"Why, yes," said Isabel wonderingly; "or do it myself. I don't see why you care."

Aunt Luceba wiped her beaded face with a large handkerchief.

"I dunno either," she owned, in an exhausted voice. "I guess it's al'ays little things you can't stand. Big ones you can butt ag'inst. There! I feel better, now I've told ye. Here's the key. Should you jest as soon open it?"

Isabel drew the chest forward with a vigorous pull of her sturdy arm. She knelt before it and inserted the key. Aunt Luceba rose and leaned over her shoulder, gazing with the fascination of horror. At the moment the lid was lifted, a curious odor filled the room.

"My soul!" exclaimed Aunt Luceba. "O my soul!" She seemed incapable of saying more; and Isabel, awed in spite of herself, asked, in a whisper:—

"What's that smell? I know, but I can't think."

"You take out that parcel," said aunt Luceba, beginning to fan herself with her handkerchief. "That little one down there 't the end. It's that. My soul! how things come back! Talk about spirits! There's no need of 'em! Things are full bad enough!"

Isabel lifted out a small brown paper package, labeled in a cramped handwriting. She held it to the fading light. "'Slippery elm left by my dear father from his last illness,'" she read, with difficulty. '"The broken piece used by him on the day of his death.'"

"My land!" exclaimed aunt Luceba weakly. "Now what'd she want to keep that for? He had it round all that winter, an' he used to give us a little mite, to please us. Oh, dear! it smells like death. Well, le's lay it aside an' git on. The light's goin', an' I must jog along. Take out that dress. I guess I know what 't is, though I can't hardly believe it."

Isabel took out a black dress, made with a full, gathered skirt and an old-fashioned waist. "'Dress made ready for aunt Mercy,'" she read, "'before my dear uncle bought her a robe.' But, auntie," she added, "there's no back breadth!"

"I know it! I know it! She was so large they had to cut it out, for fear 't wouldn't go into the coffin; an' Monroe Giles said she was a real particular woman, an' he wondered how she'd feel to have the back breadth of her quilted petticoat showin' in heaven. I declare I'm 'most sick! What's in that pasteboard box?"

It was a shriveled object, black with long-dried mould.

"'Lemon held by Timothy Marden in his hand just before he died.' Aunt Luceba," said Isabel, turning with a swift impulse, "I think aunt Eliza was a horror!"

"Don't you say it, if you do think it," said her aunt, sinking into a chair and rocking vigorously. "Le's git through with it as quick 's we can. Ain't that a bandbox? Yes, that's great-aunt Isabel's leghorn bunnit. You was named for her, you know. An' there's cousin Hattie's cashmere shawl, an' Obed's spe'tacles. An' if there ain't old Mis' Eaton's false front! Don't you read no more. I don't care what they're marked. Move that box a mite. My soul! There's ma'am's checked apron I bought her to the fair! Them are all her things down below." She got up and walked to the window, looking into the chestnut branches, with unseeing eyes. She turned about presently, and her cheeks were wet. "There!" she said; "I guess we needn't look no more. Should you jest as soon burn 'em?"

"Yes," answered Isabel. She was crying a little, too. "Of course I will, auntie. I'll put 'em back now. But when you're gone, I'll do it; perhaps not till Saturday, but I will then."

She folded the articles, and softly laid them away. They were no longer gruesome, since even a few of them could recall the beloved and still remembered dead. As she was gently closing the lid, she felt a hand on her shoulder. Aunt Luceba was standing there, trembling a little, though the tears had gone from her face.

"Isabel," said she, in a whisper, "you needn't burn the apron, when you do the rest. Save it careful. I should like to put it away among my things."

Isabel nodded. She remembered her grandmother, a placid, hopeful woman, whose every deed breathed the fragrance of godly living.

"There!" said her aunt, turning away with the air of one who thrusts back the too insistent past, lest it dominate her quite. "It's gittin' along towards dark, an' I must put for home. I guess that hoss thinks he's goin' to be froze to the ground. You wrop up my soap-stone while I git on my shawl. Land! don't it smell hot? I wisht I hadn't been so spry about puttin' on 't into the oven." She hurried on her things; and Isabel, her hair blowing about her face, went out to uncover the horse and speed the departure. The reins in her hands, aunt Luceba bent forward once more to add, "Isabel, if there's one thing left for me to say, to tole you over to live with us, I want to say it."

Isabel laughed. "I know it," she answered brightly. "And if there's anything I can say to make you and aunt Mary Ellen come over here"—

Aunt Luceba shook her head ponderously, and clucked at the horse. "Fur's I'm concerned, it's settled now. I'd come, an' be glad. But there's Mary Ellen! Go 'long!" She went jangling away along the country road to the music of old-fashioned bells.

Isabel ran into the house, and, with one look at the chest, set about preparing her supper. She was enjoying her life of perfect freedom with a kind of bravado, inasmuch as it seemed an innocent delight of which nobody approved. If the two aunts would come to live with her, so much the better; but since they refused, she scorned the descent to any domestic expedient. Indeed, she would have been glad to sleep, as well as to eat, in the lonely house; but to that her sister would never consent, and though she had compromised by going to Sadie's for the night, she always returned before breakfast. She put up a leaf of the table standing by the wall, and arranged her simple supper there, uttering aloud as she did so fragments of her lesson, or dramatic sentences which had caught her fancy in reading or in speech. Finally, as she was dipping her cream toast, she caught herself saying, over and over, "My soul!" in the tremulous tone her aunt had used at that moment of warm emotion. She could not make it quite her own, and she tried again and again, like a faithful parrot. Then of a sudden the human power and pity of it flashed upon her, and she reddened, conscience-smitten, though no one was by to hear. She set her dish upon the table with indignant emphasis.

"I'm ashamed of myself!" said Isabel, and she sat down to her delicate repast, and forced herself, while she ate with a cordial relish, to fix her mind on what seemed to her things common as compared with her beloved ambition. Isabel often felt that she was too much absorbed in reading, and that, somehow or other, God would come to that conclusion also, and take away her wicked facility.

The dark seemed to drift quickly down, that night, because her supper had been delayed, and she washed her dishes by lamplight. When she had quite finished, and taken off her apron, she stood a moment over the chest, before sitting down to her task of memorizing verse. She was wondering whether she might not burn a few of the smaller things to-night; yet somehow, although she was quite free from aunt Luceba's awe of them, she did feel that the act must be undertaken with a certain degree of solemnity. It ought not to be accomplished over the remnants of a fire built for cooking; it should, moreover, be to the accompaniment of a serious mood in herself. She turned away, but at that instant there came a jingle of bells. It stopped at the gate. Isabel went into the dark entry, and pressed her face against the side-light. It was the parson. She knew him at once; no one in Tiverton could ever mistake that stooping figure, draped in a shawl. Isabel always hated him the more when she thought of his shawl. It flashed upon her then, as it often did when revulsion came over her, how much she had loved him until he had conceived this altogether horrible attachment for her. It was like a cherished friend who had begun to cut undignified capers. More than that, there lurked a certain cruelty in it, because he seemed to be trading on her inherited reverence for his office. If he should ask her to marry him, he was the minister, and how could she refuse? Unless, indeed, there were somebody else in the room, to give her courage, and that was hardly to be expected. Isabel began casting wildly about her for help. Her thoughts ran in a rushing current, and even in the midst of her tragic despair some sense of the foolishness of it smote her like a comic note, and she could have laughed hysterically.

"But I can't help it," she said aloud, "I am afraid. I can't put out the light. He's seen it. I can't slip out the back door. He'd hear me on the crust. He'll—ask me—to-night! Oh, he will! he will! and I said to myself I'd be cunning and never give him a chance. Oh, why couldn't aunt Luceba have stayed? My soul! my soul!" And then the dramatic fibre, always awake in her, told her that she had found the tone she sought.

He was blanketing his horse, and Isabel had flown into the sitting-room. Her face was alive with resolution and a kind of joy. She had thought. She threw open the chest, with a trembling hand, and pulled out the black dress.

"I'm sorry," she said, as she slipped it on over her head, and speaking as if she addressed some unseen guardian, "but I can't help it. If you don't want your things used, you keep him from coming in!"

The parson knocked at the door. Isabel took no notice. She was putting on the false front, the horn spectacles, the cashmere shawl, and the leghorn bonnet, with its long veil. She threw back the veil, and closed the chest. The parson knocked again. She heard him kicking the snow from his feet against the scraper. It might have betokened a decent care for her floors. It sounded to Isabel like a lover's haste, and smote her anew with that fear which is the forerunner of action. She blew out the lamp, and lighted a candle. Then she went to the door, schooling herself in desperation to remember this, to remember that, to remember, above all things, that her under dress was red and that her upper one had no back breadth. She threw open the door.

"Good-evening"—said the parson. He was about to add "Miss Isabel," but the words stuck in his throat.

"She ain't to home," answered Isabel. "My niece ain't to home."

The parson had bent forward, and was eyeing her curiously, yet with benevolence. He knew all the residents within a large radius, and he expected, at another word from the shadowy masker, to recognize her also. "Will she be away long?" he hesitated.

"I guess she will," answered Isabel promptly. "She ain't to be relied on. I never found her so." Her spirits had risen. She knew how exactly she was imitating aunt Luceba's mode of speech. The tones were dramatically exact, albeit of a more resonant quality. "Auntie's voice is like suet," she thought. "Mine is vinegar. But I've got it!" A merry devil assailed her, the child of dramatic triumph. She spoke with decision: "Won't you come in?"

The parson crossed the sill, and waited courteously for her to precede him; but Isabel thought, in time, of her back breadth, and stood aside.

"You go fust," said she, "an' I'll shet the door."

He made his way into the ill-lighted sitting-room, and began to unpin his shawl.

"I ain't had my bunnit off sence I come," announced Isabel, entering with some bustle, and taking her stand, until he should be seated, within the darkest corner of the hearth. "I've had to turn to an' clear up, or I shouldn't ha' found a spot as big as a hin's egg to sleep in to-night. Maybe you don't know it, but my niece Isabel's got no more faculty about a house 'n I have for preachin'—not a mite."

The parson had seated himself by the stove, and was laboriously removing his arctics. Isabel's eyes danced behind her spectacles as she thought how large and ministerial they were. She could not see them, for the spectacles dazzled her, but she remembered exactly how they looked. Everything about him filled her with glee, now that she was safe, though within his reach. "'Now, infidel,'" she said noiselessly, "'I have thee on the hip!'"

The parson had settled himself in his accustomed attitude when making parochial calls. He put the tips of his fingers together, and opened conversation in his tone of mild good-will:—

"I don't seem to be able to place you. A relative of Miss Isabel's, did you say?"

She laughed huskily. She was absorbed in putting more suet into her voice.

"You make me think of uncle Peter Nudd," she replied, "when he was took up into Bunker Hill Monument. Albert took him, one o' the boys that lived in Boston. Comin' down, they met a woman Albert knew, an' he bowed. Uncle Peter looked round arter her, an' then he says to Albert, 'I dunno 's I rightly remember who that is!'"

The parson uncrossed his legs and crossed them the other way. The old lady began to seem to him a thought too discursive, if not hilarious.

"I know so many of the people in the various parishes"—he began, but he was interrupted without compunction.

"You never'd know me. I'm from out West. Isabel's father's brother married my uncle—no, I would say my step-niece. An' so I'm her aunt. By adoption, 't ennyrate. We al'ays call it so, leastways when we're writin' back an' forth. An' I've heard how Isabel was goin' on, an' so I ketched up my bunnit, an' put for Tiverton. 'If she ever needed her own aunt,' says I—'her aunt by adoption—she needs her now.'"

Once or twice, during the progress of this speech, the visitor had shifted his position, as if ill at ease. Now he bent forward, and peered at his hostess.

"Isabel is well?" he began tentatively.

"Well enough! But, my sakes! I'd ruther she'd be sick abed or paraletic than carry on as she does. Slack? My soul! I wisht you could see her sink closet! I wisht you could take one look over the dirty dishes she leaves round, not washed from one week's end to another!"

"But she's always neat. She looks like an—an angel!"

Isabel could not at once suppress the gratified note which crept of itself into her voice.

"That's the outside o' the cup an' platter," she said knowingly. "I thank my stars she ain't likely to marry. She'd turn any man's house upside down inside of a week."

The parson made a deprecating noise in his throat. He seemed about to say something, and thought better of it.

"It may be," he hesitated, after a moment,—"it may be her studies take up too much of her time. I have always thought these elocution lessons"—

"Oh, my land!" cried Isabel, in passionate haste. She leaned forward as if she would implore him. "That's her only salvation. That's the makin' of her. If you stop her off there, I dunno but she'd jine a circus or take to drink! Don't you dast to do it! I'm in the family, an' I know."

The parson tried vainly to struggle out of his bewilderment.

"But," said he, "may I ask how you heard these reports? Living in Illinois, as you do—did you say Illinois or Iowa?"

"Neither," answered Isabel desperately. "'Way out on the plains. It's the last house afore you come to the Rockies. Law! you can't tell how a story gits started, nor how fast it will travel. 'T ain't like a gale o' wind; the weather bureau ain't been invented that can cal'late it. I heard of a man once that told a lie in California, an' 'fore the week was out it broke up his engagement in New Hampshire. There's the 'tater-bug—think how that travels! So with this. The news broke out in Missouri, an' here I be."

"I hope you will be able to remain."

"Only to-night," she said in haste. More and more nervous, she was losing hold on the sequence of her facts. "I'm like mortal life, here to-day an' there to-morrer. In the mornin' I sha'n't be found." ("But Isabel will," she thought, from a remorse which had come too late, "and she'll have to lie, or run away. Or cut a hole in the ice and drown herself!")

"I'm sorry to have her lose so much of your visit," began the parson courteously, but still perplexing himself over the whimsies of an old lady who flew on from the West, and made nothing of flying back. "If I could do anything towards finding her"—

"I know where she is," said Isabel unhappily. "She's as well on 't as she can be, under the circumstances. There's on'y one thing you could do. If you should be willin' to keep it dark't you've seen me, I should be real beholden to ye. You know there ain't no time to call in the neighborhood, an' such things make talk, an' all. An' if you don't speak out to Isabel, so much the better. Poor creatur', she's got enough to bear without that!" Her voice dropped meltingly in the keenness of her sympathy for the unfortunate girl who, embarrassed enough before, had deliberately set for herself another snare. "I feel for Isabel," she continued, in the hope of impressing him with the necessity for silence and inaction. "I do feel for her! Oh, gracious me! What's that?"

A decided rap had sounded at the front door. The parson rose also, amazed at her agitation.

"Somebody knocked," he said. "Shall I go to the door?"

"Oh, not yet, not yet!" cried Isabel, clasping her hands under her cashmere shawl. "Oh, what shall I do?"

Her natural voice had asserted itself, but, strangely enough, the parson did not comprehend. The entire scene was too bewildering. There came a second knock. He stepped toward the door, but Isabel darted in front of him. She forgot her back breadth, and even through that dim twilight the scarlet of her gown shone ruddily out. She placed herself before the door.

"Don't you go!" she entreated hoarsely. "Let me think what I can say."

Then the parson had his first inkling that the strange visitor must be mad. He wondered at himself for not thinking of it before, and the idea speedily coupled itself with Isabel's strange disappearance. He stepped forward and grasped her arm, trembling under the cashmere shawl.

"Woman," he demanded sternly, "what have you done with Isabel North?"

Isabel was thinking; but the question, twice repeated, brought her to herself. She began to laugh, peal on peal of hysterical mirth; and the parson, still holding her arm, grew compassionate.

"Poor soul!" said he soothingly. "Poor soul! sit down here by the stove and be calm—be calm!"

Isabel was overcome anew.

"Oh, it isn't so!" she gasped, finding breath. "I'm not crazy. Just let me be!"

She started under his detaining hand, for the knock had come again. Wrenching herself free, she stepped into the entry. "Who's there?" she called.

"It's your aunt Mary Ellen," came a voice from the darkness. "Open the door."

"O my soul!" whispered Isabel to herself. "Wait a minute!" she continued. "Only a minute!"

She thrust the parson back into the sitting-room, and shut the door. The act relieved her. If she could push a minister, and he could obey in such awkward fashion, he was no longer to be feared. He was even to be refused. Isabel felt equal to doing it.

"Now, look here," said she rapidly; "you stand right there while I take off these things. Don't you say a word. No, Mr. Bond, don't you speak!" Bonnet, false front, and spectacles were tossed in a tumultuous pile.

"Isabel!" gasped the parson.

"Keep still!" she commanded. "Here! fold this shawl!"

The parson folded it neatly, and meanwhile Isabel stepped out of the mutilated dress, and added that also to the heap. She opened the blue chest, and packed the articles hastily within. "Here!" said she; "toss me the shawl. Now if you say one word—Oh, parson, if you only will keep still, I'll tell you all about it! That is, I guess I can!" And leaving him standing in hopeless coma, she opened the door.

"Well," said aunt Mary Ellen, stepping in, "I'm afraid your hinges want greasing. How do you do, Isabel? How do you do?" She put up her face and kissed her niece. Aunt Mary Ellen was so pretty, so round, so small, that she always seemed timid, and did the commonest acts of life with a gentle grace. "I heard voices," she said, walking into the sitting-room. "Sadie here?"

The parson had stepped forward, more bent than usual, for he was peering down into her face.

"Mary Ellen!" he exclaimed.

The little woman looked up at him—very sadly, Isabel thought.

"Yes, William," she answered. But she was untying her bonnet, and she did not offer to shake hands.

Isabel stood by with downcast eyes, waiting to take her things, and aunt Mary Ellen looked searchingly up at her as she laid her mittens on the pile. The girl, without a word, went into the bedroom, and her aunt followed her.

"Isabel," said she rapidly, "I saw the chest. Have you burnt the things?"

"No," answered Isabel in wonder. "No."

"Then don't you! don't you touch 'em for the world." She went back into the sitting-room, and Isabel followed. The candle was guttering, and aunt Mary Ellen pushed it toward her. "I don't know where the snuffers are," she said. "Lamp smoke?"

Isabel did not answer, but she lighted the lamp. She had never seen her aunt so full of decision, so charged with an unfamiliar power. She felt as if strange things were about to happen. The parson was standing awkwardly. He wondered whether he ought to go. Aunt Mary Ellen smoothed her brown hair with both hands, sat down, and pointed to his chair.

"Sit a spell," she said. "I guess I shall have something to talk over with you."

The parson sat down. He tried to put his fingers together, but they trembled, and he clasped his hands instead.

"It's a long time since we've seen you in Tiverton," he began.

"It would have been longer," she answered, "but I felt as if my niece needed me."

Here Isabel, to her own surprise, gave a little sob, and then another. She began crying angrily into her handkerchief.

"Isabel," said her aunt, "is there a fire in the kitchen?"

"Yes," sobbed the girl.

"Well, you go out there and lie down on the lounge till you feel better. Cover you over, and don't be cold. I'll call you when there's anything for you to do."

Tall Isabel rose and walked out, wiping her eyes. Her little aunt sat mistress of the field. For many minutes there was silence, and the clock ticked. The parson felt something rising in his throat. He blew his nose vigorously.

"Mary Ellen"—he began. "But I don't know as you want me to call you so!"

"You can call me anything you're a mind to," she answered calmly. She was near-sighted, and had always worn spectacles. She took them off and laid them on her knee. The parson moved involuntarily in his chair. He remembered how she had used to do that when they were talking intimately, so that his eager look might not embarrass her. "Nothing makes much difference when folks get to be as old as you and I are."

"I don't feel old," said the parson resentfully. "I do not! And you don't look so."

"Well, I am. We're past our youth. We've got to the point where the only way to renew it is to look out for the young ones."

The parson had always had with her a way of reading her thought and bursting out boyishly into betrayal of his own.

"Mary Ellen," he cried, "I never should have explained it so, but Isabel looks like you!"

She smiled sadly. "I guess men make themselves think 'most anything they want to," she answered. "There may be a family look, but I can't see it. She's tall, too, and I was always a pint o' cider—so father said."

"She's got the same look in her eyes," pursued the parson hotly. "I've always thought so, ever since she was a little girl."

"If you begun to notice it then," she responded, with the same gentle calm, "you'd better by half ha' been thinking of your own wife and her eyes. I believe they were black."

"Mary Ellen, how hard you are on me! You did't use to be. You never were hard on anybody. You wouldn't have hurt a fly."

Her face contracted slightly. "Perhaps I wouldn't! perhaps I wouldn't! But I've had a good deal to bear this afternoon, and maybe I do feel a little different towards you from what I ever have felt. I've been hearing a loose-tongued woman tell how my own niece has been made town-talk because a man old enough to know better was running after her. I said, years ago, I never would come into this place while you was in it; but when I heard that, I felt as if Providence had marked out the way. I knew I was the one to step into the breach. So I had Tim harness up and bring me over, and here I am. William, I don't want you should make a mistake at your time of life!"

The minister seemed already a younger man. A strong color had risen in his face. He felt in her presence a fine exhilaration denied him through all the years without her. Who could say whether it was the woman herself or the resurrected spirit of their youth? He did not feel like answering her. It was enough to hear her voice. He leaned forward, looking at her with something piteous in his air.

"Mary Ellen," he ventured, "you might as well say 'another mistake.' I did make one. You know it, and I know it."

She looked at him with a frank affection, entirely maternal. "Yes, William," she said, with the same gentle firmness in her voice, "we've passed so far beyond those things that we can speak out and feel no shame. You did make a mistake. I don't know as 't would be called so to break with me, but it was to marry where you did. You never cared about her. You were good to her. You always would be, William; but 't was a shame to put her there."

The parson had locked his hands upon his knees. He looked at them, and sad lines of recollection deepened in his face.

"I was desperate," he said at length, in a low tone. "I had lost you. Some men take to drink, but that never tempted me. Besides, I was a minister. I was just ordained. Mary Ellen, do you remember that day?"

"Yes," she answered softly, "I remember." She had leaned back in her chair, and her eyes were fixed upon vacancy with the suffused look of tears forbidden to fall.

"You wore a white dress," went on the parson, "and a bunch of Provence roses. It was June. Your sister always thought you dressed too gay, but you said to her, 'I guess I can wear what I want to, to-day of all times.'"

"We won't talk about her. Yes, I remember."

"And, as God is my witness, I couldn't feel solemn, I was so glad! I was a minister, and my girl—the girl that was going to marry me—sat down there where I could see her, dressed in white. I always thought of you afterwards with that white dress on. You've stayed with me all my life, just that way."

Mary Ellen put up her hand with a quick gesture to hide her middle-aged face. With a thought as quick, she folded it resolutely upon the other in her lap. "Yes, William," she said. "I was a girl then. I wore white a good deal."

But the parson hardly heeded her. He was far away. "Mary Ellen," he broke out suddenly, a smile running warmly over his face, and creasing his dry, hollow cheeks, "do you remember that other sermon, my trial one? I read it to you, and then I read it to Parson Sibley. And do you remember what he said?"

"Yes, I remember. I didn't suppose you did." Her cheeks were pink. The corners of her mouth grew exquisitely tender.

"You knew I did! 'Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes.' I took that text because I couldn't think of anything else all summer. I remember now it seemed to me as if I was in a garden—always in a garden. The moon was pretty bright, that summer. There were more flowers blooming than common. It must have been a good year. And I wrote my sermon lying out in the pine woods, down where you used to sit hemming on your things. And I thought it was the Church, but do all I could, it was a girl—or an angel!"

"No, no!" cried Mary Ellen, in bitterness of entreaty.

"And then I read the sermon to you under the pines, and you stopped sewing, and looked off into the trees; and you said 't was beautiful. But I carried it to old Parson Sibley that night, and I can see just how he looked sitting there in his study, with his great spectacles pushed up on his forehead, and his hand drumming on a book. He had the dictionary put in a certain place on his table because he found he'd got used to drumming on the Bible, and he was a very particular man. And when I got through reading the sermon, his face wrinkled all up, though he didn't laugh out loud, and he came over to me and put his hand on my shoulder. 'William,' says he, 'you go home and write a doctrinal sermon, the stiffest you can. This one's about a girl. You might give it to Mary Ellen North for a wedding-present.'"

The parson had grown almost gay under the vivifying influence of memory. But Mary Ellen did not smile.

"Yes," she repeated softly, "I remember."

"And then I laughed a little, and got out of the study the best way I could, and ran over to you to tell you what he said. And I left the sermon in your work-basket. I've often wished, in the light of what came afterwards—I've often wished I'd kept it. Somehow 't would have brought me nearer to you."

It seemed as if she were about to rise from her chair, but she quieted herself and dulled the responsive look upon her face.

"Mary Ellen," the parson burst forth, "I know how I took what came on us the very next week, but I never knew how you took it. Should you just as lieves tell me?"

She lifted her head until it held a noble pose. Her eyes shone brilliantly, though indeed they were doves' eyes.

"I'll tell you," said she. "I couldn't have told you ten years ago,—no, nor five! but now it's an old woman talking to an old man. I was given to understand you were tired of me, and too honorable to say so. I don't know what tale was carried to you"—

"She said you'd say 'yes' to that rich fellow in Sudleigh, if I'd give you a chance!"

"I knew 't was something as shallow as that. Well, I'll tell you how I took it. I put up my head and laughed. I said, 'When William Bond wants to break with me, he'll say so.' And the next day you did say so."

The parson wrung his hands in an involuntary gesture of appeal.

"Minnie! Minnie!" he cried, "why didn't you save me? What made you let me be a fool?"

She met his gaze with a tenderness so great that the words lost all their sting.

"You always were, William," she said quietly. "Always rushing at things like Job's charger, and having to rush back again. Never once have I read that without thinking of you. That's why you fixed up an angel out of poor little Isabel."

The parson made a fine gesture of dissent. He had forgotten Isabel.

"Do you want to know what else I did?" Her voice grew hard and unfamiliar. "I'll tell you. I went to my sister Eliza, and I said: 'Some way or another, you've spoilt my life. I'll forgive you just as soon as I can—maybe before you die, maybe not. You come with me!' and I went up garret, where she kept the chest with things in it that belonged to them that had died. There it sets now. I stood over it with her. 'I'm going to put my dead things in here,' I said. 'If you touch a finger to 'em, I'll get up in meeting and tell what you've done. I'm going to put in everything left from what you've murdered; and every time you come here, you'll remember you were a murderer.' I frightened her. I'm glad I did. She's dead and gone, and I've forgiven her; but I'm glad now!"

The parson looked at her with amazement. She seemed on fire. All the smouldering embers of a life denied had blazed at last. She put on her glasses and walked over to the chest.

"Here!" she continued; "let's uncover the dead. I've tried to do it ever since she died, so the other things could be burned; but my courage failed me. Could you turn these screws, if I should get you a knife? They're in tight. I put 'em in myself, and she stood by."

The little lid of the till had been screwed fast. The two middle-aged people bent over it together, trying first the scissors and then the broken blade of the parson's old knife. The screws came slowly. When they were all out, he stood back a pace and gazed at her. Mary Ellen looked no longer alert and vivified. Her face was haggard.

"I shut it," she said, in a whisper. "You lift it up."

The parson lifted the lid. There they lay, her poor little relics,—a folded manuscript, an old-fashioned daguerreotype, and a tiny locket. The parson could not see. His hand shook as he took them solemnly out and gave them to her. She bent over the picture, and looked at it, as we search the faces of the dead. He followed her to the light, and, wiping his glasses, looked also.

"That was my picture," he said musingly. "I never've had one since. And that was mother's locket. It had"—He paused and looked at her.

"Yes," said Mary Ellen softly; "it's got it now." She opened the little trinket; a warm, thick lock of hair lay within, and she touched it gently with her finger. "Should you like the locket, because 't was your mother's?"

She hesitated; and though the parson's tone halted also, he answered at once:—

"No, Mary Ellen, not if you'll keep it. I should rather think 'twas with you."

She put her two treasures in her pocket, and gave him the other.

"I guess that's your share," she said, smiling faintly. "Don't read it here. Just take it away with you."

The manuscript had been written in the cramped and awkward hand of his youth, and the ink upon the paper was faded after many years. He turned the pages, a smile coming now and then.

"'Thou hast doves' eyes,'" he read,—"'thou hast doves' eyes!'" He murmured a sentence here and there. "Mary Ellen," he said at last, shaking his head over the manuscript in a droll despair, "it isn't a sermon. Parson Sibley had the rights of it. It's a love-letter!" And the two old people looked in each other's wet eyes and smiled.

The woman was the first to turn away.

"There!" said she, closing the lid of the chest; "we've said enough. We've wiped out old scores. We've talked more about ourselves than we ever shall again; for if old age brings anything, it's thinking of other people—them that have got life before 'em. These your rubbers?"

The parson put them on, with a dazed obedience. His hand shook in buckling them. Mary Ellen passed him his coat, but he noticed that she did not offer to hold it for him. There was suddenly a fine remoteness in her presence, as if a frosty air had come between them. The parson put the sermon in his inner pocket, and buttoned his coat tightly over it. Then he pinned on his shawl. At the door he turned.

"Mary Ellen," said he pleadingly, "don't you ever want to see the sermon again? Shouldn't you like to read it over?"

She hesitated. It seemed for a moment as if she might not answer at all. Then she remembered that they were old folks, and need not veil the truth.

"I guess I know it 'most all by heart," she said quietly. "Besides, I took a copy before I put it in there. Good-night!"

"Good-night!" answered the parson joyously. He closed the door behind him and went crunching down the icy path. When he had unfastened the horse and sat tucking the buffalo-robe around him, the front door was opened in haste, and a dark figure came flying down the walk.

"Mr. Bond!" thrilled a voice.

"Whoa!" called the parson excitedly. He was throwing back the robe to leap from the sleigh when the figure reached him. "Oh!" said he; "Isabel!"

She was breathing hard with excitement and the determination grown up in her mind during that last half hour of her exile in the kitchen.

"Parson,"—forgetting a more formal address, and laying her hand on his knee,—"I've got to say it! Won't you please forgive me? Won't you, please? I can't explain it"—

"Bless your heart, child!" answered the parson cordially; "you needn't try to. I guess I made you nervous."

"Yes," agreed Isabel, with a sigh of relief, "I guess you did." And the parson drove away.

Isabel ran, light of heart and foot, back into the warm sitting-room, where aunt Mary Ellen was standing just where he had left her. She had her glasses off, and she looked at Isabel with a smile so vivid that the girl caught her breath, and wondered within herself how aunt Mary Ellen had looked when she was young.

"Isabel," said she, "you come here and give me a corner of your apron to wipe my glasses. I guess it's drier 'n my handkerchief."



HORN O' THE MOON

If you drive along Tiverton Street, and then turn to the left, down the Gully Road, you journey, for the space of a mile or so, through a bewildering succession of damp greenery, with noisy brooks singing songs below you, on either side, and the treetops on the level with your horse's feet. Few among the older inhabitants ever take this drive, save from necessity, because it is conceded that the dampness there is enough, even in summer, to "give you your death o' cold;" and as for the young, to them the place wears an eerie look, with its miniature suggestion of impassable gulfs and roaring torrents. Yet no youth reaches his majority without exploring the Gully. He who goes alone is the more a hero; but even he had best leave two or three trusty comrades reasonably near, not only to listen, should he call, but to stand his witnesses when he afterwards declares where he has been. It is a fearsome thing to explore that lower stratum of this round world, so close to the rushing brook that it drowns your thoughts, though not your apprehensions, and to go slipping about over wet boulders and among dripping ferns; but your fears are fears of the spirit. They are inherited qualms. You shiver because your grandfathers and fathers and uncles have shivered there before you. If you are very brave indeed, and naught but the topmost round of destiny will content you, possibly you penetrate still further into green abysses, and come upon the pool where, tradition says, an ancient trout has his impregnable habitation. Apparently, nobody questions that the life of a trout may be indefinitely prolonged, under the proper conditions of a retired dusk; and the same fish that served our grandfathers for a legend now enlivens our childish days. When you meet a youngster, ostentatiously setting forth for the Gully Road, with bait-box and pole, you need not ask where he is going; though if you have any human sympathy in the pride of life, you will not deny him his answer:—

"Down to have a try for the old trout!"

The pool has been still for many years. Not within the memory of aged men has the trout turned fin or flashed a speckled side; but he is to this day an historical present. He has lived, and therefore he lives always.

Those who do not pause upon the Gully Road, but keep straight on into the open, will come into the old highway leading up and up to Horn o' the Moon. It is an unshaded, gravelly track, pointing duly up-hill for three long miles; and it has become a sober way to most of us, in this generation: for we never take it unless we go on the solemn errand of getting Mary Dunbar, that famous nurse, to care for our sick or dead. There is a tradition that a summer visitor once hired a "shay," and drove, all by herself, up to Horn o' the Moon, drawn on by the elusive splendor of its name. But she met such a dissuading flood of comment by the way as to startle her into the state of mind commonly associated with the Gully Road. Farmers, haying in the field, came forward, to lean on the fence, and call excitedly,—

"Where ye goin'?"

"Horn o' the Moon," replied she, having learned in Tiverton the value of succinct replies.

"Who's sick?"

"Nobody."

"Got any folks up there?"

"No. Going to see the place."

The effect of this varied. Some looked in amazement; one ventured to say, "Well, that's the beater!" and another dropped into the cabalistic remark which cannot be defined, but which has its due significance, "Well, you must be sent for!" The result of all this running commentary was such that, when the visitor reached the top of the hill where Horn o' the Moon lies, encircled by other lesser heights, she was stricken by its exceeding desolation, and had no heart to cast more than a glance at the noble view below. She turned her horse, and trotted, recklessly and with many stumblings, down again into friendly Tiverton.

Horn o' the Moon is unique in its melancholy. It has so few trees, and those of so meagre and wind-swept a nature, that it might as well be entirely bald. No apples grow there; and in the autumn, the inhabitants make a concerted sally down into Tiverton Street, to purchase their winter stock, such of them as can afford it. The poorer folk—and they are all poor enough—buy windfalls, and string them to dry; and so common is dried-apple-pie among them that, when a Tivertonian finds this makeshift appearing too frequently on his table, he has only to remark, "I should think this was Horn o' the Moon!" and it disappears, to return no more until the slur is somewhat outworn.

There is very little grass at the top of the lonely height, and that of a husky, whispering sort, in thin ribbons that flutter low little songs in the breeze. They never cease; for, at Horn o' the Moon, there is always a wind blowing, differing in quality with the season. Sometimes it is a sighing wind from other heights, happier in that they are sweet with firs. Sometimes it is exasperating enough to make the March breezes below seem tender; then it tosses about in snatching gusts, buffeting, and slapping, and excoriating him who stands in its way. Somehow, all the peculiarities of Horn o' the Moon seem referable, in a mysterious fashion, to the wind. The people speak in high, strenuous voices, striving to hold their own against its wicked strength. Most of them are deaf. Is that because the air beats ceaselessly against the porches of their ears? They are a stunted race; for they have grown into the habit of holding the head low, and plunging forward against that battling element. Even the fowl at Horn o' the Moon are not of the ordinary sort. Their feathers grow the wrong way, standing up in a ragged and disorderly fashion; and they, too, have the effect of having been blown about and disarranged, until nature yielded, and agreed to their permanent roughness.

Moreover, all the people are old or middle-aged and possibly that is why, again, the settlement is so desolate. It is a disgrace for us below to marry with Horn o' the Mooners, though they are a sober folk; and now it happens that everybody up there is the cousin of everybody else. The race is dying out, we say, as if we considered it a distinct species; and we agree that it would have been wiped away long ago, by weight of its own eccentricity, had not Mary Dunbar been the making of it. She is the one righteous among many. She is the good nurse whom we all go to seek, in our times of trouble, and she perpetually saves her city from the odium of the world.

Mary was born in Tiverton Street. We are glad to remember that, we who condemn by the wholesale, and are assured that no good can come out of Nazareth. When she was a girl of eighteen, her father and mother died; and she fell into a state of spiritual exaltation, wherein she dreamed dreams, and had periods of retirement within her house, communing with other intelligences. We said Mary had lost her mind; but that was difficult to believe, since no more wholesome type of womanhood had ever walked our streets. She was very tall, built on the lines of a beauty transcending our meagre strain. Nobody approved of those broad shoulders and magnificent arms. We said it was a shame for any girl to be so overgrown; yet our eyes followed her, delighted by the harmony of line and action. Then we whispered that she was as big as a moose, and that, if we had such arms, we never'd go out without a shawl. Her "mittins" must be wide enough for any man!

Mary did everything perfectly. She walked as if she went to meet the morning, and must salute it worthily. She carried a weight as a goddess might bear the infant Bacchus; and her small head, poised upon that round throat, wore the crown of simplicity, and not of pride. But we only told how strong she was, and how much she could lift. We loved Mary, but sensibility had to shrink from those great proportions and that elemental strength.

One snowy morning, Mary's spiritual vision called her out of our midst, to which she never came back save as we needed her. The world was very white that day, when she rose, in her still house, dressed herself hastily, and roused a neighbor, begging him to harness, and drive her up to Horn o' the Moon. Folks were sick there, with nobody to take care of them. The neighbor reasoned, and then refused, as one might deny a person, however beloved, who lives by the intuitions of an unseen world. Mary went home again, and, as he believed, to stay. But she had not hesitated in her allegiance to the heavenly voice. Somehow, through the blinding snow and unbroken road, she ploughed her way up to Horn o' the Moon, where she found an epidemic of diphtheria; and there she stayed. We marveled over her guessing how keenly she was needed; but since she never explained, it began to be noised abroad that some wandering peddler told her. That accounted for everything and Mary had no time for talk. She was too busy, watching with the sick, and going about from house to house, cooking delicate gruels and broiling chicken for those who were getting well. It is said that she even did the barn work, and milked the cows, during that tragic time. We were not surprised. Mary was a great worker, and she was fond of "creatur's."

Whether she came to care for these stolid people on the height, or whether the vision counseled her, Mary gave up her house in the village, and bought a little old dwelling under an overhanging hillside, at Horn o' the Moon. It was a nest built into the rock, its back sitting snugly there. The dark came down upon it quickly. In winter, the sun was gone from the little parlor as early as three o'clock; but Mary did not mind. That house was her temporary shell; she only slept in it in the intervals of hurrying away, with blessed feet, to tend the sick, and hold the dying in untiring arms. I shall never forget how, one morning, I saw her come out of the door, and stand silent, looking toward the rosy east. There was the dawn, and there was she, its priestess, while all around her slept. I should not have been surprised had her lips, parted already in a mysterious smile, opened still further in a prophetic chanting to the sun. But Mary saw me, and the alert, answering look of one who is a messenger flashed swiftly over her face. She advanced like the leader of a triumphal procession.

"Anybody want me?" she called. "I'll get my bunnit."

It was when she was twenty, and not more than settled in the little house at Horn o' the Moon, that her story came to her. The Veaseys were her neighbors, perhaps five doors away; and one summer morning, Johnnie Veasey came home from sea. He brought no money, no coral from foreign parts, nor news of grapes in Eshcol. He simply came empty-handed, as he always did, bearing only, to vouch for his wanderings, a tanned face, and the bright, red-brown eyes that had surely looked on things we never saw. Adam Veasey, his brother, had been paralyzed for years. He sat all day in the chimney corner, looking at his shaking hands, and telling how wide a swathe he could cut before he was afflicted. Mattie, Adam's wife, had long dealt with the problem of an unsupported existence. She had turned into a flitting little creature with eager eyes, who made it her business to prey upon a more prosperous world. Mattie never went about without a large extra pocket attached to her waist; into this, she could slip a few carrots, a couple of doughnuts, or even a loaf of bread. She laid a lenient tax upon the neighbors and the town below. Was there a frying of doughnuts at Horn o' the Moon? No sooner had the odor risen upon the air, than Mattie stood on the spot, dumbly insistent on her toll. Her very clothes smelled of food; and it was said that, in fly-time, it was a sight to see her walk abroad, because of the hordes of insects settling here and there on her odoriferous gown. When Johnnie Veasey appeared, Mattie's soul rose in arms. Their golden chance had come at last.

"You got paid off?" she asked him, three minutes after his arrival, and Johnnie owned, with the cheerfulness of those rich only in hope, that he did get paid, and lost it all, the first night on shore. He got into the wrong boarding-house, he said. It was the old number, but new folks.

Mattie acquiesced, with a sigh. He would make his visit and go again, and, that time, perhaps fortune might attend him. So she went over to old Mrs. Hardy's, to borrow a "riz loaf," and the wanderer was feasted, according to her little best.

Johnnie stayed, and Horn o' the Moon roused itself, finding that he had brought the antipodes with him. He was the teller of tales. He described what he had seen, and then, by easy transitions, what others had known and he had only heard, until the intelligence of these stunted, wind-blown creatures, on their island hill, took fire; and every man vowed he wished he had gone to sea, before it was too late, or even to California, when the gold craze was on. Johnnie had the tongue of the improvisator, and he loved a listener. He liked to sit out on a log, in the sparse shadow of the one little grove the hill possessed, and, with the whispering leaves above him tattling uncomprehended sayings brought them by the wind, gather the old men about him, and talk them blind. As he sat there, Mary came walking swiftly by, a basket in her hand. Johnnie came bolt upright, and took off his cap. He looked amazingly young and fine, and Mary blushed as she went by.

"Who's that?" asked Johnnie of the village fathers.

"That's only Mary Dunbar. Guess you ain't been here sence she moved up."

Johnnie watched her walking away, for the rhythm of her motion attracted him. He did not think her pretty; no one ever thought that.

It happened, then, that he spent two or three evenings at the Hardys', where Mary went, every night, to rub grandmother and put her to bed; and while she sat there in the darkened room, soothing the old woman for her dreary vigil, she heard his golden tales of people in strange lands. It seemed very wonderful to Mary. She had not dreamed there were such lands in all the world; and when she hurried home, it was to hunt out her old geography, and read it until after midnight. She followed rivers to their sources, and dwelt upon mountains with amazing names. She was seeing the earth and its fullness, and her heart beat fast.

Next day she went away for a long case, giving only one little sigh in the going, to the certainty that, when she came back, Johnnie Veasey would be off on another voyage to lands beyond the sea. Mary was not of the sort who cry for the moon just because they have seen it. She had simply begun to read a fairy tale, and somebody had taken it away from her and put it high on the shelf. But on the very first morning after her return, when she rose early, longing for the blissful air of her own bleak solitude, Mattie Veasey stood there at her door. Mary had but one first question for every comer:—

"Anybody sick?"

"You let me step in," answered Mattie, a determined foot on the sill. "I want to tell you how things stand."

It was evident that Mattie was going on a journey. She was an exposition of the domestic resources of Horn o' the Moon. Her dress came to the tops of her boots. It was the plaid belonging to Stella Hardy, who had died in her teens. It hooked behind; but that was no matter, for the enveloping shawl, belonging to old Mrs. Titcomb, concealed that youthful eccentricity. Her shoes—congress, with world-weary elastics at the side—were her own, inherited from an aunt; and her bonnet was a rusty black, with a mourning veil. There was, at that time, but one new bonnet at Horn o' the Moon, and its owner had sighed, when Mattie proposed for it, brazenly saying that she guessed nobody'd want anything that set so fur back. Whereupon the suppliant sought out Mrs. Pillsbury, whose mourning headgear, bought in a brief season of prosperity, nine years before, had become, in a manner, village property. It was as duly in public requisition as the hearse; and its owner cherished a melancholy pride in this official state. She never felt as if she owned it,—only that she was the keeper of a sacred trust; and Mattie, in asking for it, knew that she demanded no more than her due, as a citizen should. It was an impersonal matter between her and the bonnet; and though she should wear it on a secular errand, the veil did not signify. She knew everybody else knew whose bonnet it was; and that if anybody supposed she had met with a loss, they had only to ask, and she to answer. So, in the consciousness of an armor calculated to meet the world, she skillfully brought her congress boots into Mary's kitchen, and sat down, her worn little hands clasped under the shawl.

"You've just got home," said she. "I s'pose you ain't heard what's happened to Johnnie?"

Mary rose, a hand upon her chair.

"No! no! He don't want no nussin'. You set down. I can't talk so—ready to jump an' run. My! how good that tea does smell!"

Mary brought a cup, and placed it at her hand, with the deft manner of those who have learned to serve. Mattie sugared it, and tasted, and sugared again.

"My! how good that is!" she repeated. "You don't steep it to rags, as some folks do. I have to, we're so nigh the wind. Well, you hadn't been gone long before Johnnie had a kind of a fall. 'T wa'n't much of a one, neither,—down the ledge. I dunno how he done it—he climbs like a cat—seems as if the Old Boy was in it—but half his body he can't move. Palsy, I s'pose; numb, not shakin', like Adam's."

Mary listened gravely, her hands on her knees.

"How long's he been so?"

"Nigh on to five weeks."

"Had the doctor?"

"Yes, we called in that herb-man over to Saltash, an' he says there ain't no chance for him. He's goin' to be like Adam, only wuss. An' I've been down to the Poor Farm, to tell 'em they've got to take him in." Her little hands worked; her eager eyes ate their way into the heart. Mary could see exactly how she had had her way with the selectmen. "I told 'em they'd got to," she repeated. "He ain't got no money, an' we ain't got nuthin', an' have two paraletics on my hands I can't. So they told me they'd give me word to-day; an' I'm goin' down to settle it. I'm in hopes they'll bring me back, an' take him along down."

"Yes," answered Mary gravely. "Yes."

"Well, now I've come to the beginnin' o' my story." Mattie took that last delicious sip of tea at the bottom of the cup. "He's layin' in bed, an' Adam's settin' by the stove; an' I wanted to know if you wouldn't run in, long towards noon, an' warm up suthin' for 'em."

"Yes, indeed," said Mary Dunbar. "I'll be there."

She rose, and Mattie, albeit she dearly loved to gossip, felt that she must rise, too, and be on her way. She tried to amplify on what she had already said, but Mary did not seem to be listening; so, treading carefully, lest the dust and dew beset her precious shoes, she took her way down the hill, like a busy little ant, born to scurry and gather.

Mary looked hastily about the room, to see if its perfect order needed a farewell touch; and then she drank her cup of tea, and stepped out into the morning. The air was fresh and sweet. She wore no shawl, and the wind lifted the little brown rings on her forehead, and curled them closer. Mary held a hand upon them, and hurried on. She had no more thought of appearances than a woman in a desert land, or in the desert made by lack of praise; for she knew no one looked at her. To be clean and swift was all her life demanded.

Adam sat by the stove, where the ashes were still warm. It was not a day for fires, but he loved his accustomed corner. He was a middle-aged man, old with the suffering which is not of years, and the pathos of his stricken state hung about him, from his unkempt beard to the dusty black clothing which had been the Tiverton minister's outworn suit. One would have said he belonged to the generation before his brother.

"That you, Mary?" he asked, in his shaking voice. "Now, ain't that good? Come to set a spell?"

"Where is he?" responded Mary, in a swift breathlessness quite new to her.

"In there. We put up a bed in the clock-room."

It was the unfinished part of the house. The Veaseys had always meant to plaster, but that consummation was still afar. The laths showed meagrely; it was a skeleton of a room,—and, sunken in the high feather-bed between the two windows, lay Johnnie Veasey, his buoyancy all gone, his face quite piteous to see, now that its tan had faded. Mary went up to the bed-side, and laid one cool, strong hand upon his wrist. His eyes sought her with a wild entreaty; but she knew, although he seemed to suffer, that this was the misery of delirium, and not the conscious mind. Adam had come trembling to the door, and stood there, one hand beating its perpetual tattoo upon the wall. Mary looked up at him with that abstracted gaze with which we weigh and judge.

"He's feverish," said she. "Mattie didn't tell me that. How long's he been so?"

"I dunno. I guess a matter o' two days."

"Two days?"

"Well, it might be off an' on ever sence he fell." Adam was helpless. He depended upon Mattie, and Mattie was not there.

"What did the doctor leave?"

Adam looked about him. "'T was the herb doctor," he said. "He had her steep some trade in a bowl."

Mary Dunbar drew her hand away, and walked two or three times up and down the bare, bleak room. The seeking eyes were following her. She knew how little their distended agony might mean; but nevertheless they carried an entreaty. They leaned upon her, as the world, her sick world, was wont to lean. Mary was, in many things, a child; but her attitude had grown to be maternal. Suddenly she turned to Adam, where he stood, shaking and hesitating, in the doorway.

"You goin' to send him off?"

"'Pears as if that's the only way," shuffled Adam.

"To-day?"

"Well, I dunno's they'll come"—

Mary walked past him, her mind assured.

"There, that'll do," said she. "You set down in your corner. I'll be back byme-by."

She hurried out into the bleak world which was her home, and, at that moment, it looked very fair and new. The birds were singing, loudly as they ever sang up here where there were few leaves to nest in. Mary stopped an instant to listen, and lifted her face wordlessly to the clear blue sky. It seemed as if she had been given a gift. There, before one of the houses, she called aloud, with a long, lingering note, "Jacob!" and Jacob Pease rose from his milking-stool, and came forward. Jacob was tall and snuff-colored, a widower of three years' standing. There was a theory that he wanted Mary, and lacked the courage to ask her.

"That you, Mary Dunbar?" said he. "Anything on hand?"

"I want you to come and help me lift," answered Mary.

Jacob set down his milk pail, and followed her into the Veaseys' kitchen. She drew out the tin basin, and filled it at the sink.

"Wash your hands," said she. "Adam, you set where you generally do. You'll be in the way."

Jacob followed her into the sick-room, and Adam weakly shuffled in behind.

"For the land's sake!" he began, but Mary was at the head of the bed, and Jacob at the foot.

"I'll carry his shoulders," she said, in the voice that admits no demur. "You take his feet and legs. Sort o' fold the feather-bed up round him, or we never shall get him through the door."

"Which way?" asked Jacob, still entirely at rest on a greater mind.

"Out!" commanded Mary,—"out the front door."

Adam, in describing that dramatic moment, always declared that nobody but Mary Dunbar could have engineered a feather-bed through the narrow passage, without sticking midway. He recalled an incident of his boyhood when, in the Titcomb fire, the whole family had spent every available instant before the falling of the roof, in trying to push the second-best bed through the attic window, only to leave it there to burn. But Mary Dunbar took her patient through the doorway as Napoleon marched over the Alps; she went with him down the road toward her own little house under the hill. Only then did Adam, still shuffling on behind, collect his intelligence sufficiently to shout after her,—

"Mary, what under the sun be you doin' of? What you want me to tell Mattie? S'pose she brings the selec'men, Mary Dunbar!"

She made no reply, even by a glance. She walked straight on, as if her burden lightened, and into her own cave-like house and her little neat bedroom.

"Lay him down jest as he is," she said to Jacob. "We won't try to shift him to-day. Let him get over this."

Jacob stretched himself, after his load, put his hands in his pockets, and made up his mouth into a soundless whistle.

"Yes! well!" said he. "Guess I better finish milkin'."

Mary put her patient "to-rights," and set some herb drink on the back of the stove. Presently the little room was filled with the steamy odor of a bitter healing, and she was on the battlefield where she loved to conquer. In spite of her heaven-born instinct, she knew very little about doctors and their ways of cure. Earth secrets were hers, some of them inherited and some guessed at, and luckily she had never been involved in those greater issues to be dealt with only by an exalted science. Later in her life, she was to get acquainted with the young doctor, down in Tiverton Street, and hear from him what things were doing in his world. She was to learn that a hospital is not a slaughter house incarnadined with writhing victims, as some of us had thought. She was even to witness the magic of a great surgeon; though that was in her old age, when her attitude toward medicine had become one of humble thankfulness that, in all her daring, she had done no harm. To-day, she thought she could set a bone or break up a fever; and there was no doubt in her mind that, if other deeds were demanded of her, she should be led in the one true way. So she sat down by her patient, and was watching there, hopeful of moisture on his palm, when Mattie broke into the front room, impetuous as the wind. Mary rose and stepped out to meet her, shutting the door as she went. Passing the window, she saw the selectmen, in the vehicle known as a long-reach, waiting at the gate.

"Hush, Mattie!" said she, "you'll wake him."

Mattie, in her ill-assorted respectabilities of dress, seemed to have been involved but recently in some bacchanalian orgie. Her shawl was dragged to one side, and her bonnet sat rakishly. She was intoxicated with her own surprise.

"Mary Dunbar!" cried she, "I'd like to know the meanin' of all this go-round!"

"There!" answered Mary, with a quietude like that of the sea at ebb, "I can't stop to talk. I'll settle it with the selec'men. You come, too."

Mattie's eyes were seeking the bedroom. Leave her alone, and her feet would follow. "You come along," repeated Mary, and Mattie came.

When the three selectmen saw Mary Dunbar stepping down the little slope, they gathered about them all their official dignity. Ebenezer Tolman sat a little straighter than usual, and uttered a portentous cough. Lothrop Wilson, mild by nature, and rather prone to whiffling in times of difficulty, frowned, with conscious effort; but that was only because he knew, in his own soul, how loyally he loved the under-dog, let justice go as it might. Then there was Eli Pike, occupying himself in pulling a rein from beneath the horse's tail. These two hated warfare, and were nervously conscious that, should they fail in firmness, Ebenezer would deal with them. Mary went swiftly up to the wagon, and laid one hand upon the wheel.

"I've got John Veasey in my house," she began rapidly. "I can't stop to talk. He's pretty sick."

Ebenezer cleared his throat again.

"We understood his folks had put him on the town," said he.

Mattie made a little eager sound, and then stopped.

"He ain't on the town yet," said Mary. "He's in my bedroom. An' there he's goin' to stay. I've took this job." She turned away from them, erect in her decision, and went up the path. Eli Pike looked after her, with an understanding sympathy. He was the man who had walked two miles, one night, to shoot a fox, trapped, and left there helpless with a broken leg. Lothrop gazed straight ahead, and said nothing.

"Look here!" called Ebenezer. "Mary! Mary! you look here!"

Mary turned about at the door. She was magnificent in her height and dignity. Even Ebenezer felt almost ashamed of what he had to say; but still the public purse must be regarded.

"You can't bring in a bill for services," he announced. "If he's on the town, he'll have to go right into the Poorhouse with the rest."

Mary made no answer. She stood there a second, looking at him, and he remarked to Eli, "I guess you might drive on."

But Mattie, following Mary up to the house, to talk it over, tried the door in vain.

"My land!" she ejaculated, "if she ain't bolted it!" So the nurse and her patient were left to themselves.

As to the rest of the story, I tell it as we hear it still in Tiverton. At first, it was reckoned among the miracles; but when the new doctor came, he explained that it accorded quite honestly with the course of violated nature, and that, with some slight pruning here and there, the case might figure in his books. What science would say about it, I do not know; tradition was quite voluble.

It proved a very long time before Johnnie grew better, and in all those days Mary Dunbar was a happy woman. She stepped about the house, setting it in order, watching her charge, and making delicate possets for him to take. When the "herb-man" came, she turned him away from the door with a regal courtesy. It was not so much that she despised his knowledge, as that he knew no more than she, and this was her patient. The young doctor in Tiverton told her afterwards that she had done a dangerous thing in not calling in some accredited wearer of the cloth; but Mary did not think of that. She went on her way of innocence, delightfully content. And all those days, Johnnie Veasey, as soon as he came out of his fever, lay there and watched her with eyes full of a listless wonder. He was still in that borderland of helplessness where the unusual seems only a part of the new condition of things. Neighbors called, and Mary refused them entrance, with a finality which admitted no appeal.

"I've got sickness here," she would say, standing in the doorway confronting them. "He's too weak to see anybody. I guess I won't ask you in."

But one day, the minister appeared, his fat gray horse climbing painfully up from the Gully Road. It was a warm afternoon; and as soon as Mary saw him, she went out of her house, and closed the door behind her. When he had tied his horse, he came toward her, brushing the dust of the road from his irreproachable black. He was a new minister, and very particular. Mary shook hands with him, and then seated herself on the step.

"Won't you set down here?" she asked. "I've got sickness, an' I can't have talkin' any nearer. I'm glad it's a warm day."

The minister looked at the step, and then at Mary. He felt as if his dignity had been mildly assaulted, and he preferred to stand.

"I should like to offer prayer for the young man," he said. "I had hoped to see him."

Mary smiled at him in that impersonal way of hers.

"I don't let anybody see him," said she. "I guess we shall all have to pray by ourselves."

The minister was somewhat nettled. He was young enough to feel the slight to his official position; and moreover, there were things which his rigid young wife, primed by the wonder of the town, had enjoined upon him to say. He flushed to the roots of his smooth brown hair.

"I suppose you know," said he, "that you're taking a very peculiar stand."

Mary turned her head, to listen. She thought she heard her patient breathing, and her mind was with him.

"You seem," said the minister, "to have taken in a man who has no claim on you, instead of letting him stay with his people. If you are going to marry him, let me advise you to do it now, and not wait for him to get well. The opinion of the world is, in a measure, to be respected,—though only in a measure."

Mary had risen to go in, but now she turned upon him.

"Married!" she repeated; and then again, in a hushed voice,—"married!"

"Yes," replied the minister testily, standing by his guns, "married."

Mary looked at him a moment, and then again she moved away. She glanced round at him, as she entered the door, and said very gently, "I guess you better go now. Good-day."

She closed the door, and the minister heard her bolt it. He told his wife briefly, on reaching home, that there wasn't much chance to talk with Mary, and perhaps the less there was said about it the better.

But as Mary sat down by her patient's bed, her face settled into sadness, because she was thinking about the world. It had not, heretofore, been one of her recognized planets; now that it had swung her way, she marveled at it.

The very next night, while she was eating her supper in the kitchen, the door opened, and Mattie walked in. Mattie had been washing late that afternoon. She always washed at odd times, and often in dull weather her undried clothes hung for days upon the line. She was "all beat out," for she had begun at three, and steamed through her work, to have an early supper at five.

"There, Mary Dunbar!" cried she; "I said I'd do it, an' I have. There ain't a neighbor got into this house for weeks, an' folks that want you to go nussin' have been turned away. I says to Adam, this very afternoon, 'I'll be whipped if I don't git in an' see what's goin' on!' There's some will have it Johnnie's got well, an' drove away without saying good-by to his own folks, an' some say he ain't likely to live, an' there he lays without a last word to his own brother! As for the childern, they've got an idea suthin' 's been done to uncle Johnnie, an' you can't mention him but they cry."

Mary rose calmly and began clearing her table. "I guess I wouldn't mention him, then," said she.

A muffled sound came from the bedroom. It might have been laughter. Then there was a little crack, and Mary involuntarily looked at the lamp chimney. She hurried into the bedroom, and stopped short at sight of her patient, lying there in the light of the flickering fire. His face had flushed, and his eyes were streaming.

"I laughed so," he said chokingly. "She always makes me. And something snapped into place in my neck. I don't know what it was,—but I can move!"

He held out his hand to her. Mary did not touch it; she only stood looking at him with a wonderful gaze of pride and recognition, and yet a strange timidity. She, too, flushed, and tears stood in her eyes.

"I'll go and tell Mattie," said she, turning toward the door. "You want to see her?"

"For God's sake, no! not till I'm on my feet." He was still laughing. "I guess I can get up to-morrow."

Mary went swiftly out, and shut the door behind her.

"I guess you better not see him to-night," she said. "You can come in to-morrer. I shouldn't wonder if he'd be up then."

"I told Adam"—began Mattie, but Mary put a hand on her thin little arm, and held it there.

"I'd rather talk to-morrer," said she gently. "Don't you come in before 'leven; but you come. Tell Adam to, if he wants. I guess your brother'll be gettin' away before long." She opened the outer door, and Mattie had no volition but to go. "It's a nice night, ain't it?" called Mary cheerfully, after her. "Seems as if there never was so many stars."

Then she went back into the kitchen, and with the old thrift and exactitude prepared her patient's supper. He was sitting upright, bolstered against the head of the bed; and he looked like a great mischievous boy, who had, in some way, gained a long-desired prize.

"See here!" he called. "Tell me I can't get up to-morrow? Why, I could walk!"

They had a very merry time while he ate. Mary remembered that afterwards, with a bruised wonder that laughter comes so cheap. Johnnie talked incessantly, not any more of the wonders of the deep, but what he meant to do when he got into the world again.

"How'd I come here in your house, any way?" he asked. "Mattie and Adam put me here to get rid of me? Tell me all over again."

"I take care of folks, you know," answered Mary briefly. "I have, for more'n two years. It's my business."

Johnnie looked at her a moment, crimsoning as he tried to speak.

"What you goin' to ask?"

Mary started. Then she answered steadily,—

"That's all right. I don't ask much, anyway; but when folks don't have ready money, I never ask anything. There, you mustn't talk no more, even if you are well. I've got to wash these dishes."

She left him to his meditations, and only once more that evening did they speak together. When she came to the door, to say good-night, he was flat among his pillows, listening for her.

"Say!" he called, "you come in. No, you needn't unless you want to; but if ever I earn another cent of money, you'll see. And I ain't the only friend you've got. There's a girl down in Southport would do anything in the world for you, if she only knew."

Next morning, Johnnie walked weakly out of doors, despite his nurse's cautions; for, not knowing what had happened to him, she was in a wearying dark as to whether it might not happen again. After his breakfast, he got a ride with Jacob Pease, who was going down Sudleigh way, and Jacob came back without him. He bore a message, full of gratitude, to Mary. At Sudleigh, Johnnie had telegraphed, to find out whether the ship Firewing was still in port; and he had heard that he must lose no time in joining her. He should never forget what Mary had done for him. So Jacob said; but he was a man of tepid words, and perhaps he remembered the message too coldly.

When Mattie came over, that afternoon, to make her call, she found the house closed. Mary had gone on foot down into Tiverton, where old Mrs. Lamson, who was sick with a fever, lay still in need. It was many weeks before she came home again to Horn o' the Moon; and then Grandfather Sinclair had broken his leg, so that interest in her miracle became temporarily inactive.

Two years had gone when there came to her a little package, through the Tiverton mail. It was tied with the greatest caution, and directed in a straggling hand. Mary opened it just as she struck into the Gully Road, on her way home. Inside was a little purse, and three gold pieces. She paused there, under the branches, the purse in one hand, and the gold lying within her other palm. For a long time she stood looking at them, her face set in that patient sadness seen in those whose only holding is the past. It was all over and done, and yet it had never been at all. She thought a little about herself, and that was very rare, for Mary. She was not the poorer for what her soul desired; she was infinitely the richer, and she remembered the girl at Southport, not with the pang that once afflicted her heart, but with a warm, outrushing sense of womanly sympathy. If he had money, perhaps he could marry. Perhaps he was married now. Coming out of the Gully Road, she opened the purse again, and the sun struck richly upon the gold within. Mary smiled a little, wanly, but still with a sense of the good, human kinship in life.

"I won't ever spend 'em," she said to herself. "I'll keep 'em to bury me."



A STOLEN FESTIVAL

David Macy's house stood on the spur of a breezy upland at the end of a road. The far-away neighbors, who lived on the main highway and could see the passin', often thanked their stars that they had been called to no such isolation; you might, said they, as well be set down in the middle of a pastur'. They wondered how David's Letty could stand it. She had been married 'most a year, and before that she was forever on the go. But there! if David Macy had told her the sun rose in the west, she'd ha' looked out for it there every identical mornin'.

The last proposition had some color in it; for Letty was very much in love. To an impartial view, David was a stalwart fellow with clear gray eyes and square shoulders, a prosperous yeoman of the fibre to which America owes her being. But according to Letty he was something superhuman in poise and charm. David had no conception of his heroic responsibilities; nothing could have puzzled him more than to guess how the ideal of him grew and strengthened in her maiden mind, and how her after-worship exalted it into something thrilling and passionate, not to be described even by a tongue more facile than hers. Letty had a vivid nature, capable of responding to those delicate influences which move to spiritual issues. There were throes of love within her, of aspiration, of an ineffable delight in being. She never tried to understand them, nor did she talk about them; but then, she never tried to paint the sky or copy the robin's song. Life was very mysterious; but one thing was quite as mysterious as another. She did sometimes brood for a moment over the troubled sense that, in some fashion, she spoke in another key from "other folks," who did not appear to know that joy is not altogether joy, but three-quarters pain, and who had never learned how it brings its own aching sense of incompleteness; but that only seemed to her a part of the general wonder of things. There had been one strange May morning in her life when she went with her husband into the woods, to hunt up a wild steer. She knew every foot of the place, and yet one turn of the path brought them into the heart of a picture thrillingly new with the unfamiliarity of pure and living beauty. The evergreens enfolded them in a palpable dusk; but entrancingly near, shimmering under a sunny gleam, stood a company of birches in their first spring wear. They were trembling, not so much under the breeze as from the hurrying rhythm of the year. Their green was vivid enough to lave the vision in light; and Letty looked beyond it to a brighter vista still. There, in an opening, lay a bank of violets, springing in the sun. Their blue was a challenge to the skyey blue above; it pierced the sight, awaking new longings and strange memories. It seemed to Letty as if some invisible finger touched her on the heart and made her pause. Then David turned, smiling kindly upon her, and she ran to him with a little cry, and put her arms about his neck.

"What is it?" he asked, stroking her hair with a gentle hand. "What is it, little child?"

"Oh, it's nothin'!" said Letty chokingly. "It's only—I like you so!"

The halting thought had no purple wherein to clothe itself; but it meant as much as if she had read the poets until great words had become familiar, and she could say "love." He was the spring day, the sun, the blue of the sky, the quiver of leaves; and she felt it, and had a pain at her heart.

Now, on an autumn morning, David was standing within the great space in front of the barn, greasing the wheels preliminary to a drive to market; and Letty stood beside him, bareheaded, her breakfast dishes forgotten. She was a round thing, with quick movements not ordinarily belonging to one so plump; her black hair was short, and curled roughly, and there were freckles on her little snub nose. David looked up at her red cheeks and the merry shine of her eyes, and smiled upon her.

"You look pretty nice this mornin'," he remarked.

Letty gave a little dancing step and laughed. The sun was bright; there was a purple haze over the hills, and the nearer woods were yellow. The world was a jewel newly set for her.

"I am nice!" said she. "David, do you know our anniversary's comin' on? It's 'most a year since we were married,—a year the fifteenth."

David loosened the last wheel, and rose to look at her.

"Sho!" said he, with great interest. "Is that so? Well, 't was a good bargain. Best trade I ever made in my life!"

"And we've got to celebrate," said Letty masterfully. "I'll tell you how. I've had it all planned for a month. We'll get up at four, have our breakfast, ride over to Star Pond, and picnic all day long. We'll take a boat and go out rowin', and we'll eat our dinner on the water!"

David smiled back at her, and then, with a sudden recollection, pursed his lips.

"I'm awful sorry, Letty," he said honestly, "but I've got to go over to Long Pastur' an' do that fencin', or I can't put the cattle in there before we turn 'em into the shack. You know that fence was all done up in the spring, but that cussed breachy cow o' Tolman's hooked it down; an' if I wait for him to do it—well, you know what he is!"

"Oh, you can put off your fencin'!" cried Letty. "Only one day! Oh, you can!"

"I could 'most any other time," said David, with reason, "but here it is 'most Saturday, an' next week the thrashin'-machine's comin'. I'm awful sorry, Letty. I am, honest!"

Letty turned half round like a troubled child, and began grinding one heel into the turf. She was conscious of an odd mortification. It was not, said her heart, that the thing itself was so dear to her; it was only that David ought to want immeasurably to do it. She always put great stress upon the visible signs of an invisible bond, and she would be long in getting over her demand for the unreason of love.

David threw down the monkey-wrench, and put an arm about her waist.

"Come, now, you don't care, do you?" he asked lovingly. "One day's the same as another, now ain't it?"

"Is it?" said Letty, a smile running over her face and into her wet eyes. "Well, then, le's have Fourth o' July fireworks next Sunday mornin'!"

David looked a little hurt; but that was only because he was puzzled. His sense of humor wore a different complexion from Letty's. He liked a joke, and he could tell a good story, but they must lie within the logic of fun. Letty could put her own interpretation on her griefs, and twist them into shapes calculated to send her into hysterical mirth.

"You see," said David soothingly, "we're goin' to be together as long as we live. It ain't as if we'd got to rake an' scrape an' plan to git a minute alone, as it used to be, now is it? An' after the fencin' 's done, an' the thrashin', an' we've got nothin' on our minds, we'll take both horses an' go to Star Pond. Come, now! Be a good girl!"

The world seemed very quiet because Letty was holding silence, and he looked anxiously down at the top of her head. Then she relented a little and turned her face up to his—her rebellious eyes and unsteady mouth. But meeting the loving honesty of his look, her heart gave a great bound of allegiance, and she laughed aloud.

"There!" she said. "Have it so. I won't say another word. I don't care!"

These were David's unconscious victories, born, not of his strength or tyranny, but out of the woman's maternal comprehension, her lavish concession of all the small things of life to the one great code. She had taken him for granted, and thenceforth judged him by the intention and not the act.

David was bending to kiss her, but he stopped midway, and his arm fell.

"There's Debby Low," said he. "By jinks! I ain't more'n half a man when she's round, she makes me feel so sheepish. I guess it's that eye o' her'n. It goes through ye like a needle."

Letty laughed light-heartedly, and looked down the path across the lot. Debby, a little, bent old woman, was toiling slowly along, a large carpet-bag swinging from one hand. Letty drew a long breath and tried to feel resigned.

"She's got on her black alpaca," said she. "She's comin' to spend the day!"

David answered her look with one of commiseration, and, gathering up his wrench and oil, "put for" the barn.

"I'd stay, if I could do any good," he said hastily, "but I can't. I might as well stan' from under."

Debby threw her empty carpet-bag over the stone wall, and followed it, clambering slowly and painfully. Her large feet were clad in congress boots; and when she had alighted, she regarded them with deep affection, and slowly wiped them upon either ankle, a stork-like process at which David, safe in the barn, could afford to smile.

"If it don't rain soon," she called fretfully, "I guess you'll find yourselves alone an' forsaken, like pelicans in the wilderness. Anybody must want to see ye to traipse up through that lot as I've been doin', an' git their best clo'es all over dirt."

"You could ha' come in the road," said Letty, smiling. Letty had a very sweet temper, and she had early learned that it takes all sorts o' folks to make a world. It was a part of her leisurely and generous scheme of life to live and let live.

"Ain't the road dustier 'n the path?" inquired Debby contradictorily. "My stars! I guess 't is. Well, now, what do you s'pose brought me up here this mornin'?"

Letty's eyes involuntarily sought the bag, whose concave sides flapped hungrily together; but she told her lie with cheerfulness. "I don't know."

"I guess ye don't. No, I ain't comin' in. I'm goin' over to Mis' Tolman's, to spend the day. I'm in hopes she's got b'iled dish. You look here!" She opened the bag, and searched portentously, the while Letty, in some unworthy interest, regarded the smooth, thick hair under her large poke-bonnet. Debby had an original fashion of coloring it; and this no one had suspected until her little grandson innocently revealed the secret. She rubbed it with a candle, in unconscious imitation of an actor's make-up, and then powdered it with soot from the kettle. "I believe to my soul she does!" said Letty to herself.

But Debby, breathing hard, had taken something from the bag, and was holding it out on the end of a knotted finger.

"There!" she said, "ain't that your'n? Vianna said 't was your engagement ring."

Letty flushed scarlet, and snatched the ring tremblingly. She gave an involuntary look at the barn, where David was whistling a merry stave.

"Oh, my!" she breathed. "Where'd you find it?"

"Well, that's the question!" returned Debby triumphantly. "Where'd ye lose it?"

But Letty had no mind to tell. She slipped the ring on her finger, and looked obstinate.

"Can't I get you somethin' to put in your bag?" she asked cannily. Debby was diverted, though only for the moment.

"I should like a mite o' pork," she answered, lowering her voice and giving a glance, in her turn, at the barn. "I s'pose ye don't want him to know of it?"

"I should like to be told why!" flamed Letty, in an indignation disproportioned to its cause. Debby had unconsciously hit the raw. "Do you s'pose I'd do anything David can't hear?"

"Law, I didn't know," said Debby, as if the matter were of very little consequence. "Mis' Peleg Chase, she gi'n me a beef-bone, t' other day, an' she says, 'Don't ye tell him!' An' Mis' Squire Hill gi'n me a pail o' lard; but she hid it underneath the fence, an' made me come for 't after dark. I dunno how you're goin' to git along with men-folks, if ye offer 'em the whip-hand. They'll take it, anyways. Well, don't you want to know where I come on this ring?"