It was at this moment that Trent appeared at the doorway and edged his way into the great room. But he did not look at Martin. He was observing the well-balanced figure that came quickly toward him along an opening path in the crowd, and his eye was gloomy. He started, as he stood aside from the door with a slight bow, to hear Mrs Manderson address him by name in a low voice. He followed her a pace or two into the hall.

'I wanted to ask you,' she said in a voice now weak and oddly broken, 'if you would give me your arm a part of the way to the house. I could not see my uncle near the door, and I suddenly felt rather faint.... I shall be better in the air.... No, no; I cannot stay here—please, Mr Trent!' she said, as he began to make an obvious suggestion. 'I must go to the house.' Her hand tightened momentarily on his arm as if, for all her weakness, she could drag him from the place; then again she leaned heavily upon it, and with that support, and with bent head, she walked slowly from the hotel and along the oak-shaded path toward White Gables.

Trent went in silence, his thoughts whirling, dancing insanely to a chorus of 'Fool! fool!' All that he alone knew, all that he guessed and suspected of this affair, rushed through his brain in a rout; but the touch of her unnerved hand upon his arm never for an instant left his consciousness, filling him with an exaltation that enraged and bewildered him. He was still cursing himself furiously behind the mask of conventional solicitude that he turned to the lady when he had attended her to the house and seen her sink upon a couch in the morning-room. Raising her veil, she thanked him gravely and frankly, with a look of sincere gratitude in her eyes. She was much better now, she said, and a cup of tea would work a miracle upon her. She hoped she had not taken him away from anything important. She was ashamed of herself; she thought she could go through with it, but she had not expected those last questions. 'I am glad you did not hear me,' she said when he explained. 'But of course you will read it all in the reports. It shook me so to have to speak of that,' she added simply; 'and to keep from making an exhibition of myself took it out of me. And all those staring men by the door! Thank you again for helping me when I asked you.... I thought I might,' she ended queerly, with a little tired smile; and Trent took himself away, his hand still quivering from the cool touch of her fingers.

The testimony of the servants and of the finder of the body brought nothing new to the reporters' net. That of the police was as colourless and cryptic as is usual at the inquest stage of affairs of the kind. Greatly to the satisfaction of Mr Bunner, his evidence afforded the sensation of the day, and threw far into the background the interesting revelation of domestic difficulty made by the dead man's wife. He told the court in substance what he had already told Trent. The flying pencils did not miss a word of the young American's story, and it appeared with scarcely the omission of a sentence in every journal of importance in Great Britain and the United States.

Public opinion next day took no note of the faint suggestion of the possibility of suicide which the coroner, in his final address to the jury, had thought it right to make in connection with the lady's evidence. The weight of evidence, as the official had indeed pointed out, was against such a theory. He had referred with emphasis to the fact that no weapon had been found near the body.

'This question, of course, is all-important, gentlemen,' he had said to the jury. 'It is, in fact, the main issue before you. You have seen the body for yourselves. You have just heard the medical evidence; but I think it would be well for me to read you my notes of it in so far as they bear on this point, in order to refresh your memories. Dr Stock told you—I am going to omit all technical medical language and repeat to you merely the plain English of his testimony—that in his opinion death had taken place six or eight hours previous to the finding of the body. He said that the cause of death was a bullet wound, the bullet having entered the left eye, which was destroyed, and made its way to the base of the brain, which was quite shattered. The external appearance of the wound, he said, did not support the hypothesis of its being self-inflicted, inasmuch as there were no signs of the firearm having been pressed against the eye, or even put very close to it; at the same time it was not physically impossible that the weapon should have been discharged by the deceased with his own hand, at some small distance from the eye. Dr Stock also told us that it was impossible to say with certainty, from the state of the body, whether any struggle had taken place at the time of death; that when seen by him, at which time he understood that it had not been moved since it was found, the body was lying in a collapsed position such as might very well result from the shot alone; but that the scratches and bruises upon the wrists and the lower part of the arms had been very recently inflicted, and were, in his opinion, marks of violence.

'In connection with this same point, the remarkable evidence given by Mr Bunner cannot be regarded, I think, as without significance. It may have come as a surprise to some of you to hear that risks of the character described by this witness are, in his own country, commonly run by persons in the position of the deceased. On the other hand, it may have been within the knowledge of some of you that in the industrial world of America the discontent of labour often proceeds to lengths of which we in England happily know nothing. I have interrogated the witness somewhat fully upon this. At the same time, gentlemen, I am by no means suggesting that Mr Bunner's personal conjecture as to the cause of death can fitly be adopted by you. That is emphatically not the case. What his evidence does is to raise two questions for your consideration. First, can it be said that the deceased was to any extent in the position of a threatened man—of a man more exposed to the danger of murderous attack than an ordinary person? Second, does the recent alteration in his demeanour, as described by this witness, justify the belief that his last days were overshadowed by a great anxiety? These points may legitimately be considered by you in arriving at a conclusion upon the rest of the evidence.'

Thereupon the coroner, having indicated thus clearly his opinion that Mr Bunner had hit the right nail on the head, desired the jury to consider their verdict.



CHAPTER IX: A Hot Scent

'Come in!' called Trent.

Mr Cupples entered his sitting-room at the hotel. It was the early evening of the day on which the coroner's jury, without leaving the box, had pronounced the expected denunciation of a person or persons unknown. Trent, with a hasty glance upward, continued his intent study of what lay in a photographic dish of enamelled metal, which he moved slowly about in the light of the window. He looked very pale, and his movements were nervous.

'Sit on the sofa,' he advised. 'The chairs are a job lot bought at the sale after the suppression of the Holy Inquisition in Spain. This is a pretty good negative,' he went on, holding it up to the light with his head at the angle of discriminating judgement. 'Washed enough now, I think. Let us leave it to dry, and get rid of all this mess.'

Mr Cupples, as the other busily cleared the table of a confusion of basins, dishes, racks, boxes, and bottles, picked up first one and then another of the objects and studied them with innocent curiosity.

'That is called hypo-eliminator,' said Trent, as Mr Cupples uncorked and smelt at one of the bottles. 'Very useful when you're in a hurry with a negative. I shouldn't drink it, though, all the same. It eliminates sodium hypophosphite, but I shouldn't wonder if it would eliminate human beings too.' He found a place for the last of the litter on the crowded mantel-shelf, and came to sit before Mr Cupples on the table. 'The great thing about a hotel sitting-room is that its beauty does not distract the mind from work. It is no place for the mayfly pleasures of a mind at ease. Have you ever been in this room before, Cupples? I have, hundreds of times. It has pursued me all over England for years. I should feel lost without it if, in some fantastic, far-off hotel, they were to give me some other sitting-room. Look at this table-cover; there is the ink I spilt on it when I had this room in Halifax. I burnt that hole in the carpet when I had it in Ipswich. But I see they have mended the glass over the picture of "Silent Sympathy", which I threw a boot at in Banbury. I do all my best work here. This afternoon, for instance, since the inquest, I have finished several excellent negatives. There is a very good dark room downstairs.'

'The inquest—that reminds me,' said Mr Cupples, who knew that this sort of talk in Trent meant the excitement of action, and was wondering what he could be about. 'I came in to thank you, my dear fellow, for looking after Mabel this morning. I had no idea she was going to feel ill after leaving the box; she seemed quite unmoved, and, really, she is a woman of such extraordinary self-command, I thought I could leave her to her own devices and hear out the evidence, which I thought it important I should do. It was a very fortunate thing she found a friend to assist her, and she is most grateful. She is quite herself again now.'

Trent, with his hands in his pockets and a slight frown on his brow, made no reply to this. 'I tell you what,' he said after a short pause, 'I was just getting to the really interesting part of the job when you came in. Come; would you like to see a little bit of high-class police work? It's the very same kind of work that old Murch ought to be doing at this moment. Perhaps he is; but I hope to glory he isn't.' He sprang off the table and disappeared into his bedroom. Presently he came out with a large drawing-board on which a number of heterogeneous objects was ranged.

'First I must introduce you to these little things,' he said, setting them out on the table. 'Here is a big ivory paper-knife; here are two leaves cut out of a diary—my own diary; here is a bottle containing dentifrice; here is a little case of polished walnut. Some of these things have to be put back where they belong in somebody's bedroom at White Gables before night. That's the sort of man I am—nothing stops me. I borrowed them this very morning when every one was down at the inquest, and I dare say some people would think it rather an odd proceeding if they knew. Now there remains one object on the board. Can you tell me, without touching it, what it is?'

'Certainly I can,' said Mr Cupples, peering at it with great interest. 'It is an ordinary glass bowl. It looks like a finger-bowl. I see nothing odd about it,' he added after some moments of close scrutiny.

'I can't see much myself,' replied Trent, 'and that is exactly where the fun comes in. Now take this little fat bottle, Cupples, and pull out the cork. Do you recognize that powder inside it? You have swallowed pounds of it in your time, I expect. They give it to babies. Grey powder is its ordinary name—mercury and chalk. It is great stuff. Now, while I hold the basin sideways over this sheet of paper, I want you to pour a little powder out of the bottle over this part of the bowl—just here.... Perfect! Sir Edward Henry himself could not have handled the powder better. You have done this before, Cupples, I can see. You are an old hand.'

'I really am not,' said Mr Cupples seriously, as Trent returned the fallen powder to the bottle. 'I assure you it is all a complete mystery to me. What did I do then?'

'I brush the powdered part of the bowl lightly with this camel-hair brush. Now look at it again. You saw nothing odd about it before. Do you see anything now?'

Mr Cupples peered again. 'How curious!' he said. 'Yes, there are two large grey finger-marks on the bowl. They were not there before.'

'I am Hawkshaw the detective,' observed Trent. 'Would it interest you to hear a short lecture on the subject of glass finger-bowls? When you take one up with your hand you leave traces upon it, usually practically invisible, which may remain for days or months. You leave the marks of your fingers. The human hand, even when quite clean, is never quite dry, and sometimes—in moments of great anxiety, for instance, Cupples—it is very moist. It leaves a mark on any cold smooth surface it may touch. That bowl was moved by somebody with a rather moist hand quite lately.' He sprinkled the powder again. 'Here on the other side, you see, is the thumb-mark very good impressions all of them.' He spoke without raising his voice, but Mr Cupples could perceive that he was ablaze with excitement as he stared at the faint grey marks. 'This one should be the index finger. I need not tell a man of your knowledge of the world that the pattern of it is a single-spiral whorl, with deltas symmetrically disposed. This, the print of the second finger, is a simple loop, with a staple core and fifteen counts. I know there are fifteen, because I have just the same two prints on this negative, which I have examined in detail. Look!'—he held one of the negatives up to the light of the declining sun and demonstrated with a pencil point. 'You can see they're the same. You see the bifurcation of that ridge. There it is in the other. You see that little scar near the centre. There it is in the other. There are a score of ridge-characteristics on which an expert would swear in the witness-box that the marks on that bowl and the marks I have photographed on this negative were made by the same hand.'

'And where did you photograph them? What does it all mean?' asked Mr Cupples, wide-eyed.

'I found them on the inside of the left-hand leaf of the front window in Mrs Manderson's bedroom. As I could not bring the window with me, I photographed them, sticking a bit of black paper on the other side of the glass for the purpose. The bowl comes from Manderson's room. It is the bowl in which his false teeth were placed at night. I could bring that away, so I did.'

'But those cannot be Mabel's finger-marks.'

'I should think not!' said Trent with decision. 'They are twice the size of any print Mrs Manderson could make.'

'Then they must be her husband's.'

'Perhaps they are. Now shall we see if we can match them once more? I believe we can.' Whistling faintly, and very white in the face, Trent opened another small squat bottle containing a dense black powder. 'Lamp-black,' he explained. 'Hold a bit of paper in your hand for a second or two, and this little chap will show you the pattern of your fingers.' He carefully took up with a pair of tweezers one of the leaves cut from his diary, and held it out for the other to examine. No marks appeared on the leaf. He tilted some of the powder out upon one surface of the paper, then, turning it over, upon the other; then shook the leaf gently to rid it of the loose powder. He held it out to Mr Cupples in silence. On one side of the paper appeared unmistakably, clearly printed in black, the same two finger-prints that he had already seen on the bowl and on the photographic plate. He took up the bowl and compared them. Trent turned the paper over, and on the other side was a bold black replica of the thumb-mark that was printed in grey on the glass in his hand.

'Same man, you see,' Trent said with a short laugh. 'I felt that it must be so, and now I know.' He walked to the window and looked out. 'Now I know,' he repeated in a low voice, as if to himself. His tone was bitter. Mr Cupples, understanding nothing, stared at his motionless back for a few moments.

'I am still completely in the dark,' he ventured presently. 'I have often heard of this fingerprint business, and wondered how the police went to work about it. It is of extraordinary interest to me, but upon my life I cannot see how in this case Manderson's fingerprints are going—'

'I am very sorry, Cupples,' Trent broke in upon his meditative speech with a swift return to the table. 'When I began this investigation I meant to take you with me every step of the way. You mustn't think I have any doubts about your discretion if I say now that I must hold my tongue about the whole thing, at least for a time. I will tell you this: I have come upon a fact that looks too much like having very painful consequences if it is discovered by any one else.' He looked at the other with a hard and darkened face, and struck the table with his hand. 'It is terrible for me here and now. Up to this moment I was hoping against hope that I was wrong about the fact. I may still be wrong in the surmise that I base upon that fact. There is only one way of finding out that is open to me, and I must nerve myself to take it.' He smiled suddenly at Mr Cupples's face of consternation. 'All right—I'm not going to be tragic any more, and I'll tell you all about it when I can. Look here, I'm not half through my game with the powder-bottles yet.'

He drew one of the defamed chairs to the table and sat down to test the broad ivory blade of the paper knife. Mr Cupples, swallowing his amazement, bent forward in an attitude of deep interest and handed Trent the bottle of lamp-black.



CHAPTER X: The Wife of Dives

Mrs Manderson stood at the window of her sitting-room at White Gables gazing out upon a wavering landscape of fine rain and mist. The weather had broken as it seldom does in that part in June. White wreathings drifted up the fields from the sullen sea; the sky was an unbroken grey deadness shedding pin-point moisture that was now and then blown against the panes with a crepitation of despair. The lady looked out on the dim and chilling prospect with a woeful face. It was a bad day for a woman bereaved, alone, and without a purpose in life.

There was a knock, and she called 'Come in,' drawing herself up with an unconscious gesture that always came when she realized that the weariness of the world had been gaining upon her spirit. Mr Trent had called, the maid said; he apologized for coming at such an early hour, but hoped that Mrs Manderson would see him on a matter of urgent importance. Mrs Manderson would see Mr Trent. She walked to a mirror, looked into the olive face she saw reflected there, shook her head at herself with the flicker of a grimace, and turned to the door as Trent was shown in.

His appearance, she noted, was changed. He had the jaded look of the sleepless, and a new and reserved expression, in which her quick sensibilities felt something not propitious, took the place of his half smile of fixed good-humour.

'May I come to the point at once?' he said, when she had given him her hand. 'There is a train I ought to catch at Bishopsbridge at twelve o'clock, but I cannot go until I have settled this thing, which concerns you only, Mrs Manderson. I have been working half the night and thinking the rest; and I know now what I ought to do.'

'You look wretchedly tired,' she said kindly. 'Won't you sit down? This is a very restful chair. Of course it is about this terrible business and your work as correspondent. Please ask me anything you think I can properly tell you, Mr Trent. I know that you won't make it worse for me than you can help in doing your duty here. If you say you must see me about something, I know it must be because, as you say, you ought to do it.'

'Mrs Manderson,' said Trent, slowly measuring his words, 'I won't make it worse for you than I can help. But I am bound to make it bad for you—only between ourselves, I hope. As to whether you can properly tell me what I shall ask you, you will decide that; but I tell you this on my word of honour: I shall ask you only as much as will decide me whether to publish or to withhold certain grave things that I have found out about your husband's death, things not suspected by any one else, nor, I think, likely to be so. What I have discovered—what I believe that I have practically proved—will be a great shock to you in any case. But it may be worse for you than that; and if you give me reason to think it would be so, then I shall suppress this manuscript,' he laid a long envelope on the small table beside him, 'and nothing of what it has to tell shall ever be printed. It consists, I may tell you, of a short private note to my editor, followed by a long dispatch for publication in the Record. Now you may refuse to say anything to me. If you do refuse, my duty to my employers, as I see it, is to take this up to London with me today and leave it with my editor to be dealt with at his discretion. My view is, you understand, that I am not entitled to suppress it on the strength of a mere possibility that presents itself to my imagination. But if I gather from you—and I can gather it from no other person—that there is substance in that imaginary possibility I speak of, then I have only one thing to do as a gentleman and as one who'—he hesitated for a phrase—'wishes you well. I shall not publish that dispatch of mine. In some directions I decline to assist the police. Have you followed me so far?' he asked with a touch of anxiety in his careful coldness; for her face, but for its pallor, gave no sign as she regarded him, her hands clasped before her, and her shoulders drawn back in a pose of rigid calm. She looked precisely as she had looked at the inquest.

'I understand quite well,' said Mrs Manderson in a low voice. She drew a deep breath, and went on: 'I don't know what dreadful thing you have found out, or what the possibility that has occurred to you can be, but it was good, it was honourable of you to come to me about it. Now will you please tell me?'

'I cannot do that,' Trent replied. 'The secret is my newspaper's if it is not yours. If I find it is yours, you shall have my manuscript to read and destroy. Believe me,' he broke out with something of his old warmth, 'I detest such mystery-making from the bottom of my soul; but it is not I who have made this mystery. This is the most painful hour of my life, and you make it worse by not treating me like a hound. The first thing I ask you to tell me,' he reverted with an effort to his colourless tone, 'is this: is it true, as you stated at the inquest, that you had no idea at all of the reason why your late husband had changed his attitude toward you, and become mistrustful and reserved, during the last few months of his life?'

Mrs Manderson's dark brows lifted and her eyes flamed; she quickly rose from her chair. Trent got up at the same moment, and took his envelope from the table; his manner said that he perceived the interview to be at an end. But she held up a hand, and there was colour in her cheeks and quick breathing in her voice as she said: 'Do you know what you ask, Mr Trent? You ask me if I perjured myself.'

'I do,' he answered unmoved; and he added after a pause, 'you knew already that I had not come here to preserve the polite fictions, Mrs Manderson. The theory that no reputable person, being on oath, could withhold a part of the truth under any circumstances is a polite fiction.' He still stood as awaiting dismissal, but she was silent. She walked to the window, and he stood miserably watching the slight movement of her shoulders until it subsided. Then with face averted, looking out on the dismal weather, she spoke at last clearly.

'Mr Trent,' she said, 'you inspire confidence in people, and I feel that things which I don't want known or talked about are safe with you. And I know you must have a very serious reason for doing what you are doing, though I don't know what it is. I suppose it would be assisting justice in some way if I told you the truth about what you asked just now. To understand that truth you ought to know about what went before—I mean about my marriage. After all, a good many people could tell you as well as I can that it was not... a very successful union. I was only twenty. I admired his force and courage and certainty; he was the only strong man I had ever known. But it did not take me long to find out that he cared for his business more than for me, and I think I found out even sooner that I had been deceiving myself and blinding myself, promising myself impossible things and wilfully misunderstanding my own feelings, because I was dazzled by the idea of having more money to spend than an English girl ever dreams of. I have been despising myself for that for five years. My husband's feeling for me... well, I cannot speak of that... what I want to say is that along with it there had always been a belief of his that I was the sort of woman to take a great place in society, and that I should throw myself into it with enjoyment, and become a sort of personage and do him great credit—that was his idea; and the idea remained with him after other delusions had gone. I was a part of his ambition. That was his really bitter disappointment, that I failed him as a social success. I think he was too shrewd not to have known in his heart that such a man as he was, twenty years older than I, with great business responsibilities that filled every hour of his life, and caring for nothing else—he must have felt that there was a risk of great unhappiness in marrying the sort of girl I was, brought up to music and books and unpractical ideas, always enjoying myself in my own way. But he had really reckoned on me as a wife who would do the honours of his position in the world; and I found I couldn't.'

Mrs Manderson had talked herself into a more emotional mood than she had yet shown to Trent. Her words flowed freely, and her voice had begun to ring and give play to a natural expressiveness that must hitherto have been dulled, he thought, by the shock and self-restraint of the past few days. Now she turned swiftly from the window and faced him as she went on, her beautiful face flushed and animated, her eyes gleaming, her hands moving in slight emphatic gestures, as she surrendered herself to the impulse of giving speech to things long pent up.

'The people,' she said. 'Oh, those people! Can you imagine what it must be for any one who has lived in a world where there was always creative work in the background, work with some dignity about it, men and women with professions or arts to follow, with ideals and things to believe in and quarrel about, some of them wealthy, some of them quite poor; can you think what it means to step out of that into another world where you have to be very rich, shamefully rich, to exist at all—where money is the only thing that counts and the first thing in everybody's thoughts—where the men who make the millions are so jaded by the work, that sport is the only thing they can occupy themselves with when they have any leisure, and the men who don't have to work are even duller than the men who do, and vicious as well; and the women live for display and silly amusements and silly immoralities; do you know how awful that life is? Of course I know there are clever people, and people of taste in that set, but they're swamped and spoiled, and it's the same thing in the end; empty, empty! Oh! I suppose I'm exaggerating, and I did make friends and have some happy times; but that's how I feel after it all. The seasons in New York and London—how I hated them! And our house-parties and cruises in the yacht and the rest—the same people, the same emptiness.

'And you see, don't you, that my husband couldn't have an idea of all this. His life was never empty. He did not live it in society, and when he was in society he had always his business plans and difficulties to occupy his mind. He hadn't a suspicion of what I felt, and I never let him know; I couldn't, it wouldn't have been fair. I felt I must do something to justify myself as his wife, sharing his position and fortune; and the only thing I could do was to try, and try, to live up to his idea about my social qualities... I did try. I acted my best. And it became harder year by year... I never was what they call a popular hostess, how could I be? I was a failure; but I went on trying... I used to steal holidays now and then. I used to feel as if I was not doing my part of a bargain—it sounds horrid to put it like that, I know, but it was so—when I took one of my old school-friends, who couldn't afford to travel, away to Italy for a month or two, and we went about cheaply all by ourselves, and were quite happy; or when I went and made a long stay in London with some quiet people who had known me all my life, and we all lived just as in the old days, when we had to think twice about seats at the theatre, and told each other about cheap dressmakers. Those and a few other expeditions of the same sort were my best times after I was married, and they helped me to go through with it the rest of the time. But I felt my husband would have hated to know how much I enjoyed every hour of those returns to the old life.

'And in the end, in spite of everything I could do, he came to know.... He could see through anything, I think, once his attention was turned to it. He had always been able to see that I was not fulfilling his idea of me as a figure in the social world, and I suppose he thought it was my misfortune rather than my fault. But the moment he began to see, in spite of my pretending, that I wasn't playing my part with any spirit, he knew the whole story; he divined how I loathed and was weary of the luxury and the brilliancy and the masses of money just because of the people who lived among them—who were made so by them, I suppose.... It happened last year. I don't know just how or when. It may have been suggested to him by some woman—for they all understood, of course. He said nothing to me, and I think he tried not to change in his manner to me at first; but such things hurt—and it was working in both of us. I knew that he knew. After a time we were just being polite and considerate to each other. Before he found me out we had been on a footing of—how can I express it to you?—of intelligent companionship, I might say. We talked without restraint of many things of the kind we could agree or disagree about without its going very deep... if you understand. And then that came to an end. I felt that the only possible basis of our living in each other's company was going under my feet. And at last it was gone.

'It had been like that,' she ended simply, 'for months before he died.' She sank into the corner of a sofa by the window, as though relaxing her body after an effort. For a few moments both were silent. Trent was hastily sorting out a tangle of impressions. He was amazed at the frankness of Mrs Manderson's story. He was amazed at the vigorous expressiveness in her telling of it. In this vivid being, carried away by an impulse to speak, talking with her whole personality, he had seen the real woman in a temper of activity, as he had already seen the real woman by chance in a temper of reverie and unguarded emotion. In both she was very unlike the pale, self-disciplined creature of majesty that she had been to the world. With that amazement of his went something like terror of her dark beauty, which excitement kindled into an appearance scarcely mortal in his eyes. Incongruously there rushed into his mind, occupied as it was with the affair of the moment, a little knot of ideas... she was unique not because of her beauty but because of its being united with intensity of nature; in England all the very beautiful women were placid, all the fiery women seemed to have burnt up the best of their beauty; that was why no beautiful woman had ever cast this sort of spell on him before; when it was a question of wit in women he had preferred the brighter flame to the duller, without much regarding the lamp. 'All this is very disputable,' said his reason; and instinct answered, 'Yes, except that I am under a spell'; and a deeper instinct cried out, 'Away with it!' He forced his mind back to her story, and found growing swiftly in him an irrepressible conviction. It was all very fine; but it would not do.

'I feel as if I had led you into saying more than you meant to say, or than I wanted to learn,' he said slowly. 'But there is one brutal question which is the whole point of my enquiry.' He braced his frame like one preparing for a plunge into cold waters. 'Mrs Manderson, will you assure me that your husband's change toward you had nothing to do with John Marlowe?'

And what he had dreaded came. 'Oh!' she cried with a sound of anguish, her face thrown up and open hands stretched out as if for pity; and then the hands covered the burning face, and she flung herself aside among the cushions at her elbow, so that he saw nothing but her heavy crown of black hair, and her body moving with sobs that stabbed his heart, and a foot turned inward gracelessly in an abandonment of misery. Like a tall tower suddenly breaking apart she had fallen in ruins, helplessly weeping.

Trent stood up, his face white and calm. With a senseless particularity he placed his envelope exactly in the centre of the little polished table. He walked to the door, closed it noiselessly as he went out, and in a few minutes was tramping through the rain out of sight of White Gables, going nowhere, seeing nothing, his soul shaken in the fierce effort to kill and trample the raving impulse that had seized him in the presence of her shame, that clamoured to him to drag himself before her feet, to pray for pardon, to pour out words—he knew not what words, but he knew that they had been straining at his lips—to wreck his self-respect for ever, and hopelessly defeat even the crazy purpose that had almost possessed him, by drowning her wretchedness in disgust, by babbling with the tongue of infatuation to a woman with a husband not yet buried, to a woman who loved another man.

Such was the magic of her tears, quickening in a moment the thing which, as his heart had known, he must not let come to life. For Philip Trent was a young man, younger in nature even than his years, and a way of life that kept his edge keen and his spirit volcanic had prepared him very ill for the meeting that comes once in the early manhood of most of us, usually—as in his case, he told himself harshly—to no purpose but the testing of virtue and the power of the will.



CHAPTER XI: Hitherto Unpublished

My Dear Molloy:—-This is in case I don't find you at your office. I have found out who killed Manderson, as this dispatch will show. This was my problem; yours is to decide what use to make of it. It definitely charges an unsuspected person with having a hand in the crime, and practically accuses him of being the murderer, so I don't suppose you will publish it before his arrest, and I believe it is illegal to do so afterwards until he has been tried and found guilty. You may decide to publish it then; and you may find it possible to make some use or other before then of the facts I have given. That is your affair. Meanwhile, will you communicate with Scotland Yard, and let them see what I have written? I have done with the Manderson mystery, and I wish to God I had never touched it. Here follows my dispatch.—P.T.

Marlstone, June 16th. I begin this, my third and probably my final dispatch to the Record upon the Manderson murder, with conflicting feelings. I have a strong sense of relief, because in my two previous dispatches I was obliged, in the interests of justice, to withhold facts ascertained by me which would, if published then, have put a certain person upon his guard and possibly have led to his escape; for he is a man of no common boldness and resource. These facts I shall now set forth. But I have, I confess, no liking for the story of treachery and perverted cleverness which I have to tell. It leaves an evil taste in the mouth, a savour of something revolting in the deeper puzzle of motive underlying thc puzzle of the crime itself, which I believe I have solved.

It will be remembered that in my first dispatch I described the situation as I found it on reaching this place early on Tuesday morning. I told how the body was found, and in what state; dwelt upon the complete mystery surrounding the crime, and mentioned one or two local theories about it; gave some account of the dead man's domestic surroundings; and furnished a somewhat detailed description of his movements on the evening before his death. I gave, too, a little fact which may or may not have seemed irrelevant: that a quantity of whisky much larger than Manderson habitually drank at night had disappeared from his private decanter since the last time he was seen alive. On the following day, the day of the inquest, I wired little more than an abstract of the proceedings in the coroner's court, of which a verbatim report was made at my request by other representatives of the Record. That day is not yet over as I write these lines; and I have now completed an investigation which has led me directly to the man who must be called upon to clear himself of the guilt of the death of Manderson.

Apart from the central mystery of Manderson's having arisen long before his usual hour to go out and meet his death, there were two minor points of oddity about this affair which, I suppose, must have occurred to thousands of those who have read the accounts in the newspapers: points apparent from the very beginning. The first of these was that, whereas the body was found at a spot not thirty yards from the house, all the people of the house declared that they had heard no cry or other noise in the night. Manderson had not been gagged; the marks on his wrists pointed to a struggle with his assailant; and there had been at least one pistol-shot. (I say at least one, because it is the fact that in murders with firearms, especially if there has been a struggle, the criminal commonly misses his victim at least once.) This odd fact seemed all the more odd to me when I learned that Martin the butler was a bad sleeper, very keen of hearing, and that his bedroom, with the window open, faced almost directly toward the shed by which the body was found.

The second odd little fact that was apparent from the outset was Manderson's leaving his dental plate by the bedside. It appeared that he had risen and dressed himself fully, down to his necktie and watch and chain, and had gone out of doors without remembering to put in this plate, which he had carried in his mouth every day for years, and which contained all the visible teeth of the upper jaw. It had evidently not been a case of frantic hurry; and even if it had been, he would have been more likely to forget almost anything than this denture. Any one who wears such a removable plate will agree that the putting it in on rising is a matter of second nature. Speaking as well as eating, to say nothing of appearances, depend upon it.

Neither of these queer details, however, seemed to lead to anything at the moment. They only awakened in me a suspicion of something lurking in the shadows, something that lent more mystery to the already mysterious question how and why and through whom Manderson met his end.

With this much of preamble I come at once to the discovery which, in the first few hours of my investigation, set me upon the path which so much ingenuity had been directed to concealing.

I have already described Manderson's bedroom, the rigorous simplicity of its furnishing, contrasted so strangely with the multitude of clothes and shoes, and the manner of its communication with Mrs Manderson's room. On the upper of the two long shelves on which the shoes were ranged I found, where I had been told I should find them, the pair of patent leather shoes which Manderson had worn on the evening before his death. I had glanced over the row, not with any idea of their giving me a clue, but merely because it happens that I am a judge of shoes, and all these shoes were of the very best workmanship. But my attention was at once caught by a little peculiarity in this particular pair. They were the lightest kind of lace-up dress shoes, very thin in the sole, without toe-caps, and beautifully made, like all the rest. These shoes were old and well worn; but being carefully polished, and fitted, as all the shoes were, upon their trees, they looked neat enough. What caught my eye was a slight splitting of the leather in that part of the upper known as the vamp—a splitting at the point where the two laced parts of the shoe rise from the upper. It is at this point that the strain comes when a tight shoe of this sort is forced upon the foot, and it is usually guarded with a strong stitching across the bottom of the opening. In both the shoes I was examining this stitching had parted, and the leather below had given way. The splitting was a tiny affair in each case, not an eighth of an inch long, and the torn edges having come together again on the removal of the strain, there was nothing that a person who was not something of a connoisseur of shoe-leather would have noticed. Even less noticeable, and indeed not to be seen at all unless one were looking for it, was a slight straining of the stitches uniting the upper to the sole. At the toe and on the outer side of each shoe this stitching had been dragged until it was visible on a close inspection of the join.

These indications, of course, could mean only one thing—the shoes had been worn by some one for whom they were too small.

Now it was clear at a glance that Manderson was always thoroughly well shod, and careful, perhaps a little vain, of his small and narrow feet. Not one of the other shoes in the collection, as I soon ascertained, bore similar marks; they had not belonged to a man who squeezed himself into tight shoe-leather. Some one who was not Manderson had worn these shoes, and worn them recently; the edges of the tears were quite fresh.

The possibility of some one having worn them since Manderson's death was not worth considering; the body had only been found about twenty-six hours when I was examining the shoes; besides, why should any one wear them? The possibility of some one having borrowed Manderson's shoes and spoiled them for him while he was alive seemed about as negligible. With others to choose from he would not have worn these. Besides, the only men in the place were the butler and the two secretaries. But I do not say that I gave those possibilities even as much consideration as they deserved, for my thoughts were running away with me, and I have always found it good policy, in cases of this sort, to let them have their heads. Ever since I had got out of the train at Marlstone early that morning I had been steeped in details of the Manderson affair; the thing had not once been out of my head. Suddenly the moment had come when the daemon wakes and begins to range.

Let me put it less fancifully. After all, it is a detail of psychology familiar enough to all whose business or inclination brings them in contact with difficult affairs of any kind. Swiftly and spontaneously, when chance or effort puts one in possession of the key-fact in any system of baffling circumstances, one's ideas seem to rush to group themselves anew in relation to that fact, so that they are suddenly rearranged almost before one has consciously grasped the significance of the key-fact itself. In the present instance, my brain had scarcely formulated within itself the thought, 'Somebody who was not Manderson has been wearing these shoes,' when there flew into my mind a flock of ideas, all of the same character and all bearing upon this new notion. It was unheard-of for Manderson to drink much whisky at night. It was very unlike him to be untidily dressed, as the body was when found—the cuffs dragged up inside the sleeves, the shoes unevenly laced; very unlike him not to wash when he rose, and to put on last night's evening shirt and collar and underclothing; very unlike him to have his watch in the waistcoat pocket that was not lined with leather for its reception. (In my first dispatch I mentioned all these points, but neither I nor any one else saw anything significant in them when examining the body.) It was very strange, in the existing domestic situation, that Manderson should be communicative to his wife about his doings, especially at the time of his going to bed, when he seldom spoke to her at all. It was extraordinary that Manderson should leave his bedroom without his false teeth.

All these thoughts, as I say, came flocking into my mind together, drawn from various parts of my memory of the morning's enquiries and observations. They had all presented themselves, in far less time than it takes to read them as set down here, as I was turning over the shoes, confirming my own certainty on the main point. And yet when I confronted the definite idea that had sprung up suddenly and unsupported before me—'It was not Manderson who was in the house that night'—it seemed a stark absurdity at the first formulating. It was certainly Manderson who had dined at the house and gone out with Marlowe in the car. People had seen him at close quarters. But was it he who returned at ten? That question too seemed absurd enough. But I could not set it aside. It seemed to me as if a faint light was beginning to creep over the whole expanse of my mind, as it does over land at dawn, and that presently the sun would be rising. I set myself to think over, one by one, the points that had just occurred to me, so as to make out, if possible, why any man masquerading as Manderson should have done these things that Manderson would not have done.

I had not to cast about very long for the motive a man might have in forcing his feet into Manderson's narrow shoes. The examination of footmarks is very well understood by the police. But not only was the man concerned to leave no footmarks of his own: he was concerned to leave Manderson's, if any; his whole plan, if my guess was right, must have been directed to producing the belief that Manderson was in the place that night. Moreover, his plan did not turn upon leaving footmarks. He meant to leave the shoes themselves, and he did so. The maidservant had found them outside the bedroom door, as Manderson always left his shoes, and had polished them, replacing them on the shoe-shelves later in the morning, after the body had been found.

When I came to consider in this new light the leaving of the false teeth, an explanation of what had seemed the maddest part of the affair broke upon me at once. A dental plate is not inseparable from its owner. If my guess was right, the unknown had brought the denture to the house with him, and left it in the bedroom, with the same object as he had in leaving the shoes: to make it impossible that any one should doubt that Manderson had been in the house and had gone to bed there. This, of course, led me to the inference that Manderson was dead before the false Manderson came to the house, and other things confirmed this.

For instance, the clothing, to which I now turned in my review of the position. If my guess was right, the unknown in Manderson's shoes had certainly had possession of Manderson's trousers, waistcoat, and shooting jacket. They were there before my eyes in the bedroom; and Martin had seen the jacket—which nobody could have mistaken—upon the man who sat at the telephone in the library. It was now quite plain (if my guess was right) that this unmistakable garment was a cardinal feature of the unknown's plan. He knew that Martin would take him for Manderson at the first glance.

And there my thinking was interrupted by the realization of a thing that had escaped me before. So strong had been the influence of the unquestioned assumption that it was Manderson who was present that night, that neither I nor, as far as I know, any one else had noted the point. Martin had not seen the man's face, nor had Mrs Manderson.

Mrs Manderson (judging by her evidence at the inquest, of which, as I have said, I had a full report made by the Record stenographers in court) had not seen the man at all. She hardly could have done, as I shall show presently. She had merely spoken with him as she lay half asleep, resuming a conversation which she had had with her living husband about an hour before. Martin, I perceived, could only have seen the man's back, as he sat crouching over the telephone; no doubt a characteristic pose was imitated there. And the man had worn his hat, Manderson's broad-brimmed hat! There is too much character in the back of a head and neck. The unknown, in fact, supposing him to have been of about Manderson's build, had had no need for any disguise, apart from the jacket and the hat and his powers of mimicry.

I paused there to contemplate the coolness and ingenuity of the man. The thing, I now began to see, was so safe and easy, provided that his mimicry was good enough, and that his nerve held. Those two points assured, only some wholly unlikely accident could unmask him.

To come back to my puzzling out of the matter as I sat in the dead man's bedroom with the tell-tale shoes before me. The reason for the entrance by the window instead of by the front door will already have occurred to any one reading this. Entering by the door, the man would almost certainly have been heard by the sharp-eared Martin in his pantry just across the hall; he might have met him face to face.

Then there was the problem of the whisky. I had not attached much importance to it; whisky will sometimes vanish in very queer ways in a household of eight or nine persons; but it had seemed strange that it should go in that way on that evening. Martin had been plainly quite dumbfounded by the fact. It seemed to me now that many a man—fresh, as this man in all likelihood was, from a bloody business, from the unclothing of a corpse, and with a desperate part still to play—would turn to that decanter as to a friend. No doubt he had a drink before sending for Martin; after making that trick with ease and success, he probably drank more.

But he had known when to stop. The worst part of the enterprise was before him: the business—clearly of such vital importance to him, for whatever reason—of shutting himself in Manderson's room and preparing a body of convincing evidence of its having been occupied by Manderson; and this with the risk—very slight, as no doubt he understood, but how unnerving!—of the woman on the other side of the half-open door awaking and somehow discovering him. True, if he kept out of her limited field of vision from the bed, she could only see him by getting up and going to the door. I found that to a person lying in her bed, which stood with its head to the wall a little beyond the door, nothing was visible through the doorway but one of the cupboards by Manderson's bed-head. Moreover, since this man knew the ways of the household, he would think it most likely that Mrs Manderson was asleep. Another point with him, I guessed, might have been the estrangement between the husband and wife, which they had tried to cloak by keeping up, among other things, their usual practice of sleeping in connected rooms, but which was well known to all who had anything to do with them. He would hope from this that if Mrs Manderson heard him, she would take no notice of the supposed presence of her husband.

So, pursuing my hypothesis, I followed the unknown up to the bedroom, and saw him setting about his work. And it was with a catch in my own breath that I thought of the hideous shock with which he must have heard the sound of all others he was dreading most: the drowsy voice from the adjoining room.

What Mrs Manderson actually said, she was unable to recollect at the inquest. She thinks she asked her supposed husband whether he had had a good run in the car. And now what does the unknown do? Here, I think, we come to a supremely significant point. Not only does he—standing rigid there, as I picture him, before the dressing-table, listening to the sound of his own leaping heart—not only does he answer the lady in the voice of Manderson; he volunteers an explanatory statement. He tells her that he has, on a sudden inspiration, sent Marlowe in the car to Southampton; that he has sent him to bring back some important information from a man leaving for Paris by the steamboat that morning. Why these details from a man who had long been uncommunicative to his wife, and that upon a point scarcely likely to interest her? Why these details about Marlowe?

Having taken my story so far, I now put forward the following definite propositions: that between a time somewhere about ten, when the car started, and a time somewhere about eleven, Manderson was shot—probably at a considerable distance from the house, as no shot was heard; that the body was brought back, left by the shed, and stripped of its outer clothing; that at some time round about eleven o'clock a man who was not Manderson, wearing Manderson's shoes, hat, and jacket, entered the library by the garden window; that he had with him Manderson's black trousers, waistcoat, and motor-coat, the denture taken from Manderson's mouth, and the weapon with which he had been murdered; that he concealed these, rang the bell for the butler, and sat down at the telephone with his hat on and his back to the door; that he was occupied with the telephone all the time Martin was in the room; that on going up to the bedroom floor he quietly entered Marlowe's room and placed the revolver with which the crime had been committed—Marlowe's revolver—in the case on the mantelpiece from which it had been taken; and that he then went to Manderson's room, placed Manderson's shoes outside the door, threw Manderson's garments on a chair, placed the denture in the bowl by the bedside, and selected a suit of clothes, a pair of shoes, and a tie from those in the bedroom.

Here I will pause in my statement of this man's proceedings to go into a question for which the way is now sufficiently prepared:

Who was the false Manderson?

Reviewing what was known to me, or might almost with certainty be surmised, about that person, I set down the following five conclusions:

(1.) He had been in close relations with the dead man. In his acting before Martin and his speaking to Mrs Manderson he had made no mistake.

(2.) He was of a build not unlike Manderson's, especially as to height and breadth of shoulder, which mainly determine the character of the back of a seated figure when the head is concealed and the body loosely clothed. But his feet were larger, though not greatly larger, than Manderson's.

(3.) He had considerable aptitude for mimicry and acting—probably some experience too.

(4.) He had a minute acquaintance with the ways of the Manderson household.

(5.) He was under a vital necessity of creating the belief that Manderson was alive and in that house until some time after midnight on the Sunday night.

So much I took as either certain or next door to it. It was as far as I could see. And it was far enough.

I proceed to give, in an order corresponding with the numbered paragraphs above, such relevant facts as I was able to obtain about Mr John Marlowe, from himself and other sources:

(1.) He had been Mr Manderson's private secretary, upon a footing of great intimacy, for nearly four years.

(2.) The two men were nearly of the same height, about five feet eleven inches; both were powerfully built and heavy in the shoulder. Marlowe, who was the younger by some twenty years, was rather slighter about the body, though Manderson was a man in good physical condition. Marlowe's shoes (of which I examined several pairs) were roughly about one shoemaker's size longer and broader than Manderson's.

(3.) In the afternoon of the first day of my investigation, after arriving at the results already detailed, I sent a telegram to a personal friend, a Fellow of a college at Oxford, whom I knew to be interested in theatrical matters, in these terms:

PLEASE WIRE JOHN MARLOWE'S RECORD IN CONNECTION WITH ACTING AT OXFORD SOME TIME PAST DECADE VERY URGENT AND CONFIDENTIAL.

My friend replied in the following telegram, which reached me next morning (the morning of the inquest):

MARLOWE WAS MEMBER O.U.D.S FOR THREE YEARS AND PRESIDENT 19-PLAYED BARDOLPH CLEON AND MERCUTIO EXCELLED IN CHARACTER ACTING AND IMITATIONS IN GREAT DEMAND AT SMOKERS WAS HERO OF SOME HISTORIC HOAXES.

I had been led to send the telegram which brought this very helpful answer by seeing on the mantel-shelf in Marlowe's bedroom a photograph of himself and two others in the costume of Falstaff's three followers, with an inscription from The Merry Wives, and by noting that it bore the imprint of an Oxford firm of photographers.

(4.) During his connection with Manderson, Marlowe had lived as one of the family. No other person, apart from the servants, had his opportunities for knowing the domestic life of the Mandersons in detail.

(5.) I ascertained beyond doubt that Marlowe arrived at a hotel in Southampton on the Monday morning at 6.30, and there proceeded to carry out the commission which, according to his story, and according to the statement made to Mrs Manderson in the bedroom by the false Manderson, had been entrusted to him by his employer. He had then returned in the car to Marlstone, where he had shown great amazement and horror at the news of the murder.

These, I say, are the relevant facts about Marlowe. We must now examine fact number 5 (as set out above) in connection with conclusion number 5 about the false Manderson.

I would first draw attention to one important fact. The only person who professed to have heard Manderson mention Southampton at all before he started in the car was Marlowe. His story—confirmed to some extent by what the butler overheard—was that the journey was all arranged in a private talk before they set out, and he could not say, when I put the question to him, why Manderson should have concealed his intentions by giving out that he was going with Marlowe for a moonlight drive. This point, however, attracted no attention. Marlowe had an absolutely air-tight alibi in his presence at Southampton by 6.30; nobody thought of him in connection with a murder which must have been committed after 12.30—the hour at which Martin the butler had gone to bed. But it was the Manderson who came back from the drive who went out of his way to mention Southampton openly to two persons. He even went so far as to ring up a hotel at Southampton and ask questions which bore out Marlowe's story of his errand. This was the call he was busy with when Martin was in the library.

Now let us consider the alibi. If Manderson was in the house that night, and if he did not leave it until some time after 12.30, Marlowe could not by any possibility have had a direct hand in the murder. It is a question of the distance between Marlstone and Southampton. If he had left Marlstone in the car at the hour when he is supposed to have done so—between 10 and 10.30—with a message from Manderson, the run would be quite an easy one to do in the time. But it would be physically impossible for the car—a 15 h.p. four-cylinder Northumberland, an average medium-power car—to get to Southampton by half-past six unless it left Marlstone by midnight at latest. Motorists who will examine the road-map and make the calculations required, as I did in Manderson's library that day, will agree that on the facts as they appeared there was absolutely no case against Marlowe.

But even if they were not as they appeared; if Manderson was dead by eleven o'clock, and if at about that time Marlowe impersonated him at White Gables; if Marlowe retired to Manderson's bedroom—how can all this be reconciled with his appearance next morning at Southampton? He had to get out of the house, unseen and unheard, and away in the car by midnight. And Martin, the sharp-eared Martin, was sitting up until 12.30 in his pantry, with the door open, listening for the telephone bell. Practically he was standing sentry over the foot of the staircase, the only staircase leading down from the bedroom floor.

With this difficulty we arrive at the last and crucial phase of my investigation. Having the foregoing points clearly in mind, I spent the rest of the day before the inquest in talking to various persons and in going over my story, testing it link by link. I could only find the one weakness which seemed to be involved in Martin's sitting up until 12.30; and since his having been instructed to do so was certainly a part of the plan, meant to clinch the alibi for Marlowe, I knew there must be an explanation somewhere. If I could not find that explanation, my theory was valueless. I must be able to show that at the time Martin went up to bed the man who had shut himself in Manderson's bedroom might have been many miles away on the road to Southampton.

I had, however, a pretty good idea already—as perhaps the reader of these lines has by this time, if I have made myself clear—of how the escape of the false Manderson before midnight had been contrived. But I did not want what I was now about to do to be known. If I had chanced to be discovered at work, there would have been no concealing the direction of my suspicions. I resolved not to test them on this point until the next day, during the opening proceedings at the inquest. This was to be held, I knew, at the hotel, and I reckoned upon having White Gables to myself so far as the principal inmates were concerned.

So in fact it happened. By the time the proceedings at the hotel had begun I was hard at work at White Gables. I had a camera with me. I made search, on principles well known to and commonly practised by the police, and often enough by myself, for certain indications. Without describing my search, I may say at once that I found and was able to photograph two fresh fingerprints, very large and distinct, on the polished front of the right-hand top drawer of the chest of drawers in Manderson's bedroom; five more (among a number of smaller and less recent impressions made by other hands) on the glasses of the French window in Mrs Manderson's room, a window which always stood open at night with a curtain before it; and three more upon the glass bowl in which Manderson's dental plate had been found lying.

I took the bowl with me from White Gables. I took also a few articles which I selected from Marlowe's bedroom, as bearing the most distinct of the innumerable fingerprints which are always to be found upon toilet articles in daily use. I already had in my possession, made upon leaves cut from my pocket diary, some excellent fingerprints of Marlowe's which he had made in my presence without knowing it. I had shown him the leaves, asking if he recognized them; and the few seconds during which he had held them in his fingers had sufficed to leave impressions which I was afterwards able to bring out.

By six o'clock in the evening, two hours after the jury had brought in their verdict against a person or persons unknown, I had completed my work, and was in a position to state that two of the five large prints made on the window-glasses, and the three on the bowl, were made by the left hand of Marlowe; that the remaining three on the window and the two on the drawer were made by his right hand.

By eight o'clock I had made at the establishment of Mr H. T. Copper, photographer, of Bishopsbridge, and with his assistance, a dozen enlarged prints of the finger-marks of Marlowe, clearly showing the identity of those which he unknowingly made in my presence and those left upon articles in his bedroom, with those found by me as I have described, and thus establishing the facts that Marlowe was recently in Manderson's bedroom, where he had in the ordinary way no business, and in Mrs Manderson's room, where he had still less. I hope it may be possible to reproduce these prints for publication with this dispatch.

At nine o'clock I was back in my room at the hotel and sitting down to begin this manuscript. I had my story complete. I bring it to a close by advancing these further propositions: that on the night of the murder the impersonator of Manderson, being in Manderson's bedroom, told Mrs Manderson, as he had already told Martin, that Marlowe was at that moment on his way to Southampton; that having made his dispositions in the room, he switched off the light, and lay in the bed in his clothes; that he waited until he was assured that Mrs Manderson was asleep; that he then arose and stealthily crossed Mrs Manderson's bedroom in his stocking feet, having under his arm the bundle of clothing and shoes for the body; that he stepped behind the curtain, pushing the doors of the window a little further open with his hands, strode over the iron railing of the balcony, and let himself down until only a drop of a few feet separated him from the soft turf of the lawn.

All this might very well have been accomplished within half an hour of his entering Manderson's bedroom, which, according to Martin, he did at about half-past eleven.

What followed your readers and the authorities may conjecture for themselves. The corpse was found next morning clothed—rather untidily. Marlowe in the car appeared at Southampton by half-past six.

I bring this manuscript to an end in my sitting-room at the hotel at Marlstone. It is four o'clock in the morning. I leave for London by the noon train from Bishopsbridge, and immediately after arriving I shall place these pages in your hands. I ask you to communicate the substance of them to the Criminal Investigation Department.

PHILIP TRENT.



CHAPTER XII: Evil Days

'I am returning the cheque you sent for what I did on the Manderson case,' Trent wrote to Sir James Molloy from Munich, whither he had gone immediately after handing in at the Record office a brief dispatch bringing his work on the case to an unexciting close. 'What I sent you wasn't worth one-tenth of the amount; but I should have no scruple about pocketing it if I hadn't taken a fancy—never mind why—not to touch any money at all for this business. I should like you, if there is no objection, to pay for the stuff at your ordinary space-rate, and hand the money to some charity which does not devote itself to bullying people, if you know of any such. I have come to this place to see some old friends and arrange my ideas, and the idea that comes out uppermost is that for a little while I want some employment with activity in it. I find I can't paint at all: I couldn't paint a fence. Will you try me as your Own Correspondent somewhere? If you can find me a good adventure I will send you good accounts. After that I could settle down and work.'

Sir James sent him instructions by telegram to proceed at once to Kurland and Livonia, where Citizen Browning was abroad again, and town and countryside blazed in revolt. It was a roving commission, and for two months Trent followed his luck. It served him not less well than usual. He was the only correspondent who saw General Dragilew killed in the street at Volmar by a girl of eighteen. He saw burnings, lynchings, fusillades, hangings; each day his soul sickened afresh at the imbecilities born of misrule. Many nights he lay down in danger. Many days he went fasting. But there was never an evening or a morning when he did not see the face of the woman whom he hopelessly loved.

He discovered in himself an unhappy pride at the lasting force of this infatuation. It interested him as a phenomenon; it amazed and enlightened him. Such a thing had not visited him before. It confirmed so much that he had found dubious in the recorded experience of men.

It was not that, at thirty-two, he could pretend to ignorance of this world of emotion. About his knowledge let it be enough to say that what he had learned had come unpursued and unpurchased, and was without intolerable memories; broken to the realities of sex, he was still troubled by its inscrutable history. He went through life full of a strange respect for certain feminine weakness and a very simple terror of certain feminine strength. He had held to a rather lukewarm faith that something remained in him to be called forth, and that the voice that should call would be heard in its own time, if ever, and not through any seeking.

But he had not thought of the possibility that, if this proved true some day, the truth might come in a sinister shape. The two things that had taken him utterly by surprise in the matter of his feeling towards Mabel Manderson were the insane suddenness of its uprising in full strength and its extravagant hopelessness. Before it came, he had been much disposed to laugh at the permanence of unrequited passion as a generous boyish delusion. He knew now that he had been wrong, and he was living bitterly in the knowledge.

Before the eye of his fancy the woman always came just as she was when he had first had sight of her, with the gesture which he had surprised as he walked past unseen on the edge of the cliff; that great gesture of passionate joy in her new liberty which had told him more plainly than speech that her widowhood was a release from torment, and had confirmed with terrible force the suspicion, active in his mind before, that it was her passport to happiness with a man whom she loved. He could not with certainty name to himself the moment when he had first suspected that it might be so. The seed of the thought must have been sown, he believed, at his first meeting with Marlowe; his mind would have noted automatically that such evident strength and grace, with the sort of looks and manners that the tall young man possessed, might go far with any woman of unfixed affections. And the connection of this with what Mr Cupples had told him of the Mandersons' married life must have formed itself in the unconscious depths of his mind. Certainly it had presented itself as an already established thing when he began, after satisfying himself of the identity of the murderer, to cast about for the motive of the crime. Motive, motive! How desperately he had sought for another, turning his back upon that grim thought, that Marlowe—obsessed by passion like himself, and privy perhaps to maddening truths about the wife's unhappiness—had taken a leaf, the guiltiest, from the book of Bothwell. But in all his investigations at the time, in all his broodings on the matter afterwards, he had been able to discover nothing that could prompt Marlowe to such a deed—nothing but that temptation, the whole strength of which he could not know, but which if it had existed must have pressed urgently upon a bold spirit in which scruple had been somehow paralysed. If he could trust his senses at all, the young man was neither insane nor by nature evil. But that could not clear him. Murder for a woman's sake, he thought, was not a rare crime, Heaven knew! If the modern feebleness of impulse in the comfortable classes, and their respect for the modern apparatus of detection, had made it rare among them, it was yet far from impossible. It only needed a man of equal daring and intelligence, his soul drugged with the vapours of an intoxicating intrigue, to plan and perform such a deed.

A thousand times, with a heart full of anguish, he had sought to reason away the dread that Mabel Manderson had known too much of what had been intended against her husband's life. That she knew all the truth after the thing was done he could not doubt; her unforgettable collapse in his presence when the question about Marlowe was suddenly and bluntly put, had swept away his last hope that there was no love between the pair, and had seemed to him, moreover, to speak of dread of discovery. In any case, she knew the truth after reading what he had left with her; and it was certain that no public suspicion had been cast upon Marlowe since. She had destroyed his manuscript, then, and taken him at his word to keep the secret that threatened her lover's life.

But it was the monstrous thought that she might have known murder was brewing, and guiltily kept silence, that haunted Trent's mind. She might have suspected, have guessed something; was it conceivable that she was aware of the whole plot, that she connived? He could never forget that his first suspicion of Marlowe's motive in the crime had been roused by the fact that his escape was made through the lady's room. At that time, when he had not yet seen her, he had been ready enough to entertain the idea of her equal guilt and her co-operation. He had figured to himself some passionate hysterique, merciless as a cat in her hate and her love, a zealous abettor, perhaps even the ruling spirit in the crime.

Then he had seen her, had spoken with her, had helped her in her weakness; and such suspicions, since their first meeting, had seemed the vilest of infamy. He had seen her eyes and her mouth; he had breathed the woman's atmosphere. Trent was one of those who fancy they can scent true wickedness in the air. In her presence he had felt an inward certainty of her ultimate goodness of heart; and it was nothing against this that she had abandoned herself a moment, that day on the cliff, to the sentiment of relief at the ending of her bondage, of her years of starved sympathy and unquickened motherhood. That she had turned to Marlowe in her destitution he believed; that she had any knowledge of his deadly purpose he did not believe.

And yet, morning and evening the sickening doubts returned, and he recalled again that it was almost in her presence that Marlowe had made his preparations in the bedroom of the murdered man, that it was by the window of her own chamber that he had escaped from the house. Had he forgotten his cunning and taken the risk of telling her then? Or had he, as Trent thought more likely, still played his part with her then, and stolen off while she slept? He did not think she had known of the masquerade when she gave evidence at the inquest; it read like honest evidence. Or—the question would never be silenced, though he scorned it—had she lain expecting the footsteps in the room and the whisper that should tell her that it was done? Among the foul possibilities of human nature, was it possible that black ruthlessness and black deceit as well were hidden behind that good and straight and gentle seeming?

These thoughts would scarcely leave him when he was alone.

Trent served Sir James, well earning his pay for six months, and then returned to Paris where he went to work again with a better heart. His powers had returned to him, and he began to live more happily than he had expected among a tribe of strangely assorted friends, French, English, and American, artists, poets, journalists, policemen, hotel-keepers, soldiers, lawyers, business men, and others. His old faculty of sympathetic interest in his fellows won for him, just as in his student days, privileges seldom extended to the Briton. He enjoyed again the rare experience of being taken into the bosom of a Frenchman's family. He was admitted to the momentous confidence of les jeunes, and found them as sure that they had surprised the secrets of art and life as the departed jeunes of ten years before had been.

The bosom of the Frenchman's family was the same as those he had known in the past, even to the patterns of the wallpaper and movables. But the jeunes, he perceived with regret, were totally different from their forerunners. They were much more shallow and puerile, much less really clever. The secrets they wrested from the Universe were not such important and interesting secrets as had been wrested by the old jeunes. This he believed and deplored until one day he found himself seated at a restaurant next to a too well-fed man whom, in spite of the ravages of comfortable living, he recognized as one of the jeunes of his own period. This one had been wont to describe himself and three or four others as the Hermits of the New Parnassus. He and his school had talked outside cafes and elsewhere more than solitaries do as a rule; but, then, rules were what they had vowed themselves to destroy. They proclaimed that verse, in particular, was free. The Hermit of the New Parnassus was now in the Ministry of the Interior, and already decorated: he expressed to Trent the opinion that what France needed most was a hand of iron. He was able to quote the exact price paid for certain betrayals of the country, of which Trent had not previously heard.

Thus he was brought to make the old discovery that it was he who had changed, like his friend of the Administration, and that les jeunes were still the same. Yet he found it hard to say what precisely he had lost that so greatly mattered; unless indeed it were so simple a thing as his high spirits.

One morning in June, as he descended the slope of the Rue des Martyrs, he saw approaching a figure that he remembered. He glanced quickly round, for the thought of meeting Mr Bunner again was unacceptable. For some time he had recognized that his wound was healing under the spell of creative work; he thought less often of the woman he loved, and with less pain. He would not have the memory of those three days reopened.

But the straight and narrow thoroughfare offered no refuge, and the American saw him almost at once.

His unforced geniality made Trent ashamed, for he had liked the man. They sat long over a meal, and Mr Bunner talked. Trent listened to him, now that he was in for it, with genuine pleasure, now and then contributing a question or remark. Besides liking his companion, he enjoyed his conversation, with its unending verbal surprises, for its own sake.

Bunner was, it appeared, resident in Paris as the chief Continental agent of the Manderson firm, and fully satisfied with his position and prospects. He discoursed on these for some twenty minutes. This subject at length exhausted, he went on to tell Trent, who confessed that he had been away from England for a year, that Marlowe had shortly after the death of Manderson entered his father's business, which was now again in a flourishing state, and had already come to be practically in control of it. They had kept up their intimacy, and were even now planning a holiday for the summer. Mr Bunner spoke with generous admiration of his friend's talent for affairs. 'Jack Marlowe has a natural big head,' he declared, 'and if he had more experience, I wouldn't want to have him up against me. He would put a crimp in me every time.'

As the American's talk flowed on, Trent listened with a slowly growing perplexity. It became more and more plain that something was very wrong in his theory of the situation; there was no mention of its central figure. Presently Mr Bunner mentioned that Marlowe was engaged to be married to an Irish girl, whose charms he celebrated with native enthusiasm.

Trent clasped his hands savagely together beneath the table. What could have happened? His ideas were sliding and shifting. At last he forced himself to put a direct question.

Mr Bunner was not very fully informed. He knew that Mrs Manderson had left England immediately after the settlement of her husband's affairs, and had lived for some time in Italy. She had returned not long ago to London, where she had decided not to live in the house in Mayfair, and had bought a smaller one in the Hampstead neighbourhood; also, he understood, one somewhere in the country. She was said to go but little into society. 'And all the good hard dollars just waiting for some one to spraddle them around,' said Mr Bunner, with a note of pathos in his voice. 'Why, she has money to burn—money to feed to the birds—and nothing doing. The old man left her more than half his wad. And think of the figure she might make in the world. She is beautiful, and she is the best woman I ever met, too. But she couldn't ever seem to get the habit of spending money the way it ought to be spent.'

His words now became a soliloquy: Trent's thoughts were occupying all his attention. He pleaded business soon, and the two men parted with cordiality.

Half an hour later Trent was in his studio, swiftly and mechanically 'cleaning up'. He wanted to know what had happened; somehow he must find out. He could never approach herself, he knew; he would never bring back to her the shame of that last encounter with him; it was scarcely likely that he would even set eyes on her. But he must get to know!... Cupples was in London, Marlowe was there.... And, anyhow, he was sick of Paris.

Such thoughts came and went; and below them all strained the fibres of an unseen cord that dragged mercilessly at his heart, and that he cursed bitterly in the moments when he could not deny to himself that it was there. The folly, the useless, pitiable folly of it!

In twenty-four hours his feeble roots in Paris had been torn out. He was looking over a leaden sea at the shining fortress-wall of the Dover cliffs.

But though he had instinctively picked out the lines of a set purpose from among the welter of promptings in his mind, he found it delayed at the very outset.

He had decided that he must first see Mr Cupples, who would be in a position to tell him much more than the American knew. But Mr Cupples was away on his travels, not expected to return for a month; and Trent had no reasonable excuse for hastening his return. Marlowe he would not confront until he had tried at least to reconnoitre the position. He constrained himself not to commit the crowning folly of seeking out Mrs Manderson's house in Hampstead; he could not enter it, and the thought of the possibility of being seen by her lurking in its neighbourhood brought the blood to his face.

He stayed at an hotel, took a studio, and while he awaited Mr Cupples's return attempted vainly to lose himself in work.

At the end of a week he had an idea that he acted upon with eager precipitancy. She had let fall some word at their last meeting, of a taste for music. Trent went that evening, and thenceforward regularly, to the opera. He might see her; and if, in spite of his caution, she caught sight of him, they could be blind to each other's presence—anybody might happen to go to the opera.

So he went alone each evening, passing as quickly as he might through the people in the vestibule; and each evening he came away knowing that she had not been in the house. It was a habit that yielded him a sort of satisfaction along with the guilty excitement of his search; for he too loved music, and nothing gave him so much peace while its magic endured.

One night as he entered, hurrying through the brilliant crowd, he felt a touch on his arm. Flooded with an incredible certainty at the touch, he turned.

It was she: so much more radiant in the absence of grief and anxiety, in the fact that she was smiling, and in the allurement of evening dress, that he could not speak. She, too, breathed a little quickly, and there was a light of daring in her eyes and cheeks as she greeted him.

Her words were few. 'I wouldn't miss a note of Tristan,' she said, 'nor must you. Come and see me in the interval.' She gave him the number of the box.



CHAPTER XIII: Eruption

The following two months were a period in Trent's life that he has never since remembered without shuddering. He met Mrs Manderson half a dozen times, and each time her cool friendliness, a nicely calculated mean between mere acquaintance and the first stage of intimacy, baffled and maddened him. At the opera he had found her, to his further amazement, with a certain Mrs Wallace, a frisky matron whom he had known from childhood. Mrs Manderson, it appeared, on her return from Italy, had somehow wandered into circles to which he belonged by nurture and disposition. It came, she said, of her having pitched her tent in their hunting-grounds; several of his friends were near neighbours. He had a dim but horrid recollection of having been on that occasion unlike himself, ill at ease, burning in the face, talking with idiot loquacity of his adventures in the Baltic provinces, and finding from time to time that he was addressing himself exclusively to Mrs Wallace. The other lady, when he joined them, had completely lost the slight appearance of agitation with which she had stopped him in the vestibule. She had spoken pleasantly to him of her travels, of her settlement in London, and of people whom they both knew.

During the last half of the opera, which he had stayed in the box to hear, he had been conscious of nothing, as he sat behind them, but the angle of her cheek and the mass of her hair, the lines of her shoulder and arm, her hand upon the cushion. The black hair had seemed at last a forest, immeasurable, pathless and enchanted, luring him to a fatal adventure.... At the end he had been pale and subdued, parting with them rather formally.

The next time he saw her—it was at a country house where both were guests—and the subsequent times, he had had himself in hand. He had matched her manner and had acquitted himself, he thought, decently, considering—

Considering that he lived in an agony of bewilderment and remorse and longing. He could make nothing, absolutely nothing, of her attitude. That she had read his manuscript and understood the suspicion indicated in his last question to her at White Gables was beyond the possibility of doubt. Then how could she treat him thus and frankly, as she treated all the world of men who had done no injury?

For it had become clear to his intuitive sense, for all the absence of any shade of differentiation in her outward manner, that an injury had been done, and that she had felt it. Several times, on the rare and brief occasions when they had talked apart, he had warning from the same sense that she was approaching this subject; and each time he had turned the conversation with the ingenuity born of fear. Two resolutions he made. The first was that when he had completed a commissioned work which tied him to London he would go away and stay away. The strain was too great. He no longer burned to know the truth; he wanted nothing to confirm his fixed internal conviction by faith, that he had blundered, that he had misread the situation, misinterpreted her tears, written himself down a slanderous fool. He speculated no more on Marlowe's motive in the killing of Manderson. Mr Cupples returned to London, and Trent asked him nothing. He knew now that he had been right in those words—Trent remembered them for the emphasis with which they were spoken—'So long as she considered herself bound to him... no power on earth could have persuaded her.' He met Mrs Manderson at dinner at her uncle's large and tomb-like house in Bloomsbury, and there he conversed most of the evening with a professor of archaeology from Berlin.

His other resolution was that he would not be with her alone.

But when, a few days after, she wrote asking him to come and see her on the following afternoon, he made no attempt to excuse himself. This was a formal challenge.

While she celebrated the rites of tea, and for some little time thereafter, she joined with such natural ease in his slightly fevered conversation on matters of the day that he began to hope she had changed what he could not doubt had been her resolve, to corner him and speak to him gravely. She was to all appearance careless now, smiling so that he recalled, not for the first time since that night at the opera, what was written long ago of a Princess of Brunswick: 'Her mouth has ten thousand charms that touch the soul.' She made a tour of the beautiful room where she had received him, singling out this treasure or that from the spoils of a hundred bric-a-brac shops, laughing over her quests, discoveries, and bargainings. And when he asked if she would delight him again with a favourite piece of his which he had heard her play at another house, she consented at once.

She played with a perfection of execution and feeling that moved him now as it had moved him before. 'You are a musician born,' he said quietly when she had finished, and the last tremor of the music had passed away. 'I knew that before I first heard you.'

'I have played a great deal ever since I can remember. It has been a great comfort to me,' she said simply, and half-turned to him smiling. 'When did you first detect music in me? Oh, of course: I was at the opera. But that wouldn't prove much, would it?'

'No,' he said abstractedly, his sense still busy with the music that had just ended. 'I think I knew it the first time I saw you.' Then understanding of his own words came to him, and turned him rigid. For the first time the past had been invoked.

There was a short silence. Mrs Manderson looked at Trent, then hastily looked away. Colour began to rise in her cheeks, and she pursed her lips as if for whistling. Then with a defiant gesture of the shoulders which he remembered she rose suddenly from the piano and placed herself in a chair opposite to him.

'That speech of yours will do as well as anything,' she began slowly, looking at the point of her shoe, 'to bring us to what I wanted to say. I asked you here today on purpose, Mr Trent, because I couldn't bear it any longer. Ever since the day you left me at White Gables I have been saying to myself that it didn't matter what you thought of me in that affair; that you were certainly not the kind of man to speak to others of what you believed about me, after what you had told me of your reasons for suppressing your manuscript. I asked myself how it could matter. But all the time, of course, I knew it did matter. It mattered horribly. Because what you thought was not true.' She raised her eyes and met his gaze calmly. Trent, with a completely expressionless face, returned her look.

'Since I began to know you,' he said, 'I have ceased to think it.' 'Thank you,' said Mrs Manderson; and blushed suddenly and deeply. Then, playing with a glove, she added, 'But I want you to know what was true.

I did not know if I should ever see you again,' she went on in a lower voice, 'but I felt that if I did I must speak to you about this. I thought it would not be hard to do so, because you seemed to me an understanding person; and besides, a woman who has been married isn't expected to have the same sort of difficulty as a young girl in speaking about such things when it is necessary. And then we did meet again, and I discovered that it was very difficult indeed. You made it difficult.'

'How?' he asked quietly.

'I don't know,' said the lady. 'But yes—I do know. It was just because you treated me exactly as if you had never thought or imagined anything of that sort about me. I had always supposed that if I saw you again you would turn on me that hard, horrible sort of look you had when you asked me that last question—do you remember?—at White Gables. Instead of that you were just like any other acquaintance. You were just'—she hesitated and spread out her hands—'nice. You know. After that first time at the opera when I spoke to you I went home positively wondering if you had really recognized me. I mean, I thought you might have recognized my face without remembering who it was.'

A short laugh broke from Trent in spite of himself, but he said nothing.

She smiled deprecatingly. 'Well, I couldn't remember if you had spoken my name; and I thought it might be so. But the next time, at the Iretons', you did speak it, so I knew; and a dozen times during those few days I almost brought myself to tell you, but never quite. I began to feel that you wouldn't let me, that you would slip away from the subject if I approached it. Wasn't I right? Tell me, please.' He nodded. 'But why?' He remained silent.