"The house is like an ant-hill in commotion, there is so much scurrying around; but I know that is what you thoroughly enjoy. You shall have a finger in every pie if you will come out and help me to make this a never-to-be-forgotten occasion.

"I want to make the old days of chivalry live again for Virginia and Malcolm and Keith. I am going back to King Arthur's Court for the flower of knighthood at his round table. Come and read for us between tableaux as only you can do. Be the interpreter of 'Sir Launfal's Vision' and the 'Idylls of the King,' Give us the benefit of your talent for sweet charity's sake, if not for the sake of 'auld lang syne' and your devoted ALLISON."

"She'll be here," said Miss Allison, as she sealed the letter, nodding confidently to Mrs. Sherman, who had come over to help with Lloyd's costume. "You remember Nell Bond, do you not? She took the prize every year in elocution, and was always in demand at every entertainment. She is the most charming reader I ever heard, and as for story-telling—well, she's better than the 'Arabian Nights.' You must let the Little Colonel come over every evening while she is here."

Miss Bond arrived the next day, and her visit was a time of continual delight to the children. They followed her wherever she went, until Mrs. Maclntyre laughingly called her the 'Pied Piper of Hamelin,' and asked what she had done to bewitch them.

The first night they gathered around the library-table, all as busy as bees. Keith and the Little Colonel were cutting tinsel into various lengths for Virginia to tie into fringe for a gay banner. Malcolm was gilding some old spurs, Mrs. Maclntyre sat stringing yards of wax beads, that gleamed softly in the lamplight like great rope of pearls, and Mrs. Sherman was painting the posters, which were to be put up in the post-office and depot as advertisements of the Jonesy Benefit.

Miss Allison, who had been busy for hours with pasteboard and glue, tin-foil and scissors, held up the suit of mail which she had just finished.

"Isn't that fine!" cried Malcolm. "It looks exactly like some of the armour we saw in the Tower of London, doesn't it, Keith?"

"I've thought of a riddle!" exclaimed Virginia. "Why is Aunt Allison's head like Aladdin's lamp?"

"'Cause it's so bright?" ventured Malcolm.

"No; because she has only to rub it, and everything she thinks of appears. I don't see how it is possible to make so many beautiful things out of almost nothing."

Virginia looked admiringly around at all the pretty articles scattered over the room. A helmet with nodding white plumes lay on the piano. A queen's robe trailed its royal ermine beside it. A sword with a jewelled hilt shone on the mantel, and a dozen dazzling shields were ranged in various places on the low bookshelves.

It was easy, in the midst of such surroundings, for the children to imagine themselves back in the days of King Arthur and his court, while Miss Bond sat there telling them such beautiful tales of its fair ladies and noble knights. Indeed, before the day of the entertainment came around they even found themselves talking to each other in the quaint speech of that olden time.

When Malcolm accidentally ran against his grandmother in the hall, instead of his usual, "Oh, excuse me, grandmother," it was "Prithee grant me gracious pardon, fair dame. Not for a king's ransom would I have thus jostled thee in such unseemly haste!" And Ginger, instead of giving Keith a slap when he teasingly penned her up in a corner, to make her divide some nuts with him, said, in a most tragic way, "Unhand me, villain, or by my troth thou'lt rue this ruffian conduct sore!"

The library-table was strewn with books of old court life, and pictures of kings and queens whose costumes were to be copied in the tableaux. There was one book which Keith carried around with him until he had spelled out the whole beautiful tale. It was called "In Kings' Houses," and was the story of the little Duke of Gloster who was made a knight in his boyhood. And when Keith had read it himself, he took it down to the professor's, and read it all over again to Jonesy.



"Think how grand he must have looked, Jonesy," cried Keith, "and I am to be dressed exactly like him when I am knighted in the tableau." Then he read the description again:

"'A suit of white velvet embroidered with seed pearls, and literally blazing with jewels,—even the buttons being great brilliants. From his shoulder hung a cloak of azure blue velvet, the colour of the order, richly wrought with gold; and around his neck he wore the magnificent collar and jewel of St. George and the Dragon, that was the personal gift of his Majesty, the king.'

"Think how splendid it must have been, Jonesy, when the procession came in to the music of trumpets and bugles and silver flutes and hautboys! Wouldn't you like to have seen the heralds marching by, two by two, in cloth of gold, with an escort of the queen's guard following? All of England's best and bravest were there, and they sat in the carven stalls in St. George's Chapel, with their gorgeous banners drooping over them. I saw that chapel, Jonesy, when we were in England, and I saw where the knights kept the 'vigil of arms' in the holy places, the night before they took their vows." He picked up the book and read again: "'Fasting and praying and lonely watching by night in the great abbey where there are so many dead folk.'

"Oh, don't you wish you could have lived in those days, Jonesy, and have been a knight?"

It was all Greek to Jonesy. The terms puzzled him, but he enjoyed Keith's description of the tournaments.

Several evenings after that, Keith went down to the cottage dressed in the beautiful velvet costume of white and blue, ablaze with rhinestones and glittering jewels. He had been wrapped in his Aunt Allison's golf cape, and, as he threw it off, Jonesy's eyes opened wider and wider with wonder.

"Hi! You look like a whole jeweller's window!" he cried, dazzled by the gorgeous sight. The professor lighted another lamp, and Keith turned slowly around, to be admired on every side like a pleased peacock.

"Of course it's all only imitation," he explained, "but it will look just as good as the real thing behind the footlights. But you ought to see the stage when it's fixed up to look like the Hall of the Shields, if you want to see glitter. It's be-yu-tiful! Like the one at Camelot, you know."

But Jonesy did not know, and Keith had to tell about that old castle at Camelot, as Miss Bond had told him. How that down the side of the long hall ran a treble range of shields,—

"And under every shield a knight was named, For such was Arthur's custom in his hall. When some good knight had done one noble deed His arms were carven only, but if twain His arms were blazoned also, but if none The shield was blank and bare, without a sign, Saving the name beneath."

Keith had been greatly interested in watching the carpenters fix the stage so that it could be made to look like the Hall of the Shields in a very few moments, when the time for that tableau should come. He knew where every glittering shield was to hang, and every banner and battle-axe.

"How do you suppose those knights felt," he said to Jonesy, "who saw their shields hanging there year after year, blank and bare, because they had never done even one noble deed? They must have been dreadfully ashamed when the king walked by and read their names underneath, and then looked up at the shields and saw nothing emblazoned on them or even carved. Seems to me that I would have done something to have made me worthy of that honour if I had died for it!"

Something,—it may have been the soft, rich colour of the jewel-broidered velvet the boy wore, or maybe the flush that rose to his cheeks at the thrill of such noble thoughts,—something had brought an unusual beauty into his face. As he stood there, with head held high, his dark eyes flashing, his face glowing, and in that princely dress of a bygone day, he looked every inch a nobleman. There was something so pure and sweet, too, in the expression of his upturned face that the light upon it seemed to touch it into an almost unearthly fairness.

The professor, who had been watching him with a tender smile on his rugged old face, drew the child toward him, and brushed the hair back on his forehead.

"Ach, liebchen," he said, in his queer broken speech, "thy shield will never be blank and bare. Already thou hast blazoned it with the beauty of a noble purpose, and like Galahad, thou too shalt find the Grail."

It was Keith's turn to be puzzled, but he did not like to ask for an explanation; there was something so solemn in the way the old man put his hand on his head as he spoke, almost as if he were bestowing a blessing. Besides, it was time to go to the rehearsal at the college. One of the servants had come to stay with Jonesy while the professor went over to practise on his violin. He was to play behind the scenes, a soft, low accompaniment to Miss Bond's reading.

By eight o'clock, the night of the Benefit, every seat in the house was full. "That's jolly for Jonesy," exclaimed Malcolm, peeping out from behind the curtain. "We counted up that ten cents a ticket would make enough, if they were all sold, to pay his board till papa comes home, and buy him all the new clothes he needs, too. Now every ticket is sold."

"Hurry up, Malcolm," called Keith. "We are first on the programme, and it is time to begin."

There was a great bustle behind the scenes for a few minutes, and then "Beauty and the Beast" was announced. When the Little Colonel came on the stage leading the great bear, such a cheering and clapping began that they both looked around, half frightened; but the boys followed immediately and the Little Colonel, dressed as a flower girl, danced out to meet Keith, who came in clicking his castanets in time to Malcolm's whistling. The bear was made to go through all his tricks and his soldier drill.

The children in the audience stood on tiptoe in their eagerness to see the great animal perform, and were so wild in their applause that the boys begged to be allowed to take it in front of the curtain every time during the evening when there was a long pause while some tableau was being prepared.

Over the rustle of fluttering programmes and the hum of conversation that followed the first number, there fell presently the soft, sweet notes of the professor's violin, and Miss Bond's musical voice began the story of the Vision of Sir Launfal.

"My golden spurs now bring to me, And bring to me my richest mail, For to-morrow I go over land and sea In search of the Holy Grail."

Here the curtains were drawn apart to show Malcolm seated on his pony as Sir Launfal, "in his gilded mail that flamed so bright." It was really a beautiful picture he made, and his grandmother, leaning forward, her face beaming with pride at the boy's noble bearing, compared him with Arthur himself, "with lance in rest, from spur to plume a star of tournament,"

The next tableau showed him spurning the leper at his gate, and turning away in disgust from the beggar who "seemed the one blot on the summer morn." How Miss Bond's voice rang out when "the leper raised not the gold from the dust."

"Better to me the poor man's crust. That is no true alms which the hand can hold. He gives nothing but worthless gold Who gives from a sense of duty."

In the next tableau it was "as an old bent man, worn-out and frail," that Sir Launfal came back from his weary pilgrimage. He had not found the Holy Grail, but through his own sufferings he had learned pity for all pain and poverty. Once more he stood beside the leper at his castle gate, but this time he stooped to share with him his crust and wooden bowl of water.

Then it happened on the stage just as was told in the poem.

A light shone round about the place, and the crouching leper stood up. The old ragged mantle dropped off, and there in a long garment almost dazzling in its whiteness, stood a figure—

"Shining and tall, and fair, and straight As the pillar that stood by the Beautiful gate."

They could not see the face, it was turned aside; but the golden hair was like a glory, and the uplifted arms held something high in air that gleamed like a burnished star, as all the lights in the room were turned full upon it, for a little space. It was a golden cup. Then the voice again:

"In many climes without avail Thou hast spent thy life for the Holy Grail. Behold it is here—this cup, which thou Didst fill at the streamlet for me but now. The holy supper is kept indeed In whatso we share with another's need."

It was an old story to most of the audience, worn threadbare by many readings, but with these living illustrations, and Miss Bond's wonderful way of telling it, a new meaning crept into the well-known lines, that thrilled every listener.

"Could you understand that, Teddy?" asked old Judge Fairfax, patting his little grandson on the head.

"Course!" exclaimed seven-year-old Ted, who had followed his sister Sally to every rehearsal.

"When you give money to people just to get rid of 'em, and because you feel you'd ought to, it doesn't count for anything. But if you divide something you've got, and would like to keep it all yourself, because you love to, and are sorry for 'em, then it counts a pile. Sir Launfal would have popped Jonesy into a 'sylum when he first started out to find that gold cup, but when he came back he'd 'a' worked like a horse getting up a benefit for him, and would have divided his own home with him, if he hadn't been living at his grandmother's, and couldn't."

An amused smile went around that part of the audience which overheard Ted's shrilly given explanation.

Pictures from the "Idylls of the King" followed in rapid succession, and then came the prettiest of all, being the one in which Keith was made a knight. Virginia as queen, her short black hair covered by a powdered wig, and a long court-train sweeping behind her, stood touching his shoulder with the jewel-hilted sword, as he knelt at her feet. Lloyd and Sally Fairfax, Julia Ferris, and a dozen other pretty girls of the neighbourhood, helped to fill out the gay court scene, while all the boys that could be persuaded to take part were dressed up for heralds, guardsmen, pages, and knights. That tableau had to be shown four times, and then the audience kept on applauding as if they never intended to stop.

The last one in this series of tableaux was the Hall of the Shields, as Keith had described it to Jonesy. A whole row of dazzling shields hung across the back of the stage, emblazoned with the arms of all the old knights whose names have come down to us in song or story. Then for the first time that evening Miss Bond came out on the stage where she could be seen, and told the story of the death of King Arthur, and the passing away of the order of the Round Table. She told it so well that little Ted Fairfax listened with his mouth open, seeming to see the great arm that rose out of the water to take back the king's sword into the sea, from which it had been given him. An arm like a giant's, "clothed in white samite, mystic, wonderful, that caught the sword by the hilt, flourished it three times, and drew it under the mere."

"True, 'the old order changeth,'" said Miss Bond, "but knighthood has not passed away. The flower of chivalry has blossomed anew in this new world, and America, too, has her Hall of the Shields."

Just a moment the curtains were drawn together, and then were widely parted again, as a chorus of voices rang out with the words:

"Hail, Columbia, happy land; Hail, ye heroes, heaven-born band!"

In that moment, on every shield had been hung the pictured face of some well-known man who had helped to make his country a power among the nations; presidents, patriots, philanthropists, statesmen, inventors, and poets,—there they were, from army and navy, city and farm, college halls and humble cabins,—a long, long line, and the first was Washington, and the last was the "Hero of Manila."

Cheer after cheer went up, and it might have been well to have ended the programme there, but to satisfy the military-loving little Ginger, one more was added.

"There ought to be a Goddess of Liberty in it," she insisted, "because it is Washington's birthday; and if we had been doing it by ourselves we were going to have something in it about Cuba, on papa's account."

So when the curtain rose the last time, it was on Sally Fairfax as a gorgeous Goddess of Liberty, conferring knighthood on two boys who stood for the Army and Navy, while a little dark-eyed girl knelt at their feet as Cuba, the distressed maiden whom their chivalry had rescued.

It was late when the performance closed; later still when the children reached home that night, for Mrs. MacIntyre had determined to have a flash-light picture taken of them, and they had to wait until the photographer could send home for his camera.

After they reached the house they could hardly be persuaded to undress. Virginia trailed up and down the halls in her royal robes, Malcolm clanked around in his suit of mail and plumed helmet, and Keith stood before a mirror, admiring the handsome little figure it showed him.

"I hate to take it off," he said, fingering the dazzling collar, ablaze with jewels. "I'd like to be a knight always, and wear a sword and spurs every day."

"So would I," said Malcolm, beginning to yawn sleepily. "I wish that Jonesy had been well enough to go to-night. Isn't it splendid that the Benefit turned out so well? Aunt Allison says there is plenty of money now to get Jonesy's clothes and pay his board till papa comes, and send him back to Barney, too, if papa thinks best and hasn't any better plan."

"I wish there'd been enough money to buy a nice little home out here in the country for him and Barney. Wouldn't it have been lovely if there had a-been?" cried Keith.

"Well, I should say!" answered Malcolm. "Maybe we can have another benefit some day and make enough for that."

With this pleasant prospect before them, they laid aside their knightly garments, hoping to put them on again soon in Jonesy's behalf, and talked about the home that might be his some day, until they fell asleep.

* * * * *

The flash-light pictures of the three children were all that the fondest grandmother could wish. As soon as they came, Keith carried his away to his room to admire in private. "It is so pretty that it doesn't seem it can be me," he said, propping it up on the desk before him. "I wish that I could look that way always."

The next time that Miss Allison went into the room she found that Keith had written under it in his round, boyish hand, a quotation that had taken his fancy the first time he heard it. It was in one of Miss Bond's stories, and he repeated it until he learned it: "Live pure, speak truth, right the wrong, follow the king; else wherefore born?"

She asked him about it at bedtime. "Why, that's our motto," he explained. "Malcolm has it written under his, too. We've made up our minds to be a sort of knight, just as near the real thing as we can, you know, and that is what knights have to do: live pure, and speak truth, and right the wrong. We've always tried to do the first two, so that won't be so hard. It's righting the wrong that will be the tough job, but we have done it a little teenty, weenty bit for Jonesy, don't you think, auntie? It was all wrong that he should have such a hard time and be sent to an asylum away from Barney, when we have you all and everything nice. Malcolm and I have been talking it over. If we could do something to keep him from growing up into a tramp like that awful man that brought him here, wouldn't that be as good a deed as some that the real knights did? Wouldn't that be serving our country, too, Aunt Allison, just a little speck?" He asked the question anxiously. Malcolm said nothing, but also waited with a wistful look for her answer.

"My dear little Sir Galahads," she said, bending over to give each of the boys a good-night kiss, "you will be 'really truly' knights if you can live up to the motto you have chosen. Heaven help you to be always as worthy of that title as you are to-night!"

Keith held her a moment, with both arms around her neck. "What does that mean, auntie?" he asked. "That is what the professor said, too,—Galahad."

"It is too late to explain to you to-night," she said, "but I will tell you sometime soon, dear."

It was several days before she reminded them of that promise. Then she called them into her room and told them the story of Sir Galahad, the maiden knight, whose "strength was as the strength of ten because his heart was pure." Then from a little morocco case, lined with purple velvet, she took two pins that she had bought in the city that morning. Each was a little white enamel flower with a tiny diamond in the centre, like a drop of dew.

"You can't wear armour in these days," she said, as she fastened one on the lapel of each boy's coat, "but this shall be the badge of your knighthood,—'wearing the white flower of a blameless life.' The little pins will help you to remember, maybe, and will remind you that you are pledged to right the wrong wherever you find it, in little things as well as great."

It was a very earnest talk that followed. The boys came out from her room afterward, wearing the tiny white pins, and with a sweet seriousness in their faces. A noble purpose had been born in their hearts; but alas for chivalry! the first thing they did was to taunt Virginia with the fact that she could never be a knight because she was only a girl.

"I don't care," retorted Ginger, quickly. "I can be a—a—patriot, anyhow, and that's lots better."

The boys laughed, and she flushed angrily.

"They ought to mean the same thing exactly in this day of the world," said Miss Allison, coming up in time to hear the dispute that followed. "Virginia, you shall have a badge, too. Run into my room and bring me that little jewelled flag on my cushion."

"I think that this is the very prettiest piece of jewelry you have," exclaimed Virginia, coming back with the pin. It was a little flag whose red, white, and blue was made of tiny settings of garnets, sapphires, and diamonds.

"You think that, because it is in the shape of a flag," said Miss Allison, with an amused smile. "Well, it shall be yours. See how well it can remind you of the boys' knightly motto. There is the white for the first part, the 'live pure,' and the 'true blue' for the 'speak truth,' and then the red,—surely no soldier's little daughter needs to be told what that stands for, when her own brave father has spilled part of his good red life-blood to 'right the wrong' on the field of battle."

"Oh, Aunt Allison!" was all that Virginia could gasp in her delight as she clasped the precious pin tightly in her hand. "Is it mine? For my very own?"

"For your very own, dear," was the answer.

"Oh, I'm so glad!" cried Virginia, thanking her with a kiss. "I'd a thousand times rather have it than one like the boys'. It means so much more!"



CHAPTER VI.

THE LITTLE COLONEL'S TWO RESCUES.

Early in March, when the crocuses were beginning to bud under the dining-room windows, there came one of those rare spring days that seem to carry the warmth of summer in its sunshine.

"Exactly the kind of a day for a picnic," Virginia had said that morning, and when her grandmother objected, saying that the ground was still too damp, she suggested having it in the hay-barn. The boys piled the hay that was left from the winter's supply up on one side of the great airy room, set wide the big double doors, and swept it clean.

"It is clean enough now for even grandmother to eat in," said Virginia, as she spread a cloth on the table Unc' Henry had carried out for them. "It's good enough for a queen. Oh, I'll tell you what let's do. Let's play that Malcolm and I are a wicked king and queen and Lloyd is a 'fair ladye' that we have shut up in a dungeon. This will be a banquet, and while we are eating Keith can be the knight who comes to her rescue and carries her off on his pony."

"That's all right," consented Keith, "except the eating part. How can we get our share of the picnic?"

"We'll save it for you," answered Virginia, "and you can eat it afterward."

"Save enough for Jonesy, too," said Keith. "He shall be my page and help me rescue her. I'll go and ask him now."

The month had made a great change in Jonesy. With plenty to eat, his thin little snub-nosed face grew plump and bright. There was a good-humoured twinkle in his sharp eyes, and being quick as a monkey at imitating the movements of those around him, Mrs. MacIntyre found nothing to criticise in his manners when Malcolm and Keith brought him into the house. Their pride in him was something amusing, and seeing that, after all, he was an inoffensive little fellow, she made no more objections to their playing with him.

By the time Keith was back again with Jonesy, the other guests had arrived, and the Little Colonel had been lowered into a deep feed-bin, in lieu of a dungeon. The banquet began in great state, but in a few moments was interrupted by a fearful shrieking from the depths of the bin. The fair ladye protested that she would not stay in her dungeon.

"There's nasty big spidahs down heah!" she called. "Ow! One is crawlin' on my neck now, and my face is all tangled up in cobwebs! Get me out! Get me out! Quick, Gingah!"

The king sprang up to go to her rescue, but was promptly motioned to his seat again by a warning shake of the other crowned head.

"Why, of course! There's always spiders in dungeons," called the wicked queen, coolly helping herself to another piece of chicken. "Besides, you should say 'your Majesty' when you are talking to me."

"But there's a mouse in heah, too," she called back, in distress. "Oo! Oo! It ran ovah my feet. If you don't make them take me out of heah, Gingah Dudley, I'll do something awful to you! Murdah! Murdah!" she yelled, pounding on the sides of the bin with both her fists, and stamping her little foot in a furious rage.



Seeing that Lloyd was really terrified, and fearing that her screams would bring some one from the house, the royal couple and their guests sprang to the rescue, nearly upsetting the banquet as they did so. The game would have been broken up then, when she was lifted out from the feed-bin, red and angry, if it had not been for the king's great tact. He brushed the cobwebs from her face and hair, and even got down on his royal knees to ask her pardon.

His polite coaxing finally had its effect on the little lady, and he persuaded her to climb a ladder into a loft just above them. Here on a pile of clean hay, beside an open window that looked across a peaceful meadow, her anger cooled. Towers were far more comfortable than dungeons, in her opinion, and when Malcolm came up the ladder with a plateful of the choicest morsels of the feast, she began to enjoy her part of the play. Jonesy was sent to inform his knight of the change from dungeon to tower, and the banquet went merrily on.

He found Keith waiting below the barn, with his pony tied to a fence. On the other side of the fence lay the railroad track, which skirted the back of Mrs. MacIntyre's place for over half a mile.

"Do you see that hand-car?" asked Keith, pointing with his riding-whip to one on the track. "The section boss let Malcolm and me ride up and down on it all afternoon one day this winter. Some workman left it on the switch while ago, and while you were up at the barn I got two darkeys to move it for me. They didn't want to at first, but I knew that there'd be no train along for an hour, and told 'em so, and they finally did it for a dime apiece. As soon as I rescue Lloyd I'll dash down here on my pony with her behind me. Then we'll slip through the fence and get on the hand-car, and be out of sight around the curve before the rest get here. They won't know where on earth we've gone, and it will be the best joke on them. It's down grade all the way to the section-house, so I can push it easily enough by myself, but I'll need your help coming back, maybe. S'pose you cut across lots to the section-house as soon as I start to the barn, and meet me there. It isn't half as far that way, so you'll get there as soon as we do."

"All right," said Jonesy. "I'm your kid."

"You should say, ''Tis well, Sir Knight, I fly to do thy bidding,'" prompted Keith.

Jonesy grinned. He could not enter into the spirit of the play as the others did. "Aw, I'll be on time," he said; then, as Keith untied his pony, started on a run across the fields.

The Lady Lloyd had not finished her repast when her rescuer appeared, but she put the plate down on the hay to await her return, and obediently climbed down the ladder he placed for her. They reached the fence before the banqueters knew that she had escaped. Flinging the pony's bridle over a fence-post, when they reached the edge of the field, the brave knight crawled through the fence and pulled Lloyd after him, tearing her dress, much to that dainty little lady's extreme disgust.

By the time the king and his guard were mounted in pursuit, on the other pony which stood in waiting, the runaways were in the hand-car. It moved slowly at first, although Keith was strong for his age, and his hardy little muscles were untiring.

"Isn't it lovely?" cried Lloyd, as they moved faster and faster and swept around the curve. "I wish we could go all the way to Louisville on this." The warm March wind fanned her pink cheeks, and blew her soft light hair into her eyes.

Jonesy was waiting at the section-house, and waved his cap as they passed. "We're going on, around the next bend," shouted Keith, as they passed him. "Whoop-la! this is fine, and not a bit hard to work!"

"What will the wicked queen think when she can't find us?" asked Lloyd, laughing happily, as they sped on down the track.

"She'll think that I am a magician and have spirited you away," said Keith.

"Then if you are a magician you ought to change her into a nasty black spidah, to pay her back fo' shuttin' me up with them!" Lloyd was delighted with this new play. For the time it seemed as if she really were escaping from a castle prison. Faster and faster they went. Jonesy, who had followed them to the second curve, stood watching them with wistful eyes, wishing he could be with them. They passed the depot, and then the hand-car seemed to grow smaller and smaller as it rolled away, until it was only a moving speck in the distance. Then he turned and walked back to the section-house.

"I s'pect we've gone about far enough," said Keith, after awhile. "We'd better turn around now and go back, or the picnic will all be over before we get our share. Let's wait here a minute till I rest my arms, and then we'll start."

The place where they had stopped was the loneliest part of the track that could be found in miles, on either side. It was in the midst of a thick beech woods, and the twitter of a bird, now and then, was the only sound in all the deep stillness.

"What lovely green moss on that bank!" cried the Little Colonel. "Wouldn't it make a beautiful carpet for our playhouse down by the old mill?"

"I'll get you some," said Keith, gallantly springing from the car and clambering up the bank. Taking out his knife, he began to cut great squares of the velvety green moss, and pile it up to carry back to the hand-car.

Meanwhile Jonesy waited at the section-house, digging his heels into the cinders that lined the track, and looking impatiently down the road. Presently the section boss came limping along painfully, and sat down on the bank in the warm spring sunshine. He had dropped a piece of heavy machinery on his foot, the week before, and was only able to hobble short distances.

Everybody in the Valley was interested in Jonesy since the fire and the Benefit had made him so well known, and the man was glad of this opportunity to satisfy his curiosity about the boy. Jonesy, with all the fearlessness of a little street gamin brought up in a big city, answered him fearlessly, even saucily at times, much to the man's amusement.

"So you want to get a job around here, do you?" said the man, presently, with a grin. "Maybe I can give you one. Know anything about railroadin'?"

"Heaps," answered Jonesy. "Well, I'd ought to, seem' as I've lived next door to the engine yards all my life, and spent my time dodgin' the cop on watch there, when I was tryin' to steal rides on freight-cars and such."

"Is that what you're hangin' around here now for?" asked the man, with a good-natured twinkle in his eyes.

"Nope! I'm waiting for that MacIntyre kid to come back this way. He went down the track a bit ago on a hand-car, playing rescue a princess with one of the girls at the picnic,"

The section boss sprang up with an exclamation of alarm. "How far's he gone?" he asked. "There's a special due to pass here in a few minutes."

Even while he spoke there sounded far away in the distance, so far that it was like only a faint echo, the whistle of an approaching locomotive. The man hobbled down the track a yard or so and stopped. "What do you suppose they'll do?" he asked. "There are so many bends in this road, the train may come right on to 'em before the engineer sees 'em. S'pose they'll jump off, or turn and try to come back?"

Jonesy glanced around wildly a second, and then sprang forward toward the man.

"Give me the switch-key!" he cried, in a high voice, shrill with excitement. "You can't run, but I can. Give me the switch-key!" Perplexed by the sudden turn of affairs and the little fellow's commanding tone, the man took the key from his pocket. He realised his own helplessness to do anything, and there was something in Jonesy's manner that inspired confidence. He felt that the child's quick wit had grasped the situation and formed some sensible plan of action.

Again the whistle sounded in the distance, and, snatching the key, Jonesy was off down the track like an arrow. The section boss, leaning heavily on his cane, limped after him as fast as he could.

Keith and the Little Colonel, having gathered the moss and started back home, were rolling leisurely along, still talking of magicians and their ilk.

"What if we should meet a dragon?" cried the Little Colonel. "A dragon with a scaly green tail, and red eyes and a fiery tongue. What would you do then?"

"I'd say, 'What! Ho! Thou monster!' and cleave him in twain with my good broadsword, and when he saw its shining blade smite through the air he'd just curl up and die."

Keith looked back to smile at the bright laughing face beside him. Then he caught sight of something over his shoulder that made him pause. "Oh, look!" he cried, pointing over the tree-tops behind them. A little puff of smoke, rising up in the distance, trailed along the sky like a long banner. At the same instant, out of the smoke, sounded the whistle of an approaching engine. The track behind them had so many turns, he could not judge of their distance from it, and for an instant he stopped working the handle bar up and down, too thoroughly frightened to know what to do. An older child might have acted differently; might have jumped from the hand-car and left it to be run into by the approaching train, or have hurried back around the bend to flag the engine. But Keith had only one idea left: that was to keep ahead of the train as long as possible. It seemed so far away he thought they could surely reach the depot before it caught up with them, and his sturdy little arms bent to the task.

For a moment there was a real pleasure in the exertion. He felt with an excited thrill that he was really running away with the Little Colonel, and rescuing her from a pursuing danger. Suddenly the whistle sounded again, and this time it seemed so close behind them that the Little Colonel gave a terrified glance over her shoulder and then screamed at the sight of the great snorting monster, breathing out fire and smoke, worse than any scaly-tailed dragon that she had ever imagined. It was far down the track but they could hear its terrible rumble as it rushed over a trestle, and the singing of the wires overhead.

Keith was straining every muscle now, but it was like running in a nightmare. His arms moved up and down at a furious speed, but it seemed to him that the hand-car was glued to one spot. It seemed, too, that it had been hours since they first discovered that the engine was after them, and he felt that he would soon be too exhausted to move another stroke. Would the depot never never come in sight?

Just then they shot around the curve and caught sight of Jonesy at the depot switch, wildly beckoning with his cap and shouting for them to come on. At that sight, with one supreme effort Keith put his fast-failing strength to the test, and sent the hand-car rolling forward faster than ever. It shot past the switch that Jonesy had unlocked and off to the side-track, just as the train bore down upon them around the last bend.

There was barely time for Jonesy to set the switch again before it thundered on along the main track past the little depot. Being a special, it did not stop. As it went shrieking by, the engineer cast a curious glance at a hand-car on the side-track. A little girl sat on it, a pretty golden-haired child with dark eyes big with fright, and her face as white as her dress. He wondered what was the matter.

For a moment after the shrieking train whizzed by everything seemed deathly still. Keith sat leaning against the embankment, white and limp from exhaustion and the excitement of his close escape. Jonesy was panting and wiping the perspiration from his red face, for he had run like a deer to reach the switch in time.

"I couldn't have held out a minute longer," said Keith, presently. "My arms felt like they had gone to sleep, and I was just ready to give up when I caught sight of you. That seemed to give me strength to go on, when I saw what you were at and that it would only be a little farther to go before we would be safe. Plow did you happen to be at the switch, and know how to set it?"

"Hain't lived all my life around engine yards fer nothin'," answered Jonesy. "Why didn't you jump off and flag the train?"

"I was so taken by surprise I didn't think of that," answered Keith. "The only thing I knew was that we had to keep ahead of it as long as possible. You've saved my life, Jones Carter, and I'll never forget it, no matter what comes,"

"I've been rescued twice to-day," said the Little Colonel, taking a deep breath as she began to recover from her fright. "Jonesy ought to be a knight, too."

"That's so!" exclaimed Keith, springing to his feet. "Come on and let's go back to the barn. We'll tell our adventures, and then we'll go through the ceremony of making Jonesy a Sir Something or other. He's certainly won his spurs."

"Goin' back on the hand-car?" asked Jonesy.

"Not much," answered Keith, with a sickly sort of smile. "Somehow such fast travelling doesn't seem to agree with a fellow. Walking is good enough for me."

"Me too!" cried the Little Colonel, tying on her white sunbonnet. "But the first part of it was lovely,—just like flyin'."

Jonesy ran back to give the man his key, and was kept answering questions so long that he did not catch up with the other children until they were in sight of the barn.

"After all," said Keith, as the three trudged along together, "maybe we'd better not tell how near we came to being run over. Grandmother and Aunt Allison would be dreadfully worried if they should hear of it. They are always worrying for fear something will happen to us."

"Mothah would be wild" exclaimed the Little Colonel, "if she knew I had been in any dangah. Maybe she wouldn't let me out of her sight again to play all summah."

"Then let's don't tell for a long, long time," proposed Keith. "It'll be our secret, just for us three."

"All right," the others agreed. They dropped the subject then, for the barn was just ahead of them, and the gay picnickers came running out, demanding to know where they had been so long.

The Little Colonel often spoke of her experience afterward to the two boys, however, and in Keith's day-dreams a home for Jonesy began to crowd out all other hopes and plans.



CHAPTER VII.

A GAME OF INDIAN.

Keith was stiff for a week after his race on the hand-car, but did his groaning in private. He knew what a commotion would be raised if the matter came to his grandmother's ears. She had lived all winter in constant dread of accidents. Malcolm had been carried home twice in an unconscious state, once from having been thrown from his bicycle, and once from falling through a trap-door in the barn. Keith had broken through the ice on the pond, sprained his wrist while coasting, and walked in half a dozen times with the blood streaming from some wound on his head or face.

Virginia had never been hurt, but her hair-breadth escapes would have filled a volume. An amusing one was the time she lassoed a young calf, Indian fashion, to show the boys how it should be done. Its angry mother was in the next lot, but Virginia felt perfectly safe as she swung her lariat and dragged the bleating calf around the barn-yard. She did not stop to consider that if a cow with lofty ambitions had once jumped over the moon, one which saw its calf in danger might easily leap a low hedge. Malcolm's warning shout came just in time to save her from being gored by the angry animal, who charged at her with lowered horns. She sprang up the ladder leading to the corn-crib window, where she was safe, but she had to hang there until Unc' Henry could be called to the rescue.

It was with many misgivings that Mrs. MacIntyre and Miss Allison started to the city one morning in April. It was the first time since the children's coming that they had both gone away at once, and nothing but urgent business would have made them consent to go.

The children promised at least a dozen things. They would keep away from the barn, the live stock, the railroad, the ponds, and the cisterns. They would not ride their wheels, climb trees, nor go off the Maclntyre premises, and they would keep a sharp lookout for snakes and poison ivy, in case they went into the woods for wild flowers.



"Seems to me there's mighty little left that a fellow can do," said Keith, when the long list was completed.

"Oh, the time will soon pass," said his grandmother, who was preparing to take the eleven o'clock train. "It will soon be lunch-time. Then this is the day for you each to write your weekly letters to your mother, and it is so pretty in the woods now that I am sure you will enjoy looking for violets."

Time did pass quickly, as their grandmother had said it would, until the middle of the afternoon. Then Virginia began to wish for something more amusing than the quiet guessing games they had been playing in the library. The boys each picked up a book, and she strolled off up-stairs, in search of a livelier occupation.

In a few minutes she came down, looking like a second Pocahontas in her Indian suit, with her bow and arrows slung over her shoulder.

"I am going down to the woods to practise shooting," she announced, as she stopped to look in at the door.

"Oh, wait just a minute!" begged Malcolm, throwing down his book. "Let's all play Indian this afternoon. We'll rig up, too, and build a wigwam down by the spring rock, and make a fire,—grandmother didn't say we couldn't make a fire; that's about the only thing she forgot to tell us not to do."

"You can come on when you get ready," answered Virginia. "I'm going now, because it is getting late, but you'll find me near the spring when you come. Just yell."

The boys could not hope to rival Virginia's Indian costume, but no wilder-looking little savages ever uttered a war-whoop than the two which presently dashed into the still April woods.

Malcolm had ripped some variegated fringe from a table-cover to pin down the sides of his leather leggins. He had borrowed a Roman blanket from Aunt Allison's couch to pin around his shoulders, and emptied several tubes of her most expensive paints to streak his face with hideous stripes and daubs. A row of feathers from the dust-brush was fastened around his forehead by a broad band, and a hatchet from the woodshed provided him with a tomahawk.

Keith had no time to arrange feathers. He had taken off his flannels in order to put on an old striped bathing-suit, which he had found in the attic and stored away, intending to use it for swimming in the pond when the weather should grow warm enough. It had no sleeves, and the short trousers had shrunk until they did not half-way reach his knees. Its red and white stripes had faded and the colour run until the whole was a dingy "crushed strawberry" shade. As Malcolm had emptied all the tubes of red paint in his Aunt Allison's box, Keith had to content himself with some other colour. He chose the different shades of green, squeezing the paint out on his plump little legs and arms, and rubbing it around with his fore finger until he was encircled with as many stripes as a zebra. Although the day was warm for the early part of April, the sudden change from his customary clothes and spring flannels to nothing but the airy bathing suit and war-paint made him a trifle chilly; so he completed his costume by putting on a pair of scarlet bedroom slippers, edged with dark fur.

With the dropping of their civilised clothing, the boys seemed to have dropped all recollections of their professed knighthood, and acted like the little savages they looked.

"We're going to shoot with your things awhile, Ginger," shouted Keith, coming suddenly upon her with a whoop, and snatching her bow out of her hands. "You are the squaw, so you have to do all the work. Get down there now behind that rock and make a fire, while we go out and kill a deer. You must build a wigwam, too, by the time we get back. Hear me? I'm a big chief! 'I am Famine—Buckadawin!' and I'll make a living skeleton of you if you don't hustle."

Virginia was furious. "I'll not be a squaw!" she cried. "And I'll not build a fire or do anything else if you talk so rudely. If you don't give me back my bow and let me be a chief, too, I'll—I'll get even with you, sir, in a way you won't like. I have short hair, and my clothes are more Indian than yours, and I can shoot better than either of you, anyhow! So there! Give me my bow."

"What will you do if I won't?" said Keith, teasingly, holding it behind him.

"I'll go up to the barn and get a rope, and lasso you like I did that calf, and drag you all over the place!" cried Virginia, her eyes shining with fierce determination.

"She means it, Keith," said Malcolm. "She'll do it sure, if you don't stop teasing. Oh, give it to her and come along, or it will be dark before we begin to play."

Matters went on more smoothly after Malcolm's efforts at peacemaking, and when it was decided that Ginger could be a brave, too, instead of a squaw, they were soon playing together as pleasantly as if they had found the happy hunting grounds. The short afternoon waned fast, and the shadows were growing deep when they reached the last part of the game. Ginger had been taken prisoner, and they were tying her to a tree, with her hands bound securely behind her back. She rather enjoyed this part of it, for she intended to show them how brave she could be.

"Now we'll sit around the council fire and decide how to torture her," said Malcolm, when the captive was securely tied. But the fire was out and they had no matches. The lot fell on Malcolm to run up to the house and get some.

"A fire would feel good," said Keith, looking around with a shiver as he seated himself on a log near Ginger. The sun was low in the west, and very little of its light and warmth found its way into the woods where the children were playing.

"It makes me think of Hiawatha," said Ginger, looking down at several long streaks of golden light which lay across the ground at her feet. "Don't you remember how it goes? 'And the long and level sunbeams shot their spears into the forest, breaking through its shield of shadow,' Isn't that pretty? I love Hiawatha. I am going to learn pages and pages of it some day. I know all that part about Minnehaha now,"

"Say it while we are waiting," said Keith, pulling his short trousers down as far as possible, and wishing that he had sleeves, or else that the paint were thicker on his chilly arms.

"All right," began Virginia.

"'Oh the long and dreary winter! Oh the cold and cruel winter! Ever thicker, thicker, thicker Froze the ice on lake and river.'"

"Ugh! Don't!" interrupted Keith, with a shiver. "It makes my teeth chatter, talking about such cold things!"

Just then a shout came ringing down the hill, "Oh, Keith! Come here a minute! Quick!"

"What do you wa-ant?" yelled Keith, in return.

"Come up here! Quick! Hurry up!"

"What do you s'pose can be the matter?" exclaimed Keith, scrambling to his feet. "Maybe the bear has got loose and run away."

"Come and untie me first," said Virginia, "and I'll go, too." Keith gave several quick tugs at the many knotted string which bound her, but could not loosen it. Again the call came, impatient and sharp, "Keith! Oh, Keith!"

"Oh, I can't loosen it a bit," said Keith. "You'll have to wait till Malcolm comes with his knife. We'll be back in just a minute. I'll go and see what's the matter."

"Be sure that you don't stay!" screamed Ginger, as the scarlet bedroom slippers and green striped legs flashed out of sight through the bushes.

"Back—in—a—minute!" sounded shrilly through the woods.

Keith found Malcolm on the back porch, pounding excitedly on a box which the express-man had left there a few minutes before.

"It's the camera we have been looking for all week," he cried. "Come on and have a look at it."

"Ginger said to hurry back," said Keith.

"Pshaw! It won't take but a minute. I'll pry the box open in a jiffy."

It was harder work than the boys had supposed, to take the tightly nailed lid from its place, and they were so intent on their work they did not realise how quickly the minutes were passing.

"Isn't it a beauty?" exclaimed Malcolm, when it was at last unpacked. "It's lots bigger and finer than the one papa promised. But that's the way he always does. Oh, isn't it a peach!"

"I'll tell you what," said Keith, dancing up and down in his excitement, until he looked like a ridiculous little clown in the faded pink bathing-suit and his stripes of green paint, "let's take each other's pictures while we are dressed this way. We may never look so funny again, and we can go down and take Ginger, too, while she is tied to the tree."

"Can't now," said Malcolm, "it's too dark down there in the woods by this time. See! there is nothing left now of the sun but those red clouds above the place where it went down. I'm afraid it is too dark even for us up here on the hill; but we can try. You do look funny, just like a jumping-jack or a monkey on a stick."

"Surely Ginger won't mind waiting long enough for us to do it," said Keith. "Anyhow we can never dress up this way again, and grandmother will be coming home very soon, so you take mine quick, and I will take yours."

The boys had had some practice before with a cheap little camera, but this required some studying of the printed directions before they could use it. The first time they tried it the plates were put in wrong, and the second time they forgot to remove the cap. There were other things in the box besides the camera: some beautiful pink curlew's wings, a handsomely marked snake skin, and some rare shells that had been picked up on the Gulf coast. Of course the boys had to examine each new treasure as it was discovered. One thing after another delayed them until it was dusk even on the porch where they stood, and in the woods below a deep twilight had fallen.

Every minute that had sped by so rapidly for the boys, seemed an age to the captive Virginia. Her arms ached from the strain of their unusual position. Swarms of gnats flew about, stinging her face, and mosquitoes buzzed teasingly around her ears. She was unable to move a finger to drive them away.

When the boys had been gone fifteen minutes she thought they must have been away hours. At the end of half an hour she was wild with impatience to get loose, but, thinking they might return any minute, she made no sign of her discomfort. She would be as heroic as the bravest brave ever tortured by cruel savages. As long as it was light she kept up her courage, but presently it began to grow dark under the great beech-trees. A frog down by the spring set up a dismal croaking. What if they should not come back, and her grandmother and Aunt Allison should miss the train, and have to stay in the city all night! Then nobody would come to set her free, and she would have to stay in the lonely woods all by herself, tied to a tree, with her hands behind her back.

At that thought she began calling, "Keith! Keith! Malcolm! Oh, Malcolm!" but only an echo came back to her, as it had to the dying Minnehaha,—a far-away echo that mocked her with its teasing cry of "Mal-colm!" Call after call went ringing through the woods, but nobody answered. Nobody came.

There was a rustling through the leaves behind her, as of a snake gliding around the tree. She was not afraid of snakes in the daytime, and when she was unbound, but she shrieked and turned cold at the thought of one wriggling across her feet while she was powerless to get away. Every time a twig snapped, or there was a fluttering in the bushes, she strained her eyes to see what horrible thing might be creeping up toward her. She had no thought that live Indians might be lurking about, but all the terrible stories she had ever heard, of the days of Daniel Boone and the early settlers, came back to haunt the woods with a nameless dread.

She felt that she was standing on the real Kentucky that the Indians meant, when they gave the State its name. "Dark and bloody ground! Dark and bloody ground!" something seemed to say just behind her. Then the trees took it up, and all the leaves whispered, "Sh—sh, sh! Dark and bloody ground! Sh—sh!"

At that she was so frightened that she began calling again, but the sound of her own voice startled her. "Oh, they are not coming," she thought, with a miserable ache in her throat, that seemed swelling bigger and bigger. "I'll have to stay here in the woods all night. Oh, mamma! mamma!" she moaned, "I am so scared! If you could only come back and get your poor little girl!"

Up to this time she had bravely fought back the tears, but just then a screech-owl flapped down from a branch above her with such a dismal hooting that she gave a nervous start and a cry of terror. "Oh, that frightened me so!" she sobbed. "I don't believe I can stand it to be out here all night alone with so many horrible creepy things everywhere. And nobody cares! Nobody but papa and mamma, and they are away, way off in Cuba. Maybe I'll never see them any more," At that the tears rolled down her face, and she could not move a hand to wipe them away. To be so little and miserable and forsaken, so worn out with waiting and so helpless among all these unknown horrors that the dark woods might hold, was worse torture to the imaginative child than any bodily pain could have been.

It was just as her last bit of courage oozed away, and she began to cry, that the boys suddenly realised how long they had left her.

"It must be as dark as a pocket in the woods by this time," exclaimed Malcolm. "What do you suppose Ginger will say to us for leaving her so long?"

"You will have to take a knife to cut her loose," said Keith. "I tried to untie the knots before I came away, but I couldn't move them."

"My pocket-knife is up-stairs," answered Malcolm. "I'll get something in the dining-room that will do."

He was rushing out again with a carving-knife in his hand, when he came face to face with his grandmother and Aunt Allison. The boys had been so interested in their camera that they had not heard the train whistle, or the sound of footsteps coming up on the front veranda. Pete was lighting the hall lamps as the ladies came in, and he turned his back to hide the broad grin on his face, as he thought of the sight which would soon greet them. Mrs. Maclntyre gave a gasp of astonishment and sank down in the nearest chair as Malcolm came dashing into the bright lamplight.

His turkey feathers were all awry, standing out in a dozen different directions from his head, his blanket trailed behind him, and the fringe was hanging in festoons from his leggins, where it had come unpinned. The red paint on his face made him look as if he had been in a fight with the carving-knife he carried, and had had the skin peeled off his face in patches.

Wild as he looked, his appearance was tame beside that of the impish-looking little savage who skipped in after him, in the scarlet bedroom slippers, pink striped bathing-suit and green striped skin.

"Keith Maclntyre, what have you been doing to yourself?" gasped his grandmother. Both boys began an excited exclamation, but were stopped by Miss Allison's question, "Where is Virginia? Have you two little savages scalped her?"

"She's tied to a tree down by the spring," answered Malcolm. "We are just starting down there now to cut her loose. You see we were playing Indian, and she was tied up to be tortured, and we forgot all about her being there—"

But Miss Allison waited to hear no more. "The poor little thing!" she exclaimed. "Tied out there alone in the dark woods! How could you be so cruel? It is enough to frighten her into spasms."

"I'm awfully sorry, Aunt Allison!" began Malcolm, but his aunt was already out of hearing. Out of the door she ran, through the dewy grass and the stubble of the field beyond, regardless of her dainty spring gown, or her new patent leather shoes. Malcolm and Keith dashed out after her, ran on ahead and were at the spring before she had climbed the fence into the woodland.

Virginia was not crying when the boys reached her. She remembered that she had once called Malcolm "Rain-in-the-face" because she caught him crying over something that seemed to her a very little reason, and she did not intend to give him a chance to taunt her in the same way. She was glad that it was too dark for him to notice her tear-swollen eyes.

"Whew! It's dark down here!" said Keith. "Were you frightened, Ginger?" he asked, as he helped Malcolm unfasten the cords that bound her. But Ginger made no reply to either questions or apologies. She walked on in dignified silence, too deeply hurt by their neglect, too full of a sense of the wrong they had done her, to trust herself to speak without crying, and she intended to be game to the last. But when she came upon Miss Allison, and suddenly found herself folded safe in her arms, with pitying kisses and comforting caresses, she clung to her, sobbing as if her heart would break.

"Oh, auntie! It was so awful!" was all she could say, but she repeated it again and again, until Miss Allison, who had never seen her so excited before, was alarmed. The boys, who had run on ahead to the house again, before she gave way to her feelings, were inclined to look upon it all as a good joke, for they had no idea how much she had suffered, and did not like it because she would not speak to them. They changed their minds when Miss Allison came out of Virginia's room a little later, and told them that the fright had given the child a nervous chill, and that she had cried herself to sleep.

"We didn't mean to do it," said Keith, penitently. "We just forgot, and I'm mighty sorry, truly I am, auntie!"

"I am not scolding you," said Miss Allison, "but if I were either of you boys, I wouldn't wear my little white flower when I dressed for dinner to-night. Instead of being the protector of a distressed maiden, as the old knights would have said, you have done her a wrong,—a serious one I am afraid,—and that wrong ought to be made right as far as possible before you are worthy to wear the badge of knighthood again."

"We'll go and beg her pardon right now," said Malcolm.

"No, she is asleep now, and I do not want her to be disturbed. Besides, a mere apology is not enough. You must make some kind of atonement. The first thing for you to do, however, is to get some turpentine and remove that paint. Where did you get it, boys?"

"Out of your paint-box, Aunt Allison," said Malcolm. "We didn't think you would care. I was only going to take a little, but it soaked in so fast that I had to use two tubes of it."

"I used more than that," confessed Keith, looking at her with his big honest eyes; "but I got so interested pretending that I was turning into a real Indian, that I never thought about its being anybody else's paint, Aunt Allison, truly I didn't!"

She turned away to hide a smile. The earnest little face above the striped body was so very comical. Picking up several of the empty tubes that had been squeezed quite flat, she read the labels. "Rose madder and carmine," she said, solemnly, "two of my very most expensive paints."

"Dear me!" sighed Malcolm, "then there's another wrong that's got to be righted. I guess Keith and I weren't cut out for knights. I'm beginning to think that it's a mighty tough business anyhow."

That night, when the boys came down to dinner, no little white flower with its diamond dewdrop centre shone on the lapel of either coat. It had been a work of time to scrub off the paint, and then it took almost as long to get rid of the turpentine, so that dinner was ready long before Keith was finally clad in his flannels. "My throat is sore," he complained to Malcolm at bedtime, but did not mention it to any one else that night. He sat on the side of his bed a moment before undressing, with one foot across his knee, staring thoughtfully at the lamp. Presently, with one shoe in his hand and the other half unlaced, he hopped over to the dressing-table and stood before it, looking at first one picture and then another.

Eight different photographs of his mother were ranged along the table below the wide mirror, some taken in evening dress, some in simple street costume, and each one so beautiful that it would have been hard to decide which one had the greatest charm.

"I wish mamma was here to-night," said Keith, softly, with a little quiver of his lip. "Seems like she's been gone almost always."

He picked up a large Roman locket of beaten silver that lay open on the table. It held two exquisitely painted miniatures on ivory. One was the same sweet face that looked out at him from each of the photographs, the other was his father's. It showed a handsome young fellow with strong, clean-shaven face, with eyes like Keith's, and the same lordly poise of the fine head that Malcolm had.

"Good night, papa, good night, mamma!" whispered Keith, touching his lips hastily to each picture while Malcolm's back was turned. There were tears in his eyes. Somehow he was so miserably homesick.

Next morning, although Keith's throat was not so sore, he was burning with fever by the time his lessons were over. Before his grandmother saw him he was off on his wheel for a long ride, and then, because he was so hot when he came back, he slipped away to the pond with the pink bathing-suit under his coat, and took the swim that he had been looking forward to so long. Nobody knew where he was, and he stayed in the water until his lips and finger-nails were blue. The morning after that he was too ill to get up, and Mrs. Maclntyre sent for a doctor.

"He has always been so perfectly well, and seemed to have such a strong constitution, that I cannot allow myself to believe this will be anything serious," said Mrs. Maclntyre, but at the end of the third day he was so much worse that she sent to the city for a trained nurse, and telegraphed for his father and mother.

They had already left Florida, and were yachting up the Atlantic coast on their way home when the message reached them.



CHAPTER VIII.

"FAIRCHANCE."

Malcolm did his best to atone to Virginia for what she had suffered from the forgetfulness of the two little Indians, but poor Keith was too ill to remember anything about it. He did not know his father and mother when they came, and tossed restlessly about, talking wildly of things they could not understand. It was the first time he had ever been so ill, and as they watched him lying there day after day, burning with fever, and growing white and thin, a great fear came upon them that he would never be any better.

No one put that fear into words, but little by little it crept from heart to heart like a wintry fog, until the whole house felt its chill. The sweet spring sounds and odours came rushing in at every window from the sunny world outside, but it might as well have been mid-winter. No one paid any heed while that little life hung in the balance. The servants went through the house on tiptoe. Malcolm and Virginia haunted the halls to discover from the grave faces of the older people what they were afraid to ask, and Mrs. Maclntyre was kept busy answering the inquiries of the neighbours. Scarcely an hour passed that some one did not come to ask about Keith, to leave flowers, or to proffer kindly services. Everybody who knew the little fellow loved him. His bright smile and winning manner had made him a host of friends.

There was no lack of attention. His father and mother, Miss Allison, and the nurse watched every breath, every pulse-beat; and a dozen times in the night his grandmother stole to the door to look anxiously at the wan little face on the pillow.

"It is so strange," said his mother to the nurse one day. "He keeps talking about a white flower. He says that he can't right the wrong unless he wears it, and that Jonesy will have to be shut up and never find his brother again. What do you suppose he means?"

The nurse shook her head. She did not know. Just then Mrs. Maclntyre heard her name called softly, "Elise," and her husband beckoned her to come out into the hall. "I want to show you something in Allison's room," he said, leading her down the hall to his sister's apartment. On each side of the low writing-desk stood a large photograph, one of Malcolm in his suit of mail, the other of Keith in the costume of jewel-embroidered velvet, like the little Duke of Gloster's.

"Oh, Sydney! How beautiful!" she exclaimed, as she swept across the room and knelt down before the desk for a better view. Leaning her arms on the desk, she looked into Keith's pictured face with hungry eyes. "Isn't he lovely?" she repeated. "Oh, he'll never look like that again! I know it! I know it!" she sobbed, remembering how white was the little face on the pillow that she had just left.

Mr. Maclntyre bent over her, his own handsome face white and haggard. He looked ill himself, from the constant watching and anxiety. "I'd give anything in the world that I own! Everything!" he groaned. "I'd do anything, sacrifice anything, to see him as well and sturdy as he looks there!"

Then he caught up the picture. "What's this written underneath?" he asked, "It is in Keith's own handwriting: 'Live pure speak truth, right the wrong, follow the king. Else wherefore born?'

"What does it mean, Allison?" he asked, turning to his sister, who was resting on a couch by the window. "It is written under Malcolm's picture, too."

"The dear little Sir Galahads," she said, "I sent for you to tell you about them. The boys intended the pictures as a surprise for you and Elise, so we never sent them. They wanted to tell you themselves about the Benefit and the little waif they gave it for."

She took a little pin from a jewel-case under the sofa pillows, and reaching over, dropped it in her brother's hand. It was a tiny flower of white enamel, with a diamond dewdrop in the centre.

"You may have noticed Malcolm wearing one like it," she said, and then she told them the story of Jonesy and the bear and all that their coming had led to: the Benefit, the new order of knighthood, and the awakening of the boys to a noble purpose.

"The boys fully expect you to stand by them in all this, Sydney," she said, in conclusion, "and play fairy godfather for Jonesy henceforth and for ever. One night, when Keith came up to confess some mischief he had been into during the day, he said:

"'Aunt Allison, this wearing the white flower of a blameless life isn't as easy as it is cracked up to be; but having this little pin helps a lot. I just put my hand on that like the real knights used to do on their sword-hilts, and repeat my motto. It will be easier when papa comes home. Since I've known Jonesy, and heard him tell about the hard times some people have that he knows, it seems to me there's an awful lot of wrong in the world for somebody to set right. Some nights I can hardly go to sleep for thinking about it, and wishing that I were grown up so that I could begin to do my part. I wish papa could be here now. He'd make a splendid knight; he is so big and good and handsome. I don't s'pose King Arthur himself was any better or braver than my father is.'"

A tear splashed down from the mother's eyes as she listened, and, falling on the tiny white flower as it lay in her husband's hand, glistened beside the dewdrop centre like another diamond.

"Oh, Sydney!" she exclaimed, in a heart-broken way. Something very like a sob shook the man's broad shoulders, and, turning abruptly, he strode out of the room.

Down in the dim, green library, where the blinds had been drawn to keep it cool, he threw himself into a chair beside the table. Propping Keith's picture up in front of him against a pile of books, he leaned forward, gazing at it earnestly. He had never realised before how much he loved the little son, who hour by hour seemed slowly slipping farther away from him. The pictured face looked full into his as if it would speak. It wore the same sweet, trustful expression that had shone there the night he talked to Jonesy of the Hall of the Shields; the same childish purity that had moved the old professor to lay his hands upon his head and call him Galahad.

All that gentle birth, college breeding, wealth, and travel could give a man, were Sydney Maclntyre's, and yet, measuring himself by Keith's standard of knighthood, he felt himself sadly lacking. He had given liberally to charities hundreds of dollars, because it was often easier for him to write out a check than to listen to somebody's tale of suffering. But aside from that he had left the old world to wag on as best it could, with its grievous load of wrong and sorrow.

A man is not apt to trouble himself as to how it wags for those outside his circle of friends, when the generations before him have spent their time laying up a fortune for him to enjoy. But this man was beginning to trouble himself about it now, as he paced restlessly up and down the room. He was not thinking now about the things that usually occupied him, his social duties, his home or club, or yacht or horses or kennels. He was not planning some new pleasure for his friends or family, he was wondering what he could do to be worthy of the exalted regard in which he was held by his little sons. What wrong could he set right, to prove himself really as noble as they thought him? He was their ideal of all that was generous and manly, and yet—

"What have I ever done," he asked himself, "to make them think so? If I were to be taken out of the world to-morrow, I would be leaving it exactly as I found it. Who could point to my coffin and say, 'Laws are better, politics are purer, or times are not so hard for the masses now, because this one man willed to lift up his fellows as far as the might of one strong life can reach?' But they will say that of Malcolm, and Keith, if he lives—ah, if he lives!"

An hour later the door opened, and Malcolm came in, softly. "Keith is asking for you, papa," he said, with a timid glance into his father's haggard face. Then he came nearer, and slipped his hand into the man's strong fingers, and together they went up the stairs to answer the summons.

"Did you want me, Keith?"

The head did not turn on the pillow. The languid eyes opened only half-way, but there was recognition in them now, and one little hand was raised to lay itself lovingly against his father's cheek.

"What is it, son?"

The weak little voice tried to answer, but the words came only in gasps. "Brother knows—about Jonesy—keep him from being a tramp! Please let me, papa—do that much good—in my life 'else wherefore—born?'"

"What is it, Keith?" asked his father, bending over him. "Papa doesn't exactly understand. But you can have anything you want, my boy. Anything! I'll do whatever you ask."

"Malcolm knows," was the answer. Then the voice seemed somewhat stronger for an instant, and a faint smile touched Keith's lips. "Give my half of the bear to Ginger. Now—may I have—my—white—flower?"

Throwing back his coat, his father unpinned the little badge from his vest, where he had fastened it for safe-keeping a short time before in the library. A pleased expression flitted over the child's face, as he saw where it had been resting, and when it was fastened in the front of his little embroidered nightshirt, his hand closed over the pin as if it were something very precious, and he were afraid of losing it again.

"Wearing the white flower," they heard him whisper, and then the little knight slept.

* * * * *

It was hours afterward when he roused again,—hours when the faintest noise had not been allowed in the house; when the servants had been sent to the cottage, and Unc' Henry stationed at the front gate; that no one might drive up the avenue.

Virginia, in a hammock on the veranda, scarcely dared draw a deep breath till she heard the doctor coming down the stairs, just before dark. Then she knew by his face that prayers and skill and tender nursing had not been in vain, and that Keith would live.

* * * * *

So much can happen in a week. In the seven days that followed Keith gradually grew strong enough to be propped up in bed a little while at a time; Captain Dudley and his wife came home from Cuba, and Mr. Maclntyre began to carry out the promise he had made to Keith that day when they feared most he could not live.

The whole Valley rejoiced in the first and second happenings, and were too much occupied in them to notice the third. Carriages rolled in and out of the great entrance gate all day long, for Mrs. Dudley had always been a favourite with the old neighbours, and they gave a warm welcome to her and her gallant husband. Virginia followed her father and mother about like a loving shadow, and Keith was so interested in the wonderful stories they told of their Cuban experiences that he never noticed how much his father and Malcolm were away from home. Sometimes they would be gone all day together, consulting with the old professor, overseeing carpenters, or making hasty trips to the city. Jonesy's home, that had been so long only a beautiful air-castle, was rapidly taking shape in wood and stone, and the painters would soon be at work on it.

Mr. Maclntyre had never been more surprised than he was when Malcolm unfolded their plan to him. It did not seem possible that two children could have thought of it all, and arranged every detail without the help of some older head.

"It just grew," said Malcolm, in explanation. "First Keith said how lovely it would have been if we had made enough money at the Benefit to have bought a home for Jonesy in the country, where he could have a fair chance to grow up a good man. Just a comfortable little cottage with a garden, where he could be out-of-doors all the time, instead of in the dirty city streets; then nobody could call him a 'child of the slums' any more. Then we said it would be better if there were some fields back of the garden, so that he could learn to be a farmer when he was older, and have some way to make a living. We talked about it every night when we went to bed, and kept putting a little more and a little more to it, until it was as real to us as if we had truly seen such a place. There were vines on the porches, and a big Newfoundland dog on the front steps, and a cow and calf in the pasture, and a gentle old horse that could plough and that Jonesy could ride to water.

"We told Ginger, and she thought of a lot more things; some little speckled pigs in a pen and kittens in the hay-mow, and ducks on the pond, and an orchard, and roses in the yard. She said we ought to call the place 'Fairchance,' because that's what it would mean for Jonesy and Barney (you know we would send for Barney first thing we did, of course), and it was Ginger who first thought of getting some nice man and his wife to take care of the boys. She said there are plenty of people who would be glad to do it, just for the sake of having such a good home. Ginger said if we could do all that, and keep Jonesy and his brother from growing up to be tramps like the man we bought the bear from, it would be serving our country just as much as if we went to war and fought for it. Ginger is a crank about being a patriot. You ought to hear her talk about it. And Aunt Allison said that 'an ounce of prevention is worth a pound of cure,' and that to build such a place as our 'Fairchance' would be a deed worthy of any true knight."

"How are you expecting to bring this wonderful thing to pass?" asked his father, as Malcolm stopped to take breath. "Do you expect to wave a wand and see it spring up out of the earth?"

"Of course not, papa!" said Malcolm, a little provoked by his father's teasing smile. "We were going to ask you to let us take the money that grandfather left us in his will. We won't need it when we are grown, for we can earn plenty ourselves then, and it seems too bad to have it laid away doing nobody any good, when we need it so much now to right this wrong of Jonesy's."

"But it is not laid away," answered Mr. MacIntyre. "It is invested in such a way that it is earning you more money every year; and more than that, it was left in trust for you, so that it cannot be touched until you are twenty-one."

"Oh, papa!" cried Malcolm, bitterly disappointed. He had hard work to keep back the tears for a moment; then a happy thought made his face brighten. "You could lend us the money, and we would pay you back when we are of age. You know you promised Keith you would do anything he wanted, and that is what he was trying to ask for?"

Mr. Maclntyre put his arm around the earnest little fellow, and drew him to his knee, smiling down into the upturned face that waited eagerly for his answer.

"I only asked that to hear what you would say, my son," was the answer. "You need have no worry about the money. I'll keep my promise to Keith, and Jonesy shall have his home. I'm not a knight, but I'm proud to be the father of two such valiant champions. Please God, you'll not be alone in your battles after this, to right the world's wrongs. I'll be your faithful squire, or, as we'd say in these days, a sort of silent partner in the enterprise."

Several days after this a deed was recorded in the county court-house, conveying a large piece of property from old Colonel Lloyd to Malcolm and Keith Maclntyre. It was the place adjoining "The Locusts," on which stood a fine old homestead that had been vacant for several years. The day after its purchase a force of carpenters and painters were set to work, and two coloured men began clearing out the tangle of bushes in the long-neglected garden.

Jonesy know nothing of what was going on, and wondered at the long conversations which took place between the old professor and Mr. Maclntyre, always in German. It was the professor who found some one to take care of the home, as Virginia had suggested. He recommended a countryman of his, Carl Sudsberger, who had long been a teacher like himself. He was a gentle old soul who loved children and understood them, and a more motherly creature than his wife could not well be imagined. Everything throve under her thrifty management, and she had no patience with laziness or waste. Any boy in whose bringing up she had a hand would be able to make his way in the world when the time came for it.

Mrs. Dudley and Miss Allison helped choose the furnishings, but Virginia felt that the pleasure of it was all hers, for she was taken to the city every time they went, and allowed a voice in everything. Several trips were necessary before the house was complete, but by the last week in May it was ready from attic to cellar.

It was the "Fairchance" that the boys had planned so long, with its rose-bordered paths, the orchard and garden and outlying fields. Nothing had been forgotten, from the big Newfoundland dog on the doorstep, to the ducks on the pond, and the little speckled pigs in the pen. The day that Keith was able to walk down-stairs for the first time, Mr. Maclntyre went to Chicago, taking Jonesy with him, to find Barney and bring him back. He was gone several days, and when he returned there were three boys with him instead of two: Jonesy, Barney, and a little fellow about five years old, still in dresses.

Malcolm met them at the train, and eyed the small newcomer with curiosity. "It is a little chap that Barney had taken under his wing," explained Mr. Maclntyre. "Its mother was dead, and I found it was entirely dependent on Barney for support. They slept together in the same cellar, and shared whatever he happened to earn, just as Jonesy did. I hadn't the heart to leave him behind, although I didn't relish the idea of travelling with such a kindergarten. Would you believe it, Dodds (that's the little fellow's name) never saw a tree in his life until yesterday? He had never been out of the slums where he was born, not even to the avenues of the city where he could have seen them. It was too far for him to walk alone, and street-cars were out of the question for him,—as much out of reach of his empty pockets as the moon."

"Never saw a tree!" echoed Malcolm, with a thrill of horror in his voice that a life could be so bare in its knowledge of beauty. "Oh, papa, how much 'Fairchance' will mean to him, then! Oh, I'm so glad, and Keith—why, Keith will want to stand on his head!"

They drove directly to the new place. It was late in the afternoon, and the sunshine threw long, waving shadows across the yard. Mrs. Sudsberger sat on the front porch knitting. A warm breeze blowing in from the garden stirred the white window curtains behind her with soft flutterings. The coloured woman in the kitchen was singing as she moved around preparing supper, and her voice floated cheerily around the corner of the house:

"Swing low, sweet chariot, comin' fer to carry me home, Swing low, sweet char-i-ot, comin' fer to carry me home!"

A Jersey cow lowed at the pasture bars, and from away over in the woodland came the cooing of a dove. Three little waifs had found a home.

Mr. Maclntyre looked from the commonplace countenances of the boys climbing out of the carriage to Malcolm's noble face. "It is a doubtful experiment," he said to himself. "They may never amount to anything, but at least they shall have a chance to see what clean, honest, country living can do for them." And then there swept across his heart, with a warm, generous rush, the impulse to do as much for every other unfortunate child he could reach, whose only heritage is the poverty and crime of city slums. He had seen so much in that one short visit. The misery of it haunted him, and it was with a happiness as boyish and keen as Malcolm's that he led these children he had rescued into the home that was to be theirs henceforth.

Keith did not see "Fairchance" until Memorial Day. Then they took him over in the carriage in the afternoon, and showed him every nook and corner of the place. There were six boys there now, for room had been made for two little fellows from Louisville, whom Mr. Maclntyre had found at the Newsboys' Home. "I've no doubt but that there'll always be more coming," he said to Mr. Sudsberger, with a smile, as he led them in. "When you once let a little water trickle through the dyke, the whole sea is apt to come pouring in."

"Happy the heart that is swept with such high tides," answered the old German. "It is left the richer by such floods."

Several families in the Valley were invited to come late in the afternoon to a flag-raising. The great silk flag was Virginia's gift, and Captain Dudley made the presentation speech. He wore his uniform in honour of the occasion. This was a part of what he said:

"This Memorial Day, throughout this wide-spread land of ours, over every mound that marks a soldier's dust, some hand is stretched to drop a flower in tender tribute. Over her heroic dead a grateful country wreathes the red of her roses, the white of her lilies, and the blue of her forget-me-nots, repeating even in the sweet syllables of the flowers the symbol of her patriotism,—the red, white, and blue of her war-stained banner.

"My friends, I have followed the old flag into more than one battle. I have seen men charge after it through blinding smoke and hail of bullets, and I have seen them die for it. No one feels more deeply than I what a glorious thing it is to die for one's country, but I want to say to these little lads looking up at this great flag fluttering over us, that it is not half so noble, half so brave, as to live for it, to give yourselves in untiring, every-day living to your country's good. To 'let all the ends thou aim'st at be thy country's, thy God's, and truth's.' I would rather have that said of me, that I did that, than to be the greatest general of my day. I would rather be the founder of homes like this one than to manoeuvre successfully the greatest battles.

"May the 'Two Little Knights of Kentucky' go on, out through the land, carrying their motto with them, until the last wrong is righted, and wherever the old flag floats a 'fair chance' may be found for every one that lives beneath it. And may these Stars and Stripes, as they rise and fall on the winds of this peaceful valley, whisper continuously that same motto, until its lessons of truth and purity and unselfish service have been blazoned on the hearts of every boy who calls this home. May it help to make him a true knight in his country's cause."

There was music after that, and then old Colonel Lloyd made a speech, and Virginia and the Little Colonel gathered roses out of the old garden, so that every one could wear a bunch. A little later they had supper on the lawn, picnic fashion, and then drove home in the cool of the evening, when all the meadows were full of soft flashings from the fairy torches of a million fireflies.

With Keith safely covered up in a hammock, they lingered on the porch long after the stars came out, and the dew lay heavy on the roses. They were building other air-castles now, to be rebuilt some day, as Jonesy's home had been; only these were still larger and better. The older people were planning, too, and all the good that grew out of that quiet evening talk can never be known until that day comes when the King shall read all the names in his Hall of the Shields.

"It has been such a beautiful day," said Virginia, leaning her head happily against her mother's shoulder. Then she started up, suddenly remembering something. "Oh, papa!" she cried, "let's end it as they do at the fort, with the bugle-call. I'll run and get my old bugle, and you play 'taps.'"

A few minutes later the silvery notes went floating out on the warm night air, through all the peaceful valley; over the mounds in the little churchyard, wreathed now with their fresh memorial roses; past "The Locusts" where the Little Colonel lay a-dreaming. Over the woods and fields they floated, until they reached the flag that kept its fluttering vigil over "Fairchance."

Jonesy sat up in bed to listen. Many a reveille would sound before his full awakening to all that the two little knights had made possible for him, but the sweet, dim dream of the future that stole into his grateful little heart was an earnest of what was in store for him. Then the bugle-call, falling through the starlight like a benediction, closed the happy day with its peaceful "Good night."

THE END.