But this is not the essential note on which I desire to end. My main contention is that, whether necessary or not, both Industrialism and Collectivism have been accepted as necessities—not as naked ideals or desires. Nobody liked the Manchester School; it was endured as the only way of producing wealth. Nobody likes the Marxian school; it is endured as the only way of preventing poverty. Nobody's real heart is in the idea of preventing a free man from owning his own farm, or an old woman from cultivating her own garden, any more than anybody's real heart was in the heartless battle of the machines. The purpose of this chapter is sufficiently served in indicating that this proposal also is a pis aller, a desperate second best—like teetotalism. I do not propose to prove here that Socialism is a poison; it is enough if I maintain that it is a medicine and not a wine.

The idea of private property universal but private, the idea of families free but still families, of domesticity democratic but still domestic, of one man one house—this remains the real vision and magnet of mankind. The world may accept something more official and general, less human and intimate. But the world will be like a broken-hearted woman who makes a humdrum marriage because she may not make a happy one; Socialism may be the world's deliverance, but it is not the world's desire.



PART TWO. IMPERIALISM, OR THE MISTAKE ABOUT MAN



I. THE CHARM OF JINGOISM

I have cast about widely to find a title for this section; and I confess that the word "Imperialism" is a clumsy version of my meaning. But no other word came nearer; "Militarism" would have been even more misleading, and "The Superman" makes nonsense of any discussion that he enters. Perhaps, upon the whole, the word "Caesarism" would have been better; but I desire a popular word; and Imperialism (as the reader will perceive) does cover for the most part the men and theories that I mean to discuss.

This small confusion is increased, however, by the fact that I do also disbelieve in Imperialism in its popular sense, as a mode or theory of the patriotic sentiment of this country. But popular Imperialism in England has very little to do with the sort of Caesarean Imperialism I wish to sketch. I differ from the Colonial idealism of Rhodes' and Kipling; but I do not think, as some of its opponents do, that it is an insolent creation of English harshness and rapacity. Imperialism, I think, is a fiction created, not by English hardness, but by English softness; nay, in a sense, even by English kindness.

The reasons for believing in Australia are mostly as sentimental as the most sentimental reasons for believing in heaven. New South Wales is quite literally regarded as a place where the wicked cease from troubling and the weary are at rest; that is, a paradise for uncles who have turned dishonest and for nephews who are born tired. British Columbia is in strict sense a fairyland, it is a world where a magic and irrational luck is supposed to attend the youngest sons. This strange optimism about the ends of the earth is an English weakness; but to show that it is not a coldness or a harshness it is quite sufficient to say that no one shared it more than that gigantic English sentimentalist—the great Charles Dickens. The end of "David Copperfield" is unreal not merely because it is an optimistic ending, but because it is an Imperialistic ending. The decorous British happiness planned out for David Copperfield and Agnes would be embarrassed by the perpetual presence of the hopeless tragedy of Emily, or the more hopeless farce of Micawber. Therefore, both Emily and Micawber are shipped off to a vague colony where changes come over them with no conceivable cause, except the climate. The tragic woman becomes contented and the comic man becomes responsible, solely as the result of a sea voyage and the first sight of a kangaroo.

To Imperialism in the light political sense, therefore, my only objection is that it is an illusion of comfort; that an Empire whose heart is failing should be specially proud of the extremities, is to me no more sublime a fact than that an old dandy whose brain is gone should still be proud of his legs. It consoles men for the evident ugliness and apathy of England with legends of fair youth and heroic strenuousness in distant continents and islands. A man can sit amid the squalor of Seven Dials and feel that life is innocent and godlike in the bush or on the veldt. Just so a man might sit in the squalor of Seven Dials and feel that life was innocent and godlike in Brixton and Surbiton. Brixton and Surbiton are "new"; they are expanding; they are "nearer to nature," in the sense that they have eaten up nature mile by mile. The only objection is the objection of fact. The young men of Brixton are not young giants. The lovers of Surbiton are not all pagan poets, singing with the sweet energy of the spring. Nor are the people of the Colonies when you meet them young giants or pagan poets. They are mostly Cockneys who have lost their last music of real things by getting out of the sound of Bow Bells. Mr. Rudyard Kipling, a man of real though decadent genius, threw a theoretic glamour over them which is already fading. Mr. Kipling is, in a precise and rather startling sense, the exception that proves the rule. For he has imagination, of an oriental and cruel kind, but he has it, not because he grew up in a new country, but precisely because he grew up in the oldest country upon earth. He is rooted in a past—an Asiatic past. He might never have written "Kabul River" if he had been born in Melbourne.

I say frankly, therefore (lest there should be any air of evasion), that Imperialism in its common patriotic pretensions appears to me both weak and perilous. It is the attempt of a European country to create a kind of sham Europe which it can dominate, instead of the real Europe, which it can only share. It is a love of living with one's inferiors. The notion of restoring the Roman Empire by oneself and for oneself is a dream that has haunted every Christian nation in a different shape and in almost every shape as a snare. The Spanish are a consistent and conservative people; therefore they embodied that attempt at Empire in long and lingering dynasties. The French are a violent people, and therefore they twice conquered that Empire by violence of arms. The English are above all a poetical and optimistic people; and therefore their Empire is something vague and yet sympathetic, something distant and yet dear. But this dream of theirs of being powerful in the uttermost places, though a native weakness, is still a weakness in them; much more of a weakness than gold was to Spain or glory to Napoleon. If ever we were in collision with our real brothers and rivals we should leave all this fancy out of account. We should no more dream of pitting Australian armies against German than of pitting Tasmanian sculpture against French. I have thus explained, lest anyone should accuse me of concealing an unpopular attitude, why I do not believe in Imperialism as commonly understood. I think it not merely an occasional wrong to other peoples, but a continuous feebleness, a running sore, in my own. But it is also true that I have dwelt on this Imperialism that is an amiable delusion partly in order to show how different it is from the deeper, more sinister and yet more persuasive thing that I have been forced to call Imperialism for the convenience of this chapter. In order to get to the root of this evil and quite un-English Imperialism we must cast back and begin anew with a more general discussion of the first needs of human intercourse.

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II. WISDOM AND THE WEATHER

It is admitted, one may hope, that common things are never commonplace. Birth is covered with curtains precisely because it is a staggering and monstrous prodigy. Death and first love, though they happen to everybody, can stop one's heart with the very thought of them. But while this is granted, something further may be claimed. It is not merely true that these universal things are strange; it is moreover true that they are subtle. In the last analysis most common things will be found to be highly complicated. Some men of science do indeed get over the difficulty by dealing only with the easy part of it: thus, they will call first love the instinct of sex, and the awe of death the instinct of self-preservation. But this is only getting over the difficulty of describing peacock green by calling it blue. There is blue in it. That there is a strong physical element in both romance and the Memento Mori makes them if possible more baffling than if they had been wholly intellectual. No man could say exactly how much his sexuality was colored by a clean love of beauty, or by the mere boyish itch for irrevocable adventures, like running away to sea. No man could say how far his animal dread of the end was mixed up with mystical traditions touching morals and religion. It is exactly because these things are animal, but not quite animal, that the dance of all the difficulties begins. The materialists analyze the easy part, deny the hard part and go home to their tea.

It is complete error to suppose that because a thing is vulgar therefore it is not refined; that is, subtle and hard to define. A drawing-room song of my youth which began "In the gloaming, O, my darling," was vulgar enough as a song; but the connection between human passion and the twilight is none the less an exquisite and even inscrutable thing. Or to take another obvious instance: the jokes about a mother-in-law are scarcely delicate, but the problem of a mother-in-law is extremely delicate. A mother-in-law is subtle because she is a thing like the twilight. She is a mystical blend of two inconsistent things—law and a mother. The caricatures misrepresent her; but they arise out of a real human enigma. "Comic Cuts" deals with the difficulty wrongly, but it would need George Meredith at his best to deal with the difficulty rightly. The nearest statement of the problem perhaps is this: it is not that a mother-in-law must be nasty, but that she must be very nice.

But it is best perhaps to take in illustration some daily custom we have all heard despised as vulgar or trite. Take, for the sake of argument, the custom of talking about the weather. Stevenson calls it "the very nadir and scoff of good conversationalists." Now there are very deep reasons for talking about the weather, reasons that are delicate as well as deep; they lie in layer upon layer of stratified sagacity. First of all it is a gesture of primeval worship. The sky must be invoked; and to begin everything with the weather is a sort of pagan way of beginning everything with prayer. Jones and Brown talk about the weather: but so do Milton and Shelley. Then it is an expression of that elementary idea in politeness—equality. For the very word politeness is only the Greek for citizenship. The word politeness is akin to the word policeman: a charming thought. Properly understood, the citizen should be more polite than the gentleman; perhaps the policeman should be the most courtly and elegant of the three. But all good manners must obviously begin with the sharing of something in a simple style. Two men should share an umbrella; if they have not got an umbrella, they should at least share the rain, with all its rich potentialities of wit and philosophy. "For He maketh His sun to shine...." This is the second element in the weather; its recognition of human equality in that we all have our hats under the dark blue spangled umbrella of the universe. Arising out of this is the third wholesome strain in the custom; I mean that it begins with the body and with our inevitable bodily brotherhood. All true friendliness begins with fire and food and drink and the recognition of rain or frost. Those who will not begin at the bodily end of things are already prigs and may soon be Christian Scientists. Each human soul has in a sense to enact for itself the gigantic humility of the Incarnation. Every man must descend into the flesh to meet mankind.

Briefly, in the mere observation "a fine day" there is the whole great human idea of comradeship. Now, pure comradeship is another of those broad and yet bewildering things. We all enjoy it; yet when we come to talk about it we almost always talk nonsense, chiefly because we suppose it to be a simpler affair than it is. It is simple to conduct; but it is by no means simple to analyze. Comradeship is at the most only one half of human life; the other half is Love, a thing so different that one might fancy it had been made for another universe. And I do not mean mere sex love; any kind of concentrated passion, maternal love, or even the fiercer kinds of friendship are in their nature alien to pure comradeship. Both sides are essential to life; and both are known in differing degrees to everybody of every age or sex. But very broadly speaking it may still be said that women stand for the dignity of love and men for the dignity of comradeship. I mean that the institution would hardly be expected if the males of the tribe did not mount guard over it. The affections in which women excel have so much more authority and intensity that pure comradeship would be washed away if it were not rallied and guarded in clubs, corps, colleges, banquets and regiments. Most of us have heard the voice in which the hostess tells her husband not to sit too long over the cigars. It is the dreadful voice of Love, seeking to destroy Comradeship.

All true comradeship has in it those three elements which I have remarked in the ordinary exclamation about the weather. First, it has a sort of broad philosophy like the common sky, emphasizing that we are all under the same cosmic conditions. We are all in the same boat, the "winged rock" of Mr. Herbert Trench. Secondly, it recognizes this bond as the essential one; for comradeship is simply humanity seen in that one aspect in which men are really equal. The old writers were entirely wise when they talked of the equality of men; but they were also very wise in not mentioning women. Women are always authoritarian; they are always above or below; that is why marriage is a sort of poetical see-saw. There are only three things in the world that women do not understand; and they are Liberty, Equality, and Fraternity. But men (a class little understood in the modern world) find these things the breath of their nostrils; and our most learned ladies will not even begin to understand them until they make allowance for this kind of cool camaraderie. Lastly, it contains the third quality of the weather, the insistence upon the body and its indispensable satisfaction. No one has even begun to understand comradeship who does not accept with it a certain hearty eagerness in eating, drinking, or smoking, an uproarious materialism which to many women appears only hoggish. You may call the thing an orgy or a sacrament; it is certainly an essential. It is at root a resistance to the superciliousness of the individual. Nay, its very swaggering and howling are humble. In the heart of its rowdiness there is a sort of mad modesty; a desire to melt the separate soul into the mass of unpretentious masculinity. It is a clamorous confession of the weakness of all flesh. No man must be superior to the things that are common to men. This sort of equality must be bodily and gross and comic. Not only are we all in the same boat, but we are all seasick.

The word comradeship just now promises to become as fatuous as the word "affinity." There are clubs of a Socialist sort where all the members, men and women, call each other "Comrade." I have no serious emotions, hostile or otherwise, about this particular habit: at the worst it is conventionality, and at the best flirtation. I am convinced here only to point out a rational principle. If you choose to lump all flowers together, lilies and dahlias and tulips and chrysanthemums and call them all daisies, you will find that you have spoiled the very fine word daisy. If you choose to call every human attachment comradeship, if you include under that name the respect of a youth for a venerable prophetess, the interest of a man in a beautiful woman who baffles him, the pleasure of a philosophical old fogy in a girl who is impudent and innocent, the end of the meanest quarrel or the beginning of the most mountainous love; if you are going to call all these comradeship, you will gain nothing, you will only lose a word. Daisies are obvious and universal and open; but they are only one kind of flower. Comradeship is obvious and universal and open; but it is only one kind of affection; it has characteristics that would destroy any other kind. Anyone who has known true comradeship in a club or in a regiment, knows that it is impersonal. There is a pedantic phrase used in debating clubs which is strictly true to the masculine emotion; they call it "speaking to the question." Women speak to each other; men speak to the subject they are speaking about. Many an honest man has sat in a ring of his five best friends under heaven and forgotten who was in the room while he explained some system. This is not peculiar to intellectual men; men are all theoretical, whether they are talking about God or about golf. Men are all impersonal; that is to say, republican. No one remembers after a really good talk who has said the good things. Every man speaks to a visionary multitude; a mystical cloud, that is called the club.

It is obvious that this cool and careless quality which is essential to the collective affection of males involves disadvantages and dangers. It leads to spitting; it leads to coarse speech; it must lead to these things so long as it is honorable; comradeship must be in some degree ugly. The moment beauty is mentioned in male friendship, the nostrils are stopped with the smell of abominable things. Friendship must be physically dirty if it is to be morally clean. It must be in its shirt sleeves. The chaos of habits that always goes with males when left entirely to themselves has only one honorable cure; and that is the strict discipline of a monastery. Anyone who has seen our unhappy young idealists in East End Settlements losing their collars in the wash and living on tinned salmon will fully understand why it was decided by the wisdom of St. Bernard or St. Benedict, that if men were to live without women, they must not live without rules. Something of the same sort of artificial exactitude, of course, is obtained in an army; and an army also has to be in many ways monastic; only that it has celibacy without chastity. But these things do not apply to normal married men. These have a quite sufficient restraint on their instinctive anarchy in the savage common-sense of the other sex. There is only one very timid sort of man that is not afraid of women.

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III. THE COMMON VISION

Now this masculine love of an open and level camaraderie is the life within all democracies and attempts to govern by debate; without it the republic would be a dead formula. Even as it is, of course, the spirit of democracy frequently differs widely from the letter, and a pothouse is often a better test than a Parliament. Democracy in its human sense is not arbitrament by the majority; it is not even arbitrament by everybody. It can be more nearly defined as arbitrament by anybody. I mean that it rests on that club habit of taking a total stranger for granted, of assuming certain things to be inevitably common to yourself and him. Only the things that anybody may be presumed to hold have the full authority of democracy. Look out of the window and notice the first man who walks by. The Liberals may have swept England with an over-whelming majority; but you would not stake a button that the man is a Liberal. The Bible may be read in all schools and respected in all law courts; but you would not bet a straw that he believes in the Bible. But you would bet your week's wages, let us say, that he believes in wearing clothes. You would bet that he believes that physical courage is a fine thing, or that parents have authority over children. Of course, he might be the millionth man who does not believe these things; if it comes to that, he might be the Bearded Lady dressed up as a man. But these prodigies are quite a different thing from any mere calculation of numbers. People who hold these views are not a minority, but a monstrosity. But of these universal dogmas that have full democratic authority the only test is this test of anybody. What you would observe before any newcomer in a tavern—that is the real English law. The first man you see from the window, he is the King of England.

The decay of taverns, which is but a part of the general decay of democracy, has undoubtedly weakened this masculine spirit of equality. I remember that a roomful of Socialists literally laughed when I told them that there were no two nobler words in all poetry than Public House. They thought it was a joke. Why they should think it a joke, since they want to make all houses public houses, I cannot imagine. But if anyone wishes to see the real rowdy egalitarianism which is necessary (to males, at least) he can find it as well as anywhere in the great old tavern disputes which come down to us in such books as Boswell's Johnson. It is worth while to mention that one name especially because the modern world in its morbidity has done it a strange injustice. The demeanor of Johnson, it is said, was "harsh and despotic." It was occasionally harsh, but it was never despotic. Johnson was not in the least a despot; Johnson was a demagogue, he shouted against a shouting crowd. The very fact that he wrangled with other people is proof that other people were allowed to wrangle with him. His very brutality was based on the idea of an equal scrimmage, like that of football. It is strictly true that he bawled and banged the table because he was a modest man. He was honestly afraid of being overwhelmed or even overlooked. Addison had exquisite manners and was the king of his company; he was polite to everybody; but superior to everybody; therefore he has been handed down forever in the immortal insult of Pope—

"Like Cato, give his little Senate laws And sit attentive to his own applause."

Johnson, so far from being king of his company, was a sort of Irish Member in his own Parliament. Addison was a courteous superior and was hated. Johnson was an insolent equal and therefore was loved by all who knew him, and handed down in a marvellous book, which is one of the mere miracles of love.

This doctrine of equality is essential to conversation; so much may be admitted by anyone who knows what conversation is. Once arguing at a table in a tavern the most famous man on earth would wish to be obscure, so that his brilliant remarks might blaze like the stars on the background of his obscurity. To anything worth calling a man nothing can be conceived more cold or cheerless than to be king of your company. But it may be said that in masculine sports and games, other than the great game of debate, there is definite emulation and eclipse. There is indeed emulation, but this is only an ardent sort of equality. Games are competitive, because that is the only way of making them exciting. But if anyone doubts that men must forever return to the ideal of equality, it is only necessary to answer that there is such a thing as a handicap. If men exulted in mere superiority, they would seek to see how far such superiority could go; they would be glad when one strong runner came in miles ahead of all the rest. But what men like is not the triumph of superiors, but the struggle of equals; and, therefore, they introduce even into their competitive sports an artificial equality. It is sad to think how few of those who arrange our sporting handicaps can be supposed with any probability to realize that they are abstract and even severe republicans.

No; the real objection to equality and self-rule has nothing to do with any of these free and festive aspects of mankind; all men are democrats when they are happy. The philosophic opponent of democracy would substantially sum up his position by saying that it "will not work." Before going further, I will register in passing a protest against the assumption that working is the one test of humanity. Heaven does not work; it plays. Men are most themselves when they are free; and if I find that men are snobs in their work but democrats on their holidays, I shall take the liberty to believe their holidays. But it is this question of work which really perplexes the question of equality; and it is with that that we must now deal. Perhaps the truth can be put most pointedly thus: that democracy has one real enemy, and that is civilization. Those utilitarian miracles which science has made are anti-democratic, not so much in their perversion, or even in their practical result, as in their primary shape and purpose. The Frame-Breaking Rioters were right; not perhaps in thinking that machines would make fewer men workmen; but certainly in thinking that machines would make fewer men masters. More wheels do mean fewer handles; fewer handles do mean fewer hands. The machinery of science must be individualistic and isolated. A mob can shout round a palace; but a mob cannot shout down a telephone. The specialist appears and democracy is half spoiled at a stroke.

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IV. THE INSANE NECESSITY

The common conception among the dregs of Darwinian culture is that men have slowly worked their way out of inequality into a state of comparative equality. The truth is, I fancy, almost exactly the opposite. All men have normally and naturally begun with the idea of equality; they have only abandoned it late and reluctantly, and always for some material reason of detail. They have never naturally felt that one class of men was superior to another; they have always been driven to assume it through certain practical limitations of space and time.

For example, there is one element which must always tend to oligarchy—or rather to despotism; I mean the element of hurry. If the house has caught fire a man must ring up the fire engines; a committee cannot ring them up. If a camp is surprised by night somebody must give the order to fire; there is no time to vote it. It is solely a question of the physical limitations of time and space; not at all of any mental limitations in the mass of men commanded. If all the people in the house were men of destiny it would still be better that they should not all talk into the telephone at once; nay, it would be better that the silliest man of all should speak uninterrupted. If an army actually consisted of nothing but Hanibals and Napoleons, it would still be better in the case of a surprise that they should not all give orders together. Nay, it would be better if the stupidest of them all gave the orders. Thus, we see that merely military subordination, so far from resting on the inequality of men, actually rests on the equality of men. Discipline does not involve the Carlylean notion that somebody is always right when everybody is wrong, and that we must discover and crown that somebody. On the contrary, discipline means that in certain frightfully rapid circumstances, one can trust anybody so long as he is not everybody. The military spirit does not mean (as Carlyle fancied) obeying the strongest and wisest man. On the contrary, the military spirit means, if anything, obeying the weakest and stupidest man, obeying him merely because he is a man, and not a thousand men. Submission to a weak man is discipline. Submission to a strong man is only servility.

Now it can be easily shown that the thing we call aristocracy in Europe is not in its origin and spirit an aristocracy at all. It is not a system of spiritual degrees and distinctions like, for example, the caste system of India, or even like the old Greek distinction between free men and slaves. It is simply the remains of a military organization, framed partly to sustain the sinking Roman Empire, partly to break and avenge the awful onslaught of Islam. The word Duke simply means Colonel, just as the word Emperor simply means Commander-in-Chief. The whole story is told in the single title of Counts of the Holy Roman Empire, which merely means officers in the European army against the contemporary Yellow Peril. Now in an army nobody ever dreams of supposing that difference of rank represents a difference of moral reality. Nobody ever says about a regiment, "Your Major is very humorous and energetic; your Colonel, of course, must be even more humorous and yet more energetic." No one ever says, in reporting a mess-room conversation, "Lieutenant Jones was very witty, but was naturally inferior to Captain Smith." The essence of an army is the idea of official inequality, founded on unofficial equality. The Colonel is not obeyed because he is the best man, but because he is the Colonel. Such was probably the spirit of the system of dukes and counts when it first arose out of the military spirit and military necessities of Rome. With the decline of those necessities it has gradually ceased to have meaning as a military organization, and become honeycombed with unclean plutocracy. Even now it is not a spiritual aristocracy—it is not so bad as all that. It is simply an army without an enemy—billeted upon the people.

Man, therefore, has a specialist as well as comrade-like aspect; and the case of militarism is not the only case of such specialist submission. The tinker and tailor, as well as the soldier and sailor, require a certain rigidity of rapidity of action: at least, if the tinker is not organized that is largely why he does not tink on any large scale. The tinker and tailor often represent the two nomadic races in Europe: the Gipsy and the Jew; but the Jew alone has influence because he alone accepts some sort of discipline. Man, we say, has two sides, the specialist side where he must have subordination, and the social side where he must have equality. There is a truth in the saying that ten tailors go to make a man; but we must remember also that ten Poets Laureate or ten Astronomers Royal go to make a man, too. Ten million tradesmen go to make Man himself; but humanity consists of tradesmen when they are not talking shop. Now the peculiar peril of our time, which I call for argument's sake Imperialism or Caesarism, is the complete eclipse of comradeship and equality by specialism and domination.

There are only two kinds of social structure conceivable—personal government and impersonal government. If my anarchic friends will not have rules—they will have rulers. Preferring personal government, with its tact and flexibility, is called Royalism. Preferring impersonal government, with its dogmas and definitions, is called Republicanism. Objecting broadmindedly both to kings and creeds is called Bosh; at least, I know no more philosophic word for it. You can be guided by the shrewdness or presence of mind of one ruler, or by the equality and ascertained justice of one rule; but you must have one or the other, or you are not a nation, but a nasty mess. Now men in their aspect of equality and debate adore the idea of rules; they develop and complicate them greatly to excess. A man finds far more regulations and definitions in his club, where there are rules, than in his home, where there is a ruler. A deliberate assembly, the House of Commons, for instance, carries this mummery to the point of a methodical madness. The whole system is stiff with rigid unreason; like the Royal Court in Lewis Carroll. You would think the Speaker would speak; therefore he is mostly silent. You would think a man would take off his hat to stop and put it on to go away; therefore he takes off his hat to walk out and puts it on to stop in. Names are forbidden, and a man must call his own father "my right honorable friend the member for West Birmingham." These are, perhaps, fantasies of decay: but fundamentally they answer a masculine appetite. Men feel that rules, even if irrational, are universal; men feel that law is equal, even when it is not equitable. There is a wild fairness in the thing—as there is in tossing up.

Again, it is gravely unfortunate that when critics do attack such cases as the Commons it is always on the points (perhaps the few points) where the Commons are right. They denounce the House as the Talking-Shop, and complain that it wastes time in wordy mazes. Now this is just one respect in which the Commons are actually like the Common People. If they love leisure and long debate, it is because all men love it; that they really represent England. There the Parliament does approach to the virile virtues of the pothouse.

The real truth is that adumbrated in the introductory section when we spoke of the sense of home and property, as now we speak of the sense of counsel and community. All men do naturally love the idea of leisure, laughter, loud and equal argument; but there stands a specter in our hall. We are conscious of the towering modern challenge that is called specialism or cut-throat competition—Business. Business will have nothing to do with leisure; business will have no truck with comradeship; business will pretend to no patience with all the legal fictions and fantastic handicaps by which comradeship protects its egalitarian ideal. The modern millionaire, when engaged in the agreeable and typical task of sacking his own father, will certainly not refer to him as the right honorable clerk from the Laburnum Road, Brixton. Therefore there has arisen in modern life a literary fashion devoting itself to the romance of business, to great demigods of greed and to fairyland of finance. This popular philosophy is utterly despotic and anti-democratic; this fashion is the flower of that Caesarism against which I am concerned to protest. The ideal millionaire is strong in the possession of a brain of steel. The fact that the real millionaire is rather more often strong in the possession of a head of wood, does not alter the spirit and trend of the idolatry. The essential argument is "Specialists must be despots; men must be specialists. You cannot have equality in a soap factory; so you cannot have it anywhere. You cannot have comradeship in a wheat corner; so you cannot have it at all. We must have commercial civilization; therefore we must destroy democracy." I know that plutocrats have seldom sufficient fancy to soar to such examples as soap or wheat. They generally confine themselves, with fine freshness of mind, to a comparison between the state and a ship. One anti-democratic writer remarked that he would not like to sail in a vessel in which the cabin-boy had an equal vote with the captain. It might easily be urged in answer that many a ship (the Victoria, for instance) was sunk because an admiral gave an order which a cabin-boy could see was wrong. But this is a debating reply; the essential fallacy is both deeper and simpler. The elementary fact is that we were all born in a state; we were not all born on a ship; like some of our great British bankers. A ship still remains a specialist experiment, like a diving-bell or a flying ship: in such peculiar perils the need for promptitude constitutes the need for autocracy. But we live and die in the vessel of the state; and if we cannot find freedom camaraderie and the popular element in the state, we cannot find it at all. And the modern doctrine of commercial despotism means that we shall not find it at all. Our specialist trades in their highly civilized state cannot (it says) be run without the whole brutal business of bossing and sacking, "too old at forty" and all the rest of the filth. And they must be run, and therefore we call on Caesar. Nobody but the Superman could descend to do such dirty work.

Now (to reiterate my title) this is what is wrong. This is the huge modern heresy of altering the human soul to fit its conditions, instead of altering human conditions to fit the human soul. If soap boiling is really inconsistent with brotherhood, so much the worst for soap-boiling, not for brotherhood. If civilization really cannot get on with democracy, so much the worse for civilization, not for democracy. Certainly, it would be far better to go back to village communes, if they really are communes. Certainly, it would be better to do without soap rather than to do without society. Certainly, we would sacrifice all our wires, wheels, systems, specialties, physical science and frenzied finance for one half-hour of happiness such as has often come to us with comrades in a common tavern. I do not say the sacrifice will be necessary; I only say it will be easy.



PART THREE. FEMINISM, OR THE MISTAKE ABOUT WOMAN



I. THE UNMILITARY SUFFRAGETTE

It will be better to adopt in this chapter the same process that appeared a piece of mental justice in the last. My general opinions on the feminine question are such as many suffragists would warmly approve; and it would be easy to state them without any open reference to the current controversy. But just as it seemed more decent to say first that I was not in favor of Imperialism even in its practical and popular sense, so it seems more decent to say the same of Female Suffrage, in its practical and popular sense. In other words, it is only fair to state, however hurriedly, the superficial objection to the Suffragettes before we go on to the really subtle questions behind the Suffrage.

Well, to get this honest but unpleasant business over, the objection to the Suffragettes is not that they are Militant Suffragettes. On the contrary, it is that they are not militant enough. A revolution is a military thing; it has all the military virtues; one of which is that it comes to an end. Two parties fight with deadly weapons, but under certain rules of arbitrary honor; the party that wins becomes the government and proceeds to govern. The aim of civil war, like the aim of all war, is peace. Now the Suffragettes cannot raise civil war in this soldierly and decisive sense; first, because they are women; and, secondly, because they are very few women. But they can raise something else; which is altogether another pair of shoes. They do not create revolution; what they do create is anarchy; and the difference between these is not a question of violence, but a question of fruitfulness and finality. Revolution of its nature produces government; anarchy only produces more anarchy. Men may have what opinions they please about the beheading of King Charles or King Louis, but they cannot deny that Bradshaw and Cromwell ruled, that Carnot and Napoleon governed. Someone conquered; something occurred. You can only knock off the King's head once. But you can knock off the King's hat any number of times. Destruction is finite, obstruction is infinite: so long as rebellion takes the form of mere disorder (instead of an attempt to enforce a new order) there is no logical end to it; it can feed on itself and renew itself forever. If Napoleon had not wanted to be a Consul, but only wanted to be a nuisance, he could, possibly, have prevented any government arising successfully out of the Revolution. But such a proceeding would not have deserved the dignified name of rebellion.

It is exactly this unmilitant quality in the Suffragettes that makes their superficial problem. The problem is that their action has none of the advantages of ultimate violence; it does not afford a test. War is a dreadful thing; but it does prove two points sharply and unanswerably—numbers, and an unnatural valor. One does discover the two urgent matters; how many rebels there are alive, and how many are ready to be dead. But a tiny minority, even an interested minority, may maintain mere disorder forever. There is also, of course, in the case of these women, the further falsity that is introduced by their sex. It is false to state the matter as a mere brutal question of strength. If his muscles give a man a vote, then his horse ought to have two votes and his elephant five votes. The truth is more subtle than that; it is that bodily outbreak is a man's instinctive weapon, like the hoofs to the horse or the tusks to the elephant. All riot is a threat of war; but the woman is brandishing a weapon she can never use. There are many weapons that she could and does use. If (for example) all the women nagged for a vote they would get it in a month. But there again, one must remember, it would be necessary to get all the women to nag. And that brings us to the end of the political surface of the matter. The working objection to the Suffragette philosophy is simply that overmastering millions of women do not agree with it. I am aware that some maintain that women ought to have votes whether the majority wants them or not; but this is surely a strange and childish case of setting up formal democracy to the destruction of actual democracy. What should the mass of women decide if they do not decide their general place in the State? These people practically say that females may vote about everything except about Female Suffrage.

But having again cleared my conscience of my merely political and possibly unpopular opinion, I will again cast back and try to treat the matter in a slower and more sympathetic style; attempt to trace the real roots of woman's position in the western state, and the causes of our existing traditions or perhaps prejudices upon the point. And for this purpose it is again necessary to travel far from the modern topic, the mere Suffragette of today, and to go back to subjects which, though much more old, are, I think, considerably more fresh.

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II. THE UNIVERSAL STICK

Cast your eye round the room in which you sit, and select some three or four things that have been with man almost since his beginning; which at least we hear of early in the centuries and often among the tribes. Let me suppose that you see a knife on the table, a stick in the corner, or a fire on the hearth. About each of these you will notice one speciality; that not one of them is special. Each of these ancestral things is a universal thing; made to supply many different needs; and while tottering pedants nose about to find the cause and origin of some old custom, the truth is that it had fifty causes or a hundred origins. The knife is meant to cut wood, to cut cheese, to cut pencils, to cut throats; for a myriad ingenious or innocent human objects. The stick is meant partly to hold a man up, partly to knock a man down; partly to point with like a finger-post, partly to balance with like a balancing pole, partly to trifle with like a cigarette, partly to kill with like a club of a giant; it is a crutch and a cudgel; an elongated finger and an extra leg. The case is the same, of course, with the fire; about which the strangest modern views have arisen. A queer fancy seems to be current that a fire exists to warm people. It exists to warm people, to light their darkness, to raise their spirits, to toast their muffins, to air their rooms, to cook their chestnuts, to tell stories to their children, to make checkered shadows on their walls, to boil their hurried kettles, and to be the red heart of a man's house and that hearth for which, as the great heathens said, a man should die.

Now it is the great mark of our modernity that people are always proposing substitutes for these old things; and these substitutes always answer one purpose where the old thing answered ten. The modern man will wave a cigarette instead of a stick; he will cut his pencil with a little screwing pencil-sharpener instead of a knife; and he will even boldly offer to be warmed by hot water pipes instead of a fire. I have my doubts about pencil-sharpeners even for sharpening pencils; and about hot water pipes even for heat. But when we think of all those other requirements that these institutions answered, there opens before us the whole horrible harlequinade of our civilization. We see as in a vision a world where a man tries to cut his throat with a pencil-sharpener; where a man must learn single-stick with a cigarette; where a man must try to toast muffins at electric lamps, and see red and golden castles in the surface of hot water pipes.

The principle of which I speak can be seen everywhere in a comparison between the ancient and universal things and the modern and specialist things. The object of a theodolite is to lie level; the object of a stick is to swing loose at any angle; to whirl like the very wheel of liberty. The object of a lancet is to lance; when used for slashing, gashing, ripping, lopping off heads and limbs, it is a disappointing instrument. The object of an electric light is merely to light (a despicable modesty); and the object of an asbestos stove... I wonder what is the object of an asbestos stove? If a man found a coil of rope in a desert he could at least think of all the things that can be done with a coil of rope; and some of them might even be practical. He could tow a boat or lasso a horse. He could play cat's-cradle, or pick oakum. He could construct a rope-ladder for an eloping heiress, or cord her boxes for a travelling maiden aunt. He could learn to tie a bow, or he could hang himself. Far otherwise with the unfortunate traveller who should find a telephone in the desert. You can telephone with a telephone; you cannot do anything else with it. And though this is one of the wildest joys of life, it falls by one degree from its full delirium when there is nobody to answer you. The contention is, in brief, that you must pull up a hundred roots, and not one, before you uproot any of these hoary and simple expedients. It is only with great difficulty that a modern scientific sociologist can be got to see that any old method has a leg to stand on. But almost every old method has four or five legs to stand on. Almost all the old institutions are quadrupeds; and some of them are centipedes.

Consider these cases, old and new, and you will observe the operation of a general tendency. Everywhere there was one big thing that served six purposes; everywhere now there are six small things; or, rather (and there is the trouble), there are just five and a half. Nevertheless, we will not say that this separation and specialism is entirely useless or inexcusable. I have often thanked God for the telephone; I may any day thank God for the lancet; and there is none of these brilliant and narrow inventions (except, of course, the asbestos stove) which might not be at some moment necessary and lovely. But I do not think the most austere upholder of specialism will deny that there is in these old, many-sided institutions an element of unity and universality which may well be preserved in its due proportion and place. Spiritually, at least, it will be admitted that some all-round balance is needed to equalize the extravagance of experts. It would not be difficult to carry the parable of the knife and stick into higher regions. Religion, the immortal maiden, has been a maid-of-all-work as well as a servant of mankind. She provided men at once with the theoretic laws of an unalterable cosmos and also with the practical rules of the rapid and thrilling game of morality. She taught logic to the student and told fairy tales to the children; it was her business to confront the nameless gods whose fears are on all flesh, and also to see the streets were spotted with silver and scarlet, that there was a day for wearing ribbons or an hour for ringing bells. The large uses of religion have been broken up into lesser specialities, just as the uses of the hearth have been broken up into hot water pipes and electric bulbs. The romance of ritual and colored emblem has been taken over by that narrowest of all trades, modern art (the sort called art for art's sake), and men are in modern practice informed that they may use all symbols so long as they mean nothing by them. The romance of conscience has been dried up into the science of ethics; which may well be called decency for decency's sake, decency unborn of cosmic energies and barren of artistic flower. The cry to the dim gods, cut off from ethics and cosmology, has become mere Psychical Research. Everything has been sundered from everything else, and everything has grown cold. Soon we shall hear of specialists dividing the tune from the words of a song, on the ground that they spoil each other; and I did once meet a man who openly advocated the separation of almonds and raisins. This world is all one wild divorce court; nevertheless, there are many who still hear in their souls the thunder of authority of human habit; those whom Man hath joined let no man sunder.

This book must avoid religion, but there must (I say) be many, religious and irreligious, who will concede that this power of answering many purposes was a sort of strength which should not wholly die out of our lives. As a part of personal character, even the moderns will agree that many-sidedness is a merit and a merit that may easily be overlooked. This balance and universality has been the vision of many groups of men in many ages. It was the Liberal Education of Aristotle; the jack-of-all-trades artistry of Leonardo da Vinci and his friends; the august amateurishness of the Cavalier Person of Quality like Sir William Temple or the great Earl of Dorset. It has appeared in literature in our time in the most erratic and opposite shapes, set to almost inaudible music by Walter Pater and enunciated through a foghorn by Walt Whitman. But the great mass of men have always been unable to achieve this literal universality, because of the nature of their work in the world. Not, let it be noted, because of the existence of their work. Leonardo da Vinci must have worked pretty hard; on the other hand, many a government office clerk, village constable or elusive plumber may do (to all human appearance) no work at all, and yet show no signs of the Aristotelian universalism. What makes it difficult for the average man to be a universalist is that the average man has to be a specialist; he has not only to learn one trade, but to learn it so well as to uphold him in a more or less ruthless society. This is generally true of males from the first hunter to the last electrical engineer; each has not merely to act, but to excel. Nimrod has not only to be a mighty hunter before the Lord, but also a mighty hunter before the other hunters. The electrical engineer has to be a very electrical engineer, or he is outstripped by engineers yet more electrical. Those very miracles of the human mind on which the modern world prides itself, and rightly in the main, would be impossible without a certain concentration which disturbs the pure balance of reason more than does religious bigotry. No creed can be so limiting as that awful adjuration that the cobbler must not go beyond his last. So the largest and wildest shots of our world are but in one direction and with a defined trajectory: the gunner cannot go beyond his shot, and his shot so often falls short; the astronomer cannot go beyond his telescope and his telescope goes such a little way. All these are like men who have stood on the high peak of a mountain and seen the horizon like a single ring and who then descend down different paths towards different towns, traveling slow or fast. It is right; there must be people traveling to different towns; there must be specialists; but shall no one behold the horizon? Shall all mankind be specialist surgeons or peculiar plumbers; shall all humanity be monomaniac? Tradition has decided that only half of humanity shall be monomaniac. It has decided that in every home there shall be a tradesman and a Jack-of-all-trades. But it has also decided, among other things, that the Jack-of-all-trades shall be a Jill-of-all-trades. It has decided, rightly or wrongly, that this specialism and this universalism shall be divided between the sexes. Cleverness shall be left for men and wisdom for women. For cleverness kills wisdom; that is one of the few sad and certain things.

But for women this ideal of comprehensive capacity (or common-sense) must long ago have been washed away. It must have melted in the frightful furnaces of ambition and eager technicality. A man must be partly a one-idead man, because he is a one-weaponed man—and he is flung naked into the fight. The world's demand comes to him direct; to his wife indirectly. In short, he must (as the books on Success say) give "his best"; and what a small part of a man "his best" is! His second and third best are often much better. If he is the first violin he must fiddle for life; he must not remember that he is a fine fourth bagpipe, a fair fifteenth billiard-cue, a foil, a fountain pen, a hand at whist, a gun, and an image of God.

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III. THE EMANCIPATION OF DOMESTICITY

And it should be remarked in passing that this force upon a man to develop one feature has nothing to do with what is commonly called our competitive system, but would equally exist under any rationally conceivable kind of Collectivism. Unless the Socialists are frankly ready for a fall in the standard of violins, telescopes and electric lights, they must somehow create a moral demand on the individual that he shall keep up his present concentration on these things. It was only by men being in some degree specialist that there ever were any telescopes; they must certainly be in some degree specialist in order to keep them going. It is not by making a man a State wage-earner that you can prevent him thinking principally about the very difficult way he earns his wages. There is only one way to preserve in the world that high levity and that more leisurely outlook which fulfils the old vision of universalism. That is, to permit the existence of a partly protected half of humanity; a half which the harassing industrial demand troubles indeed, but only troubles indirectly. In other words, there must be in every center of humanity one human being upon a larger plan; one who does not "give her best," but gives her all.

Our old analogy of the fire remains the most workable one. The fire need not blaze like electricity nor boil like boiling water; its point is that it blazes more than water and warms more than light. The wife is like the fire, or to put things in their proper proportion, the fire is like the wife. Like the fire, the woman is expected to cook: not to excel in cooking, but to cook; to cook better than her husband who is earning the coke by lecturing on botany or breaking stones. Like the fire, the woman is expected to tell tales to the children, not original and artistic tales, but tales—better tales than would probably be told by a first-class cook. Like the fire, the woman is expected to illuminate and ventilate, not by the most startling revelations or the wildest winds of thought, but better than a man can do it after breaking stones or lecturing. But she cannot be expected to endure anything like this universal duty if she is also to endure the direct cruelty of competitive or bureaucratic toil. Woman must be a cook, but not a competitive cook; a school mistress, but not a competitive schoolmistress; a house-decorator but not a competitive house-decorator; a dressmaker, but not a competitive dressmaker. She should have not one trade but twenty hobbies; she, unlike the man, may develop all her second bests. This is what has been really aimed at from the first in what is called the seclusion, or even the oppression, of women. Women were not kept at home in order to keep them narrow; on the contrary, they were kept at home in order to keep them broad. The world outside the home was one mass of narrowness, a maze of cramped paths, a madhouse of monomaniacs. It was only by partly limiting and protecting the woman that she was enabled to play at five or six professions and so come almost as near to God as the child when he plays at a hundred trades. But the woman's professions, unlike the child's, were all truly and almost terribly fruitful; so tragically real that nothing but her universality and balance prevented them being merely morbid. This is the substance of the contention I offer about the historic female position. I do not deny that women have been wronged and even tortured; but I doubt if they were ever tortured so much as they are tortured now by the absurd modern attempt to make them domestic empresses and competitive clerks at the same time. I do not deny that even under the old tradition women had a harder time than men; that is why we take off our hats. I do not deny that all these various female functions were exasperating; but I say that there was some aim and meaning in keeping them various. I do not pause even to deny that woman was a servant; but at least she was a general servant.

The shortest way of summarizing the position is to say that woman stands for the idea of Sanity; that intellectual home to which the mind must return after every excursion on extravagance. The mind that finds its way to wild places is the poet's; but the mind that never finds its way back is the lunatic's. There must in every machine be a part that moves and a part that stands still; there must be in everything that changes a part that is unchangeable. And many of the phenomena which moderns hastily condemn are really parts of this position of the woman as the center and pillar of health. Much of what is called her subservience, and even her pliability, is merely the subservience and pliability of a universal remedy; she varies as medicines vary, with the disease. She has to be an optimist to the morbid husband, a salutary pessimist to the happy-go-lucky husband. She has to prevent the Quixote from being put upon, and the bully from putting upon others. The French King wrote—

"Toujours femme varie Bien fol qui s'y fie,"

but the truth is that woman always varies, and that is exactly why we always trust her. To correct every adventure and extravagance with its antidote in common-sense is not (as the moderns seem to think) to be in the position of a spy or a slave. It is to be in the position of Aristotle or (at the lowest) Herbert Spencer, to be a universal morality, a complete system of thought. The slave flatters; the complete moralist rebukes. It is, in short, to be a Trimmer in the true sense of that honorable term; which for some reason or other is always used in a sense exactly opposite to its own. It seems really to be supposed that a Trimmer means a cowardly person who always goes over to the stronger side. It really means a highly chivalrous person who always goes over to the weaker side; like one who trims a boat by sitting where there are few people seated. Woman is a trimmer; and it is a generous, dangerous and romantic trade.

The final fact which fixes this is a sufficiently plain one. Supposing it to be conceded that humanity has acted at least not unnaturally in dividing itself into two halves, respectively typifying the ideals of special talent and of general sanity (since they are genuinely difficult to combine completely in one mind), it is not difficult to see why the line of cleavage has followed the line of sex, or why the female became the emblem of the universal and the male of the special and superior. Two gigantic facts of nature fixed it thus: first, that the woman who frequently fulfilled her functions literally could not be specially prominent in experiment and adventure; and second, that the same natural operation surrounded her with very young children, who require to be taught not so much anything as everything. Babies need not to be taught a trade, but to be introduced to a world. To put the matter shortly, woman is generally shut up in a house with a human being at the time when he asks all the questions that there are, and some that there aren't. It would be odd if she retained any of the narrowness of a specialist. Now if anyone says that this duty of general enlightenment (even when freed from modern rules and hours, and exercised more spontaneously by a more protected person) is in itself too exacting and oppressive, I can understand the view. I can only answer that our race has thought it worth while to cast this burden on women in order to keep common-sense in the world. But when people begin to talk about this domestic duty as not merely difficult but trivial and dreary, I simply give up the question. For I cannot with the utmost energy of imagination conceive what they mean. When domesticity, for instance, is called drudgery, all the difficulty arises from a double meaning in the word. If drudgery only means dreadfully hard work, I admit the woman drudges in the home, as a man might drudge at the Cathedral of Amiens or drudge behind a gun at Trafalgar. But if it means that the hard work is more heavy because it is trifling, colorless and of small import to the soul, then as I say, I give it up; I do not know what the words mean. To be Queen Elizabeth within a definite area, deciding sales, banquets, labors and holidays; to be Whiteley within a certain area, providing toys, boots, sheets, cakes and books, to be Aristotle within a certain area, teaching morals, manners, theology, and hygiene; I can understand how this might exhaust the mind, but I cannot imagine how it could narrow it. How can it be a large career to tell other people's children about the Rule of Three, and a small career to tell one's own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman's function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness.

But though the essential of the woman's task is universality, this does not, of course, prevent her from having one or two severe though largely wholesome prejudices. She has, on the whole, been more conscious than man that she is only one half of humanity; but she has expressed it (if one may say so of a lady) by getting her teeth into the two or three things which she thinks she stands for. I would observe here in parenthesis that much of the recent official trouble about women has arisen from the fact that they transfer to things of doubt and reason that sacred stubbornness only proper to the primary things which a woman was set to guard. One's own children, one's own altar, ought to be a matter of principle—or if you like, a matter of prejudice. On the other hand, who wrote Junius's Letters ought not to be a principle or a prejudice, it ought to be a matter of free and almost indifferent inquiry. But take an energetic modern girl secretary to a league to show that George III wrote Junius, and in three months she will believe it, too, out of mere loyalty to her employers. Modern women defend their office with all the fierceness of domesticity. They fight for desk and typewriter as for hearth and home, and develop a sort of wolfish wifehood on behalf of the invisible head of the firm. That is why they do office work so well; and that is why they ought not to do it.

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IV. THE ROMANCE OF THRIFT

The larger part of womankind, however, have had to fight for things slightly more intoxicating to the eye than the desk or the typewriter; and it cannot be denied that in defending these, women have developed the quality called prejudice to a powerful and even menacing degree. But these prejudices will always be found to fortify the main position of the woman, that she is to remain a general overseer, an autocrat within small compass but on all sides. On the one or two points on which she really misunderstands the man's position, it is almost entirely in order to preserve her own. The two points on which woman, actually and of herself, is most tenacious may be roughly summarized as the ideal of thrift and the ideal of dignity.

Unfortunately for this book it is written by a male, and these two qualities, if not hateful to a man, are at least hateful in a man. But if we are to settle the sex question at all fairly, all males must make an imaginative attempt to enter into the attitude of all good women toward these two things. The difficulty exists especially, perhaps, in the thing called thrift; we men have so much encouraged each other in throwing money right and left, that there has come at last to be a sort of chivalrous and poetical air about losing sixpence. But on a broader and more candid consideration the case scarcely stands so.

Thrift is the really romantic thing; economy is more romantic than extravagance. Heaven knows I for one speak disinterestedly in the matter; for I cannot clearly remember saving a half-penny ever since I was born. But the thing is true; economy, properly understood, is the more poetic. Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare. When science began to use by-products; when science found that colors could be made out of coaltar, she made her greatest and perhaps her only claim on the real respect of the human soul. Now the aim of the good woman is to use the by-products, or, in other words, to rummage in the dustbin.

A man can only fully comprehend it if he thinks of some sudden joke or expedient got up with such materials as may be found in a private house on a rainy day. A man's definite daily work is generally run with such rigid convenience of modern science that thrift, the picking up of potential helps here and there, has almost become unmeaning to him. He comes across it most (as I say) when he is playing some game within four walls; when in charades, a hearthrug will just do for a fur coat, or a tea-cozy just do for a cocked hat; when a toy theater needs timber and cardboard, and the house has just enough firewood and just enough bandboxes. This is the man's occasional glimpse and pleasing parody of thrift. But many a good housekeeper plays the same game every day with ends of cheese and scraps of silk, not because she is mean, but on the contrary, because she is magnanimous; because she wishes her creative mercy to be over all her works, that not one sardine should be destroyed, or cast as rubbish to the void, when she has made the pile complete.

The modern world must somehow be made to understand (in theology and other things) that a view may be vast, broad, universal, liberal and yet come into conflict with another view that is vast, broad, universal and liberal also. There is never a war between two sects, but only between two universal Catholic Churches. The only possible collision is the collision of one cosmos with another. So in a smaller way it must be first made clear that this female economic ideal is a part of that female variety of outlook and all-round art of life which we have already attributed to the sex: thrift is not a small or timid or provincial thing; it is part of that great idea of the woman watching on all sides out of all the windows of the soul and being answerable for everything. For in the average human house there is one hole by which money comes in and a hundred by which it goes out; man has to do with the one hole, woman with the hundred. But though the very stinginess of a woman is a part of her spiritual breadth, it is none the less true that it brings her into conflict with the special kind of spiritual breadth that belongs to the males of the tribe. It brings her into conflict with that shapeless cataract of Comradeship, of chaotic feasting and deafening debate, which we noted in the last section. The very touch of the eternal in the two sexual tastes brings them the more into antagonism; for one stands for a universal vigilance and the other for an almost infinite output. Partly through the nature of his moral weakness, and partly through the nature of his physical strength, the male is normally prone to expand things into a sort of eternity; he always thinks of a dinner party as lasting all night; and he always thinks of a night as lasting forever. When the working women in the poor districts come to the doors of the public houses and try to get their husbands home, simple minded "social workers" always imagine that every husband is a tragic drunkard and every wife a broken-hearted saint. It never occurs to them that the poor woman is only doing under coarser conventions exactly what every fashionable hostess does when she tries to get the men from arguing over the cigars to come and gossip over the teacups. These women are not exasperated merely at the amount of money that is wasted in beer; they are exasperated also at the amount of time that is wasted in talk. It is not merely what goeth into the mouth but what cometh out the mouth that, in their opinion, defileth a man. They will raise against an argument (like their sisters of all ranks) the ridiculous objection that nobody is convinced by it; as if a man wanted to make a body-slave of anybody with whom he had played single-stick. But the real female prejudice on this point is not without a basis; the real feeling is this, that the most masculine pleasures have a quality of the ephemeral. A duchess may ruin a duke for a diamond necklace; but there is the necklace. A coster may ruin his wife for a pot of beer; and where is the beer? The duchess quarrels with another duchess in order to crush her, to produce a result; the coster does not argue with another coster in order to convince him, but in order to enjoy at once the sound of his own voice, the clearness of his own opinions and the sense of masculine society. There is this element of a fine fruitlessness about the male enjoyments; wine is poured into a bottomless bucket; thought plunges into a bottomless abyss. All this has set woman against the Public House—that is, against the Parliament House. She is there to prevent waste; and the "pub" and the parliament are the very palaces of waste. In the upper classes the "pub" is called the club, but that makes no more difference to the reason than it does to the rhyme. High and low, the woman's objection to the Public House is perfectly definite and rational, it is that the Public House wastes the energies that could be used on the private house.

As it is about feminine thrift against masculine waste, so it is about feminine dignity against masculine rowdiness. The woman has a fixed and very well-founded idea that if she does not insist on good manners nobody else will. Babies are not always strong on the point of dignity, and grown-up men are quite unpresentable. It is true that there are many very polite men, but none that I ever heard of who were not either fascinating women or obeying them. But indeed the female ideal of dignity, like the female ideal of thrift, lies deeper and may easily be misunderstood. It rests ultimately on a strong idea of spiritual isolation; the same that makes women religious. They do not like being melted down; they dislike and avoid the mob. That anonymous quality we have remarked in the club conversation would be common impertinence in a case of ladies. I remember an artistic and eager lady asking me in her grand green drawing-room whether I believed in comradeship between the sexes, and why not. I was driven back on offering the obvious and sincere answer "Because if I were to treat you for two minutes like a comrade you would turn me out of the house." The only certain rule on this subject is always to deal with woman and never with women. "Women" is a profligate word; I have used it repeatedly in this chapter; but it always has a blackguard sound. It smells of oriental cynicism and hedonism. Every woman is a captive queen. But every crowd of women is only a harem broken loose.

I am not expressing my own views here, but those of nearly all the women I have known. It is quite unfair to say that a woman hates other women individually; but I think it would be quite true to say that she detests them in a confused heap. And this is not because she despises her own sex, but because she respects it; and respects especially that sanctity and separation of each item which is represented in manners by the idea of dignity and in morals by the idea of chastity.

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V. THE COLDNESS OF CHLOE

We hear much of the human error which accepts what is sham and what is real. But it is worth while to remember that with unfamiliar things we often mistake what is real for what is sham. It is true that a very young man may think the wig of an actress is her hair. But it is equally true that a child yet younger may call the hair of a negro his wig. Just because the woolly savage is remote and barbaric he seems to be unnaturally neat and tidy. Everyone must have noticed the same thing in the fixed and almost offensive color of all unfamiliar things, tropic birds and tropic blossoms. Tropic birds look like staring toys out of a toy-shop. Tropic flowers simply look like artificial flowers, like things cut out of wax. This is a deep matter, and, I think, not unconnected with divinity; but anyhow it is the truth that when we see things for the first time we feel instantly that they are fictive creations; we feel the finger of God. It is only when we are thoroughly used to them and our five wits are wearied, that we see them as wild and objectless; like the shapeless tree-tops or the shifting cloud. It is the design in Nature that strikes us first; the sense of the crosses and confusions in that design only comes afterwards through experience and an almost eerie monotony. If a man saw the stars abruptly by accident he would think them as festive and as artificial as a firework. We talk of the folly of painting the lily; but if we saw the lily without warning we should think that it was painted. We talk of the devil not being so black as he is painted; but that very phrase is a testimony to the kinship between what is called vivid and what is called artificial. If the modern sage had only one glimpse of grass and sky, he would say that grass was not as green as it was painted; that sky was not as blue as it was painted. If one could see the whole universe suddenly, it would look like a bright-colored toy, just as the South American hornbill looks like a bright-colored toy. And so they are—both of them, I mean.

But it was not with this aspect of the startling air of artifice about all strange objects that I meant to deal. I mean merely, as a guide to history, that we should not be surprised if things wrought in fashions remote from ours seem artificial; we should convince ourselves that nine times out of ten these things are nakedly and almost indecently honest. You will hear men talk of the frosted classicism of Corneille or of the powdered pomposities of the eighteenth century, but all these phrases are very superficial. There never was an artificial epoch. There never was an age of reason. Men were always men and women women: and their two generous appetites always were the expression of passion and the telling of truth. We can see something stiff and quaint in their mode of expression, just as our descendants will see something stiff and quaint in our coarsest slum sketch or our most naked pathological play. But men have never talked about anything but important things; and the next force in femininity which we have to consider can be considered best perhaps in some dusty old volume of verses by a person of quality.

The eighteenth century is spoken of as the period of artificiality, in externals at least; but, indeed, there may be two words about that. In modern speech one uses artificiality as meaning indefinitely a sort of deceit; and the eighteenth century was far too artificial to deceive. It cultivated that completest art that does not conceal the art. Its fashions and costumes positively revealed nature by allowing artifice; as in that obvious instance of a barbering that frosted every head with the same silver. It would be fantastic to call this a quaint humility that concealed youth; but, at least, it was not one with the evil pride that conceals old age. Under the eighteenth century fashion people did not so much all pretend to be young, as all agree to be old. The same applies to the most odd and unnatural of their fashions; they were freakish, but they were not false. A lady may or may not be as red as she is painted, but plainly she was not so black as she was patched.

But I only introduce the reader into this atmosphere of the older and franker fictions that he may be induced to have patience for a moment with a certain element which is very common in the decoration and literature of that age and of the two centuries preceding it. It is necessary to mention it in such a connection because it is exactly one of those things that look as superficial as powder, and are really as rooted as hair.

In all the old flowery and pastoral love-songs, those of the seventeenth and eighteenth centuries especially, you will find a perpetual reproach against woman in the matter of her coldness; ceaseless and stale similes that compare her eyes to northern stars, her heart to ice, or her bosom to snow. Now most of us have always supposed these old and iterant phrases to be a mere pattern of dead words, a thing like a cold wall-paper. Yet I think those old cavalier poets who wrote about the coldness of Chloe had hold of a psychological truth missed in nearly all the realistic novels of today. Our psychological romancers perpetually represent wives as striking terror into their husbands by rolling on the floor, gnashing their teeth, throwing about the furniture or poisoning the coffee; all this upon some strange fixed theory that women are what they call emotional. But in truth the old and frigid form is much nearer to the vital fact. Most men if they spoke with any sincerity would agree that the most terrible quality in women, whether in friendship, courtship or marriage, was not so much being emotional as being unemotional.

There is an awful armor of ice which may be the legitimate protection of a more delicate organism; but whatever be the psychological explanation there can surely be no question of the fact. The instinctive cry of the female in anger is noli me tangere. I take this as the most obvious and at the same time the least hackneyed instance of a fundamental quality in the female tradition, which has tended in our time to be almost immeasurably misunderstood, both by the cant of moralists and the cant of immoralists. The proper name for the thing is modesty; but as we live in an age of prejudice and must not call things by their right names, we will yield to a more modern nomenclature and call it dignity. Whatever else it is, it is the thing which a thousand poets and a million lovers have called the coldness of Chloe. It is akin to the classical, and is at least the opposite of the grotesque. And since we are talking here chiefly in types and symbols, perhaps as good an embodiment as any of the idea may be found in the mere fact of a woman wearing a skirt. It is highly typical of the rabid plagiarism which now passes everywhere for emancipation, that a little while ago it was common for an "advanced" woman to claim the right to wear trousers; a right about as grotesque as the right to wear a false nose. Whether female liberty is much advanced by the act of wearing a skirt on each leg I do not know; perhaps Turkish women might offer some information on the point. But if the western woman walks about (as it were) trailing the curtains of the harem with her, it is quite certain that the woven mansion is meant for a perambulating palace, not for a perambulating prison. It is quite certain that the skirt means female dignity, not female submission; it can be proved by the simplest of all tests. No ruler would deliberately dress up in the recognized fetters of a slave; no judge would appear covered with broad arrows. But when men wish to be safely impressive, as judges, priests or kings, they do wear skirts, the long, trailing robes of female dignity The whole world is under petticoat government; for even men wear petticoats when they wish to govern.

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VI. THE PEDANT AND THE SAVAGE

We say then that the female holds up with two strong arms these two pillars of civilization; we say also that she could do neither, but for her position; her curious position of private omnipotence, universality on a small scale. The first element is thrift; not the destructive thrift of the miser, but the creative thrift of the peasant; the second element is dignity, which is but the expression of sacred personality and privacy. Now I know the question that will be abruptly and automatically asked by all that know the dull tricks and turns of the modern sexual quarrel. The advanced person will at once begin to argue about whether these instincts are inherent and inevitable in woman or whether they are merely prejudices produced by her history and education. Now I do not propose to discuss whether woman could now be educated out of her habits touching thrift and dignity; and that for two excellent reasons. First it is a question which cannot conceivably ever find any answer: that is why modern people are so fond of it. From the nature of the case it is obviously impossible to decide whether any of the peculiarities of civilized man have been strictly necessary to his civilization. It is not self-evident (for instance), that even the habit of standing upright was the only path of human progress. There might have been a quadrupedal civilization, in which a city gentleman put on four boots to go to the city every morning. Or there might have been a reptilian civilization, in which he rolled up to the office on his stomach; it is impossible to say that intelligence might not have developed in such creatures. All we can say is that man as he is walks upright; and that woman is something almost more upright than uprightness.

And the second point is this: that upon the whole we rather prefer women (nay, even men) to walk upright; so we do not waste much of our noble lives in inventing any other way for them to walk. In short, my second reason for not speculating upon whether woman might get rid of these peculiarities, is that I do not want her to get rid of them; nor does she. I will not exhaust my intelligence by inventing ways in which mankind might unlearn the violin or forget how to ride horses; and the art of domesticity seems to me as special and as valuable as all the ancient arts of our race. Nor do I propose to enter at all into those formless and floundering speculations about how woman was or is regarded in the primitive times that we cannot remember, or in the savage countries which we cannot understand. Even if these people segregated their women for low or barbaric reasons it would not make our reasons barbaric; and I am haunted with a tenacious suspicion that these people's feelings were really, under other forms, very much the same as ours. Some impatient trader, some superficial missionary, walks across an island and sees the squaw digging in the fields while the man is playing a flute; and immediately says that the man is a mere lord of creation and the woman a mere serf. He does not remember that he might see the same thing in half the back gardens in Brixton, merely because women are at once more conscientious and more impatient, while men are at once more quiescent and more greedy for pleasure. It may often be in Hawaii simply as it is in Hoxton. That is, the woman does not work because the man tells her to work and she obeys. On the contrary, the woman works because she has told the man to work and he hasn't obeyed. I do not affirm that this is the whole truth, but I do affirm that we have too little comprehension of the souls of savages to know how far it is untrue. It is the same with the relations of our hasty and surface science, with the problem of sexual dignity and modesty. Professors find all over the world fragmentary ceremonies in which the bride affects some sort of reluctance, hides from her husband, or runs away from him. The professor then pompously proclaims that this is a survival of Marriage by Capture. I wonder he never says that the veil thrown over the bride is really a net. I gravely doubt whether women ever were married by capture I think they pretended to be; as they do still.

It is equally obvious that these two necessary sanctities of thrift and dignity are bound to come into collision with the wordiness, the wastefulness, and the perpetual pleasure-seeking of masculine companionship. Wise women allow for the thing; foolish women try to crush it; but all women try to counteract it, and they do well. In many a home all round us at this moment, we know that the nursery rhyme is reversed. The queen is in the counting-house, counting out the money. The king is in the parlor, eating bread and honey. But it must be strictly understood that the king has captured the honey in some heroic wars. The quarrel can be found in moldering Gothic carvings and in crabbed Greek manuscripts. In every age, in every land, in every tribe and village, has been waged the great sexual war between the Private House and the Public House. I have seen a collection of mediaeval English poems, divided into sections such as "Religious Carols," "Drinking Songs," and so on; and the section headed, "Poems of Domestic Life" consisted entirely (literally, entirely) of the complaints of husbands who were bullied by their wives. Though the English was archaic, the words were in many cases precisely the same as those which I have heard in the streets and public houses of Battersea, protests on behalf of an extension of time and talk, protests against the nervous impatience and the devouring utilitarianism of the female. Such, I say, is the quarrel; it can never be anything but a quarrel; but the aim of all morals and all society is to keep it a lovers' quarrel.

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VII. THE MODERN SURRENDER OF WOMAN

But in this corner called England, at this end of the century, there has happened a strange and startling thing. Openly and to all appearance, this ancestral conflict has silently and abruptly ended; one of the two sexes has suddenly surrendered to the other. By the beginning of the twentieth century, within the last few years, the woman has in public surrendered to the man. She has seriously and officially owned that the man has been right all along; that the public house (or Parliament) is really more important than the private house; that politics are not (as woman had always maintained) an excuse for pots of beer, but are a sacred solemnity to which new female worshipers may kneel; that the talkative patriots in the tavern are not only admirable but enviable; that talk is not a waste of time, and therefore (as a consequence, surely) that taverns are not a waste of money. All we men had grown used to our wives and mothers, and grandmothers, and great aunts all pouring a chorus of contempt upon our hobbies of sport, drink and party politics. And now comes Miss Pankhurst with tears in her eyes, owning that all the women were wrong and all the men were right; humbly imploring to be admitted into so much as an outer court, from which she may catch a glimpse of those masculine merits which her erring sisters had so thoughtlessly scorned.

Now this development naturally perturbs and even paralyzes us. Males, like females, in the course of that old fight between the public and private house, had indulged in overstatement and extravagance, feeling that they must keep up their end of the see-saw. We told our wives that Parliament had sat late on most essential business; but it never crossed our minds that our wives would believe it. We said that everyone must have a vote in the country; similarly our wives said that no one must have a pipe in the drawing room. In both cases the idea was the same. "It does not matter much, but if you let those things slide there is chaos." We said that Lord Huggins or Mr. Buggins was absolutely necessary to the country. We knew quite well that nothing is necessary to the country except that the men should be men and the women women. We knew this; we thought the women knew it even more clearly; and we thought the women would say it. Suddenly, without warning, the women have begun to say all the nonsense that we ourselves hardly believed when we said it. The solemnity of politics; the necessity of votes; the necessity of Huggins; the necessity of Buggins; all these flow in a pellucid stream from the lips of all the suffragette speakers. I suppose in every fight, however old, one has a vague aspiration to conquer; but we never wanted to conquer women so completely as this. We only expected that they might leave us a little more margin for our nonsense; we never expected that they would accept it seriously as sense. Therefore I am all at sea about the existing situation; I scarcely know whether to be relieved or enraged by this substitution of the feeble platform lecture for the forcible curtain-lecture. I am lost without the trenchant and candid Mrs. Caudle. I really do not know what to do with the prostrate and penitent Miss Pankhurst. This surrender of the modern woman has taken us all so much by surprise that it is desirable to pause a moment, and collect our wits about what she is really saying.