"How well you are looking, dear!" said Aunt Constance, holding her honorary niece at arms' length to visualise her robustness. She was not a real Aunt at all, only an old friend of the family.

"I'm not," said Gwendolen. "Norbury, is breakfast ready? Shall we go in?... Oh no, nothing! Please don't talk to me about it. I mean I'm all right. Ask Sir Coupland to tell you." For the great surgeon had come into the room, and was talking in an undertone to the old butler. Lady Gwendolen added an apology which she kept in stereotype for the non-appearance of her mother at breakfast. The Earl's absence was a usage, taken for granted. Some said he had a cup of coffee in his own room at eight, and starved till lunch.

Other guests appeared, and the usual English country-house breakfast followed: a haphazard banquet, a decorous scrimmage for a surfeit of eggs, and fish, and bacon, and tongue, and tea, and coffee, and porridge, and even Heaven itself hardly knows what. Less than usual vanished to become a vested interest of digestion; more than usual went back to the kitchen for appreciation elsewhere. For Sir Coupland, appealed to, had given a brief intelligent report of the occurrence of the morning. Then followed undertones of conversation apart between him and the Hon. Percival, who had not the heart for a pleasantry, and groups of two or three aside. Lady Gwen alone was silent, leaving the narration entirely to her medical friend, to whom she had told the incident of last evening—her interview with the man now lying between life and death, and the way his body was found by following the dog. She left the room as early as courtesy allowed, and Sir Coupland did not remain long. He had to go and tell the matter to the Earl, he said. Gwendolen, no doubt, had to do the same to her mother the Countess. It was an awful business.

Said Miss Smith-Dickenson to the Hon. Percival, on the shady terrace, a quarter of an hour afterwards, "He did tell you who the man is, though? Or perhaps I oughtn't to ask?" Other guests were scattered otherwhere, talking of the tragedy. Not a smile to be seen; still, the victim of the mishap was a stranger. It was a cloud under which a man might enjoy a cigar, quand meme.

The Hon. Percival knocked an instalment of caput mortuum off his; an inch of ash which had begun on the terrace; so the interview was some minutes old. "Yes," said he. "Yes, he knows who it is. That's the worst of it."

"The worst of it?"

"I don't know of any reason myself why I should not tell you his name. Sir Coupland only said he wanted it kept quiet till he could see his father, whom he knows, of course. I understand that the family belongs to this county—lives about twenty miles off." The lady felt so confident that she would be told the name that she seized the opportunity to show how discreet she was, and kept silence. She was quite incapable of mere vulgar inquisitiveness, you see. Her inmost core had the satisfaction of feeling that its visible outer husk, Miss Constance Smith-Dickenson, was killing two birds with one stone. The way in which the gentleman continued justified it. "Besides, I know I may rely upon you to say nothing about it." Clearly the effect of her visible, almost palpable, discretion! For really—said the core—this good gentleman never set eyes on my husk till yesterday evening. And he is a Man of the World and all that sort of thing.

Miss Smith-Dickenson knew perfectly well how her sister Lilian—the one with the rolling, liquid eyes, now Baroness Porchammer—would have responded. But she herself mistrusting her powers of gushing right, did not feel equal to "Oh, but how nice of you to say so, dear Mr. Pellew!" And she felt that she was not cut out for a satirical puss neither, like her sister Georgie, now Mrs. Amphlett Starfax, to whom a mental review of possible responses assigned, "Oh dear, how complimentary we are, all of a sudden!"—with possibly a heavy blow on the gentleman's fore-arm with a fan, if she had one. So she decided on "Pray go on. You may rely on my discretion." It was simple, and made her feel like Elizabeth in "Pride and Prejudice"—a safe model, if a little old-fashioned.

The gentleman pulled at his cigar in a considerative way, and said in a perfunctory one:—"I am sure I may." Nevertheless, he postponed his answer through a mouthful of smoke, dismissing it into the atmosphere finally, to allow of speech determined on during its detention: "I'm afraid it's Adrian Torrens—there can't be two of the name who write poetry. Besides—the dog!"

The lady said "Good Heavens!" in a frightened underbreath, and was visibly shocked. For it is usually someone of whom one knows nothing at all that gets shot accidentally. Now, Adrian Torrens was the name of a man recently distinguished as the author of some remarkable verse. A man of very good family too. So—altogether!... This was the expression used by Miss Smith-Dickenson's core, almost unrebuked. "Of course, I remember the poem about the collie-dog," she added aloud.

"Can you remember the name of the dog? Wasn't it Aeneas?"

"No—Achilles."

"I meant Achilles. Well—his dog's Achilles."

"I thought you said there was no name on the collar."

"No more there was. But I understand that Gwen met him yesterday evening—down by Arthur's Bridge, I believe—and had some conversation with him, I gather."

"Oh!"

"But why? Why 'Oh!'—I mean?"

"I didn't mean anything. Only that she was looking so scared and unhappy at breakfast, and that would account for it."

"Surely ..."

"Surely what?"

"Well—does it want accounting for? A man shot dead almost in sight of the house, and by your own gamekeeper! Isn't that enough?"

"Enough in all conscience. But it makes a difference. All the difference. I can't exactly describe.... It is not as if she had never met him in her life before. Now do you see?..."

"Never met him in her life before?..." The Hon. Percival stands waiting for more, one-third of his cigar in abeyance between his finger-tips. Getting no more, he continues:—"Why—you don't mean to say?..."

"What?"

"Well—it's something like this, if I can put the case. Take somebody you've just met and spoken to...." But Mr. Pellew's prudence became suddenly aware of a direction in which the conversation might drift, and he pulled up short. If he pushed on rashly, how avoid an entanglement of himself in a personal discussion? If his introduction to this lady had been days old, instead of merely hours, there would have been no quicksands ahead. He felt proud of his astuteness in dealing with a wily sex.

Only he shouldn't have been so transparent. All that the lady had to do was to change the subject of the conversation with venomous decision, and she did it. "What a beautiful dark green fritillary!" said she. "I hope you care for butterflies, Mr. Pellew. I simply dote on them." She was conscious of indebtedness for this to her sister Lilian. Never mind!—Lilian was married now, and had no further occasion to be enchanting. A sister might borrow a cast-off. Its effect was to make the gentleman clearly alive to the fact that she knew exactly why he had stopped short.

But Miss Smith-Dickenson did not say to Mr. Pellew:—"I am perfectly well aware that you, sir, see danger ahead—danger of a delicate discussion of the difference our short acquaintance would have made to me if I had heard this morning that you were shot overnight. Pray understand that I discern in this nothing but restless male vanity, always on the alert to save its owner—or slave—from capture or entanglement by dangerous single women with no property. You would have been perfectly safe in my hands, even if your recommendations as an Adonis had been less equivocal." She said no such thing. But something or other—can it have been the jump to that butterfly?—made Mr. Pellew conscious that if she had worded a thought of the kind, it would have been just like a female of her sort. Because he wasn't going to end up that she wouldn't have been so very far wrong.

A name ought to be invented for these little ripples of human intercourse, that are hardly to be called embarrassments, seeing that their monde denies their existence. We do not believe it is only nervous and imaginative folk that are affected by them. The most prosaic of mankind keeps a sort of internal or subjective diary of contemporary history, many of whose entries run on such events, and are so very unlike what their author said at the time.

The dark green fritillary did not stay long enough to make any conversation worth the name, having an appointment with a friend in the air. Mr. Pellew hummed Non piu andrai farfallon amoroso, producing on the mind of Miss Dickenson vague impressions of the Opera, Her Majesty's—not displaced by a Hotel in those days—tinctured with a consciousness of Club-houses and Men of the World. This gentleman, with his whiskers and monocular wrinkle responding to his right-eye-glass-grip, who had as good as admitted last night that his uncle was intimate with the late Prince Regent, was surely an example of this singular class; which is really scarcely admissible on the domestic hearth, owing to the purity of the latter. Possibly, however, these impressions had nothing to do with the lady's discovery that perhaps she ought to go in and find out what "they" were thinking of doing this morning. It may be that it was only due to her consciousness that you cannot—when female and single—stand alone with a live single gentleman on a terrace, both speechless. You can walk up and down with him, conversing vivaciously, but you mustn't come to an anchor beside him in silence. There would be a suspicion about it of each valuing the other's presence for its own sake, which would never do.

"Goin' in?" said the Hon. Percival. "Well—it's been very jolly out here."

"Very pleasant, I am sure," said Miss Constance Smith-Dickenson. If either made a diary entry out of this, it was of the slightest. She moved away across the lawn, her skirt brushing it audibly, as the cage-borne skirt of those days did, suggesting the advantages of Jack-in-the-Green's costume. For Jack could leave his green on the ground and move freely inside it. He did not stick out at the top. Mr. Pellew remained on the shady terrace, to end up his cigar. He was a little disquieted by the recollection of his very last words, which remembered themselves on his tongue-tip as a key remembers itself in one's hand, when one has forgotten if one really locked that box. Why, though, should he not say to a maiden lady of a certain age—these are the words he thought in—that it was very nice on this terrace? Why not indeed? But that wasn't exactly the question. What he had really said was that it had been very nice on this terrace. All the difference!

Miss Dickenson was soon aware what the "they" she had referred to was going to do, and offered to accompany it. The Countess and her daughter and others were the owners of the voices she could hear outside the drawing-room door when at liberty to expand, after a crush in half a French window that opened on the terrace. Her ladyship the Countess was as completely upset as her husband's ancestry permitted—quite white and almost crying, only not prepared to admit it. "Oh, Constance dear," said she. "Are you there? You are always so sensible. But isn't this awful?"

Aunt Constance perceived the necessity for a sympathetic spurt. She had been taking it too easily, evidently. She was equal to the occasion, responding with effusion that it was "so dreadful that she could think of nothing else!" Which wasn't true, for the moment before she had been collating the Hon. Percival's remarks and analysing the last one. Not that she was an unfeeling person—only more like everyone else than everyone else may be inclined to admit.



CHAPTER XII

HOW THE COUNTESS AND HER DAUGHTER WALKED OVER TO THE VERDERER'S HALL. HOW ACHILLES KNEW BETTER THAN THE DOCTORS. THE ACCIDENT WAS NOT A FATAL ACCIDENT. AN OLD GENERAL WHO MADE A POOR FIGURE AS A CORPSE. HOW THE WOUNDED MAN'S FATHER AND SISTER CAME, AND HOW HE HIMSELF WAS TO BE CARRIED TO THE TOWERS

There was no need for a reason why Lady Gwendolen and her mother should take the first opportunity of walking over to the Lodge, where this man lay either dead or dying; but one presented itself to the Countess, as an addendum to others less defined. "We ought to go," said she, "if only for poor old Stephen's sake. The old man will be quite off his head with grief. And it was such an absolute accident."

This was on the way, walking over the grassland. Aunt Constance felt a little unconvinced. He who sends a bullet abroad at random may hear later that it had its billet all along, though it was so silent about it. As for the girl, she was in a fever of excitement; to reach the scene of disaster, anyhow—to hear some news of respite, possibly. No one had vouched for Death so far.

Sir Coupland was already on the spot, having only stayed long enough to give particulars of the catastrophe to the Earl; but he was not by the bedside. He was outside the cottage, speaking with Dr. Nash, the local doctor from Grantley Thorpe, who had passed most of the night there. There was a sort of conclusiveness about their conference, even as seen from a distance, which promised ill. As the three ladies approached, he came to meet them.

"Is there a chance?" said the Countess, as he came within hearing.

Only a shake of the head in reply. It quenches all the eagerness to hear in the three faces, each in its own degree. Aunt Constance's gives place to "Oh dear!" and solicitude. Lady Ancester's to a gasp like sudden pain, and "Oh, Sir Coupland! are you quite, quite sure?" Her daughter's to a sharp cry, or the first of one cut short, and "Oh, mamma!" Then a bitten lip, and a face shrinking from the others' view as she turns and looks out across the Park. That is Arthur's Bridge over yonder, where last evening she spoke with this man that now lies dead, and took some note of his great dark eyes in the living glory of the sunset.

As the world and sky swim about her for a moment, even she herself wonders why she should be so hard hit. A perfect stranger! A man she had never before in her life spoken to. And then, for such a moment! But the great dark eyes of the man now dead are upon her, and she does not at first hear that her mother is speaking to her.

"Gwen dear!... Gwen darling!—you hear what Sir Coupland says? We can do no good." She has to touch her daughter's arm to get her attention.

"Well!" The girl turns, and her tears are as plain on her face as its beauty. "That means go home?" says she; and then gives a sort of heart-broken sigh. "Oh dear!" Her lack of claim to grieve for this man cuts like a knife.

"We can do no good," her mother repeats. "Now, can we?"

"No, I see. Suppose we go." She turns as though to go, but either her intention hangs fire, or she only wishes her face unseen for the moment; for she pauses, saying to her mother: "There is old Stephen. Ought we not to see him—one of us?"

"Yes!" says her ladyship, decisive on reflection. "I had forgotten about old Stephen. But I can go to him. You go back!... Yes, dear, you had better go back.... What?"

"I am not going back. I want to see the body—this man's body. I want to see his face.... No; I am not a child, mamma. Let me have my way."

"If you must, darling, you must. But I cannot see what use it can be. See—here is Aunt Constance! She does not want to see it...." A confirmatory head-shake from Miss Dickenson. "Why should you?"

"Aunt Constance never spoke to him. I did. And he spoke to me. Let me go, mamma dear. Don't oppose me." Indeed, the girl seems almost feverishly anxious, quite on a sudden, to have this wish. No need for her mother to accompany her, she adds. To which her mother replies:—"I would if you wished it, dear Gwen"; whereupon Aunt Constance, perceiving in her heart an opportunity for public service tending to distinction, says so would she. Further, in view of a verdict from somebody somewhere later on, that she showed a very nice feeling on this occasion, she takes an opportunity before they reach the cottage to say to Lady Gwendolen in an important aside:—"You won't let your mother go into the room, dear. Anything of this sort tells so on her system." To which the reply is rather abrupt:—"You needn't come, either of you." So that is settled.

The body had not been carried into a room of the cottage, but into what goes by the name of the Verderer's Hall, some fifty yards off. That much carriage was spared by doing so. It now lies on the "Lord's table," so called not from any reference to sacramental usage, but because the Lord of the Manor sat at it on the occasions of the Manorial Courts. Three centuries have passed since the last Court Baron; the last landlord who sat in real council with his tenantry under its roof having been Roger Earl of Ancester, who was killed in the Civil War. But old customs die hard, and every Michaelmas Day—except it fall on a Sunday—the Earl or his Steward at twelve o'clock receives from the person who enjoys a right of free-warren over certain acres that have long since harboured neither hare nor rabbit, an annual tribute which a chronicle as old as Chaucer speaks of as "iiij tusshes of a wild bore." If no boars' tusks are forthcoming, he has to be content with some equivalent devised to meet their scarcity nowadays. Otherwise, the old Hall grows to be more and more a museum of curios connected with the Park and outlying woodlands, the remains of the old forest that covered the land when even Earls were upstarts. A record pair of antlers on the wall is still incredulously measured tip to tip by visitors unconvinced by local testimony, and a respectable approach to Roman Antiquities is at rest after a learned description by Archaeology. The place smells sweet of an old age that is so slow—that the centuries have handled so tenderly—that one's heart thinks of it rather as spontaneous preservation than decay. It will see to its own survival through some lifetimes yet, if no man restores it or converts it into a Studio.

Is his rating "Death" or not, whose body is so still on its extemporised couch—just a mattress from the keeper's cottage close at hand? Was the doctor's wording warranted when he said just now under his breath:—"It is in here"? Could he not have said "He"? What does the dog think, that waits and watches immovable at its feet? If this is death, what is he watching for? What does the old keeper himself think, who lingers by this man whom he may have slain—this man who may live, yet? He has scarcely taken his eyes off that white face and its strapped-up wound from the first moment of his sight of it. He does not note the subdued entry of Lady Gwendolen and the two doctors, and when touched on the shoulder to call his attention to the presence of a ladyship from the Castle, defers looking round until a fancy of his restless hope dies down—a fancy that the mouth was closing of itself. He has had such fancies by scores for the last few hours, and said farewell to each with a groan.

"My mother is at the cottage, Stephen," says Gwen. "She would like to see you, I know." Thereon the old man turns to go. He looks ten years older than his rather contentious self of yesterday. The young lady says no word either way of his responsibility for this disaster. She cannot blame, but she cannot quite absolve him yet, without a grudge. Her mother can; and will, somehow.

The dog has run to her side for a moment—has uttered an undertone of bewildered complaint; then has gone back patiently to his old post, and is again watching. The great surgeon and the girl stand side by side, watching also. The humbler medico stands back a little, his eyes rather on his senior than on the body.

"It is absolutely certain—this?" says Lady Gwen; questioning, not affirming. She is wonderfully courageous—so Sir Coupland thinks—in the presence of Death. But she is ashy white.

He utters the barest syllable of doubt; then half-turns for courtesy to his junior, who echoes it. Then each shakes his head, looking at the other.

"Is there no sound—nothing to show?" Gwen has some hazy idea that there ought to be, if there is not, some official note of death due from the dying, a rattle in the throat at least.

Sir Coupland sees her meaning. "In a case of this sort," says he, "sheer loss of blood, the breath may cease so gradually that sound is impossible. All one can say is that there is no breath, and no action of the heart—so far as one can tell." He speaks in a business-like way that is a sort of compliment to his hearer; no accommodation of facts as to a child; then raises the lifeless hand slightly and lets it fall, saying:—"See!"

To his surprise the girl, without any comment, also raises the band in hers, and stands holding it. "Yes—it will fall," says he, as though she had spoken questioning it. But still she holds it, and never shrinks from the horror of its mortality, somewhat to the wonder of her only spectator. For the other doctor has withdrawn, to speak to someone outside.

Of a sudden the dog Achilles starts barking. A short, sharp, startled bark—once, twice—and is silent. The girl lays the dead hand gently down, not dropping it, but replacing it where it first lay. She does not speak for a moment—cannot, perhaps. Then it comes with a cry, neither of pain nor joy—mere tension. "Oh, Dr. Merridew ... the fingers closed ... They closed on mine ... the fingers closed.... I know it. I know it ... The fingers closed!..." She says it again and again as though in terror that her word might be doubted. He sees as she turns to him that all her pride of self-control has given way. She is fighting against an outburst of tears, and her breath comes and goes at will, or at the will of some power that drives it. Sir Coupland may be contemplating speech—something it is correct to say, something the cooler judgment will endorse—but whatever it is he keeps it to himself. He is not one of those cheap sages that has hysteria on his tongue's tip to account for everything. It may be that; but it may be ... Well—he has seen some odd cases in his time.

So, without speaking to the agitated young lady, he simply calls his colleague back; and, after a word or two aside with him, says to her:—"You had better leave him to us. Go now." It gives her confidence that he does not soothe or cajole, but speaks as he would to a man. She goes, and as she walks across to the Keeper's Lodge makes a little peace for her heart out of small material. Sir Coupland said "him" this time—look you!—not "it" as before.

The daughter finds the mother, five minutes later, trying a well-meant word to the old keeper; to put a little heart in him, if possible. It was no fault of his; he only carried out his orders, and so on. Gwen is silent about her experience; she will not raise false hopes. Besides, she is only half grieved for the old chap—has only a languid sympathy in her heart for him who, tampering with implements of Death, becomes Cain unawares. If she is right, he will know in time. Meanwhile it will be a lesson to him to avoid triggers, and will thus minimise the exigencies of Hell. Also, she has recovered her self-command; and will not show, even to her mother, how keen her interest has been in this man in the balance betwixt life and death.

As to the older lady, who has fought shy of seeing the body, the affair is no more than a casualty, very little coloured by the fact that its victim is a "gentleman." This sort of thing may impress the groundlings, while a real Earl or Duke remains untouched. A coronet has a very levelling effect on the plains below. Your mere baronet is but a hillock, after all. Possibly, however, this is a proletariate view, which always snubs rank, and her ladyship the Countess may never have given a thought to this side of the case. Certainly she is honestly grieved on behalf of her old friend Stephen, whom she has known for thirty years past. In fact, of the two, as they walk back to the Towers, the mother shows more than the daughter the reaction of emotion.

Says her daughter to her as they walk back—the three as they came—"I believe he will recover, for all that. I believe Dr. Merridew believes it, too. I am certain the fingers moved." Her manner lays stress on her own equanimity. It is more self-contained than need be, all things considered.

"The eyesight is easily deceived," says Miss Dickenson, prompt with the views of experience. She always holds a brief for common sense, and is considered an authority. "Even experts are misled—sometimes—in such cases...."

Gwen interrupts:—"It had nothing to do with eyesight. I felt the fingers move." Whereupon her mother, roused by her sudden emphasis, says:—"But we are so glad that it should be so, Gwen darling." And then, when the girl stops in her walk and says:—"Of course you are—but why not?" she has a half-smile as for petulance forgiven, as she says:—"Because you fired up so about it, darling; that's all. We did not understand that you had hold of the hand. Was it stiff?" This in a semi-whisper of protest against the horror of the subject.

"Not the least. Cold!—oh, how cold!" She shudders of set purpose to show how cold. "But not stiff."

The two other ladies go into a partnership of seniority, glancing at each other; and each contributes to a duet about the duty of being hopeful, and we shall soon know, and at any rate, the case could not be in better hands, and so on. But whereas the elder lady was only working for reassurance—puzzled somewhat at a certain flushed emphasis in this beautiful daughter of hers—Miss Smith-Dickenson was taking mental notes, and looking intuitive. She was still looking intuitive when she joined the numerous party at lunch, an hour later. She had more than one inquiry addressed to her about "this unfortunate accident," but she reserved her information, with mystery, acquiring thereby a more defined importance. A river behind a barrage is much more impressive than a pump.

* * * * *

Sir Coupland Merridew's place at table was still empty when the first storm of comparison of notes set in over the events and deeds of the morning. A conscious reservation was in the air about the disaster of last night, causing talk to run on every other subject, but betrayed by more interest in the door and its openings than lunch generally shows. Presently it would open for the overdue guest, and he would have news worth hearing, said Hope. For stinted versions of event had leaked out, and had outlived the reservations and corrections of those who knew.

Lunch was conscious of Sir Coupland's arrival in the house before he entered, and its factors nodded to each other and said: "That's him!" Nice customs of Grammar bow before big mouthfuls. However, Miss Smith-Dickenson did certainly say: "I believe that is Sir Coupland."

It was, and in his face was secret content and reserve. In response to a volley of What?—Well?—Tell us!—and so forth, he only said:—"Shan't tell you anything till I've had something to eat!" But he glanced across at Lady Gwen and nodded slightly—a nod for her exclusive use.

Lunch, liberated by what amounted to certainty that the man was not killed, ran riot; almost all its factors taking a little more, thank you! It was brought up on its haunches by being suddenly made aware that Sir Coupland—having had something to eat—had spoken. He had to repeat his words to reach the far end of the long table.

"Yes—I said ... only of course if you make such a row you can't hear.... I said that this gentleman cannot be said to have recovered consciousness"—here he paused for a mistaken exclamation of disappointment to get nipped in the bud, and then continued—"yet a while. However, I am glad to say I—both of us, Dr. Nash and myself, I should say—were completely mistaken about the case. It has turned out contrary to every expectation that...." Nobody noticed that a pause here was due to Lady Gwen having made "No!" with her lips, and looked a protest at the speaker. He went on:—"Well ... in short ... I would have sworn the man was dead ... and he isn't! That's all I have to say about it at present. It might be over-sanguine to say he is alive—meaning that he will succeed in keeping so—but he is certainly not dead." Miss Dickenson lodged her claim to a mild form of omniscience by saying with presence of mind:—"Exactly!" but without presumption, so that only her near neighbours heard her. Self-respect called for no more.

Had the insensible man spoken?—the Earl asked pertinently. Oh dear, no! Nothing so satisfactory as that, so far. The vitality was almost nil. The Earl retired on his question to listen to what a Peninsular veteran was saying to Gwen. This ancient warrior was one who talked but little, and then only to two sorts, old men like himself, with old memories of India and the Napoleonic wars, and young women like Gwen. As this was his way, it did not seem strange that he should address her all but exclusively, with only a chance side-word now and then to his host, for mere courtesy.

"When I was in Madras in eighteen-two—no—eighteen-three," he said, "I was in the Nineteenth Dragoons under Maxwell—he was killed, you know—in that affair with the Mahrattas...."

"I know. I've read about the Battle of Assaye, and how General Wellesley had two horses shot under him...."

"That was it. Scindia, you know—that affair! They had some very good artillery for those days, and our men had to charge up to the guns. I was cut down in Maxwell's cavalry charge, and went near bleeding to death. He was a fine fellow that did it...."

"Never mind him! You were going to tell me about yourself."

"Why—I was given up for dead. It was a good job I escaped decent interment. But the surgeon gave me the benefit of the doubt, and stood me over for a day or two. Then, as I didn't decay properly...."

"Oh, General—don't be so horrible!" This from Miss Smith-Dickenson close at hand. But Gwen is too eager to hear, to care about delicacies of speech, and strikes in:—

"Do go on, General! Never mind Aunt Constance. She is so fussy. Go on—'didn't decay properly'...."

"Well—I was behindhand! Not up to my duties, considered as a corpse! The doctor stood me over another twenty-four hours, and I came to. I was very much run down, certainly, but I did come to, or I shouldn't be here now to tell you about it, my dear. I should have been sorry."

A matter-of-fact gentleman "pointed out" that had General Rawnsley died of his wounds, he would not have been in a position to feel either joy or sorrow, or to be conscious that he was not dining at Ancester. The General fished up a wandering eyeglass to look at him, and said:—"Quite correct!" Miss Smith-Dickenson remarked upon the dangers attendant on over-literal interpretations. The Hon. Mr. Pellew perceived in this that Miss Dickenson had a sort of dry humour.

"But you did come to, General, and you are telling me about it," said Lady Gwen. "Now, how long was it before you rejoined your regiment?"

"H'm—well! I wasn't good for much two months later, or I should have come in for the fag-end of the campaign. All right in three months, I should say. But then—I was a young fellah!—in those days. How old's your man?"

"This gentleman who has been shot?" says Gwen, with some stiffness. "I have not the slightest idea." But Sir Coupland answered the question for her. "At a guess, General, twenty-five or twenty-six. He ought to do well if he gets through the next day or two. He may have a good constitution. I can't say yet. Yours must have been remarkable."

"I had such a good appetite, you know," says the General. "Such a devil of a twist! If I had had my way, I should have been at Argaum two months later. But, good Lard!—they wouldn't let me out of Hospital." The old soldier, roused by the recollection of a fifty-year-old grievance, still rankling, launched into a denunciation of the effeminacy and timidity of Authorities and Seniors, of all sorts and conditions. His youth was back upon him with its memories, and he had forgotten that he too was now a Senior. His torrent of thinly disguised execrations was of service to Lady Gwen; as the original subject of the conversation, just shot, was naturally forgotten. She had got all the enlightenment she wanted about him, and was cultivating an artificial lack of interest in his accident.

She was, however, a little dissatisfied with her own success in this branch of horticulture. Her anxiety had felt itself fully justified till now by the bare facts of the case. Her longing that this man should not die was so safe while it seemed certain that he could not live, that she felt under no obligation to account to herself for it. Analysis of niceties of feeling in the presence of Death were uncalled for, surely. But now, with at least a chance of his recovery, she felt that she ought to be able to think of something else. So she talked of Sardanapalus and Charles Keane at the Princesses' Theatre—the first a play, the second a player—and the General, declining more than monosyllables to the matter-o'-fact gentleman, subsided into wrathful recollection of an exasperated young Dragoon chafing under canvas beneath an Indian sun, and panting for news of his regiment in the north, fifty years before.

But such intermittent conversation could not prevent her seeing that Norbury the butler had handed a visiting-card, pencilled on the back, to her father, and had whispered a message to him with a sense of its gravity, and that her father had replied:—"Yes, say I will be there presently." Nor that—in response to remote inquiry from his Countess at the end of an avenue of finger-glasses—he had thrown the words "Hamilton Torrens and the daughter—mother too ill to come—won't come up to the house until he's fit to move!" all the length of the table. That her mother had said:—"Oh yes—you know them," perhaps because of an apologetic manner in her husband for being the recipient of the message. Also that curiosity and information were mutual in the avenue, and that next-door neighbours but one were saying:—"What's that?" and getting no answer.

However, the Intelligence Department did itself credit in the end, and everyone knew that, immediately on the receipt of sanction from headquarters, Tom Kettering the young groom had mounted the grey mare—a celebrity in these parts—and made a foxhunter's short cut across a stiff country to carry the news of the disaster to Pensham Steynes, Sir Hamilton Torrens's house twenty miles off, and that that baronet and his daughter Irene Torrens had come at once. "I hope he hasn't killed the mare," said the Earl apprehensively. But his wife summoned Norbury to a secret confidence, saying after it:—"No—it's all right—he came on the box—didn't ride." From which the Earl knew—if the avenue didn't—that Tom Kettering the groom, after an incredible break across country, stabled the mare at Pensham Steynes, and rode back with the carriage. The whole thing had been negotiated in less than three hours.

All these things Gwendolen comes to be aware of somehow. But all of us know how a chance word in a confused conversation stays by the hearer, who is forced to listen to what is no elucidation of it, and is discontented. Such a word had struck this young lady; and she watched for her father, as lunch died away, to get the elucidation overdue. She was able to intercept him at the end of a long colloquy with Sir Coupland. "What did you mean, papa dearest, just now?..."

"What did I mean, dear?... When?"

"By 'until he's fit to move'?"

"I meant until Sir Coupland says he can be safely brought up to the house."

"This house, my dear?" It is not Gwen who speaks, but her mother, who has joined the conversation.

"Certainly, my love," says the Earl, with a kind of appealing diffidence. "If you have no very strong objection. He can be carried, Sir Coupland says, as soon as the wound is safe from inflammation. Of course he must not be left at the Hall."

"Of course not. But there are beds at the Lodge...." However, the Earl says with a meek self-assertion:—"I think I would rather he were brought here. His father and George were at Christ Church together...." Before which her ladyship concedes the point. His lordship then says he shall go at once to the Hall to see Sir Hamilton, and Gwen suggests that she shall accompany him. She may persuade Miss Torrens to come up to the Towers.

This assumption that the wounded man could be moved, after conversation between the Earl and Sir Coupland, was so reassuring, that Gwendolen felt it more than ever due to herself to cultivate that indifference about his recovery. However, she could not easily be too affectionate and hospitable to his sister under the circumstances.

By-the-by, it was rather singular that she had never seen this Irene Torrens, when they were almost neighbours—only eighteen miles by road between them. And Irene's father had been her Uncle George's great friend at Oxford; both at Christ Church! This uncle, who, like his friend Torrens, had gone into the army, was killed in action at Rangoon, long before Gwendolen's day.

It all takes so long to tell. The omission of half would shorten the tale and spare the reader so much. What a very small book the History of the World would be if all the events were left out!



CHAPTER XIII

BACK IN SAPPS COURT. MICHAEL RAGSTROAR'S SECULARISM. HIS EXTENDED KNOWLEDGE OF LIFE. YET A GAOL-BIRD PROPER WAS OUTSIDE IT. ONE IN QUEST OF A WIDOW. THE DEAD BEETLE IN DOLLY'S CAKE. HOW UNCLE MO DID NOT LIKE THE MAN'S LOOKS. THERE WAS NO WIDOW DAVERILL AND NEITHER BURR NOR PRICHARD WOULD DO. HOW AUNT M'RIAR HAD BEEN AT CHAPEL. THE SONS OF LEVI. MICHAEL'S NOBLE LOYALTY TOWARDS OUTLAWS

It was a fine Sunday morning in Sapps Court, and our young friend Michael Rackstraw was not attending public worship. Not that it was his custom to do so. Nevertheless, the way he replied to a question by a chance loiterer into the Court seemed to imply the contrary. The question was, what the Devil he was doing that for?—and referred to the fact that he was walking on his hands. His answer was, that it was because he wasn't at Church. Not that all absentees from religious rites went about upside down; but that, had he been at Church, the narrow exclusiveness of its ritual would have kept him right side up.

The speaker's appearance was disreputable, and his manner morose, sullen, and unconciliatory. Michael, even while still upside down, fancied he could identify a certain twist in his face that seemed not unfamiliar; but thought this might be due to his own drawbacks on correct observation. Upright again, his identification was confirmed and he knew quite well whose question he was answering by the time he felt his feet. It was the man he had seen in the clutches of the water-rat at Hammersmith, when both were capsized into the river six months ago. This put him on his guard, and he prepared to meet further questions with evasion or defiance. But he would flavour them with substantial facts. It would confuse issues and make it more difficult to convict him of mendacity.

"You don't look an unlikely young beggar," said the man. "What name are you called?"

Michael thought a moment and settled that it might be impolitic to disclose his name. So he answered simply:—"Ikey." Now, this name was not contrary to any statute or usage. The man appeared to accept it in good faith, and Michael decided in his heart that he was softer than what he'd took him for.

He recovered some credit, however, by his next inquiry which seemed to place baptismal names among negligibles: "Ah, that's it, is it? But Ikey what? What do they call your father, if you've got one?"

Three courses occurred to Michael; improbable fiction, evasive or defiant; plausible fiction; and the undisguised truth. As the first, the Duke of Wellington's name recommended itself. He had, however, decided mentally that this man was a queer customer, and might be an awkward customer. So he discarded the Duke—satire might irritate—and chose the second course to avoid the third. But he was betrayed by Realism, which suggested that a study from Nature would carry conviction. He decided on assuming the name of his friend the apothecary round the corner, up the street facing over against the Wheatsheaf. He replied that his father's name was Heeking's. It was easier to do this than to invent a name, which might have turned out an insult to the human understanding. He was disgusted to be met with incredulity.

"Don't believe you," said the man. "You're a young liar. Where's your father now—now this very minute?"

"Abed."

"What's he doing there?"

"Sleeping of it off. It was Saturday with him last night. He had to be fetched from the King's Arms very careful. Perkins's Entire. Barclay Perkins. Fetched him myself! Mean to say I didn't?" But this part of the tale was probable and no comment seemed necessary.

"Where's your mother?"

"Cookin' 'im a bloater over the fire. It does the temper good. Can't yer smell it?" A flavour of cooking confirmed Michael's words, but he seemed to require a more formal admission of his veracity than a mere nostril set ajar and a glance at an open window. "Say, if you don't! On'y there's no charge for the smelling of it. She'll tell yer just the same like me, word in and word out. You can arks for yourself. I can 'oller 'er up less time than talkin' about it. You've only to say!"

But this man, the twist of whose face had not been improved by his recognition of the bloater, seemed to wish to confine his communications to Michael, rather decisively. Indeed, there was a sound of veiled intimidation in his voice as he said:—"You leave your mother to see to the herrings, young 'un, and just you listen to me. You be done with your kidding and listen to me. You can tell me as much as I want to know. Sharp young beggar!—you know what's good for you." An intimidation of a possible douceur perhaps?

Now Master Michael, though absolutely deficient in education—his class, a sort of aristocracy of guttersnipes, was so in the pre-Board-School fifties,—was as sharp as a razor already even in the days of Dave Wardle's early accident, and had added a world of experience to his stock in the last few months. He had, in fact, been seeing the Metropolis, as an exponent or auxiliary of his father's vocation as a costermonger; and had made himself extremely useful, said Mr. Rackstraw, in the manner of speaking. Only the manner of speaking, strictly reported, did not use the expression extremely, but another one which we need not dwell upon except to make reference to its inappropriateness. Mr. Rackstraw was not a man of many words, so he had to fall back upon the same very often or hold his tongue: a course uncongenial to him. This word was a piece de resistance—a kind of sheet-anchor.

In the course of these last few months of active costermongery, of transactions in early peas and new potatoes, spring-cabbage and ripe strawberries, he had acquired not only an insight into commerce but apparently an intimate knowledge of every street in London, and a very fair acquaintance with its celebrities; meaning thereby its real celebrities—its sportsmen, patrons of the Prize Ring, cricketers, rowing-men, billiard-players, jockeys—what not? Its less important representative men, statesmen, bishops, writers, artists, lawyers; soldiers and sailors even, though here concession was rife, had to take a second place. But there was one class—a class whose members may have belonged to any one of these—of which Michael's experience was very limited. It was the class of gaol-birds. This type, the most puzzling to eyes that see it for the first time, the most unmistakable by those well read in it, was the type that was now setting this juvenile coster's wits to work upon its classification, on this May morning in Sapps Court. Michael's previous record of him was an interrupted sight of his face in the river-garden at Hammersmith, and a reference to his felonious antecedents at the inquest. He was, by the time the conversation assumed the interest due to a hint of emolument, able to say to himself that he should know the Old Bailey again by the cut of its jib next time he came across it.

In reply, he scorned circumlocution, saying briefly:—"Wot'll it come to? Wot are you good for? That's the p'int."

"You tell me no lies and you'll see. There's an old widow-lady down this Court. Don't you go and say there ain't!"

"There's any number. Which old widder?"

"Name of Daverill. Old enough to be your father's granny."

"No sich a name! There's one a sight older than that though—last house down the Court—top bell."

"How old do you make her out?"

"Two 'underd next birthday!" But Michael perceived in his questioner's eye a possible withdrawal of his offer of a consideration, and amended his statement:—"Ninety-nine, p'raps!—couldn't say to arf a minute."

"House at the end where the old cock in a blue shirt's smoking a pipe—is that it?"

"Ah!—up two flights of stairs. But she can't see you, nor yet hear you, to speak of."

"Who's the old cock?"

"This little boy's uncle. He b'longs to the Fancy. 'Eavyweight he was, wunst upon a time." And Dave Wardle, who had joined the colloquy, gave confirmatory evidence: "He's moy Uncle Moses, he is. And he's moy sister Dolly's Uncle Moses, he is. And moy sister Dolly she had a piece of koyk with a beadle in it. She had. A dead beadle!" But this evidence was ruled out of court by general consent; or rather, perhaps, it should be said that the witness remained in the box giving evidence of the same nature for his own satisfaction, while the court's attention wandered.

"Oh—he was a heavyweight, was he? An ugly customer, I should reckon." The stranger said this more to himself than to the boys. But he spoke direct to Michael with the question, "What was it you said was the old lady's name, now?"

The boy, shrewd as he was, was but a boy after all. Was it wonderful that he should accept the implication that he had given the name? Thrown off his guard he answered:—"Name of Richards." Whereupon Dave, who was still stuttering on melodiously about the dead monster in Dolly's cake, endeavoured to correct his friend without complete success.

"Pitcher, is it?" said the stranger. Michael, disgusted to find that he had been betrayed into giving a name, though he was far from clear why it should have been reserved, was glad of Dave's perverted version, as replacing matters on their former footing. But the repetition of the name, by voices the stimulus of definition had emphasized, caught the attention of Uncle Moses, who thereon moved up the Court to find out who this stranger could be, who was so evidently inquiring about the upstairs tenant. As he reached close inspection-point his face did not look as though the visitor pleased him. The latter said good-morning first; but, simple as his words were, the gaol-bird manner of guarded suspicion crept into them and stamped the speaker.

"Don't like the looks of you, mister!" said Uncle Mo to himself. But aloud he said:—"Good-morning to you, sir. I understood you to be inquiring for Mrs. Prichard."

"No—Daverill. No such a name, this young shaver says."

"Not down this Court. It wasn't Burr by any chance now, was it?"

"No—Daverill."

"Because there is a party by the name of Burr if you could have seen your way." This was only the natural civility which sometimes runs riot with an informant's judgment, making him anxious to meet the inquirer at any cost, whatever inalienable stipulations the latter may have committed himself to. In this case it seemed that nothing short of Daverill, crisp and well defined, would satisfy the conditions. The stranger shook his head with as much decision as reciprocal civility permitted—rather as though he regretted his inability to accept Burr—and replied that the name had "got to be" Daverill and no other. But he seemed reluctant to leave the widows down this Court unsifted, saying:—"You're sure there ain't any other old party now?" To which Uncle Moses responded: "Ne'er a one, master, to my knowledge. Widow Daverill she's somewheres else. Not down this Court!" He said it in a valedictory way as though he had no wish to open a new subject, and considered this one closed. He had profited by his inspection of the stranger, and had formed a low opinion of him.

But the stranger's reluctance continued. "You couldn't say, I suppose," said he, in a cautious hesitating way, "you couldn't say what countrywoman she was, now?" His manner might easily have been—so Uncle Mo thought at least—that of indigence trying to get a foothold with an eye to begging in the end. It really was the furtive suspiciousness that hangs alike upon the miscreant and the mere rebel against law into whose bones the fetter has rusted. The guilt of the former, if he can cheat both the gaol and the gallows, may merge in the demeanour of a free man; that of the latter, after a decade of prison-service you or I might have remitted, will hang by him till death.

Uncle Mo may have detected, through the mere blood-poisoning of the prison, the inherent baseness of the man, or may have recoiled from the type. Anyway, his instinct was to get rid of him. And evidently the less he said about anyone in Sapps Court the better. So he replied, surlily enough considering his really amiable disposition:—"No—I could not say what countrywoman she is, master." Then he thought a small trifle of fiction thrown in might contribute to the detachment of this man's curiosity from Mrs. Prichard, and added carelessly:—"Some sort of a foringer I take it." Which accounted, too, for his knowing nothing about her. No true Englishman knows anything about that benighted class.

Now the boy Michael, all eyes and ears, had somehow come to an imperfect knowledge that Mrs. Prichard had been in Australia once on a time. The imperfection of this knowledge had affected the name of the place, and when he officiously struck in to supply it, he did so inaccurately. "Horstrian she is!" He added:—"Rode in a circus, she did." But this was only the reaction of misinterpretation on a too inventive brain.

"Then she ain't any use to me. Austrian, is she?" Thus the stranger; who then, after a slow glare up and down the Court, in search of further widows perhaps, turned to go, saying merely:—"I'll wish you a good-morning, guv'nor. Good-morning!" Uncle Mo watched him as he lurched up the Court, noting the oddity of his walk. This man, you see, had been chained to another like himself, and his bias went to one side like a horse that has gone in harness. This gait is known in the class he belonged to as the "darby-roll," from the name by which fetters are often spoken of.

"How long has that charackter been makin' the Court stink, young Carrots?" said Uncle Moses to Michael.

"Afore you come up, Mr. Moses."

"Afore I come up. How long afore I come up?"

Michael appeared to pass through a paroxysm of acute calculation, ending in a lucid calm with particulars. "Seven minute and a half," said he resolutely. "Wanted my name, he did!"

"What did you tell him?"

"I told 'im a name. Orl correct it was. Only it warn't mine. I was too fly for him."

"What name did you tell him?"

"Mr. Eking's at the doctor's shop. He'll find that all right. He can read it over the door. He's got eyes in his head." No doubt sticklers for conscience will quarrel with the view that the demands of Truth can be satisfied by an authentic name applied to the wrong person.

It did not seem to grate on Uncle Moses, who only said:—"Sharp boy! But don't you tell no more lies than's wanted. Only now and again to shame the Devil, as the sayin' is. And you, little Dave, don't you tell nothing but the truth, 'cos your Aunt M'riar she says not to it." Dave promised to oblige.

Aunt M'riar, returning home with Dolly from a place known as "Chapel"—a place generally understood to be good, and an antidote to The Rising Sun, which represented Satan and was bad—only missed meeting this visitor to Sapps by a couple of minutes. She might have just come face to face with him the very minute he left the Court, if she had not delayed a little at the baker's, where she had prevailed on Sharmanses—the promoter of some latent heat in the bowels of the earth which came through to the pavement, making it nice and dry and warm to set upon in damp, cold weather—to keep the family Sunday dinner back just enough to guarantee it brown all through, and the potatoes crackly all over. Sharmanses was that obliging he would have kep' it in—it was a shoulder of mutton—any time you named, but he declined to be responsible that the gravy should not dry up. So Dolly carried her aunt's prayer-book, feeling like the priests, the Sons of Levi, which bare the Ark of the Covenant; and Aunt M'riar carried the Tin of the Shoulder of Mutton, and took great care not to spill any of the Gravy. The office of the Sons of Levi was a sinecure by comparison.

Why did our astute young friend Michael keep his counsel about the identity of the bloke that come down the Court that Sunday morning? Well—it was not mere astuteness or vulgar cunning on the watch for an honorarium. It was really a noble chivalry akin to that of the schoolboy who will be flogged till the blood comes, rather than tell upon his schoolfellow, even though he loathes the misdemeanour of the latter. It was enough for Michael that this man was wanted by Scotland Yard, to make silence seem a duty—silence, at any rate, until interrogated. He was certainly not going to volunteer information—was, in fact, in the position of the Humanitarian who declined to say which way the fox had gone when the scent was at fault; only with this difference—that the hounds were not in sight. Neither was he threatened with the hunting-whip of an irate M.F.H. "Give the beggar his chance!"—that was how Michael looked at it. He who knows the traditions of the class this boy was born in will understand and excuse the feeling.

Michael was—said his entourage—that sharp at twelve that he could understand a'most anything. He had certainly understood that the man whom he saw in the grip of the police-officer overturned in the Thames was wanted by Scotland Yard, to pay an old score, with possible additions to it due to that officer's death. He had understood, too, that the attempt to capture the man had been treacherous according to his ideas of fair play, while he had no information about his original crime. He did not like his looks, certainly, but then looks warn't much to go by. His conclusion was—silence for the present, without prejudice to future speech if applied for. When that time came, he would tell no more lies than were wanted.



CHAPTER XIV

OF A VISIT MICHAEL PAID HIS AUNT, AND OF A FISH HE NEARLY CAUGHT. THE PIGEONS, NEXT DOOR, AND A PINT OF HALF-AND-HALF. MISS JULIA HAWKINS AND HER PARALYTIC FATHER. HOW A MAN IN THE BAR BROKE HIS PIPE. OF A VISIT MICHAEL'S GREAT-AUNT PAID MISS HAWKINS. TWO STRANGE POLICEMEN. HOW MR. DAVERILL MIGHT HAVE ESCAPED HAD HE NOT BEEN A SMOKER. A MIRACULOUS RECOVERY, SPOILED BY A STRAIGHT SHOT

Michael Ragstroar's mysterious attraction to his great-aunt at Hammersmith was not discountenanced or neutralised by his family in Sapps Court, but rather the reverse: in fact, his visits to her received as much indirect encouragement as his parents considered might be safely given without rousing his natural combativeness, and predisposing him against the ounce of influence which she alone exercised over his rebellious instincts. Any suspicion of moral culture might have been fatal, holy influences of every sort being eschewed by Michael on principle.

So when Michael's mother, some weeks later than the foregoing incident, remarked that it was getting on for time that her branch of the family should send a quartern of shelled peas and two pound of cooking-cherries to Aunt Elizabeth Jane as a seasonable gift, her lord and master had replied that he wasn't going within eleven mile of Hammersmith till to-morrow fortnight, but that he would entrust peas and cherries, as specified, to "Old Saturday Night," a fellow-coster, so named in derision of his adoption of teetotalism, his name being really Knight. He was also called Temperance Tommy, without irony, his name being really Thomas. He, a resident in Chiswick, would see that Aunt Elizabeth Jane got the consignment safely.

Michael's father did this in furtherance of a subtle scheme which succeeded. His son immediately said:—"Just you give him 'em, and see if he don't sneak 'em. See if he don't bile the peas and make a blooming pudd'n of the cherries. You see if he don't! That's all I say, if you arsk me." A few interchanges on these lines ended in Michael undertaking to deliver the goods personally as a favour, time enough Sunday morning for Aunt Elizabeth Jane herself to make a pudding of the cherries, blooming or otherwise.

As a sequel, Michael arrived at his aunt's so early on the following Sunday that the peas and the cherries had to wait for hours to be cooked, while Aunt Elizabeth Jane talked with matrons round in the alley, and he himself took part in a short fishing expedition, nearly catching a roach, who got away. The Humanitarian—is that quite the correct word, by-the-by?—must rejoice at the frequency of this result in angling.

"The 'ook giv'," said Michael, returning disappointed. "Wot can you expect with inferior tarkle?" He then undertook to get a brown Toby jug filled at The Pigeons; though, being church-time—the time at which the Heathen avail themselves of their opportunity of stopping away from church—the purchase of one pint full up, and no cheating, was a statutable offence on the part of the seller.

But when a public has a little back-garden with rusticated woodwork seats, painful to those rash enough to avail themselves of them, and a negotiable wall you and your jug can climb over and descend from by the table no one ever gets his legs under owing to this same rusticity of structure, then you can do as Michael did, and make your presence felt by whistling through the keyhole, without fear of incriminating the Egeria of the beer-fountain in the locked and shuttered bar, near at hand.

Egeria was not far off, for her voice came saying:—"Say your name through the keyhole; the key's took out.... No, you ain't Mrs. Treadwell next door! You're a boy."

"Ain't a party-next-door's grandnephew a boy?" exclaimed Michael indignantly. "She's sent me with her own jug for a pint of arfnarf! Here's the coppers, all square. You won't have nothing to complain of, Miss 'Orkins."

Miss Hawkins, the daughter of The Pigeons, or at least of their proprietor, opened the door and admitted Michael Ragstroar. Her father had drawn his last quart for a customer many long years ago, and his right-hand half was passing the last days of its life in a bedroom upstairs. A nonagenarian paralysed all down one side may be described as we have described Mr. Hawkins. He was still able to see dimly, with one eye, the glorious series of sporting prints that lined the walls of his room; and such pulses as he had left were stirred with momentary enthusiasm when the Pytchley Hunt reached the surviving half of his understanding. The other half of him had lived, and seemed to have died, years ago. The two halves may have taken too much when they were able to move about together and get at it—too much brandy, rum, whisky; too many short nips and long nips—too cordial cordials. Perhaps his daughter took the right quantity of all these to a nicety, but appearances were against her. She was a woman of the type that must have been recognised in its girlhood as stunning, or ripping, by the then frequenters of the bar of The Pigeons, and which now was reluctant to admit that its powers to rip or stun were on the wane at forty. It was that of an inflamed blonde putting on flesh, which meant to have business relations with dropsy later on, unless—which seemed unlikely—its owner should discontinue her present one with those nips and cordials. She had no misgivings, so far, on this point; nor any, apparently, about the seductive roll of a really fine pair of blue eyes. While as for her hair, the bulk and number of the curl-papers it was still screwed up in spoke volumes of what its release would reveal to an astonished Sunday afternoon when its hour should come—not far off now.

There was a man in the darkened bar, smoking a long clay. Michael felt as if he knew him as soon as he set eyes on him, but it was not till the pipe was out of his mouth that he saw who he was. He had been ascribing to the weight or pressure of the pipe the face-twist which, when it was removed, showed as a slight distortion. It was the man he had seen twice, once in the garden he had just left, and once at Sapps Court. Michael considered that he was entitled to a gratuity from this man, having interpreted his language as a promise to that effect, and having received nothing so far.

He was not a diffident or timid character, as we know. "Seen you afore, guv'nor!" was his greeting.

The man gave a start, breaking his pipe in three pieces, but getting no farther than the first letter of an oath of irritation at the accident. "What boy's this?" he cried out, with an earnestness nothing visible warranted.

"Lard's mercy, Mr. Wix!" exclaimed the mistress of the house, turning round from the compounding of the half-and-half. "What a turn you giv'! And along of nothing but little Micky from Mrs. Treadwell next door! Which most, Micky? Ale or stout?"

"Most of whichever costis most," answered Michael, with simplicity. Thereon he felt himself taken by the arm, and turning, saw the man's face looking close at him. It was the sort of face that makes the end of a dream a discomfort to the awakener.

"Now, you young beggar!—where have you seen me afore? I ain't going to hurt you. You tell up straight and tell the truth."

"Not onlest you leave hold of my arm!"

"You do like he says, Mr. Wix.... Now you tell Mr. Wix, Micky. He won't hurt you." Thus Miss Julia, procuring liberty for the hand to receive the half-and-half she was balancing its foam on.

Michael rubbed the arm with his free hand as he took the brown jug, to express resentment in moderation. But he answered his questioner:—"Round in Sappses Court beyont the Dials acrost Oxford Street keepin' to your left off Tottenham Court Road. You come to see for a widder, and there warn't no widder for yer. Mean to say there was?"

"Where I sent you, Mr. Wix," said Miss Julia. "To Sapps Court, where Mrs. Treadwell directed me—where her nephew lives. That's this boy's father. You'll find that right."

"Your Mrs. Treadmill, she's all right. Sapps Court's all right of itself. But it ain't the Court I was tracking out. If it was, they'd have known the name of Daverill. Why—the place ain't no bigger than a prison yard! About the length of down your back-garden to the water's edge. It's the wrong Court, and there you have it in a word. She's in Capps Court or Gapps Court—some * * * of a Court or other—not Sapps." A metaphor has to be omitted here, as it might give offence. It was not really a well-chosen or appropriate one, and is no loss to the text. "What's this boy's name, and no lies?" he added after muttering to himself on the same lines volcanically.

"How often do you want to be told that, Mr. Wix? This boy's Micky Rackstraw, lives with his grandmother next door.... Well—her sister then! It's all as one. Ain't you, Micky?"

"Ah! Don't live there, though. Comes easy-like, now and again. Like the noospapers."

"He's a young liar, then. Told me his name was Ikey." Miss Hawkins pointed out that Ikey and Micky were substantially identical. But she was unable to make the same claim for Rackstraw and Ekins, when told that Micky had laid claim to the latter. She waived the point and conducted the beer-bearer back the way he came, handing him the brown jug over the wall, not to spill it.

But she suggested, in consideration of the high quality of the half-and-half, that her next-door neighbour might oblige by stepping in by the private entrance, to speak concerning Sapps Court and its inhabitants; all known to her more or less, no doubt. Which Aunt Elizabeth was glad to do, seeing that the cherry-tart was only just put in the oven, and she could spare that few minutes without risk.

Now, this old lady, though she was but a charwoman depending for professional engagements rather on the goodwill—for auld lang syne—of one or two families in Chiswick, of prodigious opulence in her eyes, yet was regarded by Sapps Court, when she visited her niece, Mrs. Rackstraw, or Ragstroar, Michael's mother, as distinctly superior. Aunt M'riar especially had been so much impressed with a grey shawl with fringes and a ready cule—spelt thus by repute—which she carried when she come of a Sunday, that she had not only asked her to tea, but had taken her to pay a visit to Mrs. Prichard upstairs. She had also in conversation taken Aunt Elizabeth Jane largely into her confidence about Mrs. Prichard, repeating, indeed, all she knew of her except what related to her convict husband. About that she kept an honourable silence.

It was creditable to Miss Juliarawkins, whose name—written as pronounced—gives us what we contend is an innocent pleasure, that she should have suspected the truth about Wix or Daverill's want of shrewdness when he visited Sapps Court. She had been biased towards this suspicion by the fact that the man, when he first referred to Sapps Court, had spoken the name as though sure of it; and it was to test its validity that she invited Aunt Elizabeth Jane round by the private door, and introduced her to the darkened bar, where the ex-convict was lighting another pipe. She had heard Mrs. Treadwell speak of Aunt M'riar; and now, having formed a true enough image of the area of the Court, had come to the conclusion that all its inhabitants would be acquainted, and would talk over each other's affairs.

"Who the Hell's that?" Mr. Wix started as if a wasp had stung him, as the old charwoman's knock came at the private entrance alongside of the bar. He seemed very sensitive, always on the watch for surprises.

"Only old Treadwell from next door. She ain't going to hurt you, Tom. You be easy." Miss Hawkins spoke with another manner as well as another name now that she and this man were alone. She may never possibly have known his own proper name, he having been introduced to her as Thomas Wix twenty years ago. An introduction with a sequel which scarcely comes into the story.

His answer was beginning:—"It's easy to say be easy ..." when the woman left the room to admit Aunt Elizabeth Jane. Who came in finishing the drying of hands, suddenly washed, on a clean Sunday apron. "Lawsy me, Miss Hawkins!" said she. "I didn't know you had anybody here."

It was not difficult to entamer the conversation. After a short interlude about the weather, to which the man's contribution was a grunt at most, the old lady had been started on the subject of her nephew and Sapps Court, and to this he gave attention. If she had had her tortoiseshell glasses she might have been frightened by the way he knitted his brows to listen. But she had left them behind in her hurry, and he kept back in a dark corner.

"About this same aged widow body," said he, fixing the conversation to the point that interested him. "What sort of an age now should you give her? Eighty—ninety—ninety-five—ninety-nine?" He stopped short of a hundred. Nobody one knows is a hundred. Centenarians are only in newspapers.

"I can tell you her age from her lips, mister. Eighty-one next birthday. And her name, Maisie Prichard."

Mr. Wix's attention deepened, and his scowl with it. "Now, can you make that safe to go upon?" he said with a harsh stress on a voice already harsh. "How came the old lady to say her own christened name? I'll pound it I might talk to you most of the day and never know your first name. Old folks they half forget 'em as often as not."

Miss Hawkins struck in:—"Now you're talking silly, Mr. Wix. How many young folk tell you their christened names right off?" But she had got on weak ground. She got off it again discreetly. "Anyhow, Mrs. Treadwell she's inventing nothing, having no call to." She turned to Aunt Elizabeth Jane with the question:—"How come she to happen to mention the name, ma'am?"

"Just as you or I might, Miss Julia. Mrs. Wardle she said, 'I was remarking of it to Mrs. Treadwell,' she said, 'only just afore we come upstairs, ma'am,' she said, 'that you was one of twins, ma'am,' she said. And then old Mrs. Prichard she says, 'Ay, to be sure,' she says, 'twins we were—Maisie and Phoebe. Forty-five years ago she died, Phoebe did,' she says. 'And I've never forgotten Phoebe,' she says. 'Nor yet I shan't forget Phoebe not if I live to be a hundred!'"

"Goard blind my soul!" Mr. Wix muttered this to himself, and though Aunt Elizabeth Jane failed to catch the words, she shuddered at the manner of them. She did not like this Mr. Wix, and wished she had not forgotten her tortoiseshell spectacles, so as to see better what he was like. The words she heard him say next had nothing in them to cause a shudder, though the manner of them showed vexation:—"If that ain't tryin' to a man's temper! There she was all the time!" It is true he qualified this last substantive by the adjective the story so often has to leave out, but it was not very uncommon in those days along the riverside between Fulham and Kew.

"I thought you said the name was Daverill," said Miss Hawkins, taking the opportunity to release a curl-paper at a looking-glass behind bottles. It was just upon time to open, and the barmaid had got her Sunday out.

"Why the Hell shouldn't the name be Daverill? In course I did! Ask your pardon for swearing, missis...." This was to the visitor, who had begun to want to go. "You'll excuse my naming to you all my reasons, but I'll just mention this one, not to be misunderstood. This here old lady's a sort of old friend of mine, and when I came back from abroad I says to myself I'd like to look up old Mrs. Daverill. So I make inquiry, you see, and my man he tells me—he was an old mate of mine, you see—she's gone to live at Sevenoaks—do you see?—at Sevenoaks...."

"Ah, I see! I've been at Sevenoaks."

"Well—there she had been and gone away to town again. Then says I, 'What's her address?' So they told me they didn't know, it was so long agone. But the old woman—her name was Killick, or Forbes was it?—no, Killick—remembered directing on a letter to Mrs. Daverill, Sapps Court. And Juliar here she said she'd heard tell of Sapps Court. So I hunted the place up and found it. Then your Mrs. Wardle's husband—I take it he was Moses Wardle the heavyweight in my young days—he put me off the scent because of the name. The only way to make Prichard of her I can see is—she married again. Well—did no one ever hear of an old fool that got married again?"

"That's nothing," said Miss Hawkins. "They'll marry again with the rattle in their throats."

That tart was in the oven, and had to be remembered. Or else Aunt Elizabeth Jane wanted to see no more of Mr. Wix. "I must be running back to my cooking," said she. "But if this gentleman goes again to find out Sappses, he's only got to ask for my niece at Number One, or Mrs. Wardle at Number Seven, and he'll find Mrs. Prichard easy." She did not speak directly to the man, and he for his part noticed her departure very slightly, giving it a fraction of a grunt he wanted the rest of later.

Nor did Aunt Elizabeth Jane seem in a great hurry to get away when Miss Hawkins had seen her to the door. She lingered a moment to refer to Aunt's M'riar's talk of Widow Prichard. Certainly Mrs. Wardle at Number Seven she said nothing of any second marriage, and thought Prichard was the name of the old lady's first husband, who had died in Van Diemen's Land. Miss Julia paid very little attention. What business of hers was Widow Prichard? She was much more interested in a couple of policemen walking along the lane. Not a very common spectacle in that retired thoroughfare! Also, instead of following on along the riverside road it opened into, they both wheeled right-about-face and came back.

Miss Julia, taking down a shutter to reinstate The Pigeons as a tavern open to customers, noted that the faces of these two were strange to her. Also that they passed her with the barest good-morning, forbiddingly. The police generally cultivate intercourse with public-house keepers of every sort, but when one happens to be a lady with ringlets especially so; even should her complexion be partly due to correctives, to amalgamate a blotchiness. These officers overdid their indifference, and it attracted Miss Julia's attention.

Aunt Elizabeth Jane thought at the time she might have mistaken what she heard one of them say to the other. For, of course, she passed them close. The words she heard seemed to be:—"That will be Hawkins." Something in them rang false with her concept of the situation. But there was the cherry-tart to be seen to, and some peas to boil. Only not the whole lot at once for only her and Michael! As for that boy, she had sent him off to the baker's, the minute he came back, to wait till the bit of the best end of the neck was sure to be quite done, and bring it away directly minute.

* * * * *

That day there was an unusually high spring-tide on the river, and presumably elsewhere; only that did not concern Hammersmith, which ascribed the tides to local impulses inherent in the Thames. Just after midday the water was all but up to the necks of the piers of Hammersmith Bridge, and the island at Chiswick was nearly submerged. Willows standing in lakes were recording the existence of towing-paths no longer able to speak for themselves, and the insolent plash of ripples over wharves that had always thought themselves above that sort of thing seemed to say:—"Thus far will I come, and a little farther for that matter." Father Thames never quite touched the landing of the boat-ladder, at the end of the garden at The Pigeons, but he went within six inches of it.

"The water wasn't like you see it now, that day," said a man in the stern of a boat that was hanging about off the garden. "All of five foot lower down, I should figure it. He didn't want no help to get up—not he!"

"It was a tidy jump up, any way you put it," said the stroke oar.

"Well—he could have done it! But he was aiming to help his man to a seat in the boat, not to get a lift up for himself. I've not a word to say against Toby Ibbetson, mind you! He took an advantage some wouldn't, maybe. And then it's how you look at it, when all's done. You know what Daverill was wanted for?" Oh yes—both oars knew that. "I call to mind the place—knew it well enough. Out near Waltham Abbey. Lonely sort of spot.... Yes—the girl died. Not before she'd had time to swear to the twist in his face. He had been seen and identified none so far off an hour before. Quite a young girl. Father cut his throat. So would you. Thought he ought to have seen the girl safe home. So he ought. Ain't that our man's whistle?" The boat, slowly worked in towards The Pigeons, lays to a few strokes off on the slack water. The tide's mandate to stop has come. The sergeant is waiting for a second whistle to act.

Inside the tavern the woman has closed the street-door abruptly—has given the alarm. "There's two in the lane!" she gasps. "Be sharp, Tom!"

"Through the garden?" he says. "Run out to see."

She is back almost before the door she opens has swung to. "It's all up, Tom," she cries. "There's the boat!"

"Stand clear, Juli-ar!" he says. "I'll have a look at your roof. Needn't say I'm at home. Where's the key?"

"I'll give it you. You go up!" She forgets something, though, in her hurry. His pipe remains on the table where he left it smoking, lying across the unemptied pewter. He forgets it, too, though he follows her deliberately enough. Recollection and emergency rarely shake hands.

She meets him on the stairs coming down from the room where the paralysed man lies, hearing but little, seeing only the walls and the ceiling. "It's on the corner of the chimney-piece," she says. "He's asleep." Daverill passes her, and just as he reaches the door remembers the pipe. It would be fatal to call out with that single knock at the house-door below. Too late!

She still forgets that pipe, and only waits to be sure he is through, to open the door to the knocker. By the time she does so he has found the key and passed through the dormer door that gives on the leads. The paralysed man has not moved. Moreover, he cannot see the short ladder that leads to the exit. It is on his dead side.

"You've a party here that's wanted, missis. Name of Wix or Daverill. Man about five-and-forty. Dark hair and light eyes. Side-draw on the mouth. Goes with a lurch. Two upper front eye-teeth missing. Carries a gold hunting-watch on a steel chain. Wears opal ring of apparent value. Stammers slightly." So the police-officer reads from his warrant or instructions, which he offers to show to Miss Hawkins, who scarcely glances at it.

Who so surprised and plausible as she? Why—her father is the only man in the house, and him on his back this fifteen years or more! What's more, he doesn't wear an opal ring. Nor any ring at all, for that matter! But come in and see. Look all over the house if desired. She won't stand in the way.

"Our instruction is to search," says the officer. He looks like a sub-inspector, and is evidently what a malefactor would consider a "bad man" to have anything to do with. Miss Hawkins knows that her right of sanctuary, if any, is a feeble claim, probably overruled by some police regulation; and invites the officers into the house, almost too demonstratively. Just then she suddenly recollects that pipe.

"You can find your way in, mister," she says; and goes through to the bar. The moment she does so the officer shows alacrity.

"Keep an eye to that cellar-flap, Jacomb," he says to his mate, and follows the lady of the house. He is only just in time. "Is that your father's pipe?" he asks. In another moment she would have hidden it.

"Which pipe?—oh, this pipe?—this pipe ain't nothing. Left stood overnight, I suppose." And she paused to think of the best means of getting the pipe suppressed. There was no open grate in the bar to throw it behind. She was a poor liar, too, and was losing her head.

"Give me hold a quarter of a minute," says the officer. She cannot refuse to give the pipe up. "Someone's had a whiff off this pipe since closing-time last night," he continues, touching the still warm bowl; for all this had passed very quickly. And he actually puts the pipe to his lips, and in two or three draws works up its lingering spark. "A good mouthful of smoke," says he, blowing it out in a cloud.

"You can look where you like," mutters the woman sullenly. "There's no man for you. Only you won't want to disturb my father. He's only just fell asleep."

"He'll be sleeping pretty sound after fifteen year." Thus the officer, and the unhappy woman felt she had indeed made a complete mess of the case. "Which is his room now, ma'am? We'll go there first."

Up the stairs and past a window looking on the garden. The day is hot beneath the July sun, and the two men in uniform who are coming up the so-called garden, or rather gravelled yard, behind The Pigeons, are mopping the sweat from their brows. They might have been customers from the river, but Miss Hawkins knows the look of them too well for that. The house is surrounded—watched back and front. Escape is hopeless, successful concealment the only chance.

"Been on his back like that for fifteen years, has he?" So says the officer looking at the prostrate figure of the old man on the couch. He is not asleep now—far from it. His mouth begins to move, uttering jargon. His one living eye has light in it. There is something he wants to say and struggles for in vain. "Can't make much out of that," is the verdict of his male hearer. His daughter can say that he is asking his visitor's name and what he wants. He can understand when spoken to, she says. But the intruder is pointing at the door leading to the roof. "Where does that go to?" he asks.

"Out on the tiles. I'll see for the key and let you through, if you'll stop a minute." It is the only good bit of acting she has done. Perhaps despair gives histrionic power. She sees a chance of deferring the breaking-down of that door, and who knows what may hang on a few minutes of successful delay? Before she goes she suggests again that the paralysed man will understand what is said to him if spoke to plain. Clearly, he who speaks plain to him will do a good-natured act.

Whether the officer's motives are Samaritan or otherwise, he takes the hint. As the woman gets out of hearing, he says:—"You are the master of this house, I take it?" And his hearer's crippled mouth half succeeds in its struggle for an emphatic assent. He continues:—"In course you are. I'm Sub-Inspector Cardwell, N Division. There's a man concealed in your house I'm after. He's wanted.... Who is he?"—a right guess of an unintelligible question—"You mean what name does he go by? Well—his name's Daverill, but he's called Thornton or Wix as may be. P'r'aps you know him, sir?" Whether or no, the name has had effect electrically on its hearer, who struggles frantically—painfully—hopelessly for speech. The officer says commiseratingly:—"Poor devil!—he's quite off his jaw"; and then, going to the open window, calls out to his mates of the river-service, below in the garden:—"Keep an eye on the roof, boys."

Then he goes out on the stair-landing. That woman is too long away—it is out of all reason. As he passes the paralytic man, he notes that he seems to be struggling violently for something—either to speak or to rise. He cannot tell which, and he does best to hasten the return of the woman who can.

Out on the landing, Miss Hawkins, who has not been looking for keys, but supplying her first Sunday customers in their own jugs, protests that she has fairly turned the house over in her key-hunt—all in vain! Her interest seems vivid that these police shall not be kept off her roof. She suggests that a builder's yard in the Kew Road will furnish a ladder long enough to reach the roof. "Shut on Sunday!" says Sub-Inspector Cardwell conclusively. Then let someone who knows how be summoned to pick the lock. By all means, if such a person is at hand. But no trade will come out Sunday, except the turn-cock, obviously useless. That is the verdict. "You'll never be for breaking down the door, Mr. Inspector, with my father there ill in the room!"—is the woman's appeal. "Not till we've looked everywhere else," is the reply. "I'll say that much. I'll see through the cupboards in the room, though. That won't hurt him."

Little did either of them anticipate what met their eyes as the door opened. There on the couch, no longer on his back, but sitting up and gasping for clearer speech, which he seemed to have achieved in part, was the paralysis-stricken man. The left hand, powerless no longer, was still uncertain of its purpose, and wavered in its ill-directed motion; the right, needed to raise him from his pillow, grasped the level moulding of the couch-back. Its fingers still showed a better colour than those of its fellow, which trembled and closed and reopened, as though to make trial of their new-found power. His eyes were fixed on this hand rather than on his daughter or the stranger. His knees jerked against the light bondage of a close dressing-gown, and his right foot was striving to lift or help the other down to the floor. Probably life was slower to return to it than to the hand, as the blood returns soonest to the finger-tips after frost. Only the face was quite changed from its seeming of but ten minutes back. The voice choked and stammered still, but speech came in the end, breaking out with a shout-burst:—"Stop—stop—stop!"

"Easy so—easy so!" says the police-officer, as the woman gives way to a fit of hysterical crying, more the breaking-point of nerve-tension than either joy or pain. "Easy so, master!—easy does it. Don't you be frightened. Plenty of time and to spare!"

The old man gets his foot to the floor, and his daughter, under no impulse of reason—mere nerve-paroxysm—runs to his side crying out:—"No, dear father! No, dear father! Lie down—lie down!" She is trying to force him back to his pillow, while he chokes out something he finds it harder to say than "Stop—stop!" which still comes at intervals.

"I should make it easy for him, Miss Hawkins, if I was in your place. Let the old gentleman please himself." Thus the officer, whose sedateness of manner acts beneficially. She accepts the suggestion, standing back from her father with a stupid, bewildered gaze, between him and the exit to the roof. "Give him time," says Sub-Inspector Cardwell.

He takes the time, and his speech dies down. But he can move that hand better now—may make its action serve for speech. Slowly he raises it and points—points straight at his daughter. He wants her help—is that it? She thinks so, but when she acts on the impulse he repels her, feebly shouting out: "No—no—no!"

"Come out from between him and the clock, missis," says the officer, thinking he has caught a word right, and that a clock near the door is what the old man points at. "He thinks it's six o'clock."

But the word was not six. The daughter moves aside, and yet the finger points. "It's nowhere near six, father dear!" she says. "Not one o'clock yet!" But still the finger points. And now a wave of clearer articulation overcomes a sibilant that has been the worst enemy of speech, and leaves the tongue free. "Wix!" That's the word.

"Got it!" exclaims the officer, and the woman with a shriek falls insensible. He takes little notice of her, but whistles for his mate below—a peculiar whistle. It brings the man who was keeping watch in the lane. "Got him all right," says his principal. "Out here on the tiles. That's your meaning, I take it, Mr. Hawkins?" The old man nods repeatedly. "And he's took the key out with him and locked to the door. That's it, is it?" More nods, and then the officer mounts the short ladder and knocks hard upon the door. He speaks to the silence on the other side. "You've been seen, Mr. Wix. It's a pity to spoil a good lock. You've got the key. We can wait a bit. Don't hurry!"

Footsteps on the roof, and a shout from the garden below! He is seen now—no doubt of it—whatever he was before. What is that they are calling from the garden? "He's got a loose tile. Look out!"

"Don't give him a chance to aim with it," says Jacomb below to his chief on the ladder. Who replies:—"He's bound to get half a chance. Keep your eyes open!" A thing to be done, certainly, with that key sounding in the lock.

The officer Cardwell only waited to hear it turn to throw his full weight on the door, which opened outwards. He scarcely waited for the back-click to show that the door, which had no hasp or clutch beyond the key-service, was free on its hinges. Nevertheless, he was not so quick but that the man beyond was quicker, springing back sharp on the turn of his own hand. Cardwell stumbled as the door gave, unexpectedly easily, and nearly fell his length on the leads.

Jacomb, on the second rung of the step-ladder, feels the wind of a missile that all but touches his head. He does not look round to see what it strikes, but he hears a cry; man or woman, or both. In front of him is his principal, on his legs again, grasping the wrist of the right hand that threw the tile, while his own is on its owner's throat.

"All right—all right!" says Mr. Wix. "You can stow it now. I could have given you that tile under your left ear. But the right man's got the benefit. You may just as well keep the snitchers for when I'm down. There's no such * * * hurry." Nevertheless, the eyes of both officers are keen upon him as he descends the ladder under sufferance.

On the floor below, beside the bed he lay on through so many weary years, lies Miss Julia's old father, stunned or dead. Her own insensibility has passed, but has left her in bewilderment, dizzy and confused, as she kneels over him and tries for a sign of life in vain. At the ladder-foot the officers have fitted their prisoner with handcuffs; and then Cardwell, leaving him, goes to lift the old man back to his couch. But first he calls from the window:—"Got him all right! Fetch the nearest doctor."

Through the short interval between this and Daverill's removal, words came from him which may bring the story home or explain it if events have not done so already. "The old * * * has got his allowance. He won't ask for no more. Who was he, to be meddling? You was old enough in all conscience, July-ar!" His pronunciation of her name has a hint of a sneer in it—a sneer at the woman he victimised, some time in the interval between his desertion of his wife and his final error of judgment—dabbling in burglary. She might have been spared insult; for whatever her other faults were, want of affection for her betrayer was not among them, or she would not have run the risks of concealing him from the police.

Her paralytic father's sudden reanimation under stress of excitement was, of course, an exceptionally well-marked instance of a phenomenon well enough known to pathologists. It had come within his power to avenge the wrong done to his daughter, and never forgiven by him. Whether the officers would have broken down the door, if he had not seized his opportunity, may be uncertain, but there can be no doubt that the operative cause of Daverill's capture was his recovery of vital force under the stimulus of excitement at the amazing chance offered him of bringing it about.

The affair made so little noise that only a very few Sunday loiterers witnessed what was visible of it in the lane, which was indeed little more than the unusual presence of two policemen. Then, after a surgeon had been found and had attended to the injured man, it leaked out that a malefactor had been apprehended at The Pigeons and taken away in the police-boat to the Station lower down the river.

That singular couple, Michael Ragstroar and his great-aunt, had got to the cherry-tart before a passing neighbour, looking in at their window, acquainted them what had happened. If after Michael come from the bake-'us with the meat, which kep' hot stood under its cover in the sun all of five minutes and no one any the worse, while the old lady boiled a potato—if Michael had not been preoccupied with a puppy in this interim, he might easy have seen the culprit took away in the boat. He regretted his loss; but his aunt, from whom we borrow a word now and then, pointed out to him that we must not expect everything in this world. Also the many blessings that had been vouchsafed to him by a Creator who had his best interests at heart. Had he not vouchsafed him a puppy?—on lease certainly; but he would find that puppy here next time he visited Hammersmith, possibly firmer in his gait and nothing like so round over the stomach. And there was the cherry-tart, and the crust had rose beautiful.

Michael got home very late, and was professionally engaged all the week with his father. He saw town, but nothing of his neighbours, returning always towards midnight intensely ready for bed. By the time he chanced across our friend Dave on the following Saturday, other scenes of London Life had obscured his memory of that interview at The Pigeons and its sequel. So, as it happened, Sapps Court heard nothing about either.

The death of Miss Hawkins's father, a month later, did not add a contemptible manslaughter to Thornton Daverill's black list of crimes. For the surgeon who attended him—while admitting to her privately that, of course, it was the blow on the temple that brought about the cause of death—denied that it was itself the cause; a nice distinction. But it seemed needless to add to the score of a criminal with enough to his credit to hang him twice over; especially when an Inquest could be avoided by accommodation with Medical Jurisprudence. So the surgeon, at the earnest request of the dead man's daughter, made out a certificate of death from something that sounded plausible, and might just as well have been cessation of life. It was nobody's business to criticize it, and nobody did.



CHAPTER XV

THE BEER AT THE KING'S ARMS. HOW UNCLE MO READ THE STAR, LIKE A CHALDEAN, AND BROKE HIS SPECTACLES. HOW THE STAR TOLD OF A CONVICT'S ESCAPE FROM A JUG. HOW AUNT M'RIAR OVERHEARD THE NAME "DAVERILL," AND WAS QUITE UPSET-LIKE. HER DEGREES AND DATES OF INFORMATION ABOUT THIS MAN AND HIS ANTECEDENTS. UNCLE MO'S IGNORANCE ABOUT HERS. HOW SHE DID NOT GIVE THE STAR TO MRS. BURR INTACT

The unwelcome visitor who, in the phrase of Uncle Mo, had made Sapps Court stink—a thing outside the experience of its inhabitants—bade fair to be forgotten altogether. Michael, the only connecting link between the two, had all memory of the Hammersmith arrest quite knocked out of his head a few days later by a greater incident—his father having been arrested and fined for an assault on a competitor in business, with an empty sack. It was entirely owing to the quality of the beer at the King's Arms that Mr. Rackstraw lost his temper.

But Daverill's corruption of the Court's pure air was not destined to oblivion. It was revived by the merest accident; the merest, that is, up to that date. There have been many merer ones since, unless the phrase has been incorrectly used in recent literature.

One day in July, when Uncle Moses was enjoying his afternoon pipe with his old friend Affability Bob, or Jerry Alibone, and reading one of the new penny papers—it was the one called the Morning Star, now no more—he let his spectacles fall when polishing them; and, rashly searching for them, broke both glasses past all redemption. He was much annoyed, seeing that he was in the middle of a sensational account of the escape of a prisoner from Coldbath Fields house of detention; a gaol commonly known the "The Jug." It was a daring business, and Uncle Mo had just been at the full of his enjoyment of it when the accident happened.

"Have you never another pair, Mo?" said Mr. Alibone. And Uncle Mo called out to Aunt M'riar:—"M'riar!—just take a look round and see for them old glasses upstairs. I've stood down on mine, and as good as spiled 'em. Look alive!" For, you see, he was all on end to know how this prisoner, who had been put in irons for violence, and somehow got free and overpowered a gaoler who came alone into his cell, had contrived his final escape from the prison.

Mr. Alibone was always ready to deserve his name of Affability Bob. "Give me hold of the paper, Mo," said he. "Where was you?... Oh yes—here we are!... 'almost unparalleled audacity.' ... I'll go on there." For Uncle Mo had read some aloud, and Mr. Alibone he wanted to know too, to say the truth. And he really was a lot better scollard than Mo—when it came to readin' out loud—and tackled "unparalleled" as if it was just nothing at all; it being the word that brought Moses up short; and, indeed, Aunt M'riar, whom we quote, had heard him wrestling with it through the door, and considered it responsible for the accident. Anyhow, Mr. Jerry was equal to it, and read the remainder of the paragraph so you could hear every word.