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To Mars via The Moon - An Astronomical Story
by Mark Wicks
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With regard to M. Antoniadi's observation of dark rounded spots, it has been suggested by another writer that these are volcanoes, and, moreover, that the canal lines are really cracks in the solid ice covering frozen oceans and seas. These contentions involve the supposition that Mars is still in the stage when volcanic action is prevalent, and also that what have hitherto been supposed to be desert lands are really fields of ice. Mars has passed far beyond the stage of volcanic activity; and the theory does not account for the ochre colour of the frozen oceans, which are exactly the same colour as our deserts appear when viewed from a great distance, for the sandstorms so frequently observed, nor for the general absence of any indications of frost over a large portion of the Martian surface. It is also very difficult to imagine the existence of a profuse growth of vegetation along cracks in solid ice; and I am afraid this theory, like many others, fails to fit in with the observed facts.

I may remind my readers that the Professor suggested that many more dark rounded spots would, under favourable conditions, be discovered on the dark areas of the planet, and he has stated what they are.

As a result of his recent observations, M. Antoniadi has boldly declared that the supposed canal lines are really separate spots and markings which, when seen with instruments of lesser power than the one he used, appear to be lines, the network of canal lines being an illusion. He contends that the markings he has seen are beyond the power of Professor Lowell's telescope to resolve, and that what he has seen forms an unanswerable objection to the canal theory and stops all discussion!

This argument has, however, been fully met in this book by anticipation; and, as will be seen later on, Professor Lowell completely refutes it and shows that M. Antoniadi is mistaken. It has also been pointed out that, if we could secure perfect seeing, the lines might really appear as separate markings, and that apparent breaks and irregularities are exactly what we might expect to find in connection with canals. I gather from a recent remark made by Professor Lowell that he also holds this view.

Moreover, a discreet silence is observed with regard to the progress of vegetation on Mars being from the poles towards the equator, instead of from the equator towards the poles, as is the case on our earth.

This mode of progression can only be accounted for by the flow of water from the poles, and such flow extending beyond the equator involves the artificial propulsion of the water, as the flow is contrary to gravitation.

Professor Lowell's statements as to this peculiar growth of the vegetation do not depend upon the results of a few casual observations, for he has given the matter most systematic and prolonged attention, and noted upon hundreds of charts the dates when the vegetation has first appeared in various places and latitudes after the passage of the water down the canals.

This is such a hard nut for the opponents of the canal theory to crack, that I am quite prepared to learn that all these careful observations are merely illusions.

Professor Hale, of Mount Wilson Observatory, in California, has taken some photographs of Mars which do not show any canal lines; and these have been eagerly seized upon as another proof that the canals have no existence.

Unfortunately, these photographs do not show many well authenticated details which are seen with comparative ease, nor the new details seen by M. Antoniadi. It is, therefore, no matter of wonder that they do not show the much fainter canal lines. If the absence of the canal lines from the photographs is proof that the canals do not exist, then the photographs must still more emphatically prove that these much more conspicuous details—which have been seen and drawn by M. Antoniadi and scores of other observers—are also illusions and have no objective existence. Those who seek the support of these photographs for their views must be left to extricate themselves as best they can from the dilemma in which they are now placed in regard to the observations and drawings of those highly skilled observers.

The photographs were taken with a sixty-inch telescope, and possibly this very large aperture was not stopped down sufficiently to secure on the photographic plates such very fine detail as the canal lines; on the other hand, the atmospheric conditions at the moments of exposure of the plates may have been unfavourable for good definition. However good the photographs may be, the deductions drawn from them are erroneous.

Against such purely negative evidence—which never affords good ground for argument—we must set the positive evidence of Professor Lowell's numerous photographs, which do show many of the canal lines and also confirm the drawings of observers.

Professor Schiaparelli, who has been appealed to on the subject, still maintains the objectivity of the canal lines which he was the first to discover, and repudiates the suggestion that the new photographs supply any evidence against them. He remarks that during the last thirty years many other astronomers, using more perfect telescopes than his, have observed and drawn these canal lines, and have taken photographs which reproduce an identical disposition of the lines. He adds that a collective illusion on the part of so many astronomers is impossible, and that the photographs which do show the canals cannot be illusions.

Professor Lowell controverts M. Antoniadi's claim to have proved that the lines are non-existent, and that the only markings are small separate shadings which are illusively seen as lines. He points out that what M. Antoniadi has seen is exactly what would be seen when using a very large telescope, and that it indicates poor seeing instead of good definition. He remarks that when using such large instruments, which are so much more affected by atmospheric conditions than smaller ones, the diffraction rings round a star (which should appear as complete concentric circles) begin to waver, then break up into fragments—a sort of mosaic—and finally end in an indiscriminate assemblance of points. In certain kinds of bad seeing the parts may seem quite steady, but the fact that the mosaic exists is proof positive of poor seeing. What happens to the rings in such circumstances must also happen to fine lines! the mosaic effect seen by M. Antoniadi is therefore "the exact theoretic effect that a large aperture should produce on continuous lines, such as the canals, and always does produce in the case of the rings in the image of a star!"

It has been stated that Professor Lowell had admitted the illusory nature of the canal lines. His reply, however, is emphatic: "I have never made any retractation as to the reality and geometricism of the canals; they are marvellous beyond conception, and are only doubted by those who never observed the planet itself sufficiently well."

Seeing an announcement that Professor Lowell had arrived in England for the purpose of lecturing on "Planetary Photography" at the Royal Institution of Great Britain, M'Allister and I made up our minds to be present at the lecture, a resolution which, I am glad to say, we carried into effect.

In the course of his lecture Professor Lowell gave an account of the methods of planetary photography initiated and carried on with such success at the Lowell Observatory; and then proceeded to give some interesting particulars of his observations of Mars at the opposition of 1909, which resulted in one of the most important discoveries ever recorded in connection with that planet.

He stated that on the 30th September, 1909, when the region of the desert to the east of Syrtis Major came into view, after its periodic six weeks' invisibility due to the unequal length of the days of the earth and Mars, some long new canals were plainly observed which had not been visible when the region was previously in view. A long and careful investigation of fifteen years' records proved absolutely that not only had these canals never been seen before, but that they could not have existed. They are on a region which is frequently very favourably situated for observation, and could not possibly have been overlooked, for they are now the most conspicuous objects on that part of the planet. It is beyond question that they are not only new to us but new to Mars!

The two main canals run in a south-easterly direction from Syrtis Major, and with them are associated two smaller ones and at least two new oases; while, from their inter-connection, they are all clearly parts of one and the same addition to the general canal system; for they now fit in with the system as though they had always formed part of it. These new canals were not only seen and drawn, but several photographs were taken at different times.

Consider what this great discovery really means! In a region which has never been anything but a desert during the whole period over which our observational knowledge of Mars has extended, there are now strips of land many hundreds of miles in length and miles wide that have become fertile almost under our very eyes; and this result has been brought about by the passage through them of water which has artificially been carried there for the purpose of irrigation! We know this is so, for what we see is the growth of vegetation; and the systematic way in which the new canals have been fitted into the existing canal scheme proves the artificiality of the whole system.

Some sensational statements in the Press have fostered in many minds the idea that all these hundreds of miles of new canals were constructed within the very short period of six weeks! This is altogether wrong. It is the vegetation that has grown in six weeks, in consequence of the turning on of the water to the irrigation works. We have good scientific reasons for believing that irrigation works on Mars could be accomplished much quicker than on the earth; but, as the telescope does not enable us to see the works, we do not know how long they may have taken to construct. It may have been months, or years. We only see the results of the works when actually in operation.

When we consider these works and their results, surely it becomes impossible to resist the evidence of intelligent design which they furnish; while if we also remember the very recent development of these canals, the existence of life upon Mars at the present time seems to be demonstrated beyond the possibility of reasonable doubt! In what physical form that life is enshrined even our science must fail to reveal. Professor Lowell, however, pointed out that the inhabitants of Mars are not necessarily human beings, but their work clearly proves that they are beings endowed with a very high degree of intelligence. A study of the canal system reveals a marvellous conception marvellously carried into effect.

Observers at Flagstaff have, therefore, practically seen the completion of a work which is the creation of intelligent beings on Mars; and in the remarkable photographs shown we were, so to speak, able to look upon the results of that work—fertility in a region which had previously been an arid desert.

The water, as the lecturer remarked, was probably not in all cases conveyed by means of canals dug out of the soil, but we know that in some way—whether by canals, or by trunk lines of pipes and smaller subsidiary pipes, or otherwise—the land has been artificially irrigated and fertilised by water, which could not possibly have taken the course it has without being intelligently directed. Tunnelling would be easy on Mars.

Professor Lowell spoke of these matters in well-weighed and well-chosen phrases, which carried conviction of his earnestness and sincerity to the minds of his hearers; and we observed that the audience was evidently profoundly impressed by the importance of his statements. This fact seemed to us very significant, as he was addressing one of the most brilliant assemblies—representing many branches of science—ever gathered within the walls of the Royal Institution. The numerous photographs showing the Martian canal lines were projected on to the screen by a lantern, and thus their convincing evidence was clearly brought before the whole of that vast audience.

Another very interesting series of photographs showed the coming and going of the first frost of the season in the antarctic regions of Mars. This frost was first observed and photographed at Flagstaff on the 16th November, 1909, and other photographs were taken on the 22nd of that month.

In connection with these, Professor Lowell quaintly remarked that, "To chronicle thus the very weather on our neighbour will convince any one that interplanetary communication has already commenced; and that, too, after the usual conventional manner by mundane greetings."

Referring to the photographs, it was pointed out that the human eye can see at least ten times as much as a photograph can show as regards planetary detail. This, though not generally known, is perfectly true, and it may be explained thus: We know that in terrestrial photography the camera will reveal many details which the eye is apt to overlook; and, by very long exposures, even celestial photography will give a similar result. In planetary photography, however, exposures must be very short, and the picture obtained is so very tiny that it cannot show all that the eye could see. Under good conditions, therefore, the eye at the telescope will always see immensely more of the finer details on a planet than any camera could show.

The great value of the photographs of Mars lies in the fact that they demonstrate beyond the possibility of doubt the existence of certain fine markings which many observers have seen and drawn, but as to the reality of which others, less skilled or less favourably situated, have been extremely sceptical. If the fine lines had no existence on the planet they could not be photographed.

In drawing attention to the details on these photographs Professor Lowell emphatically declared that, "The lines you see are 'certainties,' not matters admitting of the slightest question, for all their strange regularity. Not only I, but all my assistants, have seen them thousands of times the same, and sometimes with all the clearness and sharpness of etchings or steel engravings.

"An optical mistake," he then remarked, "which has latterly been hailed as showing that the lines were not lines but a series of dots, was made the other day in France. The observer saw perfectly correctly, but one with knowledge of the optics of a telescope should have known that the effect observed was the inevitable result of using an aperture which the seeing did not warrant; as he could easily have assured himself by looking at the shattered rings round the synchronous image of a star."

It may here be pointed out that these weighty and well-considered declarations—which are a complete answer to M. Antoniadi's bold claim—were made by the most experienced observer of Mars, who, as even his opponents admit, possesses the finest site in the world for his astronomical work, and is equipped with a very perfect instrument.

Besides the splendid photographs of Mars, many views of Jupiter and Saturn were shown, exhibiting clearly numerous fine details, markings, and wisps as to which much doubt had been expressed when some observers had shown them on their drawings. These beautiful and convincing results of the clever and original methods of planetary photography adopted at Flagstaff appeared to come as a complete revelation to the majority of those present, notwithstanding their scientific experience.

Probably never before had anything so wonderful as these results of skill, patience, and prolonged research been exhibited, even in that great and historic home of science. As Professor Lowell remarked in a fine peroration: "They exhibited something of the advance recently achieved in our knowledge of solar science; on the other hand, they constituted in themselves the beginning of a set of records in which the future of the planet might be confronted with its achieved past, and which should endure after those who first conceived such registry had long passed away.... They were histories of the planets written by themselves—their autobiographies penned by light; and in their grand historical portrait-gallery astronomers yet to come might see the earlier stages of the great cosmic drama which was slowly but surely working itself out!"

At the conclusion of this most interesting lecture M'Allister turned to me and said, "How I wish our old friend the Professor could have been here to-night; he would have keenly appreciated what we have heard."

"Yes, he would indeed," I answered; "but remember, he knows more now than any one we see here could tell him about Martian matters!"

Before concluding, it may be of interest to state that Professor Lowell still maintains the accuracy of the discovery made at Flagstaff that the existence of water vapour on Mars is demonstrated by the photographic spectrum of the Martian atmosphere; and he asserts that the attempt to disprove it has failed. A further discovery has since been made at the same observatory, viz. that oxygen also is present in the atmosphere of Mars!

During the observations in 1909 several observers noted that, at times, very large areas on the surface of Mars had been so obscured by a yellowish veiling that all details were entirely blotted out. The announcement of this fact gave rise to sensational statements that a terrible catastrophe had occurred on the planet. The explanation is, however, very simple—seasonal mists arising from the canals, with the addition of clouds of sand particles in the upper air, as the result of desert sandstorms, caused a temporary obscuration of certain parts of the planet as viewed from the earth. Only this, and nothing more!

We have been interested to note that an English observer, the Rev. Theodore E.R. Phillips, has observed some new details on Mars in the region where the new canals were discovered. Mr. Phillips has in past years given considerable attention to this region, and observed several changes in the Lacus Moeris, to the east of Syrtis Major. The lake disappeared altogether for some considerable time, then reappeared. Last September he saw it again, and it was evident some further changes had occurred; and he also saw some dusky shadings on the adjacent desert of Lybia. There seems little doubt but that he actually saw, though imperfectly, the new canals which Professor Lowell's much clearer atmosphere and larger instrument enabled him to see clearly.

From what has been related in the last few pages it will be seen that many of the forecasts, as set forth in this book by our old friend the Professor, and his statements as to the Martians being actively engaged in altering, extending, and developing their canal system, have been amply verified by the observations of our astronomers; and I am confident that his other prognostications will also be fulfilled in course of time.

Turning now from scientific matters to others affecting ourselves personally, I may say that I have heard nothing more of my cousins the Snayleyes; and, after the failure of their mean attempt upon my liberty and fortune, it is not likely that I shall again be troubled by them, for they will naturally take good care to keep out of my way.

As the days and weeks pass by I often think of those we left behind upon that far distant world: wondering how they are faring, and whether they have attempted to transmit any influences or communications to us, for up to the present we have not been conscious of any such influences.

Kenneth M'Allister is a thoroughly happy man, as he is working for his own benefit, congenially and fully occupied with matters connected with his beloved machinery. He is on the high road to making a very large fortune; indeed, we are both doing remarkably well, and are, therefore, able to give financial aid to many projects in which we are interested, having for their objects the uplifting of the people, and the improvement of social conditions generally. It was only yesterday that M'Allister remarked to me, "Heh, mon, if we continue to go ahead at the same rate as we are going now, we shall both be millionaires before very long!"

Yes, we are doing well—there is no doubt about that; but, notwithstanding my present very satisfactory circumstances and the certainty of a brilliant future if I stay here, ideas have long and persistently been running in my mind that it would be far better for me to go back to Mars, and—by Jove! strange indeed that I never thought of it before!—perhaps those very persistent ideas are actually the outcome of Martian influences!!

The wonderful music I heard upon Mars still rings in my ears; and, at times, so thrilling and peculiar is its effect upon me, that I feel as though I were being almost irresistibly impelled to return to that planet. Well, I should very much like to see the dear old Professor and Merna again, and also my many Martian friends. Then there's Siloni, whom I can never forget, for mentally her image is ever before me. What a nice girl she was! If I were to return to Mars, I wonder whether——?

Printed by BALLANTYNE, HANSON & CO Edinburgh & London

FOOTNOTES:

[1] The exact diameters of the planets are difficult to measure owing to irradiation, and estimates of various authorities differ, especially with regard to the more distant planets.

[2] Most probably the larger planets possess satellites which have yet to be discovered.

[3] It is not yet ascertained with certainty whether Mercury and Venus rotate in about twenty-four hours, or whether the period is the same as that of their revolution round the sun. The evidence seems to point to the latter period.

[4] The "terminator" is the boundary between the lighted and the dark portion of the disc.

[5] Those who have seen the undercliff in the Isle of Wight will be able to form some idea of the terraces of the lunar ring-mountains, as they are very similar formations.

[6] This is the case as regards separate satellites; but it may be pointed out that a similar thing must occur in regard to the rings of Saturn. The rings are composed of swarms of satellites so small that they can only be termed particles, and these particles at the inner edge of the "crape ring" revolve round Saturn in 5 hours and 33 minutes, the inner edge of the ring being only about 47,000 miles from the centre of the planet. The planet itself revolves on its axis in 10-1/4 hours. Thus, an immense number of these minute satellites must revolve round the planet in less time than it takes the planet to make one rotation. It is calculated that the particles in the outer edge of the next ring complete one revolution round the planet in 14 hours and 28 seconds.



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"This book has kept your reviewer awake when he reasonably expected to be otherwise engaged. We do not remember coming across a more fascinating volume, even to a somewhat blase reader whose business it is to read all that comes in his way. The marvels, miracles they should be called, of the modern workshop are here exploited by Mr. Williams for the benefit of readers who have not the opportunity of seeing these wonders or the necessary mathematical knowledge to understand a scientific treatise on their working. Only the simplest language is used and every effort is made, by illustration or by analogy, to make sufficiently clear to the non-scientific reader how the particular bit of machinery works and what its work really is. Delicate instruments, calculating machines, workshop machinery, portable tools, the pedrail, motors ashore and afloat, fire engines, automatic machines, sculpturing machines—these are a few of the chapters which crowd this splendid volume."—Educational News.

"It is difficult to make descriptions of machinery and mechanism interesting, but Mr. Williams has the enviable knack of doing so, and it is hardly possible to open this book at any page without turning up something which you feel you must read; and then you cannot stop till you come to the end of the chapter."—Electricity.

"This book is full of interest and instruction, and is a welcome addition to Messrs. Seeley and Company's Romance Series."—Leeds Mercury.

"A book of absorbing interest for the boy with a mechanical turn, and indeed for the general reader."—Educational Times.

"An instructive and well-written volume."—Hobbies.

SEELEY & CO., LTD., 38 GREAT RUSSELL STREET.

WORKS BY C.J. CORNISH

THE NATURALIST ON THE THAMES. With Thirty-eight Illustrations. Demy 8vo. 7s. 6d.

"Will give great delight to any lover of natural history.... It is a most fascinating volume, and is illustrated in a manner worthy of the text."—Scotsman.

"From the first page to the last there is not a single page which the reader would not wrong himself by skipping."—Standard.

ANIMALS OF TO-DAY: Their Life and Conversation. With Illustrations from Photographs by C. REID, of Wishaw. Crown 8vo. 6s.

"Quite one of the brightest books of popular natural history which have appeared in recent years is Mr. Cornish's fascinating studies of 'Animals of To-Day.'"—Leeds Mercury.

NIGHTS WITH AN OLD GUNNER, and other Studies of Wild Life. With Sixteen Illustrations. 6s.

"Cannot fail to be interesting to any lover of wild nature. The illustrations are numerous and excellent."—Pall Mall Gazette.

ANIMALS AT WORK AND PLAY: Their Emotions and Activities. Illustrated from Photographs by GAMBIER BOLTON, F.Z.S., and others, and from Drawings. Third Edition. 6s.

"Such a book as Mr. Cornish's shows how much there is to repay the intelligent observer of Nature."—Times.

"Good as the former books were, we are disposed to think that this is even better still."—Spectator.

WILD ENGLAND OF TO-DAY, and the Wild Life in It. Illustrated with Original Drawings by LANCELOT SPEED, and from Photographs. Third Edition. 6s.

"Those of us who are left in town in the dull days will seem, in reading these pages, to sniff the fresh sea-breezes, to hear the cries of the sea-bird and the songs of the wood-bird, to be conscious of the murmuring stream and waving forests, and all the wild life that is therein."—St. James's Gazette.

LIFE AT THE ZOO. Notes and Traditions of the Regent's Park Gardens. Illustrated from Photographs by GAMBIER BOLTON, F.Z.S. Fifth Edition. 6s.

"Every lover of animals will find abundance of attraction and entertainment in Mr. Cornish's delightful volume."—Times.

THE ISLE OF WIGHT. With Four Etchings and many other Illustrations. Super Royal 8vo. 3s. 6d. net.

THE NEW FOREST. With Four Etchings and many other Illustrations. Super Royal 8vo. 3s. 6d. net.

Also a POCKET EDITION, 16mo, cloth, 2s. net; leather, 3s. net.

SEELEY & CO., LTD., 38 GREAT RUSSELL STREET

EVENTS OF OUR OWN TIME.

A Series of Volumes on the most Important Events of the last Half-Century, each containing 320 pages or more, with Plans, Portraits, or other Illustrations, in extra Crown 8vo. Cloth, 5s.

THE WAR IN THE CRIMEA. By General Sir EDWARD HAMLEY, K.C.B. With Five Maps and Plans, and Four Portraits on Copper. Seventh Edition.

THE INDIAN MUTINY OF 1857. By Colonel MALLESON, C.S.I. With Three Plans, and Four Portraits on Copper. Seventh Edition.

THE AFGHAN WARS OF 1839-1842 AND 1878-1880. By ARCHIBALD FORBES. With Five Maps and Plans, and Four Portraits on Copper. Third Edition.

THE REFOUNDING OF THE GERMAN EMPIRE. By Colonel MALLESON, C.S.I. With Five Maps and Plans, and Four Portraits on Copper.

THE LIBERATION OF ITALY, 1815-1870. By the Countess MARTINENGO CESARESCO. With Portraits on Copper. Second Edition.

OUR FLEET TO-DAY AND ITS DEVELOPMENT DURING THE LAST HALF-CENTURY. By Rear-Admiral S. EARDLEY WILMOT. With many Illustrations. New Edition.

Uniform with the above.

THE WAR IN THE PENINSULA. By ALEXANDER INNES SHAND. With Four Portraits on Copper, and Six Plans. 5s.

"Admirably lucid and well proportioned."—Glasgow Herald.

GREAT BRITAIN IN MODERN AFRICA. By EDGAR SANDERSON, M.A. With Four Portraits on Copper, and a Map. 5s.

"Undoubtedly the best summary of modern African history that we have had."—Pall Mall Gazette.

SEELEY & CO., LTD., 38 GREAT RUSSELL STREET

A Catalogue of Books on Art History, and General Literature Published by Seeley & Co Ltd 38 Great Russell Street, London

Some of the Contents

Elzevir Library 5 Events of Our Own Times Series 6 Miniature Library of Devotion 10 Miniature Portfolio Monographs 10 Portfolio Monographs 12 Science of To-Day Series 14 Seeley's Illustrated Pocket Library 14 Seeley's Standard Library 15 "Things Seen" Series 16

The Publishers will be pleased to post their complete Catalogue or their Illustrated Miniature Catalogue on receipt of a post-card

CATALOGUE OF BOOKS

Arranged alphabetically under the names of Authors and Series

ABBOTT, Rev. E.A., D.D.

Hints on Home Teaching. Crown 8vo, 3s.

How to Parse. An English Grammar. Fcap. 8vo, 3s. 6d.

How to Tell the Parts of Speech. An Introduction to English Grammar. Fcap. 8vo, 2s.

How to Write Clearly. Rules and Exercises on English Composition. 1s. 6d.

Latin Gate, The. A First Latin Translation Book. Crown 8vo, 3s. 6d.

Via Latina. A First Latin Grammar. Crown 8vo, 3s. 6d.

ABBOTT, Rev. E.A., and Sir J.R. SEELEY.

English Lessons for English People. Crown 8vo, 4s. 6d.

ADY, Mrs. See CARTWRIGHT, JULIA.

A KEMPIS, THOMAS.

Of the Imitation of Christ. With Illuminated Frontispiece and Title Page, and Illuminated Sub-Titles to each book. In white or blue cloth, with inset miniatures. Gilt top; crown 8vo, 6s. nett; also in vellum, 10s. 6d. nett.

"It may well be questioned whether the great work of Thomas a Kempis has ever been presented to better advantage."—The Guardian.

ALLDRIDGE, T.J.

A Transformed Colony. Sierra Leone as it was and as it is. With Sixty-six Illustrations and a Map. Demy 8vo, 16s. nett.

ANDERSON, Prof. W.

Japanese Wood Engravings. Coloured Illustrations. Super-royal 8vo, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett; also small 4to, cloth, 2s. nett; lambskin, 3s. nett.

ARMSTRONG, Sir WALTER.

The Art of Velazquez. Illustrated. Super-royal 8vo, 3s. 6d. nett.

The Life of Velazquez. Illustrated. Super-royal 8vo, 3s. 6d. nett.

Velazquez. A Study of his Life and Art. With Eight Copper Plates and many minor Illustrations. Super-royal 8vo, cloth, 9s. nett.

Thomas Gainsborough. Illustrated. Super-royal 8vo, half-linen, 3s. 6d. nett. Also new edition, small 4to, cloth, 2s. nett; leather, 3s. nett and 5s. nett.

The Peel Collection and the Dutch School of Painting. With many Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, 7s. nett.

W.Q. Orchardson. Super-royal 8vo, sewed, 2s. 6d.; half-linen, 3s. 6d. nett.

AUGUSTINE, S.

Confessions of S. Augustine. With Illuminated pages. In white or blue cloth, gilt top, crown 8vo, 6s. nett; also in vellum, 10s. 6d. nett.

BARING-GOULD, Rev. S.

Family Names and their Story. Demy 8vo, 7s. 6d. nett.

BEDFORD, Rev. W.K.R.

Malta and the Knights Hospitallers. Super-royal 8vo, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett.

BENHAM, Rev. Canon D.D., F.S.A.

The Tower of London. With Four Plates in Colours and many other Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, 7s. nett.

Mediaeval London. With a Frontispiece in Photogravure, Four Plates in Colour, and many other Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, gilt top, 7s. nett.

Old St. Paul's Cathedral. With a Frontispiece in Photogravure, Four Plates printed in Colour, and many other Illustrations. Super-royal 8vo, sewed, 5s. nett, or cloth, gilt top, 7s. nett.

BICKERSTETH, Rev. E.

Family Prayers for Six Weeks. Crown 8vo, 3s. 6d.

A Companion to the Holy Communion. 32mo, cloth, 1s.

BINYON, LAURENCE.

Thomas Girtin: His Life and Works. An Essay. With Twenty-one Reproductions in Autotype. Imperial 4to, L2, 2s. nett.

Dutch Etchers of the Seventeenth Century. Illustrated. Super-royal 8vo, sewed, 2s. 6d.; half-linen, 3s. 6d. nett.

John Crome and John Sell Cotman. Illustrated. Super-royal 8vo, sewed, 3s. 6d. nett.

BIRCH, G.H.

London on Thames in Bygone Days. With Four Plates printed in Colour and many other Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, 7s. nett.

BRIDGES, Rev. C.

An Exposition of Psalm CXIX. Crown 8vo, 5s.

BUTCHER, E.L.

Things Seen in Egypt. With Fifty Illustrations. Small 4to, cloth, 2s. nett; lambskin, 3s. nett; velvet leather, in box, 5s. nett.

CAMERON, D.Y.

Six Etchings by D.Y. CAMERON and WILLIAM STRANG. Imperial 4to, 6s. nett.

CARTWRIGHT, JULIA.

Jules Bastien-Lepage. Super-royal 8vo, sewed, 2s. 6d.; cloth, 3s. 6d. nett.

Sacharissa. Some Account of Dorothy Sidney, Countess of Sunderland, her Family and Friends. With Five Portraits. Demy 8vo, 7s. 6d.

Madame: Memoirs of Henrietta, daughter of Charles I. and Duchess of Orleans. With Five Portraits. Demy 8vo, 7s. 6d.

Raphael in Rome. Illustrated. Super-royal 8vo, sewed, 2s. 6d.; half-linen, 3s. 6d. nett; also in small 4to, cloth, 2s. nett; leather, 3s. nett and 5s. nett.

The Early Work of Raphael. Illustrated. Super-royal 8vo, sewed 2s. 6d.; half-linen, 3s. 6d. Also new edition, revised, in small 4to, in cloth, 2s. nett; leather, 3s. nett.

Raphael: A Study of his Life and Work. With Eight Copper Plates and many other Illustrations. Super-royal 8vo, 7s. 6d. nett.

CESARESCO, The Countess MARTINENGO.

The Liberation of Italy. With Portraits on Copper. Crown 8vo, 5s.

CHITTY, J.R.

Things Seen in China. With Fifty Illustrations. Small 4to; cloth, 2s.; leather, 3s.; velvet leather in a box, 5s. nett.

CHORAL SERVICE-BOOK FOR PARISH CHURCHES, THE.

Compiled and Edited by J.W. ELLIOTT, Organist and Choirmaster of St. Mark's, Hamilton Terrace, London. With some Practical Counsels taken by permission from "Notes on the Church Service," by Bishop WALSHAM HOW.

A. Royal 8vo, sewed, 1s.; cloth, 1s. 6d. B. 16mo, sewed, 6d.; cloth, 8d.



The following portions may be had separately:—

The Ferial and Festal Responses and the Litany. Arranged by J.W. ELLIOTT. Sewed, 4d.

The Communion Service, Kyrie, Credo, Sanctus, and Gloria in Excelsis. Set to Music by Dr. J. NAYLOR, Organist of York Minster. Sewed, 4d.

CHURCH, Sir ARTHUR H., F.R.S.

Josiah Wedgwood, Master Potter. With many Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, 7s. nett; also small 4to, cloth, 2s. nett; leather, 3s. and 5s. nett.

The Chemistry of Paints and Painting Third Edition. Crown 8vo, 6s.

CHURCH, Rev. A.J.

Nicias, and the Sicilian Expedition. Crown 8vo, 1s. 6d.

For other books by Professor CHURCH see Complete Catalogue.

CLARK, J.W., M.A.

Cambridge. With a coloured Frontispiece and many other Illustrations by A. BRUNET-DEBAINES and H. TOUSSAINT, &c. Extra crown 8vo, 6s.; also crown 8vo, cloth, 2s. nett; leather, 3s.; special leather, in box, 5s. nett,

CODY, Rev. H.A.

An Apostle of the North. The Biography of the late Bishop BOMPAS, First Bishop of Athabasca, and with an Introduction by the ARCHBISHOP of RUPERTSLAND. With 42 Illustrations. Demy 8vo, 7s. 6d. nett.

COLVIN, Sir AUCKLAND, K.C.S.I., K.C.M.G.

The Making of Modern Egypt. Fourth Edition. With Portraits and a Map. Demy 8vo, 18s. nett.

"Should take rank as the standard history of our labours in Egypt."—The Spectator.

CORNISH, C.J.

Animals at Work and Play: Their Activities and Emotions. With Twelve Illustrations. Second Edition. Crown 8vo, 6s.

Animals of To-day: Their Life and Conversation. With Illustrations from Photographs by C. REID of Wishaw. Crown 8vo, 6s.

The Isle of Wight. Illustrated. Super-royal 8vo, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett; also a new edition, small 4to, cloth, 2s.; leather, 3s.

Life at the Zoo. Notes and Traditions of the Regent's Park Gardens. Illustrated from Photographs by GAMBIER BOLTON. Fifth Edition. Crown 8vo, 6s.

The Naturalist on the Thames. With many Illustrations. Demy 8vo, 7s. 6d.

The New Forest. Super-royal 8vo, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett; also new edition, small 4to, cloth, 2s.; leather, 3s. nett; and special velvet leather, each copy in a box, 5s.

The New Forest and the Isle of Wight. With Eight Plates and many other Illustrations. Super-royal 8vo, 7s. 6d. nett.

Nights with an Old Gunner, and other Studies of Wild Life. With Sixteen Illustrations by LANCELOT SPEED, CHARLES WHYMPER, and from Photographs. Crown 8vo, 6s.

Wild England of To-day and the Wild Life in it. With Sixteen Illustrations from Drawings by LANCELOT SPEED, and from Photographs. Crown 8vo, 6s.

CUST, LIONEL.

The Engravings of Albert Duerer. Illustrated. Super-royal 8vo, half-linen, 3s. 6d. nett.

Paintings and Drawings of Albert Duerer. Illustrated. Super-royal 8vo, sewed, 3s. 6d. nett.

Albrecht Duerer. A Study of his Life and Work. With Eight Copper Plates and many other Illustrations. Super-royal 8vo, 7s. 6d.

DALE, J.M.

The Clergyman's Legal Handbook and Churchwarden's Guide. Seventh Edition. Revised and brought up to date by J.S. RISLEY. 7s. 6d.

DAVENPORT, CYRIL.

Cameos. With examples in Colour and many other Illustrations. Super-royal 8vo, sewed, 5s. nett; cloth, 7s. nett.

Royal English Bookbindings. With Coloured Plates and many other Illustrations. Super-royal 8vo, sewed, 3s. 6d.; cloth, 4s. 6d.

DAVIES, RANDALL, F.S.A.

English Society of the Eighteenth Century in Contemporary Art. With Four Coloured and many other Illustrations. Super royal 8vo, sewed, 5s. nett; cloth, 7s. nett.

DAWSON, Rev. E.C.

The Life of Bishop Hannington. Crown 8vo, paper boards, 2s. 6d.; or with Map and Illustrations, cloth, 3s. 6d.

DE LA BERE, K. BAGHOT.

The New Poultry Guide for British Farmers and Others. Showing the one and only way of making Farm Poultry a rent-paying industry, 1s.

DESTREE, O.G.

The Renaissance of Sculpture in Belgium. Illustrated. Super-royal 8vo, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett.

DOLMAGE, CECIL G., M.A., D.C.L., LL.D., F.R.A.S.

Astronomy of To-Day. A popular account in non-technical language. With Forty-six Illustrations and Diagrams. Extra crown 8vo, 5s. nett.

EARDLEY, WILMOT, Rear-Admiral S.

Our Fleet To-day and its Development during the last Half Century. With many Illustrations. Crown 8vo, 5s.

ELZEVIR LIBRARY, THE.

Selections from the choicest English Writers. Exquisitely Illustrated, with Frontispiece and Title-page in Colours by H.M. BROCK, and many other Illustrations. Half bound in cloth, gilt top, 1s. 6d. nett; full leather, 2s. nett; velvet leather, gilt edges, in a box, 3s. nett.

Volume I. Fancy & Humour of Charles Lamb.

" II. Wit & Imagination of Benjamin Disraeli.

" III. Vignettes from Oliver Goldsmith.

" IV. Wit & Sagacity of Dr. Johnson.

" V. Insight and Imagination of John Ruskin.

" VI. Vignettes of London Life from Dickens.

" VII. XVIIIth Century Vignettes from Thackeray.

" VIII. Vignettes of Country Life from Charles Dickens.

" IX. Wisdom and Humour of Thomas Carlyle.

"Decidedly natty and original in get-up."—The Saturday Review.

EVENTS OF OUR OWN TIMES

Crown 8vo. With Illustrations, 5s. each.

The War in the Crimea. By General Sir E. HAMLEY, K.C.B. With Copper Plates and other Illustrations. 5s.

The Indian Mutiny. By Colonel MALLESON, C.S.I. With Copper Plates and other Illustrations. 5s.

The Afghan Wars, 1839-42, and 1878-80. By ARCHIBALD FORBES. With Portraits and Plans. 5s.

Our Fleet To-Day and its Development during the last Half Century. By Rear-Admiral S. EARDLEY WILMOT. With many Illustrations. 5s.

The Refounding of the German Empire. By Colonel MALLESON, C.S.I. With Portrait and Plans. 5s.

The Liberation of Italy. By the Countess MARTINENGO CESARESCO. With Portraits on Copper. 5s.

Great Britain in Modern Africa. By EDGAR SANDERSON, M.A. With Portraits and a Map. 5s.

The War in the Peninsula. By A. INNES SHAND. With Portraits and Plans. 5s.

FERRAR, NICHOLAS.

The Story Books of Little Gidding: Being the Religious Dialogues recited in the Great Room at Little Gidding Hall, 1631-2. From the Original Manuscript of NICHOLAS FERRAR. With an Introduction by E. CRUWYS SHARLAWD, and several Illustrations. Crown 8vo, 6s.

FLETCHER, W.Y.

Bookbinding in England and France. Seventeen Coloured Plates and any other Illustrations. Super-royal 8vo, 7s. 6d. nett.

Bookbinding in France. Coloured Plates. Super-royal, sewed, 2s. 6d. nett; half-linen, 3s. 6d. nett.

FORBES, ARCHIBALD.

The Afghan Wars of 1839-1842 and 1878-1880. With Four Portraits on Copper, and Maps and Plans. Crown 8vo, 5s.

FROBENIUS, LEO.

The Childhood of Man. A Popular Account of the Lives and Thoughts of Primitive Races. Translated by Prof. A.H. KEANE, LL.D. With 416 Illustrations. Demy 8vo, 16s. nett.

FRY, ROGER.

Discourses Delivered to the Students of the Royal Academy by Sir Joshua Reynolds. With an Introduction and Notes by ROGER FRY. With Thirty-three Illustrations. Square Crown 8vo 7s. 6d. nett.

GARDNER, J. STARKIE.

Armour in England. With Eight Coloured Plates and many other Illustrations. Super-royal 8vo, sewed, 3s. 6d. nett.

Foreign Armour in England. With Eight Coloured Plates and many other Illustrations. Super-royal 8vo, sewed, 3s. 6d. nett.

Armour in England. With Sixteen Coloured Plates and many other Illustrations. The two parts in one volume. Super-royal 8vo, cloth, gilt top, 9s. nett.

GARNETT, R., LL.D.

Richmond on Thames. Illustrated. Super-royal 8vo, sewed, 3s. 6d. nett.

GIBERNE, AGNES.

Beside the Waters of Comfort. Crown 8vo, 3s. 6d.

GIBSON, CHARLES R., A.I.E.E.

Electricity of To-Day. Its Works and Mysteries described in non-technical language. With 30 Illustrations. Extra crown 8vo, 5s. nett.

"One of the best examples of popular scientific exposition we remember seeing."—The Tribune.

Scientific Ideas of To-day. A Popular Account in non-technical language of the Nature of Matter, Electricity, Light, Heat, &c., &c. With 25 Illustrations. Extra crown 8vo, 5s. nett.

How Telegraphs and Telephones Work. With many Illustrations. Crown 8vo, 1s. 6d. nett.

GODLEY, A.D.

Socrates and Athenian Society in his Day. Crown 8vo, 4s. 6d.

Aspects of Modern Oxford. With many Illustrations. Crown 8vo, cloth, 2s. nett; lambskin, 3s. nett; velvet leather, in box, 5s. nett.

GOLDEN RECITER. (See JAMES, Prof. CAIRNS.)

GRAHAME, GEORGE.

Claude Lorrain. Illustrated. Super-royal 8vo, 2s. 6d. nett; half-linen, 3s. 6d. nett.

GRIFFITH, M.E. HUME.

Behind the Veil in Persia and Turkish Arabia. An Account of an Englishwoman's Eight Years' Residence amongst the Women of the East. With 37 Illustrations and a Map. Demy 8vo, 16s. nett.

GRINDON, LEO.

Lancashire. Brief Historical and Descriptive Notes. With many Illustrations. Crown 8vo, 6s.

HADOW, W.H.

A Croatian Composer. Notes toward the Study of Joseph Haydn. Crown 8vo, 2s. 6d. nett.

Studies in Modern Music. First Series. Berlioz, Schumann, Wagner. With an Essay on Music and Musical Criticism. With Five Portraits. Crown 8vo, 7s. 6d.

Studies in Modern Music. Second Series. Chopin, Dvorak, Brahms. With an Essay on Musical Form. With Four Portraits. Crown 8vo, 7s. 6d.

HAMERTON, Mrs.

Philip Gilbert Hamerton. Autobiography (1834-1858), and Memoir by his Wife (1858-1894). With a Portrait. Demy 8vo. 16s.

HAMERTON, P.G.

The Etchings of Rembrandt, and Dutch Etchers of the Seventeenth Century. By P.G. HAMERTON and LAURENCE BINYON. With Eight Copper Plates and many other Illustrations. Super-royal 8vo, 7s. 6d. nett.

Imagination in Landscape Painting. With many Illustrations. Cr. 8vo, 6s.

The Mount. Narrative of a Visit to the Site of a Gaulish City on Mount Beuvray. With a Description of the neighbouring City of Autun. Crown 8vo, 3s. 6d.

Round my House. Notes on Rural Life in Peace and War. Crown 8vo, with Illustrations, 2s. 6d. nett. Cheaper edition, 2s. nett.

Paris. Illustrated. New edition. Cloth, 2s. nett; leather 3s. nett in special leather, full gilt, in box, 5s. nett.

HAMLEY, Gen. Sir E.

The War in the Crimea. With Copper Plates and other Illustrations. Crown 8vo, 5s.

Cheap Edition, paper cover. Demy 8vo, 6d. nett.

HEATON, Mrs. C.

Life of Albert Duerer. With Sixteen Illustrations. 8vo, 10s. 6d.

HENDERSON, Major PERCY E.

A British Officer in the Balkans. Through Dalmatia, Montenegro, Turkey in Austria, Magyarland, Bosnia and Herzegovina. With 50 Illustrations and a Map. Gilt top. Demy 8vo, 16s. nett.

HERBERT, GEORGE.

The Temple. Sacred Poems and Ejaculations. The Text reprinted from the First Edition. With Seventy-six Illustrations after ALBERT DUeRER, HOLBEIN, and other Masters. Crown 8vo, cloth, 2s. nett; leather, 3s.; and in velvet leather in box, 5s. nett.

HOLLAND, CLIVE.

Things Seen in Japan. With Fifty beautiful illustrations of Japanese life in Town and Country. Small 4to, cloth, 2s. nett; leather, 3s. nett; in box, in velvet leather, 5s. nett.

HOW, W.W.

Hannibal, and the Great War between Rome and Carthage. 2s.

HUSON, T.

Round about Helvellyn. Twenty-four Plates in Etching and Aquatint. Imperial 4to, 21s. nett. Large paper copies (50 only), L2, 12s. 6d. nett.

HUTCHINSON, Rev. H.N.

The Story of the Hills. A Popular Account of Mountains and How They were Made. With many Illustrations. Crown 8vo, 5s.

HUTTON, C.A.

Greek Terracotta Statuettes. With a Preface by A.S. MURRAY, LL.D. With Seventeen Examples printed in Colour and Thirty-six printed in Monochrome. 5s. nett; or cloth, 7s. nett.

JAMES, CAIRNS.

The Golden Reciter. With an Introduction by CAIRNS JAMES, Professor of Elocution at the Royal Academy of Music, &c., With Selections from Rudyard Kipling, Thomas Hardy, R.L. Stevenson, Seton Merriman, H.G. Wells, Christina Rossetti, Anthony Hope, Austin Dobson, Maurice Hewlett, Conan Doyle, &c. &c. Extra crown 8vo, 704 pp. Cloth, 3s. 6d., and thin paper edition in cloth with gilt edges, 5s.

"A more admirable book of its kind could not well be desired."—Liverpool Courier.

The Golden Humorous Reciter. Edited, and with a Practical Introduction by CAIRNS JAMES, Professor of Elocution at the Royal College of Music and the Guildhall School of Music. A volume of Recitations and Readings selected from the writings of F. Anstey, J.M. Barrie, S.R. Crockett, Jerome K. Jerome, Barry Pain, A.W. Pinero, Owen Seaman, G.B. Shaw; &c. &c. Extra crown 8vo, over 700 pages, cloth, 3s. 6d.; also a thin paper edition, with gilt edges, 5s.

JOY, BEDFORD.

A Synopsis of Roman History. Crown 8vo, 2s.

KEANE, Prof. A.H. (See FROBENIUS.)

KERR, RICHARD.

Wireless Telegraphy. Popularly Explained. With Preface by Sir W.H. Preece, K.C.B., F.R.S., and many Illustrations. Sixth Edition, Revised. Fcap. 8vo, sewed, 1s.; cloth, 1s. 6d.

LANG, ANDREW.

Oxford. New Edition. With 50 Illustrations by J.H. LORIMER. R.S.A., T. HAMILTON CRAWFORD, R.S.W., J. PENNELL, A. BRUNET-DEBAINES, A. TOUSSAINT, and R. KENT THOMAS. Extra crown 8vo, 6s. Also Pocket Edition, 2s. nett; leather, 3s. nett. Special yapp leather, full gilt, in box, 5s. nett.

LEE, SIDNEY.

Stratford-on-Avon. From the Earliest Times to the Death of Shakespeare. New revised edition, with additional Illustrations. Extra crown 8vo, 6s. Pocket Edition, 2s. nett; leather, 3s. nett; and in special yapp leather, full gilt, in box, 5s. nett.

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THE END

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