'You say that he passed away quietly; he did not seem to suffer at all?'

'No, he never recovered consciousness.'

'But do you think that my refusal to marry him had anything to do with his death?'

'Oh no, Emily; a fit of apoplexy, with a man of his age, generally ends fatally.'

'Even if I had known it all beforehand I don't think I could have acted differently. I could not have married him. Indeed I couldn't, Julia, not even if I knew I should save his life by doing so. I daresay it is very wicked of me, but——'

'Dearest Emily, you must not give way to such thoughts; you did quite right in refusing to marry Mr. Burnett. It was very wrong of him even to think of asking you, and if he had lived he would have seen how wrong it was of him to desire such a thing.'

'If he had lived! But then he didn't live, not even long enough to forgive me, and when we think of how much he suffered—I don't mean in dying, you say he passed away quietly, but all this last month how heart-broken he looked! You remember when he sat at the head of the table, never speaking to us, and how frightened I was lest I should meet him on the stairs; I used to stand at the door of my room, afraid to move. I know he suffered, poor old man. I was very, very sorry for him. Indeed I was, Julia, for I'm not selfish, and when I think now that he died without forgiving me, I feel, I feel—oh, I feel as if I should like to die myself. Why do such things happen to me? I feel just as miserable now as I used to when I lived with father and mother, who could not agree. I have often told you how miserable I was then, but I don't think you ever quite understood. I feel just the same now, just as if I never wanted to see any one or anything again. I was so unhappy when I was a child, they thought I would die, and I should have died if I had remained listening to father and mother any longer. ... Every one thought I was so lucky when Mr. Burnett decided to adopt me and leave me all his money, and he has done that, poor old man, so I suppose I should be happy; but I'm not.'

The girl's eyes turned instinctively towards the window and rested for a moment on the fair, green prospects of the park.

'I hated to listen to father and mother quarrelling, but I loved them, and I had not been here a year before father died, and darling mother was not long following him—only six months. Then I had no one: a few distant relatives, whom I knew nothing of, whom I did not care for, so I gave all my love to Mr. Burnett. He was so good to me; he never denied me anything; he gave me everything, even you, dearest Julia. When he thought I wanted a companion, he found you for me. I learnt to love you. You became my best and dearest friend. Then things seemed to brighten up, and I thought I was happy, when all this dreadful trouble came upon us. Don't let's speak of it more than we can help. I often wished myself dead. Didn't you, Julia?'

Emily Watson told the story of her misfortunes in a low, musical voice, heedless of two or three interruptions, hardly conscious of her listener, impressed and interested by the fatality of circumstances which she believed in design against her. She was a small, slender girl of about eighteen. Her abundant chestnut hair—exquisite, soft, and silky—was looped picturesquely, and fastened with a thin tortoiseshell comb. The tiny mouth trembled, and the large, prominent eyes reflected a strange, yearning soul. She was dressed in white muslin, and the fantastically small waist was confined with a white band. Her friend and companion, Julia Bentley, was a woman of about thirty, well above the medium height, full-bosomed and small-waisted. The type was Anglo-Saxon even to commonplace. The face was long, with a look of instinctive kindness upon it. She was given to staring, and as she looked at Emily, her blue eyes filled with an expression which told of a nature at once affectionate and intelligent. She was dressed in yellow linen, and wore a gold bracelet on a well-turned arm.

The room was a long, old-fashioned drawing-room. It had three windows, and all three were filled with views of the park, now growing pale in the evening air. The flower-gardens were drawn symmetrically about the house and were set with blue flower-vases in which there were red geraniums. It was a very large room, nearly forty feet long, with old portraits on the walls—ugly things and ill done; and where there were no portraits the walls were decorated with vine leaves and mountains. The parqueted floor was partially covered with skins, and the furniture seemed to have known many a generation; some of it was heavy and cumbersome, some of it was modern. There was a grand piano, and above it two full-length portraits—a lady in a blue dress and a man in black velvet knee-breeches. At the end of a long silence, Emily suddenly threw herself weeping into Julia's arms.

'Oh, you are my only friend; you will not leave me now.... We shall always love one another, shall we not? If anything ever came between us it would kill me.... That poor old man lying dead up-stairs! He loved me very dearly, and I loved him, too. Yet I said just now I could not have married him even if I had known it would save his life. I was wrong; yes, I would have married him if I had known.... You don't believe me?'

'My dearest girl, you must try to forget that Mr. Burnett ever entertained so foolish a thought. He was a very good man, and loved you for a long time as he should have loved you—as a daughter. We shall respect his memory best by forgetting the events of the last six weeks. And now, Emily, dinner will be ready at seven o'clock, and it is now six. What are you going to do?'

'I shall go out for a little walk. I shall go down and see the swans.'

'Shall I come with you?'

'No, thank you, dear; I think I'd sooner be alone. I want to think.'

Julia looked a moment anxiously at this fragile girl, whose tiny head was poised on a long, delicate neck like a fruit on its stem.

'Yes, go for a walk, dear,' said Julia; 'it will do you good. Shall I go and fetch your hat and jacket?'

'No, thank you, I will not trouble you; I'll go myself.'

'No, Emily, I think you had better let me go.'

'Oh, no; I am not afraid.'

And she went up the wide oak staircase, thinking of the man who lay dead in the room at the end of the passage. She was conscious of a sense of dread; the house seemed to wear a strange air, and her dog, Dandy, was conscious of it, too; he was more silent, less joyful than usual. And when she came from her room, dressed to go out, instead of rushing down-stairs, barking with joy, he dropped his tail and lingered at the end of the passage. She called him; he still hesitated, and then, yielding to a sudden desire, she went down the passage and knocked at the door of the room. The nurse answered her knock.

'Oh, don't come in, miss.'

'Why not? I want to see him before he goes away for ever.'

Upon the limp, white curtains of an old four-posted bed she saw the memorable profile—stern, unrelenting. How still he lay! Never would that face speak or laugh or see again. Although sixty-five, his head was covered with short, thick, iron-grey hair; the beard, too, was short and thick, and iron-grey. The face was rugged, and when Emily touched the coarse hand, telling of a life of toil, she started—it was singularly cold. Fear and sorrow in like measure choked her, and her soul awoke, and tremblingly she walked out of the house, glad to breathe the sweet evening air.

She walked towards the artificial water. The sky was melancholy and grey, and the park lay before her, hushed and soundless. Through the shadows of the darkening island two swans floated softly, leaving behind slight silver lines; above, the swallows flew high in the evening. There was sensation of death, too, in this cold, mournful water, and in the silence that hung about it, and in some vague way it reminded Emily of her own life. She had known little else but death; her life seemed full of death; and those reflections, so distinct and so colourless, were like death.

Then, in a sudden expansion of youth she wondered. Her own life, how strange, how personal, how intense! What did it mean, what meaning had it in the great, wide world? And the impressive tranquillity, the pale death of the day, lying like a flower on the water, seemed to symbolise her thought, and she felt more distinctly than she had ever done before. And there arose in her a nervous and passionate interest in herself. She seemed so strange, so wonderful. Her childhood was in itself an enigma. That sad and sorrowful childhood of hers, passed in that old London house; her mother's love for her; her cruel, stern stepfather, and the endless quarrels between her father and mother, which made her young life so unbearable, so wretched, that she could never think of those years without tears rising to her eyes. And then the going away, coming to live with Mr. Burnett! The death of her father and her dear mother, so sudden, following so soon one after the other. How much there had been in her life, how wonderful it was! Her love of Mr. Burnett, and then that bitter and passionate change in him! That proposal of marriage; could she ever forget it? And then this cruel and sudden death. Everything she had ever loved had been taken from her. Only Julia remained, and should Julia be taken from her, she felt that she must die. But that would not, could not, happen. She was now mistress of Ashwood, she was a great heiress; and she and Julia would live always together, they would always love one another, they would always live here in this beautiful place which they loved so well.



VIII

There were at the funeral a few personal friends who lived in the neighbourhood, the farmers on the estate, and the labourers; and when the little crowd separated outside the church, Emily and Julia walked back to Ashwood with Mr. Grandly, Mr. Burnett's intimate friend and solicitor. They returned through the park, hardly speaking at all, Emily absent-minded as usual, waving her parasol occasionally at a passing butterfly. The grass was warm and beautiful to look on, and they lingered, prolonging the walk. It was very good of Mr. Grandly to accompany them back; he might have gone on straight to the station, so Julia thought, and she was surprised indeed when, instead of bidding them good-bye at the front door, he said—

'Before I return to London I have a communication to make to both you ladies. Will it suit you to come into the drawing-room with me?'

'Perfectly, so far as I'm concerned; and you, Emily?'

'Oh, I've nothing to do; but if it is about business, Julia will attend——'

'I think you had better be present, Miss Watson.'

Mr. Grandly was a tall, massive man with benevolent features; his bald, pink skull was partly covered with one lock of white hair. There was an anxious look in his pale, deep-set eyes which impressed Julia, and she said: 'I hope this communication you have to make to us is not of a painful nature. We have——'

'Yes, Mrs. Bentley, I know that you have been severely tried lately, but there is no help for it. I cannot keep you in ignorance any longer of certain facts relating to Mr. Burnett's will.' The words 'will' and 'facts' struck on Emily's ear. She had been thinking about her fortune. The very ground she was walking on was hers. She was the owner of this beautiful park; it seemed like a fairy tale. And that house, that dear, old-fashioned house, that rambling, funny old place of all sizes and shapes, full of deep staircases and pictures, was hers. Her eyes wandered along the smooth wide drive, down to the placid water crossed by the great ornamental bridge, the island where she had watched the swans floating last night—all these things were hers. So the words 'will' and 'facts' and 'ignorance of them' jarred her clutching little dream, and she turned her eyes—they wore an anxious look—towards Mr. Grandly, and said with an authoritative air: 'Yes, let us go into the drawing-room; I want to hear what Mr. Grandly has to say about——Let us go into the drawing-room at once.'

Julia took the chair nearest to her. Emily stood at the window, waiting impatiently for Mr. Grandly to begin. He laid his hat on the parquet, wiped his forehead with his handkerchief, and drew an arm-chair forward. 'Mr. Burnett, as you know, made a will some years ago, in favour of his cousin and adopted daughter, Miss Emily Watson. In that will he left his entire fortune to her, Ashwood Park and all his invested money. No other person was mentioned in that will, except Miss Watson. It was I who drew up this will. I remember discussing its provisions with Mr. Burnett, and advising him to leave something, even if it were only a few hundred pounds, to his nephew, Hubert Price. But Mr. Burnett was always a very headstrong man; he had quarrelled with this young man, as he said, irreparably, and could not be induced to leave him even a hundred pounds. I thought this was harsh, and as Mr. Burnett's friend I told him so—I have always been opposed to extreme measures,—but he was not to be gainsaid. So the matter remained for many years; never did Mr. Burnett mention his nephew's name. I thought he had forgotten the young man's existence, when, suddenly, without warning, Mr. Burnett came into my office and told me that he intended to alter his will, leaving all his property to his nephew, Hubert Price. You know what old friends we were, and, presuming on our friendship, I told him what I thought of his project of disinheritance, for it amounted to that. Well, suffice it to say, we very nearly quarrelled over the matter. I refused to draw up the will, so iniquitous did it seem to me. He said: "Very well, Grandly, I'll go elsewhere." Then I remembered that if I allowed him to go elsewhere I should lose all hold over him, and I consented to draw up the will.'

Emily listened, a vague expression of pain in her pathetic eyes. Then this house, this room where she was sitting, was not hers, and a strange man would come soon and drive her away!

'And he has left Ashwood to Mr. Price, is not that his name?' she said, abruptly.

'Yes; he has left Ashwood to Mr. Price.'

'And when did he make this new will?'

'I think it is just about a month ago.'

Emily leaned forward, and her great eyes, full of light and sorrow, were fixed in space, her little pale hands linked, and the great mass of chestnut hair slipping from the comb. She was, in truth, at that moment the subject of a striking picture, and she was even more impressive when she said, speaking slowly: 'Then that old man was even wickeder than I thought. Oh, what I have learned in the last three or four weeks! Oh, what wickedness, what wickedness!... But go on,' she said, looking at Mr. Grandly; 'tell me all.'

'I suppose there was some very serious reason, but on that point Mr. Burnett absolutely refused to answer me. He said his reasons were his own, and that he intended to leave his money to whom he pleased.'

'There was——' Julia stopped short, and looked interrogatively at Emily.

'Go on, Julia, tell him; we have nothing to conceal.'

'Mr. Burnett asked Emily to marry him a short time ago; she, of course, refused, and ever since he seemed more like——'

'A madman than anything else,' broke in Emily. 'Oh, for the last month we have led a miserable life! It was a happy release.'

'Is it possible,' said Mr. Grandly, 'that Mr. Burnett seriously contemplated marriage with Miss Watson?'

'Yes, and her refusal seemed to drive him out of his mind.'

'I never was more surprised.' The placid face of the eminently respectable solicitor lapsed into contemplation. 'I often tried,' he said, suddenly, 'to divine the reason why he changed his will. Disappointed love seemed the only conceivable reason, but I rejected it as being quite inconceivable. Well, it only shows how little we know what is passing in each other's minds.'

'Then,' said Julia, 'Mr. Burnett has divided his fortune, leaving Ashwood to Mr. Price, and all his invested money to Emily?'

A look of pain passed over Mr. Grandly's benevolent face, and he answered: 'Unfortunately he has left everything to Mr. Price.'

'I'm glad,' exclaimed Emily, 'that he has left me nothing. Once he thought fit to disinherit me because I would not marry him, I prefer not to have anything to do with his money.'

Mr. Grandly and Julia looked at each other; they did not need to speak; each knew that the girl did not realise at once the full and irretrievable nature of this misfortune. The word 'destitute' was at present unrealised, and she only thought that she had been deprived of what she loved best in the world—Ashwood. Mr. Grandly glanced at her, and then speaking a little more hurriedly, said—

'I was saying just now that I only consented to draw up the will so that I might be able at some future time to induce Mr. Burnett to add a codicil to it. Later on I spoke to him again on the subject, and he promised to consider it, and a few days after he wrote to me, saying that he had decided to take my advice and add a codicil. Subsequently, in another letter he mentioned three hundred a year as being the sum he thought he would be in honour bound to leave Miss Watson. Unfortunately, he did not live long enough to carry this intention into execution. But the letters he addressed to me on the subject exist, and I have every hope that the heir, Mr. Price, will be glad to make some provision for his cousin.'

'Have you any reason for thinking that Mr. Price will do so?' said Julia.

'No. But it seems impossible for any honourable man to act otherwise.'

'He cannot bear enmity against Emily, who of course knew nothing of his quarrel with his uncle. Do you know anything about Mr. Price? What is he? Where does he live?'

'He is a literary man, I believe. I have heard that he writes plays!'

'Oh, a writer of plays.'

'Yes. I am glad of it; he may be easier to deal with. I daresay it is a mistaken notion, but one is apt to imagine that these artist folk are more generous with their money than ordinary mortals.'

'Is he married?' said Julia, and involuntarily she glanced toward Emily.

Mr. Grandly, too, looked toward the girl, and then he said: 'I don't know if Mr. Price is married; I hope not.'

'Why do you hope so?' said Emily, suddenly.

'Because if he isn't, there will only be one person to deal with. If he had a wife, she would have a voice in the matter; and in such circumstances as ours a man is easier to deal with. I earnestly hope Mr. Hubert Price is not married, and shall consider it a great point in our favour if on returning to town I find he is not.' Then assuming a lighter tone, for the nervous strain of the last ten minutes had been intense, he said: 'If he is not married, who knows—you may take a fancy to him, and he to you; then things would be just the same as before—only better.'

'I should not marry him—I hate him already. I wonder how you can think of such a thing, Mr. Grandly? You know that he must be a very wicked man for uncle to have disinherited him. I have always heard that—but I don't know what I am saying.' Tears welled up into her eyes. 'I daresay my cousin is not so bad as—but I can talk no more.... I am very miserable, I have always been miserable, and I don't know why; I never did harm to any one.'

Soon after Mr. Grandly bade the ladies good-bye. Julia followed him to the front door. 'You will do all you can to help us? That poor child is too young, too inexperienced, to realise what her position is.'

'I know, I know,' said Mr. Grandly, extending both hands to Julia; 'in the whole course of my experience I never met with a sadder case. But we must not take too sad a view of it. Perhaps all will come right in the end. The young man cannot refuse to make good his uncle's intentions. He cannot see his cousin go to the workhouse. I will do the best I can for you. The moment I get back to London, I'll set inquiries on foot and find out his address, and when I have seen him I'll write. Good-bye.'

Then, resolving that it were better to leave the girl to herself, Julia took up her key-basket and hurried away on household business. But in the middle of her many occupations she would now and then stop short to think. She had never heard of anything so cruel before. That poor girl—she must go to her; she must not leave her alone any longer. But it would be well to avoid the subject as much as possible. She must think of something to distract her thoughts. The pony-chaise. It might be the last time they had a carriage to go out in. But they could not go out driving on the day of the funeral.

That evening, as they were going to bed, Emily said, lifting her sweet, pathetic little face, looking all love and gentleness: 'Oh, to think of a common, vulgar writer coming here, with a common, vulgar wife and a horrid crowd of children. Oh, Julia, doesn't it seem impossible? And yet I suppose it is true. I cannot bear to think of it. I can see the horrid children tramping up and down the stairs, breaking the things we have known and loved so long; and they will destroy all my flowers, and no one will remember to feed the poor swans. Dandy, my beloved, I shall be able to take you with me.' And she caught up the rough-haired terrier and hugged him, kissing his dear old head. 'Dandy is mine; they can't take him from me, can they? But do you think the swans belong to them or to us? I suppose it would be impossible to take them with us if we go to live in London. They couldn't live in a backyard.'

'But, dearest Emily, who are "they"? You don't know that he is married—literary men don't often marry. For all you know, he is a handsome young man, who will fall madly in love with you.'

'No one ever fell in love with me except that horrid old man—how I hate him, how I detest to think of it! I thought I should have died when he asked to marry me. The very memory of it is enough to make me hate all men, and prevent me from liking any one. I don't think I could like him; I should always see that wicked old man's hoary, wrinkled face in his.'

'Oh, Emily, I cannot think how such ideas can come into your head. It is not right, indeed it isn't.' And this simple Englishwoman looked at this sensitive girl in sheer wonderment and alarm.

'I only say what I think. I am glad the old man did disinherit me. I'm glad we are leaving Ashwood; I cannot abide the place when I think of him.... There, that is his chair. I can see him sitting in it now. He is grinning at us; he is saying, "Ha! ha! I have made beggars of you both." You remember how we used to tremble when we met his terrible old face on the stairs; you remember how he used to sit glaring at us all through dinner?'

'Yes, Emily, I remember all that; but I do not think it natural that you should forget all the years of kindness; he was very good to you, and loved you very much, and if he forgot himself at the end of his life, we must remember the weakness of age.'

'The hideousness of age,' Emily replied, in a low tone. The conversation paused, and then Julia said—

'You are speaking wildly, Emily, and will live to regret your words. Let us speak no more of Mr. Burnett... I daresay you will find your cousin a charming young man. I should laugh if it were all to end in a marriage. And how glad I should be to see you off on your honeymoon, to bid you good-bye!'

'Oh, Julia, don't speak like that; you will never bid me good-bye. You will never leave me—promise me that—you are my only friend. Oh, Julia, promise me that you will never leave me.'

Tears rose in Julia's eyes, and taking the girl in her arms, she said, 'I'll never leave you, my dear girl, until you yourself wish it.'

'I wish it? Oh, Julia, you do not know me. I have lost everything, Julia, but I mustn't lose you... After all, it doesn't so much matter, so long as we are not separated. I don't care about money, and we can have a nice little house in London all to ourselves. And if we get too hard up, we'll both go out as daily governesses. I think I could teach a little music, to young children, you know; you'd teach the older ones.' Emily looked at Julia inquiringly, and going over to the piano, attempted to play her favourite polka. Julia, who had once worked for her daily bread, and earned it in a sort of way by giving music-lessons, smiled sadly at the girl's ignorance of life.

'I see,' said Emily, who was quick to divine every shade of sentiment passing in the minds of those she loved; 'you don't think I could teach even the little children.'

'My dear Emily, I hope it will never come to your having to try.'

'I must do something to get a living,' she replied, looking vaguely and wistfully into the fire. 'How unfortunate all this is—that horrid, horrid old man. But supposing he had asked you to marry him—he wasn't nice, but you are older than I, and if you had married him you would have become, in a way, my stepmother. But what a charming stepmother! Oh, how I should have loved that!'

'Come, Emily, it is time to go to bed; you let your imagination run away with you.'

'Julia, you are not cross because——'

'No, dear, I'm not cross. I'm only a little tired. We have talked too long.'

Emily's allusion to music-teaching had revived in Julia all her most painful memories. If this man were to cast them penniless out of Ashwood! Supposing, supposing that were to happen? Starving days, pale and haggard, rose up in her memory. What should she do, what should she do, and with that motherless girl dependent on her for food and clothes and shelter? She buried her face in the pillow and prayed that she might be saved from such a destiny.

If this man—this unknown creature—were to refuse to help them, she and Emily would have to go to London, and she would have to support Emily as best she might. She would hold to her and fight for her with all her strength, but would she not fall vanquished in the fight; and then, and then? The same thoughts, questions, and fears turned in her head like a wheel, and it was not until dawn had begun to whiten the window-panes that she fell asleep.

A few days after, the post brought a letter for Julia. After glancing hastily down the page she said: 'This is a letter from Mr. Grandly, and it is good news. Oh, what a relief!...'

'Read it.'

'"Dear Mrs. Bentley,—Immediately I arrived in London, I set to work to find out Mr. Price's address. It was the easiest matter in the world, for he has a play now running at one of the theatres. So I directed my letter to the theatre, and next morning I had a visit from him. After explaining to him the resources of the brilliant fortune he had come into, I told him of his uncle's intention to add a codicil to his will, leaving Miss Watson three hundred a year; I told him that this last will had left her entirely unprovided for. He said, at once, that he fully agreed with me, and that he would consider what was the most honourable course for him to take in regard to his 'cousin. This is exactly what he said, but his manner was such that before leaving he left no doubt in my mind whatever that he will act very generously indeed. I should not be surprised if he settled even more than the proposed three hundred a year on Miss Watson. He is a very quiet, thoughtful young man of about two or three and thirty. He looks poor, and I fancy he has lived through very hard times. He wears an air of sadness and disappointment which makes him attractive, and his manners are gentle and refined. I tell you these things, for I know they will interest you. I have not been able to find out if he is married, but I am sorry to say that his play has not succeeded. I should have found out more, but he was not in my office above ten minutes; he had to hurry away to keep an appointment at the theatre, for, as he explained, it was to be decided that very day if the play was to be taken out of the bills at the end of the week. He promised to call again, and our interview is fixed for eleven o'clock the day after to-morrow. In the meantime take heart, for I think I am justified in telling you I feel quite sanguine as to the result."'

'Well,' said Julia, laying down the letter, 'I don't think that anything could be more satisfactory, and just fancy dear old Mr. Grandly being able to describe a young man as well as that.'

'He doesn't say if he is short or tall, or dark or fair.'

'No, he doesn't. I think he might have told us something about his personal appearance, but it is a great relief to hear that he is not the vulgar Bohemian we have always understood him to be. Mr. Grandly says his manners are refined; you might take a fancy to him after all.'

'But you don't know that he isn't married. I suppose Mr. Grandly wasn't able to find that out. I should like to know—but not because I want to marry him or any one else; only I don't like the idea of a great, vulgar woman, and a pack of children scampering about the place when we go.'

'Do you dislike children so much, then, Emily?'

'I don't know that I ever thought about them; but I'm sure I shouldn't like his children. I dreamt of him last night. Do you believe in dreams?'

'What did you dream?'

'I cannot remember, but I woke up crying, feeling more unhappy than I ever felt in my life before. It is curious that I should dream of him last night, and that you should receive that letter this morning, isn't it?'

'I don't see anything strange in it. Nothing more natural than that you should dream about him, and it was certain that I should receive a letter from Mr. Grandly; he promised to write to me in a few days.'

'Then you believe what is in that letter—I don't. Something tells me that he will not act kindly, but I don't know how.'

'I'm quite sure you are wrong, Emily. Mr. Grandly would never have written this letter unless he knew for certain that Mr. Price would do all or more than he promised.'

'I can't see from the letter that he has promised anything... Even if he does give me three hundred a year, I shall have to leave Ashwood.'

'My dear Emily, I'm cross with you: of course, if you will insist on always looking at the melancholy side.... Now I'm going; I've to see after the housekeeping. Are you going into the garden?'

'Yes, presently.'

Emily did not seem to know what she was going to do. She looked out of the window, she lingered in the corridor; finally she wandered into the library. The quaint, old-fashioned room recalled her childhood to her. It was here she used to learn her lessons. Here was the mahogany table, at which she used to sit with her governess, learning to read and write; and there, far away at the other end of the long room, was the round table, where lay the old illustrated editions of Gulliver's Travels and The Arabian Nights, which she used to run to whenever her governess left the room. And at the bottom of the book-cases there were drawers full of strange papers; these drawers she used to open in fear and trembling, so mysterious did they seem to her. And there was the book-cases full of the tall folios, behind which lay, in dark and dim recesses, stores of books which she used to pull out, expecting at every moment to come upon long-forgotten treasures. She smiled now, as she recalled these childish imaginings, and lifting tenderly the coarse drugget, she looked at the great green globe which her fingers used to turn in infantile curiosity.

Then leaving the library, she roamed through the house, pausing on the first landing to gaze on the picture of the fine gentleman in a red coat, his hand for ever on his sword. She remembered how she used to wonder whom he was going to kill, and how sure she used to feel that at last he would grant his adversary his life. And close by was the picture of the wind-mill, set on the edge of the down, with the shepherd driving sheep in the foreground. Her whole life seemed drenched with tears at the thought of parting with these things. Every room was full of memories for her. She was a little girl when she came to live at Ashwood, and the room at the top of the stairs had been her nursery. There were the two beds; both were now dismantled and bare. It was in the little bed in the corner that she used to sleep; it was in the old four-poster that her nurse slept. And there was the very place, in front of the fire, where she used to have her tea. The table had disappeared, and the grate, how rusty it was! In the far corner, by the window, there used to be a press, in which nurse kept tea and sugar. That press had been removed. The other press was there still, and throwing open the doors she surveyed the shelves. She remembered the very peg on which her hat and jacket used to hang. And the long walks in the great park, which was to her, then, a world of wonderment!

She wandered about the old corridor, in and out of odd rooms, all associated with her childhood—quaint old rooms, many of them lumber rooms, full of odd corners and old cupboards, the meaning of which she used to strive to divine. How their silence and mystery used to thrill her little soul! Faded rooms whose mystery had departed, but whose gloom was haunted with tenderest recollections. In one corner was the reading-chair in which Mr. Burnett used to sit. At that time she used to sit on his knee, and when the chair gave way beneath their weight, he had said she was too big a girl to sit on his knee any longer. The words had seemed to her a little cruel. She had forgotten the old chair, but now she remembered the very moment when the servants came to take it away.

Under the window were some fragments of a china bowl which she had broken when quite a little child. There was a hoop-stick and the hoop which had been taken down to the blacksmith's to be mended. He had mended it, but she did not remember ever using it again. And there was an old box of water-colours, with which she used to colour all the uncoloured drawings in her picture-books. Emily took the hoop-stick, the old doll, and the broken box of water-colours, and packed them away carefully. She would be able to find room for them in the little house in London where she and Julia were going to live.

A few days after, the post brought letters from Mr. Grandly, one for Emily and one for Julia. Julia's letter ran as follows:

'Dear Mrs. Bentley,—-I write by this post to Miss Watson, advising her that her cousin, Mr. Price, is most anxious to make her acquaintance, and asking her to send the dog-cart to-morrow to meet him at the station. I must take upon myself the responsibility for this step. I have seen Mr. Price again, and he has confirmed me in my good opinion of him. He seems most anxious, not only to do everything right, but to make matters as pleasant and agreeable as possible for his cousin. He has written me a letter recognising Miss Watson's claim upon him, and constituting himself her trustee. I have not had yet time to prepare a deed of gift, but there can be little doubt that Miss Watson's position is now quite secure. So far so good; but more than ever does the only clear and satisfactory way out of this miserable business seem to me to be a marriage between Mr. Hubert Price and Miss Watson. I have already told you that he is a nice, refined young man, of gentlemanly bearing, good presence, and excellent speech, though a trifle shy and reserved; and, as I have since discovered that he is not married, I have taken upon myself the responsibility of advising him to jump into a train and to go and tell his cousin the conclusion he has come to regarding the will of the late Mr. Burnett. As I have said, he is a shy man, and it was some time before I could induce him to take so decisive a step; he wanted to meet Miss Watson in my office, but I succeeded in persuading him. He will go down to you to-morrow by the five o'clock, and I need not impress upon you the necessity that you should use your influence with Miss Watson, and that his reception should be as cordial as circumstances permit. I have only to add that I see no need that you should show this letter to Miss Watson, for the very fact of knowing that we desired to bring about a marriage might prejudice her against this young man, whom she otherwise cannot fail to find charming.'

Hearing some one at her door, Julia put the letter away. It was Emily.

'I've just received a letter from Mr. Grandly, saying that that man is coming here to-day, and that we are to send the dog-cart for him.'

'Is not that the very best thing that——'

'We cannot remain here, we must leave a note for him, or something of that kind. I wouldn't remain here to meet him for worlds. I really couldn't, Julia.'

'And why not, Emily?'

'To meet the man who is coming to turn me out of Ashwood!'

'How do you know that he is coming to turn you out of Ashwood? You imagine these things.... Do you suppose that Mr. Grandly would send him down here if he did not know what his intentions were?'

'But we shall have to leave Ashwood.'

'Very likely, but not in the way you imagine. Remember, Mr. Price is your cousin; you may like him very much. Let's be guided by Mr. Grandly; I have not seen your letter, but apparently he advises us to remain here and receive him.'

'I don't think I can, Julia. I have misgivings.'

'Have you been dreaming again?'

'No; I've not been dreaming, but I have misgivings.'

'You are a silly little goose, Emily. Come and give me a kiss, and promise to take my advice.'

'Dearest Julia, you do love me, don't you? Promise me that we shall not be separated, and then I don't mind.'

'Yes, dear, I promise you that, and you will promise me to try to like your cousin?'

'I'll try, Julia, but I'm awfully frightened, and—I don't think I could like him, no matter what he was like. I feel a sort of hatred in my heart. Don't you know what I mean?' And the girl looked questioningly into her friend's eyes.



IX

'I am Miss Watson,' she said in her low musical voice, 'and this is my friend, Mrs. Bentley.' Hubert bowed, and sought for words. He found none, and the irritating silence was broken again by Miss Watson. 'Won't you sit down?' she said.

'Thank you.' He pulled off his gloves. The pained, troubled look which he had met in Miss Watson's face seemed a reproach, and he regretted not having followed his own idea, and invited the young lady to meet him at Mr. Grandly's office. He glanced nervously from one lady to the other.

'I hope you have had a pleasant journey, Mr. Price,' said Mrs. Bentley. 'The country is looking very beautiful just at present. Do you know this part of the country?' Mrs. Bentley's words were very welcome, and Hubert replied eagerly—

'No; I do not know the country at all well. I have been very little out of London for some years, but I hope now to see more of the country. This is a beautiful place.'

At that moment he met Mrs. Bentley's eyes, and, feeling that he was touching on delicate ground, he stopped speaking. When he turned his head, he met Miss Watson's great sad eyes, which seemed to absorb the entire face, fixed upon him. They expressed such depth of pathetic appeal that he trembled with apprehension, and the instinct in him was to beg for pardon. But it became suddenly necessary to say something, and, speaking at random, his head full of whirling words, he said—

'Of course nothing could be more sad than my poor uncle's death,—so unexpected... Having lived so long together, you must have——' Then it was Hubert's turn to look appealingly at Miss Watson; but her great eyes seemed to say, 'Go on, go on; heap cruelty on cruelty!' Then he plunged desperately, hoping to retrieve his mistakes. 'He died about a month ago. Mr. Grandly told me I should still find you here, so I thought——'

The intensity of his emotion perhaps caused Hubert to accentuate his words, so that they conveyed a meaning different from that which he intended. Certainly his hesitations were capable of misinterpretation, and Miss Watson said, her voice trembling,—

'Of course we know we have no right here, we are intruding; but we are making preparations.... I daresay that to-morrow we shall be able to——'

'Oh, I beg pardon, Miss Watson; let me assure you ... I am sorry if——'

Taking a little handkerchief out of her black dress, Emily covered her face in her thin, tiny hands. She sobbed aloud, and ran out of the room. Hubert turned to Mrs. Bentley, his face full of consternation.

'I am very sorry, but she did not give me time to speak. Will you go and fetch her, Mrs. Bentley? I want to tell her I hope she will never leave Ashwood. ... I believe she thinks that I came down here to ask her to leave as soon as possible. It is really quite awful that she should think such a thing.'

'She is an exceedingly sensitive girl, and is now a little overwrought. The events of the last month have proved too much for her.'

'Mr. Grandly informed me that it was Mr. Burnett's intention to add a codicil to his will, leaving Miss Watson three hundred a year. This money I am prepared to give her, and I'm quite sure she is welcome to stay here as long as she pleases. Indeed, she will do me a great favour by remaining. Please go and tell her. I cannot bear to see a girl cry; to hear her sob like that is quite terrible.'

'You will be able to tell her yourself during the course of the evening. I think it will come better from you.'

'After what has happened, it will be very difficult for me to meet her until she is informed that she is mistaken. I charged Mr. Grandly to explain everything in his letter. Apparently he omitted to do so.'

'He only said you wanted to see Emily on a matter of business. Of course we did not expect such generosity.'

They were standing quite close together, and suddenly Hubert became conscious of Mrs. Bentley's beauty. Her blue eyes were at that moment full of tender admiration for the instinctive generosity which Hubert so unwittingly exhibited, and her eyes told what was passing in her soul. Suddenly they both seemed to understand each other better, and, playing with the bracelet on her arm, she said—

'You do not know Emily; she is strangely sensitive. But I will go and try to persuade her to return.... Although only distantly related, you are cousins, after all—are you not?'

'Yes, we are cousins, but the relationship is remote. Tell her everything; beg of her to come down-stairs.'

Hubert imagined Emily's little black figure thrown upon her bed, sobbing convulsively. He was very much agitated, and looked about the room, at first hardly seeing it. At last its novelty drew his thoughts from his cousin's tears, and he wondered what was the history of the house. 'The old man,' he thought, 'bought it all, furniture and ancestors, from some ruined landowner, and attempted very few alterations—that's clear.' Then he reproached himself. 'How could I have been so stupid? I did not know what I was saying. I was so horribly nervous. Those strange eyes of hers quite upset me. I do hope Mrs. Bentley will tell her that I wish to act generously, that I am prepared to do everything in my power to make her happy. Poor little thing! She looks as if she had never been happy.' Again the room drew Hubert's thoughts away from his cousin. It was still lit with the faint perfumed glow of the sunset. The paint of the old decorations was cracked and faded. A man in a plum-coloured coat with gold facings fixed his eyes upon him, and the tall lady in blue satin had no doubt played there in short clothes. He walked up and down, he turned over the music on the piano, and, hearing a step, looked round. It was only the servant coming to tell him that his room was ready.

He dressed for dinner, hoping to find the two ladies in the drawing-room, and it was a disappointment to find only Mrs. Bentley there.

'I have told Emily everything you said. She is very grateful, and begs of me to thank you for your kind intentions. But I am afraid you must excuse her absence from dinner. I really don't think she is in a fit state to come down; she couldn't possibly take part in the conversation.'

'But why? I hope she isn't ill? Had we better send for the doctor?'

'Oh no; she'll be all right in the morning. She has been crying. She suffers from depression of spirits. She is, I assure you, all right,' said Mrs. Bentley, replying to Hubert's alarmed and questioning face. 'I assure you there is no need for you to reproach yourself. Dinner is ready.' She took his arm, and they went into the dining-room.

No further mention was made of Mr. Burnett, of money matters, or of the young lady up-stairs; and with considerable tact Mrs. Bentley introduced the subject of literature, alluding gracefully to Hubert's position as a dramatist.

'Your play, Divorce, is now running at the Queen's Theatre?'

No; I'm sorry to say it was taken out of the bills last Saturday. Saturday night was the last performance.'

'That was not a long run. And the papers spoke so favourably of it.'

'It is a play that only appeals to the few.' And, encouraged by Mrs. Bentley's manner, Hubert told her how happy endings and comic love-scenes were essential to secure a popular success.

'I am afraid you will think me very stupid, but I do not quite understand.'

In a quiet, unobtrusive way Hubert was a graceful talker, and he knew how to adapt his theme, and bring it within the circle of the sympathies of his listeners. There was some similarity of temperament between himself and Mrs. Bentley; they were both quiet, fair, meditative Saxons. She lent her whole mind to the conversation, interested in the account that the young man gave of his dramatic aspirations.

From the dining-room window looking over the park the long road wound through the vaporous country. The town stood in the middle distance, its colour blotted out, and its smoke hardly distinguishable. In the room a yellow dress turned grey, and the gold of a bracelet grew darker, and the pink of delicate finger-nails was no longer visible. But the pensive dusk of the dining-room, which blackened the claret in the decanters, leaving only the faintest ruby glow in the glass which Hubert raised to his lips, suited the tenor of the conversation, which had wandered from the dramatic to the social side of the question. What did he think of divorce? She sighed, and he wondered what her story might be.

They passed out of the dining-room, and stood on the gravel, watching the night gathering in the open country. In the light of the moon, which had just risen above the woods, the white road grew whiter, the town was faintly seen in the tide of blue vapour, which here and there allowed a field to appear. In the foreground a great silver fir, spiky and solitary, rose up in the blue night. Beyond it was seen a corner of the ornamental bridge. The island and its shadow were one black mass rising from the park up to the level of the moon, which, a little to the right, between the town and the island, lay reflected in a narrow strip of water. Farther away some reeds were visible in the illusive light, and the meditative chatter of dozing ducks stirred the silence which wrapped the country like a cloak.

Hubert and Mrs. Bentley stood looking at the landscape. The fragrance of his cigar, the presence of the woman, the tenderness of the hour, combined to make him strangely happy; his past life seemed to him like a harsh, cruel pain that had suddenly ceased. More than he had ever desired seemed to be fulfilled; the reality exceeded the dream. What greater happiness than to live here, and with this woman! His thoughts paused, for he had forgotten the girl up-stairs. She was not happy; but he would make her happy—of that he was quite certain. At that moment Mrs. Bentley said—

'I hope you like your home. Is not the prospect a lovely one?'

'Yes; but I was thinking at that moment of Emily. I suppose I must accustom myself to call her by her Christian name. She is my cousin, and we are going to live together. But, by the way, she cannot stay here alone. I hope—I may trust that you will remain with her?'

Mrs. Bentley turned her face towards him; he noticed the look of pleasure that had passed into it.

'Thank you; it is very good of you. I shall be glad to remain with Emily as long as she cares for my society. It is needless to say I shall do my best to deserve your approval.'



Her voice fell, and he heard her sigh, and in his happiness it seemed to him to be a pity that he should find unhappiness in others.

They went into the drawing-room. Mrs. Bentley asked him if he liked music, and she went to the piano and sang some Scotch songs very sweetly. Then she took a book from the table and bade him good-night. She was sure that he would excuse her. She must go and see after Emily.

When the door closed, the woman who had just left him seemed like some one he had seen in a dream; and still more shadowy and illusive did the girl seem—that pale and plaintive beauty, looking like a pastel, who had so troubled him with her enigmatic eyes! And the lodging-house that he had left only a few hours ago! and Rose.

On Sunday he had taken Rose out to dinner. They dined at the Caf-Royal. He had tried to talk to her about Hamilton Brown's new drama, which they had just heard would follow Divorce; but he was unable to detach his thoughts from Ashwood and the ladies he was going to visit to-morrow evening. Hubert and Rose had felt like two school-fellows, one of whom is leaving school; the link that had bound them had snapped; henceforth their ways lay separate; and they were sad at parting just as school-friends are sad.

'You are not rich; you offered to lend me money once. I want to lend you some now.'

'Oh yes; five shillings, wasn't it?'

'It doesn't matter what the sum was—we were both very poor then——'

'And I'm still poorer now.'

'All the more reason why you should allow me to help you.... Allow me to write you a cheque for a hundred pounds. I assure you I can afford it.'

'I think I had better not.... I have some things I can sell.'

'But you must not sell your things. Indeed, you must allow me——'

'I think I'd rather not. I shall be all right—that is to say, if Ford engages me for Brown's new piece; and I think he will.'

'But if he doesn't?'

'Then,' she said, with a sweet and natural smile, 'I'll write to you.... We have been excellent friends—comrades—have we not?'

'Yes, we have indeed, and I shall never forget. There is my address; that will always find me.'

He had written a play—a play that the most competent critics had considered a work of genius; in any case, a play that had interested his generation more than any other. It had failed, and failed twice; but did that prove anything? Fortune had deserted him, and he had been unable to finish The Gipsy. Was it the fault of circumstances that he had not been able to finish that play? or was it that the slight vein of genius that had been in him once had been exhausted? He remembered the article in The Modern Review, and was frightened to think that the critic might have divined the truth. Once it had seemed impossible to finish that play; but fortune had come to his aid, accident had made him master of his destiny; he could spend three years, five years if he liked, on The Gipsy. But why think of the play at all? What did it matter even if he never wrote it? There were many things to do in life besides writing plays. There was life! His life was henceforth his own, and he could live it as he pleased. What should he do with it? To whom should he give it? Should he keep it all for himself and his art? It were useless to make plans. All he knew for certain was that henceforth he was master of his own life, and could dispense it as he pleased.

And then, in sensuous curiosity, his thoughts turned on the pleasure of life in this beautiful house, in the society of two charming women.

'Perhaps I shall marry one of them. Which do I like the better? I haven't the least idea.' And then, as his thoughts detached themselves, he remembered Emily's tears.



X

It was a day of English summer, and the meadows and trees drowsed in the moist atmosphere; a few white clouds hung lazily in the blue sky; the garden was bright with geraniums and early roses, and the closely cropped privets were in full leaf. Hubert's senses were taken with the beauty of the morning, and there came the thought, so delicious, 'All this is mine.' He noticed the glitter of the greenhouses, and thought the cawing of some young rooks a sweet sound; a great tortoiseshell cat lay basking in the middle of the greensward, whisking its furry tail. Hubert stroked the animal; it arched its back, and rubbed itself against his legs. At that moment a half-bred fox-terrier barked noisily at him; he heard some one calling the dog, and saw a slight black figure hastening down one of the side-walks. Despite the dog's attempts on his legs, he ran forward.

'Emily! Emily!' he called. She stopped, turned, and stood looking at him.

'My dear cousin,' he said. 'I'm sorry about last night. I hope that Mrs. Bentley has told you. I begged of her to do so.'

'Yes; she told me of your kind intentions. I have to thank you.'

They walked on in silence, neither knowing what to say.

'Go away, Dandy!' said Emily, thrusting her black silk parasol at the dog, who had begun an attack on Hubert's trousers. The dog retreated; Hubert laughed.

'I'm afraid he doesn't like me.'

'He'll soon get to know you. Are you fond of animals?'

'I don't know that I am, particularly.'

'Oh!' she said, looking at him reproachfully, 'how can you?' Her eyes seemed to say, 'I never can like you after that.' 'I adore animals,' she said. 'My dear dog—there is nothing in the world I love as I love my Dandy; come here, dear.' The dog came, wagging his tail, putting back his ears, knowing he was going to be caressed. Emily stooped down, took his rough head in her hands, and kissed him. 'Is he not a dear?' she said, looking up; and then she said, 'I hope you won't object to having him in the house;' her face clouded.

'Oh, my dear Emily, how can you ask such a question? I shall never object to anything you desire.' The conversation paused, and they walked some paces in silence. Emily had just begun to speak of her flowers, when they came upon the gardener, who was standing in consternation over the fragments of a broken mowing-machine. Jack—that was the donkey—had been left to himself just for a moment. It was impossible to say what wild freak had taken him; but instead of waiting, as he was expected to wait, stolidly, he had started off on a wild career, regardless of the safety of the machine. At the first bound it had come in contact with a flower-vase, which had been sent in many pieces over the sward; at the second it had met with some stone coping; and at the third it had turned over in complete dissolution, and Jack was free to tear up the turf with his hoofs, until finally his erratic course was stopped by the small boy who was responsible for the animal's behaviour. The arrival of Hubert and Emily saved the small boy from many a cuff and the donkey from a kick or two; and Jack stood amid the ruin he had created, as quiet and as docile a creature as the mind could imagine.

'Oh, you—you wicked Jack! Who would have thought it of you?' said Emily, throwing her arms round the animal's neck. 'And at your age, too! This is my old donkey,' she said, turning her dreamy eyes on Hubert. 'I used to ride him every day until about two years ago. I love my dear old Jack, and would not have him beaten for worlds, although he is so wicked as to break the mowing-machine. Look what you have done to the flower-vase.' The animal shook its long ears.

Hubert and Emily strolled down a long walk, wondering what they should talk about.

'These are really very pretty grounds,' he said at last. 'I am sure I shall enjoy myself immensely here.' The remark appeared to him to be of doubtful taste, and he hastened to add, 'That is to say, if I have completely made it up with my pretty cousin.'

'But you have not seen the place yet,' she said, speaking still with a certain tremor in her voice. 'You haven't even seen the gardens. Come, and I'll show them to you.'

Hubert would have preferred to walk with her through these ornamental swards; and he liked the espalier apple-trees with which the garden was divided better than the glare and heat of the greenhouses into which she took him.

'Do you care for flowers?'

'Not very much.'

'These are all my flowers,' she said, pointing to many rows of flower-pots. 'Those are Julia's. You see I run a line of thread around mine, so that there shall be no mistake. She is not nearly so careful as I am, and it isn't nice to find that the plants you have been tending for weeks have been spoilt by over-watering. I don't say she doesn't love them, but she forgets them.... Just look at those; they are devoured by insects. They want to be taken out and given a thorough cleansing. Even then I doubt if they would come out right,—a plant never forgives you; it is just like a human being.'

'And doesn't a human being ever forgive?'

'Oh, I didn't mean that!' she said, blushing; 'but sometimes I could cry over the poor plants which she neglects. I daresay you will think me very ridiculous, but I do cry sometimes, and sometimes I cannot resist taking them out on the sly, and giving them a thoroughly good syringing,—only you must not tell her; we have agreed not to touch each other's flowers. But I cannot bear to see the poor things dying. How do we know that they do not suffer?'

'I don't think it probable.'

'But we don't know for certain,' she said, fixing her great eyes on him. 'Do we?'

'We know nothing for certain,' he answered; and then he said, 'You and Mrs. Bentley have lived a long time together?'

'No; not very long. About a couple of years. I was about thirteen when I came to Ashwood. I am now eighteen. Mrs. Bentley is a sort of connection. She is very poor—that is why Mr. Burnett asked her to come and live here; besides, as I grew up I wanted a companion. She has been very good to me. We have been very happy together—at least, as happy as one may be; for I don't think that any one is ever very happy. Have you been very happy?'

'I have not always been happy. But tell me more about Mrs. Bentley.'

'There is little more to tell. I naturally love her very much. She nursed me when I was ill—and I'm often ill; she taught me all I know; she cheered me when I was sad—when I thought my heart would break; when everybody else seemed unkind she was kind. Besides, I could not remain here without her.' Emily lowered her eyes, and the conversation seemed to pause.

'I have arranged all that,' Hubert answered hurriedly. 'I spoke to her last night, and she has consented to remain.'

'That is very good of you.' Emily raised her eyes and looked shyly at Hubert; and then, as if doubtful of herself, she said, 'Do you like her? I'm sure you do. Every one does. Do you not think she is very handsome?'

'I think her an exceedingly pleasant woman, and I'm sure we shall all get on very well together.'

'But don't you think her very handsome?'

'Yes; she is a handsome woman.'

Nothing more was said. Emily drew meditatively on the gravel with the point of her parasol. The gardeners looked up from their work.

'I have to go now,' she said, raising her eyes timidly, 'to feed the swans. You would not care to go so far?'

'On the contrary, I should like it, of all things. A walk by the water on a day like this will be quite a treat.'

'Then will you wait a moment? I will go and fetch the bread.' She returned soon after with a small basket; and a large retriever, tied up in the corner of the yard, barked and lugged at his chain. 'He knows where I am going, and is afraid I shall forget him—aren't you, dear old Don? You wouldn't like to miss a walk with your mistress, would you, dear?' The dog bounded and rushed from side to side; it was with difficulty that Emily loosed him. Once free, he galloped down the drive, returning at intervals for a caress and a sniff at the basket which his mistress carried. 'There's nothing there for you, my beautiful Don!'

The drive sloped from the house down to the artificial water, passing under some large elms; and in the twilight of the branches where the sunlight played, and the silence was tremulous with wings, Hubert felt that Emily had forgiven him. She wore the same black dress that he had admired her in the night before; her waist was confined by the same black band; but the chestnut hair seemed more beautiful beneath the black silk sunshade, leaned so gracefully, the black handle held between thumb and forefinger. And the little black figure seemed a part of the beautiful English park, now so green and fragrant in all the flower and sunlight of June, and decorated with a blue summer sky, and white clouds moving lazily over the tops of the trees. And the impression of the beautiful park was enforced by its reflection, which lay, with the mute magic of reflected things, in the still water, stirred only when, with exquisite motion of webbed feet, the swans propelled their freshness to and fro, balancing themselves in the current where they knew the bread must surely fall.

'They are waiting for me. Cannot you see their black eyes turned towards the bridge?' And she threw the bread from the basket, and the beautiful birds unbent their curved necks, devouring it voraciously under the water.

In the larger portion of this artificial lake there were two islands, thickly wooded. In the smaller, which lay behind Emily and Hubert, there was one small island covered with reeds and low bushes, and this was a favourite haunt for the waterfowl, which now came swimming forward, not daring to approach too near the dangerous swans.

'These are my friends,' said Emily. 'They will follow me to the other end, and I shall be able to feed them as we walk along the meadow.'

Don and Dandy bounded through the tall grass; sometimes foolishly giving chase to the birds that rose up out of the golden grasses, barking in mad eagerness—sometimes pursuing a hare into the distant woods. The last chase had led them far, and both dogs returned panting to walk till they recovered breath by their mistress's side; and to satisfy the retriever's affection Emily held one hand to him. Playing gently with his ears, she said—

'Did you ever see much of Mr. Burnett?'

'Not since I was a boy, ten or twelve years ago, when I was at the University. There was absolutely no reason for his doing what he did.'

'Yes; there was,' she said in a strangely decisive tone.

'May I ask——'

'I do not know if I ought to tell you. It would be better not to. You know,' she continued, speaking now with a nervous tremor in her voice, 'that I do not want you to think that I am so very disappointed. I do not know that I am disappointed at all. You have acted so generously, and it will be pleasanter to live here with you than with that old man.'

The conversation fell; but the sweet meadow seemed to induce confidences, and they were so happy in their youth and the sorcery of the sunshine. 'Five years ago I wrote to him,' said Hubert, speaking very slowly, 'asking him to lend me fifty pounds, and he refused. Since then I have not heard from him.' At the end of a long silence, the girl said—

'So long as you know that I am no longer angry with him for having disinherited me, I do not mind telling you the reason. Two months before he died he asked me to marry him, and I refused.'

They walked several yards without speaking.

'Do you not think I was right? I was only eighteen, and he was over sixty.'

'It seems to me quite shocking that he could have even contemplated such a thing.'

'But look at these poor ducks; they have followed us all the way, and I have forgotten to feed them!' Taking out all the bread that remained in the basket, Emily threw it to the ducks that had collected where the dammed-up stream that filled the lake trickled over a wooden sluice. There was a plank by which to cross the deep cutting. Hubert and Emily paused, and stood gazing at the large beech wood that swept over some rising ground. Don had not been seen for some time, and they both shouted to him. Presently a black mass was seen bounding through the flowers, and the panting animal once more ensconced himself by his mistress's side.

'I was very fond of Mr. Burnett,' she said, 'but I could not marry him. I could not marry any man I did not love.'

'And because you refused to marry him, he did not mention you in his will. I never heard of such selfishness before!'

'Men are always selfish,' she said sententiously. 'But it really does not matter; things are just the same; he hasn't succeeded in altering anything—at least, not for the worse. We shall get on very well together.'

The conversation paused. Then Emily went on: 'You won't tell any one I told you? I only told you because I did not want you to think me selfish. I was afraid that after the foolish way I behaved last night you might think I hated you. Indeed, I do not. Perhaps everything has happened for the best. I was very fond of the old man. I gave him my whole heart; no father ever had a daughter more attached; but I could not marry him. And it was the remembrance of my love for him that made me burst out crying. I do not think I realised until I saw you how cruelly I had been treated. But you won't tell any one? You won't tell Mrs. Bentley? She knows, of course; but do not tell her that I told you. I do not care that my feelings should be made a subject of discussion. You promise me?'

'I promise you.'

They had now reached the tennis-lawn. The gong sounded, and Emily said, 'That is lunch, and we shall find Julia waiting for us in the dining-room.' It was as she said. Mrs. Bentley was standing by the sideboard, her basket of keys in her hand; she had not quite finished her housekeeping, and was giving some last instructions to the butler. Hubert noticed that the place at the head of the table was for him, and he sat down a little embarrassed, to carve a chicken. So much home after so many years of homelessness seemed strange.



XI

On the third day, as soon as breakfast was over, Hubert introduced the subject of his departure. Julia waited, but as Emily did not speak, she said, 'We thought you liked the country better than town.'

'So I do, but——'

'He's tired of us, and we had better leave,' Emily said, abruptly.

Hubert started a little; he looked appealingly at Julia, and seeing the look of genuine pain upon his face, she took pity on him. 'You should not speak like that, Emily dear; I can see that you pain Mr. Price very much.'

'I hope, Emily, that you will stay here as long as you like,' he said, in a low, gentle voice; 'as long as it is convenient and agreeable to you.'

'We cannot stay here without you,' Emily replied; 'we are your guests.'

'And,' said Julia, smiling, 'if there are guests, there must be a host. But if you have business in London, of course you must go.'

'I was not thinking of myself,' said Hubert, 'but of you ladies. I was afraid that you were already tired of me; that you might like to be left alone; that you had business, preparations. I daresay I was all wrong; but if Emily knew——'

'I'm sorry, Hubert; I did not mean to offend you. I'm very unlucky. You'll forgive me.'

'I've nothing to forgive; I only hope that you'll never think again that I want to get rid of you. I hope that you'll stop at Ashwood as long as ever it suits you to do so. I don't see how I can say more.'

'I like to stop here as long as you are here,' Emily said, in a low voice. 'That is all I meant.'

'Then we're all of one mind, I don't want to go back to London. If you don't find me in your way, I shall be delighted to stay.'

'Of course,' said Julia, 'we poor country folk can hardly hope to amuse you.'

'I don't know about that!' exclaimed Emily. 'Where would he find any one to play and sing to him in the evenings as you can?'

The conversation paused, and all were happier that morning, though none knew why. Days passed, desultory and sweet, and with a pile of books about him, he lay in a long cane chair under the trees; then the book would drop on his knees, and blowing smoke in curling wreaths, he lost himself in dramatic meditations. It was pleasant to see that Emily had grown innocently, childishly fond of her cousin, and her fondness expressed itself in a number of pretty ways. 'Now, Hubert, Hubert, get out of my way,' she would say, feigning a charming petulance; or she would come and drag him out of his chair, saying, 'Come, Hubert, I can't allow you to lie there any longer; I have to go to South Water, and want you to come with me?'

And walking together, they seemed like an Italian greyhound and a tall, shaggy setter.

A cloud only appeared on Emily's face when Julia spoke of their departure. Julia had proposed that they should leave at the end of the month, and Emily had consented to this arrangement. The end of the month had appeared to her indefinitely distant, but three weeks of the subscribed time had passed, and signs of departure had become more numerous and more peremptory. Allusion had been made to the laundress, and Julia had asked Emily if she could get all her things into a single box; if not, they would have to send to Brighton for another. Emily had no notion of what her box would hold, and she showed little disposition to count her dresses or put her linen in order. She seemed entirely taken up thinking what books, what pictures, what china she could take away. She would like to have this bookcase, and might she not take the wardrobe from her own room? and she had known the clock all her life, and it did seem so hard to part with it.

'My dear girl, all these things belong to Mr. Price; you really cannot take them away without asking him.'

'But he won't refuse; he'll let me have anything I like.'

'He can't very well refuse, so I think it would be nicer on your part not to ask for anything.'

'I must have some of these things: I want to make the house we are going to live in, in London, look as much like Ashwood as possible.'

'You'd like to take the whole house with you if you could.'

'Yes; I think I should.' And Emily turned and looked vaguely up and down the passage. 'I wonder if he'd give me the picture of the windmill?'

'The landing would look very bare without it.'

'It would indeed, and when we came down here on a visit—for I suppose we shall come down here sometimes on visits—I should miss the picture dreadfully, so I don't think I'll ask him for it. But I must take some pictures away with me. There are a lot of old things in the lumber-room at the top of the house, that no one knows anything about. I think I'll ask him to let me have them. I'll take him for a good long ramble through the house. He hasn't seen any of it yet, except just the rooms we live in down-stairs.'

Emily went straight to Hubert. He was lying in the long wicker chair, his straw hat drawn over his eyes, for the sun was finding its sharp, white way through the leaves of the beeches.

'Now, Hubert, I want you. Are you asleep?'

'Asleep! No, I was only thinking.' He threw his legs over the edge of the low chair and stood up.

'If I tell you what I want, you won't refuse me, will you?'

'No,' he said smilingly; 'I don't think I shall.'

'Are you sure?' she said, looking at him enigmatically. Then in a lighter tone: 'I want you to give me a lot of things—oh, not a great many, nothing very valuable, but——'

'But what, Emily?... You can have anything you want.'

'Well, we shall see. You must come with me; I must show you what—I shan't want them unless you like to give them. Come along. Oh, you must come. I should not care about them unless you came with me, and let me point them out.' She passed her little hand into the arm of his rough coat, and led him towards the house. 'You know nothing of your own house, so before I go I intend to show you all over it. You have no idea what a funny old place it is up-stairs—endless old lumber-rooms which you would never think of going into if I didn't take you. When I was a little girl I wasn't often allowed down-stairs: the top of the house still seems to me more real than any other part.' Throwing open a door at the head of the stairs, she said: 'This used to be my nursery. It is all bare and deserted now, but I remember it quite different. I used to spend hours looking out of that window. From it you can see all over the park, and the park used to be my great delight. I used to sit there and make resolutions that next time I went out I would be braver, and explore the hollows full of bushes and tall ferns.'

'Did you never break your resolutions?'

'Sometimes. I was afraid of meeting fairies or elves. There are glades and hollows that used to seem very wonderful. And they still seem very wonderful, only not quite in the same way. Doesn't the world seem very wonderful to you? I'm always wondering at things. But I know I'm only a silly little girl, and yet I like to talk to you about my fancies. Down there in the beech wood there is a beautiful glade. I loved to play there better than anywhere else. I used to lie there on a fur rug and play at paper dolls. I always fancied myself a duchess or a princess.'

'You are full of dreams, Emily.'

'Yes; I suppose I am. Everything is pleasant and happy in dreams. I love dreaming. They thought I'd never learn to read; but it wasn't because I was stupid, but because I wouldn't study. I'd put my hands to my head, and, looking at the book, which I didn't see, I'd think of all sorts of things, imagine myself a fairy princess.'

'And it was in this room that you dreamed all those dreams?'

'Yes; in this dear old room. You see that picture: that is one of the things I intended to ask you to give me.'

'What? That old, dilapidated print?'

'You mustn't abuse my picture. I used to spend hours wondering if those horsemen galloping so madly through the wood were robbers, and if they had robbed the castle shown between the trees. I used to wonder if they would succeed in escaping. They wouldn't gallop their horses like that unless they were being pursued.... Can I have the picture?'

'Of course you can. Is that—that is not all you are going to ask me for?'

'I did think of asking you for a few more things. Do you mind?'

'No, not the least. The more you ask for, the more I shall be pleased.'

'Then you must come down-stairs.'

They went down to the next landing. Emily stopped before a bed-room, and, looking at Hubert shyly and interrogatively, she said—

'This is my room. I don't know if it is in a fit state to show you. I'm not a very tidy girl. I'll look first.'

'Yes; it will do,' she said, drawing back. 'You can look in. I want you to give me that wardrobe. It isn't a very handsome one, but I've used it ever since I was a little girl; it has a hollow top, and I used to hide things there. Do you think you can spare it?'

'Yes; I think I can,' he said, smiling.

Then she led him up-stairs through the old lumber rooms, picking out here and there some generally broken and always worthless piece of furniture, pleading for it timidly, and strangely delighted when he nodded, granting her every request. She asked him to pull out what she had chosen from the dbris, and a curious collection they made in the passage—dim and worm-eaten pictures, small book-cases, broken vases which she proposed mending.

Hubert wiped the dust from his hands and coat-sleeves.

'What a lot of things you have given me! Now we shall be able to get on nicely with our furnishing.'

'What furnishing?'

'The furnishing of the little house in London where Julia and I are going to live. You said you intended to add a hundred a year to the three hundred a year which Mr. Burnett should have left me; I don't see why you should do such a thing, but if you do we shall have four hundred a year to live upon. Julia says that we shall then be able to afford to give fifty pounds a year for a house. We can get a very nice little house, she says, for that—of course, in one of the suburbs. The great expense will be the furnishing; we are going to do it on the hire system. I daresay one can get very nice things in that way, but I do want to make the place look a little like Ashwood; that is why I'm asking you for these things. I was always fond of playing in these old lumber-rooms, and these dim old pictures, which I don't think any one knows anything of except myself, will remind me of Ashwood. They will look very well, indeed, hanging round our little dining-room. You are sure you don't want them, do you?'

'No; I won't want them. I'm only too pleased to be able to give them to you.'

'You are very good, indeed you are. Look at these old haymakers; I never saw but one little corner of this picture before; it was stowed away behind a lot of lumber, and I hadn't the strength to pull it out.... I'm afraid you've got yourself rather dusty.'

'Oh no; it will brush off.'

'I shall hang this picture over the fireplace; it will look very well there. I daresay you don't see anything in it, but I'd sooner have these pictures than those down-stairs. I love the picture of the windmill on the first landing——'

'Then why not have it? I'll have it taken down at once.'

'No; I could not think of taking it. How would the landing look without it? I should miss it dreadfully when I came here—for I daresay you will ask us to visit you occasionally, when you are lonely, won't you?'

'My dear Emily, whenever you like, I hope you will come here.'

'And you will come and stay with us in London? Your room will be always ready; I'll look after that. We shall feel very offended, indeed, if you ever think of going to an hotel. Of course, you mustn't expect much; we shall only be able to keep one servant, but we shall try to make you comfortable, and, when you come, you'll take me to the theatres, to see one of your own plays.'

'If my play's being played, certainly. But would it be right for me to pay you visits in London?'

'They would be very wicked people indeed who saw anything wrong in it; you are my cousin. But why do you say such things? You destroy all my pleasure, and I was so happy just now.'

'I'm afraid, Emily, your happiness hangs on a very slender thread.'

She looked at him inquiringly, but feeling that it would be unwise to attempt an explanation, he said in a different tone—

'But, Emily, if you love Ashwood so well, why do you go away?'

'Why do I go away? We have been here now some time.... I can't live here always.'

'Why not? Why not let things go on just as they are?'

'And live here with you, I and Julia?'

'Yes; why not?'

'We should bore you; you want to write your plays, you'd get tired of me.'

'Your being here would not prevent my writing my plays. I have been thinking all the while of asking you to remain, but was afraid you would not care to live here.'

'Not care to live here! But you'll get tired of us; we might quarrel.'

'No; we shall never quarrel. You will be doing me a great favour by remaining. Just fancy living alone in this great house, not a soul to speak to all day! I'm sure I should end by going out and hanging myself on one of those trees.'

'You wouldn't do that, would you?'

Hubert laughed. 'You and Mrs. Bentley will be doing me a great favour by remaining. If you go away I shall be robbed right and left, the gardens will go to rack and ruin, and when you come down here you won't know the place, and then, perhaps, we shall quarrel.'

'I shouldn't like Ashwood to go to rack and ruin—and my poor flowers! And I'm sure you'd forget to feed the swans. If you did that, I could not forgive you.'

'Well, let these grave considerations decide you to remain.'

'Are you really serious?'

'I never was more serious in my life.'

'Well then, may I run and tell Julia?'

'Certainly, and I'll—no, I won't. I'll look up the housemaids and tell them to restore this interesting collection of antiquities to their original dust.'



XII

He was, perhaps, a little too conscious of his happiness; and he feared to do anything that would endanger the pleasure of his present life. It seemed to him like a costly thing which might slip from his hand or be broken; and day by day he appreciated more and more the delicate comfort of this well-ordered house—its brightness, its ample rooms, the charm of space within and without, the health of regular and wholesome meals, the presence of these two women, whose first desire was to minister to his least wish or caprice. These, the first spoilings he had received, combined to render him singularly happy. Bohemianism, he often thought, had been forced upon him—it was not natural to him, and though spiritual belief was dead, he experienced in church a resurrection of influences which misfortune had hypnotised, but which were stirring again into life. He was conscious again of this revival of his early life in the evenings when Mrs. Bentley went to the piano; and when playing a game of chess or draughts, remembrances of the old Shropshire rectory came back, sudden, distinct, and sweet. In these days the disease of fame and artistic achievement only sang monotonously, plaintively, like the wind in the valleys where the wind never wholly rests.

Sometimes, when moved by the novel he was reading, he would discuss its merits and demerits with the two women who sat by him in the quiet of the dim drawing-room, their work on their knees, thinking of him. In the excitement of criticism his thoughts wandered to his own work, and the women's eyes filled with reveries, and their hands folded languidly over their knees. He spoke without emphasis, his words seeming to drop from the thick obsession of his dream. At ten the ladies gathered up their work, bade him good-night; and nightly these good-nights grew tenderer, and nightly they went up-stairs more deeply penetrated with a sense of their happiness. But at heart he was a man's man. He hardly perceived life from a woman's point of view; and in the long evenings which he spent with these women he sometimes had to force himself to appear interested in their conversation. He was as far removed from one as from the other. Emily's wilfulness puzzled him, and he did not seem to have anything further to talk about to Mrs. Bentley.

He missed the bachelor evenings of former days—the whisky and water, the pipes, and the literary discussion; and as the days went by he began to think of London; his thoughts turned affectionately towards the friends he had not seen for so long, and at the end of July he announced his intention of running up to town for a few days. So one morning breakfast was hurried through; Emily was sure there was plenty of time; Hubert looked at the clock and said he must be off; Julia ran after him with parcels which he had forgotten; farewell signs were waved; the dog-cart passed out of sight, and, after lingering a moment, the women returned to the drawing-room thoughtfully.

'I wonder if he'll catch the train,' said Emily, without taking her face from the window.

'I hope so; it will be very tiresome for him if he has to come back. There isn't another train before three o'clock.'

'If he missed this train he wouldn't go until to-morrow morning.... I wonder how long he'll stay away. Supposing something happened, and he never came back!' Emily turned round and looked at Julia in dreamy wonderment.

'Not come back at all? What nonsense you are talking, Emily! He won't be away more than a fortnight or three weeks.'

'Three weeks! that seems a very long while. How shall we get through our evenings?'

Emily had again turned towards the window. Julia did not trouble to reply. She smiled a little, as she paused on the threshold, for she remembered that no more than a few weeks ago Emily had addressed to her passionate speeches declaring her to be her only friend, and that they would like to live together, content in each other's companionship, always ignoring the rest of the world. Although she had not mistaken these speeches for anything more than the nervous passion of a moment, the suddenness of the recantation surprised her a little. Three or four days after, the girl was in a different mood, and when they came into the drawing-room after dinner she threw her arms about Julia's neck, saying, 'Isn't this like old times? Here we are, living all alone together, and I'm not boring myself a bit. I never shall have another friend like you, Julia.'

'But you'll be very glad when Hubert comes back.'

'There's no harm in that, is there? I should be very ungrateful if I wasn't. Think how good he has been to us.... I'm afraid you don't like him, Julia.'

'Oh, yes, I do, Emily.'

'Not so much as I do.' And raising herself—she was sitting on Julia's knees—Emily looked at Julia.

'Perhaps not,' Julia replied, smiling; 'but then I never hated him as much as you did.'

A cloud came over Emily's face. 'I did hate him, didn't I? You remember that first evening? You remember when you came up-stairs and found me trembling in the passage—I was afraid to go to bed. ... I begged you to allow me to sleep with you. You remember how we listened for his footstep in the passage, as he went up to bed, and how I clung to you? Then the dreams of that night. I never told you what my dreams were, but you remember how I woke up with a cry, and you asked me what was the matter?'

'Yes, I remember.'

'I dreamt I was with him in a garden, and was trying to get away; but he held me by a single hair, and the hair would not break. How absurd dreams are! And the garden was full of flowers, but every time I tried to gather them, he pulled me back by that single hair. I don't remember any more, only something about running wildly away from him, and losing myself in a dark forest, and there the ground was soft like a bog, and it seemed as if I were going to be swallowed up every moment. It was a terrible sensation. All of a sudden I woke with a cry. The room was grey with dawn, and you said: "Emily dear, what have you been dreaming, to cry out like that?" I was too tired and frightened to tell you much about my dream, and next morning I had forgotten it. I did not remember it for a long time after, but all the same some of it came true. Don't you remember how I met Hubert next morning on the lawn? We went into the garden and spent the best part of the morning walking about the lake.... I don't know if I told you—I ran away when I heard him coming, and should have got away had it not been for this tiresome dog. He called after me, using my Christian name. I was so angry I think I hated him then more than ever. We walked a little way, and the next thing I remember was thinking how nice he was. I don't know how it all happened. Now I think of it, it seems like magic. It was the day that my old donkey ran away with the mowing machine and broke the flower-vase, the dear old thing; we had a long talk about "Jack." And then I took Hubert into the garden and showed him the flowers. I don't think he cares much about flowers; he pretended, but I could see it was only to please me. Then I knew that he liked me, for when I told him I was going to feed the swans, he said he loved swans and begged to be allowed to come too. I don't think a man would say that if he didn't like you, do you?'

Emily's mind seemed to contain nothing but memories of Hubert. What he had said on this occasion, how he had looked at her on another. The conversation paused and Emily sunned herself in the enchantment of recollection, until at last breaking forth again, she said—

'Have you noticed how Ethel Eastwick goes after him? And the odd part of it is, that she can't see that he dislikes her. He thinks nothing of her singing; he remained talking to me in the conservatory the whole time. I asked him to come into the drawing-room, but he pretended to misunderstand me, and asked me if I felt a draught. He said, "Let me get you a shawl." I said, "I assure you, Hubert, I don't feel any draught." But he would not believe me, and said he could not allow me to sit there without something on my shoulders. I begged of him not to move, for I knew that Ethel would never forgive me if I interrupted her singing; but he said he could get me a wrap without interrupting any one. He opened the conservatory door, ran across the lawn round to the front door, and came back with—what do you think? With two wraps instead of one; one was mine, and the other belonged to—I don't know who it belonged to. So I said, "Oh, what ever shall we do? I cannot let you go back again. If any one was to come in and find me alone, what ever would they think!" Hubert said, "Will you come with me? A walk in the garden will be pleasanter than sitting in the conservatory." I didn't like going at first, but I thought there couldn't be much harm.'

It seemed to Emily very terrible and very wonderful, and she experienced throughout her numbed sense a strange, thrilling pain, akin to joy, and she sat, her little fragile form lost in the arm-chair, her great eyes fixed in ecstasy, seeing still the dark garden with the great star risen like a phantom above the trees. That evening had been to her a wonder and an enchantment, and her pausing thoughts dwelt on the moment when the distant sound of a bell reached their ears, and the bell came nearer, clanging fiercely in the sonorous garden. Then they saw a light—some one had come for them with a lantern—a joke, a suitable pleasantry, and amid joyous laughter, watching the setting moon, they had gone back to the tiled house, where dancers still passed the white-curtained windows. Hubert had sat by her at supper, serving her with meat and drink. In the sway of memory she trembled and started, looking in the great arm-chair like a little bird that the moon keeps awake in its soft nest. She no longer wished to tell Julia of that night in the garden; her sensation of it lay far beyond words; it was her secret, and it shone through her dreamy youth even as the star had shone through the heavens that night. Suddenly she said—

'I wonder what Hubert is doing in London? I wonder where he is now?'

'Now? It is just nine. I suppose he's in some theatre.'

'I suppose he goes a great deal to the theatre. I wonder who he goes with. He has lots of friends in London—actresses, I suppose; he knows them who play in his plays. He dines at his club——'

'Or at a restaurant.'

'I wonder what a restaurant is like; ladies dine at restaurants, don't they?'

As Julia was about to make reply, the servant brought her a letter. She opened the envelope, and took out a long, closely-written letter; she turned it over to see the signature, and then looking toward Emily, she said, with a pleasant smile—

'Now I shall be able to answer your questions better; this letter is from Mr. Price.'

'Oh, what does he say? Read it.'

'Wait a moment, let me glance through it first; it is very difficult to read.' A few moments after, Julia said, 'There's not much that would interest you in the letter, Emily; it is all about his play. He says he would have written before if he had not been so busy looking out for a theatre, and engaging actors and actresses. He hopes to start rehearsing next week.

"I say I hope, because there are still some parts of the play which do not satisfy me, particularly the third act. I intend to work steadily on the play till, next Thursday, five or six hours every day; I am in perfect health and spirits, and ought to be able to get the thing right. Should I fail to satisfy myself, or should any further faults appear when we begin to rehearse the piece, I shall dismiss my people, pack up my traps, and return to Ashwood. There I shall have quiet; here, people are continually knocking at my door, and I cannot deny my friends the pleasure of seeing me, if that is a pleasure. But at Ashwood, as I say, I shall be sure of quiet, and can easily finish the play this autumn, and February is a better time than September to produce a play."'

'Then he goes on,' said Julia, 'to explain the alterations he contemplates making. There's no use reading you all that.'

'I suppose you think I should not understand.'

'My dear Emily, if you want to read the letter, there it is.'

'I don't want to see your letter.'

'What do you mean, Emily?'

'Nothing, only I think it rather strange that he didn't write to me.'

Some days after, Emily took up the book that Julia had laid down. '"Shakespeare's Plays." I suppose you are reading them so that you'll be able to talk to him better.'

'I never thought of such a thing, Emily.' At the end of a long silence Emily said—

'Do you think clever men like clever women?'

'I don't know. Some say they do, some say they don't. I believe that really clever men, men of genius, don't.'

'I wonder if Hubert is a man of genius. What do you think?'

'I really am not capable of expressing an opinion on the matter.'

Another week passed away, and Emily began to assume an air of languor and timid yearning. One day she said—

'I wonder he doesn't write. He hasn't answered my letter yet. Has he answered yours?'

'He has not written to me again. He hasn't time for letter-writing. He is working night and day at his play.'

'I suppose he'd never think of coming down by the morning train. He'd be sure to come by the five o'clock.'

'He won't come without writing. He'd be sure to write for the dog-cart.'

'I suppose so. There's no use in looking out for him.'

But, notwithstanding her certitude on the point, Emily could not help choosing five o'clock as the time for a walk, and Julia noticed that the girl's feet seemed to turn instinctively towards the lodge. Often she would leave the flowers she was tending on the terrace, and stand looking through the dim, sun-smitten landscape toward the red-brown spot, which was Southwater, in the middle of the long plain.



XIII

Hubert felt called upon to entertain his friends, and one evening they all sat dining at Hurlingham in the long room. The conversation, as usual, had been about books and pictures.

It was the moment when strings of lanterns were hoisted from tree to tree. In front of a large space of sky the coloured globes were crude and trivial; but in the shadows of the trees by the river, where the mist rose into the branches, they had begun to awaken the first impression of melancholy and the sadness of fte. It was the moment when the great trees hung heavy and motionless, strangely green and solemn beneath a slate-coloured sky; and the plaintive waltz cried on Hungarian fiddle-strings, till it seemed the soul of this feminine evening. The fashionable crowd had moved out upon the lawn; the white dresses were phantom blue, and the men's coats faded into obscure masses, darkening the gathering shadows. It was the moment when voices soften, and every heart, overpowered with yearning, is impelled to tell of grief and disillusion; and every moment the wail of the fiddles grew more unbearable, tearing the heart to its very depths.

Author and actor-manager walked up the lawn puffing at their cigars. The others sat watching, knowing that the opportunity had come for criticism of their friend.

'He does not change much,' said Harding. 'Circumstances haven't affected him. A year ago he lived in a garret re-writing his play Divorce. He now rewrites Divorce in a handsome house in Sussex.'

'I thought he had finished his play,' said Thompson. 'I heard that he was going to take a theatre and produce it himself.'

'But did you not hear him say at dinner that he was re-writing as he rehearsed? I met one of the actors yesterday. He doesn't know what to make of it. He gets a new part every week to learn.'

'Do you think he'll ever produce it?'

'I doubt it. At the last moment he'll find that the third act doesn't satisfy him, and will postpone the production till the spring.'

'What do you think of his work?'

'Very intelligent, but a little insipid—like himself. Look at him. Il est bien l'homme de ses ouvres. There is something dry about him, and his writings are like himself—hard, dry and wanting in personal passion.'

'Yet he talks charmingly, with vivacity and intelligence, and he is so full of appreciation of Shakespeare, Goethe, and such genuine love for antiquity.'

'I've heard him talk Shakespeare, Goethe, and Ibsen,' said Harding, 'but I never heard him say anything new, anything personal. It seems to me that you mistake quotation for perception. He assimilates, but he originates nothing. He has read a great deal; he is covered with literature like a rock with moss and lichen. He's appreciative, I will say that for him. He would make a capital editor, or a tutor, or a don, an Oxford don. He would be perfectly happy as a don; he could read up the German critics and expound Sophocles. He would be perfectly happy as a don. As it is, he is perfectly miserable.'

'There was a fellow who had a studio over mine,' said Thompson. 'He had been in the army and used to paint a bit. The academy by chance hung a portrait, so he left the army and turned portrait-painter. One day he saw a picture by Velasquez, and he understood how horrid were the red things he used to send to the academy. He used to come down to see me; he used to say, "I wish I had never seen a picture, by Gad, it is driving me out of my mind." Poor chap, I wanted him to go back to the army. I said, Why paint? no one forces you to; it makes you miserable; don't do so any more. When you have anything to say, art is a joy; when you haven't, it is a curse to yourself and to others.'