard of Helicon, the reputed haunt of those Goddesses; your youthful pursuits were not those of a Hesiod; take not the Muses' names in vain. They might not have any scruples about appearing to a hardy, hairy, sunburnt shepherd: but as for coming near such a one as you (you will excuse my particularizing further just now, when I appeal to you in the name of the Goddess of Lebanon?) they would scorn the thought; instead of laurel, you would have tamarisk and mallow-leaves about your back; the waters of Olmeum and Hippocrene are for thirsty sheep and stainless shepherds, they must not be polluted by unclean lips. I grant you a very creditable stock of effrontery: but you will scarcely have the assurance to call yourself an educated man; you will scarcely pretend that your acquaintance with literature is more than skin-deep, or give us the names of your teacher and your fellow students?

No; you think you are going to work off all arrears by the simple expedient of buying a number of books. But there again: you may get together the works of Demosthenes, and his eight beautiful copies of Thucydides, all in the orator's own handwriting, and all the manuscripts that Sulla sent away from Athens to Italy,—and you will be no nearer to culture at the end of it, though you should sleep with them under your pillow, or paste them together and wear them as a garment; an ape is still an ape, says the proverb, though his trappings be of gold. So it is with you: you have always a book in your hand, you are always reading; but what it is all about, you have not an idea; you do but prick up asinine ears at the lyre's sound. Books would be precious things indeed, if the mere possession of them guaranteed culture to their owner. You rich men would have it all your own way then; we paupers could not stand against you, if learning were a marketable commodity; and as for the dealers, no one would presume to contest the point of culture with men who have whole shopfuls of books at their disposal. However, you will find on examination that these privileged persons are scarcely less ignorant than yourself. They have just your vile accent, and are as deficient in intelligence as one would expect men to be who have never learnt to distinguish good from bad. Now you see, you have merely bought a few odd volumes from them: they are at the fountain-head, and are handling books day and night. Judge from this how much good your purchases are likely to do you; unless you think that your very book-cases acquire a tincture of learning, from the bare fact of their housing so many ancient manuscripts.

Oblige me by answering some questions; or rather, as circumstances will not admit of your answering, just nod or shake your head. If the flute of Timotheus, or that of Ismenias, which its owner sold in Corinth for a couple of thousand pounds, were to fall into the hands of a person who did not know how to play the instrument, would that make him a flute-player? would his acquisition leave him any wiser than it found him? You very properly shake your head. A man might possess the instrument of a Marsyas or an Olympus, and still he would not be able to play it if he had never learnt. Take another case: a man gets hold of Heracles's bow and arrows: but he is no Philoctetes; he has neither that marksman's strength nor his eye. What do you say? will he acquit himself creditably? Again you shake your head. The same will be the case with the ignorant pilot who is entrusted with a ship, or with the unpractised rider on horseback. Nothing is wanting to the beauty and efficiency of the vessel, and the horse may be a Median or a Thessalian or a Koppa [Footnote: The brand of the obsolete letter Koppa is supposed to have denoted the Corinthian breed.]: yet I take it that the incompetence of their respective owners will be made clear; am I right? And now let me ask your assent to one more proposition: if an illiterate person like yourself goes in for buying books, he is thereby laying himself open to ridicule. You hesitate? Yet surely nothing could be clearer: who could observe such a man at work, and abstain from the inevitable allusion to pearls and swine?

There was a wealthy man in Asia, not many years ago, who was so unfortunate as to lose both his feet; I think he had been travelling through snow-drifts, and had got them frost-bitten. Well, of course, it was a very hard case; and in ordering a pair of wooden feet, by means of which he contrived to get along with the assistance of servants, he was no doubt only making the best of a bad job. But the absurd thing was, that he would always make a point of having the smartest and newest of shoes to set off his stumps—feet, I mean. Now are you any wiser than he, when for the adornment of that hobbling, wooden understanding of yours you go to the expense of such golden shoes as would tax the agility of a sound-limbed intellect?

Among your other purchases are several copies of Homer. Get some one to turn up the second book of the Iliad, and read to you. There is only one part you need trouble about; the rest does not apply to your case. I refer to the harangue of a certain ludicrous, maimed, distorted creature called Thersites. Now imagine this Thersites, such as he is there depicted, to have clothed himself in the armour of Achilles. What will be the result? Will he be converted there and then into a stalwart, comely warrior, clearing the river at a bound, and staining its waters with Phrygian blood? Will he prove a slayer of Asteropaeuses and Lycaons, and finally of Hectors, he who cannot so much as bear Achilles's spear upon his shoulders? Of course not. He will simply be ridiculous: the weight of the shield will cause him to stagger, and will presently bring him on to his nose; beneath the helmet, as often as he looks up, will be seen that squint; the Achillean greaves will be a sad drag to his progress, and the rise and fall of the breast-plate will tell a tale of a humped-back; in short, neither the armourer nor the owner of the arms will have much to boast of. You are just like Thersites, if only you could see it. When you take in hand your fine volume, purple-cased, gilt-bossed, and begin reading with that accent of yours, maiming and murdering its contents, you make yourself ridiculous to all educated men: your own toadies commend you, but they generally get in a chuckle too, as they catch one another's eye.

Let me tell you a story of what happened once at Delphi. A native of Tarentum, Evangelus by name, a person of some note in his own city, conceived the ambition of winning a prize in the Pythian Games. Well, he saw at once that the athletic contests were quite out of the question; he had neither the strength nor the agility required. A musical victory, on the other hand, would be an easy matter; so at least he was persuaded by his vile parasites, who used to burst into a roar of applause the moment he touched the strings of his lyre. He arrived at Delphi in great style: among other things, he had provided himself with gold-bespangled garments, and a beautiful golden laurel-wreath, with full-size emerald berries. As for his lyre, that was a most gorgeous and costly affair—solid gold throughout, and ornamented with all kinds of gems, and with figures of Apollo and Orpheus and the Muses, a wonder to all beholders. The eventful day at length arrived. There were three competitors, of whom Evangelus was to come second. Thespis the Theban performed first, and acquitted himself creditably; and then Evangelus appeared, resplendent in gold and emeralds, beryls and jacinths, the effect being heightened by his purple robe, which made a background to the gold; the house was all excitement and wondering anticipation. As singing and playing were an essential part of the competition, Evangelus now struck up with a few meaningless, disconnected notes, assaulting his lyre with such needless violence that he broke three strings at the start; and when he began to sing with his discordant pipe of a voice the whole audience was convulsed with laughter, and the stewards, enraged at his presumption, scourged him out of the theatre. Our golden Evangelus now presented a very queer spectacle, as the floggers drove him across the stage, weeping and bloody- limbed, and stooping to pick up the gems that had fallen from the lyre; for that instrument had come in for its share of the castigation. His place was presently taken by one Eumelus of Elis: his lyre was an old one, with wooden pegs, and his clothes and crown would scarcely have fetched ten shillings between them. But for all that his well-managed voice and admirable execution caused him to be proclaimed the victor; and he was very merry over the unavailing splendours of his rival's gem-studded instrument. 'Evangelus,' he is reported to have said to him, 'yours is the golden laurel—you can afford it: I am a pauper, and must put up with the Delphian wreath. No one will be sorry for your defeat; your arrogance and incompetence have made you an object of detestation; that is all your equipment has done for you.' Here again the application is obvious; Evangelus differing from you only in his sensibility to public ridicule.

I have also an old Lesbian story which is very much to the point. It is said that after Orpheus had been torn to pieces by the Thracian women, his head and his lyre were carried down the Hebrus into the sea; the head, it seems, floated down upon the lyre, singing Orpheus's dirge as it went, while the winds blew an accompaniment upon the strings. In this manner they reached the coast of Lesbos; the head was then taken up and buried on the site of the present temple of Bacchus, and the lyre was long preserved as a relic in the temple of Apollo. Later on, however, Neanthus, son of the tyrant Pittacus, hearing how the lyre had charmed beasts and trees and stones, and how after Orpheus's destruction it had played of its own accord, conceived a violent fancy for the instrument, and by means of a considerable bribe prevailed upon the priest to give him the genuine lyre, and replace it with one of similar appearance. Not thinking it advisable to display his acquisition in the city in broad daylight, he waited till night, and then, putting it under his cloak, walked off into the outskirts; and there this youth, who had not a note of music in him, produced his instrument and began jangling on the strings, expecting such divine strains to issue therefrom as would subdue all souls, and prove him the fortunate heir to Orpheus's power. He went on till a number of dogs collected at the sound and tore him limb from limb; thus far, at least, his fate resembled that of Orpheus, though his power of attraction extended only to hostile dogs. It was abundantly proved that the charm lay not in the lyre, but solely in those peculiar gifts of song and music that had been bestowed upon Orpheus by his mother; as to the lyre, it was just like other lyres.

But there: what need to go back to Orpheus and Neanthus? We have instances in our own days: I believe the man is still alive who paid 120 pounds for the earthenware lamp of Epictetus the Stoic. I suppose he thought he had only to read by the light of that lamp, and the wisdom of Epictetus would be communicated to him in his dreams, and he himself assume the likeness of that venerable sage. And it was only a day or two ago that another enthusiast paid down 250 pounds for the staff dropped by the Cynic Proteus [Footnote: See Peregrine in Notes.] when he leaped upon the pyre. He treasures this relic, and shows it off just as the people of Tegea do the hide of the Calydonian boar [Footnote: See Oenevs in Notes.], or the Thebans the bones of Geryon, or the Memphians Isis' hair. Now the original owner of this precious staff was one who for ignorance and vulgarity would have borne away the palm from yourself.—My friend, you are in a bad way: a stick across the head is what you want.

They say that when Dionysius took to tragedy-writing he made such sad stuff of it that Philoxenus was more than once thrown into the quarries because he could not control his laughter. Finding that his efforts only made him ridiculous, Dionysius was at some pains to procure the tablets on which Aeschylus had been wont to write. He looked to draw divine inspiration from them: as it turned out, however, he now wrote considerably worse rubbish than before. Among the contents of the tablets I may quote:

'Twas Dionysius' wife, Doridion.

Here is another:

Most serviceable woman! thou art gone!

Genuine tablet that, and the next:

Men that are fools are their own folly's butt.

Taken with reference to yourself, by the way, nothing could be more to the point than this last line; Dionysius's tablets deserved gilding, if only for that.

What is your idea, now, in all this rolling and unrolling of scrolls? To what end the gluing and the trimming, the cedar-oil and saffron, the leather cases and the bosses? Much good your purchases have been to you; one sees that already: why, your language—no, I am wrong there, you are as dumb as a fish-but your life, your unmentionable vices, make every one hate the sight of you; if that is what books do, one cannot keep too clear of them. There are two ways in which a man may derive benefit from the study of the ancients: he may learn to express himself, or he may improve his morals by their example and warning; when it is clear that he has not profited in either of these respects, what are his books but a habitation for mice and vermin, and a source of castigation to negligent servants?

And how very foolish you must look when any one finds you with a book in your hand (and you are never to be seen without) and asks you who is your orator, your poet, or your historian: you have seen the title, of course, and can answer that question pat: but then one word brings up another, and some criticism, favourable or the reverse, is passed upon the contents of your volume: you are dumb and helpless; you pray for the earth to open and swallow you; you stand like Bellerophon with the warrant for your own execution in your hand.

Once in Corinth Demetrius the Cynic found some illiterate person reading aloud from a very handsome volume, the Bacchae of Euripides, I think it was. He had got to the place where the messenger is relating the destruction of Pentheus by Agave, when Demetrius snatched the book from him and tore it in two: 'Better,' he exclaimed, 'that Pentheus should suffer one rending at my hands than many at yours.'

I have often wondered, though I have never been able to satisfy myself, what it is that makes you such an ardent buyer of books. The idea of your making any profitable use of them is one that nobody who has the slightest acquaintance with you would entertain for a moment: does the bald man buy a comb, the blind a mirror, the deaf a flute-player? the eunuch a concubine, the landsman an oar, the pilot a plough? Are you merely seizing an opportunity of displaying your wealth? Is it just your way of showing the public that you can afford to spend money even on things that are of no use to you? Why, even a Syrian like myself knows that if you had not got your name foisted into that old man's will, you would have been starving by this time, and all your books must have been put up to sale.

Only one possible explanation remains: your toadies have made you believe that in addition to your charms of person you have an extraordinary gift for rhetoric, history, and philosophy; and you buy books merely to countenance their flatteries. It seems that you actually hold forth to them at table; and they, poor thirsty frogs, must croak dry-throated applause till they burst, or there is no drink for them. You are a most curiously gullible person: you take in every word they say to you. You were made to believe at one time that your features resembled those of a certain Emperor. We had had a pseudo-Alexander, and a pseudo-Philip, the fuller, and there was a pseudo-Nero as recently as our own grandfathers' times: you were for adding one more to the noble army of pseudos. After all, it was nothing for an illiterate fool like you to take such a fancy into his head, and walk about with his chin in the air, aping the gait and dress and expression of his supposed model: even the Epirot king Pyrrhus, remarkable man that he was in other respects, had the same foible, and was persuaded by his flatterers that he was like Alexander, Alexander the Great, that is. In point of fact, I have seen Pyrrhus's portrait, and the two—to borrow a musical phrase— are about as much like one another as bass and treble; and yet he was convinced he was the image of Alexander. However, if that were all, it would be rather too bad of me to insult Pyrrhus by the comparison: but I am justified by the sequel; it suits your case so exactly. When once Pyrrhus had got this fancy into his head, every one else ran mad for company, till at last an old woman of Larissa, who did not know Pyrrhus, told him the plain truth, and cured his delusion. After showing her portraits of Philip, Perdiccas, Alexander, Casander, and other kings, Pyrrhus finally asked her which of these he resembled, taking it as a matter of course that she would fix upon Alexander: however, she considered for some time, and at length informed him that he was most like Batrachion the cook, there being a cook of that name in Larissa who was very like Pyrrhus. What particular theatrical pander you most resemble I will not pretend to decide: all I can state with certainty is that to this day you pass for a raving madman on the strength of this fancy.. After such an instance of your critical discernment, we need not be surprised to find that your flatterers have inspired you with the further ambition of being taken for a scholar.

But I am talking nonsense. The cause of your bibliomania is clear enough; I must have been dozing, or I should have seen it long ago. This is your idea of strategy: you know the Emperor's scholarly tastes, and his respect for culture, and you think it will be worth something to you if he hears of your literary pursuits. Once let your name be mentioned to him as a great buyer and collector of books, and you reckon that your fortune is made. Vile creature! and is the Emperor drugged with mandragora that he should hear of this and never know the rest, your daylight iniquities, your tipplings, your monstrous nightly debauches? Know you not that an Emperor has many eyes and many ears? Yet your deeds are such as cannot be concealed from the blind or the deaf. I may tell you at once, as you seem not to know it, that a man's hopes of the Imperial favour depend not on his book-bills, but on his character and daily life. Are you counting upon Atticus and Callinus, the copyists, to put in a good word for you? Then you are deceived: those relentless gentlemen propose, with the Gods' good leave, to grind you down and reduce you to utter destitution. Come to your senses while there is yet time: sell your library to some scholar, and whilst you are about it sell your new house too, and wipe off part of your debt to the slave-dealers.

You see, you will ride both these hobbies at once; there is the trouble: besides your expensive books you must have your superannuated minions; you are insatiable in these pursuits, and you cannot follow both without money. Now observe how precious a thing is counsel. I recommend you to dispense with the superfluous, and confine your attention to your other foible; in other words, keep your money for the slave-dealers, or your private supplies will run short, and you will be reduced to calling in the services of freemen, who will want every penny you possess; otherwise there is nothing to prevent them from telling how your time is spent when you are in liquor. Only the other day I heard some very ugly stories about you—backed, too, by ocular evidence: the bystanders on that occasion are my witnesses how angry I was on your account; I was in two minds about giving the fellow a thrashing; and the annoying part of it was that he appealed to more than one witness who had had the same experience and told just the same tale. Let this be a warning to you to economize, so that you may be able to have your enjoyments at home in all security. I do not suggest that you should give up these practices: that is quite hopeless; the dog that has gnawed leather once will gnaw leather always.

On the other hand, you can easily do without books. Your education is complete; you have nothing more to learn; you have the ancients as it were on the tip of your tongue; all history is known to you; you are a master of the choice and management of words, you have got the true Attic vocabulary; the multitude of your books has made a ripe scholar of you. (You love flattery, and there is no reason why I should not indulge you as well as another.)

But I am rather curious on one point: what are your favourite books among so many? Plato? Antisthenes? Archilochus? Hipponax? Or are they passed over in favour of the orators? Do you ever read the speech of Aeschines against Timarchus? All that sort of thing I suppose you have by heart. And have you grappled with Aristophanes and Eupolis? Did you ever go through the Baptae [Footnote: See Cotytto in Notes.]? Well then, you must surely have come on some embarrassing home-truths in that play? It is difficult to imagine that mind of yours bent upon literary studies, and those hands turning over the pages. When do you do your reading? In the daytime, or at night? If the former, you must do it when no one is looking: and if the latter, is it done in the midst of more engrossing pursuits, or do you work it in before your rhetorical outpourings? As you reverence Cotytto, venture not again into the paths of literature; have done with books, and keep to your own peculiar business. If you had any sense of shame, to be sure, you would abandon that too: think of Phaedra's indignant protest against her sex:

Darkness is their accomplice, yet they fear not, Fear not the chamber-walls, their confidants.

But no: you are determined not to be cured. Very well: buy book upon book, shut them safely up, and reap the glory that comes of possession: only, let that be enough; presume not to touch nor read; pollute not with that tongue the poetry and eloquence of the ancients; what harm have they ever done to you?

All this advice is thrown away, I know that. Shall an Ethiopian change his skin? You will go on buying books that you cannot use— to the amusement of educated men, who derive profit not from the price of a book, nor from its handsome appearance, but from the sense and sound of its contents. You think by the multitude of books to supply the deficiencies of your education, and to throw dust in our eyes. Did you but know it, you are exactly like the quack doctors, who provide themselves with silver cupping-glasses, gold-handled lancets, and ivory cases for their instruments; they are quite incapable of using them when the time comes, and have to give place to some properly qualified surgeon, who produces a lancet with a keen edge and a rusty handle, and affords immediate relief to the sufferer. Or here is a better parallel: take the case of the barbers: you will find that the skilled practitioners have just the razor, scissors, and mirror that their work requires: the impostors' razors are numerous, and their mirrors magnificent. However, that does not serve to conceal their incompetence, and the result is most amusing: the average man gets his hair cut by one of their more capable neighbours, and then goes and arranges it before their glasses. That is just what your books are good for—to lend to other people; you are quite incapable of using them yourself. Not that you ever have lent any one a single volume; true to your dog-in-the-manger principles, you neither eat the corn yourself, nor give the horse a chance.

There you have my candid opinion about your books: I shall find other opportunities of dealing with your disreputable conduct in general.

THE END