And on the way to the station, that moment, Mr. Montague Nevitt, as he lit his cigarette, was saying to Cyril, with an approving smile, "Your Miss Clifford's pretty."

"Yes," Cyril answered drily, "she's not bad looking. She looked her best to-day. And she's capital company."

But Guy broke out unabashed into a sudden burst of speech.

"Not bad looking!" he cried contemptuously. "Is that all you have to say of her? And you a painter, too! Why, she's beautiful! She's charming! If Cyril was shut up in a tunnel with HER—-"

He broke off suddenly.

And for the rest of the way home he spoke but seldom. It was all too true. The two Warings were cast in the self-same mould. What attracted one, it was clear, no less surely and certainly attracted the other.

As they went to their separate rooms in Staple Inn that night, Guy paused for a moment, candle in hand, by his door, and looked straight at Cyril.

"You needn't fear ME," he said, in a very low tone. "She's yours. You found her. I wouldn't be mean enough for a minute to interfere with your find. But I'm not surprised at you. I would do the same myself, if I could have seen her first. I won't see her again. I couldn't stand it. She's too beautiful to see and not to fall in love with."



CHAPTER VIII.

ELMA BREAKS OUT.



Mrs. Clifford returned from Chetwood Court that clay in by no means such high spirits as when she went there. In the first place, she hadn't succeeded in throwing Elma and Granville Kelmscott into one another's company at all, and in the second place Elma had talked much under her very nose, for half-an-hour at a stretch, with the unknown young painter fellow. When Elma was asked out anywhere else in the country for the next six weeks or so, Mrs. Clifford made up her mind strictly to inquire in private, before committing herself to an acceptance, whether that dangerous young man was likely or not to be included in the party.

For Mrs. Clifford admitted frankly to herself that Cyril was dangerous; as dangerous as they make them. He was just the right age; he was handsome, he was clever, his tawny brown beard had the faintest little touch of artistic redness, and was trimmed and dressed with provoking nicety. He was an artist too; and girls nowadays, you know, have such an unaccountable way of falling in love with men who can paint, or write verses, or play the violin, or do something foolish of that sort, instead of sticking fast to the solid attractions of the London Stock Exchange or of ancestral acres.

Mrs. Clifford confided her fears that very night to the sympathetic ear of the Companion of the Militant and Guardian Saints of the British Empire.

"Reginald," she said solemnly, "I told you the other day, when you asked about it, Elma wasn't in love. And at the time I was right, or very near it. But this afternoon I've had an opportunity of watching them both together, and I've half changed my mind. Elma thinks a great deal too much altogether, I'm afraid, about this young Mr. Waring."

"How do you know?" Mr. Clifford asked, staring her hard in the face, and nodding solemnly.

The British matron hesitated. "How do I know anything?" she answered at last, driven to bay by the question. "I never know how. I only know I know it. But whatever we do we must be careful not to let Elma and the young man get thrown together again. I should say myself it wouldn't be a bad plan if we were to send her away somewhere for the rest of the summer, but I can tell you better about all this to-morrow."

Elma, for her part, had come home from Chetwood Court more full than ever of Cyril Waring. He looked so handsome and so manly that afternoon at the Holkers'. Elma hoped she'd be asked out where he was going to be again.

She sat long in her own bedroom, thinking it over with herself, while the candle burnt down in its socket very low, and the house was still, and the rain pattered hard on the roof overhead, and her father and mother were discussing her by themselves downstairs in the drawing-room.

She sat long on her chair without caring to begin undressing. She sat and mused with her hands crossed on her lap. She sat and thought, and her thoughts were all about Cyril Waring.

For more than an hour she sat there dreamily, and told herself over, one by one, in long order, the afternoon's events from beginning to the end of them. She repeated every word Cyril had spoken in her ear. She remembered every glance, every look he had darted at her. She thought of that faint pressure of his hand as he said farewell. The tender blush came back to her brown cheek once more with maidenly shame as she told it all over. He was so handsome and so nice, and so very, very kind, and, perhaps, after this, she might never again meet him. Her bosom heaved. She was conscious of a new sense just aroused within her.

Presently her heart began to beat more violently. She didn't know why. It had never beaten in her life like that before—not even in the tunnel, nor yet when Cyril came up to-day and spoke first to her. Slowly, slowly, she rose from her seat. The fit was upon her. Could this be a dream? Some strange impulse made her glide forward and stand for a minute or two irresolute, in the middle of the room. Then she turned round, once, twice, thrice, half unconsciously. She turned round, wondering to herself all the while what this strange thing could mean; faster, faster, faster, her heart within her beating at each turn with more frantic haste and speed than ever. For some minutes she turned, glowing with red shame, yet unable to stop, and still more unable to say to herself why or wherefore.

At first that was all. She merely turned and panted. But as she whirled and whirled, new moods and figures seemed to force themselves upon her. She lifted her hands and swayed them about above her head gracefully. She was posturing she knew, but why she had no idea. It all came upon her as suddenly and as uncontrollably as a blush. She was whirling around the room, now slow, now fast, but always with her arms held out lissom, like a dancing-girl's. Sometimes her body bent this way, and sometimes that, her hands keeping time to her movements meanwhile in long graceful curves, but all as if compelled by some extrinsic necessity.

It was an instinct within her over which she had no control. Surely, surely, she must be possessed. A spirit that was not her seemed to be catching her round the waist, and twisting her about, and making her spin headlong over the floor through this wild fierce dance. It was terrible, terrible. Yet she could not prevent it. A force not her own seemed to sustain and impel her.

And all the time, as she whirled, she was conscious also of some strange dim need. A sense of discomfort oppressed her arms. She hadn't everything she required for this solitary orgy. Something more was lacking her. Something essential, vital. But what on earth it could be she knew not; she knew not.

By-and-by she paused, and, as she glanced right and left, the sense of discomfort grew clearer and more vivid. It was her hands that were wrong. Her hands were empty. She must have something to fill them. Something alive, lithe, curling, sinuous. These wavings and swayings, to this side and to that, seemed so meaningless and void—without some life to guide them. There was nothing for her to hold; nothing to tame and subdue; nothing to cling and writhe and give point to her movements. Oh! heavens, how horrible!

She drew herself up suddenly, and by dint of a fierce brief effort of will repressed for awhile the mad dance that overmastered her. The spirit within her, if spirit it were, kept quiet for a moment, awed and subdued by her proud determination. Then it began once more and led her resistlessly forward. She moved over to the chest of drawers still rhythmically and with set steps, but to the phantom strain of some unheard low music. The music was running vaguely through her head all the time—wild Aeolian music—it sounded like a rude tune on a harp or zither. And surely the cymbals clashed now and again overhead; and the timbrel rang clear; and the castanets tinkled, keeping time with the measure. She stood still and listened. No, no, not a sound save the rain on the roof. It was the music of her own heart, beating irregularly and fiercely to an intermittent lilt, like a Hungarian waltz or a Roumanian tarantella.

By this time, Elina was thoroughly frightened. Was she going mad? she asked herself, or had some evil spirit taken up his abode within her? What made her spin and twirl about like this—irresponsibly, unintentionally, irrepressibly, meaninglessly? Oh, what would her mother say, if only she knew all? And what on earth would Cyril Waring think of her?

Cyril Waring! Cyril Waring! It was all Cyril Waring. And yet, if he knew—oh, mercy, mercy!

Still, in spite of these doubts, misgivings, fears, she walked over towards the chest of drawers with a firm and rhythmical tread, to the bars of the internal music that rang loud through her brain, and began opening one drawer after another in an aimless fashion. She was looking for something—she didn't know what; and she never could rest now until she'd found it.

Drawer upon drawer she opened and shut wearily, but nothing that her eyes fell upon seemed to suit her mood. Dresses and jackets and underlinen were there; she glanced at them all with a deep sense of profound contempt; none of these gewgaws of civilized life could be of any use to supply the vague want her soul felt so dimly and yet so acutely. They were dead, dead, dead, so close and clinging! Go further! Go further! At last she opened the bottom drawer of all, and her eye fell askance upon a feather boa, curled up at the bottom—soft, smooth, and long; a winding, coiling, serpentine boa. In a second, she had fallen upon it bodily with greedy hands, and was twisting it round her waist, and holding it high and low, and fighting fiercely at times, and figuring with it like a posturant. Some dormant impulse of her race seemed to stir in her blood, with frantic leaps and bounds, at its first conscious awakening. She gave herself up to it wildly now. She was mad. She was mad. She was glad. She was happy.

Then she began to turn round again, slowly, slowly, slowly. As she turned, she raised the boa now high above her head; now held it low on one side, now stooped down and caressed it. At times, as she played with it, the lifeless thing seemed to glide from her grasp in curling folds and elude her; at others, she caught it round the neck like a snake, and twisted it about her arm, or let it twine and encircle her writhing body. Like a snake! like a snake! That idea ran like wildfire through her burning veins. It was a snake, indeed, she wanted; a real live snake; what would she not have given, if it were only Sardanapalus!

Sardanapalus, so glossy, so beautiful, so supple, that glorious green serpent, with his large smooth coils, and his silvery scales, and his darting red tongue, and his long lithe movements. Sardanapalus, Sardanapalus, Sardanapalus! The very name seemed to link itself with the music in her head. It coursed with her blood. It rang through her brain. And another as well. Cyril Waring, Cyril Waring, Cyril Waring, Cyril Waring! Oh! great heavens, what would Cyril Waring say now, if only he could see her in her mad mood that moment!

And yet it was not she, not she, not she, but some spirit, some weird, some unseen power within her. It was no more she than that boa there was a snake. A real live snake. Oh, for a real live snake! And then she could dance—tarantel, tarantella—as the spirit within her prompted her to dance it.

"Faster, faster," said the spirit; and she answered him back, "Faster!"

Faster, faster, faster, faster she whirled round the room; the boa grew alive; it coiled about her; it strangled her. Her candle failed; the wick in the socket flickered and died; but Elma danced on, unheeding, in the darkness. Dance, dance, dance, dance; never mind for the light! Oh! what madness was this? What insanity had come over her? Would her feet never stop? Must she go on till she dropped? Must she go on for ever?

Ashamed and terrified with her maidenly sense, overawed and obscured by this hateful charm, yet unable to stay herself, unable to resist it, in a transport of fear and remorse, she danced on irresponsibly. Check herself she couldn't, let her do what she would. Her whole being seemed to go forth into that weird, wild dance. She trembled and shook. She stood aghast at her own shame. She had hard work to restrain herself from crying aloud in her horror.

At last, a lull, a stillness, a recess. Her limbs seemed to yield and give way beneath her. She half fainted with fatigue. She staggered and fell. Too weary to undress, she flung herself upon the bed, just as she was, clothes and all. Her overwrought nerves lost consciousness at once. In three minutes she was asleep, breathing fast but peacefully.



CHAPTER IX.

AND AFTER?



When Elma woke up next morning, it was broad daylight. She woke with a start, to find herself lying upon the bed where she had flung herself. For a minute or two she couldn't recollect or recall to herself how it had all come about. It was too remote from anything in her previous waking thought, too dream-like, too impossible. Then an unspeakable horror flashed over her unawares. Her face flushed hot. Shame and terror overcame her. She buried her head in her hands in an agony of awe. Her own self-respect was literally outraged. It wasn't exactly remorse; it wasn't exactly fear; it was a strange creeping feeling of ineffable disgust and incredulous astonishment.

There could be but one explanation of this impossible episode. She must have gone mad all at once! She must be a frantic lunatic!

A single thought usurped her whole soul. If she was going mad—if this was really mania—she could never, never, never—marry Cyril Waring.

For in a flash of intuition she knew that now. She knew she was in love. She knew he loved her.

In that wild moment of awakening all the rest mattered nothing. The solitary idea that ran now through her head, as the impulse to dance had run through it last night, was the idea that she could never marry Cyril Waring. And if Cyril Waring could have seen her just then! her cheeks burned yet a brighter scarlet at that thought than even before. One virginal blush suffused her face from chin to forehead. The maidenly sense of shame consumed and devoured her.

Was she mad? Was she mad? And was this a lucid interval?

Presently, as she lay still on her bed all dressed, and with her face in her hands, trembling for very shame, a little knock sounded tentatively at the door of her bedroom. It was a timid, small knock, very low and soft, and, as it were, inquiring. It seemed to say in an apologetic sort of undertone, "I don't know whether you're awake or not just yet; and if you're still asleep, pray don't let me for a moment disturb or arouse you."

"Who's there?" Elma mustered up courage to ask, in a hushed voice of terror, hiding her head under the bed-clothes.

"It's me, darling," Mrs. Clifford answered, very softly and sweetly. Elma had never heard her mother speak in so tender and gentle a tone before, though they loved one another well, and were far more sympathetic than most mothers and daughters. And besides, that knock was so unlike mamma's. Why so soft and low?

Had mamma discovered her? With a despairing sense of being caught she looked down at her tell-tale clothes and the unslept-in bed.

"Oh, what shall I ever do?" she thought to herself, confusedly. "I can't let mamma come in and catch me like this. She'll ask why on earth I didn't undress last night. And then what could I ever say? How could I ever explain to her?"

The awful sense of shame-facedness grew upon her still more deeply than ever. She jumped up and whispered through the door, in a very penitent voice, "Oh, mother, I can't let you in just yet. Do you mind waiting five minutes? Come again by-and-by. I—I—I'm so awfully tired and queer this morning somehow."

Mrs. Clifford's voice had an answering little ring of terror in it, as she replied at once, in the same soft tone—

"Very well, darling. That's all right. Stay as long as you like. Don't trouble to get up if you'd rather have your breakfast in bed. And don't hurry yourself at all. I'll come back by-and-by and see what's the matter."

Elma didn't know why, but by the very tone of her mother's voice she felt dimly conscious something strange had happened. Mrs. Clifford spoke with unusual gentleness, yet with an unwonted tremor.

"Thank you, dear," Elma answered through the door, going back to the bedside and beginning to undress in a tumult of shame. "Come again by-and-by. In just five minutes." It would do her good, she knew, in spite of her shyness, to talk with her mother. Then she folded her clothes neatly, one by one, on a ohair; hid the peccant boa away in its own lower drawer; buttoned her neat little embroidered nightdress tightly round her throat; arranged her front hair into a careless disorder; and tried to cool down her fiery red cheeks with copious bathing in cold water. When Mrs. Clifford came back five minutes later, everything looked to the outer eye of a mere casual observer exactly as if Elma had laid in bed all night, curled up between the sheets, in the most orthodox fashion.

But all these elaborate preparations didn't for one moment deceive the mother's watchful glance, or the keen intuition shared by all the women of the Clifford family. She looked tenderly at Elma—Elma with her face half buried in the pillows, and the tell-tale flush still crimsoning her cheek in a single round spot; then she turned for a second to the clothes, too neatly folded on the chair by the bedside, as she murmured low—

"You're not well this morning, my child. You'd better not get up. I'll bring you a cup of tea and some toast myself. You don't feel hungry, of course. Ah, no, I thought not. Just a slice of dry toast—yes, yes. I have been there. Some eau de Cologne on your forehead, dear? There, there, don't cry, Elma. You'll be better by-and-by. Stop in bed till lunch-time. I won't let Lucy come up with the tea, of course. You'd rather be alone. You were tired last night. Don't be afraid, my darling. It'll soon pass off. There's nothing on earth, nothing at all to be alarmed at."

She laid her hand nervously on Elma's arm. Half dead with shame as she was, Elma noticed it trembled. She noticed, too, that mamma seemed almost afraid to catch her eye. When their glance met for an instant the mother's eyelids fell, and her cheek, too, burned bright red, almost as red, Elma felt, as her own that nestled hot so deep in the pillow. Neither said a word to the other of what she thought or felt. But their mute sympathy itself made them more shame-faced than ever. In some dim, indefinite, instinctive fashion, Elma knew her mother was vaguely aware what she had done last night. Her gaze fell half unconsciously on the bottom drawer. With quick insight, Mrs. Clifford's eye followed her daughter's. Then it fell as before. Elma looked up at her terrified, and burst into a sudden flood of tears. Her mother stooped down and caught her wildly in her arms. "Cry, cry, my darling," ahe murmured, clasping her hard to her breast. "Cry, cry; it'll do you good; there's safety in crying. Nobody but I shall come near you to-day. Nobody else shall know! Don't be afraid of me! Have not I been there, too? It's nothing, nothing."

With a burst of despair, Elma laid her face in her mother's bosom. Some minutes later, Mrs. Clifford went down to meet her husband in the breakfast-room.

"Well?" the father asked, shortly, looking hard at his wife's face, which told its own tale at once, for it was white and pallid.

"Well!" Mrs. Clifford answered, with a pre-occupied air. "Elma's not herself this morning at all. Had a nervous turn after she went to her room last night. I know what it is. I suffered from them myself when I was about her age." Her eyes fell quickly and she shrank from her husband's searching glance. She was a plump-faced and well-favoured British matron now, but once, many years before, as a slim young girl, she had been in love with somebody—somebody whom by superior parental wisdom she was never allowed to marry, being put off instead with a well-connected match, young Mr. Clifford of the Colonial Office. That was all. No more romance than that. The common romance of every woman's heart. A forgotten love. Yet she tingled to remember it.

"And you think?" Mr. Clifford asked, laying down his newspaper and looking very grave.

"I don't think. I know," his wife answered hastily. "I was wrong the other day, and Elma's in love with that young man, Cyril Waring. I know more than that, Reginald; I know you may crush her; I know you may kill her; but if you don't want to do that, I know she must marry him. Whether we wish it, or whether we don't, there's nothing else to be done. As things stand now, it's inevitable, unavoidable. She'll never be happy with anybody else—she must have HIM—and I, for one, won't try to prevent her."

Mr. Reginald Clifford, C.M.G., sometime Administrator of the island of St. Kitts, gazed at his wife in blank astonishment. She spoke decidedly; he had never heard her speak with such firmness in his life before. It fairly took his breath away. He gazed at his wife blankly as he repeated to himself in very slow and solemn tones, each word distinct, "You, for one, won't try to prevent her!"

"No, I won't," Mrs. Clifford retorted defiantly, assured in her own mind she was acting right. "Elma's really in love with him; and I won't let Elma's life be wrecked—as some lives have been wrecked, and as some mothers would wreck it."

Mr. Clifford leaned back in his chair, one mass of astonishment, and let the Japanese paper-knife he was holding in his right hand drop clattering from his fingers. "If I hadn't heard you say it yourself, Louisa," he answered, with a gasp, "I could never have believed it. I could—never—have—believed it. I don't believe it even now. It's impossible, incredible."

"But it's true," Mrs. Clifford repeated. "Elma must marry the man she's in love with."

Meanwhile poor Elma lay alone in her bedroom upstairs, that awful sense of remorse and shame still making her cheeks tingle with unspeakable horror. Mrs. Clifford brought up her cup of tea herself. Elma took it with gratitude, but still never dared to look her mother in the face. Mrs. Clifford, too, kept her own eyes averted. It made Elma's self-abasement even profounder than before to feel that her mother instinctively knew everything.

The poor child lay there long, with a burning face and tingling ears, too ashamed to get up and dress herself and face the outer world, too ashamed to go down before her father's eyes, till long after lunchtime. Then there came a noise at the door once more; the rustling of a dress; a retreating footstep. Somebody pushed an envelope stealthily under the door. Elma picked it up and examined it curiously. It bore a penny stamp, and the local postmark. It must have come then by the two o'clock delivery, without a doubt; but the address, why, the address was written in some unknown hand, and in printing capitals. Elma tore it open with a beating heart, and read the one line of manuscript it contained, which was also written in the same print-like letters.

"Don't be afraid," the letter said, "It will do you no harm. Resist it when it comes. If you do, you will get the better of it."

Elma looked at the letter over and over again in a fever of dismay. She was certain it was her mother had written that note. But she read it with tears, only half-reassured—and then burnt it to ashes, and proceeded to dress herself.

When she went down to the drawing-room, Mrs. Clifford rose from her seat, and took her hand in her own, and kissed her on one cheek as if nothing out of the common had happened in any way. The talk between them was obtrusively commonplace. But all that day long, Elma noticed her mother was far tenderer to her than usual; and when she went up to bed Mrs. Clifford held her fingers for a moment with a gentle pressure, and kissed her twice upon her eyes, and stifled a sigh, and then broke from the room as if afraid to speak to her.



CHAPTER X.

COLONEL KELMSCOTT'S REPENTANCE.



Elma Clifford wasn't the only person who passed a terrible night and suffered a painful awakening on the morning after the Holkers' garden-party. Colonel Kelmscott, too, had his bad half-hour or so before he finally fell asleep; and he woke up next day to a sense of shame and remorse far more definite, and, therefore, more poignant and more real than Elma's.

Hour after hour, indeed, he lay there on his bed, afraid to toss or turn lest he should wake Lady Emily, but with his limbs all fevered and his throat all parched, thinking over the strange chance that had thus brought him face to face, on the threshold of his honoured age, with the two lads he had wronged so long and so cruelly.

The shock of meeting them had been a sudden and a painful one. To be sure, the Colonel had always felt the time might come when his two eldest sons would cross his path in the intricate maze of London society. He had steeled himself, as he thought, to meet them there with dignity and with stoical reserve. He had made up his mind that if ever the names he had imposed upon them were to fall upon his startled ears, no human being that stood by and looked on should note for one second a single tremor of his lips, a faint shudder of surprise, an almost imperceptible flush or pallor on his impassive countenance. And when the shock came, indeed, he had borne it, as he meant to bear it, with military calmness. Not even Mrs. Clifford, he thought, could have discovered from any undertone of his voice or manner that the two lads he received with such well-bred unconcern were his own twin sons, the true heirs and inheritors of the Tilgate Park property.

And yet, the actual crisis had taken him quite by surprise, and shaken him far more than he could ever have conceived possible. For one thing, though he quite expected that some day he would run up unawares against Guy and Cyril, he did NOT expect it would be down in the country, and still less within a few miles' drive of Tilgate. In London, of course, all things are possible. Sooner or later, there, everybody hustles and clashes against everybody. For that reason, he had tried to suggest, by indirect means, when he launched them on the world, that the twins should tempt their fortune in India or the colonies. He would have liked to think they were well out of his way, and out of Granville's, too. But, against his advice, they had stayed on in England. So he expected to meet them some day, at the Academy private view, perhaps, or in Mrs. Bouverie Barton's literary saloon, but certainly NOT on the close sward of the Holkers' lawn, within a few short miles of his own home at Tilgate.

And now he had met them, his conscience, that had lain asleep so long, woke up of a sudden with a terrible start, and began to prick him fiercely.

If only they had been ugly, misshapen, vulgar; if only they had spoken with coarse, rough voices, or irritated him by their inferior social tone, or shown themselves unworthy to be the heirs of Tilgate—why then, the Colonel might possibly have forgiven himself! But to see his own two sons, the sons he had never set eyes on for twenty-five years or more, grown up into such handsome, well-set, noble-looking fellows—so clever, so bright, so able, so charming—to feel they were in every way as much gentlemen born as Granville himself, and to know he had done all three an irreparable wrong, oh, THAT was too much for him. For he had kept two of his sons out of their own all these years, only in order to make the position and prospects of the third, at last, certainly doubtful, and perhaps wretched.

There was much to excuse him to himself, no doubt, he cried to his own soul piteously in the night watches. Proud man as he was, he could not so wholly abase himself even to his inmost self as to admit he had sinned without deep provocation. He thought it all over in his heart, just there, exactly as it all happened, that simple and natural tale of a common wrong, that terrible secret of a lifetime that he was still to repent in sackcloth and ashes,

It was so long before—all those twenty-six years, or was it twenty-eight?—since his regiment had been quartered away down in Devonshire. He was a handsome subaltern then, with a frank open face—Harry Kelmscott, of the Greys—just such another man, he said to himself in his remorse, as his son Granville now—or rather, perhaps, as Guy and Cyril Waring. For he couldn't conceal from himself any longer the patent fact that Lucy Waring's sons were like his own old self, and sturdier, handsomer young fellows into the bargain than Lady Emily Kelmscott's boy Granville, whom he had made into the heir of the Tilgate manors. The moor, where the Greys were quartered that summer, was as dull as ditch-water. No society, no dances, no hunting, no sport; what wonder a man of his tastes, spoiling for want of a drawing-room to conquer, should have kept his hand in with pretty Lucy Waring?

But he married her—he married her. He did her no wrong in the end. He hadn't that sin at least to lay to his conscience.

Ah, well, poor Lucy! he had really been fond of her; as fond as a Kelmscott of Tilgate could reasonably be expected ever to prove towards the daughter of a simple Dartmoor farmer. It began in flirtation, of course, as such things will begin; and it ended, as they will end, too, in love, at least on poor Lucy's side, for what can you expect from a Kelmscott of Tilgate? And, indeed, indeed, he said to himself earnestly, he meant her no harm, though he seemed at times to be cruel to her. As soon as he gathered how deeply she was entangled—how seriously she took it all—how much she was in love with him—he tried hard to break it off, he tried hard to put matters to her in their proper light; he tried to show her that an officer and a gentleman, a Kelmscott of Tilgate, could never really have dreamed of marrying the half-educated, half-peasant daughter of a Devonshire farmer. Though, to be sure, she was a lady in her way, too, poor Lucy; as much of a lady in manner and in heart as Emily herself, whose father was an earl, and whose mother was a marquis's eldest daughter.

So much a lady in her way, in deed, in thought, and all that—one of nature's gentlewomen—that when Lucy cried and broke her heart at his halting explanations, he was unmanned by her sobs, and did a thing no Kelmscott of Tilgate should ever have stooped to do—yes, promised to marry her. Of course, he didn't attempt in his own heart to justify that initial folly, as lie thought it, to himself. He didn't pretend to condone it. He only allowed he had acted like a fool. A Kelmscott of Tilgate should have drawn back long before, or else, having gone so far, should have told the girl plainly—at whatever cost, to her—he could go no further and have no more to say to her.

To be sure, that would have killed the poor thing outright. But a Kelmscott, you know, should respect his order, and shouldn't shrink for a moment from these trifling sacrifices!

However, his own heart was better, in those days, than his class philosophy. He couldn't trample on poor Lucy Waring. So he made a fool of himself in the end—and married Lucy. Ah, well! ah, well! every man makes a fool of himself once or twice in his life; and though the Colonel was ashamed now of having so far bemeaned his order as to marry the girl, why, if the truth must out, he would have been more ashamed still, in his heart of hearts, even then, if he hadn't married her. He was better than his creed. He could never have crushed her.

Married her, yes; but not publicly, of course. At least, he respected public decency. He married her under his own name, to be sure, but by special licence, and at a remote little village on the far side of the moor, where nobody knew either himself or Lucy. In those days, he hadn't yet come into possession of the Tilgate estates; and if his father had known of it—well, the Admiral was such a despotic old man that he'd have insisted on his son's selling out at once, and going off to Australia or heaven knows where, on a journey round the world, and breaking poor Lucy's heart by his absence. Partly for her sake, the Colonel said to himself now in the silent night, and partly for his own, he had concealed the marriage—for the time being—from the Admiral.

And then came that horrible embroilment—oh, how well he remembered it. Ah me, ah me, it seemed but yesterday—when his father insisted he was to marry Lady Emily Croke, Lord Aldeburgh's daughter; and he dared not marry her, of course, having a wife already, and he dared not tell his father, on the other hand, why he couldn't marry her. It was a hateful time. He shrank from recalling it. He was keeping Lucy, then his own wedded wife, as Mrs. Waring, in small rooms in Plymouth; and yet he was running up to town now and again, on leave, as the gay young bachelor, the heir of Tilgate Park—and meeting Emily Croke at every party he went to in London—and braving the Admiral's wrath by refusing to propose to her. What he would ever have done if Lucy had lived, he couldn't imagine. But, there! Lucy DIDN'T live; so he was saved that bother. Poor child, it brought tears to his eyes even now to think of her. He brushed them furtively away, lest he should waken Lady Emily.

And yet it was a shock to him, the night Lucy died. Just then, he could hardly realize how lucky was the accident. He sat there by her side, the day the twins were born, to see her safely through her trouble; for he had always done his duty, after a fashion, by Lucy. When a girl of that class marries a gentleman, don't you see, and consents, too, mind you, to marry him privately, she can't expect to share much of her husband's company. She can't expect he should stultify himself by acknowledging her publicly before his own class. And, indeed, he always meant to acknowledge her in the end—after his father's death, when there was no fear of the Admiral's cutting off his allowance.

But how curiously events often turn out of themselves. The twins were born on a Friday morning, and by the Saturday night, poor Lucy was lying dead, a pale, sweet corpse, in her own little room, near the Hoe, at Plymouth. It was a happy release for him though he really loved her. But still, when a man's fool enough to love a girl below his own station in life—the Colonel paused and broke off. It was twenty-seven years ago now, yet he really loved her. He couldn't find it in his heart even then to indorse to the full the common philosophy of his own order.

So there he was left with the two boys on his hands, but free, if he liked, to marry Lady Emily. No reason on earth, of course, why he shouldn't marry her now. So, naturally, he married her—after a fortnight's interval. The Admiral was all smiles and paternal blessings at this sudden change of front on his son's part. Why the dickens Harry hadn't wanted to marry the girl before, to be sure he couldn't conceive; hankering after some missy in the country, he supposed, that silly rot about what they call love, no doubt; but now that Harry had come to his senses at last, and taken the Earl's lass, why, the Admiral was indulgence and munificence itself; the young people should have an ample allowance, and my daughter-in-law, Lady Emily, should live on the best that Tilgate and Chetwood could possibly afford her.

What would you have? the Colonel asked piteously, in the dead of night, of his own conscience. How else could he have acted? He said nothing. That was all, mind you, he declared to himself more than once in his own soul. He told no lies. He made no complications. While the Admiral lived, he brought up Lucy's sons, quite privately, at Plymouth. And as soon as ever the Admiral died, he really and truly meant to acknowledge them.

But fathers never die—in entailed estates. The Admiral lived so long—quite, quite too long for Guy and Cyril. Granville was born, and grew to be a big boy, and was treated by everybody as the heir to Tilgate. And now the Colonel's difficulties gathered thicker around him. At last, in the fulness of time, the Admiral died, and slept with his fathers, whose Elizabethan ruff's were the honour and glory of the chancel at Tilgate; and then the day of reckoning was fairly upon him. How well he remembered that awful hour. He couldn't, he couldn't. He knew it was his duty to acknowledge his rightful sons and heirs, but he hadn't the courage. Things had all altered so much.

Meanwhile, Guy and Cyril had gone to Charterhouse as nobody's wards, and been brought up in the expectation of earning their own livelihood, so no wrong, he said casuistically, had been done to THEM, at any rate. And Granville had been brought up as the heir of Tilgate. Lady Emily naturally expected her son to succeed his father. He had gone too far to turn back at last. And yet—

And yet, in his own heart, disguise it as he might, he knew he was keeping his lawful sons out of their own in the end, and it was his duty to acknowledge them as the heirs of Tilgate.



CHAPTER XI.

A FAMILY JAR.



Hour after hour the unhappy man lay still as death on his bed and reasoned in vain with his accusing conscience. To be sure, he said to himself, no man was bound by the law of England to name his heir. It is for the eldest son himself to come forward and make his claim. If Guy and Cyril could prove their title to the Tilgate estates when he himself was dead, that was their private business. He wasn't bound to do anything special to make the way easy for them beforehand.

But still, when he saw them, his heart arose and smote him. His very class prejudices fought hard on their behalf. These men were gentlemen, the eldest sons of a Kelmscott of Tilgate—true Kelmscotts to the core—handsome, courtly, erect of bearing. Guy was the very image of the Kelmscott of Tilgate Park who bled for King Charles at Marston Moor; Cyril had the exact mien of Sir Rupert Kelmscott, Knight of Chetwood, the ablest of their race, whose portrait, by Kneller, hung in the great hall between his father; the Admiral, and his uncle, Sir Frederick. They had all the qualities the Colonel himself associated with the Kelmscott name. They were strong, brave, vigorous, able to hold their own against all comers. To leave them out in the cold was not only wrong—it was also, he felt in his heart of hearts, a treason to his order.

At last, after long watching, he fell asleep. But he slept uneasily. When he woke, it was with a start. He found himself murmuring to himself in his troubled sleep, "Break the entail, and settle a sum on the two that will quiet them."

It was the only way left to prevent public scandal, and to save Lady Emily and his son Granville from a painful disclosure: while, at the same time, it would to some extent satisfy the claims of his conscience.

Compromise, compromise; there's nothing like compromise. Colonel Kelmscott had always had by temperament a truly British love of compromise.

To carry out his plan, indeed, it would be necessary to break the entail twice; once formally, and once again really. He must begin by getting Granville's consent to the proposed arrangement, so as to raise ready money with which to bribe the young men; and as soon as Granville's consent was obtained, he must put it plainly to Guy and Cyril, as an anonymous benefactor, that if they would consent to accept a fixed sum in lieu of all contingencies, then the secret of their birth would be revealed to them at last, and they would be asked to break the entail on the estates as eldest sons of a gentleman of property.

It was a hard bargain; a very hard bargain; but then these boys would jump at it, no doubt; expecting nothing as they did, they'd certainly jump at it. It's a great point, you see, to come in suddenly, when you expect nothing, to a nice lump sum of five or six thousand!

So much so, indeed, that the real difficulty, he thought, would rather lie in approaching Granville.

After breakfast that morning, however, he tapped his son on the shoulder as he was leaving the table, and said to him, in his distinctly business tone, "Granville, will you step with me into the library for ten minutes' talk? There's a small matter of the estate I desire to discuss with you."

Granville looked back at him with a curiously amused air.

"Why, yes," he said shortly. "It's a very odd coincidence. But do you know, I was going this morning myself to ask for a chance of ten minutes' talk with you."

He rose, and followed his father into the oak-panelled library. The Colonel sat down on one of the uncomfortable library chairs, especially designed, with their knobs and excrescences, to prevent the bare possibility of serious study. Granville took a seat opposite him, across the formal oak table. Colonel Kelmscott paused; and cleared his throat nervously. Then, with military promptitude, he darted straight into the very thick of the fray.

"Granville," he said abruptly, "I want to speak with you about a rather big affair. The fact of it is, I'm going to break the entail. I want to raise some money."

The son gave a little start of surprise and amusement. "Why, this is very odd," he exclaimed once more, in an astonished tone. "That's just the precise thing I wanted to talk about with you."

Colonel Kelmscott eyed him with an answering start.

"Not debts!" he said slowly. "My boy, my boy, this is bad. Not debts surely, Granville; I never suspected it."

"Oh, dear no," Granville answered frankly. "No debts, you may be sure. But I wanted to feel myself on a satisfactory basis—as to income and so forth: and I was prepared to pay for my freedom well. To tell you the truth outright, I want to marry."

Colonel Kelmscott eyed him close with a very puzzled look. "Not Elma Clifford, my boy," he said again quickly. "For of course, if it is her, Granville, I need hardly say—"

The young man cut him short with a hasty little laugh. "Elma Clifford," he repeated, with some scorn in his musical voice, "Oh, dear no, not HER. If it had been her you may be sure there'd be no reason of any sort for breaking the entail. But the fact is this: I dislike allowances one way or the other. I want to feel once for all I'm my own master. I want to marry—not this girl or that, but whom ever I will. I don't care to coine to you with my hat in my hand, asking how much you'll be kind enough to allow me if I venture to take Miss So-and-so or Miss What-you-may-call-it. And as I know you want money yourself for this new wing you're thinking of, why, I'm prepared to break the entail at once, and sell whatever building land you think right and proper."

The father held his breath. What on earth could this mean? "And who is the girl, Granville?" he asked, with unconcealed interest.

"You won't care to hear," his son answered carelessly.

Colonel Kelmscott looked across at him with a very red face. "Not some girl who'll bring disgrace upon your mother, I hope?" he said, with a half-pang of remorse, remembering Lucy. "Not some young woman beneath your own station in life. For to that, you may be sure, I'll never consent under any circumstances."

Granville drew himself up proudly, with a haughty smile. He was a Kelmscott, too, as arrogant as the best of them.

"No, that's not the difficulty," he answered, looking rather amused than annoyed or frightened. "My tastes are NOT low. I hope I know better than to disgrace my family. The lady I want to marry, and for whose sake I wish you to make some arrangement beforehand is—don't be surprised—well, Gwendoline Gildersleeve."

"Gwendoline Gildersleeve," his father echoed, astonished; for there was feud between the families, "That rascally, land-grabbing barrister's daughter! Why, how on earth do you come to know anything of her, Granville? Nobody in Surrey ever had the impertinence yet to ask me or mine to meet the Gildersleeves anywhere, since that disgraceful behaviour of his about the boundary fences. And I didn't suppose you'd ever even seen her."

"Nobody in Surrey ever did ask me to meet her," Granville answered somewhat curtly. "But you can't expect every one in London society to keep watch over the quarrels of every country parish in provincial England! It wouldn't be reasonable. I met Gwendoline, if you want to know, at the Bertrams', in Berkeley Square, and she and I got on so well together that we've—well, we've met from time to time in the Park, since our return from town, and we think by this time we may consider ourselves informally engaged to one another."

Colonel Kelmscott gazed at his son in a perfect access of indignant amazement. Gilbert Gildersleeve's daughter! That rascally Q.C.'s! At any other moment such a proposal would have driven him forthwith into open hostilities. If Granville chose to marry a girl like that, why, Granville might have lived on what his father would allow him.

Just now, however, with this keen fit of remorse quite fresh upon his soul about poor Lucy's sons, Colonel Kelmscott was almost disposed to accept the opening thus laid before him by Granville's proposal.

So he temporized for awhile, nursing his chin with his hand, and then, after much discussion, yielded at last a conditional consent—conditional upon their mutual agreement as to the terms on which the entail was to be finally broken.

"And what sort of arrangement do you propose I should make for your personal maintenance, and this Gildersleeve girl's household?" the Colonel asked at length, with a very red face, descending to details.

His son, without appearing to notice the implied slight to Gwendoline, named the terms that he thought would satisfy him.

"That's a very stiff sum," the master of Tilgate retorted; "but perhaps I could manage it; per—haps I could manage it. We must sell the Dowlands farm at once, that's certain, and I must take the twelve thousand or so the land will fetch for my own use, absolutely and without restriction."

"To build the new wing with?" the son put in, with a gesture of assent.

"To build the new wing with? Why, certainly not," his father answered angrily. "Am I to bargain with my son what use I'm to make of my own property? Mark my words, I won't submit to interference. To do precisely as I choose with, sir. To roll in if I like! To fling into the sea, if the fancy takes me!"

Granville Kelmscott stared hard at him. Twelve thousand pounds! What on earth could his father mean by this whim? he wondered. "Twelve thousand pounds is a very big sum to fling away from the estate without a question asked," he retorted, growing hot "It seems to me, you too closely resemble our ancestors who came over from Holland. In matters of business, you know, the fault of the Dutch is giving too little and asking too much."

His father glared at him. That's the worst of this huckstering and higgling with your own flesh and blood. You have to put up with such intolerable insults. But he controlled himself, and continued. The longer he talked, however, the hotter and angrier he became by degrees. And what made him the hottest and angriest of all was the knowledge meanwhile that he was doing it every bit for Granville's own sake; nay, more, that consideration for Granville alone had brought him originally into this peck of trouble.

At last he could contain himself with indignation no longer. His temper broke down. He flared up and out with it. "Take care what you do!" he cried. "Take care what you say, Granville! I'm not going to be bearded with impunity in my den. If you press me too hard, remember, I'll ruin all. I can cut you off with a shilling, sir, if I choose—cut you off with a shilling. Yes, and do justice to others I've wronged for your sake. Don't provoke me too far, I say, If you do, you'll repent it."

"Cut me off with a shilling, sir!" his son answered angrily, rising and staring hard at him. "Why, what do you mean by that? You know you can't do it, My interest in the estate's as good as your own. I'm the eldest son—"

He broke off suddenly; for at those fatal words, Colonel Kelmscott's face, fiery red till then, grew instantly blanched and white with terror. "Oh, what have I done?" the unhappy man cried, seeing his son's eyes read some glimpse of the truth too clearly in his look. "Oh, what have I said? Forget it, Granny, forget it! I didn't mean to go so far as I did in my anger. I was a fool—a fool! I gave way too much. For Heaven's sake, my boy, forget it, forget it!"

The young man looked across at him with a dazed and puzzled look, yet very full of meaning. "I shall never forget it," he said slowly. "I shall learn what it means. I don't know how things stand; but I see you meant it. Do as you like about the entail. It's no business of mine. Take your pound of flesh, your twelve thousand down, and pay your hush-money! I don't know whom you bribe, and I have nothing to say to it. I never dragged the honour of the Kelmscotts in the dust. I won't drag it now. I wash my hands clean from it. I ask no questions. I demand no explanations. I only say this. Until I know what you mean—know whether I'm lawful heir to Tilgate Park or not, I won't marry the girl I meant to marry. I have too much regard for her, and for the honour of our house, to take her on what may prove to be false expectations. Break the entail, I say! Raise your twelve thousand. Pay off your bloodhounds. But never expect me to touch a penny of your money, henceforth and for ever, till I know whether it was yours and mine at all to deal with."

Colonel Kelmscott bent down his proud head meekly. "As you will, Granville," he answered, quite broken with remorse, and silenced by shame. "My boy, my boy, I only wanted to save you!"



CHAPTER XII.

IN SILENCE AND TEARS.



When he had time to think, Colonel Kelmscott determined in his own mind that he would still do his best to save Granville, whether Granville himself wished it or otherwise. So he proceeded to take all the necessary steps for breaking the entail and raising the money he needed for Guy and Cyril.

In all this, Granville neither acquiesced nor dissented. He signed mechanically whatever documents his father presented to him, and he stood by his bargain with a certain sullen, undeviating, hard-featured loyalty; but he never forgot those few angry words in which his father had half let out his long-guarded life secret.

Thinking the matter over continually with himself, however, he came in the end to the natural conclusion that one explanation alone would fit all the facts. He was not his father's eldest son at all. Colonel Kelmscott must have been married to some one else before his marriage with Lady Emily. That some one else's son was the real heir of Tilgate. And it was to him that his father, in his passionate penitence, proposed, after many years, to do one-sided justice. Now Granville Kelmscott, though a haughty and somewhat head-strong fellow, after the fashion of his race, was a young man of principle and of honour. The moment this hideous doubt occurred to his mind, he couldn't rest in his bed till he had cleared it all up and settled it for ever, one way or the other. If Tilgate wasn't his, by law and right, he wanted none of it. If his father was trying to buy off the real heir to the estate with a pitiful pittance, in order to preserve the ill-gotten remainder for Lady Emily's son, why, Granville for his part would be no active party to such a miserable compromise. If some other man was the Colonel's lawful heir, let that other man take the property and enjoy it; but he, Granville Kelmscott, would go forth upon the world, an honest adventurer, to seek his fortune with his own right hand wherever he might find it.

Still, he could take no active step, on the other hand, to hunt up the truth about the Colonel's real or supposed first marriage. For here an awful dilemma blocked the way before him. If the Colonel had married before, and if by that former marriage he had a son or sons—how could Granville be sure the supposed first wife was dead before the second was married? And supposing, for a moment, she was not dead—supposing his father had been even more criminal and more unjust than he at first imagined—how could he take the initiative himself in showing that his own mother, Lady Emily Kelmscott, was no wife at all in the sight of the law? that some other woman was his father's lawful consort? The bare possibility of such an issue was too horrible for any son on earth to face undismayed. So, tortured and distracted by his divided duty, Granville Kelmscott shrank alike from action or inaction.

In the midst of such doubts and difficulties, however, one duty shone out clear as day before him. Till the mystery was cleared up, till the problem was solved, he must see no more of Gwendoline Gildersleeve. He had engaged himself to her as the heir of Tilgate. She had accepted him under that guise, and looked forward to an early and happy marriage. Now, all was changed. He was, or might be, a beggar and an outcast. To be sure, he knew Gwendoline loved him for himself; but how could he marry her if he didn't even know he had anything of his own in the world to marry upon? The park and fallow deer had been a part of himself; without them, he felt he was hardly even a Kelmscott. It was his plain duty, now, for Gwendoline's sake, to release her from her promise to a man who might perhaps be penniless, and who couldn't even feel sure he was the lawful son of his own father. And yet—for Lady Emily's sake—he mustn't hint, even to Gwendoline, the real reason which moved him to offer her this release. He must throw himself upon her mercy, without cause assigned, and ask her for the time being to have faith in him and to believe him.

So, a day or two after the interview with his father in the library, the self-disinherited heir of Tilgate took the path through the glade that led into the dell beyond the boundary fence—that dell which had once been accounted a component part of Tilgate Park, but which Gilbert Gildersleeve had proved, in his cold-blooded documentary legal way, to belong in reality to the grounds of Woodlands. It was in the dell that Granville sometimes ran up against Gwendoline. He sat down on the broken ledge of ironstone that overhung the little brook. It was eleven o'clock gone. By eleven o'clock, three mornings in the week, chance—pure chance—the patron god of lovers, brought Gwendoline into the dell to meet him.

Presently, a light footfall rang soft upon the path, and next moment a tall and beautiful girl, with a wealth of auburn hair, and a bright colour in her cheeks, tripped lightly down the slope, as if strolling through the wood in maiden meditation, fancy free, unexpecting any one.

"What, you here, Mr. Kelmscott?" she exclaimed, as she saw him, her pink cheek deepening as she spoke to a still profounder crimson.

"Yes, I'm here, Gwendoline," Granville Kelmscott answered, with a smile of recognition at her maidenly pretence of an undesigned coincidence. "And I'm here, to say the truth, because I quite expected this morning to meet you."

He took her hand gravely. Gwendoline let her eyes fall modestly on the ground, as if some warmer greeting were more often bestowed between them. The young man blushed with a certain manly shame. "No, not to-day, dear," he said, with an effort, as she held her cheek aside, half courting and half deprecating the expected kiss. "Oh, Gwendoline, I don't know how to begin. I don't know how to say it. But I've got very sad news for you—news that I can't bear to break—that I can't venture to explain—that I don't even properly understand myself. I must throw myself upon your faith. I must just ask you to trust me."

Gwendoline let him seat her, unresisting, upon the ledge by his side, and her cheek grew suddenly ashy pale, as she answered with a gasp, forgetting the "Mr. Kelmscott" at this sudden leap into the stern realities of life, "Why, Granville, what do you mean? You know I can trust you. You know, whatever it may be, I believe you implicitly."

The young man took her hand in his with a tender pressure. It was a terrible message to have to deliver. He bungled and blundered on, with many twists and turns, through some inarticulate attempt at an indefinite explanation. It wasn't that he didn't love her—oh, devotedly, eternally, she must know that well; she never could doubt it. It wasn't that any shadow had arisen between him and her, it wasn't anything he could speak about, or anything she must say to any soul on earth—oh, for his mother's sake, he hoped and trusted she would religiously keep his secret inviolate! But something had happened to him within the last few days—something unspeakable, indefinite, uncertain, vague, yet very full of the most dreadful possibilities; something that might make him unable to support a wife; something that at least must delay or postpone for an unknown time the long-hoped-for prospect of his claiming her and marrying her. Some day, perhaps—he broke off suddenly, and looked with a wistful look into her deep grey eyes. His resolution failed him. "One kiss," he said, "Gwendoline!" His voice was choking. The beautiful girl, turning towards him with a wild sob, fell, yielding herself on his breast, and cried hot tears of joy at that evident sign that, in spite of all he said, he still really loved her.

They sat there long, hand in hand, and eye on eye, talking it all over, as lovers will, with infinite delays, yet getting no nearer towards a solution either way. Gwendoline, for her part, didn't care, of course—what true woman does?—whether Granville was the heir of Tilgate or not; she would marry him all the more, she said, if he were a penniless nobody. All she wanted was to love him and be near him. Let him marry her now, marry her to-day, and then go where he would in the world to seek his livelihood. But Granville, poor fellow, alarmed at the bare suggestion—for his mother's sake—that Tilgate might really not be his, checked her at once in her outburst with a grave, silent look; he was still, he said calmly, the inheritor of Tilgate. It wasn't that. At least, not as she took it. He didn't know precisely what it was himself. She must have faith in him and trust him. She must wait and see. In the end, he hoped, he would come back and marry her.

And Gwendoline made answer, with many tears, that she knew it was so, and that she loved him and trusted him. So, after sitting there long, hand locked in hand, and heart intent on heart, the two young people rose at last to go, protesting and vowing their mutual love on either side, as happy and as miserable in their divided lives as two young people in all England that moment. Over and over again they kissed and said good-bye; then they stood with one another's fingers clasped hard in their own, unwilling to part, and unable to loose them. After that, they kissed again, and declared once more they were broken-hearted, and could never leave one another. But still, Granville added, half aside, he must make up his mind not to see Gwendoline again—honour demanded that sacrifice—till he could come at last a rich man to claim her. Meanwhile, she was free; and he—he was ever hers, devotedly, whole-souledly. But they were no longer engaged. He was hers in heart only. Let her try to forget him. He could never forget her.

And Gwendoline, sobbing and tearful, but believing him implicitly, retreated with slow steps, looking back at each turn of the zigzag path, and sending the ghosts of dead kisses from her finger-tips to greet him.

Below in the dell Granville stood still, and watched her depart in breathless silence. Then, in an agony of despair, he flung himself down on the ground and burst into tears, and sobbed like a child over his broken daydream.

Gwendoline, coming back to make sure, saw him lying and sobbing so; and, woman-like, felt compelled to step down just one minute to comfort him. Granville in turn refused her proffered comfort—it was better so—he mustn't listen to her any more; he must steel himself to say No; he must remember it was dishonourable of him to drag a delicately nurtured girl into a penniless marriage. Then they kissed once more and made it all up again; and they sobbed and wept as before, and broke it off for ever; and they said good-bye for the very last time; and they decided they must never meet till Granville came back; and they hoped they would sometimes catch just a glimpse of one another in the outer world, and whatever the other one said or did, they would each in their hearts be always true to their first great love; and they were more miserable still, and they were happier than they had ever been in their lives before; and they parted at last, with a desperate effort, each perfectly sure of the other's love, and each vowing in soul they would never, never see one another again, but each, for all that, perfectly certain that some day or other they would be husband and wife, though Tilgate and the wretched little fallow deer should sink, unwept, to the bottom of the ocean.



CHAPTER XIII.

BUSINESS FIRST.



The manager at Messrs. Drummond, Coutts and Barclay's, Limited, received Colonel Kelmscott with distinguished consideration. A courteous, conciliatory sort of man, that manager, with his close-shaven face and his spotless shirt-front.

"Five minutes, my dear sir?" he exclaimed, with warmth, motioning his visitor blandly into the leather-covered chair. "Half an hour, if you wish it. We always have leisure to receive our clients. Any service we can render them, we're only too happy."

"But this is a very peculiar bit of business," Colonel Kelmscott answered, humming and hawing with obvious hesitation. "It isn't quite in the regular way of banking, I believe. Perhaps, indeed, I ought rather to have put it into the hands of my solicitor. But, even if you can't manage the thing yourself, you may be able to put me in the way of finding out how best I can get it managed elsewhere."

The manager bowed. His smile was a smile of genuine satisfaction. Colonel Kelmscott of Tilgate was in a most gracious humour. The manager, with deference, held himself wholly at his client's disposition.

So the Colonel proceeded to unfold his business. There were two young men, now knocking about town, of the names of Guy and Cyril Waring—the one a journalist, the other a painter—and they had rooms in Staple Inn, Holborn, which would doubtless form a sufficient clue by which to identify them. Colonel Kelmscott desired unobtrusively to know where these young men banked—if indeed they were in a position to keep an account; and when that was found out, he wished Messrs. Drummond, Coutts and Barclay, Limited, to place a sum of money at their bankers to their credit, without mentioning the name of the person so placing it, as well as to transmit to them a sealed envelope, containing instructions as to the use to be made of the money in question.

The manager nodded a cautious acquiescence. To place the money to the credit of the two young men, indeed, would be quite in their way. But to send the sealed envelope, without being aware of its contents, or the nature of the business on which it was despatched, would be much less regular. Perhaps the Colonel might find some other means of managing without their aid that portion of the business arrangement.

The Colonel, for his part, fell in readily enough with this modest point of view. It amply sufficed for him if the money were paid to the young men's credit, and a receipt, forwarded to him in due course, under cover of a number, to the care of the bankers.

"Very well," the manager answered, rubbing his hands contentedly. "Our confidential clerk will settle all that for you. A most sagacious person, our confidential clerk. No eyes, no ears, no tongue for anything but our clients' interests."

The Colonel smiled, and sat a little longer, giving further details as the precise amount he wished sent, and the particular way he wished to send it—the whole sum to be, in fact, twelve thousand pounds, amount of the purchase money of the Dowlands farms, whereof only six thousand had as yet been paid down; and that six thousand he wished to place forthwith to the credit of Cyril Waring, the painter. The remaining six thousand, to be settled, as agreed, in five weeks' time, he would then make over under the self-same conditions to the other brother, Guy Waring, the journalist. It had gone a trifle too cheap, that land at Dowlands, the Colonel opined; but still, in days like these he was very glad, indeed, to find a purchaser for the place at anything like its value.

"I think a Miss Ewes was the fortunate bidder, wasn't she?" the manager asked, just to make a certain decent show of interest in his client's estate.

"Yes, Miss Elma Ewes of Kenilworth," the Colonel answered, letting loose for a moment his tongue, that unruly member. "She's the composer, you know—writes songs and dances; remotely connected with Reginald Clifford, the man who was Governor of some West Indian Dutch-oven—St. Kitts, I think, or Antigua—he lives down our way, and he's a neighbour of mine at Tilgate. Or rather she's connected with Mrs. Clifford, the Governor's wife, who was one of the younger branch, a Miss Ewes of Worthing, daughter of the Ewes who was Dean of Dorchester. Elma's been a family name for years with all the lot of Eweses, good, bad, or indifferent. Came down to them, don't you know, from that Roumanian ancestress."

"Indeed," the manager answered, now beginning to be really interested—for the Cliffords were clients too, and it behoves a banker to know everything about everybody's business. "So Mrs. Clifford had an ancestress who was a Roumanian, had she? Well, I've noticed at times her complexion looked very southern and gipsy-like—distinctly un-English."

"Oh, they call it Roumanian," Colonel Kelmscott went on in a confidential tone, roping his white moustache, and growing more and more conversational; "they call it Roumanian, because it sounds more respectable; but I believe, if you go right down to the very bottom of the thing, it was much more like some kind of Oriental gipsy. Sir Michael Ewes, the founder of the house, in George the Second's time, was ambassador for awhile at Constantinople. He began life, indeed, I believe, as a Turkey merchant. Well, at Pera one day, so the story goes—you'll find it all in Horace Walpole's diary—he picked up with this dark-skinned gipsy-woman, who was a wonderful creature in her way, a sort of mesmeric sorceress, who belonged to some tribe of far eastern serpent charmers. It seems that women of this particular tribe were regularly trained by the men to be capering priestesses—or fortune-tellers, if you like—who performed some extraordinary sacred antics of a mystical kind, much after the fashion of the howling dervishes. However that may be, Sir Michael, at any rate, pacing the streets of Pera, saw the woman that she was passing fair, and fell in love with her outright at some dervish entertainment. But being a very well-behaved old man, combining a liking for Orientals with a British taste for the highest respectability, he had the girl baptized and made into a proper Christian first; and then he married her off-hand and brought her home with him as my Lady Ewes to England. She was presented at Court, to George the Second; and Lady Mary Wortley Montagu stood her sponsor on the occasion."

"But how did it all turn out?" the manager asked, with an air of intelligent historical interest.

"Turn out? Well, it turned out in a thumping big family of thirteen children," the Colonel answered; "most of whom, happily for the father, died young, But the five who survived, and who married at last into very good connections, all had one peculiarity, which they transmitted to all their female descendants. Very odd these hereditary traits, to be sure. Very singular! Very singular!"

"Ah, to be sure," the manager answered, turning over a pile of letters. "And what was the hereditary trait handed down, as you say, in the family of the Roumanian lady?"

"Why, in the first place," the Colonel continued, leaning back in his chair, and making himself perfectly comfortable, "all the girls of the Ewes connection, to the third and fourth generation, have olive-brown complexions, creamy and soft, but clear as crystal. Then again, they've all got most extraordinary intuition—a perfectly marvellous gift of reading faces. By George, sir," the Colonel exclaimed, growing hot and red at the memory of that afternoon on the Holkers' lawn, "I don't like to see those women's eyes fixed upon my cheek when there's anything going on I don't want them to know. A man's transparent like glass before them. They see into his very soul. They look right through him."

"If the lady who founded the family habits was a fortune-teller," the manager interposed, with a scientific air, "that's not so remarkable; for fortune-tellers must always be quick-witted people, keen to perceive the changes of countenance in the dupes who employ them, and prompt at humouring all the fads and fancies of their customers, mustn't they?"

"Quite so," the Colonel echoed. "You've hit it on the nail. And this particular lady—Esmeralda they call her, so that Elma, which is short for Esmeralda, understand, has come to be the regular Christian name among all her women descendants—this particular lady belonged to what you might call a caste or priestly family, as it were, of hereditary fortune-tellers, every one of whose ancestors had been specially selected for generations for the work, till a kind of transmissible mesmeric habit got developed among them. And they do say," the Colonel went on, lowering his voice a little more to a confidential whisper, "that all the girls descended from Madame Esmeralda—Lady Ewes of Charlwood, as she was in England—retain to this day another still odder and uncannier mark of their peculiar origin; but, of course, it's a story that would be hard to substantiate, though I've heard it discussed more than once among the friends of the family."

"Dear me! What's that?" the manager asked, in a tone of marked curiosity.

"Why, they do say," the Colonel went on, now fairly launched upon a piece of after-dinner gossip, "that the eastern snake-dance of Madame Esmeralda's people is hereditary even still among the women of the family, and that, sooner or later, it breaks out unexpectedly in every one of them. When the fit comes on, they shut themselves up in their own rooms, I've been told, and twirl round and round for hours like dancing dervishes, with anything they can get in their hands to represent a serpent, till they fall exhausted with the hysterical effort. Even if a woman of Esmeralda's blood escapes it at all other times, it's sure to break out when she first sees a real live snake, or falls in love for the first time. Then the dormant instincts of the race come over her with a rush, at the very dawn of womanhood, all quickened and aroused, as it were, in the general awakening."

"That's very curious!" the manager said, leaning back in his chair in turn, and twirling his thumbs, "very curious indeed; and yet, in its way, very probable, very probable. For habits like those must set themselves deep in the very core of the system, don't you think, Colonel? If this woman, now, was descended from a whole line of ancestresses, who had all been trained for their work into a sort of ecstatic fervour, the ecstasy and all that went with it must have got so deeply ingrained—"

"I beg your pardon," the Colonel interrupted, consulting his watch and seizing his hat hastily—for as a Kelmscott, he refused point-blank to be lectured—"I've an appointment at my club at half-past three, and I must not wait any longer. Well, you'll get these young men's address for me, then, at the very earliest possible opportunity?"

The manager pocketed the snub, and bowed his farewell. "Oh, certainly," he answered, trying to look as pleased and gracious as his features would permit. "Our confidential clerk will hunt them up immediately. We're delighted to be of use to you. Good morning. Good morning."

And as soon as the Colonel's back was turned, the manager rang twice on his sharp little bell for the confidential clerk to receive his orders.

Mr. Montague Nevitt immediately presented himself in answer to the summons.

"Mr. Nevitt," the manager said, with a dry, small cough, "here's a bit of business of the most domestic kind—strict seal of secrecy, not a word on any account. Colonel Kelmscott of Tilgate wants to know where two young men, named Guy and Cyril Waring, keep their banking account, if any; and, as soon as he knows, he wishes to pay in a substantial sum, quite privately, to their credit."

Mr. Montague Nevitt bowed a bow of assent; without the faintest sign of passing recognition. "Guy and Cyril Waring," he repeated to himself, looking close at the scrap of paper his chief had handed him; "Guy and Cyril Waring, Staple Inn, Holborn. I can find out to-day, sir, if you attach any special and pressing importance to promptitude in the matter."



CHAPTER XIV.

MUSIC HATH POWER.



For Mr. Montague Nevitt was a cautious, cool, and calculating person. He knew, better than most of us that knowledge is power. So when the manager mentioned to him casually in the way of business the names of Guy and Cyril Waring, Mr. Montague Nevitt didn't respond at once, "Oh, dear yes; one of them's my most intimate personal friend, and the other's his brother," as a man of less discretion might have been tempted to do. For, in the first place, by finding out, or seeming to find out, the facts about the Warings that very afternoon, he could increase his character with his employers for zeal and ability. And, in the second place, if he had let out too soon that he knew the Warings personally, he might most likely on that very account have been no further employed in carrying into execution this delicate little piece of family business.

So Nevitt held his peace discreetly, like a wise man that he was, and answered merely, in a most submissive voice, "I'll do my, best to ascertain where they bank, at once," as if he had never before in his life heard the name of Waring.

For the self-same reason, Mr. Montague Nevitt didn't hint that evening to Guy that he had become possessed during the course of the day of a secret of the first importance to Guy's fortune and future. Of course, a man so astute as Montague Nevitt jumped at once at the correct conclusion, that Colonel Kelmscott must be the two Warings' father. But he wasn't going to be fool enough to chuck his chance away by sharing that information with any second person. A secret is far too valuable a lever in life to be carelessly flung aside by a man of ambition. And Montague Nevitt saw this secret in particular was doubly valuable to him. He could use it, wedge-wise, with both the Warings in all his future dealings, by promising to reveal to one or other of them a matter of importance and probable money-value, and he could use it also as a perpetual threat to hold over Colonel Kelmscott, if ever it should be needful to extort blackmail from the possessor of Tilgate, or to thwart his schemes by some active interference.

So when Nevitt strolled round about nine o'clock that night to Staple Inn, violin-case in hand, and cigarette in mouth, he gave not a sign of the curious information he had that day acquired, to the person most interested in learning the truth as to the precise genealogy of the Waring family.

There was no great underlying community of interests between the clever young journalist and his banking companion. A common love for music was the main bond of union between the two men. Yet Montague Nevitt exercised over Guy a strange and fatal fascination which Cyril always found positively unaccountable. And on this particular evening, as Nevitt stood swaying himself to and fro upon the hearth-rug before the empty grate, with his eyes half closed, drawing low, weird music with his enchanted bow from those submissive strings, Guy leaned back on the sofa and listened, entranced, with a hopeless feeling of utter inability ever to approach the wizard-like and supreme execution of that masterly hand and those superhuman fingers. How he twisted and turned them as though his bones were india-rubber. His palms were all joints, and his eyes all ecstasy. He seemed able to do what he liked with his violin. He played on his instrument, indeed, as he played on Guy—with the consummate art of a skilful executant.

"That's marvellous, Nevitt," Guy broke out at last; "never heard even Sarasate himself do anything quite so wild and weird as that. What's the piece called? It seems to have something almost impish or sprite-like in its wailing music. It's Hungarian, of course, or Polish or Greek; I detect at once the Oriental tinge in it."

"Wrong for once, my dear boy," Nevitt answered, smiling, "it's English, pure English, and by a lady what's more—one of the Eweses of Kenilworth. She's a distant relation of Cyril's Miss Clifford, I believe. An Elma, too; name runs in the family. But she composes wonderfully. Everything she writes is in that mystic key. It sounds like a reminiscence of some dim and lamp-lit eastern temple. The sort of thing a nautch-girl might bo supposed to compose, to sing to the clash and clang of cymbals, while she was performing the snake-dance before some Juggernaut idol!"

"Exactly," Guy answered, shutting his eyes dreamily. "That's just the very picture it brings up before my mind's eye—as you render it, Nevitt. I seem to see vague visions of some vast and dimly-lighted rock-hewn cavern, with long vistas of pillars cut from the solid stone, while dark-limbed priestesses, clad in white muslin robes, swing censers in the foreground to solemn music. Upon my word, the power of sound is something simply wonderful. There's almost nothing, I believe, good music wouldn't drive me to—or rather lead me to; for it sways one and guides even more than it impels one."

"And yet," Nevitt mused, in slow tones to himself, taking up his violin again, and drawing his bow over the chords, with half-closed eyes, in a seemingly listless, aimless manner, "I don't believe music's your real first love, Guy. You took it up only to be different from Cyril. The artistic impulse in both of you is the same at bottom. If you'd let it have it's own way, you'd have taken, not to this, I'm sure, but to painting. But Cyril painted, so, to make yourself different, you went in for music. That's you all over! You always have such a hankering after being what you are not!"

"Well, hang it all, a man wants to have SOME individuality," Guy answered apologetically. "He doesn't like to be a mere copy or repetition of his brother."

Nevitt reflected quietly to himself that Cyril never wanted to be different from Guy, his was by far the stronger nature of the two: he was content to be himself without regard to his brother. But Nevitt didn't say so. Indeed, why should he? He merely went on playing a few disconnected bars of a very lively, hopeful utopian sort of a tune—a tune all youth and health, and go and gaiety—as he interjected from time to time some brief financial remarks on the numerous good strokes he'd pulled off of late in his transactions in the City.

"Can't do them in my own name, you know," he observed lightly, at last laying down his bow, and replacing the dainty white rose in his left top buttonhole. "Not official for a bank EMPLOYE to operate on the Stock Exchange. The chiefs object to it. So I do my little ventures in Tom's name instead, my brother-in-law, Tom Whitley's. Those Cedulas went up another eighth yesterday. Well hit again: I'm always lucky. And that was a good thing I put you on last week, too, wasn't it? Did you sell out to-day? They're up at 96, and you bought in at 80."

"No, I didn't sell to-day," Guy answered, with a yawn. "I'm holding on still for a further rise. I thought I'd sell out when they reached the even hundred."

"My dear fellow, you're wrong," Nevitt put in eagerly. "You ought to have sold to-day. It's the top of the market. They'll begin to decline soon, and when once they begin they'll come down with a crash, as P.L.'s did on Saturday. You take my advice and sell out first thing to-morrow morning. You'll clear sixteen pounds on each of your shares. That's enough for any man. You bought ten shares, I think, didn't you? Well, there you are, you see; a hundred and sixty off-hand for you on your bargain."

Guy paused and reflected a doubtful moment. "Yes, I'll sell out to-morrow, Nevitt," he said, after a struggle, "or what comes to the same thing, you can sell out for me. But, do you know, my dear fellow, I sometimes fancy I'm a fool for my pains, going in for all this silly speculation. Better stick to my guinea a column in the Morning Mail. The risks are so great, and the gains so small. I don't believe outsiders ought to back their luck at all like this on the Stock Exchange."

Montague Nevitt acquiesced with cheerful promptitude. "I agree with you down to the ground," he said, lighting a cigarette, and puffing away at it vigorously. "Outsiders ought not to back their luck on the Stock Exchange. That, I take it, is a self-evident proposition. But the point is, here, that you're not an outsider; and you don't back your luck, which alters the case, you'll admit, somewhat. You embark on speculations on my advice only, and I'm in a position to judge, as well as any other expert in the City of London, what things are genuine and what things are not worth a wise man's attention."

He stretched himself on the sofa with a lazy, luxurious air, and continued to puff away in silence at his cigarette for another ten minutes. Then he drew unostentatiously from his pocket a folded sheet of foolscap paper, printed after the fashion of the common company prospectus. For a second or two he read it over to himself in silence, till Guy's curiosity was sufficiently roused by his mute proceeding.

"What have you got there?" the journalist asked at last, eyeing it inquiringly, as the fly eyes the cobweb.

"Oh, nothing," Nevitfc answered, folding the paper up neatly and returning it to his pocket. "You've sworn off now, so it does not concern you. Just the prospectus of a little fresh thing coming out next week—a very exceptional chance—but you don't want to go in for it. I mean to apply for three hundred shares myself, I'm so certain of its success; and I had thought of advising you to take a hundred and fifty on your own account as well, with that hundred and fifty you cleared over the Cordova Cattle bonds. They're ten-pound shares, at a merely nominal price—ten bob on application and ten on allotment—you could take a hundred and fifty as easy as look at it. No further calls will ever be made. It's really a most remarkable investment."

"Let me see the prospectus," Guy murmured, faltering, the fever of speculation once more getting the better of him.

Nevitt pretended to hang back like a man with fine scruples. "It's the Rio Negro Diamond and Sapphire Mine, Limited," he said, with a deprecatory air. "But you'd better not go in for it. I expect to make a pot out of the thing myself. It's a unique occasion. Still, no doubt you're right, and I don't like the responsibility of advising any other fellow. Though you can see for yourself what the promoters say. Very first-class names. And Klink thinks most highly of it."

He handed Guy the paper, and took up his violin as if by pure accident, while Guy scanned it closely.

The journalist bent over the prospectus with eager eyes, and Nevitt poured forth strange music as he read, music like the murmur of the stream of Pactolus. It was an inspiring strain; the violin seemed to possess the true Midas touch; gold flowed like water in liquid rills from its catgut. Guy finished, and rose, and dipped a pen in the ink-pot. "All right," he said low, half hesitating still. "I'll give you an order to sell out at once, and I'll fill up this application for three hundred shares—why not three hundred? I may as well go as many as you do. If it's really such a good thing as you say, why shouldn't I profit by it? Send this to Klink to-morrow early; strike while the iron's hot, and get the thing finished."

Nevitt looked at the paper with an attentive eye. "How curious it is," he said, regarding the signature narrowly, "that you and Cyril, who are so much alike in everything else, should write so differently. I should have expected your hands to be almost identical."

"Oh, don't you know why that is?" Guy answered, with an innocent smile. "I do it on purpose. Cyril writes sloping forward, the ordinary way, so I slope backward just to prevent confusion. And I form all my letters as unlike his as I can, though if I follow my own bent they turn out the same; his way is more natural to me, in fact, than the way I write myself. But I must do something to keep our letters apart. That's why we always bank at a different banker's. If I liked I could write exactly like Cyril. See, here's his own signature to his letter this morning, and here's my imitation of it, written off-hand, in my own natural manner. No forger on earth could ever need anything more absolutely identical."

Montague Nevitt took it up, and examined it with interest. "Well, this is wonderful," he said, comparing the two, stroke for stroke, with the practised eye of an expert. "The signatures are as if written by the self-same hand. Any cashier in England would accept your cheque at sight for Cyril's."

He didn't add aloud that such similarity was very convenient. But, none the less, in his own mind he thought so.



CHAPTER XV.

THE PATH OF DUTY.



Down at Tilgate, meanwhile, Elma Clifford had met more than once with Cyril Waring at friends' houses around, for ever since the accident, Society had made up its mind that Elma ought to marry her companion in the tunnel; and, when Society once makes up its mind on a question of this sort, why, it does its level best in the long run to insure the fulfilment of its own prediction.

Wherever Elma had met her painter, however, during those few short weeks, she had seen him only before the quizzing eyes of all the world; and though she admitted to herself that she liked him very much, she was nevertheless so thoroughly frightened by her own performance after the Holkers' party that she almost avoided him, in spite of officious friends—partly, it is true, from a pure feeling of maidenly shame, but partly also from a deeper-seated and profoundly moral belief that with this fierce mad taint upon her as she naturally thought, it would be nothing short of wrong in her even to marry. She couldn't meet Cyril now without thinking at once of that irresistible impulse which had seized her by the throat, as it were, and bent her to its wild will in her own room after their interview at the Holkers'; and the thought did far more than bring a deep blush into her rich brown cheek—it made her feel most acutely she must never dream of burdening him with that terrible uncertainty and all it might enclose in it of sinister import.

For Elma felt sure she was mad that night. And, if so, oh, how could she poison Cyril Waring's life with so unspeakable an inheritance for himself and his children?

She didn't know, what any psychologist might at once have told her, that no one with the fatal taint of madness in her blood could ever even have thought of that righteous self-denial. Such scruples have no place in the selfish insane temperament; they belong only to the highest and purest types of moral nature.

One morning, however, a few weeks later, Elma had strolled off by herself into Chetwood Forest, without any intention of going anywhere in particular, save for a solitary walk, when suddenly, a turn round the corner of a devious path brought her face to face all at once with a piece of white canvas, stretched opposite her on an easel; at the other side of which, to her profound dismay, an artist in a grey tweed suit was busily working.

The artist, as it happened, didn't see her at once, for the canvas stretched between them, shutting her out from his eyes, and Elma's light footstep on the mossy ground hadn't aroused his attention. So the girl's first impulse was to retrace her way unobtrusively without exchanging a word, and retire round the corner again, before Cyril could recognise her. But somehow, when she came to try, she couldn't. Her feet refused point blank to obey her will. And this time, in her own heart, she knew very well why. For there in the background, coiled up against the dense wall of rock and fern, Sardanapalus lay knotted in sleepy folds, with his great ringed back shining blue in the sunlight that struggled in round patches through the shimmering foliage. More consciously now than even in the train, the beautiful deadly creature seemed to fascinate Elma and bind her to the spot. For a moment she hesitated, unable to resist the strange, inexplicable attraction that ran in her blood. That brief interval settled it. Even as she paused, Cyril glanced round at the snake to note the passing effect of a gleam of light that fell slantwise through the leaves to dapple his spotty back—and caught sight of Elma. The poor girl gave a start. It was too late now to retreat. She stood there rooted.

Cyril moved forward to meet her with a frankly outstretched hand. "Good morning, Miss Clifford," he said, in his cheery manly voice. "So you've dropped down by accident upon my lair here, have you? Well, I'm glad you've happened to pass by to-day, for this, do you know, is my very last morning. I'm putting the finishing touches upon my picture now before I take it back to town. I go away to-morrow, perhaps to North Wales, perhaps to Scotland."

Elma trembled a little at those words, in spite of resolution; for though she could never, never, never marry him, it was nice, of course, to feel he was near at hand, and to have the chance of seeing him, and avoiding him as far as possible, on other people's lawns at garden parties. She trembled and turned pale. She could never MARRY him, to be sure; but then she could never marry any one else either; and that being so, she liked to SEE him now and again, on neutral ground, as it were, and to know he was somewhere that she could meet him occasionally. Wales and Scotland are so distant from Surrey. Elma showed in her face at once that she thought them both unpleasantly remote from Craighton, Tilgate.

With timid and shrinking steps, she came in front of the picture, and gazed at it in detail long and attentively. Never before did she know how fond she was of art.

"It's beautiful," she said, after a pause; "I like it immensely. That moss is so soft, and the ferns are so delicate. And how lovely that patch of rich golden light is on Sardanapalus's shoulder."

The painter stepped back a pace or two and examined his own handicraft, with his head on one side, in a very critical attitude. "I don't know that I'm quite satisfied after all with the colour-scheme," he said, glancing askance at Elma. "I fancy it's, perhaps, just a trifle too green. It looks all right, of course, out here in the open; but the question is, when it's hung in the Academy, surrounded by warm reds, and purples, and blues, won't it look by comparison much too cabbagey and too grassy?"

Elma drew a deep breath.

"Oh, Mr. Waring," she cried, in a deprecating tone, holding her breath for awe.

It pained her that anybody—even Cyril himself—should speak so lightly about so beautiful a picture.

"Then you like it?" Cyril asked, turning round to her full face and fronting her as she stood there, all beautiful blushes through her creamy white skin.

"Like it? I love it," Elma answered enthusiastically. "Apart from its being yours, I think it simply beautiful."

"And you like ME, too, then?" the painter asked, once more, making a sudden dash at the question that was nearest to both their hearts, after all, that moment. He was going away to-morrow, and this was a last opportunity. Who could tell how soon somebody might come up through the woods and interrupt their interview? He must make the best use of his time. He must make haste to ask her.

Elma let her eyes drop, and her heart beat hard. She laid her hand upon the easel to steady herself as she answered slowly, "You know I like you, Mr. Waring; I like you very, very much indeed. You were so kind to me in the tunnel. And I felt your kindness. You could see that day I was—very, very grateful to you."

"When I asked you if you liked my picture, Elma," the young man said reproachfully, taking her other hand in his, and looking straight into her eyes, "you said, 'Like it? I love it.' But when I ask you if you like me—ask you if you will take me—you only say you're very, very grateful."

Elma let him take her hand, all trembling, in his. She let him call her by her name. She let him lean forward and gaze at her, lover-like. Her heart throbbed high. She couldn't refuse him. She knew she loved him. But to marry him—oh no. That was quite another thing. There duty interposed. It would be cruel, unworthy, disgraceful, wicked.

She drew herself back a little with maidenly dignity, as she answered low, "Mr. Waring, we two saw into one another's hearts so deep in the tunnel that day we spent together, that it would be foolish for us now to make false barriers between us. I'll tell you the plain truth." She trembled like an aspen-leaf. "I love you, I think; but I can never marry you."

She said it so simply, yet with such an earnestness of despair, that Cyril knew with a pang she really meant it.

"Why not?" he cried eagerly, raising her hand to his lips, and kissing it with fervour. "If you tell me you love me, Elma, all the rest must come. Say that, and you say all. So long as I've gained your heart, I don't care for anything."

Elma drew her hand away with stately reserve. "I mean it, Mr. Waring," she said slowly, sitting down on the bank, and gasping a little for air, just as she had done in the tunnel. "I really mean it. I LIKED you in the train that day; I was GRATEFUL to you in the accident; I knew I LOVED you the afternoon we met at the Holkers'. There, I've told you that plainly—more plainly than I thought I ever could tell it to any man on earth—because we knew one another so well when we thought we were dying side by side, and because—because I can see you really love me.... Well, it can never be. I can never marry you."

She gazed at him wistfully. Cyril sat down by her side, and talked it all over with her from a hundred points of view. He pressed his suit hard, till Elma felt, if words could win, her painter would have won her. But she couldn't yield, she said for HIS sake a thousand times more than for her own, she must never marry. As the man grew more earnest the girl in turn grew more frank and confiding. She could never marry HIM, to be sure, she said fervently, but then she could never, never, never marry any one else. If she married at all she would marry Cyril. He took her hand again. Without one shadow of resistance she let him take it and hold it. Yes, yes, he might love her, if he liked, no harm at all in that; and SHE, she would always, always love him. All her life through, she cried, letting her passionate southern nature get the better of her at last, she would love him every hour of every day in the year, and love him only. But she could never marry him. Why, she must never say. It was no use his trying to read her secret. He must never find it out; never, never, never. But she, for her part, could never forget it.

So Cyril, eagerly pressing his suit with every art he knew, was forced in the end to content himself with that scanty measure. She would love him, she would write to him, even; but she would never marry him.

At last the time came when they must really part, or she would be late for lunch, and mamma would know all; mamma would read everything. He looked her wistfully in the face. Elma held out her lips, obedient to that mute demand, with remorseful blush of maidenly shame on her cheek. "Only once," she murmured. "Just to seal our compact. For the first and last time. You go away to-morrow."

"That was BEFORE you said you loved me," Cyril cried with delight, emboldened by success. "Mayn't I stay on now, just one little week longer?"

At the proposal, Elma drew back her face in haste before he had time to kiss it, and answered, in a very serious voice—

"Oh no, don't ask me. After this, I daren't stand the strain of seeing you again—at least not just now—not so very, very soon. Please, please, don't ask me. Go to-morrow, as you said. If you don't, I can't let you," she blushed, and held out her blushing face once more. "Only if you promise me to go to-morrow, mind," she said, with a half-coquettish, half-tearful smile at him.

Cyril hesitated for a second. He was inclined to temporize. "Those are very hard terms," he said. Then impulse proved too much for him. He bent forward, and pressed his lips just once on that olive-brown cheek. "But I may come back again very soon," he murmured, pushing home his advantage.

Elma seized his hand in hers, wrung it hard and tremulously, and then turned and ran like a frightened fawn, without pausing to look back, down the path homeward. Yet she whispered one broken sentence through her tears, for all that, before she went.