"Every well-organised mule team that a-way allers carries along a bronco. This little steed, saddled an' bridled, trots throughout the day by the side of the off-wheeler, his bridle-rein caught over the wheeler's hame. The bronco is used to round up the mules in event they strays or declines in the mornin' to come when called. Sech bein' the idee, the cayous is allers kept strictly in camp.

"'James' is my bronco's name; an' the evenin', followin' the vision of that Tramperos gray mare I makes onusual shore 'that James stays with me. Not that gray mares impresses James—him bein' a boss an' bosses havin' religious convictions different from mules—or is doo to prove temptations to him; but he might conceal other plans an' get strayed prosecootin' of 'em to a finish. I ties James to the trail-waggon, an' followin' bacon, biscuits, airtights an' sech, the same bein' my froogal fare when on the trail, I rolls in onder the lead-waggon 'an' gives myse'f up to sleep.

"Exactly as I surmises, when I turns out at sun-up thar's never a mule in sight. Every one of them idolaters goes poundin' back, as fast as ever he can with hobbles on, to confess his sins an' say his pray'rs at the shrine of that old gray mare. Even Jerry, whose cynicism should have saved him, pulls his picket-pin with the rest an', takin' Tom along, goes curvin' off. It ain't more than ten minutes, you can gamble! when James an' me is on their trails.

"One by one, I overtakes the team strung all along between my camp an' Tramperos. Peter, the little lead mule, bein' plumb agile an' a sharp on hobbles, gets cl'ar thar; an' I finds him devourin' the goddess gray mare with heart an' soul an' eyes, an' singin' to himse'f the while in low, satisfied tones.

"As one after the other I passes the pilgrim mules I turns an' lifts about a squar' inch of hide off each with the blacksnake whip I'm carryin', by way of p'intin' out their heresies an arousin' in 'em a eagerness to get back to their waggons an' a' upright, pure career. They takes the chastisement humble an' dootiful, an' relinquishes the thought of reachin' the goddess gray mare.

"When I overtakes old Jerry I pours the leather into him speshul, an' the way him an' his pard Tom goes scatterin' for camp refreshes me a heap. An' yet after I rescoos Peter from the demoralisin' inflooences of the gray mare, an' begins to pick up the other members of the team on the journey back, I'm some deepressed when I don't see Tom or Jerry. Nor is either of them mules by the waggons when I arrives.

"It's onadulterated cussedness! Jerry, with no hobbles an' merely draggin' a rope, can lope about free an' permiscus. Tom, with nothin' to hamper him but his love for Jerry, is even more lightsome an' loose. That Jerry mule, hatin' me an' allowin' to make me all the grief he can, sneakingly leaves the trail some'ers after I turns him an' touches him up with the lash. An' now Tom an' Jerry is shorely hid out an' lost a whole lot. It's nothin' but Jerry's notion of revenge on me.

"I camps two days where I'm at, an rounds up the region for the trooants. I goes over it like a fine-tooth comb an' rides James to a show-down. That bronco never is so long onder the saddle since he's foaled; I don't reckon he knows before thar's so much hard work in the world as falls to him when we goes ransackin' in quest of Tom an' Jerry.

"It's no use; the ground is hard an' dry an' I can't even see their hoof-marks. The country's so rollin', too, it's no trouble for 'em to hide. At last I quits an' throws my hand in the diskyard. Tom an' Jerry is shore departed an' I'm deeficient my two best mules. I hooks up the others, an' seein' it's down hill an' a easy trail I makes Tascosa an' refits.

"I never crosses up on Tom an' Jerry in this yere life no more, but one day I learns their fate. It's a month later on my next trip back, an' I'm camped about a half day's drive of that same locoed plaza of Tramperos. As I'm settin' in camp with the sun still plenty high—I'm compilin' flapjacks at the time—I sees eight or ten ravens wheelin' an' cirklin' over beyond a swell about three miles to the left.

"'Tom an' Jerry for a bloo stack!' I says to myse'f; an' with that I cinches the saddle onto James precip'tate.

"Shore enough; I'm on the scene of the tragedy. Half way down a rocky slope where thar ain't grass enough to cover the brown nakedness of the ground lies the bones of Tom an' Jerry. This latter, who's that obstinate an' resentful he won't go back to camp when I wallops him on that gray mare mornin', allows he'll secrete himse'f an' Tom off to one side an' worrit me up. While he's manooverin' about he gets the half-inch rope he's draggin' tangled good an' fast in a mesquite bush. It shorely holds him; that bush is old Jerry's last picket—-his last camp. Which he'd a mighty sight better played his hand out with me, even if I does ring in a trace-chain on him at needed intervals. Jerry jest nacherally starves to death for grass an' water. An' what's doubly hard the lovin' Tom, troo to the last, starves with him. Thar's water within two miles; but Tom declines it, stays an' starves with Jerry, an' the ravens an' the coyotes picks their frames."



CHAPTER IX.

The Influence of Faro Nell.

"Thar's no doubt about it," observed the Old Cattleman, apropos of the fairer, better sex—for woman was the gentle subject of our morning's talk; "thar's no doubt about it, females is a refinin' an' ennoblin' inflooence; you-all can hazard your chips on that an' pile 'em higher than Cook's Peak! An' when Faro Nell prefers them requests, she's ondoubted moved of feelin's of mercy. They shore does her credit, said motives does, an' if she had asked Cherokee or Jack Moore, or even Texas Thompson, things would have come off as effective an' a mighty sight more discreet. But since he's standin' thar handy, Nell ups an' recroots Dan Boggs on the side of hoomanity, an' tharupon Dan goes trackin' in without doo reflection, an' sets the Mexicans examples which, to give 'em a best deescription, is shore some bad. It ain't Nell's fault, but Dan is a gent of sech onusual impulses that you-all don't know wherever Dan will land none, once you goes pokin' up his ha'r-hung sensibil'ties with su'gestions that is novel to his game. Still, Nell can't he'p it; an' in view of what we knows to be the female record since ever the world begins, I re-asserts onhesitatin' that the effects of woman is good. She subdooes the reckless, subjoogates the rebellious, sobers the friv'lous, burns the ground from onder the indolent moccasins of that male she's roped up in holy wedlock's bonds, an' p'ints the way to a higher, happier life. That's whatever! an' this dramy of existence, as I once hears Colonel Sterett say, would be a frost an' a failure an' bog plumb down at that, if you was to cut out the leadin' lady roles an' ring up the curtain with nothin' but bucks in the cast.'

"Narrow an' contracted as you may deem said camp to be, Wolfville itse'f offers plenty proof on this head. Thar's Dave Tutt: Whatever is Dave, I'd like for to inquire, prior to Tucson Jennie runnin' her wifely brand on to him an' redoocin' him to domesticity? No, thar's nothin' so evil about Dave neither, an' yet he has his little ways. For one thing, Dave's about as extemporaneous a prop'sition as ever sets in a saddle, an' thar's times when you give Dave licker an' convince him it's a o'casion for joobilation, an' you-all won't have to leave no 'call' with the clerk to insure yourse'f of bein' out early in the mornin.' Son, Dave would keep that camp settin' up all night.

"But once Dave comes onder the mitigatin' spells of Tucson Jennie, things is changed. Tucson Jennie knocks Dave's horns off doorin' the first two weeks; he gets staid an' circumspect an' tharby plays better poker an' grows more urbane.

"Likewise does Benson Annie work mir'cles sim'lar in the conduct of that maverick French which Enright an' the camp, to allay the burnin' excitement that's rendin' the outfit on account of the Laundry War, herds into her lovin' arms. Tenderfoot as he is, when we-all ups an' marries him off that time, this French already shows symptoms of becomin' one of the most abandoned sports in Arizona. Benson Annie seizes him, purifies him, an' makes him white as snow.

"An' thar's Missis Rucker;—as troo a lady as ever bakes a biscuit! Even with the burdens of the O.K. Restauraw upon her she still finds energy to improve old Rucker to that extent he ups an' rides off towards the hills one mornin' an' never does come back no more.

"'Doc,' he says to Doc Peets, while he's fillin' a canteen in the Red Light prior to his start; 'I won't tell you what I'm aimin' to accomplish, because the Stranglers might regyard it as their dooty to round me up. But thar's something comin' to the public, Doc; so I yereby leaves word that next week, or next month, or mebby later, if doubts is expressed of my fate, I'm still flutterin' about the scenery some'ers an' am a long ways short of dead. An' as I fades from sight, Doc, I'll take a chance an' say that the clause in the Constitootion which allows that all gents is free an' equal wasn't meant to incloode no married man.' An' with these croode bluffs Rucker chases forth for the Floridas.

"No, the camp don't do nothin'; the word gets passed 'round that old Rucker's gone prospectin' an' that he will recur in our midst whenever thar's a reg'lar roll-call. As for Missis Rucker, personal, from all we can jedge by lookin' on—for thar's shore none of us who's that locoed we ups an' asks—I don't reckon now she ever notices that Rucker's escaped.

"Yere's how it is the time when Faro Nell, her heart bleedin' for the sufferin's of dumb an' he'pless brutes, employs Dan Boggs in errants of mercy an' Dan's efforts to do good gets ill-advised. Not that Dan is easily brought so he regyards his play as erroneous; Enright has to rebooke Dan outright in set terms an' assoome airs of severity before ever Dan allows he entertains a doubt.

"'Suppose I does retire that Greaser's hand from cirk'lation?' says Dan, sort o' dispootatious with Enright an' Doc Peets, who's both engaged in p'intin' out Dan's faults. 'Mexicans ain't got no more need for hands than squinch owls has for hymn books. They won't work; they never uses them members except for dealin' monte or clawin' a guitar. I regyards a Mexican's hands that a-way, when considered as feachers in his makeup, as sooperfluous.'

"'Dan, you shore is the most perverse sport!' says Enright, makin' a gesture of impatience an' at the same time refillin' his glass in hopes of a ca'mer frame. 'This ain't so much a question of hands as it's a question of taste. Nell's requests is right, an' you're bound to go about the rescoo of said chicken as the victim of crooelties. Where you-all falls down is on a system. The method you invokes is impertinent. Don't you say so, Doc?'

"'Which I shore does,' says Peets. 'Dan's conduct is absolootely oncouth.'

"Dan lays the basis for these strictures in the follow-in' fashion: It's a fieste with the Mexicans—one of the noomerous saint's days they gives way to when every Greaser onbuckles an' devotes himse'f to merriments—an' over in Chihuahua, as the Mexican part of the camp is called, the sunburnt portion of Wolfville's pop'lation broadens into quite a time. Thar's hoss races an' monte an' mescal an' pulque, together with roode music sech as may be wrung from primitive instruments like the guitar, the fiddle, an' tin cans half filled with stones.

"Faro Nell, who is only a child as you-all might say, an' ready to be engaged an' entertained with childish things, goes trippin' over to size up the gala scene.

"Thar's a passel of young Mexicans who's Ridin' for the Chicken's Head. This yere is a sport something like a Gander Pullin', same as we-all engages in on Thanksgivin' days an' Christmas, back when I'm a boy in Tennessee. You saveys a Gander Pullin'? Son, you don't mean sech ignorance! Thar must have been mighty little sunshine in the life of a yooth in the morose regions where you was raised for you-all never to disport yourse'f, even as a spectator, at a Gander Pullin'! It wouldn't surprise me none after that if you ups an' informs me you never shakes a fetlock in that dance called money-musk.

"To the end that you be eddicated,—for it's better late than never,"—I'll pause concernin' Boggs an' the Mexicans long enough to eloocidate of Gander Pullin's.

"As I su'gests, we onbends in this pastime at sech epocks as Christmas an' Thanksgivin.' I don't myse'f take actooal part in any Gander Pullin's. Not that I'm too delicate, but I ain't got no hoss. Bein' a pore yooth, I spends the mornin' of my c'reer on foot, an' as a hoss is a necessary ingreedient to a Gander Pullin', I never does stand in personal on the festival, but is redooced to become a envy-bitten looker-on.

"Gander Pullin's is conducted near a tavern or a still house so's the assembled gents won't want the inspiration befittin' both the season an' the scene, an' is commonly held onder the auspices of the proprietor tharof. Thar's a track marked out in a cirkle like a little racecourse for the hosses to gallop on. This course runs between two poles pinned into the ground; or mebby it's two trees. Thar's a rope stretched from pole to pole,—taut an' stiff she's stretched; an' the gander who's the object of the meetin', with his neck an' head greased a heap lavish, is hung from the rope by his two hind laigs. As the gander hangs thar, what Colonel Sterett would style 'the cynosure of every eye,' you'll notice that a gent by standin' high in the stirrups can get a grip of the gander's head.

"As many as determines to distinguish themse'fs in the amoosement throws a two-bit piece into a hat. Most likely thar'll be forty partic'pants. They then lines up, Injun file, an' goes caperin' round the course, each in his place in the joyous procession. As a gent goes onder the rope he grabs for the gander's head; an' that party who's expert enough to bring it away in his hand, wins the hat full of two-bit pieces yeretofore deescribed.

"Which, of course, no gent succeeds the first dash outen the box, as a gander's head is on some good and strong; an' many a saddle gets emptied by virchoo of the back'ard yanks a party gets. But it's on with the dance! They keeps whoopin' an' shoutin' an' ridin' the cirkle an' grabbin' at the gander, each in his cheerful turn, ontil some strong or lucky party sweeps away the prize, assoomes title to the two-bit pieces, goes struttin' to the licker room an' buys nosepaint for the pop'lace tharwith.

"Shore, doorin' a contest a gent's got to keep ridin'; he's not allowed to pause an' dally with the gander an' delay the game. To see to this a brace of brawny sharps is stationed by each pole with clubs in their willin' hands to reemonstrate with any hoss or gent who slows down or stops as he goes onder the gander.

"Thar you have it, son; a brief but lively picture of a Gander Pullin' as pulled former in blithe old Tennessee. An' you'll allow, if you sets down to a ca'm, onja'ndiced study of the sport, that a half hour of reasonable thrill might be expected to flow from it. Gander Pullin's is popular a lot when I'm a yearlin'; I knows that for shore; though in a age which grows effete it's mighty likely if we-all goes back thar now, we'd find it fallen into disuse as a reelaxation.

"In Ridin' for the Chicken's Head, a Mexican don't hang up his prey none same as we-all does at Gander Pullin's. He buries it in the ground to sech degrees that nothin' but the head an' neck protroodes. An' as the Mexicans goes flashin' by on their broncos, each in turn swings down an' makes a reach for the chicken's head. The experiment calls for a shore-enough rider; as when a party is over on one side that a-way, an' nothin' to hold by but a left hand on the saddlehorn an' a left spur caught in the cantle, any little old pull will fetch him out on his head.

"This day when Faro Nell comes bulgin' up to amoose her young an' idle cur'osity with the gayeties of Chihuahua, the Ridin' for the Chicken's Head is about to commence. Which they're jest plantin' the chicken. At first Nell don't savey, as she ain't posted deep on Mexican pastimes. But Nell is plenty quick mental; as, actin' look-out for Cherokee's bank, she's bound to be. Wherefore Nell don't study the preeliminaries long before she gets onto the roodiments of some idee concernin' the jocund plans of the Greasers.

"At last the chicken is buried, an' thar's nothin' in sight but its anxious head. Except that it can turn an' twist its neck some, it's fixed in the ground as firm an' solid as the stumps of a mesquite bush.

"The first Greaser—he's a gaudy party with more colours than you could count in any rainbow—is organisin' for a rush. He's pickin' up his reins an' pushin' his moccasins deep into his tappedaries, when, as he gives his cayouse the spur, the beauty of Ridin' for the Chicken's Head bursts full on Faro Nell. Comin' on her onexpected, Nell don't see no pleasure in it. It don't present the attractions which so alloores the heart of a Greaser. Without pausin' to think, an' feelin' shocked over the fate that's ridin' down on the buried chicken, Nell grips her little paws convulsive an' snaps her teeth. It's then her eye catches Dan Boggs, who's contemplatin' details an' awaitin' the finish with vivid interest.

"'Oh, Dan!' says Nell, grabbin' Dan's arm, 'I don't want that chicken hurt none! Can't you-all make 'em stop?'

"'Shore!' says Dan, prompt to Nell's cry. 'I preevails on 'em to cease easy.'

"As Dan says this, that radiant cavalier is sweepin' upon the pore chicken like the breath of destiny. He's bendin' from the saddle to make a swoop as Dan speaks. Thar ain't a moment to lose an' Dan's hand goes to his gun.

"'Watch me stop him,' says Dan; an' as he does, his bullet makes rags of the Mexican's hand not a inch from the chicken's head.

"For what time you-all might need to slop out a drink, the onlookin' Mexicans stands still. Then the stoopefyin' impressions made by Dan's pistol practice wears off an' a howl goes up like a hundred wolves. At this Dan gets his number-two gun to b'ar, an' with one in each hand, confronts the tan-coloured multitoode.

"'That's shore a nice shot, Nell!' says Dan over his shoulder, ropin' for the congratoolations he thinks is comin.'

"But Nell don't hear him; she's one hundred yards away an' streakin' it for the Red Light like a shootin' star. She tumbles in on us with the brake off like a stage-coach downhill.

"'Dan's treed Chihuahua!' gasps Nell, as she heads straight for Cherokee; 'you-all better rustle over thar plumb soon!'

"Cherokee jumps an' grabs his hardware where they're layin' onder the table. Bein' daylight an' no game goin', an' the day some warm besides, he ain't been wearin' 'em, bein' as you-all might say in negligee. Cherokee buckles on his belts in a second an' starts; the rest of us, however, since we're more ackerately garbed, don't lose no time an' is already half way to Dan.

"It ain't a two-minute run an' we arrives in time. Thar's no more blood, though thar might have been, for we finds Dan frontin' up to full two hundred Greasers, their numbers increasin' and excitement runnin' a heap high. We cuts in between Dan an' Mexican public opinion and extricates that over-vol'tile sport.

"But Dan won't return ontil he exhoomes the chicken, which is still bobbin' an' twistin' its onharmed head where the Mexican buries it. Dan digs it up an' takes it by the laigs; Enright meanwhile cussin' him out, fervent an' nervous, for he fears some locoed Greaser will cut loose every moment an' mebby crease a gent, an' so leave it incumbent on the rest of us to desolate Chihuahua.

"'It's for Nell,' expostulates Dan, replyin' to Enright's criticisms. 'I knows she wants it by the way she grabs my coat that time. Moreover, from the tones she speaks in, I reckons she wants it alive. Also, I don't discern no excoose for this toomult neither; which you-all is shore the most peevish bunch, Enright, an' that's whatever!'

"'Peevish or no,' retorts Enright, 'as a jedge of warjigs I figgers that we gets here jest in time. Thar you be, up ag'inst the entire tribe, an' each one with a gun. It's one of the deefects of a Colt's six-shooter that it hits as hard an' shoots as troo for a Injun or a Greaser as it does for folks. Talk about us bein' peevish! what do you-all reckon would have been results if we hadn't cut in on the baile at the time we does?'

"'Nothin',' says Dan, with tones of soopreme vanity, at the same time dustin' the dirt off Nell's chicken, 'nothing except I'd hung crape on half the dobies in Chihuahua.'

"About two hours after, when things ag'in simmers to the usual, an' Nell is makin' her chicken a coop out to the r'ar of the Red Light, Enright gives a half laugh.

"'Dan,' says Enright, 'when I reflects on the hole we drug you out of, an' the way you-all gets in, you reminds me of that Thomas Benton dog I owns when I'm a yoothful child on the Cumberland. Which Thomas Benton that a-way is a mighty industrious dog an' would turn over a quarter-section of land any afternoon diggin' out a ground-hawg. But thar's this drawback to Thomas Benton which impairs his market valyoo. Some folks used to regyard it as a foible; but it's worse, it's a deefect. As I remarks, this Thomas Benton dog would throw his whole soul into the work, an' dig for a groundhawg like he ain't got another dollar. But thar's this pecooliarity: After that Thomas Benton dog has done dug out the ground-hawg for a couple of hours, you-all is forced to get a spade an' dig out that Thomas Benton dog. He's dead now these yere forty years, but if he's livin' I'd shore change his name an' rebrand him "Dan'l Boggs."'"



CHAPTER X.

The Ghost of the Bar-B-8.

"Spectres? Never! I refooses 'em my beliefs utter"; and with these emphatic words the Old Cattleman tasted his liquor thoughtfully on his tongue. The experiment was not satisfactory; and he despatched his dark retainer Tom for lemons and sugar. "An' you-all might better tote along some hot water, too;" he commanded. "This nosepaint feels raw an' over-fervid; a leetle dilootion won't injure it none."

"But about ghosts?" I persisted.

"Ghosts?" he retorted. "I never does hear of but one; that's a apparition which enlists the attentions of Peets and Old Man Enright a lot. It's a spectre that takes to ha'ntin' about one of Enright's Bar-B-8 sign-camps, an' scarin' up the cattle an' drivin' 'em over a precipice, an' all to Enright's disaster an' loss. Nacherally, Enright don't like this spectral play; an' him an' Peets lays for the wraith with rifles, busts its knee some, an' Peets ampytates its laig. Then they throws it loose; allowin' that now it's only got one lai'g, the visitations will mighty likely cease. Moreover Enright regyards ampytation that a-way, as punishment enough. Which I should shore allow the same myse'f!

"It ain't much of a tale. It turns out like all sperit stories; when you approaches plumb close an' jumps sideways at 'em an' seizes 'em by the antlers, the soopernacheral elements sort o' bogs down.

"It's over mebby fifty miles to the southeast of Wolfville, some'ers in the fringes of the Tres Hermanas that thar's a sign-camp of Enright's brand. Thar's a couple of Enright's riders holdin' down this corner of the Bar-B-8 game, an' one evenin' both of 'em comes squanderin' in,—ponies a-foam an' faces pale as milk,—an' puts it up they don't return to that camp no more.

"'Because she's ha'nted,' says one; 'Jim an' me both encounters this yere banshee an' it's got fire eyes. Also, itse'f and pony is constructed of bloo flames. You can gamble! I don't want none of it in mine; an' that's whatever!'

"Any gent can see that these yooths is mighty scared. Enright elicits their yarn only after pourin' about a quart of nosepaint into 'em.

"It looks like on two several o'casions that a handful of cattle gets run over a steep bluff from the mesa above. The fall is some sixty feet in the cl'ar, an' when them devoted cattle strikes the bottom it's plenty easy to guess they're sech no longer, an' thar's nothin' left of 'em but beef. These beef drives happens each time in the night; an' the cattle must have been stampeded complete to make the trip. Cattle, that a-way, ain't goin' to go chargin' over a high bluff none onless their reason is onhinged. No, the coyotes an' the mountain lions don't do it; they never chases cattle, holdin' 'em in fear an' tremblin.' These mountain lions prounces down on colts like a mink on a settin' hen, but never calves or cattle.

"It's after the second beef killin' when the two riders allows they'll do some night herdin' themse'fs an' see if they solves these pheenomenons that's cuttin' into the Bar-B-8.

"'An' it's mebby second drink time after midnight,' gasps the cow-puncher who's relatin' the adventures, 'an' me an' Jim is experimentin' along the aige of the mesa, when of a suddent thar comes two steers, heads down, tails up, locoed absoloote they be; an' flashin' about in the r'ar of 'em rides this flamin' cow-sperit on its flamin' cayouse. Shore! he heads 'em over the cliff; I hears 'em hit the bottom of the canyon jest as I falls off my bronco in a fit. As soon as ever I comes to an' can scramble into that Texas saddle ag'in, me an' Jim hits the high places in the scenery, in a fervid way, an' yere we-all be! An' you hear me, gents, I don't go back to that Bar-B-8 camp no more. I ain't ridin' herd on apparitions; an' whenever ghosts takes to romancin' about in the cow business, that lets me out.'

"'I reckons,' says Enright, wrinklin' up his brows, 'I'll take a look into this racket myse'f.'

"'An' if you-all don't mind none, Enright,' says Peets, 'I'll get my chips in with yours. Thar's been no one shot for a month in either Red Dog or Wolfville an' I'm reedic'lous free of patients. An' if the boys'll promise to hold themse'fs an' their guns in abeyance for a week or so, an' not go framin' up excooses for my presence abrupt, I figgers that a few days idlin' about the ranges, an' mebby a riot or two roundin' up this cow-demon, will expand me an' do me good.'

"'You're lookin' for trouble, Doc,' says Colonel Sterett, kind o' laughin' at Peets. 'You reminds me of a onhappy sport I encounters long ago in Looeyville.'

"'An' wherein does this Bloo Grass party resemble me?' asks Peets.

"'It's one evenin',' says Colonel Sterett, 'an' a passel of us is settin' about in the Gait House bar, toyin' with our beverages. Thar's a smooth, good-lookin' stranger who's camped at a table near. Final, he yawns like he's shore weary of life an' looks at us sharp an' cur'ous. Then he speaks up gen'ral as though he's addressin' the air. "This is a mighty dull town!" he says. "Which I've been yere a fortnight an' I ain't had no fight as yet." An' he continyoos to look us over plenty mournful.

"'"You-all needn't gaze on us that a-way," says a gent named Granger; "you can set down a stack on it, you ain't goin' to pull on no war with none of us."

"'"Shore, no!" says the onhappy stranger. Then he goes on apol'getic; "Gents, I'm onfort'nately constitootcd. Onless I has trouble at reasonable intervals it preys on me. I've been yere in your town two weeks an' so far ain't seen the sign. Gents, it's beginnin' to tell; an' if any of you-all could direct me where I might get action it would be kindly took."

"'"If you're honin' for a muss," says Granger, "all you has to do is go a couple of blocks to the east, an' then five to the no'th, an' thar on the corner you'll note a mighty prosperous s'loon. You caper in by the side door; it says FAMILY ENTRANCE over this yere portal. Sa'nter up to the bar, call for licker, drink it; an' then you remark to the barkeep, casooal like, that you're thar to maintain that any outcast who'll sell sech whiskey ain't fit to drink with a nigger or eat with a dog. That's all; that barkeep'll relieve you of the load that's burdenin' your nerves in about thirty seconds. You'll be the happiest sport in Looeyville when he gets through."

"'"But can't you come an' p'int out the place," coaxes the onhappy stranger of Granger. He's all wropped up in what Granger tells him. "I don't know my way about good, an' from your deescriptions I shorely wouldn't miss visitin' that resort for gold an' precious stones. Come an' show me, pard; I'll take you thar in a kerriage."

"'At that Granger consents to guide the onhappy stranger. They drives over an' Granger stops the outfit, mebby she's fifty yards from the door. He p'ints it out to the onhappy stranger sport.

"'Come with me," says the onhappy stranger, as he gets outen the kerriage. "Come on; you-all don't have to fight none. I jest wants you to watch me. Which I'm the dandiest warrior for the whole length of the Ohio!"

"'But Granger is firm that he won't; he's not inquisitive, he says, an' will stay planted right thar on the r'ar seat an' await deevelopments. With that, the onhappy stranger sport goes sorrowfully for'ard alone, an' gets into the gin-mill by the said FAMILY ENTRANCE. Granger' sets thar with his head out an' y'ears cocked lookin' an' listenin'.

"'Everything's plenty quiet for a minute. Then slam! bang! bing! crash! the most flagrant hubbub breaks forth! It sounds like that store's comin' down. The racket rages an' grows worse. Thar's a smashin' of glass. The lights goes out, while customers comes boundin' an' skippin' forth from the FAMILY ENTRANCE like frightened fawns. At last the uproars dies down ontil they subsides complete.

"'Granger is beginnin' to upbraid himse'f for not gettin the onhappy stranger's address, so's he could ship home the remainder. In the midst of Granger's se'f-accoosations, the lights in the gin-mill begins to burn ag'in, one by one. After awhile, she's reilloominated an' ablaze with old-time glory. It's then the FAMILY ENTRANCE opens an' the onhappy stranger sport emerges onto the sidewalk. He's in his shirtsleeves, an' a satisfied smile wreathes his face. He shore looks plumb content!

"'"Get out of the kerriage an' come in, pard," he shouts to Granger. "Come on in a whole lot! I'd journey down thar an' get you, but I can't leave; I'm tendin' bar!"'

"'You're shore right, Colonel,' says Peets, when Colonel Sterett ends the anecdote, 'the feelin' of that onhappy stranger sport is parallel to mine. Ghosts is new to me; an' I'm goin' pirootin' off with Enright on this demon hunt an' see if I can't fetch up in the midst of a trifle of nerve-coolin' excitement.'

"The ghost tales of the stampeded cow-punchers excites Dan Boggs a heap. After Enright an' Peets has organised an' gone p'inting out for the ha'nted Bar-B-8 sign-camp to investigate the spook, Dan can't talk of nothin' else.

"'Them's mighty dead game gents, Enright an' Doc Peets is!' says Dan. 'I wouldn't go searchin' for no sperits more'n I'd write letters to rattlesnakes! I draws the line at intimacies with fiends.'

"'But mebby this yere is a angel,' says Faro Nell, from her stool alongside of Cherokee Hall.

"'Not criticisin' you none, Nell,' says Dan, 'Cherokee himse'f will tell you sech surmises is reedic'lous. No angel is goin' to visit Arizona for obvious reasons. An' ag'in, no angel's doo to go skally-hootin' about after steers an' stampeedin' 'em over brinks. It's ag'in reason; you bet! That blazin' wraith, that a-way, is a shore-enough demon! An' as for me, personal, I wouldn't cut his trail for a bunch of ponies!

"'Be you-all scared of ghosts, Dan?' asks Faro Nell.

"'Be I scared of ghosts?' says Dan. 'Which I wish, I could see a ghost an' show you! I don't want to brag none, Nellie, but I'll gamble four for one, an' go as far as you likes, that if you was to up an' show me a ghost right now, I wouldn't stop runnin' for a month. But what appals me partic'lar,' goes on Dan, 'about Peets an' Enright, is they takes their guns. Now a ghost waxes onusual indignant if you takes to shootin' him up with guns. No, it don't hurt him; but he regyards sech demonstrations as insults. It's like my old pap says that time about the Yankees. My old pap is a colonel with Gen'ral Price, an' on this evenin' is engaged in leadin' one of the most intrepid retreats of the war. As he's prancin' along at the head of his men where a great commander belongs, he's shore scandalised by hearin' his r'ar gyard firin' on the Yanks. So he rides back, my old pap does, an' he says: "Yere you-all eediots! Whatever do you mean by shootin' at them Yankees? Don't you know it only makes 'em madder?" An' that,' concloods Dan, 'is how I feels about spectres. I wouldn't go lammin' loose at 'em with no guns; it only makes 'em madder.'

"It's the next day, an' Peets an' Enright is organised in the ha'nted sign-camp of the Bar-B-8. Also, they've been lookin' round. By ridin' along onder the face of the precipice, they comes, one after t'other, on what little is left of the dead steers. What strikes 'em as a heap pecooliar is that thar's no bones or horns. Two or three of the hoofs is kickin' about, an' Enright picks up one the coyotes overlooks. It shows it's been cut off at the fetlock j'int by a knife.

"'This spectre,' says Enright, passin' the hoof to Peets, 'packs a bowie; an' he likewise butchers his prey. Also, ondoubted, he freights the meat off some'ers to his camp, which is why we don't notice no big bones layin' 'round loose.' Then Enright scans the grass mighty scroopulous; an' shore enough! thar's plenty of pony tracks printed into the soil. 'That don't look so soopernacheral neither,' says Enright, p'intin' to the hoof-prints.

"'Them's shorely made by a flesh an' blood pony,' says Peets. 'An' from their goin' some deep into the ground, I dedooces that said cayouse is loaded down with what weight of beef an' man it can stagger onder.'

"That evenin' over their grub Enright an' Peets discusses the business. Thar's a jimcrow Mexican plaza not three miles off in the hills. Both of 'em is aware of this hamlet, an' Peets, partic'lar, is well acquainted with a old Mexican sharp who lives thar—he's a kind o' schoolmaster among 'em—who's mighty cunnin' an' learned. His name is Jose Miguel.

"'An' I'm beginnin' to figger,' says Peets, 'that this ghostly rider is the foxy little Jose Miguel. Which I've frequent talked with him; an' he saveys enough about drugs an' chemicals to paint up with phosphorus an' go surgin' about an' stampedin' cattle over bluffs. It's a mighty good idee from his standp'int. He can argue that the cattle kills themse'fs—sort o' commits sooicide inadvertent—an' if we-all trades up on him with the beef, he insists on his innocence, an' puts it up that his cuttin' in on the play after said cattle done slays themse'fs injures nobody but coyotes.'

"'Doc,' coincides Enright, after roominatin' in silence, 'Doc, the longer I ponders, the more them theories seems sagacious. That enterprisin' Greaser is jest about killin' my beef an' sellin' it to the entire plaza. Not only does this ghost play opp'rate to stampede the cattle an' set 'em runnin' cimmaron an' locoed so they'll chase over the cliffs to their ends, but it serves to scare my cow-punchers off the range, which last, ondoubted, this Miguel looks on as a deesideratum. However, it's goin' to be good an' dark to-night, an' if we-all has half luck I reckons that we fixes him.'

"It's full two hours after midnight an' while thar's stars overhead thar's no moon; along the top of the mesa it's as dark as the inside of a jug. Peets an' Enright is Injunin' about on the prowl for the ghost. They don't much reckon it'll be abroad, as mebby the plaza has beef enough.

"'However, by to-morry night,' says Enright in a whisper, 'or at the worst, by the night after, we're shore to meet up with this marauder.'

"'Hesh!' whispers Peets, at the same time stoppin' Enright with his hand, 'he's out to-night!'

"An' thar for shore is something like a dim bloo light movin' across the plains. Now an' then, two brighter lights shows in spots like the blazes of candles; them's the fire eyes the locoed cowboys tells of. Whatever it is, whether spook or Greaser, it's quarterin' the ground like one of these huntin' dogs. Its gait is a slow canter.

"'He's on the scout,' says Enright,' 'tryin' to start a steer or two in the dark; but he ain't located none yet.'

"Enright an' Peets slides to the ground an' hobbles their broncos. They don't aim to have 'em go swarmin' over no bluffs in any blindness of a first surprise. When the ponies is safe, they bends low an' begins makin' up towards the ground on which this bloo-shimmerin' shadow is ha'ntin' about. Things comes their way; they has luck. They've done crope about forty rods when the ghost heads for 'em. They can easy tell he's comin', for the fire eyes shows all the time an' not by fits an' starts as former. As the bloo shimmer draws nearer they makes out the vague shadows of a man on a hoss. Son, she's shore plenty ghostly as a vision, an' Enright allows later, it's no marvel the punchers vamoses sech scenes.

"'How about it,' whispers Peets; 'shall I do the shootin'?'

"'Which your eyes is younger,' says Enright. 'You cut loose; an' I'll stand by to back the play. Only aim plenty low. You can't he'p over-shootin' in the dark. Hold as low as his stirrup.'

"Peets pulls himse'f up straight as a saplin' an' runs his left hand along the bar'l as far as his arm'll reach. An' he hangs long on the aim as shootin' in the dark ain't no cinch. If this ghost is a bright ghost it would be easy. But he ain't; he's bloo an' dim like washed out moonlight, or when it's jest gettin' to be dawn. Enright's twenty yards to one side so as to free himse'f of Peet's smoke in case he has to make a second shot.

"But Peets calls the turn. With the crack of that Sharp's of his, the ghost sets up sech a screech it proves he ain't white an' also that he'll live through the evenin's events. As the spectre yelps, the bloo cayouse goes over on its head an' neck an' then falls dead on its side. The lead which only smashes the spectre's knee to splinters goes plumb through the pony's heart.

"As Peets foresees, the ghost ain't none other than the wise little Jose Miguel, schoolmaster, who's up on drugs an' chemicals. The bloo glimmer is phosphorus; an' the fire eyes is two of these little old lamps like miners packs in their caps.

"Enright an' Peets strolls up; this Miguel is groanin' an' mournin' an' cryin' 'Marie, Madre de Dios!' When he sees who downs him, he drags himse'f to Enright an' begs a heap abject for his life. With that, Enright silently lets down the hammer of his rifle.

"Peets when the sun comes up enjoys himse'f speshul with the opp'ration. Peets is fond of ampytations, that a-way, and he lops off said limb with zest an' gusto.

"'I shore deplores, Jose,' says Peets, 'to go shortenin' up a fellow scientist like this. But thar's no he'pin' it; fate has so decreed. Also, as some comfort to your soul, I'll explain to Sam Enright how you won't ride much when I gets you fairly trimmed. Leastwise, after I'm done prunin' you, thar won't be nothin' but these yere woman's saddles that you'll fit, an' no gent, be he white or be he Greaser, can work cattle from a side-saddle.' An' Peets, hummin' a roundelay, cuts merrily into the wounded member."



CHAPTER XI.

Tucson Jennie's Correction.

"Doc Peets, son," said the Old Cattleman, while his face wore the look of decent gravity it ever donned when that man of medicine was named, "Doc Peets has his several uses. Aside from him bein' a profound sharp on drugs, an' partic'lar cowboy drugs, he's plenty learned in a gen'ral way, an' knows where every kyard lays in nacher's deck, from them star-flecked heavens above to the earth beneath, an'—as Scripter puts it—to the 'waters onder the earth.' It's a good scheme to have a brace of highly eddicated gents, same as Colonel Sterett an' Doc Peets, sort o' idlin' 'round your camp. Thar's times when a scientist, or say, a lit'rary sport comes bluffin' into Wolfville; an' sech folks is a mighty sight too deep for Boggs an' me an' Tutt. If we're left plumb alone with a band of them book-read shorthorns like I deescribes, you-all sees yourse'f, they're bound to go spraddlin' East ag'in, an' report how darkened Wolfville is. But not after they locks horns with Doc Peets or Colonel Sterett. Wherefore, whenever the camp's invaded by any over-enlightened people who's gone too far in schools for the rest of us to break even with, we ups an' plays Doc Peets or Colonel Sterett onto 'em; an' the way either of them gents would turn in an' tangle said visitors up mental don't bother 'em a bit. That's straight; Peets an' the Colonel is our refooge; they're our protectors; an' many a time an' oft, have I beheld 'em lay for some vain-glorious savant who's got a notion the Southwest, that a-way, is a region of savagery where the folks can't even read an' write none, an' they'd rope, throw, an' hawgtie him—verbal, I means—an' brand his mem'ry with the red-hot fact that he's wrong an' been wadin' in error up to the saddle-girths touchin' the intellectooal attainments of good old Arizona. Shore,—Doc Peets has other uses than drugs, an' he discharges 'em.

"Now that I thinks of the matter, it's Doc Peets who restores Dave Tutt to full standin' with Tucson Jennie, the time she begins to neglect Dave. You see, the trouble is this a-way: It really starts—leastwise I allers so believes—in Dave's beginnin' wrong with Tucson Jennie. Troo, as I confesses to you frequent yeretofore, I ain't married none myse'f; still, I've been livin' a likely number of years, an' has nacherally witnessed a whole lot touchin' other gents an' their wives; an' sech experiences is bound to breed concloosions. An' while I may be wrong, for these yere views is nothin' more than a passel of ontested theeries with me, it's my beliefs that thar's two attitoodes, speakin' gen'ral, which a gent assoomes toward his bride. Either he deals with her on what we-all will call the buck-squaw system, or he turns the game about complete, an' organises his play on the gentleman-lady system. In the latter, the gent waits on his wife; he comes an' he goes, steps high or soft, exactly as she commands. She gives the orders; an' he rides a pony to death execootin' 'em, an' no reemonstrances nor queries. That wife is range an' round-up boss for her outfit.

"But the buck-squaw system is after all more hooman an' satisfactory. It's opposite to the other. The gent is reesponsible for beef on the hook an' flour in the bar'l. He's got to provide the blankets, make good ag'in the household's hunger, an' see to it thar's allers wood an' water within easy throw of every camp he pitches. Beyond that, however, the gent who's playin' the buck-squaw system don't wander. When he's in camp, he distinguishes himse'f by doin' nothin'. He wrops himse'f in his blankets, camps down by the fire, while his wife rustles his chuck an' fills his pipe for him. At first glance, this yere buck-squaw system might strike a neeophyte as a mighty brootal scheme. Jest the same, it'll eemerge winner twenty times to the gentleman-lady system's once. The women folks like it. Which they'll pretend they prefers the gentleman-lady system, where they sets still an' the gent attends on 'em; but don't you credit it, none whatever. It's the good old patriarchal, buck-squaw idee, where the gent does nothin' an' the lady goes prancin' about like the ministerin' angel which she is, that tickles her to death. I states ag'in, that it's my notion, Dave who begins with Tucson Jennie—they bein' man an' wife—on the gentleman-lady system, tharby hatches cold neglect for himse'f. An' if it ain't for the smooth savey of Doc Peets, thar's no sport who could foretell the disastrous end. Dave, himse'f thinks he'd have had eventool to resign his p'sition as Jennie's husband an' quit.

"Which I've onfolded to you prior of Jennie's gettin' jealous of Dave touchin' that English towerist female; but this yere last trouble ain't no likeness nor kin to that. Them gusts of jealousy don't do no harm nohow; nor last the day. They're like thunder showers; brief an' black enough, but soon over an' leavin' the world brighter.

"This last attitoode of Jennie towards Dave is one of abandonment an' onthinkin' indifference that a-way. It begins hard on the fetlocks of that interestin' event, thrillin' to every proud Wolfville heart, the birth of Dave's only infant son, Enright Peets Tutt. Which I never does cross up with no one who deems more of her progeny than Jennie does of the yoothful Enright Peets. A cow's solicitoode concernin' her calf is chill regyard compared tharwith. Jennie hangs over Enright Peets like some dew-jewelled hollyhock over a gyarden fence; you'd think he's a roast apple; an' I don't reckon now, followin' that child's advent, she ever sees another thing in Arizona but jest Enright Peets. He's the whole check-rack—the one bet that wins on the layout of the possible—an' Jennie proceeds to conduct herse'f accordin'. It's a good thing mebby for Enright Peets; I won't set camped yere an' say it ain't; but it's mighty hard on Dave.

"Jennie not only neglects Dave, she turns herse'f loose frequent an' assails him. If he shows up in his wigwam walkin' some emphatic, Jennie'll be down on him like a fallin' star an' accoose him of wakin' Enright Peets.

"'An' if you-all wakes him,' says Jennie to Dave, sort o' domineerin' at him with her forefinger, 'he'll be sick; an' if he gets sick, he'll die; an' if he dies, you'll be a murderer—the heartless deestroyer of your own he'pless offspring,—which awful deed I sometimes thinks you're p'intin' out to pull off.' An' then Jennie would put her apron over her head an' shed tears a heap; while Dave—all harrowed up an' onstrung—would come stampedin' down to the Red Light an' get consolation from Black Jack by the quart.

"That's the idee, son; it's impossible to go into painful details, 'cause I ain't in Dave's or Jennie's confidence enough to round 'em up; but you onderstands what I means. Jennie's forever hectorin' an' pesterin' Dave about Enright Peets; an' beyond that she don't pay no more heed, an' don't have him no more on her mind, than if he's one of these yere little jimcrow ground-owls you-all sees inhabitin' about dissoloote an' permiscus with prairie-dogs. What's the result? Dave's sperits begins to sink; he takes to droopin' about listless an' onregyardful; an' he's that low an' onhappy his nosepaint don't bring him no more of comfort than if he's a graven image. Why, it's the saddest thing I ever sees in Wolfville!

"We-all observes how Dave's dwindlin' an' pinin' an' most of us has a foggy onderstandin' of the trooth. But what can we do? If thar's ever a aggregation of sports who's powerless, utter, to come to the rescoo of a comrade in a hole, it's Enright an' Moore an' Boggs an' Texas Thompson an' Cherokee an' me, doorin' them days when that neglect of Tucson Jennie's is makin' pore Dave's burdens more'n he can b'ar. Shore, we consults; but that don't come to nothin' ontil the o'casion when Doc Peets takes the tangle in ser'ous hand.

"Thar's a day dawns when Missis Rucker gets exasperated over Dave's ill-yoosage. Missis Rucker is a sperited person an' she canters over an' onloads her opinions on Tucson Jennie. Commonly, these yere ladies can't think too much of one another; but on this one division of the house of Tutt, Missis Rucker goes out on Dave's angle of the game. An' you-all should have seen the terror it inspires when Missis Rucker declar's her hostile intentions.

"It's in the O.K. restauraw, when Missis Rucker, who's feedin' us our mornin' flap-jacks an' salt hoss as usual, turns to Old Man Enright, an' says:

"'As soon as ever I've got the last drunkard fed an' outen the house, I'm goin' to put on my shaker an' go an' tell that Tucson Jennie Tutt what's on my mind. I shore never sees a woman change more than Jennie since the days when she cooks for me in this yere very restauraw an' lays plans an' plots to lure Dave into wedlock. I will say that Jennie, nacheral, is a good wife; but the fashion, wherein she tromples on Dave an' his rights is a disgrace to her sex, an' I'm goin' to deevote a hour this mornin' to callin' Jennie's attention tharunto.'

"'Missis Rucker is a mighty intrepid lady,' says Enright, when we goes over to the New York store followin' feed. 'I'd no more embrace them chances she's out to tackle than I'd go dallyin' about a wronged grizzly. But jest the same, I'd give a stack of reds if Peets is here! When did he say he'd be back from Tucson?'

"'The Doc don't allow he'll come trailin' in ag'in,' says Dan Boggs, 'ontil day after to-morry. Which this female dooel will be plumb over by then, an' most likely the camp a wrack.'

"While we-all stands thar gazin' on each other, enable to su'gest anything to meet the emergency, Texas Thompson's pony is brought up from the corral, saddled an' bridled, an' ready for the trail.

"'Well, gents,' says Texas, when he sees his hoss is come, 'I reckons I'll say adios an' pull my freight. I'll be back in a week.'

"'Wherever be you p'intin' for?' asks Cherokee Hall. 'Ain't this goin' of yours some sudden?'

"'It is a trifle hasty,' says Texas; 'but do you cimmarons think I'm goin' to linger yere after Missis Rucker gives notice she's preparin' to burn the ground around Tucson Jennie about Dave? Gents, I don't pack the nerve! I ain't lived three years with my former wife who gets that Laredo divorce I once or twice adverts to, an' not know enough not to get caught out on no sech limb as this. No, sir; I sees enough of woman an' her ways to teach me that now ain't no time to be standin' about irresoloote an' ondecided, an' I'm goin' to dig out for Tucson, you bet, ontil this uprisin' subsides.'

"This example of Texas scares us up a whole lot; the fact is, it stampedes us; an' without a further word of argyment, the whole band makes a break for the corral, throws saddles onto the swiftest ponies, an' in two minutes we're lost in that cloud of alkali dust we kicks up down the trail toward the no'th.

"'Which I won't say that this exodus is necessary,' observes Enright, when ten miles out we slows up to a road gait to breathe our ponies, 'but I thinks on the whole it's safer. Besides, I oughter go over to Tucson anyway on business.'

"The rest of us don't make no remarks nor excooses; but every gent is feelin' like a great personal peril has blown by.

"The next day, we rounds up Doc Peets, an' he encourages us so that we concloods to return an' make a size-up of results.

"'I shore hopes we finds Dave safe.' says Dan Boggs.

"'It's even money,' says Jack Moore, 'that Dave pulls through. Dave's a mighty wary sport when worst comes to worst; an' as game as redhead ants.'

"'That's all right about Dave bein' game,' retorts Dan, 'but this yere's a time when Dave ain't got no show. I says ag'in, I trust he retains decision of character sufficient to go hide out doorin' the storm. It ain't no credit to us that we forgets to bring him along.'

"'No; thar wasn't no harm done,' says Faro Nell, who reports progress to us after we rounds up in the Red Light followin' our return. Nell's a brave girl an' stands a pat hand when the rest of us vamosed that time. 'Thar ain't no real trouble. Missis Rucker merely sets fire to Jennie about the way she maltreats Dave; an' she says Jennie's drivin' him locoed, an' no wonder. Also, she lets on she don't see whatever Dave marries Jennie for anyhow!

"'At that, Jennie comes back an' reminds Missis Rucker how she herse'f done treats Mister Rucker that turrible he goes cavortin' off an' seeks safety among the Apaches. An' so they keeps on slingin' it back'ards an' for'ards for mebby two hours, an' me ha'ntin' about to chunk in a word. Then, final, they cries an' makes up; an' then they both concedes that one way an' another they're the best two people each other ever sees. At this juncture,' concloods Nell, 'I declar's myse'f in on the play; an' we-all three sets down an' admires Enright Peets an' visits an' has a splendid afternoon.'

"'An' wherever doorin' this emute is Dave?' asks Enright.

"'Oh, Dave?' says Nell. 'Why he's lurkin' about outside som'ers in a furtive, surreptitious way; but he don't molest us none. Which, now I remembers, Dave don't even come near us none at all.'

"'I should say not!' says Texas Thompson, plenty emphatic. 'Dave ain't quite that witless.'

"'Now, gents,' remarks Doc Peets, when Nell is done, an' his tones is confident like he's certain of his foothold, 'since things has gone thus far I'll sa'nter into the midst of these domestic difficulties an' adjust 'em some. I've thought up a s'lootion; an' it's apples to ashes that inside of twenty-four hours I has Jennie pettin' an' cossetin' Dave to beat four of a kind. Leave this yere matter to me entire.'

"We-all can't see jest how Peets is goin' to work these mir'cles; still, sech is our faith, we believes. We decides among ourse'fs, however, that if Peets does turn this pacific trick it'll ondoubted be the crownin' glory of his c'reer.

"After Peets hangs up his bluff, we goes about strainin' eyes an' y'ears for any yells or signal smokes that denotes the advent of said changes. An', son, hard as it is to credit, it comes to pass like Peets prognosticates. By next evenin' a great current of tenderness for Dave goes over Jennie all at once. She begins to call him 'Davy'—a onheard of weakness!—an' hovers about him askin' whatever he thinks he needs; in fact, she becomes that devoted, it looks like the little Enright Peets'll want he'p next to play his hand for him. That's the trooth: Jennie goes mighty clost to forgettin' Enright Peets now an' then in her wifely anxieties concernin' Dave.

"As for Dave himse'f, he don't onderstand his sudden an' onmerited pop'larity; but wearin' a dazed grin of satisfied ignorance, that a-way, he accepts the sityooation without askin' reasons, an' proceeds to profit tharby. That household is the most reeconciled model fam'ly outfit in all broad Arizona. An' it so continyoos to the end.

"'Whatever did you do or say, Doc?' asks Enright a month later, as we-all from across the street observes how Jennie kisses Dave good-bye at the door an' then stands an' looks after him like she can't b'ar to have him leave her sight; 'what's the secret of this second honeymoon of Dave's?'

"'Which I don't say much,' says Peets. 'I merely takes Jennie one side an' exhorts her to brace up an' show herse'f a brave lady. Then I explains that while I ain't told Dave none—as his knowin' wouldn't do no good—I regyards it as my medical dooty to inform her so's she'll be ready to meet the shock. "The trooth is, Missis Tutt," I says, "pore Dave's got heart disease, an' is booked to cash in any moment. I can't say when he'll die exactly; the only shore thing is he can't survive a year." She sheds torrents of tears; an' then I warns her she mustn't let Dave see her grief or bushwhack anything but smiles on her face, or mightly likely it'll stop his clock right thar. "Can't nothin' be done for Dave?" she asks. "Nothin'," I replies, "except be tender an' lovin' an' make Dave's last days as pleasant an' easy as you can. We must jump in an' smooth the path to his totterin' moccasins with gentleness an' love," I says, "an' be ready, when the blow does fall, to b'ar it with what fortitoode we may." That's all I tells her. However, it looks like it's becomin' a case of overplay in one partic'lar; our pore young namesake, Enright Peets, is himse'f gettin' a trifle the worst of it, an' I'm figgerin' that to-morry, mebby, I'll look that infant over, an' vouchsafe the news thar's something mighty grievous the matter with his lungs.'"



CHAPTER XII.

Bill Connors of the Osages.

"Nacherally, if you-all is frettin' to hear about Injuns," observed the Old Cattleman in reply to my latest request, "I better onfold how Osage Bill Connors gets his wife. Not that thar's trouble in roundin' up this squaw; none whatever. She comes easy; all the same said tale elab'rates some of them savage customs you're so cur'ous concernin'."

My companion arose and kicked together the logs in the fireplace. This fireplace was one of the great room's comforts as well as ornaments. The logs leaped into much accession of flame, and crackled into sparks, and these went gossiping up the mighty chimney, their little fiery voices making a low, soft roaring like the talk of bees.

"This chimley draws plenty successful," commented my friend. "Which it almost breaks even with a chimley I constructs once in my log camp on the Upper Red. That Red River floo is a wonder! Draw? Son, it could draw four kyards an' make a flush. But that camp of mine on the Upper Red is over eight thousand foot above the sea as I'm informed by a passel of surveyor sports who comes romancin' through the hills with a spyglass on three pegs; an' high altitoods allers proves a heap exileratin' to a fire.

"But speakin' of Bill Connors: In Wolfville—which them days is the only part of my c'reer whereof I'm proud an' reviews with onmixed satisfaction—Doc Peets is, like you, inquis'tive touchin' Injuns. Peets puts it up that some day he's doo to write books about 'em. Which in off hours, an' when we-all is more or less at leesure over our Valley Tan, Peets frequent comes explorin' 'round for details. Shore, I imparts all I saveys about Bill Connors, an' likewise sech other aborigines as lives in mem'ry; still, it shakes my estimates of Peets to find him eager over Injuns, they bein' low an' debasin' as topics. I says as much to Peets.

"'Never you-all mind about me,' says Peets. 'I knows so much about white folks it comes mighty clost to makin' me sick. I seeks tales of Injuns as a relief an' to promote a average in favor of the species.'

"This Bill Connors' is a good-lookin' young buck when I cuts his trail; straight as a pine an' strong an' tireless as a bronco. It's about six years after the philanthrofists ropes onto Bill an' drags him off to a school. You-all onderstands about a philanthrofist—one of these sports who's allers improvin' some party's condition in a way the party who's improved don't like.

"'A philanthrofist,' says Colonel Sterett, one time when Dan Boggs demands the explanation at his hands; 'a philanthrofist is a gent who insists on you givin' some other gent your money.'

"For myse'f, however, I regyards the Colonel's definition as too narrow. Troo philanthrofy has a heap of things to it that's jest as onreasonable an' which does not incloode the fiscal teachers mentioned by the Colonel.

"As I'm sayin'; these well-meanin' though darkened sports, the philanthrofists, runs Bill down—it's mebby when he's fourteen, only Injuns don't keep tab on their years none—an' immures him in one of the gov'ment schools. It's thar Bill gets his name, 'Bill Connors.' Before that he cavorts about, free an' wild an' happy onder the Injun app'lation of the 'Jack Rabbit.'

"Shore! Bill's sire—a savage who's 'way up in the picture kyards, an' who's called 'Crooked Claw' because of his left hand bein' put out of line with a Ute arrow through it long ago—gives his consent to Bill j'inin' that sem'nary. Crooked Claw can't he'p himse'f; he's powerless; the Great Father in Washin'ton is backin' the play of the philanthrofists.

"'Which the Great Father is too many for Crooked Claw,' says this parent, commentin' on his helplessness. Bill's gone canterin' to his old gent to remonstrate, not hungerin' for learnin', an' Crooked Claw says this to Bill: 'The Great Father is too many for Crooked Claw; an' too strong. You must go to school as the Great Father orders; it is right. The longest spear is right.'

"Bill is re-branded, 'Bill Connors,' an' then he's done bound down to them books. After four years Bill gradyooates; he's got the limit an' the philanthrofists takes Bill's hobbles off an' throws him loose with the idee that Bill will go back to his tribe folks an' teach 'em to read. Bill comes back, shore, an' is at once the Osage laughin'-stock for wearin' pale-face clothes. Also, the medicine men tells Bill he'll die for talkin' paleface talk an' sportin' a paleface shirt, an' these prophecies preys on Bill who's eager to live a heap an' ain't ready to cash in. Bill gets back to blankets an' feathers in about a month.

"Old Black Dog, a leadin' sharp among the Osages, is goin' about with a dab of clay in his ha'r, and wearin' his most ornery blanket. That's because Black Dog is in mournin' for a squaw who stampedes over the Big Divide, mebby it's two months prior. Black Dog's mournin' has got dealt down to the turn like; an' windin' up his grief an' tears, Osage fashion, he out to give a war-dance. Shore; the savages rings in a war-dance on all sorts of cer'monies. It don't allers mean that they're hostile, an' about to spraddle forth on missions of blood. Like I states, Black Dog, who's gone to the end of his mournful lariat about the departed squaw, turns himse'f on for a war-dance; an' he nacherally invites the Osage nation to paint an' get in on the festiv'ties.

"Accordin' to the rooles, pore Bill, jest back from school, has got to cut in. Or he has his choice between bein' fined a pony or takin' a lickin' with mule whips in the hands of a brace of kettle-tenders whose delight as well as dooty it is to mete out the punishment. Bill can't afford to go shy a pony, an' as he's loth to accept the larrupin's, he wistfully makes ready to shake a moccasin at the baile. An' as nothin' but feathers, blankets, an' breech-clouts goes at a war-dance—the same bein' Osage dress-clothes—Bill shucks his paleface garments an' arrays himse'f after the breezy fashion of his ancestors. Bill attends the war dance an' shines. Also, bein' praised by the medicine men an' older bucks for quittin' his paleface duds; an' findin' likewise the old-time blanket an' breech-clout healthful an' saloobrious—which Bill forgets their feel in his four years at that sem'nary—he adheres to 'em. This lapse into aboriginal ways brews trouble for Bill; he gets up ag'inst the agent.

"It's the third day after Black Dog's war-dance, an' Bill, all paint an' blankets an' feathers, is sa'nterin' about Pawhusky, takin' life easy an' Injun fashion. It's then the agent connects with Bill an' sizes him up. The agent asks Bill does he stand in on this yere Black Dog war-dance.

"'Don't they have no roast dog at that warjig?' asks Dan Boggs, when I'm relatin' these reminiscences in the Red Light.

"'No,' I says; 'Osages don't eat no dogs.'

"'It's different with Utes a lot,' says Dan, 'Which Utes regyards dogs fav'rable, deemin' 'em a mighty sucyoolent an' nootritious dish. The time I'm with the Utes they pulls off a shindig, "tea dance" it is, an', as what Huggins would call "a star feacher" they ups an' roasts a white dog. That canine is mighty plethoric an' fat, an' they lays him on his broad, he'pless back an' shets off his wind with a stick cross-wise of his neck, an' two bucks pressin' on the ends. When he's good an' dead an' all without no suffoosion of blood, the Utes singes his fur off in a fire an' bakes him as he is. I partakes of that dog—some. I don't nacherally lay for said repast wide-jawed, full-toothed an' reemorseless, like it's flapjacks—I don't gorge myse'f none; but when I'm in Rome, I strings my chips with the Romans like the good book says, an' so I sort o' eats baked dog with the Utes. Otherwise, I'd hurt their sens'bilities; an' I ain't out to harrow up no entire tribe an' me playin' a lone hand.'

"That agent questions Bill as to the war-dance carryin's on of old Black Dog. Then he p'ints at Bill's blankets an' feathers an' shakes his head a heap disapprobative.

"'Shuck them blankets an' feathers,' says the agent, 'an' get back into your trousers a whole lot; an' be sudden about it, too. I puts up with the divers an' sundry rannikabooisms of old an' case-hardened Injuns who's savage an' ontaught. But you're different; you've been to school an' learned the virchoos of pants; wherefore, I looks for you to set examples.'

"It's then Bill gets high an' allows he'll wear clothes to suit himse'f. Bill denounces trousers as foolish in their construction an' fallacious in their plan. Bill declar's they're a bad scheme, trousers is; an' so sayin' he defies the agent to do his worst. Bill stands pat on blankets an' feathers.

"'Which you will, will you!' remarks this agent.

"Then he claps Bill in irons mighty decisive, an' plants him up ag'in the high face of a rock bluff which has been frownin' down on Bird River since Adam makes his first camp. Havin' got Bill posed to his notion, this earnest agent, puttin' a hammer into Bill's rebellious hand, starts him to breakin' rock.

"'Which the issue is pants,' says the obdurate agent sport; 'an' I'll keep you-all whackin' away at them boulders while the cliff lasts onless you yields. Thar's none of you young bucks goin' to bluff me, an' that's whatever!'

"Bill breaks rocks two days. The other Osages comes an' perches about, sympathetic, an' surveys Bill. They exhorts him to be firm; they gives it out in Osage he's a patriot.

"Bill's willin' to be a patriot as the game is commonly dealt, but when his love of country takes the form of poundin' rocks, the noble sentiments which yeretofore bubbles in Bill's breast commences to pall on Bill an' he becomes none too shore but what trousers is right. By second drink time—only savages don't drink, a paternal gov'ment barrin' nosepaint on account of it makin' 'em too fitfully exyooberant—by second drink time the second evenin' Bill lays down his hand—pitches his hammer into the diskyard as it were—an' when I crosses up with him, Bill's that abject he wears a necktie. When Bill yields, the agent meets him half way, an' him an' Bill rigs a deal whereby Bill arrays himse'f Osage fashion whenever his hand's crowded by tribal customs. Other times, Bill inhabits trousers; an' blankets an' feathers is rooled out.

"Shore, I talks with Bill's father, old Crooked Claw. This yere savage is the ace-kyard of Osage-land as a fighter. No, that outfit ain't been on the warpath for twenty years when I sees 'em then it's with Boggs' old pards, the Utes. I asks Crooked Claw if he likes war. He tells me that he dotes on carnage like a jaybird, an' goes forth to battle as joobilant as a drunkard to a shootin' match. That is, Crooked Claw used to go curvin' off to war, joyful, at first. Later his glee is subdooed because of the big chances he's takin'. Then he lugs out 'leven skelps, all Ute, an' eloocidates.

"'This first maverick,' says Crooked Claw—of course, I gives him in the American tongue, not bein' equal to the reedic'lous broken Osage he talks—'this yere first maverick,' an' he strokes the braided ha'r of a old an' smoke-dried skelp, 'is easy. The chances, that a-way, is even. Number two is twice as hard; an' when I snags onto number three—I downs that hold-up over by the foot of Fisher's Peak—the chances has done mounted to be three to one ag'in me. So it goes gettin' higher an' higher, ontil when I corrals my 'leventh, it's 'leven to one he wins onless he's got killin's of his own to stand off mine. I don't reckon none he has though,' says Crooked Claw, curlin' his nose contemptuous. 'He's heap big squaw—a coward; an' would hide from me like a quail. He looks big an' brave an' strong, but his heart is bad—he is a poor knife in a good sheath. So I don't waste a bullet on him, seein' his fear, but kills him with my war-axe. Still, he raises the chances ag'inst me to twelve to one, an' after that I goes careful an' slow. I sends in my young men; but for myse'f I sort o' hungers about the suburbs of the racket, takin' no resks an' on the prowl for a cinch,—some sech pick-up as a sleeper, mebby. But my 'leventh is my last; the Great Father in Washin'ton gets tired with us an' he sends his walk-a-heaps an' buffalo soldiers'—these savages calls niggers 'buffalo soldiers,' bein' they're that woolly—'an' makes us love peace. Which we'd a-had the Utes too dead to skin if it ain't for the walk-a-heaps an' buffalo soldiers.'

"An' at this Crooked Claw tosses the bunch of Ute top-knots to one of his squaws, fills up his red-stone pipe with kinnikinick an' begins to smoke, lookin' as complacent as a catfish doorin' a Joone rise.

"Bill Connors has now been wanderin' through this vale of tears for mebby she's twenty odd years, an' accordin' to Osage tenets, Bill's doo to get wedded. No, Bill don't make no move; he comports himse'f lethargic; the reesponsibilities of the nuptials devolves on Bill's fam'ly.

"It's one of the excellentest things about a Injun that he don't pick out no wife personal, deemin' himse'f as too locoed to beat so difficult a game.

"Or mebby, as I observes to Texas Thompson one time in the Red Light when him an' me's discussin', or mebby it's because he's that callous he don't care, or that shiftless he won't take trouble.

"'Whatever's the reason,' says Texas, on that o'casion, heavin' a sigh, 'thar's much to be said in praise of the custom. If it only obtains among the whites thar's one sport not onknown to me who would have shore passed up some heartaches. You can bet a hoss, no fam'ly of mine would pick out the lady who beats me for that divorce back in Laredo to be the spouse of Texas Thompson. Said household's got too much savey to make sech a break.'

"While a Osage don't select that squaw of his, still I allers entertains a theery that he sort o' saveys what he's ag'inst an' no he'pmeet gets sawed off on him objectionable an' blind. I figgers, for all he don't let on, that sech is the sityooation in the marital adventures of Bill. His fam'ly picks the Saucy Willow out; but it's mighty likely he signs up the lady to some discreet member of his outfit before ever they goes in to make the play.

"Saucy Willow for a savage is pretty—pretty as a pinto hoss. Her parent, old Strike Axe, is a morose but common form of Osage, strong financial, with a big bunch of cattle an' more'n two hundred ponies. Bill gets his first glimpse, after he comes back from school, of the lovely Saucy Willow at a dance. This ain't no war-dance nor any other ceremonious splurge; it's a informal merrymakin', innocent an' free, same as is usual with us at the Wolfville dance hall. Shore, Osages, lacks guitars an' fiddles, an' thar's no barkeep nor nosepaint—none, in trooth, of the fav'rable adjuncts wherewith we makes a evenin' in Hamilton's hurdygurdy a season of social elevation, an' yet they pulls off their fandangoes with a heap of verve, an' I've no doubt they shore enjoys themse'fs.

"For two hours before sundown the kettle-tenders is howlin' an' callin' the dance throughout the Osage camp. Thar's to be a full moon, an' the dance—the Ingraska it is; a dance the Osages buys from the Poncas for eight ponies—is to come off in a big, high-board corral called the 'Round House.'

"Followin' the first yell of the kettle-tenders, the young bucks begins to paint up for the hilarity. You might see 'em all over camp, for it's August weather an' the walls of the tents an' teepees is looped up to let in the cool, daubin' the ocher on their faces an' braidin' the feathers into their ha'r. This organisin' for a baile ain't no bagatelle, an' two hours is the least wherein any se'f-respectin' buck who's out to make a centre shot on the admiration of the squaws an' wake the envy of rival bucks, can lay on the pigments, so he paints away at his face, careful an' acc'rate, sizin' up results meanwhile in a jimcrow lookin' glass. At last he's as radiant as a rainbow, an' after garterin' each laig with a belt of sleigh-bells jest below the knee, he regyards himse'f with a fav'rable eye an' allows he's ondoubted the wildest wag in his set.

"Each buck arrives at the Round House with his blanket wropped over his head so as not to blind the onwary with his splendours. It's mebby second drink time after sundown an' the full moon is swingin' above effulgent. The bucks who's doo to dance sets about one side of the Round House on a board bench; the squaws—not bein' in on the proposed activities—occupies the other half, squattin' on the ground. Some of 'em packs their papooses tied on to a fancy-ribboned, highly beaded board, an' this they makes a cradle of by restin' one end on the ground an' the other on their toe, rockin' the same meanwhile with a motion of the foot. Thar's a half hoop over the head-end of these papoose boards, hung with bells for the papoose to get infantile action on an' amoose his leesure.

"The bucks settin' about their side of the Round House, still wrops themse'fs in their blankets so as not to dazzle the squaws to death preematoor. At last the music peals forth. The music confines itse'f to a bass drum—paleface drum it is—which is staked out hor'zontal about a foot high from the grass over in the centre. The orchestra is a decrepit buck with a rag-wropped stick; with this weepon he beats the drum, chantin' at the same time a pensive refrain.

"Mebby a half-dozen squaws, with no papooses yet to distract 'em, camps 'round this virchuoso with the rag-stick, an' yoonites their girlish howls with his. You-all can put down a bet it don't remind you none of nightingales or mockin' birds; but the Injuns likes it. Which their simple sperits wallows in said warblin's! But to my notion they're more calc'lated to loco a henhawk than furnish inspiration for a dance.

"'Tunk! tunk! tunk! tunk!' goes this rag-stick buck, while the squaws chorus along with, 'Hy-yah! hy-yah! hy-yah-yah-yah! Hy-yah! hy-yah! hy-yah-yah-yah!' an' all grievous, an' make no mistake!

"At the first 'tunk!' the bucks stiffen to their feet and cast off the blankets. Feathers, paint, an' bells! they blaze an' tinkle in the moonlight with a subdooed but savage elegance. They skates out onto the grass, stilt-laig, an' each buck for himse'f. They go skootin' about, an' weave an' turn an' twist like these yere water-bugs jiggin' it on the surface of some pond. Sometimes a buck'll lay his nose along the ground while he dances—sleigh bells jinglin', feathers tossin'! Then he'll straighten up ontil he looks like he's eight foot tall; an' they shore throws themse'fs with a heap of heart an' sperit.

"It's as well they does. If you looks clost you observes a brace of bucks, and each packin' a black-snake whip. Them's kettle-tenders,—floor managin' the baile they be; an' if a buck who's dancin' gets preeoccupied with thinkin' of something else an' takes to prancin' an' dancin' listless, the way the kettle-tenders pours the leather into him to remind him his fits of abstraction is bad form, is like a religious ceremony. An' it ain't no bad idee; said kettle-tenders shore promotes what Colonel Sterett calls the elan of the dancin' bucks no end.

"After your eyes gets used to this whirlin' an' skatin' an' skootin' an' weavin' in an' out, you notes two bucks, painted to a finish an' feathered to the stars! who out-skoots an' out-whirls an' out-skates their fellow bucks like four to one. They gets their nose a little lower one time an' then stands higher in the air another, than is possible to the next best buck. Them enthoosiasts ain't Osages at all; which they're niggers—full-blood Senegambians they be, who's done j'ined the tribe. These Round House festivals with the paint, the feathers, an' the bells, fills their trop'cal hearts plumb full, an' forgettin' all about the white folks an' their gyarded ways, they're the biggest Injuns to warm a heel that night.

"Saucy Willow is up by the damaged rag-stick buck lendin' a mouthful or two of cl'ar, bell-like alto yelps to the harmony of the evenin'. Bill who's a wonder in feathers an' bells, an' whose colour-scheme would drive a temp'rance lecturer to drink, while zippin' about in the moonlight gets his eye on her. Mighty likely Bill's smitten; but he don't let on, the fam'ly like I relates, allers ropin' up a gent's bride. It's good bettin' this yere Saucy Willow counts up Bill. If she does, however,—no more than Bill,—she never tips her hand. The Saucy Willow yelps on onconcerned, like her only dream of bliss is to show the coyotes what vocal failures they be.

"It's a week after the Ingraska, an' Bill's fam'ly holds a round-up to pick Bill out a squaw. He ain't present, havin' the savey to go squanderin' off to play Injun poker with some Creek sports he hears has money over on the Polecat. Bill's fam'ly makes quite a herd, bucks an' squaws buttin' in on the discussion permiscus an' indiscrim'nate. Shore! the squaws has as much to say as the bucks among Injuns. They owns their own ponies an' backs their own play an' is as big a Injun as anybody, allowin' for that nacheral difference between squaw dooties an' buck dooties—one keeps camp while the other hunts, or doorin' war times when one protects the herds an' plunder while the other faces the foe. You hears that squaws is slaves? However is anybody goin' to be a slave where thar's as near nothin' to do in the way of work as is possible an' let a hooman live? Son, thar ain't as much hard labour done in a Injun camp in a week—ain't as much to do as gets transacted at one of them rooral oyster suppers to raise money for the preacher!

"Bill's fam'ly comes trailin' in to this powwow about pickin' out a squaw for Bill. Besides Crooked Claw, thar's Bill's widow aunt, the Wild Cat—she's plumb cunnin', the Wild Cat is, an' jest then bein' cel'brated among the Osages for smokin' ponies with Black B'ar, a old buck, an' smokin' Black B'ar out of his two best cayouses. Besides these two, thar's The-man-who-bleeds, The-man-who-sleeps, Tom Six-killer, The-man-who-steps-high, an' a dozen other squaws an' bucks, incloosive of Bill's mother who's called the Silent Comanche, an' is takin' the play a heap steady an' livin' up to her name.

"The folks sets 'round an' smokes Crooked Claw's kinnikinick. Then the Wild Cat starts in to deal the game. She says it's time Bill's married, as a onmarried buck is a menace; at this the others grunts agreement. Then they all turns in to overhaul the el'gible young squaws. Which they shore shows up them belles! One after the other they're drug over the coals. At last the Wild Cat mentions the Saucy Willow jest as every savage present knows will be done soon or late from the jump. The Saucy Willow obtains a speshul an' onusual run for her money. But it's settled final that while the Saucy Willow ain't none too good, she's the best they can do. The Saucy Willow belongs to the Elk clan, while Bill belongs to the B'ar clan, an' that at least is c'rrect. Injuns don't believe in inbreedin' so they allers marries out of their clan.

"As soon as they settles on the Saucy Willow as Bill's squaw, they turns in to make up the 'price.' The Wild Cat, who's rich, donates a kettle, a side of beef, an' the two cayouses she smokes outen the besotted Black B'ar. The rest chucks in accordin' to their means, Crooked Claw comin' up strong with ten ponies; an' Bill's mother, the Silent Comanche, showin' down with a bolt of calico, two buffalo robes, a sack of flour an' a lookin' glass. This plunder is to go to the Saucy Willow's folks as a 'price' for the squaw. No, they don't win on the play; the Saucy Willow's parents is out dinero on the nuptials when all is done. They has to give Bill their wickeyup.

"When Bill's outfit's fully ready to deal for blood they picks out some bright afternoon. The Saucy Willow's fam'ly is goin' about lookin' partic'lar harmless an' innocent; but they're coony enough to be in camp that day. A procession starts from the Crooked Claw camp. Thar's The-man-who-steps-high at the head b'arin' a flag, union down, an' riotin' along behind is Tom Six-killer, The-man-who-sleeps, the Wild Cat and others leadin' five ponies an' packin' kettles, flour, beef, an' sim'lar pillage. They lays it all down an' stakes out the broncos about fifty yards from Strike Axe's camp an' withdraws.

"Then some old squaw of the Strike Axe outfit issues forth an' throws the broncos loose. That's to show that the Saucy Willow is a onusual excellent young squaw an' pop'lar with her folks, an' they don't aim to shake her social standin' by acceptin' sech niggard terms.

"But the Crooked Claw outfit ain't dismayed, an' takes this rebuff phlegmatic. It's only so much ettyquette; an' now it's disposed of they reorganise to lead ag'in to win. This time they goes the limit, an' brings up fifteen ponies an' stacks in besides with blankets, robes, beef, flour, calico, kettles, skillets, and looking-glasses enough to fill eight waggons. This trip the old Strike Axe squaw onties the fifteen ponies an' takin' 'em by their ropes brings 'em in clost to the Strike Axe camp, tharby notifyin' the Crooked Claw band that their bluff for the Saucy Willow is regyarded as feasible an' the nuptials goes. With this sign, the Crooked Claws comes caperin' up to the Strike Axes an' the latter fam'ly proceeds to rustle a profoosion of grub; an' with that they all turns in an' eats old Strike Axe outen house an' home. The 'price' is split up among the Strike Axe bunch, shares goin' even to second an' third cousins.

"Mebby she's a week later when dawns the weddin' day. Bill, who's been lookin' a heap numb ever since these rites becomes acoote, goes projectin' off alone onto the prairie. The Saucy Willow is hid in the deepest corner of Strike Axe's teepee; which if she's visible, however, you'd be shore amazed at the foolish expression she wears, but all as shy an' artless as a yearlin' antelope.

"But it grows time to wind it up, an' one of the Strike Axe bucks climbs into the saddle an' rides half way towards the camp of Crooked Claw. Strike Axe an' Crooked Claw in antic'pation of these entanglements has done pitched their camps about half a mile apart so as to give the pageant spread an' distances. When he's half way, the Strike Axe buck fronts up an' slams loose with his Winchester; it's a signal the baile is on.

"At the rifle crack, mounted on a pony that's the flower of the Strike Axe herd, the Saucy Willow comes chargin' for the Crooked Claws like a shootin' star. The Saucy Willow is a sunburst of Osage richness! an' is packin' about five hundred dollars' worth of blankets, feathers, beads, calicoes, ribbons, an' buckskins, not to mention six pounds of brass an' silver jewelry. Straight an' troo comes the Saucy Willow; skimmin' like a arrow an' as rapid as the wind!

"As Saucy Willow embarks on this expedition, thar starts to meet her—afoot they be but on the run—Tom Six-killer an' a brace of squaw cousins of Bill's. Nacherally, bein' he out-lopes the cousins, Tom Six-killer runs up on the Saucy Willow first an' grabs her bronco by the bridle. The two young squaw cousins ain't far behind the Six-killer, for they can run like rabbits, an' they arrives all laughter an' cries, an' with one move searches the Saucy Willow outen the saddle. In less time than it takes to get action on a drink of licker the two young squaws has done stripped the Saucy Willow of every feather, bead an' rag, an' naked as when she's foaled they wrops her up, precious an' safe in a blanket an' packs her gleefully into the camp of Crooked Claw. Here they re-dresses the Saucy Willow an' piles on the gew-gaws an' adornments, ontil if anything she's more gorgeous than former. The pony which the Saucy Willow rides goes to the Six-killer, while the two she-cousins, as to the balance of her apparel that a-way, divides the pot.