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Valerius Terminus: of the Interpretation of Nature
by Sir Francis Bacon
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CAP. 25.

Of the impediments which have been in the state of heathen religion and other superstitions and errors of religion. And that in the true religion there hath not nor is any impediment, except it be by accident or intermixture of humour. That a religion which consisteth in rites and forms of adoration, and not in confessions and beliefs, is adverse to knowledge; because men having liberty to inquire and discourse of Theology at pleasure, it cometh to pass that all inquisition of nature endeth and limiteth itself in such metaphysical or theological discourse; whereas if men's wits be shut out of that port, it turneth them again to discover, and so to seek reason of reason more deeply. And that such was the religion of the Heathen. That a religion that is jealous of the variety of learning, discourse, opinions, and sects, (as misdoubting it may shake the foundations,) or that cherisheth devotion upon simplicity and ignorance, as ascribing ordinary effects to the immediate working of God, is adverse to knowledge. That such is the religion of the Turk, and such hath been the abuse of Christian religion at some several times, and in some several factions. And of the singular advantage which the Christian religion hath towards the furtherance of true knowledge, in that it excludeth and interdicteth human reason, whether by interpretation or anticipation, from examining or discussing of the mysteries and principles of faith.



CAP. 26.

Of the impediments which have been in the nature of society and the policies of state. That there is no composition of estate or society, nor order or quality of persons, which have not some point of contrariety towards true knowledge. That monarchies incline wits to profit and pleasure, and commonwealths to glory and vanity. That universities incline wits to sophistry and affectation, cloisters to fables and unprofitable subtilty, study at large to variety; and that it is hard to say, whether mixture of contemplations with an active life, or retiring wholly to contemplations, do disable and hinder the mind more.



(Back Cover.)

Philosophy. Line 1: see commentary Line 2: libri dimidium est, pagina 34 Line 3: pagellarum numeri veri



Writing on the Back Cover of VALERIUS TERMINUS

The writing in the original is on the outside of the last leaf, which is in fact the cover. The front cover, if there ever was one, is lost. The ink with which the line containing the symbols is written corresponds with that in the body of the manuscript; and the line itself is placed symmetrically in the middle of the page, near the top. The two lower lines are apparently by another hand, probably of later date, certainly in ink of a different colour, and paler. The word "Philosophy" is in Bacon's own hand, written lightly in the upper corner at the left, and is no doubt merely a docket inserted afterwards when he was sorting his papers. What connexion there was between the note and the manuscript it is impossible to say. But it is evidently a careful memorandum of something, set down by somebody when the manuscript was at hand; and so many of the characters resemble those adopted to represent the planets and the signs of the zodiac, that one is led to suspect in it a note of the positions of the heavenly bodies at the time of some remarkable accident;—perhaps the plague, of which 30,578 persons died in London, during the year ending 22nd December, 1603. The period of the commencement, the duration, or the cessation of such an epidemic might naturally be so noted.

Now three of the characters clearly represent respectively Mercury, Aquarius, and Sagittarius. The sign for Jupiter, as we find it in old books, is so like a 4, that the first figure of 45 may very well have been meant for it. The monogram at the beginning of the line bears a near resemblance to the sign of Capricorn in its most characteristic feature. And the mark over the sign of Aquarius appears to be an abbreviation of that which usually represents the Sun. (The blot between 1603 and B is nothing; being only meant to represent a figure 6 blotted out with the finger before the ink was dry.) Suspecting therefore that the writing contained a note of the positions of Mercury and Jupiter in the year 1603, I sent a copy to a scientific friend and asked him if from such data he could determine the month indicated. He found upon a rough calculation (taking account of mean motions only) that Jupiter did enter the sign of Sagittarius about the 10th of August, 1603, and continued there for about a twelvemonth; that the Sun entered Aquarius about the 12th or 13th of January, 1603-4; and that Mercury was about the 16th or 17th of the same month in the 26th or 27th degree of Capricorn: —coincidences which would have been almost conclusive as to the date indicated, if Capricorn had only stood where Aquarius does, and vice versa. But their position as they actually stood in the manuscript is a formidable, if not fatal, objection to the interpretation.

According to another opinion with which I have been favoured, the first monogram is a NOTA BENE; the next group may mean DIES MERCURII (Wednesday) 26TH JANUARY, 1603; and the rest refers to something not connected with astronomy. But to this also there is a serious objection. The 26th of January, 1603-4, was a Friday, and it seems to me very improbable that any Englishman would have described the preceding January as belonging to the year 1603. Bacon himself invariably dated according to the civil year, and the occasional use of the historical year in loose memoranda would have involved all his dates in confusion. I should think it more probable that the writer (who may have been copying a kind of notation with which he was not familiar) miscopied the sign of Venus into that of Mercury; in which case it would mean Friday, 26th January, 1603-4. But even then the explanation would he unsatisfactory, as leaving so much unexplained. Those however who are familiar with old manuscripts relating to such subjects may probably be able to interpret the whole.

THE END

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