Now, under the Captain's rule, she had the pleasure of seeing her name honourably recorded in the subscription list of every local charity: but her hand was no longer open to the surrounding poor, her good old Saxon name of Lady had lost its ancient significance. She was no longer the giver of bread to the hungry. She sighed and submitted, acknowledging her husband's superior wisdom.

"You would not like to live in a semi-detached villa on the Southampton Road, would you, my dear Pamela?" asked the Captain.

"I might die in a semi-detached house, Conrad. I'm sure I could not live in one," she exclaimed piteously.

"Then, my love, we must make a tremendous effort and save all we can before your daughter comes of age, or else we shall assuredly have to leave the Abbey House. We might go abroad certainly, and live at Dinan, or some quiet old French town where provisions are cheap."

"My dear Conrad, I could not exist in one of those old French towns, smelling perpetually of cabbage-soup."

"Then, my dear love, we must exercise the strictest economy, or life will be impossible six years hence."

Pamela sighed and assented, with a sinking of her heart. To her mind this word economy was absolutely the most odious in the English language. Her life was made up of trifles; and they were all expensive trifles. She liked to be better dressed than any woman of her acquaintance. She liked to surround herself with pretty things; and the prettiness must take the most fashionable form, and be frequently renewed. She had dim ideas which she considered aesthetic, and which involved a good deal of shifting and improving of furniture.

Against all these expensive follies Captain Winstanley set his face sternly, using pretty words to his wife at all times, but proving himself as hard as rock when she tried to bend him to her will. He had not yet interfered with her toilet, for he had yet to learn what that cost.

This knowledge came upon him like a thunder-clap one sultry morning in July—real thunder impending in the metallic-tinted sky—about a month after Vixen's departure.

Theodore's long-expected bill was among the letters in the morning's bag—a bulky envelope which the Captain handed to his wife with his usual politeness. He never opened her letters, but he invariably asked to see them, and she always handed her correspondence over to him with a childlike meekness. To-day she was slow to hand the Captain her letter. She sat looking at the long list of items with a clouded brow, and forgot to pour out her husband's coffee in the abstraction of a troubled mind.

"I'm afraid your letters of this morning are not of a very pleasant character, my love," said the Captain, watchful of his wife's clouded countenance. "Is that a bill you are examining? I thought we paid ready money for everything."

"It is my dressmaker's bill," faltered Mrs. Winstanley.

"A dressmaker's bill! That can't be very alarming. You look as awful, and the document looks as voluminous, as if it were a lawyer's bill, including the costs of two or three unlucky Chancery suits, or half-a-dozen conveyances. Let me have the account, dear, and I'll send your dressmaker a cheque next Saturday."

He held out his hand for the paper, but Pamela did not give it to him.

"I'm afraid you'll think it awfully high, Conrad," she said, in a deprecating tone. "You see it has been running a long time—since the Christmas before dear Edward's death, in fact. I have paid Theodore sums on account in the meanwhile, but those seem to go for very little against the total of her bill. She is expensive, of course. All the West End milliners are; but her style is undeniable, and she is in direct association with Worth."

"My dear Pamela, I did not ask you for her biography, I asked only for her bill. Pray let me see the total, and tell me if you have any objections to make against the items."

"No," sighed Mrs. Winstanley, bending over the document with a perplexed brow, "I believe—indeed, I am sure—I have had all the things. Many of them are dearer than I expected; but there is no rule as to the price of anything thoroughly Parisian, that has not been seen in London. One has to pay for style and originality. I hope you won't be vexed at having to write so large a cheque, Conrad, at a time when you are so anxious to save money. Next year I shall try my best to economise."

"My dearest Pamela, why beat about the bush? The bill must be paid, whatever its amount. I suppose a hundred pounds will cover it?"

"Oh, Conrad, when many women give a hundred pounds for a single dress!"

"When they do I should say that Bedlam must be their natural and fitting abode," retorted the Captain, with suppressed ire. "The bill is more than a hundred then? Pray give it me, Pamela, and make an end of this foolishness."

This time Captain Winstanley went over to his wife, and took the paper out of her hand. He had not seen the total, but he was white with rage already. He had made up his mind to squeeze a small fortune out of the Abbey House estate during his brief lease of the property; and here was this foolish wife of his squandering hundreds upon finery.

"Be kind enough to pour me out a cup of coffee," he said, resuming his seat, and deliberately spreading out the bill.

"Great Heaven!" he cried, after a glance at the total. "This is too preposterous. The woman must be mad."

The total was seventeen hundred and sixty-four pounds fourteen and sixpence. Mrs. Winstanley's payments on account amounted to four hundred pounds; leaving a balance of thirteen hundred and sixty-four pounds for the Captain to liquidate.

"Indeed, dear Conrad, it is not such a very tremendous account," pleaded Pamela, appalled by the expression of her husband's face. "Theodore has customers who spend two thousand a year with her."

"Very laudable extravagance, if they are wives of millionaires, and have their silver-mines, or cotton-mills, or oil-wells to maintain them. But that the widow of a Hampshire squire, a lady who six years hence will have to exist upon a pittance, should run up such a bill as this is to my mind an act of folly that is almost criminal. From this moment I abandon all my ideas of nursing your estate, of providing comfortably for our future. Henceforward we must drift towards insolvency, like other people. It would be worse than useless for me to go on racking my brains in the endeavour to secure a given result, when behind my back your thoughtless extravagance is stultifying all my efforts."

Here Mrs. Winstanley dissolved into tears.

"Oh Conrad! How can you say such cruel things?" she sobbed. "I go behind your back! I stultify you! When I have allowed myself to be ruled and governed in everything! When I have even parted with my only child to please you!"

"Not till your only child had tried to set the house on fire."

"Indeed, Conrad, you are mistaken there. She never meant it."

"I know nothing about her meaning," said the Captain moodily. "She did it."

"It is too cruel, after all my sacrifices, that I should be called extravagant—and foolish—and criminal. I have only dressed as a lady ought to dress—out of mere self-respect. Dear Edward always liked to see me look nice. He never said an unkind word about my bills. It is a sad—sad change for me."

"Your future will be a sadder change, if you go on in the way you are going," retorted the Captain. "Let me see: your income, after Violet comes of age, is to fifteen hundred a year. You have been spending six hundred a year upon millinery. That leaves nine hundred for everything else—stable, garden, coals, taxes, servants' wages, wine—to say nothing of such trifling claims as butcher and baker, and the rest of it. You will have to manage with wonderful cleverness to make both ends meet."

"I am sure I would sacrifice anything rather than live unhappily with you, Conrad," Mrs. Winstanley murmured piteously, drinking much strong tea in her agitation, the cup shaking in her poor little white weak hand. "Nothing could be so dreadful to me as to live on bad terms with you. I have surrendered so much for your love, Conrad. What would become of me, if I lost that? I will give up dealing with Theodore, if you like—though it will be a hard trial, after she has worked for me so many years, and has studied my style and knows exactly what suits me. I will dress ever so plainly, and even have my gowns made by a Southampton dressmaker, though that will be too dreadful. You will hardly recognise me. But I will do anything—anything, Conrad, rather than hear you speak so cruelly."

She went over to him and laid her hand tremulously on his shoulder, and looked down at him with piteous, pleading eyes. No Circassian slave, afraid of bowstring and sack, could have entreated her master's clemency with deeper self-abasement.

Even Conrad Winstanley's hard nature was touched by the piteousness of her look and tone. He took the hand gently and raised it to his lips.

"I don't mean to be cruel, Pamela," he said. "I only want you to face the truth, and to understand your future position. It is your own money you are squandering, and you have a right to waste it, if it pleases you to do so. But it is a little hard for a man who has laboured and schemed for a given result, suddenly to find himself out in his calculations by so much as thirteen hundred and sixty-four pounds. Let us say no more about it, my dear. Here is the bill, and it must be paid. We have only to consider the items, and see if the prices are reasonable."

And then the Captain, with bent brow and serious aspect, began to read the lengthy record of an English lady's folly. Most of the items he passed over in silence, or with only a sigh, keeping his wife by his side, looking over his shoulder.

"Point out anything that is wrong," he said; but as yet Mrs. Winstanley had found no error in the bill.

Sometimes there came an item which moved the Captain to speech. "A dinner-dress, pain brule brocade, mixed poult de soie, manteau de cour, lined ivory satin, trimmed with hand-worked embroidery of wild flowers on Brussels net, sixty-three pounds."

"What in the name of all that's reasonable is pain brule?" asked the Captain impatiently.

"It's the colour, Conrad. One of those delicate tertiaries that have been so much worn lately."

"Sixty guineas for a dinner-dress! That's rather stiff. Do you know that a suit of dress-clothes costs me nine pounds, and lasts almost as many years?"

"My dear Conrad, for a man it is so different. No one looks at your clothes. That dress was for Lady Ellangowan's dinner. You made me very happy that night, for you told me I was the best-dressed woman in the room."

"I should not have been very happy myself if I had known the cost of your gown," answered the Captain grimly. "Fifteen guineas for a Honiton fichu!" he cried presently. "What in mercy's name is a fichu? It sounds like a sneeze."

"It is a little half-handkerchief that I wear to brighten a dark silk dress when we dine alone, Conrad. You know you have always said that lace harmonises a woman's dress, and gives a softness to the complexion and contour."

"I shall be very careful what I say in future," muttered the Captain, as he went on with the bill. "French cambric peignoir, trimmed real Valenciennes, turquoise ribbon, nineteen guineas," he read presently. "Surely you would never give twenty pounds for a gown you wear when you are having your hair dressed?"

"That is only the name, dear. It is really a breakfast-dress. You know you always like to see me in white of a morning."

The Captain groaned and said nothing.

"Come," he said, by-and-by, "this surely must be a mistake. 'Shooting dress, superfine silk corduroy, trimmed and lined with cardinal poult de soie, oxydised silver buttons, engraved hunting subjects, twenty-seven guineas.' Thank Heaven you are not one of those masculine women who go out shooting, and jump over five-barred gates."

"The dress is quite right, dear, though I don't shoot. Theodore sent it to me for a walking-dress, and I have worn it often when we have walked in the Forest. You thought it very stylish and becoming, though just a little fast."

"I see," said the Captain, with a weary air, "your not shooting does not hinder your having shooting-dresses. Are there any fishing-costumes, or riding-habits, in the bill?"

"No, dear. It was Theodore's own idea to send me the corduroy dress. She thought it so new and recherche, and even the Duchess admired it. Mine was the first she had ever seen."

"That was a triumph worth twenty-seven guineas, no doubt," sighed the Captain. "Well, I suppose there is no more to be said. The bill to me appears iniquitous. If you were a duchess or a millionaire's wife, of course it would be different. Such women have a right to spend all they can upon dress. They encourage trade. I am no Puritan. But when a woman dresses beyond her means—above her social position—I regret the wise old sumptuary laws which regulated these things in the days when a fur coat was a sign of nobility. If you only knew, Pamela, how useless this expensive finery is, how little it adds to your social status, how little it enhances your beauty! Why, the finest gown this Madame Theodore ever made cannot hide one of your wrinkles."

"My wrinkles!" cried Pamela, sorely wounded. "That is the first time I ever heard of them. To think that my husband should be the first to tell me I am getting an old woman! But I forgot, you are younger than I, and I daresay in your eyes I seem quite old."

"My dear Pamela, be reasonable. Can a woman's forehead at forty be quite as smooth as it was at twenty? However handsome a woman is at that age—and to my mind it is almost the best age for beauty, just as the ripe rich colouring of a peach is lovelier than the poor little pale blossom that preceded it—however attractive a middle-aged woman may be there must be some traces to show that she has lived half her life; and to suppose that pain brule brocade, and hand-worked embroidery, can obliterate those, is extreme folly. Dress in rich and dark velvets, and old point-lace that has been twenty years in your possession, and you will be as beautiful and as interesting as a portrait by one of the old Venetian masters. Can Theodore's highest art make you better than that? Remember that excellent advice of old Polonius's,

Costly thy habit as thy purse can buy, But not expressed in fancy.

It is the fancy that swells your milliner's bill, the newly-invented trimmings, the complex and laborious combinations."

"I will be dreadfully economical in future, Conrad. For the last year I have dressed to please you."

"But what becomes of all these gowns?" asked the Captain, folding up the bill; "what do you do with them?"

"They go out."

"Out where? To the colonies?"

"No, dear; they go out of fashion; and I give them to Pauline."

"A sixty-guinea dress flung to your waiting-maid! The Duchess of Dovedale could not do things in better style."

"I should be very sorry not to dress better than the Duchess," said Mrs. Winstanley, "she is always hideously dowdy. But a duchess can afford to dress as badly as she likes."

"I see. Then it is we only who occupy the border-land of society who have to be careful. Well, my dear Pamela, I shall send Madame Theodore her cheque, and with your permission close her account; and, unless you receive some large accession of fortune I should recommend you not to reopen it."

His wife gave a heart-breaking sigh.

"I would sacrifice anything for your sake, Conrad," she said, "but I shall be a perfect horror, and you will hate me."

"I fell in love with you, my dear, not with your gown."

"But you fell in love with me in my gown, dear; and you don't know how different your feelings might have been if you had seen me in a gown cut by a country dressmaker."



CHAPTER III.

"With weary Days thou shalt be clothed and fed."

Captain Winstanley never again alluded to the dressmaker's bill. He was too wise a man to reopen old wounds or to dwell upon small vexations. He had invested every penny that he could spare, leaving the smallest balance at his banker's compatible with respectability. He had to sell some railway shares in order to pay Madame Theodore. Happily the shares had gone up since his purchase of them, and he lost nothing by the transaction; but it galled him sorely to part with the money. It was as if an edifice that he had been toilfully raising, stone by stone, had begun to crumble under his hands. He knew not when or whence the next call might come. The time in which he had to save money was so short. Only six years, and the heiress would claim her estate, and Mrs. Winstanley would be left with the empty shell of her present position—the privilege of occupying a fine old Tudor mansion, with enormous stables, and fifteen acres of garden and shrubberies, and an annuity that would barely suffice to maintain existence in a third-rate London square.

Mrs. Winstanley was slow to recover from the shock of her husband's strong language about Theodore's bill. She was sensitive about all things that touched her own personality, and she was peculiarly sensitive about the difference between her husband's age and her own. She had married a man who was her junior; but she had married him with the conviction that, in his eyes at least, she had all the bloom and beauty of youth, and that he admired and loved her above all other women. That chance allusion to her wrinkles had pierced her heart. She was deeply afflicted by the idea that her husband had perceived the signs of advancing years in her face. And now she fell to perusing her looking-glass more critically than she had ever done before. She saw herself in the searching north light; and the north light was more cruel and more candid than Captain Winstanley. There were lines on her forehead—unmistakable, ineffaceable lines. She could wear her hair in no way that would hide them, unless she had hidden her forehead altogether under a bush of frizzy fluffy curls. There was a faded look about her complexion, too, which she had never before discovered—a wanness, a yellowness. Yes, these things meant age! In such a spirit, perchance, did Elizabeth of England survey the reflection in her mirror, until all the glories of her reign seemed as nothing to her when weighed against this dread horror of fast-coming age. And luckless Mary, cooped up in the narrow rooms at Fotheringay, may have deemed captivity, and the shadow of doom, as but trifling ills compared with the loss of youth and beauty. Once to have been exquisitely beautiful, the inspiration of poets, the chosen model of painters, and to see the glory fading—that, for a weak woman, must be sorrow's crown of sorrow.

Anon dim feelings of jealousy began to gnaw Pamela's heart. She grew watchful of her husband's attentions to other women, suspicious of looks and words that meant no more than a man's desire to please. Society no longer made her happy. Her Tuesday afternoons lost their charm. There was poison in everything. Lady Ellangowan's flirting ways, which had once only amused her, now tortured her. Captain Winstanley's devotion to this lively matron, which had heretofore seemed only the commoner's tribute of respect to the peeress, now struck his wife as a too obvious infatuation for the woman. She began to feel wretched in the society of certain women—nay, of all women who were younger, or possibly more attractive, than herself. She felt that the only security for her peace would be to live on a desert island with the husband she had chosen. She was of too weak a mind to hide these growing doubts and ever-augmenting suspicions. The miserable truth oozed out of her in foolish little speeches; those continual droppings that wear the hardest stone, and which wore even the adamantine surface of the Captain's tranquil temper. There was a homoeopathic admixture of this jealous poison in all the food he ate. He could rarely get through a tete-a-tete breakfast or dinner undisturbed by some invidious remark.

One day the Captain rose up in his strength, and grappled with this jealous demon. He had let the little speeches, the random shots, pass unheeded until now; but on one particularly dismal morning, a bleak March morning, when the rain beat against the windows, and the deodoras and cypresses were lashed and tormented by the blusterous wind, and the low sky was darkly gray, the captain's temper suddenly broke out.

"My dear Pamela, is it possible that these whimpering little speeches of yours mean jealousy?" he asked, looking at her severely from under bent brows.

"I'm sure I never said that I was jealous," faltered Pamela, stirring her tea with a nervous movement of her thin white band.

"Of course not; no woman cares to describe herself in plain words as an idiot; but of late you have favoured me with a good many imbecile remarks, which all seem to tend one way. You are hurt and wounded when I am decently civil to the women I meet in society. Is that sensible or reasonable, in a woman of your age and experience?"

"You used not to taunt me with my age before we were married, Conrad."

"Do I taunt you with it now? I only say that a woman of forty,"—Mrs. Winstanley shuddered—"ought to have more sense than a girl of eighteen; and that a woman who had had twenty years' experience of well-bred society ought not to put on the silly jealousies of a school-girl trying to provoke a quarrel with her first lover."

"It is all very well to pretend to think me weak and foolish, Conrad. Yes, I know I am weak, ridiculously weak, in loving you as intensely as I do. But I cannot help that. It is my nature to cling to others, as the ivy clings to the oak. I would have clung to Violet, if she had been more loving and lovable. But you cannot deny that your conduct to Lady Ellangowan yesterday afternoon was calculated to make any wife unhappy."

"If a wife is to be unhappy because her husband talks to another woman about her horses and her gardens, I suppose I gave you sufficient cause for misery," answered the Captain sneeringly. "I can declare that Lady Ellangowan and I were talking of nothing more sentimental."

"Oh, Conrad, it is not what you talked about, though your voice was so subdued that it was impossible for anyone to know what you were saying——"

"Except Lady Ellangowan."

"It was your manner. The way you bent over her, your earnest expression."

"Would you have had me stand three yards off and bawl at the lady? Or am I bound to assume that bored and vacuous countenance which some young men consider good form? Come, my dear Pamela, pray let us be reasonable. Here are you and I settled for life beside the domestic hearth. We have no children. We are not particularly well off—it will be as much as we shall be able to do, by-and-by, to make both ends meet. We are neither of us getting younger. These things are serious cares, and we have to bear them. Why should you add to these an imaginary trouble, a torment that has no existence, save in your own perverse mind? If you could but know my low estimate of the women to whom I am civil! I like society: and to get on in society a man must make himself agreeable to influential women. It is the women who have the reins in the social race, and by-and-by, if I should go into Parliament——"

"Parliament!" cried his wife affrightedly. "You want to become a Member of Parliament, and to be out at all hours of the night! Our home-life would be altogether destroyed then."

"My dear Pamela, if you take such pains to make our home-life miserable, it will be hardly worth preserving," retorted the Captain.

"Conrad, I am going to ask you a question—a very solemn question."

"You alarm me."

"Long ago—before we were married—when Violet was arguing with me against our marriage—you know how vehemently she opposed it—"

"Perfectly. Go on."

"She told me that you had proposed to her before you proposed to me. Oh, Conrad, could that be true?"

The heart-rending tone in which the question was asked, the pathetic look that accompanied it, convinced Captain Winstanley that, if he valued his domestic peace, he must perjure himself.

"It had no more foundation than many other assertions of that young lady's," he said. "I may have paid her compliments, and praised her beauty; but how could I think of her for a wife, when you were by? Your soft confiding nature conquered me before I knew that I was hit."

He got up and went over to his wife and kissed her kindly enough, feeling sorry for her as he might have done for a wayward child that weeps it scarce knows wherefore, oppressed by a vague sense of affliction.

"Let us try to be happy together, Pamela," he pleaded, with a sigh, "life is weary work at best."

"That means that you are not happy, Conrad."

"My love, I am as happy as you will let me be."

"Have I ever opposed you in anything?"

"No, dear; but lately you have indulged in covert upbraidings that have plagued me sorely. Let us have no more of them. As for your daughter"—his face darkened at the mention of that name—"understand at once and for ever that she and I can never inhabit the same house. If she comes, I go. If you cannot live without her you must learn to live without me."

"Conrad, what have I done that you should talk of such a thing? Have I asked you to let Violet come home?"

"No, but you have behaved mopishly of late, as if you were pining for her return."

"I pine for nothing but your love."

"That has always been yours."

With this assurance Mrs. Winstanley was fain to content herself, but even this assurance did not make her happy. The glory and brightness had departed from her life somehow; and neither kind words nor friendly smiles from the Captain could lure them back. There are stages in the lives of all of us when life seems hardly worth living: not periods of great calamity, but dull level bits of road along which the journey seems very weary. The sun has hidden himself behind gray clouds, cold winds are blowing up from the bitter east, the birds have left off singing, the landscape has lost its charm. We plod on drearily, and can see no Pole Star in life's darkening sky.

It had been thus of late with Pamela Winstanley. Slowly and gradually the conviction had come to her that her second marriage had been a foolish and ill-advised transaction, resulting inevitably in sorrow and unavailing remorse. The sweet delusion that it had been a love-match on Captain Winstanley's side, as well as on her own, abandoned her all at once, and she found herself face to face with stern common-sense.

That scene about Theodore's bill had exercised a curious effect upon her mind. To an intellect so narrow, trifles were important, and that the husband who had so much admired and praised the elegance of her appearance could grudge the cost of her toilet galled her sorely. It was positively for her the first revelation of her husband's character. His retrenchments in household expenses she had been ready to applaud as praiseworthy economies; but when he assailed her own extravagance, she saw in him a husband who loved far too wisely to love well.

"If he cared for me, if he valued my good looks, he could never object to my spending a few pounds upon a dress," she told herself.

She could not take the Captain's common-sense view of a subject so important to herself. Love in her mind meant a blind indulgence like the Squire's. Love that could count the cost of its idol's caprices, and calculate the chances of the future, was not love. That feeling of poverty, too, was a new sensation to the mistress of the Abbey House, and a very unpleasant one. Married very young to a man of ample means, who adored her, and never set the slightest restriction upon her expenditure, extravagance had become her second nature. To have to study every outlay, to ask herself whether she could not do without a thing, was a hard trial; but it had become so painful to her to ask the Captain for money that she preferred the novel pain of self-denial to that humiliation. And then there was the cheerless prospect of the future always staring her in the face, that dreary time after Violet's majority, when it would be a question whether she and her husband could afford to go on living at the Abbey House.

"Everybody will know that my income is diminished," she thought. "However well we may manage, people will know that we are pinching."

This was a vexatious reflection. The sting of poverty itself could not be so sharp as the pain of being known to be poor.

Captain Winstanley pursued the even tenor of his way all this time, and troubled himself but little about his wife's petty sorrows. He did his duty to her according to his own lights, and considered that she had no ground for complaint. He even took pains to be less subdued in his manner to Lady Ellangowan, and to give no shadow of reason for the foolish jealousy he so much despised. His mind was busy about his own affairs. He had saved money since his marriage, and he employed himself a good deal in the investment of his savings. So far he had been lucky in all he touched, and had contrived to increase his capital by one or two speculative ventures in foreign railways. If things went on as well for the next six years he and his wife might live at the Abbey House, and maintain their station in the county, till the end of the chapter.

"I daresay Pamela will outlive me," thought the Captain; "those fragile-looking invalid women are generally long lived. And I have all the chances of the hunting-field, and vicious horses, and other men's blundering with loaded guns, against me. What can happen to a woman who sits at home and works crewel antimacassars and reads novels all day, and never drinks anything stronger than tea, and never eats enough to disturb her digestion? She ought to be a female Methuselah."

Secure in this idea or his wife's longevity, and happy in his speculations, Captain Winstanley looked forward cheerfully to the future: and the evil shadow of the day when the hand of fate should thrust him from the good old house where he was master had never fallen across his dreams.



CHAPTER IV.

Love and AEsthetics.

Spring had returned, primroses and violets were being sold at the street-corners, Parliament was assembled, and London had reawakened from its wintry hibernation to new life and vigour. The Dovedales were at their Kensington mansion. The Duchess had sent forth her cards for alternate Thursday evenings of a quasi-literary and scientific character. Lady Mabel was polishing her poems with serious thoughts of publication, but with strictest secrecy. No one but her parents and Roderick Vawdrey had been told of these poetic flights. The book would be given to the world under a nom de plume. Lady Mabel was not so much a Philistine as to suppose that writing good poetry could be a disgrace to a duke's daughter; but she felt that the house of Ashbourne would be seriously compromised were the critics to find her guilty of writing doggerel; and critics are apt to deal harshly with the titled muse. She remembered Brougham's savage onslaught upon the boy Byron.

Mr. Vawdrey was in town. He rode a good deal in the Row, spent an hour or so daily at Tattersall's, haunted three or four clubs of a juvenile and frivolous character, drank numerous bottles of Apolinaris, and found the task of killing time rather hard labour. Of course there were certain hours in which he was on duty at Kensington. He was expected to eat his luncheon there daily, to dine when neither he nor the ducal house had any other engagement, and to attend all his aunt's parties. There was always a place reserved for him at the dinner-table, however middle-aged and politically or socially important the assembly might me.

He was to be married early in August. Everything was arranged. The honeymoon was to be spent in Sweden and Norway—the only accessible part of Europe which Lady Mabel had not explored. They were to see everything remarkable in the two countries, and to do Denmark as well, if they had time. Lady Mabel was learning Swedish and Norwegian, in order to make the most of her opportunities.

"It is so wretched to be dependent upon couriers and interpreters," she said. "I shall be a more useful companion for you, Roderick, if I thoroughly know the language of each country."

"My dear Mabel, you are a most remarkable girl," exclaimed her betrothed admiringly. "If you go on at this rate, by the time you are forty you will be as great a linguist as Cardinal Wiseman."

"Languages are very easy to learn when one has the habit of studying them, and a slight inclination for etymology," Lady Mabel replied modestly.

Now that the hour of publication was really drawing nigh, the poetess began to feel the need of a confidante. The Duchess was admiring but somewhat obtuse, and rarely admired in the right place. The Duke was out of the question.

If a new Shakespeare had favoured him with the first reading of a tragedy as great as "Hamlet," the Duke's thoughts would have wandered off to the impending dearth of guano, or the probable exhaustion of Suffolk punches, and the famous breed of Chillingham oxen. So, for want of anyone better, Lady Mabel was constrained to read her verses to her future husband; just as Moliere reads his plays to his housekeeper, for want of any other hearer, the two Bejarts, aunt and niece, having naturally plays enough and to spare in the theatre.

Now, in this crucial hour of her poetic career, Mabel Ashbourne wanted something more than a patient listener. She wanted a critic with a fine ear for rhythm and euphony. She wanted a judge who could nicely weigh the music of a certain combination of syllables, and who could decide for her when she hesitated between two epithets of equal force, but varying depths of tone.

To this nice task she invited her betrothed sometimes on a sunny April afternoon, when luncheon was over, and the lovers were free to repair to Lady Mabel's own particular den—an airy room on an upper floor, with quaint old Queen Anne casements opening upon a balcony crammed with flowers, and overlooking the umbrageous avenues of Kensington Garden, with a glimpse of the old red palace in the distance.

Rorie did his best to be useful, and applied himself to his duty with perfect heartiness and good-temper; but luncheon and the depressing London atmosphere made him sleepy, and he had sometimes hard work to stifle his yawns, and to keep his eyes open, while Lady Mabel was deep in the entanglement of lines which soared to the seventh heaven of metaphysics. Unhappily Rorie knew hardly anything about metaphysics. He had never read Victor Cousin, or any of the great German lights; and a feeling of despair took possession of him when his sweetheart's poetry degenerated into diluted Hegelism, or rose to a feeble imitation of Browning's obscurest verse.

"Either I must be intensely stupid or this must be rather difficult to understand," he thought helplessly, when Mabel had favoured him with the perusal of the first act of a tragedy or poetic dialogue, in which the hero, a kind of milk-and-watery Faustus, held converse, and argued upon the deeper questions of life and faith, with a very mild Mephisto.

"I'm afraid you don't like the opening of my 'Tragedy of the Sceptic Soul'," Lady Mabel said with a somewhat offended air, as she looked up at the close of the act, and saw poor Rorie gazing at her with watery eyes, and an intensely despondent expression of countenance.

"I'm afraid I'm rather dense this afternoon," he said with hasty apology, "I think your first act is beautifully written—the lines are full of music; nobody with an ear for euphony could doubt that; but I—forgive me, I fancy you are sometimes a shade too metaphysical—and those scientific terms which you occasionally employ, I fear will be a little over the heads of the general public——"

"My dear Roderick, do you suppose that in an age whose highest characteristic is the rapid advance of scientific knowledge, there can be anybody so benighted as not to understand the terminology of science?"

"Perhaps not, dear. I fear I am very much behind the times. I have lived too much in Hampshire. I frankly confess that some expressions in your—er—Tragedy of—er—Soulless Scept—Sceptic Soul—were Greek to me."

"Poor dear Roderick, I should hardly take you as the highest example of the Zeitgeist; but I won't allow you to call yourself stupid. I'm glad you like the swing of the verse. Did it remind you of any contemporary poet?"

"Well, yes, I think it dimly suggested Browning."

"I am glad of that. I would not for worlds be an imitator; but Browning is my idol among poets."

"Some of his minor pieces are awfully jolly," said the incorrigible Rorie. "That little poem called 'Youth and Art,' for instance. And 'James Lee's Wife' is rather nice, if one could quite get at what it means. But I suppose that is too much to expect from any great poet?"

"There are deeper meanings beneath the surface—meanings which require study," replied Mabel condescendingly. "Those are the religion of poetry——"

"No doubt," assented Rorie hastily; "but frankly, my dear Mabel, if you want your book to be popular——"

"I don't want my book to be popular. Browning is not popular. If I had wanted to be popular, I should have worked on a lower level. I would even have stooped to write a novel."

"Well then I will say, if you want your poem to be understood by the average intellect, I really would sink the scientific terminology, and throw overboard a good deal of the metaphysics. Byron has not a scientific or technical phrase in all his poems."

"My dear Roderick, you surely would not compare me to Byron, the poet of he Philistines. You might as well compare me with the author of 'Lalla Rookh,' or advise me to write like Rogers or Campbell."

"I beg your pardon, my dear Mabel. I'm afraid I must be an out and out Philistine, for to my mind Byron is the prince of poets. I would rather have written 'The Giaour' than anything that has ever been published since it appeared."

"My poor Roderick!" exclaimed Mabel, with a pitying sigh. "You might as well say you would be proud of having written 'The Pickwick Papers'."

"And so I should!" cried Rorie heartily. "I should think no end of myself if I had invented Winkle. Do you remember his ride from Rochester to Dingley Dell?—one of the finest things that was ever written."

And this incorrigible young man flung himself back in the low arm-chair, and laughed heartily at the mere recollection of that episode in the life of the famous Nathaniel. Mabel Ashbourne closed her manuscript volume with a sigh, and registered an oath that she would never read any more of her poetry to Roderick Vawdrey. It was quite useless. The poor young man meant well, but he was incorrigibly stupid—a man who admired Byron and Dickens, and believed Macaulay the first of historians.

"In the realm of thought we must dwell apart all our lives," Mabel told herself despairingly.

"The horses are ordered for five," she said, as she locked the precious volume in her desk; "will you get yours and come back for me?"

"I shall be delighted," answered her lover, relieved at being let off so easily.

It was about this time that Lord Mallow, who was working with all his might for the regeneration of his country, made a great hit in the House by his speech on the Irish land question. He had been doing wonderful things in Dublin during the winter, holding forth to patriotic assemblies in the Round Room of the Rotunda, boldly declaring himself a champion of the Home Rulers' cause, demanding Repeal and nothing but Repeal. He was one of the few Repealers who had a stake in the country, and who was likely to lose by the disruption of social order. If foolish, he was at least disinterested, and had the courage of his opinions. This was in the days when Mr. Gladstone was Prime Minister, and when Irish Radicals looked to him as the one man who could and would give them Home Rule.

In the House of Commons Lord Mallow was not ashamed to repeat the arguments he had used in the Round Room. If his language was less vehement at Westminster than it had been in Dublin, his opinions were no less thorough. He had his party here, as well as on the other side of the Irish Channel; and his party applauded him. Here was a statesman and a landowner willing to give an ell, where Mr. Gladstone's Land Act gave only an inch. Hibernian newspapers sung his praises in glowing words, comparing him to Burke, Curran, and O'Connell. He had for some time been a small lion at evening parties; he now began to be lionised at serious dinners. He was thought much of in Carlton Gardens, and his name figured at official banquets in Downing Street. The Duchess of Dovedale considered it a nice trait in his character that, although he was so much in request, and worked so hard in the House, he never missed one of her Thursday evenings. Even when there was an important debate on he would tear up Birdcage Walk in a hansom, and spend an hour in the Duchess's amber drawing-rooms, enlightening Lady Mabel as to the latest aspect of the Policy of Conciliation, or standing by the piano while she played Chopin.

Lord Mallow had never forgotten his delight at finding a young lady thoroughly acquainted with the history of his native land, thoroughly interested in Erin's struggles and Erin's hopes; a young lady who knew all about the Protestants of Ulster, and what was meant by Fixity of Tenure. He came to Lady Mabel naturally in his triumphs, and he came to her in his disappointments. She was pleased and flattered by his faith in her wisdom, and was always ready to lend a gracious ear. She, whose soul was full of ambition, was deeply interested in the career of an ambitious young man—a man who had every excuse for being shallow and idle, and yet was neither.

"If Roderick were only like him there would be nothing wanting in my life," she thought regretfully. "I should have felt much a pride in a husband's fame, I should have worked so gladly to assist him in his career. The driest blue-books would not have been too weary for me—the dullest drudgery of parliamentary detail would have been pleasant work, if it could have helped him in his progress to political distinctions."

One evening, when Mabel and Lord Mallow were standing in the embrasure of a window, walled in by the crowd of aristocratic nobodies and intellectual eccentricities, talking earnestly of poor Erin and her chances of ultimate happiness, the lady, almost unawares, quoted a couplet of her own which seemed peculiarly applicable to the argument.

"Whose lines are those?" Lord Mallow asked eagerly; "I never heard them before."

Mabel blushed like a schoolgirl detected in sending a valentine.

"Upon my soul," cried the Irishman, "I believe they are your own! Yes, I am sure of it. You, whose mind is so high above the common level, must sometimes express yourself in poetry. They are yours, are they not?"

"Can you keep a secret?" Lady Mabel asked shyly.

"For you? Yes, on the rack. Wild horses should not tear it out of my heart; boiling lead, falling on me drop by drop, should not extort it from me."

"The lines are mine. I have written a good deal—in verse. I am going to publish a volume, anonymously, before the season is over. It is quite a secret. No one—except mamma and papa, and Mr. Vawdrey—knows anything about it."

"How proud they—now especially proud Mr. Vawdrey must be of your genius," said Lord Mallow. "What a lucky fellow he is."

He was thinking just at that moment of Violet Tempest, to whose secret preference for Roderick Vawdrey he attributed his own rejection. And now here—where again he might have found the fair ideal of his youthful dreams—here where he might have hoped to form an alliance at once socially and politically advantageous—this young Hampshire's squire was before him.

"I don't think Mr. Vawdrey is particularly interested in my poetical efforts," Lady Mabel said with assumed carelessness. "He doesn't care for poetry. He likes Byron."

"What an admirable epigram!" cried the Hibernian, to whom flattery was second nature. "I shall put that down in my commonplace book when I go home. How I wish you would honour me—but it is to ask too much, perhaps—how proud I should be if you would let me hear, or see, some of your poems."

"Would you really lik——?" faltered Lady Mabel.

"Like! I should deem it the highest privilege your friendship could vouchsafe."

"If I felt sure it would not bore you, I should like much to have your opinion, your candid opinion," (Lord Mallow tried to look the essense of candour) "upon some things I have written. But it would be really to impose too much upon your good-nature."

"It would be to make me the proudest, and—for that one brief hour at least—the happiest of men," protested Lord Mallow, looking intensely sentimental.

"And you will deal frankly with me? You will not flatter? You will be as severe as an Edinburgh reviewer?"

"I will be positively brutal," said Lord Mallow. "I will try to imagine myself an elderly feminine contributor to the 'Saturday,' looking at you with vinegar gaze through a pair of spectacles, bent upon spotting every fleck and flaw in your work, and predetermined not to see anything good in it."

"Then I will trust you!" cried Lady Mabel, with a gush. "I have longed for a listener who could understand and criticise, and who would be too honourable to flatter. I will trust you, as Marguerite of Valois trusted Clement Marot."

Lord Mallow did not know anything about the French poet and his royal mistress, but he contrived to look as if he did. And, before he ran away to the House presently, he gave Lady Mabel's hand a tender little pressure which she accepted in all good faith as a sign manual of the compact between them.

They met in the Row next morning, and Lord Mallow asked—as earnestly as if the answer involved vital issues—when he might be permitted to hear those interesting poems.

"Whenever you can spare time to listen," answered Lady Mabel, more flattered by his earnestness than by all the adulatory nigar-plums which had been showered upon her since her debut. "If you have nothing better to do this afternoon——"

"Could I have anything better to do?"

"We won't enter upon so wide a question," said Lady Mabel, laughing prettily. "If committee-rooms and public affairs can spare you for an hour or two, come to tea with mamma at five. Ill get her to deny herself to all the rest of the world, and we can have an undisturbed hour in which you can deal severely with my poor little efforts."

Thus it happened that, in the sweet spring weather, while Roderick was on the stand at Epsom, watching the City and Suburban winner pursue his meteor course along the close-cropped sward, Lord Mallow was sitting at ease in a flowery fauteuil in the Queen Anne morning-room at Kensington, sipping orange-scented tea out of eggshell porcelain, and listening to Lady Mabel's dulcet accents, as she somewhat monotonously and inexpressively rehearsed "The Tragedy of a Sceptic Soul."

The poem was long, and, sooth to say, passing dreary; and, much as he admired the Duke's daughter, there were moments when Lord Mallow felt his eyelids drooping, and heard a buzzing, as of summer insects, in his ears.

There was no point of interest in all this rhythmical meandering whereon the hapless young nobleman could fix his attention. Another minute and his sceptic soul would be wandering at ease in the flowery fields of sleep. He pulled himself together with an effort, just as the eggshell cup and saucer were slipping from his relaxing grasp. He asked the Duchess for another cup of that delicious tea. He gazed resolutely at the fair-faced maiden, whose rosy lips moved graciously, discoursing shallowest platitudes clothed in erudite polysyllables, and then at the first pause—when Lady Mabel laid down her velvet-bound volume, and looked timidly upward for his opinion—Lord Mallow poured forth a torrent of eloquence, such as he always had in stock, and praised "The Sceptic Soul" as no poem and no poet had ever been praised before, save by Hibernian critic.

The richness, the melody, the depth, colour, brilliance, tone, variety, far-reaching thought, &c., &c., &c.

He was so grateful to Providence for having escaped falling asleep that he could have gone on for ever in this strain. But if anyone had asked Lord Mallow what "The Tragedy of a Sceptic Soul" was about, Lord Mallow would have been spun.

When a strong-minded woman is weak upon one particular point she is apt to be very weak. Lady Mabel's weakness was to fancy herself a second Browning. She had never yet enjoyed the bliss of having her own idea of herself confirmed by independent evidence. Her soul thrilled as Lord Mallow poured forth his praises; talking of "The Book and the Ring," and "Paracelsus," and a great deal more, of which he knew very little, and seeing in the expression of Lady Mabel's eyes and mouth that he was saying exactly the right thing, and could hardly say too much.

They were tete-a-tete by this time, for the Duchess was sleeping frankly, her crewel-work drooping from the hands that lay idle in her lap; her second cup of tea on the table beside her, half-finished.

"I don't know how it is," she was wont to say apologetically, after these placid slumbers. "There is something in Mabel's voice that always sends me to sleep. Her tones are so musical."

"And do you really advise me to publish?" asked Lady Mabel, fluttered and happy.

"It would be a sin to keep such verses hidden from the world."

"They will be published anonymously, of course. I could not endure to be pointed at as the author of 'The Sceptic Soul.' To feel that every eye was upon me—at the opera—in the Row—everywhere! It would be too dreadful. I should be proud to know that I had influenced my age—given a new bent to thought—but no one must be able to point at me."

"'Thou canst not say I did it,'" quoted Lord Mallow. "I entirely appreciate your feelings. Publicity of that sort must be revolting to a delicate mind. I should think Byron would have enjoyed life a great deal better if he had never been known as the author of 'Childe Harold.' He reduced himself to a social play-actor—and always had to pose in his particular role—the Noble Poet. If Bacon really wrote the plays we call Shakespeare's, and kept the secret all his life, he was indeed the wisest of mankind."

"You have done nothing but praise me," said Lady Mabel, after a thoughtful pause, during which she had trifled with the golden clasp of her volume; "I want you to do something more than that. I want you to advise—to tell me where I am redundant—to point out where I am weak. I want you to help me in the labour of polishing."

Lord Mallow pulled his whisker doubtfully. This was dreadful. He should have to go into particulars presently, to say what lines pleased him best, which of the various meters into which the tragedy was broken up—like a new suburb into squares and crescents and streets—seemed to him happiest and most original.

"Can you trust me with that precious volume?" he asked. "If you can, I will spend the quiet hours of the night in pondering over its pages, and will give you the result of my meditations to-morrow."

Mabel put the book into his hand with a grateful smile.

"Pray be frank with me," she pleaded. "Praise like yours is perilous."

Lord Mallow kissed her hand this time, instead of merely pressing it, and went away radiant, with the velvet-bound book under his arm.

"She's a sweet girl," he said to himself, as he hailed a cab. "I wish she wasn't engaged to that Hampshire booby, and I wish she didn't write poetry. Hard that I should have to do the Hampshire booby's work! If I were to leave this book in a hansom now—there'd be an awful situation!"

Happily for the rising statesman, he was blest with a clever young secretary, who wrote a good many letters for him, read blue-books, got up statistics, and interviewed obtrusive visitors from the Green Isle. To this young student Lord Mallow, in strictest secrecy, confided Lady Mabel's manuscript.

"Read it carefully, Allan, while I'm at the house, and make a note of everything that's bad on one sheet of paper, and of everything that's good on another. You may just run your pencil along the margin wherever you think I might write 'divine!' 'grandly original!' 'what pathos!' or anything of that sort."

The secretary was a conscientious young man, and did his work nobly. He sat far into the small hours, ploughing through "The Sceptic Soul." It was tough work; but Mr. Allan was Scotch and dogged, and prided himself upon his critical faculty. This autopsy of a fine lady's poem was a congenial labour. He scribbled pages of criticism, went into the minutest details of style, found a great deal to blame and not much to praise, and gave his employer a complete digest of the poem before breakfast next morning.

Lord Mallow attended the Duchess's kettledrum again that afternoon, and this time he was in no wise at sea. He handled "The Sceptic Soul" as if every line of it had been engraven on the tablet of his mind.

"See here now," he cried, turning to a pencilled margin; "I call this a remarkable passage, yet I think it might be strengthened by some trifling excisions;" and then he showed Lady Mabel how, by pruning twenty lines off a passage of thirty-one, a much finer effect might be attained.

"And you really think my thought stands out more clearly?" asked Mabel, looking regretfully at the lines through which Lord Mallow had run his pencil—some of her finest lines.

"I am sure of it. That grand idea of yours was like a star in a hazy sky. We have cleared away the fog."

Lady Mabel sighed. "To me the meaning of the whole passage seemed so obvious," she said.

"Because it was your own thought. A mother knows her own children however they are dressed."

This second tea-drinking was a very serious affair. Lord Mallow went at the poem like a professional reviewer, and criticised without mercy, yet contrived not to wound the author's vanity.

"It is because you have real genius that I venture to be brutally candid," he said, when, by those slap-dash pencil-marks of his—always with the author's consent—he had reduced the "Tragedy of the Sceptic Soul" to about one-third of its original length. "I was carried away yesterday by my first impressions; to-day I am coldly critical. I have set my heart upon your poem making a great success."

This last sentence, freely translated, might be taken to mean: "I should not like such an elegant young woman to make an utter fool of herself."

Mr. Vawdrey came in while critic and poet were at work, and was told what they were doing. He evinced no unworthy jealousy, but seemed glad that Lord Mallow should be so useful.

"It's a very fine poem," he said, "but there's too much metaphysics in it. I told Mabel so the other day. She must alter a good deal of it if she wants to be understanded of the people."

"My dear Roderick, my poem is metaphysical or it is nothing," Mabel answered pettishly.

She could bear criticism from Lord Mallow better than criticism from Roderick. After this it became an established custom for Lord Mallow to drop in every day to inspect the progress of Lady Mabel's poems in the course of their preparation for the press. The business part of the matter had been delegated to him, as much more au fait in such things than homely rustic Rorie. He chose the publisher and arranged the size of the volume, type, binding, initials, tail-pieces, every detail. The paper was to be thick and creamy, the type mediaeval, the borders were to be printed in carmine, the initials and tail-pieces specially drawn and engraved, and as quaint as the wood-cuts in an old edition of "Le Lutrin." The book was to have red edges, and a smooth gray linen binding with silver lettering. It was to be altogether a gem of typographic art, worthy of Firmin Didot.

By the end of May, Lady Mabel's poems were all in type, and there was much discussion about commas and notes of admiration, syllables too much or too little, in the flowery morning-room at Kensington, what time Roderick Vawdrey—sorely at a loss for occupation—wasted the summer hours at races or regattas within easy reach of London, or went to out-of-the-way places, to look at hunters of wonderful repute, which, on inspection, were generally disappointing.



CHAPTER V.

Crumpled Rose-Leaves.

Violet Tempest had been away from home nearly a year, and to the few old servants remaining at the Abbey House, and to the villagers who had known and loved her, it seemed as if a light had gone out.

"It's like it was after the Squire's death, when miss and her ma was away," said one gossip to another; "the world seems empty."

Mrs. Winstanley and her husband had been living as became people of some pretension to rank and fashion. They saw very little of each other, but were seen together on all fitting occasions. The morning service in the little church at Beechdale would not have seemed complete without those two figures. The faded beauty in trailing silken draperies and diaphanous bonnet, the slim, well-dressed Captain, with his bronzed face and black whiskers. They were in everybody's idea the happiest example of married bliss. If the lady's languid loveliness had faded more within the last year or so than in the ten years that went before it, if her slow step had grown slower, her white hand more transparent, there were no keen loving eyes to mark the change.

"That affectation of valetudinarianism is growing on Mrs. Winstanley," Mrs. Scobel said one day to her husband. "It is a pity. I believe the Captain encourages it."

"She has not looked so well since Violet went away," answered the kindly parson. "It seems an unnatural thing for mother and daughter to be separated."

"I don't know that, dear. The Bible says a man should leave mother and father and cleave to his wife. Poor Violet was a discordant element in that household. Mrs. Winstanley must feel much happier now she is away."

"I can't tell how she feels," answered the Vicar doubtfully; "but she does not look so happy as she did when Violet was at home."

"The fact is she gives way too much," exclaimed active little Mrs. Scobel, who had never given way in her life. "When she has a head-ache she lies in bed, and has the venetian blinds kept down, just as if she were dying. No wonder she looks pale and——"

"Etiolated," said the Vicar; "perishing for want of light. But I believe it's moral sunshine that is wanted there, my dear Fanny, say what you will."

Mr. Scobel was correct in his judgment. Pamela Winstanley was a most unhappy woman—an unhappy woman without one tangible cause of complaint. True that her daughter was banished; but she was banished with the mother's full consent. Her personal extravagances had been curtailed; but she was fain to admit that the curtailment was wise, necessary, and for her own future benefit. Her husband was all kindness; and surely she could not be angry with him if he seemed to grow younger every day—rejuvenated by regular habits and rustic life—while in her wan face the lines of care daily deepened, until it would have needed art far beyond the power of any modern Medea to conceal Time's ravages. Your modern Medeas are such poor creatures—loathsome as Horace's Canidia, but without her genius or her power.

"I am getting an old woman," sighed Mrs. Winstanley. "It is lucky I am not without resources against solitude and age."

Her resources were a tepid appreciation of modern idyllic poetry, as exemplified in the weaker poems of Tennyson, and the works of Adelaide Proctor and Jean Ingelow, a talent for embroidering conventional foliage and flowers on kitchen towelling, and for the laborious conversion of Nottingham braid into Venetian point-lace.

She had taken it into her head of late to withdraw herself altogether from society, save from such friends who liked her well enough, or were sufficiently perplexed as to the disposal of their lives, to waste an occasional hour over gossip and orange pekoe. She had now permanently assumed that role of an invalid which she had always somewhat affected.

"I am really not well enough to go to dinner-parties, Conrad," she said, when her husband politely argued against her refusal of an invitation, with just that mild entreaty which too plainly means, "I don't care a jot whether you go with me or stay at home."

"But, my dear Pamela, a little gaiety would give you a fillip."

"No, it would not, Conrad. It would worry me to go to Lady Ellangowan's in one of last season's dresses; and I quite agree with you that I must spend no more money with Theodore."

"Why not wear your black velvet?"

"Too obvious a pis aller. I have not enough diamonds to carry off black velvet."

"But your fine old lace—rose-point, I think you call it—surely that would carry off black velvet for once in a way."

"My dear Conrad, Lady Ellangowan knows my rose-point by heart. She always compliments me about it—an artful way of letting me know often she has seen it. 'Oh there is that rose-point of yours, dear Mrs. Winstanley; it is too lovely.' I know her! No, Conrad; I will not go to the Ellangowans in a dress made last year; or in any rechauffe of velvet and lace. I hope I have a proper pride that would always preserve me from humiliation of that kind. Besides, I am not strong enough to go to parties. You may not believe me, Conrad, but I am really ill."

The Captain put on an unhappy look, and murmured something sympathetic: but he did not believe in the reality of his wife's ailments. She had played the invalid more or less ever since their marriage; and he had grown accustomed to the assumption as a part of his wife's daily existence—a mere idiosyncrasy, like her love of fine dress and strong tea. If at dinner she ate hardly enough for a bird, he concluded that she had spoiled her appetite at luncheon, or by the consumption of sweet biscuits and pound-cake at five o'clock. Her refusal of all invitations to dinners and garden-parties he attributed to her folly about dress, and to that alone. Those other reasons which she put forward—of weakness, languor, low spirits—were to Captain Winstanley's mind mere disguises for temper. She had not, in her heart of hearts, forgiven him for closing Madame Theodore's account.

Thus, wilfully blind to a truth which was soon to become obvious to all the world, he let the insidious foe steal across his threshold, and guessed not how soon that dark and hidden enemy was to drive him from the hearth by which he sat, secure in self-approval and sagacious schemes for the future.

Once a week, through all the long year, there had come a dutiful letter from Violet to her mother. The letters were often brief—what could the girl find to tell in her desert island?—but they were always kind, and they were a source of comfort to the mother's empty heart. Mrs. Winstanley answered unfailingly, and her Jersey letter was one of the chief events of each week. She was fonder of her daughter at a distance than she had ever been when they were together. "That will be something to tell Violet," she would say of any inane bit of gossip that was whispered across the afternoon tea-cups.



CHAPTER VI.

A Fool's Paradise.

At Ashbourne preparations had already begun for the wedding in August. It was to be a wedding worthy a duke's only daughter, the well-beloved and cherished child of an adoring father and mother. Kinsfolk and old friends were coming from far and wide to assist at the ceremony, for whom temporary rooms were to be arranged in all manner of places. The Duchess's exquisite dairy was to be transformed into a bachelor dormitory. Lodges and gamekeepers' cottages were utilised. Every nook and corner in the ducal mansion would be full.

"Why not rig up a few hammocks in the nearest pine plantation?" Rorie asked, laughing, when he heard of all these doings. "One couldn't have a better place to sleep on a sultry summer night."

There was to be a ball for the tenantry in the evening of the wedding-day, in a marquee on the lawn. The gardens were to be illuminated in a style worthy of the chateau of Vaux, when Fouquet was squandering a nation's revenues on lamps and fountains and venal friends. Lady Mabel protested against all this fuss.

"Dear mamma, I would so much rather have been married quietly,' she said.

"My dearest, it is all your papa's doing. He is so proud of you. And then we have only one daughter; and she is not likely to be married more than once, I hope. Why should we not have all our friends round us at such a time?"

Mabel shrugged her shoulders, with an air of repugnance to all the friends and all the fuss.

"Marriage is such a solemn act of one's life," she said. "It seems dreadful that it should be performed in the midst of a gaping, indifferent crowd."

"My love, there will not be a creature present who can feel indifferent about your welfare," protested the devoted mother. "If our dear Roderick had been a more distinguished person, your papa would have had you married in Westminster Abbey. There of course there would have been a crowd of idle spectators."

"Poor Roderick," sighed Mabel. "It is a pity he is so utterly aimless. He might have made a career for himself by this time, if he had chosen."

"He will do something by-and-by, I daresay," said the Duchess, excusingly. "You will be able to mould him as you like, pet."

"I have not found him particularly malleable hitherto," said Mabel.

The bride elect was out of spirits, and inclined to look despondently upon life. She was suffering the bitter pain of disappointed hopes. "The Tragedy of a Sceptic Soul," despite its depth of thought, its exquisite typography and vellumlike paper, had been a dire and irredeemable failure. The reviewers had ground the poor little aristocratic butterfly to powder upon the wheel of ridicule. They had anatomised Lady Mabel's involved sentences, and laughed at her erudite phrases. Her mild adaptations of Greek thought and fancy had been found out, and held up to contempt. Her petty plagiarisms from French and German poets had been traced to their source. The whole work, no smooth and neatly polished on the outside, had been turned the seamy side without, and the knots and flaws and ravelled threads had been exposed without pity.

Happily the book was anonymous: but Mabel writhed under the criticism. There was the crushing disappointment of expectations that had soared high as the topmost throne on Parnassus. She had a long way to descend. And then there was the sickening certainty that in the eyes of her own small circle she had made herself ridiculous. Her mother took those cruel reviews to heart, and wept over them. The Duke, a coarse-minded man, at best, with a soul hardly above guano and chemical composts, laughed aloud at his poor little girl's failure.

"It's a sad disappointment, I daresay," he said, "but never mind, my pet, you'll do better next time, I've no doubt. Or if you don't, it doesn't much matter. Other people have fancied themselves poets, and have been deceived, before to-day."

"Those horrid reviewers don't understand her poetry," protested the Duchess, who would have been hard pushed to comprehend it herself, but who thought it was a critic's business to understand everything.

"I'm afraid I have written above their heads," Lady Mabel said piteously.

Roderick Vawdrey was worst of all.

"Didn't I tell you 'The Sceptic Soul' was too fine for ordinary intellects, Mab?" he said. "You lost yourself in an ocean of obscurity. You knew what you meant, but there's no man alive who could follow you. You ought to have remembered Voltaire's definition of a metaphysical discussion, a conversation in which the man who is talked to doesn't understand the man who talks, and the man who talks doesn't understand himself. You must take a simpler subject and use plainer English if you want to please the multitude."

Mabel had told her lover before that she did not aspire to please the multitude, that she would have esteemed such cheap and tawdry success a humiliating failure. It was almost better not to be read at all than to be appreciated only by the average Mudie subscriber. But she would have liked someone to read her poems. She would have liked critics to praise and understand her. She would have liked to have her own small world of admirers, an esoteric few, the salt of the earth, literary Essenes, holding themselves apart from the vulgar herd. It was dreadful to find herself on a height as lonely as one of those plateaux in the Tyrolean Alps where the cattle crop a scanty herbage in summer, and where the Ice King reigns alone through the long winter.

"You are mistaken, Roderick," Mabel said with chilling dignity; "I have friends who can understand and admire my poetry, incomprehensible and uninteresting as it may be to you."

"Dear Mabel, I never said it was uninteresting," Roderick cried humbly; "everything you do must be interesting to me. But I frankly own I do not understand your verses as clearly as I think all verse should be understood. Why should I keep all my frankness till after the first of August? Why should the lover be less sincere than the husband? I will be truthful even at the risk of offending you."

"Pray do," cried Mabel, with ill-suppressed irritation. "Sincerity is such a delightful thing. No doubt my critics are sincere. They give me the honest undisguised truth."

Rorie saw that his betrothed's literary failure was a subject to be carefully avoided in future.

"My poor Vixen," he said to himself, with oh! what deep regret, "perhaps it was not one of the least of your charms that you never wrote poetry."

Lord Mallow was coming to Ashbourne for the fortnight before the wedding. He had made himself wondrously agreeable to the Duke, and the Duke had invited him. The House would be up by that time. It was a delightful season for the Forest. The heather would be in bloom on all the open heights, the glades of Mark Ash would be a solemn world of greenery and shadow, a delicious place for picnics, flirtation, and gipsy tea-drinkings. Lord Mallow had only seen the Forest in the winter. It would be a grand opportunity for him.

He came, and Lady Mabel received him with a sad sweet smile. The reviews had all appeared by this time: and, except in the West Dulmarsh Gazette and the Ratdiff Highway Register, there had not been one favourable notice.

"There is a dreadful unanimity about my critics, is there not?" said the stricken poetess, when she and Lord Mallow found themselves alone together in one of the orchid-houses, breathing a perfumed atmosphere at eighty degrees, vaporous, balmy, slumberous.

"You have made a tremendous mistake, Lady Mabel," said Lord Mallow.

"How do you mean?"

"You have given the world your great book without first educating your public to receive and understand it. If Browning had done the same thing—if Browning had burst at once upon the world with 'The Ring and the Book' he would have been as great a failure as—as—you at present imagine yourself to be. You should have sent forth something smaller. You should have made the reading world familiar with a style, too original, and of too large a power and scope, to please quickly. A volume of ballads and idyls—a short story in simple verse—would have prepared the way for your dramatic poem. Suppose Goethe had begun his literary career with the second part of 'Faust'! He was too wise for that, and wrote himself into popularity with a claptrap novel."

"I could not write a claptrap novel, or claptrap verses," sighed Lady Mabel. "If I cannot soar above the clouds, I will never spread my poor little wings again."

"Then you must be content to accept your failure as an evidence of the tendencies of an essentially Philistine age—an age in which people admire Brown, and Jones, and Robinson."

Here Lord Mallow gave a string of names, sacrificing the most famous reputations of the age to Mabel Ashbourne's vanity.

This brief conversation in the orchid-house was the first healing balm that had been applied to the bleeding heart of the poetess. She was deeply grateful to Lord Mallow. This was indeed sympathy. How different from Roderick's clumsy advice and obtrusive affectation of candour. Mabel determined that she would do her best to make Lord Mallow's visit pleasant. She gave him a good deal of her society, in fact all she could spare from Roderick, who was not an exacting lover. They were so soon to be married that really there was no occasion for them to be greedy of tete-a-tete companionship. They would have enough of each other's company among the Norwegian fjords.

Lord Mallow did not care about riding under an almost tropical sun, nor did he care to expose his horse to the exasperating attacks of forest-flies; so he went about with the Duchess and her daughter in Lady Mabel's pony carriage—he saw schools and cottages—and told the two ladies all the grand things he meant to do on his Irish estate when he had leisure to do them.

"You must wait till you are married," said the Duchess good-naturedly. "Ladies understand these details so much better than gentlemen. Mabel more than half planned those cottages you admired just now. She took the drawings out of the architect's hands, and altered them according to her own taste."

"And as a natural result, the cottages are perfection!" exclaimed Lord Mallow.

That visit to Ashbourne was one of the most memorable periods in Lord Mallow's life. He was an impressible young man, and he had been unconsciously falling deeper in love with Lady Mabel every day during the last three months. Her delicate beauty, her culture, her elegance, her rank, all charmed and fascinated him; but her sympathy with Erin was irresistible. It was not the first time that he had been in love, by a great many times. The list of the idols he had worshipped stretched backwards to the dim remoteness of boyhood. But to-day, awakening all at once to a keen perception of his hapless state, he told himself that he had never loved before as he loved now.

He had been hard hit by Miss Tempest. Yes, he acknowledged that past weakness. He had thought her fairest and most delightful among women, and he had left the Abbey House dejected and undone. But he had quickly recovered from the brief fever: and now, reverentially admiring Lady Mabel's prim propriety, he wondered that he could have ever seriously offered himself to a girl of Vixen's undisciplined and unbroken character.

"I should have been a miserable man by this time if she had accepted me," he thought. "She did not care a straw about the People of Ireland."

He was deeply, hopelessly, irrecoverably in love; and the lady he loved was to be married to another man in less than a week. The situation was too awful. What could such a woman as Mabel Ashbourne see in such a man as Roderick Vawdrey. That is a kind of question which has been asked very often in the history of men and women. Lord Mallow could find no satisfactory answer thereto. Mr. Vawdrey was well enough in his way—he was good-looking, sufficiently well-bred; he rode well, was a first-rate shot, and could give an average player odds at billiards. Surely these were small claims to the love of a tenth muse, a rarely accomplished and perfect woman. If Lord Mallow, in his heart of hearts, thought no great things of Lady Mabel's poetic effusions, he not the less respected her for the effort, the high-souled endeavour. A woman who could read Euripides, who knew all that was best in modern literature, was a woman for a husband to be proud of.

In this desperate and for the most part unsuspected condition of mind, Lord Mallow hung upon Lady Mabel's footsteps during the days immediately before the wedding. Roderick was superintending the alterations at Briarwood, which were being carried on upon rather an extravagant scale, to make the mansion worthy of the bride. Lord Mallow was always at hand, in the orchid-houses, carrying scissors and adjusting the hose, in the library, in the gardens, in the boudoir. He was drinking greedily of the sweet poison. This fool's paradise of a few days must end in darkness, desolation, despair—everything dreadful beginning with d; but the paradise was so delicious an abode that although an angel with a flaming sword, in the shape of conscience, was always standing at the gate, Lord Mallow would not be thrust out. He remained; in defiance of conscience, and honour, and all those good sentiments that should have counselled his speedy departure.



CHAPTER VII.

"It might have been."

"They are the most curious pair of lovers I ever saw in my life," said one of the visitors at Ashbourne, a young lady who had been engaged to be married more than once, and might fairly consider herself an authority upon such matters. "One never sees them together."

"They are cousins," replied her companion. "What can you expect from a courtship between cousins? It must be the most humdrum affair possible."

"All courtships are humdrum, unless there is opposition from parents, or something out of the common order to enliven them," said somebody else.

The speakers were a party of young ladies, who were getting through an idle hour after breakfast in the billiard-room.

"Lady Mabel is just the sort of girl no man could be desperately in love with," said another. "She is very pretty, and elegant, and accomplished, and all that sort of thing—but she is so overpoweringly well satisfied with herself that it seems superfluous for anyone to admire her.'

"In spite of that I know of someone in this house who does immensely admire her," asserted the young lady who had spoken first. "Much more than I should approve if I were Mr. Vawdrey."

"I think I know——" began somebody, and then abruptly remarked: "What a too ridiculous stroke! And I really thought I was going to make a cannon."

This sudden change in the current of the talk was due to the appearance of the subject of this friendly disquisition. Lady Mabel had that moment entered, followed by Lord Mallow, not intent on billiards, like the frivolous damsels assembled round the table. There were book-cases all along one side of the billiard-room, containing the surplus books that had overrun the shelves in the library; and Mabel had come to look for a particular volume among these. It was a treatise upon the antiquities of Ireland. Lord Mallow and Lady Mabel had been disputing about the Round Towers.

"Of course you are right," said the Irishman, when she had triumphantly exhibited a page which supported her side of the argument. "What a wonderful memory you have! What a wife you would make for a statesman! You would be worth half-a-dozen secretaries!"

Mabel blushed, and smiled faintly, with lowered eyelids.

"Do you remember that concluding picture in 'My Novel,'" she asked, "where Violante tempts Harley Lestrange from his idle musing over Horace, to toil through blue-books; and, when she is stealing softly from the room, he detains her and bids her copy an extract for him? 'Do you think I would go through this labour,' he says, 'if you were not to halve this success? Halve the labour as well.' I have always envied Violante that moment in her life."

"And who would not envy Harley such a wife as Violante," returned Lord Mallow, "if she was like—the woman I picture her?"

Three hours later Lord Mallow and Lady Mabel met by accident in the garden. It was an afternoon of breathless heat and golden sunlight, the blue ether without a cloud—a day on which the most restless spirit might be content to yield to the drowsiness of the atmosphere, and lie at ease upon the sunburnt grass and bask in the glory of summer. Lord Mallow had never felt so idle, in the whole course of his vigorous young life.

"I don't know what has come to me," he said to himself; "I can't settle to any kind of work; and I don't care a straw for sight-seeing with a pack of nonentities."

A party had gone off in a drag, soon after breakfast, to see some distant ruins; and Lord Mallow had refused to be of that party, though it included some of the prettiest girls at Ashbourne. He had stayed at home, on pretence of writing important letters, but had not, so far, penned a line. "It must be the weather," said Lord Mallow.

An hour or so after luncheon he strolled out into the gardens, having given up all idea of writing those letters, There was a wide lawn, that sloped from the terrace in front of the drawing-room windows, a lawn encircled by a belt of carefully-chosen timber. It was not very old timber, but it was sufficiently umbrageous. There were tulip-trees, and copper-beeches, and Douglas pines, and deodoras. There were shrubs of every kind, and winding paths under the trees, and rustic benches here and there to repose the wearied traveller.

On one of these benches, placed in a delicious spot, shaded by a group of pines, commanding the wide view of valley and distant hill far away towards Ringwood, Lord Mallow found Lady Mabel seated reading. She was looking delightfully cool amidst the sultry heat of the scene, perfectly dressed in soft white muslin, with much adornment of delicate lace and pale-hued ribbon: but she was not looking happy. She was gazing at the open volume on her knee, with fixed and dreamy eyes that saw not the page; and as Lord Mallow came very near, with steps that made no sound on the fallen pine-needles, he saw that there were tears upon her drooping eyelids.

There are moments in every man's life when impulse is stronger than discretion. Lord Mallow gave the reins to impulse now, and seated himself by Lady Mabel's side, and took her hand in his, with an air of sympathy so real that the lady forgot to be offended.

"Forgive me for having surprised your tears," he murmured gently.

"I am very foolish," she said, blushing deeply as she became aware of the hand clasping hers, and suddenly withdrawing her own; "but there are passages of Dante that are too pathetic."

"Oh, it was Dante!" exclaimed Lord Mallow, with a disappointed air.

He looked down at the page on her lap.

"Yes, naturally."

She had been reading about Paolo and Francesca—that one episode, in all the catalogue of sin and sorrow, which melts every heart; a page at which the volume seems to open of its own accord.

Lord Mallow leaned down and read the lines in a low voice, slowly, with considerable feeling; and then he looked softly up at Mabel Ashbourne, and at the landscape lying below them, in all the glow and glory of the summer light, and looked back to the lady, with his hand still on the book.

The strangeness of the situation: they two alone in the garden, unseen, unheard by human eye or ear; the open book between them—a subtle bond of union—hinting at forbidden passion.

"They were deeply to be pitied," said Lord Mallow, meaning the guilty lovers.

"It was very sad," murmured Lady Mabel.

"But they were neither the first nor the last who have found out too late that they were created to be happy in each other's love, and had by an accident missed that supreme chance of happiness," said Lord Mallow, with veiled intention.

Mabel sighed, and took the book from the gentleman's hand, and drew a little farther off on the bench. She was not the kind of young woman to yield tremblingly to the first whisper of an unauthorised love. It was all very well to admire Francesca, upon strictly aesthetic grounds, as the perfection of erring womanhood, beautiful even in her guilt. Francesca had lived so long ago—in days so entirely mediaeval, that one could afford to regard her with indulgent pity. But it was not to be supposed that a modern duke's daughter was going to follow that unfortunate young woman's example, and break plighted vows. Betrothal, in the eyes of so exalted a moralist as Lady Mabel, was a tie but one degree less sacred than marriage.

"Why did you not go to see the ruins?" she asked, resuming her society tone.

"Because I was in a humour in which ruins would have been unutterably odious. Indeed, Lady Mabel, I am just now very much of Macbeth's temper, when he began to be a-weary of the sun."

"Has the result of the session disappointed you?"

"Naturally. When was that ever otherwise? Parliament opens full of promise, like a young king who has just ascended the throne, and everybody is to be made happy; all burdens are to be lightened, the seeds of all good things that have been hidden deep in earth through the slow centuries are to germinate all at once, and blossom, and bear fruit. And the session comes to an end; and, lo! a great many good things have been talked about, and no good thing has been done. That is in the nature of things. No, Lady Mabel, it is not that which makes me unhappy."

He waited for her to ask him what his trouble was, but she kept silence.

"No," he repeated, "it is not that."

Again there was no reply; and he went on awkwardly, like an actor who has missed his cue.

"Since I have known you I have been at once too happy and too wretched. Happy—unspeakably happy in your society; miserable in the knowledge that I could never be more to you than an unit in the crowd."

"You were a great deal more to me than that," said Mabel softly. She bad been on her guard against him just now, but when he thus abased himself before her she took pity upon him, and became dangerously amiable. "I shall never forget your kindness about those wretched verses."

"I will not hear you speak ill of them," cried Lord Mallow indignantly. "You have but shared the common fate of genius, in having a mind in advance of your age."

Lady Mabel breathed a gentle sigh of resignation.

"I am not so weak as to think myself a genius," she murmured; "but I venture to hope my poor verses will be better understood twenty years hence than they are now."

"Undoubtedly!" cried Lord Mallow, with conviction. "Look at Wordsworth; in his lifetime the general reading public considered him a prosy old gentleman, who twaddled pleasantly about lakes and mountains, and pretty little peasant girls. The world only awakened ten years ago to the fact of his being a great poet and a sublime philosopher; and I shouldn't be very much surprised," added Lord Mallow meditatively, "if in ten years more the world were to go to sleep again and forget him."

Lady Mabel looked at her watch.

"I think I will go in and give mamma her afternoon cup of tea," she said.

"Don't go yet," pleaded Lord Mallow, "it is only four, and I know the Duchess does not take tea till five. Give me one of your last hours. A lady who is just going to be married is something like Socrates after his sentence. Her friends surround her; she is in their midst, smiling, serene, diffusing sweetness and light; but they know she is going from them—they are to lose her, yes, to lose her almost as utterly as if she were doomed to die."

"That is taking a very dismal view of marriage," said Mabel, pale, and trifling nervously with her watch-chain.

This was the first time Lord Mallow had spoken to her of the approaching event.

"Is it not like death? Does it not bring change and parting to old friends? When you are Lady Mabel Vawdrey, can I ever be with you as I am now? You will have new interests, you will be shut in by a network of new ties. I shall come some morning to see you amidst your new surroundings, and shall find a stranger. My Lady Mabel will be dead and buried."

There is no knowing how long Lord Mallow might have meandered on in this dismal strain, if he had not been seasonably interrupted by the arrival of Mr. Vawdrey, who came sauntering along the winding shrubbery-walk, with his favourite pointer Hecate at his heels. He advanced towards his betrothed at the leisurely pace of a man whose courtship is over, whose fate is sealed, and from whom society exacts nothing further, except a decent compliance with the arrangements other people make for him.

He seemed in no wise disconcerted at finding his sweetheart and Lord Mallow seated side by side, alone, in that romantic and solitary spot. He pressed Mabel's hand kindly, and gave the Irishman a friendly nod.

"What have you been doing with yourself all the morning, Roderick?" asked Lady Mabel, with that half-reproachful air which is almost the normal expression of a betrothed young lady in her converse with her lover.

"Oh, pottering about at Briarwood. The workmen are such fools. I am making some slight alterations in the stables, on a plan of my own—putting in mangers, and racks, and pillars, and partitions, from the St. Pancras Ironworks, making sanitary improvements and so on—and I have to contend with so much idiocy in our local workmen. If I did not stand by and see drain-pipes put in and connections made, I believe the whole thing would go wrong."

"It must be very dreadful for you," exclaimed Lady Mabel.

"It must be intolerable!" cried Lord Mallow; "what, when the moments are golden, when 'Love takes up the glass of Time, and turns it in his glowing hands,' when 'Love takes up the harp of life, and smites on all the chords with might,' you have to devote your morning to watching the laying of drain-pipes and digging of sewers! I cannot imagine a more afflicted man."

Lady Mabel saw the sneer, but her betrothed calmly ignored it.

"Of course it's a nuisance," he said carelessly; "but I had rather be my own clerk of the works than have the whole thing botched. I thought you were going to Wellbrook Abbey with the house party, Mabel?"

"I know every stone of the Abbey by heart. No, I have been dawdling about the grounds all the afternoon. It is much too warm for riding or driving."