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Viola Gwyn
by George Barr McCutcheon
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"Say, Viola," came an impatient shout from Barry Lapelle, "are you going to take all day?"

It was plain to be seen that the young man was out of temper. There was a sharp, domineering note of command in his voice. Viola straightened up in her saddle and sent a surprised, resentful look at the speaker. Kenneth could not repress a chuckle.

"Better hurry along," he said, grimly, "or he'll take your head off. Lord, we are going to have a storm. I see a thundercloud gathering just below the rim of Barry's hat. If you—"

"Please keep your precious wit to yourself," she flamed, but with all her show of righteous indignation she could not hide from him the chagrin and mortification that lurked in her tell-tale eyes.

She rode off in high dudgeon, and he was left to curse his ill-timed jest. What a blundering fool he had been! Her first, timid little advance,—and he had met it with boorish, clownish wit! A scurvy jest, indeed! She was justified in despising him.

If Viola had turned her proud head a few moments later, she would have beheld an amazing spectacle: her supposedly smug and impeccable brother riding away at break-neck speed down the soggy lane, regardless of overhanging branches and flying mud, fleeing in wrath from the scene of his discontent.

Dusk was falling when he rode slowly into the town again. He had reached a decision during that lonely ride. He would not remain in Lafayette. He foresaw misery and unhappiness for himself if he stayed there,—for, be it here declared, he was in love with Viola Gwyn. No, worse than that, he was in love with Minda Carter,—and therein lay all the bitterness that filled his soul. He could never have her. Even though she cast off the ardent Lapelle, still he could not have her for his own. The bars were up, and it was now beyond his power to lower them. And so, with this resolve firmly fixed in his mind, he gave himself up to a strange sort of despair.

After supper at the tavern, he set out for a solitary stroll about the town before going to bed. He took stock of himself. No later than that morning he had come to a decision to open an office and engage in the practice of Law in Lafayette. He had made many friends during his brief stay in the place, and from all sides he had been encouraged to "hang out his shingle" and "grow up with the town." He liked the people, he had faith in the town, he possessed all the confidence and courage of youth. The local members of the bar, including the judge and justices, seriously urged him to establish himself there—there was room for him,—the town needed such men as he,—indeed, one of the leading lawyers had offered to take him into partnership, an opportunity not to be despised, in view of this man's state-wide reputation as a lawyer and orator, and who was already being spoken of for high honours in the councils of state and nation.

All this was very gratifying to the young stranger. He was flattered by the unmistakable sincerity of these new friends. And he was in a position to weather the customary paucity of clients for an indefinite period, a condition resulting to but few young men starting out for themselves in the practice of law. He was comfortably well-off in the matter of worldly goods, not only through his recently acquired possessions, but as the result of a substantial legacy that had come to him on the death of his grandmother. He had received his mother's full share of the Blythe estate, a no inconsiderable fortune in lands and money.

And now everything was changed. He would have to give up his plan to settle in Lafayette, and so, as he strolled gloomily about the illy-lighted town, he was casting about for the next best place to locate. The incomprehensible and incredible had come to pass. He had fallen in love with Viola Gwyn at first sight, that stormy night at Striker's. The discovery that she was his own half-sister had, of course, deluded his senses—temporarily, but now he realized that the strange, primitive instincts of man had not been deceived and would not be denied.

His blood had known the truth from the instant he first laid eyes upon the lovely stranger. Since that first night there had been revelations. First of all, Viola was the flesh and blood of an evil woman, and that woman his mortal foe. Notwithstanding her own innocence and purity, it was inconceivable that he should ever think of taking her to himself as wife. Secondly, he was charged with a double secret that must forever stand between him and her: the truth about her mother and the truth about herself.

There was but one thing left for him to do,—go away. He loved her. He would grow to love her a thousand-fold more if he remained near her, if he saw her day by day. These past few days had brought despair and jealousy to him, but what would the future bring? Misery! No, he would have to go. He would wind up his affairs at once and put longing and temptation as far behind him as possible. There was the town of Louisville. From all reports it was a prosperous, growing town, advantageously situated on the River Ohio. Crawfordsville was too near. He would have to go farther, much farther away than that,—perhaps back to the old home town.

"What cruel foul luck!" he groaned, aloud.

His wanderings had carried him through dark, winding cow-paths and lanes to within a stone's throw of Jack Trentman's shanty, standing alone like the pariah it was, on the steep bank of the river near the ferry. Back in a clump of sugar trees it seemed to hide, as if shrinking from the accusing eye of every good and honest man. Kenneth had stopped at the edge of the little grove and was gazing fiercely at the two lighted windows of the "shanty." He was thinking of Barry Lapelle as he muttered the words, thinking of the foul luck that seemed almost certain to deliver Viola into his soiled and lawless hands. The fierceness of his gaze was due to the knowledge that Lapelle was now inside Trentman's notorious shanty and perhaps gambling.

This evening, as on two or three earlier occasions, he had been urged by Barry to come down to the shanty and try his luck at poker. He had steadfastly declined these invitations. Trentman's place was known far and wide as a haven into which "cleaned out" river gamblers sailed in the hope of recovering at least enough of their fortunes to enable them to return to more productive fields down the reaches of the big river. These whilom, undaunted rascals, like birds of passage, stayed but a short time in the new town of Lafayette. They came up the river with sadly depleted purses, confident of "easy pickings" among the vainglorious amateurs, and be it said in behalf of their astuteness, they seldom if ever boarded the south-bound boats as poor as when they came.

In due time they invariably returned again to what they called among themselves "the happy hunting-ground." The stories of big "winnings" and big "losings" were rife among the people of the town. More than one adventurous citizen or farmer had been "wiped out," with no possible chance of ever recovering from his losses. It was common talk that Barry Lapelle was "fresh fish" for these birds of prey. He possessed the gambling instinct but lacked the gambler's wiles. He was reckless where they were cool. They "stripped" him far oftener than he won from them, but it was these infrequent winnings that encouraged him. He believed that some day he would make a big "killing"; the thought of that was ever before him, beckoning him on like the dancing will-o'-the-wisp. He took no note of the fact that these bland gentlemen could pocket their losings as well as their winnings. It was part of their trade to suffer loss. They had everything to gain and nothing to lose, so they throve on uncertainty.

Not so with Barry, or others of his kind. They could only afford to win. It was no uncommon experience for the skilled river gambler to be penniless; it was all in the day's work. It did not hurt him to lose, for the morrow was ahead. But it was different with his victims. The morrow was not and never could be the same; when they were "cleaned out" it meant desolation. They went down under the weight and never came up, while the real gambler, in similar case, scraped his sparse resources together and blithely began all over again,—a smiling loser and a smiling winner. Full purse or empty, he was always the same. Rich to-day, poor to-morrow,—all the same to him. Philosopher, rascal, soldier, knave,—but never the craven,—and you have the Mississippi gambler.

Barry, after coming in from his ride with Viola, had "tipped the jug" rather liberally. He kept a demi-john of whiskey in his room at the tavern, and to its contents all the "afflicted" were welcome. It could not be said of him that he was the principal consumer, for, except under unusual circumstances, he was a fairly abstemious man. As he himself declared, he drank sparingly except when his "soul was tried." The fact that he had taken several copious draughts of the fiery Mononga-Durkee immediately upon his return was an indication that his soul was tried, and what so reasonable as to assume that it had been tried by Viola.

In a different frame of mine, Kenneth might have accepted this as a most gratifying augury. But, being without hope himself, he took no comfort in Barry's gloom. What would he not give to be in the roisterer's boots instead of his own?

The spoken lament had barely passed his lips when the wheel of fate took a new and unexpected turn, bringing his dolorous meditations to a sudden halt and subsequently upsetting all his plans.

He thought he was alone in the gloom until he was startled by the sound of a man's voice almost at his elbow.

"Evenin', Mr. Gwynne."



CHAPTER XII

ISAAC STAIN APPEARS BY NIGHT

Whirling, he made out the lank shadow of a man leaning against a tree close by.

"Good evening," he muttered in some confusion, conscious of a sense of guilt in being caught in the act of spying.

"I've been follerin' you fer quite a ways," observed the unknown. "Guess you don't remember me. My name is Stain, Isaac Stain."

"I remember you quite well," said Kenneth, stiffly. "May I inquire why you have been following me, Mr. Stain?"

"Well, I jest didn't know of anybody else I could come to about a certain matter. It has to do with that feller, Lapelle, up yander in Trentman's place. Fust, I went up to Mrs. Gwyn's house, but it was all dark, an' nobody to home 'cept that dog o' her'n. He knowed me er else he'd have jumped me. I guess we'd better mosey away from this place. A good many trees have ears, you know."

They walked off together in the direction of town. Stain was silent until they had put a hundred paces or more between them and the grove.

"Seems that Violy is right smart taken with this Lapelle feller," he observed. "Well, I thought I'd oughter tell her ma what I heerd about him to-day. Course, everybody's heerd queer things about him, but this beats anything I've come acrosst yet. Martin Hawk's daughter, Moll, come hoofin' it up to my cabin this mornin' an' told me the derndest story you've ever heerd. She came to me, she sez, on account of me bein' an old friend of Rachel's, an' she claims to be a decent, honest girl in spite of what her dodgasted father is. Everybody believes Mart is a hoss thief an' sheep-stealer an' all that, but he hain't ever been caught at it. He's purty thick with Barry Lapelle. Moll Hawk sez her dad'll kill her if he ever finds out she come to me with this story. Seems that Barry an' Violy are calculatin' on gettin' married an' the old woman objects. Some time this past week, Violy told Barry she wouldn't marry him anywheres 'cept in her own mother's house. Well, from what Moll sez, Barry has got other idees about it."

He paused to bite off a fresh chew of tobacco.

"Go on, Stain. What did the girl tell you?"

"'Pears that Barry ain't willin' to take chances on gettin' married jest that way, an' besides he's sort of got used to havin' anything he wants without waitin' very long fer it. Now, I don't know whuther Violy's a party to the scheme or not,—maybe she is an' maybe she ain't. But from what Moll Hawk sez there's a scheme on foot to get the best of Rachel Gwyn by grabbin' Violy some night an' rushin' her to a hidin' place down the river where Barry figgers he c'n persuade her to marry him an' live happy ever afterwards, as the sayin' is. Seems that Barry figgers that you, bein' a sort o' brother to her, will put your foot down on them gettin' married, so he's goin' to get her away from here before it's too late. Moll sez it's all fixed up, 'cept the time fer doin' it. Martin Hawk an' a half dozen fellers from some'eres down the river is to do the job. All she knows is it's to be in the dark o' the moon, an' that's not fer off. Moll sez she believes Violy knows about the plan an' sort of agrees to—"

"I don't believe it, Stain," broke in Kenneth. "She would not lend herself to a low-down trick like that."

Stain shook his head. "They say she's terrible in love with Barry, an' gosh only knows what a woman'll stoop to in order to git the man she's set her heart on. Why, I could tell you somethin' about a woman that was after me some years back,—a widder down below Vincennes,—her husband used to run a flatboat,—an', by cracky, Mr. Gwynne, you wouldn't believe the things she done. Chased me clean down to Saint Louis an' back ag'in, an' then trailed me nearly fifty miles through the woods to an Injin village on the White River. I don't know what I'd have done if it hadn't been fer an Injin I'd befriended a little while back. He shot her in the leg an' she was laid up fer nearly six weeks, givin' me that much of a start. That was four years ago an' to this day I never go to sleep at night without fust lookin' under the bed. Some day I'll tell you all about that woman, but not now. I'm jest tellin' this to show you what a woman'll do when she once makes up her mind, an' maybe Violy ain't any different from the rest of 'em."

"Nevertheless, Viola is not that kind," asserted Kenneth, stubbornly. "She may be in love with Lapelle, but if she has made up her mind to be married at her mother's house, that's the end of it. See here, Stain, I've been thinking while you were talking. If there is really anything in this story, I doubt the wisdom of going to Mrs. Gwyn with it, and certainly it would be a bad plan to speak to Viola. We've got to handle this matter ourselves. I want to catch Barry Lapelle red-handed. That is the surest way to convince Viola that he is an unworthy scoundrel. It is my duty to protect my—my sister—and I shall find a way to do so, whether she likes it or not. You know, perhaps, that we are not on the friendliest of terms."

"Yep, I know," said Stain. "You might as well know that I am on their side, Mr. Gwynne. Whatever the trouble is between you an' them two women, I am for them an' ag'in you. That's understood, ain't it?"

"It is," replied Kenneth, impressed by the hunter's frankness. "But all the more reason why in a case like this you and I should work hand in hand. I am glad you came to me with the Hawk girl's story. Hawk and his crew will find me waiting for them when they come. They will not find their job a simple one."

"I guess you'll need a little help, Mr. Gwynne," said Stain, drily. "What are you goin' to do? Call in a lot o' these dodgasted canary birds to fight the hawks? If you do, you'll get licked. What you want is a man er two that knows how to shoot an' is in the habit o' huntin' varmints. You c'n count on me, Mr. Gwynne, if you need me. If you feel that you don't need me, jest say so, an' I'll go it alone. I don't like Martin Hawk; we got a grudge to settle, him an' me. So make your choice. You an' me will work in cahoots with each other, or we'll go at it single-hand."

"We will work together, Stain," said Kenneth, promptly. "You know your man, you know the lay of the land, and you are smarter than I am when it comes to handling an affair of this kind. I will be guided by you. Shake hands."

The two men shook hands. Then the lawyer in Gwynne spoke.

"You should see this Hawk girl again and keep in touch with their plans. We must not let them catch us napping."

"She's comin' to see me in a day er so. Mart Hawk went down to Attica to-day, him an' a feller named Suggs who's been soberin' up at Mart's fer the past few days. The chances are he's gone down there on this very business."

"Will you keep in touch with me?"

"Yes, sir. If you ain't got anything to do to-morrow, you might ride out to my place, where we c'n talk a little more free-like."

"A good idea, Stain. You are sure nothing is likely to happen to-night?"

"Not till the dark o' the moon, she sez."

"By the way, why is she turning against her father like this?"

"Well, you remember what I was jest sayin' about women,—how sot they are in their ways concarnin' a man? Well, Moll is after Barry Lapelle,—no question about that. She's an uncommon good-lookin' girl, I might say, an' I guess Barry ain't blind. Course, she's an unedicated girl an' purty poor trash,—you couldn't expect much else of a daughter of Martin Hawk, I guess,—but that don't seem to make much difference when it comes to fallin' in love. You don't need to have much book learnin' fer that. I could tell ye about a girl I used to know,—but we'll save it fer some other time."

"I see," mused Kenneth, reflectively. "She wants Lapelle for herself. But doesn't she realize that if they attempt this outrage her own father stands a pretty good chance of being shot?"

"Lord love ye, that don't worry her none," explained the hunter. "She don't keer much what happens to him. Why, up to this day he licks the daylights out o' her, big as she is. You c'n hear her yell fer half a mile. That's how she comes to be a friend o' mine, I happened to be huntin' down nigh Mart's place last fall an' heerd her screamin',—you could hear the blows landin' on her back, too,—so I jest stepped sort o' spry to'ards his cabin an' ketched him layin' it on with a wilier branch as thick as your thumb, an' her a screechin' like a wild-cat in a trap. Well, what happened inside the next minute made a friend o' her fer life,—an' an enemy o' him. You'd have thought any dootiful an' loyal offspring would o' tried to pull me off'n him, but all she done was to stand back an' egg me on, 'specially when I took to tannin' him with the same stick he'd been usin' on her. Seems like Mart's never felt very friendly to'ards me sence that day."

"I shouldn't think he would."

"When I got kind o' wore out with wollopin' him, I sot down to rest on the edge o' the waterin' trough, an' she comes over to me an' sez she wished I'd stay an' help her bury the old man. She said if I'd wait there she'd go an' get a couple o' spades out'n the barn,—well, to make a long story short, soon as Mart begin to realize he was dead an' wasn't goin' to have a regular funeral, with mourners an' all that, he sot up an' begin to whine all over ag'in. So I up an' told him if I ever heerd of him lickin' his gal ag'in, I'd come down an' take off what little hide there was left on him. He said he'd never lick her ag'in as long as he lived. So I sez to Moll, sez I, 'If you ever got anything to complain of about this here white-livered weasel, you jest come straight to me, an' I'll make him sorry he didn't get into hell sooner.' Well, sir, after that he never licked her without fust tyin' somethin' over her mouth so's she couldn't yell, an' it wasn't till this afternoon that I found out he'd been at it all along, same as ever, 'cept when Barry Lapelle was there. Seems that Barry stopped him from lickin' her once, an' that made Moll foller him around like a dog tryin' to lick his hand. No, sir, she won't be heartbroke if somebody puts a rifle ball between Mart's eyes an' loses it some'eres back inside his skull. She'd do it herself if she wasn't so doggoned sure somebody else is goin' to do it, sooner or later."

"You say there was no one at home up at Mrs. Gwyn's?" observed Kenneth, apprehensively. "That's queer. Where do you suppose they are?"

"That's what I'm wonderin' about. Mrs. Gwyn never goes nowhere, 'cept out to the farm, an' I'm purty sure she didn't—Say, do you hear somebody comin' up the road behind us?"

He laid a hand on Kenneth's arm and they both stopped to listen.

"I hear no one," said the young man.

"Well, you ain't got a hunter's ears," said the other. "Some one's follerin' us,—a good ways back. I've got so's I c'n hear an acorn drop forty mile away."

They drew off into the shadows at the roadside and waited. Twenty yards or more ahead gleamed the lights in the windows of the nearest store. A few seconds elapsed, and then Kenneth's ears caught the sound of footsteps in the soft dirt road, and presently the subdued murmur of voices.

"Women," observed Stain, laconically, lowering his voice. "Let 'em pass. If we show ourselves now, they'll think we're highwaymen or something, an' begin screechin' fer dear life."

Two vague, almost indistinguishable figures took shape in the darkness down the road and rapidly drew nearer. They passed within ten feet of the two men,—black voiceless shadows. Stain's hand still gripped his companion's arm. The women had almost reached the patches of light cast upon the road from the store windows, before the hunter spoke.

"Recognize 'em?" he whispered.

"No."

"Well, I guess I know now why there wasn't nobody to home up yander. That was Violy an' her ma."

Kenneth started. "You—you don't mean it!"

"Yep. An' if you was to ask me what they air doin' down here by the river I'd tell you. Mrs. Gwyn jest simply took Violy down there to Trentman's shanty an' SHOWED her Barry Lapelle playin' cards."

"Impossible! I would have seen them."

"Not from where you stood. The winders on the river side air open, an' you c'n see into the house. On the side facin' this way, Jack's got curtains hangin'. Well, Mrs. Gwyn took Violy 'round on t'other side where she could look inside. Maybe you didn't hear what they was sayin' when we fust beared 'em talkin'. Well, I did. I heared Violy say, plain as day, 'I don't keer what you say, mother, he swore to me he never plays except fer fun.' An' Rachel Gwyn, she sez, 'There ain't no setch thing as playin' fer fun in that place, so don't talk foolish.' That's all I heared 'em say,—an' they ain't spoke a word sence."

"Come along, Stain," said Kenneth, starting forward. "We must follow along behind, to see that they reach home safely."

The hunter gave vent to a deprecating grunt. "They won't thank us if they happen to turn around an' ketch us at it. 'Sides, I got to be startin' to'ards home. That ole hoss o' mine ain't used to bein' out nights. Like as not, he's sound asleep this minute, standin' over yander in front o' Curt Cole's blacksmith shop, an' whenever that hoss makes up his mind he's asleep there ain't nothin' that'll convince him he ain't. There they go, turnin' off Main street, so's they won't run across any curious-minded saints. Guess maybe we'd better trail along behind, after all."

Fifteen minutes later the two men, standing back among the trees, saw lights appear in the windows of Mrs. Gwyn's house. Then they turned and wended their way toward the public square. They had spoken but few words to each other while engaged in the stealthy enterprise, and then only in whispers. No one may know what was in the mind of the hunter, but in Kenneth's there was a readjustment of plans. A certain determined enthusiasm had taken the place of his previous depression. The excitement of possible conflict, the thrill of adventure had wrought a complete change in him. His romantic soul was aflame.

"See here, Stain," he began, when they were down the slope; "I've been thinking this matter over and I have come to the conclusion that the best thing for me to do is to go straight to Lapelle and tell him I am aware of his—"

"Say, you're supposed to be a lawyer, ain't you?" drawled his companion, sarcastically.

"Yes, I am," retorted Kenneth.

"Well, all I got to say is you'd make a better wood-chopper. Barry'd jest tell you to go to hell, an' that'd be the end of it as fer as you're concarned. Course, he'd give up the plan, but he'd make it his business to find out how you got wind of it. Next thing we'd know, Moll Hawk would have her throat slit er somethin',—an' I reckon that wouldn't be jest what most people would call fair, Mr. Gwynne. I guess we'd better let things slide along as they air an' ketch Mart an' his crowd in the act. You don't reckon that Barry is goin' to take a active part in this here kidnappin' job, do you? Not much! He won't be anywheres near when it happens. He's too cute fer that. You won't be able to fasten anything on him till it's too late to do anything."

Kenneth was properly humbled. "You are right, Stain. If you hear of anybody who wants to have some wood chopped, free of charge, I wish you'd let me know."

"Well," began the laconic Mr. Stain, "it takes considerable practice to get to be even a fair to middlin' woodchopper."



CHAPTER XIII

THE GRACIOUS ENEMY

Bright and early the next morning Kenneth gave orders to have his new home put in order for immediate occupancy. Having made up his mind to remain in Lafayette and face the consequences that had seemed insurmountable the night before, he lost no time in committing himself to the final resolve. Zachariah was despatched with instructions to lay in the necessary supplies, while two women were engaged to sweep, scrub and furbish up the long uninhabited house. He had decided to move in that very afternoon.

Meanwhile he rented an "office" on the north side of the public square, a small room at the back of a furniture store, pending the completion of the two story brick block on the south side. With commendable enterprise he lost no time in outfitting the temporary office from the furniture dealer's stock. His scanty library of law books,—a half dozen volumes in all,—Coke, Kent and Chitty, among them,—had been packed with other things in the cumbersome saddle bags, coming all the way from Kentucky with him.

Of necessity he had travelled light, but he had come well provided with the means to purchase all that was required in the event that he decided to make Lafayette his abiding place.

As he was hurrying away from the tavern shortly after breakfast, he encountered Lapelle coming up from the stable-yard. The young Louisianian appeared to be none the worse for his night's dissipation. In fact, he was in a singularly amiable frame of mind.

"Hello," he called out. Kenneth stopped and waited for him to come up. "I'm off pretty soon for my place below town. Would you care to come along? It's only about eight miles. I want to arrange with Martin Hawk for a duck shooting trip the end of the week. He looks after my lean-to down there, and he is the keenest duck hunter in these parts. Better come along."

"Sorry I can't make it," returned Kenneth. "I am moving into my house to-day and that's going to keep me pretty busy."

"Well, how would you like to go out with us a little later on for ducks?"

"I'd like to, very much. That is, after I've got thoroughly settled in my new office, shingles painted, and so forth. Mighty good of you to ask me."

Barry was regarding him somewhat narrowly.

"So you are moving up to your house to-day, are you? That will be news to Viola. She's got the whim that you don't intend to live there."

"I was rather undecided about it myself,—at least for the present. I am quite comfortable here at Mr. Johnson's."

"It isn't bad here,—and he certainly sets a good table. Say, I guess I owe you a sort of apology, Kenny. I hope you will overlook the way I spoke last night when you said you couldn't go to Jack Trentman's. I guess I was a—well, a little sarcastic, wasn't I?"

There was nothing apologetic in his voice or bearing. On the contrary, he spoke in a lofty, casual manner, quite as if this perfunctory concession to the civilities were a matter of form, and was to be so regarded by Gwynne.

"I make it a rule to overlook, if possible, anything a man may say when he is drinking," said Kenneth, smiling.

Barry's pallid cheeks took on a faint red tinge; his hard eyes seemed suddenly to become even harder than before.

"Meaning, I suppose, that you considered me a trifle tipsy, eh?" he said, the corner of his mouth going up in mirthless simulation of a grin.

"Well, you had taken something aboard, hadn't you?"

"A drink or two, that was all," said the other, shrugging his shoulders. "Anyhow, I have apologized for jeering at you, Gwynne, so I've done all that a sober man should be expected to do," he went on carelessly. "You missed it by not going down there with me last night. I cleaned 'em out."

"You did, eh?"

"A cool two thousand," said the other, with a satisfaction that bordered on exultation. "By the way, changing the subject, I'd like to ask you a question. Has a mother the legal right to disinherit a son in case said son marries contrary to her wishes?"

Kenneth looked at him sharply. Could it be possible that Lapelle's mother objected to his marriage with Viola, and was prepared to take drastic action in case he did so?

"Different states have different laws," he answered. "I should have to look it up in the statutes, Barry."

"Well, what is your own opinion?" insisted the other, impatiently. "You fellows always have to look things up in a book before you can say one thing or another."

"Well, it would depend largely on circumstances," said Kenneth, judicially. "A parent can disinherit a child if he so desires, provided there is satisfactory cause for doing so. I doubt whether a will would stand in case a parent attempted to deprive a child of his or her share of an estate descending from another parent who was deceased. For example, if your father left his estate to his widow in its entirety, I don't believe she would have the right to dispose of it in her will without leaving you your full and legal share under the statutes of this or any other state. Of course, you understand, there is nothing to prevent her making such a will. But you could contest it and break it, I am sure."

"That's all I want to know," said the other, drawing a deep breath as of relief. "A close friend of mine is likely to be mixed up in just that sort of unpleasantness, and I was a little curious to find out whether such a will would stand the test."

"Your friend should consult his own lawyer, if he has one, Lapelle. That is to say, he should go to some one who knows all the circumstances. If you want my advice, there it is. Don't take my word for it. It is too serious a matter to be settled off-hand,—and my opinion in the premises may be absolutely worthless."

"I was only asking for my own satisfaction, Gwynne. No doubt my friend has already consulted a lawyer and has been advised. I must be off. Sorry you can't come with me."

Kenneth would have been surprised and disturbed if he could have known all that lay behind these casual questions. But it was not for him to know that Viola had repeated Mrs. Gwyn's threat to her impatient, arrogant lover, nor was it for him to connect a simple question of law with the ugly plot that had been revealed to Isaac Stain by Moll Hawk.

After two nights of troubled thought, Barry Lapelle had hit upon an extraordinary means to circumvent Rachel Gwyn. With Machiavellian cunning he had devised a way to make Viola his wife without jeopardizing her or his own prospects for the future. No mother, he argued, could be so unreasonable as to disinherit a daughter who had been carried away by force and was compelled to wed her captor rather than submit to a more sinister alternative.

Shortly after the noon meal, Kenneth rode up to the old Gwyn house. He found Zachariah beaming on the front door step.

"Yas, suh,—yas, suh!" was the servant's greeting. "Right aroun' dis way, Marse Kenny. Watch out, suh, ailse yo' scrape yo' hat off on dem branches."

He grasped the bit, after his master had dismounted in the weed-covered little roadway at the side of the house, and ceremoniously waved his hand toward the open door.

"Step right in, suh,—yas, suh,—an' make yo'self to home, suh. Sit right down front of de fiah, Marse Kenny. Ah won't be more'n two shakes, suh, stablin'—yas, suh! Come on hyar, yo' Brandy Boy! Ise gwine show yo' whar yo's gwine to be de happies' hoss in—yas, suh,—yas, suh!"

The young man looked long and searchingly through the trees before entering the house, but saw no sign of his neighbours. He thought he detected a slight movement of a curtain in one of the windows,—the parlor window, if his memory served him right.

It was late in the afternoon before he saw either of his relatives. He had had occasional glimpses of the negro servant-girl and also of a gaunt stable-man, both of whom favoured his partially obscured abode with frank interest and curiosity. A clumsy, silent hound came up to the intervening fence several times during the afternoon and inspected the newcomers with seeming indifference, an attitude which misled Zachariah into making advances that were received with alarming ill-temper.

Kenneth was on his front doorstep, contemplating with secret despair the jungle of weeds and shrubbery that lay before him, completely obliterating the ancient path down to the gate. The whole place was overgrown with long, broken weeds, battered into tangled masses by the blasts of winter; at his feet were heaps of smitten burdocks and the dead, smothered stems of hollyhocks, geraniums and other garden plants set out and nurtured with tender care by Rachel Gwyn during her years of occupancy. The house needed painting, the roof required attention, the front gate was half open and immovably imbedded in the earth.

He was not aware of Viola's presence on the other side of the fence dividing the two yards until her voice fell upon his ears. It was clear and sweet and bantering.

"I suppose you are wondering why we haven't weeded the yard for you, brother Kenny."

As he made his way through the weeds to the fence, upon which she rested her elbows while she gazed upon him with a mocking smile in the eyes that lay far back in the shovel-like hood of her black quaker bonnet, he experienced a sudden riotous tumult in the region of his heart. Shaded by the dark, extended wings of the bonnet, her face was like a dusky rose possessed of the human power to smile. The ribbon, drawn close under her chin, was tied in a huge bow-knot, while at the back of her head the soft, loose cap of the bonnet fitted snugly over hair that he knew would gleam with tints of bronze if exposed to the rays of the sinking sun.

"Not at all," he rejoined. "I am wondering just where I'd better begin."

"Did you find the house all right?"

"Yes. You have saved me a lot of trouble, Viola."

"Don't give me credit for it. Mother did everything. I suppose you know that the furniture and other things belong to you by rights. She didn't give them to you out of charity."

"The last thing in the world I should expect would be charity from your mother," he said, stung by the obvious jibe.

She smiled tolerantly. "She is more charitable than you imagine. It was only last night that she said she wished Barry Lapelle was half as good and upright as you are."

"That was very kind of her. But if such were the case, I dare say it never would have occurred to you to fall in love with him."

He had come up to the fence and was standing with his hand on the top rail. She met his ironic gaze for a moment and then lowered her eyes.

"I wish it were possible for us to be friends, Kenny," she surprised him by saying. "It doesn't seem right for us to hate each other," she went on, looking up at him again. "It's not our fault that we are who and what we are. I can understand mother's attitude toward you. You are the son of another woman, and I suppose it is only natural for her to be jealous. But you and I had the same father. It—it ought to be different with us, oughtn't it?"

"It ought to be,—and it shall be, Viola, if you are willing. It rests entirely with you."

"It is so hard to think of you as a brother. Somehow I wish you were not."

"It is pretty hard luck, isn't it? You may be sure of one thing. If I were not your brother I would be Barry Lapelle's most determined rival."

She did not laugh at this. On the contrary, her eyes clouded.

"The funny part of it is, Kenny, I have been wondering what would have happened if you had come here as a total stranger and not as my relation." Then she smiled whimsically. "Goodness knows poor Barry is having a hard enough time of it as it is, but what a time he would be having if you were some one else. You see, you are very good-looking, Kenny, and I am a very silly, frivolous, susceptible little goose."

"You are nothing of the kind," he exclaimed warmly, adding in some embarrassment, "except when you say that I am good-looking."

"And I have also been wondering how many girls have been in love with you," she went on archly; "and whether you have a sweetheart now,—some one you are engaged to. You needn't be afraid to tell me. I can keep a secret. Is there some one back in Kentucky or in the east who—"

"No such luck," whispered simple, honest Kenneth. "No one will have me."

"Have you ever asked anybody?" she persisted.

"No,—I haven't."

"Then, how do you know that no one will have you?"

"Well, of course, I—I mean to say I can't imagine any one caring for me in that way."

"Don't you expect ever to get married?"

"Why,—er,—naturally I—" he stammered, bewildered at this astonishing attack.

"Because if you want to remain a bachelor, I would advise you not to ask any one of half a dozen girls in this town that I could mention. They would take you so quick your head would swim."

By this time he had recovered himself. Affecting grave solicitude, he inquired:

"Is there any one here that you would particularly desire as a sister-in-law?"

She shook her head, almost pensively. "I don't want you to bring any more trouble into the family than you've already brought, and goodness knows THAT would be doing it. But I shouldn't have said that, Kenny. There are lots of fine, lovely girls here. I wouldn't know which one to pick out for you if you were to ask me to do your choosing."

"I will leave it entirely in your hands," said he, grinning boyishly. "Pick me out a nice, amiable, rather docile young lady,—some one who will come the nearest to being a perfect sister-in-law, and I will begin sparking her at once. By the way, I hope matters are going more smoothly for you and Barry."

Her face clouded. She shot a suspicious, questioning look at him.

"I—I want to talk to you about Barry some day," she said seriously.

"You seemed to resent it most bitterly the last time I attempted to talk to you about him," said he, somewhat pointedly.

"You were horrid that day," said she. "I have a good deal to forgive. You said some very mean, nasty things to me that day over there," indicating the thicket with a jerk of her head.

"I am glad to see that you took them to heart and have profited," he ventured boldly.

She hesitated, and then spoke with a frankness that shamed him. "Yes, I did take them to heart, Kenny. I will not say that I have profited, but I'll never make the same kind of a fool of myself again. I hated you with all my soul that day,—and for a long time afterward,—but I guess you took the right way with me, after all. If I was fair and square, I would say that I am grateful to you. But, you see, I am not fair and square. I am as stubborn as a mule."

"The best thing about a mule is that he takes his whalings without complaining."

She sighed. "I often wonder what a mule thinks about when he stands there without budging while some angry, infuriated man beats him until his arm gets tired."

"That's very simple. He just goes on thinking what a fool the man is for licking a mule."

"Good! I hope you will remember that the next time you try to reason with me."

"What is it you want to say to me about Barry?" he asked, abruptly.

"Oh, there is plenty of time for that," she replied, frowning. "It will keep. How are you getting along with the house?"

"Splendidly. It was in very good order. I will be settled in a day or two and as comfortable as anything. To-night Zachariah and I are going to make a list of everything we need and to-morrow I shall start out on a purchasing tour. I intend to buy quite a lot of new furniture, things for the kitchen, carpets and—"

Viola interrupted him with an exclamation. Her eyes were shining, sparkling with eagerness.

"Oh, won't you take me along with you? Mr. Hanna has just received a wonderful lot of things from down the river, and at Benbridge & Foster's they have a new stock of—"

"Hurrah!" he broke in jubilantly. "It's just what I wanted, Viola. Now you are being a real sister to me. We will start early in the morning and—and buy out the town. Bless your heart, you've taken a great load off my mind. I haven't the intelligence of a snipe when it comes to fitting up a—why, say, I tell you what I'll do. I will let you choose everything I need, just as if you were setting up housekeeping for yourself. Curtains, table cloths, carpets, counterpanes, china, Queensware, chairs, chests—"

"Brooms, clothes-pins, rolling-pins, skillets, dough-bowls, cutlery—"

"Bureaus, looking-glasses, wardrobe, antimacassar tidies, bedspreads, towels—"

"Oh, Kenny, what fun we'll have," she cried. "And, first of all, you must let me come over right now and help you with your list. I know much better than you do what you really need,—and what you don't need. We must not spend too much money, you see."

"'Gad," he gulped, "you—you talk just as if you and I were a poor, struggling young couple planning to get married."

"No, it only proves how mean and selfish I am. I am depriving your future bride of the pleasure of furnishing her own house, and that's what all brides like better than anything. But I promise to pick out things that I know she will like. In the meantime, you will be happy in knowing that you have something handsome to tempt her with when the time comes. As soon as you are all fixed up, you must give a party. That will settle everything. They'll all want to marry you,—and they'll have something to remember me by when I'm gone. Come on, Kenny, let's go in and start making the list."

She started off toward her own gate, but stopped as he called out to her.

"Wait! Are you sure your mother will approve of your—"

"Of course she will!" she flung back at him. "She doesn't mind our being friendly. Only,"—and she came back a few steps, "I am afraid she will never be friends with you, Kenny. I am sorry."

He was silent. She waited for a moment before turning away, shaking her head slightly as if attempting to dismiss something that perplexed her sorely. There was a yearning in his eyes as they followed her down to the gate; then he shot a quick, accusing glance at the house in which his enemy lived. He saw the white curtains in the north parlor window drop into place, flutter for a second or two, and then hang perfectly still. Rachel Gwyn had been watching them. He made no effort to hide the scowl that darkened his brow as he continued to stare resentfully at the window.

He met Viola at his own disabled gate, which cracked and shivered precariously on its rusty hinges as he jerked it open.

"I lived for nearly three years in this house, Kenny," she said as she picked her way through the weeds. "I slept on a very hard straw tick up in the attic. It was dreadfully cold in the winter time. I used to shiver all night long curled up with my knees up to my chin. And in the summer time it was so hot I slept with absolutely nothing,—" She broke off in sudden confusion. "Our new house is only about a year old," she went after a moment. Pointing, she added: "That is my bedroom window up there. You can get a glimpse of it through the trees but when the leaves are out you can't see it at all from here."

"I shall keep an eye on that window," said he, with mock severity, "and if ever I catch you climbing down on a ladder to run away with—well, I'll wake the dead for miles around with my yells. See to it, my dear sister, that you attempt nothing rash at the dead hour of night."

She laughed. "Have you seen our dog? I pity the valiant knight who tries to put a ladder up to my window."

They spent the better part of an hour going over the house. She was in an adorable mood. Once she paused in the middle of a sentence to ask why he was so solemn.

"Goodness me, Kenny, you look as if you had lost your very best friend. Aren't you interested? Shall we stop?"

A feeling of utter desolation had stricken him. He was sick at heart. Every drop of blood in his body was crying out for her. Small wonder that despair filled his soul and lurked in his gloomy, disconsolate eyes. She had removed her bonnet. If he had thought her beautiful on that memorable night at Striker's he now realized that his first impression was hopelessly inadequate. Her eyes, dancing with eagerness, no longer reflected the disdain and suspicion with which she had regarded him on that former occasion. Her smile was frank and warm and joyous. He saw her now as she really was, incomparably sweet and charming—and so his heart was sick.

"I wouldn't stop for the world," he exclaimed, making a determined effort to banish the tell-tale misery from his eyes.

"I know!" she cried, after a searching look into his eyes. "You are in love with some one, Kenny, and you are wishing that she were here in my place, helping you to plan the—"

"Nonsense," he broke in gruffly. "Put that out of your head, Viola. I tell you there is no—er—no such girl."

"Then," she said darkly, "it must be the dreadful extravagance I am leading you into. Goodness, when I look at this list, I realize what a lot of money it is going to take to—"

"We're not half through," he said, "and I am not thinking of the expense. I am delighted with everything you have suggested. I shudder when I think how helpless I should have been without you. Didn't I tell you in the beginning that I wanted you to fix this house up just as if you were planning to live in it yourself? Put down all the things you would most like to have, Viola, and—and—well, confound the expense. Come along! We're losing time. Did you jot down that last thing we were talking about? That—er—that—" He paused, wrinkling his forehead.

"I don't believe you have been paying any attention to what—Now, tell me, what WAS the last thing we were talking about?"

He squinted hard at the little blank book in her hand. She closed it with a snap.

"Have you got it down?" he demanded severely.

"I have."

"Then, there's no use worrying about it," he said, with great satisfaction. "Now, let me see: don't you think I ought to have a clock for the mantelpiece?"

"I put that down half an hour ago," she said. "The big gold French clock I was telling you about."

"That's so. The one you like so well down at Currie's."

They proceeded. He had followed about, carrying the ink pot into which she frequently dipped the big quill pen. She overlooked nothing in the scantily furnished house. She even went so far as to timidly suggest that certain articles of furniture might well be replaced by more attractive ones, and he had promptly agreed. At last she announced that she must go home.

"If you buy all the things we have put down here, Kenny, you will have the loveliest house in Lafayette. My, how I shall envy you!"

"I have a feeling I shall be very lonely—amidst all this splendour," he said.

"Oh, no, you won't. I shall run in to see you every whipstitch. You will get awfully sick of having me around."

"I am thinking of the time when you are married, Viola, and,—and have gone away from Lafayette."

"Well," she began, her brow clouding, "you seem to have got along without me for a good many years,—so I guess you won't miss me as much as you think. Besides, we are supposed to be enemies, aren't we?"

"It doesn't look much like it now, does it?"

"No," she said dubiously, "but I—I must not do anything that will make mother feel unhappy or—"

He broke in a little harshly. "Are you forgetting how unhappy it will make her if you marry Barry Lapelle?"

"Oh, that may be a long way off," she replied calmly. "You see, Barry and I quarrelled yesterday. We both have vile tempers,—perfectly detestable tempers. Of course, we will make up again—we always do—but there may come a time when he will say, 'Oh, what's the use trying to put up with you any longer?' and then it will all be over."

She was tying her bonnet strings as she made this astonishing statement. Her chin being tilted upward, she looked straight up into his eyes the while her long, shapely fingers busied themselves with the ribbons.

"I guess you have found out what kind of a temper I have, haven't you?" she added genially. As he said nothing (being unable to trust his voice): "I know I shall lead poor Barry a dog's life. If he knew what was good for him he would avoid me as he would the plague."

He swallowed hard. "You—you will not fail to come with me to-morrow morning on the purchasing tour," he said, rather gruffly. "I'll be helpless without you."

"I wouldn't miss it for anything," she cried.

As they walked down to the gate she turned to him and abruptly said:

"Barry is going down the river next week. He expects to be away for nearly a fortnight. Has he said anything to you about it?"

Kenneth started. Next week? The dark of the moon.

"Not a word," he replied grimly.



CHAPTER XIV

A MAN FROM DOWN THE RIVER

Kenneth's first night in the old Gwyn house was an uneasy, restless one, filled with tormenting doubts as to his strength or even his willingness to continue the battle against the forces of nature.

Viola's night was also disturbed. Some strange, mysterious instinct was at work within her, although she was far from being aware of its significance. She lay awake for a long time thinking of him. She was puzzled. Over and over again she asked herself why she had blushed when he looked down at her as she was tying her bonnet-strings, and why had she felt that queer little thrill of alarm? And why did he look at her like that? She answered this question by attributing its curious intensity to a brotherly interest—which was quite natural—and the awakening of a dutiful affection—but that did not in any sense account for the blood rushing to her face, so that she must have reminded him of a "turkey gobbler." She announced to her mother at breakfast:

"I don't believe I can ever think of Kenny as a brother."

Rachel Gwyn looked up, startled. "What was that you called him?" she asked.

"Kenny. He has always been called that for short. And somehow, mother, it sounds familiar to me. Have I ever heard father speak of him by that name?"

"I—I am sure I do not know," replied her mother uneasily. "I doubt it. It must be a fancy, Viola."

"I can't get over feeling shy and embarrassed when he looks at me," mused the girl. "Don't you think it odd? It doesn't seem natural for a girl to feel that way about a brother."

"It is because you are not used to each other," interrupted Rachel. "You will get over it in time."

"I suppose so. You are sure you don't mind my going to the stores with him, mother?"

Her mother arose from the table. There was a suggestion of fatalism in her reply. "I think I can understand your desire to be with him." She went to the kitchen window and looked over at the house next door. "He is out in his back yard now, Viola," she said, after a long pause, "all dressed and waiting for you. You had better get ready."

"It will not hurt him to wait awhile," said Viola perversely. "In fact, it will do him good. He thinks he is a very high and mighty person, mother." She glanced at the clock on the kitchen wall. "I shall keep him waiting for just an hour."

Rachel's strong, firm shoulders drooped a little as she passed into the sitting-room. She sat down abruptly in one of the stiff rocking-chairs, and one with sharp ears might have heard her whisper to herself:

"We cannot blindfold the eyes of nature. They see through everything."

It was nine o'clock when Viola stepped out into her front yard, reticule in hand, and sauntered slowly down the walk, stopping now and then to inspect some Maytime shoot. He was waiting for her outside his own gate.

"What a sleepy-head you are," was her greeting as she came up to him.

"I've been up since six o'clock," he said.

"Then, for goodness' sake, why have you kept me waiting all this time?"

"My dear Viola, I was not born yesterday, nor yet the day before," he announced, with aggravating calmness. "Long before you were out of short frocks and pantalettes I was a wise old gentleman."

"I don't know just what you mean by that."

"I learned a great many years ago that it is always best to admit you are in fault when a charming young lady says you are. If you had kept me waiting till noon I should still consider it my duty to apologize. Which I now do."

She laughed merrily. "Come along with you. We have much to do on this fine May day. First, we will go to the hardware store, saving the queensware store till the last,—like float at the end of a Sunday dinner."

And so they advanced upon the town, as fine a pair as you would find in a twelvemonth's search. First she conducted him to Jimmy Munn's feed and wagon-yard, where he contracted to spend the first half-dollar of the expedition by engaging Jimmy to haul his purchases up to the house.

"Put the sideboards on your biggest wagon, Jimmy," was Viola's order, "and meet us at Hinkle's."

She proved to be a very sweet and delightful autocrat. For three short and joyous hours she led him from store to store, graciously leaving to him the privilege of selection but in nine cases out of ten demonstrating that he was entirely wrong in his choice, always with the naive remark after the purchase was completed and the money paid in hand: "Of course, Kenny, if you would rather have the other, don't for the world let me influence you."

"You know more about it than I do," he would invariably declare. "What do I know about carpets?"—or whatever they happened to be considering at the time.

She was greatly dismayed, even appalled, as they wended their way homeward, followed by the first wagonload of possessions, to find that he had spent the stupendous, unparalleled sum of two hundred and forty-two dollars and fifty cents.

"Oh, dear!" she sighed. "We must take a lot of it back, Kenny. Why didn't you keep track of what you were spending? Why, that's nearly a fourth of one thousand dollars."

He grinned cheerfully. "And we haven't begun to paint the house yet, or paper the walls, or set out the flower beds, or—"

"Goodness me!" she cried, aghast. "You are not going to do all that now, are you?"

"Every bit of it," he affirmed. "I am going to rebuild the barn, put in a new well, dig a cistern, build a smoke-house, lay a brick walk down to the front gate and put up a brand new picket fence—"

"You must be made of money," she cried, eyeing him with wonder in her big, violet eyes.

"I am richer now than when we started out this morning," said he, magnificently.

"When you say things like that, you almost make me wish you were not my brother," said she, after a moment, and to her annoyance she felt the blood mount to her face.

"And what would you do if I were not your brother?" he inquired, looking straight ahead.

Whereupon she laughed unrestrainedly. "You would be dreadfully shocked if I were to tell you,—but I can't help saying that Barry would be so jealous he wouldn't know what to do."

"You might find yourself playing with fire."

"Well," she said, flippantly, "I've got over wanting to play with dolls. Now don't scold me! I can see by your face that you'd like to shake me good and hard. My, what a frown! I am glad it isn't January. If your face was to freeze—There! That's better. I shouldn't mind at all if it froze now. You look much nicer when you smile, Kenny." Her voice dropped a little and a serious expression came into her eyes. "I don't believe I ever saw father smile. But I've seen him when he looked exactly as you did just then. I—I hope you don't mind my talking that way about your father, Kenny. I wouldn't if he were not mine as well."

"You knew him far better than I," he reminded her. Then he added brightly: "I shall try to do better from now on. I'll smile—if it kills me."

"Don't do that," she protested, with a pretty grimace. "I've been in mourning for ages, it seems, and I'm sure I should hate you if you kept me in black for another year or two."

As they parted at Kenneth's gate,—it seemed to be mutely understood that he was to go no farther,—they observed a tall, black figure cross the little front porch of the house beyond and disappear through the door. Kenneth's eyes hardened. The girl, looking up into those eyes, shook her head and smiled wistfully.

"Will you come over and help me put all these things where they belong?" he asked, after a moment.

"This afternoon, Kenny?"

"If you haven't anything else you would rather—" he began.

"I can't wait to see how the house will look when we get everything in place. I will be over right after dinner,—unless mother needs me for something."

. . . . .

That evening Zachariah was noticeably perturbed. He had prepared a fine supper, and to his distress it was scarcely touched by his preoccupied master. Now, Zachariah was proud of his cooking. He was pleased to call himself, without fear of contradiction, "a natteral bo'n cook, from de bottom up." Moreover, his master was a gentleman whose appetite was known to be absolutely reliable; it could be depended upon at almost any hour of the day or night. Small wonder then that Zachariah was not only mystified but grieved as well. He eyed the solemn looking young man with anxiety.

"Ain't yo' all feelin' well, Marse Kenneth?" he inquired, with a justifiable trace of exasperation in his voice.

"What's that, Zachariah?" asked Kenneth, startled out of a profound reverie.

"Is dey anything wrong wid dat ham er—"

"It is wonderful, Zachariah. I don't believe I have ever tasted better ham,—and certainly none so well broiled."

"Ain't—ain't de co'n-bread fitten to eat, suh?"

"Delicious, Zachariah, delicious. You have performed wonders with the—er—new baking pan and—"

"What's de matteh wid dem b'iled pertaters, suh?"

"Matter with them? Nothing! They are fine."

"Well, den, suh, if dere ain't nothin' de matteh wid de vittels, dere suttinly mus' be somefin de matteh wid you, Marse Kenneth. Yo' all ain't etten enough fo' to fill a grasshoppeh."

"I am not hungry," apologized his master, quite humbly.

"'Cause why? Yas, suh,—'cause why?" retorted Zachariah, exercising a privilege derived from long and faithful service. "'Cause Miss Viola she done got yo' all bewitched. Can't fool dis yere nigger. Wha' fo' is yo' all feelin' dis yere way 'bout yo' own sister? Yas, suh,—Ah done had my eyes open all de time, suh. Yo' all was goin' 'round lookin' like a hongry dog, 'spectin'—Yas, suh! Yas, SUH! Take plenty, suh, Marse Johnson he say to me, he say, 'Dis yere sap come right outen de finest maple tree in de State ob Indianny, day befo' yesterday,' he say. A leetle mo' coffee, suh? Yas, suh! Das right! Yo' suttinly gwine like dat ham soon as ever yo' get a piece in yo' mouth,—yas, SUH!"

Kenneth's abstraction was due to the never-vanishing picture of Viola, the sleeves of her work-dress rolled up to the elbows, her eyes aglow with enthusiasm, her bonny brown hair done up in careless coils, her throat bare, her spirits as gay as the song of a roistering gale. She had come over prepared for toil, an ample apron of blue gingham shielding her frock, her skirts caught up at the sides, revealing the bottom of her white petticoat and a glimpse of trim, shapely ankles.

She directed the placing of all the furniture carried in by the grunting Jimmy Munn and Zachariah; she put the china safe and pantry in order; she superintended the erection of the big four poster bed, measured the windows for the new curtains, issued irrevocable commands concerning the hanging of several gay English hunting prints (the actual hanging to be done by Kenneth and his servant in a less crowded hour,—after supper, she suggested); ordered Zachariah to remove to the attic such of the discarded articles of furniture as could be carried up the pole ladder, the remainder to go to the barn; left instructions not to touch the rolls of carpet until she could measure and cut them into sections, and then went away with the promise to return early in the morning not only with shears and needle but with Hattie as well, to sew and lay the carpets,—a "Brussels" of bewildering design and an "ingrain" for the bedroom.

"When you come home from the office at noon, Kenny, don't fail to bring tacks and a hammer with you," she instructed, as she fanned her flushed face with her apron.

"But I am not going to the office," he expostulated. "I have too much to see to here."

"It isn't customary for the man of the house to be anywhere around at a time like this," she informed him, firmly. "Besides you ought to be down town looking for customers. How do you know that some one may not be in a great hurry for a lawyer and you not there to—"

"There are plenty of other lawyers if one is needed in a hurry," he protested. "And what's more, I can't begin to practise law in this State without going through certain formalities. You don't understand all these things, Viola."

"Perhaps not," she admitted calmly; "but I do understand moving and house-cleaning, and I know that a man is generally in the way at such times. Oh, don't look so hurt. You have been fine this afternoon. I don't know how I should have got along without you. But to-morrow it will be different. Hattie and I will be busy sewing carpets and—and—well, you really will not be of any use at all, Kenny. So please stay away."

He was sorely disgruntled at the time and so disconsolate later on that it required Zachariah's startling comment to lift him out of the slough of despond. Spurred by the desire to convince his servant that his speculations were groundless, he made a great to-do over the imposed task of hanging the pictures, jesting merrily about the possibility of their heads being snapped off by Mistress Viola if she popped in the next morning to find that they had bungled the job.

Four or five days passed, each with its measure of bitter and sweet. By the end of the week the carpets were down and the house in perfect order. He invited her over for Sunday dinner. A pained, embarrassed look came into her eyes.

"I was afraid you would ask me to come," she said gently. "I don't think it would be right or fair for me to accept your hospitality. Wait! I know what you are going to say. But it isn't quite the same, you see. Mother has been very kind and generous about letting me come over to help you with the house,—and I suppose she would not object if I were to come as your guest at dinner,—but I have a feeling in here somewhere that it would hurt her if I came here as your guest. So I sha'n't come. You understand, don't you?" "Yes," he said gravely,—and reluctantly. "I understand, Viola."

Earlier in the week he had ridden out to Isaac Stain's. The hunter had no additional news to give him, except that Barry, after spending a day with Martin Hawk, had gone down to Attica by flat-boat and was expected to return to Lafayette on the packet Paul Revere, due on Monday or Tuesday.

Lapelle's extended absence from the town was full of meaning. Stain advanced the opinion that he had gone down the river for the purpose of seeing a Williamsport justice of the peace whose record was none too good and who could be depended upon to perform the contemplated marriage ceremony without compunction if his "palm was satisfactorily greased."

"If we could only obtain some clear and definite idea as to their manner of carrying out this plan," said Kenneth, "I would be the happiest man on earth. But we will be compelled to work in the dark,—simply waiting for them to act."

"Well, Moll Hawk hain't been able to find out just yet when er how they're goin' to do it," said Stain. "All she knows is that two or three men air comin' up from Attica on the Paul Revere and air goin' to get off the boat when it reaches her pa's place. Like as not this scalawag of a justice will be one of 'em, but that's guesswork. That reminds me to ask, did you ever run acrosst a feller in the town you come from named Jasper Suggs?"

"Jasper Suggs? I don't recall the name."

"Well, she says this feller Suggs that's been stayin' at Martin's cabin fer a week er two claims to have lived there some twenty odd years ago. Guess you must ha' been too small to recollect him. She says he sort of brags about bein' a renegade durin' the war an' fightin' on the side of the Injins up along the Lakes. He's a nasty customer, she says. Claims to be a relation of old Simon Girty's,—nephew er something like that."

"Does he claim to have known any of my family down there?" inquired Kenneth, apprehensively.

"From what Moll says he must have knowed your pa. Leastwise, he says the name's familiar. He was sayin' only a day or two ago that he'd like to see a picter of your pa. He'd know if it was the same feller he used to know soon as he laid eyes on it."

Kenneth pondered a moment and then said: "Do you suppose you could get a letter to Moll Hawk if I were to write it, Stain?"

"I could," said the other, "but it wouldn't do any good. She cain't read er write. Besides, if I was you, I wouldn't risk anything like that. It might fall into Hawk's hands, and the fust thing he would do would be to turn it over to Lapelle,—'cause Martin cain't read himself."

"I was only wondering if she could find out a little more about this man Suggs,—just when he lived there and—and all that."

"He's purty close-mouthed, she says. Got to be, I reckon. He fell in with Martin ten er twelve years ago, an' there was a price on his head then. Martin hid him for awhile an' helped him to git safe away. Like as not Suggs ain't his real name anyhow."

Kenneth was a long time in deciding to speak to Rachel Gwyn about the man Suggs. He found an opportunity to accost her on the day that the Paul Revere came puffing up to the little log-built landing near the ferry. Viola had left the house upon learning that the boat had turned the bend in the river two or three miles below town, and had made no secret of her intention to greet Lapelle when he came ashore. This was Gwynne's first intimation that she was aware of her lover's plan to return by the Paul Revere. He was distinctly annoyed by the discovery.

Rachel was in her back yard, feeding the chickens, when he came up to the fence and waited for her to look in his direction. All week,—in fact, ever since he had come up there to live,—he had been uncomfortably conscious of peering eyes behind the curtains in the parlor window. Time and again he had observed a slight flutter when he chanced to glance that way, as of a sudden release of the curtains held slightly apart by one who furtively watched from within. On the other hand, she never so much as looked toward his house when she was out in her own yard or while passing by on the road. Always she was the straight, stern, unfriendly figure in black, wrapped in her own thoughts, apparently ignorant of all that went on about her.

She turned at last and saw him standing there.

"May I have a word with you?" he said.

She did not move nor did she speak for many seconds, but stood staring hard at him from the shade of her deep black bonnet.

"What is it you want, Kenneth Gwynne?"

"No favour, you may be sure, Rachel Carter."

She seemed to wince a little. After a moment's hesitation, she walked slowly over to the fence and faced him.

"Well?" she said curtly.

"Do you remember a man at home named Jasper Suggs?"

"Are you speaking of my old home in Salem or of—of another place?"

"The place where I was born," he said, succinctly.

"I have never heard the name before," she said. "Why do you ask?"

"There is a man in this neighbourhood,—a rascal, I am told,—who says he lived there twenty years ago."

She eyed him narrowly. "Well,—go on! What has he to say about me?"

"Nothing, so far as I know. I have not talked with him. It came to me in a roundabout way. He is staying with a man named Hawk, down near the Wea." "He keeps pretty company," was all she said in response to this.

"I have been told that he would like to see a daguerreotype of my father some time, just to make sure whether he was the Gwynne he used to know."

"Has he ever seen you, Kenneth Gwynne?" She appeared to be absolutely unconcerned.

"No."

"One look at you would be sufficient," she said. "If you are both so curious, why not arrange a meeting?"

"I am in no way concerned," he retorted. "On the other hand, I should think you would be vitally interested, Rachel Carter. If he knew my father, he certainly must have known you."

"Very likely. What would you have me do?" she went on ironically. "Go to him and beg him to be merciful? Or, if it comes to the worst, hire some one to assassinate him?"

"I am not thinking of your peace of mind. I am thinking of Viola's. We have agreed, you and I, to spare her the knowledge of—"

"Quite true," she interrupted. "You and I have agreed upon that, but there it ends. We cannot include the rest of the world. Chance sends this man, whoever he may be, to this country. I must likewise depend upon Chance to escape the harm he may be in a position to do me. Is it not possible that he may have left before I came there to live? That chance remains, doesn't it?"

"Yes," he admitted. "It is possible. I can tell you something about him. He is related to Simon Girty, and he was a renegade who fought with the Indians up north during the war. Does that throw any light upon his identity?"

"He says his name is Suggs?" she inquired.

He was rewarded by a sharp catch in her breath and a passing flicker of her eyes.

"Jasper Suggs."

She was silent for a moment. "I know him," she said calmly. "His name is Simon Braley. At any rate, there was a connection of Girty's who went by that name and who lived down there on the river for a year or two. He killed the man he was working for and escaped. That was before I—before I left the place. I don't believe he ever dared to go back. So, you see, Chance favours us again, Kenneth Gwynne."

"You forget that he will no doubt remember you as Rachel Carter. He will also remember that you had a little girl."

"Let me remind you that I remember the cold-blooded murder of John Hendricks and that nobody has been hung for it yet," she said. "My memory is as good as his if it should come to pass that we are forced to exchange compliments. Thank you for the information. The sheriff of this county is a friend of mine. He will be pleased to know that Simon Braley, murderer and renegade, is in his bailiwick. From what I know of Simon Girty's nephew, he is not the kind of man who will be taken alive."

He started. "You mean,—that you will send the sheriff out to arrest him?"

She shook her head. "Not exactly," she replied. "Did you not hear me say that Simon Braley would never be taken alive?"

With that, she turned and walked away, leaving him to stare after her until she entered the kitchen door. He was conscious of a sense of horror that began to send a chill through his veins.



CHAPTER XV

THE LANDING OF THE "PAUL REVERE"

The Paul Revere tied up at the landing shortly after two o'clock. The usual crowd of onlookers thronged the bank, attention being temporarily diverted from an important game of "horseshoes" that was taking place in the sugar grove below Trentman's shanty.

Pitching horseshoes was the daily fair-weather pastime of the male population of the town. At one time or another during the course of the day, practically every man in the place came down to the grove to shy horseshoes at the stationary but amazingly elusive pegs. It was not an uncommon thing for a merchant to close his place of business for an hour or so in order to keep an engagement to pitch horseshoes with some time-honoured adversary.

On this occasion a very notable match was in progress between "Judge" Billings and Mr. Pennington Sawyer, the real estate agent. They were the recognized champions. Both were accredited with the astonishing feat of ringing eight out of ten casts at twenty paces; if either was more than six inches away from the stake on any try the crowd mutely attributed the miss to inhibitions of the night before. Not only was the betting lively when these two experts met but all other matches were abandoned during the classic clash.

The "Judge" did not owe his title to service on the bench nor even at the bar of justice. It had been bestowed upon him by a liberal-minded community because of his proficiency as a judge of horse races, foot races, shooting matches, dog or rooster fights, and other activities of a similar character. He was, above all things, a good judge of whiskey. When not engaged in judging one thing or another, he managed to eke out a comfortable though sometimes perilous living by trading horses,—a profession which made him an almost infallible judge of men, notwithstanding two or three instances where he had erred with painful results to his person. Notably, the prodigious thrashing Jake Miller had given him two days after a certain trade, and an almost identical experience with Bud Shanks who had given a perfectly sound mare and seventeen dollars to boot for a racehorse that almost blew up with the heaves before Bud was half-way home.

But, whatever his reputation may have been as a horse-trader, "Judge" Billings was unaffectedly noble when it came to judging a contest of any description. Far and wide he was known to be "as honest as the day is long," proof of which may be obtained from his publicly uttered contention that "nobody but a derned fool would do anything crooked while a crowd was lookin' on, with more'n half of 'em carryin' guns or some other weapon that can't be expected to listen to argument."

He was Kenneth Gwynne's first client. In employing the young man to defend a suit brought by Silas Kenwright, he ingenuously announced that the plaintiff had a perfectly good case and that his only object in fighting the claim was to see how near Silas could come to telling the truth under oath. Mr. Kenwright was demanding twenty-five dollars damages for slander. In the complaint Mr. Billings was charged with having held Mr. Kenwright up to ridicule and contumely by asseverating that said plaintiff was "a knock-kneed, cross-eyed, red-headed, white-livered liar."

"The only chance we've got," he explained to Gwynne, "is on the question of his liver. We can prove he's a liar,—in fact, he admits that,—but, doggone it, he's as bow-legged as a barrel hoop, he's wall-eyed, and what little hair he's got is as black as the ace o' spades. I don't suppose the Court would listen to a request to have him opened up to see what colour his liver is,—and that's where he's got us. It ain't so much being called a liar that riles him; he's used to that. It's being called knock-kneed and cross-eyed. He don't mind the white-livered part so much, or the way I spoke about his hair, 'cause one of 'em you can't see an' the other could be dyed or sheared right down to the skin if the worst came to the worst. If I'd only called him a lousy, ornery, low-lived, sheep-stealing liar, this here suit never would have been brought. But what did I do but up and hurt his feelings by callin' him knock-kneed and cross-eyed. That comes of not stickin' to the truth, Mr. Gwynne,—and it's a derned good lesson for me. Honesty is the best policy, as the feller says. It'll probably cost me forty or fifty dollars for being so slack with my veracity."

Kenneth's suggestion that an effort be made to settle the controversy out of court had met with instant opposition.

"It ain't to be thought of," declared Mr. Billings firmly. "Why, dodgast it, you don't suppose I'm going to pay that feller any money, do you? Not much! I'm willing enough to let him get a judgment against me for any amount he wants, just fer the fun of it, but, by gosh, when you begin to talk about me giving him money, why, that's serious. I'm willing to pay you your ten dollars fee and the court costs, but the only way Si Kenwright can ever collect a penny from me will be after I'm dead and he sneaks in when nobody's around and steals the coppers off my eyes."

This digression serves a simple purpose. It introduces a sporty gentleman of unique integrity whose friendship for Kenneth Gwynne flowered as time went on and ultimately bore such fruits as only the most favoured of men may taste. In passing he may be described as a pudgy, middle-aged individual, with mild blue eyes, an engaging smile, cherubic cheeks, sandy hair, and a highly pitched, far-reaching voice. He also had a bulbous nose resembling a large, ripe strawberry.

Before coming to rest alongside the wharf, the Paul Revere indulged in a vast amount of noise. She whistled and coughed and sputtered and gasped with all the spasmodic energy of a choking monster; her bells kept up an incessant clangour; her wheel creaked and grovelled on the bed of the river, churning the water into a yellowish, foaming mass; her captain bellowed and barked, her crew yelped, her passengers shouted; the flat boats and perogues moored along the bank, aroused from their lassitude, began to romp gaily in the swirl of her crazy backwash; ropes whined and rasped and groaned, the deck rattled hollowly with the tread of heavy feet and the shifting of boxes and barrels and crates; the gangplank came down with a crash,—and so the mighty hundred and fifty ton leviathan of the Wabash came to the end of her voyage!

There were a score of passengers on board, among them Barry Lapelle. He kept well in the rear of the motley throng of voyagers, an elegant, lordly figure, approached only in sartorial distinction by the far-famed gambler, Sylvester Hornaday, who likewise held himself sardonically aloof from the common horde, occupying a position well forward where, it might aptly be said, he could count his sheep as they straggled ashore.

From afar Barry had recognized Viola standing among the people at the top of the bank, and his eager, hungry gaze had not left her. She, too, had caught sight of him long before the boat was near the landing. She waved her kerchief.

He lifted his hat and blew a kiss to her. A thrill of exultation ran through him. He had not expected her to meet him at the landing. Her mere presence there was evidence of a determination to defy not only her mother but also to brave the storm of gossip that was bound to attend this public demonstration of loyalty on her part, for none knew so well as he how the townspeople looked upon their attachment. A most satisfying promise for the future, he gloated; here was the proof that she loved him, that her tantalizing outbursts of temper were not to be taken seriously, that his power over her was irresistible. There were times when he felt uncomfortably dubious as to his hold upon her affections. She was whimsical, perverse, maddening in her sudden transitions of mood. And she had threatened more than once to have nothing more to do with him unless he mended his ways! Now he smiled triumphantly as he gazed upon her. All that pother about nothing! Henceforth he would pay no attention to her whims; let her rail and fume and lecture as much as she liked, there was nothing for him to be worried about. She would always come round like a lamb,—and when she was his for keeps he would take a lot of the nonsense out of her!

With few exceptions the passengers on board the Revere were strangers,—fortune-seekers, rovers, land-buyers and prospectors from the east and south come to this well-heralded region of promise, perhaps to stay, perhaps to pass on. Three or four Lafayette men, home after a trip down the river, crowded their way ashore, to be greeted by anxious wives. The strangers were more leisurely in their movements. They straggled ashore with their nondescript possessions and ambled off between two batteries of frank, appraising eyes.

Judge Billings, shrewd calculator of human values, quite audibly disclosed his belief that at least three of the newcomers would have to be run out of town before they were a day older, possibly astraddle of a rail.

One of these marked individuals was a tall, swart, bearded fellow with black, shifty eyes and a scowling brow. His baggage consisted of a buckskin sack slung across his shoulder and a small bundle which he carried under his arm. He appeared to have no acquaintances among the voyagers.

"You don't know how happy this makes me, Viola," exclaimed Lapelle as he clasped the girl's hand in his. He was devouring her with a bold, consuming gaze.

She reddened. "I told mother I was coming down to meet you," she explained, visibly embarrassed by the stares of those nearby. "I—I wanted to see you the instant you arrived, Barry. Shall we walk along slowly behind the rest?"

"What's happened?" he demanded suspiciously, his brow darkening.

"Don't be impatient. Wait till they are a little ahead."

"'Gad, it sounds ominous. I thought you came down to meet me because you love me and were—well, glad to see me."

"I am glad to see you. You didn't expect me to make an exhibition of myself before all those people, did you?"

His face brightened. "Well, THAT sounds better." His mouth went up at the corner in its habitual curl. "I'd give all I possess if it was dark now, so that I could grab you and squeeze the—"

"Sh! They will hear you," she whispered, drawing away from him in confusion.

They held back until the throng had moved on a short distance. Then she turned upon him with a dangerous light in her eyes.

"And what's more," she said in a low voice, "I don't like to hear you say such things. They sound so cheap and low—and vulgar, Barry. I—" "Oh, you're always jumping on me for saying the things I really feel," he broke in. "You're my girl, aren't you? Why shouldn't I tell you how I feel? What's vulgar about my telling you I want to hold you in my arms and kiss you? Why, I don't think of anything else, day or night. And what do I get? You put me off,—yes, you do!—bringing up some silly notion about—about—what is it?—propriety! Good Lord, Viola, that's going back to the days of the Puritans,—whoever they were. They just sat around and held hands,—and that's about all I've been allowed to do with you. It's not right,—it's not natural, Viola. People who are really in love with each other just simply can't help kissing and—"

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