The door of the dairy faces the dusty road and is off its hinges and has to be propped up. The prop is missing this morning, and Tommy is accused of having been seen chasing old Poley with it at an earlier hour. He never seed the damn prop, never chased no cow with it, and wants to know what's the use of always accusing him. He further complains that he's always blamed for everything. The pole is not forthcoming, and so an old dray is backed against the door to keep it in position. There is more trouble about a cow that is lost, and hasn't been milked for two days. The boy takes the cows up to the paddock sliprails and lets the top rail down: the lower rail fits rather tightly and some exertion is required to free it, so he makes the animals jump that one. Then he "poddies"-hand-feeds—the calves which have been weaned too early. He carries the skim-milk to the yard in a bucket made out of an oil-drum—sometimes a kerosene-tin—seizes a calf by the nape of the neck with his left hand, inserts the dirty forefinger of his right into its mouth, and shoves its head down into the milk. The calf sucks, thinking it has a teat, and pretty soon it butts violently—as calves do to remind their mothers to let down the milk—and the boy's wrist gets barked against the jagged edge of the bucket. He welts that calf in the jaw, kicks it in the stomach, tries to smother it with its nose in the milk, and finally dismisses it with the assistance of the calf rope and a shovel, and gets another. His hand feels sticky and the cleaned finger makes it look as if he wore a filthy, greasy glove with the forefinger torn off.

The selector himself is standing against a fence talking to a neighbour. His arms rest on the top rail of the fence, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on a white cow that is chewing her cud on the opposite side of the fence. The neighbour's arms rest on the top rail also, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on the cow. They are talking about that cow. They have been talking about her for three hours. She is chewing her cud. Her nose is well up and forward, and her eyes are shut. She lets her lower jaw fall a little, moves it to one side, lifts it again, and brings it back into position with a springing kind of jerk that has almost a visible recoil. Then her jaws stay perfectly still for a moment, and you would think she had stopped chewing. But she hasn't. Now and again a soft, easy, smooth-going swallow passes visibly along her clean, white throat and disappears. She chews again, and by and by she loses consciousness and forgets to chew. She never opens her eyes. She is young and in good condition; she has had enough to eat, the sun is just properly warm for her, and—well, if an animal can be really happy, she ought to be.

Presently the two men drag themselves away from the fence, fill their pipes, and go to have a look at some rows of forked sticks, apparently stuck in the ground for some purpose. The selector calls these sticks fruit-trees, and he calls the place "the orchard." They fool round these wretched sticks until dinnertime, when the neighbour says he must be getting home. "Stay and have some dinner! Man alive! Stay and have some dinner!" says the selector; and so the friend stays.

It is a broiling hot day in summer, and the dinner consists of hot roast meat, hot baked potatoes, hot cabbage, hot pumpkin, hot peas, and burning-hot plum-pudding. The family drinks on an average four cups of tea each per meal. The wife takes her place at the head of the table with a broom to keep the fowls out, and at short intervals she interrupts the conversation with such exclamations as "Shoo! shoo!" "Tommy, can't you see that fowl? Drive it out!" The fowls evidently pass a lot of their time in the house. They mark the circle described by the broom, and take care to keep two or three inches beyond it. Every now and then you see a fowl on the dresser amongst the crockery, and there is great concern to get it out before it breaks something. While dinner is in progress two steers get into the wheat through a broken rail which has been spliced with stringy-bark, and a calf or two break into the vineyard. And yet this careless Australian selector, who is too shiftless to put up a decent fence, or build a decent house and who knows little or nothing about farming, would seem by his conversation to have read up all the great social and political questions of the day. Here are some fragments of conversation caught at the dinner-table. Present—the selector, the missus, the neighbour, Corney George—nicknamed "Henry George"—Tommy, Jacky, and the younger children. The spaces represent interruptions by the fowls and children:

Corney George (continuing conversation): "But Henry George says, in 'Progress and Poverty,' he says—"

Missus (to the fowls): "Shoo! Shoo!"

Corney: "He says—"

Tom: "Marther, jist speak to this Jack."

Missus (to Jack): "If you can't behave yourself, leave the table."

Tom [Corney, probably]: "He says in Progress and—"

Missus: "Shoo!"

Neighbour: "I think 'Lookin' Backwards' is more—"

Missus: "Shoo! Shoo! Tom, can't you see that fowl?"

Selector: "Now I think 'Caesar's Column' is more likely—Just look at—"

Missus: "Shoo! Shoo!"

Selector: "Just look at the French Revolution."

Corney: "Now, Henry George-"

Tom: "Marther! I seen a old-man kangaroo up on—"

Missus: "Shut up! Eat your dinner an' hold your tongue. Carn't you see someone's speakin'?"

Selector: "Just look at the French—"

Missus (to the fowls): "Shoo! Shoo!" (turning suddenly and unexpectedly on Jacky): "Take your fingers out of the sugar!—Blast yer! that I should say such a thing."

Neighbour: "But 'Lookin' Backwards"'

Missus: "There you go, Tom! Didn't I say you'd spill that tea? Go away from the table!"

Selector: "I think 'Caesar's Column' is the only natural—"

Missus: "Shoo! Shoo!" She loses patience, gets up and fetches a young rooster with the flat of the broom, sending him flying into the yard; he falls with his head towards the door and starts in again. Later on the conversation is about Deeming.

Selector: "There's no doubt the man's mad—"

Missus: "Deeming! That Windsor wretch! Why, if I was in the law I'd have him boiled alive! Don't tell me he didn't know what he was doing! Why, I'd have him—"

Corney: "But, missus, you—"

Missus (to the fowls): "Shoo! Shoo!"



THAT THERE DOG O' MINE

Macquarie the shearer had met with an accident. To tell the truth, he had been in a drunken row at a wayside shanty, from which he had escaped with three fractured ribs, a cracked head, and various minor abrasions. His dog, Tally, had been a sober but savage participator in the drunken row, and had escaped with a broken leg. Macquarie afterwards shouldered his swag and staggered and struggled along the track ten miles to the Union Town hospital. Lord knows how he did it. He didn't exactly know himself. Tally limped behind all the way, on three legs.

The doctors examined the man's injuries and were surprised at his endurance. Even doctors are surprised sometimes—though they don't always show it. Of course they would take him in, but they objected to Tally. Dogs were not allowed on the premises.

"You will have to turn that dog out," they said to the shearer, as he sat on the edge of a bed.

Macquarie said nothing.

"We cannot allow dogs about the place, my man," said the doctor in a louder tone, thinking the man was deaf.

"Tie him up in the yard then."

"No. He must go out. Dogs are not permitted on the grounds."

Macquarie rose slowly to his feet, shut his agony behind his set teeth, painfully buttoned his shirt over his hairy chest, took up his waistcoat, and staggered to the corner where the swag lay.

"What are you going to do?" they asked.

"You ain't going to let my dog stop?"

"No. It's against the rules. There are no dogs allowed on premises."

He stooped and lifted his swag, but the pain was too great, and he leaned back against the wall.

"Come, come now! man alive!" exclaimed the doctor, impatiently. "You must be mad. You know you are not in a fit state to go out. Let the wardsman help you to undress."

"No!" said Macquarie. "No. If you won't take my dog in you don't take me. He's got a broken leg and wants fixing up just—just as much as—as I do. If I'm good enough to come in, he's good enough—and—and better."

He paused awhile, breathing painfully, and then went on.

"That—that there old dog of mine has follered me faithful and true, these twelve long hard and hungry years. He's about—about the only thing that ever cared whether I lived or fell and rotted on the cursed track."

He rested again; then he continued: "That—that there dog was pupped on the track," he said, with a sad sort of a smile. "I carried him for months in a billy, and afterwards on my swag when he knocked up.... And the old slut—his mother—she'd foller along quite contented—and sniff the billy now and again—just to see if he was all right.... She follered me for God knows how many years. She follered me till she was blind—and for a year after. She follered me till she could crawl along through the dust no longer, and—and then I killed her, because I couldn't leave her behind alive!"

He rested again.

"And this here old dog," he continued, touching Tally's upturned nose with his knotted fingers, "this here old dog has follered me for—for ten years; through floods and droughts, through fair times and—and hard—mostly hard; and kept me from going mad when I had no mate nor money on the lonely track; and watched over me for weeks when I was drunk—drugged and poisoned at the cursed shanties; and saved my life more'n once, and got kicks and curses very often for thanks; and forgave me for it all; and—and fought for me. He was the only living thing that stood up for me against that crawling push of curs when they set onter me at the shanty back yonder—and he left his mark on some of 'em too; and—and so did I."

He took another spell.

Then he drew in his breath, shut his teeth hard, shouldered his swag, stepped into the doorway, and faced round again.

The dog limped out of the corner and looked up anxiously.

"That there dog," said Macquarie to the hospital staff in general, "is a better dog than I'm a man—or you too, it seems—and a better Christian. He's been a better mate to me than I ever was to any man—or any man to me. He's watched over me; kep' me from getting robbed many a time; fought for me; saved my life and took drunken kicks and curses for thanks—and forgave me. He's been a true, straight, honest, and faithful mate to me—and I ain't going to desert him now. I ain't going to kick him out in the road with a broken leg. I—Oh, my God! my back!"

He groaned and lurched forward, but they caught him, slipped off the swag, and laid him on a bed.

Half an hour later the shearer was comfortably fixed up.

"Where's my dog!" he asked, when he came to himself.

"Oh, the dog's all right," said the nurse, rather impatiently. "Don't bother. The doctor's setting his leg out in the yard."



GOING BLIND

I met him in the Full-and-Plenty Dining Rooms. It was a cheap place in the city, with good beds upstairs let at one shilling per night—"Board and residence for respectable single men, fifteen shillings per week." I was a respectable single man then. I boarded and resided there. I boarded at a greasy little table in the greasy little corner under the fluffy little staircase in the hot and greasy little dining-room or restaurant downstairs. They called it dining-rooms, but it was only one room, and them wasn't half enough room in it to work your elbows when the seven little tables and forty-nine chairs were occupied. There was not room for an ordinary-sized steward to pass up and down between the tables; but our waiter was not an ordinary-sized man—he was a living skeleton in miniature. We handed the soup, and the "roast beef one," and "roast lamb one," "corn beef and cabbage one," "veal and stuffing one," and the "veal and pickled pork," one—or two, or three, as the case might be—and the tea and coffee, and the various kinds of puddings—we handed them over each other, and dodged the drops as well as we could. The very hot and very greasy little kitchen was adjacent, and it contained the bathroom and other conveniences, behind screens of whitewashed boards.

I resided upstairs in a room where there were five beds and one wash-stand; one candle-stick, with a very short bit of soft yellow candle in it; the back of a hair-brush, with about a dozen bristles in it; and half a comb—the big-tooth end—with nine and a half teeth at irregular distances apart.

He was a typical bushman, not one of those tall, straight, wiry, brown men of the West, but from the old Selection Districts, where many drovers came from, and of the old bush school; one of those slight active little fellows whom we used to see in cabbage-tree hats, Crimean shirts, strapped trousers, and elastic-side boots—"larstins," they called them. They could dance well; sing indifferently, and mostly through their noses, the old bush songs; play the concertina horribly; and ride like—like—well, they could ride.

He seemed as if he had forgotten to grow old and die out with this old colonial school to which he belonged. They had careless and forgetful ways about them. His name was Jack Gunther, he said, and he'd come to Sydney to try to get something done to his eyes. He had a portmanteau, a carpet bag, some things in a three-bushel bag, and a tin bog. I sat beside him on his bed, and struck up an acquaintance, and he told me all about it. First he asked me would I mind shifting round to the other side, as he was rather deaf in that ear. He'd been kicked by a horse, he said, and had been a little dull o' hearing on that side ever since.

He was as good as blind. "I can see the people near me," he said, "but I can't make out their faces. I can just make out the pavement and the houses close at hand, and all the rest is a sort of white blur." He looked up: "That ceiling is a kind of white, ain't it? And this," tapping the wall and putting his nose close to it, "is a sort of green, ain't it?" The ceiling might have been whiter. The prevalent tints of the wall-paper had originally been blue and red, but it was mostly green enough now—a damp, rotten green; but I was ready to swear that the ceiling was snow and that the walls were as green as grass if it would have made him feel more comfortable. His sight began to get bad about six years before, he said; he didn't take much notice of it at first, and then he saw a quack, who made his eyes worse. He had already the manner of the blind—the touch of every finger, and even the gentleness in his speech. He had a boy down with him—a "sorter cousin of his," and the boy saw him round. "I'll have to be sending that youngster back," he said, "I think I'll send him home next week. He'll be picking up and learning too much down here."

I happened to know the district he came from, and we would sit by the hour and talk about the country, and chaps by the name of this and chaps by the name of that—drovers mostly, whom we had met or had heard of. He asked me if I'd ever heard of a chap by the name of Joe Scott—a big sandy-complexioned chap, who might be droving; he was his brother, or, at least, his half-brother, but he hadn't heard of him for years; he'd last heard of him at Blackall, in Queensland; he might have gone overland to Western Australia with Tyson's cattle to the new country.

We talked about grubbing and fencing and digging and droving and shearing—all about the bush—and it all came back to me as we talked. "I can see it all now," he said once, in an abstracted tone, seeming to fix his helpless eyes on the wall opposite. But he didn't see the dirty blind wall, nor the dingy window, nor the skimpy little bed, nor the greasy wash-stand; he saw the dark blue ridges in the sunlight, the grassy sidings and flats, the creek with clumps of she-oak here and there, the course of the willow-fringed river below, the distant peaks and ranges fading away into a lighter azure, the granite ridge in the middle distance, and the rocky rises, the stringy-bark and the apple-tree flats, the scrubs, and the sunlit plains—and all. I could see it, too—plainer than ever I did.

He had done a bit of fencing in his time, and we got talking about timber. He didn't believe in having fencing-posts with big butts; he reckoned it was a mistake. "You see," he said, "the top of the butt catches the rain water and makes the post rot quicker. I'd back posts without any butt at all to last as long or longer than posts with 'em—that's if the fence is well put up and well rammed." He had supplied fencing stuff, and fenced by contract, and—well, you can get more posts without butts out of a tree than posts with them. He also objected to charring the butts. He said it only made more work—and wasted time—the butts lasted longer without being charred.

I asked him if he'd ever got stringy-bark palings or shingles out of mountain ash, and he smiled a smile that did my heart good to see, and said he had. He had also got them out of various other kinds of trees.

We talked about soil and grass, and gold-digging, and many other things which came back to one like a revelation as we yarned.

He had been to the hospital several times. "The doctors don't say they can cure me," he said, "they say they might, be able to improve my sight and hearing, but it would take a long time—anyway, the treatment would improve my general health. They know what's the matter with my eyes," and he explained it as well as he could. "I wish I'd seen a good doctor when my eyes first began to get weak; but young chaps are always careless over things. It's harder to get cured of anything when you're done growing."

He was always hopeful and cheerful. "If the worst comes to the worst," he said, "there's things I can do where I come from. I might do a bit o' wool-sorting, for instance. I'm a pretty fair expert. Or else when they're weeding out I could help. I'd just have to sit down and they'd bring the sheep to me, and I'd feel the wool and tell them what it was—being blind improves the feeling, you know."

He had a packet of portraits, but he couldn't make them out very well now. They were sort of blurred to him, but I described them and he told me who they were. "That's a girl o' mine," he said, with reference to one—a jolly, good-looking bush girl. "I got a letter from her yesterday. I managed to scribble something, but I'll get you, if you don't mind, to write something more I want to put in on another piece of paper, and address an envelope for me."

Darkness fell quickly upon him now—or, rather, the "sort of white blur" increased and closed in. But his hearing was better, he said, and he was glad of that and still cheerful. I thought it natural that his hearing should improve as he went blind.

One day he said that he did not think he would bother going to the hospital any more. He reckoned he'd get back to where he was known. He'd stayed down too long already, and the "stuff" wouldn't stand it. He was expecting a letter that didn't come. I was away for a couple of days, and when I came back he had been shifted out of the room and had a bed in an angle of the landing on top of the staircase, with the people brushing against him and stumbling over his things all day on their way up and down. I felt indignant, thinking that—the house being full—the boss had taken advantage of the bushman's helplessness and good nature to put him there. But he said that he was quite comfortable. "I can get a whiff of air here," he said.

Going in next day I thought for a moment that I had dropped suddenly back into the past and into a bush dance, for there was a concertina going upstairs. He was sitting on the bed, with his legs crossed, and a new cheap concertina on his knee, and his eyes turned to the patch of ceiling as if it were a piece of music and he could read it. "I'm trying to knock a few tunes into my head," he said, with a brave smile, "in case the worst comes to the worst." He tried to be cheerful, but seemed worried and anxious. The letter hadn't come. I thought of the many blind musicians in Sydney, and I thought of the bushman's chance, standing at a corner swanking a cheap concertina, and I felt sorry for him.

I went out with a vague idea of seeing someone about the matter, and getting something done for the bushman—of bringing a little influence to his assistance; but I suddenly remembered that my clothes were worn out, my hat in a shocking state, my boots burst, and that I owed for a week's board and lodging, and was likely to be thrown out at any moment myself; and so I was not in a position to go where there was influence.

When I went back to the restaurant there was a long, gaunt sandy-complexioned bushman sitting by Jack's side. Jack introduced him as his brother, who had returned unexpectedly to his native district, and had followed him to Sydney. The brother was rather short with me at first, and seemed to regard the restaurant people—all of us, in fact—in the light of spielers who wouldn't hesitate to take advantage of Jack's blindness if he left him a moment; and he looked ready to knock down the first man who stumbled against Jack, or over his luggage—but that soon wore off. Jack was going to stay with Joe at the Coffee Palace for a few weeks, and then go back up-country, he told me. He was excited and happy. His brother's manner towards him was as if Jack had just lost his wife, or boy or someone very dear to him. He would not allow him to do anything for himself, nor try to—not even lace up his boot. He seemed to think that he was thoroughly helpless, and when I saw him pack up Jack's things, and help him at the table and fix his tie and collar with his great brown hands, which trembled all the time with grief and gentleness, and make Jack sit down on the bed whilst he got a cab and carried the trap down to it, and take him downstairs as if he were made of thin glass, and settle with the landlord—then I knew that Jack was all right.

We had a drink together—Joe, Jack, the cabman, and I. Joe was very careful to hand Jack the glass, and Jack made joke about it for Joe's benefit. He swore he could see a glass yet, and Joe laughed, but looked extra troubled the next moment.

I felt their grips on my hand for five minutes after we parted.



ARVIE ASPINALL'S ALARM CLOCK

In one of these years a paragraph appeared in a daily paper to the effect that a constable had discovered a little boy asleep on the steps of Grinder Bros' factory at four o'clock one rainy morning. He awakened him, and demanded an explanation.

The little fellow explained that he worked there, and was frightened of being late; he started work at six, and was apparently greatly astonished to hear that it was only four. The constable examined a small parcel which the frightened child had in his hand. It contained a clean apron and three slices of bread and treacle.

The child further explained that he woke up and thought it was late, and didn't like to wake mother and ask her the time "because she'd been washin'." He didn't look at the clock, because they "didn't have one." He volunteered no explanations as to how he expected mother to know the time, but, perhaps, like many other mites of his kind, he had unbounded faith in the infinitude of a mother's wisdom. His name was Arvie Aspinall, please sir, and he lived in Jones's Alley. Father was dead.

A few days later the same paper took great pleasure in stating, in reference to that "Touching Incident" noticed in a recent issue, that a benevolent society lady had started a subscription among her friends with the object of purchasing an alarm-clock for the little boy found asleep at Grinder Bros' workshop door.

Later on, it was mentioned, in connection with the touching incident, that the alarm-clock had been bought and delivered to the boy's mother, who appeared to be quite overcome with gratitude. It was learned, also, from another source, that the last assertion was greatly exaggerated.

The touching incident was worn out in another paragraph, which left no doubt that the benevolent society lady was none other than a charming and accomplished daughter of the House of Grinder.

It was late in the last day of the Easter Holidays, during which Arvie Aspinall had lain in bed with a bad cold. He was still what he called "croopy." It was about nine o'clock, and the business of Jones's Alley was in full swing.

"That's better, mother, I'm far better," said Arvie, "the sugar and vinegar cuts the phlegm, and the both'rin' cough gits out. It got out to such an extent for the next few minutes that he could not speak. When he recovered his breath, he said:

"Better or worse, I'll have to go to work to-morrow. Gimme the clock, mother."

"I tell you you shall not go! It will be your death."

"It's no use talking, mother; we can't starve—and—s'posin' somebody got my place! Gimme the clock, mother."

"I'll send one of the children round to say you're ill. They'll surely let you off for a day or two."

"Tain't no use; they won't wait; I know them—what does Grinder Bros care if I'm ill? Never mind, mother, I'll rise above 'em all yet. Give me the clock, mother."

She gave him the clock, and he proceeded to wind it up and set the alarm.

"There's somethin' wrong with the gong," he muttered, "it's gone wrong two nights now, but I'll chance it. I'll set the alarm at five, that'll give me time to dress and git there early. I wish I hadn't to walk so far."

He paused to read some words engraved round the dial:

Early to bed and early to rise Makes a man healthy and wealthy and wise.

He had read the verse often before, and was much taken with the swing and rhythm of it. He had repeated it to himself, over and over again, without reference to the sense or philosophy of it. He had never dreamed of doubting anything in print—and this was engraved. But now a new light seemed to dawn upon him. He studied the sentence awhile, and then read it aloud for the second time. He turned it over in his mind again in silence.

"Mother!" he said suddenly, "I think it lies." She placed the clock on the shelf, tucked him into his little bed on the sofa, and blew out the light.

Arvie seemed to sleep, but she lay awake thinking of her troubles. Of her husband carried home dead from his work one morning; of her eldest son who only came to loaf on her when he was out of jail; of the second son, who had feathered his nest in another city, and had no use for her any longer; of the next—poor delicate little Arvie—struggling manfully to help, and wearing his young life out at Grinder Bros when he should be at school; of the five helpless younger children asleep in the next room: of her hard life—scrubbing floors from half-past five till eight, and then starting her day's work—washing!—of having to rear her children in the atmosphere of the slums, because she could not afford to move and pay a higher rent; and of the rent.

Arvie commenced to mutter in his sleep.

"Can't you get to sleep, Arvie?" she asked. "Is your throat sore? Can I get anything for you?"

"I'd like to sleep," he muttered, dreamily, "but it won't seem more'n a moment before—before—"

"Before what, Arvie?" she asked, quickly, fearing that he was becoming delirious.

"Before the alarm goes off!"

He was talking in his sleep.

She rose gently and put the alarm on two hours. "He can rest now," she whispered to herself.

Presently Arvie sat bolt upright, and said quickly, "Mother! I thought the alarm went off!" Then, without waiting for an answer, he lay down as suddenly and slept.

The rain had cleared away, and a bright, starry dome was over sea and city, over slum and villa alike; but little of it could be seen from the hovel in Jones's Alley, save a glimpse of the Southern Cross and a few stars round it. It was what ladies call a "lovely night," as seen from the house of Grinder—"Grinderville"—with its moonlit terraces and gardens sloping gently to the water, and its windows lit up for an Easter ball, and its reception-rooms thronged by its own exclusive set, and one of its charming and accomplished daughters melting a select party to tears by her pathetic recitation about a little crossing sweeper.

There was something wrong with the alarm-clock, or else Mrs Aspinall had made a mistake, for the gong sounded startlingly in the dead of night. She woke with a painful start, and lay still, expecting to hear Arvie get up; but he made no sign. She turned a white, frightened face towards the sofa where he lay—the light from the alley's solitary lamp on the pavement above shone down through the window, and she saw that he had not moved.

Why didn't the clock wake him? He was such a light sleeper! "Arvie!" she called; no answer. "Arvie!" she called again, with a strange ring of remonstrance mingling with the terror in her voice. Arvie never answered.

"Oh! my God!" she moaned.

She rose and stood by the sofa. Arvie lay on his back with his arms folded—a favourite sleeping position of his; but his eyes were wide open and staring upwards as though they would stare through ceiling and roof to the place where God ought to be.



STRAGGLERS

An oblong hut, walled with blue-grey hardwood slabs, adzed at the ends and set horizontally between the round sapling studs; high roof of the eternal galvanized iron. A big rubbish heap lies about a yard to the right of the door, which opens from the middle of one of the side walls; it might be the front or the back wall—there is nothing to fix it. Two rows of rough bunks run round three sides of the interior; and a fire-place occupies one end—the kitchen end. Sleeping, eating, gambling and cooking accommodation for thirty men in about eighteen by forty feet.

The rouseabouts and shearers use the hut in common during shearing. Down the centre of the place runs a table made of stakes driven into the ground, with cross-pieces supporting a top of half-round slabs set with the flat sides up, and affording a few level places for soup-plates; on each side are crooked, unbarked poles laid in short forks, to serve as seats. The poles are worn smoothest opposite the level places on the table. The floor is littered with rubbish—old wool-bales, newspapers, boots, worn-out shearing pants, rough bedding, etc., raked out of the bunks in impatient search for missing articles—signs of a glad and eager departure with cheques when the shed last cut out.

To the west is a dam, holding back a broad, shallow sheet of grey water, with dead trees standing in it.

Further up along this water is a brush shearing-shed, a rough framework of poles with a brush roof. This kind of shed has the advantage of being cooler than iron. It is not rain-proof, but shearers do not work in rainy weather; shearing even slightly damp sheep is considered the surest and quickest way to get the worst kind of rheumatism. The floor is covered with rubbish from the roof, and here and there lies a rusty pair of shears. A couple of dry tar-pots hang by nails in the posts. The "board" is very uneven and must be bad for sweeping. The pens are formed by round, crooked stakes driven into the ground in irregular lines, and the whole business reminds us of the "cubby-house" style of architecture of our childhood.

Opposite stands the wool-shed, built entirely of galvanized iron; a blinding object to start out of the scrub on a blazing, hot day. God forgive the man who invented galvanized iron, and the greed which introduced it into Australia: you could not get worse roofing material for a hot country.

The wool-washing, soap-boiling, and wool-pressing arrangements are further up the dam. "Government House" is a mile away, and is nothing better than a bush hut; this station belongs to a company. And the company belongs to a bank. And the banks belong to England, mostly.

Mulga scrub all round, and, in between, patches of reddish sand where the grass ought to be.

It is New Year's Eve. Half a dozen travellers are camping in the hut, having a spell. They need it, for there are twenty miles of dry lignum plain between here and the government bore to the east; and about eighteen miles of heavy, sandy, cleared road north-west to the next water in that direction. With one exception, the men do not seem hard up; at least, not as that condition is understood by the swagmen of these times. The least lucky one of the lot had three weeks' work in a shed last season, and there might probably be five pounds amongst the whole crowd. They are all shearers, or at least they say they are. Some might be only "rousers."

These men have a kind of stock hope of getting a few stragglers to shear somewhere; but their main object is to live till next shearing. In order to do this they must tramp for tucker, and trust to the regulation—and partly mythical—pint of flour, and bit of meat, or tea and sugar, and to the goodness of cooks and storekeepers and boundary-riders. You can only depend on getting tucker once at one place; then you must tramp on to the next. If you cannot get it once you must go short; but there is a lot of energy in an empty stomach. If you get an extra supply you may camp for a day and have a spell. To live you must walk. To cease walking is to die.

The Exception is an outcast amongst bush outcasts, and looks better fitted for Sydney Domain. He lies on the bottom of a galvanized-iron case, with a piece of blue blanket for a pillow. He is dressed in a blue cotton jumper, a pair of very old and ragged tweed trousers, and one boot and one slipper. He found the slipper in the last shed, and the boot in the rubbish-heap here. When his own boots gave out he walked a hundred and fifty miles with his feet roughly sewn up in pieces of sacking from an old wool-bale. No sign of a patch, or an attempt at mending anywhere about his clothes, and that is a bad sign; when a swagman leaves off mending or patching his garments, his case is about hopeless. The Exception's swag consists of the aforesaid bit of blanket rolled up and tied with pieces of rag. He has no water-bag; carries his water in a billy; and how he manages without a bag is known only to himself. He has read every scrap of print within reach, and now lies on his side, with his face to the wall and one arm thrown up over his head; the jumper is twisted back, and leaves his skin bare from hip to arm-pit. His lower face is brutal, his eyes small and shifty, and ugly straight lines run across his low forehead. He says very little, but scowls most of the time—poor devil. He might be, or at least seem, a totally different man under more favourable conditions. He is probably a free labourer.

A very sick jackaroo lies in one of the bunks. A sandy, sawney-looking Bourke native takes great interest in this wreck; watches his every movement as though he never saw a sick man before. The men lie about in the bunks, or the shade of the hut, and rest, and read all the soiled and mutilated scraps of literature they can rake out of the rubbish, and sleep, and wake up swimming in perspiration, and growl about the heat.

It is hot, and two shearers' cats—a black and a white one—sit in one of the upper bunks with their little red tongues out, panting like dogs. These cats live well during shearing, and take their chances the rest of the year—just as shed rouseabouts have to do. They seem glad to see the traveller come; he makes things more homelike. They curl and sidle affectionately round the table-legs, and the legs of the men, and purr, and carry their masts up, and regard the cooking with feline interest and approval, and look as cheerful as cats can—and as contented. God knows how many tired, dusty, and sockless ankles they rub against in their time.

Now and then a man takes his tucker-bags and goes down to the station for a bit of flour, or meat, or tea, or sugar, choosing the time when the manager is likely to be out on the run. The cook here is a "good cook," from a traveller's point of view; too good to keep his place long.

Occasionally someone gets some water in an old kerosene-tin and washes a shirt or pair of trousers, and a pair or two of socks—or foot-rags—(Prince Alfreds they call them). That is, he soaks some of the stiffness out of these articles.

Three times a day the black billies and cloudy nose-bags are placed on the table. The men eat in a casual kind of way, as though it were only a custom of theirs, a matter of form—a habit which could be left off if it were worth while.

The Exception is heard to remark to no one in particular that he'll give all he has for a square meal.

"An' ye'd get it cheap, begod!" says a big Irish shearer. "Come and have dinner with us; there's plenty there."

But the Exception only eats a few mouthfuls, and his appetite is gone; his stomach has become contracted, perhaps.

The Wreck cannot eat at all, and seems internally disturbed by the sight of others eating.

One of the men is a cook, and this morning he volunteered good-naturedly to bake bread for the rest. His mates amuse themselves by chyacking him.

"I've heard he's a dirty and slow cook," says one, addressing Eternity.

"Ah!" says the cook, "you'll be glad to come to me for a pint of flour when I'm cooking and you're on the track, some day."

Sunset. Some of the men sit at the end of the hut to get the full benefit of a breeze which comes from the west. A great bank of rain-clouds is rising in that direction, but no one says he thinks it will rain; neither does anybody think we're going to have some rain. None but the greenest jackaroo would venture that risky and foolish observation. Out here, it can look more like rain without raining, and continue to do so for a longer time, than in most other places.

The Wreck went down to the station this afternoon to get some medicine and bush medical advice. The Bourke sawney helped him to do up his swag; he did it with an awed look and manner, as though he thought it a great distinction to be allowed to touch the belongings of such a curiosity. It was afterwards generally agreed that it was a good idea for the Wreck to go to the station; he would get some physic and, a bit of tucker to take him on. "For they'll give tucker to a sick man sooner than to a chap what's all right."

The Exception is rooting about in the rubbish for the other blucher boot.

The men get a little more sociable, and "feel" each other to find out who's "Union," and talk about water, and exchange hints as to good tucker-tracks, and discuss the strike, and curse the squatter (which is all they have got to curse), and growl about Union leaders, and tell lies against each other sociably. There are tally lies; and lies about getting tucker by trickery; and long-tramp-with-heavy-swag-and-no-water lies; and lies about getting the best of squatters and bosses-over-the-board; and droving, fighting, racing, gambling and drinking lies. Lies ad libitum; and every true Australian bushman must try his best to tell a bigger out-back lie than the last bush-liar.

Pat is not quite easy in his mind. He found an old pair of pants in the scrub this morning, and cannot decide whether they are better than his own, or, rather, whether his own are worse—if that's possible. He does not want to increase the weight of his swag unnecessarily by taking both pairs. He reckons that the pants were thrown away when the shed cut out last, but then they might have been lying out exposed to the weather for a longer period. It is rather an important question, for it is very annoying, after you've mended and patched an old pair of pants, to find, when a day or two further on the track, that they are more rotten than the pair you left behind.

There is some growling about the water here, and one of the men makes a billy of tea. The water is better cooked. Pint-pots and sugar-bags are groped out and brought to the kitchen hut, and each man fills his pannikin; the Irishman keeps a thumb on the edge of his, so as to know when the pot is full, for it is very dark, and there is no more firewood. You soon know this way, especially if you are in the habit of pressing lighted tobacco down into your pipe with the top of your thumb. The old slush-lamps are all burnt out.

Each man feels for the mouth of his sugar-bag with one hand while he keeps the bearings of his pot with the other.

The Irishman has lost his match-box, and feels for it all over the table without success. He stoops down with his hands on his knees, gets the table-top on a level with the flicker of firelight, and "moons" the object, as it were.

Time to turn in. It is very dark inside and bright moonlight without; every crack seems like a ghost peering in. Some of the men will roll up their swags on the morrow and depart; some will take another day's spell. It is all according to the tucker.



THE UNION BURIES ITS DEAD

While out boating one Sunday afternoon on a billabong across the river, we saw a young man on horseback driving some horses along the bank. He said it was a fine day, and asked if the Water was deep there. The joker of our party said it was deep enough to drown him, and he laughed and rode farther up. We didn't take-much notice of him.

Next day a funeral gathered at a corner pub and asked each other in to have a drink while waiting for the hearse. They passed away some of the time dancing jigs to a piano in the bar parlour. They passed away the rest of the time skylarking and fighting.

The defunct was a young Union labourer, about twenty-five, who had been drowned the previous day while trying to swim some horses across a billabong of the Darling.

He was almost a stranger in town, and the fact of his having been a Union man accounted for the funeral. The police found some Union papers in his swag, and called at the General Labourers' Union Office for information about him. That's how we knew. The secretary had very little information to give. The departed was a "Roman," and the majority of the town were otherwise—but Unionism is stronger than creed. Liquor, however, is stronger than Unionism; and, when the hearse presently arrived, more than two-thirds of the funeral were unable to follow.

The procession numbered fifteen, fourteen souls following the broken shell of a soul. Perhaps not one of the fourteen possessed a soul any more than the corpse did—but that doesn't matter.

Four or five of the funeral, who were boarders at the pub, borrowed a trap which the landlord used to carry passengers to and from the railway station. They were strangers to us who were on foot, and we to them. We were all strangers to the corpse.

A horseman, who looked like a drover just returned from a big trip, dropped into our dusty wake and followed us a few hundred yards, dragging his packhorse behind him, but a friend made wild and demonstrative signals from a hotel veranda—hooking at the air in front with his right hand and jobbing his left thumb over his shoulder in the direction of the bar—so the drover hauled off and didn't catch up to us any more. He was a stranger to the entire show.

We walked in twos. There were three twos. It was very hot and dusty; the heat rushed in fierce dazzling rays across every iron roof and light-coloured wall that was turned to the sun. One or two pubs closed respectfully until we got past. They closed their bar doors and the patrons went in and out through some side or back entrance for a few minutes. Bushmen seldom grumble at an inconvenience of this sort, when it is caused by a funeral. They have too much respect for the dead.

On the way to the cemetery we passed three shearers sitting on the shady side of a fence. One was drunk—very drunk. The other two covered their right ears with their hats, out of respect for the departed—whoever he might have been—and one of them kicked the drunk and muttered something to him.

He straightened himself up, stared, and reached helplessly for his hat, which he shoved half off and then on again. Then he made a great effort to pull himself together—and succeeded. He stood up, braced his back against the fence, knocked off his hat, and remorsefully placed his foot on it—to keep it off his head till the funeral passed.

A tall, sentimental drover, who walked by my side, cynically quoted Byronic verses suitable to the occasion—to death—and asked with pathetic humour whether we thought the dead man's ticket would be recognized "over yonder." It was a G.L.U. ticket, and the general opinion was that it would be recognized.

Presently my friend said:

"You remember when we were in the boat yesterday, we saw a man driving some horses along the bank?"

"Yes."

He nodded at the hearse and said "Well, that's him."

I thought awhile.

"I didn't take any particular notice of him," I said. "He said something, didn't he?"

"Yes; said it was a fine day. You'd have taken more notice if you'd known that he was doomed to die in the hour, and that those were the last words he would say to any man in this world."

"To be sure," said a full voice from the rear. "If ye'd known that, ye'd have prolonged the conversation."

We plodded on across the railway line and along the hot, dusty road which ran to the cemetery, some of us talking about the accident, and lying about the narrow escapes we had had ourselves. Presently someone said:

"There's the Devil."

I looked up and saw a priest standing in the shade of the tree by the cemetery gate.

The hearse was drawn up and the tail-boards were opened. The funeral extinguished its right ear with its hat as four men lifted the coffin out and laid it over the grave. The priest—a pale, quiet young fellow—stood under the shade of a sapling which grew at the head of the grave. He took off his hat, dropped it carelessly on the ground, and proceeded to business. I noticed that one or two heathens winced slightly when the holy water was sprinkled on the coffin. The drops quickly evaporated, and the little round black spots they left were soon dusted over; but the spots showed, by contrast, the cheapness and shabbiness of the cloth with which the coffin was covered. It seemed black before; now it looked a dusky grey.

Just here man's ignorance and vanity made a farce of the funeral. A big, bull-necked publican, with heavy, blotchy features, and a supremely ignorant expression, picked up the priest's straw hat and held it about two inches over the head of his reverence during the whole of the service. The father, be it remembered, was standing in the shade. A few shoved their hats on and off uneasily, struggling between their disgust far the living and their respect for the dead. The hat had a conical crown and a brim sloping down all round like a sunshade, and the publican held it with his great red claw spread over the crown. To do the priest justice, perhaps he didn't notice the incident. A stage priest or parson in the same position might have said, "Put the hat down, my friend; is not the memory of our departed brother worth more than my complexion?" A wattle-bark layman might have expressed himself in stronger language, none the less to the point. But my priest seemed unconscious of what was going on. Besides, the publican was a great and important pillar of the church. He couldn't, as an ignorant and conceited ass, lose such a good opportunity of asserting his faithfulness and importance to his church.

The grave looked very narrow under the coffin, and I drew a breath of relief when the box slid easily down. I saw a coffin get stuck once, at Rookwood, and it had to be yanked out with difficulty, and laid on the sods at the feet of the heart-broken relations, who howled dismally while the grave-diggers widened the hole. But they don't cut contracts so fine in the West. Our grave-digger was not altogether bowelless, and, out of respect for that human quality described as "feelin's," he scraped up some light and dusty soil and threw it down to deaden the fall of the clay lumps on the coffin. He also tried to steer the first few shovelfuls gently down against the end of the grave with the back of the shovel turned outwards, but the hard dry Darling River clods rebounded and knocked all the same. It didn't matter much—nothing does. The fall of lumps of clay on a stranger's coffin doesn't sound any different from the fall of the same things on an ordinary wooden box—at least I didn't notice anything awesome or unusual in the sound; but, perhaps, one of us—the most sensitive—might have been impressed by being reminded of a burial of long ago, when the thump of every sod jolted his heart.

I have left out the wattle—because it wasn't there. I have also neglected to mention the heart-broken old mate, with his grizzled head bowed and great pearly drops streaming down his rugged cheeks. He was absent—he was probably "Out Back." For similar reasons I have omitted reference to the suspicious moisture in the eyes of a bearded bush ruffian named Bill. Bill failed to turn up, and the only moisture was that which was induced by the heat. I have left out the "sad Australian sunset" because the sun was not going down at the time. The burial took place exactly at midday.

The dead bushman's name was Jim, apparently; but they found no portraits, nor locks of hair, nor any love letters, nor anything of that kind in his swag—not even a reference to his mother; only some papers relating to Union matters. Most of us didn't know the name till we saw it on the coffin; we knew him as "that poor chap that got drowned yesterday."

"So his name's James Tyson," said my drover acquaintance, looking at the plate.

"Why! Didn't you know that before?" I asked.

"No; but I knew he was a Union man."

It turned out, afterwards, that J.T. wasn't his real name—only "the name he went by." Anyhow he was buried by it, and most of the "Great Australian Dailies" have mentioned in their brevity columns that a young man named James John Tyson was drowned in a billabong of the Darling last Sunday.

We did hear, later on, what his real name was; but if we ever chance to read it in the "Missing Friends Column," we shall not be able to give any information to heart-broken mother or sister or wife, nor to anyone who could let him hear something to his advantage—for we have already forgotten the name.



ON THE EDGE OF A PLAIN

"I'd been away from home for eight years," said Mitchell to his mate, as they dropped their swags in the mulga shade and sat down. "I hadn't written a letter—kept putting it off, and a blundering fool of a fellow that got down the day before me told the old folks that he'd heard I was dead."

Here he took a pull at his water-bag.

"When I got home they were all in mourning for me. It was night, and the girl that opened the door screamed and fainted away like a shot."

He lit his pipe.

"Mother was upstairs howling and moaning in a chair, with all the girls boo-hoo-ing round her for company. The old man was sitting in the back kitchen crying to himself."

He put his hat down on the ground, dinted in the crown, and poured some water into the hollow for his cattle-pup.

"The girls came rushing down. Mother was so pumped out that she couldn't get up. They thought at first I was a ghost, and then they all tried to get holt of me at once—nearly smothered me. Look at that pup! You want to carry a tank of water on a dry stretch when you've got a pup that drinks as much as two men."

He poured a drop more water into the top of his hat.

"Well, mother screamed and nearly fainted when she saw me. Such a picnic you never saw. They kept it up all night. I thought the old cove was gone off his chump. The old woman wouldn't let go my hand for three mortal hours. Have you got the knife?"

He cut up some more tobacco.

"All next day the house was full of neighbours, and the first to come was an old sweetheart of mine; I never thought she cared for me till then. Mother and the girls made me swear never to go away any more; and they kept watching me, and hardly let me go outside for fear I'd—"

"Get drunk?"

"No—you're smart—for fear I'd clear. At last I swore on the Bible that I'd never leave home while the old folks were alive; and then mother seemed easier in her mind."

He rolled the pup over and examined his feet. "I expect I'll have to carry him a bit—his feet are sore. Well, he's done pretty well this morning, and anyway he won't drink so much when he's carried."

"You broke your promise about leaving home," said his mate.

Mitchell stood up, stretched himself, and looked dolefully from his heavy swag to the wide, hot, shadeless cotton-bush plain ahead.

"Oh, yes," he yawned, "I stopped at home for a week, and then they began to growl because I couldn't get any work to do."

The mate guffawed and Mitchell grinned. They shouldered the swags, with the pup on top of Mitchell's, took up their billies and water-bags, turned their unshaven faces to the wide, hazy distance, and left the timber behind them.



IN A DRY SEASON

Draw a wire fence and a few ragged gums, and add some scattered sheep running away from the train. Then you'll have the bush all along the New South Wales western line from Bathurst on.

The railway towns consist of a public house and a general store, with a square tank and a school-house on piles in the nearer distance. The tank stands at the end of the school and is not many times smaller than the building itself. It is safe to call the pub "The Railway Hotel," and the store "The Railway Stores," with an "s." A couple of patient, ungroomed hacks are probably standing outside the pub, while their masters are inside having a drink—several drinks. Also it's safe to draw a sundowner sitting listlessly on a bench on the veranda, reading the Bulletin. The Railway Stores seem to exist only in the shadow of the pub, and it is impossible to conceive either as being independent of the other. There is sometimes a small, oblong weather-board building—unpainted, and generally leaning in one of the eight possible directions, and perhaps with a twist in another—which, from its half-obliterated sign, seems to have started as a rival to the Railway Stores; but the shutters are up and the place empty.

The only town I saw that differed much from the above consisted of a box-bark humpy with a clay chimney, and a woman standing at the door throwing out the wash-up water.

By way of variety, the artist might make a water-colour sketch of a fettler's tent on the line, with a billy hanging over the fire in front, and three fettlers standing round filling their pipes.

Slop sac suits, red faces, and old-fashioned, flat-brimmed hats, with wire round the brims, begin to drop into the train on the other side of Bathurst; and here and there a hat with three inches of crape round the crown, which perhaps signifies death in the family at some remote date, and perhaps doesn't. Sometimes, I believe, it only means grease under the band. I notice that when a bushman puts crape round his hat he generally leaves it there till the hat wears out, or another friend dies. In the latter case, he buys a new piece of crape. This outward sign of bereavement usually has a jolly red face beneath it. Death is about the only cheerful thing in the bush.

We crossed the Macquarie—a narrow, muddy gutter with a dog swimming across, and three goats interested.

A little farther on we saw the first sundowner. He carried a Royal Alfred, and had a billy in one hand and a stick in the other. He was dressed in a tail-coat turned yellow, a print shirt, and a pair of moleskin trousers, with big square calico patches on the knees; and his old straw hat was covered with calico. Suddenly he slipped his swag, dropped his billy, and ran forward, boldly flourishing the stick. I thought that he was mad, and was about to attack the train, but he wasn't; he was only killing a snake. I didn't have time to see whether he cooked the snake or not—perhaps he only thought of Adam.

Somebody told me that the country was very dry on the other side of Nevertire. It is. I wouldn't like to sit down on it any where. The least horrible spot in the bush, in a dry season, is where the bush isn't—where it has been cleared away and a green crop is trying to grow. They talk of settling people on the land! Better settle in it. I'd rather settle on the water; at least, until some gigantic system of irrigation is perfected in the West.

Along about Byrock we saw the first shearers. They dress like the unemployed, but differ from that body in their looks of independence. They sat on trucks and wool-bales and the fence, watching the train, and hailed Bill, and Jim, and Tom, and asked how those individuals were getting on.

Here we came across soft felt hats with straps round the crowns, and full-bearded faces under them. Also a splendid-looking black tracker in a masher uniform and a pair of Wellington boots.

One or two square-cuts and stand-up collars struggle dismally through to the bitter end. Often a member of the unemployed starts cheerfully out, with a letter from the Government Labour Bureau in his pocket, and nothing else. He has an idea that the station where he has the job will be within easy walking distance of Bourke. Perhaps he thinks there'll be a cart or a buggy waiting for him. He travels for a night and day without a bite to eat, and, on arrival, he finds that the station is eighty or a hundred miles away. Then he has to explain matters to a publican and a coach-driver. God bless the publican and the coach-driver! God forgive our social system!

Native industry was represented at one place along the line by three tiles, a chimney-pot, and a length of piping on a slab.

Somebody said to me, "Yer wanter go out back, young man, if yer wanter see the country. Yer wanter get away from the line." I don't wanter; I've been there.

You could go to the brink of eternity so far as Australia is concerned and yet meet an animated mummy of a swagman who will talk of going "out back." Out upon the out-back fiend!

About Byrock we met the bush liar in all his glory. He was dressed like—like a bush larrikin. His name was Jim. He had been to a ball where some blank had "touched" his blanky overcoat. The overcoat had a cheque for ten "quid" in the pocket. He didn't seem to feel the loss much. "Wot's ten quid?" He'd been everywhere, including the Gulf country. He still had three or four sheds to go to. He had telegrams in his pocket from half a dozen squatters and supers offering him pens on any terms. He didn't give a blank whether he took them or no. He thought at first he had the telegrams on him but found that he had left them in the pocket of the overcoat aforesaid. He had learned butchering in a day. He was a bit of a scrapper himself and talked a lot about the ring. At the last station where he shore he gave the super the father of a hiding. The super was a big chap, about six-foot-three, and had knocked out Paddy Somebody in one round. He worked with a man who shore four hundred sheep in nine hours.

Here a quiet-looking bushman in a corner of the carriage grew restless, and presently he opened his mouth and took the liar down in about three minutes.

At 5.30 we saw a long line of camels moving out across the sunset. There's something snaky about camels. They remind me of turtles and goannas.

Somebody said, "Here's Bourke."



HE'D COME BACK

The yarn was all lies, I suppose; but it wasn't bad. A city bushman told it, of course, and he told it in the travellers' hut.

"As true's God hears me I never meant to desert her in cold blood," he said. "We'd only been married about two years, and we'd got along grand together; but times was hard, and I had to jump at the first chance of a job, and leave her with her people, an' go up-country."

He paused and fumbled with his pipe until all ears were brought to bear on him.

"She was a beauty, and no mistake; she was far too good for me—I often wondered how she came to have a chap like me."

He paused again, and the others thought over it—and wondered too, perhaps.

The joker opened his lips to speak, but altered his mind about it.

"Well, I travelled up into Queensland, and worked back into Victoria 'n' South Australia, an' I wrote home pretty reg'lar and sent what money I could. Last I got down on to the south-western coast of South Australia—an' there I got mixed up with another woman—you know what that means, boys?"

Sympathetic silence.

"Well, this went on for two years, and then the other woman drove me to drink. You know what a woman can do when the devil's in her?"

Sound between a sigh and a groan from Lally Thompson. "My oath," he said, sadly.

"You should have made it three years, Jack," interposed the joker; "you said two years before." But he was suppressed.

"Well, I got free of them both, at last—drink and the woman, I mean; but it took another—it took a couple of years to pull myself straight—"

Here the joker opened his mouth again, but was warmly requested to shut it.

"Then, chaps, I got thinking. My conscience began to hurt me, and—and hurt worse every day. It nearly drove me to drink again. Ah, boys, a man—if he is a man—can't expect to wrong a woman and escape scot-free in the end." (Sigh from Lally Thompson.) "It's the one thing that always comes home to a man, sooner or later—you know what that means, boys."

Lally Thompson: "My oath!"

The joker: "Dry up yer crimson oath! What do you know about women?"

Cries of "Order!"

"Well," continued the story-teller, "I got thinking. I heard that my wife had broken her heart when I left her, and that made matters worse. I began to feel very bad about it. I felt mean. I felt disgusted with myself. I pictured my poor, ill-treated, little wife and children in misery and poverty, and my conscience wouldn't let me rest night or day"—(Lally Thompson seemed greatly moved)—"so at last I made up my mind to be a man, and make—what's the word?"

"Reparation," suggested the joker.

"Yes, so I slaved like a nigger for a year or so, got a few pounds together and went to find my wife. I found out that she was living in a cottage in Burwood, Sydney, and struggling through the winter on what she'd saved from the money her father left her.

"I got a shave and dressed up quiet and decent. I was older-looking and more subdued like, and I'd got pretty grey in those few years that I'd been making a fool of myself; and, some how, I felt rather glad about it, because I reckoned she'd notice it first thing—she was always quick at noticing things—and forgive me all the quicker. Well, I waylaid the school kids that evening, and found out mine—a little boy and a girl—and fine youngsters they were. The girl took after her mother, and the youngster was the dead spit o' me. I gave 'em half a crows each and told them to tell their mother that someone would come when the sun went down."

Bogan Bill nodded approvingly.

"So at sundown I went and knocked at the door. It opened and there stood my little wife looking prettier than ever—only careworn."

Long, impressive pause.

"Well, Jack, what did she do?" asked Bogan.

"She didn't do nothing."

"Well, Jack, and what did she say?"

Jack sighed and straightened himself up: "She said—she said—'Well, so you've come back.'"

"Painful silence.

"Well, Jack, and what did you say?"

"I said yes."

"Well, and so you had!" said Tom Moonlight.

"It wasn't that, Tom," said Jack sadly and wearily—"It was the way she said it!"

Lally Thompson rubbed his eyes: "And what did you do, Jack?" he asked gently.

"I stayed for a year, and then I deserted her again—but meant it that time."

"Ah, well! It's time to turn in."



ANOTHER OF MITCHELL'S PLANS FOR THE FUTURE

"I'll get down among the cockies along the Lachlan, or some of these rivers," said Mitchell, throwing down his swag beneath a big tree. "A man stands a better show down there. It's a mistake to come out back. I knocked around a good deal down there among the farms. Could always get plenty of tucker, and a job if I wanted it. One cocky I worked for wanted me to stay with him for good. Sorry I didn't. I'd have been better off now. I was treated more like one of the family, and there was a couple of good-looking daughters. One of them was clean gone on me. There are some grand girls down that way. I always got on well with the girls, because I could play the fiddle and sing a bit. They'll be glad to see me when I get back there again, I know. I'll be all right—no more bother about tucker. I'll just let things slide as soon as I spot the house. I'll bet my boots the kettle will be boiling, and everything in the house will be on the table before I'm there twenty minutes. And the girls will be running to meet the old cocky when he comes riding home at night, and they'll let down the sliprails, and ask him to guess 'who's up at our place?' Yes, I'll find a job with some old cocky, with a good-looking daughter or two. I'll get on ploughing if I can; that's the sort of work I like; best graft about a farm.

"By and by the cocky'll have a few sheep he wants shorn, and one day he'll say to me, 'Jack, if you hear of a shearer knockin' round let me know—I've got a few sheep I want shore.'

"'How many have you got?' I'll say.

"'Oh, about fifteen hundred.'

"'And what d'you think of giving?'

"'Well, about twenty-five bob a hundred, but if a shearer sticks out for thirty, send him up to talk with me. I want to get 'em shore as soon as possible.'

"'It's all right,' I'll say, 'you needn't bother; I'll shear your sheep.'

"'Why,' he'll say, 'can you shear?'

"'Shear? Of course I can! I shore before you were born.' It won't matter if he's twice as old as me.

"So I'll shear his sheep and make a few pounds, and he'll be glad and all the more eager to keep me on, so's to always have someone to shear his sheep. But by and by I'll get tired of stopping in the one place and want to be on the move, so I'll tell him I'm going to leave.

"'Why, what do you want to go for?' he'll say, surprised, 'ain't you satisfied?'

"'Oh, yes, I'm satisfied, but I want a change.'

"'Oh, don't go,' he'll say; 'stop and we'll call it twenty-five bob a week.'

"But I'll tell him I'm off—wouldn't stay for a hundred when I'd made up my mind; so, when he sees he can't persuade me he'll get a bit stiff and say:

"'Well, what about that there girl? Are you goin' to go away and leave her like that?'

"'Why, what d'yer mean?' I'll say. 'Leave her like what?' I won't pretend to know what he's driving at.

"'Oh!' he'll say, 'you know very well what I mean. The question is: Are you going to marry the girl or not?'

"I'll see that things are gettin' a little warm and that I'm in a corner, so I'll say:

"'Why, I never thought about it. This is pretty sudden and out of the common, isn't it? I don't mind marrying the girl if she'll have me. Why! I haven't asked her yet!'

"'Well, look here,' he'll say, 'if you agree to marry the girl—and I'll make you marry her, any road—I'll give you that there farm over there and a couple of hundred to start on.'

"So, I'll marry her and settle down and be a cocky myself and if you ever happen to be knocking round there hard up, you needn't go short of tucker a week or two; but don't come knocking round the house when I'm not at home."



STEELMAN

Steelman was a hard case. If you were married, and settled down, and were so unfortunate as to have known Steelman in other days, he would, if in your neighbourhood and dead-beat, be sure to look you up. He would find you anywhere, no matter what precautions you might take. If he came to your house, he would stay to tea without invitation, and if he stayed to tea, he would ask you to "fix up a shake-down on the floor, old man," and put him up for the night; and, if he stopped all night, he'd remain—well, until something better turned up.

There was no shaking off Steelman. He had a way about him which would often make it appear as if you had invited him to stay, and pressed him against his roving inclination, and were glad to have him round for company, while he remained only out of pure goodwill to you. He didn't like to offend an old friend by refusing his invitation.

Steelman knew his men.

The married victim generally had neither the courage nor the ability to turn him out. He was cheerfully blind and deaf to all hints, and if the exasperated missus said anything to him straight, he would look shocked, and reply, as likely as not:

"Why, my good woman, you must be mad! I'm your husband's guest!"

And if she wouldn't cook for him, he'd cook for himself. There was no choking him off. Few people care to call the police in a case like this; and besides, as before remarked, Steelman knew his men. The only way to escape from him was to move—but then, as likely as not, he'd help pack up and come along with his portmanteau right on top of the last load of furniture, and drive you and your wife to the verge of madness by the calm style in which he proceeded to superintend the hanging of your pictures.

Once he quartered himself like this on an old schoolmate of his, named Brown, who had got married and steady and settled down. Brown tried all ways to get rid of Steelman, but he couldn't do it. One day Brown said to Steelman:

"Look here, Steely, old man, I'm very sorry, but I'm afraid we won't be able to accommodate you any longer—to make you comfortable, I mean. You see, a sister of the missus is coming down on a visit for a month or two, and we ain't got anywhere to put her, except in your room. I wish the missus's relations to blazes! I didn't marry the whole blessed family; but it seems I've got to keep them."

Pause—very awkward and painful for poor Brown. Discouraging silence from Steelman. Brown rested his elbows on his knees, and, with a pathetic and appealing movement of his hand across his forehead, he continued desperately:

"I'm very sorry, you see, old man—you know I'd like you to stay—I want you to stay.... It isn't my fault—it's the missus's doings. I've done my best with her, but I can't help it. I've been more like a master in my own house—more comfortable—and I've been better treated since I've had you to back me up.... I'll feel mighty lonely, anyway, when ycu're gone.... But... you know... as soon as her sister goes... you know.... "

Here poor Brown broke down—very sorry he had spoken at all; but Steely came to the rescue with a ray of light.

"What's the matter with the little room at the back?" he asked.

"Oh, we couldn't think of putting you there," said Brown, with a last effort; "it's not fined up; you wouldn't be comfortable, and, besides, it's damp, and you'd catch your death of cold. It was never meant for anything but a wash-house. I'm sorry I didn't get another room built on to the house."

"Bosh!" interrupted Steelman, cheerfully. "Catch a cold! Here I've been knocking about the country for the last five years—sleeping out in all weathers—and do you think a little damp is going to hurt me? Pooh! What do you take me for? Don't you bother your head about it any more, old man; I'll fix up the lumber-room for myself, all right; and all you've got to do is to let me know when the sister-in-law business is coming on, and I'll shift out of my room in time for the missus to get it ready for her. Here, have you got a bob on you? I'll go out and get some beer. A drop'll do you good."

"Well, if you can make yourself comfortable, I'll be only too glad for you to stay," said Brown, wearily.

"You'd better invite some woman you know to come on a visit, and pass her off as your sister," said Brown to his wife, while Steelman was gone for the beer. "I've made a mess of it."

Mrs Brown said, "I knew you would."

Steelman knew his men.

But at last Brown reckoned that he could stand it no longer. The thought of it made him so wild that he couldn't work. He took a day off to get thoroughly worked up in, came home that night full to the chin of indignation and Dunedin beer, and tried to kick Steelman out. And Steelman gave him a hiding.

Next morning Steelman was sitting beside Brown's bed with a saucer of vinegar, some brown paper, a raw beef-steak, and a bottle of soda.

"Well, what have you got to say for yourself now, Brown?" he said, sternly. "Ain't you jolly well ashamed of yourself to come home in the beastly state you did last night, and insult a guest in your house, to say nothing of an old friend—and perhaps the best friend you ever had, if you only knew it? Anybody else would have given you in charge and got you three months for the assault. You ought to have some consideration for your wife and children, and your own character—even if you haven't any for your old mate's feelings. Here, drink this, and let me fix you up a bit; the missus has got the breakfast waiting."



DRIFTED BACK



The stranger walked into the corner grocery with the air of one who had come back after many years to see someone who would be glad to see him. He shed his swag and stood it by the wall with great deliberation; then he rested his elbow on the counter, stroked his beard, and grinned quizzically at the shopman, who smiled back presently in a puzzled way.

"Good afternoon," said the grocer.

"Good afternoon."

Pause.

"Nice day," said the grocer.

Pause.

"Anything I can do for you?"

"Yes; tell the old man there's a chap wants to speak to him for a minute."

"Old man? What old man?"

"Hake, of course—old Ben Hake! Ain't he in?"

The grocer smiled.

"Hake ain't here now. I'm here."

"How's that?"

"Why, he sold out to me ten years ago."

"Well, I suppose I'll find him somewhere about town?"

"I don't think you will. He left Australia when he sold out. He's—he's dead now."

"Dead! Old Ben Hake?"

"Yes. You knew him, then?"

The stranger seemed to have lost a great deal of his assurance. He turned his side to the counter, hooked his elbow on it, and gazed out through the door along Sunset Track.

"You can give me half a pound of nailrod," he said, in a quiet tone—"I s'pose young Hake is in town?"

"No; the whole family went away. I think there's one of the sons in business in Sydney now."

"I s'pose the M'Lachlans are here yet?"

"No; they are not. The old people died about five years ago; the sons are in Queensland, I think; and both the girls are married and in Sydney."

"Ah, well!... I see you've got the railway here now."

"Oh, yes! Six years."

"Times is changed a lot."

"They are."

"I s'pose—I s'pose you can tell me where I'll find old Jimmy Nowlett?"

"Jimmy Nowlett? Jimmy Nowlett? I never heard of the name. What was he?"

"Oh, he was a bullock-driver. Used to carry from the mountains before the railway was made."

"Before my time, perhaps. There's no one of that name round here now."

"Ah, well!... I don't suppose you knew the Duggans?"

"Yes, I did. The old man's dead, too, and the family's gone away—Lord knows where. They weren't much loss, to all accounts. The sons got into trouble, I b'lieve—went to the bad. They had a bad name here."

"Did they? Well, they had good hearts—at least, old Malachi Duggan and the eldest son had.... You can give me a couple of pounds of sugar."

"Right. I suppose it's a long time since you were here last?"

"Fifteen years."

"Indeed!"

"Yes. I don't s'pose I remind you of anyone you know around here?"

"N—no!" said the grocer with a smile. "I can't say you do."

"Ah, well! I s'pose I'll find the Wilds still living in the same place?"

"The Wilds? Well, no. The old man is dead, too, and—"

"And—and where's Jim? He ain't dead?"

"No; he's married and settled down in Sydney."

Long pause.

"Can you—" said the stranger, hesitatingly; "did you—I suppose you knew Mary—Mary Wild?"

"Mary?" said the grocer, smilingly. "That was my wife's maiden name. Would you like to see her?"

"No, no! She mightn't remember me!"

He reached hastily for his swag, and shouldered it.

"Well, I must be gettin' on."

"I s'pose you'll camp here over Christmas?"

"No; there's nothing to stop here for—I'll push on. I did intend to have a Christmas here—in fact, I came a long way out of my road a-purpose.... I meant to have just one more Christmas with old Ben Hake an' the rest of the boys—but I didn't know as they'd moved on so far west. The old bush school is dyin' out."

There was a smile in his eyes, but his bearded lips twitched a little.

"Things is changed. The old houses is pretty much the same, an' the old signs want touchin' up and paintin' jest as had as ever; an' there's that old palin' fence that me an' Ben Hake an' Jimmy Nowlett put up twenty year ago. I've tramped and travelled long ways since then. But things is changed—at least, people is.... Well, I must be goin'. There's nothing to keep me here. I'll push on and get into my track again. It's cooler travellin' in the night."

"Yes, it's been pretty hot to-day."

"Yes, it has. Well, s'long."

"Good day. Merry Christmas!"

"Eh? What? Oh, yes! Same to you! S'long!"

"Good day!" He drifted out and away along Sunset Track.



REMAILED



There is an old custom prevalent in Australasia—and other parts, too, perhaps, for that matter—which, we think, deserves to be written up. It might not be an "honoured" custom from a newspaper manager's or proprietor's point of view, or from the point of view (if any) occupied by the shareholders on the subject; but, nevertheless, it is a time-honoured and a good old custom. Perhaps, for several reasons, it was more prevalent among diggers than with the comparatively settled bushmen of to-day—the poor, hopeless, wandering swaggy doesn't count in the matter, for he has neither the wherewithal nor the opportunity to honour the old custom; also his movements are too sadly uncertain to permit of his being honoured by it. We refer to the remailing of newspapers and journals from one mate to another.

Bill gets his paper and reads it through conscientiously from beginning to end by candle or slush-lamp as he lies on his back in the hut or tent with his pipe in his mouth; or, better still, on a Sunday afternoon as he reclines on the grass in the shade, in all the glory and comfort of a clean pair of moleskins and socks and a clean shirt. And when he has finished reading the paper—if it is not immediately bespoke—he turns it right side out, folds it, and puts it away where he'll know where to find it. The paper is generally bespoke in the following manner:

"Let's have a look at that paper after you, Bill, when yer done with it," says Jack.

And Bill says:

"I just promised it to Bob. You can get it after him."

And, when it is finally lent, Bill says:

"Don't forget to give that paper back to me when yer done with it. Don't let any of those other blanks get holt of it, or the chances are I won't set eyes on it again."

But the other blanks get it in their turn after being referred to Bill. "You must ask Bill," says Jack to the next blank, "I got it from him." And when Bill gets his paper back finally—which is often only after much bush grumbling, accusation, recrimination, and denial—he severely and carefully re-arranges theme pages, folds the paper, and sticks it away up over a rafter, or behind a post or batten, or under his pillow where it will safe. He wants that paper to send to Jim.

Bill is but an indifferent hand at folding, and knows little or nothing about wrappers. He folds and re-folds the paper several times and in various ways, but the first result is often the best, and is finally adopted. The parcel looks more ugly than neat; but Bill puts a weight upon it so that it won't fly open, and looks round for a piece of string to tie it with. Sometimes he ties it firmly round the middle, sometimes at both ends; at other times he runs the string down inside the folds and ties it that way, or both ways, or all the ways, so as to be sure it won't come undone—which it doesn't as a rule. If he can't find a piece of string long enough, he ties two bits together, and submits the result to a rather severe test; and if the string is too thin, or he has to use thread, he doubles it. Then he worries round to find out who has got the ink, or whether anyone has seen anything of the pen; and when he gets them, he writes the address with painful exactitude on the margin of the paper, sometimes in two or three places. He has to think a moment before he writes; and perhaps he'll scratch the back of his head afterwards with an inky finger, and regard the address with a sort of mild, passive surprise. His old mate Jim was always plain Jim to him, and nothing else; but, in order to reach Jim, this paper has to be addressed to—

MR JAMES MITCHELL, c/o J. W. Dowell, Esq., Munnigrub Station—

and so on. "Mitchell" seems strange—Bill couldn't think of it for the moment—and so does "James."

And, a week or so later, over on Coolgardie, or away up in northern Queensland, or bush-felling down in Maoriland, Jim takes a stroll up to the post office after tea on mail night. He doesn't expect any letters, but there might be a paper from Bill. Bill generally sends him a newspaper. They seldom write to each other, these old mates.

There were points, of course, upon which Bill and Jim couldn't agree—subjects upon which they argued long and loud and often in the old days; and it sometimes happens that Bill across an article or a paragraph which agrees with and, so to speak, barracks for a pet theory of his as against one held by Jim; and Bill marks it with a chuckle and four crosses at the corners—and an extra one at each side perhaps—and sends it on to Jim; he reckons it'll rather corner old Jim. The crosses are not over ornamental nor artistic, but very distinct; Jim sees them from the reverse side of the sheet first, maybe, and turns it over with interest to see what it is. He grins a good-humoured grin as he reads—poor old Bill is just as thick-headed and obstinate as ever—just as far gone on his old fad. It's rather rough on Jim, because he's too far off to argue; but, if he's very earnest on the subject, he'll sit down and write, using all his old arguments to prove that the man who wrote that rot was a fool. This is one of the few things that will make them write to each other. Or else Jim will wait till he comes across a paragraph in another paper which barracks for his side of the argument, and, in his opinion; rather knocks the stuffing out of Bill's man; then he marks it with more and bigger crosses and a grin, and sends it along to Bill. They are both democrats—these old mates generally are—and at times one comes across a stirring article or poem, and marks it with approval and sends it along. Or it may be a good joke, or the notice of the death of an old mate. What a wave of feeling and memories a little par can take through the land!

Jim is a sinner and a scoffer, and Bill is an earnest, thorough, respectable old freethinker, and consequently they often get a War Cry or a tract sent inside their exchanges—somebody puts it in for a joke.

Long years ago—long years ago Bill and Jim were sweet on a rose of the bush—or a lily of the goldfields—call her Lily King. Both courted her at the same time, and quarrelled over her—fought over her, perhaps—and were parted by her for years. But that's all bygones. Perhaps she loved Bill, perhaps she loved Jim—perhaps both; or, maybe, she wasn't sure which. Perhaps she loved neither, and was only stringing them on. Anyway, she didn't marry either the one or the other. She married another man—call him Jim Smith. And so, in after years, Bill comes across a paragraph in a local paper, something like the following:

On July 10th, at her residence, Eureka Cottage, Ballarat-street, Tally Town, the wife of James Smith of twins (boy and girl); all three doing well.

And Bill marks it with a loud chuckle and big crosses, and sends it along to Jim. Then Bill sits and thinks and smokes, and thinks till the fire goes out, and quite forgets all about putting that necessary patch on his pants.

And away down on Auckland gum-fields, perhaps, Jim reads the par with a grin; then grows serious, and sits and scrapes his gum by the flickering firelight in a mechanical manner, and—thinks. His thoughts are far away in the back years—faint and far, far and faint. For the old, lingering, banished pain returns and hurts a man's heart like the false wife who comes back again, falls on her knees before him, and holds up her trembling arms and pleads with swimming, upturned eyes, which are eloquent with the love she felt too late.

It is supposed to be something to have your work published in an English magazine, to have it published in book form, to be flattered by critics and reprinted throughout the country press, or even to be cut up well and severely. But, after all, now we come to think of it, we would almost as soon see a piece of ours marked with big inky crosses in the soiled and crumpled rag that Bill or Jim gets sent him by an old mate of his—the paper that goes thousands of miles scrawled all over with smudgy addresses and tied with a piece of string.



MITCHELL DOESN'T BELIEVE IN THE SACK



"If ever I do get a job again," said Mitchell, "I'll stick to it while there's a hand's turn of work to do, and put a few pounds together. I won't be the fool I always was. If I'd had sense a couple of years ago, I wouldn't be tramping through this damned sand and mulga now. I'll get a job on a station, or at some toff's house, knocking about the stables and garden, and I'll make up my mind to settle down to graft for four or five years."

"But supposing you git the sack?" said his mate.

"I won't take it. Only for taking the sack I wouldn't be hard up to-day. The boss might come round and say:

'I won't want you after this week, Mitchell. I haven't got any more work for you to do. Come up and see me at the office presently.'

"So I'll go up and get my money; but I'll be pottering round as usual on Monday, and come up to the kitchen for my breakfast. Some time in the day the boss'll be knocking round and see me.

"'Why, Mitchell,' he'll say, 'I thought you was gone.'

"'I didn't say I was going,' I'll say. 'Who told you that—or what made you think so?'

"'I thought I told you on Saturday that I wouldn't want you any more,' he'll say, a bit short. 'I haven't got enough work to keep a man going; I told you that; I thought you understood. Didn't I give you the sack on Saturday?'

"'It's no use;' I'll say, 'that sort of thing's played out. I've been had too often that way; I've been sacked once too often. Taking the sack's been the cause of all my trouble; I don't believe in it. If I'd never taken the sack I'd have been a rich man to-day; it might be all very well for horses, but it doesn't suit me; it doesn't hurt you, but it hurts me. I made up my mind that when I got a place to suit me, I'd stick in it. I'm comfortable here and satisfied, and you've had no cause to find fault with me. It's no use you trying to sack me, because I won't take it. I've been there before, and you might as well try to catch an old bird with chaff.'

"'Well, I won't pay you, and you'd better be off,' he'll say, trying not to grin.

"'Never mind the money,' I'll say, 'the bit of tucker won't cost you anything, and I'll find something to do round the house till you have some more work. I won't ask you for anything, and, surely to God I'll find enough to do to pay for my grub!'

"So I'll potter round and take things easy and call up at the kitchen as usual at meal times, and by and by the boss'll think to himself: 'Well, if I've got to feed this chap I might as well get some work out of him.'

"So he'll find me, something regular to do—a bit of fencing, or carpentering, or painting, or something, and then I'll begin to call up for my stuff again, as usual."



SHOOTING THE MOON



We lay in camp in the fringe of the mulga, and watched the big, red, smoky, rising moon out on the edge of the misty plain, and smoked and thought together sociably. Our nose-bags were nice and heavy, and we still had about a pound of nail-rod between us.

The moon reminded my mate, Jack Mitchell, of something—anything reminded him of something, in fact.

"Did you ever notice," said Jack, in a lazy tone, just as if he didn't want to tell a yarn—"Did you ever notice that people always shoot the moon when there's no moon? Have you got the matches?"

He lit up; he was always lighting up when he was reminded of something.

"This reminds me—Have you got the knife? My pipe's stuffed up."

He dug it out, loaded afresh, and lit up again.

"I remember once, at a pub I was staying at, I had to leave without saying good-bye to the landlord. I didn't know him very well at that time.

"My room was upstairs at the back, with the window opening on to the backyard. I always carried a bit of clothes-line in my swag or portmanteau those times. I travelled along with a portmanteau those times. I carried the rope in case of accident, or in case of fire, to lower my things out of the window—or hang myself, maybe, if things got too bad. No, now I come to think of it, I carried a revolver for that, and it was the only thing I never pawned."

"To hang yourself with?" asked the mate.

"Yes—you're very smart," snapped Mitchell; "never mind—-. This reminds me that I got a chap at a pub to pawn my last suit, while I stopped inside and waited for an old mate to send me a pound; but I kept the shooter, and if he hadn't sent it I'd have been the late John Mitchell long ago."

"And sometimes you lower'd out when there wasn't a fire."

"Yes, that will pass; you're improving in the funny business. But about the yarn. There was two beds in my room at the pub, where I had to go away without shouting for the boss, and, as it happened, there was a strange chap sleeping in the other bed that night, and, just as I raised the window and was going to lower my bag out, he woke up.

"'Now, look here,' I said, shaking my fist at him, like that, 'if you say a word, I'll stoush yer!'

"'Well,' he said, 'well, you needn't be in such a sweat to jump down a man's throat. I've got my swag under the bed, and I was just going to ask you for the loan of the rope when you're done with it.'

"Well, we chummed. His name was Tom—Tom—something, I forget the other name, but it doesn't matter. Have you got the matches?"

He wasted three matches, and continued—

"There was a lot of old galvanized iron lying about under the window, and I was frightened the swag would make a noise; anyway, I'd have to drop the rope, and that was sure to make a noise. So we agreed for one of us to go down and land the swag. If we were seen going down without the swags it didn't matter, for we could say we wanted to go out in the yard for something."

"If you had the swag you might pretend you were walking in your sleep," I suggested, for the want of something funnier to say.

"Bosh," said Jack, "and get woke up with a black eye. Bushies don't generally carry their swags out of pubs in their sleep, or walk neither; it's only city swells who do that. Where's the blessed matches?

"Well, Tom agreed to go, and presently I saw a shadow under the window, and lowered away.

"'All right?' I asked in a whisper.

"'All right!" whispered the shadow.

"I lowered the other swag.

"'All right?'

"'All right!' said the shadow, and just then the moon came out.

"'All right!' says the shadow.

"But it wasn't all right. It was the landlord himself!

"It seems he got up and went out to the back in the night, and just happened to be coming in when my mate Tom was sneaking out of the back door. He saw Tom, and Tom saw him, and smoked through a hole in the palings into the scrub. The boss looked up at the window, and dropped to it. I went down, funky enough, I can tell you, and faced him. He said:

"'Look here, mate, why didn't you come straight to me, and tell me how you was fixed, instead of sneaking round the trouble in that fashion? There's no occasion for it.'

"I felt mean at once, but I said: 'Well, you see, we didn't know you, boss.'

"'So it seems. Well, I didn't think of that. Anyway, call up your mate and come and have a drink; we'll talk over it afterwards.' So I called Tom. 'Come on,' I shouted. 'It's all right.'

"And the boss kept us a couple of days, and then gave us as much tucker as we could carry, and a drop of stuff and a few bob to go on the track again with."

"Well, he was white, any road."

"Yes. I knew him well after that, and only heard one man say a word against him."

"And did you stoush him?"

"No; I was going to, but Tom wouldn't let me. He said he was frightened I might make a mess of it, and he did it himself."

"Did what? Make a mess of it?"

"He made a mess of the other man that slandered that publican. I'd be funny if I was you. Where's the matches?"

"And could Tom fight?"

"Yes. Tom could fight."

"Did you travel long with him after that?"

"Ten years."

"And where is he now?"

"Dead—Give us the matches."



HIS FATHER'S MATE



It was Golden Gully still, but golden in name only, unless indeed the yellow mullock heaps or the bloom of the wattle-trees on the hillside gave it a claim to the title. But the gold was gone from the gully, and the diggers were gone, too, after the manner of Timon's friends when his wealth deserted him. Golden Gully was a dreary place, dreary even for an abandoned goldfield. The poor, tortured earth, with its wounds all bare, seemed to make a mute appeal to the surrounding bush to come up and hide it, and, as if in answer to its appeal, the shrub and saplings were beginning to close in from the foot of the range. The wilderness was reclaiming its own again.