Admitting, however, that a great part of the corruption of society is imputed, there still remains, no doubt, a great deal of real immorality to be accounted for. This, I think, is often to be attributed to the bad system of female education, and the habits of idleness in which women are bred. Indeed, to Americans, the whole system of Italian education seems calculated to reduce women to a state of imbecile captivity before marriage; and I have no fault to find with the Italians that they are jealous in guarding those whom they have unfitted to protect themselves, but have rather to blame them that, after marriage, their women are thrown at once upon society, when worse than helpless against its temptations. Except with those people who attempt to maintain a certain appearance in public upon insufficient means (and there are too many of these in Venice as everywhere else), and who spare in every other way that they may spend on dress, it does not often happen that Venetian ladies are housekeepers. Servants are cheap and numerous, as they are uncleanly and untrustworthy, and the Venetians prefer to keep them [Footnote: A clerk or employe with a salary of fifty cents a day keeps a maid-servant, that his wife may fulfill to society the important duty of doing nothing.] rather than take part in housewifely duties; and, since they must lavish upon dress and show, to suffer from cold and hunger in their fireless houses and at their meagre boards. In this way the young girls, kept imprisoned from the world, instead of learning cookery and other domestic arts, have the grievous burden of idleness added to that of their solitary confinement, not only among the rich and noble, but among that large class which is neither and wishes to appear both. [Footnote: The poet Gray, genteelly making the grand tour in 1740, wrote to his father from Florence: "The only thing the Italians shine in is their reception of strangers. At such times every thing is magnificence: the more remarkable as in their ordinary course of life they are parsimonious to a degree of nastiness. I saw in one of the vastest palaces of Rome (that of the Prince Pamfilio), the apartment which he himself inhabited, a bed that most servants in England would disdain to lie in, and furniture much like that of a soph at Cambridge. This man is worth 30,000l. a year." Italian nature has changed so little in a century, that all this would hold admirably true of Italian life at this time. The goodly outside in religion, in morals, in every thing is too much the ambition of Italy; this achieved, she is content to endure any pang of self-denial, and sell what little comfort she knows—it is mostly imported, like the word, from England—to strangers at fabulous prices. In Italy the luxuries of life are cheap, and the conveniences unknown or excessively dear.] Their idle thoughts, not drilled by study nor occupied with work, run upon the freedom which marriage shall bring them, and form a distorted image of the world, of which they know as little as of their own undisciplined selves. Denied the just and wholesome amusements of society during their girlhood, it is scarcely a matter of surprise that they should throw themselves into the giddiest whirl of its excitement when marriage sets them free to do so.

I have said I do not think Venetians who give each other bad names are always to be credited, and I have no doubt that many a reputation in Venice is stained while the victim remains without guilt. A questioned reputation is, however, no great social calamity. It forms no bar to society, and few people are so cruel as to blame it, though all discuss it. And it is here that the harshness of American and English society toward the erring woman (harshness which is not injustice, but half- justice only) contrasts visibly to our advantage over the bad naivete and lenity of the Italians. The carefully secluded Italian girl is accustomed to hear of things and speak of things which, with us, parents strive in every way to keep from their daughters' knowledge; and while her sense of delicacy is thus early blunted, while she is thus used to know good and evil, she hears her father and mother comment on the sinful errors of a friend or neighbor, who visits them and meets them every day in society. How can the impunity of the guilt which she believes to exist around her but sometimes have its effect, and ripen, with opportunity, into wrong? Nay, if the girl reveres her parents at all, how can she think the sin, which they caress in the sinner, is so very bad? If, however, she escape all these early influences of depravation; if her idleness, and solitude and precocious knowledge leave her unvitiated, if, when she goes into society, it is by marriage with a man who is neither a dotard nor a fortune-seeker, and who remains constant and does not tempt her, by neglect, to forbode offense and to inflict anticipative reprisals—yet her purity goes uncredited, as her guilt would go unpunished; scandal makes haste to blacken her name to the prevailing hue; and whether she has sin or not, those with sin will cast, not the stone that breaks and kills, but the filth that sticks and stinks. The wife must continue the long social exile of her girlhood if she would not be the prey of scandal. The cavaliere servente no longer exists, but gossip now attributes often more than one lover in his place, and society has the cruel clemency to wink at the license. Nothing is in worse taste than jealousy, and, consequently, though intrigue sometimes causes stabbing, and the like, among low people, it is rarely noticed by persons of good breeding. It seems to me that in Venetian society the reform must begin, not with dissolute life, but with the social toleration of the impure, and with the wanton habits of scandal, which make all other life incredible, and deny to virtue the triumph of fair fame.

I confess that what I saw of the innocent amusements of this society was not enough to convince me of their brilliancy and attractiveness; but I doubt if a foreigner can be a trustworthy judge of these things, and perhaps a sketch drawn by an alien hand, in the best faith, might have an air of caricature. I would not, therefore, like to trust my own impression of social diversions. They were, very probably, much more lively and brilliant than I thought them. But Italians assembled anywhere, except at the theatre or the caffe, have a certain stiffness, all the more surprising, because tradition has always led one to expect exactly the reverse of them. I have seen nothing equal to the formality of this people, who deride colder nations for inflexible manners; and I have certainly never seen society in any small town in America so ill at ease as I have seen society in Venice, writhing under self-imposed restraints. At a musical soiree, attended by the class of people who at home would have been chatty and sociable, given to making acquaintance and to keeping up acquaintance,—the young men harmlessly talking and walking with the young ladies, and the old people listening together, while constant movement and intercourse kept life in the assembly, and there was some real pleasure felt amidst a good deal of unavoidable suffering,—I say, I found such a soiree in Venice to be a spectacle of ladies planted in formal rows of low-necks and white dresses around the four sides of one room, and of gentlemen restively imprisoned in dress-coats and white gloves in another. During the music all these devoted people listened attentively, and at the end, the ladies lapsed back into their chairs and fanned themselves, while the gentlemen walked up and down the floor of their cell, and stopped, two by two, at the door of the ladies' room, glanced mournfully athwart the moral barrier which divided them, and sadly and dejectedly turned away. Amazed at this singular species of social enjoyment, I inquired afterward, of a Venetian lady, if evening parties in Venice were usually such ordeals, and was discouraged to learn that what I had seen was scarcely an exaggeration of prevailing torments. Commonly people do not know each other, and it is difficult for the younger to procure introductions; and when there is previous acquaintance, the presence of some commanding spirit is necessary to break the ice of propriety, and substitute enjoyment for correctness of behavior. Even at dancing parties, where it would seem that the poetry of motion might do something to soften the rigid bosom of Venetian deportment, the poor young people separate after each dance, and take each sex its appointed prison, till the next quadrille offers them a temporary liberation. For my own part, I cannot wonder that young men fly these virtuous scenes, and throng the rooms of those pleasant women of the demi-monde, who only exact from them that they shall be natural and agreeable; I cannot wonder that their fair partners in wretchedness seize the first opportunity to revenge themselves upon the propriety which has so cruelly used them. It is said that the assemblies of the Jews, while quite as unexceptionable in character, are far more sociable and lively than those of the Christians. The young Hebrews are frequently intelligent, well-bred, and witty, with a savoir faire which their Christian brethren lack. But, indeed, the young Venetian is, at that age when all men are owlish, ignorant, and vapid, the most owlish, ignorant, and vapid man in the world. He talks, not milk-and-water, but warm water alone, a little sweetened; and, until he has grown wicked, has very little good in him.

Most ladies of fashion receive calls on a certain day of each week, when it is made a matter of pride to receive as many calls as possible. The number sometimes reaches three hundred, when nobody sits down, and few exchange more than a word with the hostess. In winter, the stove is heated on these reception days, and little cups of black coffee are passed round to the company; in summer lemonade is substituted for the coffee; but in all seasons a thin, waferish slice of toasted rusk (the Venetian baicolo) is offered to each guest with the drink. At receptions where the sparsity of the company permits the lady of the house to be seen, she is commonly visible on a sofa, surrounded by visitors in a half- circle. Nobody stays more than ten or fifteen minutes, and I have sometimes found even this brief time of much greater apparent length, and apt to produce a low state of nerves, from which one seldom recovers before dinner. Gentlemen, however, do not much frequent these receptions; and I assert again the diffidence I should feel in offering this glance at Venetian social enjoyment as conveying a just and full idea of it. There is no doubt that the Venetians find delight in their assemblies, where a stranger seeks it in vain. I dare say they would not think our own reunions brilliant, and that, looking obliquely (as a foreigner must) on the most sensible faces at one of our evening parties, they might mistake the look of pathetic dejection, visible in them, as the expression of people rather bored by their pleasure than otherwise.

The conversazioni are of all sorts, from the conversazioni of the rigid proprietarians, where people sit down to a kind of hopeless whist, at a soldo the point, and say nothing, to the conversazioni of the demi- monde where they say any thing. There are persons in Venice, as well as everywhere else, of new-fashioned modes of thinking, and these strive to give a greater life and ease to their assemblies, by attracting as many young men as possible; and in their families, gentlemen are welcome to visit, and to talk with the young ladies in the presence of their mothers. But though such people are no more accused of impropriety than the straitest of the old-fashioned, they are not regarded with the greatest esteem, and their daughters do not so readily find husbands. The Italians are fickle, the women say; they get soon tired of their wives after marriage, and when they see much of ladies before marriage, they get tired of them then, and never make them their wives. So it is much better to see nothing of a possible husband till you actually have him. I do not think conversazioni of any kind are popular with young men, however; they like better to go to the caffe, and the people you meet at private houses are none the less interesting for being old, or middle-aged. A great many of the best families, at present, receive no company at all, and see their friends only in the most private manner; though there are still cultivated circles to which proper introduction gives the stranger (who has no Austrian acquaintance) access. But unless he have thorough knowledge of Italian politics localized to apply to Venice, an interest in the affairs, fortunes, and misfortunes of his neighbors, and an acquaintance with the Venetian dialect, I doubt if he will be able to enjoy himself in the places so cautiously opened to him. Even in the most cultivated society, the dialect is habitually spoken; and if Italian is used, it is only in compliment to some foreigner present, for whose sake, also, topics of general interest are sometimes chosen.

The best society is now composed of the families of professional men, such as the advocates, the physicians, and the richer sort of merchants. The shopkeepers, master-artisans, and others, whom industry and thrift distinguish from the populace, seem not to have any social life, in the American sense. They are wholly devoted to affairs, and partly from choice, and partly from necessity, are sordid and grasping. It is their class which has to fight hardest for life in Europe, and they give no quarter to those above or below them. The shop is their sole thought and interest, and they never, never sink it. But, since they have habits of diligence, and, as far as they are permitted, of enterprise, they seem to be in great part the stuff from which a prosperous State is to be rebuilt in Venice, if ever the fallen edifice rise again. They have sometimes a certain independence of character, which a better condition of things, and further education, would perhaps lift into honesty; though as yet they seem not to scruple to take any unfair advantage, and not to know that commercial success can never rest permanently on a system of bad faith. Below this class is the populace, between which and the patrician order a relation something like Roman clientage existed, contributing greatly to the maintenance of exclusively aristocratic power in the State. The greatest conspiracy (that of Marin Falier) which the commons ever moved against the oligarchy was revealed to one of the nobility by his plebeian creature, or client; and the government rewarded by every species of indulgence a class in which it had extinguished even the desire of popular liberty. The heirs of the servile baseness which such a system as this must create are not yet extinct. There is still a helplessness in many of the servant class, and a disposition to look for largess as well as wages, which are the traits naturally resulting from a state of voluntary submission to others. The nobles, as the government, enervated and debauched the character of the poor by public shows and countless holidays; as individuals, they taught them to depend upon patrician favor, and not upon their own plebeian industry, for support. The lesson was an evil one, hard to be unlearned, and it is yet to be forgotten in Venice. Certain traits of soft and familiar dependence give great charm to the populace; but their existence makes the student doubtful of a future to which the plebeians themselves look forward with perfect hope and confidence. It may be that they are right, and will really rise to the dignity of men, when free government shall have taught them that the laborer is worthy of his hire—after he has earned it. This has been the result, to some degree, in the kingdom of Italy, where the people have found that freedom, like happiness, means work.

Undoubtedly the best people in the best society of Venice are the advocates, an order of consequence even in the times of the Republic, though then shut out from participation in public affairs by a native government, as now by a foreign one. Acquaintance with several members of this profession impressed me with a sense of its liberality of thought and feeling, where all liberal thinking and feeling must be done by stealth, and where the common intelligence of the world sheds its light through multiplied barriers. Daniele Manin, the President of the Republic of 1848, was of this class, which, by virtue of its learning, enlightenment, and talent, occupies a place in the esteem and regard of the Venetian people far above that held by the effete aristocracy. The better part of the nobility, indeed, is merged in the professional class, and some of the most historic names are now preceded by the learned titles of Doctor and Advocate, rather than the cheap dignity of Count, offered by the Austrian government to all the patricians who chose to ask for it, when Austrian rule was extended over their country.

The physicians rank next to the advocates, and are usually men learned in their profession, however erroneous and old-fashioned some of their theories of practice may be. Like the advocates, they are often men of letters: they write for the journals, and publish little pamphlets on those topics of local history which it is so much the fashion to treat in Venice. No one makes a profession of authorship. The returns of an author's work would be too uncertain, and its restrictions and penalties would be too vexatious and serious; and so literary topics are only occasionally treated by those whose main energies are bent in another direction.

The doctors are very numerous, and a considerable number of them are Hebrews, who, even in the old jealous times, exercised the noble art of medicine, and who now rank very highly among their professional brethren. These physicians haunt the neat and tasteful apothecary shops, where they sit upon the benching that passes round the interior, read the newspapers, and discuss the politics of Europe, Asia, Africa, and America, with all the zest that you may observe to characterize their discussions in Goldoni's plays. There they spend their evenings, and many hours of every day, and thither the sick send to call them,—each physician resorting to a particular apothecary's, and keeping his name inscribed on a brass plate against the wall, above the head of the druggist, who presides over the reunions of the doctors, while his apprentice pestles away at their prescriptions.

In 1786 there were, what with priests, monks, and nuns, a multitude of persons of ecclesiastical profession in Venice; and though many convents and monasteries were abolished by Napoleon, the priests are still very numerous, and some monastic establishments have been revived under Austrian rule. The high officers of the Church are, of course, well paid, but most of the priesthood live miserably enough. They receive from the government a daily stipend of about thirty-five soldi, and they celebrate mass when they can get something to do in that way, for forty soldi. Unless, then, they have private income from their own family, or have pay for the education of some rich man's son or daughter, they must fare slenderly.

There is much said, in and out of Venice, about their influence in society; but this is greatly modified, and I think is chiefly exercised upon the women of the old-fashioned families. [Footnote: It is no longer usual for girls to be educated in convents, and most young ladies of the better classes, up to the age of thirteen or fourteen years, receive their schooling in secular establishments, whither they go every day for study, or where they sometimes live as in our boarding-schools, and where they are taught the usual accomplishments, greater attention being paid to French and music than to other things.] I need hardly repeat the well- known fact that all the moral power of the Roman Church over the younger men is gone; these seldom attend mass, and almost never go to confession, and the priests are their scorn and by-word. Their example, in some degree, must be much followed also by women; and though women must everywhere make more public professions of religion than men, in order to retain social standing, I doubt if the priests have a very firm hold upon the fears or reverence of the sisters and wives of liberal Venetians.

If, however, they contribute in anywise to keep down the people, they are themselves enslaved to their superiors and to each other. No priest can leave the city of Venice without permission of the Patriarch. He is cut off as much as possible from his own kinspeople, and subjected to the constant surveillance of his class. Obliged to maintain a respectable appearance on twenty cents a day,—hampered and hindered from all personal liberty and private friendship, and hated by the great mass of the people,—I hardly think the Venetian priest is to be envied in his life. For my own part, knowing these things, I was not able to cherish toward the priests those feelings of scornful severity which swell many Protestant bosoms; and so far as I made their acquaintance, I found them kind and amiable. One ecclesiastic, at least, I may describe as one of the most agreeable and cultivated gentlemen I ever met.

Those who fare best among the priests are the Jesuits, who returned from repeated banishment with the Austrians in this century. Their influence is very extended, and the confessional is their forte. Venetians say that with the old and the old-fashioned these crafty priests suggest remorse and impose penances; that with the young men and the latter-day thinkers they are men of the world, and pass off pleasant sins as trifles. All the students of the government schools are obliged by law to confess twice a month, and are given printed certificates of confession, in blank, which the confessor fills up and stamps with the seal of the Church. Most of them go to confess at the church of the Jesuits, who are glad to hear the cock-and-bull story invented by the student, and to cultivate his friendship by an easy penance and a liberal tone. This ingenuous young man of course despises the confessional. He goes to confess because the law obliges him to do so; but the law cannot dictate what he must confess. Therefore, he ventures as near downright burlesque as he dares, and (if the account he gives of the matter be true) puts off his confessor with some well-known fact, as that he has blasphemed. Of course he has blasphemed, blasphemy being as common as the forms of salutation in Venice. So the priest, who wishes him to come again, and to found some sort of influence over him, says,—"Oh dear, dear! This is very bad. Blasphemy is deadly sin. If you must swear, swear by the heathen gods: say Body of Diana, instead of Body of God; Presence of the Devil, instead of Blood of Mary. Then there is no harm done." The students laugh over the pleasant absurdity together, and usually agree upon the matter of their semimonthly confessions beforehand.

As I have hinted, the young men do not love the government or the Church, and though I account for the loss of much high hope and generous sympathy in growth from youth to middle age, I cannot see how, when they have replaced their fathers, the present religious and political discontent is to be modified. Nay, I believe it must become worse. The middle-aged men of Venice grew up in times of comparative quiet, when she did not so much care who ruled over her, and negatively, at least, they honored the Church. They may now hate the foreign rule, but there are many considerations of timidity, and many effects of education, to temper their hate. They may dislike the priests, but they revere the Church. The young men of to-day are bred in a different school, and all their thoughts are of opposition to the government and of war upon the Church, which they detest and ridicule. The fact that their education is still in the hands of the priests in some measure, does not render them more tractable. They have no fears to be wrought upon by their clerical professors, who seldom have sought to act upon their nobler qualities. The influence of the priesthood is again limited by the fact that the teachers in the free schools of the city, to which the poor send their children, are generally not priests; and ecclesiastics are no longer so commonly the private tutors of the children of the rich, as they once were when they lived with the family, and exercised a direct and important influence on it. Express permission from the pope is now necessary to the maintenance of a family chaplain, and the office is nearly disused. [Footnote: In early days every noble Venetian family had its chaplain, who, on the occasion of great dinners and suppers, remained in the kitchen, and received as one of his perquisites the fragments that came back from the table.]

The Republic was extremely jealous of the political power of the priests, who could not hold secular office in its time. A curious punishment was inflicted upon the priest who proved false to his own vows of chastity, and there is a most amusing old ballad—by no means cleanly in its language—purporting to be the lament of a priest suspended in the iron cage, appointed for the purpose, from the belfry of the Campanile San Marco, and enduring the jeers and insults of the mob below. We may suppose that with advancing corruption (if corruption has indeed advanced from remote to later times) this punishment was disused for want of room to hang out the delinquents. In the last century, especially, the nuns and monks led a pleasant life. You may see in the old pictures of Pietro Longhi and his school, how at the aristocratic and fashionable convent of San Zaccaria, the lady nuns received their friends and acquaintances of this world in the anteroom, where the dames and their cavaliers flirted and drank coffee, and the gentlemen coquetted with the brides of heaven through their grated windows.

Among other privileges of the Church, abolished in Venice long ago, was that ancient right of the monks of St. Anthony, Abbot, by which their herds of swine were made free of the whole city. These animals, enveloped in an odor of sanctity, wandered here and there, and were piously fed by devout people, until the year 1409, when, being found dangerous to children and inconvenient to every body, they were made the subject of a special decree, which deprived them of their freedom of movement. The Republic was always limiting the privileges of the Church! It is known how when the holy inquisition was established in its dominions in 1249, the State stipulated that great part of the process against heresy should be conducted by secular functionaries, and that the sentence should rest with the Doge and his councillors,—a kind of inquisition with claws clipped and teeth filed, as one may say, and the only sort ever permitted in Venice. At present there is no absolute disfavor shown to the clergy; but, as we have seen, many a pleasant island, which the monks of old reclaimed from the salty marshes, and planted with gardens and vineyards, now bears only the ruins of their convents, or else, converted into a fortress or government depot, is all thistly with bayonets. Anciently, moreover, there were many little groves in different parts of the city, where the pleasant clergy, of what Mr. Ruskin would have us believe the pure and religious days of Venice, met and made merry so riotously together by night that the higher officers of the Church were forced to prohibit their little soirees.

An old custom of rejoicing over the installation of a new parish priest is still to be seen in almost primitive quaintness. The people of each parish—nobles, citizens, and plebeians alike—formerly elected their own priest, and, till the year 1576, they used to perambulate the city to the sound of drums, with banners flying, after an election, and proclaim the name of their favorite. On the day of the parroco's induction his portrait was placed over the church door and after the celebration of the morning mass, a breakfast was given, which grew to be so splendid in time, that in the fifteenth century a statute limited its profusion. In the afternoon the new parroco, preceded by a band of military music, visited all the streets and courts of his parish, and then, as now, all the windows of the parish were decorated with brilliant tapestries, and other gay-colored cloths and pictures. In those times as in these, there was an illumination at night, throngs of people in the campo of the church, and booths for traffic in cakes of flour and raisins,—fried in lard upon the spot, and sold smoking hot, with immense uproar on the part of the merchant; and for three days afterward the parish bells were sounded in concert.

The difficulty of ascertaining any thing with certainty in Venice attends in a degree peculiarly great the effort to learn exactly the present influence and standing of the nobility as a class. One is tempted, on observing the free and unembarrassed bearing of all ranks of people toward each other, to say that no sense of difference exists,—and I do not think there is ever shown, among Italians, either the aggressive pride or the abject meanness which marks the intercourse of people and nobles elsewhere in Europe, and I have not seen the distinction of rich and poor made so brutally in Italy as sometimes in our own soi-disant democratic society at home. There is, indeed, that equality in Italian fibre which I believe fits the nation for democratic institutions better than any other, and which is perhaps partly the result of their ancient civilization. At any rate, it fascinates a stranger to see people so mutually gentle and deferential; and must often be a matter of surprise to the Anglo-Saxon, in whose race, reclaimed from barbarism more recently, the native wild-beast is still so strong as to sometimes inform the manner. The uneducated Anglo-Saxon is a savage; the Italian, though born to utter ignorance, poverty, and depravity, is a civilized man. I do not say that his civilization is of a high order, or that the civilization of the most cultivated Italian is at all comparable to that of a gentleman among ourselves. The Italian's education, however profound, has left his passions undisciplined, while it has carefully polished his manner; he yields lightly to temptation, he loses his self-control, he blasphemes habitually; his gentleness is conventional, his civilization not individual. With us the education of a gentleman (I do not mean a person born to wealth or station, but any man who has trained himself in morals or religion, in letters, and in the world) disciplines the impulses, and leaves the good manner to grow naturally out of habits of self-command and consequent habitual self-respect.

The natural equality of the Italians is visible in their community of good looks as well as good manners. They have never, perhaps, that high beauty of sensitive expression which is found among Englishmen and Americans (preferably among the latter), but it very rarely happens that they are brutally ugly; and the man of low rank and mean vocation has often a beauty of as fine sort as the man of education and refinement. If they changed clothes, and the poor man could be persuaded to wash himself, they might successfully masquerade, one for another. The plebeian Italian, inspired by the national vanity, bears himself as proudly as the noble, without at all aggressing in his manner. His beauty, like that of the women of his class, is world-old,—the beauty of the pictures and the statues: the ideal types of loveliness are realized in Italy; the saints and heroes, the madonnas and nymphs, come true to the stranger at every encounter with living faces. In Venice, particularly, the carriage of the women, of whatever rank, is very free and noble, and the servant is sometimes to be distinguished from the mistress only by her dress and by her labor-coarsened hands; certainly not always by her dirty finger-nails and foul teeth, for though the clean shirt is now generally in Italy, some lesser virtues are still unknown: the nail-brush and tooth-brush are of but infrequent use; the four-pronged fork is still imperfectly understood, and as a nation the Italians may be said to eat with their knives.

The Venetian, then, seeing so little difference between himself and others, whatever his rank may be, has, as I said, little temptation to arrogance or servility. The effects of the old relationship of patron and client are amusingly noticeable in the superior as well as the inferior; a rich man's dependents are perfectly free with advice and comment, and it sometimes happens that he likes to hear their lively talk, and at home secretly consorts with his servants. The former social differences between commoners and patricians (which, I think, judging from the natural temper of the race, must have been greatly modified at all times by concession and exception) may be said to have quite disappeared in point of fact; the nobility is now almost as effete socially as it is politically. There is still a number of historic families, which are in a certain degree exclusive; but rich parvenus have admission to their friendship, and commoners in good circumstances are permitted their acquaintance; the ladies of this patrician society visit ladies of less rank, and receive them at their great parties, though not at more sacred assemblies, where they see only each other.

The Venetians have a habit of saying their best families are in exile, but this is not meant to be taken literally. Many of the best families are yet in the city, living in perfect retirement, or very often merged in the middle class, and become men of professions, and active, useful lives. Of these nobles (they usually belong to the families which did not care to ask nobility of Austria, and are therefore untitled) [Footnote: The only title conferred on any patrician of Venice during the Republic was Cavaliere, and this was conferred by a legislative act in reward of distinguished service. The names of the nobility were written in the Golden Book of the Republic, and they were addressed as Illustrissimo or Eccellenza. They also signed themselves nobile, between the Christian name and surname, as it is still the habit of the untitled nobility to do.] the citizens are affectionately proud, while I have heard from them nothing but contempt and ridicule of the patricians who, upon a wretched pension or meagre government office, attempt to maintain patrician distinction. Such nobles are usually Austriacanti in their politics, and behind the age in every thing; while there are other descendants of patrician families mingled at last with the very populace, sharing their ignorance and degradation, and feeling with them. These sometimes exercise the most menial employments: I knew one noble lord who had been a facchino, and I heard of another who was a street-sweeper. Conte che non conta, non conta niente, [Footnote: A count who doesn't count (money) counts for nothing.] says the sneering Italian proverb; and it would be little less than miraculous if a nobility like that of modern Venice maintained superior state and regard in the eyes of the quick-witted, intelligent, sarcastic commonalty.

The few opulent patricians are by no means the most violent of Italianissimi. They own lands and houses, and as property is unsafe when revolutionary feeling is rife, their patriotism is tempered. The wealth amassed in early times by the vast and enterprising commerce of the country was, when not dissipated in riotous splendor, invested in real estate upon the main-land as the Republic grew in territory, and the income of the nobles is now from the rents of these lands. They reside upon their estates during the season of the villeggiatura, which includes the months of September and October, when every one who can possibly leave the city goes into the country. Then the patricians betake themselves to their villas near Padua, Vicenza, Bassano, and Treviso, and people the sad-colored, weather-worn stucco hermitages, where the mutilated statues, swaggering above the gates, forlornly commemorate days when it was a far finer thing to be a noble than it is now. I say the villas look dreary and lonesome as places can be made to look in Italy, what with their high garden walls, their long, low piles of stabling, and the passee indecency of their nymphs and fauns, foolishly strutting in the attitudes of the silly and sinful old Past; and it must be but a dull life that the noble proprietors lead there.

It is better, no doubt, on the banks of the Brenta, where there are still so many villas as to form a street of these seats of luxury, almost the whole length of the canal, from Fusina to Padua. I am not certain that they have a right to the place which they hold in literature and sentiment, and yet there is something very charming about them, with their gardens, and chapels, and statues, and shaded walks. We went to see them one day early in October, and found them every one, when habitable, inhabited, and wearing a cheerful look, that made their proximity to Venice incredible. As we returned home after dark, we saw the ladies from the villas walking unattended along the road, and giving the scene an air of homelike peace and trustfulness which I had not found before in Italy; while the windows of the houses were brilliantly lighted, as if people lived in them; whereas, you seldom see a light in Venetian palaces. I am not sure that I did not like better, however, the villas that were empty and ruinous, and the gardens that had run wild, and the statues that had lost legs and arms. Some of the ingenious proprietors had enterprisingly whitewashed their statues, and there was a horrible primness about certain of the well-kept gardens which offended me. Most of the houses were not large, but there was here and there a palace as grand as any in the city. Such was the great villa of the Contarini of the Lions, which was in every way superb, with two great lions of stone guarding its portals, and a gravel walk, over-arched with stately trees, stretching a quarter of a mile before it. At the moment I was walking down this aisle I met a clean- shaven old canonico, with red legs and red-tasseled hat, and with a book under his arm, and a meditative look, whom I here thank for being so venerably picturesque. The palace itself was shut up, and I wish I had known, when I saw it, that it had a ghostly underground passage from its cellar to the chapel,—wherein, when you get half way, your light goes out, and you consequently never reach the chapel.

This is at Mira; but the greatest of all the villas is the magnificent country-seat of the family Pisani at Stra, which now, with scarcely any addition to its splendor, serves for the residence of the abdicated Emperor of Austria. There is such pride in the vastness of this edifice and its gardens as impresses you with the material greatness which found expression in it, and never raises a regret that it has utterly passed away. You wander around through the aisles of trim-cut lime-trees, bullied and overborne by the insolent statues, and expect at every turn to come upon intriguing spectres in bag-wigs, immense hoops and patches. How can you feel sympathy for those dull and wicked ghosts of eighteenth-century corruption? There is rottenness enough in the world without digging up old putridity and sentimentalizing on it; and I doubt if you will care to know much of the way in which the noble owner of such a villa ascended the Brenta at the season of the villeggiatura in his great gilded barge, all carven outside with the dumpling loves and loose nymphs of the period, with fruits, and flowers, and what not; and within, luxuriously cushioned and furnished, and stocked with good things for pleasure making in the gross old fashion. [Footnote: Mutinelli, Gli Ultimi Cinquant' Anni della Repubblica di Veneza.] King Cole was not a merrier old soul than Illustrissimo of that day; he outspent princes; and his agent, while he harried the tenants to supply his master's demands, plundered Illustrissimo frightfully. Illustrissimo never looked at accounts. He said to his steward, "Caro veccio, fe vu. Mi remeto a quel che fe vu." (Old fellow, you attend to it. I shall be satisfied with what you do.) So the poor agent had no other course but to swindle him, which he did; and Illustrissimo, when he died, died poor, and left his lordly debts and vices to his sons.

In Venice, the noble still lives sometimes in his ancestral palace, dimly occupying the halls where his forefathers flourished in so much splendor. I can conceive, indeed, of no state of things more flattering to human pride than that which surrounded the patrician of the old aristocratic Republic. The house in which he dwelt was the palace of a king, in luxury of appointment and magnificence of size. Troops of servants that ministered to his state peopled its vast extent; and the gondolas that carried his grandeur abroad were moored in little fleets to the piles that rose before his palace, painted with the family arms and colors. The palace itself stood usually on the Grand Canal, and rose sheer from the water, giving the noble that haughty inaccessibility which the lord of the main-land achieved only by building lofty walls and multiplying gates. The architecture was as costly in its ornament as wild Gothic fancy, or Renaissance luxury of bad taste, could make it; and when the palace front was not of sculptured marble, the painter's pencil filled it with the delight of color. The main-land noble's house was half a fortress, and formed his stronghold in times of popular tumult or family fray; but at Venice the strong arm of St. Mark suppressed all turbulence in a city secure from foreign war; and the peaceful arts rejoiced in undisturbed possession of the palaces, which rose in the most delicate and fantastic beauty, and mirrored in the brine a dream of sea-deep strangeness and richness. You see much of the beauty yet, but the pride and opulence which called it into being are gone forever.

Most palaces, whether of the Gothic or classicistic period, have the same internal arrangement of halls and chambers, and are commonly built of two lofty and two low stories. On the ground floor, or water level, is a hall running back from the gate to a bit of garden at the other side of the palace; and on either side of this hall, which in old times was hung with the family trophies of the chase and war, are the porter's lodge and gondoliers' rooms. On the first and second stories are the family apartments, opening on either side from great halls, of the same extent as that below, but with loftier roofs, of heavy rafters gilded or painted. The fourth floor is of the same arrangement, but has a lower roof, and was devoted to the better class of servants. Of the two stories used by the family, the third is the loftier and airier, and was occupied in summer; the second was the winter apartment. On either hand the rooms open in suites.

We have seen something of the ceremonies, public and private, which gave peculiar gayety and brilliance to the life of the Venetians of former days; but in his political character the noble had yet greater consequence. He was part of the proudest, strongest, and securest system of his time. He was a king with the fellowship of kings, flattered with the equality of an aristocracy which was master of itself, and of its nominal head. During the earlier times it was his office to go daily to Rialto and instruct the people in their political rights and duties for four hours; and even when the duties became every thing and the rights nothing (after the Serrar del Consiglio), the friendly habit of daily intercourse between patricians and citizens was still kept up at the same place. Once each week, and on every holiday, the noble took his seat in the Grand Council (the most august assembly in the world, without doubt), or the Ten, or the Three, according to his office in the State,—holding his place in the Council by right of birth, and in the other bodies by election of his peers.

Although the patricians were kept as one family apart from the people, and jealously guarded in their aristocratic purity by the State, they were only equals of the poorest before the laws of their own creation, and their condescension to the people was frequent and great. Indeed, the Venetians of all classes are social creatures, loving talk and gossip, and these constant habits of intercourse must have done much to produce that equality of manner now observable in them. Their amusements were for a long time the same, the nobles taking part in the public holidays, and in the popular exercises of rowing and swimming. In the earlier times, hunting in the lagoons was a favorite diversion; but as the decay of the Republic advanced, and the patrician blossomed into the fine gentleman of the last century, these hearty sports were relinquished, and every thing was voted vulgar but masking in carnival, dancing and gaming at Ridotto, and intriguing everywhere.

The accounts which Venetian writers give of Republican society in the eighteenth century form a chronique scandaleuse which need not be minutely copied here. Much may be learned of Venetian manners of this time from the comedies of Goldoni; and the faithlessness of society may be argued from the fact that in these plays, which contain nothing salacious or indecent, there is scarcely a character of any rank who scruples to tell lies; and the truth is not to be found in works intended to school the public to virtue. The ingenious old playwright's memoirs are full of gossip concerning that poor old Venice, which is now no more; and the worthy autobiographer, Casanova, also gives much information about things that had best not be known.

As the Republic drew near its fall, in 1797, there was little left in its dominant class worth saving, if we may believe the testimony of Venetians which Mutinelli brings to bear upon the point in his "Annali Urbani," and his "History of the Last Fifty Years of the Republic." Long prosperity and prodigious opulence had done their worst, and the patricians, and the lowest orders of the people, their creatures and dependants, were thoroughly corrupt; while the men of professions began to assume that station which they now hold. The days of a fashionable patrician of those times began at a little before sunset, and ended with the following dawn. Rising from his bed, he dressed himself in dainty linen, and placed himself in the hands of the hairdresser to be combed, oiled, perfumed, and powdered; and then sallied forth for a stroll through the Merceria, where this excellent husband and father made tasteful purchases to be carried to the lady he served. At dinner, which he took about seven or eight, his board was covered with the most tempting viands, and surrounded by needy parasites, who detailed the spicy scandals of the day in payment of their dinner, while the children of the host were confided to the care of the corrupt and negligent servants. After dinner, the father went to the theatre, or to the casino, and spent the night over cards and wine, in the society of dissolute women; and renewed on the morrow the routine of his useful existence. The education of the children of the man of fashion was confided to a priest, who lived in his family, and called himself an abbate, after the mode of the abbes of French society; he had winning manners with the ladies, indulgent habits with his pupils, and dressed his elegant person in silks of Lyons and English broadcloths. In the pleasant old days he flitted from palace to villa, dining and supping, and flattering the ladies, and tapping the lid of his jeweled snuffbox in all fashionable companies. He was the cadet of a patrician family (when not the ambitious son of a low family), with a polite taste for idleness and intrigue, for whom no secular sinecure could be found in the State, and who obliged the Church by accepting orders. Whether in the palace on the Grand Canal, or the villa on the Brenta, this gentle and engaging priest was surely the most agreeable person to be met, and the most dangerous to ladies' hearts,—with his rich suit of black, and his smug, clean-shaven face, and his jeweled hands, and his sweet, seducing manners. Alas! the world is changed! The priests whom you see playing tre-sette now at the conversazioni are altogether different men, and the delightful abbate is as much out of fashion as the bag-wig or the queue. When in fashion he loved the theatre, and often showed himself there at the side of his noble patron's wife. Nay, in that time the theatre was so prized by the Church that a popular preacher thought it becoming to declare from his pulpit that to compose well his hearers should study the comedies of Goldoni,—and his hearers were the posterity of that devout old aristocracy which never undertook a journey without first receiving the holy sacrament; which had built the churches and endowed them from private wealth!

Ignorance, as well as vice, was the mode in those elegant days, and it is related that a charming lady of good society once addressed a foreign savant at her conversazione, and begged him to favor the company with a little music, because, having heard that he was virtuous, she had no other association with the word than its technical use in Italy to indicate a professional singer as a virtuoso. A father of a family who kept no abbate for the education of his children ingeniously taught them himself. "Father," asked one of his children, "what are the stars?" "The stars are stars, and little things that shine as thou seest." "Then they are candles, perhaps?" "Make thy account that they are candles exactly." "Of wax or tallow?" pursues the boy. "What! tallow-candles in heaven? No, certainly—wax, wax!"

These, and many other scandalous stories, the Venetian writers recount of the last days of their Republic, and the picture they produce is one of the most shameless ignorance, the most polite corruption, the most unblushing baseness. I have no doubt that the picture is full of national exaggeration. Indeed, the method of Mutinelli (who I believe intends to tell the truth) in writing social history is altogether too credulous and incautious. It is well enough to study contemporary comedy for light upon past society, but satirical ballads and lampoons, and scurrilous letters, cannot be accepted as historical authority. Still there is no question but Venice was very corrupt. As you read of her people in the last century, one by one the ideas of family faith and domestic purity fade away; one by one the beliefs in public virtue are dissipated; until at last you are glad to fly the study, close the filthy pages, and take refuge in doubt of the writers, who declare that they must needs disgrace Venice with facts since her children have dishonored her in their lives. "Such as we see them," they say, "were the patricians, such the people of Venice, after the middle of the eighteenth century. The Venetians might be considered as extinguished; the marvelous city, the pomp only of the Venetians, existed."

Shall we believe this? Let each choose for himself. At that very time the taste and wealth of a Venetian noble fostered the genius of Canova and then, when their captains starved the ragged soldiers of the Republic to feed their own idleness and vice,—when the soldiers dismantled her forts to sell the guns to the Turk,—when her sailors rioted on shore and her ships rotted in her ports, she had still military virtue enough to produce that Emo, who beat back the Algerine corsairs from the commerce of Christendom, and attacked them in their stronghold, as of old her galleys beat back the Turks. Alas! there was not the virtue in her statesmen to respond to this greatness in the hero. One of their last public acts was to break his heart with insult, and to crave peace of the pirates whom he had cowed. It remained for the helpless Doge and the abject patricians, terrified at a threat of war, to declare the Republic at an end, and San Marco was no more.

I love Republics too well to lament the fall of Venice. And yet, Pax tibi, Marce! If I have been slow to praise, I shall not hasten to condemn, a whole nation. Indeed, so much occurs to me to qualify with contrary sense what I have written concerning Venice, that I wonder if, after all, I have not been treating throughout less of the rule than of the exception. It is a doubt which must force itself upon every fair and temperate man who attempts to describe another people's life and character; and I confess that it troubles me so sorely now, at the end of my work, that I would fain pray the gentle reader to believe much more good and much less evil of the Venetians than I have said. I am glad that it remains for me to express a faith and hope in them for the future, founded upon their present political feeling, which, however tainted with self-interest in the case of many, is no doubt with the great majority a high and true feeling of patriotism. And it is impossible to believe that a people which can maintain the stern and unyielding attitude now maintained by the Venetians toward an alien government disposed to make them any concession short of freedom, in order to win them into voluntary submission, can be wanting in the great qualities which distinguish living peoples from those passed hopelessly into history and sentiment. In truth, glancing back over the whole career of the nation, I can discern in it nothing so admirable, so dignified, so steadfastly brave, as its present sacrifice of all that makes life easy and joyous, to the attainment of a good which shall make life noble.

The Venetians desire now, and first of all things, Liberty, knowing that in slavery men can learn no virtues; and I think them fit, with all their errors and defects, to be free now, because men are never fit to be slaves.



CHAPTER XXII.

OUR LAST YEAR IN VENICE.

(As it seems Seven Years after.)

The last of four years which it was our fortune to live in the city of Venice was passed under the roof of one of her most beautiful and memorable palaces, namely, the Palazzo Giustiniani, whither we went, as has been told in an earlier chapter of this book, to escape the encroaching nepotism of Giovanna, the flower of serving-women. The experience now, in Cambridge, Mass., refuses to consort with ordinary remembrances, and has such a fantastic preference for the company of rather vivid and circumstantial dreams, that it is with no very strong hope of making it seem real that I shall venture to speak of it.

The Giustiniani were a family of patricians very famous during the times of a Republic that gave so many splendid names to history, and the race was preserved to the honor and service of Saint Mark by one of the most romantic facts of his annals. During a war with the Greek Emperor in the twelfth century every known Giustiniani was slain, and the heroic strain seemed lost forever. But the state that mourned them bethought itself of a half forgotten monk of their house, who was wasting his life in the Convent of San Nicolo; he was drawn forth from this seclusion, and, the permission of Rome being won, he was married to the daughter of the reigning doge. From them descended the Giustiniani of aftertimes, who still exist; in deed, in the year 1865 there came one day a gentleman of the family, and tried to buy from our landlord that part of the palace which we so humbly and insufficiently inhabited. It is said that as the unfrocked friar and his wife declined in life they separated, and, as if in doubt of what had been done for the state through them, retired each into a convent, Giustiniani going back to San Nicolo, and dying at last to the murmur of the Adriatic waves along the Lido's sands.

Next after this Giustiniani I like best to think of that latest hero of the family, who had the sad fortune to live when the ancient Republic fell at a threat of Napoleon, and who alone among her nobles had the courage to meet with a manly spirit the insolent menaces of the conqueror. The Giustiniani governed Treviso for the Senate; he refused, when Napoleon ordered him from his presence, to quit Treviso without the command of the Senate; he flung back the taunts of bad faith cast upon the Venetians; and when Napoleon changed his tone from that of disdain to one of compliment, and promised that in the general disaster he was preparing for Venice, Giustiniani should be spared, the latter generously replied that he had been a friend of the French only because the Senate was so; as to the immunity offered, all was lost to him in the loss of his country, and he should blush for his wealth if it remained intact amidst the ruin of his countrymen.

The family grew in riches and renown from age to age, and, some four centuries after the marriage of the monk, they reared the three beautiful Gothic palaces, in the noblest site on the Grand Canal, whence on one hand you can look down to the Rialto Bridge, and on the other far up towards the church of the Salute, and the Basin of Saint Mark. The architects were those Buoni, father and son, who did some of the most beautiful work on the Ducal Palace, and who wrought in an equal inspiration upon these homes of the Giustiniani, building the delicate Gothic arches of the windows, with their slender columns and their graceful balconies, and crowning all with the airy battlements.

The largest of the three palaces became later the property of the Foscari family, and here dwelt with his father that unhappy Jacopo Foscari, who after thrice suffering torture by the state for a murder he never did, at last died in exile; hither came the old Doge Foscari, who had consented to this cruel error of the state, and who after a life spent in its service was deposed and disgraced before his death; and whither when he lay dead, came remorseful Venice, and claimed for sumptuous obsequies the dust which his widow yielded with bitter reproaches. Here the family faded away generation by generation, till, (according to the tale told us) early in this century, when the ultimate male survivor of the line had died, under a false name, in London, where he had been some sort of obscure actor, there were but two old maiden sisters left, who, lapsing into imbecility, were shown to strangers by the rascal servants as the last of the Foscari; and here in our time was quartered a regiment of Austrian troops, whose neatly pipe-clayed belts decorated the balconies on which the princely ladies of the house had rested their jewelled arms in other days.

The Foscari added a story to the palace to distinguish it from the two other palaces Giustiniani, but these remain to the present day as they were originally planned. That in which we lived was called Palazzo Giustiniani of the Bishops, because one of the family was the first patriarch of Venice. After his death he was made a saint by the Pope; and it is related that he was not only a very pious, but a very good man. In his last hours he admitted his beloved people to his chamber, where he meekly lay upon a pallet of straw, and at the moment he expired, two monks in the solitude of their cloister, heard an angelical harmony in the air: the clergy performed his obsequies not in black, funereal robes, but in white garments, and crowned with laurel, and bearing gilded torches, and although the patriarch had died of a malignant fever, his body was miraculously preserved incorrupt during the sixty-five days that the obsequies lasted. The other branch of the family was called the Giustiniani of the Jewels, from the splendor of their dress; but neither palace now shelters any of their magnificent race. The edifice on our right was exclusively occupied by a noble Viennese lady, who as we heard, —vaguely, in the right Venetian fashion,—had been a ballet-dancer in her youth, and who now in her matronly days dwelt apart from her husband, the Russian count, and had gondoliers in blue silk, and the finest gondola on the Grand Canal, but was a plump, florid lady, looking long past beauty, even as we saw her from our balcony.

Our own palace—as we absurdly grew to call it—was owned and inhabited in a manner much more proper to modern Venice, the proprietorship being about equally divided between our own landlord and a very well known Venetian painter, son of a painter still more famous. This artist was a very courteous old gentleman, who went with Italian and clock-like regularity every evening in summer to a certain caffe, where he seemed to make it a point of conscience to sip one sherbet, and to read the "Journal des Debats." In his coming and going we met him so often that we became friends, and he asked us many times to visit him, and see his father's pictures, and some famous frescos with which his part of the palace was adorned. It was a characteristic trait of our life, that though we constantly meant to avail ourselves of this kindness, we never did so. But we continued in the enjoyment of the beautiful garden, which this gentleman owned at the rear of the palace and on which our chamber windows looked. It was full of oleanders and roses, and other bright and odorous blooms, which we could enjoy perfectly well without knowing their names; and I could hardly say whether the garden was more charming when it was in its summer glory, or when, on some rare winter day, a breath from the mountains had clothed its tender boughs and sprays with a light and evanescent flowering of snow. At any season the lofty palace walls rose over it, and shut it in a pensive seclusion which was loved by the old mother of the painter and by his elderly maiden sister. These often walked on its moss-grown paths, silent as the roses and oleanders to which one could have fancied the blossom of their youth had flown; and sometimes there came to them there, grave, black-gowned priests,—for the painter's was a devout family,—and talked with them in tones almost as tranquil as the silence was, save when one of the ecclesiastics placidly took snuff, —it is a dogma of the Church for priests to take snuff in Italy,—and thereafter, upon a prolonged search for his handkerchief, blew a resounding nose. So far as we knew, the garden walls circumscribed the whole life of these ladies; and I am afraid that such topics of this world as they touched upon with their priests must have been deplorably small.

Their kinsman owned part of the story under us, and both of the stories above us; he had the advantage of the garden over our landlord; but he had not so grand a gondola-gate as we, and in some other respects I incline to think that our part of the edifice was the finer. It is certain that no mention is made of any such beautiful hall in the property of the painter as is noted in that of our landlord, by the historian of a "Hundred Palaces of Venice,"—a work for which I subscribed, and then for my merit was honored by a visit from the author, who read aloud to me in a deep and sonorous voice the annals of our temporary home. This hall occupied half the space of the whole floor; but it was altogether surrounded by rooms of various shapes and sizes, except upon one side of its length, where it gave through Gothic windows of vari-colored glass, upon a small court below,—a green-mouldy little court, further dampened by a cistern, which had the usual curb of a single carven block of marble. The roof of this stately sala was traversed by a long series of painted rafters, which in the halls of nearly all Venetian palaces are left exposed, and painted or carved and gilded. A suite of stately rooms closed the hall from the Grand Canal, and one of these formed our parlor; on the side opposite the Gothic windows was a vast aristocratic kitchen, which, with its rows of shining coppers, its great chimney-place well advanced toward the middle of the floor, and its tall gloomy windows, still affects my imagination as one of the most patrician rooms which I ever saw; at the back of the hall were those chambers of ours overlooking the garden of which I have already spoken, and another kitchen, less noble than the first, but still sufficiently grandiose to make most New World kitchens seem very meekly minute and unimpressive. Between the two kitchens was another court, with another cistern, from which the painter's family drew water with a bucket on a long rope, which, when let down from the fourth story, appeared to be dropped from the clouds, and descended with a noise little less alarming than thunder.

Altogether the most surprising object in the great sala was a sewing-machine, and we should have been inconsolably outraged by its presence there, amid so much that was merely venerable and beautiful, but for the fact that it was in a state of harmonious and hopeless disrepair, and, from its general contrivance, gave us the idea that it had never been of any use. It was, in fact, kept as a sort of curiosity by the landlord, who exhibited it to the admiration of his Venetian friends.

The reader will doubtless have imagined, from what I have been saying, that the Palazzo Giustiniani had not all that machinery which we know in our houses here as modern improvements. It had nothing of the kind, and life there was, as in most houses in Italy, a kind of permanent camping out. When I remember the small amount of carpeting, of furniture, and of upholstery we enjoyed, it appears to me pathetic; and yet, I am not sure that it was not the wisest way to live. I know that we had compensation in things not purchasable here for money. If the furniture of the principal bedroom was somewhat scanty, its dimensions were unstinted the ceiling was fifteen feet high, and was divided into rich and heavy panels, adorned each with a mighty rosette of carved and gilded wood, two feet across. The parlor had not its original decorations in our time, but it had once had so noble a carved ceiling that it was found worth while to take it down and sell it into England; and it still had two grand Venetian mirrors, a vast and very good painting of a miracle of St. Anthony, and imitation- antique tables and arm-chairs. The last were frolicked all over with carven nymphs and cupids; but they were of such frail construction that they were not meant to be sat in, much less to be removed from the wall against which they stood; and more than one of our American visitors was dismayed at having these proud articles of furniture go to pieces upon his attempt to use them like mere arm-chairs of ordinary life. Scarcely less impressive or useless than these was a monumental plaster-stove, surmounted by a bust of AEsculapius; when this was broken by accident, we cheaply repaired the loss with a bust of Homer (the dealer in the next campo being out of AEsculapiuses) which no one could have told from the bust it replaced; and this and the other artistic glories of the room made us quite forget all possible blemishes and defects. And will the reader mention any house with modern improvements in America which has also windows, with pointed arches of marble, opening upon balconies that overhang the Grand Canal?

For our new apartment, which consisted of six rooms, furnished with every article necessary for Venetian housekeeping, we paid one dollar a day which, in the innocence of our hearts we thought rather dear, though we were somewhat consoled by reflecting that this extravagant outlay secured us the finest position on the Grand Canal. We did not mean to keep house as we had in Casa Falier, and perhaps a sketch of our easier menage may not be out of place. Breakfast was prepared in the house, for in that blessed climate all you care for in the morning is a cup of coffee, with a little bread and butter, a musk-melon, and some clusters of white grapes, more or less. Then we had our dinners sent in warm from a cook's who had learned his noble art in France; he furnished a dinner of five courses for three persons at a cost of about eighty cents; and they were dinners so happily conceived and so justly executed, that I cannot accuse myself of an excess of sentiment when I confess that I sigh for them to this day. Then as for our immaterial tea, we always took that at the Caffe Florian in the Piazza of Saint Mark, where we drank a cup of black coffee and ate an ice, while all the world promenaded by, and the Austrian bands made heavenly music.

Those bands no longer play in Venice, and I believe that they are not the only charm which she has lost in exchanging Austrian servitude for Italian freedom; though I should be sorry to think that freedom was not worth all other charms. The poor Venetians used to be very rigorous (as I have elsewhere related), about the music of their oppressors, and would not come into the Piazza until it had ceased and the Austrian promenaders had disappeared, when they sat down at Florian's, and listened to such bands of strolling singers and minstrels as chose to give them a concord of sweet sounds, without foreign admixture. We, in our neutrality, were wont to sit out both entertainments, and then go home well toward midnight, through the sleepy little streets, and over the bridges that spanned the narrow canals, dreaming in the shadows of the palaces.

We moved with half-conscious steps till we came to the silver expanse of the Grand Canal, where, at the ferry, darkled a little brood of black gondolas, into one of which we got, and were rowed noiselessly to the thither side, where we took our way toward the land-gate of our palace through the narrow streets of the parish of San Barnaba, and the campo before the ugly facade of the church; or else we were rowed directly to the water-gate, where we got out on the steps worn by the feet of the Giustiniani of old, and wandered upward through the darkness of the stairway, which gave them a far different welcome of servants and lights when they returned from an evening's pleasure in the Piazza. It seemed scarcely just; but then, those Giustiniani were dead, and we were alive, and that was one advantage; and, besides, the loneliness and desolation of the palace had a peculiar charm, and were at any rate cheaper than its former splendor could have been. I am afraid that people who live abroad in the palaces of extinct nobles do not keep this important fact sufficiently in mind; and as the Palazzo Giustiniani is still let in furnished lodgings, and it is quite possible that some of my readers may be going to spend next summer in it, I venture to remind them that if they have to draw somewhat upon their fancy for patrician accommodations there, it will cost them far less in money than it did the original proprietors, who contributed to our selfish pleasure by the very thought of their romantic absence and picturesque decay. In fact, the Past is everywhere like the cake of proverb: you cannot enjoy it and have it.

And here I am reminded of another pleasure of modern dwellers in Venetian palaces, which could hardly have been indulged by the patricians of old, and which is hardly imaginable by people of this day, whose front doors open upon dry land: I mean to say the privilege of sea-bathing from one's own threshold. From the beginning of June till far into September all the canals of Venice are populated by the amphibious boys, who clamor about in the brine, or poise themselves for a leap from the tops of bridges, or show their fine, statuesque figures, bronzed by the ardent sun, against the facades of empty palaces, where they hover among the marble sculptures, and meditate a headlong plunge. It is only the Venetian ladies, in fact, who do not share this healthful amusement. Fathers of families, like so many plump, domestic drakes, lead forth their aquatic broods, teaching the little ones to swim by the aid of various floats, and delighting in the gambols of the larger ducklings. When the tide comes in fresh and strong from the sea the water in the Grand Canal is pure and refreshing; and at these times it is a singular pleasure to leap from one's door-step into the swift current, and spend a half-hour, very informally, among one's neighbors there. The Venetian bathing-dress is a mere sketch of the pantaloons of ordinary life; and when I used to stand upon our balcony, and see some bearded head ducking me a polite salutation from a pair of broad, brown shoulders that showed above the water, I was not always able to recognize my acquaintance, deprived of his factitious identity of clothes. But I always knew a certain stately consul-general by a vast expanse of baldness upon the top of his head; and it must be owned, I think, that this form of social assembly was, with all its disadvantages, a novel and vivacious spectacle. The Venetian ladies, when they bathed, went to the Lido, or else to the bath-houses in front of the Ducal Palace, where they saturated themselves a good part of the day, and drank coffee, and, possibly, gossiped.

I think that our balconies at Palazzo Giustiniani were even better places to see the life of the Grand Canal from than the balcony of Casa Falier, which we had just left. Here at least we had a greater stretch of the Canal, looking, as we could, up either side of its angle. Here, too, we had more gondola stations in sight, and as we were nearer the Rialto, there was more picturesque passing of the market-boats. But if we saw more of this life, we did not see it in greater variety, for I think we had already exhausted this. There was a movement all night long. If I woke at three or four o'clock, and offered myself the novel spectacle of the Canal at that hour, I saw the heavy-laden barges go by to the Rialto, with now and then also a good-sized coasting schooner making lazily for the lagoons, with its ruddy fire already kindled for cooking the morning's meal, and looking very enviably cosey. After our own breakfast we began to watch for the gondolas of the tourists of different nations, whom we came to distinguish at a glance. Then the boats of the various artisans went by, the carpenter's, the mason's, the plasterer's, with those that sold fuel, and vegetables, and fruit, and fish, to any household that arrested them. From noon till three or four o'clock the Canal was comparatively deserted; but before twilight it was thronged again by people riding out in their open gondolas to take the air after the day's fervor. After nightfall they ceased, till only at long intervals a solitary lamp, stealing over the dark surface, gave token of the movement of some gondola bent upon an errand that could not fail to seem mysterious or fail to be matter of fact. We never wearied of this oft-repeated variety, nor of our balcony in any way; and when the moon shone in through the lovely arched window and sketched its exquisite outline on the floor, we were as happy as moonshine could make us.

Were we otherwise content? As concerns Venice, it is very hard to say, and I do not know that I shall ever be able to say with certainty. For all the entertainment it afforded us, it was a very lonely life, and we felt the sadness of the city in many fine and not instantly recognizable ways. Englishmen who lived there bade us beware of spending the whole year in Venice, which they declared apt to result in a morbid depression of the spirits. I believe they attributed this to the air of the place, but I think it was more than half owing to her mood, to her old, ghostly, aimless life. She was, indeed, a phantom of the past, haunting our modern world,—serene, inexpressibly beautiful, yet inscrutably and unspeakably sad. Remembering the charm that was in her, we often sigh for the renewal of our own vague life there,—a shadow within the shadow; but remembering also her deep melancholy, an involuntary shiver creeps over us, and we are glad not to be there. Perhaps some of you who have spent a summer day or a summer week in Venice do not recognize this feeling; but if you will remain there, not four years as we did, but a year or six months even, it will ever afterwards be only too plain. All changes, all events, were affected by the inevitable local melancholy; the day was as pensive amidst that populous silence as the night; the winter not more pathetic than the long, tranquil, lovely summer. We rarely sentimentalized consciously, and still more seldom openly, about the present state of Venice as contrasted with her past glory.

I am glad to say that we despised the conventional poetastery about her; but I believe that we had so far lived into sympathy with her, that, whether we realized it or not, we took the tone of her dispiritedness, and assumed a part of the common experience of loss and of hopelessness. History, if you live where it was created, is a far subtler influence than you suspect; and I would not say how much Venetian history, amidst the monuments of her glory and the witnesses of her fall, had to do in secret and tacit ways with the prevailing sentiment of existence, which I now distinctly recognize to have been a melancholy one. No doubt this sentiment was deepened by every freshly added association with memorable places; and each fact, each great name and career, each strange tradition as it rose out of the past for us and shed its pale lustre upon the present, touched us with a pathos which we could neither trace nor analyze.

I do not know how much the modern Venetians had to do with this impression, but something I have no question. They were then under Austrian rule; and in spite of much that was puerile and theatrical in it, there was something very affecting in their attitude of what may best be described as passive defiance. This alone made them heroic, but it also made them tedious. They rarely talked of anything but politics; and as I have elsewhere said, they were very jealous to have every one declare himself of their opinion. Hemmed in by this jealousy on one side, and by a heavy and rebellious sense of the wrongful presence of the Austrian troops and the Austrian spies on the other, we forever felt dimly constrained by something, we could not say precisely what, and we only knew what, when we went sometimes on a journey into free Italy, and threw off the irksome caution we had maintained both as to patriotic and alien tyrants. This political misery circumscribed our acquaintance very much, and reduced the circle of our friendship to three or four families, who were content to know our sympathies without exacting constant expression of them. So we learned to depend mainly upon passing Americans for our society; we hailed with rapture the arrival of a gondola distinguished by the easy hats of our countrymen and the pretty faces and pretty dresses of our countrywomen. It was in the days of our war; and talking together over its events, we felt a brotherhood with every other American.

Of course, in these circumstances, we made thorough acquaintance with the people about us in the palace. The landlord had come somehow into a profitable knowledge of Anglo-Saxon foibles and susceptibilities; but his lodgings were charming, and I recognize the principle that it is not for literature to make its prey of any possibly conscious object. For this reason, I am likewise mostly silent concerning a certain attache of the palace, the right-hand man and intimate associate of the landlord. He was the descendant of one of the most ancient and noble families of Italy,—a family of popes and cardinals, of princes and ministers, which in him was diminished and tarnished in an almost inexplicable degree. He was not at all worldly-wise, but he was a man of great learning, and of a capacity for acquiring knowledge that I have never seen surpassed. He possessed, I think, not many shirts on earth; but he spoke three or four languages, and wrote very pretty sonnets in Italian and German. He was one of the friendliest and willingest souls living, and as generous as utter destitution can make a man; yet he had a proper spirit, and valued himself upon his name. Sometimes he brought his great-grandfather to the palace; a brisk old gentleman in his nineties, who had seen the fall of the Republic and three other revolutions in Venice, but had contrived to keep a government pension through all, and now smiled with unabated cheerfulness upon a world which he seemed likely never to leave.

The palace-servants were two, the gondolier and a sort of housekeeper,—a handsome, swarthy woman, with beautiful white teeth and liquid black eyes. She was the mother of a pretty little boy, who was going to bring himself up for a priest, and whose chief amusement was saying mimic masses to an imaginary congregation. She was perfectly statuesque and obliging, and we had no right, as lovers of the beautiful or as lodgers, to complain of her, whatever her faults might have been. As to the gondolier, who was a very important personage in our palatial household, he was a handsome bashful, well-mannered fellow, with a good-natured blue eye and a neatly waxed mustache. He had been ten years a soldier in the Austrian army, and was, from his own account and from all I saw of him, one of the least courageous men in the world; but then no part of the Austrian system tends to make men brave, and I could easily imagine that before it had done with one it might give him reasons enough to be timid all the rest of his life. Piero had not very much to do, and he spent the greater part of his leisure in a sort of lazy flirtation with the women about the kitchen- fire, or in the gondola, in which he sometimes gave them the air. We always liked him; I should have trusted him in any sort of way, except one that involved danger. It once happened that burglars attempted to enter our rooms, and Piero declared to us that he knew the men; but before the police, he swore that he knew nothing about them. Afterwards he returned privately to his first assertion, and accounted for his conduct by saying that if he had borne witness against the burglars, he was afraid that their friends would jump on his back (saltarmi adosso), as he phrased it, in the dark; for by this sort of terrorism the poor and the wicked have long been bound together in Italy. Piero was a humorist in his dry way, and made a jest of his own caution; but his favorite joke was, when he dressed himself with particular care, to tell the women that he was going to pay a visit to the Princess Clary, then the star of Austrian society. This mild pleasantry was repeated indefinitely with never-failing effect.

More interesting to us than all the rest was our own servant, Bettina, who came to us from a village on the mainland. She was very dark, so dark and so Southern in appearance as almost to verge upon the negro type; yet she bore the English-sounding name of Scarbro, and how she ever came by it remains a puzzle to this day, for she was one of the most pure and entire of Italians. I mean this was her maiden name; she was married to a trumpeter in the Austrian service, whose Bohemian name she was unable to pronounce, and consequently never gave us. She was a woman of very few ideas indeed, but perfectly honest and good-hearted. She was pious, in her peasant fashion, and in her walks about the city did not fail to bless the baby before every picture of the Madonna. She provided it with an engraved portrait of that Holy Nail which was venerated in the neighboring church of San Pantaleon; and she apparently aimed to supply it with playthings of a religious and saving character like that piece of ivory, which resembled a small torso, and which Bettina described as "A bit of the Lord, Signor,"—and it was, in fact, a fragment of an ivory crucifix, which she had somewhere picked up. To Bettina's mind, mankind broadly divided themselves into two races, Italians and Germans, to which latter she held that we Americans in some sort belonged. She believed that America lay a little to the south of Vienna and in her heart I think she was persuaded that the real national complexion was black, and that the innumerable white Americans she saw at our house were merely a multitude of exceptions. But with all her ignorance, she had no superstitions of a gloomy kind: the only ghost she seemed ever to have heard of was the spectre of an American ship captain which a friend of Piero's had seen at the Lido. She was perfectly kind and obedient, and was deeply attached in an inarticulate way to the baby, which was indeed the pet of the whole palace. This young lady ruled arbitrarily over them all, and was forever being kissed and adored. When Piero went out to the wine-shop for a little temperate dissipation, he took her with him on his shoulder, and exhibited her to the admiring gondoliers of his acquaintance; there was no puppet- show, no church festival, in that region to which she was not carried; and when Bettina, and Giulia, and all the idle women of the neighborhood assembled on a Saturday afternoon in the narrow alley behind the palace (where they dressed one another's thick black hair in fine braids soaked in milk, and built it up to last the whole of the next week), the baby was the cynosure of all hearts and eyes. But her supremacy was yet more distinguished when, late at night, the household gave itself a feast of snails stewed in oil and garlic, in the vast kitchen. There her anxious parents have found her seated in the middle of the table with the bowl of snails before her, and armed with a great spoon, while her vassals sat round, and grinned their fondness and delight in her small tyrannies; and the immense room, dimly lit, with the mystical implements of cookery glimmering from the wall, showed like some witch's cavern, where a particularly small sorceress was presiding over the concoction of an evil potion or the weaving of a powerful spell.