"The most faithful and masterly history ever written of the wild wars for the Holy Land."—Philadelphia American Courier.

"The ability, diligence, and faithfulness, with which Michaud has executed his great task, are undisputed; and it is to his well-filled volumes that the historical student must now resort for copious and authentic facts, and luminous views respecting this most romantic and wonderful period in the annals of the Old World."—Boston Daily Courier.



MARMADUKE WYVIL.

An Historical Romance of 1651, by HENRY W. HERBERT, author of the "Cavaliers of England," &c., &c. Fourteenth Edition. Revised and Corrected.

"This is one of the best works of the kind we have ever read—full of thrilling incidents and adventures in the stirring times of Cromwell, and in that style which has made the works of Mr. Herbert so popular."—Christian Freeman, Boston.

"The work is distinguished by the same historical knowledge, thrilling incident, and pictorial beauty of style, which have characterized all Mr. Herbert's fictions and imparted to them such a bewitching interest."—Yankee Blade.

"The author out of a simple plot and very few characters, has constructed a novel of deep interest and of considerable historical value. It will be found well worth reading."—National AEgis, Worcester.

Life under an Italian Despotism!

LORENZO BENONI,

OR

PASSAGES IN THE LIFE OF AN ITALIAN.

One Vol., 12mo, Cloth—Price $1.00.

* * * * *

OPINIONS OF THE PRESS.

"The author of 'Lorenzo Benoni' is GIOVANNI RUFFINI, a native of Genoa, who effected his escape from his native country after the attempt at revolution in 1833. His book is, in substance, an authentic account of real persons and incidents, though the writer has chosen to adopt fictitious and fantastic designations for himself and his associates. Since 1833, Ruffini has resided chiefly (if not wholly) in England and France, where his qualities, we understand, have secured him respect and regard. In 1848, he was selected by Charles Albert to fill the responsible situation of embassador to Paris, in which city he had long been domesticated as a refugee. He ere long, however, relinquished that office, and again withdrew into private life. He appears to have employed the time of his exile in this country to such advantage as to have acquired a most uncommon mastery over the English language. The present volume (we are informed on good authority) is exclusively his own—and, if so, on the score of style alone it is a remarkable curiosity. But its matter also is curious."—London Quarterly Review for July.

"A tale of sorrow that has lain long in a rich mind, like a ruin in a fertile country, and is not the less gravely impressive for the grace and beauty of its coverings ... at the same time the most determined novel-reader could desire no work more fascinating over which to forget the flight of time.... No sketch of foreign oppression has ever, we believe, been submitted to the English public by a foreigner, equal or nearly equal to this volume in literary merit. It is not unworthy to be ranked among contemporary works whose season is the century in which their authors live."—London Examiner.

"The book should be as extensively read as 'Uncle Tom's Cabin,' inasmuch as it develops the existence of a state of slavery and degradation, worse even than that which Mrs. Beecher Stowe has elucidated with so much pathos and feeling."—Bell's Weekly Messenger.

"Few works of the season will be read with greater pleasure than this; there is a great charm in the quiet, natural way in which the story is told."—London Atlas.

"The author's great forte is character-painting. This portraiture is accomplished with remarkable skill, the traits both individual and national being marked with great nicety without obtrusiveness."—London Spectator.

"Under the modest guise of the biography of an imaginary 'Lorenzo Benoni,' we have here, in fact, the memoir of a man whose name could not be pronounced in certain parts of northern Italy without calling up tragic yet noble historical recollections.... Its merits, simply as a work of literary art, are of a very high order. The style is really beautiful—easy, sprightly, graceful, and full of the happiest and most ingenious turns of phrase and fancy."—North British Review.

"This has been not unjustly compared to 'Gil Blas,' to which it is scarcely inferior in spirited delineations of human character, and in the variety of events which it relates. But as a description of actual occurrences illustrating the domestic and political condition of Italy, at a period fraught with interest to all classes of readers, it far transcends in importance any work of mere fiction."—Dublin Evening Mail.

"SHAKESPEARE AS HE WROTE IT."

THE WORKS OF SHAKESPEARE,

Reprinted from the newly-discovered copy of the Folio of 1632 in the possession of J. Payne Collier, containing nearly

Twenty Thousand Manuscript Corrections,

With a History of the Stage to the Time, an Introduction to each Play, a Life of the Poet, etc.

BY J. PAYNE COLLIER, F.S.A.

To which are added, Glossarial and other Notes, the Readings of Former Editions, a PORTRAIT after that by Martin Droeshout, a VIGNETTE TITLE on Steel, and a FACSIMILE OF THE OLD FOLIO, with the Manuscript Corrections. 1 vol., Imperial 8vo. Cloth $4.00.

The WORKS OF SHAKESPEARE the same as the above. Uniform in Size with the celebrated Chiswick Edition, 8 vols. 16mo, cloth $6.00. Half calf or moroc. extra.

These are American Copyright Editions, the Notes being expressly prepared for the work. The English edition contains simply the text, without a single note or indication of the changes made in the text. In the present, the variations from old copies are noted by reference of all changes to former editions (abbreviated f.e.), and every indication and explanation is given essential to a clear understanding of the author. The prefatory matter, Life, &c., will be fuller than in any American edition now published.

"This is the only correct edition of the works of the 'Bard of Avon' ever issued, and no lover or student of Shakespeare should be without it."—Philadelphia Argus.

"Altogether the most correct and therefore the most valuable edition extant."—Albany Express.

"This edition of Shakespeare will ultimately supersede all others. It must certainly be deemed an essential acquisition by every lover of the great dramatist."—N. Y. Commercial Advertiser.

"This great work commends itself in the highest terms to every Shakespearian scholar and student."—Philadelphia City Item.

"This edition embraces all that is necessary to make a copy of Shakespeare desirable and correct."—Niagara Democrat.

"It must sooner or later drive all others from the market."—N. Y. Evening Post.

"Beyond all question, the very best edition of the great bard hitherto published."—New England Religious Herald.

"It must hereafter be the standard edition of Shakespeare's plays."—National Argus.

"It is clear from internal evidence that they are genuine restorations of the original plays."—Detroit Daily Times.

"This must we think supersede all other editions of Shakespeare hitherto published. Collier's corrections make it really a different work from its predecessors. Compared with it we consider them hardly worth possessing."—Daily Georgian, Savannah.

"One who will probably hereafter be considered as the only true authority. No one we think, will wish to purchase an edition of Shakespeare, except it shall be conformable to the amended text by Collier."—Newark Daily Advertiser.

"A great outcry has been made in England against this edition of the bard, by Singer and others interested in other editions; but the emendations commend themselves too strongly to the good sense of every reader to be dropped by the public—the old editions must become obsolete."—Yankee Blade, Boston.

THE END