These personages, beyond question the first in the company, met with a reception of chilling silence; the respect paid to them was full of jealousy, especially as everybody saw that Mme. de Bargeton paid marked attention to the guests. The two families belonged to the very small minority who hold themselves aloof from provincial gossip, belong to no clique, live quietly in retirement, and maintain a dignified reserve. M. de Pimentel and M. de Rastignac, for instance, were addressed by their names in full, and no length of acquaintance had brought their wives and daughters into the select coterie of Angouleme; both families were too nearly connected with the Court to compromise themselves through provincial follies.

The Prefect and the General in command of the garrison were the last comers, and with them came the country gentleman who had brought the treatise on silkworms to David that very morning. Evidently he was the mayor of some canton or other, and a fine estate was his sufficient title to gentility; but from his appearance, it was plain that he was quite unused to polite society. He looked uneasy in his clothes, he was at a loss to know what to do with his hands, he shifted about from one foot to another as he spoke, and half rose and sat down again when anybody spoke to him. He seemed ready to do some menial service; he was obsequious, nervous, and grave by turns, laughing eagerly at every joke, listening with servility; and occasionally, imagining that people were laughing at him, he assumed a knowing air. His treatise weighed upon his mind; again and again he tried to talk about silkworms; but the luckless wight happened first upon M. de Bartas, who talked music in reply, and next on M. de Saintot, who quoted Cicero to him; and not until the evening was half over did the mayor meet with sympathetic listeners in Mme. and Mlle. du Brossard, a widowed gentlewoman and her daughter.

Mme. and Mlle. du Brossard were not the least interesting persons in the clique, but their story may be told in a single phrase—they were as poor as they were noble. In their dress there was just that tinge of pretension which betrayed carefully hidden penury. The daughter, a big, heavy young woman of seven-and-twenty, was supposed to be a good performer on the piano, and her mother praised her in season and out of season in the clumsiest way. No eligible man had any taste which Camille did not share on her mother's authoritative statement. Mme. du Brossard, in her anxiety to establish her child, was capable of saying that her dear Camille liked nothing so much as a roving life from one garrison to another; and before the evening was out, that she was sure her dear Camille liked a quiet country farmhouse existence of all things. Mother and daughter had the pinched sub-acid dignity characteristic of those who have learned by experience the exact value of expressions of sympathy; they belonged to a class which the world delights to pity; they had been the objects of the benevolent interest of egoism; they had sounded the empty void beneath the consoling formulas with which the world ministers to the necessities of the unfortunate.

M. de Severac was fifty-nine years old, and a childless widower. Mother and daughter listened, therefore, with devout admiration to all that he told them about his silkworm nurseries.

"My daughter has always been fond of animals," said the mother. "And as women are especially interested in the silk which the little creatures produce, I shall ask permission to go over to Severac, so that my Camille may see how the silk is spun. My Camille is so intelligent, she will grasp anything that you tell her in a moment. Did she not understand one day the inverse ratio of the squares of distances!"

This was the remark that brought the conversation between Mme. du Brossard and M. de Severac to a glorious close after Lucien's reading that night.

A few habitues slipped in familiarly among the rest, so did one or two eldest sons; shy, mute young men tricked out in gorgeous jewelry, and highly honored by an invitation to this literary solemnity, the boldest men among them so far shook off the weight of awe as to chatter a good deal with Mlle. de la Haye. The women solemnly arranged themselves in a circle, and the men stood behind them. It was a quaint assemblage of wrinkled countenances and heterogeneous costumes, but none the less it seemed very alarming to Lucien, and his heart beat fast when he felt that every one was looking at him. His assurance bore the ordeal with some difficulty in spite of the encouraging example of Mme. de Bargeton, who welcomed the most illustrious personages of Angouleme with ostentatious courtesy and elaborate graciousness; and the uncomfortable feeling that oppressed him was aggravated by a trifling matter which any one might have foreseen, though it was bound to come as an unpleasant shock to a young man with so little experience of the world. Lucien, all eyes and ears, noticed that no one except Louise, M. de Bargeton, the Bishop, and some few who wished to please the mistress of the house, spoke of him as M. de Rubempre; for his formidable audience he was M. Chardon. Lucien's courage sank under their inquisitive eyes. He could read his plebeian name in the mere movements of their lips, and hear the anticipatory criticisms made in the blunt, provincial fashion that too often borders on rudeness. He had not expected this prolonged ordeal of pin-pricks; it put him still more out of humor with himself. He grew impatient to begin the reading, for then he could assume an attitude which should put an end to his mental torments; but Jacques was giving Mme. de Pimentel the history of his last day's sport; Adrien was holding forth to Mlle. Laure de Rastignac on Rossini, the newly-risen music star, and Astolphe, who had got by heart a newspaper paragraph on a patent plow, was giving the Baron the benefit of the description. Lucien, luckless poet that he was, did not know that there was scarce a soul in the room besides Mme. de Bargeton who could understand poetry. The whole matter-of-fact assembly was there by a misapprehension, nor did they, for the most part, know what they had come out for to see. There are some words that draw a public as unfailingly as the clash of cymbals, the trumpet, or the mountebank's big drum; "beauty," "glory," "poetry," are words that bewitch the coarsest intellect.

When every one had arrived; when the buzz of talk ceased after repeated efforts on the part of M. de Bargeton, who, obedient to his wife, went round the room much as the beadle makes the circle of the church, tapping the pavement with his wand; when silence, in fact, was at last secured, Lucien went to the round table near Mme. de Bargeton. A fierce thrill of excitement ran through him as he did so. He announced in an uncertain voice that, to prevent disappointment, he was about to read the masterpieces of a great poet, discovered only recently (for although Andre de Chenier's poems appeared in 1819, no one in Angouleme had so much as heard of him). Everybody interpreted this announcement in one way—it was a shift of Mme. de Bargeton's, meant to save the poet's self-love and to put the audience at ease.

Lucien began with Le Malade, and the poem was received with a murmur of applause; but he followed it with L'Aveugle, which proved too great a strain upon the average intellect. None but artists or those endowed with the artistic temperament can understand and sympathize with him in the diabolical torture of that reading. If poetry is to be rendered by the voice, and if the listener is to grasp all that it means, the most devout attention is essential; there should be an intimate alliance between the reader and his audience, or swift and subtle communication of the poet's thought and feeling becomes impossible. Here this close sympathy was lacking, and Lucien in consequence was in the position of an angel who should endeavor to sing of heaven amid the chucklings of hell. An intelligent man in the sphere most stimulating to his faculties can see in every direction, like a snail; he has the keen scent of a dog, the ears of a mole; he can hear, and feel, and see all that is going on around him. A musician or a poet knows at once whether his audience is listening in admiration or fails to follow him, and feels it as the plant that revives or droops under favorable or unfavorable conditions. The men who had come with their wives had fallen to discussing their own affairs; by the acoustic law before mentioned, every murmur rang in Lucien's ear; he saw all the gaps caused by the spasmodic workings of jaws sympathetically affected, the teeth that seemed to grin defiance at him.

When, like the dove in the deluge, he looked round for any spot on which his eyes might rest, he saw nothing but rows of impatient faces. Their owners clearly were waiting for him to make an end; they had come together to discuss questions of practical interest. With the exceptions of Laure de Rastignac, the Bishop, and two or three of the young men, they one and all looked bored. As a matter of fact, those who understand poetry strive to develop the germs of another poetry, quickened within them by the poet's poetry; but this glacial audience, so far from attaining to the spirit of the poet, did not even listen to the letter.

Lucien felt profoundly discouraged; he was damp with chilly perspiration; a glowing glance from Louise, to whom he turned, gave him courage to persevere to the end, but this poet's heart was bleeding from countless wounds.

"Do you find this very amusing, Fifine?" inquired the wizened Lili, who perhaps had expected some kind of gymnastics.

"Don't ask me what I think, dear; I cannot keep my eyes open when any one begins to read aloud."

"I hope that Nais will not give us poetry often in the evenings," said Francis. "If I am obliged to attend while somebody reads aloud after dinner, it upsets my digestion."

"Poor dearie," whispered Zephirine, "take a glass of eau sucree."

"It was very well declaimed," said Alexandre, "but I like whist better myself."

After this dictum, which passed muster as a joke from the play on the word "whist," several card-players were of the opinion that the reader's voice needed a rest, and on this pretext one or two couples slipped away into the card-room. But Louise, and the Bishop, and pretty Laure de Rastignac besought Lucien to continue, and this time he caught the attention of his audience with Chenier's spirited reactionary Iambes. Several persons, carried away by his impassioned delivery, applauded the reading without understanding the sense. People of this sort are impressed by vociferation, as a coarse palate is ticked by strong spirits.

During the interval, as they partook of ices, Zephirine despatched Francis to examine the volume, and informed her neighbor Amelie that the poetry was in print.

Amelie brightened visibly.

"Why, that is easily explained," said she. "M. de Rubempre works for a printer. It is as if a pretty woman should make her own dresses," she added, looking at Lolotte.

"He printed his poetry himself!" said the women among themselves.

"Then, why does he call himself M. de Rubempre?" inquired Jacques. "If a noble takes a handicraft, he ought to lay his name aside."

"So he did as a matter of fact," said Zizine, "but his name was plebeian, and he took his mother's name, which is noble."

"Well, if his verses are printed, we can read them for ourselves," said Astolphe.

This piece of stupidity complicated the question, until Sixte du Chatelet condescended to inform these unlettered folk that the prefatory announcement was no oratorical flourish, but a statement of fact, and added that the poems had been written by a Royalist brother of Marie-Joseph Chenier, the Revolutionary leader. All Angouleme, except Mme. de Rastignac and her two daughters and the Bishop, who had really felt the grandeur of the poetry, were mystified, and took offence at the hoax. There was a smothered murmur, but Lucien did not heed it. The intoxication of the poetry was upon him; he was far away from the hateful world, striving to render in speech the music that filled his soul, seeing the faces about him through a cloudy haze. He read the sombre Elegy on the Suicide, lines in the taste of a by-gone day, pervaded by sublime melancholy; then he turned to the page where the line occurs, "Thy songs are sweet, I love to say them over," and ended with the delicate idyll Neere.

Mme. de Bargeton sat with one hand buried in her curls, heedless of the havoc she wrought among them, gazing before her with unseeing eyes, alone in her drawing-room, lost in delicious dreaming; for the first time in her life she had been transported to the sphere which was hers by right of nature. Judge, therefore, how unpleasantly she was disturbed by Amelie, who took it upon herself to express the general wish.

"Nais," this voice broke in, "we came to hear M. Chardon's poetry, and you are giving us poetry out of a book. The extracts are very nice, but the ladies feel a patriotic preference for the wine of the country; they would rather have it."

"The French language does not lend itself very readily to poetry, does it?" Astolphe remarked to Chatelet. "Cicero's prose is a thousand times more poetical to my way of thinking."

"The true poetry of France is song, lyric verse," Chatelet answered.

"Which proves that our language is eminently adapted for music," said Adrien.

"I should like very much to hear the poetry that has cost Nais her reputation," said Zephirine; "but after receiving Amelie's request in such a way, it is not very likely that she will give us a specimen."

"She ought to have them recited in justice to herself," said Francis. "The little fellow's genius is his sole justification."

"You have been in the diplomatic service," said Amelie to M. du Chatelet, "go and manage it somehow."

"Nothing easier," said the Baron.

The Princess' private secretary, being accustomed to petty manoeuvres of this kind, went to the Bishop and contrived to bring him to the fore. At the Bishop's entreaty, Nais had no choice but to ask Lucien to recite his own verses for them, and the Baron received a languishing smile from Amelie as the reward of his prompt success.

"Decidedly, the Baron is a very clever man," she observed to Lolotte.

But Amelie's previous acidulous remark about women who made their own dresses rankled in Lolotte's mind.

"Since when have you begun to recognize the Emperor's barons?" she asked, smiling.

Lucien had essayed to deify his beloved in an ode, dedicated to her under a title in favor with all lads who write verse after leaving school. This ode, so fondly cherished, so beautiful—since it was the outpouring of all the love in his heart, seemed to him to be the one piece of his own work that could hold its own with Chenier's verse; and with a tolerably fatuous glance at Mme. de Bargeton, he announced "TO HER!" He struck an attitude proudly for the delivery of the ambitious piece, for his author's self-love felt safe and at ease behind Mme. de Bargeton's petticoat. And at the selfsame moment Mme. de Bargeton betrayed her own secret to the women's curious eyes. Although she had always looked down upon this audience from her own loftier intellectual heights, she could not help trembling for Lucien. Her face was troubled, there was a sort of mute appeal for indulgence in her glances, and while the verses were recited she was obliged to lower her eyes and dissemble her pleasure as stanza followed stanza.

TO HER.

Out of the glowing heart of the torrent of glory and light, At the foot of Jehovah's throne where the angels stand afar, Each on a seistron of gold repeating the prayers of the night, Put up for each by his star.

Out from the cherubim choir a bright-haired Angel springs, Veiling the glory of God that dwells on a dazzling brow, Leaving the courts of heaven to sink upon silver wings Down to our world below.

God looked in pity on earth, and the Angel, reading His thought, Came down to lull the pain of the mighty spirit at strife, Reverent bent o'er the maid, and for age left desolate brought Flowers of the springtime of life.

Bringing a dream of hope to solace the mother's fears, Hearkening unto the voice of the tardy repentant cry, Glad as angels are glad, to reckon Earth's pitying tears, Given with alms of a sigh.

One there is, and but one, bright messenger sent from the skies Whom earth like a lover fain would hold from the hea'nward flight; But the angel, weeping, turns and gazes with sad, sweet eyes Up to the heaven of light.

Not by the radiant eyes, not by the kindling glow Of virtue sent from God, did I know the secret sign, Nor read the token sent on a white and dazzling brow Of an origin divine.

Nay, it was Love grown blind and dazed with excess of light, Striving and striving in vain to mingle Earth and Heaven, Helpless and powerless against the invincible armor bright By the dread archangel given.

Ah! be wary, take heed, lest aught should be seen or heard Of the shining seraph band, as they take the heavenward way; Too soon the Angel on Earth will learn the magical word Sung at the close of the day.

Then you shall see afar, rifting the darkness of night, A gleam as of dawn that spread across the starry floor, And the seaman that watch for a sign shall mark the track of their flight, A luminous pathway in Heaven and a beacon for evermore.

"Do you read the riddle?" said Amelie, giving M. du Chatelet a coquettish glance.

"It is the sort of stuff that we all of us wrote more or less after we left school," said the Baron with a bored expression—he was acting his part of arbiter of taste who has seen everything. "We used to deal in Ossianic mists, Malvinas and Fingals and cloudy shapes, and warriors who got out of their tombs with stars above their heads. Nowadays this poetical frippery has been replaced by Jehovah, angels, seistrons, the plumes of seraphim, and all the paraphernalia of paradise freshened up with a few new words such as 'immense, infinite, solitude, intelligence'; you have lakes, and the words of the Almighty, a kind of Christianized Pantheism, enriched with the most extraordinary and unheard-of rhymes. We are in quite another latitude, in fact; we have left the North for the East, but the darkness is just as thick as before."

"If the ode is obscure, the declaration is very clear, it seems to me," said Zephirine.

"And the archangel's armor is a tolerably thin gauze robe," said Francis.

Politeness demanded that the audience should profess to be enchanted with the poem; and the women, furious because they had no poets in their train to extol them as angels, rose, looked bored by the reading, murmuring, "Very nice!" "Charming!" "Perfect!" with frigid coldness.

"If you love me, do not congratulate the poet or his angel," Lolotte laid her commands on her dear Adrien in imperious tones, and Adrien was fain to obey.

"Empty words, after all," Zephirine remarked to Francis, "and love is a poem that we live."

"You have just expressed the very thing that I was thinking, Zizine, but I should not have put it so neatly," said Stanislas, scanning himself from top to toe with loving attention.

"I would give, I don't know how much, to see Nais' pride brought down a bit," said Amelie, addressing Chatelet. "Nais sets up to be an archangel, as if she were better than the rest of us, and mixes us up with low people; his father was an apothecary, and his mother is a nurse; his sister works in a laundry, and he himself is a printer's foreman."

"If his father sold biscuits for worms" (vers), said Jacques, "he ought to have made his son take them."

"He is continuing in his father's line of business, for the stuff that he has just been reading to us is a drug in the market, it seems," said Stanislas, striking one of his most killing attitudes. "Drug for drug, I would rather have something else."

Every one apparently combined to humiliate Lucien by various aristocrats' sarcasms. Lili the religious thought it a charitable deed to use any means of enlightening Nais, and Nais was on the brink of a piece of folly. Francis the diplomatist undertook the direction of the silly conspiracy; every one was interested in the progress of the drama; it would be something to talk about to-morrow. The ex-consul, being far from anxious to engage in a duel with a young poet who would fly into a rage at the first hint of insult under his lady's eyes, was wise enough to see that the only way of dealing Lucien his deathblow was by the spiritual arm which was safe from vengeance. He therefore followed the example set by Chatelet the astute, and went to the Bishop. Him he proceeded to mystify.

He told the Bishop that Lucien's mother was a woman of uncommon powers and great modesty, and that it was she who found the subjects for her son's verses. Nothing pleased Lucien so much, according to the guileful Francis, as any recognition of her talents—he worshiped his mother. Then, having inculcated these notions, he left the rest to time. His lordship was sure to bring out the insulting allusion, for which he had been so carefully prepared, in the course of conversation.

When Francis and the Bishop joined the little group where Lucien stood, the circle who gave him the cup of hemlock to drain by little sips watched him with redoubled interest. The poet, luckless young man, being a total stranger, and unaware of the manners and customs of the house, could only look at Mme. de Bargeton and give embarrassed answers to embarrassing questions. He knew neither the names nor condition of the people about him; the women's silly speeches made him blush for them, and he was at his wits' end for a reply. He felt, moreover, how very far removed he was from these divinities of Angouleme when he heard himself addressed sometimes as M. Chardon, sometimes as M. de Rubempre, while they addressed each other as Lolotte, Adrien, Astolphe, Lili and Fifine. His confusion rose to a height when, taking Lili for a man's surname, he addressed the coarse M. de Senonches as M. Lili; that Nimrod broke in upon him with a "MONSIEUR LULU?" and Mme. de Bargeton flushed red to the eyes.

"A woman must be blind indeed to bring this little fellow among us!" muttered Senonches.

Zephirine turned to speak to the Marquise de Pimentel—"Do you not see a strong likeness between M. Chardon and M. de Cante-Croix, madame?" she asked in a low but quite audible voice.

"The likeness is ideal," smiled Mme. de Pimentel.

"Glory has a power of attraction to which we can confess," said Mme. de Bargeton, addressing the Marquise. "Some women are as much attracted by greatness as others by littleness," she added, looking at Francis.

The was beyond Zephirine's comprehension; she thought her consul a very great man; but the Marquise laughed, and her laughter ranged her on Nais' side.

"You are very fortunate, monsieur," said the Marquis de Pimentel, addressing Lucien for the purpose of calling him M. de Rubempre, and not M. Chardon, as before; "you should never find time heavy on your hands."

"Do you work quickly?" asked Lolotte, much in the way that she would have asked a joiner "if it took long to make a box."

The bludgeon stroke stunned Lucien, but he raised his head at Mme. de Bargeton's reply—

"My dear, poetry does not grow in M. de Rubempre's head like grass in our courtyards."

"Madame, we cannot feel too reverently towards the noble spirits in whom God has set some ray of this light," said the Bishop, addressing Lolotte. "Yes, poetry is something holy. Poetry implies suffering. How many silent nights those verses that you admire have cost! We should bow in love and reverence before the poet; his life here is almost always a life of sorrow; but God doubtless reserves a place in heaven for him among His prophets. This young man is a poet," he added laying a hand on Lucien's head; "do you not see the sign of Fate set on that high forehead of his?"

Glad to be so generously championed, Lucien made his acknowledgments in a grateful look, not knowing that the worthy prelate was to deal his deathblow.

Mme. de Bargeton's eyes traveled round the hostile circle. Her glances went like arrows to the depths of her rivals' hearts, and left them twice as furious as before.

"Ah, monseigneur," cried Lucien, hoping to break thick heads with his golden sceptre, "but ordinary people have neither your intellect nor your charity. No one heeds our sorrows, our toil is unrecognized. The gold-digger working in the mine does not labor as we to wrest metaphors from the heart of the most ungrateful of all languages. If this is poetry—to give ideas such definite and clear expressions that all the world can see and understand—the poet must continually range through the entire scale of human intellects, so that he can satisfy the demands of all; he must conceal hard thinking and emotion, two antagonistic powers, beneath the most vivid color; he must know how to make one word cover a whole world of thought; he must give the results of whole systems of philosophy in a few picturesque lines; indeed, his songs are like seeds that must break into blossom in other hearts wherever they find the soil prepared by personal experience. How can you express unless you first have felt? And is not passion suffering. Poetry is only brought forth after painful wanderings in the vast regions of thought and life. There are men and women in books, who seem more really alive to us than men and women who have lived and died—Richardson's Clarissa, Chenier's Camille, the Delia of Tibullus, Ariosto's Angelica, Dante's Francesca, Moliere's Alceste, Beaumarchais' Figaro, Scott's Rebecca the Jewess, the Don Quixote of Cervantes,—do we not owe these deathless creations to immortal throes?"

"And what are you going to create for us?" asked Chatelet.

"If I were to announce such conceptions, I should give myself out for a man of genius, should I not?" answered Lucien. "And besides, such sublime creations demand a long experience of the world and a study of human passion and interests which I could not possibly have made; but I have made a beginning," he added, with bitterness in his tone, as he took a vengeful glance round the circle; "the time of gestation is long——"

"Then it will be a case of difficult labor," interrupted M. du Hautoy.

"Your excellent mother might assist you," suggested the Bishop.

The epigram, innocently made by the good prelate, the long-looked-for revenge, kindled a gleam of delight in all eyes. The smile of satisfied caste that traveled from mouth to mouth was aggravated by M. de Bargeton's imbecility; he burst into a laugh, as usual, some moments later.

"Monseigneur, you are talking a little above our heads; these ladies do not understand your meaning," said Mme. de Bargeton, and the words paralyzed the laughter, and drew astonished eyes upon her. "A poet who looks to the Bible for his inspiration has a mother indeed in the Church.—M. de Rubempre, will you recite Saint John in Patmos for us, or Belshazzar's Feast, so that his lordship may see that Rome is still the Magna Parens of Virgil?"

The women exchanged smiles at the Latin words.

The bravest and highest spirits know times of prostration at the outset of life. Lucien had sunk to the depths at the blow, but he struck the bottom with his feet, and rose to the surface again, vowing to subjugate this little world. He rose like a bull, stung to fury by a shower of darts, and prepared to obey Louise by declaiming Saint John in Patmos; but by this time the card-tables had claimed their complement of players, who returned to the accustomed groove to find amusement there which poetry had not afforded them. They felt besides that the revenge of so many outraged vanities would be incomplete unless it were followed up by contemptuous indifference; so they showed their tacit disdain for the native product by leaving Lucien and Mme. de Bargeton to themselves. Every one appeared to be absorbed in his own affairs; one chattered with the prefect about a new crossroad, another proposed to vary the pleasures of the evening with a little music. The great world of Angouleme, feeling that it was no judge of poetry, was very anxious, in the first place, to hear the verdict of the Pimentels and the Rastignacs, and formed a little group about them. The great influence wielded in the department by these two families was always felt on every important occasion; every one was jealous of them, every one paid court to them, foreseeing that they might some day need that influence.

"What do you think of our poet and his poetry?" Jacques asked of the Marquise. Jacques used to shoot over the lands belonging to the Pimentel family.

"Why, it is not bad for provincial poetry," she said, smiling; "and besides, such a beautiful poet cannot do anything amiss."

Every one thought the decision admirable; it traveled from lip to lip, gaining malignance by the way. Then Chatelet was called upon to accompany M. du Bartas on the piano while he mangled the great solo from Figaro; and the way being opened to music, the audience, as in duty bound listened while Chatelet in turn sang one of Chateaubriand's ballads, a chivalrous ditty made in the time of the Empire. Duets followed, of the kind usually left to boarding-school misses, and rescued from the schoolroom by Mme. du Brossard, who meant to make a brilliant display of her dear Camille's talents for M. de Severac's benefit.

Mme. du Bargeton, hurt by the contempt which every one showed her poet, paid back scorn for scorn by going to her boudoir during these performances. She was followed by the prelate. His Vicar-General had just been explaining the profound irony of the epigram into which he had been entrapped, and the Bishop wished to make amends. Mlle. de Rastignac, fascinated by the poetry, also slipped into the boudoir without her mother's knowledge.

Louise drew Lucien to her mattress-cushioned sofa; and with no one to see or hear, she murmured in his ear, "Dear angel, they did not understand you; but, 'Thy songs are sweet, I love to say them over.'"

And Lucien took comfort from the pretty speech, and forgot his woes for a little.

"Glory is not to be had cheaply," Mme. de Bargeton continued, taking his hand and holding it tightly in her own. "Endure your woes, my friend, you will be great one day; your pain is the price of your immortality. If only I had a hard struggle before me! God preserve you from the enervating life without battles, in which the eagle's wings have no room to spread themselves. I envy you; for if you suffer, at least you live. You will put out your strength, you will feel the hope of victory; your strife will be glorious. And when you shall come to your kingdom, and reach the imperial sphere where great minds are enthroned, then remember the poor creatures disinherited by fate, whose intellects pine in an oppressive moral atmosphere, who die and have never lived, knowing all the while what life might be; think of the piercing eyes that have seen nothing, the delicate senses that have only known the scent of poison flowers. Then tell in your song of plants that wither in the depths of the forest, choked by twining growths and rank, greedy vegetation, plants that have never been kissed by the sunlight, and die, never having put forth a blossom. It would be a terribly gloomy poem, would it not, a fanciful subject? What a sublime poem might be made of the story of some daughter of the desert transported to some cold, western clime, calling for her beloved sun, dying of a grief that none can understand, overcome with cold and longing. It would be an allegory; many lives are like that."

"You would picture the spirit which remembers Heaven," said the Bishop; "some one surely must have written such a poem in the days of old; I like to think that I see a fragment of it in the Song of Songs."

"Take that as your subject," said Laure de Rastignac, expressing her artless belief in Lucien's powers.

"The great sacred poem of France is still unwritten," remarked the Bishop. "Believe me, glory and success await the man of talent who shall work for religion."

"That task will be his," said Mme. de Bargeton rhetorically. "Do you not see the first beginnings of the vision of the poem, like the flame of dawn, in his eyes?"

"Nais is treating us very badly," said Fifine; "what can she be doing?"

"Don't you hear?" said Stanislas. "She is flourishing away, using big words that you cannot make head or tail of."

Amelie, Fifine, Adrien, and Francis appeared in the doorway with Mme. de Rastignac, who came to look for her daughter.

"Nais," cried the two ladies, both delighted to break in upon the quiet chat in the boudoir, "it would be very nice of you to come and play something for us."

"My dear child, M. de Rubempre is just about to recite his Saint John in Patmos, a magnificent biblical poem."

"Biblical!" echoed Fifine in amazement.

Amelie and Fifine went back to the drawing-room, taking the word back with them as food for laughter. Lucien pleaded a defective memory and excused himself. When he reappeared, nobody took the slightest notice of him; every one was chatting or busy at the card-tables; the poet's aureole had been plucked away, the landowners had no use for him, the more pretentious sort looked upon him as an enemy to their ignorance, while the women were jealous of Mme. de Bargeton, the Beatrice of this modern Dante, to use the Vicar-General's phrase, and looked at him with cold, scornful eyes.

"So this is society!" Lucien said to himself as he went down to L'Houmeau by the steps of Beaulieu; for there are times when we choose to take the longest way, that the physical exercise of walking may promote the flow of ideas.

So far from being disheartened, the fury of repulsed ambition gave Lucien new strength. Like all those whose instincts bring them to a higher social sphere which they reach before they can hold their own in it, Lucien vowed to make any sacrifice to the end that he might remain on that higher social level. One by one he drew out the poisoned shafts on his way home, talking aloud to himself, scoffing at the fools with whom he had to do, inventing neat answers to their idiotic questions, desperately vexed that the witty responses occurred to him so late in the day. By the time that he reached the Bordeaux road, between the river and the foot of the hill, he thought that he could see Eve and David sitting on a baulk of timber by the river in the moonlight, and went down the footpath towards them.



While Lucien was hastening to the torture in Mme. de Bargeton's rooms, his sister had changed her dress for a gown of pink cambric covered with narrow stripes, a straw hat, and a little silk shawl. The simple costume seemed like a rich toilette on Eve, for she was one of those women whose great nature lends stateliness to the least personal detail; and David felt prodigiously shy of her now that she had changed her working dress. He had made up his mind that he would speak of himself; but now as he gave his arm to this beautiful girl, and they walked through L'Houmeau together, he could find nothing to say to her. Love delights in such reverent awe as redeemed souls know on beholding the glory of God. So, in silence, the two lovers went across the Bridge of Saint Anne, and followed the left bank of the Charente. Eve felt embarrassed by the pause, and stopped to look along the river; a joyous shaft of sunset had turned the water between the bridge and the new powder mills into a sheet of gold.

"What a beautiful evening it is!" she said, for the sake of saying something; "the air is warm and fresh, and full of the scent of flowers, and there is a wonderful sky."

"Everything speaks to our heart," said David, trying to proceed to love by way of analogy. "Those who love find infinite delight in discovering the poetry of their own inmost souls in every chance effect of the landscape, in the thin, clear air, in the scent of the earth. Nature speaks for them."

"And loosens their tongues, too," Eve said merrily. "You were very silent as we came through L'Houmeau. Do you know, I felt quite uncomfortable——"

"You looked so beautiful, that I could not say anything," David answered candidly.

"Then, just now I am not so beautiful?" inquired she.

"It is not that," he said; "but I was so happy to have this walk alone with you, that——" he stopped short in confusion, and looked at the hillside and the road to Saintes.

"If the walk is any pleasure to you, I am delighted; for I owe you an evening, I think, when you have given up yours for me. When you refused to go to Mme. de Bargeton's, you were quite as generous as Lucien when he made the demand at the risk of vexing her."

"No, not generous, only wise," said David. "And now that we are quite alone under the sky, with no listeners except the bushes and the reeds by the edge of the Charente, let me tell you about my anxiety as to Lucien's present step, dear Eve. After all that I have just said, I hope that you will look on my fears as a refinement of friendship. You and your mother have done all that you could to put him above his social position; but when you stimulated his ambition, did you not unthinkingly condemn him to a hard struggle? How can he maintain himself in the society to which his tastes incline him? I know Lucien; he likes to reap, he does not like toil; it is his nature. Social claims will take up the whole of his time, and for a man who has nothing but his brains, time is capital. He likes to shine; society will stimulate his desires until no money will satisfy them; instead of earning money, he will spend it. You have accustomed him to believe in his great powers, in fact, but the world at large declines to believe in any man's superior intellect until he has achieved some signal success. Now success in literature is only won in solitude and by dogged work. What will Mme. de Bargeton give your brother in return for so many days spent at her feet? Lucien has too much spirit to accept help from her; and he cannot afford, as we know, to cultivate her society, twice ruinous as it is for him. Sooner or later that woman will throw over this dear brother of ours, but not before she has spoiled him for hard work, and given him a taste for luxury and a contempt for our humdrum life. She will develop his love of enjoyment, his inclination for idleness, that debauches a poetic soul. Yes, it makes me tremble to think that this great lady may make a plaything of Lucien. If she cares for him sincerely, he will forget everything else for her; or if she does not love him, she will make him unhappy, for he is wild about her."

"You have sent a chill of dread through my heart," said Eve, stopping as they reached the weir. "But so long as mother is strong enough for her tiring life, so long as I live, we shall earn enough, perhaps, between us to keep Lucien until success comes. My courage will never fail," said Eve, brightening. "There is no hardship in work when we work for one we love; it is not drudgery. It makes me happy to think that I toil so much, if indeed it is toil, for him. Oh, do not be in the least afraid, we will earn money enough to send Lucien into the great world. There lies his road to success."

"And there lies his road to ruin," returned David. "Dear Eve, listen to me. A man needs an independent fortune, or the sublime cynicism of poverty, for the slow execution of great work. Believe me, Lucien's horror of privation is so great, the savor of banquets, the incense of success is so sweet in his nostrils, his self-love has grown so much in Mme. de Bargeton's boudoir, that he will do anything desperate sooner than fall back, and you will never earn enough for his requirements.

"Then you are only a false friend to him!" Eve cried in despair, "or you would not discourage us in this way."

"Eve! Eve!" cried David, "if only I could be a brother to Lucien! You alone can give me that title; he could accept anything from me then; I should claim the right of devoting my life to him with the love that hallows your self-sacrifice, but with some worldly wisdom too. Eve, my darling, give Lucien a store from which he need not blush to draw! His brother's purse will be like his own, will it not? If you only knew all my thoughts about Lucien's position! If he means to go to Mme. de Bargeton's, he must not be my foreman any longer, poor fellow! He ought not to live in L'Houmeau; you ought not to be a working girl; and your mother must give up her employment as well. If you would consent to be my wife, the difficulties will all be smoothed away. Lucien might live on the second floor in the Place du Murier until I can build rooms for him over the shed at the back of the yard (if my father will allow it, that is.). And in that way we would arrange a free and independent life for him. The wish to support Lucien will give me a better will to work than I ever should have had for myself alone; but it rests with you to give me the right to devote myself to him. Some day, perhaps, he will go to Paris, the only place that can bring out all that is in him, and where his talents will be appreciated and rewarded. Living in Paris is expensive, and the earnings of all three of us will be needed for his support. And besides, will not you and your mother need some one to lean upon then? Dear Eve, marry me for love of Lucien; perhaps afterwards you will love me when you see how I shall strive to help him and to make you happy. We are, both of us, equally simple in our tastes; we have few wants; Lucien's welfare shall be the great object of our lives. His heart shall be our treasure-house, we will lay up all our fortune, and think and feel and hope in him."

"Worldly considerations keep us apart," said Eve, moved by this love that tried to explain away its greatness. "You are rich and I am poor. One must love indeed to overcome such a difficulty."

"Then you do not care enough for me?" cried the stricken David.

"But perhaps your father would object——"

"Never mind," said David; "if asking my father is all that is necessary, you will be my wife. Eve, my dear Eve, how you have lightened life for me in a moment; and my heart has been very heavy with thoughts that I could not utter, I did not know how to speak of them. Only tell me that you care for me a little, and I will take courage to tell you the rest."

"Indeed," she said, "you make me quite ashamed; but confidence for confidence, I will tell you this, that I have never thought of any one but you in my life. I looked upon you as one of those men to whom a woman might be proud to belong, and I did not dare to hope so great a thing for myself, a penniless working girl with no prospects."

"That is enough, that is enough," he answered, sitting down on the bar by the weir, for they had gone to and fro like mad creatures over the same length of pathway.

"What is the matter?" she asked, her voice expressing for the first time a woman's sweet anxiety for one who belongs to her.

"Nothing but good," he answered. "It is the sight of a whole lifetime of happiness that dazzles me, as it were; it is overwhelming. Why am I happier than you?" he asked, with a touch of sadness. "For I know that I am happier."

Eve looked at David with mischievous, doubtful eyes that asked an explanation.

"Dear Eve, I am taking more than I give. So I shall always love you more than you love me, because I have more reason to love. You are an angel; I am a man."

"I am not so learned," Eve said, smiling. "I love you——"

"As much as you love Lucien?" he broke in.

"Enough to be your wife, enough to devote myself to you, to try not to add anything to your burdens, for we shall have some struggles; it will not be quite easy at first."

"Dear Eve, have you known that I loved you since the first day I saw you?"

"Where is the woman who does not feel that she is loved?"

"Now let me get rid of your scruples as to my imaginary riches. I am a poor man, dear. Yes, it pleased my father to ruin me; he made a speculation of me, as a good many so-called benefactors do. If I make a fortune, it will be entirely through you. That is not a lover's speech, but sober, serious earnest. I ought to tell you about my faults, for they are exceedingly bad ones in a man who has his way to make. My character and habits and favorite occupations all unfit me for business and money-getting, and yet we can only make money by some kind of industry; if I have some faculty for the discovery of gold-mines, I am singularly ill-adapted for getting the gold out of them. But you who, for your brother's sake, went into the smallest details, with a talent for thrift, and the patient watchfulness of the born man of business, you will reap the harvest that I shall sow. The present state of things, for I have been like one of the family for a long time, weighs so heavily upon me, that I have spent days and nights in search of some way of making a fortune. I know something of chemistry, and a knowledge of commercial requirements has put me on the scent of a discovery that is likely to pay. I can say nothing as yet about it; there will be a long while to wait; perhaps for some years we may have a hard time of it; but I shall find out how to make a commercial article at last. Others are busy making the same researches, and if I am first in the field, we shall have a large fortune. I have said nothing to Lucien, his enthusiastic nature would spoil everything; he would convert my hopes into realities, and begin to live like a lord, and perhaps get into debt. So keep my secret for me. Your sweet and dear companionship will be consolation in itself during the long time of experiment, and the desire to gain wealth for you and Lucien will give me persistence and tenacity——"

"I had guessed this too," Eve said, interrupting him; "I knew that you were one of those inventors, like my poor father, who must have a woman to take care of them."

"Then you love me! Ah! say so without fear to me, who saw a symbol of my love for you in your name. Eve was the one woman in the world; if it was true in the outward world for Adam, it is true again in the inner world of my heart for me. My God! do you love me?"

"Yes," said she, lengthening out the word as if to make it cover the extent of feeling expressed by a single syllable.

"Well, let us sit here," he said, and taking Eve's hand, he went to a great baulk of timber lying below the wheels of a paper-mill. "Let me breathe the evening air, and hear the frogs croak, and watch the moonlight quivering upon the river; let me take all this world about us into my soul, for it seems to me that my happiness is written large over it all; I am seeing it for the first time in all its splendor, lighted up by love, grown fair through you. Eve, dearest, this is the first moment of pure and unmixed joy that fate has given to me! I do not think that Lucien can be as happy as I am."

David felt Eve's hand, damp and quivering in his own, and a tear fell upon it.

"May I not know the secret?" she pleaded coaxingly.

"You have a right to know it, for your father was interested in the matter, and to-day it is a pressing question, and for this reason. Since the downfall of the Empire, calico has come more and more into use, because it is so much cheaper than linen. At the present moment, paper is made of a mixture of hemp and linen rags, but the raw material is dear, and the expense naturally retards the great advance which the French press is bound to make. Now you cannot increase the output of linen rags, a given population gives a pretty constant result, and it only increases with the birth-rate. To make any perceptible difference in the population for this purpose, it would take a quarter of a century and a great revolution in habits of life, trade, and agriculture. And if the supply of linen rags is not enough to meet one-half nor one-third of the demand, some cheaper material than linen rags must be found for cheap paper. This deduction is based on facts that came under my knowledge here. The Angouleme paper-makers, the last to use pure linen rags, say that the proportion of cotton in the pulp has increased to a frightful extent of late years."

In answer to a question from Eve, who did not know what "pulp" meant, David gave an account of paper-making, which will not be out of place in a volume which owes its existence in book form to the paper industry no less than to the printing-press; but the long digression, doubtless, had best be condensed at first.

Paper, an invention not less marvelous than the other dependent invention of printing, was known in ancient times in China. Thence by the unrecognized channels of commerce the art reached Asia Minor, where paper was made of cotton reduced to pulp and boiled. Parchment had become so extremely dear that a cheap substitute was discovered in an imitation of the cotton paper known in the East as charta bombycina. The imitation, made from rags, was first made at Basel, in 1170, by a colony of Greek refugees, according to some authorities; or at Padua, in 1301, by an Italian named Pax, according to others. In these ways the manufacture of paper was perfected slowly and in obscurity; but this much is certain, that so early as the reign of Charles VI., paper pulp for playing-cards was made in Paris.

When those immortals, Faust, Coster, and Gutenberg, invented the Book, craftsmen as obscure as many a great artist of those times appropriated paper to the uses of typography. In the fifteenth century, that naive and vigorous age, names were given to the various formats as well as to the different sizes of type, names that bear the impress of the naivete of the times; and the various sheets came to be known by the different watermarks on their centres; the grapes, the figure of our Saviour, the crown, the shield, or the flower-pot, just as at a later day, the eagle of Napoleon's time gave the name to the "double-eagle" size. And in the same way the types were called Cicero, Saint-Augustine, and Canon type, because they were first used to print the treatises of Cicero and theological and liturgical works. Italics are so called because they were invented in Italy by Aldus of Venice.

Before the invention of machine-made paper, which can be woven in any length, the largest sized sheets were the grand jesus and the double columbier (this last being scarcely used now except for atlases or engravings), and the size of paper for printers' use was determined by the dimensions of the impression-stone. When David explained these things to Eve, web-paper was almost undreamed of in France, although, about 1799, Denis Robert d'Essonne had invented a machine for turning out a ribbon of paper, and Didot-Saint-Leger had since tried to perfect it. The vellum paper invented by Ambroise Didot only dates back as far as 1780.

This bird's eye view of the history of the invention shows incontestably that great industrial and intellectual advances are made exceedingly slowly, and little by little, even as Nature herself proceeds. Perhaps articulate speech and the art of writing were gradually developed in the same groping way as typography and paper-making.

"Rag-pickers collect all the rags and old linen of Europe," the printer concluded, "and buy any kind of tissue. The rags are sorted and warehoused by the wholesale rag merchants, who supply the paper-mills. To give you some idea of the extent of the trade, you must know, mademoiselle, that in 1814 Cardon the banker, owner of the pulping troughs of Bruges and Langlee (where Leorier de l'Isle endeavored in 1776 to solve the very problem that occupied your father), Cardon brought an action against one Proust for an error in weights of two millions in a total of ten million pounds' weight of rags, worth about four million francs! The manufacturer washes the rags and reduces them to a thin pulp, which is strained, exactly as a cook strains sauce through a tamis, through an iron frame with a fine wire bottom where the mark which give its name to the size of the paper is woven. The size of this mould, as it is called, regulates the size of the sheet.

"When I was with the Messieurs Didot," David continued, "they were very much interested in this question, and they are still interested; for the improvement which your father endeavored to make is a great commercial requirement, and one of the crying needs of the time. And for this reason: although linen lasts so much longer than cotton, that it is in reality cheaper in the end, the poor would rather make the smaller outlay in the first instance, and, by virtue of the law of Vae victis! pay enormously more before they have done. The middle classes do the same. So there is a scarcity of linen. In England, where four-fifths of the population use cotton to the exclusion of linen, they make nothing but cotton paper. The cotton paper is very soft and easily creased to begin with, and it has a further defect: it is so soluble that if you seep a book made of cotton paper in water for fifteen minutes, it turns to a pulp, while an old book left in water for a couple of hours is not spoilt. You could dry the old book, and the pages, though yellow and faded, would still be legible, the work would not be destroyed.

"There is a time coming when legislation will equalize our fortunes, and we shall all be poor together; we shall want our linen and our books to be cheap, just as people are beginning to prefer small pictures because they have not wall space enough for large ones. Well, the shirts and the books will not last, that is all; it is the same on all sides, solidity is drying out. So this problem is one of the first importance for literature, science, and politics.

"One day, in my office, there was a hot discussion going on about the material that the Chinese use for making paper. Their paper is far better than ours, because the raw material is better; and a good deal was said about this thin, light Chinese paper, for if it is light and thin, the texture is close, there are no transparent spots in it. In Paris there are learned men among the printers' readers; Fourier and Pierre Leroux are Lachevardiere's readers at this moment; and the Comte de Saint-Simon, who happened to be correcting proofs for us, came in in the middle of the discussion. He told us at once that, according to Kempfer and du Halde, the Broussonetia furnishes the substance of the Chinese paper; it is a vegetable substance (like linen or cotton for that matter). Another reader maintained that Chinese paper was principally made of an animal substance, to wit, the silk that is abundant there. They made a bet about it in my presence. The Messieurs Didot are printers to the Institute, so naturally they referred the question to that learned body. M. Marcel, who used to be superintendent of the Royal Printing Establishment, was umpire, and he sent the two readers to M. l'Abbe Grozier, Librarian at the Arsenal. By the Abbe's decision they both lost their wages. The paper was not made of silk nor yet from the Broussonetia; the pulp proved to be the triturated fibre of some kind of bamboo. The Abbe Grozier had a Chinese book, an iconographical and technological work, with a great many pictures in it, illustrating all the different processes of paper-making, and he showed us a picture of the workshop with the bamboo stalks lying in a heap in the corner; it was extremely well drawn.

"Lucien told me that your father, with the intuition of a man of talent, had a glimmering of a notion of some way of replacing linen rags with an exceedingly common vegetable product, not previously manufactured, but taken direct from the soil, as the Chinese use vegetable fibre at first hand. I have classified the guesses made by those who came before me, and have begun to study the question. The bamboo is a kind of reed; naturally I began to think of the reeds that grow here in France.

"Labor is very cheap in China, where a workman earns three halfpence a day, and this cheapness of labor enables the Chinese to manipulate each sheet of paper separately. They take it out of the mould, and press it between heated tablets of white porcelain, that is the secret of the surface and consistence, the lightness and satin smoothness of the best paper in the world. Well, here in Europe the work must be done by machinery; machinery must take the place of cheap Chinese labor. If we could but succeed in making a cheap paper of as good a quality, the weight and thickness of printed books would be reduced by more than one-half. A set of Voltaire, printed on our woven paper and bound, weighs about two hundred and fifty pounds; it would only weigh fifty if we used Chinese paper. That surely would be a triumph, for the housing of many books has come to be a difficulty; everything has grown smaller of late; this is not an age of giants; men have shrunk, everything about them shrinks, and house-room into the bargain. Great mansions and great suites of rooms will be abolished sooner or later in Paris, for no one will afford to live in the great houses built by our forefathers. What a disgrace for our age if none of its books should last! Dutch paper—that is, paper made from flax—will be quite unobtainable in ten years' time. Well, your brother told me of this idea of your father's, this plan for using vegetable fibre in paper-making, so you see that if I succeed, you have a right to——"

Lucien came up at that moment and interrupted David's generous assertion.

"I do not know whether you have found the evening pleasant," said he; "it has been a cruel time for me."

"Poor Lucien! what can have happened?" cried Eve, as she saw her brother's excited face.

The poet told the history of his agony, pouring out a flood of clamorous thoughts into those friendly hearts, Eve and David listening in pained silence to a torrent of woes that exhibited such greatness and such pettiness.

"M. de Bargeton is an old dotard. The indigestion will carry him off before long, no doubt," Lucien said, as he made an end, "and then I will look down on these proud people; I will marry Mme. de Bargeton. I read to-night in her eyes a love as great as mine for her. Yes, she felt all that I felt; she comforted me; she is as great and noble as she is gracious and beautiful. She will never give me up."

"It is time that life was made smooth for him, is it not?" murmured David, and for answer Eve pressed his arm without speaking. David guessed her thoughts, and began at once to tell Lucien about his own plans.

If Lucien was full of his troubles, the lovers were quite as full of themselves. So absorbed were they, so eager that Lucien should approve their happiness, that neither Eve nor David so much as noticed his start of surprise at the news. Mme. de Bargeton's lover had been dreaming of a great match for his sister; he would reach a high position first, and then secure himself by an alliance with some family of influence, and here was one more obstacle in his way to success! His hopes were dashed to the ground. "If Mme. de Bargeton consents to be Mme. de Rubempre, she would never care to have David Sechard for a brother-in-law!"

This stated clearly and precisely was the thought that tortured Lucien's inmost mind. "Louise is right!" he thought bitterly. "A man with a career before him is never understood by his family."

If the marriage had not been announced immediately after Lucien's fancy had put M. de Bargeton to death, he would have been radiant with heartfelt delight at the news. If he had thought soberly over the probable future of a beautiful and penniless girl like Eve Chardon, he would have seen that this marriage was a piece of unhoped-for good fortune. But he was living just now in a golden dream; he had soared above all barriers on the wings of an if; he had seen a vision of himself, rising above society; and it was painful to drop so suddenly down to hard fact.

Eve and David both thought that their brother was overcome with the sense of such generosity; to them, with their noble natures, the silent consent was a sign of true friendship. David began to describe with kindly and cordial eloquence the happy fortunes in store for them all. Unchecked by protests put in by Eve, he furnished his first floor with a lover's lavishness, built a second floor with boyish good faith for Lucien, and rooms above the shed for Mme. Chardon—he meant to be a son to her. In short, he made the whole family so happy and his brother-in-law so independent, that Lucien fell under the spell of David's voice and Eve's caresses; and as they went through the shadows beside the still Charente, a gleam in the warm, star-lit night, he forgot the sharp crown of thorns that had been pressed upon his head. "M. de Rubempre" discovered David's real nature, in fact. His facile character returned almost at once to the innocent, hard-working burgher life that he knew; he saw it transfigured and free from care. The buzz of the aristocratic world grew more and more remote; and when at length they came upon the paved road of L'Houmeau, the ambitious poet grasped his brother's hand, and made a third in the joy of the happy lovers.

"If only your father makes no objection to the marriage," he said.

"You know how much he troubles himself about me; the old man lives for himself," said David. "But I will go over to Marsac to-morrow and see him, if it is only to ask leave to build."

David went back to the house with the brother and sister, and asked Mme. Chardon's consent to his marriage with the eagerness of a man who would fain have no delay. Eve's mother took her daughter's hand, and gladly laid it in David's; and the lover, grown bolder on this, kissed his fair betrothed on the forehead, and she flushed red, and smiled at him.

"The betrothal of the poor," the mother said, raising her eyes as if to pray for heaven's blessing upon them.—"You are brave, my boy," she added, looking at David, "but we have fallen on evil fortune, and I am afraid lest our bad luck should be infectious."

"We shall be rich and happy," David said earnestly. "To begin with, you must not go out nursing any more, and you must come and live with your daughter and Lucien in Angouleme."

The three began at once to tell the astonished mother all their charming plans, and the family party gave themselves up to the pleasure of chatting and weaving a romance, in which it is so pleasant to enjoy future happiness, and to store the unsown harvest. They had to put David out at the door; he could have wished the evening to last for ever, and it was one o'clock in the morning when Lucien and his future brother-in-law reached the Palet Gate. The unwonted movement made honest Postel uneasy; he opened the window, and looking through the Venetian shutters, he saw a light in Eve's room.

"What can be happening at the Chardons'?" thought he, and seeing Lucien come in, he called out to him—

"What is the matter, sonny? Do you want me to do anything?"

"No, sir," returned the poet; "but as you are our friend, I can tell you about it; my mother has just given her consent to my sister's engagement to David Sechard."

For all answer, Postel shut the window with a bang, in despair that he had not asked for Mlle. Chardon earlier.

David, however, did not go back into Angouleme; he took the road to Marsac instead, and walked through the night the whole way to his father's house. He went along by the side of the croft just as the sun rose, and caught sight of the old "bear's" face under an almond-tree that grew out of the hedge.

"Good day, father," called David.

"Why, is it you, my boy? How come you to be out on the road at this time of day? There is your way in," he added, pointing to a little wicket gate. "My vines have flowered and not a shoot has been frosted. There will be twenty puncheons or more to the acre this year; but then look at all the dung that has been put on the land!"

"Father, I have come on important business."

"Very well; how are your presses doing? You must be making heaps of money as big as yourself."

"I shall some day, father, but I am not very well off just now."

"They all tell me that I ought not to put on so much manure," replied his father. "The gentry, that is M. le Marquis, M. le Comte, and Monsieur What-do-you-call-'em, say that I am letting down the quality of the wine. What is the good of book-learning except to muddle your wits? Just you listen: these gentlemen get seven, or sometimes eight puncheons of wine to the acre, and they sell them for sixty francs apiece, that means four hundred francs per acre at most in a good year. Now, I make twenty puncheons, and get thirty francs apiece for them—that is six hundred francs! And where are they, the fools? Quality, quality, what is quality to me? They can keep their quality for themselves, these Lord Marquises. Quality means hard cash for me, that is what it means, You were saying?——"

"I am going to be married, father, and I have come to ask for——"

"Ask me for what? Nothing of the sort, my boy. Marry; I give you my consent, but as for giving you anything else, I haven't a penny to bless myself with. Dressing the soil is the ruin of me. These two years I have been paying money out of pocket for top-dressing, and taxes, and expenses of all kinds; Government eats up everything, nearly all the profit goes to the Government. The poor growers have made nothing these last two seasons. This year things don't look so bad; and, of course, the beggarly puncheons have gone up to eleven francs already. We work to put money into the coopers' pockets. Why, are you going to marry before the vintage?——"

"I only came to ask for your consent, father."

"Oh! that is another thing. And who is the victim, if one may ask?"

"I am going to marry Mlle. Eve Chardon."

"Who may she be? What kind of victual does she eat?"

"She is the daughter of the late M. Chardon, the druggist in L'Houmeau."

"You are going to marry a girl out of L'Houmeau! you! a burgess of Angouleme, and printer to His Majesty! This is what comes of book-learning! Send a boy to school, forsooth! Oh! well, then she is very rich, is she, my boy?" and the old vinegrower came up closer with a cajoling manner; "if you are marrying a girl out of L'Houmeau, it must be because she has lots of cash, eh? Good! you will pay me my rent now. There are two years and one-quarter owing, you know, my boy; that is two thousand seven hundred francs altogether; the money will come just in the nick of time to pay the cooper. If it was anybody else, I should have a right to ask for interest; for, after all, business is business, but I will let you off the interest. Well, how much has she?"

"Just as much as my mother had."

The old vinegrower very nearly said, "Then she has only ten thousand francs!" but he recollected just in time that he had declined to give an account of her fortune to her son, and exclaimed, "She has nothing!"

"My mother's fortune was her beauty and intelligence," said David.

"You just go into the market and see what you can get for it! Bless my buttons! what bad luck parents have with their children. David, when I married, I had a paper cap on my head for my whole fortune, and a pair of arms; I was a poor pressman; but with the fine printing-house that I gave you, with your industry, and your education, you might marry a burgess' daughter, a woman with thirty or forty thousand francs. Give up your fancy, and I will find you a wife myself. There is some one about three miles away, a miller's widow, thirty-two years old, with a hundred thousand francs in land. There is your chance! You can add her property to Marsac, for they touch. Ah! what a fine property we should have, and how I would look after it! They say she is going to marry her foreman Courtois, but you are the better man of the two. I would look after the mill, and she should live like a lady up in Angouleme."

"I am engaged, father."

"David, you know nothing of business; you will ruin yourself, I see. Yes, if you marry this girl out of L'Houmeau, I shall square accounts and summons you for the rent, for I see that no good will come of this. Oh! my presses, my poor presses! it took some money to grease you and keep you going. Nothing but a good year can comfort me after this."

"It seems to me, father, that until now I have given you very little trouble——"

"And paid mighty little rent," put in his parent.

"I came to ask you something else besides. Will you build a second floor to your house, and some rooms above the shed?"

"Deuce a bit of it; I have not the cash, and that you know right well. Besides, it would be money thrown clean away, for what would it bring in? Oh! you get up early of a morning to come and ask me to build you a place that would ruin a king, do you? Your name may be David, but I have not got Solomon's treasury. Why, you are mad! or they changed my child at nurse. There is one for you that will have grapes on it," he said, interrupting himself to point out a shoot. "Offspring of this sort don't disappoint their parents; you dung the vines, and they repay you for it. I sent you to school; I spent any amount of money to make a scholar of you; I sent you to the Didots to learn your business; and all this fancy education ends in a daughter-in-law out of L'Houmeau without a penny to her name. If you had not studied books, if I had kept you under my eye, you would have done as I pleased, and you would be marrying a miller's widow this day with a hundred thousand francs in hand, to say nothing of the mill. Oh! your cleverness leads you to imagine that I am going to reward this fine sentiment by building palaces for you, does it?... Really, anybody might think that the house that has been a house these two hundred years was nothing but a pigsty, not fit for the girl out of L'Houmeau to sleep in! What next! She is the Queen of France, I suppose."

"Very well, father, I will build the second floor myself; the son will improve his father's property. It is not the usual way, but it happens so sometimes."

"What, my lad! you can find money for building, can you, though you can't find money to pay the rent, eh! You sly dog, to come round your father."

The question thus raised was hard to lay, for the old man was only too delighted to seize an opportunity of posing as a good father without disbursing a penny; and all that David could obtain was his bare consent to the marriage and free leave to do what he liked in the house—at his own expense; the old "bear," that pattern of a thrifty parent, kindly consenting not to demand the rent and drain the savings to which David imprudently owned. David went back again in low spirits. He saw that he could not reckon on his father's help in misfortune.



In Angouleme that day people talked of nothing but the Bishop's epigram and Mme. de Bargeton's reply. Every least thing that happened that evening was so much exaggerated and embellished and twisted out of all knowledge, that the poet became the hero of the hour. While this storm in a teacup raged on high, a few drops fell among the bourgeoisie; young men looked enviously after Lucien as he passed on his way through Beaulieu, and he overheard chance phrases that filled him with conceit.

"There is a lucky young fellow!" said an attorney's clerk, named Petit-Claud, a plain-featured youth who had been at school with Lucien, and treated him with small, patronizing airs.

"Yes, he certainly is," answered one of the young men who had been present on the occasion of the reading; "he is a good-looking fellow, he has some brains, and Mme. de Bargeton is quite wild about him."

Lucien had waited impatiently until he could be sure of finding Louise alone. He had to break the tidings of his sister's marriage to the arbitress of his destinies. Perhaps after yesterday's soiree, Louise would be kinder than usual, and her kindness might lead to a moment of happiness. So he thought, and he was not mistaken; Mme. de Bargeton met him with a vehemence of sentiment that seemed like a touching progress of passion to the novice in love. She abandoned her hands, her beautiful golden hair, to the burning kisses of the poet who had passed through such an ordeal.

"If only you could have seen your face whilst you were reading," cried Louise, using the familiar tu, the caress of speech, since yesterday, while her white hands wiped the pearls of sweat from the brows on which she set a poet's crown. "There were sparks of fire in those beautiful eyes! From your lips, as I watched them, there fell the golden chains that suspend the hearts of men upon the poet's mouth. You shall read Chenier through to me from beginning to end; he is the lover's poet. You shall not be unhappy any longer; I will not have it. Yes, dear angel, I will make an oasis for you, there you shall live your poet's life, sometimes busy, sometimes languid; indolent, full of work, and musing by turns; but never forget that you owe your laurels to me, let that thought be my noble guerdon for the sufferings which I must endure. Poor love! the world will not spare me any more than it has spared you; the world is avenged on all happiness in which it has no share. Yes, I shall always be a mark for envy—did you not see that last night? The bloodthirsty insects are quick enough to drain every wound that they pierce. But I was happy; I lived. It is so long since all my heartstrings vibrated."

The tears flowed fast, and for all answer Lucien took Louise's hand and gave it a lingering kiss. Every one about him soothed and caressed the poet's vanity; his mother and his sister and David and Louise now did the same. Every one helped to raise the imaginary pedestal on which he had set himself. His friends's kindness and the fury of his enemies combined to establish him more firmly in an unreal world. A young imagination readily falls in with the flattering estimates of others, a handsome young fellow so full of promise finds others eager to help him on every side, and only after one or two sharp and bitter lessons does he begin to see himself as an ordinary mortal.

"My beautiful Louise, do you mean in very truth to be my Beatrice, a Beatrice who condescends to be loved?"

Louise raised the fine eyes, hitherto down-dropped.

"If you show yourself worthy—some day!" she said, with an angelic smile which belied her words. "Are you not happy? To be the sole possessor of a heart, to speak freely at all times, with the certainty of being understood, is not this happiness?"

"Yes," he answered, with a lover's pout of vexation.

"Child!" she exclaimed, laughing at him. "Come, you have something to tell me, have you not? You came in absorbed in thought, my Lucien."

Lucien, in fear and trembling, confided to his beloved that David was in love with his sister Eve, and that his sister Eve was in love with David, and that the two were to be married shortly.

"Poor Lucien!" said Louise, "he was afraid he should be beaten and scolded, as if it was he himself that was going to be married! Why, where is the harm?" she continued, her fingers toying with Lucien's hair. "What is your family to me when you are an exception? Suppose that my father were to marry his cook, would that trouble you much? Dear boy, lovers are for each other their whole family. Have I a greater interest than my Lucien in the world? Be great, find the way to win fame, that is our affair!"

This selfish answer made Lucien the happiest of mortals. But in the middle of the fantastic reasonings, with which Louise convinced him that they two were alone in the world, in came M. de Bargeton. Lucien frowned and seemed to be taken aback, but Louise made him a sign, and asked him to stay to dinner and to read Andre de Chenier aloud to them until people arrived for their evening game at cards.

"You will give her pleasure," said M. de Bargeton, "and me also. Nothing suits me better than listening to reading aloud after dinner."

Cajoled by M. de Bargeton, cajoled by Louise, waited upon with the respect which servants show to a favored guest of the house, Lucien remained in the Hotel de Bargeton, and began to think of the luxuries which he enjoyed for the time being as the rightful accessories of Lucien de Rubempre. He felt his position so strong through Louise's love and M. de Bargeton's weakness, that as the rooms filled, he assumed a lordly air, which that fair lady encouraged. He tasted the delights of despotic sway which Nais had acquired by right of conquest, and liked to share with him; and, in short, that evening he tried to act up to the part of the lion of the little town. A few of those who marked these airs drew their own conclusions from them, and thought that, according to the old expression, he had come to the last term with the lady. Amelie, who had come with M. du Chatelet, was sure of the deplorable fact, in a corner of the drawing-room, where the jealous and envious gathered together.

"Do not think of calling Nais to account for the vanity of a youngster, who is as proud as he can be because he has got into society, where he never expected to set foot," said Chatelet. "Don't you see that this Chardon takes the civility of a woman of the world for an advance? He does not know the difference between the silence of real passion and the patronizing graciousness due to his good looks and youth and talent. It would be too bad if women were blamed for all the desires which they inspire. He certainly is in love with her, but as for Nais——"

"Oh! Nais," echoed the perfidious Amelie, "Nais is well enough pleased. A young man's love has so many attractions—at her age. A woman grows young again in his company; she is a girl, and acts a girl's hesitation and manners, and does not dream that she is ridiculous. Just look! Think of a druggist's son giving himself a conqueror's airs with Mme. de Bargeton."

"Love knows nought of high or low degree," hummed Adrien.

There was not a single house in Angouleme next day where the degree of intimacy between M. Chardon (alias de Rubempre) and Mme. de Bargeton was not discussed; and though the utmost extent of their guilt amounted to two or three kisses, the world already chose to believe the worst of both. Mme. de Bargeton paid the penalty of her sovereignty. Among the various eccentricities of society, have you never noticed its erratic judgments and the unaccountable differences in the standard it requires of this or that man or woman? There are some persons who may do anything; they may behave totally irrationally, anything becomes them, and it is who shall be first to justify their conduct; then, on the other hand, there are those on whom the world is unaccountably severe, they must do everything well, they are not allowed to fail nor to make mistakes, at their peril they do anything foolish; you might compare these last to the much-admired statues which must come down at once from their pedestal if the frost chips off a nose or a finger. They are not permitted to be human; they are required to be for ever divine and for ever impeccable. So one glance exchanged between Mme. de Bargeton and Lucien outweighed twelve years of Zizine's connection with Francis in the social balance; and a squeeze of the hand drew down all the thunders of the Charente upon the lovers.

David had brought a little secret hoard back with him from Paris, and it was this sum that he set aside for the expenses of his marriage and for the building of the second floor in his father's house. His father's house it was; but, after all, was he not working for himself? It would all be his again some day, and his father was sixty-eight years old. So David build a timbered second story for Lucien, so as not to put too great a strain on the old rifted house-walls. He took pleasure in making the rooms where the fair Eve was to spend her life as brave as might be.

It was a time of blithe and unmixed happiness for the friends. Lucien was tired of the shabbiness of provincial life, and weary of the sordid frugality that looked on a five-franc piece as a fortune, but he bore the hardships and the pinching thrift without grumbling. His moody looks had been succeeded by an expression of radiant hope. He saw the star shining above his head, he had dreams of a great time to come, and built the fabric of his good fortune on M. de Bargeton's tomb. M. de Bargeton, troubled with indigestion from time to time, cherished the happy delusion that indigestion after dinner was a complaint to be cured by a hearty supper.

By the beginning of September, Lucien had ceased to be a printer's foreman; he was M. de Rubempre, housed sumptuously in comparison with his late quarters in the tumbledown attic with the dormer-window, where "young Chardon" had lived in L'Houmeau; he was not even a "man of L'Houmeau"; he lived in the heights of Angouleme, and dined four times a week with Mme. de Bargeton. A friendship had grown up between M. de Rubempre and the Bishop, and he went to the palace. His occupations put him upon a level with the highest rank; his name would be one day among the great names of France; and, in truth, as he went to and fro in his apartments, the pretty sitting-room, the charming bedroom, and the tastefully furnished study, he might console himself for the thought that he drew thirty francs every month out of his mother's and sister's hard earnings; for he saw the day approaching when An Archer of Charles IX., the historical romance on which he had been at work for two years, and a volume of verse entitled Marguerites, should spread his fame through the world of literature, and bring in money enough to repay them all, his mother and sister and David. So, grown great in his own eyes, and giving ear to the echoes of his name in the future, he could accept present sacrifices with noble assurance; he smiled at his poverty, he relished the sense of these last days of penury.

Eve and David had set Lucien's happiness before their own. They had put off their wedding, for it took some time to paper and paint their rooms, and to buy the furniture, and Lucien's affairs had been settled first. No one who knew Lucien could wonder at their devotion. Lucien was so engaging, he had such winning ways, his impatience and his desires were so graciously expressed, that his cause was always won before he opened his mouth to speak. This unlucky gift of fortune, if it is the salvation of some, is the ruin of many more. Lucien and his like find a world predisposed in favor of youth and good looks, and ready to protect those who give it pleasure with the selfish good-nature that flings alms to a beggar, if he appeals to the feelings and awakens emotion; and in this favor many a grown child is content to bask instead of putting it to a profitable use. With mistaken notions as to the significance and the motive of social relations they imagine that they shall always meet with deceptive smiles; and so at last the moment comes for them when the world leaves them bald, stripped bare, without fortune or worth, like an elderly coquette by the door of a salon, or a stray rag in the gutter.

Eve herself had wished for the delay. She meant to establish the little household on the most economical footing, and to buy only strict necessaries; but what could two lovers refuse to a brother who watched his sister at her work, and said in tones that came from the heart, "How I wish I could sew!" The sober, observant David had shared in the devotion; and yet, since Lucien's triumph, David had watched him with misgivings; he was afraid that Lucien would change towards them, afraid that he would look down upon their homely ways. Once or twice, to try his brother, David had made him choose between home pleasures and the great world, and saw that Lucien gave up the delights of vanity for them, and exclaimed to himself, "They will not spoil him for us!" Now and again the three friends and Mme. Chardon arranged picnic parties in provincial fashion—a walk in the woods along the Charente, not far from Angouleme, and dinner out on the grass, David's apprentice bringing the basket of provisions to some place appointed before-hand; and at night they would come back, tired somewhat, but the whole excursion had not cost three francs. On great occasion, when they dined at a restaurat, as it is called, a sort of a country inn, a compromise between a provincial wineshop and a Parisian guinguette, they would spend as much as five francs, divided between David and the Chardons. David gave his brother infinite credit for forsaking Mme. de Bargeton and grand dinners for these days in the country, and the whole party made much of the great man of Angouleme.

Matters had gone so far, that the new home was very nearly ready, and David had gone over to Marsac to persuade his father to come to the wedding, not without a hope that the old man might relent at the sight of his daughter-in-law, and give something towards the heavy expenses of the alterations, when there befell one of those events which entirely change the face of things in a small town.

Lucien and Louise had a spy in Chatelet, a spy who watched, with the persistence of a hate in which avarice and passion are blended, for an opportunity of making a scandal. Sixte meant that Mme. de Bargeton should compromise herself with Lucien in such a way that she should be "lost," as the saying goes; so he posed as Mme. de Bargeton's humble confidant, admired Lucien in the Rue du Minage, and pulled him to pieces everywhere else. Nais had gradually given him les petites entrees, in the language of the court, for the lady no longer mistrusted her elderly admirer; but Chatelet had taken too much for granted—love was still in the Platonic stage, to the great despair of Louise and Lucien.

There are, for that matter, love affairs which start with a good or a bad beginning, as you prefer to take it. Two creatures launch into the tactics of sentiment; they talk when they should be acting, and skirmish in the open instead of settling down to a siege. And so they grow tired of one another, expend their longings in empty space; and, having time for reflection, come to their own conclusions about each other. Many a passion that has taken the field in gorgeous array, with colors flying and an ardor fit to turn the world upside down, has turned home again without a victory, inglorious and crestfallen, cutting but a foolish figure after these vain alarums and excursions. Such mishaps are sometimes due to the diffidence of youth, sometimes to the demurs of an inexperienced woman, for old players at this game seldom end in a fiasco of this kind.

Provincial life, moreover, is singularly well calculated to keep desire unsatisfied and maintain a lover's arguments on the intellectual plane, while, at the same time, the very obstacles placed in the way of the sweet intercourse which binds lovers so closely each to each, hurry ardent souls on towards extreme measures. A system of espionage of the most minute and intricate kind underlies provincial life; every house is transparent, the solace of close friendships which break no moral law is scarcely allowed; and such outrageously scandalous constructions are put upon the most innocent human intercourse, that many a woman's character is taken away without cause. One here and there, weighed down by her unmerited punishment, will regret that she has never known to the full the forbidden felicity for which she is suffering. The world, which blames and criticises with a superficial knowledge of the patent facts in which a long inward struggle ends, is in reality a prime agent in bringing such scandals about; and those whose voices are loudest in condemnation of the alleged misconduct of some slandered woman never give a thought to the immediate provocation of the overt step. That step many a woman only takes after she has been unjustly accused and condemned, and Mme. de Bargeton was now on the verge of this anomalous position.

The obstacles at the outset of a passion of this kind are alarming to inexperience, and those in the way of the two lovers were very like the bonds by which the population of Lilliput throttled Gulliver, a multiplicity of nothings, which made all movement impossible, and baffle the most vehement desires. Mme. de Bargeton, for instance, must always be visible. If she had denied herself to visitors when Lucien was with her, it would have been all over with her; she might as well have run away with him at once. It is true that they sat in the boudoir, now grown so familiar to Lucien that he felt as if he had a right to be there; but the doors stood scrupulously open, and everything was arranged with the utmost propriety. M. de Bargeton pervaded the house like a cockchafer; it never entered his head that his wife could wish to be alone with Lucien. If he had been the only person in the way, Nais could have got rid of him, sent him out of the house, or given him something to do; but he was not the only one; visitors flocked in upon her, and so much the more as curiosity increased, for your provincial has a natural bent for teasing, and delights to thwart a growing passion. The servants came and went about the house promiscuously and without a summons; they had formed the habits with a mistress who had nothing to conceal; any change now made in her household ways was tantamount to a confession, and Angouleme still hung in doubt.

Mme. de Bargeton could not set foot outside her house but the whole town knew whither she was going. To take a walk alone with Lucien out of Angouleme would have been a decided measure, indeed; it would have been less dangerous to shut herself up with him in the house. There would have been comments the next day if Lucien had stayed on till midnight after the rooms were emptied. Within as without her house, Mme. de Bargeton lived in public.

These details describe life in the provinces; an intrigue is either openly avoided or impossible anywhere.