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Petya clenched his teeth and looked around, throwing back his head and flourishing his arms.
"Into the vewy chief..." Denisov repeated with a smile.
"Only, please let me command something, so that I may really command..." Petya went on. "What would it be to you?... Oh, you want a knife?" he said, turning to an officer who wished to cut himself a piece of mutton.
And he handed him his clasp knife. The officer admired it.
"Please keep it. I have several like it," said Petya, blushing. "Heavens! I was quite forgetting!" he suddenly cried. "I have some raisins, fine ones; you know, seedless ones. We have a new sutler and he has such capital things. I bought ten pounds. I am used to something sweet. Would you like some?..." and Petya ran out into the passage to his Cossack and brought back some bags which contained about five pounds of raisins. "Have some, gentlemen, have some!"
"You want a coffeepot, don't you?" he asked the esaul. "I bought a capital one from our sutler! He has splendid things. And he's very honest, that's the chief thing. I'll be sure to send it to you. Or perhaps your flints are giving out, or are worn out—that happens sometimes, you know. I have brought some with me, here they are"—and he showed a bag—"a hundred flints. I bought them very cheap. Please take as many as you want, or all if you like...."
Then suddenly, dismayed lest he had said too much, Petya stopped and blushed.
He tried to remember whether he had not done anything else that was foolish. And running over the events of the day he remembered the French drummer boy. "It's capital for us here, but what of him? Where have they put him? Have they fed him? Haven't they hurt his feelings?" he thought. But having caught himself saying too much about the flints, he was now afraid to speak out.
"I might ask," he thought, "but they'll say: 'He's a boy himself and so he pities the boy.' I'll show them tomorrow whether I'm a boy. Will it seem odd if I ask?" Petya thought. "Well, never mind!" and immediately, blushing and looking anxiously at the officers to see if they appeared ironical, he said:
"May I call in that boy who was taken prisoner and give him something to eat?... Perhaps..."
"Yes, he's a poor little fellow," said Denisov, who evidently saw nothing shameful in this reminder. "Call him in. His name is Vincent Bosse. Have him fetched."
"I'll call him," said Petya.
"Yes, yes, call him. A poor little fellow," Denisov repeated.
Petya was standing at the door when Denisov said this. He slipped in between the officers, came close to Denisov, and said:
"Let me kiss you, dear old fellow! Oh, how fine, how splendid!"
And having kissed Denisov he ran out of the hut.
"Bosse! Vincent!" Petya cried, stopping outside the door.
"Who do you want, sir?" asked a voice in the darkness.
Petya replied that he wanted the French lad who had been captured that day.
"Ah, Vesenny?" said a Cossack.
Vincent, the boy's name, had already been changed by the Cossacks into Vesenny (vernal) and into Vesenya by the peasants and soldiers. In both these adaptations the reference to spring (vesna) matched the impression made by the young lad.
"He is warming himself there by the bonfire. Ho, Vesenya! Vesenya!—Vesenny!" laughing voices were heard calling to one another in the darkness.
"He's a smart lad," said an hussar standing near Petya. "We gave him something to eat a while ago. He was awfully hungry!"
The sound of bare feet splashing through the mud was heard in the darkness, and the drummer boy came to the door.
"Ah, c'est vous!" said Petya. "Voulez-vous manger? N'ayez pas peur, on ne vous fera pas de mal," * he added shyly and affectionately, touching the boy's hand. "Entrez, entrez." *(2)
* "Ah, it's you! Do you want something to eat? Don't be afraid, they won't hurt you."
* (2) "Come in, come in."
"Merci, monsieur," * said the drummer boy in a trembling almost childish voice, and he began scraping his dirty feet on the threshold.
* "Thank you, sir."
There were many things Petya wanted to say to the drummer boy, but did not dare to. He stood irresolutely beside him in the passage. Then in the darkness he took the boy's hand and pressed it.
"Come in, come in!" he repeated in a gentle whisper. "Oh, what can I do for him?" he thought, and opening the door he let the boy pass in first.
When the boy had entered the hut, Petya sat down at a distance from him, considering it beneath his dignity to pay attention to him. But he fingered the money in his pocket and wondered whether it would seem ridiculous to give some to the drummer boy.
CHAPTER VIII
The arrival of Dolokhov diverted Petya's attention from the drummer boy, to whom Denisov had had some mutton and vodka given, and whom he had had dressed in a Russian coat so that he might be kept with their band and not sent away with the other prisoners. Petya had heard in the army many stories of Dolokhov's extraordinary bravery and of his cruelty to the French, so from the moment he entered the hut Petya did not take his eyes from him, but braced himself up more and more and held his head high, that he might not be unworthy even of such company.
Dolokhov's appearance amazed Petya by its simplicity.
Denisov wore a Cossack coat, had a beard, had an icon of Nicholas the Wonder-Worker on his breast, and his way of speaking and everything he did indicated his unusual position. But Dolokhov, who in Moscow had worn a Persian costume, had now the appearance of a most correct officer of the Guards. He was clean-shaven and wore a Guardsman's padded coat with an Order of St. George at his buttonhole and a plain forage cap set straight on his head. He took off his wet felt cloak in a corner of the room, and without greeting anyone went up to Denisov and began questioning him about the matter in hand. Denisov told him of the designs the large detachments had on the transport, of the message Petya had brought, and his own replies to both generals. Then he told him all he knew of the French detachment.
"That's so. But we must know what troops they are and their numbers," said Dolokhov. "It will be necessary to go there. We can't start the affair without knowing for certain how many there are. I like to work accurately. Here now—wouldn't one of these gentlemen like to ride over to the French camp with me? I have brought a spare uniform."
"I, I... I'll go with you!" cried Petya.
"There's no need for you to go at all," said Denisov, addressing Dolokhov, "and as for him, I won't let him go on any account."
"I like that!" exclaimed Petya. "Why shouldn't I go?"
"Because it's useless."
"Well, you must excuse me, because... because... I shall go, and that's all. You'll take me, won't you?" he said, turning to Dolokhov.
"Why not?" Dolokhov answered absently, scrutinizing the face of the French drummer boy. "Have you had that youngster with you long?" he asked Denisov.
"He was taken today but he knows nothing. I'm keeping him with me."
"Yes, and where do you put the others?" inquired Dolokhov.
"Where? I send them away and take a weceipt for them," shouted Denisov, suddenly flushing. "And I say boldly that I have not a single man's life on my conscience. Would it be difficult for you to send thirty or thwee hundwed men to town under escort, instead of staining—I speak bluntly—staining the honor of a soldier?"
"That kind of amiable talk would be suitable from this young count of sixteen," said Dolokhov with cold irony, "but it's time for you to drop it."
"Why, I've not said anything! I only say that I'll certainly go with you," said Petya shyly.
"But for you and me, old fellow, it's time to drop these amenities," continued Dolokhov, as if he found particular pleasure in speaking of this subject which irritated Denisov. "Now, why have you kept this lad?" he went on, swaying his head. "Because you are sorry for him! Don't we know those 'receipts' of yours? You send a hundred men away, and thirty get there. The rest either starve or get killed. So isn't it all the same not to send them?"
The esaul, screwing up his light-colored eyes, nodded approvingly.
"That's not the point. I'm not going to discuss the matter. I do not wish to take it on my conscience. You say they'll die. All wight. Only not by my fault!"
Dolokhov began laughing.
"Who has told them not to capture me these twenty times over? But if they did catch me they'd string me up to an aspen tree, and with all your chivalry just the same." He paused. "However, we must get to work. Tell the Cossack to fetch my kit. I have two French uniforms in it. Well, are you coming with me?" he asked Petya.
"I? Yes, yes, certainly!" cried Petya, blushing almost to tears and glancing at Denisov.
While Dolokhov had been disputing with Denisov what should be done with prisoners, Petya had once more felt awkward and restless; but again he had no time to grasp fully what they were talking about. "If grown-up, distinguished men think so, it must be necessary and right," thought he. "But above all Denisov must not dare to imagine that I'll obey him and that he can order me about. I will certainly go to the French camp with Dolokhov. If he can, so can I!"
And to all Denisov's persuasions, Petya replied that he too was accustomed to do everything accurately and not just anyhow, and that he never considered personal danger.
"For you'll admit that if we don't know for sure how many of them there are... hundreds of lives may depend on it, while there are only two of us. Besides, I want to go very much and certainly will go, so don't hinder me," said he. "It will only make things worse..."
CHAPTER IX
Having put on French greatcoats and shakos, Petya and Dolokhov rode to the clearing from which Denisov had reconnoitered the French camp, and emerging from the forest in pitch darkness they descended into the hollow. On reaching the bottom, Dolokhov told the Cossacks accompanying him to await him there and rode on at a quick trot along the road to the bridge. Petya, his heart in his mouth with excitement, rode by his side.
"If we're caught, I won't be taken alive! I have a pistol," whispered he.
"Don't talk Russian," said Dolokhov in a hurried whisper, and at that very moment they heard through the darkness the challenge: "Qui vive?" * and the click of a musket.
* "Who goes there?"
The blood rushed to Petya's face and he grasped his pistol.
"Lanciers du 6-me," * replied Dolokhov, neither hastening nor slackening his horse's pace.
* "Lancers of the 6th Regiment."
The black figure of a sentinel stood on the bridge.
"Mot d'ordre." *
* "Password."
Dolokhov reined in his horse and advanced at a walk.
"Dites donc, le colonel Gerard est ici?" * he asked.
* "Tell me, is Colonel Gerard here?"
"Mot d'ordre," repeated the sentinel, barring the way and not replying.
"Quand un officier fait sa ronde, les sentinelles ne demandent pas le mot d'ordre..." cried Dolokhov suddenly flaring up and riding straight at the sentinel. "Je vous demande si le colonel est ici." *
* "When an officer is making his round, sentinels don't ask him for the password.... I am asking you if the colonel is here."
And without waiting for an answer from the sentinel, who had stepped aside, Dolokhov rode up the incline at a walk.
Noticing the black outline of a man crossing the road, Dolokhov stopped him and inquired where the commander and officers were. The man, a soldier with a sack over his shoulder, stopped, came close up to Dolokhov's horse, touched it with his hand, and explained simply and in a friendly way that the commander and the officers were higher up the hill to the right in the courtyard of the farm, as he called the landowner's house.
Having ridden up the road, on both sides of which French talk could be heard around the campfires, Dolokhov turned into the courtyard of the landowner's house. Having ridden in, he dismounted and approached a big blazing campfire, around which sat several men talking noisily. Something was boiling in a small cauldron at the edge of the fire and a soldier in a peaked cap and blue overcoat, lit up by the fire, was kneeling beside it stirring its contents with a ramrod.
"Oh, he's a hard nut to crack," said one of the officers who was sitting in the shadow at the other side of the fire.
"He'll make them get a move on, those fellows!" said another, laughing.
Both fell silent, peering out through the darkness at the sound of Dolokhov's and Petya's steps as they advanced to the fire leading their horses.
"Bonjour, messieurs!" * said Dolokhov loudly and clearly.
* "Good day, gentlemen."
There was a stir among the officers in the shadow beyond the fire, and one tall, long-necked officer, walking round the fire, came up to Dolokhov.
"Is that you, Clement?" he asked. "Where the devil...?" But, noticing his mistake, he broke off short and, with a frown, greeted Dolokhov as a stranger, asking what he could do for him.
Dolokhov said that he and his companion were trying to overtake their regiment, and addressing the company in general asked whether they knew anything of the 6th Regiment. None of them knew anything, and Petya thought the officers were beginning to look at him and Dolokhov with hostility and suspicion. For some seconds all were silent.
"If you were counting on the evening soup, you have come too late," said a voice from behind the fire with a repressed laugh.
Dolokhov replied that they were not hungry and must push on farther that night.
He handed the horses over to the soldier who was stirring the pot and squatted down on his heels by the fire beside the officer with the long neck. That officer did not take his eyes from Dolokhov and again asked to what regiment he belonged. Dolokhov, as if he had not heard the question, did not reply, but lighting a short French pipe which he took from his pocket began asking the officer in how far the road before them was safe from Cossacks.
"Those brigands are everywhere," replied an officer from behind the fire.
Dolokhov remarked that the Cossacks were a danger only to stragglers such as his companion and himself, "but probably they would not dare to attack large detachments?" he added inquiringly. No one replied.
"Well, now he'll come away," Petya thought every moment as he stood by the campfire listening to the talk.
But Dolokhov restarted the conversation which had dropped and began putting direct questions as to how many men there were in the battalion, how many battalions, and how many prisoners. Asking about the Russian prisoners with that detachment, Dolokhov said:
"A horrid business dragging these corpses about with one! It would be better to shoot such rabble," and burst into loud laughter, so strange that Petya thought the French would immediately detect their disguise, and involuntarily took a step back from the campfire.
No one replied a word to Dolokhov's laughter, and a French officer whom they could not see (he lay wrapped in a greatcoat) rose and whispered something to a companion. Dolokhov got up and called to the soldier who was holding their horses.
"Will they bring our horses or not?" thought Petya, instinctively drawing nearer to Dolokhov.
The horses were brought.
"Good evening, gentlemen," said Dolokhov.
Petya wished to say "Good night" but could not utter a word. The officers were whispering together. Dolokhov was a long time mounting his horse which would not stand still, then he rode out of the yard at a footpace. Petya rode beside him, longing to look round to see whether or not the French were running after them, but not daring to.
Coming out onto the road Dolokhov did not ride back across the open country, but through the village. At one spot he stopped and listened. "Do you hear?" he asked. Petya recognized the sound of Russian voices and saw the dark figures of Russian prisoners round their campfires. When they had descended to the bridge Petya and Dolokhov rode past the sentinel, who without saying a word paced morosely up and down it, then they descended into the hollow where the Cossacks awaited them.
"Well now, good-by. Tell Denisov, 'at the first shot at daybreak,'" said Dolokhov and was about to ride away, but Petya seized hold of him.
"Really!" he cried, "you are such a hero! Oh, how fine, how splendid! How I love you!"
"All right, all right!" said Dolokhov. But Petya did not let go of him and Dolokhov saw through the gloom that Petya was bending toward him and wanted to kiss him. Dolokhov kissed him, laughed, turned his horse, and vanished into the darkness.
CHAPTER X
Having returned to the watchman's hut, Petya found Denisov in the passage. He was awaiting Petya's return in a state of agitation, anxiety, and self-reproach for having let him go.
"Thank God!" he exclaimed. "Yes, thank God!" he repeated, listening to Petya's rapturous account. "But, devil take you, I haven't slept because of you! Well, thank God. Now lie down. We can still get a nap before morning."
"But... no," said Petya, "I don't want to sleep yet. Besides I know myself, if I fall asleep it's finished. And then I am used to not sleeping before a battle."
He sat awhile in the hut joyfully recalling the details of his expedition and vividly picturing to himself what would happen next day.
Then, noticing that Denisov was asleep, he rose and went out of doors.
It was still quite dark outside. The rain was over, but drops were still falling from the trees. Near the watchman's hut the black shapes of the Cossacks' shanties and of horses tethered together could be seen. Behind the hut the dark shapes of the two wagons with their horses beside them were discernible, and in the hollow the dying campfire gleamed red. Not all the Cossacks and hussars were asleep; here and there, amid the sounds of falling drops and the munching of the horses near by, could be heard low voices which seemed to be whispering.
Petya came out, peered into the darkness, and went up to the wagons. Someone was snoring under them, and around them stood saddled horses munching their oats. In the dark Petya recognized his own horse, which he called "Karabakh" though it was of Ukranian breed, and went up to it.
"Well, Karabakh! We'll do some service tomorrow," said he, sniffing its nostrils and kissing it.
"Why aren't you asleep, sir?" said a Cossack who was sitting under a wagon.
"No, ah... Likhachev—isn't that your name? Do you know I have only just come back! We've been into the French camp."
And Petya gave the Cossack a detailed account not only of his ride but also of his object, and why he considered it better to risk his life than to act "just anyhow."
"Well, you should get some sleep now," said the Cossack.
"No, I am used to this," said Petya. "I say, aren't the flints in your pistols worn out? I brought some with me. Don't you want any? You can have some."
The Cossack bent forward from under the wagon to get a closer look at Petya.
"Because I am accustomed to doing everything accurately," said Petya. "Some fellows do things just anyhow, without preparation, and then they're sorry for it afterwards. I don't like that."
"Just so," said the Cossack.
"Oh yes, another thing! Please, my dear fellow, will you sharpen my saber for me? It's got bl..." (Petya feared to tell a lie, and the saber never had been sharpened.) "Can you do it?"
"Of course I can."
Likhachev got up, rummaged in his pack, and soon Petya heard the warlike sound of steel on whetstone. He climbed onto the wagon and sat on its edge. The Cossack was sharpening the saber under the wagon.
"I say! Are the lads asleep?" asked Petya.
"Some are, and some aren't—like us."
"Well, and that boy?"
"Vesenny? Oh, he's thrown himself down there in the passage. Fast asleep after his fright. He was that glad!"
After that Petya remained silent for a long time, listening to the sounds. He heard footsteps in the darkness and a black figure appeared.
"What are you sharpening?" asked a man coming up to the wagon.
"Why, this gentleman's saber."
"That's right," said the man, whom Petya took to be an hussar. "Was the cup left here?"
"There, by the wheel!"
The hussar took the cup.
"It must be daylight soon," said he, yawning, and went away.
Petya ought to have known that he was in a forest with Denisov's guerrilla band, less than a mile from the road, sitting on a wagon captured from the French beside which horses were tethered, that under it Likhachev was sitting sharpening a saber for him, that the big dark blotch to the right was the watchman's hut, and the red blotch below to the left was the dying embers of a campfire, that the man who had come for the cup was an hussar who wanted a drink; but he neither knew nor waited to know anything of all this. He was in a fairy kingdom where nothing resembled reality. The big dark blotch might really be the watchman's hut or it might be a cavern leading to the very depths of the earth. Perhaps the red spot was a fire, or it might be the eye of an enormous monster. Perhaps he was really sitting on a wagon, but it might very well be that he was not sitting on a wagon but on a terribly high tower from which, if he fell, he would have to fall for a whole day or a whole month, or go on falling and never reach the bottom. Perhaps it was just the Cossack, Likhachev, who was sitting under the wagon, but it might be the kindest, bravest, most wonderful, most splendid man in the world, whom no one knew of. It might really have been that the hussar came for water and went back into the hollow, but perhaps he had simply vanished—disappeared altogether and dissolved into nothingness.
Nothing Petya could have seen now would have surprised him. He was in a fairy kingdom where everything was possible.
He looked up at the sky. And the sky was a fairy realm like the earth. It was clearing, and over the tops of the trees clouds were swiftly sailing as if unveiling the stars. Sometimes it looked as if the clouds were passing, and a clear black sky appeared. Sometimes it seemed as if the black spaces were clouds. Sometimes the sky seemed to be rising high, high overhead, and then it seemed to sink so low that one could touch it with one's hand.
Petya's eyes began to close and he swayed a little.
The trees were dripping. Quiet talking was heard. The horses neighed and jostled one another. Someone snored.
"Ozheg-zheg, Ozheg-zheg..." hissed the saber against the whetstone, and suddenly Petya heard an harmonious orchestra playing some unknown, sweetly solemn hymn. Petya was as musical as Natasha and more so than Nicholas, but had never learned music or thought about it, and so the melody that unexpectedly came to his mind seemed to him particularly fresh and attractive. The music became more and more audible. The melody grew and passed from one instrument to another. And what was played was a fugue—though Petya had not the least conception of what a fugue is. Each instrument—now resembling a violin and now a horn, but better and clearer than violin or horn—played its own part, and before it had finished the melody merged with another instrument that began almost the same air, and then with a third and a fourth; and they all blended into one and again became separate and again blended, now into solemn church music, now into something dazzlingly brilliant and triumphant.
"Oh—why, that was in a dream!" Petya said to himself, as he lurched forward. "It's in my ears. But perhaps it's music of my own. Well, go on, my music! Now!..."
He closed his eyes, and, from all sides as if from a distance, sounds fluttered, grew into harmonies, separated, blended, and again all mingled into the same sweet and solemn hymn. "Oh, this is delightful! As much as I like and as I like!" said Petya to himself. He tried to conduct that enormous orchestra.
"Now softly, softly die away!" and the sounds obeyed him. "Now fuller, more joyful. Still more and more joyful!" And from an unknown depth rose increasingly triumphant sounds. "Now voices join in!" ordered Petya. And at first from afar he heard men's voices and then women's. The voices grew in harmonious triumphant strength, and Petya listened to their surpassing beauty in awe and joy.
With a solemn triumphal march there mingled a song, the drip from the trees, and the hissing of the saber, "Ozheg-zheg-zheg..." and again the horses jostled one another and neighed, not disturbing the choir but joining in it.
Petya did not know how long this lasted: he enjoyed himself all the time, wondered at his enjoyment and regretted that there was no one to share it. He was awakened by Likhachev's kindly voice.
"It's ready, your honor; you can split a Frenchman in half with it!"
Petya woke up.
"It's getting light, it's really getting light!" he exclaimed.
The horses that had previously been invisible could now be seen to their very tails, and a watery light showed itself through the bare branches. Petya shook himself, jumped up, took a ruble from his pocket and gave it to Likhachev; then he flourished the saber, tested it, and sheathed it. The Cossacks were untying their horses and tightening their saddle girths.
"And here's the commander," said Likhachev.
Denisov came out of the watchman's hut and, having called Petya, gave orders to get ready.
CHAPTER XI
The men rapidly picked out their horses in the semidarkness, tightened their saddle girths, and formed companies. Denisov stood by the watchman's hut giving final orders. The infantry of the detachment passed along the road and quickly disappeared amid the trees in the mist of early dawn, hundreds of feet splashing through the mud. The esaul gave some orders to his men. Petya held his horse by the bridle, impatiently awaiting the order to mount. His face, having been bathed in cold water, was all aglow, and his eyes were particularly brilliant. Cold shivers ran down his spine and his whole body pulsed rhythmically.
"Well, is ev'wything weady?" asked Denisov. "Bwing the horses."
The horses were brought. Denisov was angry with the Cossack because the saddle girths were too slack, reproved him, and mounted. Petya put his foot in the stirrup. His horse by habit made as if to nip his leg, but Petya leaped quickly into the saddle unconscious of his own weight and, turning to look at the hussars starting in the darkness behind him, rode up to Denisov.
"Vasili Dmitrich, entrust me with some commission! Please... for God's sake...!" said he.
Denisov seemed to have forgotten Petya's very existence. He turned to glance at him.
"I ask one thing of you," he said sternly, "to obey me and not shove yourself forward anywhere."
He did not say another word to Petya but rode in silence all the way. When they had come to the edge of the forest it was noticeably growing light over the field. Denisov talked in whispers with the esaul and the Cossacks rode past Petya and Denisov. When they had all ridden by, Denisov touched his horse and rode down the hill. Slipping onto their haunches and sliding, the horses descended with their riders into the ravine. Petya rode beside Denisov, the pulsation of his body constantly increasing. It was getting lighter and lighter, but the mist still hid distant objects. Having reached the valley, Denisov looked back and nodded to a Cossack beside him.
"The signal!" said he.
The Cossack raised his arm and a shot rang out. In an instant the tramp of horses galloping forward was heard, shouts came from various sides, and then more shots.
At the first sound of trampling hoofs and shouting, Petya lashed his horse and loosening his rein galloped forward, not heeding Denisov who shouted at him. It seemed to Petya that at the moment the shot was fired it suddenly became as bright as noon. He galloped to the bridge. Cossacks were galloping along the road in front of him. On the bridge he collided with a Cossack who had fallen behind, but he galloped on. In front of him soldiers, probably Frenchmen, were running from right to left across the road. One of them fell in the mud under his horse's feet.
Cossacks were crowding about a hut, busy with something. From the midst of that crowd terrible screams arose. Petya galloped up, and the first thing he saw was the pale face and trembling jaw of a Frenchman, clutching the handle of a lance that had been aimed at him.
"Hurrah!... Lads!... ours!" shouted Petya, and giving rein to his excited horse he galloped forward along the village street.
He could hear shooting ahead of him. Cossacks, hussars, and ragged Russian prisoners, who had come running from both sides of the road, were shouting something loudly and incoherently. A gallant-looking Frenchman, in a blue overcoat, capless, and with a frowning red face, had been defending himself against the hussars. When Petya galloped up the Frenchman had already fallen. "Too late again!" flashed through Petya's mind and he galloped on to the place from which the rapid firing could be heard. The shots came from the yard of the landowner's house he had visited the night before with Dolokhov. The French were making a stand there behind a wattle fence in a garden thickly overgrown with bushes and were firing at the Cossacks who crowded at the gateway. Through the smoke, as he approached the gate, Petya saw Dolokhov, whose face was of a pale-greenish tint, shouting to his men. "Go round! Wait for the infantry!" he exclaimed as Petya rode up to him.
"Wait?... Hurrah-ah-ah!" shouted Petya, and without pausing a moment galloped to the place whence came the sounds of firing and where the smoke was thickest.
A volley was heard, and some bullets whistled past, while others plashed against something. The Cossacks and Dolokhov galloped after Petya into the gateway of the courtyard. In the dense wavering smoke some of the French threw down their arms and ran out of the bushes to meet the Cossacks, while others ran down the hill toward the pond. Petya was galloping along the courtyard, but instead of holding the reins he waved both his arms about rapidly and strangely, slipping farther and farther to one side in his saddle. His horse, having galloped up to a campfire that was smoldering in the morning light, stopped suddenly, and Petya fell heavily on to the wet ground. The Cossacks saw that his arms and legs jerked rapidly though his head was quite motionless. A bullet had pierced his skull.
After speaking to the senior French officer, who came out of the house with a white handkerchief tied to his sword and announced that they surrendered, Dolokhov dismounted and went up to Petya, who lay motionless with outstretched arms.
"Done for!" he said with a frown, and went to the gate to meet Denisov who was riding toward him.
"Killed?" cried Denisov, recognizing from a distance the unmistakably lifeless attitude—very familiar to him—in which Petya's body was lying.
"Done for!" repeated Dolokhov as if the utterance of these words afforded him pleasure, and he went quickly up to the prisoners, who were surrounded by Cossacks who had hurried up. "We won't take them!" he called out to Denisov.
Denisov did not reply; he rode up to Petya, dismounted, and with trembling hands turned toward himself the bloodstained, mud-bespattered face which had already gone white.
"I am used to something sweet. Raisins, fine ones... take them all!" he recalled Petya's words. And the Cossacks looked round in surprise at the sound, like the yelp of a dog, with which Denisov turned away, walked to the wattle fence, and seized hold of it.
Among the Russian prisoners rescued by Denisov and Dolokhov was Pierre Bezukhov.
CHAPTER XII
During the whole of their march from Moscow no fresh orders had been issued by the French authorities concerning the party of prisoners among whom was Pierre. On the twenty-second of October that party was no longer with the same troops and baggage trains with which it had left Moscow. Half the wagons laden with hardtack that had traveled the first stages with them had been captured by Cossacks, the other half had gone on ahead. Not one of those dismounted cavalrymen who had marched in front of the prisoners was left; they had all disappeared. The artillery the prisoners had seen in front of them during the first days was now replaced by Marshal Junot's enormous baggage train, convoyed by Westphalians. Behind the prisoners came a cavalry baggage train.
From Vyazma onwards the French army, which had till then moved in three columns, went on as a single group. The symptoms of disorder that Pierre had noticed at their first halting place after leaving Moscow had now reached the utmost limit.
The road along which they moved was bordered on both sides by dead horses; ragged men who had fallen behind from various regiments continually changed about, now joining the moving column, now again lagging behind it.
Several times during the march false alarms had been given and the soldiers of the escort had raised their muskets, fired, and run headlong, crushing one another, but had afterwards reassembled and abused each other for their causeless panic.
These three groups traveling together—the cavalry stores, the convoy of prisoners, and Junot's baggage train—still constituted a separate and united whole, though each of the groups was rapidly melting away.
Of the artillery baggage train which had consisted of a hundred and twenty wagons, not more than sixty now remained; the rest had been captured or left behind. Some of Junot's wagons also had been captured or abandoned. Three wagons had been raided and robbed by stragglers from Davout's corps. From the talk of the Germans Pierre learned that a larger guard had been allotted to that baggage train than to the prisoners, and that one of their comrades, a German soldier, had been shot by the marshal's own order because a silver spoon belonging to the marshal had been found in his possession.
The group of prisoners had melted away most of all. Of the three hundred and thirty men who had set out from Moscow fewer than a hundred now remained. The prisoners were more burdensome to the escort than even the cavalry saddles or Junot's baggage. They understood that the saddles and Junot's spoon might be of some use, but that cold and hungry soldiers should have to stand and guard equally cold and hungry Russians who froze and lagged behind on the road (in which case the order was to shoot them) was not merely incomprehensible but revolting. And the escort, as if afraid, in the grievous condition they themselves were in, of giving way to the pity they felt for the prisoners and so rendering their own plight still worse, treated them with particular moroseness and severity.
At Dorogobuzh while the soldiers of the convoy, after locking the prisoners in a stable, had gone off to pillage their own stores, several of the soldier prisoners tunneled under the wall and ran away, but were recaptured by the French and shot.
The arrangement adopted when they started, that the officer prisoners should be kept separate from the rest, had long since been abandoned. All who could walk went together, and after the third stage Pierre had rejoined Karataev and the gray-blue bandy-legged dog that had chosen Karataev for its master.
On the third day after leaving Moscow Karataev again fell ill with the fever he had suffered from in the hospital in Moscow, and as he grew gradually weaker Pierre kept away from him. Pierre did not know why, but since Karataev had begun to grow weaker it had cost him an effort to go near him. When he did so and heard the subdued moaning with which Karataev generally lay down at the halting places, and when he smelled the odor emanating from him which was now stronger than before, Pierre moved farther away and did not think about him.
While imprisoned in the shed Pierre had learned not with his intellect but with his whole being, by life itself, that man is created for happiness, that happiness is within him, in the satisfaction of simple human needs, and that all unhappiness arises not from privation but from superfluity. And now during these last three weeks of the march he had learned still another new, consolatory truth—that nothing in this world is terrible. He had learned that as there is no condition in which man can be happy and entirely free, so there is no condition in which he need be unhappy and lack freedom. He learned that suffering and freedom have their limits and that those limits are very near together; that the person in a bed of roses with one crumpled petal suffered as keenly as he now, sleeping on the bare damp earth with one side growing chilled while the other was warming; and that when he had put on tight dancing shoes he had suffered just as he did now when he walked with bare feet that were covered with sores—his footgear having long since fallen to pieces. He discovered that when he had married his wife—of his own free will as it had seemed to him—he had been no more free than now when they locked him up at night in a stable. Of all that he himself subsequently termed his sufferings, but which at the time he scarcely felt, the worst was the state of his bare, raw, and scab-covered feet. (The horseflesh was appetizing and nourishing, the saltpeter flavor of the gunpowder they used instead of salt was even pleasant; there was no great cold, it was always warm walking in the daytime, and at night there were the campfires; the lice that devoured him warmed his body.) The one thing that was at first hard to bear was his feet.
After the second day's march Pierre, having examined his feet by the campfire, thought it would be impossible to walk on them; but when everybody got up he went along, limping, and, when he had warmed up, walked without feeling the pain, though at night his feet were more terrible to look at than before. However, he did not look at them now, but thought of other things.
Only now did Pierre realize the full strength of life in man and the saving power he has of transferring his attention from one thing to another, which is like the safety valve of a boiler that allows superfluous steam to blow off when the pressure exceeds a certain limit.
He did not see and did not hear how they shot the prisoners who lagged behind, though more than a hundred perished in that way. He did not think of Karataev who grew weaker every day and evidently would soon have to share that fate. Still less did Pierre think about himself. The harder his position became and the more terrible the future, the more independent of that position in which he found himself were the joyful and comforting thoughts, memories, and imaginings that came to him.
CHAPTER XIII
At midday on the twenty-second of October Pierre was going uphill along the muddy, slippery road, looking at his feet and at the roughness of the way. Occasionally he glanced at the familiar crowd around him and then again at his feet. The former and the latter were alike familiar and his own. The blue-gray bandy legged dog ran merrily along the side of the road, sometimes in proof of its agility and self-satisfaction lifting one hind leg and hopping along on three, and then again going on all four and rushing to bark at the crows that sat on the carrion. The dog was merrier and sleeker than it had been in Moscow. All around lay the flesh of different animals—from men to horses—in various stages of decomposition; and as the wolves were kept off by the passing men the dog could eat all it wanted.
It had been raining since morning and had seemed as if at any moment it might cease and the sky clear, but after a short break it began raining harder than before. The saturated road no longer absorbed the water, which ran along the ruts in streams.
Pierre walked along, looking from side to side, counting his steps in threes, and reckoning them off on his fingers. Mentally addressing the rain, he repeated: "Now then, now then, go on! Pelt harder!"
It seemed to him that he was thinking of nothing, but far down and deep within him his soul was occupied with something important and comforting. This something was a most subtle spiritual deduction from a conversation with Karataev the day before.
At their yesterday's halting place, feeling chilly by a dying campfire, Pierre had got up and gone to the next one, which was burning better. There Platon Karataev was sitting covered up—head and all—with his greatcoat as if it were a vestment, telling the soldiers in his effective and pleasant though now feeble voice a story Pierre knew. It was already past midnight, the hour when Karataev was usually free of his fever and particularly lively. When Pierre reached the fire and heard Platon's voice enfeebled by illness, and saw his pathetic face brightly lit up by the blaze, he felt a painful prick at his heart. His feeling of pity for this man frightened him and he wished to go away, but there was no other fire, and Pierre sat down, trying not to look at Platon.
"Well, how are you?" he asked.
"How am I? If we grumble at sickness, God won't grant us death," replied Platon, and at once resumed the story he had begun.
"And so, brother," he continued, with a smile on his pale emaciated face and a particularly happy light in his eyes, "you see, brother..."
Pierre had long been familiar with that story. Karataev had told it to him alone some half-dozen times and always with a specially joyful emotion. But well as he knew it, Pierre now listened to that tale as to something new, and the quiet rapture Karataev evidently felt as he told it communicated itself also to Pierre. The story was of an old merchant who lived a good and God-fearing life with his family, and who went once to the Nizhni fair with a companion—a rich merchant.
Having put up at an inn they both went to sleep, and next morning his companion was found robbed and with his throat cut. A bloodstained knife was found under the old merchant's pillow. He was tried, knouted, and his nostrils having been torn off, "all in due form" as Karataev put it, he was sent to hard labor in Siberia.
"And so, brother" (it was at this point that Pierre came up), "ten years or more passed by. The old man was living as a convict, submitting as he should and doing no wrong. Only he prayed to God for death. Well, one night the convicts were gathered just as we are, with the old man among them. And they began telling what each was suffering for, and how they had sinned against God. One told how he had taken a life, another had taken two, a third had set a house on fire, while another had simply been a vagrant and had done nothing. So they asked the old man: 'What are you being punished for, Daddy?'—'I, my dear brothers,' said he, 'am being punished for my own and other men's sins. But I have not killed anyone or taken anything that was not mine, but have only helped my poorer brothers. I was a merchant, my dear brothers, and had much property. 'And he went on to tell them all about it in due order. 'I don't grieve for myself,' he says, 'God, it seems, has chastened me. Only I am sorry for my old wife and the children,' and the old man began to weep. Now it happened that in the group was the very man who had killed the other merchant. 'Where did it happen, Daddy?' he said. 'When, and in what month?' He asked all about it and his heart began to ache. So he comes up to the old man like this, and falls down at his feet! 'You are perishing because of me, Daddy,' he says. 'It's quite true, lads, that this man,' he says, 'is being tortured innocently and for nothing! I,' he says, 'did that deed, and I put the knife under your head while you were asleep. Forgive me, Daddy,' he says, 'for Christ's sake!'"
Karataev paused, smiling joyously as he gazed into the fire, and he drew the logs together.
"And the old man said, 'God will forgive you, we are all sinners in His sight. I suffer for my own sins,' and he wept bitter tears. Well, and what do you think, dear friends?" Karataev continued, his face brightening more and more with a rapturous smile as if what he now had to tell contained the chief charm and the whole meaning of his story: "What do you think, dear fellows? That murderer confessed to the authorities. 'I have taken six lives,' he says (he was a great sinner), 'but what I am most sorry for is this old man. Don't let him suffer because of me.' So he confessed and it was all written down and the papers sent off in due form. The place was a long way off, and while they were judging, what with one thing and another, filling in the papers all in due form—the authorities I mean—time passed. The affair reached the Tsar. After a while the Tsar's decree came: to set the merchant free and give him a compensation that had been awarded. The paper arrived and they began to look for the old man. 'Where is the old man who has been suffering innocently and in vain? A paper has come from the Tsar!' so they began looking for him," here Karataev's lower jaw trembled, "but God had already forgiven him—he was dead! That's how it was, dear fellows!" Karataev concluded and sat for a long time silent, gazing before him with a smile.
And Pierre's soul was dimly but joyfully filled not by the story itself but by its mysterious significance: by the rapturous joy that lit up Karataev's face as he told it, and the mystic significance of that joy.
CHAPTER XIV
"A vos places!" * suddenly cried a voice.
* "To your places."
A pleasant feeling of excitement and an expectation of something joyful and solemn was aroused among the soldiers of the convoy and the prisoners. From all sides came shouts of command, and from the left came smartly dressed cavalrymen on good horses, passing the prisoners at a trot. The expression on all faces showed the tension people feel at the approach of those in authority. The prisoners thronged together and were pushed off the road. The convoy formed up.
"The Emperor! The Emperor! The Marshal! The Duke!" and hardly had the sleek cavalry passed, before a carriage drawn by six gray horses rattled by. Pierre caught a glimpse of a man in a three-cornered hat with a tranquil look on his handsome, plump, white face. It was one of the marshals. His eye fell on Pierre's large and striking figure, and in the expression with which he frowned and looked away Pierre thought he detected sympathy and a desire to conceal that sympathy.
The general in charge of the stores galloped after the carriage with a red and frightened face, whipping up his skinny horse. Several officers formed a group and some soldiers crowded round them. Their faces all looked excited and worried.
"What did he say? What did he say?" Pierre heard them ask.
While the marshal was passing, the prisoners had huddled together in a crowd, and Pierre saw Karataev whom he had not yet seen that morning. He sat in his short overcoat leaning against a birch tree. On his face, besides the look of joyful emotion it had worn yesterday while telling the tale of the merchant who suffered innocently, there was now an expression of quiet solemnity.
Karataev looked at Pierre with his kindly round eyes now filled with tears, evidently wishing him to come near that he might say something to him. But Pierre was not sufficiently sure of himself. He made as if he did not notice that look and moved hastily away.
When the prisoners again went forward Pierre looked round. Karataev was still sitting at the side of the road under the birch tree and two Frenchmen were talking over his head. Pierre did not look round again but went limping up the hill.
From behind, where Karataev had been sitting, came the sound of a shot. Pierre heard it plainly, but at that moment he remembered that he had not yet finished reckoning up how many stages still remained to Smolensk—a calculation he had begun before the marshal went by. And he again started reckoning. Two French soldiers ran past Pierre, one of whom carried a lowered and smoking gun. They both looked pale, and in the expression on their faces—one of them glanced timidly at Pierre—there was something resembling what he had seen on the face of the young soldier at the execution. Pierre looked at the soldier and remembered that, two days before, that man had burned his shirt while drying it at the fire and how they had laughed at him.
Behind him, where Karataev had been sitting, the dog began to howl. "What a stupid beast! Why is it howling?" thought Pierre.
His comrades, the prisoner soldiers walking beside him, avoided looking back at the place where the shot had been fired and the dog was howling, just as Pierre did, but there was a set look on all their faces.
CHAPTER XV
The stores, the prisoners, and the marshal's baggage train stopped at the village of Shamshevo. The men crowded together round the campfires. Pierre went up to the fire, ate some roast horseflesh, lay down with his back to the fire, and immediately fell asleep. He again slept as he had done at Mozhaysk after the battle of Borodino.
Again real events mingled with dreams and again someone, he or another, gave expression to his thoughts, and even to the same thoughts that had been expressed in his dream at Mozhaysk.
"Life is everything. Life is God. Everything changes and moves and that movement is God. And while there is life there is joy in consciousness of the divine. To love life is to love God. Harder and more blessed than all else is to love this life in one's sufferings, in innocent sufferings."
"Karataev!" came to Pierre's mind.
And suddenly he saw vividly before him a long-forgotten, kindly old man who had given him geography lessons in Switzerland. "Wait a bit," said the old man, and showed Pierre a globe. This globe was alive—a vibrating ball without fixed dimensions. Its whole surface consisted of drops closely pressed together, and all these drops moved and changed places, sometimes several of them merging into one, sometimes one dividing into many. Each drop tried to spread out and occupy as much space as possible, but others striving to do the same compressed it, sometimes destroyed it, and sometimes merged with it.
"That is life," said the old teacher.
"How simple and clear it is," thought Pierre. "How is it I did not know it before?"
"God is in the midst, and each drop tries to expand so as to reflect Him to the greatest extent. And it grows, merges, disappears from the surface, sinks to the depths, and again emerges. There now, Karataev has spread out and disappeared. Do you understand, my child?" said the teacher.
"Do you understand, damn you?" shouted a voice, and Pierre woke up.
He lifted himself and sat up. A Frenchman who had just pushed a Russian soldier away was squatting by the fire, engaged in roasting a piece of meat stuck on a ramrod. His sleeves were rolled up and his sinewy, hairy, red hands with their short fingers deftly turned the ramrod. His brown morose face with frowning brows was clearly visible by the glow of the charcoal.
"It's all the same to him," he muttered, turning quickly to a soldier who stood behind him. "Brigand! Get away!"
And twisting the ramrod he looked gloomily at Pierre, who turned away and gazed into the darkness. A prisoner, the Russian soldier the Frenchman had pushed away, was sitting near the fire patting something with his hand. Looking more closely Pierre recognized the blue-gray dog, sitting beside the soldier, wagging its tail.
"Ah, he's come?" said Pierre. "And Plat-" he began, but did not finish.
Suddenly and simultaneously a crowd of memories awoke in his fancy—of the look Platon had given him as he sat under the tree, of the shot heard from that spot, of the dog's howl, of the guilty faces of the two Frenchmen as they ran past him, of the lowered and smoking gun, and of Karataev's absence at this halt—and he was on the point of realizing that Karataev had been killed, but just at that instant, he knew not why, the recollection came to his mind of a summer evening he had spent with a beautiful Polish lady on the veranda of his house in Kiev. And without linking up the events of the day or drawing a conclusion from them, Pierre closed his eyes, seeing a vision of the country in summertime mingled with memories of bathing and of the liquid, vibrating globe, and he sank into water so that it closed over his head.
Before sunrise he was awakened by shouts and loud and rapid firing. French soldiers were running past him.
"The Cossacks!" one of them shouted, and a moment later a crowd of Russians surrounded Pierre.
For a long time he could not understand what was happening to him. All around he heard his comrades sobbing with joy.
"Brothers! Dear fellows! Darlings!" old soldiers exclaimed, weeping, as they embraced Cossacks and hussars.
The hussars and Cossacks crowded round the prisoners; one offered them clothes, another boots, and a third bread. Pierre sobbed as he sat among them and could not utter a word. He hugged the first soldier who approached him, and kissed him, weeping.
Dolokhov stood at the gate of the ruined house, letting a crowd of disarmed Frenchmen pass by. The French, excited by all that had happened, were talking loudly among themselves, but as they passed Dolokhov who gently switched his boots with his whip and watched them with cold glassy eyes that boded no good, they became silent. On the opposite side stood Dolokhov's Cossack, counting the prisoners and marking off each hundred with a chalk line on the gate.
"How many?" Dolokhov asked the Cossack.
"The second hundred," replied the Cossack.
"Filez, filez!" * Dolokhov kept saying, having adopted this expression from the French, and when his eyes met those of the prisoners they flashed with a cruel light.
* "Get along, get along!"
Denisov, bareheaded and with a gloomy face, walked behind some Cossacks who were carrying the body of Petya Rostov to a hole that had been dug in the garden.
CHAPTER XVI
After the twenty-eighth of October when the frosts began, the flight of the French assumed a still more tragic character, with men freezing, or roasting themselves to death at the campfires, while carriages with people dressed in furs continued to drive past, carrying away the property that had been stolen by the Emperor, kings, and dukes; but the process of the flight and disintegration of the French army went on essentially as before.
From Moscow to Vyazma the French army of seventy-three thousand men not reckoning the Guards (who did nothing during the whole war but pillage) was reduced to thirty-six thousand, though not more than five thousand had fallen in battle. From this beginning the succeeding terms of the progression could be determined mathematically. The French army melted away and perished at the same rate from Moscow to Vyazma, from Vyazma to Smolensk, from Smolensk to the Berezina, and from the Berezina to Vilna—independently of the greater or lesser intensity of the cold, the pursuit, the barring of the way, or any other particular conditions. Beyond Vyazma the French army instead of moving in three columns huddled together into one mass, and so went on to the end. Berthier wrote to his Emperor (we know how far commanding officers allow themselves to diverge from the truth in describing the condition of an army) and this is what he said:
I deem it my duty to report to Your Majesty the condition of the various corps I have had occasion to observe during different stages of the last two or three days' march. They are almost disbanded. Scarcely a quarter of the soldiers remain with the standards of their regiments, the others go off by themselves in different directions hoping to find food and escape discipline. In general they regard Smolensk as the place where they hope to recover. During the last few days many of the men have been seen to throw away their cartridges and their arms. In such a state of affairs, whatever your ultimate plans may be, the interest of Your Majesty's service demands that the army should be rallied at Smolensk and should first of all be freed from ineffectives, such as dismounted cavalry, unnecessary baggage, and artillery material that is no longer in proportion to the present forces. The soldiers, who are worn out with hunger and fatigue, need these supplies as well as a few days' rest. Many have died these last days on the road or at the bivouacs. This state of things is continually becoming worse and makes one fear that unless a prompt remedy is applied the troops will no longer be under control in case of an engagement.
November 9: twenty miles from Smolensk.
After staggering into Smolensk which seemed to them a promised land, the French, searching for food, killed one another, sacked their own stores, and when everything had been plundered fled farther.
They all went without knowing whither or why they were going. Still less did that genius, Napoleon, know it, for no one issued any orders to him. But still he and those about him retained their old habits: wrote commands, letters, reports, and orders of the day; called one another sire, mon cousin, prince d'Eckmuhl, roi de Naples, and so on. But these orders and reports were only on paper, nothing in them was acted upon for they could not be carried out, and though they entitled one another Majesties, Highnesses, or Cousins, they all felt that they were miserable wretches who had done much evil for which they had now to pay. And though they pretended to be concerned about the army, each was thinking only of himself and of how to get away quickly and save himself.
CHAPTER XVII
The movements of the Russian and French armies during the campaign from Moscow back to the Niemen were like those in a game of Russian blindman's bluff, in which two players are blindfolded and one of them occasionally rings a little bell to inform the catcher of his whereabouts. First he rings his bell fearlessly, but when he gets into a tight place he runs away as quietly as he can, and often thinking to escape runs straight into his opponent's arms.
At first while they were still moving along the Kaluga road, Napoleon's armies made their presence known, but later when they reached the Smolensk road they ran holding the clapper of their bell tight—and often thinking they were escaping ran right into the Russians.
Owing to the rapidity of the French flight and the Russian pursuit and the consequent exhaustion of the horses, the chief means of approximately ascertaining the enemy's position—by cavalry scouting—was not available. Besides, as a result of the frequent and rapid change of position by each army, even what information was obtained could not be delivered in time. If news was received one day that the enemy had been in a certain position the day before, by the third day when something could have been done, that army was already two days' march farther on and in quite another position.
One army fled and the other pursued. Beyond Smolensk there were several different roads available for the French, and one would have thought that during their stay of four days they might have learned where the enemy was, might have arranged some more advantageous plan and undertaken something new. But after a four days' halt the mob, with no maneuvers or plans, again began running along the beaten track, neither to the right nor to the left but along the old—the worst—road, through Krasnoe and Orsha.
Expecting the enemy from behind and not in front, the French separated in their flight and spread out over a distance of twenty-four hours. In front of them all fled the Emperor, then the kings, then the dukes. The Russian army, expecting Napoleon to take the road to the right beyond the Dnieper—which was the only reasonable thing for him to do—themselves turned to the right and came out onto the highroad at Krasnoe. And here as in a game of blindman's buff the French ran into our vanguard. Seeing their enemy unexpectedly the French fell into confusion and stopped short from the sudden fright, but then they resumed their flight, abandoning their comrades who were farther behind. Then for three days separate portions of the French army—first Murat's (the vice-king's), then Davout's, and then Ney's—ran, as it were, the gauntlet of the Russian army. They abandoned one another, abandoned all their heavy baggage, their artillery, and half their men, and fled, getting past the Russians by night by making semicircles to the right.
Ney, who came last, had been busying himself blowing up the walls of Smolensk which were in nobody's way, because despite the unfortunate plight of the French or because of it, they wished to punish the floor against which they had hurt themselves. Ney, who had had a corps of ten thousand men, reached Napoleon at Orsha with only one thousand men left, having abandoned all the rest and all his cannon, and having crossed the Dnieper at night by stealth at a wooded spot.
From Orsha they fled farther along the road to Vilna, still playing at blindman's buff with the pursuing army. At the Berezina they again became disorganized, many were drowned and many surrendered, but those who got across the river fled farther. Their supreme chief donned a fur coat and, having seated himself in a sleigh, galloped on alone, abandoning his companions. The others who could do so drove away too, leaving those who could not to surrender or die.
CHAPTER XVIII
This campaign consisted in a flight of the French during which they did all they could to destroy themselves. From the time they turned onto the Kaluga road to the day their leader fled from the army, none of the movements of the crowd had any sense. So one might have thought that regarding this period of the campaign the historians, who attributed the actions of the mass to the will of one man, would have found it impossible to make the story of the retreat fit their theory. But no! Mountains of books have been written by the historians about this campaign, and everywhere are described Napoleon's arrangements, the maneuvers, and his profound plans which guided the army, as well as the military genius shown by his marshals.
The retreat from Malo-Yaroslavets when he had a free road into a well-supplied district and the parallel road was open to him along which Kutuzov afterwards pursued him—this unnecessary retreat along a devastated road—is explained to us as being due to profound considerations. Similarly profound considerations are given for his retreat from Smolensk to Orsha. Then his heroism at Krasnoe is described, where he is reported to have been prepared to accept battle and take personal command, and to have walked about with a birch stick and said:
"J'ai assez fait l'empereur; il est temps de faire le general," * but nevertheless immediately ran away again, abandoning to its fate the scattered fragments of the army he left behind.
* "I have acted the Emperor long enough; it is time to act the general."
Then we are told of the greatness of soul of the marshals, especially of Ney—a greatness of soul consisting in this: that he made his way by night around through the forest and across the Dnieper and escaped to Orsha, abandoning standards, artillery, and nine tenths of his men.
And lastly, the final departure of the great Emperor from his heroic army is presented to us by the historians as something great and characteristic of genius. Even that final running away, described in ordinary language as the lowest depth of baseness which every child is taught to be ashamed of—even that act finds justification in the historians' language.
When it is impossible to stretch the very elastic threads of historical ratiocination any farther, when actions are clearly contrary to all that humanity calls right or even just, the historians produce a saving conception of "greatness." "Greatness," it seems, excludes the standards of right and wrong. For the "great" man nothing is wrong, there is no atrocity for which a "great" man can be blamed.
"C'est grand!" * say the historians, and there no longer exists either good or evil but only "grand" and "not grand." Grand is good, not grand is bad. Grand is the characteristic, in their conception, of some special animals called "heroes." And Napoleon, escaping home in a warm fur coat and leaving to perish those who were not merely his comrades but were (in his opinion) men he had brought there, feels que c'est grand, *(2) and his soul is tranquil.
* "It is great."
* (2) That it is great.
"Du sublime (he saw something sublime in himself) au ridicule il n'y a qu'un pas," * said he. And the whole world for fifty years has been repeating: "Sublime! Grand! Napoleon le Grand!" Du sublime au ridicule il n'y a qu'un pas.
* "From the sublime to the ridiculous is but a step."
And it occurs to no one that to admit a greatness not commensurable with the standard of right and wrong is merely to admit one's own nothingness and immeasurable meanness.
For us with the standard of good and evil given us by Christ, no human actions are incommensurable. And there is no greatness where simplicity, goodness, and truth are absent.
CHAPTER XIX
What Russian, reading the account of the last part of the campaign of 1812, has not experienced an uncomfortable feeling of regret, dissatisfaction, and perplexity? Who has not asked himself how it is that the French were not all captured or destroyed when our three armies surrounded them in superior numbers, when the disordered French, hungry and freezing, surrendered in crowds, and when (as the historians relate) the aim of the Russians was to stop the French, to cut them off, and capture them all?
How was it that the Russian army, which when numerically weaker than the French had given battle at Borodino, did not achieve its purpose when it had surrounded the French on three sides and when its aim was to capture them? Can the French be so enormously superior to us that when we had surrounded them with superior forces we could not beat them? How could that happen?
History (or what is called by that name) replying to these questions says that this occurred because Kutuzov and Tormasov and Chichagov, and this man and that man, did not execute such and such maneuvers...
But why did they not execute those maneuvers? And why if they were guilty of not carrying out a prearranged plan were they not tried and punished? But even if we admitted that Kutuzov, Chichagov, and others were the cause of the Russian failures, it is still incomprehensible why, the position of the Russian army being what it was at Krasnoe and at the Berezina (in both cases we had superior forces), the French army with its marshals, kings, and Emperor was not captured, if that was what the Russians aimed at.
The explanation of this strange fact given by Russian military historians (to the effect that Kutuzov hindered an attack) is unfounded, for we know that he could not restrain the troops from attacking at Vyazma and Tarutino.
Why was the Russian army—which with inferior forces had withstood the enemy in full strength at Borodino—defeated at Krasnoe and the Berezina by the disorganized crowds of the French when it was numerically superior?
If the aim of the Russians consisted in cutting off and capturing Napoleon and his marshals—and that aim was not merely frustrated but all attempts to attain it were most shamefully baffled—then this last period of the campaign is quite rightly considered by the French to be a series of victories, and quite wrongly considered victorious by Russian historians.
The Russian military historians in so far as they submit to claims of logic must admit that conclusion, and in spite of their lyrical rhapsodies about valor, devotion, and so forth, must reluctantly admit that the French retreat from Moscow was a series of victories for Napoleon and defeats for Kutuzov.
But putting national vanity entirely aside one feels that such a conclusion involves a contradiction, since the series of French victories brought the French complete destruction, while the series of Russian defeats led to the total destruction of their enemy and the liberation of their country.
The source of this contradiction lies in the fact that the historians studying the events from the letters of the sovereigns and the generals, from memoirs, reports, projects, and so forth, have attributed to this last period of the war of 1812 an aim that never existed, namely that of cutting off and capturing Napoleon with his marshals and his army.
There never was or could have been such an aim, for it would have been senseless and its attainment quite impossible.
It would have been senseless, first because Napoleon's disorganized army was flying from Russia with all possible speed, that is to say, was doing just what every Russian desired. So what was the use of performing various operations on the French who were running away as fast as they possibly could?
Secondly, it would have been senseless to block the passage of men whose whole energy was directed to flight.
Thirdly, it would have been senseless to sacrifice one's own troops in order to destroy the French army, which without external interference was destroying itself at such a rate that, though its path was not blocked, it could not carry across the frontier more than it actually did in December, namely a hundredth part of the original army.
Fourthly, it would have been senseless to wish to take captive the Emperor, kings, and dukes—whose capture would have been in the highest degree embarrassing for the Russians, as the most adroit diplomatists of the time (Joseph de Maistre and others) recognized. Still more senseless would have been the wish to capture army corps of the French, when our own army had melted away to half before reaching Krasnoe and a whole division would have been needed to convoy the corps of prisoners, and when our men were not always getting full rations and the prisoners already taken were perishing of hunger.
All the profound plans about cutting off and capturing Napoleon and his army were like the plan of a market gardener who, when driving out of his garden a cow that had trampled down the beds he had planted, should run to the gate and hit the cow on the head. The only thing to be said in excuse of that gardener would be that he was very angry. But not even that could be said for those who drew up this project, for it was not they who had suffered from the trampled beds.
But besides the fact that cutting off Napoleon with his army would have been senseless, it was impossible.
It was impossible first because—as experience shows that a three-mile movement of columns on a battlefield never coincides with the plans—the probability of Chichagov, Kutuzov, and Wittgenstein effecting a junction on time at an appointed place was so remote as to be tantamount to impossibility, as in fact thought Kutuzov, who when he received the plan remarked that diversions planned over great distances do not yield the desired results.
Secondly it was impossible, because to paralyze the momentum with which Napoleon's army was retiring, incomparably greater forces than the Russians possessed would have been required.
Thirdly it was impossible, because the military term "to cut off" has no meaning. One can cut off a slice of bread, but not an army. To cut off an army—to bar its road—is quite impossible, for there is always plenty of room to avoid capture and there is the night when nothing can be seen, as the military scientists might convince themselves by the example of Krasnoe and of the Berezina. It is only possible to capture prisoners if they agree to be captured, just as it is only possible to catch a swallow if it settles on one's hand. Men can only be taken prisoners if they surrender according to the rules of strategy and tactics, as the Germans did. But the French troops quite rightly did not consider that this suited them, since death by hunger and cold awaited them in flight or captivity alike.
Fourthly and chiefly it was impossible, because never since the world began has a war been fought under such conditions as those that obtained in 1812, and the Russian army in its pursuit of the French strained its strength to the utmost and could not have done more without destroying itself.
During the movement of the Russian army from Tarutino to Krasnoe it lost fifty thousand sick or stragglers, that is a number equal to the population of a large provincial town. Half the men fell out of the army without a battle.
And it is of this period of the campaign—when the army lacked boots and sheepskin coats, was short of provisions and without vodka, and was camping out at night for months in the snow with fifteen degrees of frost, when there were only seven or eight hours of daylight and the rest was night in which the influence of discipline cannot be maintained, when men were taken into that region of death where discipline fails, not for a few hours only as in a battle, but for months, where they were every moment fighting death from hunger and cold, when half the army perished in a single month—it is of this period of the campaign that the historians tell us how Miloradovich should have made a flank march to such and such a place, Tormasov to another place, and Chichagov should have crossed (more than knee-deep in snow) to somewhere else, and how so-and-so "routed" and "cut off" the French and so on and so on.
The Russians, half of whom died, did all that could and should have been done to attain an end worthy of the nation, and they are not to blame because other Russians, sitting in warm rooms, proposed that they should do what was impossible.
All that strange contradiction now difficult to understand between the facts and the historical accounts only arises because the historians dealing with the matter have written the history of the beautiful words and sentiments of various generals, and not the history of the events.
To them the words of Miloradovich seem very interesting, and so do their surmises and the rewards this or that general received; but the question of those fifty thousand men who were left in hospitals and in graves does not even interest them, for it does not come within the range of their investigation.
Yet one need only discard the study of the reports and general plans and consider the movement of those hundreds of thousands of men who took a direct part in the events, and all the questions that seemed insoluble easily and simply receive an immediate and certain solution.
The aim of cutting off Napoleon and his army never existed except in the imaginations of a dozen people. It could not exist because it was senseless and unattainable.
The people had a single aim: to free their land from invasion. That aim was attained in the first place of itself, as the French ran away, and so it was only necessary not to stop their flight. Secondly it was attained by the guerrilla warfare which was destroying the French, and thirdly by the fact that a large Russian army was following the French, ready to use its strength in case their movement stopped.
The Russian army had to act like a whip to a running animal. And the experienced driver knew it was better to hold the whip raised as a menace than to strike the running animal on the head.
BOOK FIFTEEN: 1812 - 13
CHAPTER I
When seeing a dying animal a man feels a sense of horror: substance similar to his own is perishing before his eyes. But when it is a beloved and intimate human being that is dying, besides this horror at the extinction of life there is a severance, a spiritual wound, which like a physical wound is sometimes fatal and sometimes heals, but always aches and shrinks at any external irritating touch.
After Prince Andrew's death Natasha and Princess Mary alike felt this. Drooping in spirit and closing their eyes before the menacing cloud of death that overhung them, they dared not look life in the face. They carefully guarded their open wounds from any rough and painful contact. Everything: a carriage passing rapidly in the street, a summons to dinner, the maid's inquiry what dress to prepare, or worse still any word of insincere or feeble sympathy, seemed an insult, painfully irritated the wound, interrupting that necessary quiet in which they both tried to listen to the stern and dreadful choir that still resounded in their imagination, and hindered their gazing into those mysterious limitless vistas that for an instant had opened out before them.
Only when alone together were they free from such outrage and pain. They spoke little even to one another, and when they did it was of very unimportant matters.
Both avoided any allusion to the future. To admit the possibility of a future seemed to them to insult his memory. Still more carefully did they avoid anything relating to him who was dead. It seemed to them that what they had lived through and experienced could not be expressed in words, and that any reference to the details of his life infringed the majesty and sacredness of the mystery that had been accomplished before their eyes.
Continued abstention from speech, and constant avoidance of everything that might lead up to the subject—this halting on all sides at the boundary of what they might not mention—brought before their minds with still greater purity and clearness what they were both feeling.
But pure and complete sorrow is as impossible as pure and complete joy. Princess Mary, in her position as absolute and independent arbiter of her own fate and guardian and instructor of her nephew, was the first to be called back to life from that realm of sorrow in which she had dwelt for the first fortnight. She received letters from her relations to which she had to reply; the room in which little Nicholas had been put was damp and he began to cough; Alpatych came to Yaroslavl with reports on the state of their affairs and with advice and suggestions that they should return to Moscow to the house on the Vozdvizhenka Street, which had remained uninjured and needed only slight repairs. Life did not stand still and it was necessary to live. Hard as it was for Princess Mary to emerge from the realm of secluded contemplation in which she had lived till then, and sorry and almost ashamed as she felt to leave Natasha alone, yet the cares of life demanded her attention and she involuntarily yielded to them. She went through the accounts with Alpatych, conferred with Dessalles about her nephew, and gave orders and made preparations for the journey to Moscow.
Natasha remained alone and, from the time Princess Mary began making preparations for departure, held aloof from her too.
Princess Mary asked the countess to let Natasha go with her to Moscow, and both parents gladly accepted this offer, for they saw their daughter losing strength every day and thought that a change of scene and the advice of Moscow doctors would be good for her.
"I am not going anywhere," Natasha replied when this was proposed to her. "Do please just leave me alone!" And she ran out of the room, with difficulty refraining from tears of vexation and irritation rather than of sorrow.
After she felt herself deserted by Princes Mary and alone in her grief, Natasha spent most of the time in her room by herself, sitting huddled up feet and all in the corner of the sofa, tearing and twisting something with her slender nervous fingers and gazing intently and fixedly at whatever her eyes chanced to fall on. This solitude exhausted and tormented her but she was in absolute need of it. As soon as anyone entered she got up quickly, changed her position and expression, and picked up a book or some sewing, evidently waiting impatiently for the intruder to go.
She felt all the time as if she might at any moment penetrate that on which—with a terrible questioning too great for her strength—her spiritual gaze was fixed.
One day toward the end of December Natasha, pale and thin, dressed in a black woolen gown, her plaited hair negligently twisted into a knot, was crouched feet and all in the corner of her sofa, nervously crumpling and smoothing out the end of her sash while she looked at a corner of the door.
She was gazing in the direction in which he had gone—to the other side of life. And that other side of life, of which she had never before thought and which had formerly seemed to her so far away and improbable, was now nearer and more akin and more comprehensible than this side of life, where everything was either emptiness and desolation or suffering and indignity.
She was gazing where she knew him to be; but she could not imagine him otherwise than as he had been here. She now saw him again as he had been at Mytishchi, at Troitsa, and at Yaroslavl.
She saw his face, heard his voice, repeated his words and her own, and sometimes devised other words they might have spoken.
There he is lying back in an armchair in his velvet cloak, leaning his head on his thin pale hand. His chest is dreadfully hollow and his shoulders raised. His lips are firmly closed, his eyes glitter, and a wrinkle comes and goes on his pale forehead. One of his legs twitches just perceptibly, but rapidly. Natasha knows that he is struggling with terrible pain. "What is that pain like? Why does he have that pain? What does he feel? How does it hurt him?" thought Natasha. He noticed her watching him, raised his eyes, and began to speak seriously:
"One thing would be terrible," said he: "to bind oneself forever to a suffering man. It would be continual torture." And he looked searchingly at her. Natasha as usual answered before she had time to think what she would say. She said: "This can't go on—it won't. You will get well—quite well."
She now saw him from the commencement of that scene and relived what she had then felt. She recalled his long sad and severe look at those words and understood the meaning of the rebuke and despair in that protracted gaze.
"I agreed," Natasha now said to herself, "that it would be dreadful if he always continued to suffer. I said it then only because it would have been dreadful for him, but he understood it differently. He thought it would be dreadful for me. He then still wished to live and feared death. And I said it so awkwardly and stupidly! I did not say what I meant. I thought quite differently. Had I said what I thought, I should have said: even if he had to go on dying, to die continually before my eyes, I should have been happy compared with what I am now. Now there is nothing... nobody. Did he know that? No, he did not and never will know it. And now it will never, never be possible to put it right." And now he again seemed to be saying the same words to her, only in her imagination Natasha this time gave him a different answer. She stopped him and said: "Terrible for you, but not for me! You know that for me there is nothing in life but you, and to suffer with you is the greatest happiness for me," and he took her hand and pressed it as he had pressed it that terrible evening four days before his death. And in her imagination she said other tender and loving words which she might have said then but only spoke now: "I love thee!... thee! I love, love..." she said, convulsively pressing her hands and setting her teeth with a desperate effort...
She was overcome by sweet sorrow and tears were already rising in her eyes; then she suddenly asked herself to whom she was saying this. Again everything was shrouded in hard, dry perplexity, and again with a strained frown she peered toward the world where he was. And now, now it seemed to her she was penetrating the mystery.... But at the instant when it seemed that the incomprehensible was revealing itself to her a loud rattle of the door handle struck painfully on her ears. Dunyasha, her maid, entered the room quickly and abruptly with a frightened look on her face and showing no concern for her mistress.
"Come to your Papa at once, please!" said she with a strange, excited look. "A misfortune... about Peter Ilynich... a letter," she finished with a sob.
CHAPTER II
Besides a feeling of aloofness from everybody Natasha was feeling a special estrangement from the members of her own family. All of them—her father, mother, and Sonya—were so near to her, so familiar, so commonplace, that all their words and feelings seemed an insult to the world in which she had been living of late, and she felt not merely indifferent to them but regarded them with hostility. She heard Dunyasha's words about Peter Ilynich and a misfortune, but did not grasp them.
"What misfortune? What misfortune can happen to them? They just live their own old, quiet, and commonplace life," thought Natasha.
As she entered the ballroom her father was hurriedly coming out of her mother's room. His face was puckered up and wet with tears. He had evidently run out of that room to give vent to the sobs that were choking him. When he saw Natasha he waved his arms despairingly and burst into convulsively painful sobs that distorted his soft round face.
"Pe... Petya... Go, go, she... is calling..." and weeping like a child and quickly shuffling on his feeble legs to a chair, he almost fell into it, covering his face with his hands.
Suddenly an electric shock seemed to run through Natasha's whole being. Terrible anguish struck her heart, she felt a dreadful ache as if something was being torn inside her and she were dying. But the pain was immediately followed by a feeling of release from the oppressive constraint that had prevented her taking part in life. The sight of her father, the terribly wild cries of her mother that she heard through the door, made her immediately forget herself and her own grief.
She ran to her father, but he feebly waved his arm, pointing to her mother's door. Princess Mary, pale and with quivering chin, came out from that room and taking Natasha by the arm said something to her. Natasha neither saw nor heard her. She went in with rapid steps, pausing at the door for an instant as if struggling with herself, and then ran to her mother.
The countess was lying in an armchair in a strange and awkward position, stretching out and beating her head against the wall. Sonya and the maids were holding her arms.
"Natasha! Natasha!..." cried the countess. "It's not true... it's not true... He's lying... Natasha!" she shrieked, pushing those around her away. "Go away, all of you; it's not true! Killed!... ha, ha, ha!... It's not true!"
Natasha put one knee on the armchair, stooped over her mother, embraced her, and with unexpected strength raised her, turned her face toward herself, and clung to her.
"Mummy!... darling!... I am here, my dearest Mummy," she kept on whispering, not pausing an instant.
She did not let go of her mother but struggled tenderly with her, demanded a pillow and hot water, and unfastened and tore open her mother's dress.
"My dearest darling... Mummy, my precious!..." she whispered incessantly, kissing her head, her hands, her face, and feeling her own irrepressible and streaming tears tickling her nose and cheeks.
The countess pressed her daughter's hand, closed her eyes, and became quiet for a moment. Suddenly she sat up with unaccustomed swiftness, glanced vacantly around her, and seeing Natasha began to press her daughter's head with all her strength. Then she turned toward her daughter's face which was wincing with pain and gazed long at it.
"Natasha, you love me?" she said in a soft trustful whisper. "Natasha, you would not deceive me? You'll tell me the whole truth?"
Natasha looked at her with eyes full of tears and in her look there was nothing but love and an entreaty for forgiveness.
"My darling Mummy!" she repeated, straining all the power of her love to find some way of taking on herself the excess of grief that crushed her mother.
And again in a futile struggle with reality her mother, refusing to believe that she could live when her beloved boy was killed in the bloom of life, escaped from reality into a world of delirium.
Natasha did not remember how that day passed nor that night, nor the next day and night. She did not sleep and did not leave her mother. Her persevering and patient love seemed completely to surround the countess every moment, not explaining or consoling, but recalling her to life.
During the third night the countess kept very quiet for a few minutes, and Natasha rested her head on the arm of her chair and closed her eyes, but opened them again on hearing the bedstead creak. The countess was sitting up in bed and speaking softly. |
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