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"What sort of a name does this here archway go by?" said he, without acute curiosity.
"That's Sappses Court," said the creature, remaining inverted. "Say it ain't?" He appeared to identify the uniform he was addressing, and added:—"There ain't a fire down that Court, 'cos I knows and I'm a telling of yer. You'd best hook it." The uniform hooked nothing. Then, in spite of the creature—who proved, right-side-up, to be Michael Ragstroar—shouting after him—"You ain't wanted down that Court!" he entered it deliberately, whistling a song then popular, whose singer wished he was with Nancy, he did, he did, in a second floor, with a small back-door, to live and die with Nancy.
Having identified Sapps, he seemed to know quite well which house he wanted, for he went straight to the end and knocked at No. 7.
"Sakes alive!" said Aunt M'riar, responsive to the knock. "There's no fire here."
"I'm off duty," said the fireman briefly. "I've come to tell you about your young customer at the Hospital."
Aunt M'riar behaved heroically. There was only, to her thinking, one chance in ten that this strange, inexplicable messenger should have brought any other news to their house than that of its darling's death; but that one chance was enough to make her choke back a scream, lest Uncle Mo should have one moment of needless despair. And else—it shot across her mind in a second—might not a sudden escape from despair even be fatal to that weak heart of his? So Aunt M'riar pulled to the door behind her to say, with an effort:—"Is he dead?" The universe swam about outside while she stood still, and something hummed in her head. But through it she heard the fireman say:—"Not he!" as of one endowed with a great vitality, one who would take a deal of killing. When he added:—"He's spoke," though she believed her ears certainly, for she ran back into the kitchen crying out:—"He's spoke, Mo, he's spoke!" she did it with a misgiving that the only interpretation she could see her way to must be wrong—was altogether too good to be true.
Uncle Mo fairly shouted with joy, and this time woke Dolly, who thought it was a calamity, and wept. Fully five minutes of incoherent rejoicing followed, and then details might be rounded off. The fireman had to stand by his engine on the night-shift in an hour's time, but he saw his way to a pipe, and lit it.
"They're always interested to hear the ending-up of things at the Station," said he, to account for himself and his presence, "and I made it convenient to call round at the Ward. The party that took the child from me happened to be there, and knew me again." He, of course—but you would guess this—was Peter Jackson of Engine 67A. He continued:—"The party was so obliging as to take me into the Ward to the bedside. And it was while I was there the little chap began talking. The party asked me to step in and mention it to you, ma'am, or his uncle, seeing it was in my road to the Station." Then Peter Jackson seemed to feel his words needed extenuation or revision. "Not but I would have gone a bit out of the way, for that matter!" said he.
"'Twouldn't be any use my looking round now, I suppose?" said Uncle Mo. Because he always was that restless and fidgety.
"Wait till to-morrow, they said, the party and the nurse. By reason the child might talk a bit and then get some healthy sleep. What he's had these few days latterly don't seem to count." Thus Peter Jackson, and Uncle Moses said he had seen the like. And then all three of them made the place smokier and smokier you could hardly make out across the room.
"Mo's an impatient old cock, you see!" said Mr. Alibone, who seemed to understand Peter Jackson, and vice versa. And Uncle Mo said:—"I suppose I shall have to mark time." To which the others replied that was about it.
"Only whatever did the young child say, mister?" said Aunt M'riar; like a woman's curiosity, to know. But those other two, they was curious underneath-like; only denied it.
"I couldn't charge my memory for certain, ma'am," said Peter Jackson, "and might very easy be wrong." He appeared to shrink from the responsibility of making a report, but all his hearers were agreed that there was no call to cut things so very fine as all that. A rough outline would meet the case.
"If it ran to nonsense in a child," said Uncle Mo—"after all, what odds?" And Aunt M'riar said:—"Meanin' slips through the words sometimes, and no fault to find." She had not read "Rabbi Ben Ezra," so this was original.
Peter Jackson endeavoured to charge his memory, or perhaps more properly, to discharge it. Dave had said first thing when he opened his eyes:—"The worty will be all over the hedge. Let me go to stop the worty." Of course, this had been quite unintelligible to his hearers. However, Mr. Alibone and Uncle Mo were au fait enough of the engineering scheme that had led to the accident, to supply the explanation. Dave's responsibility as head engineer had been on his conscience all through his spell of insensibility, and had been the earliest roused matter of thought when the light began to break.
Besides, it so chanced that testimony was forthcoming to support this view and confirm Dave's sanity. Dolly, who had been awakened by the noise, had heard enough to convey to her small mind that something pleasant had transpired in relation to Dave. Though young, she had a certain decision of character. Her behaviour was lawless, but not unnatural. She climbed out of her wooden crib in Aunt M'riar's bedroom, and slipping furtively down the stair which led direct to the kitchen, succeeded in bounding on to the lap of her uncle; from which, once established, she knew it would be difficult for her aunt to dislodge her. She crowed with delight at the success of this escapade, and had the satisfaction of being, as it were, confirmed in her delinquency by her aunt wrapping a shawl round her. This was partly on the score of the cold draughts in such a high wind, partly as a measure of public decency. She was in time to endorse her uncle's explanation of Dave's speech intelligibly enough, with a due allowance of interpretation.
Closely reported, the substance of her commentary ran as follows—"Dave tooktited the mud when I fessed him the mud in my flock"—this was illustrated in a way that threatened to outrage a sensitive propriety, the speaker's aunt's—"and spooshed up the worty and spooshed up the worty"—this repetition had great value—"and spooshtited the worty back, and then there wasn't no more mud ... it was all fessed away in my flock ... All dorn!—ass, it was—all dorn!"—this was in a minor key, and thrilled with pathos—"and Dave dode to fess more where the new mud was, and was took to the Horsetickle and never come back no more ..." At this point it seemed best to lay stress upon the probable return of Dave, much to Dolly's satisfaction; though she would have been better pleased if a date had been fixed.
Our own belief is that Dolly thought the Horsetickle was an institution for the relief of sufferers from accidents occasioned by horses, and that no subsequent experience ever entirely dissipated this impression. The chances are that nine or ten of the small people one sees daily and thinks of as "the children," are laying up, even at this moment, some similar fancy that will last a lifetime. But this is neither here nor there.
What is more to the purpose is that a fortnight later Dave was brought home in a cab—the only cab that is recorded in History as having ever deliberately stood at the entrance to Sapps Court, with intent. Cabs may have stood there in connection with other doorways in the cul-de-sac, but ignoring proudly the archway with the iron post. Dave was carried down the Court by his uncle with great joy, and Michael Ragstroar seized the opportunity to tie himself somehow round the axle of the cab's backwheels, and get driven some distance free of charge.
Dave, as seen by Dolly on his return, was still painfully white, and could not walk. And Dolly might not come banging and smashing down on him like a little elephant, because it would hurt him; so she had to be good. The elephant simile was due to a lady—no doubt well-meaning—who accompanied Dave from the Hospital, and came more than once to see him afterwards. But it was taking a good deal on herself to decide what Dolly ought or ought not to do to Dave.
In those days slumming proper had not set in, and the East End was only known geographically, except, no doubt, to a few enthusiasts—the sort that antedates first discovery after the fact, and takes a vicious pleasure in precursing its successors. But unassuming benefactresses occurred at intervals whom outsiders knew broadly as Sisters of Charity. Such a one was this lady, between whom and Aunt M'riar a sympathetic friendship grew up before the latter discovered that Dave's hospital friend was an Earl's niece, which not unnaturally made her rather standoffish for a time. However, a remark of Mr. Alibone's—who seemed to know—that the lady's uncle was a belted Earl, and no mistake, palliated the Earldom and abated class prejudice. The Earl naturally went up in the esteem of the old prizefighter when it transpired that he was belted. What more could the most exacting ask?
But it was in the days when this lady was only "that party from the Hospital," that she took root at No. 7, Sapps Court. No. 7 was content that she should remain nameless; but when she said, in some affair of a message to be given at the Hospital, that its bearer was to ask for Sister Nora, it became impossible to ignore the name, although certainly it was a name that complicated matters. She remained, however, plain Sister Nora, without suspicion of any doubtful connections, until a scheme of a daring character took form—nothing less than that Dave should be taken into the country for change of air.
Uncle Mo was uneasy at the idea of Dave going away. Besides, he had always cherished the idea that the air of Sapps Court was equal to that of San Moritz, for instance. Look at what it was only a few years before Dave's father and mother first moved in, when it was all fields along the New Road—which has since been absurdly named Euston and Marylebone Road! Nothing ever come to change the air in Sapps Court that Uncle Mo knew of. And look at the wallflowers growing out in front the same as ever!
Uncle Mo, however, was not the man to allow his old-fashioned prejudices to stand in the way of the patient's convalescence, and an arrangement was made by Sister Nora that Dave should be taken charge of, for a while, by an old and trustworthy inhabitant of the Rocestershire village of which her uncle, the belted Earl, was the feudal lord and master, or slave and servant, according as you look at it. It was during the arrangement of this plan that his Earldom leaked out, creating serious misgivings in the minds of Uncle Mo and Aunt M'riar that they would be ill-advised if they allowed themselves to get mixed up with that sort of people.
CHAPTER V
OF DOLLY'S CRACKNELL BISCUIT, THAT SHE MISTOOK FOR DAVE. OF HER UNSEAWORTHY BOX, AND HER VISITS TO MRS. PRICHARD UPSTAIRS. HOW SHE HAD NEVER TOLD MRS. BURR A WORD ABOUT VAN DIEMEN'S LAND. CONCERNING IDOLATRY, AND THE LIABILITY OF TRYING ON TO TEMPER. UNCLE MO'S IDEAS OF PENAL SETTLEMENTS
They were sad days in Sapps Court after Sister Nora bore Dave away to Chorlton-under-Bradbury; particularly for Dolly, whose tears bathed her pillow at night, and diluted her bread-and-milk in the morning. There was something very touching about this little maid's weeping in her sleep, causing Aunt M'riar to give her a cracknell biscuit—to consume if possible; to hold in her sleeping hand as a rapture of possession, anyhow. Dolly accepted it, and contrived to enjoy it slowly without waking. What is more, she stopped crying; and my belief is, if you ask me, that sleep having deprived her of the power of drawing fine distinctions, she mistook this biscuit for Dave. Its caput mortuum was still clasped to her bosom when, deep unconsciousness merging all distinctions in unqualified existence, she was having her sleep out next day.
Dolly may have felt indignant and hurt at the audacious false promises of her uncle and aunt as to Dave's return. He had come home, certainly, but badly damaged. It was a sad disappointment; the little woman's first experience of perfidy. Her betrayers made a very poor show of their attempts at compensation—toys and suchlike. There was a great dignity in Dolly's attitude towards these contemptible offerings of a penitent conscience. She accepted them, certainly, but put them away in her bots to keep for Dave. Her box—if one has to spell it right—was an overgrown cardboard box with "Silk Twill" written on one end, and blue paper doors to fold over inside. It had been used as a boat, but condemned as unseaworthy as soon as Dolly could not sit in it to be pushed about, the gunwale having split open amidships. Let us hope this is right, nautically.
Considered as a safe for the storage of valuables, Dolly's box would have acquitted itself better if fair play had been shown to it. Its lid should have been left on long enough to produce an impression, and not pulled off at frequent intervals to exhibit its contents. No sooner was an addition made to these than Dolly would say, for instance, that she must s'ow Mrs. Picture upstairs the most recent acquisitions. Then she would insist on trying to carry it upstairs, but was not long enough in the arms, and Aunt M'riar had to do it for her in the end. Not, however, unwillingly, because it enabled her to give her mind to pinking or gauffering, or whatever other craft was then engaging her attention. We do not ourself know what pinking is, or gauffering; we have only heard them referred to. A vague impression haunts us that they fray out if not done careful. But this is probably valueless.
No doubt Dolly's visits upstairs in connection with this box were answerable for Aunt M'riar's having come to know a good deal about old Mrs. Prichard's—or, according to Dave and Dolly, Picture's—antecedents. A good deal, that is, when it came to be put together and liberally helped by inferences; but made up of very small deals—disjointed deals—in the form in which they were received by Aunt M'riar. As, for instance, on the occasion just referred to, shortly after Dave had gone on a visit to the tenant of the belted Earl, Uncle Mo having gone away for an hour, to spend it in the parlour of The Rising Sun, a truly respectable house where there were Skittles, and Knurr and Spell. He might, you see, be more than an hour: there was no saying for certain.
"I do take it most kind of you, ma'am," said Aunt M'riar for the fiftieth time, with departure in sight, "to keep an eye on the child. Some children nourishes a kind of ap'thy, not due to themselves, but constitutional in their systems, and one can leave alone without fear by reason of it. But Dolly is that busy and attentive, and will be up and doing, so one may easy spoil a tuck or stand down an iron too hot if called away sudden to see after the child."
The old woman seemed to Aunt M'riar to respond vaguely. She loved to have the little thing anigh her, and hear her clacket. "All my own family are dead and gone, barring one son," said she. And then added, without any consciousness of jarring ideas:—"He would be forty-five." Aunt M'riar tried in vain to think of some way of sympathizing, but was relieved from her self-imposed duty by the speaker continuing—"He was my youngest. Born at Macquarie Harbour in the old days. The boy was born up-country—yes, forty-five years agone."
"Not in England now, ma'am, I suppose," said Aunt M'riar, who could not see her way to anything else. The thought crossed her mind that, so far as she knew, no male visitor for the old tenant of the attics had so far entered the house.
The old woman shook her head slowly. "I could not say," she said. "I cannot tell you now if he be alive or dead." Then she became drowsy, as old age does when it has talked enough; so, as Aunt M'riar had plenty to see to, she took her leave, Dolly remaining in charge as per contract.
Aunt M'riar passed on these stray fragments of old Mrs. Prichard's autobiography to Uncle Mo when he came in from The Rising Sun. The old boy seemed roused to interest by the mention of Van Diemen's Land. "I call to mind," said he, "when I was a youngster, hearing tell of the convicts out in those parts, and how no decent man could live in the place. Hell on Earth, they did say, those that knew." Thereupon old Mrs. Prichard straightway became a problem to Aunt M'riar. If there were none but convicts in Van Diemen's Land, and all Mrs. Prichard's boys were born there, the only chance of the old woman not having been the mother of a convict's children lay in her having been possibly the wife of a gaoler, at the best. And yet—she was such a nice, pretty old thing! Was it conceivable?
Then in subsequent similar interviews Aunt M'riar, inquisitive-like, tried to get further information. But very little was forthcoming beyond the fact that Mrs. Prichard's husband was dead. What supported the convict theory was that his widow never referred to any relatives of his or her own. Mrs. Burr, her companion or concomitant—or at least fellow-lodger—was not uncommunicative, but knew "less than you might expect" about her. Aunt M'riar cultivated this good woman with an eye to information, holding her up—as the phrase is now—at the stairfoot and inveigling her to tea and gossip. She was a garrulous party when you come to know her, was Mrs. Burr; and indeed, short of intimacy, she might have produced the same impression on any person well within hearing.
"Times and again," said she in the course of one such conversation, which had turned on the mystery of Mrs. Prichard's antecedents, "have I thought she was going to let on about her belongings, and never so much as a word! Times and again have I felt my tongue in the roof of my mouth, for curiosity to think what she would say next. And there, will you believe me, missis?—it was no better than so much silence all said and done! Nor it wasn't for want of words, like one sits meanin' a great deal and when it comes to the describin' of it just nowhere! She was by way of keeping something back, and there was I sat waiting for it, and guess-working round like, speculating, you might say, to think what it might be when it come. Thank you, ma'am—not another cup!"
"There's more in the pot, ma'am," said Aunt M'riar, looking into it to see, near the paraffin lamp which smelt: they all did in those days. But Mrs. Burr had had three; and three does, mostly. If these excellent women's little inflections of speech, introduced thus casually, are puzzling, please supply inverted commas. Aunt M'riar organized the tea-tray to take away and wash up at the sink, after emptying saucer-superfluities into the slop-basin. Mrs. Burr referred to the advantages we enjoy as compared with our forbears, instancing especially our exemption from the worship of wooden images, Egyptian Idles—a spelling accommodated to meet an impression Mrs. Burr had derived from a Japanese Buddha—and suchlike, and Tea.
"However they did without it I cannot think," said she. "On'y, of course, not having to stitch, stitch, stitch from half-past six in the morning till bedtime made a difference." Her ideas of our ancestors were strongly affected by a copper-plate engraving in a print-shop window in Soho, even as idolatry had been presented to her by a Tea-Man and Grocer in Tottenham Court Road. It was Stothard's "Canterbury Pilgrims"—you know!—and consequently her moyen age had a falcon on its wrist, and a jester in attendance, invariably. "They was a good deal in the open air, and it tells," was her tribute to the memory of this plate. She developed the subject further, incidentally. "Tryin' on is a change, of course, but liable to temper, and vexatious when the party insists on letting out and no allowance of turn-over. The same if too short in front. What was I a-sayin'?... Oh, Mrs. Prichard—yes! You was inquiring, ma'am, about the length of time I had known her. Just four years this Christmas, now I think of it. Time enough and to spare to tell anything she liked—if she'd have liked. But you may take it from me, ma'am, on'y to go no further on any account, that Mrs. Prichard is not, as they say, free-spoke about her family, but on the contrary the contrairy." Mrs. Burr was unconsciously extending the powers of the English tongue, in varying one word's force by different accents.
Uncle Moses he cut in, being at home that time:—"Was you saying, ma'am, that the old widder-lady's husband had been a convict in Australia?"
Oh no!—Mrs. Burr had never got that far. So she testified. Aunt M'riar, speaking from the sink, where she was extracting out the tea-leaves from the pot, was for calling Uncle Moses over the coals. Anybody might soon be afraid to say anything, to have been running away with an idea like that. No one had ever said any such a thing. Indeed, the convict was entirely inferential, and had no foundation except in the fact that the old woman's son had been born at Macquarie Harbour. Uncle Mo's impression that Van Diemen's Land was a sort of plague-spot on the planet—the bacilli of the plague being convicted criminals—was no doubt too well grounded. But it was only a hearsay of youth, and even elderly men may now fail to grasp the way folk spoke and thought of those remote horrors, the Penal Settlements, in the early days of last century—a century with whose years those of Uncle Moses, after babyhood, ran nearly neck and neck. That fellow-creatures, turned t'other way up, were in Hell at the Antipodes, and that it was so far off it didn't matter—that was the way the thing presented itself, and supplied the excuse for forgetting all about it. Uncle Mo had "heard tell" of their existence; but then they belonged to the criminal classes, and he didn't. If people belonged to the criminal classes it was their own look out, and they must take the consequences.
So that when the old boy referred to this inferential convict as a presumptive fact, the meaning of his own words had little force for himself. Even if the old lady's husband had been a convicted felon, it was now long enough ago to enable him to think of him as he thought of the chain-gangs eight thousand miles off as the crow flies—or would fly if he could go straight; the nearest way round mounts up to twelve. Anyhow, there was no more in the story than would clothe the widowhood of the upstairs tenant with a dramatic interest.
So, as it appeared that Mrs. Prichard's few words to Aunt M'riar were more illuminating than anything Mrs. Burr had to tell, and they really amounted to very little when all was said and done, there was at least nothing in the convict story to cause misgivings of the fitness of the upstairs attic to supply a haven of security for Dolly, while her aunt went out foraging for provisions; or when, as we have seen sometimes happened, Dolly became troublesome from want of change, and kep' up a continual fidget for this or that, distrackin' your—that is, Aunt M'riar's—attention.
CHAPTER VI
PHOEBE AND THE SQUIRE'S SON. HER RUNAWAY MARRIAGE WITH HIM. HOW HE DABBLED IN FORGERY AND BURNED HIS FINGERS. OF A JUDGE WHO TOOK AFTER THE PSALMIST. VAN DIEMEN'S LAND, AND HOW PHOEBE GOT OUT THERE. HOW BOTH TWINS WERE PROVED DEAD BY IRRESISTIBLE EVIDENCE, EACH TO EACH. HOW THORNTON FORGOT THAT PHOEBE COULD NEVER BE LEGALLY HIS WIDOW. HOW HIS SON ACTED WELL UP TO HIS FATHER'S STANDARD OF IMMORALITY. MARRIAGE A MEANS TO AN END, BUT ONLY ONCE. AN ILL-STARRED BURGLARY. NORFOLK ISLAND. WHY BOTH MRS. DAVERILLS CHANGED THEIR NAMES
If this story should ever be retold by a skilful teller, his power of consecutive narrative and redisposition of crude facts in a better order will be sure to add an interest it can scarcely command in its present form. But it is best to make no pretence to niceties of construction, when a mere presentation of events is the object in view. The following circumstances in the life of old Mrs. Prichard constitute a case in point. The story might, so to speak, ask its reader's forgiveness for so sudden a break into the narrative. Consider that it has done so, and amend the tale should you ever retell it.
Maisie Runciman, born in the seventies of the previous century, and close upon eighty years of age at the time of this story, was the daughter of an Essex miller, who became a widower when she and her twin sister Phoebe were still quite children. His only other child, a son many years their senior, died not long after his mother, leaving them to the sole companionship of their father. He seems to have been a quarrelsome man, who had estranged himself from both his wife's relatives and his own. He also had that most unfortunate quality of holding his head high, as it is called; so high, in fact, that his twin girls found it difficult to associate with their village neighbours, and were driven back very much on their own resources for society. Their father's morose isolation was of his own choosing. He was, however, affectionate in a rough way to them, and their small household was peaceful and contented enough. The sisters, wrapped up in one another, as twins so often are, had no experience of any other condition of life, and thought it all right and the thing that should be.
All went well enough—without discord anyhow, however monotonously—until Maisie and Phoebe began to look a little like women; which happened, to say the truth, at least a year before their father consented to recognise the fact, and permit them to appear in the robes of maturity. About that time the young males of the neighbourhood became aware, each in his private heart, of an adoration cherished for one or other of the beautiful twins from early boyhood. Would-be lovers began to buzz about like flies when fruit ripens. If any one of these youths had any doubt about the intensity and immutability of his passion, it vanished when the girls announced official womanhood by appearing at church in the costume of their seniors. Some students of the mysterious phenomena of Love have held that man is the slave of millinery, and that women are to all intents and purposes their skirts. It is too delicate a question for hurried discussion in a narrative which is neither speculative nor philosophical, but historical. All that concerns its writer is that no sooner did the costume of the miller's daughters suggest that they would be eligible for the altar, than they grew so dear, so dear, that everything masculine and unattached was ambitious to be the jewel that trembled at their ear, or the girdle about their dainty, dainty waist.
The worst of it for these girls was that their likeness to one another outwent that of ordinary twinship. It resembled that of the stage where the same actor personates both Dromios; and their life was one perpetual Comedy of Errors. Current jest said that they themselves did not know which was which. But they did know, perfectly well, and had no misgivings whatever about becoming permanently confused; even when, having been dressed in different colours to facilitate distinction, they changed dresses and produced a climax of complication. Even this was not so bad as when Phoebe had a tiff with Maisie—a rare thing between twins—and Maisie avenged herself by pretending to be Phoebe, affecting that all the latter's protests of identity were malicious misrepresentation. Who could decide when they themselves were not of a tale? What settled the matter in the end was that Phoebe cried bitterly at being misrepresented, while Maisie was so ill-advised as not to do the same, and even made some parade of triumph. "Yow are Maisie. I heerd yow a-crowun'," said an old stone-dresser, who, with other mill-hands, was referred to for an opinion.
This was when they were quite young, before slight variations of experience had altered appearance and character to the point of making them distinguishable when seen side by side. Not, however, to the point of rendering impossible a trick each had played more than once on too importunate male acquaintances. What could be more disconcerting to the protestations of a rustic admirer than "Happen you fancy you are speaking to my sister Phoebe, sir?" from Maisie, or vice versa? It was absolutely impossible to nail either of these girls to her own identity, in the face of her denial of it in her sister's absence. Perhaps the only real confidence on the point that ever existed was their mother's, who knew the two babies apart—so she said—because one smelt of roses, the other of marjoram.
It may easily have been that the power of duping youth and shrewdness, as to which sister she really was, weighed too heavily with each of these girls in their assessment of the value of lovers' vows. And still more easily that—some three years later than the girlish jest related a page since—when Maisie, playing off this trick on a wild young son of the Squire's, was met by an indignant reproach for her attempted deception, she should have been touched by his earnestness and seeming insight into her inner soul, and that the incident should have become the cornerstone of a fatal passion for a damned scoundrel. "Oh, Maisie—Maisie!"—thus ran his protestation—"Dearest, best, sweetest of girls, how can you think to dupe me when your voice goes to my heart as no other voice ever can—ever will? How, when I know you for mine—mine alone—by touch, by sight, by hearing?" The poor child's innocent little fraud had been tried on a past-master in deception, and her own arrow glanced back to wound her, beyond cure perhaps. His duplicity was proved afterwards by the confession of his elder brother Ralph, a young man little better than himself, that the two girls had been the subject of a wager between them, which he had lost. This wager turned on which of the two should be first "successful" with one of the beautiful twins; and whether it showed only doubtful taste or infamous bad feeling depended on what interpretation was put on the word "success" by its perpetrators. A lenient one was possible so long as no worse came of it than that Thornton Daverill, the younger brother, became the accepted suitor of Maisie, and Ralph, the elder, the rejected one of Phoebe. Thornton's success was no doubt due in a great measure to Maisie's failure to mislead him about her identity, and Ralph's rejection possibly to the poor figure he cut when Phoebe played fast and loose with hers. That there was no truth or honour in Thornton's protestations to Maisie, or even honest loss of self-control under strong feeling, is evident from the fact that he told his brother as a good joke that his power of distinguishing between the girls was due to nothing more profound than that Maisie always gave him her hand to shake and Phoebe only her fingers. Possibly this test would only have held good in the case of men outside the family. It was connected with some minute sensitiveness of feeling towards that class, not perceptible by any other.
But in whatever sense Thornton and Maisie were trothplight, her father opposed their marriage, although it would no doubt have been a social elevation for the miller's daughter. It must be admitted that for once the inexorable parent may have been in the right. Tales had reached him, unhappily too late to prevent the formation of an acquaintance between the young squires and his daughters, of the profligacies—dissoluteness with women and at the gaming-table—of both these young men. And it is little wonder that he resolutely opposed the union of Thornton and Maisie—she a girl of nineteen!—at least until there was some sign of reform in the youth, some turning from his evil ways.
It was a sad thing for Maisie that her father's exclusiveness had created so many obstacles to the associations of his daughters with older women. No one had ever taken the place of a mother to them. It is rare enough for even a mother to speak explicitly to her daughter of what folk mean when they tell of the risks a girl runs who weds with a man like Thornton Daverill. But she may do so in such a way as to excite suspicion of the reality, and it is hard on motherless girls that they should not have this slender chance. A father can do nothing, and old fulminations of well-worn Scriptural jargon—hers was an adept in texts—had not even the force of their brutal plain speech. For to these girls the speech was not plain—it was only what Parson read in Church. That described and exhausted it.
The rest of the story follows naturally—too naturally—from the position shown in the above hasty sketch. Old Isaac Runciman's ill-temper, combined with an almost ludicrous want of tact, took the form of forbidding Thornton Daverill the house. The student of the art of dragging lovers asunder cannot be too mindful of the fact that the more they see of each other, the sooner they will be ripe for separation. If Maisie had been difficult to influence when her father contented himself with saying that he forbade the marriage ex cathedra paternae auctoritatis, she became absolutely intractable when, some time after, this authority went the length of interdicting communications. Secret interviews, about double the length of the public ones they supplanted, gave the indignant parent an excuse for locking the girl into her own room. All worked well for the purpose of a thoroughly unprincipled scoundrel. Thornton, who would probably have married Maisie if nothing but legal possession had been open to him, saw his way to the same advantages without the responsibilities of marriage, and jumped at them. Do not blame Maisie overmuch for her share of what came about. The step she consented to was one of which the full meaning could only be half known to a girl of her age and experience. And the man into whose hands it threw her past recovery was in her eyes the soul of honour and chivalry—ill-judging, if at all, from the influence of a too passionate adoration for herself. Conception of the degree and nature of his wickedness was probably impossible to her; and, indeed, may have been so still—however strange it may seem—to the very old lady whom, under the name of Mrs. Prichard, Dolly Wardle used to visit in Sapps Court, "Mrs. Picture in the topackest" being the nearest shot she was able to make at her description.
Whether it was so or not, this old, old woman was the very selfsame Maisie that sixty odd years before lent a too willing ear to the importunities of a traitor, masquerading with a purpose; and ultimately consented to a runaway marriage with him, he being alone responsible for the arrangement of it and the legality of the wedding. The most flimsy mise en scene of a mock ceremony was sufficient to dupe a simplicity like hers; and therein was enacted the wicked old tragedy possible only in a world like ours, which ignores the pledge of the strong to the weak, however clearly that pledge may be attested, unless the wording of it jumps with the formularies of a sanctioned legalism. A grievous wrong was perpetrated, which only the dishonesty of Themis permits; for an honest lawgiver's aim should be to find means of enforcing a sham marriage, all the more relentlessly in proportion to the victim's innocence and the audacity of the imposture.
The story of Maisie's after-life need hardly have been so terrible, on the supposition that the prayer "God, have mercy upon us!" is ever granted. Surely some of the stabs in store for her need not have gone to the knife-hilt. Much information is lacking to make the tale complete, but what follows is enough. Listen to it and fill in the blanks if you can—with surmise of alleviation, with interstices of hypothetical happiness—however little warrant the known facts of the case may carry with them.
Thornton Daverill was destined to bring down Nemesis on his head by touching Themis on a sensitive point—monetary integrity. Within five years, a curious skill which he possessed of simulating the handwriting of others, combined with a pressing want of ready money, led him to the commission of an act which turned out a great error in tactics, whatever place we assign it in morality. Morally, the forgery of a signature, especially if it be to bring about a diminution of cash in a well-filled pocket, is a mere peccadillo compared with the malversation of a young girl's life. Legally it is felony, and he who commits it may get as long a term of penal servitude as the murderer of whose guilt the jury is not confident up to hanging point.
The severity of the penal laws in the reign of George III. was due no doubt to a vindictiveness against the culprit which—in theory at any rate—is nowadays obsolete, legislation having for its object rather the discouragement of crime on the tapis than the meting out of their deserts to malefactors. In those days the indignation of a jury would rise to boiling-point in dealing with an offence against sacred Property, while its blood-heat would remain normal over the deception and ruin of a mere woman. Therefore the jury that tried Thornton Daverill for forging the signature of Isaac Runciman on the back of a promissory note found the accused guilty, and the judge inflicted the severest penalty but one that Law allows. For Thornton might have been hanged.
But neither judge nor jury seemed much interested in the convict's behaviour to the daughter of the man he had tried to swindle out of money. On the contrary, they jumped to the conclusion that his wife was morally his accomplice; and, indeed, if it had not been for her great beauty she would very likely have gone to the galleys too. There was, however, this difference between their positions, that the prosecution was dependent on her father's affidavit to prove that the signature was a forgery, and so long as only the man he hated was legally involved, he was to be relied on to adhere to his first disclaimer of it. Had Maisie been placed beside her husband in the dock, how easily her father might have procured the liberation of both by accepting his liability—changing his mind about the signature and discharging the amount claimed! If the continuance of the prosecution had depended on either payer or payee, this would have been the end of it. What the creditor—a usurer—wanted was his money, not revenge. Indeed, Thornton would never have been made the subject of a criminal indictment at his instance, except to put pressure on Isaac Runciman for payment for his daughter's sake.
The bringing of the case into Court created a new position. An accommodation that would have been easy enough at first—an excusable compounding of a felony—became impossible under the eyes of the Bench. And this more especially because one of the Judges of Assize who tried the case acquired an interest in Maisie analogous to the one King David took in the wife of Uriah the Hittite, and perceived the advantages he would derive if this forger and gambler was packed off to a life far worse than the death the astute monarch schemed for the great-hearted soldier who was serving him. Whether the two were lawfully man and wife made no difference to this Judge. Maisie's devotion to her scoundrel was the point his lordship's legal acumen was alive to, and he himself was scarcely King of Israel. One wonders sometimes—at least, the present writer has done so—what Bathsheba's feelings were on the occasion referred to. We can only surmise, and can do little more in the case of Maisie. The materials for the retelling of this story are very slight. Their source may be referred to later. For the moment it must be content with the bare facts.
This Bathsheba was able to say "Hands off!" to her King David, and also able—but Heaven knows how!—to keep up a correspondence with the worthless parallel of the Hittite throughout the period of his detention in an English gaol, or, it may be, on the river hulks, until his deportation in a convict ship to Sydney, from which place occasional letters reached her, which were probably as frequent as his opportunities of sending them, until, a considerable time later—perhaps as much as five years; dates are not easy to fix—one came saying that he expected shortly to be transferred to the new penal settlement in Van Diemen's Land.
At the beginning of last century the black hulks on the Thames and elsewhere were known and spoken of truly as "floating Hells." Any penal colony was in one point worse; he who went there left Hope behind, so far as his hopes were centred in his native land. For to return was Death.
After his transfer to Van Diemen's Land, no letter reached her for some months. Then came news that Thornton had benefited by the extraordinary fulness of the powers granted to the Governors of these penal settlements, who practically received the convicts on lease for the term of their service. They were, in fact, slaves. But this told well for Maisie's husband, whose father had been at school with the then supreme authority at Macquarie Harbour. This got him almost on his arrival a ticket-of-leave, by virtue of which he was free within the island during good behaviour. He soon contrived, by his superior education and manners, to get a foothold in a rough community, and saw his way to rising in the world, even to prosperity. In a very short time, said a later letter, he would save enough to pay Maisie's passage out, and then she could join him. The only redeeming trait the story shows of this man is his strange confidence that this girl, whom he had cruelly betrayed, would face all the terrors of a three-months' sea-voyage and travel, alone in a strange land, to become the slave and helpless dependent of a convict on ticket-of-leave.
She had returned to her father's house a year after the trial, her sister having threatened to leave it unless her father permitted her to do so, taking with her her two children; a very delicate little boy, born in the first year of her marriage, and a girl baby only four months old, which had come into the world eight months after its wretched parent's conviction. During this life at her father's the little boy died. He had been christened, after his father and uncle, Phoebe's rejected suitor—Ralph Thornton Daverill. The little girl she had baptized by the name of Ruth. This little Ruth she took with her, when, on Phoebe's marriage two years later, she went to live at the house of the new-married couple; and one would have said that the twins lived in even closer union than before, and that nothing could part them again.
It would have been a mistake. Within three years Maisie received a letter enclosing a draft on a London bank for more than her passage-money, naming an agent who would arrange for her in everything, and ending with a postscript:—"Come out at once." Shortly after, no change having been noticeable in her deportment, except, perhaps, an increased tenderness to her child and her sister, she vanished suddenly; leaving only a letter to Phoebe, full of contrition for her behaviour, but saying that her first duty was towards her husband. She had not dared to take with her her child, and it had been a bitter grief to her to forsake it, but she knew well that it would have been as great a bitterness to Phoebe to lose it, as she was herself childless at the time; and, indeed, her only consolation was that Phoebe would still continue to be, as it were, a second mother to "their child," which was the light in which each had always looked upon it.
Both of them seemed to have been under an impression that only one of two twins can ever become a mother. Whether there is any foundation for this, or whether it is a version of a not uncommon belief that twins are always childless, the story need not stop to inquire. It was falsified in this case by the birth of a son to Phoebe, en secondes noces, many years later. But this hardly touches the story, as this son died in his childhood. All that is needed to be known at present is that, as the result of Maisie's sudden disappearance, Phoebe was left in sole possession of her four-year-old daughter, to whose young mind it was a matter of indifference which of two almost indistinguishable identities she called by the name of mother. With a little encouragement she accepted the plenary title for the then childless woman to whom the name gave pleasure, and gradually forgot the mother who had deserted her; who, in the course of very little time, became the shadow of a name. All she knew then was that this mother had gone away in a ship; and, indeed, for months after little more was known to her aunt.
However, a brief letter did come from the ship, just starting for Sydney, and the next long-delayed one announced her arrival there, and how she had been met at the port by an agent who would make all arrangements for her further voyage. How this agency managed to get her through to Hobart Town in those days is a mystery, for there was no free immigration to the island till many years after, only transports from New South Wales being permitted to enter the port. She got there certainly, and was met by her husband at the ship. And well for her that it was so, for in those days no woman was safe by herself for an hour in that country.
It may seem wonderful that so vile a man should have set himself to consult the happiness of a woman towards whom he was under no obligation. But her letters to her sister showed that he did so; and those who have any experience of womanless lands men have to dwell in, whether or no, know that in such lands the market-value of a good sample is so far above rubies, that he who has one, and could not afford another if he lost the first, will be quite kind and nice and considerate to his treasure, in case King Solomon should come round, with all the crown-jewels to back him and his mother's valuation to encourage a high bid. Phoebe had for four or five years the satisfaction of receiving letters assuring her of her sister's happiness and of the extraordinary good fortune that had come to the reformed gambler and forger, whose prison-life had given him a distaste for crimes actively condemned by Society.
Among the items of news that these letters contained were the births of two boys. The elder was called Isaac after his grandfather at the urgent request of Maisie; but on condition that if another boy came he should be called Ralph Thornton, a repetition of the name of her first baby, which died in England. This is done commonly enough with a single name, but the duplication is exceptional. Whether the name was actually used for the younger child Phoebe never knew. Probably a letter was lost containing the information.
When Isaac Runciman died Phoebe wrote the news of his death to Maisie and received no reply from her. In its stead—that is to say, at about the time it would have been due—came a letter from Thornton Daverill announcing her sister's death in Australia. It was a brief, unsatisfying letter. Still, she hoped to receive more details, especially as she had followed her first letter, telling of her father's death, with another a fortnight later, giving fuller particulars of the occurrence. In due course came a second letter from her brother-in-law, professing contrition for the abruptness of his first, but excusing it on the ground that he was prostrated with grief at the time, and quite unable to write. He added very full and even dramatic particulars of her sister's death, giving her last message to her English relatives, and so forth.
But that sister was not dead. And herein follow the facts that have come to light of the means her husband employed to make her seem so, and of his motives for employing them.
To see these clearly you must keep in mind that Thornton was tied for life within the limits of the penal settlements. Maisie was free to go; with her it was merely a question of money. As time went on, her yearning to see her child and her twin-sister again grew and grew, and her appeals to her husband to allow her sometime to revisit England in accordance with his promise became every year more and more urgent. He would be quite a rich man soon—why should she not? Well—simply that she might not come back! That was his view, and we have to bear in mind that it would have been impossible for him to replace her, except from among female convicts assigned to settlers; nominally as servants, but actually as mates on hire—suppose we call them. One need not say much of this unhappy class; it is only mentioned to show that Thornton could have found no woman to take the place of the beautiful and devoted helpmeet whose constancy to him had survived every trial. No wonder he was ill at ease with the idea of her adventuring back to England alone. But it took a mind as wicked as his to conceive and execute the means by which he prevented it. It seems to have been suggested by the fact that the distribution of letters in his district had been assigned to him by the Governor. This made it easy to deliver them or keep them back, when it was in his interest to do so, without fear of detection. The letters coming from England were few indeed, so he was able to examine them at leisure.
At first he was content to withhold Phoebe's letters, hoping that Maisie would be satisfied with negative evidence of her death, which he himself suggested as the probable cause of their suspension. But when this only increased her anxiety to return to her native land, he cast about for something he could present as direct proof. The death of her father supplied the opportunity. A black-edged sheet came, thickly written with Phoebe's account of his last illness, in ink which, as the event showed, did not defy obliteration. Probably Thornton had learned, among malefactors convicted of his own offence, secrets of forgery that would seem incredible to you or me. He contrived to obliterate this sheet all but the date-stamps outside, and then—the more readily that he had been informed that only fraud for gain made forgery felony—elaborated as a palimpsest a most careful letter in the handwriting of the father announcing Phoebe's own death, and also that of the daughter whom Maisie had bequeathed to her care. He must have been inspired and upborne in this difficult task by the spirit of a true artist. No doubt all faussure, to any person with an accommodating moral sense, is an unmixed delight. This letter remains, and has been seen by the present writer and others. The dexterity of the thing almost passes belief, only a few scarcely perceptible traces of the old writing being visible, the length of the new words being so chosen as to hide most of the old ones. What is even more incredible is that the original letter from Phoebe was deciphered at the British Museum by the courtesy of the gentlemen engaged in the deciphering and explanation of obscure inscriptions.
The elaborate fiction the forger devised may have been in part due to a true artist's pleasure in the use of a splendid opportunity, such as might never occur again. But on close examination one sees that it was little more than a skilful recognition of the exigencies of the case. The object of the letter was to remove once and for ever all temptation to Maisie to return to her native land. Now, so long as either her sister or her little girl were living in England the old inducement would be always at work. Why not kill them both, while he had the choice? It would be more troublesome to produce proof of the death of either, later. But he mistrusted his skill in dealing with fatal illness. A blunder might destroy everything. Stop!—he knew something better than that. Had not the transport that brought him out passed a drowned body afloat, and wreckage, even in the English Channel? Shipwreck was the thing! He decided on sending Nicholas Cropredy, his wife's brother-in-law, across the Channel on business—to Antwerp, say—and making Phoebe and little Ruth go out to nurse him through a fever. Their ship could go to the bottom, with a stroke of his pen. Only, while he was about it, why not clear away the brother-in-law—send them all out in the same ship? No—that would not do! Where would the motive be, for all those three to leave England? A commercial mission for the man alone would be quite another thing. Very perplexing!... Yes—no—yes!... There—he had got it! Let them go out and nurse him through a fever, and all be drowned together, returning to England.
That was a triumph. And the finishing touch to the narrative he based on it was really genius. Little hope was entertained of the recovery of the remains, but it was not impossible. The writer's daughter might rest assured that if any came to the surface, and were identified, they should be interred in the family grave where her mother reposed in the Lord, in the sure and certain hope of a joyful resurrection.
Was it to be wondered at that so skilful a contrivance duped an unsuspicious mind like Maisie's? The only thing that could have excited suspicion was that the letter had been delayed a post—time, you see, was needed for the delicate work of forgery—and the date of despatch from London was in consequence some two months too old. But then the letter was of the same date; indeed, the forgery was a repeat of the letter it effaced, wherever this was possible. Besides, the delay of a letter from England could never occasion surprise.
She took the sealed paper from her husband, breaking the seals with feverish haste, and destroying the only proof that it had been opened on the way. For the wax, of course, broke, as her husband had foreseen, on its old fractures, where he had parted them carefully and reattached them with some similar wax dissolved in spirit. He watched her reading the letter, not without an artist's pride at her absolute unsuspicion, and then had to undergo a pang of fear lest the news should kill her. For she fell insensible, only to remain for a long time prostrate with grief, after a slow and painful revival.
There was little need for Thornton to reply to Phoebe's letter that he had effaced. Nevertheless, he did so; partly, perhaps, from the pleasure he naturally took in playing out the false role he had assigned himself. Yes—he was a widower. But the poignancy of his grief had prevented him writing all the particulars of his wife's death. He now gave the story of the death of a woman on a farm near, with changed names and some clever addenda, the composition of which amused his leisure and gratified a spirit of falsehood which might, more fortunately employed, have found an outlet in literary fiction. The effect of this letter on Phoebe was to satisfy her so completely of her sister's death that, had it ever been called in question, she would have been the hardest to convert to a belief in the contrary. On the other hand, Maisie's belief in her death was equally assured, and her quasi-husband rested secure in his confidence that nothing would now induce her to leave him. Should he ever wish to be rid of her, he had only to confess his deception, and pack her off to seek her sister. That no news ever came of her father's death was not a matter of great surprise to Maisie. She had no surviving correspondent in England who would have written about it. Her husband may have practised some finesse later to convince her of it, but its details are not known to the writer of the story.
They, however, were never parted until, twenty years later, his death left Maisie a widow, as she believed. It would have been well for her had it been so, for he died after making that very common testamentary mistake—a too ingenious will. It left to "my third son Ralph Thornton Daverill," on coming of age, all his property after "my wife Maisie, nee Runciman," had received the share she was "legally entitled to." But she was unable to produce proof of her marriage when called on to do so, and was, of course, legally entitled to nothing. Thornton had been so well off that "widow's thirds" would have placed her in comfortable circumstances. As it was, the whole of his property went to her only surviving son, a youth who had inherited, with some of his father's good looks, all his bad principles; and in addition a taint—we may suppose—of the penal atmosphere in which he was born. But there was not a shadow of doubt about his being the person named in the will. Perhaps, if it had been worded "my lawful son," Themis would have jibbed.
The young man, on coming of age, acquired control of the whole of his father's property, and soon started on a career of extravagance and debauchery. His mother, however, retained some influence over him, and persuaded him, a year later, before he had had time to dissipate the whole of his inheritance, to return with her to England, hoping that the moral effect of a change from the gaol-bird atmosphere of felony that hung over the whole land of his birth would develop whatever germ of honour or right feeling he possessed.
She was not very sanguine, for his boyhood had been a cruel affliction to her. And the results showed that whatever hopes she had entertained were ill-founded. Arrived in London, with money still at command, he plunged at once into all the dissipations of the town, and it became evident that in the course of a year or so he would run through the remainder of his patrimony.
About this time he met with an experience which now and then happens to men of his class. He fell violently in love—or in what he called love—with a girl who had very distinct ideas on the subject of marriage. One was that the first arrangement of their relations which suggested themselves to her lover were not to be entertained, and therefore she refused to entertain them. He tried ridicule, indignation, and protestation—all in vain! She appeared not to object to persecution—rather liked it. But she held out no hopes except legitimate ones. At last, when the young man was in a sense desperate—not in a very noble sense, but desperate for all that—she intimated to him that, unless he was prepared to accept her scheme of life, she knew a very respectable young man who was; a young man in Smithfield Market with whom she had walked out, and you could never have told. Which means that this young man disguised himself so subtly on Sunday to go into Society, that none would have guessed that he passed the week in contact with grease and blood, and dared to twist the tails of bullocks in revolt against their fate, shrinking naturally from the axe. His intentions were, nevertheless, honourable, and Polly, the barmaid at the One Tun Inn, honoured them, while her affections were disposed towards her Australian suitor whose intentions were not. The young reprobate, however, had to climb down; but he made his surrender conditional on one thing—that his marriage with Polly should remain a secret. No doubt parallel enterprises would have been interrupted by its publication. Anyhow, his mother never knew of his marriage, nor set eyes on her daughter-in-law.
His marriage was, in fact, merely a means to an end, and was a most reluctant concession to circumstances on his part. It was true he deprived himself of all chance of offering the same terms again for the same goods, unless, indeed, he ran the risks of a bigamist. But what can a man do under such circumstances? He is what he is, and it does seem a pity sometimes that he was made in the image of God, whether for God's sake or his own. Young Daverill's end attained, he flung away his prize almost without a term of intermediate neglect to save his face. She, poor soul, who had lived under the impression that all men were "like that" but that honourable marriage "reformed" them, was desperate at first when she found her mistake. Her "lawful husband," having attained his end, announced his weariness of lawful marriage with a candour even coarser than that of Browning's less lawful possessor of Love—he who "half sighed a smile in a yawn, as 'twere." He replied, to all Polly's passionate claims to him as a legal right, and hints that she could and would enforce her position:—"Try it on, Poll—you and your lawyers!" And, indeed, we have never been able to learn how the strong arm of the Law enforces marital obligations; barring mere cash payments, of which Polly's attitude was quite oblivious. Moreover, he was at that time prepared with money, and did actually maintain his wife up to the point of every possible legal compulsion until the end of his solvency, not a very long period.
For his life-drama, or the first act of it, was soon played out. It was substantially his father's over again. He ran through what was left of his money in a little over a year—so splendid were the gambler's opportunities in these days; for the Georgian era had still a short lease of years to run, and folly dies hard. His attempts to reinstate himself at the expense of a Bank, by a simple process of burglary, in partnership with a professional hand whose acquaintance he had made at "The Tun," led to disastrous failure and the summary conviction of both partners.
None of this came to the knowledge of his wife, as how should it? He wrote no news of it to her, and their relation was known to very few. Moreover, the burglary was in Bristol and Polly was at a farmhouse in Lincolnshire, awaiting a birth which only added another grief to her life, for her child was born dead. She recovered from a long illness which swallowed up the remains of the money her husband had given her, to find herself destitute and minus most of the good looks which had obtained for her her previous situation. She succeeded thereafter in maintaining herself by needlework—she was an adept in that—and so avoided becoming an incumbrance on her family, which she could no longer help now as she had done in her prosperity. But of her worthless husband's fate she never knew anything, the trial having taken place during an illness which nearly ended all her miseries for her. By the time she was on the way to recovery it would have been difficult to trace her husband, even had she had any motive for doing so.
As for him—a convict and the son of a convict—his period of detention in the hulks on the Thames was followed by the usual voyage to the Antipodes; but this time the vessel into which he was transhipped at Sydney sailed for Norfolk Island, not Hobart Town nor Macquarie Harbour. Maisie's son was not destined to revisit the land of his birth. The early deliverance from actual bondage to a condition free in all but the name, which had led to his father's successful later career, was impossible in an island half the size of the Isle of Wight, and the man grew to his surroundings. A soul ready to accept the impress of every stamp of depravity in the mint of vice was soon well beyond the reach of any possible redemption in contact with the moral vileness of the prisons on what was, but for their contamination, one of the loveliest islands in the Pacific.
After his departure his mother may have been influenced by a wish to obliterate her whole past, and this wish may have been the cause of her adoption of a name not her own. Some lingering reluctance to make her severance from her own belongings absolute may have dictated the choice of the name of Prichard, which was that of an old nurse of her childhood, who had stood by her mother's dying bed. It would serve every reasonable purpose of disguise without grating on memories of bygone times. A shred of identity was left to cling to. It is less clear why the quasi-daughter whom she had never seen should have repudiated her married name. Polly was under no obligation not to call herself Mrs. Daverill, unless it were compliance with her promise to keep the marriage secret. She, however, acquiesced in the Mrs., and supplied a name as a passport to a respectable widowhood. But she did not dress the part very vigorously, and report soon accepted the husband as a bad lot and a riddance. Nothing very uncommon in that!
CHAPTER VII
OF DAVE WARDLE'S CONVALESCENCE. OF MRS. RUTH THRALE, WIDOW AND OGRESS, WHO APPRECIATED HIM. HIS ACCOUNT OF HIS HOSPITAL EXPERIENCE. HOW HE MADE THE ACQUAINTANCE OF A COUNTESS, AND TOLD HER ABOUT WIDOW THRALE'S GRANDFATHER'S WATER-MILL. CONCERNING JUNO LUCINA. THESEUS AND ARIADNE. HOW DAVE DETECTED A FAMILY LIKENESS, AND NEARLY RUBBED HIS EYES OUT. HOW GRANNY MARRABLE SHOWED HIM THE MILL AT WORK AND MR. MUGGERIDGE
If the daylight were not so short in October at Chorlton-under-Bradbury, in Rocestershire, that month would quite do for summer in as many autumns as not. As it is, from ten till five, the sun that comes to say goodbye to the apples, that will all be plucked by the end of the month, is so strong that forest trees are duped, and are ready to do their part towards a green Yule if only the midday warmth will linger on to those deadly small hours of the morning, when hoarfrost gets the thin end of its wedge into the almanack, and sleepers go the length of coming out of bed for something to put over their feet, and end by putting it over most of their total. From ten till five, at least, the last swallows seem to be reconsidering their departure, and the skylarks to be taking heart, and thinking they can go on ever so much longer. Then, not unfrequently, day falls in love with night for the sake of the moonrise, and dies of its passion in a blaze of golden splendour. But the memory of her does not live long into the heart of the night, as it did in the long summer twilights. Love cools and the dews fall, and the winds sing dirges in the elms through the leaves they will so soon scatter about the world without remorse; and then one morning the grass is crisp with frost beneath the early riser's feet, and he finds the leaves of the ash all fallen since the dawn, a green, still heap below their old boughs stript and cold. And he goes home and has all sorts of things for breakfast, being in England.
But no early riser had had this experience at Chorlton-under-Bradbury on that October afternoon when Dave Wardle, personally conducted by Sister Nora, and very tired with travelling from a distant railway-station—the local line was not there in the fifties—descended from the coach or omnibus at the garden gate of Widow Thrale, the good woman who was going to feed him, sleep him, and enjoy his society during convalescence.
The coach or omnibus touched its hat and accepted something from Sister Nora, and went on to the Six Bells in High Street, where the something took the form of something else to drink, which got into its head. The High Street was very wide, and had more water-troughs for horses than recommended themselves to the understanding. But they might have succeeded in doing so before the railway came in these parts, turning everything to the rightabout, as Trufitt phrased it at the Bells. There were six such troughs within a hundred yards; and, as their contents never got into the horses' heads, what odds if there were? When the world was reasonable and four or five horns were heard blowing at once, often enough, in the high road, no one ever complained, that old Trufitt ever heard tell of. So presumably there were no odds.
Widow Thrale lived with an old lady of eighty, who was also a widow; or, one might have said, even more so, seeing that her widowhood was a double one, her surname, Marrable, being the third she had borne. She was, however, never called Widow Marrable, but always Granny Marrable; and Dave's hostess, who was to take charge of him, was not her daughter, as might have seemed most probable, but a niece who had filled the place of a daughter to her and was always so spoken of. What an active and vigorous octogenarian she was may be judged from the fact that, at the moment of the story, she was taking on herself the task of ushering into the world her first great-grandchild, the son or daughter—as might turn out—of her granddaughter, Maisie Costrell, the only daughter of Widow Thrale. For this young woman had ordained that "Granny" should officiate as high-priestess on this occasion, and we know it is just as well to give way to ladies under such circumstances.
So when Dave and Sister Nora were deposited by the coach at Strides Cottage, it was Widow Thrale who received them. She did not produce on the lady the effect of a bona-fide widow of fifty-five—this description had been given of her—not so much because of the non-viduity of her costume, for that was temperate and negative, as because Time seemed to have let his ravages stand over for the present. Very few casual observers would have guessed that she was over forty-five. Ruth Thrale—that was her name in full—had two sons surviving of her own family, both at sea, and one daughter, Maisie Costrell aforesaid. So she was practically now without incumbrances, and terribly wanting some to kiss, had hit upon the expedient of taking charge of invalid children and fostering them up to kissing-point. They were often poor, wasted little articles enough at the first go off, but Mrs. Ruth usually succeeded in making them succulent in a month or so. It was exasperating, though, to have them go away just as they were beginning to pay for fattening. The case was analogous to that of an ogress balked of her meal, after going to no end of expense in humanised cream and such-like.
All the ogress rose in her heart when she saw our little friend Dave Wardle. But she was very careful about his stiff leg. Her eyes gleamed at the opportunities he would present for injudicious overfeeding—or suppose we say stuffing at once and have done with it. A banquet was ready prepared for him, to which he was adapted in a chair of suitable height, and which he began absorbing into his system without apparently registering any date of completion. You must not imagine he had been stinted of food on the journey: indeed, he may be said to have been taking refreshment more or less all the way from London. But he was one of the sort that can go steadily on, converting helpings into small boy, apparently without intermediate scientific events—gastric juice and blood-corpuscles, and so forth. He was able to converse affably the while, accepting suggestions as to method in the spirit in which they were given. In reporting his remarks the spelling cannot be too phonetical; if unintelligible at first, read them literally aloud to a hearer who does not see the letterpress. The conversation had turned on Dave's accident.
"Oy sawed the firing gin coming, and oy said to stoarp, and the firing gin didn't stoarpt, and it said whoy—whoy—whoy!" This was an attempt to render the expressive cry of the brigade; now replaced, we believe, by a tame bell. "Oy sawed free men shoyning like scandles, and Dolly sawed nuffink—no, nuffink!" The little man's voice got quite sad here. Think what he had seen and Dolly had missed!
Mrs. Ruth was harrowed by what the child must have suffered. She expressed her feelings to Sister Nora. Not, however, without Dave catching their meaning. He was very sharp.
"It hurted at the Hospital," said he. That is, the accident itself had been too sudden and overwhelming to admit of any estimate of the pain it caused; the suffering came with the return of consciousness. Then he added, rather inexplicably:—"It didn't hurted Dolly."
Sister Nora, looking with an amused, puzzled face at the small absurdity, assimilating suitable nourishment and wrestling with his mother-tongue at its outset, said:—"Why didn't it hurted Dolly, I wonder?" and them illuminated:—"Oh—I see! It balances Dolly's account. Dolly was the loser by not seeing the fire-engine, but she escaped the accident. Of course!" Whereupon the ogress said with gravity, after due reflection: "I think you are right, ma'am." She then pointed out to Dave that well-regulated circles sit still at their suppers, whereas he had allowed his feelings, on hearing his intelligibility confirmed, to break out in his legs and kick those of the table. He appeared to believe his informant, and to determine to frame his behaviour for the future on the practices of those circles. But he should have taken his spoon out of his mouth while forming this resolution.
He then, as one wishing to entertain in Society, went on to detail his experiences in the Hospital, giving first—as it is always well to begin at the beginning—the names of the staff as he had mastered them. There was Dr. Dabtinkle, or it might have been Damned Tinker, a doubtful name; and Drs. Inkstraw, Jarbottle, and Toby. His hearers were able to identify the names of Dalrymple, Inglethorpe, and Harborough. They were at work on Toby, who defied detection, when it became evident that sleep was overwhelming their informant. He was half roused to be put in a clean nightgown that smelt of lavender, and then curled round his hands and forgot the whole Universe.
"What a nice little man he is!" said Sister Nora. "He's quite a baby still, though he's more than six. Some of the London children are so old. But this child's people seem nice and old-fashioned, although his uncle was a prizefighter."
"Laws-a-me!" said Mrs. Ruth. "To think of that now! A prizefighter!" And she had to turn back to Dave's crib, which they were just leaving, to see whether this degraded profession had set its stamp on her prey.... No, it was all right! She could gloat over that sleeping creature without misgiving.
"I've just thought who Toby is," said Sister Nora. "Of course, it's Dr. Trowbridge, the head surgeon. I fancy, now I come to think of it, the juniors are apt to speak of him without any Dr. I don't know why. I shall tell Dr. Damned Tinker his name.... Oh no—he won't be offended."
Sister Nora was driven away to the mansion of her noble relative, three miles off, in a magnificent carriage that was sent for her, in which she must have felt insignificant. Perhaps she got there in time to dress for dinner, perhaps not. Wearers of uniforms wash and brush up: they don't dress.
She reappeared at Mrs. Marrable's cottage two days later, in the same vehicle, accompanied by the Countess her aunt, who remained therein. Dave was brought out to make her acquaintance, but not to be taken for a long drive—only a very short one, just up and down and round, because Sister Nora wouldn't be more than five minutes. He was relieved when he found himself safe inside the carriage with her, out of the way of her haughty and overdressed serving-men, whom he mistrusted. The coachman, Blencorn, was too high up in the air for human intercourse. Dave found the lady in the carriage more his sort, and told her, in Sister Nora's absence—she having vanished into the house—many interesting experiences of country life. The ogress had taken off his clean shirt, which he had felt proud of, and looked forward to a long acquaintance with; substituting another, equally good, perhaps, but premature. She had fed him well; he gave close particulars of the diet, laying especial stress on the fact that he had requisitioned the outside piece, presumably of the loaf, but possibly of some cake. Her ladyship seemed to think its provenance less important than its destination. She was able to identity from her own experience a liquid called scream, of which Dave had bespoken a large jug full, to be taken to Dolly on his return home. He went on to relate how he had been shown bees, a calf, and a fool with long legs; about which last the lady was for a moment at fault, having pictured to herself a Shakespearean one with a bauble. It proved to be a young horse, a very young one, whose greedy habits Dave described with a simple but effective directness. But he was destined to puzzle his audience by his keen interest in something that was on the mantleshelf, his description of which seemed to relate to nothing this lady's recollection of Strides interior supplied.
"What on earth does the little man mean by a water-cart on the mantelshelf, Mrs. Thrale?" said the Countess on leavetaking. The widow had come out to reclaim her young charge, who seemed not exactly indignant but perceptibly disappointed, at her ladyship's slowness of apprehension. He plunged afresh into his elucidation of the subject. There was a water-cart with four horses, to grind the flour to make the bread, behind a glast on the chimley-shelf. He knew he was right, and appealed to Europe for confirmation, more to reinstate his character for veracity than to bring the details of the topic into prominence.
"That is entirely right, my lady," said Widow Thrale, apologetic for contradiction from her duty to conscience on the one hand, and her reluctance to correct her superiors on the other, but under compulsion from the former. "Quite correct. He's chattering about my grandfather's model of his mill. He doesn't mean water-cart. He means water-mill. Only there's a cart with horses in the yard. It's a hundred years old. It's quite got between the child's mind and his reason, and he wants to see it work like I've told him."
"Yes," said Dave emphatically, "with water in the cistern." He stopped suddenly—you may believe it or not—because of a misgiving crossing his mind that he was using some of Sister Nora's name too freely. Find out where for yourself.
However, nothing of the sort seemed to cross anyone else's mind, so Dave hoped he was mistaken. His hostess proceeded to explain why she could not gratify his anxiety to see this contrivance at work. "I could show it to him perfectly well," she said, "only to humour a fancy of Granny's. She never would have anyone touch it but herself, so we shall have to have patience, some of us." Dave wondered who the other spectators would be when the time came—would the Countess be one of them? And would she get down and come into the house, or have it brought out for her to see in the carriage?
Mrs. Thrale continued:—"I should say it hadn't been set a-going now for twenty years.... No, more! It was for the pleasuring and amusement of my little half-brother Robert she made it work, and we buried him more years ago than that." And then they talked about something else, which Dave did not closely follow, because he was so sorry for Mrs. Thrale. He could not resist the conviction that her little half-brother Robert was dead. Because, if not, they surely never would have buried him. He was unable to work this out to a satisfactory conclusion, because Sister Nora was waiting to resume her place in the carriage, and he had no sooner surrendered it to her than the lateness of the hour was recognised, and the distinguished visitors drove away in a hurry.
* * * * *
Although Mrs. Marrable had gone away from home ostensibly to welcome into the world a great-grandchild, the announcement that one had arrived preceded her return nearly a week. Other instances might be adduced of very old matriarchs who have imagined themselves Juno, as she certainly did. Juno, one may reasonably suppose, did not feel free to depart until matters had been put on a comfortable footing. Of course, the goddess had advantages; omnipresence, for instance, or at least presence at choice. One official visit did not monopolize her. Old Mrs. Marrable—Granny Marrable par excellence—had but one available personality, and had to be either here or there, never everywhere! So Dave and another convalescent had Strides Cottage all to themselves and their ogress, for awhile.
The country air did wonders for the London child. This is always the case, and contains the truth that only strong children outlive their babyhood in London, and these become normal when they are removed to normal human conditions. Dave began becoming the robust little character Nature had intended him to be, and evidently would soon throw off the ill-effects of his accident, with perhaps a doubt about how long the leg would be stiff.
So by the time Granny Marrable returned into residence she was not confronted with an invalid still plausibly convalescent, but an eatable little boy, from the ogress point of view, who used a crutch when reminded of his undertaking to do so. Otherwise he preferred to neglect it; leaving it on chairs or on the settle by the fireplace, like Ariadne on Naxos; evidently feeling, when he was recalled to his duty towards it, as Theseus might have felt if remonstrated with by Minos for his desertion of his daughter. In reinstating it he would be acting for the crutch's sake. And why should he trouble to do this, when the other little boy, Marmaduke, who had nothing whatever the matter with his leg, was always ambitious to use this crutch, or scrutch. He was the Dionysos of the metaphor.
However, the crutch was not in question when Dave first set eyes on Granny Marrable. It was at half-past seven o'clock on a cold morning, when the last swallow had departed, and the skylarks were flagging, and the tragedy of the ash-leaves was close at hand, that Dave awoke reluctantly from a remote dream-world with Dolly in it, and Uncle Mo, and Aunt M'riar, and Mrs. Picture upstairs, to hear a voice, that at first seemed Mrs. Picture's in the dream, saying: "Well, my little gentleman, you do sleep sound!"
But it wasn't Mrs. Prichard's, or Picture's, voice; it was Granny Marrable's. For all her eighty years, she had walked from Costrell's farm, her great-grandson's birthplace, three miles off, or thereabouts; and had arrived at her own door, ten minutes since, quite fresh after an hour's walk. She was that sort of old woman.
Dave was almost as disconcerted as when he woke at the Hospital and saw no signs of his home, and no old familiar faces. He sat up in bed and wrestled with his difficulties, his eyelids being among the chief. If he rubbed them hard enough, no doubt the figure before him would cease to be Mrs. Picture, even as the other figure the dream had left had ceased to be Aunt M'riar, and had become Widow Thrale. Not but that he would have accepted her as Mrs. Picture, being prepared for almost anything since his accident, if it had not been for the expression, "My little gentleman," which quarrelled with her seeming identity. Oh no!—if he rubbed away hard enough at those eyes with his nightgown-sleeve, this little matter would right itself. Of course, Mrs. Picture would have called him Doyvy, or the name he gave that inflection to.
"Child!—you'll rub your pretty eyes out that fashion," said Granny Marrable. And she uncrumpled Dave's small nightgown-sleeve the eyes were in collision with, and disentangled their owner from the recesses of his bedclothes. Then Dave was quite convinced it was not Mrs. Picture, who was not so nearly strong as this dream-image, or waking reality.
"He'll come awake directly," said the younger widow. "He do sleep, Granny!" For Widow Thrale often called her aunt "Granny" as a tribute to her own offspring. Otherwise she thought of her as "Mother." Her own mother was only a half-forgotten fact, a sort of duplicate mother, who vanished when she was almost a baby. She continued:—"He goes nigh to eating up his pillow he does. There never was a little boy sounder; all night long not a move! Such a little slugabed I never!" And then this ogress—for she really was no better—was heartless enough to tickle Dave and kiss him, with an affectation of devouring him. And he, being tickled, had to laugh; and then was quite awake, for all the world as if he could never go to sleep again.
"I fought," said he, feeling some apology was due for his misapprehension, "I fought it was old Mrs. Picture on the top-landing in the hackicks."
"He's asleep still," said the ogress. "Come along, and I'll wash your sleep out, young man!" And she paid no attention at all to Dave's attempted explanations of his reference to old Mrs. Picture or Prichard. He may be said to have lectured on the subject throughout his ablutions, and really Widow Thrale was not to blame, properly speaking, when he got the soap in his mouth.
Dave lost no time in mooting the subject of the water-mill, and it was decided that as soon as he had finished dictating a letter he had begun to Dolly, Granny Marrable—whom he addressed as "Granny Marrowbone"—would exhibit this ingenious contrivance.
He stuck to his letter conscientiously; and it was creditable to him, because it took a long time. Yet the ground gone over was not extensive. He expressed his affection for Dolly herself, for Uncle Mo and Aunt M'riar, and subordinately for Mrs. Picture, and even Mrs. Burr. He added that there was ducks in the pond. That was all; but it was not till late in the morning that the letter was completed. Then Dave claimed his promise. He was to see the wheel go round, and the sacks go up into the granary above the millstones. It was a pledge even an old lady of eighty could not go back on.
Nor had she any such treacherous intention. So soon as ever the dinner-things were cleared away, Granny Marrable with her own hands lifted down the model off of the mantelshelf, and removing the glass from the front of the case, brought the contents out on the oak table the cloth no longer covered, so that you might see all round. Then the cistern—which after all had nothing to do with Sister Nora—was carefully filled with water so that none should spill and make marks, neither on the table nor yet on the mill itself, and then it was wound up like a clock till you couldn't wind no further and it went click. And then the water in the cistern was let run, and the wheels went round; and Dave knew exactly what a water-mill was like, and was assured—only this was a pious fiction—that the water made the wheels go round. The truth was that the clockwork worked the wheels and made them pump back the water as fast as ever it came down. And this is much better than in real mills, because the same water does over and over again, and the power never fails. But you have to wind it up. You can't expect everything!
Granny Marrable gave a brief description of the model. Her brother, who died young, made it because he was lame of one leg; which meant that enforced inactivity had found a sedentary employment in mechanisms, not that all lame folk make mills. Those two horses were Mr. Pitt and Mr. Fox. That was her father standing at the window, with his pipe in his mouth, a miracle of delicate workmanship. And that was the carman, Mr. Muggeridge, who used to see to loading up the cart.
Children are very perverse in their perception of the relative importance of things they are told, and Dave was enormously impressed with Mr. Muggeridge. Silent analysis of the model was visible on his face for awhile, and then he broke out into catechism:—"Whoy doesn't the wheel-sacks come down emptied out?" said he. He had not got the expression "wheat-sacks" right.
"Well, my dear," said Granny Marrable, who felt perhaps that this question attacked a weak point, "if it was the mill itself, they would. But now it's only done in small, we have to pretend." Dave lent himself willingly to the admission of a transparent fiction, and it was creditable to his liberality that he did so. For though the sacks were ingeniously taken into the mill-roof under a projecting hood, they reappeared instantly to go up again through a hole under the cart. Any other arrangement would have been too complex; and, indeed, a pretence that they took grain up and brought flour down might have seemed affectation. A conventional treatment was necessary. It had one great advantage, too: it liberated the carman for active service elsewhere. It was entirely his own fault, or his employer's, that he stood bolt upright, raising one hand up and down in time with the movement of the wheels. The miller did not seem to mind; for he only kept on looking out of window, smoking.
But the miller and the carman were not the only portraitures this model showed. Two very little girls were watching the rising grain-sacks, each with her arm round the other. The miller may have been looking at them affectionately from the window; but really he was so very unimpressive—quite inscrutable! Dave inquired about these little girls, after professing a satisfaction he only partly felt about the arrangements for receiving the raw material and delivering it ground.
"Whoy was they bofe of a size?" said he, for indeed they were exactly alike.
"Because, my dear, that is the size God made them. Both at the same time!"
"Who worze they?" asked Dave, clinching the matter abruptly—much too interested for circumlocution.
"Myself, my dear, and my little sister, born the same time. With our lilac frocks on and white bonnets to shade the sun off our eyes. And each a nosegay of garden flowers." There was no more sorrow in the old woman's voice than belongs to any old voice speaking thoughtfully and gently. Her old hand caressed the crisp locks of the little, interested boy, and felt his chin appreciatively, as she added:—"Three or four years older than yourself, my dear! Seventy years ago!" with just the ring of sadness—no more—that always sounds when great age speaks of its days long past.
The other convalescent boy here struck in, raising a vital question. "Which is you, and which is her?" said he. He had come in as a new spectator; surrendering Dave's crutch, borrowed as needless to its owner, in compliance with a strange fascination, now waning in charm as the working model asserted its powers. Dionysos had deserted Ariadne again.
"This is me," said Granny Marrable. "And this is Maisie." And now you who read probably know, as clearly as he who writes, who she was, this octogenarian with such a good prospect of making up the hundred. She was Phoebe, the sister of old Mrs. Prichard, whose story was told in the last chapter. But most likely you guessed that pages ago.
* * * * *
I, who write, have no aim in telling this story beyond that of repeating as clearly and briefly as may be the bare facts that make it up—of communicating them to whoever has a few hours to spare for the purpose, with the smallest trouble to himself in its perusal. I feel often that my lack of skill is spoiling what might be a good story. That I cannot help; and I write with the firm conviction that any effort on my part to arrange these facts in such order that the tale should show dramatic force, or startle him with unexpected issues of event, would only procure derision for its writer, and might even obscure the only end he has at heart, that of giving a complete grasp of the facts, as nearly as may be in the order of their occurrence.
There is one feature in the story which the most skilful narrator might easily fail to present as probable—the separation of these twin sisters throughout a long lifetime, a separation contrary to nature; so much so, indeed, that tales are told of twins living apart, the death or illness of one of whom has brought about the death or similar illness of the other. One would at least say that neither could die without knowledge of the other; might even infer that either would go on thinking the other living, without some direct evidence of death, some seeming communication from the departed. But the separation of Phoebe from Maisie did not come under these conditions; each was the victim of a wicked fraud, carried out with a subtlety that might have deceived Scotland Yard. There can be no doubt that it would have had the force to obscure any phenomenon of a so-called telepathic nature, however vivid, as proof that either twin was still alive; as the percipient, in the belief that her sister's death was established beyond a doubt, would unhesitatingly conclude that the departed had revisited earth, or had made her presence felt by some process hard to understand from our side.
To see the story in its right light we must always keep in view the extraordinary isolation of the penal settlement. All convict life is cut off from the world, but in Van Diemen's Land even the freest of men out on ticket-of-leave—free sometimes so long that the renewal of their licence at its expiration became the merest form—was separated from the land of his birth, even from the mainland of Australia, by a barrier for him almost as impassable as the atmosphere that lies between us and the visible land of the moon. Keep in mind the hundred-and-odd miles of sea—are you sure you thought of it as so much?—that parts Tasmania from the nearest point of New South Wales, and picture to yourself the few slow sailing-ships upon their voyages from Sydney, five times as distant. To go and come on such a journey was little else to the stay-at-home in those days, than that he should venture beyond the grave and return.
No!—the wonder to my mind is not that the two sisters should have been parted so utterly, and each been so completely duped about the other's death, but that Maisie should have returned less than five-and-twenty years later, and that, so returning, she should not have come to the knowledge that her sister was still living.
CHAPTER VIII
MICHAEL RAGSTROAR'S SLIDE, AND THE MILK. CONCERNING DAVE'S RETURN TO SAPPS COURT, WHICH HAD SHRUNK IN HIS ABSENCE. OF THE PHYSICAL IMPOSSIBILITY OF A WIDOW'S GRANDMOTHER. DAVE'S TALE OF THE WATER-MILL. SISTER NORA'S EXACTING FATHER. HOW DAVE WENT TO SCHOOL, AND UNCLE MO SOUGHT CONSOLATION IN SOCIETY, WHILE DOLLY TOOK STRUVVEL PETER TO VISIT MRS. PRICHARD. HOW THAT OLD LADY KNITTED A COMFORTER, AND TOLD AUNT M'RIAR OF HER CONVICT LOVER'S DEPARTURE
The heart of the ancient prizefighter in Sapps Court swelled with joy when the day of Dave's return was officially announced. He was, said Aunt M'riar, in and out all the afternoon, fidgeting-like, when it actually came. And the frost was that hard that ashes out of the dustbin had to be strewed over the paving to prevent your slipping. It might not have been any so bad though, only for that young Michael Ragstroar's having risen from his couch at an early hour, and with diabolical foresight made a slide right down the middle of the Court. He had chosen this hour so early, that he was actually before the Milk, which was always agreeable to serve the Court when the tenantry could do—taken collectively—with eightpennyworth. It often mounted up to thrice that amount, as a matter of fact. On this occasion it sat down abruptly, the Milk did, and gave a piece of its mind to Michael's family later, pointing out that it was no mere question of physical pain or ill-convenience to itself, but that its principal constituent might easily have been spilled, and would have had to be charged for all the same. The incident led to a collision between Michael and his father, the coster; who, however, remitted one-half of his son's deserts and let him off easy on condition of his reinstating the footway. Michael would have left all intact, he said, had he only been told that his thoughtfulness would provoke the Court's ingratitude. "Why couldn't they say aforehand they didn't want no slide?" said he. "I could just as easy have left it alone." It was rather difficult to be quite even with Michael Ragstroar.
However, the ground was all steady underfoot when Dave, in charge of Sister Nora, reappeared, looking quite rosy again, and only limping very slightly. He had deserted Ariadne altogether by now, and Dionysos may have done so, too, for anything the story knows. Anyhow, the instability of the planet that had resulted from local frost did not affect Dave at all, now that Michael had spilt them hashes over the ground. Dave was bubbling over with valuable information about the provinces, which had never reached the Metropolis before, and he was in such a hurry to tell about a recent family of kittens, that he scamped his greetings to his own family in order to get on to the description of it.
But neither this, nor public indignation against the turpitude of slide-makers generally and that young Micky in particular, could avert his relatives' acknowledgments of their gratitude—what a plague thanks are!—from a benefactress who was merely consulting a personal dilettantism in her attitude towards her species, and who regarded Dave as her most remunerative investment for some time past. |
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