He remained a fortnight without even thinking of touching his brushes. He arrived between eight and nine o'clock in the morning, smoked, stretched himself on the divan, and awaited noon, delighted that it was morning, and that he had many hours of daylight before him. At twelve he went to lunch. As soon as the meal was over, he hastened back, to be alone, and get away from the pale face of Therese. He next went through the process of digestion, sleeping spread out on the divan until evening. His studio was an abode of peace where he did not tremble. One day his wife asked him if she might visit this dear refuge. He refused, and as, notwithstanding his refusal, she came and knocked at the door, he refrained from opening to her, telling her in the evening that he had spent the day at the Louvre Museum. He was afraid that Therese might bring the spectre of Camille with her.

Idleness ended by weighing heavily on his shoulders, so he purchased a canvas and colours, and set to work. As he had not sufficient money to pay models, he resolved to paint according to fancy, without troubling about nature, and he began the head of a man.

But at this time, he did not shut himself up so much as he had done; he worked for two or three hours every morning and passed the afternoon strolling hither and thither in Paris and its vicinity. It was opposite the Institut, on his return from one of these long walks, that he knocked up against his old college friend, who had met with a nice little success, thanks to the good fellowship of his comrades, at the last Salon.

"What, is it you?" exclaimed the painter. "Ah! my poor Laurent, I hardly recognise you. You have lost flesh."

"I am married," answered Laurent in an embarrassed tone.

"Married, you!" said the other. "Then I am not surprised to see you look so funny: and what are you doing now?"

"I have taken a small studio," replied Laurent; "and I paint a little, in the morning."

Then, in a feverish voice, he briefly related the story of his marriage, and explained his future plans. His friend observed him with an air of astonishment that troubled and alarmed him. The truth was that the painter no longer found in the husband of Therese, the coarse, common fellow he had known formerly. It seemed to him that Laurent was acquiring a gentlemanly bearing; his face had grown thinner, and had taken the pale tint of good taste, while his whole frame looked more upright and supple.

"But you are becoming a handsome chap," the artist could not refrain from exclaiming. "You are dressed like an ambassador, in the latest style. Who's your model?"

Laurent, who felt the weight of the examination he was undergoing, did not dare to abruptly take himself off.

"Will you come up to my studio for a moment?" he at last asked his friend, who showed no signs of leaving him.

"Willingly," answered the latter.

The painter, who could not understand the change he noticed in his old comrade, was anxious to visit his studio. He had no idea of climbing five floors to gaze on the new pictures of Laurent, which assuredly would disgust him; he merely wished to satisfy his curiosity.

When he had reached the studio, and had glanced at the canvases hanging against the walls, his astonishment redoubled. They comprised five studies, two heads of women, and three of men painted with real vigour. They looked thick and substantial, each part being dashed off with magnificent dabs of colour on a clear grey background. The artist quickly approached, and was so astounded that he did not even seek to conceal his amazement.

"Did you do those?" he inquired of Laurent.

"Yes," replied the latter. "They are studies that I intend to utilise in a large picture I am preparing."

"Come, no humbug, are you really the author of those things?"

"Eh! Yes. Why should I not be the author of them?"

The painter did not like to answer what he thought, which was as follows:

"Because those canvases are the work of an artist, and you have never been anything but a vile bungler."

For a long time, he remained before the studies in silence. Certainly they were clumsy, but they were original, and so powerfully executed that they indicated a highly developed idea of art. They were life-like. Never had this friend of Laurent seen rough painting so full of high promise. When he had examined all the canvases, he turned to the author of them and said:

"Well, frankly, I should never have thought you capable of painting like that. Where the deuce did you learn to have talent? It is not usually a thing that one acquires."

And he considered Laurent, whose voice appeared to him more gentle, while every gesture he made had a sort of elegance. The artist had no idea of the frightful shock this man had received, and which had transformed him, developing in him the nerves of a woman, along with keen, delicate sensations. No doubt a strange phenomenon had been accomplished in the organism of the murderer of Camille. It is difficult for analysis to penetrate to such depths. Laurent had, perhaps, become an artist as he had become afraid, after the great disorder that had upset his frame and mind.

Previously, he had been half choked by the fulness of his blood, blinded by the thick vapour of breath surrounding him. At present, grown thin, and always shuddering, his manner had become anxious, while he experienced the lively and poignant sensations of a man of nervous temperament. In the life of terror that he led, his mind had grown delirious, ascending to the ecstasy of genius. The sort of moral malady, the neurosis wherewith all his being was agitated, had developed an artistic feeling of peculiar lucidity. Since he had killed, his frame seemed lightened, his distracted mind appeared to him immense; and, in this abrupt expansion of his thoughts, he perceived exquisite creations, the reveries of a poet passing before his eyes. It was thus that his gestures had suddenly become elegant, that his works were beautiful, and were all at once rendered true to nature, and life-like.

The friend did not seek further to fathom the mystery attending this birth of the artist. He went off carrying his astonishment along with him. But before he left, he again gazed at the canvases and said to Laurent:

"I have only one thing to reproach you with: all these studies have a family likeness. The five heads resemble each other. The women, themselves, have a peculiarly violent bearing that gives them the appearance of men in disguise. You will understand that if you desire to make a picture out of these studies, you must change some of the physiognomies; your personages cannot all be brothers, or brothers and sisters, it would excite hilarity."

He left the studio, and on the landing merrily added:

"Really, my dear boy, I am very pleased to have seen you. Henceforth, I shall believe in miracles. Good heavens! How highly respectable you do look!"

As he went downstairs, Laurent returned to the studio, feeling very much upset. When his friend had remarked that all his studies of heads bore a family likeness, he had abruptly turned round to conceal his paleness. The fact was that he had already been struck by this fatal resemblance. Slowly entering the room, he placed himself before the pictures, and as he contemplated them, as he passed from one to the other, ice-like perspiration moistened his back.

"He is quite right," he murmured, "they all resemble one another. They resemble Camille."

He retired a step or two, and seated himself on the divan, unable to remove his eyes from the studies of heads. The first was an old man with a long white beard; and under this white beard, the artist traced the lean chin of Camille. The second represented a fair young girl, who gazed at him with the blue eyes of his victim. Each of the other three faces presented a feature of the drowned man. It looked like Camille with the theatrical make-up of an old man, of a young girl, assuming whatever disguise it pleased the painter to give him, but still maintaining the general expression of his own countenance.

There existed another terrible resemblance among these heads: they all appeared suffering and terrified, and seemed as though overburdened with the same feeling of horror. Each of them had a slight wrinkle to the left of the mouth, which drawing down the lips, produced a grimace. This wrinkle, which Laurent remembered having noticed on the convulsed face of the drowned man, marked them all with a sign of vile relationship.

Laurent understood that he had taken too long a look at Camille at the Morgue. The image of the drowned man had become deeply impressed on his mind; and now, his hand, without his being conscious of it, never failed to draw the lines of this atrocious face which followed him everywhere.

Little by little, the painter, who was allowing himself to fall back on the divan, fancied he saw the faces become animated. He had five Camilles before him, five Camilles whom his own fingers had powerfully created, and who, by terrifying peculiarity were of various ages and of both sexes. He rose, he lacerated the pictures and threw them outside. He said to himself that he would die of terror in his studio, were he to people it with portraits of his victim.

A fear had just come over him: he dreaded that he would no more be able to draw a head without reproducing that of the drowned man. He wished to ascertain, at once, whether he were master of his own hand. He placed a white canvas on his easel; and, then, with a bit of charcoal, sketched out a face in a few lines. The face resembled Camille. Laurent swiftly effaced this drawing and tried another.

For an hour he struggled against futility, which drove along his fingers. At each fresh attempt, he went back to the head of the drowned man. He might indeed assert his will, and avoid the lines he knew so well. In spite of himself, he drew those lines, he obeyed his muscles and his rebellious nerves. He had first of all proceeded rapidly with his sketches; he now took pains to pass the stick of charcoal slowly over the canvas. The result was the same: Camille, grimacing and in pain, appeared ceaselessly.

The artist sketched the most different heads successively: the heads of angels, of virgins with aureoles, of Roman warriors with their helmets, of fair, rosy children, of old bandits seamed with scars; and the drowned man always, always reappeared; he became, in turn, angel, virgin, warrior, child and bandit.

Then, Laurent plunged into caricature: he exaggerated the features, he produced monstrous profiles, he invented grotesque heads, but only succeeded in rendering the striking portrait of his victim more horrible. He finished by drawing animals, dogs and cats; but even the dogs and cats vaguely resembled Camille.

Laurent then became seized with sullen rage. He smashed the canvas with his fist, thinking in despair of his great picture. Now, he must put that idea aside; he was convinced that, in future, he would draw nothing but the head of Camille, and as his friend had told him, faces all alike would cause hilarity. He pictured to himself what his work would have been, and perceived upon the shoulders of his personages, men and women, the livid and terrified face of the drowned man. The strange picture he thus conjured up, appeared to him atrociously ridiculous and exasperated him.

He no longer dared to paint, always dreading that he would resuscitate his victim at the least stroke of his brush. If he desired to live peacefully in his studio he must never paint there. This thought that his fingers possessed the fatal and unconscious faculty of reproducing without end the portrait of Camille, made him observe his hand in terror. It seemed to him that his hand no longer belonged to him.



CHAPTER XXVI

The crisis threatening Madame Raquin took place. The paralysis, which for several months had been creeping along her limbs, always ready to strangle her, at last took her by the throat and linked her body. One evening, while conversing peacefully with Therese and Laurent, she remained in the middle of a sentence with her mouth wide open: she felt as if she was being throttled. When she wanted to cry out and call for help, she could only splutter a few hoarse sounds. Her hands and feet were rigid. She found herself struck dumb, and powerless to move.

Therese and Laurent rose from their chairs, terrified at this stroke, which had contorted the old mercer in less than five seconds. When she became rigid, and fixed her supplicating eyes on them, they pressed her with questions in order to ascertain the cause of her suffering. Unable to reply, she continued gazing at them in profound anguish.

They then understood that they had nothing but a corpse before them, a corpse half alive that could see and hear, but could not speak to them. They were in despair at this attack. At the bottom of their hearts, they cared little for the suffering of the paralysed woman. They mourned over themselves, who in future would have to live alone, face to face.

From this day the life of the married couple became intolerable. They passed the most cruel evenings opposite the impotent old lady, who no longer lulled their terror with her gentle, idle chatter. She reposed in an armchair, like a parcel, a thing, while they remained alone, one at each end of the table, embarrassed and anxious. This body no longer separated them; at times they forgot it, confounding it with the articles of furniture.

They were now seized with the same terror as at night. The dining-room became, like the bedroom, a terrible spot, where the spectre of Camille arose, causing them to suffer an extra four or five hours daily. As soon as twilight came, they shuddered, lowering the lamp-shade so as not to see one another, and endeavouring to persuade themselves that Madame Raquin was about to speak and thus remind them of her presence. If they kept her with them, if they did not get rid of her, it was because her eyes were still alive, and they experienced a little relief in watching them move and sparkle.

They always placed the impotent old lady in the bright beam of the lamp, so as to thoroughly light up her face and have it always before them. This flabby, livid countenance would have been a sight that others could not have borne, but Therese and Laurent experienced such need for company, that they gazed upon it with real joy.

This face looked like that of a dead person in the centre of which two living eyes had been fixed. These eyes alone moved, rolling rapidly in their orbits. The cheeks and mouth maintained such appalling immobility that they seemed as though petrified. When Madame Raquin fell asleep and lowered her lids, her countenance, which was then quite white and mute, was really that of a corpse. Therese and Laurent, who no longer felt anyone with them, then made a noise until the paralysed woman raised her eyelids and looked at them. In this manner they compelled her to remain awake.

They regarded her as a distraction that drew them from their bad dreams. Since she had been infirm, they had to attend to her like a child. The care they lavished on her forced them to scatter their thoughts. In the morning Laurent lifted her up and bore her to her armchair; at night he placed her on her bed again. She was still heavy, and he had to exert all his strength to raise her delicately in his arms, and carry her. It was also he who rolled her armchair along. The other attentions fell to Therese. She dressed and fed the impotent old lady, and sought to understand her slightest wish.

For a few days Madame Raquin preserved the use of her hands. She could write on a slate, and in this way asked for what she required; then the hands withered, and it became impossible for her to raise them or hold a pencil. From that moment her eyes were her only language, and it was necessary for her niece to guess what she desired. The young woman devoted herself to the hard duties of sick-nurse, which gave her occupation for body and mind that did her much good.

So as not to remain face to face, the married couple rolled the armchair of the poor old lady into the dining-room, the first thing in the morning. They placed her between them, as if she were necessary to their existence. They caused her to be present at their meals, and at all their interviews. When she signified the desire to retire to her bedroom, they feigned not to understand. She was only of use to interrupt their private conversations, and had no right to live apart.

At eight o'clock, Laurent went to his studio, Therese descended to the shop, while the paralyzed woman remained alone in the dining-room until noon; then, after lunch, she found herself without company again until six o'clock. Frequently, during the day, her niece ran upstairs, and, hovering round her, made sure she did not require anything. The friends of the family were at a loss for sufficiently laudatory phrases wherein to extol the virtues of Therese and Laurent.

The Thursday receptions continued, the impotent old lady being present, as in the past. Her armchair was advanced to the table, and from eight o'clock till eleven she kept her eyes open, casting penetrating glances from one to another of her guests in turn. On the first few of these evenings, old Michaud and Grivet felt some embarrassment in the presence of the corpse of their old friend. They did not know what countenance to put on. They only experienced moderate sorrow, and they were inquiring in their minds in what measure it would be suitable to display their grief. Should they speak to this lifeless form? Should they refrain from troubling about it? Little by little, they decided to treat Madame Raquin as though nothing had happened to her. They ended by feigning to completely ignore her condition. They chatted with her, putting questions and giving the answers, laughing both for her and for themselves, and never permitting the rigid expression on the countenance to baffle them.

It was a strange sight: these men who appeared to be speaking sensibly to a statue, just as little girls talk to their dolls. The paralysed woman sat rigid and mute before them, while they babbled, multiplying their gestures in exceedingly animated conversations with her. Michaud and Grivet prided themselves on their correct attitude. In acting as they did, they believed they were giving proof of politeness; they, moreover, avoided the annoyance of the customary condolences. They fancied that Madame Raquin must feel flattered to find herself treated as a person in good health; and, from that moment, it became possible for them to be merry in her presence, without the least scruple.

Grivet had contracted a mania. He affirmed that Madame Raquin and himself understood one another perfectly; and that she could not look at him without him at once comprehending what she desired. This was another delicate attention. Only Grivet was on every occasion in error. He frequently interrupted the game of dominoes, to observe the infirm woman whose eyes were quietly following the game, and declare that she wanted such or such a thing. On further inquiry it was found that she wanted nothing at all, or that she wanted something entirely different. This did not discourage Grivet, who triumphantly exclaimed:

"Just as I said!" And he began again a few moments later.

It was quite another matter when the impotent old lady openly expressed a desire; Therese, Laurent, and the guests named one object after another that they fancied she might wish for. Grivet then made himself remarkable by the clumsiness of his offers. He mentioned, haphazard, everything that came into his head, invariably offering the contrary to what Madame Raquin desired. But this circumstance did not prevent him repeating:

"I can read in her eyes as in a book. Look, she says I am right. Is it not so, dear lady? Yes, yes."

Nevertheless, it was no easy matter to grasp the wishes of the poor old woman. Therese alone possessed this faculty. She communicated fairly well with this walled-up brain, still alive, but buried in a lifeless frame. What was passing within this wretched creature, just sufficiently alive to be present at the events of life, without taking part in them? She saw and heard, she no doubt reasoned in a distinct and clear manner. But she was without gesture and voice to express the thoughts originating in her mind. Her ideas were perhaps choking her, and yet she could not raise a hand, nor open her mouth, even though one of her movements or words should decide the destiny of the world.

Her mind resembled those of the living buried by mistake, who awaken in the middle of the night in the earth, three or four yards below the surface of the ground. They shout, they struggle, and people pass over them without hearing their atrocious lamentations.

Laurent frequently gazed at Madame Raquin, his lips pressed together, his hands stretched out on his knees, putting all his life into his sparkling and swiftly moving eyes. And he said to himself:

"Who knows what she may be thinking of all alone? Some cruel drama must be passing within this inanimate frame."

Laurent made a mistake. Madame Raquin was happy, happy at the care and affection bestowed on her by her dear children. She had always dreamed of ending in this gentle way, amidst devotedness and caresses. Certainly she would have been pleased to have preserved her speech, so as to be able to thank the friends who assisted her to die in peace. But she accepted her condition without rebellion. The tranquil and retired life she had always led, the sweetness of her character, prevented her feeling too acutely the suffering of being mute and unable to make a movement. She had entered second childhood. She passed days without weariness, gazing before her, and musing on the past. She even tasted the charm of remaining very good in her armchair, like a little girl.

Each day the sweetness and brightness of her eyes became more penetrating. She had reached the point of making them perform the duties of a hand or mouth, in asking for what she required and in expressing her thanks. In this way she replaced the organs that were wanting, in a most peculiar and charming manner. Her eyes, in the centre of her flabby and grimacing face, were of celestial beauty.

Since her twisted and inert lips could no longer smile, she smiled with adorable tenderness, by her looks; moist beams and rays of dawn issued from her orbits. Nothing was more peculiar than those eyes which laughed like lips in this lifeless countenance. The lower part of the face remained gloomy and wan, while the upper part was divinely lit up. It was particularly for her beloved children that she placed all her gratitude, all the affection of her soul into a simple glance. When Laurent took her in his arms, morning and night, to carry her, she thanked him lovingly by looks full of tender effusion.

She lived thus for weeks, awaiting death, fancying herself sheltered from any fresh misfortune. She thought she had already received her share of suffering. But she was mistaken. One night she was crushed by a frightful blow.

Therese and Laurent might well place her between them, in the full light, but she was no longer sufficiently animated to separate and defend them against their anguish. When they forgot that she was there and could hear and see them, they were seized with folly. Perceiving Camille, they sought to drive him away. Then, in unsteady tones, they allowed the truth to escape them, uttering words that revealed everything to Madame Raquin. Laurent had a sort of attack, during which he spoke like one under the influence of hallucination, and the paralysed woman abruptly understood.

A frightful contraction passed over her face, and she experienced such a shock that Therese thought she was about to bound to her feet and shriek, but she fell backward, rigid as iron. This shock was all the more terrible as it seemed to galvanise a corpse. Sensibility which had for a moment returned, disappeared; the impotent woman remained more crushed and wan than before. Her eyes, usually so gentle, had become dark and harsh, resembling pieces of metal.

Never had despair fallen more rigorously on a being. The sinister truth, like a flash of flame, scorched the eyes of the paralysed woman and penetrated within her with the concussion of a shaft of lightning. Had she been able to rise, to utter the cry of horror that ascended to her throat, and curse the murderers of her son, she would have suffered less. But, after hearing and understanding everything, she was forced to remain motionless and mute, inwardly preserving all the glare of her grief.

It seemed to her that Therese and Laurent had bound her, riveted her to her armchair to prevent her springing up, and that they took atrocious pleasure in repeating to her, after gagging her to stifle her cries—

"We have killed Camille!"

Terror and anguish coursed furiously in her body unable to find an issue. She made superhuman efforts to raise the weight crushing her, to clear her throat and thus give passage to her flood of despair. In vain did she strain her final energy; she felt her tongue cold against her palate, she could not tear herself from death. Cadaverous impotence held her rigid. Her sensations resembled those of a man fallen into lethargy, who is being buried, and who, bound by the bonds of his own frame, hears the deadened sound of the shovels of mould falling on his head.

The ravages to which her heart was subjected, proved still more terrible. She felt a blow inwardly that completely undid her. Her entire life was afflicted: all her tenderness, all her goodness, all her devotedness had just been brutally upset and trampled under foot. She had led a life of affection and gentleness, and in her last hours, when about to carry to the grave a belief in the delight of a calm life, a voice shouted to her that all was falsehood and all crime.

The veil being rent, she perceived apart from the love and friendship which was all she had hitherto been able to see, a frightful picture of blood and shame. She would have cursed the Almighty had she been able to shout out a blasphemy. Providence had deceived her for over sixty years, by treating her as a gentle, good little girl, by amusing her with lying representations of tranquil joy. And she had remained a child, senselessly believing in a thousand silly things, and unable to see life as it really is, dragging along in the sanguinary filth of passions. Providence was bad; it should have told her the truth before, or have allowed her to continue in her innocence and blindness. Now, it only remained for her to die, denying love, denying friendship, denying devotedness. Nothing existed but murder and lust.

What! Camille had been killed by Therese and Laurent, and they had conceived the crime in shame! For Madame Raquin, there was such a fathomless depth in this thought, that she could neither reason it out, nor grasp it clearly. She experienced but one sensation, that of a horrible disaster; it seemed to her that she was falling into a dark, cold hole. And she said to herself:

"I shall be smashed to pieces at the bottom."

After the first shock, the crime appeared to her so monstrous that it seemed impossible. Then, when convinced of the misbehaviour and murder, by recalling certain little incidents which she had formerly failed to understand, she was afraid of going out of her mind. Therese and Laurent were really the murderers of Camille: Therese whom she had reared, Laurent whom she had loved with the devoted and tender affection of a mother. These thoughts revolved in her head like an immense wheel, accompanied by a deafening noise.

She conjectured such vile details, fathomed such immense hypocrisy, assisting in thought at a double vision so atrocious in irony, that she would have liked to die, mechanical and implacable, pounded her brain with the weight and ceaseless action of a millstone. She repeated to herself:

"It is my children who have killed my child."

And she could think of nothing else to express her despair.

In the sudden change that had come over her heart, she no longer recognised herself. She remained weighed down by the brutal invasion of ideas of vengeance that drove away all the goodness of her life. When she had been thus transformed, all was dark inwardly; she felt the birth of a new being within her frame, a being pitiless and cruel, who would have liked to bite the murderers of her son.

When she had succumbed to the overwhelming stroke of paralysis, when she understood that she could not fly at the throats of Therese and Laurent, whom she longed to strangle, she resigned herself to silence and immobility, and great tears fell slowly from her eyes. Nothing could be more heartrending than this mute and motionless despair. Those tears coursing, one by one, down this lifeless countenance, not a wrinkle of which moved, that inert, wan face which could not weep with its features, and whose eyes alone sobbed, presented a poignant spectacle.

Therese was seized with horrified pity.

"We must put her to bed," said she to Laurent, pointing to her aunt.

Laurent hastened to roll the paralysed woman into her bedroom. Then, as he stooped down to take her in his arms, Madame Raquin hoped that some powerful spring would place her on her feet; and she attempted a supreme effort. The Almighty would not permit Laurent to press her to his bosom; she fully anticipated he would be struck down if he displayed such monstrous impudence. But no spring came into action, and heaven reserved its lightning. Madame Raquin remained huddled up and passive like a bundle of linen. She was grasped, raised and carried along by the assassin; she experienced the anguish of feeling herself feeble and abandoned in the arms of the murderer of Camille. Her head rolled on to the shoulder of Laurent, whom she observed with eyes increased in volume by horror.

"You may look at me," he murmured. "Your eyes will not eat me."

And he cast her brutally on the bed. The impotent old lady fell unconscious on the mattress. Her last thought had been one of terror and disgust. In future, morning and night, she would have to submit to the vile pressure of the arms of Laurent.



CHAPTER XXVII

A shock of terror alone had made the married pair speak, and avow their crime in the presence of Madame Raquin. Neither one nor the other was cruel; they would have avoided such a revelation out of feelings of humanity, had not their own security already made it imperative on their part to maintain silence.

On the ensuing Thursday, they felt particularly anxious. In the morning, Therese inquired of Laurent whether he considered it prudent to leave the paralysed woman in the dining-room during the evening. She knew all and might give the alarm.

"Bah!" replied Laurent, "it is impossible for her to raise her little finger. How can she babble?"

"She will perhaps discover a way to do so," answered Therese. "I have noticed an implacable thought in her eyes since the other evening."

"No," said Laurent. "You see, the doctor told me it was absolutely all over with her. If she ever speaks again it will be in the final death-rattle. She will not last much longer, you may be sure. It would be stupid to place an additional load on our conscience by preventing her being present at the gathering this evening."

Therese shuddered.

"You misunderstand me," she exclaimed. "Oh! You are right. There has been enough crime. I meant to say that we might shut our aunt up in her own room, pretending she was not well, and was sleeping."

"That's it," replied Laurent, "and that idiot Michaud would go straight into the room to see his old friend, notwithstanding. It would be a capital way to ruin us."

He hesitated. He wanted to appear calm, and anxiety gave a tremor to his voice.

"It will be best to let matters take their course," he continued. "These people are as silly as geese. The mute despair of the old woman will certainly teach them nothing. They will never have the least suspicion of the thing, for they are too far away from the truth. Once the ordeal is over, we shall be at ease as to the consequences of our imprudence. All will be well, you will see."

When the guests arrived in the evening, Madame Raquin occupied her usual place, between the stove and table. Therese and Laurent feigned to be in good spirits, concealing their shudders and awaiting, in anguish, the incident that was bound to occur. They had brought the lamp-shade very low down, so that the oilcloth table covering alone was lit up.

The guests engaged in the usual noisy, common-place conversation that invariably preceded the first game of dominoes. Grivet and Michaud did not fail to address the usual questions to the paralysed woman, on the subject of her health, and to give excellent answers to them, as was their custom. After which, the company, without troubling any further about the poor old lady, plunged with delight into the game.

Since Madame Raquin had become aware of the horrible secret, she had been awaiting this evening with feverish impatience. She had gathered together all her remaining strength to denounce the culprits. Up to the last moment, she feared she would not be present at the gathering; she thought Laurent would make her disappear, perhaps kill her, or at least shut her up in her own apartment. When she saw that her niece and nephew allowed her to remain in the dining-room, she experienced lively joy at the thought of attempting to avenge her son.

Aware that her tongue was powerless, she resorted to a new kind of language. With astonishing power of will, she succeeded, in a measure, in galvanising her right hand, in slightly raising it from her knee, where it always lay stretched out, inert; she then made it creep little by little up one of the legs of the table before her, and thus succeeded in placing it on the oilcloth table cover. Then, she feebly agitated the fingers as if to attract attention.

When the players perceived this lifeless hand, white and nerveless, before them, they were exceedingly surprised. Grivet stopped short, with his arm in the air, at the moment when he was about to play the double-six. Since the impotent woman had been struck down, she had never moved her hands.

"Hey! Just look, Therese," cried Michaud. "Madame Raquin is agitating her fingers. She probably wants something."

Therese could not reply. Both she and Laurent had been following the exertion of the paralysed woman, and she was now looking at the hand of her aunt, which stood out wan in the raw light of the lamp, like an avenging hand that was about to speak. The two murderers waited, breathless.

"Of course," said Grivet, "she wants something. Oh! We thoroughly understand one another. She wants to play dominoes. Eh! Isn't it so, dear lady?"

Madame Raquin made a violent sign indicating that she wanted nothing of the kind. She extended one finger, folded up the others with infinite difficulty, and began to painfully trace letters on the table cover. She had barely indicated a stroke or two, when Grivet again exclaimed in triumph:

"I understand; she says I do right to play the double-six."

The impotent woman cast a terrible glance at the old clerk, and returned to the word she wished to write. But Grivet interrupted her at every moment, declaring it was needless, that he understood, and he then brought out some stupidity. Michaud at last made him hold his tongue.

"The deuce! Allow Madame Raquin to speak," said he. "Speak, my old friend."

And he gazed at the oilcloth table cover as if he had been listening. But the fingers of the paralysed woman were growing weary. They had begun the word more than ten times over, and now, in tracing this word, they wandered to right and left. Michaud and Olivier bent forward, and being unable to read, forced the impotent old lady to resume the first letters.

"Ah! Bravo!" exclaimed Olivier, all at once, "I can read it, this time. She has just written your name, Therese. Let me see: 'Therese and——' Complete the sentence, dear lady."

Therese almost shrieked in anguish. She watched the finger of her aunt gliding over the oilcloth, and it seemed to her that this finger traced her name, and the confession of her crime in letters of fire. Laurent had risen violently, with half a mind to fling himself on the paralysed woman and break her arm. When he saw this hand return to life to reveal the murder of Camille, he thought all was lost, and already felt the weight and frigidity of the knife on the nape of his neck.

Madame Raquin still wrote, but in a manner that became more and more hesitating.

"This is perfect. I can read it very well indeed," resumed Olivier after an instant, and with his eyes on the married pair. "Your aunt writes your two names: 'Therese and Laurent.'"

The old lady made sign after sign in the affirmative, casting crushing glances on the murderers. Then she sought to complete the sentence, but her fingers had stiffened, the supreme will that galvanised them, escaped her. She felt the paralysis slowly descending her arm and again grasping her wrist. She hurried on, and traced another word.

Old Michaud read out in a loud voice:

"Therese and Laurent have——"

And Olivier inquired:

"What have your dear children?"

The murderers, seized with blind terror, were on the point of completing the sentence aloud. They contemplated the avenging hand with fixed and troubled eyes, when, all at once this hand became convulsed, and flattened out on the table. It slipped down and fell on the knee of the impotent woman like a lump of inanimate flesh and bone. The paralysis had returned and arrested the punishment. Michaud and Olivier sat down again disappointed, while Therese and Laurent experienced such keen joy that they felt like fainting under the influence of the sudden rush of blood that beat in their bosoms.

Grivet who felt vexed at not having been believed on trust, thought the moment had arrived to regain his infallibility, by completing the unfinished sentence. While every one was endeavouring to supply the missing words, he exclaimed:

"It is quite clear. I can read the whole phrase in the eyes of the lady. It is not necessary for her to write on the table to make me understand; a mere look suffices. She means to say:

"Therese and Laurent have been very kind to me."

Grivet, on this occasion, had cause to be proud of his imagination, for all the company were of his opinion; and the guests began to sing the praises of the married couple, who were so good for the poor lady.

"It is certain," old Michaud gravely remarked, "that Madame Raquin wishes to bear testimony to the tender affection her children lavish on her, and this does honour to the whole family."

Then, taking up his dominoes again, he added:

"Come, let us continue. Where were we? Grivet was about to play the double-six, I think."

Grivet played the double six, and the stupid, monotonous game went on.

The paralysed woman, cut up by frightful despair, looked at her hand, which had just betrayed her. She felt it as heavy as lead, now; never would she be able to raise it again. Providence would not permit Camille to be avenged. It withdrew from his mother the only means she had of making known the crime to which he had fallen a victim. And the wretched woman said to herself that she was now only fit to go and join her child underground. She lowered her lids, feeling herself, henceforth, useless, and with the desire of imagining herself already in the darkness of the tomb.



CHAPTER XXVIII

For two months, Therese and Laurent had been struggling in the anguish of their union. One suffered through the other. Then hatred slowly gained them, and they ended by casting angry glances at one another, full of secret menace.

Hatred was forced to come. They had loved like brutes, with hot passion, entirely sanguineous. Then, amidst the enervation of their crime, their love had turned to fright, and their kisses had produced a sort of physical terror. At present, amid the suffering which marriage, which life in common imposed on them, they revolted and flew into anger.

It was a bitter hatred, with terrible outbursts. They felt they were in the way of one another, and both inwardly said that they would lead a tranquil existence were they not always face to face. When in presence of each other, it seemed as if an enormous weight were stifling them, and they would have liked to remove this weight, to destroy it. Their lips were pinched, thoughts of violence passed in their clear eyes, and a craving beset them to devour one another.

In reality, one single thought tormented them: they were irritated at their crime, and in despair at having for ever troubled their lives. Hence all their anger and hatred. They felt the evil incurable, that they would suffer for the murder of Camille until death, and this idea of perpetual suffering exasperated them. Not knowing whom to strike, they turned in hatred on one another.

They would not openly admit that their marriage was the final punishment of the murder; they refused to listen to the inner voice that shouted out the truth to them, displaying the story of their life before their eyes. And yet, in the fits of rage that bestirred them, they both saw clearly to the bottom of their anger, they were aware it was the furious impulse of their egotistic nature that had urged them to murder in order to satisfy their desire, and that they had only found in assassination, an afflicted and intolerable existence. They recollected the past, they knew that their mistaken hopes of lust and peaceful happiness had alone brought them to remorse. Had they been able to embrace one another in peace, and live in joy, they would not have mourned Camille, they would have fattened on their crime. But their bodies had rebelled, refusing marriage, and they inquired of themselves, in terror, where horror and disgust would lead them. They only perceived a future that would be horrible in pain, with a sinister and violent end.

Then, like two enemies bound together, and who were making violent efforts to release themselves from this forced embrace, they strained their muscles and nerves, stiffening their limbs without succeeding in releasing themselves. At last understanding that they would never be able to escape from their clasp, irritated by the cords cutting into their flesh, disgusted at their contact, feeling their discomfort increase at every moment, forgetful, and unable to bear their bonds a moment longer, they addressed outrageous reproaches to one another, in the hope of suffering loss, of dressing the wounds they inflicted on themselves, by cursing and deafening each other with their shouts and accusations.

A quarrel broke out every evening. It looked as though the murderers sought opportunities to become exasperated so as to relax their rigid nerves. They watched one another, sounded one another with glances, examined the wounds of one another, discovering the raw parts, and taking keen pleasure in causing each other to yell in pain. They lived in constant irritation, weary of themselves, unable to support a word, a gesture or a look, without suffering and frenzy. Both their beings were prepared for violence; the least display of impatience, the most ordinary contrariety increased immoderately in their disordered organism, and all at once, took the form of brutality. A mere nothing raised a storm that lasted until the morrow. A plate too warm, an open window, a denial, a simple observation, sufficed to drive them into regular fits of madness.

In the course of the discussion, they never failed to bring up the subject of the drowned man. From sentence to sentence they came to mutual reproaches about this drowning business at Saint-Ouen, casting the crime in the face of one another. They grew excited to the pitch of fury, until one felt like murdering the other. Then ensued atrocious scenes of choking, blows, abominable cries, shameless brutalities. As a rule, Therese and Laurent became exasperated, in this manner, after the evening meal. They shut themselves up in the dining-room, so that the sound of their despair should not be heard. There, they could devour one another at ease. At the end of this damp apartment, of this sort of vault, lighted by the yellow beams of the lamp, the tone of their voices took harrowing sharpness, amidst the silence and tranquillity of the atmosphere. And they did not cease until exhausted with fatigue; then only could they go and enjoy a few hours' rest. Their quarrels became, in a measure, necessary to them—a means of procuring a few hours' rest by stupefying their nerves.

Madame Raquin listened. She never ceased to be there, in her armchair, her hands dangling on her knees, her head straight, her face mute. She heard everything, and not a shudder ran through her lifeless frame. Her eyes rested on the murderers with the most acute fixedness. Her martyrdom must have been atrocious. She thus learned, detail by detail, all the events that had preceded and followed the murder of Camille. Little by little her ears became polluted with an account of the filth and crimes of those whom she had called her children.

These quarrels of the married couple placed her in possession of the most minute circumstances connected with the murder, and spread out, one by one, before her terrified mind, all the episodes of the horrible adventure. As she went deeper into this sanguinary filth, she pleaded in her mind for mercy, at times, she fancied she was touching the bottom of the infamy, and still she had to descend lower. Each night, she learnt some new detail. The frightful story continued to expand before her. It seemed like being lost in an interminable dream of horror. The first avowal had been brutal and crushing, but she suffered more from these repeated blows, from these small facts which the husband and wife allowed to escape them in their fits of anger, and which lit up the crime with sinister rays. Once a day, this mother heard the account of the murder of her son; and, each day this account became more horrifying, more replete with detail, and was shouted into her ears with greater cruelty and uproar.

On one occasion, Therese, taken aback with remorse, at the sight of this wan countenance, with great tears slowly coursing down its cheeks, pointed out her aunt to Laurent, beseeching him with a look to hold his tongue.

"Well, what of it? Leave me alone!" exclaimed the latter in a brutal tone, "you know very well that she cannot give us up. Am I more happy than she is? We have her cash, I have no need to constrain myself."

The quarrel continued, bitter and piercing, and Camille was killed over again. Neither Therese nor Laurent dared give way to the thoughts of pity that sometimes came over them, and shut the paralysed woman in her bedroom, when they quarrelled, so as to spare her the story of the crime. They were afraid of beating one another to death, if they failed to have this semi-corpse between them. Their pity yielded to cowardice. They imposed ineffable sufferings on Madame Raquin because they required her presence to protect them against their hallucinations.

All their disputes were alike, and led to the same accusations. As soon as one of them accused the other of having killed this man, there came a frightful shock.

One night, at dinner, Laurent who sought a pretext for becoming irritable, found that the water in the decanter was lukewarm. He declared that tepid water made him feel sick, and that he wanted it fresh.

"I was unable to procure any ice," Therese answered dryly.

"Very well, I will deprive myself of drinking," retorted Laurent.

"This water is excellent," said she.

"It is warm, and has a muddy taste," he answered. "It's like water from the river."

"Water from the river?" repeated Therese.

And she burst out sobbing. A juncture of ideas had just occurred in her mind.

"Why do you cry?" asked Laurent, who foresaw the answer, and turned pale.

"I cry," sobbed the young woman, "I cry because—you know why—Oh! Great God! Great God! It was you who killed him."

"You lie!" shouted the murderer vehemently, "confess that you lie. If I threw him into the Seine, it was you who urged me to commit the murder."

"I! I!" she exclaimed.

"Yes, you! Don't act the ignorant," he replied, "don't compel me to force you to tell the truth. I want you to confess your crime, to take your share in the murder. It will tranquillise and relieve me."

"But I did not drown Camille," she pleaded.

"Yes, you did, a thousand times yes!" he shouted. "Oh! You feign astonishment and want of memory. Wait a moment, I will recall your recollections."

Rising from table, he bent over the young woman, and with crimson countenance, yelled in her face:

"You were on the river bank, you remember, and I said to you in an undertone: 'I am going to pitch him into the water.' Then you agreed to it, you got into the boat. You see that we murdered him together."

"It is not true," she answered. "I was crazy, I don't know what I did, but I never wanted to kill him. You alone committed the crime."

These denials tortured Laurent. As he had said, the idea of having an accomplice relieved him. Had he dared, he would have attempted to prove to himself that all the horror of the murder fell upon Therese. He more than once felt inclined to beat the young woman, so as to make her confess that she was the more guilty of the two.

He began striding up and down, shouting and raving, followed by the piercing eyes of Madame Raquin.

"Ah! The wretch! The wretch!" he stammered in a choking voice, "she wants to drive me mad. Look, did you not come up to my room one evening, did you not intoxicate me with your caresses to persuade me to rid you of your husband? You told me, when I visited you here, that he displeased you, that he had the odour of a sickly child. Did I think of all this three years ago? Was I a rascal? I was leading the peaceful existence of an upright man, doing no harm to anybody. I would not have killed a fly."

"It was you who killed Camille," repeated Therese with such desperate obstinacy that she made Laurent lose his head.

"No, it was you, I say it was you," he retorted with a terrible burst of rage. "Look here, don't exasperate me, or if you do you'll suffer for it. What, you wretch, have you forgotten everything? You who maddened me with your caresses! Confess that it was all a calculation in your mind, that you hated Camille, and that you had wanted to kill him for a long time. No doubt you took me as a sweetheart, so as to drive me to put an end to him."

"It is not true," said she. "What you relate is monstrous. You have no right to reproach me with my weakness towards you. I can speak in regard to you, as you speak of me. Before I knew you, I was a good woman, who never wronged a soul. If I drove you mad, it was you made me madder still. Listen Laurent, don't let us quarrel. I have too much to reproach you with."

"What can you reproach me with?" he inquired.

"No, nothing," she answered. "You did not save me from myself, you took advantage of my surrender, you chose to spoil my life. I forgive you all that. But, in mercy, do not accuse me of killing Camille. Keep your crime for yourself. Do not seek to make me more terrified than I am already."

Laurent raised his hand to strike her in the face.

"Beat me, I prefer that," said she, "I shall suffer less."

And she advanced her head. But he restrained himself, and taking a chair, sat down beside her.

"Listen," he began in a voice that he endeavoured to render calm, "it is cowardly to refuse to take your share in the crime. You know perfectly well that as we did the deed together, you know you are as guilty as I am. Why do you want to make my load heavier, by saying you are innocent? If you were so, you would not have consented to marry me. Just recall what passed during the two years following the murder. Do you want a proof? If so I will go and relate everything to the Public Prosecutor, and you will see whether we are not both condemned."

They shuddered, and Therese resumed:

"Men may, perhaps, condemn me, but Camille knows very well that you did everything. He does not torment me at night as he does you."

"Camille leaves me in peace," said Laurent, pale and trembling, "it is you who see him before you in your nightmares. I have heard you shout out."

"Don't say that," angrily exclaimed the young woman. "I have never shouted out. I don't wish the spectre to appear. Oh! I understand, you want to drive it away from yourself. I am innocent, I am innocent!"

They looked at one another in terror, exhausted with fatigue, fearing they had evoked the corpse of the drowned man. Their quarrels invariably ended in this way; they protested their innocence, they sought to deceive themselves, so as to drive away their bad dreams. They made constant efforts, each in turn, to reject the responsibility of the crime, defending themselves as though they were before a judge and jury, and accusing one another.

The strangest part of this attitude was that they did not succeed in duping themselves by their oaths. Both had a perfect recollection of all the circumstances connected with the murder, and their eyes avowed what their lips denied.

Their falsehoods were puerile, their affirmations ridiculous. It was the wordy dispute of two wretches who lied for the sake of lying, without succeeding in concealing from themselves that they did so. Each took the part of accuser in turn, and although the prosecution they instituted against one another proved barren of result, they began it again every evening with cruel tenacity.

They were aware that they would prove nothing, that they would not succeed in effacing the past, and still they attempted this task, still they returned to the charge, spurred on by pain and terror, vanquished in advance by overwhelming reality. The sole advantage they derived from their disputes, consisted in producing a tempest of words and cries, and the riot occasioned in this manner momentarily deafened them.

And all the time their anger lasted, all the time they were accusing one another, the paralysed woman never ceased to gaze at them. Ardent joy sparkled in her eyes, when Laurent raised his broad hand above the head of Therese.



CHAPTER XXIX

Matters now took a different aspect. Therese, driven into a corner by fright, not knowing which way to turn for a consoling thought, began to weep aloud over the drowned man, in the presence of Laurent.

She abruptly became depressed, her overstrained nerves relaxed, her unfeeling and violent nature softened. She had already felt compassionate in the early days of her second marriage, and this feeling now returned, as a necessary and fatal reaction.

When the young woman had struggled with all her nervous energy against the spectre of Camille, when she had lived in sullen irritation for several months up in arms against her sufferings, seeking to get the better of them by efforts of will, she all at once experienced such extraordinary lassitude that she yielded vanquished. Then, having become a woman again, even a little girl, no longer feeling the strength to stiffen herself, to stand feverishly erect before her terror, she plunged into pity, into tears and regret, in the hope of finding some relief. She sought to reap advantage from her weakness of body and mind. Perhaps the drowned man, who had not given way to her irritation, would be more unbending to her tears.

Her remorse was all calculation. She thought that this would no doubt be the best way to appease and satisfy Camille. Like certain devotees, who fancy they will deceive the Almighty, and secure pardon by praying with their lips, and assuming the humble attitude of penitence, Therese displayed humility, striking her chest, finding words of repentance, without having anything at the bottom of her heart save fear and cowardice. Besides, she experienced a sort of physical pleasure in giving way in this manner, in feeling feeble and undone, in abandoning herself to grief without resistance.

She overwhelmed Madame Raquin with her tearful despair. The paralysed woman became of daily use to her. She served as a sort of praying-desk, as a piece of furniture in front of which Therese could fearlessly confess her faults and plead for forgiveness. As soon as she felt inclined to cry, to divert herself by sobbing, she knelt before the impotent old lady, and there, wailing and choking, performed to her alone a scene of remorse which weakened but relieved her.

"I am a wretch," she stammered, "I deserve no mercy. I deceived you, I drove your son to his death. Never will you forgive me. And yet, if you only knew how I am rent by remorse, if you only knew how I suffer, perhaps you would have pity. No, no pity for me. I should like to die here at your feet, overwhelmed by shame and grief."

She spoke in this manner for hours together, passing from despair to hope, condemning and then pardoning herself; she assumed the voice, brief and plaintive in turn, of a little sick girl; she flattened herself on the ground and drew herself up again, acting upon all the ideas of humility and pride, of repentance and revolt that entered her head. Sometimes even, forgetting she was on her knees before Madame Raquin, she continued her monologue as in a dream. When she had made herself thoroughly giddy with her own words, she rose staggering and dazed, to go down to the shop in a calmer frame of mind, no longer fearing to burst into sobs before her customers. When she again felt inclined for remorse, she ran upstairs and knelt at the feet of the impotent woman. This scene was repeated ten times a day.

Therese never reflected that her tears, and display of repentance must impose ineffable anguish on her aunt. The truth was that if she had desired to invent a torment to torture Madame Raquin, it would not have been possible to have found a more frightful one than the comedy of remorse she performed before her. The paralysed woman could see the egotism concealed beneath these effusions of grief. She suffered horribly from these long monologues which she was compelled to listen to at every instant, and which always brought the murder of Camille before her eyes. She could not pardon, she never departed from the implacable thought of vengeance that her impotency rendered more keen, and all day long she had to listen to pleas for pardon, and to humble and cowardly prayers.

She would have liked to give an answer; certain sentences of her niece brought crushing refusals to her lips, but she had to remain mute and allow Therese to plead her cause without once interrupting her. The impossibility of crying out and stopping her ears caused her inexpressible torture. The words of the young woman entered her mind, slow and plaintive, as an irritating ditty. At first, she fancied the murderers inflicted this kind of torture on her out of sheer diabolical cruelty. Her sole means of defence was to close her eyes, as soon as her niece knelt before her, then although she heard, she did not see her.

Therese, at last, had the impudence to kiss her aunt. One day, in a fit of repentance, she feigned she had perceived a gleam of mercy in the eyes of the paralysed woman; and she dragged herself along on her knees, she raised herself up, exclaiming in a distracted tone:

"You forgive me! You forgive me!"

Then she kissed the forehead and cheeks of the poor old creature, who was unable to throw her head backward so as to avoid the embrace. The cold skin on which Therese placed her lips, caused her violent disgust. She fancied this disgust, like the tears of remorse, would be an excellent remedy to appease her nerves; and she continued to kiss the impotent old woman daily, by way of penitence, and also to relieve herself.

"Oh! How good you are!" she sometimes exclaimed. "I can see my tears have touched you. Your eyes are full of pity. I am saved."

Then she smothered her with caresses, placing the head of the infirm old lady on her knees, kissing her hands, smiling at her happily, and attending to all her requirements with a display of passionate affection. After a time, she believed in the reality of this comedy, she imagined she had obtained the pardon of Madame Raquin, and spoke of nothing but the delight she experienced at having secured her pardon.

This was too much for the paralysed woman. It almost killed her. At the kisses of her niece, she again felt that sensation of bitter repugnance and rage which came over her, morning and night, when Laurent took her in his arms to lift her up, or lay her down. She was obliged to submit to the disgusting caresses of the wretch who had betrayed and killed her son. She could not even use her hand to wipe away the kisses that this woman left on her cheeks; and, for hours and hours together, she felt these kisses burning her.

She became the doll of the murderers of Camille, a doll that they dressed, that they turned to right and left, and that they made use of according to their requirements and whims. She remained inert in their hands, as if she had been a lay-figure, and yet she lived, and became excited and indignant at the least contact with Therese or Laurent.

What particularly exasperated her was the atrocious mockery of the young woman, who pretended she perceived expressions of mercy in her eyes, when she would have liked to have brought down fire from heaven on the head of the criminal. She frequently made supreme efforts to utter a cry of protestation, and loaded her looks with hatred. But Therese, who found it answered her purpose to repeat twenty times a day that she was pardoned, redoubled her caresses, and would see nothing. So the paralysed woman had to accept the thanks and effusions that her heart repelled. Henceforth, she lived in a state of bitter but powerless irritation, face to face with her yielding niece who displayed adorable acts of tenderness to recompense her for what she termed her heavenly goodness.

When Therese knelt before Madame Raquin, in the presence of her husband, he brutally brought her to her feet.

"No acting," said he. "Do I weep, do I prostrate myself? You do all this to trouble me."

The remorse of Therese caused him peculiar agitation. His suffering increased now that his accomplice dragged herself about him, with eyes red by weeping, and supplicating lips. The sight of this living example of regret redoubled his fright and added to his uneasiness. It was like an everlasting reproach wandering through the house. Then he feared that repentance would one day drive his wife to reveal everything. He would have preferred her to remain rigid and threatening, bitterly defending herself against his accusations. But she had changed her tactics. She now readily recognised the share she had taken in the crime. She even accused herself. She had become yielding and timid, and starting from this point implored redemption with ardent humility. This attitude irritated Laurent, and every evening the quarrels of the couple became more afflicting and sinister.

"Listen to me," said Therese to her husband, "we are very guilty. We must repent if we wish to enjoy tranquillity. Look at me. Since I have been weeping I am more peaceable. Imitate me. Let us say together that we are justly punished for having committed a horrible crime."

"Bah!" roughly answered Laurent, "you can say what you please. I know you are deucedly clever and hypocritical. Weep, if that diverts you. But I must beg you not to worry me with your tears."

"Ah!" said she, "you are bad. You reject remorse. You are cowardly. You acted as a traitor to Camille."

"Do you mean to say that I alone am guilty?" he inquired.

"No," she replied, "I do not say that. I am guilty, more guilty than you are. I ought to have saved my husband from your hands. Oh! I am aware of all the horror of my fault. But I have sought pardon, and I have succeeded, Laurent, whereas you continue to lead a disconsolate life. You have not even had the feeling to spare my poor aunt the sight of your vile anger. You have never even addressed a word of regret to her."

And she embraced Madame Raquin, who shut her eyes. She hovered round her, raising the pillow that propped up her head, and showing her all kinds of attention. Laurent was infuriated.

"Oh, leave her alone," he cried. "Can't you see that your services, and the very sight of you are odious to her. If she could lift her hand she would slap your face."

The slow and plaintive words of his wife, and her attitudes of resignation, gradually drove him into blinding fits of anger. He understood her tactics; she no longer wished to be at one with him, but to set herself apart wrapped in her regret, so as to escape the clasp of the drowned man. And, at moments, he said to himself that she had perhaps taken the right path, that tears might cure her of her terror, and he shuddered at the thought of having to suffer, and contend with fright alone.

He also would have liked to repent, or at least to have performed the comedy of repentance, to see what effect it would have. Unable to find the sobs and necessary words, he flung himself into violence again, stirring up Therese so as to irritate her and lead her back with him to furious madness. But the young woman took care to remain inert, to answer his cries of anger by tearful submission, and to meet his coarseness by a proportionate display of humility and repentance. Laurent was thus gradually driven to fury. To crown his irritation, Therese always ended with the panegyric of Camille so as to display the virtues of the victim.

"He was good," said she, "and we must have been very cruel to assail such a warm-hearted man who had never a bad thought."

"He was good, yes, I know," jeered Laurent. "You mean to say he was a fool. You must have forgotten! You pretended you were irritated at the slightest thing he said, that he could not open his mouth without letting out some stupidity."

"Don't jeer," said Therese. "It only remains for you to insult the man you murdered. You know nothing about the feelings of a woman, Laurent; Camille loved me and I loved him."

"You loved him! Ah! Really what a capital idea," exclaimed Laurent. "And no doubt it was because you loved your husband, that you took me as a sweetheart. I remember one day when we were together, that you told me Camille disgusted you, when you felt the end of your fingers enter his flesh as if it were soft clay. Oh! I know why you loved me. You required more vigorous arms than those of that poor devil."

"I loved him as a sister," answered Therese. "He was the son of my benefactress. He had all the delicate feelings of a feeble man. He showed himself noble and generous, serviceable and loving. And we killed him, good God! good God!"

She wept, and swooned away. Madame Raquin cast piercing glances at her, indignant to hear the praise of Camille sung by such a pair of lips. Laurent who was unable to do anything against this overflow of tears, walked to and fro with furious strides, searching in his head for some means to stifle the remorse of Therese.

All the good he heard said of his victim ended by causing him poignant anxiety. Now and again he let himself be caught by the heartrending accents of his wife. He really believed in the virtues of Camille, and his terror redoubled. But what tried his patience beyond measure was the comparison that the widow of the drowned man never failed to draw between her first and second husband, and which was all to the advantage of the former.

"Well! Yes," she cried, "he was better than you. I would sooner he were alive now, and you in his place underground."

Laurent first of all shrugged his shoulders.

"Say what you will," she continued, becoming animated, "although I perhaps failed to love him in his lifetime, yet I remember all his good qualities now, and do love him. Yes, I love him and hate you, do you hear? For you are an assassin."

"Will you hold your tongue?" yelled Laurent.

"And he is a victim," she went on, notwithstanding the threatening attitude of her husband, "an upright man killed by a rascal. Oh! I am not afraid of you. You know well enough that you are a miserable wretch, a brute of a man without a heart, and without a soul. How can you expect me to love you, now that you are reeking with the blood of Camille? Camille was full of tenderness for me, and I would kill you, do you hear, if that could bring him to life again, and give me back his love."

"Will you hold your tongue, you wretch?" shouted Laurent.

"Why should I hold my tongue?" she retorted. "I am speaking the truth. I would purchase forgiveness at the price of your blood. Ah! How I weep, and how I suffer! It is my own fault if a scoundrel, such as you, murdered my husband. I must go, one of these nights, and kiss the ground where he rests. That will be my final rapture."

Laurent, beside himself, rendered furious by the atrocious pictures that Therese spread out before his eyes, rushed upon her, and threw her down, menacing her with his uplifted fist.

"That's it," she cried, "strike me, kill me! Camille never once raised his hand to me, but you are a monster."

And Laurent, spurred on by what she said, shook her with rage, beat her, bruised her body with his clenched fists. In two instances he almost strangled her. Therese yielded to his blows. She experienced keen delight in being struck, delivering herself up, thrusting her body forward, provoking her husband in every way, so that he might half kill her again. This was another remedy for her suffering. She slept better at night when she had been thoroughly beaten in the evening. Madame Raquin enjoyed exquisite pleasure, when Laurent dragged her niece along the floor in this way, belabouring her with thumps and kicks.

The existence of the assassin had become terrible since the day when Therese conceived the infernal idea of feeling remorse and of mourning Camille aloud. From that moment the wretch lived everlastingly with his victim. At every hour, he had to listen to his wife praising and regretting her first husband. The least incident became a pretext: Camille did this, Camille did that, Camille had such and such qualities, Camille loved in such and such a way.

It was always Camille! Ever sad remarks bewailing his death. Therese had recourse to all her spitefulness to render this torture, which she inflicted on Laurent so as to shield her own self, as cruel as possible. She went into details, relating a thousand insignificant incidents connected with her youth, accompanied by sighs and expressions of regret, and in this manner, mingled the remembrance of the drowned man with every action of her daily life.

The corpse which already haunted the house, was introduced there openly. It sat on the chairs, took its place at table, extended itself on the bed, making use of the various articles of furniture, and of the objects lying about hither and thither. Laurent could touch nothing, not a fork, not a brush, without Therese making him feel that Camille had touched it before him.

The murderer being ceaselessly thrust, so to say, against the man he had killed, ended by experiencing a strange sensation that very nearly drove him out of his mind. By being so constantly compared to Camille, by making use of the different articles Camille had used, he imagined he was Camille himself, that he was identical with his victim. Then, with his brain fit to burst, he blew at his wife to make her hold her tongue, so as to no longer hear the words that drove him frantic. All their quarrels now ended in blows.



CHAPTER XXX

A time came when Madame Raquin, in order to escape the sufferings she endured, thought of starving herself to death. She had reached the end of her courage, she could no longer support the martyrdom that the presence of the two murderers imposed on her, she longed to find supreme relief in death. Each day her anguish grew more keen, when Therese embraced her, and when Laurent took her in his arms to carry her along like a child. She determined on freeing herself from these clasps and caresses that caused her such horrible disgust. As she had not sufficient life left within her to permit of her avenging her son, she preferred to be entirely dead, and to leave naught in the hands of the assassins but a corpse that could feel nothing, and with which they could do as they pleased.

For two days she refused all nourishment, employing her remaining strength to clench her teeth or to eject anything that Therese succeeded in introducing into her mouth. Therese was in despair. She was asking herself at the foot of which post she should go to weep and repent, when her aunt would be no longer there. She kept up an interminable discourse to prove to Madame Raquin that she should live. She wept, she even became angry, bursting into her former fits of rage, opening the jaw of the paralysed woman as you open that of an animal which resists. Madame Raquin held out, and an odious scene ensued.

Laurent remained absolutely neutral and indifferent. He was astonished at the efforts of Therese to prevent the impotent old woman committing suicide. Now that the presence of the old lady had become useless to them he desired her death. He would not have killed her, but as she wished to die, he did not see the use of depriving her of the means to do so.

"But, let her be!" he shouted to his wife. "It will be a good riddance. We shall, perhaps, be happier when she is no longer here."

This remark repeated several times in the hearing of Madame Raquin, caused her extraordinary emotion. She feared that the hope expressed by Laurent might be realised, and that after her death the couple would enjoy calm and happiness. And she said to herself that it would be cowardly to die, that she had no right to go away before she had seen the end of the sinister adventure. Then, only, could she descend into darkness, to say to Camille:

"You are avenged."

The idea of suicide became oppressive, when she all at once reflected that she would sink into the grave ignorant as to what had happened to the two murderers of her son. There, she would lie in the cold and silent earth, eternally tormented by uncertainty concerning the punishment of her tormentors. To thoroughly enjoy the slumber of death, she must be hushed to rest by the sweet delight of vengeance, she must carry away with her a dream of satisfied hatred, a dream that would last throughout eternity. So she took the food her niece presented to her, and consented to live on.

Apart from this, it was easy for her to perceive that the climax could not be far off. Each day the position of the married couple became more strained and unbearable. A crash that would smash everything was imminent. At every moment, Therese and Laurent started up face to face in a more threatening manner. It was no longer at nighttime, alone, that they suffered from their intimacy; entire days were passed amidst anxiety and harrowing shocks. It was one constant scene of pain and terror. They lived in a perfect pandemonium, fighting, rendering all they did and said bitter and cruel, seeking to fling one another to the bottom of the abyss which they felt beneath their feet, and falling into it together.

Ideas of separation had, indeed, occurred to both of them. Each had thought of flight, of seeking some repose far from this Arcade of the Pont Neuf where the damp and filth seemed adapted to their desolated life. But they dared not, they could not run away. It seemed impossible for them to avoid reviling each other, to avoid remaining there to suffer and cause pain. They proved obstinate in their hatred and cruelty. A sort of repulsion and attraction separated and kept them together at the same time. They behaved in the identical manner of two persons who, after quarrelling, wish to part, and who, nevertheless, continue returning to shout out fresh insults at one another.

Moreover, material obstacles stood in the way of flight. What were they to do with the impotent woman? What could be said to the Thursday evening guests? If they fled, these people would, perhaps, suspect something. At this thought, they imagined they were being pursued and dragged to the guillotine. So they remained where they were through cowardice, wretchedly dragging out their lives amidst the horror of their surroundings.

During the morning and afternoon, when Laurent was absent, Therese went from the dining-room to the shop in anxiety and trouble, at a loss to know what to do to fill up the void in her existence that daily became more pronounced. When not kneeling at the feet of Madame Raquin or receiving blows and insults from her husband, she had no occupation. As soon as she was seated alone in the shop, she became dejected, watching with a doltish expression, the people passing through the dirty, dark gallery. She felt ready to die of sadness in the middle of this gloomy vault, which had the odour of a cemetery, and ended by begging Suzanne to come and pass entire days with her, in the hope that the presence of this poor, gentle, pale creature might calm her.

Suzanne accepted her offer with delight; she continued to feel a sort of respectful friendship for Therese, and had long desired to come and work with her, while Olivier was at his office. Bringing her embroidery with her, she took the vacant chair of Madame Raquin behind the counter.

From that day Therese rather neglected her aunt. She went upstairs less frequently to weep on her knees and kiss the deathlike face of the invalid. She had something else to do. She made efforts to listen with interest to the dilatory gossip of Suzanne, who spoke of her home, and of the trivialities of her monotonous life. This relieved Therese of her own thoughts. Sometimes she caught herself paying attention to nonsense that brought a bitter smile to her face.

By degrees, she lost all her customers. Since her aunt had been confined to her armchair upstairs, she had let the shop go from bad to worse, abandoning the goods to dust and damp. A smell of mildew hung in the atmosphere, spiders came down from the ceiling, the floor was but rarely swept.

But what put the customers to flight was the strange way in which Therese sometimes welcomed them. When she happened to be upstairs, receiving blows from Laurent or agitated by a shock of terror, and the bell at the shop door tinkled imperiously, she had to go down, barely taking time to do up her hair or brush away the tears. On such occasions she served the persons awaiting her roughly; sometimes she even spared herself the trouble of serving, answering from the top of the staircase, that she no longer kept what was asked for. This kind of off-hand behaviour, was not calculated to retain custom.

The little work-girls of the quarter, who were used to the sweet amiability of Madame Raquin, were driven away by the harshness and wild looks of Therese. When the latter took Suzanne with her to keep her company, the defection became complete. To avoid being disturbed in their gossip, the two young woman managed to drive away the few remaining purchasers who visited the shop. Henceforth, the mercery business ceased to bring in a sou towards the household expenses, and it became necessary to encroach on the capital of forty thousand francs and more.

Sometimes, Therese absented herself the entire afternoon. No one knew where she went. Her reason for having Suzanne with her was no doubt partly for the purpose of securing company but also to mind the shop, while she was away. When she returned in the evening, worn out, her eyelids heavy with exhaustion, it was to find the little wife of Olivier still behind the counter, bowed down, with a vague smile on her lips, in the same attitude as she had left her five hours previously.

Therese had a bad fright about five months after her marriage to Laurent. She found out she was pregnant and detested the thought of having a child of Laurent's. She had the fear that she would give birth to a drowned body. She thought that she could feel inside herself a soft, decomposing corpse. No matter what, she had to rid herself of this child. She did not tell Laurent. One day she cruelly provoked him and turned her stomach towards him, hoping to receive a kick. He kicked her and she let him go on kicking her in the stomach until she thought she would die. The next day her wish was fulfilled and she had a miscarriage.

Laurent also led a frightful existence. The days seemed insupportably long; each brought the same anguish, the same heavy weariness which overwhelmed him at certain hours with crushing monotony and regularity. He dragged on his life, terrified every night by the recollections of the day, and the expectation of the morrow. He knew that henceforth, all his days would resemble one another, and bring him equal suffering. And he saw the weeks, months and years gloomily and implacably awaiting him, coming one after the other to fall upon him and gradually smother him.

When there is no hope in the future, the present appears atrociously bitter. Laurent no longer resisted, he became lumpish, abandoning himself to the nothingness that was already gaining possession of his being. Idleness was killing him. In the morning he went out, without knowing where to go, disgusted at the thought of doing what he had done on the previous day, and compelled, in spite of himself, to do it again. He went to his studio by habit, by mania.

This room, with its grey walls, whence he could see naught but a bare square of sky, filled him with mournful sadness. He grovelled on the divan heavy in thought and with pendent arms. He dared not touch a brush. He had made fresh attempts at painting, but only to find on each occasion, the head of Camille appear jeering on the canvas. So as not to go out of his mind, he ended by throwing his colour-box into a corner, and imposing the most absolute idleness on himself. This obligatory laziness weighed upon him terribly.

In the afternoon, he questioned himself in distress to find out what he should do. For half an hour, he remained on the pavement in the Rue Mazarine, thinking and hesitating as to how he could divert himself. He rejected the idea of returning to the studio, and invariably decided on going down the Rue Guenegaud, to walk along the quays. And, until evening, he went along, dazed and seized with sudden shudders whenever he looked at the Seine. Whether in his studio or in the streets, his dejection was the same. The following day he began again. He passed the morning on his divan, and dragged himself along the quays in the afternoon. This lasted for months, and might last for years.

Occasionally Laurent reflected that he had killed Camille so as to do nothing ever afterwards, and now that he did nothing, he was quite astonished to suffer so much. He would have liked to force himself to be happy. He proved to his own satisfaction, that he did wrong to suffer, that he had just attained supreme felicity, consisting in crossing his arms, and that he was an idiot not to enjoy this bliss in peace. But his reasoning exploded in the face of facts. He was constrained to confess, at the bottom of his heart, that this idleness rendered his anguish the more cruel, by leaving him every hour of his life to ponder on the despair and deepen its incurable bitterness. Laziness, that brutish existence which had been his dream, proved his punishment. At moments, he ardently hoped for some occupation to draw him from his thoughts. Then he lost all energy, relapsing beneath the weight of implacable fatality that bound his limbs so as to more surely crush him.

In truth, he only found some relief when beating Therese, at night. This brutality alone relieved him of his enervated anguish.

But his keenest suffering, both physical and moral, came from the bite Camille had given him in the neck. At certain moments, he imagined that this scar covered the whole of his body. If he came to forget the past, he all at once fancied he felt a burning puncture, that recalled the murder both to his frame and mind.

When under the influence of emotion, he could not stand before a looking-glass without noticing this phenomenon which he had so frequently remarked and which always terrified him; the blood flew to his neck, purpling the scar, which then began to gnaw the skin.

This sort of wound that lived upon him, which became active, flushed, and biting at the slightest trouble, frightened and tortured him. He ended by believing that the teeth of the drowned man had planted an insect there which was devouring him. The part of his neck where the scar appeared, seemed to him to no longer belong to his body; it was like foreign flesh that had been stuck in this place, a piece of poisoned meat that was rotting his own muscles.

In this manner, he carried the living and devouring recollection of his crime about with him everywhere. When he beat Therese, she endeavoured to scratch the spot, and sometimes dug her nails into it making him howl with pain. She generally pretended to sob, as soon as she caught sight of the bite, so as to make it more insufferable to Laurent. All her revenge for his brutality, consisted in martyrising him in connection with this bite.

While shaving, he had frequently been tempted to give himself a gash in the neck, so as to make the marks of the teeth of the drowned man disappear. When, standing before the mirror, he raised his chin and perceived the red spot beneath the white lather, he at once flew into a rage, and rapidly brought the razor to his neck, to cut right into the flesh. But the sensations of the cold steel against his skin always brought him to his senses, and caused him to feel so faint that he was obliged to seat himself, and wait until he had recovered sufficient courage to continue shaving.

He only issued from his torpor at night to fall into blind and puerile fits of anger. When tired of quarreling with Therese and beating her, he would kick the walls like a child, and look for something he could break. This relieved him.

He had a particular dislike for the tabby cat Francois who, as soon as he appeared, sought refuge on the knees of Madame Raquin. If Laurent had not yet killed the animal, it was because he dared not take hold of him. The cat looked at him with great round eyes that were diabolical in their fixedness. He wondered what these eyes which never left him, wanted; and he ended by having regular fits of terror, and imagining all sorts of ridiculous things.

When at table—at no matter what moment, in the middle of a quarrel or of a long silence—he happened, all at once, to look round, and perceive Francois examining him with a harsh, implacable stare, he turned pale and lost his head. He was on the point of saying to the cat:

"Heh! Why don't you speak? Tell me what it is you want with me."

When he could crush his paw or tail, he did so in affrighted joy, the mewing of the poor creature giving him vague terror, as though he heard a human cry of pain. Laurent, in fact, was afraid of Francois, particularly since the latter passed his time on the knees of the impotent old lady, as if in the centre of an impregnable fortress, whence he could with impunity set his eyes on his enemy. The murderer of Camille established a vague resemblance between this irritated animal and the paralysed woman, saying to himself that the cat, like Madame Raquin, must know about the crime and would denounce him, if he ever found a tongue.

At last, one night, Francois looked at Laurent so fixedly, that the latter, irritated to the last pitch, made up his mind to put an end to the annoyance. He threw the window of the dining-room wide open, and advancing to where the cat was seated, grasped him by the skin at the back of the neck. Madame Raquin understood, and two big tears rolled down her cheeks. The cat began to swear, and stiffen himself, endeavouring to turn round and bite the hand that grasped him. But Laurent held fast. He whirled the cat round two or three times in the air, and then sent him flying with all the strength of his arm, against the great dark wall opposite. Francois went flat against it, and breaking his spine, fell upon the glass roof of the arcade. All night the wretched beast dragged himself along the gutter mewing hoarsely, while Madame Raquin wept over him almost as much as she had done over Camille. Therese had an atrocious attack of hysterics, while the wailing of the cat sounded sinisterly, in the gloom below the windows.

Laurent soon had further cause for anxiety. He became alarmed at a certain change he observed in the attitude of his wife.

Therese became sombre and taciturn. She no longer lavished effusions of repentance and grateful kisses on Madame Raquin. In presence of the paralysed woman, she resumed her manner of frigid cruelty and egotistic indifference. It seemed as though she had tried remorse, and finding no relief had turned her attention to another remedy. Her sadness was no doubt due to her inability to calm her life.

She observed the impotent old woman with a kind of disdain, as a useless thing that could no longer even serve her for consolation. She now only bestowed on her the necessary attention to prevent her dying of hunger. From this moment she dragged herself about the house in silence and dejection. She multiplied her absences from the shop, going out as frequently as three and four times a week.

It was this change in her mode of life, that surprised and alarmed Laurent. He fancied that her remorse had taken another form, and was now displayed by this mournful weariness he noticed in her. This weariness seemed to him more alarming than the chattering despair she had overwhelmed him with previously. She no longer spoke, she no longer quarrelled with him, she seemed to consign everything to the depths of her being. He would rather have heard her exhausting her endurance than see her keep in this manner to herself. He feared that one day she would be choking with anguish, and to obtain relief, would go and relate everything to a priest or an examining magistrate.

Then these numerous absences of Therese had frightful significance in his eyes. He thought she went to find a confidant outside, that she was preparing her treason. On two occasions he tried to follow her, and lost her in the streets. He then prepared to watch her again. A fixed idea got into his head: Therese, driven to extremities by suffering, was about to make disclosures, and he must gag her, he must arrest her confession in her throat.



CHAPTER XXXI

One morning, Laurent, instead of going to his studio, took up a position at a wine-shop situated at one of the corners of the Rue Guenegaud, opposite the studio. From there, he began to examine the persons who issued from the passage on to the pavement of the Rue Mazarine. He was watching for Therese. The previous evening, the young woman had mentioned that she intended going out next day and probably would not be home until evening.

Laurent waited fully half an hour. He knew that his wife always went by the Rue Mazarine; nevertheless, at one moment, he remembered that she might escape him by taking the Rue de Seine, and he thought of returning to the arcade, and concealing himself in the corridor of the house. But he determined to retain his seat a little longer, and just as he was growing impatient he suddenly saw Therese come rapidly from the passage.

She wore a light gown, and, for the first time, he noticed that her attire appeared remarkably showy, like a street-walker. She twisted her body about on the pavement, staring provokingly at the men who came along, and raising her skirt, which she clutched in a bunch in her hand, much higher than any respectable woman would have done, in order to display her lace-up boots and stockings. As she went up the Rue Mazarine, Laurent followed her.

It was mild weather, and the young woman walked slowly, with her head thrown slightly backward and her hair streaming down her back. The men who had first of all stared her in the face, turned round to take a back view. She passed into the Rue de l'Ecole de Medecine. Laurent was terrified. He knew that somewhere in this neighbourhood, was a Commissariat of Police, and he said to himself that there could no longer be any doubt as to the intentions of his wife, she was certainly about to denounce him. Then he made up his mind to rush after her, if she crossed the threshold of the commissariat, to implore her, to beat her if necessary, so as to compel her to hold her tongue. At a street corner she looked at a policeman who came along, and Laurent trembled with fright, lest she should stop and speak to him. In terror of being arrested on the spot if he showed himself, he hid in a doorway.

This excursion proved perfect agony. While his wife basked in the sun on the pavement, trailing her skirt with nonchalance and impudence, shameless and unconcerned, he followed behind her, pale and shuddering, repeating that it was all over, that he would be unable to save himself and would be guillotined. Each step he saw her take, seemed to him a step nearer punishment. Fright gave him a sort of blind conviction, and the slightest movement of the young woman added to his certainty. He followed her, he went where she went, as a man goes to the scaffold.

Suddenly on reaching the former Place Saint-Michel, Therese advanced towards a cafe that then formed the corner of the Rue Monsieur-le-Prince. There she seated herself in the centre of a group of women and students, at one of the tables on the pavement, and familiarly shook hands with all this little crowd. Then she called for absinthe.

She seemed quite at ease, chatting with a fair young man who no doubt had been waiting for her some time. Two girls came and leant over the table where she sat, addressing her affectionately in their husky voices. Around her, women were smoking cigarettes, men were embracing women in the open street, before the passers-by, who never even turned their heads. Low words and hoarse laughter reached Laurent, who remained motionless in a doorway on the opposite side of the street.

When Therese had finished her absinthe, she rose, and leaning on the arm of the fair young man, went down the Rue de la Harpe. Laurent followed them as far as the Rue Saint-Andre-des-Arts, where he noticed them enter a lodging-house. He remained in the middle of the street with his eyes on the front of the building. Presently his wife showed herself for an instant at an open window on the second floor, and he fancied he perceived the hands of the pale young man encircling her waist. Then, the window closed with a sharp clang.

Laurent understood. Without waiting a moment longer, he tranquilly took himself off reassured and happy.

"Bah!" said he to himself, as he went towards the quays. "It's better, after all, that she should have a sweetheart. That will occupy her mind, and prevent her thinking of injuring me. She's deucedly more clever than I am."

What astonished him, was that he had not been the first to think of plunging into vice, which might have driven away his terror. But his thoughts had never turned in that direction, and, moreover, he had not the least inclination for riotous living. The infidelity of his wife did not trouble him in the least. He felt no anger at the knowledge that she was in the arms of another man. On the contrary, he seemed to enjoy the idea. He began to think that he had been following the wife of a comrade, and laughed at the cunning trick the woman was playing her husband. Therese had become such a stranger to him, that he no longer felt her alive in his heart. He would have sold her, bound hand and foot, a hundred times over, to purchase calm for one hour.