The missionary looked down in surprise at as singular a knot of people as could have been selected from all his heterogeneous auditors. Indeed, considering that we might all be classified under the general head of Vagabond, there was great diversity of character among the grave old showman, the sly, prophetic beggar, the fiddling foreigner and his merry damsel, the smart bibliopolist, the sombre Indian and myself, the itinerant novelist, a slender youth of eighteen. I even fancied that a smile was endeavoring to disturb the iron gravity of the preacher's mouth.

"Good people," answered he, "the camp-meeting is broke up."

So saying, the Methodist minister switched his steed and rode westward. Our union being thus nullified by the removal of its object, we were sundered at once to the four winds of heaven. The fortune-teller, giving a nod to all and a peculiar wink to me, departed on his Northern tour, chuckling within himself as he took the Stamford road. The old showman and his literary coadjutor were already tackling their horses to the wagon with a design to peregrinate south-west along the sea-coast. The foreigner and the merry damsel took their laughing leave and pursued the eastern road, which I had that day trodden; as they passed away the young man played a lively strain and the girl's happy spirit broke into a dance, and, thus dissolving, as it were, into sunbeams and gay music, that pleasant pair departed from my view. Finally, with a pensive shadow thrown across my mind, yet emulous of the light philosophy of my late companions, I joined myself to the Penobscot Indian and set forth toward the distant city.



THE WHITE OLD MAID.

The moonbeams came through two deep and narrow windows and showed a spacious chamber richly furnished in an antique fashion. From one lattice the shadow of the diamond panes was thrown upon the floor; the ghostly light through the other slept upon a bed, falling between the heavy silken curtains and illuminating the face of a young man. But how quietly the slumberer lay! how pale his features! And how like a shroud the sheet was wound about his frame! Yes, it was a corpse in its burial-clothes.

Suddenly the fixed features seemed to move with dark emotion. Strange fantasy! It was but the shadow of the fringed curtain waving betwixt the dead face and the moonlight as the door of the chamber opened and a girl stole softly to the bedside. Was there delusion in the moonbeams, or did her gesture and her eye betray a gleam of triumph as she bent over the pale corpse, pale as itself, and pressed her living lips to the cold ones of the dead? As she drew back from that long kiss her features writhed as if a proud heart were fighting with its anguish. Again it seemed that the features of the corpse had moved responsive to her own. Still an illusion. The silken curtains had waved a second time betwixt the dead face and the moonlight as another fair young girl unclosed the door and glided ghostlike to the bedside. There the two maidens stood, both beautiful, with the pale beauty of the dead between them. But she who had first entered was proud and stately, and the other a soft and fragile thing.

"Away!" cried the lofty one. "Thou hadst him living; the dead is mine."

"Thine!" returned the other, shuddering. "Well hast thou spoken; the dead is thine."

The proud girl started and stared into her face with a ghastly look, but a wild-and mournful expression passed across the features of the gentle one, and, weak and helpless, she sank down on the bed, her head pillowed beside that of the corpse and her hair mingling with his dark locks. A creature of hope and joy, the first draught of sorrow had bewildered her.

"Edith!" cried her rival.

Edith groaned as with a sudden compression of the heart, and, removing her cheek from the dead youth's pillow, she stood upright, fearfully encountering the eyes of the lofty girl.

"Wilt thou betray me?" said the latter, calmly.

"Till the dead bid me speak I will be silent," answered Edith. "Leave us alone together. Go and live many years, and then return and tell me of thy life. He too will be here. Then, if thou tellest of sufferings more than death, we will both forgive thee."

"And what shall be the token?" asked the proud girl, as if her heart acknowledged a meaning in these wild words.

"This lock of hair," said Edith, lifting one of the dark clustering curls that lay heavily on the dead man's brow.

The two maidens joined their hands over the bosom of the corpse and appointed a day and hour far, far in time to come for their next meeting in that chamber. The statelier girl gave one deep look at the motionless countenance and departed, yet turned again and trembled ere she closed the door, almost believing that her dead lover frowned upon her. And Edith, too! Was not her white form fading into the moonlight? Scorning her own weakness, she went forth and perceived that a negro slave was waiting in the passage with a waxlight, which he held between her face and his own and regarded her, as she thought, with an ugly expression of merriment. Lifting his torch on high, the slave lighted her down the staircase and undid the portal of the mansion. The young clergyman of the town had just ascended the steps, and, bowing to the lady, passed in without a word.

Years—many years—rolled on. The world seemed new again, so much older was it grown since the night when those pale girls had clasped their hands across the bosom of the corpse. In the interval a lonely woman had passed from youth to extreme age, and was known by all the town as the "Old Maid in the Winding-Sheet." A taint of insanity had affected her whole life, but so quiet, sad and gentle, so utterly free from violence, that she was suffered to pursue her harmless fantasies unmolested by the world with whose business or pleasures she had naught to do. She dwelt alone, and never came into the daylight except to follow funerals. Whenever a corpse was borne along the street, in sunshine, rain or snow, whether a pompous train of the rich and proud thronged after it or few and humble were the mourners, behind them came the lonely woman in a long white garment which the people called her shroud. She took no place among the kindred or the friends, but stood at the door to hear the funeral prayer, and walked in the rear of the procession as one whose earthly charge it was to haunt the house of mourning and be the shadow of affliction and see that the dead were duly buried. So long had this been her custom that the inhabitants of the town deemed her a part of every funeral, as much as the coffin-pall or the very corpse itself, and augured ill of the sinner's destiny unless the Old Maid in the Winding-Sheet came gliding like a ghost behind. Once, it is said, she affrighted a bridal-party with her pale presence, appearing suddenly in the illuminated hall just as the priest was uniting a false maid to a wealthy man before her lover had been dead a year. Evil was the omen to that marriage. Sometimes she stole forth by moonlight and visited the graves of venerable integrity and wedded love and virgin innocence, and every spot where the ashes of a kind and faithful heart were mouldering. Over the hillocks of those favored dead would she stretch out her arms with a gesture as if she were scattering seeds, and many believed that she brought them from the garden of Paradise, for the graves which she had visited were green beneath the snow and covered with sweet flowers from April to November. Her blessing was better than a holy verse upon the tombstone. Thus wore away her long, sad, peaceful and fantastic life till few were so old as she, and the people of later generations wondered how the dead had ever been buried or mourners had endured their grief without the Old Maid in the Winding-Sheet. Still years went on, and still she followed funerals and was not yet summoned to her own festival of death.

One afternoon the great street of the town was all alive with business and bustle, though the sun now gilded only the upper half of the church-spire, having left the housetops and loftiest trees in shadow. The scene was cheerful and animated in spite of the sombre shade between the high brick buildings. Here were pompous merchants in white wigs and laced velvet, the bronzed faces of sea-captains, the foreign garb and air of Spanish Creoles, and the disdainful port of natives of Old England, all contrasted with the rough aspect of one or two back-settlers negotiating sales of timber from forests where axe had never sounded. Sometimes a lady passed, swelling roundly forth in an embroidered petticoat, balancing her steps in high-heeled shoes and courtesying with lofty grace to the punctilious obeisances of the gentlemen. The life of the town seemed to have its very centre not far from an old mansion that stood somewhat back from the pavement, surrounded by neglected grass, with a strange air of loneliness rather deepened than dispelled by the throng so near it. Its site would have been suitably occupied by a magnificent Exchange or a brick block lettered all over with various signs, or the large house itself might have made a noble tavern with the "King's Arms" swinging before it and guests in every chamber, instead of the present solitude. But, owing to some dispute about the right of inheritance, the mansion had been long without a tenant, decaying from year to year and throwing the stately gloom of its shadow over the busiest part of the town.

Such was the scene, and such the time, when a figure unlike any that have been described was observed at a distance down the street.

"I espy a strange sail yonder," remarked a Liverpool captain—"that woman in the long white garment."

The sailor seemed much struck by the object, as were several others who at the same moment caught a glimpse of the figure that had attracted his notice. Almost immediately the various topics of conversation gave place to speculations in an undertone on this unwonted occurrence.

"Can there be a funeral so late this afternoon?" inquired some.

They looked for the signs of death at every door—the sexton, the hearse, the assemblage of black-clad relatives, all that makes up the woeful pomp of funerals. They raised their eyes, also, to the sun-gilt spire of the church, and wondered that no clang proceeded from its bell, which had always tolled till now when this figure appeared in the light of day. But none had heard that a corpse was to be borne to its home that afternoon, nor was there any token of a funeral except the apparition of the Old Maid in the Winding-Sheet.

"What may this portend?" asked each man of his neighbor.

All smiled as they put the question, yet with a certain trouble in their eyes, as if pestilence, or some other wide calamity, were prognosticated by the untimely intrusion among the living of one whose presence had always been associated with death and woe. What a comet is to the earth was that sad woman to the town. Still she moved on, while the hum of surprise was hushed at her approach, and the proud and the humble stood aside that her white garment might not wave against them. It was a long, loose robe of spotless purity. Its wearer appeared very old, pale, emaciated and feeble, yet glided onward without the unsteady pace of extreme age. At one point of her course a little rosy boy burst forth from a door and ran with open arms toward the ghostly woman, seeming to expect a kiss from her bloodless lips. She made a slight pause, fixing her eye upon him with an expression of no earthly sweetness, so that the child shivered and stood awestruck rather than affrighted while the Old Maid passed on. Perhaps her garment might have been polluted even by an infant's touch; perhaps her kiss would have been death to the sweet boy within the year.

"She is but a shadow," whispered the superstitious. "The child put forth his arms and could not grasp her robe."

The wonder was increased when the Old Maid passed beneath the porch of the deserted mansion, ascended the moss-covered steps, lifted the iron knocker and gave three raps. The people could only conjecture that some old remembrance, troubling her bewildered brain, had impelled the poor woman hither to visit the friends of her youth—all gone from their home long since and for ever unless their ghosts still haunted it, fit company for the Old Maid in the Winding-Sheet.

An elderly man approached the steps, and, reverently uncovering his gray locks, essayed to explain the matter.

"None, madam," said he, "have dwelt in this house these fifteen years agone—no, not since the death of old Colonel Fenwicke, whose funeral you may remember to have followed. His heirs, being ill-agreed among themselves, have let the mansion-house go to ruin."

The Old Maid looked slowly round with a slight gesture of one hand and a finger of the other upon her lip, appearing more shadow-like than ever in the obscurity of the porch. But again she lifted the hammer, and gave, this time, a single rap. Could it be that a footstep was now heard coming down the staircase of the old mansion which all conceived to have been so long untenanted? Slowly, feebly, yet heavily, like the pace of an aged and infirm person, the step approached, more distinct on every downward stair, till it reached the portal. The bar fell on the inside; the door was opened. One upward glance toward the church-spire, whence the sunshine had just faded, was the last that the people saw of the Old Maid in the Winding-Sheet.

"Who undid the door?" asked many.

This question, owing to the depth of shadow beneath the porch, no one could satisfactorily answer. Two or three aged men, while protesting against an inference which might be drawn, affirmed that the person within was a negro and bore a singular resemblance to old Caesar, formerly a slave in the house, but freed by death some thirty years before.

"Her summons has waked up a servant of the old family," said one, half seriously.

"Let us wait here," replied another; "more guests will knock at the door anon. But the gate of the graveyard should be thrown open."

Twilight had overspread the town before the crowd began to separate or the comments on this incident were exhausted. One after another was wending his way homeward, when a coach—no common spectacle in those days—drove slowly into the street. It was an old-fashioned equipage, hanging close to the ground, with arms on the panels, a footman behind and a grave, corpulent coachman seated high in front, the whole giving an idea of solemn state and dignity. There was something awful in the heavy rumbling of the wheels.

The coach rolled down the street, till, coming to the gateway of the deserted mansion, it drew up, and the footman sprang to the ground.

"Whose grand coach is this?" asked a very inquisitive body.

The footman made no reply, but ascended the steps of the old house, gave three taps with the iron hammer, and returned to open the coach door. An old man possessed of the heraldic lore so common in that day examined the shield of arms on the panel.

"Azure, a lion's head erased, between three flowers de luce," said he, then whispered the name of the family to whom these bearings belonged. The last inheritor of its honors was recently dead, after a long residence amid the splendor of the British court, where his birth and wealth had given him no mean station. "He left no child," continued the herald, "and these arms, being in a lozenge, betoken that the coach appertains to his widow."

Further disclosures, perhaps, might have been made had not the speaker been suddenly struck dumb by the stern eye of an ancient lady who thrust forth her head from the coach, preparing to descend. As she emerged the people saw that her dress was magnificent, and her figure dignified in spite of age and infirmity—a stately ruin, but with a look at once of pride and wretchedness. Her strong and rigid features had an awe about them unlike that of the white Old Maid, but as of something evil. She passed up the steps, leaning on a gold-headed cane. The door swung open as she ascended, and the light of a torch glittered on the embroidery of her dress and gleamed on the pillars of the porch. After a momentary pause, a glance backward and then a desperate effort, she went in.

The decipherer of the coat-of-arms had ventured up the lower step, and, shrinking back immediately, pale and tremulous, affirmed that the torch was held by the very image of old Caesar.

"But such a hideous grin," added he, "was never seen on the face of mortal man, black or white. It will haunt me till my dying-day."

Meantime, the coach had wheeled round with a prodigious clatter on the pavement and rumbled up the street, disappearing in the twilight, while the ear still tracked its course. Scarcely was it gone when the people began to question whether the coach and attendants, the ancient lady, the spectre of old Caesar and the Old Maid herself were not all a strangely-combined delusion with some dark purport in its mystery. The whole town was astir, so that, instead of dispersing, the crowd continually increased, and stood gazing up at the windows of the mansion, now silvered by the brightening moon. The elders, glad to indulge the narrative propensity of age, told of the long-faded splendor of the family, the entertainments they had given and the guests, the greatest of the land, and even titled and noble ones from abroad, who had passed beneath that portal. These graphic reminiscences seemed to call up the ghosts of those to whom they referred. So strong was the impression on some of the more imaginative hearers that two or three were seized with trembling fits at one and the same moment, protesting that they had distinctly heard three other raps of the iron knocker.

"Impossible!" exclaimed others. "See! The moon shines beneath the porch, and shows every part of it except in the narrow shade of that pillar. There is no one there."

"Did not the door open?" whispered one of these fanciful persons.

"Didst thou see it too?" said his companion, in a startled tone.

But the general sentiment was opposed to the idea that a third visitant had made application at the door of the deserted house. A few, however, adhered to this new marvel, and even declared that a red gleam like that of a torch had shone through the great front window, as if the negro were lighting a guest up the staircase. This too was pronounced a mere fantasy.

But at once the whole multitude started, and each man beheld his own terror painted in the faces of all the rest.

"What an awful thing is this!" cried they.

A shriek too fearfully distinct for doubt had been heard within the mansion, breaking forth suddenly and succeeded by a deep stillness, as if a heart had burst in giving it utterance. The people knew not whether to fly from the very sight of the house or to rush trembling in and search out the strange mystery. Amid their confusion and affright they were somewhat reassured by the appearance of their clergyman, a venerable patriarch, and equally a saint, who had taught them and their fathers the way to heaven for more than the space of an ordinary lifetime. He was a reverend figure with long white hair upon his shoulders, a white beard upon his breast and a back so bent over his staff that he seemed to be looking downward continually, as if to choose a proper grave for his weary frame. It was some time before the good old man, being deaf and of impaired intellect, could be made to comprehend such portions of the affair as were comprehensible at all. But when possessed of the facts, his energies assumed unexpected vigor.

"Verily," said the old gentleman, "it will be fitting that I enter the mansion-house of the worthy Colonel Fenwicke, lest any harm should have befallen that true Christian woman whom ye call the 'Old Maid in the Winding-Sheet.'"

Behold, then, the venerable clergyman ascending the steps of the mansion with a torch-bearer behind him. It was the elderly man who had spoken to the Old Maid, and the same who had afterward explained the shield of arms and recognized the features of the negro. Like their predecessors, they gave three raps with the iron hammer.

"Old Caesar cometh not," observed the priest. "Well, I wot he no longer doth service in this mansion."

"Assuredly, then, it was something worse in old Caesar's likeness," said the other adventurer.

"Be it as God wills," answered the clergyman. "See! my strength, though it be much decayed, hath sufficed to open this heavy door. Let us enter and pass up the staircase."

Here occurred a singular exemplification of the dreamy state of a very old man's mind. As they ascended the wide flight of stairs the aged clergyman appeared to move with caution, occasionally standing aside, and oftener bending his head, as it were in salutation, thus practising all the gestures of one who makes his way through a throng. Reaching the head of the staircase, he looked around with sad and solemn benignity, laid aside his staff, bared his hoary locks, and was evidently on the point of commencing a prayer.

"Reverend sir," said his attendant, who conceived this a very suitable prelude to their further search, "would it not be well that the people join with us in prayer?"

"Well-a-day!" cried the old clergyman, staring strangely around him. "Art thou here with me, and none other? Verily, past times were present to me, and I deemed that I was to make a funeral prayer, as many a time heretofore, from the head of this staircase. Of a truth, I saw the shades of many that are gone. Yea, I have prayed at their burials, one after another, and the Old Maid in the Winding-Sheet hath seen them to their graves."

Being now more thoroughly awake to their present purpose, he took his staff and struck forcibly on the floor, till there came an echo from each deserted chamber, but no menial to answer their summons. They therefore walked along the passage, and again paused, opposite to the great front window, through which was seen the crowd in the shadow and partial moonlight of the street beneath. On their right hand was the open door of a chamber, and a closed one on their left.

The clergyman pointed his cane to the carved oak panel of the latter.

"Within that chamber," observed he, "a whole lifetime since, did I sit by the death-bed of a goodly young man who, being now at the last gasp—" Apparently, there was some powerful excitement in the ideas which had now flashed across his mind. He snatched the torch from his companion's hand, and threw open the door with such sudden violence that the flame was extinguished, leaving them no other light than the moonbeams which fell through two windows into the spacious chamber. It was sufficient to discover all that could be known. In a high-backed oaken arm-chair, upright, with her hands clasped across her breast and her head thrown back, sat the Old Maid in the Winding-Sheet. The stately dame had fallen on her knees with her forehead on the holy knees of the Old Maid, one hand upon the floor and the other pressed convulsively against her heart. It clutched a lock of hair—once sable, now discolored with a greenish mould.

As the priest and layman advanced into the chamber the Old Maid's features assumed such a semblance of shifting expression that they trusted to hear the whole mystery explained by a single word. But it was only the shadow of a tattered curtain waving betwixt the dead face and the moonlight.

"Both dead!" said the venerable man. "Then who shall divulge the secret? Methinks it glimmers to and fro in my mind like the light and shadow across the Old Maid's face. And now 'tis gone!"



PETER GOLDTHWAITE'S TREASURE.

"And so, Peter, you won't even consider of the business?" said Mr. John Brown, buttoning his surtout over the snug rotundity of his person and drawing on his gloves. "You positively refuse to let me have this crazy old house, and the land under and adjoining, at the price named?"

"Neither at that, nor treble the sum," responded the gaunt, grizzled and threadbare Peter Goldthwaite. "The fact is, Mr. Brown, you must find another site for your brick block and be content to leave my estate with the present owner. Next summer I intend to put a splendid new mansion over the cellar of the old house."

"Pho, Peter!" cried Mr. Brown as he opened the kitchen door; "content yourself with building castles in the air, where house-lots are cheaper than on earth, to say nothing of the cost of bricks and mortar. Such foundations are solid enough for your edifices, while this underneath us is just the thing for mine; and so we may both be suited. What say you, again?"

"Precisely what I said before, Mr. Brown," answered Peter Goldthwaite. "And, as for castles in the air, mine may not be as magnificent as that sort of architecture, but perhaps as substantial, Mr. Brown, as the very respectable brick block with dry-goods stores, tailors' shops and banking-rooms on the lower floor, and lawyers' offices in the second story, which you are so anxious to substitute."

"And the cost, Peter? Eh?" said Mr. Brown as he withdrew in something of a pet. "That, I suppose, will be provided for off-hand by drawing a check on Bubble Bank?"

John Brown and Peter Goldthwaite had been jointly known to the commercial world between twenty and thirty years before under the firm of Goldthwaite & Brown; which copartnership, however, was speedily dissolved by the natural incongruity of its constituent parts. Since that event, John Brown, with exactly the qualities of a thousand other John Browns, and by just such plodding methods as they used, had prospered wonderfully and become one of the wealthiest John Browns on earth. Peter Goldthwaite, on the contrary, after innumerable schemes which ought to have collected all the coin and paper currency of the country into his coffers, was as needy a gentleman as ever wore a patch upon his elbow. The contrast between him and his former partner may be briefly marked, for Brown never reckoned upon luck, yet always had it, while Peter made luck the main condition of his projects, and always missed it. While the means held out his speculations had been magnificent, but were chiefly confined of late years to such small business as adventures in the lottery. Once he had gone on a gold-gathering expedition somewhere to the South, and ingeniously contrived to empty his pockets more thoroughly than ever, while others, doubtless, were filling theirs with native bullion by the handful. More recently he had expended a legacy of a thousand or two of dollars in purchasing Mexican scrip, and thereby became the proprietor of a province; which, however, so far as Peter could find out, was situated where he might have had an empire for the same money—in the clouds. From a search after this valuable real estate Peter returned so gaunt and threadbare that on reaching New England the scarecrows in the corn-fields beckoned to him as he passed by. "They did but flutter in the wind," quoth Peter Goldthwaite. No, Peter, they beckoned, for the scarecrows knew their brother.

At the period of our story his whole visible income would not have paid the tax of the old mansion in which we find him. It was one of those rusty, moss-grown, many-peaked wooden houses which are scattered about the streets of our elder towns, with a beetle-browed second story projecting over the foundation, as if it frowned at the novelty around it. This old paternal edifice, needy as he was, and though, being centrally situated on the principal street of the town, it would have brought him a handsome sum, the sagacious Peter had his own reasons for never parting with, either by auction or private sale. There seemed, indeed, to be a fatality that connected him with his birthplace; for, often as he had stood on the verge of ruin, and standing there even now, he had not yet taken the step beyond it which would have compelled him to surrender the house to his creditors. So here he dwelt with bad luck till good should come.

Here, then, in his kitchen—the only room where a spark of fire took off the chill of a November evening—poor Peter Goldthwaite had just been visited by his rich old partner. At the close of their interview, Peter, with rather a mortified look, glanced downward at his dress, parts of which appeared as ancient as the days of Goldthwaite & Brown. His upper garment was a mixed surtout, woefully faded, and patched with newer stuff on each elbow; beneath this he wore a threadbare black coat, some of the silk buttons of which had been replaced with others of a different pattern; and, lastly, though he lacked not a pair of gray pantaloons, they were very shabby ones, and had been partially turned brown by the frequent toasting of Peter's shins before a scanty fire. Peter's person was in keeping with his goodly apparel. Gray-headed, hollow-eyed, pale-cheeked and lean-bodied, he was the perfect picture of a man who had fed on windy schemes and empty hopes till he could neither live on such unwholesome trash nor stomach more substantial food. But, withal, this Peter Goldthwaite, crack-brained simpleton as, perhaps, he was, might have cut a very brilliant figure in the world had he employed his imagination in the airy business of poetry instead of making it a demon of mischief in mercantile pursuits. After all, he was no bad fellow, but as harmless as a child, and as honest and honorable, and as much of the gentleman which Nature meant him for, as an irregular life and depressed circumstances will permit any man to be.

As Peter stood on the uneven bricks of his hearth looking round at the disconsolate old kitchen his eyes began to kindle with the illumination of an enthusiasm that never long deserted him. He raised his hand, clenched it and smote it energetically against the smoky panel over the fireplace.

"The time is come," said he; "with such a treasure at command, it were folly to be a poor man any longer. Tomorrow morning I will begin with the garret, nor desist till I have torn the house down."

Deep in the chimney-corner, like a witch in a dark cavern, sat a little old woman mending one of the two pairs of stockings wherewith Peter Goldthwaite kept his toes from being frost-bitten. As the feet were ragged past all darning, she had cut pieces out of a cast-off flannel petticoat to make new soles. Tabitha Porter was an old maid upward of sixty years of age, fifty-five of which she had sat in that same chimney-corner, such being the length of time since Peter's grandfather had taken her from the almshouse. She had no friend but Peter, nor Peter any friend but Tabitha; so long as Peter might have a shelter for his own head, Tabitha would know where to shelter hers, or, being homeless elsewhere, she would take her master by the hand and bring him to her native home, the almshouse. Should it ever be necessary, she loved him well enough to feed him with her last morsel and clothe him with her under-petticoat. But Tabitha was a queer old woman, and, though never infected with Peter's flightiness, had become so accustomed to his freaks and follies that she viewed them all as matters of course. Hearing him threaten to tear the house down, she looked quietly up from her work.

"Best leave the kitchen till the last, Mr. Peter," said she.

"The sooner we have it all down, the better," said Peter Goldthwaite. "I am tired to death of living in this cold, dark, windy, smoky, creaking, groaning, dismal old house. I shall feel like a younger man when we get into my splendid brick mansion, as, please Heaven, we shall by this time next autumn. You shall have a room on the sunny side, old Tabby, finished and furnished as best may suit your own notions."

"I should like it pretty much such a room as this kitchen," answered Tabitha. "It will never be like home to me till the chimney-corner gets as black with smoke as this, and that won't be these hundred years. How much do you mean to lay out on the house, Mr. Peter?"

"What is that to the purpose?" exclaimed Peter, loftily. "Did not my great-grand-uncle, Peter Goldthwaite, who died seventy years ago, and whose namesake I am, leave treasure enough to build twenty such?"

"I can't say but he did, Mr. Peter," said Tabitha, threading her needle.

Tabitha well understood that Peter had reference to an immense hoard of the precious metals which was said to exist somewhere in the cellar or walls, or under the floors, or in some concealed closet or other out-of-the-way nook of the old house. This wealth, according to tradition, had been accumulated by a former Peter Goldthwaite whose character seems to have borne a remarkable similitude to that of the Peter of our story. Like him, he was a wild projector, seeking to heap up gold by the bushel and the cart-load instead of scraping it together coin by coin. Like Peter the second, too, his projects had almost invariably failed, and, but for the magnificent success of the final one, would have left him with hardly a coat and pair of breeches to his gaunt and grizzled person. Reports were various as to the nature of his fortunate speculation, one intimating that the ancient Peter had made the gold by alchemy; another, that he had conjured it out of people's pockets by the black art; and a third—still more unaccountable—that the devil had given him free access to the old provincial treasury. It was affirmed, however, that some secret impediment had debarred him from the enjoyment of his riches, and that he had a motive for concealing them from his heir, or, at any rate, had died without disclosing the place of deposit. The present Peter's father had faith enough in the story to cause the cellar to be dug over. Peter himself chose to consider the legend as an indisputable truth, and amid his many troubles had this one consolation—that, should all other resources fail, he might build up his fortunes by tearing his house down. Yet, unless he felt a lurking distrust of the golden tale, it is difficult to account for his permitting the paternal roof to stand so long, since he had never yet seen the moment when his predecessor's treasure would not have found plenty of room in his own strong-box. But now was the crisis. Should he delay the search a little longer, the house would pass from the lineal heir, and with it the vast heap of gold, to remain in its burial-place till the ruin of the aged walls should discover it to strangers of a future generation.

"Yes," cried Peter Goldthwaite, again; "to-morrow I will set about it."

The deeper he looked at the matter, the more certain of success grew Peter. His spirits were naturally so elastic that even now, in the blasted autumn of his age, he could often compete with the springtime gayety of other people. Enlivened by his brightening prospects, he began to caper about the kitchen like a hobgoblin, with the queerest antics of his lean limbs and gesticulations of his starved features. Nay, in the exuberance of his feelings, he seized both of Tabitha's hands and danced the old lady across the floor till the oddity of her rheumatic motions set him into a roar of laughter, which was echoed back from the rooms and chambers, as if Peter Goldthwaite were laughing in every one. Finally, he bounded upward, almost out of sight, into the smoke that clouded the roof of the kitchen, and, alighting safely on the floor again, endeavored to resume his customary gravity.

"To-morrow, at sunrise," he repeated, taking his lamp to retire to bed, "I'll see whether this treasure be hid in the wall of the garret."

"And, as we're out of wood, Mr. Peter," said Tabitha, puffing and panting with her late gymnastics, "as fast as you tear the house down I'll make a fire with the pieces."

Gorgeous that night were the dreams of Peter Goldthwaite. At one time he was turning a ponderous key in an iron door not unlike the door of a sepulchre, but which, being opened, disclosed a vault heaped up with gold coin as plentifully as golden corn in a granary. There were chased goblets, also, and tureens, salvers, dinner-dishes and dish-covers of gold or silver-gilt, besides chains and other jewels, incalculably rich, though tarnished with the damps of the vault; for, of all the wealth that was irrevocably lost to man, whether buried in the earth or sunken in the sea, Peter Goldthwaite had found it in this one treasure-place. Anon he had returned to the old house as poor as ever, and was received at the door by the gaunt and grizzled figure of a man whom he might have mistaken for himself, only that his garments were of a much elder fashion. But the house, without losing its former aspect, had been changed into a palace of the precious metals. The floors, walls and ceilings were of burnished silver; the doors, the window-frames, the cornices, the balustrades and the steps of the staircase, of pure gold; and silver, with gold bottoms, were the chairs, and gold, standing on silver legs, the high chests of drawers, and silver the bedsteads, with blankets of woven gold and sheets of silver tissue. The house had evidently been transmuted by a single touch, for it retained all the marks that Peter remembered, but in gold or silver instead of wood, and the initials of his name—which when a boy he had cut in the wooden door-post—remained as deep in the pillar of gold. A happy man would have been Peter Goldthwaite except for a certain ocular deception which, whenever he glanced backward, caused the house to darken from its glittering magnificence into the sordid gloom of yesterday.

Up betimes rose Peter, seized an axe, hammer and saw which he had placed by his bedside, and hied him to the garret. It was but scantily lighted up as yet by the frosty fragments of a sunbeam which began to glimmer through the almost opaque bull-eyes of the window. A moralizer might find abundant themes for his speculative and impracticable wisdom in a garret. There is the limbo of departed fashions, aged trifles of a day and whatever was valuable only to one generation of men, and which passed to the garret when that generation passed to the grave—not for safekeeping, but to be out of the way. Peter saw piles of yellow and musty account-books in parchment covers, wherein creditors long dead and buried had written the names of dead and buried debtors in ink now so faded that their moss-grown tombstones were more legible. He found old moth-eaten garments, all in rags and tatters, or Peter would have put them on. Here was a naked and rusty sword—not a sword of service, but a gentleman's small French rapier—which had never left its scabbard till it lost it. Here were canes of twenty different sorts, but no gold-headed ones, and shoebuckles of various pattern and material, but not silver nor set with precious stones. Here was a large box full of shoes with high heels and peaked toes. Here, on a shelf, were a multitude of phials half filled with old apothecary's stuff which, when the other half had done its business on Peter's ancestors, had been brought hither from the death-chamber. Here—not to give a longer inventory of articles that will never be put up at auction—was the fragment of a full-length looking-glass which by the dust and dimness of its surface made the picture of these old things look older than the reality. When Peter, not knowing that there was a mirror there, caught the faint traces of his own figure, he partly imagined that the former Peter Goldthwaite had come back either to assist or impede his search for the hidden wealth. And at that moment a strange notion glimmered through his brain that he was the identical Peter who had concealed the gold, and ought to know whereabout it lay. This, however, he had unaccountably forgotten.

"Well, Mr. Peter!" cried Tabitha, on the garret stairs. "Have you torn the house down enough to heat the teakettle?"

"Not yet, old Tabby," answered Peter, "but that's soon done, as you shall see." With the word in his mouth, he uplifted the axe, and laid about him so vigorously that the dust flew, the boards crashed, and in a twinkling the old woman had an apron full of broken rubbish.

"We shall get our winter's wood cheap," quoth Tabitha.

The good work being thus commenced, Peter beat down all before him, smiting and hewing at the joints and timbers, unclenching spike-nails, ripping and tearing away boards, with a tremendous racket from morning till night. He took care, however, to leave the outside shell of the house untouched, so that the neighbors might not suspect what was going on.

Never, in any of his vagaries, though each had made him happy while it lasted, had Peter been happier than now. Perhaps, after all, there was something in Peter Goldthwaite's turn of mind which brought him an inward recompense for all the external evil that it caused. If he were poor, ill-clad, even hungry and exposed, as it were, to be utterly annihilated by a precipice of impending ruin, yet only his body remained in these miserable circumstances, while his aspiring soul enjoyed the sunshine of a bright futurity. It was his nature to be always young, and the tendency of his mode of life to keep him so. Gray hairs were nothing—no, nor wrinkles nor infirmity; he might look old, indeed, and be somewhat disagreeably connected with a gaunt old figure much the worse for wear, but the true, the essential Peter was a young man of high hopes just entering on the world. At the kindling of each new fire his burnt-out youth rose afresh from the old embers and ashes. It rose exulting now. Having lived thus long—not too long, but just to the right age—a susceptible bachelor with warm and tender dreams, he resolved, so soon as the hidden gold should flash to light, to go a-wooing and win the love of the fairest maid in town. What heart could resist him? Happy Peter Goldthwaite!

Every evening—as Peter had long absented himself from his former lounging-places at insurance offices, news-rooms, and book-stores, and as the honor of his company was seldom requested in private circles—he and Tabitha used to sit down sociably by the kitchen hearth. This was always heaped plentifully with the rubbish of his day's labor. As the foundation of the fire there would be a goodly-sized back-log of red oak, which after being sheltered from rain or damp above a century still hissed with the heat and distilled streams of water from each end, as if the tree had been cut down within a week or two. Next there were large sticks, sound, black and heavy, which had lost the principle of decay and were indestructible except by fire, wherein they glowed like red-hot bars of iron. On this solid basis Tabitha would rear a lighter structure, composed of the splinters of door-panels, ornamented mouldings, and such quick combustibles, which caught like straw and threw a brilliant blaze high up the spacious flue, making its sooty sides visible almost to the chimney-top. Meantime, the gloom of the old kitchen would be chased out of the cobwebbed corners and away from the dusky cross-beams overhead, and driven nobody could tell whither, while Peter smiled like a gladsome man and Tabitha seemed a picture of comfortable age. All this, of course, was but an emblem of the bright fortune which the destruction of the house would shed upon its occupants.

While the dry pine was flaming and crackling like an irregular discharge of fairy-musketry, Peter sat looking and listening in a pleasant state of excitement; but when the brief blaze and uproar were succeeded by the dark-red glow, the substantial heat and the deep singing sound which were to last throughout the evening, his humor became talkative. One night—the hundredth time—he teased Tabitha to tell him something new about his great-granduncle.

"You have been sitting in that chimney-corner fifty-five years, old Tabby, and must have heard many a tradition about him," said Peter. "Did not you tell me that when you first came to the house there was an old woman sitting where you sit now who had been housekeeper to the famous Peter Goldthwaite?"

"So there was, Mr. Peter," answered Tabitha, "and she was near about a hundred years old. She used to say that she and old Peter Goldthwaite had often spent a sociable evening by the kitchen fire—pretty much as you and I are doing now, Mr. Peter."

"The old fellow must have resembled me in more points than one," said Peter, complacently, "or he never would have grown so rich. But methinks he might have invested the money better than he did. No interest! nothing but good security! and the house to be torn down to come at it! What made him hide it so snug, Tabby?"

"Because he could not spend it," said Tabitha, "for as often as he went to unlock the chest the Old Scratch came behind and caught his arm. The money, they say, was paid Peter out of his purse, and he wanted Peter to give him a deed of this house and land, which Peter swore he would not do."

"Just as I swore to John Brown, my old partner," remarked Peter. "But this is all nonsense, Tabby; I don't believe the story."

"Well, it may not be just the truth," said Tabitha, "for some folks say that Peter did make over the house to the Old Scratch, and that's the reason it has always been so unlucky to them that lived in it. And as soon as Peter had given him the deed the chest flew open, and Peter caught up a handful of the gold. But, lo and behold! there was nothing in his fist but a parcel of old rags."

"Hold your tongue, you silly old Tabby!" cried Peter, in great wrath. "They were as good golden guineas as ever bore the effigies of the king of England. It seems as if I could recollect the whole circumstance, and how I, or old Peter, or whoever it was, thrust in my hand, or his hand, and drew it out all of a blaze with gold. Old rags indeed!"

But it was not an old woman's legend that would discourage Peter Goldthwaite. All night long he slept among pleasant dreams, and awoke at daylight with a joyous throb of the heart which few are fortunate enough to feel beyond their boyhood. Day after day he labored hard without wasting a moment except at meal-times, when Tabitha summoned him to the pork and cabbage, or such other sustenance as she had picked up or Providence had sent them. Being a truly pious man, Peter never failed to ask a blessing—if the food were none of the best, then so much the more earnestly, as it was more needed—nor to return thanks, if the dinner had been scanty, yet for the good appetite which was better than a sick stomach at a feast. Then did he hurry back to his toil, and in a moment was lost to sight in a cloud of dust from the old walls, though sufficiently perceptible to the ear by the clatter which he raised in the midst of it.

How enviable is the consciousness of being usefully employed! Nothing troubled Peter, or nothing but those phantoms of the mind which seem like vague recollections, yet have also the aspect of presentiments. He often paused with his axe uplifted in the air, and said to himself, "Peter Goldthwaite, did you never strike this blow before?" or "Peter, what need of tearing the whole house down? Think a little while, and you will remember where the gold is hidden." Days and weeks passed on, however, without any remarkable discovery. Sometimes, indeed, a lean gray rat peeped forth at the lean gray man, wondering what devil had got into the old house, which had always been so peaceable till now. And occasionally Peter sympathized with the sorrows of a female mouse who had brought five or six pretty, little, soft and delicate young ones into the world just in time to see them crushed by its ruin. But as yet no treasure.

By this time, Peter, being as determined as fate and as diligent as time, had made an end with the uppermost regions and got down to the second story, where he was busy in one of the front chambers. It had formerly been the state-bedchamber, and was honored by tradition as the sleeping-apartment of Governor Dudley and many other eminent guests. The furniture was gone. There were remnants of faded and tattered paper-hangings, but larger spaces of bare wall ornamented with charcoal sketches, chiefly of people's heads in profile. These being specimens of Peter's youthful genius, it went more to his heart to obliterate them than if they had been pictures on a church wall by Michael Angelo. One sketch, however, and that the best one, affected him differently. It represented a ragged man partly supporting himself on a spade and bending his lean body over a hole in the earth, with one hand extended to grasp something that he had found. But close behind him, with a fiendish laugh on his features, appeared a figure with horns, a tufted tail and a cloven hoof.

"Avaunt, Satan!" cried Peter. "The man shall have his gold." Uplifting his axe, he hit the horned gentleman such a blow on the head as not only demolished him, but the treasure-seeker also, and caused the whole scene to vanish like magic. Moreover, his axe broke quite through the plaster and laths and discovered a cavity.

"Mercy on us, Mr. Peter! Are you quarrelling with the Old Scratch?" said Tabitha, who was seeking some fuel to put under the dinner-pot.

Without answering the old woman, Peter broke down a further space of the wall, and laid open a small closet or cupboard on one side of the fireplace, about breast-high from the ground. It contained nothing but a brass lamp covered with verdigris, and a dusty piece of parchment. While Peter inspected the latter, Tabitha seized the lamp and began to rub it with her apron.

"There is no use in rubbing it, Tabitha," said Peter. "It is not Aladdin's lamp, though I take it to be a token of as much luck. Look here, Tabby!"

Tabitha took the parchment and held it close to her nose, which was saddled with a pair of iron-bound spectacles. But no sooner had she begun to puzzle over it than she burst into a chuckling laugh, holding both her hands against her sides.

"You can't make a fool of the old woman," cried she. "This is your own handwriting, Mr. Peter, the same as in the letter you sent me from Mexico."

"There is certainly a considerable resemblance," said Peter, again examining the parchment. "But you know yourself, Tabby, that this closet must have been plastered up before you came to the house or I came into the world. No; this is old Peter Goldthwaite's writing. These columns of pounds, shillings and pence are his figures, denoting the amount of the treasure, and this, at the bottom, is doubtless a reference to the place of concealment. But the ink has either faded or peeled off, so that it is absolutely illegible. What a pity!"

"Well, this lamp is as good as new. That's some comfort," said Tabitha.

"A lamp!" thought Peter. "That indicates light on my researches."

For the present Peter felt more inclined to ponder on this discovery than to resume his labors. After Tabitha had gone down stairs he stood poring over the parchment at one of the front windows, which was so obscured with dust that the sun could barely throw an uncertain shadow of the casement across the floor. Peter forced it open and looked out upon the great street of the town, while the sun looked in at his old house. The air, though mild, and even warm, thrilled Peter as with a dash of water.

It was the first day of the January thaw. The snow lay deep upon the housetops, but was rapidly dissolving into millions of water-drops, which sparkled downward through the sunshine with the noise of a summer shower beneath the eaves. Along the street the trodden snow was as hard and solid as a pavement of white marble, and had not yet grown moist in the spring-like temperature. But when Peter thrust forth his head, he saw that the inhabitants, if not the town, were already thawed out by this warm day, after two or three weeks of winter weather. It gladdened him—a gladness with a sigh breathing through it—to see the stream of ladies gliding along the slippery sidewalks with their red cheeks set off by quilted hoods, boas and sable capes like roses amidst a new kind of foliage. The sleigh bells jingled to and fro continually, sometimes announcing the arrival of a sleigh from Vermont laden with the frozen bodies of porkers or sheep, and perhaps a deer or two; sometimes, of a regular marketman with chickens, geese and turkeys, comprising the whole colony of a barn-yard; and sometimes, of a farmer and his dame who had come to town partly for the ride, partly to go a-shopping and partly for the sale of some eggs and butter. This couple rode in an old-fashioned square sleigh which had served them twenty winters and stood twenty summers in the sun beside their door. Now a gentleman and lady skimmed the snow in an elegant car shaped somewhat like a cockle-shell; now a stage-sleigh with its cloth curtains thrust aside to admit the sun dashed rapidly down the street, whirling in and out among the vehicles that obstructed its passage; now came round a corner the similitude of Noah's ark on runners, being an immense open sleigh with seats for fifty people and drawn by a dozen horses. This spacious receptacle was populous with merry maids and merry bachelors, merry girls and boys and merry old folks, all alive with fun and grinning to the full width of their mouths. They kept up a buzz of babbling voices and low laughter, and sometimes burst into a deep, joyous shout which the spectators answered with three cheers, while a gang of roguish boys let drive their snow-balls right among the pleasure-party. The sleigh passed on, and when concealed by a bend of the street was still audible by a distant cry of merriment.

Never had Peter beheld a livelier scene than was constituted by all these accessories—the bright sun, the flashing water-drops, the gleaming snow, the cheerful multitude, the variety of rapid vehicles and the jingle-jangle of merry bells which made the heart dance to their music. Nothing dismal was to be seen except that peaked piece of antiquity Peter Goldthwaite's house, which might well look sad externally, since such a terrible consumption was preying on its insides. And Peter's gaunt figure, half visible in the projecting second story, was worthy of his house.

"Peter! How goes it, friend Peter?" cried a voice across the street as Peter was drawing in his head. "Look out here, Peter!"

Peter looked, and saw his old partner, Mr. John Brown, on the opposite sidewalk, portly and comfortable, with his furred cloak thrown open, disclosing a handsome surtout beneath. His voice had directed the attention of the whole town to Peter Goldthwaite's window, and to the dusty scarecrow which appeared at it.

"I say, Peter!" cried Mr. Brown, again; "what the devil are you about there, that I hear such a racket whenever I pass by? You are repairing the old house, I suppose, making a new one of it? Eh?"

"Too late for that, I am afraid, Mr. Brown," replied Peter. "If I make it new, it will be new inside and out, from the cellar upward."

"Had not you better let me take the job?" said Mr. Brown, significantly.

"Not yet," answered Peter, hastily shutting the window; for ever since he had been in search of the treasure he hated to have people stare at him.

As he drew back, ashamed of his outward poverty, yet proud of the secret wealth within his grasp, a haughty smile shone out on Peter's visage with precisely the effect of the dim sunbeams in the squalid chamber. He endeavored to assume such a mien as his ancestor had probably worn when he gloried in the building of a strong house for a home to many generations of his posterity. But the chamber was very dark to his snow-dazzled eyes, and very dismal, too, in contrast with the living scene that he had just looked upon. His brief glimpse into the street had given him a forcible impression of the manner in which the world kept itself cheerful and prosperous by social pleasures and an intercourse of business, while he in seclusion was pursuing an object that might possibly be a phantasm by a method which most people would call madness. It is one great advantage of a gregarious mode of life that each person rectifies his mind by other minds and squares his conduct to that of his neighbors, so as seldom to be lost in eccentricity. Peter Goldthwaite had exposed himself to this influence by merely looking out of the window. For a while he doubted whether there were any hidden chest of gold, and in that case whether it was so exceedingly wise to tear the house down only to be convinced of its non-existence.

But this was momentary. Peter the Destroyer resumed the task which Fate had assigned him, nor faltered again till it was accomplished. In the course of his search he met with many things that are usually found in the ruins of an old house, and also with some that are not. What seemed most to the purpose was a rusty key which had been thrust into a chink of the wall, with a wooden label appended to the handle, bearing the initials "P.G." Another singular discovery was that of a bottle of wine walled up in an old oven. A tradition ran in the family that Peter's grandfather, a jovial officer in the old French war, had set aside many dozens of the precious liquor for the benefit of topers then unborn. Peter needed no cordial to sustain his hopes, and therefore kept the wine to gladden his success. Many half-pence did he pick up that had been lost through the cracks of the floor, and some few Spanish coins, and the half of a broken sixpence which had doubtless been a love-token. There was likewise a silver coronation medal of George III. But old Peter Goldthwaite's strong-box fled from one dark corner to another, or otherwise eluded the second Peter's clutches till, should he seek much farther, he must burrow into the earth.

We will not follow him in his triumphant progress step by step. Suffice it that Peter worked like a steam-engine and finished in that one winter the job which all the former inhabitants of the house, with time and the elements to aid them, had only half done in a century. Except the kitchen, every room and chamber was now gutted. The house was nothing but a shell, the apparition of a house, as unreal as the painted edifices of a theatre. It was like the perfect rind of a great cheese in which a mouse had dwelt and nibbled till it was a cheese no more. And Peter was the mouse.

What Peter had torn down, Tabitha had burnt up, for she wisely considered that without a house they should need no wood to warm it, and therefore economy was nonsense. Thus the whole house might be said to have dissolved in smoke and flown up among the clouds through the great black flue of the kitchen chimney. It was an admirable parallel to the feat of the man who jumped down his own throat.

On the night between the last day of winter and the first of spring every chink and cranny had been ransacked except within the precincts of the kitchen. This fated evening was an ugly one. A snow-storm had set in some hours before, and was still driven and tossed about the atmosphere by a real hurricane which fought against the house as if the prince of the air in person were putting the final stroke to Peter's labors. The framework being so much weakened and the inward props removed, it would have been no marvel if in some stronger wrestle of the blast the rotten walls of the edifice and all the peaked roofs had come crashing down upon the owner's head. He, however, was careless of the peril, but as wild and restless as the night itself, or as the flame that quivered up the chimney at each roar of the tempestuous wind.

"The wine, Tabitha," he cried—"my grandfather's rich old wine! We will drink it now."

Tabitha arose from her smoke-blackened bench in the chimney-corner and placed the bottle before Peter, close beside the old brass lamp which had likewise been the prize of his researches. Peter held it before his eyes, and, looking through the liquid medium, beheld the kitchen illuminated with a golden glory which also enveloped Tabitha and gilded her silver hair and converted her mean garments into robes of queenly splendor. It reminded him of his golden dream.

"Mr. Peter," remarked Tabitha, "must the wine be drunk before the money is found?"

"The money is found!" exclaimed Peter, with a sort of fierceness. "The chest is within my reach; I will not sleep till I have turned this key in the rusty lock. But first of all let us drink."

There being no corkscrew in the house, he smote the neck of the bottle with old Peter Goldthwaite's rusty key, and decapitated the sealed cork at a single blow. He then filled two little china teacups which Tabitha had brought from the cupboard. So clear and brilliant was this aged wine that it shone within the cups and rendered the sprig of scarlet flowers at the bottom of each more distinctly visible than when there had been no wine there. Its rich and delicate perfume wasted itself round the kitchen.

"Drink, Tabitha!" cried Peter. "Blessings on the honest old fellow who set aside this good liquor for you and me! And here's to Peter Goldthwaite's memory!"

"And good cause have we to remember him," quoth Tabitha as she drank.

How many years, and through what changes of fortune and various calamity, had that bottle hoarded up its effervescent joy, to be quaffed at last by two such boon-companions! A portion of the happiness of a former age had been kept for them, and was now set free in a crowd of rejoicing visions to sport amid the storm and desolation of the present time. Until they have finished the bottle we must turn our eyes elsewhere.

It so chanced that on this stormy night Mr. John Brown found himself ill at ease in his wire-cushioned arm-chair by the glowing grate of anthracite which heated his handsome parlor. He was naturally a good sort of a man, and kind and pitiful whenever the misfortunes of others happened to reach his heart through the padded vest of his own prosperity. This evening he had thought much about his old partner, Peter Goldthwaite, his strange vagaries and continual ill-luck, the poverty of his dwelling at Mr. Brown's last visit, and Peter's crazed and haggard aspect when he had talked with him at the window.

"Poor fellow!" thought Mr. John Brown. "Poor crack-brained Peter Goldthwaite! For old acquaintance' sake I ought to have taken care that he was comfortable this rough winter." These feelings grew so powerful that, in spite of the inclement weather, he resolved to visit Peter Goldthwaite immediately.

The strength of the impulse was really singular. Every shriek of the blast seemed a summons, or would have seemed so had Mr. Brown been accustomed to hear the echoes of his own fancy in the wind. Much amazed at such active benevolence, he huddled himself in his cloak, muffled his throat and ears in comforters and handkerchiefs, and, thus fortified, bade defiance to the tempest. But the powers of the air had rather the best of the battle. Mr. Brown was just weathering the corner by Peter Goldthwaite's house when the hurricane caught him off his feet, tossed him face downward into a snow-bank and proceeded to bury his protuberant part beneath fresh drifts. There seemed little hope of his reappearance earlier than the next thaw. At the same moment his hat was snatched away and whirled aloft into some far-distant region whence no tidings have as yet returned.

Nevertheless Mr. Brown contrived to burrow a passage through the snow-drift, and with his bare head bent against the storm floundered onward to Peter's door. There was such a creaking and groaning and rattling, and such an ominous shaking, throughout the crazy edifice that the loudest rap would have been inaudible to those within. He therefore entered without ceremony, and groped his way to the kitchen. His intrusion even there was unnoticed. Peter and Tabitha stood with their backs to the door, stooping over a large chest which apparently they had just dragged from a cavity or concealed closet on the left side of the chimney. By the lamp in the old woman's hand Mr. Brown saw that the chest was barred and clamped with iron, strengthened with iron plates and studded with iron nails, so as to be a fit receptacle in which the wealth of one century might be hoarded up for the wants of another.

Peter Goldthwaite was inserting a key into the lock.

"Oh, Tabitha," cried he, with tremulous rapture, "how shall I endure the effulgence? The gold!—the bright, bright gold! Methinks I can remember my last glance at it just as the iron-plated lid fell down. And ever since, being seventy years, it has been blazing in secret and gathering its splendor against this glorious moment. It will flash upon us like the noonday sun."

"Then shade your eyes, Mr. Peter!" said Tabitha, with somewhat less patience than usual. "But, for mercy's sake, do turn the key!"

And with a strong effort of both hands Peter did force the rusty key through the intricacies of the rusty lock. Mr. Brown, in the mean time, had drawn near and thrust his eager visage between those of the other two at the instant that Peter threw up the lid. No sudden blaze illuminated the kitchen.

"What's here?" exclaimed Tabitha, adjusting her spectacles and holding the lamp over the open chest. "Old Peter Goldthwaite's hoard of old rags!"

"Pretty much so, Tabby," said Mr. Brown, lifting a handful of the treasure.

Oh what a ghost of dead and buried wealth had Peter Goldthwaite raised to scare himself out of his scanty wits withal! Here was the semblance of an incalculable sum, enough to purchase the whole town and build every street anew, but which, vast as it was, no sane man would have given a solid sixpence for. What, then, in sober earnest, were the delusive treasures of the chest? Why, here were old provincial bills of credit and treasury notes and bills of land-banks, and all other bubbles of the sort, from the first issue—above a century and a half ago—down nearly to the Revolution. Bills of a thousand pounds were intermixed with parchment pennies, and worth no more than they.

"And this, then, is old Peter Goldthwaite's treasure!" said John Brown. "Your namesake, Peter, was something like yourself; and when the provincial currency had depreciated fifty or seventy-five per cent, he bought it up in expectation of a rise. I have heard my grandfather say that old Peter gave his father a mortgage of this very house and land to raise cash for his silly project. But the currency kept sinking till nobody would take it as a gift, and there was old Peter Goldthwaite, like Peter the second, with thousands in his strong-box and hardly a coat to his back. He went mad upon the strength of it. But never mind, Peter; it is just the sort of capital for building castles in the air."

"The house will be down about our ears," cried Tabitha as the wind shook it with increasing violence.

"Let it fall," said Peter, folding his arms, as he seated himself upon the chest.

"No, no, my old friend Peter!" said John Brown. "I have house-room for you and Tabby, and a safe vault for the chest of treasure. To-morrow we will try to come to an agreement about the sale of this old house; real estate is well up, and I could afford you a pretty handsome price."

"And I," observed Peter Goldthwaite, with reviving spirits, "have a plan for laying out the cash to great advantage."

"Why, as to that," muttered John Brown to himself, "we must apply to the next court for a guardian to take care of the solid cash; and if Peter insists upon speculating, he may do it to his heart's content with old Peter Goldthwaite's treasure."



CHIPPINGS WITH A CHISEL.

Passing a summer several years since at Edgartown, on the island of Martha's Vineyard, I became acquainted with a certain carver of tombstones who had travelled and voyaged thither from the interior of Massachusetts in search of professional employment. The speculation had turned out so successful that my friend expected to transmute slate and marble into silver and gold to the amount of at least a thousand dollars during the few months of his sojourn at Nantucket and the Vineyard. The secluded life and the simple and primitive spirit which still characterizes the inhabitants of those islands, especially of Martha's Vineyard, insure their dead friends a longer and dearer remembrance than the daily novelty and revolving bustle of the world can elsewhere afford to beings of the past. Yet, while every family is anxious to erect a memorial to its departed members, the untainted breath of Ocean bestows such health and length of days upon the people of the isles as would cause a melancholy dearth of business to a resident artist in that line. His own monument, recording his decease by starvation, would probably be an early specimen of his skill. Gravestones, therefore, have generally been an article of imported merchandise.

In my walks through the burial-ground of Edgartown—where the dead have lain so long that the soil, once enriched by their decay, has returned to its original barrenness—in that ancient burial-ground I noticed much variety of monumental sculpture. The elder stones, dated a century back or more, have borders elaborately carved with flowers and are adorned with a multiplicity of death's-heads, crossbones, scythes, hour-glasses, and other lugubrious emblems of mortality, with here and there a winged cherub to direct the mourner's spirit upward. These productions of Gothic taste must have been quite beyond the colonial skill of the day, and were probably carved in London and brought across the ocean to commemorate the defunct worthies of this lonely isle. The more recent monuments are mere slabs of slate in the ordinary style, without any superfluous flourishes to set off the bald inscriptions. But others—and those far the most impressive both to my taste and feelings—were roughly hewn from the gray rocks of the island, evidently by the unskilled hands of surviving friends and relatives. On some there were merely the initials of a name; some were inscribed with misspelt prose or rhyme, in deep letters which the moss and wintry rain of many years had not been able to obliterate. These, these were graves where loved ones slept. It is an old theme of satire, the falsehood and vanity of monumental eulogies; but when affection and sorrow grave the letters with their own painful labor, then we may be sure that they copy from the record on their hearts.

My acquaintance the sculptor—he may share that title with Greenough, since the dauber of signs is a painter as well as Raphael—had found a ready market for all his blank slabs of marble and full occupation in lettering and ornamenting them. He was an elderly man, a descendant of the old Puritan family of Wigglesworth, with a certain simplicity and singleness both of heart and mind which, methinks, is more rarely found among us Yankees than in any other community of people. In spite of his gray head and wrinkled brow, he was quite like a child in all matters save what had some reference to his own business; he seemed, unless my fancy misled me, to view mankind in no other relation than as people in want of tombstones, and his literary attainments evidently comprehended very little either of prose of poetry which had not at one time or other been inscribed on slate or marble. His sole task and office among the immortal pilgrims of the tomb—the duty for which Providence had sent the old man into the world, as it were with a chisel in his hand—was to label the dead bodies, lest their names should be forgotten at the resurrection. Yet he had not failed, within a narrow scope, to gather a few sprigs of earthly, and more than earthly, wisdom—the harvest of many a grave. And, lugubrious as his calling might appear, he was as cheerful an old soul as health and integrity and lack of care could make him, and used to set to work upon one sorrowful inscription or another with that sort of spirit which impels a man to sing at his labor. On the whole, I found Mr. Wigglesworth an entertaining, and often instructive, if not an interesting, character; and, partly for the charm of his society, and still more because his work has an invariable attraction for "man that is born of woman," I was accustomed to spend some hours a day at his workshop. The quaintness of his remarks and their not infrequent truth—a truth condensed and pointed by the limited sphere of his view—gave a raciness to his talk which mere worldliness and general cultivation would at once have destroyed.

Sometimes we would discuss the respective merits of the various qualities of marble, numerous slabs of which were resting against the walls of the shop, or sometimes an hour or two would pass quietly without a word on either side while I watched how neatly his chisel struck out letter after letter of the names of the Nortons, the Mayhews, the Luces, the Daggets, and other immemorial families of the Vineyard. Often with an artist's pride the good old sculptor would speak of favorite productions of his skill which were scattered throughout the village graveyards of New England. But my chief and most instructive amusement was to witness his interviews with his customers, who held interminable consultations about the form and fashion of the desired monuments, the buried excellence to be commemorated, the anguish to be expressed, and finally the lowest price in dollars and cents for which a marble transcript of their feelings might be obtained. Really, my mind received many fresh ideas which perhaps may remain in it even longer than Mr. Wigglesworth's hardest marble will retain the deepest strokes of his chisel.

An elderly lady came to bespeak a monument for her first love, who had been killed by a whale in the Pacific Ocean no less than forty years before. It was singular that so strong an impression of early feeling should have survived through the changes of her subsequent life, in the course of which she had been a wife and a mother, and, so far as I could judge, a comfortable and happy woman. Reflecting within myself, it appeared to me that this lifelong sorrow—as, in all good faith, she deemed it—was one of the most fortunate circumstances of her history. It had given an ideality to her mind; it had kept her purer and less earthy than she would otherwise have been by drawing a portion of her sympathies apart from earth. Amid the throng of enjoyments and the pressure of worldly care and all the warm materialism of this life she had communed with a vision, and had been the better for such intercourse. Faithful to the husband of her maturity, and loving him with a far more real affection than she ever could have felt for this dream of her girlhood, there had still been an imaginative faith to the ocean-buried; so that an ordinary character had thus been elevated and refined. Her sighs had been the breath of Heaven to her soul. The good lady earnestly desired that the proposed monument should be ornamented with a carved border of marine plants interwined with twisted sea-shells, such as were probably waving over her lover's skeleton or strewn around it in the far depths of the Pacific. But, Mr. Wigglesworth's chisel being inadequate to the task, she was forced to content herself with a rose hanging its head from a broken stem.

After her departure I remarked that the symbol was none of the most apt.

"And yet," said my friend the sculptor, embodying in this image the thoughts that had been passing through my own mind, "that broken rose has shed its sweet smell through forty years of the good woman's life."

It was seldom that I could find such pleasant food for contemplation as in the above instance. None of the applicants, I think, affected me more disagreeably than an old man who came, with his fourth wife hanging on his arm, to bespeak gravestones for the three former occupants of his marriage-bed. I watched with some anxiety to see whether his remembrance of either were more affectionate than of the other two, but could discover no symptom of the kind. The three monuments were all to be of the same material and form, and each decorated in bas-relief with two weeping willows, one of these sympathetic trees bending over its fellow, which was to be broken in the midst and rest upon a sepulchral urn. This, indeed, was Mr. Wigglesworth's standing emblem of conjugal bereavement. I shuddered at the gray polygamist who had so utterly lost the holy sense of individuality in wedlock that methought he was fain to reckon upon his fingers how many women who had once slept by his side were now sleeping in their graves. There was even—if I wrong him, it is no great matter—a glance sidelong at his living spouse, as if he were inclined to drive a thriftier bargain by bespeaking four gravestones in a lot.

I was better pleased with a rough old whaling-captain who gave directions for a broad marble slab divided into two compartments, one of which was to contain an epitaph on his deceased wife and the other to be left vacant till death should engrave his own name there. As is frequently the case among the whalers of Martha's Vineyard, so much of this storm-beaten widower's life had been tossed away on distant seas that out of twenty years of matrimony he had spent scarce three, and those at scattered intervals, beneath his own roof. Thus the wife of his youth, though she died in his and her declining age, retained the bridal dewdrops fresh around her memory.

My observations gave me the idea, and Mr. Wigglesworth confirmed it, that husbands were more faithful in setting up memorials to their dead wives than widows to their dead husbands. I was not ill-natured enough to fancy that women less than men feel so sure of their own constancy as to be willing to give a pledge of it in marble. It is more probably the fact that, while men are able to reflect upon their lost companions as remembrances apart from themselves, women, on the other hand, are conscious that a portion of their being has gone with the departed whithersoever he has gone. Soul clings to soul, the living dust has a sympathy with the dust of the grave; and by the very strength of that sympathy the wife of the dead shrinks the more sensitively from reminding the world of its existence. The link is already strong enough; it needs no visible symbol. And, though a shadow walks ever by her side and the touch of a chill hand is on her bosom, yet life, and perchance its natural yearnings, may still be warm within her and inspire her with new hopes of happiness. Then would she mark out the grave the scent of which would be perceptible on the pillow of the second bridal? No, but rather level its green mound with the surrounding earth, as if, when she dug up again her buried heart, the spot had ceased to be a grave.

Yet, in spite of these sentimentalities, I was prodigiously amused by an incident of which I had not the good-fortune to be a witness, but which Mr. Wigglesworth related with considerable humor. A gentlewoman of the town, receiving news of her husband's loss at sea, had bespoken a handsome slab of marble, and came daily to watch the progress of my friend's chisel. One afternoon, when the good lady and the sculptor were in the very midst of the epitaph—which the departed spirit might have been greatly comforted to read—who should walk into the workshop but the deceased himself, in substance as well as spirit! He had been picked up at sea, and stood in no present need of tombstone or epitaph.

"And how," inquired I, "did his wife bear the shock of joyful surprise?"

"Why," said the old man, deepening the grin of a death's-head on which his chisel was just then employed, "I really felt for the poor woman; it was one of my best pieces of marble—and to be thrown away on a living man!"

A comely woman with a pretty rosebud of a daughter came to select a gravestone for a twin-daughter, who had died a month before. I was impressed with the different nature of their feelings for the dead. The mother was calm and woefully resigned, fully conscious of her loss, as of a treasure which she had not always possessed, and therefore had been aware that it might be taken from her; but the daughter evidently had no real knowledge of what Death's doings were. Her thoughts knew, but not her heart. It seemed to me that by the print and pressure which the dead sister had left upon the survivor's spirit her feelings were almost the same as if she still stood side by side and arm in arm with the departed, looking at the slabs of marble, and once or twice she glanced around with a sunny smile, which, as its sister-smile had faded for ever, soon grew confusedly overshadowed. Perchance her consciousness was truer than her reflection; perchance her dead sister was a closer companion than in life.

The mother and daughter talked a long while with Mr. Wigglesworth about a suitable epitaph, and finally chose an ordinary verse of ill-matched rhymes which had already been inscribed upon innumerable tombstones. But when we ridicule the triteness of monumental verses, we forget that Sorrow reads far deeper in them than we can, and finds a profound and individual purport in what seems so vague and inexpressive unless interpreted by her. She makes the epitaph anew, though the selfsame words may have served for a thousand graves.

"And yet," said I afterward to Mr. Wigglesworth, "they might have made a better choice than this. While you were discussing the subject I was struck by at least a dozen simple and natural expressions from the lips of both mother and daughter. One of these would have formed an inscription equally original and appropriate."

"No, no!" replied the sculptor, shaking his head; "there is a good deal of comfort to be gathered from these little old scraps of poetry, and so I always recommend them in preference to any new-fangled ones. And somehow they seem to stretch to suit a great grief and shrink to fit a small one."

It was not seldom that ludicrous images were excited by what took place between Mr. Wigglesworth and his customers. A shrewd gentlewoman who kept a tavern in the town was anxious to obtain two or three gravestones for the deceased members of her family, and to pay for these solemn commodities by taking the sculptor to board. Hereupon a fantasy arose in my mind of good Mr. Wigglesworth sitting down to dinner at a broad, flat tombstone carving one of his own plump little marble cherubs, gnawing a pair of crossbones and drinking out of a hollow death's-head or perhaps a lachrymatory vase or sepulchral urn, while his hostess's dead children waited on him at the ghastly banquet. On communicating this nonsensical picture to the old man he laughed heartily and pronounced my humor to be of the right sort.

"I have lived at such a table all my days," said he, "and eaten no small quantity of slate and marble."

"Hard fare," rejoined I, smiling, "but you seemed to have found it excellent of digestion, too."

A man of fifty or thereabouts with a harsh, unpleasant countenance ordered a stone for the grave of his bitter enemy, with whom he had waged warfare half a lifetime, to their mutual misery and ruin. The secret of this phenomenon was that hatred had become the sustenance and enjoyment of the poor wretch's soul; it had supplied the place of all kindly affections; it had been really a bond of sympathy between himself and the man who shared the passion; and when its object died, the unappeasable foe was the only mourner for the dead. He expressed a purpose of being buried side by side with his enemy.

"I doubt whether their dust will mingle," remarked the old sculptor to me; for often there was an earthliness in his conceptions.

"Oh yes," replied I, who had mused long upon the incident; "and when they rise again, these bitter foes may find themselves dear friends. Methinks what they mistook for hatred was but love under a mask."

A gentleman of antiquarian propensities provided a memorial for an Indian of Chabbiquidick—one of the few of untainted blood remaining in that region, and said to be a hereditary chieftain descended from the sachem who welcomed Governor Mayhew to the Vineyard. Mr. Wiggles-worth exerted his best skill to carve a broken bow and scattered sheaf of arrows in memory of the hunters and warriors whose race was ended here, but he likewise sculptured a cherub, to denote that the poor Indian had shared the Christian's hope of immortality.

"Why," observed I, taking a perverse view of the winged boy and the bow and arrows, "it looks more like Cupid's tomb than an Indian chief's."

"You talk nonsense," said the sculptor, with the offended pride of art. He then added with his usual good-nature, "How can Cupid die when there are such pretty maidens in the Vineyard?"

"Very true," answered I; and for the rest of the day I thought of other matters than tombstones.

At our next meeting I found him chiselling an open book upon a marble headstone, and concluded that it was meant to express the erudition of some black-letter clergyman of the Cotton Mather school. It turned out, however, to be emblematical of the scriptural knowledge of an old woman who had never read anything but her Bible, and the monument was a tribute to her piety and good works from the orthodox church of which she had been a member. In strange contrast with this Christian woman's memorial was that of an infidel whose gravestone, by his own direction, bore an avowal of his belief that the spirit within him would be extinguished like a flame, and that the nothingness whence he sprang would receive him again.

Mr. Wigglesworth consulted me as to the propriety of enabling a dead man's dust to utter this dreadful creed.

"If I thought," said he, "that a single mortal would read the inscription without a shudder, my chisel should never cut a letter of it. But when the grave speaks such falsehoods, the soul of man will know the truth by its own horror."

"So it will," said I, struck by the idea. "The poor infidel may strive to preach blasphemies from his grave, but it will be only another method of impressing the soul with a consciousness of immortality."

There was an old man by the name of Norton, noted throughout the island for his great wealth, which he had accumulated by the exercise of strong and shrewd faculties combined with a most penurious disposition. This wretched miser, conscious that he had not a friend to be mindful of him in his grave, had himself taken the needful precautions for posthumous remembrance by bespeaking an immense slab of white marble with a long epitaph in raised letters, the whole to be as magnificent as Mr. Wigglesworth's skill could make it. There was something very characteristic in this contrivance to have his money's worth even from his own tombstone, which, indeed, afforded him more enjoyment in the few months that he lived thereafter than it probably will in a whole century, now that it is laid over his bones.

This incident reminds me of a young girl—a pale, slender, feeble creature most unlike the other rosy and healthful damsels of the Vineyard, amid whose brightness she was fading away. Day after day did the poor maiden come to the sculptor's shop and pass from one piece of marble to another, till at last she pencilled her name upon a slender slab which, I think, was of a more spotless white than all the rest. I saw her no more, but soon afterward found Mr. Wigglesworth cutting her virgin-name into the stone which she had chosen.

"She is dead, poor girl!" said he, interrupting the tune which he was whistling, "and she chose a good piece of stuff for her headstone. Now, which of these slabs would you like best to see your own name upon?"

"Why, to tell you the truth, my good Mr. Wigglesworth," replied I, after a moment's pause, for the abruptness of the question had somewhat startled me—"to be quite sincere with you, I care little or nothing about a stone for my own grave, and am somewhat inclined to scepticism as to the propriety of erecting monuments at all over the dust that once was human. The weight of these heavy marbles, though unfelt by the dead corpse or the enfranchised soul, presses drearily upon the spirit of the survivor and causes him to connect the idea of death with the dungeon-like imprisonment of the tomb, instead of with the freedom of the skies. Every gravestone that you ever made is the visible symbol of a mistaken system. Our thoughts should soar upward with the butterfly, not linger with the exuviae that confined him. In truth and reason, neither those whom we call the living, and still less the departed, have anything to do with the grave."

"I never heard anything so heathenish," said Mr. Wigglesworth, perplexed and displeased at sentiments which controverted all his notions and feelings and implied the utter waste, and worse, of his whole life's labor. "Would you forget your dead friends the moment they are under the sod?"

"They are not under the sod," I rejoined; "then why should I mark the spot where there is no treasure hidden? Forget them? No; but, to remember them aright, I would forget what they have cast off. And to gain the truer conception of death I would forget the grave."

But still the good old sculptor murmured, and stumbled, as it were, over the gravestones amid which he had walked through life. Whether he were right or wrong, I had grown the wiser from our companionship and from my observations of nature and character as displayed by those who came, with their old griefs or their new ones, to get them recorded upon his slabs of marble. And yet with my gain of wisdom I had likewise gained perplexity; for there was a strange doubt in my mind whether the dark shadowing of this life, the sorrows and regrets, have not as much real comfort in them—leaving religious influences out of the question—as what we term life's joys.



THE SHAKER BRIDAL.

One day, in the sick-chamber of Father Ephraim, who had been forty years the presiding elder over the Shaker settlement at Goshen, there was an assemblage of several of the chief men of the sect. Individuals had come from the rich establishment at Lebanon, from Canterbury, Harvard and Alfred, and from all the other localities where this strange people have fertilized the rugged hills of New England by their systematic industry. An elder was likewise there who had made a pilgrimage of a thousand miles from a village of the faithful in Kentucky to visit his spiritual kindred the children of the sainted Mother Ann. He had partaken of the homely abundance of their tables, had quaffed the far-famed Shaker cider, and had joined in the sacred dance every step of which is believed to alienate the enthusiast from earth and bear him onward to heavenly purity and bliss. His brethren of the North had now courteously invited him to be present on an occasion when the concurrence of every eminent member of their community was peculiarly desirable.

The venerable Father Ephraim sat in his easy-chair, not only hoary-headed and infirm with age, but worn down by a lingering disease which it was evident would very soon transfer his patriarchal staff to other hands. At his footstool stood a man and woman, both clad in the Shaker garb.

"My brethren," said Father Ephraim to the surrounding elders, feebly exerting himself to utter these few words, "here are the son and daughter to whom I would commit the trust of which Providence is about to lighten my weary shoulders. Read their faces, I pray you, and say whether the inward movement of the spirit hath guided my choice aright."

Accordingly, each elder looked at the two candidates with a most scrutinizing gaze. The man—whose name was Adam Colburn—had a face sunburnt with labor in the fields, yet intelligent, thoughtful and traced with cares enough for a whole lifetime, though he had barely reached middle age. There was something severe in his aspect and a rigidity throughout his person—characteristics that caused him generally to be taken for a schoolmaster; which vocation, in fact, he had formerly exercised for several years. The woman, Martha Pierson, was somewhat above thirty, thin and pale, as a Shaker sister almost invariably is, and not entirely free from that corpse-like appearance which the garb of the sisterhood is so well calculated to impart.

"This pair are still in the summer of their years," observed the elder from Harvard, a shrewd old man. "I would like better to see the hoar-frost of autumn on their heads. Methinks, also, they will be exposed to peculiar temptations on account of the carnal desires which have heretofore subsisted between them."

"Nay, brother," said the elder from Canterbury; "the hoar-frost and the black frost hath done its work on Brother Adam and Sister Martha, even as we sometimes discern its traces in our cornfields while they are yet green. And why should we question the wisdom of our venerable Father's purpose, although this pair in their early youth have loved one another as the world's people love? Are there not many brethren and sisters among us who have lived long together in wedlock, yet, adopting our faith, find their hearts purified from all but spiritual affection?"

Whether or no the early loves of Adam and Martha had rendered it inexpedient that they should now preside together over a Shaker village, it was certainly most singular that such should be the final result of many warm and tender hopes. Children of neighboring families, their affection was older even than their school-days; it seemed an innate principle interfused among all their sentiments and feelings, and not so much a distinct remembrance as connected with their whole volume of remembrances. But just as they reached a proper age for their union misfortunes had fallen heavily on both and made it necessary that they should resort to personal labor for a bare subsistence. Even under these circumstances Martha Pierson would probably have consented to unite her fate with Adam Colburn's, and, secure of the bliss of mutual love, would patiently have awaited the less important gifts of Fortune. But Adam, being of a calm and cautious character, was loth to relinquish the advantages which a single man possesses for raising himself in the world. Year after year, therefore, their marriage had been deferred.

Adam Colburn had followed many vocations, had travelled far and seen much of the world and of life. Martha had earned her bread sometimes as a sempstress, sometimes as help to a farmer's wife, sometimes as schoolmistress of the village children, sometimes as a nurse or watcher of the sick, thus acquiring a varied experience the ultimate use of which she little anticipated. But nothing had gone prosperously with either of the lovers; at no subsequent moment would matrimony have been so prudent a measure as when they had first parted, in the opening bloom of life, to seek a better fortune. Still, they had held fast their mutual faith. Martha might have been the wife of a man who sat among the senators of his native State, and Adam could have won the hand, as he had unintentionally won the heart, of a rich and comely widow. But neither of them desired good-fortune save to share it with the other.

At length that calm despair which occurs only in a strong and somewhat stubborn character and yields to no second spring of hope settled down on the spirit of Adam Colburn. He sought an interview with Martha and proposed that they should join the Society of Shakers. The converts of this sect are oftener driven within its hospitable gates by worldly misfortune than drawn thither by fanaticism, and are received without inquisition as to their motives. Martha, faithful still, had placed her hand in that of her lover and accompanied him to the Shaker village. Here the natural capacity of each, cultivated and strengthened by the difficulties of their previous lives, had soon gained them an important rank in the society, whose members are generally below the ordinary standard of intelligence. Their faith and feelings had in some degree become assimilated to those of their fellow-worshippers. Adam Colburn gradually acquired reputation not only in the management of the temporal affairs of the society, but as a clear and efficient preacher of their doctrines. Martha was not less distinguished in the duties proper to her sex. Finally, when the infirmities of Father Ephraim had admonished him to seek a successor in his patriarchal office, he thought of Adam and Martha, and proposed to renew in their persons the primitive form of Shaker government as established by Mother Ann. They were to be the father and mother of the village. The simple ceremony which would constitute them such was now to be performed.

"Son Adam and daughter Martha," said the venerable Father Ephraim, fixing his aged eyes piercingly upon them, "if ye can conscientiously undertake this charge, speak, that the brethren may not doubt of your fitness."

"Father," replied Adam, speaking with the calmness of his character, "I came to your village a disappointed man, weary of the world, worn out with continual trouble, seeking only a security against evil fortune, as I had no hope of good. Even my wishes of worldly success were almost dead within me. I came hither as a man might come to a tomb willing to lie down in its gloom and coldness for the sake of its peace and quiet. There was but one earthly affection in my breast, and it had grown calmer since my youth; so that I was satisfied to bring Martha to be my sister in our new abode. We are brother and sister, nor would I have it otherwise. And in this peaceful village I have found all that I hope for—all that I desire. I will strive with my best strength for the spiritual and temporal good of our community. My conscience is not doubtful in this matter. I am ready to receive the trust."