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It came into Graham's mind with irresistible conviction that this series of magnificent impressions was a dream. He tried to shut his eyes and succeeded, but that time-honoured device led to no awakening.
Presently he began to touch and examine all the unfamiliar appointments of the two small rooms in which he found himself.
In a long oval panel of mirror he saw himself and stopped astonished. He was clad in a graceful costume of purple and bluish white, with a little greyshot beard trimmed to a point, and his hair, its blackness streaked now with bands of grey, arranged over his forehead in an unfamiliar but graceful manner. He seemed a man of five-and-forty perhaps. For a moment he did not perceive this was himself.
A flash of laughter came with the recognition. "To call on old Warming like this!" he exclaimed, "and make him take me out to lunch!"
Then he thought of meeting first one and then another of the few familiar acquaintances of his early manhood, and in the midst of his amusement realised that every soul with whom he might jest had died many score of years ago. The thought smote him abruptly and keenly; he stopped short, the expression of his face changed to a white consternation.
The tumultuous memory of the moving platforms and the huge facade of that wonderful street reasserted itself. The shouting multitudes came back clear and vivid, and those remote, inaudible, unfriendly councilors in white. He felt himself a little figure, very small and ineffectual, pitifully conspicuous. And all about him, the world was—strange.
CHAPTER VII. IN THE SILENT ROOMS
Presently Graham resumed his examination of his apartments. Curiosity kept him moving in spite of his fatigue. The inner room, he perceived, was high, and its ceiling dome shaped', with an oblong aperture in the centre, opening into a funnel in which a wheel of broad vans seemed to be rotating, apparently driving the air up the shaft. The faint humming note of its easy motion was the only clear sound in that quiet place. As these vans sprang up one after the other, Graham could get transient glimpses of the sky. He was surprised to see a star.
This drew his attention to the fact that the bright lighting of these rooms was due to a multitude of very faint glow lamps set about the cornices. There were no windows. And he began to recall that along all the vast chambers and passages he had traversed with Howard he had observed no windows at all. Had there been windows? There were windows on the street indeed, but were they for light? Or was the whole city lit day and night for evermore, so that there was no night there?
And another thing dawned upon him. There was no fireplace in either room. Was the season summer, and were these merely summer apartments, or was the whole City uniformly heated or cooled? He became interested in these questions, began examining the smooth texture of the walls, the simply constructed bed, the ingenious arrangements by which the labour of bedroom service was practically abolished. And over everything was a curious absence of deliberate ornament, a bare grace of form and colour, that he found very pleasing to the eye. There were several very comfortable chairs, a light table on silent runners carrying several bottles of fluids and glasses, and two plates bearing a clear substance like jelly. Then he noticed there were no books, no newspapers, no writing materials. "The world has changed indeed," he said.
He observed one entire side of the outer room was set with rows of peculiar double cylinders inscribed with green lettering on white that harmonized With the decorative scheme of the room, and in the centre of this side projected a little apparatus about a yard square and having a white smooth face to the room. A chair faced this. He had a transitory idea that these cylinders might be books, or a modern substitute for books, but at first it did not seem so.
The lettering on the cylinders puzzled him. At first sight it seemed like Russian. Then he noticed a suggestion of mutilated English about certain of the words.
"oi Man huwdbi Kin"
forced itself on him as "The Man who would be King." "Phonetic spelling," he said. He remembered reading a story with that title, then he recalled the story vividly, one of the best stories in the world. But this thing before him was not a book as he understood it. He puzzled out the titles of two adjacent cylinders. 'The Heart of Darkness,' he had never heard of before nor 'The Madonna of the Future'—no doubt if they were indeed stories, they were by post Victorian authors.
He puzzled over this peculiar cylinder for some time and replaced it. Then he turned to the square apparatus and examined that. He opened a sort of lid and found one of the double cylinders within, and on the upper edge a little stud like the stud of an electric bell. He pressed this and a rapid clicking began and ceased. He became aware of voices and music, and noticed a play of colour on the smooth front face. He suddenly realised what this might be, and stepped back to regard it.
On the flat surface was now a little picture, very vividly coloured, and in this picture were figures that moved. Not only did they move, but they were conversing in clear small voices. It was exactly like reality viewed through an inverted opera glass and heard through a long tube. His interest was seized at once by the situation, which presented a man pacing up and down and vociferating angry things to a pretty but petulant woman. Both were in the picturesque costume that seemed so strange to Graham. "I have worked," said the man, "but what have you been doing?"
"Ah!" said Graham. He forgot everything else, and sat down in the chair. Within five minutes he heard himself named, heard "when the Sleeper wakes," used jestingly as a proverb for remote postponement, and passed himself by, a thing remote and incredible. But in a little while he knew those two people like intimate friends.
At last the miniature drama came to an end, and the square face of the apparatus was blank again.
It was a strange world into which he had been permitted to see, unscrupulous, pleasure seeking, energetic, subtle, a world too of dire economic struggle; there were allusions he did not understand, incidents that conveyed strange suggestions of altered moral ideals, flashes of dubious enlightenment. The blue canvas that bulked so largely in his first impression of the city ways appeared again and again as the costume of the common people. He had no doubt the story was contemporary, and its intense realism was undeniable. And the end had been a tragedy that oppressed him. He sat staring at the blankness.
He started and rubbed his eyes. He had been so absorbed in the latter-day substitute for a novel, that he awoke to the little green and white room with more than a touch of the surprise of his first awakening.
He stood up, and abruptly he was back in his own wonderland. The clearness of the kinetoscope drama passed, and the struggle in the vast place of streets, the ambiguous Council, the swift phases of his waking hour, came back. These people had spoken of the Council with suggestions of a vague universality of power. And they had spoken of the Sleeper; it had not really struck him vividly at the time that he was the Sleeper. He had to recall precisely what they had said.
He walked into the bedroom and peered up through the quick intervals of the revolving fan. As the fan swept round, a dim turmoil like the noise of machinery came in rhythmic eddies. All else was silence.
Though the perpetual day still irradiated his apartments, he perceived the little intermittent strip of sky was now deep blue—black almost, with a dust of little stars.
He resumed his examination of the rooms. He could find no way of opening the padded door, no bell nor other means of calling for attendance. His feeling of wonder was in abeyance; but he was curious, anxious for information. He wanted to know exactly how he stood to these new things. He tried to compose himself to wait until someone came to him. Presently he became restless and eager for information, for distraction, for fresh sensations.
He went back to the apparatus in the other room, and had soon puzzled out the method of replacing the cylinders by others. As he did so, it came into his mind that it must be these little appliances had fixed the language so that it was still clear and understandable after two hundred years. The haphazard cylinders he substituted displayed a musical fantasia. At first it was beautiful, and then it was sensuous. He presently recognized what appeared to him to be an altered version of the story of Tannhauser. The music was unfamiliar. But the rendering was realistic, and with a contemporary unfamiliarity. Tannhauser did not go to a Venusberg, but to a Pleasure City. What was a Pleasure City? A dream, surely, the fancy of a fantastic, voluptuous writer.
He became interested, curious. The story developed with a flavour of strangely twisted sentimentality. Suddenly he did not like it. He liked it less as it proceeded.
He had a revulsion of feeling. These were no pictures, no idealisations, but photographed realities. He wanted no more of the twenty-second century Venusberg. He forgot the part played by the model in nineteenth century art, and gave way to an archaic indignation. He rose, angry and half ashamed at himself for witnessing this thing even in solitude. He pulled forward the apparatus, and with some violence sought for a means of stopping its action. Something snapped. A violet spark stung and convulsed his arm and the thing was still. When he attempted next day to replace these Tannhauser cylinders by another pair, he found the apparatus broken....
He struck out a path oblique to the room and paced to and fro, struggling with intolerable vast impressions. The things he had derived from the cylinders and the things he had seen, conflicted, confused him. It seemed to him the most amazing thing of all that in his thirty years of life he had never tried to shape a picture of these coming times. "We were making the future," he said, "and hardly any of us troubled to think what future we were making. And here it is!"
"What have they got to, what has been done? How do I come into the midst of it all?" The vastness of street and house he was prepared for, the multitudes of people. But conflicts in the city ways! And the systematised sensuality of a class of rich men!
He thought of Bellamy, the hero of whose Socialistic Utopia had so oddly anticipated this actual experience. But here was no Utopia, no Socialistic state. He had already seen enough to realise that the ancient antithesis of luxury, waste and sensuality on the one hand and abject poverty on the other, still prevailed. He knew enough of the essential factors of life to understand that correlation. And not only were the buildings of the city gigantic and the crowds in the street gigantic, but the voices he had heard in the ways, the uneasiness of Howard, the very atmosphere spoke of gigantic discontent. What country was he in? Still England it seemed, and yet strangely "un-English." His mind glanced at the rest of the world, and saw only an enigmatical veil.
He prowled about his apartment, examining everything as a caged animal might do. He felt very tired, felt that feverish exhaustion that does not admit of rest. He listened for long spaces under the ventilator to catch some distant echo of the tumults he felt must be proceeding in the city.
He began to talk to himself. "Two hundred and three years!" he said to himself over and over again, laughing stupidly. "Then I am two hundred and thirty-three years old! The oldest inhabitant. Surely they haven't reversed the tendency of our time and gone back to the rule of the oldest. My claims are indisputable. Mumble, mumble. I remember the Bulgarian atrocities as though it was yesterday. 'Tis a great age! Ha ha!" He was surprised at first to hear himself laughing, and then laughed again deliberately and louder. Then he realised that he was behaving foolishly. "Steady," he said. "Steady!"
His pacing became more regular. "This new world," he said. "I don't understand it. Why?... But it is all why!"
"I suppose they can fly and do all sorts of things Let me try and remember just how it began."
He was surprised at first to find how vague the memories of his first thirty years had become. He remembered fragments, for the most part trivial moments, things of no great importance that he had observed. His boyhood seemed the most accessible at first, he recalled school books and certain lessons in mensuration. Then he revived the more salient features of his life, memories of the wife long since dead, her magic influence now gone beyond corruption, of his rivals and friends and betrayers, of the swift decision of this issue and that, and then of his, last years of misery, of fluctuating resolves, and at last of his strenuous studies. In a little while he perceived he had it all again; dim perhaps, like metal long laid aside, but in no way defective or injured, capable of re-polishing. And the hue of it was a deepening misery. Was it worth re-polishing? By a miracle he had been lifted out of a life that had become intolerable.
He reverted to his present condition. He wrestled with the facts in vain. It became an inextricable tangle. He saw the sky through the ventilator pink with dawn. An old persuasion came out of the dark recesses of his memory. "I must sleep," he said. It appeared as a delightful relief from this mental distress and from the growing pain and heaviness of his limbs. He went to the strange little bed, lay down and was presently asleep.
He was destined to become very familiar indeed with these apartments before he left them, for he remained imprisoned for three days. During that time no one, except Howard, entered his prison. The marvel of his fate mingled with and in some way minimised the marvel of his survival. He had awakened to mankind it seemed only to be snatched away into this unaccountable solitude. Howard came regularly with subtly sustaining and nutritive fluids, and light and pleasant foods, quite strange to Graham. He always closed the door carefully as he entered. On matters of detail he was increasingly obliging, but the bearing of Graham on the great issues that were evidently being contested so closely beyond the soundproof walls that enclosed him, he would not elucidate. He evaded, as politely as possible, every question on the position of affairs in the outer world.
And in those three days Graham's incessant thoughts went far and wide. All that he had seen, all this elaborate contrivance to prevent him seeing, worked together in his mind. Almost every possible interpretation of his position he debated—even as it chanced, the right interpretation. Things that presently happened to him, came to him at last credible, by virtue of this seclusion. When at length the moment of his release arrived, it found him prepared.
Howard's bearing went far to deepen Graham's impression of his own strange importance; the door between its opening and closing seemed to admit with him a breath of momentous happening. His enquiries became more definite and searching. Howard retreated through protests and difficulties. The awakening was unforeseen, he repeated; it happened to have fallen in with the trend of a social convulsion.
"To explain it I must tell you the history of a gross and a half of years," protested Howard.
"The thing is this," said Graham. "You are afraid of something I shall do. In some way I am arbitrator—I might be arbitrator."
"It is not that. But you have—I may tell you this much—the automatic increase of your property puts great possibilities of interference in your hands. And in certain other ways you have influence, with your eighteenth century notions."
"Nineteenth century," corrected Graham.
"With your old world notions, anyhow, ignorant as you are of every feature of our State."
"Am I a fool?"
"Certainly not."
"Do I seem to be the sort of man who would act rashly?"
"You were never expected to act at all. No one counted on your awakening. No one dreamt you would ever awake. The Council had surrounded you with antiseptic conditions. As a matter of fact, we thought that you were dead—a mere arrest of decay. And—but it is too complex. We dare not suddenly—while you are still half awake."
"It won't do," said Graham. "Suppose it is as you say—why am I not being crammed night and day with facts and warnings and all the wisdom of the time to fit me for my responsibilities? Am I any wiser now than two days ago, if it is two days, when I awoke?"
Howard pulled his lip.
"I am beginning to feel—every hour I feel more clearly—a sense of complex concealment of which you are the salient point. Is this Council, or committee, or whatever they are, cooking the accounts of my estate? Is that it?"
"That note of suspicion—" said Howard.
"Ugh!" said Graham. "Now, mark my words, it will be ill for those who have put me here. It will be ill. I am alive. Make no doubt of it, I am alive. Every day my pulse is stronger and my mind clearer and more vigorous. No more quiescence. I am a man come back to life. And I want to live—"
"Live!"
Howard's face lit with an idea. He came towards Graham and spoke in an easy confidential tone.
"The Council secludes you here for your good. You are restless. Naturally—an energetic man! You find it dull here. But we are anxious that everything you may desire—every desire—every sort of desire... There may be something. Is there any sort of company?"
He paused meaningly.
"Yes," said Graham thoughtfully. "There is."
"Ah! Now! We have treated you neglectfully."
"The crowds in yonder streets of yours."
"That," said Howard, "I am afraid—. But—"
Graham began pacing the room. Howard stood near the door watching him. The implication of Howard's suggestion was only half evident to Graham Company? Suppose he were to accept the proposal, demand some sort of company? Would there be any possibilities of gathering from the conversation of this additional person some vague inkling of the struggle that had broken out so vividly at his waking moment? He meditated again, and the suggestion took colour. He turned on Howard abruptly.
"What do you mean by company?"
Howard raised his eyes and shrugged his shoulders. "Human beings," he said, with a curious smile on his heavy face.
"Our social ideas," he said, "have a certain increased liberality, perhaps, in comparison with your times. If a man wishes to relieve such a tedium as this—by feminine society, for instance. We think it no scandal. We have cleared our minds of formulae. There is in our city a class, a necessary class, no longer despised—discreet—"
Graham stopped dead.
"It would pass the time," said Howard. "It is a thing I should perhaps have thought of before, but, as a matter of fact, so much is happening—"
He indicated the exterior world.
Graham hesitated. For a moment the figure of a possible woman that his imagination suddenly created dominated his mind with an intense attraction. Then he flashed into anger.
"No!" he shouted.
He began striding rapidly up and down the room.
"Everything you say, everything you do, convinces me—of some great issue in which I am concerned. I do not want to pass the time, as you call it. Yes, I know. Desire and indulgence are life in a sense—and Death! Extinction! In my life before I slept I had worked out that pitiful question. I will not begin again. There is a city, a multitude—. And meanwhile I am here like a rabbit in a bag."
His rage surged high. He choked for a moment and began to wave his clenched fists. He gave way to an anger fit, he swore archaic curses. His gestures had the quality of physical threats.
"I do not know who your party may be. I am in the dark, and you keep me in the dark. But I know this, that I am secluded here for no good purpose. For no good purpose. I warn you, I warn you of the consequences. Once I come at my power—"
He realised that to threaten thus might be a danger to himself. He stopped. Howard stood regarding him with a curious expression.
"I take it this is a message to the Council," said Howard.
Graham had a momentary impulse to leap upon the man, fell or stun him. It must have shown upon his face; at any rate Howard's movement was quick. In a second the noiseless door had closed again, and the man from the nineteenth century was alone.
For a moment he stood rigid, with clenched hands half raised. Then he flung them down. "What a fool I have been!" he said, and gave way to his anger again, stamping about the room and shouting curses. For a long time he kept himself in a sort of frenzy, raging at his position, at his own folly, at the knaves who had imprisoned him. He did this because he did not want to look calmly at his position. He clung to his anger—because he was afraid of Fear.
Presently he found himself reasoning with himself This imprisonment was unaccountable, but no doubt the legal forms—new legal forms—of the time permitted it. It must, of course, be legal. These people were two hundred years further on in the march of civilisation than the Victorian generation. It was not likely they would be less—humane. Yet they had cleared their minds of formulae! Was humanity a formula as well as chastity?
His imagination set to work to suggest things that might be done to him. The attempts of his reason to dispose of these suggestions, though for the most part logically valid, were quite unavailing. "Why should anything be done to me?"
"If the worst comes to the worst," he found himself saying at last, "I can give up what they want. But what do they want? And why don't they ask me for it instead of cooping me up?"
He returned to his former preoccupation with the Council's possible intentions. He began to reconsider the details of Howard's behaviour, sinister glances, inexplicable hesitations. Then, for a time, his mind circled about the idea of escaping from these rooms; but whither could he escape into this vast, crowded world? He would be worse off than a Saxon yeoman suddenly dropped into nineteenth century London. And besides, how could anyone escape from these rooms?
"How can it benefit anyone if harm should happen to me?"
He thought of the tumult, the great social trouble of which he was so unaccountably the axis. A text, irrelevant enough and yet curiously insistent, came floating up out of the darkness of his memory. This also a Council had said:
"It is expedient for us that one man should die for the people."
CHAPTER VIII. THE ROOF SPACES
As the fans in the circular aperture of the inner room rotated and permitted glimpses of the night, dim sounds drifted in thereby. And Graham, standing underneath, wrestling darkly with the unknown powers that imprisoned him, and which he had now deliberately challenged, was startled by the sound of a voice.
He peered up and saw in the intervals of the rotation, dark and dim, the face and shoulders of a man regarding him. When a dark hand was extended, the swift fan struck it, swung round and beat on with a little brownish patch on the edge of its thin blade, and something began to fall therefrom upon the floor, dripping silently.
Graham looked down, and there were spots of blood at his feet. He looked up again in a strange excitement. The figure had gone.
He remained motionless—his every sense intent upon the flickering patch of darkness, for outside it was high night. He became aware of some faint, remote, dark specks floating lightly through the outer air. They came down towards him, fitfully, eddyingly, and passed aside out of the uprush from the fan. A gleam of light flickered, the specks flashed white, and then the darkness came again. Warmed and lit as he was, he perceived that it was snowing within a few feet of him.
Graham walked across the room and came back to the ventilator again. He saw the head of a man pass near. There was a sound of whispering. Then a smart blow on some metallic substance, effort, voices, and the vans stopped. A gust of snowflakes whirled into the room, and vanished before they touched the floor. "Don't be afraid," said a voice.
Graham stood under the fan. "Who are you?" he whispered.
For a moment there was nothing but a swaying of the fan, and then the head of a man was thrust cautiously into the opening. His face appeared nearly inverted to Graham; his dark hair was wet with dissolving flakes of snow upon it. His arm went up into the darkness holding something unseen. He had a youthful face and bright eyes, and the veins of his forehead were swollen. He seemed to be exerting himself to maintain his position.
For several seconds neither he nor Graham spoke.
"You were the Sleeper?" said the stranger at last.
"Yes," said Graham. "What do you want with me?"
"I come from Ostrog, Sire."
"Ostrog?"
The man in the ventilator twisted his head round so that his profile was towards Graham. He appeared to be listening. Suddenly there was a hasty exclamation, and the intruder sprang back just in time to escape the sweep of the released fan. And when Graham peered up there was nothing visible but the slowly falling snow.
It was perhaps a quarter of an hour before anything returned to the ventilator. But at last came the same metallic interference again; the fans stopped and the face reappeared. Graham had remained all this time in the same place, alert and tremulously excited.
"Who are you? What do you want?" he said.
"We want to speak to you, Sire," said the intruder.
"We want—I can't hold the thing. We have been trying to find a way to you these three days."
"Is it rescue?" whispered Graham. "Escape?"
"Yes, Sire. If you will."
"You are my party—the party of the Sleeper?"
"Yes, Sire."
"What am I to do?" said Graham.
There was a struggle. The stranger's arm appeared, and his hand was bleeding. His knees came into view over the edge of the funnel. "Stand away from me," he said, and he dropped rather heavily on his hands and one shoulder at Graham's feet. The released ventilator whirled noisily. The stranger rolled over, sprang up nimbly and stood panting, hand to a bruised shoulder, and with his bright eyes on Graham.
"You are indeed the Sleeper," he said. "I saw you asleep. When it was the law that anyone might see you."
"I am the man who was in the trance," said Graham. "They have imprisoned me here. I have been here since I awoke—at least three days."
The intruder seemed about to speak, heard something, glanced swiftly at the door, and suddenly left Graham and ran towards it, shouting quick incoherent words. A bright wedge of steel flashed in his hand, and he began tap, tap, a quick succession of blows upon the hinges. "Mind!" cried a voice. "Oh!" The voice came from above.
Graham glanced up, saw the soles of two feet, ducked, was struck on the shoulder by one of them, and a heavy weight bore him to the earth. He fell on his knees and forward, and the weight went over his head. He knelt up and saw a second man from above seated before him.
"I did not see you, Sire," panted the man. He rose and assisted Graham to arise. "Are you hurt, Sire?" he panted. A succession of heavy blows on the ventilator began, something fell close to Graham's face, and a shivering edge of white metal danced, fell over, and lay flat upon the floor.
"What is this?" cried Graham, confused and looking at the ventilator. "Who are you? What are you going to do? Remember, I understand nothing."
"Stand back," said the stranger, and drew him from under the ventilator as another fragment of metal fell heavily.
"We want you to come, Sire," panted the newcomer, and Graham glancing at his face again, saw a new cut had changed from white to red on his forehead, and a couple of little trickles of blood starting therefrom. "Your people call for you."
"Come where? My people?"
"To the hall about the markets. Your life is in danger here. We have spies. We learned but just in time. The Council has decided—this very day—either to drug or kill you. And everything is ready. The people are drilled, the wind-vane police, the engineers, and half the way-gearers are with us. We have the halls crowded—shouting. The whole city shouts against the Council. We have arms." He wiped the blood with his hand. "Your life here is not worth—" "But why arms?"
"The people have risen to protect you, Sire. What?"
He turned quickly as the man who had first come down made a hissing with his teeth. Graham saw the latter start back, gesticulate to them to conceal themselves, and move as if to hide behind the opening door.
As he did so Howard appeared, a little tray in one hand and his heavy face downcast. He started, looked up, the door slammed behind him, the tray tilted sideways, and the steel wedge struck him behind the ear. He went down like a felled tree, and lay as he fell athwart the floor of the outer room. The man who had struck him bent hastily, studied his face for a moment, rose, and returned to his work at the door.
"Your poison!" said a voice in Graham's ear.
Then abruptly they were in darkness. The innumerable cornice lights had been extinguished. Graham saw the aperture of the ventilator with ghostly snow whirling above it and dark figures moving hastily. Three knelt on the fan. Some dim thing—a ladder was being lowered through the opening, and a hand appeared holding a fitful yellow light.
He had a moment of hesitation. But the manner of these men, their swift alacrity, their words, marched so completely with his own fears of the Council, with his idea and hope of a rescue, that it lasted not a moment. And his people awaited him!
"I do not understand," he said, "I trust. Tell me what to do."
The man with the cut brow gripped Graham's arm.
"Clamber up the ladder," he whispered. "Quick. They will have heard—"
Graham felt for the ladder with extended hands, put his foot on the lower rung, and, turning his head, saw over the shoulder of the nearest man, in the yellow flicker of the light, the first-comer astride over Howard and still working at the door. Graham turned to the ladder again, and was thrust by his conductor and helped up by those above, and then he was standing on something hard and cold and slippery outside the ventilating funnel.
He shivered. He was aware of a great difference in the temperature. Half a dozen men stood about him, and light flakes of snow touched hands and face and melted. For a moment it was dark, then for a flash a ghastly violet white, and then everything was dark again.
He saw he had come out upon the roof of the vast city structure which had replaced the miscellaneous houses, streets and open spaces of Victorian London. The place upon which he stood was level, with huge serpentine cables lying athwart it in every direction. The circular wheels of a number of windmills loomed indistinct and gigantic through the darkness and snowfall, and roared with a varying loudness as the fitful white light smote up from below, touched the snow eddies with a transient glitter, and made an evanescent spectre in the night; and here and there, low down! some vaguely outlined wind-driven mechanism flickered with livid sparks.
All this he appreciated in a fragmentary manner as his rescuers stood about him. Someone threw a thick soft cloak of fur-like texture about him, and fastened it by buckled straps at waist and shoulders. Things were said briefly, decisively. Someone thrust him forward.
Before his mind was yet clear a dark shape gripped his arm. "This way," said this shape, urging him along, and pointed Graham across the flat roof in the direction of a dim semicircular haze of light. Graham obeyed.
"Mind!" said a voice, as Graham stumbled against a cable. "Between them and not across them," said the voice. And, "We must hurry."
"Where are the people?" said Graham. "The people you said awaited me?"
The stranger did not answer. He left Graham's arm as the path grew narrower, and led the way with rapid strides. Graham followed blindly. In a minute he found himself running. "Are the others coming?" he panted, but received no reply. His companion glanced back and ran on. They came to a sort of pathway of open metal-work, transverse to the direction they had come, and they turned aside to follow this. Graham looked back, but the snowstorm had hidden the others.
"Come on!" said his guide. Running now, they drew near a little windmill spinning high in the air. "Stoop," said Graham's guide, and they avoided an endless band running roaring up to the shaft of the vane. "This way!" and they were ankle deep in a gutter full of drifted thawing snow, between two low walls of metal that presently rose waist high. "I will go first," said the guide. Graham drew his cloak about him and followed. Then suddenly came a narrow abyss across which the gutter leapt to the snowy darkness of the further side. Graham peeped over the side once and the gulf was black. For a moment he regretted his flight. He dared not look again, and his brain spun as he waded through the half liquid snow.
Then out of the gutter they clambered and hurried across a wide flat space damp with thawing snow, and for half its extent dimly translucent to lights that went to and fro underneath. He hesitated at this unstable looking substance, but his guide ran on unheeding, and so they came to and clambered up slippery steps to the rim of a great dome of glass. Round this they went. Far below a number of people seemed to be dancing, and music filtered through the dome.... Graham fancied he heard a shouting through the snowstorm, and his guide hurried him on with a new spurt of haste. They clambered panting to a space of huge windmills, one so vast that only the lower edge of its vans came rushing into sight and rushed up again and was lost in the night and the snow. They hurried for a time through the colossal metallic tracery of its supports, and came at last above a place of moving platforms like the place into which Graham had looked from the balcony. They crawled across the sloping transparency that covered this street of platforms, crawling on hands and knees because of the slipperiness of the snowfall.
For the most part the glass was bedewed, and Graham saw only hazy suggestions of the forms below, but near the pitch of the transparent roof the glass was clear, and he found himself looking sheerly down upon it all. For awhile, in spite of the urgency of his guide, he gave way to vertigo and lay spread-eagled on the glass, sick and paralysed. Far below, mere stirring specks and dots, went the people of the unsleeping city in their perpetual daylight, and the moving platforms ran on their incessant journey. Messengers and men on unknown businesses shot along the drooping cables and the frail bridges were crowded with men. It was like peering into a gigantic glass hive, and it lay vertically below him with only a tough glass of unknown thickness to save him from a fall. The street showed warm and lit, and Graham was wet now to the skin with thawing snow, and his feet were numbed with cold. For a space he could not move.
"Come on!" cried his guide, with terror in his voice. "Come on!"
Graham reached the pitch of the roof by an effort.
Over the ridge, following his guide's example, he turned about and slid backward down the opposite slope very swiftly, amid a little avalanche of snow While he was sliding he thought of what would happen if some broken gap should come in his way. At the edge he stumbled to his feet ankle deep in slush thanking heaven for an opaque footing again. His guide was already clambering up a metal screen to a level expanse.
Through the spare snowflakes above this loomed another line of vast windmills, and then suddenly the amorphous tumult of the rotating wheels was pierced with a deafening sound. It was a mechanical shrilling of extraordinary intensity that seemed to come simultaneously from every point of the compass.
"They have missed us already!" cried Graham's guide in an accent of terror, and suddenly, with a blinding flash, the night became day.
Above the driving snow, from the summits of the wind-wheels, appeared vast masts carrying globes of livid light. They receded in illimitable vistas in every direction. As far as his eye could penetrate the snowfall they glared.
"Get on this," cried Graham's conductor, and thrust him forward to a long grating of snowless metal that ran like a band between two slightly sloping expanses of snow. It felt warm to Graham's benurrled feet, and a faint eddy of steam rose from it.
"Come on!" shouted his guide ten yards off, and, without waiting, ran swiftly through the incandescent glare towards the iron supports of the next range of wind-wheels. Graham, recovering from his astonishment, followed as fast, convinced of his imminent capture.
In a score of seconds they were within a tracery of glare and black shadows shot with moving bars beneath the monstrous wheels. Graham's conductor ran on for some time, and suddenly darted sideways and vanished into a black shadow in the corner of the foot of a huge support. In another moment Graham was beside him.
They cowered panting and stared out.
The scene upon which Graham looked was very wild and strange. The snow had now almost ceased; only a belated flake passed now and again across the picture. But the broad stretch of level before them was a ghastly white, broken only by gigantic masses and moving shapes and lengthy strips of impenetrable darkness, vast ungainly Titans of shadow. All about them, huge metallic structures, iron girders, inhumanly vast as it seemed to him, interlaced, and the edges of wind-wheels, scarcely moving in the lull, I passed in great shining curves steeper and steeper up into a luminous haze. Wherever the snow-spangled light struck down, beams and girders, and incessant bands running with a halting, indomitable resolution passed upward and downward into the black. And with all that mighty activity, with an omnipresent sense of motive and design, this snow-clad desolation of mechanism seemed void of all human presence save themselves, seemed as trackless and deserted and unfrequented by men as some inaccessible Alpine snowfield.
"They will be chasing us," cried the leader. "We are scarcely halfway there yet. Cold as it is we must hide here for a space—at least until it snows more thickly again."
His teeth chattered in his head.
"Where are the markets?" asked Graham staring out. "Where are all the people?"
The other made no answer.
"Look!" whispered Graham, crouched close, and became very still.
The snow had suddenly become thick again, and sliding with the whirling eddies out of the black pit of the sky came something, vague and large and very swift. It came down in a steep curve and swept round, wide wings extended and a trail of white condensing steam behind it, rose with an easy swiftness and went gliding up the air, swept horizontally forward in a wide curve, and vanished again in the steaming specks of snow. And, through the ribs of its body, Graham saw two little men, very minute and active, searching the snowy areas about him, as it seemed to him, with field glasses. For a second they were clear, then hazy through a thick whirl of snow, then small and distant, and in a minute they were gone.
"Now!" cried his companion. "Come!"
He pulled Graham's sleeve, and incontinently the two were running headlong down the arcade of ironwork beneath the wind-wheels. Graham, running blindly, collided with his leader, who had turned back on him suddenly. He found himself within a dozen yards of a black chasm. It extended as far as he could see right and left. It seemed to cut off their progress in either direction.
"Do as I do," whispered his guide. He lay down and crawled to the edge, thrust his head over and twisted until one leg hung. He seemed to feel for something with his foot, found it, and went sliding over the edge into the gulf. His head reappeared. "It is a ledge," he whispered. "In the dark all the way along. Do as I did."
Graham hesitated, went down upon all fours, crawled to the edge, and peered into a velvety blackness. For a sickly moment he had courage neither to go on nor retreat, then he sat and hung his leg down, felt his guide's hands pulling at him, had a horrible sensation of sliding over the edge into the unfathomable, splashed, and felt himself in a slushy gutter, impenetrably dark.
"This way," whispered the voice, and he began crawling along the gutter through the trickling thaw, pressing himself against the wall. They continued along it for some minutes. He seemed to pass through a hundred stages of misery, to pass minute after minute through a hundred degrees of cold, damp, and exhaustion. In a little while he ceased to feel his hands and feet.
The gutter sloped downwards. He observed that they were now many feet below the edge of the buildings. Rows of spectral white shapes like the ghosts of blind-drawn windows rose above them. They came to the end of a cable fastened above one of these white windows, dimly visible and dropping into impenetrable shadows. Suddenly his hand came against his guide's.
"Still!" whispered the latter very softly.
He looked up with a start and saw the huge wings of the flying machine gliding slowly and noiselessly overhead athwart the broad band of snow-flecked grey-blue sky. In a moment it was hidden again.
"Keep still; they were just turning."
For awhile both were motionless, then Graham's companion stood up, and reaching towards the fastenings of the cable fumbled with some indistinct tackle.
"What is that?" asked Graham.
The only answer was a faint cry. The man crouched motionless. Graham peered and saw his face dimly. He was staring down the long ribbon of sky, and Graham, following his eyes, saw the flying machine small and faint and remote. Then he saw that the wings spread on either side, that it headed towards them, that every moment it grew larger. It was following the edge of the chasm towards them.
The man's movements became convulsive. He thrust two cross bars into Graham's hand. Graham could not see them, he ascertained their form by feeling. They were slung by thin cords to the cable. On the cord were hand grips of some soft elastic substance. "Put the cross between your legs," whispered the guide hysterically, "and grip the holdfasts. Grip tightly, grip!"
Graham did as he was told.
"Jump," said the voice. "In heaven's name, jump!"
For one momentous second Graham could not speak. He was glad afterwards that darkness hid his face. He said nothing. He began to tremble violently. He looked sideways at the swift shadow that swallowed up the sky as it rushed upon him.
"Jump! Jump—in God's name! Or they will have us," cried Graham's guide, and in the violence of his passion thrust him forward.
Graham tottered convulsively, gave a sobbing cry, a cry in spite of himself, and then, as the flying machine swept over them, fell forward into the pit of that darkness, seated on the cross wood and holding the ropes with the clutch of death. Something cracked, something rapped smartly against a wall. He heard the pulley of the cradle hum on its rope. He heard the aeronauts shout. He felt a pair of knees digging into his back.... He was sweeping headlong through the air, falling through the air. All his strength was in his hands. He would have screamed but he had no breath.
He shot into a blinding light that made him grip the tighter. He recognised the great passage with the running ways, the hanging lights and interlacing girders. They rushed upward and by him. He had a momentary impression of a great circular aperture yawning to swallow him up.
He was in the dark again, falling, falling, gripping with aching hands, and behold! a clap of sound, a burst of light, and he was in a brightly lit hall with a roaring multitude of people beneath his feet. The people! His people! A proscenium, a stage rushed up towards him, and his cable swept down to a circular aperture to the right of this. He felt he was travelling slower, and suddenly very much slower. He distinguished shouts of "Saved! The Master. He is safe!" The stage rushed up towards him with rapidly diminishing swiftness. Then—
He heard the man clinging behind him shout as if suddenly terrified, and this shout was echoed by a shout from below. He felt that he was no longer gliding along the cable but falling with it. There was a tumult of yells, screams and cries. He felt something soft against his extended hand, and the impact of a broken fall quivering through his arm...
He wanted to be still and the people were lifting him. He believed afterwards he was carried to the platform and given some drink, but he was never sure. He did not notice what became of his guide. When his mind was clear again he was on his feet; eager hands were assisting him to stand. He was in a big alcove, occupying the position that in his previous experience had been devoted to the lower boxes. If this was indeed a theatre.
A mighty tumult was in his ears, a thunderous roar, the shouting of a countless multitude. "It is the Sleeper! The Sleeper is with us!"
"The Sleeper is with us! The Master—the Owner! The Master is with us. He is safe."
Graham had a surging vision of a great hall crowded with people. He saw no individuals, he was conscious of a froth of pink faces, of waving arms and garments, he felt the occult influence of a vast crowd pouring over him, buoying him up. There were balconies, galleries, great archways giving remoter perspectives, and everywhere people, a vast arena of people, densely packed and cheering. Across the nearer space lay the collapsed cable like a huge snake. It had been cut by the men of the flying machine at its upper end, and had crumpled down into the hall. Men seemed to be hauling this out of the way. But the whole effect was vague, the very buildings throbbed and leapt with the roar of the voices.
He stood unsteadily and looked at those about him. Someone supported him by one arm. "Let me go into a little room," he said, weeping; "a little room," and could say no more. A man in black stepped forward, took his disengaged arm. He was aware of officious men opening a door before him. Someone guided him to a seat. He staggered. He sat down heavily and covered his face with his hands; he was trembling violently, his nervous control was at an end. He was relieved of his cloak, he could not remember how; his purple hose he saw were black with wet. People were running about him, things were happening, but for some time he gave no heed to them.
He had escaped. A myriad of cries told him that. He was safe. These were the people who were on his side. For a space he sobbed for breath, and then he sat still with his face covered. The air was full of the shouting of innumerable men.
CHAPTER IX. THE PEOPLE MARCH
He became aware of someone urging a glass of clear fluid upon his attention, looked up and discovered this was a dark young man in a yellow garment. He took the dose forthwith, and in a moment he was glowing. A tall man in a black robe stood by his shoulder, and pointed to the half open door into the hall. This man was shouting close to his ear and yet what was said was indistinct because of the tremendous uproar from the great theatre. Behind the man was a girl in a silvery grey robe, whom Graham, even in this confusion, perceived to be beautiful. Her dark eyes, full of wonder and curiosity,-were fixed on him, her lips trembled apart. A partially opened door gave a glimpse of the crowded hall, and admitted a vast uneven tumult, a hammering, clapping and shouting that died away and began again, and rose to a thunderous pitch, and so continued intermittently all the time that Graham remained in the little room. He watched the lips of the man in black and gathered that he was making some clumsy explanation.
He stared stupidly for some moments at these things and then stood up abruptly; he grasped the arm of this shouting person.
"Tell me!" he cried. "Who am I? Who am I?"
The others came nearer to hear his words. "Who am I?" His eyes searched their faces.
"They have told him nothing!" cried the girl.
"Tell me, tell me!" cried Graham.
"You are the Master of the Earth. You are owner of half the world."
He did not believe he heard aright. He resisted the persuasion. He pretended not to understand, not to hear. He lifted his voice again. "I have been awake three days—a prisoner three days. I judge there is some struggle between a number of people in this city—it is London?"
"Yes," said the younger man.
"And those who meet in the great hall with the white Atlas? How does it concern me? In some way it has to do with me. Why, I don't know. Drugs? It seems to me that while I have slept the world has gone mad. I have gone mad."
"Who are those Councillors under the Atlas? Why should they try to drug me?"
"To keep you insensible," said the man in yellow.
"To prevent your interference."
"But why?"
"Because you are the Atlas, Sire," said the man in yellow. "The world is on your shoulders. They rule it in your name."
The sounds from the hall had died into a silence threaded by one monotonous voice. Now suddenly, trampling on these last words, came a deafening tumult, a roaring and thundering, cheer crowded on cheer, voices hoarse and shrill, beating, overlapping, and while it lasted the people in the little room could not hear each other shout.
Graham stood, his intelligence clinging helplessly to the thing he had just heard. "The Council," he repeated blankly, and then snatched at a name that had struck him. "But who is Ostrog?" he said.
"He is the organiser—the organiser of the revolt. Our Leader—in your name."
"In my name?—And you? Why is he not here?"
"He—has deputed us. I am his brother—his half-brother, Lincoln. He wants you to show yourself to these people and then come on to him. That is why he has sent. He is at the wind-vane offices directing. The people are marching."
"In your name," shouted the younger man. "They have ruled, crushed, tyrannised. At last even—"
"In my name! My name! Master?"
The younger man suddenly became audible in a pause of the outer thunder, indignant and vociferous, a high penetrating voice under his red aquiline nose and bushy moustache. "No one expected you to wake. No one expected you to wake. They were cunning. Damned tyrants! But they were taken by surprise. They did not know whether to drug you, hypnotise you, kill you."
Again the hall dominated everything.
"Ostrog is at the wind-vane offices ready—. Even now there is a rumour of fighting beginning."
The man who had called himself Lincoln came close to him. "Ostrog has it planned. Trust him. We have our organisations ready. We shall seize the flying stages—. Even now he may be doing that. Then—"
"This public theatre," bawled the man in yellow, "is only a contingent. We have five myriads of drilled men—"
"We have arms," cried Lincoln. "We have plans. A leader. Their police have gone from the streets and are massed in the—" (inaudible). "It is now or never. The Council is rocking—They cannot trust even their drilled men—"
"Hear the people calling to you!"
Graham's mind was like a night of moon and swift clouds, now dark and hopeless, now clear and ghastly. He was Master of the Earth, he was a man sodden with thawing snow. Of all his fluctuating impressions the dominant ones presented an antagonism; on the one hand was the White Council, powerful, disciplined, few, the White Council from which he had just escaped; and on the other, monstrous crowds, packed masses of indistinguishable people clamouring his name, hailing him Master. The other side had imprisoned him, debated his death. These shouting thousands beyond the little doorway had rescued him. But why these things should be so he could not understand.
The door opened, Lincoln's voice was swept away and drowned, and a rush of people followed on the heels of the tumult. These intruders came towards him and Lincoln gesticulating. The voices without explained their soundless lips. "Show us the Sleeper, show us the Sleeper!" was the burden of the uproar Men were bawling for "Order! Silence!"
Graham glanced towards the open doorway, and saw a tall, oblong picture of the hall beyond, a waving, incessant confusion of crowded, shouting faces, men and women together, waving pale blue garments, extended hands. Many were standing, one man in rags of dark brown, a gaunt figure, stood on the seat and waved a black cloth. He met the wonder and expectation of the girl's eyes. What did these people expect from him. He was dimly aware that the tumult outside had changed its character, was in some way beating, marching. His own mind, too, changed for a space he did not recognise the influence that was transforming him. But a moment that was near to panic passed. He tried to make audible inquiries of what was required of him.
Lincoln was shouting in his ear, but Graham was deafened to that. All the others save the woman gesticulated towards the hall. He perceived what had happened to the uproar. The whole mass of people was chanting together. It was not simply a song, the voices were gathered together and upborne by a torrent of instrumental music, music like the music of an organ, a woven texture of sounds, full of trumpets, full of flaunting banners, full of the march and pageantry of opening war. And the feet of the people were beating time—tramp, tramp.
He was urged towards the door. He obeyed mechanically. The strength of that chant took hold of him, stirred him, emboldened him. The hall opened to him, a vast welter of fluttering colour swaying to the music.
"Wave your arm to them," said Lincoln. "Wave your arm to them."
"This," said a voice on the other side, "he must have this." Arms were about his neck detaining him in the doorway, and a black subtly-folding mantle hung from his shoulders. He threw his arm free of this and followed Lincoln. He perceived the girl in grey close to him, her face lit, her gesture onward. For the instant she became to him, flushed and eager as she was, an embodiment of the song. He emerged in the alcove again. Incontinently the mounting waves of the song broke upon his appearing, and flashed up into a foam of shouting. Guided by Lincoln's hand he marched obliquely across the centre of the stage facing the people.
The hall was a vast and intricate space—galleries, balconies, broad spaces of amphitheatral steps, and great archways. Far away, high up, seemed the mouth of a huge passage full of struggling humanity. The whole multitude was swaying in congested masses. Individual figures sprang out of the tumult, impressed him momentarily, and lost definition again. Close to the platform swayed a beautiful fair woman, carried by three men, her hair across her face and brandishing a green staff. Next this group an old careworn man in blue canvas maintained his place in the crush with difficulty, and behind shouted a hairless face, a great cavity of toothless mouth. A voice called that enigmatical word "Ostrog." All his impressions were vague save the massive emotion of that trampling song. The multitude were beating time with their feet—marking time, tramp, tramp, tramp, tramp. The green weapons waved, flashed and slanted. Then he saw those nearest to him on a level space before the stage were marching in front of him, passing towards a great archway, shouting "To the Council!" Tramp, tramp, tramp, tramp. He raised his arm, and the roaring was redoubled. He remembered he had to shout "March!" His mouth shaped inaudible heroic words. He waved his arm again and pointed to the archway, shouting "Onward!" They were no longer marking time, they were marching; tramp, tramp, tramp, tramp. In that host were bearded men, old men, youths, fluttering robed bare-armed women, girls. Men and women of the new age! Rich robes, grey rags fluttered together in the whirl of their movement amidst the dominant blue. A monstrous black banner jerked its way to the right. He perceived a blue-clad negro, a shrivelled woman in yellow, then a group of tall fair-haired, white-faced, blue-clad men pushed theatrically past him. He noted two Chinamen. A tall, sallow, dark-haired, shining-eyed youth, white clad from top to toe, clambered up towards the platform shouting loyally, and sprang down again and receded, looking backward. Heads, shoulders, hands clutching weapons, all were swinging with those marching cadences.
Faces came out of the confusion to him as he stood there, eyes met his and passed and vanished. Men gesticulated to him, shouted inaudible personal things. Most of the faces were flushed, but many were ghastly white. And disease was there, and many a hand that waved to him was gaunt and lean. Men and women of the new age! Strange and incredible meeting! As the broad stream passed before him to the right, tributary gangways from the remote uplands of the hall thrust downward in an incessant replacement of people; tramp, tramp, tramp, tramp. The unison of the song was enriched and complicated by the massive echoes of arches and passages. Men and women mingled in the ranks; tramp, tramp, tramp, tramp. The whole world seemed marching. Tramp, tramp, tramp, tramp; his brain was tramping. The garments waved onward, the faces poured by more abundantly.
Tramp, tramp, tramp, tramp; at Lincoln's pressure he turned towards the archway, walking unconsciously in that rhythm, scarcely noticing his movement for the melody and stir of it. The multitude, the gesture and song, all moved in that direction, the flow of people smote downward until the upturned faces were below the level of his feet. He was aware of a path before him, of a suite about him, of guards and dignities, and Lincoln on his right hand. Attendants intervened, and ever and again blotted out the sight of the multitude to the left. Before him went the backs of the guards in black—three and three and three. He was marched along a little railed way, and crossed above the archway, with the torrent dipping to flow beneath, and shouting up to him. He did not know whither he went; he did not want to know. He glanced back across a flaming spaciousness of hall. Tramp, tramp, tramp, tramp.
CHAPTER X. THE BATTLE OF THE DARKNESS
He was no longer in the hall. He was marching along a gallery overhanging one of the great streets of the moving platforms that traversed the city. Before him and behind him tramped his guards. The whole concave of the moving ways below was a congested mass of people marching, tramping to the left, shouting, waving hands and arms, pouring along a huge vista, shouting as they came into view, shouting as they passed, shouting as they receded, until the globes of electric light receding in perspective dropped down it seemed and hid the swarming bare heads. Tramp, tramp, tramp, tramp.
The song roared up to Graham now, no longer upborne by music, but coarse and noisy, and the beating of the marching feet, tramp, tramp, tramp, tramp, interwove with a thunderous irregularity of footsteps from the undisciplined rabble that poured along the higher ways.
Abruptly he noted a contrast. The buildings on the opposite side of the way seemed deserted, the cables and bridges that laced across the aisle were empty and shadowy. It came into Graham's mind that these also should have swarmed with people.
He felt a curious emotion—throbbing—very fast! He stopped again. The guards before him marched on; those about him stopped as he did. He saw the direction of their faces. The throbbing had something to do with the lights. He too looked up.
At first it seemed to him a thing that affected the lights simply, an isolated phenomenon, having no bearing on the things below. Each huge globe of blinding whiteness was as it were clutched, compressed in a systole that was followed by a transitory diastole, and again a systole like a tightening grip, darkness, light, darkness, in rapid alternation.
Graham became aware that this strange behaviour of the lights had to do with the people below. The appearance of the houses and ways, the appearance of the packed masses changed, became a confusion of vivid lights and leaping shadows. He saw a multitude of shadows had sprung into aggressive existence, seemed rushing up, broadening, widening, growing with steady swiftness—to leap suddenly back and return reinforced. The song and the tramping had ceased. The unanimous march, he discovered, was arrested, there were eddies, a flow sideways, shouts of "The lights!" Voices were crying together one thing. "The lights!" cried these voices. "The lights!" He looked down. In this dancing death of the lights the area of the street had suddenly become a monstrous struggle. The huge white globes became purple-white, purple with a reddish glow, flickered, flickered faster and faster, fluttered between light and extinction, ceased to flicker and became mere fading specks of glowing red in a vast obscurity. In ten seconds the extinction was accomplished, and there was only this roaring darkness, a black monstrosity that had suddenly swallowed up those glittering myriads of men.
He felt invisible forms about him; his arms were gripped. Something rapped sharply against his shin. A voice bawled in his ear, "It is all right—all right."
Graham shook off the paralysis of his first astonishment. He struck his forehead against Lincoln's and bawled, "What is this darkness?"
"The Council has cut the currents that light the city. We must wait—stop. The people will go on. They will—"
His voice was drowned. Voices were shouting, "Save the Sleeper. Take care of the Sleeper." A guard stumbled against Graham and hurt his hand by an inadvertent blow of his weapon. A wild tumult tossed and whirled about him, growing, as it seemed, louder, denser, more furious each moment. Fragments of recognisable sounds drove towards him, were whirled away from him as his mind reached out to grasp them. Voices seemed to be shouting conflicting orders, other voices answered. There were suddenly a succession of piercing screams close beneath them.
A voice bawled in his ear, "The red police," and receded forthwith beyond his questions.
A crackling sound grew to distinctness, and there with a leaping of faint flashes along the edge of the further ways. By their light Graham saw the heads and bodies of a number of men, armed with weapons like those of his guards, leap into an instant's dim visibility. The whole area began to crackle, to flash with little instantaneous streaks of light, and abruptly the darkness rolled back like a curtain.
A glare of light dazzled his eyes, a vast seething expanse of struggling men confused his mind. A shout, a burst of cheering, came across the ways. He looked up to see the source of the light. A man hung far overhead from the upper part of a cable, holding by a rope the blinding star that had driven the darkness back. He wore a red uniform.
Graham's eyes fell to the ways again. A wedge of red a little way along the vista caught his eye. He saw it was a dense mass of red-clad men jammed the higher further way, their backs against the pitiless cliff of building, and surrounded by a dense crowd of antagonists. They were fighting. Weapons flashed and rose and fell, heads vanished at the edge of the contest, and other heads replaced them, the little flashes from the green weapons became little jets of smoky grey while the light lasted.
Abruptly the flare was extinguished and the ways were an inky darkness once more, a tumultuous mystery.
He felt something thrusting against him. He was being pushed along the gallery. Someone was shouting—it might be at him. He was too confused to hear. He was thrust against the wall, and a number of people blundered past him. It seemed to him that his guards were struggling with one another.
Suddenly the cable-hung star-holder appeared again, and the whole scene was white and dazzling. The band of red-coats seemed broader and nearer; its apex was half-way down the ways towards the central aisle. And raising his eyes Graham saw that a number of these men had also appeared now in the darkened lower galleries of the opposite building, and were firing over the heads of their fellows below at the boiling confusion of people on the lower ways. The meaning of these things dawned upon him. The march of the people had come upon an ambush at the very outset. Thrown into confusion by the extinction of the lights they were now being attacked by the red police. Then he became aware that he was standing alone, that his guards and Lincoln were along the gallery in the direction along which he had come before the darkness fell. He saw they were gesticulating to him wildly, running back towards him. A great shouting came from across the ways. Then it seemed as though the whole face of the darkened building opposite was lined and speckled with red-clad men. And they were pointing over to him and shouting. "The Sleeper! Save the Sleeper!" shouted a multitude of throats.
Something struck the wall above his head. He looked up at the impact and saw a star-shaped splash of silvery metal. He saw Lincoln near him. Felt his arm gripped. Then, pat, pat; he had been missed twice.
For a moment he did not understand this. The street was hidden, everything was hidden, as he looked. The second flare had burned out.
Lincoln had gripped Graham by the arm, was lugging him along the gallery. "Before the next light!" he cried. His haste was contagious. Graham's instinct of self-preservation overcame the paralysis of his incredulous astonishment. He became for a time the blind creature of the fear of death. He ran, stumbling because of the uncertainty of the darkness, blundered into his guards as they turned to run with him. Haste was his one desire, to escape this perilous gallery upon which he was exposed. A third glare came close on its predecessors. With it came a great shouting across the ways, an answering tumult from the ways. The red-coats below, he saw, had now almost gained the central passage. Their countless faces turned towards him, and they shouted. The white facade opposite was densely stippled with red. All these wonderful things concerned him, turned upon him as a pivot. These were the guards of the Council attempting to recapture him.
Lucky it was for him that these shots were the first fired in anger for a hundred and fifty years. He heard bullets whacking over his head, felt a splash of molten metal sting his ear, and perceived without looking that the whole opposite facade, an unmasked ambuscade of red police, was crowded and bawling and firing at him.
Down went one of his guards before him, and Graham, unable to stop, leapt the writhing body.
In another second he had plunged, unhurt, into a black passage, and incontinently someone, coming, it may be, in a transverse direction, blundered violently into him. He was hurling down a staircase in absolute darkness. He reeled, and was struck again, and came against a wall with his hands. He was crushed by a weight of struggling bodies, whirled round, and thrust to the right. A vast pressure pinned him. He could not breathe, his ribs seemed cracking. He felt a momentary relaxation, and then the whole mass of people moving together, bore him back towards the great theatre from which he had so recently come.
There were moments when his feet did not touch the ground. Then he was staggering and shoving. He heard shouts of "They are coming!" and a muffled cry close to him. His foot blundered against something soft, he heard a hoarse scream under foot. He heard shouts of "The Sleeper!" but he was too confused to speak. He heard the green weapons crackling. For a space he lost his individual will, became an atom in a panic, blind, unthinking, mechanical. He thrust and pressed back and writhed in the pressure, kicked presently against a step, and found himself ascending a slope. And abruptly the faces all about him leapt out of the black, visible, ghastly-white and astonished, terrified, perspiring, in a livid glare. One face, a young man's, was very near to him, not twenty inches away. At the time it was but a passing incident of no emotional value, but afterwards it came back to him in his dreams. For this young man, wedged upright in the crowd for a time, had been shot and was already dead.
A fourth white star must have been lit by the man on the cable. Its light came glaring in through vast windows and arches and showed Graham that he was now one of a dense mass of flying black figures pressed back across the lower area of the great theatre. This time the picture was livid and fragmentary slashed and barred with black shadows. He saw that quite near to him the red guards were fighting their way through the people. He could not tell whether they saw him. He looked for Lincoln and his guards. He saw Lincoln near the stage of the theatre surrounded in a crowd of black-badged revolutionaries, lifted up and staring to and fro as if seeking him. Graham perceived that he himself was near the opposite edge of the crowd, that behind him, separated by a barrier, sloped the now vacant seats of the theatre. A sudden idea came to him, and he began fighting his way towards the barrier. As he reached it the glare came to an end.
In a moment he had thrown off the great cloak that not only impeded his movements but made him conspicuous, and had slipped it from his shoulders. He heard someone trip in its folds. In another he was scaling the barrier and had dropped into the blackness on the further side. Then feeling his way he came to the lower end of an ascending gangway. In the darkness the sound of firing ceased and the roar of feet and voices lulled. Then suddenly he came to an unexpected step and tripped and fell. As he did so pools and islands amidst the darkness about him leapt to vivid light again, the uproar surged louder and the glare of the fifth white star shone through the vast fenestrations of the theatre walls.
He rolled over among some seats, heard a shouting and the whirring rattle of weapons, struggled up and was knocked back again, perceived that a number of black-badged men were all about him firing at the rebels below, leaping from seat to seat, crouching among the seats to reload. Instinctively he crouched amidst the seats, as stray shots ripped the pneumatic cushions and cut bright slashes on their soft metal frames. Instinctively he marked the direction of the gangways, the most plausible way of escape for him so soon as the veil of darkness fell again.
A young man in faded blue garments came vaulting over the seats. "Hullo!" he said, with his flying feet within six inches of the crouching Sleeper's face.
He stared without any sign of recognition, turned to fire, fired, and, shouting, "To hell with the Council!" was about to fire again. Then it seemed to Graham that the half of this man's neck had vanished. A drop of moisture fell on Graham's cheek. The green weapon stopped half raised. For a moment the man stood still with his face suddenly expressionless, then he began to slant forward. His knees bent. Man and darkness fell together. At the sound of his fall Graham rose up and ran for his life until a step down to the gangway tripped him. He scrambled to his feet, turned up the gangway and ran on.
When the sixth star glared he was already close to the yawning throat of a passage. He ran on the swifter for the light, entered the passage and turned a corner into absolute night again. He was knocked sideways, rolled over, and recovered his feet. He found himself one of a crowd of invisible fugitives pressing in one direction. His one thought now was their thought also; to escape out of this fighting. He thrust and struck, staggered, ran, was wedged tightly, lost ground and then was clear again.
For some minutes he was running through the darkness along a winding passage, and then he crossed some wide and open space, passed down a long incline, and came at last down a flight of steps to a level place. Many people were shouting, "They are coming! The guards are coming. They are firing. Get out of the fighting. The guards are firing. It will be safe in Seventh Way. Along here to Seventh Way!" There were women and children in the crowd as well as men. Men called names to him. The crowd converged on an archway, passed through a short throat and emerged on a wider space again, lit dimly. The black figures about him spread out and ran up what seemed in the twilight to be a gigantic series of steps. He followed. The people dispersed to the right and left.... He perceived that he was no longer in a crowd. He stopped near the highest step. Before him, on that level, were groups of seats and a little kiosk. He went up to this and, stopping in the shadow of its eaves, looked about him panting.
Everything was vague and gray, but he recognised that these great steps were a series of platforms of the "ways," now motionless again. The platform slanted up on either side, and the tall buildings rose beyond, vast dim ghosts, their inscriptions and advertisements indistinctly seen, and up through the girders and cables was a faint interrupted ribbon of pallid sky. A number of people hurried by. From their shouts and voices, it seemed they were hurrying to join the fighting. Other less noisy figures flitted timidly among the shadows.
From very far away down the street he could hear the sound of a struggle. But it was evident to him that this was not the street into which the theatre opened. That former fight, it seemed, had suddenly dropped out of sound and hearing. And—grotesque thought!—they were fighting for him!
For a space he was like a man who pauses in the reading of a vivid book, and suddenly doubts what he has been taking unquestioningly. At that time he had little mind for details; the whole effect was a huge astonishment. Oddly enough, while the flight from the Council prison, the great crowd in the hall, and the attack of the red police upon the swarming people were clearly present in his mind, it cost him an effort to piece in his awakening and to revive the meditative interval of the Silent Rooms. At first his memory leapt these things and took him back to the cascade at Pentargen quivering in the wind, and all the sombre splendours of the sunlit Cornish coast. The contrast touched everything with unreality. And then the gap filled, and he began to comprehend his position.
It was no longer absolutely a riddle, as it had been in the Silent Rooms. At least he had the strange, bare outline now. He was in some way the owner of half the world, and great political parties were fighting to possess him. On the one hand was the White Council, with its red police, set resolutely, it seemed, on the usurpation of his property and perhaps his murder; on the other, the revolution that had liberated him, with this unseen "Ostrog" as its leader. And the whole of this gigantic city was convulsed by their struggle. Frantic development of his world! "I do not understand," he cried. "I do not understand!"
He had slipped out between the contending parties into this liberty of the twilight. What would happen next? What was happening? He figured the redclad men as busily hunting him, driving the blackbadged revolutionists before them.
At any rate chance had given him a breathing space. He could lurk unchallenged by the passers-by, and watch the course of things. His eye followed up the intricate dim immensity of the twilight buildings, and it came to him as a thing infinitely wonderful, that above there the sun was rising, and the world was lit and glowing with the old familiar light of day. In a little while he had recovered his breath. His clothing had already dried upon him from the snow.
He wandered for miles along these twilight ways, speaking to no one, accosted by no one—a dark figure among dark figures—the coveted man out of the past, the inestimable unintentional owner of half the world. Wherever there were lights or dense crowds, or exceptional excitement he was afraid of recognition, and watched and turned back or went up and down by the middle stairways, into some transverse system of ways at a lower or higher level. And though he came on no more fighting, the whole city stirred with battle. Once he had to run to avoid a marching multitude of men that swept the street. Everyone abroad seemed involved. For the most part they were men, and they carried what he judged were weapons. It seemed as though the struggle was concentrated mainly in the quarter of the city from which he came. Ever and again a distant roaring, the remote suggestion of that conflict, reached his ears. Then his caution and his curiosity struggled together. But his caution prevailed, and he continued wandering away from the fighting—so far as he could judge. He went unmolested, unsuspected through the dark. After a time he ceased to hear even a remote echo of the battle, fewer and fewer people passed him, until at last the Titanic streets became deserted. The frontages of the buildings grew plain and harsh; he seemed to have come to a district of vacant warehouses. Solitude crept upon him—his pace slackened.
He became aware of a growing fatigue. At times he would turn aside and seat himself on one of the numerous seats of the upper ways. But a feverish restlessness, the knowledge of his vital implication in his struggle, would not let him rest in any place for long. Was the struggle on his behalf alone?
And then in a desolate place came the shock of an earthquake—a roaring and thundering—a mighty wind of cold air pouring through the city, the smash of glass, the slip and thud of falling masonry—a series of gigantic concussions. A mass of glass and ironwork fell from the remote roofs into the middle gallery, not a hundred yards away from him, and in the distance were shouts and running. He, too, was startled to an aimless activity, and ran first one way and then as aimlessly back.
A man came running towards him. His self-control returned. "What have they blown up?" asked the man breathlessly. "That was an explosion," and before Graham could speak he had hurried on.
The great buildings rose dimly, veiled by a perplexing twilight, albeit the rivulet of sky above was now bright with day. He noted many strange features, understanding none at the time; he even spelt out many of the inscriptions in Phonetic lettering. But what profits it to decipher a confusion of odd-looking letters resolving itself, after painful strain of eye and mind, into "Here is Eadhamite," or, "Labour Bureau—Little Side?" Grotesque thought, that in all probability some or all of these cliff-like houses were his!
The perversity of his experience came to him vividly. In actual fact he had made such a leap in time as romancers have imagined again and again. And that fact realised, he had been prepared, his mind had, as it were, seated itself for a spectacle. And no spectacle, but a great vague danger, unsympathetic shadows and veils of darkness. Somewhere through the labyrinthine obscurity his death sought him. Would he, after all, be killed before he saw? It might be that even at the next shadowy corner his destruction ambushed. A great desire to see, a great longing to know, arose in him.
He became fearful of corners. It seemed to him that there was safety in concealment. Where could he hide to be inconspicuous when the lights returned? At last he sat down upon a seat in a recess on one of the higher ways, conceiving he was alone there.
He squeezed his knuckles into his weary eyes. Suppose when he looked again he found the dark through of parallel ways and that intolerable altitude of edifice, gone? Suppose he were to discover the whole story of these last few days, the awakening, the shouting multitudes, the darkness and the fighting, a phantasmagoria, a new and more vivid sort of dream. It must be a dream; it was so inconsecutive, so reasonless. Why were the people fighting for him? Why should this saner world regard him as Owner and Master?
So he thought, sitting blinded, and then he looked again, half hoping in spite of his ears to see some familiar aspect of the life of the nineteenth century, to see, perhaps, the little harbour of Boscastle about him, the cliffs of Pentargen, or the bedroom of his home. But fact takes no heed of human hopes. A squad of men with a black banner tramped athwart the nearer shadows, intent on conflict, and beyond rose that giddy wall of frontage, vast and dark, with the dim incomprehensible lettering showing faintly on its face.
"It is no dream," he said, "no dream." And he bowed his face upon his hands.
CHAPTER XI. THE OLD MAN WHO KNEW EVERYTHING
He was startled by a cough close at hand.
He turned sharply, and peering, saw a small, hunched-up figure sitting a couple of yards off in the shadow of the enclosure.
"Have ye any news?" asked the high-pitched wheezy voice of a very old man.
Graham hesitated. "None," he said.
"I stay here till the lights come again," said the old man. "These blue scoundrels are everywhere—everywhere."
Graham's answer was inarticulate assent. He tried to see the old man but the darkness hid his face. He wanted very much to respond, to talk, but he did not know how to begin.
"Dark and damnable," said the old man suddenly. "Dark and damnable. Turned out of my room among all these dangers."
"That's hard," ventured Graham. "That's hard on you."
"Darkness. An old man lost in the darkness. And all the world gone mad. War and fighting. The police beaten and rogues abroad. Why don't they bring some negroes to protect us?... No more dark passages for me. I fell over a dead man."
"You're safer with company," said the old man, "if it's company of the right sort," and peered frankly. He rose suddenly and came towards Graham.
Apparently the scrutiny was satisfactory. The old man sat down as if relieved to be no longer alone. "Eh!" he said, "but this is a terrible time! War and fighting, and the dead lying there—men, strong men, dying in the dark. Sons! I have three sons. God knows where they are tonight."
The voice ceased. Then repeated quavering: "God knows where they are tonight."
Graham stood revolving a question that should not betray his ignorance. Again the old man's voice ended the pause.
"This Ostrog will win," he said. "He will win. And what the world will be like under him no one can tell. My sons are under the wind-vanes, all three. One of my daughters-in-law was his mistress for a while. His mistress! Were not common people. Though they've sent me to wander tonight and take my chance.... I knew what was going on. Before most people. But this darkness! And to fall over a dead body suddenly in the dark!"
His wheezy breathing could be heard.
"Ostrog!" said Graham.
"The greatest Boss the world has ever seen," said the voice.
Graham ransacked his mind. "The Council has few friends among the people," he hazarded.
"Few friends. And poor ones at that. They've had their time. Eh! They should have kept to the clever ones. But twice they held election. And Ostrog. And now it has burst out and nothing can stay it, nothing can stay it. Twice they rejected Ostrog—Ostrog the Boss. I heard of his rages at the time—he was terrible. Heaven save them! For nothing on earth can now, he has raised the Labour Companies upon them. No one else would have dared. All the blue canvas armed and marching! He will go through with it. He will go through."
He was silent for a little while. "This Sleeper," he said, and stopped.
"Yes," said Graham. "Well?"
The senile voice sank to a confidential whisper, the dim, pale face came close. "The real Sleeper—"
"Yes," said Graham.
"Died years ago."
"What?" said Graham, sharply.
"Years ago. Died. Years ago."
"You don't say so!" said Graham.
"I do. I do say so. He died. This Sleeper who's woke up—they changed in the night. A poor, drugged insensible creature. But I mustn't tell all I know. I mustn't tell all I know."
For a little while he muttered inaudibly. His secret was too much for him. "I don't know the ones that put him to sleep—that was before my time—but I know the man who injected the stimulants and woke him again. It was ten to one—wake or kill. Wake or kill. Ostrog's way."
Graham was so astonished at these things that he had to interrupt, to make the old man repeat his words, to re-question vaguely, before he was sure of the meaning and folly of what he heard. And his awakening had not been natural! Was that an old man's senile superstition, too, or had it any truth in it? Feeling in the dark corners of his memory, he presently came on something that might conceivably be an impression of some such stimulating effect. It dawned upon him that he had happened upon a lucky encounter, that at last he might learn something of the new age. The old man wheezed a while and spat, and then the piping, reminiscent voice resumed:
"The first time they rejected him. I've followed it all."
"Rejected whom?" said Graham. "The Sleeper?"
"Sleeper? No. Ostrog. He was terrible—terrible! And he was promised then, promised certainly the next time. Fools they were—not to be more afraid of him. Now all the city's his millstone, and such as we dust ground upon it. Dust ground upon it. Until he set to work—the workers cut each other's throats, and murdered a Chinaman or a Labour policeman at times, and left the rest of us in peace. Dead bodies! Robbing! Darkness! Such a thing hasn't been this gross of years. Eh!—but 'tis ill on small folks when the great fall out! It's ill."
"Did you say—there had not been what?—for a gross of years?"
"Eh?" said the old man.
The old man said something about clipping his words, and made him repeat this a third time. "Fighting and slaying, and weapons in hand, and fools bawling freedom and the like," said the old man. "Not in all my life has there been that. These are like the old days—for sure—when the Paris people broke out—three gross of years ago. That's what I mean hasn't been. But it's the world's way. It had to come back. I know. I know. This five years Ostrog has been working, and there has been trouble and trouble, and hunger and threats and high talk and arms. Blue canvas and murmurs. No one safe. Everything sliding and slipping. And now here we are! Revolt and fighting, and the Council come to its end."
"You are rather well-informed on these things," said Graham.
"I know what I hear. It isn't all Babble Machine with me."
"No," said Graham, wondering what Babble Machine might be. "And you are certain this Ostrog—you are certain Ostrog organised this rebellion and arranged for the waking of the Sleeper? Just to assert himself—because he was not elected to the Council?
"Everyone knows that, I should think," said the old man. "Except—just fools. He meant to be master somehow. In the Council or not. Everyone who knows anything knows that. And here we are with dead bodies lying in the dark! Why, where have you been if you haven't heard all about the trouble between Ostrog and the Verneys? And what do you think the troubles are about? The Sleeper? Eh? You think the Sleeper's real and woke of his own accord—eh?"
"I'm a dull man, older than I look, and forgetful," said Graham. "Lots of things that have happened—especially of late years—. If I was the Sleeper, to tell you the truth, I couldn't know less about them."
"Eh!" said the voice. "Old, are you? You don't sound so very old! But its not everyone keeps his memory to my time of life—truly. But these notorious things! But you're not so old as me—not nearly so old as me. Well! I ought not to judge other men by myself, perhaps. I'm young—for so old a man. Maybe you're old for so young."
"That's it," said Graham. "And I've a queer history. I know very little. And history! Practically I know no history. The Sleeper and Julius Caesar are all the same to me. It's interesting to hear you talk of these things."
"I know a few things," said the old man. "I know a thing or two. But—. Hark!"
The two men became silent, listening. There was heavy thud, a concussion that made their seat shiver. The passers-by stopped, shouted to one another. The old man was full of questions; he shouted to a man who passed near. Graham, emboldened by his example, got up and accosted others. None knew what had happened.
He returned to the seat and found the old man muttering vague interrogations in an undertone. For a while they said nothing to one another.
The sense of this gigantic struggle, so near and yet so remote oppressed Graham's imagination. Was this old man right, was the report of the people right, and were the revolutionaries winning? Or were they all in error, and were the red guards driving all before them? At any time the flood of warfare might pour into this silent quarter of the city and seize upon him again. It behooved him to learn all he could while there was time. He turned suddenly to the old man with a question and left it unsaid. But his motion moved the old man to speech again.
"Eh! but how things work together!" said the old man. "This Sleeper that all the fools put their trust in! I've the whole history of it—I was always a good one for histories. When I was a boy—I'm that old—I used to read printed books. You'd hardly think it. Likely you've seen none—they rot and dust so—and the Sanitary Company burns them to make ashlarite. But they were convenient in their dirty way. Oh I learnt a lot. These new-fangled Babble Machines—they don't seem new-fangled to you, eh?—they're easy to hear, easy to forget. But I've traced all the Sleeper business from the first."
"You will scarcely believe it," said Graham slowly, "I'm so ignorant—I've been so preoccupied in my own little affairs, my circumstances have been so odd—I know nothing of this Sleeper's history. Who was he?"
"Eh!" said the old man. "I know. I know. He was a poor nobody, and set on a playful woman, poor soul! And he fell into a trance. There's the old things they had, those brown things—silver photographs—still showing him as he lay, a gross and a half years ago—a gross and a half of years."
"Set on a playful woman, poor soul," said Graham softly to himself, and then aloud, "Yes—well! go on."
"You must know he had a cousin named Warming a solitary man without children, who made a big fortune speculating in roads—the first Eadhamite roads. But surely you've heard? No? Why? He bought all the patent rights and made a big company. In those days there were grosses of grosses of separate businesses and business companies. Grosses of grosses! His roads killed the railroads—the old things—in two dozen years; he bought up and Eadhamited' the tracks. And because he didn't want to break up his great property or let in shareholders, he left it all to the Sleeper, and put it under a Board of Trustees that he had picked and trained. He knew then the Sleeper wouldn't wake, that he would go on sleeping, sleeping till he died. He knew that quite well! And plump! a man in the United States, who had lost two sons in a boat accident, followed that up with another great bequest. His trustees found themselves with a dozen myriads of lions'-worth or more of property at the very beginning." |
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