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Through the wavering snowfall, the Saint Theodore upon one of the granite pillars of the Piazzetta did not show so grim as his wont is, and the winged lion on the other might have been a winged lamb, so gentle and mild he looked by the tender light of the storm. The towers of the island churches loomed faint and far away in the dimness; the sailors in the rigging of the ships that lay in the Basin wrought like phantoms among the shrouds; the gondolas stole in and out of the opaque distance more noiselessly and dreamily than ever; and a silence, almost palpable, lay upon the mutest city in the world.
The spirit of Venice is there: of a city where Age and Decay, fagged with distributing damage and repulsiveness among the other cities of the planet in accordance with the policy and business of their profession, come for rest and play between seasons, and treat themselves to the luxury and relaxation of sinking the shop and inventing and squandering charms all about, instead of abolishing such as they find, as it their habit when not on vacation.
In the working season they do business in Boston sometimes, and a character in THE UNDISCOVERED COUNTRY takes accurate note of pathetic effects wrought by them upon the aspects of a street of once dignified and elegant homes whose occupants have moved away and left them a prey to neglect and gradual ruin and progressive degradation; a descent which reaches bottom at last, when the street becomes a roost for humble professionals of the faith-cure and fortune-telling sort.
What a queer, melancholy house, what a queer, melancholy street! I don't think I was ever in a street before when quite so many professional ladies, with English surnames, preferred Madam to Mrs. on their door-plates. And the poor old place has such a desperately conscious air of going to the deuce. Every house seems to wince as you go by, and button itself up to the chin for fear you should find out it had no shirt on—so to speak. I don't know what's the reason, but these material tokens of a social decay afflict me terribly; a tipsy woman isn't dreadfuler than a haggard old house, that's once been a home, in a street like this.
Mr. Howells's pictures are not mere stiff, hard, accurate photographs; they are photographs with feeling in them, and sentiment, photographs taken in a dream, one might say.
As concerns his humor, I will not try to say anything, yet I would try, if I had the words that might approximately reach up to its high place. I do not think any one else can play with humorous fancies so gracefully and delicately and deliciously as he does, nor has so many to play with, nor can come so near making them look as if they were doing the playing themselves and he was not aware that they were at it. For they are unobtrusive, and quiet in their ways, and well conducted. His is a humor which flows softly all around about and over and through the mesh of the page, pervasive, refreshing, health-giving, and makes no more show and no more noise than does the circulation of the blood.
There is another thing which is contentingly noticeable in Mr. Howells's books. That is his "stage directions"—those artifices which authors employ to throw a kind of human naturalness around a scene and a conversation, and help the reader to see the one and get at meanings in the other which might not be perceived if entrusted unexplained to the bare words of the talk. Some authors overdo the stage directions, they elaborate them quite beyond necessity; they spend so much time and take up so much room in telling us how a person said a thing and how he looked and acted when he said it that we get tired and vexed and wish he hadn't said it all. Other authors' directions are brief enough, but it is seldom that the brevity contains either wit or information. Writers of this school go in rags, in the matter of state directions; the majority of them having nothing in stock but a cigar, a laugh, a blush, and a bursting into tears. In their poverty they work these sorry things to the bone. They say:
". . . replied Alfred, flipping the ash from his cigar." (This explains nothing; it only wastes space.)
". . . responded Richard, with a laugh." (There was nothing to laugh about; there never is. The writer puts it in from habit—automatically; he is paying no attention to his work; or he would see that there is nothing to laugh at; often, when a remark is unusually and poignantly flat and silly, he tries to deceive the reader by enlarging the stage direction and making Richard break into "frenzies of uncontrollable laughter." This makes the reader sad.)
". . . murmured Gladys, blushing." (This poor old shop-worn blush is a tiresome thing. We get so we would rather Gladys would fall out of the book and break her neck than do it again. She is always doing it, and usually irrelevantly. Whenever it is her turn to murmur she hangs out her blush; it is the only thing she's got. In a little while we hate her, just as we do Richard.)
". . . repeated Evelyn, bursting into tears." (This kind keep a book damp all the time. They can't say a thing without crying. They cry so much about nothing that by and by when they have something to cry ABOUT they have gone dry; they sob, and fetch nothing; we are not moved. We are only glad.)
They gavel me, these stale and overworked stage directions, these carbon films that got burnt out long ago and cannot now carry any faintest thread of light. It would be well if they could be relieved from duty and flung out in the literary back yard to rot and disappear along with the discarded and forgotten "steeds" and "halidomes" and similar stage-properties once so dear to our grandfathers. But I am friendly to Mr. Howells's stage directions; more friendly to them than to any one else's, I think. They are done with a competent and discriminating art, and are faithful to the requirements of a state direction's proper and lawful office, which is to inform. Sometimes they convey a scene and its conditions so well that I believe I could see the scene and get the spirit and meaning of the accompanying dialogue if some one would read merely the stage directions to me and leave out the talk. For instance, a scene like this, from THE UNDISCOVERED COUNTRY:
". . . and she laid her arms with a beseeching gesture on her father's shoulder."
". . . she answered, following his gesture with a glance."
". . . she said, laughing nervously."
". . . she asked, turning swiftly upon him that strange, searching glance."
". . . she answered, vaguely."
". . . she reluctantly admitted."
". . . but her voice died wearily away, and she stood looking into his face with puzzled entreaty."
Mr. Howells does not repeat his forms, and does not need to; he can invent fresh ones without limit. It is mainly the repetition over and over again, by the third-rates, of worn and commonplace and juiceless forms that makes their novels such a weariness and vexation to us, I think. We do not mind one or two deliveries of their wares, but as we turn the pages over and keep on meeting them we presently get tired of them and wish they would do other things for a change.
". . . replied Alfred, flipping the ash from his cigar."
". . . responded Richard, with a laugh."
". . . murmured Gladys, blushing."
". . . repeated Evelyn, bursting into tears."
". . . replied the Earl, flipping the ash from his cigar."
". . . responded the undertaker, with a laugh."
". . . murmured the chambermaid, blushing."
". . . repeated the burglar, bursting into tears."
". . . replied the conductor, flipping the ash from his cigar."
". . . responded Arkwright, with a laugh."
". . . murmured the chief of police, blushing."
". . . repeated the house-cat, bursting into tears."
And so on and so on; till at last it ceases to excite. I always notice stage directions, because they fret me and keep me trying to get out of their way, just as the automobiles do. At first; then by and by they become monotonous and I get run over.
Mr. Howells has done much work, and the spirit of it is as beautiful as the make of it. I have held him in admiration and affection so many years that I know by the number of those years that he is old now; but his heart isn't, nor his pen; and years do not count. Let him have plenty of them; there is profit in them for us.
ENGLISH AS SHE IS TAUGHT
In the appendix to Croker's Boswell's Johnson one finds this anecdote:
CATO'S SOLILOQUY.—One day Mrs. Gastrel set a little girl to repeat to him [Dr. Samuel Johnson] Cato's Soliloquy, which she went through very correctly. The Doctor, after a pause, asked the child:
"What was to bring Cato to an end?"
She said it was a knife.
"No, my dear, it was not so."
"My aunt Polly said it was a knife."
"Why, Aunt Polly's knife MAY DO, but it was a DAGGER, my dear."
He then asked her the meaning of "bane and antidote," which she was unable to give. Mrs. Gastrel said:
"You cannot expect so young a child to know the meaning of such words."
He then said:
"My dear, how many pence are there in SIXPENCE?"
"I cannot tell, sir," was the half-terrified reply.
On this, addressing himself to Mrs. Gastrel, he said:
"Now, my dear lady, can anything be more ridiculous than to teach a child Cato's Soliloquy, who does not know how many pence there are in a sixpence?"
In a lecture before the Royal Geographical Society Professor Ravenstein quoted the following list of frantic questions, and said that they had been asked in an examination:
Mention all names of places in the world derived from Julius Caesar or Augustus Caesar.
Where are the following rivers: Pisuerga, Sakaria, Guadalete, Jalon, Mulde?
All you know of the following: Machacha, Pilmo, Schebulos, Crivoscia, Basces, Mancikert, Taxhem, Citeaux, Meloria, Zutphen.
The highest peaks of the Karakorum range.
The number of universities in Prussia.
Why are the tops of mountains continually covered with snow [sic]?
Name the length and breadth of the streams of lava which issued from the Skaptar Jokul in the eruption of 1783.
That list would oversize nearly anybody's geographical knowledge. Isn't it reasonably possible that in our schools many of the questions in all studies are several miles ahead of where the pupil is?—that he is set to struggle with things that are ludicrously beyond his present reach, hopelessly beyond his present strength? This remark in passing, and by way of text; now I come to what I was going to say.
I have just now fallen upon a darling literary curiosity. It is a little book, a manuscript compilation, and the compiler sent it to me with the request that I say whether I think it ought to be published or not. I said, Yes; but as I slowly grow wise I briskly grow cautious; and so, now that the publication is imminent, it has seemed to me that I should feel more comfortable if I could divide up this responsibility with the public by adding them to the court. Therefore I will print some extracts from the book, in the hope that they may make converts to my judgment that the volume has merit which entitles it to publication.
As to its character. Every one has sampled "English as She is Spoke" and "English as She is Wrote"; this little volume furnishes us an instructive array of examples of "English as She is Taught"—in the public schools of—well, this country. The collection is made by a teacher in those schools, and all the examples in it are genuine; none of them have been tampered with, or doctored in any way. From time to time, during several years, whenever a pupil has delivered himself of anything peculiarly quaint or toothsome in the course of his recitations, this teacher and her associates have privately set that thing down in a memorandum-book; strictly following the original, as to grammar, construction, spelling, and all; and the result is this literary curiosity.
The contents of the book consist mainly of answers given by the boys and girls to questions, said answers being given sometimes verbally, sometimes in writing. The subjects touched upon are fifteen in number: I. Etymology; II. Grammar; III. Mathematics; IV. Geography; V. "Original"; VI. Analysis; VII. History; VIII. "Intellectual"; IX. Philosophy; X. Physiology; XI. Astronomy; XII. Politics; XIII. Music; XIV. Oratory; XV. Metaphysics.
You perceive that the poor little young idea has taken a shot at a good many kinds of game in the course of the book. Now as to results. Here are some quaint definitions of words. It will be noticed that in all of these instances the sound of the word, or the look of it on paper, has misled the child:
ABORIGINES, a system of mountains.
ALIAS, a good man in the Bible.
AMENABLE, anything that is mean.
AMMONIA, the food of the gods.
ASSIDUITY, state of being an acid.
AURIFEROUS, pertaining to an orifice.
CAPILLARY, a little caterpillar.
CORNIFEROUS, rocks in which fossil corn is found.
EMOLUMENT, a headstone to a grave.
EQUESTRIAN, one who asks questions.
EUCHARIST, one who plays euchre.
FRANCHISE, anything belonging to the French.
IDOLATER, a very idle person.
IPECAC, a man who likes a good dinner.
IRRIGATE, to make fun of.
MENDACIOUS, what can be mended.
MERCENARY, one who feels for another.
PARASITE, a kind of umbrella.
PARASITE, the murder of an infant.
PUBLICAN, a man who does his prayers in public.
TENACIOUS, ten acres of land.
Here is one where the phrase "publicans and sinners" has got mixed up in the child's mind with politics, and the result is a definition which takes one in a sudden and unexpected way:
REPUBLICAN, a sinner mentioned in the Bible.
Also in Democratic newspapers now and then. Here are two where the mistake has resulted from sound assisted by remote fact:
PLAGIARIST, a writer of plays.
DEMAGOGUE, a vessel containing beer and other liquids.
I cannot quite make out what it was that misled the pupil in the following instances; it would not seem to have been the sound of the word, nor the look of it in print:
ASPHYXIA, a grumbling, fussy temper.
QUARTERNIONS, a bird with a flat beak and no bill, living in New Zealand.
QUARTERNIONS, the name given to a style of art practiced by the Phoenicians.
QUARTERNIONS, a religious convention held every hundred years.
SIBILANT, the state of being idiotic.
CROSIER, a staff carried by the Deity.
In the following sentences the pupil's ear has been deceiving him again:
The marriage was illegible.
He was totally dismasted with the whole performance.
He enjoys riding on a philosopher.
She was very quick at repertoire.
He prayed for the waters to subsidize.
The leopard is watching his sheep.
They had a strawberry vestibule.
Here is one which—well, now, how often we do slam right into the truth without ever suspecting it:
The men employed by the Gas Company go around and speculate the meter.
Indeed they do, dear; and when you grow up, many and many's the time you will notice it in the gas bill. In the following sentences the little people have some information to convey, every time; but in my case they fail to connect: the light always went out on the keystone word:
The coercion of some things is remarkable; as bread and molasses.
Her hat is contiguous because she wears it on one side.
He preached to an egregious congregation.
The captain eliminated a bullet through the man's heart.
You should take caution and be precarious.
The supercilious girl acted with vicissitude when the perennial time came.
The last is a curiously plausible sentence; one seems to know what it means, and yet he knows all the time that he doesn't. Here is an odd (but entirely proper) use of a word, and a most sudden descent from a lofty philosophical altitude to a very practical and homely illustration:
We should endeavor to avoid extremes—like those of wasps and bees.
And here—with "zoological" and "geological" in his mind, but not ready to his tongue—the small scholar has innocently gone and let out a couple of secrets which ought never to have been divulged in any circumstances:
There are a good many donkeys in theological gardens.
Some of the best fossils are found in theological gardens.
Under the head of "Grammar" the little scholars furnish the following information:
Gender is the distinguishing nouns without regard to sex.
A verb is something to eat.
Adverbs should always be used as adjectives and adjectives as adverbs.
Every sentence and name of God must begin with a caterpillar.
"Caterpillar" is well enough, but capital letter would have been stricter. The following is a brave attempt at a solution, but it failed to liquify:
When they are going to say some prose or poetry before they say the poetry or prose they must put a semicolon just after the introduction of the prose or poetry.
The chapter on "Mathematics" is full of fruit. From it I take a few samples—mainly in an unripe state:
A straight line is any distance between two places.
Parallel lines are lines that can never meet until they run together.
A circle is a round straight line with a hole in the middle.
Things which are equal to each other are equal to anything else.
To find the number of square feet in a room you multiply the room by the number of the feet. The product is the result.
Right you are. In the matter of geography this little book is unspeakably rich. The questions do not appear to have applied the microscope to the subject, as did those quoted by Professor Ravenstein; still, they proved plenty difficult enough without that. These pupils did not hunt with a microscope, they hunted with a shot-gun; this is shown by the crippled condition of the game they brought in:
America is divided into the Passiffic slope and the Mississippi valey.
North America is separated by Spain.
America consists from north to south about five hundred miles.
The United States is quite a small country compared with some other countrys, but it about as industrious.
The capital of the United States is Long Island.
The five seaports of the U.S. are Newfunlan and Sanfrancisco.
The principal products of the U.S. is earthquakes and volcanoes.
The Alaginnies are mountains in Philadelphia.
The Rocky Mountains are on the western side of Philadelphia.
Cape Hateras is a vast body of water surrounded by land and flowing into the Gulf of Mexico.
Mason and Dixon's line is the Equator.
One of the leading industries of the United States is mollasses, book-covers, numbers, gas, teaching, lumber, manufacturers, paper-making, publishers, coal.
In Austria the principal occupation is gathering Austrich feathers.
Gibraltar is an island built on a rock.
Russia is very cold and tyrannical.
Sicily is one of the Sandwich Islands.
Hindoostan flows through the Ganges and empties into the Mediterranean Sea.
Ireland is called the Emigrant Isle because it is so beautiful and green.
The width of the different zones Europe lies in depend upon the surrounding country.
The imports of a country are the things that are paid for, the exports are the things that are not.
Climate lasts all the time and weather only a few days.
The two most famous volcanoes of Europe are Sodom and Gomorrah.
The chapter headed "Analysis" shows us that the pupils in our public schools are not merely loaded up with those showy facts about geography, mathematics, and so on, and left in that incomplete state; no, there's machinery for clarifying and expanding their minds. They are required to take poems and analyze them, dig out their common sense, reduce them to statistics, and reproduce them in a luminous prose translation which shall tell you at a glance what the poet was trying to get at. One sample will do. Here is a stanza from "The Lady of the Lake," followed by the pupil's impressive explanation of it:
Alone, but with unbated zeal, The horseman plied with scourge and steel; For jaded now and spent with toil, Embossed with foam and dark with soil, While every gasp with sobs he drew, The laboring stag strained full in view.
The man who rode on the horse performed the whip and an instrument made of steel alone with strong ardor not diminishing, for, being tired from the time passed with hard labor overworked with anger and ignorant with weariness, while every breath for labor he drew with cries full or sorrow, the young deer made imperfect who worked hard filtered in sight.
I see, now, that I never understood that poem before. I have had glimpses of its meaning, it moments when I was not as ignorant with weariness as usual, but this is the first time the whole spacious idea of it ever filtered in sight. If I were a public-school pupil I would put those other studies aside and stick to analysis; for, after all, it is the thing to spread your mind.
We come now to historical matters, historical remains, one might say. As one turns the pages he is impressed with the depth to which one date has been driven into the American child's head—1492. The date is there, and it is there to stay. And it is always at hand, always deliverable at a moment's notice. But the Fact that belongs with it? That is quite another matter. Only the date itself is familiar and sure: its vast Fact has failed of lodgment. It would appear that whenever you ask a public-school pupil when a thing—anything, no matter what—happened,and he is in doubt, he always rips out his 1492. He applies it to everything, from the landing of the ark to the introduction of the horse-car. Well, after all, it is our first date, and so it is right enough to honor it, and pay the public schools to teach our children to honor it:
George Washington was born in 1492.
Washington wrote the Declaration of Independence in 1492.
St. Bartholemew was massacred in 1492.
The Brittains were the Saxons who entered England in 1492 under Julius Caesar.
The earth is 1492 miles in circumference.
To proceed with "History"
Christopher Columbus was called the Father of his Country.
Queen Isabella of Spain sold her watch and chain and other millinery so that Columbus could discover America.
The Indian wars were very desecrating to the country.
The Indians pursued their warfare by hiding in the bushes and then scalping them.
Captain John Smith has been styled the father of his country. His life was saved by his daughter Pochahantas.
The Puritans found an insane asylum in the wilds of America.
The Stamp Act was to make everybody stamp all materials so they should be null and void.
Washington died in Spain almost broken-hearted. His remains were taken to the cathedral in Havana.
Gorilla warfare was where men rode on gorillas.
John Brown was a very good insane man who tried to get fugitives slaves into Virginia. He captured all the inhabitants, but was finally conquered and condemned to his death. The confederasy was formed by the fugitive slaves.
Alfred the Great reigned 872 years. He was distinguished for letting some buckwheat cakes burn, and the lady scolded him.
Henry Eight was famous for being a great widower haveing lost several wives.
Lady Jane Grey studied Greek and Latin and was beheaded after a few days.
John Bright is noted for an incurable disease.
Lord James Gordon Bennet instigated the Gordon Riots.
The Middle Ages come in between antiquity and posterity.
Luther introduced Christianity into England a good many thousand years ago. His birthday was November 1883. He was once a Pope. He lived at the time of the Rebellion of Worms.
Julius Caesar is noted for his famous telegram dispatch I came I saw I conquered.
Julius Caesar was really a very great man. He was a very great soldier and wrote a book for beginners in the Latin.
Cleopatra was caused by the death of an asp which she dissolved in a wine cup.
The only form of government in Greece was a limited monkey.
The Persian war lasted about 500 years.
Greece had only 7 wise men.
Socrates . . . destroyed some statues and had to drink Shamrock.
Here is a fact correctly stated; and yet it is phrased with such ingenious infelicity that it can be depended upon to convey misinformation every time it is uncarefully unread:
By the Salic law no woman or descendant of a woman could occupy the throne.
To show how far a child can travel in history with judicious and diligent boosting in the public school, we select the following mosaic:
Abraham Lincoln was born in Wales in 1599.
In the chapter headed "Intellectual" I find a great number of most interesting statements. A sample or two may be found not amiss:
Bracebridge Hall was written by Henry Irving.
Show Bound was written by Peter Cooper.
The House of the Seven Gables was written by Lord Bryant.
Edgar A. Poe was a very curdling writer.
Cotton Mather was a writer who invented the cotten gin and wrote histories.
Beowulf wrote the Scriptures.
Ben Johnson survived Shakspeare in some respects.
In the Canterbury Tale it gives account of King Alfred on his way to the shrine of Thomas Bucket.
Chaucer was the father of English pottery.
Chaucer was a bland verse writer of the third century.
Chaucer was succeeded by H. Wads. Longfellow an American Writer. His writings were chiefly prose and nearly one hundred years elapsed.
Shakspere translated the Scriptures and it was called St. James because he did it.
In the middle of the chapter I find many pages of information concerning Shakespeare's plays, Milton's works, and those of Bacon, Addison, Samuel Johnson, Fielding, Richardson, Sterne, Smollett, De Foe, Locke, Pope, Swift, Goldsmith, Burns, Cowper, Wordsworth, Gibbon, Byron, Coleridge, Hood, Scott, Macaulay, George Eliot, Dickens, Bulwer, Thackeray, Browning, Mrs. Browning, Tennyson, and Disraeli—a fact which shows that into the restricted stomach of the public-school pupil is shoveled every year the blood, bone, and viscera of a gigantic literature, and the same is there digested and disposed of in a most successful and characteristic and gratifying public-school way. I have space for but a trifling few of the results:
Lord Byron was the son of an heiress and a drunken man.
Wm. Wordsworth wrote the Barefoot Boy and Imitations on Immortality.
Gibbon wrote a history of his travels in Italy. This was original.
George Eliot left a wife and children who mourned greatly for his genius.
George Eliot Miss Mary Evans Mrs. Cross Mrs. Lewis was the greatest female poet unless George Sands is made an exception of.
Bulwell is considered a good writer.
Sir Walter Scott Charles Bronte Alfred the Great and Johnson were the first great novelists.
Thomas Babington Makorlay graduated at Harvard and then studied law, he was raised to the peerage as baron in 1557 and died in 1776.
Here are two or three miscellaneous facts that may be of value, if taken in moderation:
Homer's writings are Homer's Essays Virgil the Aenid and Paradise lost some people say that these poems were not written by Homer but by another man of the same name.
A sort of sadness kind of shone in Bryant's poems.
Holmes is a very profligate and amusing writer.
When the public-school pupil wrestles with the political features of the Great Republic, they throw him sometimes:
A bill becomes a law when the President vetoes it.
The three departments of the government is the President rules the world, the governor rules the State, the mayor rules the city.
The first conscientious Congress met in Philadelphia.
The Constitution of the United States was established to ensure domestic hostility.
Truth crushed to earth will rise again. As follows:
The Constitution of the United States is that part of the book at the end which nobody reads.
And here she rises once more and untimely. There should be a limit to public-school instruction; it cannot be wise or well to let the young find out everything:
Congress is divided into civilized half civilized and savage.
Here are some results of study in music and oratory:
An interval in music is the distance on the keyboard from one piano to the next.
A rest means you are not to sing it.
Emphasis is putting more distress on one word than another.
The chapter on "Physiology" contains much that ought not to be lost to science:
Physillogigy is to study about your bones stummick and vertebry.
Occupations which are injurious to health are cabolic acid gas which is impure blood.
We have an upper and lower skin. The lower skin moves all the time and the upper skin moves when we do.
The body is mostly composed of water and about one half is avaricious tissue.
The stomach is a small pear-shaped bone situated in the body.
The gastric juice keeps the bones from creaking.
The Chyle flows up the middle of the backbone and reaches the heart where it meets the oxygen and is purified.
The salivary glands are used to salivate the body.
In the stomach starch is changed to cane sugar and cane sugar to sugar cane.
The olfactory nerve enters the cavity of the orbit and is developed into the special sense of hearing.
The growth of a tooth begins in the back of the mouth and extends to the stomach.
If we were on a railroad track and a train was coming the train would deafen our ears so that we couldn't see to get off the track.
If, up to this point, none of my quotations have added flavor to the Johnsonian anecdote at the head of this article, let us make another attempt:
The theory that intuitive truths are discovered by the light of nature originated from St. John's interpretation of a passage in the Gospel of Plato.
The weight of the earth is found by comparing a mass of known lead with that of a mass of unknown lead.
To find the weight of the earth take the length of a degree on a meridian and multiply by 6 1/2 pounds.
The spheres are to each other as the squares of their homologous sides.
A body will go just as far in the first second as the body will go plus the force of gravity and that's equal to twice what the body will go.
Specific gravity is the weight to be compared weight of an equal volume of or that is the weight of a body compared with the weight of an equal volume.
The law of fluid pressure divide the different forms of organized bodies by the form of attraction and the number increased will be the form.
Inertia is that property of bodies by virtue of which it cannot change its own condition of rest or motion. In other words it is the negative quality of passiveness either in recoverable latency or insipient latescence.
If a laugh is fair here, not the struggling child, nor the unintelligent teacher—or rather the unintelligent Boards, Committees, and Trustees—are the proper target for it. All through this little book one detects the signs of a certain probable fact—that a large part of the pupil's "instruction" consists in cramming him with obscure and wordy "rules" which he does not understand and has no time to understand. It would be as useful to cram him with brickbats; they would at least stay. In a town in the interior of New York, a few years ago, a gentleman set forth a mathematical problem and proposed to give a prize to every public-school pupil who should furnish the correct solution of it. Twenty-two of the brightest boys in the public schools entered the contest. The problem was not a very difficult one for pupils of their mathematical rank and standing, yet they all failed—by a hair—through one trifling mistake or another. Some searching questions were asked, when it turned out that these lads were as glib as parrots with the "rules," but could not reason out a single rule or explain the principle underlying it. Their memories had been stocked, but not their understandings. It was a case of brickbat culture, pure and simple.
There are several curious "compositions" in the little book, and we must make room for one. It is full of naivete, brutal truth, and unembarrassed directness, and is the funniest (genuine) boy's composition I think I have ever seen:
ON GIRLS
Girls are very stuck up and dignefied in their maner and be have your. They think more of dress than anything and like to play with dowls and rags. They cry if they see a cow in a far distance and are afraid of guns. They stay at home all the time and go to church on Sunday. They are al-ways sick. They are always funy and making fun of boy's hands and they say how dirty. They cant play marbels. I pity them poor things. They make fun of boys and then turn round and love them. I dont beleave they ever kiled a cat or anything. They look out every nite and say oh ant the moon lovely. Thir is one thing I have not told and that is they al-ways now their lessons bettern boys.
From Mr. Edward Channing's recent article in SCIENCE:
The marked difference between the books now being produced by French, English, and American travelers, on the one hand, and German explorers, on the other, is too great to escape attention. That difference is due entirely to the fact that in school and university the German is taught, in the first place to see, and in the second place to understand what he does see.
A SIMPLIFIED ALPHABET
(This article, written during the autumn of 1899, was about the last writing done by Mark Twain on any impersonal subject.)
I have had a kindly feeling, a friendly feeling, a cousinly feeling toward Simplified Spelling, from the beginning of the movement three years ago, but nothing more inflamed than that. It seemed to me to merely propose to substitute one inadequacy for another; a sort of patching and plugging poor old dental relics with cement and gold and porcelain paste; what was really needed was a new set of teeth. That is to say, a new ALPHABET.
The heart of our trouble is with our foolish alphabet. It doesn't know how to spell, and can't be taught. In this it is like all other alphabets except one—the phonographic. This is the only competent alphabet in the world. It can spell and correctly pronounce any word in our language.
That admirable alphabet, that brilliant alphabet, that inspired alphabet, can be learned in an hour or two. In a week the student can learn to write it with some little facility, and to read it with considerable ease. I know, for I saw it tried in a public school in Nevada forty-five years ago, and was so impressed by the incident that it has remained in my memory ever since.
I wish we could adopt it in place of our present written (and printed) character. I mean SIMPLY the alphabet; simply the consonants and the vowels—I don't mean any REDUCTIONS or abbreviations of them, such as the shorthand writer uses in order to get compression and speed. No, I would SPELL EVERY WORD OUT.
I will insert the alphabet here as I find it in Burnz's PHONIC SHORTHAND. [Figure 1] It is arranged on the basis of Isaac Pitman's PHONOGRAPHY. Isaac Pitman was the originator and father of scientific phonography. It is used throughout the globe. It was a memorable invention. He made it public seventy-three years ago. The firm of Isaac Pitman & Sons, New York, still exists, and they continue the master's work.
What should we gain?
First of all, we could spell DEFINITELY—and correctly—any word you please, just by the SOUND of it. We can't do that with our present alphabet. For instance, take a simple, every-day word PHTHISIS. If we tried to spell it by the sound of it, we should make it TYSIS, and be laughed at by every educated person.
Secondly, we should gain in REDUCTION OF LABOR in writing.
Simplified Spelling makes valuable reductions in the case of several hundred words, but the new spelling must be LEARNED. You can't spell them by the sound; you must get them out of the book.
But even if we knew the simplified form for every word in the language, the phonographic alphabet would still beat the Simplified Speller "hands down" in the important matter of economy of labor. I will illustrate:
PRESENT FORM: through, laugh, highland.
SIMPLIFIED FORM: thru, laff, hyland.
PHONOGRAPHIC FORM: [Figure 2]
To write the word "through," the pen has to make twenty-one strokes.
To write the word "thru," then pen has to make twelve strokes—a good saving.
To write that same word with the phonographic alphabet, the pen has to make only THREE strokes.
To write the word "laugh," the pen has to make FOURTEEN strokes.
To write "laff," the pen has to make the SAME NUMBER of strokes—no labor is saved to the penman.
To write the same word with the phonographic alphabet, the pen has to make only THREE strokes.
To write the word "highland," the pen has to make twenty-two strokes.
To write "hyland," the pen has to make eighteen strokes.
To write that word with the phonographic alphabet, the pen has to make only FIVE strokes. [Figure 3]
To write the words "phonographic alphabet," the pen has to make fifty-three strokes.
To write "fonografic alfabet," the pen has to make fifty strokes. To the penman, the saving in labor is insignificant.
To write that word (with vowels) with the phonographic alphabet, the pen has to make only SEVENTEEN strokes.
Without the vowels, only THIRTEEN strokes. [Figure 4] The vowels are hardly necessary, this time.
We make five pen-strokes in writing an m. Thus: [Figure 5] a stroke down; a stroke up; a second stroke down; a second stroke up; a final stroke down. Total, five. The phonographic alphabet accomplishes the m with a single stroke—a curve, like a parenthesis that has come home drunk and has fallen face down right at the front door where everybody that goes along will see him and say, Alas!
When our written m is not the end of a word, but is otherwise located, it has to be connected with the next letter, and that requires another pen-stroke, making six in all, before you get rid of that m. But never mind about the connecting strokes—let them go. Without counting them, the twenty-six letters of our alphabet consumed about eighty pen-strokes for their construction—about three pen-strokes per letter.
It is THREE TIMES THE NUMBER required by the phonographic alphabet. It requires but ONE stroke for each letter.
My writing-gait is—well, I don't know what it is, but I will time myself and see. Result: it is twenty-four words per minute. I don't mean composing; I mean COPYING. There isn't any definite composing-gait.
Very well, my copying-gait is 1,440 words per hour—say 1,500. If I could use the phonographic character with facility I could do the 1,500 in twenty minutes. I could do nine hours' copying in three hours; I could do three years' copying in one year. Also, if I had a typewriting machine with the phonographic alphabet on it—oh, the miracles I could do!
I am not pretending to write that character well. I have never had a lesson, and I am copying the letters from the book. But I can accomplish my desire, at any rate, which is, to make the reader get a good and clear idea of the advantage it would be to us if we could discard our present alphabet and put this better one in its place—using it in books, newspapers, with the typewriter, and with the pen.
[Figure 6]—MAN DOG HORSE. I think it is graceful and would look comely in print. And consider—once more, I beg—what a labor-saver it is! Ten pen-strokes with the one system to convey those three words above, and thirty-three by the other! [Figure 6] I mean, in SOME ways, not in all. I suppose I might go so far as to say in most ways, and be within the facts, but never mind; let it go at SOME. One of the ways in which it exercises this birthright is—as I think—continuing to use our laughable alphabet these seventy-three years while there was a rational one at hand, to be had for the taking.
It has taken five hundred years to simplify some of Chaucer's rotten spelling—if I may be allowed to use to frank a term as that—and it will take five hundred years more to get our exasperating new Simplified Corruptions accepted and running smoothly. And we sha'n't be any better off then than we are now; for in that day we shall still have the privilege the Simplifiers are exercising now: ANYBODY can change the spelling that wants to.
BUT YOU CAN'T CHANGE THE PHONOGRAPHIC SPELLING; THERE ISN'T ANY WAY. It will always follow the SOUND. If you want to change the spelling, you have to change the sound first.
Mind, I myself am a Simplified Speller; I belong to that unhappy guild that is patiently and hopefully trying to reform our drunken old alphabet by reducing his whiskey. Well, it will improve him. When they get through and have reformed him all they can by their system he will be only HALF drunk. Above that condition their system can never lift him. There is no competent, and lasting, and real reform for him but to take away his whiskey entirely, and fill up his jug with Pitman's wholesome and undiseased alphabet.
One great drawback to Simplified Spelling is, that in print a simplified word looks so like the very nation! and when you bunch a whole squadron of the Simplified together the spectacle is very nearly unendurable.
The da ma ov koars kum when the publik ma be expektd to get rekonsyled to the bezair asspekt of the Simplified Kombynashuns, but—if I may be allowed the expression—is it worth the wasted time? [Figure 7]
To see our letters put together in ways to which we are not accustomed offends the eye, and also takes the EXPRESSION out of the words.
La on, Makduf, and damd be he hoo furst krys hold, enuf!
It doesn't thrill you as it used to do. The simplifications have sucked the thrill all out of it.
But a written character with which we are NOT ACQUAINTED does not offend us—Greek, Hebrew, Russian, Arabic, and the others—they have an interesting look, and we see beauty in them, too. And this is true of hieroglyphics, as well. There is something pleasant and engaging about the mathematical signs when we do not understand them. The mystery hidden in these things has a fascination for us: we can't come across a printed page of shorthand without being impressed by it and wishing we could read it.
Very well, what I am offering for acceptance and adopting is not shorthand, but longhand, written with the SHORTHAND ALPHABET UNREACHED. You can write three times as many words in a minute with it as you can write with our alphabet. And so, in a way, it IS properly a shorthand. It has a pleasant look, too; a beguiling look, an inviting look. I will write something in it, in my rude and untaught way: [Figure 8]
Even when I do it it comes out prettier than it does in Simplified Spelling. Yes, and in the Simplified it costs one hundred and twenty-three pen-strokes to write it, whereas in the phonographic it costs only twenty-nine.
[Figure 9] is probably [Figure 10].
Let us hope so, anyway.
AS CONCERNS INTERPRETING THE DEITY
I
This line of hieroglyphics was for fourteen years the despair of all the scholars who labored over the mysteries of the Rosetta stone: [Figure 1]
After five years of study Champollion translated it thus:
Therefore let the worship of Epiphanes be maintained in all the temples, this upon pain of death.
That was the twenty-forth translation that had been furnished by scholars. For a time it stood. But only for a time. Then doubts began to assail it and undermine it, and the scholars resumed their labors. Three years of patient work produced eleven new translations; among them, this, by Gr:unfeldt, was received with considerable favor:
The horse of Epiphanes shall be maintained at the public expense; this upon pain of death.
But the following rendering, by Gospodin, was received by the learned world with yet greater favor:
The priest shall explain the wisdom of Epiphanes to all these people, and these shall listen with reverence, upon pain of death.
Seven years followed, in which twenty-one fresh and widely varying renderings were scored—none of them quite convincing. But now, at last, came Rawlinson, the youngest of all the scholars, with a translation which was immediately and universally recognized as being the correct version, and his name became famous in a day. So famous, indeed, that even the children were familiar with it; and such a noise did the achievement itself make that not even the noise of the monumental political event of that same year—the flight from Elba—was able to smother it to silence. Rawlinson's version reads as follows:
Therefore, walk not away from the wisdom of Epiphanes, but turn and follow it; so shall it conduct thee to the temple's peace, and soften for thee the sorrows of life and the pains of death.
Here is another difficult text: [Figure 2]
It is demotic—a style of Egyptian writing and a phase of the language which has perished from the knowledge of all men twenty-five hundred years before the Christian era.
Our red Indians have left many records, in the form of pictures, upon our crags and boulders. It has taken our most gifted and painstaking students two centuries to get at the meanings hidden in these pictures; yet there are still two little lines of hieroglyphics among the figures grouped upon the Dighton Rocks which they have not succeeds in interpreting to their satisfaction. These: [Figure 3]
The suggested solutions are practically innumerable; they would fill a book.
Thus we have infinite trouble in solving man-made mysteries; it is only when we set out to discover the secret of God that our difficulties disappear. It was always so. In antique Roman times it was the custom of the Deity to try to conceal His intentions in the entrails of birds, and this was patiently and hopefully continued century after century, although the attempted concealment never succeeded, in a single recorded instance. The augurs could read entrails as easily as a modern child can read coarse print. Roman history is full of the marvels of interpretation which these extraordinary men performed. These strange and wonderful achievements move our awe and compel our admiration. Those men could pierce to the marrow of a mystery instantly. If the Rosetta-stone idea had been introduced it would have defeated them, but entrails had no embarrassments for them. Entrails have gone out, now—entrails and dreams. It was at last found out that as hiding-places for the divine intentions they were inadequate.
A part of the wall of Valletri in former times been struck with thunder, the response of the soothsayers was, that a native of that town would some time or other arrive at supreme power. —BOHN'S SUETONIUS, p. 138.
"Some time or other." It looks indefinite, but no matter, it happened, all the same; one needed only to wait, and be patient, and keep watch, then he would find out that the thunder-stroke had Caesar Augustus in mind, and had come to give notice.
There were other advance-advertisements. One of them appeared just before Caesar Augustus was born, and was most poetic and touching and romantic in its feelings and aspects. It was a dream. It was dreamed by Caesar Augustus's mother, and interpreted at the usual rates:
Atia, before her delivery, dreamed that her bowels stretched to the stars and expanded through the whole circuit of heaven and earth.—SUETONIUS, p. 139.
That was in the augur's line, and furnished him no difficulties, but it would have taken Rawlinson and Champollion fourteen years to make sure of what it meant, because they would have been surprised and dizzy. It would have been too late to be valuable, then, and the bill for service would have been barred by the statute of limitation.
In those old Roman days a gentleman's education was not complete until he had taken a theological course at the seminary and learned how to translate entrails. Caesar Augustus's education received this final polish. All through his life, whenever he had poultry on the menu he saved the interiors and kept himself informed of the Deity's plans by exercising upon those interiors the arts of augury.
In his first consulship, while he was observing the auguries, twelve vultures presented themselves, as they had done to Romulus. And when he offered sacrifice, the livers of all the victims were folded inward in the lower part; a circumstance which was regarded by those present who had skill in things of that nature, as an indubitable prognostic of great and wonderful fortune.—SUETONIUS, p. 141.
"Indubitable" is a strong word, but no doubt it was justified, if the livers were really turned that way. In those days chicken livers were strangely and delicately sensitive to coming events, no matter how far off they might be; and they could never keep still, but would curl and squirm like that, particularly when vultures came and showed interest in that approaching great event and in breakfast.
II
We may now skip eleven hundred and thirty or forty years, which brings us down to enlightened Christian times and the troubled days of King Stephen of England. The augur has had his day and has been long ago forgotten; the priest had fallen heir to his trade.
King Henry is dead; Stephen, that bold and outrageous person, comes flying over from Normandy to steal the throne from Henry's daughter. He accomplished his crime, and Henry of Huntington, a priest of high degree, mourns over it in his Chronicle. The Archbishop of Canterbury consecrated Stephen: "wherefore the Lord visited the Archbishop with the same judgment which he had inflicted upon him who struck Jeremiah the great priest: he died with a year."
Stephen's was the greater offense, but Stephen could wait; not so the Archbishop, apparently.
The kingdom was a prey to intestine wars; slaughter, fire, and rapine spread ruin throughout the land; cries of distress, horror, and woe rose in every quarter.
That was the result of Stephen's crime. These unspeakable conditions continued during nineteen years. Then Stephen died as comfortably as any man ever did, and was honorably buried. It makes one pity the poor Archbishop, and with that he, too, could have been let off as leniently. How did Henry of Huntington know that the Archbishop was sent to his grave by judgment of God for consecrating Stephen? He does not explain. Neither does he explain why Stephen was awarded a pleasanter death than he was entitled to, while the aged King Henry, his predecessor, who had ruled England thirty-five years to the people's strongly worded satisfaction, was condemned to close his life in circumstances most distinctly unpleasant, inconvenient, and disagreeable. His was probably the most uninspiring funeral that is set down in history. There is not a detail about it that is attractive. It seems to have been just the funeral for Stephen, and even at this far-distant day it is matter of just regret that by an indiscretion the wrong man got it.
Whenever God punishes a man, Henry of Huntington knows why it was done, and tells us; and his pen is eloquent with admiration; but when a man has earned punishment, and escapes, he does not explain. He is evidently puzzled, but he does not say anything. I think it is often apparent that he is pained by these discrepancies, but loyally tries his best not to show it. When he cannot praise, he delivers himself of a silence so marked that a suspicious person could mistake it for suppressed criticism. However, he has plenty of opportunities to feel contented with the way things go—his book is full of them.
King David of Scotland . . . under color of religion caused his followers to deal most barbarously with the English. They ripped open women, tossed children on the points of spears, butchered priests at the altars, and, cutting off the heads from the images on crucifixes, placed them on the bodies of the slain, while in exchange they fixed on the crucifixes the heads of their victims. Wherever the Scots came, there was the same scene of horror and cruelty: women shrieking, old men lamenting, amid the groans of the dying and the despair of the living.
But the English got the victory.
Then the chief of the men of Lothian fell, pierced by an arrow, and all his followers were put to flight. For the Almighty was offended at them and their strength was rent like a cobweb.
Offended at them for what? For committing those fearful butcheries? No, for that was the common custom on both sides, and not open to criticism. Then was it for doing the butcheries "under cover of religion"? No, that was not it; religious feeling was often expressed in that fervent way all through those old centuries. The truth is, He was not offended at "them" at all; He was only offended at their king, who had been false to an oath. Then why did not He put the punishment upon the king instead of upon "them"? It is a difficult question. One can see by the Chronicle that the "judgments" fell rather customarily upon the wrong person, but Henry of Huntington does not explain why. Here is one that went true; the chronicler's satisfaction in it is not hidden:
In the month of August, Providence displayed its justice in a remarkable manner; for two of the nobles who had converted monasteries into fortifications, expelling the monks, their sin being the same, met with a similar punishment. Robert Marmion was one, Godfrey de Mandeville the other. Robert Marmion, issuing forth against the enemy, was slain under the walls of the monastery, being the only one who fell, though he was surrounded by his troops. Dying excommunicated, he became subject to death everlasting. In like manner Earl Godfrey was singled out among his followers, and shot with an arrow by a common foot-soldier. He made light of the wound, but he died of it in a few days, under excommunication. See here the like judgment of God, memorable through all ages!
The exaltation jars upon me; not because of the death of the men, for they deserved that, but because it is death eternal, in white-hot fire and flame. It makes my flesh crawl. I have not known more than three men, or perhaps four, in my whole lifetime, whom I would rejoice to see writhing in those fires for even a year, let alone forever. I believe I would relent before the year was up, and get them out if I could. I think that in the long run, if a man's wife and babies, who had not harmed me, should come crying and pleading, I couldn't stand it; I know I should forgive him and let him go, even if he had violated a monastery. Henry of Huntington has been watching Godfrey and Marmion for nearly seven hundred and fifty years, now, but I couldn't do it, I know I couldn't. I am soft and gentle in my nature, and I should have forgiven them seventy-and-seven times, long ago. And I think God has; but this is only an opinion, and not authoritative, like Henry of Huntington's interpretations. I could learn to interpret, but I have never tried; I get so little time.
All through his book Henry exhibits his familiarity with the intentions of God, and with the reasons for his intentions. Sometimes—very often, in fact—the act follows the intention after such a wide interval of time that one wonders how Henry could fit one act out of a hundred to one intention out of a hundred and get the thing right every time when there was such abundant choice among acts and intentions. Sometimes a man offends the Deity with a crime, and is punished for it thirty years later; meantime he was committed a million other crimes: no matter, Henry can pick out the one that brought the worms. Worms were generally used in those days for the slaying of particularly wicked people. This has gone out, now, but in old times it was a favorite. It always indicated a case of "wrath." For instance:
. . . the just God avenging Robert Fitzhilderbrand's perfidy, a worm grew in his vitals, which gradually gnawing its way through his intestines fattened on the abandoned man till, tortured with excruciating sufferings and venting himself in bitter moans, he was by a fitting punishment brought to his end. —(P. 400.)
It was probably an alligator, but we cannot tell; we only know it was a particular breed, and only used to convey wrath. Some authorities think it was an ichthyosaurus, but there is much doubt.
However, one thing we do know; and that is that that worm had been due years and years. Robert F. had violated a monastery once; he had committed unprintable crimes since, and they had been permitted—under disapproval—but the ravishment of the monastery had not been forgotten nor forgiven, and the worm came at last.
Why were these reforms put off in this strange way? What was to be gained by it? Did Henry of Huntington really know his facts, or was he only guessing? Sometimes I am half persuaded that he is only a guesser, and not a good one. The divine wisdom must surely be of the better quality than he makes it out to be.
Five hundred years before Henry's time some forecasts of the Lord's purposes were furnished by a pope, who perceived, by certain perfectly trustworthy signs furnished by the Deity for the information of His familiars, that the end of the world was
. . . about to come. But as this end of the world draws near many things are at hand which have not before happened, as changes in the air, terrible signs in the heavens, tempests out of the common order of the seasons, wars, famines, pestilences, earthquakes in various places; all which will not happen in our days, but after our days all will come to pass.
Still, the end was so near that these signs were "sent before that we may be careful for our souls and be found prepared to meet the impending judgment."
That was thirteen hundred years ago. This is really no improvement on the work of the Roman augurs.
CONCERNING TOBACCO
As concerns tobacco, there are many superstitions. And the chiefest is this—that there is a STANDARD governing the matter, whereas there is nothing of the kind. Each man's own preference is the only standard for him, the only one which he can accept, the only one which can command him. A congress of all the tobacco-lovers in the world could not elect a standard which would be binding upon you or me, or would even much influence us.
The next superstition is that a man has a standard of his own. He hasn't. He thinks he has, but he hasn't. He thinks he can tell what he regards as a good cigar from what he regards as a bad one—but he can't. He goes by the brand, yet imagines he goes by the flavor. One may palm off the worst counterfeit upon him; if it bears his brand he will smoke it contentedly and never suspect.
Children of twenty-five, who have seven years experience, try to tell me what is a good cigar and what isn't. Me, who never learned to smoke, but always smoked; me, who came into the world asking for a light.
No one can tell me what is a good cigar—for me. I am the only judge. People who claim to know say that I smoke the worst cigars in the world. They bring their own cigars when they come to my house. They betray an unmanly terror when I offer them a cigar; they tell lies and hurry away to meet engagements which they have not made when they are threatened with the hospitalities of my box. Now then, observe what superstition, assisted by a man's reputation, can do. I was to have twelve personal friends to supper one night. One of them was as notorious for costly and elegant cigars as I was for cheap and devilish ones. I called at his house and when no one was looking borrowed a double handful of his very choicest; cigars which cost him forty cents apiece and bore red-and-gold labels in sign of their nobility. I removed the labels and put the cigars into a box with my favorite brand on it—a brand which those people all knew, and which cowed them as men are cowed by an epidemic. They took these cigars when offered at the end of the supper, and lit them and sternly struggled with them—in dreary silence, for hilarity died when the fell brand came into view and started around—but their fortitude held for a short time only; then they made excuses and filed out, treading on one another's heels with indecent eagerness; and in the morning when I went out to observe results the cigars lay all between the front door and the gate. All except one—that one lay in the plate of the man from whom I had cabbaged the lot. One or two whiffs was all he could stand. He told me afterward that some day I would get shot for giving people that kind of cigars to smoke.
Am I certain of my own standard? Perfectly; yes, absolutely—unless somebody fools me by putting my brand on some other kind of cigar; for no doubt I am like the rest, and know my cigar by the brand instead of by the flavor. However, my standard is a pretty wide one and covers a good deal of territory. To me, almost any cigar is good that nobody else will smoke, and to me almost all cigars are bad that other people consider good. Nearly any cigar will do me, except a Havana. People think they hurt my feelings when then come to my house with their life preservers on—I mean, with their own cigars in their pockets. It is an error; I take care of myself in a similar way. When I go into danger—that is, into rich people's houses, where, in the nature of things, they will have high-tariff cigars, red-and-gilt girded and nested in a rosewood box along with a damp sponge, cigars which develop a dismal black ash and burn down the side and smell, and will grow hot to the fingers, and will go on growing hotter and hotter, and go on smelling more and more infamously and unendurably the deeper the fire tunnels down inside below the thimbleful of honest tobacco that is in the front end, the furnisher of it praising it all the time and telling you how much the deadly thing cost—yes, when I go into that sort of peril I carry my own defense along; I carry my own brand—twenty-seven cents a barrel—and I live to see my family again. I may seem to light his red-gartered cigar, but that is only for courtesy's sake; I smuggle it into my pocket for the poor, of whom I know many, and light one of my own; and while he praises it I join in, but when he says it cost forty-five cents I say nothing, for I know better.
However, to say true, my tastes are so catholic that I have never seen any cigars that I really could not smoke, except those that cost a dollar apiece. I have examined those and know that they are made of dog-hair, and not good dog-hair at that.
I have a thoroughly satisfactory time in Europe, for all over the Continent one finds cigars which not even the most hardened newsboys in New York would smoke. I brought cigars with me, the last time; I will not do that any more. In Italy, as in France, the Government is the only cigar-peddler. Italy has three or four domestic brands: the Minghetti, the Trabuco, the Virginia, and a very coarse one which is a modification of the Virginia. The Minghettis are large and comely, and cost three dollars and sixty cents a hundred; I can smoke a hundred in seven days and enjoy every one of them. The Trabucos suit me, too; I don't remember the price. But one has to learn to like the Virginia, nobody is born friendly to it. It looks like a rat-tail file, but smokes better, some think. It has a straw through it; you pull this out, and it leaves a flue, otherwise there would be no draught, not even as much as there is to a nail. Some prefer a nail at first. However, I like all the French, Swiss, German, and Italian domestic cigars, and have never cared to inquire what they are made of; and nobody would know, anyhow, perhaps. There is even a brand of European smoking-tobacco that I like. It is a brand used by the Italian peasants. It is loose and dry and black, and looks like tea-grounds. When the fire is applied it expands, and climbs up and towers above the pipe, and presently tumbles off inside of one's vest. The tobacco itself is cheap, but it raises the insurance. It is as I remarked in the beginning—the taste for tobacco is a matter of superstition. There are no standards—no real standards. Each man's preference is the only standard for him, the only one which he can accept, the only one which can command him.
THE BEE
It was Maeterlinck who introduced me to the bee. I mean, in the psychical and in the poetical way. I had had a business introduction earlier. It was when I was a boy. It is strange that I should remember a formality like that so long; it must be nearly sixty years.
Bee scientists always speak of the bee as she. It is because all the important bees are of that sex. In the hive there is one married bee, called the queen; she has fifty thousand children; of these, about one hundred are sons; the rest are daughters. Some of the daughters are young maids, some are old maids, and all are virgins and remain so.
Every spring the queen comes out of the hive and flies away with one of her sons and marries him. The honeymoon lasts only an hour or two; then the queen divorces her husband and returns home competent to lay two million eggs. This will be enough to last the year, but not more than enough, because hundreds of bees are drowned every day, and other hundreds are eaten by birds, and it is the queen's business to keep the population up to standard—say, fifty thousand. She must always have that many children on hand and efficient during the busy season, which is summer, or winter would catch the community short of food. She lays from two thousand to three thousand eggs a day, according to the demand; and she must exercise judgment, and not lay more than are needed in a slim flower-harvest, nor fewer than are required in a prodigal one, or the board of directors will dethrone her and elect a queen that has more sense.
There are always a few royal heirs in stock and ready to take her place—ready and more than anxious to do it, although she is their own mother. These girls are kept by themselves, and are regally fed and tended from birth. No other bees get such fine food as they get, or live such a high and luxurious life. By consequence they are larger and longer and sleeker than their working sisters. And they have a curved sting, shaped like a scimitar, while the others have a straight one.
A common bee will sting any one or anybody, but a royalty stings royalties only. A common bee will sting and kill another common bee, for cause, but when it is necessary to kill the queen other ways are employed. When a queen has grown old and slack and does not lay eggs enough one of her royal daughters is allowed to come to attack her, the rest of the bees looking on at the duel and seeing fair play. It is a duel with the curved stings. If one of the fighters gets hard pressed and gives it up and runs, she is brought back and must try again—once, maybe twice; then, if she runs yet once more for her life, judicial death is her portion; her children pack themselves into a ball around her person and hold her in that compact grip two or three days, until she starves to death or is suffocated. Meantime the victor bee is receiving royal honors and performing the one royal function—laying eggs.
As regards the ethics of the judicial assassination of the queen, that is a matter of politics, and will be discussed later, in its proper place.
During substantially the whole of her short life of five or six years the queen lives in Egyptian darkness and stately seclusion of the royal apartments, with none about her but plebeian servants, who give her empty lip-affection in place of the love which her heart hungers for; who spy upon her in the interest of her waiting heirs, and report and exaggerate her defects and deficiencies to them; who fawn upon her and flatter her to her face and slander her behind her back; who grovel before her in the day of her power and forsake her in her age and weakness. There she sits, friendless, upon her throne through the long night of her life, cut off from the consoling sympathies and sweet companionship and loving endearments which she craves, by the gilded barriers of her awful rank; a forlorn exile in her own house and home, weary object of formal ceremonies and machine-made worship, winged child of the sun, native to the free air and the blue skies and the flowery fields, doomed by the splendid accident of her birth to trade this priceless heritage for a black captivity, a tinsel grandeur, and a loveless life, with shame and insult at the end and a cruel death—and condemned by the human instinct in her to hold the bargain valuable!
Huber, Lubbock, Maeterlinck—in fact, all the great authorities—are agreed in denying that the bee is a member of the human family. I do not know why they have done this, but I think it is from dishonest motives. Why, the innumerable facts brought to light by their own painstaking and exhaustive experiments prove that if there is a master fool in the world, it is the bee. That seems to settle it.
But that is the way of the scientist. He will spend thirty years in building up a mountain range of facts with the intent to prove a certain theory; then he is so happy in his achievement that as a rule he overlooks the main chief fact of all—that his accumulation proves an entirely different thing. When you point out this miscarriage to him he does not answer your letters; when you call to convince him, the servant prevaricates and you do not get in. Scientists have odious manners, except when you prop up their theory; then you can borrow money of them.
To be strictly fair, I will concede that now and then one of them will answer your letter, but when they do they avoid the issue—you cannot pin them down. When I discovered that the bee was human I wrote about it to all those scientists whom I have just mentioned. For evasions, I have seen nothing to equal the answers I got.
After the queen, the personage next in importance in the hive is the virgin. The virgins are fifty thousand or one hundred thousand in number, and they are the workers, the laborers. No work is done, in the hive or out of it, save by them. The males do not work, the queen does no work, unless laying eggs is work, but it does not seem so to me. There are only two million of them, anyway, and all of five months to finish the contract in. The distribution of work in a hive is as cleverly and elaborately specialized as it is in a vast American machine-shop or factory. A bee that has been trained to one of the many and various industries of the concern doesn't know how to exercise any other, and would be offended if asked to take a hand in anything outside of her profession. She is as human as a cook; and if you should ask the cook to wait on the table, you know what will happen. Cooks will play the piano if you like, but they draw the line there. In my time I have asked a cook to chop wood, and I know about these things. Even the hired girl has her frontiers; true, they are vague, they are ill-defined, even flexible, but they are there. This is not conjecture; it is founded on the absolute. And then the butler. You ask the butler to wash the dog. It is just as I say; there is much to be learned in these ways, without going to books. Books are very well, but books do not cover the whole domain of esthetic human culture. Pride of profession is one of the boniest bones in existence, if not the boniest. Without doubt it is so in the hive.
TAMING THE BICYCLE
In the early eighties Mark Twain learned to ride one of the old high-wheel bicycles of that period. He wrote an account of his experience, but did not offer it for publication. The form of bicycle he rode long ago became antiquated, but in the humor of his pleasantry is a quality which does not grow old.
A. B. P.
I
I thought the matter over, and concluded I could do it. So I went down a bought a barrel of Pond's Extract and a bicycle. The Expert came home with me to instruct me. We chose the back yard, for the sake of privacy, and went to work.
Mine was not a full-grown bicycle, but only a colt—a fifty-inch, with the pedals shortened up to forty-eight—and skittish, like any other colt. The Expert explained the thing's points briefly, then he got on its back and rode around a little, to show me how easy it was to do. He said that the dismounting was perhaps the hardest thing to learn, and so we would leave that to the last. But he was in error there. He found, to his surprise and joy, that all that he needed to do was to get me on to the machine and stand out of the way; I could get off, myself. Although I was wholly inexperienced, I dismounted in the best time on record. He was on that side, shoving up the machine; we all came down with a crash, he at the bottom, I next, and the machine on top.
We examined the machine, but it was not in the least injured. This was hardly believable. Yet the Expert assured me that it was true; in fact, the examination proved it. I was partly to realize, then, how admirably these things are constructed. We applied some Pond's Extract, and resumed. The Expert got on the OTHER side to shove up this time, but I dismounted on that side; so the result was as before.
The machine was not hurt. We oiled ourselves again, and resumed. This time the Expert took up a sheltered position behind, but somehow or other we landed on him again.
He was full of admiration; said it was abnormal. She was all right, not a scratch on her, not a timber started anywhere. I said it was wonderful, while we were greasing up, but he said that when I came to know these steel spider-webs I would realize that nothing but dynamite could cripple them. Then he limped out to position, and we resumed once more. This time the Expert took up the position of short-stop, and got a man to shove up behind. We got up a handsome speed, and presently traversed a brick, and I went out over the top of the tiller and landed, head down, on the instructor's back, and saw the machine fluttering in the air between me and the sun. It was well it came down on us, for that broke the fall, and it was not injured.
Five days later I got out and was carried down to the hospital, and found the Expert doing pretty fairly. In a few more days I was quite sound. I attribute this to my prudence in always dismounting on something soft. Some recommend a feather bed, but I think an Expert is better.
The Expert got out at last, brought four assistants with him. It was a good idea. These four held the graceful cobweb upright while I climbed into the saddle; then they formed in column and marched on either side of me while the Expert pushed behind; all hands assisted at the dismount.
The bicycle had what is called the "wabbles," and had them very badly. In order to keep my position, a good many things were required of me, and in every instance the thing required was against nature. That is to say, that whatever the needed thing might be, my nature, habit, and breeding moved me to attempt it in one way, while some immutable and unsuspected law of physics required that it be done in just the other way. I perceived by this how radically and grotesquely wrong had been the life-long education of my body and members. They were steeped in ignorance; they knew nothing—nothing which it could profit them to know. For instance, if I found myself falling to the right, I put the tiller hard down the other way, by a quite natural impulse, and so violated a law, and kept on going down. The law required the opposite thing—the big wheel must be turned in the direction in which you are falling. It is hard to believe this, when you are told it. And not merely hard to believe it, but impossible; it is opposed to all your notions. And it is just as hard to do it, after you do come to believe it. Believing it, and knowing by the most convincing proof that it is true, does not help it: you can't any more DO it than you could before; you can neither force nor persuade yourself to do it at first. The intellect has to come to the front, now. It has to teach the limbs to discard their old education and adopt the new.
The steps of one's progress are distinctly marked. At the end of each lesson he knows he has acquired something, and he also knows what that something is, and likewise that it will stay with him. It is not like studying German, where you mull along, in a groping, uncertain way, for thirty years; and at last, just as you think you've got it, they spring the subjunctive on you, and there you are. No—and I see now, plainly enough, that the great pity about the German language is, that you can't fall off it and hurt yourself. There is nothing like that feature to make you attend strictly to business. But I also see, by what I have learned of bicycling, that the right and only sure way to learn German is by the bicycling method. That is to say, take a grip on one villainy of it at a time, leaving that one half learned.
When you have reached the point in bicycling where you can balance the machine tolerably fairly and propel it and steer it, then comes your next task—how to mount it. You do it in this way: you hop along behind it on your right foot, resting the other on the mounting-peg, and grasping the tiller with your hands. At the word, you rise on the peg, stiffen your left leg, hang your other one around in the air in a general in indefinite way, lean your stomach against the rear of the saddle, and then fall off, maybe on one side, maybe on the other; but you fall off. You get up and do it again; and once more; and then several times.
By this time you have learned to keep your balance; and also to steer without wrenching the tiller out by the roots (I say tiller because it IS a tiller; "handle-bar" is a lamely descriptive phrase). So you steer along, straight ahead, a little while, then you rise forward, with a steady strain, bringing your right leg, and then your body, into the saddle, catch your breath, fetch a violent hitch this way and then that, and down you go again.
But you have ceased to mind the going down by this time; you are getting to light on one foot or the other with considerable certainty. Six more attempts and six more falls make you perfect. You land in the saddle comfortably, next time, and stay there—that is, if you can be content to let your legs dangle, and leave the pedals alone a while; but if you grab at once for the pedals, you are gone again. You soon learn to wait a little and perfect your balance before reaching for the pedals; then the mounting-art is acquired, is complete, and a little practice will make it simple and easy to you, though spectators ought to keep off a rod or two to one side, along at first, if you have nothing against them.
And now you come to the voluntary dismount; you learned the other kind first of all. It is quite easy to tell one how to do the voluntary dismount; the words are few, the requirement simple, and apparently undifficult; let your left pedal go down till your left leg is nearly straight, turn your wheel to the left, and get off as you would from a horse. It certainly does sound exceedingly easy; but it isn't. I don't know why it isn't but it isn't. Try as you may, you don't get down as you would from a horse, you get down as you would from a house afire. You make a spectacle of yourself every time.
II
During the eight days I took a daily lesson an hour and a half. At the end of this twelve working-hours' appreticeship I was graduated—in the rough. I was pronounced competent to paddle my own bicycle without outside help. It seems incredible, this celerity of acquirement. It takes considerably longer than that to learn horseback-riding in the rough.
Now it is true that I could have learned without a teacher, but it would have been risky for me, because of my natural clumsiness. The self-taught man seldom knows anything accurately, and he does not know a tenth as much as he could have known if he had worked under teachers; and, besides, he brags, and is the means of fooling other thoughtless people into going and doing as he himself has done. There are those who imagine that the unlucky accidents of life—life's "experiences"—are in some way useful to us. I wish I could find out how. I never knew one of them to happen twice. They always change off and swap around and catch you on your inexperienced side. If personal experience can be worth anything as an education, it wouldn't seem likely that you could trip Methuselah; and yet if that old person could come back here it is more that likely that one of the first things he would do would be to take hold of one of these electric wires and tie himself all up in a knot. Now the surer thing and the wiser thing would be for him to ask somebody whether it was a good thing to take hold of. But that would not suit him; he would be one of the self-taught kind that go by experience; he would want to examine for himself. And he would find, for his instruction, that the coiled patriarch shuns the electric wire; and it would be useful to him, too, and would leave his education in quite a complete and rounded-out condition, till he should come again, some day, and go to bouncing a dynamite-can around to find out what was in it.
But we wander from the point. However, get a teacher; it saves much time and Pond's Extract.
Before taking final leave of me, my instructor inquired concerning my physical strength, and I was able to inform him that I hadn't any. He said that that was a defect which would make up-hill wheeling pretty difficult for me at first; but he also said the bicycle would soon remove it. The contrast between his muscles and mine was quite marked. He wanted to test mine, so I offered my biceps—which was my best. It almost made him smile. He said, "It is pulpy, and soft, and yielding, and rounded; it evades pressure, and glides from under the fingers; in the dark a body might think it was an oyster in a rag." Perhaps this made me look grieved, for he added, briskly: "Oh, that's all right, you needn't worry about that; in a little while you can't tell it from a petrified kidney. Just go right along with your practice; you're all right."
Then he left me, and I started out alone to seek adventures. You don't really have to seek them—that is nothing but a phrase—they come to you.
I chose a reposeful Sabbath-day sort of a back street which was about thirty yards wide between the curbstones. I knew it was not wide enough; still, I thought that by keeping strict watch and wasting no space unnecessarily I could crowd through.
Of course I had trouble mounting the machine, entirely on my own responsibility, with no encouraging moral support from the outside, no sympathetic instructor to say, "Good! now you're doing well—good again—don't hurry—there, now, you're all right—brace up, go ahead." In place of this I had some other support. This was a boy, who was perched on a gate-post munching a hunk of maple sugar.
He was full of interest and comment. The first time I failed and went down he said that if he was me he would dress up in pillows, that's what he would do. The next time I went down he advised me to go and learn to ride a tricycle first. The third time I collapsed he said he didn't believe I could stay on a horse-car. But the next time I succeeded, and got clumsily under way in a weaving, tottering, uncertain fashion, and occupying pretty much all of the street. My slow and lumbering gait filled the boy to the chin with scorn, and he sung out, "My, but don't he rip along!" Then he got down from his post and loafed along the sidewalk, still observing and occasionally commenting. Presently he dropped into my wake and followed along behind. A little girl passed by, balancing a wash-board on her head, and giggled, and seemed about to make a remark, but the boy said, rebukingly, "Let him alone, he's going to a funeral."
I have been familiar with that street for years, and had always supposed it was a dead level; but it was not, as the bicycle now informed me, to my surprise. The bicycle, in the hands of a novice, is as alert and acute as a spirit-level in the detecting the delicate and vanishing shades of difference in these matters. It notices a rise where your untrained eye would not observe that one existed; it notices any decline which water will run down. I was toiling up a slight rise, but was not aware of it. It made me tug and pant and perspire; and still, labor as I might, the machine came almost to a standstill every little while. At such times the boy would say: "That's it! take a rest—there ain't no hurry. They can't hold the funeral without YOU."
Stones were a bother to me. Even the smallest ones gave me a panic when I went over them. I could hit any kind of a stone, no matter how small, if I tried to miss it; and of course at first I couldn't help trying to do that. It is but natural. It is part of the ass that is put in us all, for some inscrutable reason.
It was at the end of my course, at last, and it was necessary for me to round to. This is not a pleasant thing, when you undertake it for the first time on your own responsibility, and neither is it likely to succeed. Your confidence oozes away, you fill steadily up with nameless apprehensions, every fiber of you is tense with a watchful strain, you start a cautious and gradual curve, but your squirmy nerves are all full of electric anxieties, so the curve is quickly demoralized into a jerky and perilous zigzag; then suddenly the nickel-clad horse takes the bit in its mouth and goes slanting for the curbstone, defying all prayers and all your powers to change its mind—your heart stands still, your breath hangs fire, your legs forget to work, straight on you go, and there are but a couple of feet between you and the curb now. And now is the desperate moment, the last chance to save yourself; of course all your instructions fly out of your head, and you whirl your wheel AWAY from the curb instead of TOWARD it, and so you go sprawling on that granite-bound inhospitable shore. That was my luck; that was my experience. I dragged myself out from under the indestructible bicycle and sat down on the curb to examine.
I started on the return trip. It was now that I saw a farmer's wagon poking along down toward me, loaded with cabbages. If I needed anything to perfect the precariousness of my steering, it was just that. The farmer was occupying the middle of the road with his wagon, leaving barely fourteen or fifteen yards of space on either side. I couldn't shout at him—a beginner can't shout; if he opens his mouth he is gone; he must keep all his attention on his business. But in this grisly emergency, the boy came to the rescue, and for once I had to be grateful to him. He kept a sharp lookout on the swiftly varying impulses and inspirations of my bicycle, and shouted to the man accordingly:
"To the left! Turn to the left, or this jackass 'll run over you!" The man started to do it. "No, to the right, to the right! Hold on! THAT won't do!—to the left!—to the right!—to the LEFT—right! left—ri— Stay where you ARE, or you're a goner!"
And just then I caught the off horse in the starboard and went down in a pile. I said, "Hang it! Couldn't you SEE I was coming?"
"Yes, I see you was coming, but I couldn't tell which WAY you was coming. Nobody could—now, COULD they? You couldn't yourself—now, COULD you? So what could I do?"
There was something in that, and so I had the magnanimity to say so. I said I was no doubt as much to blame as he was.
Within the next five days I achieved so much progress that the boy couldn't keep up with me. He had to go back to his gate-post, and content himself with watching me fall at long range.
There was a row of low stepping-stones across one end of the street, a measured yard apart. Even after I got so I could steer pretty fairly I was so afraid of those stones that I always hit them. They gave me the worst falls I ever got in that street, except those which I got from dogs. I have seen it stated that no expert is quick enough to run over a dog; that a dog is always able to skip out of his way. I think that that may be true: but I think that the reason he couldn't run over the dog was because he was trying to. I did not try to run over any dog. But I ran over every dog that came along. I think it makes a great deal of difference. If you try to run over the dog he knows how to calculate, but if you are trying to miss him he does not know how to calculate, and is liable to jump the wrong way every time. It was always so in my experience. Even when I could not hit a wagon I could hit a dog that came to see me practice. They all liked to see me practice, and they all came, for there was very little going on in our neighborhood to entertain a dog. It took time to learn to miss a dog, but I achieved even that.
I can steer as well as I want to, now, and I will catch that boy one of these days and run over HIM if he doesn't reform.
Get a bicycle. You will not regret it, if you live.
IS SHAKESPEARE DEAD?
(from My Autobiography)
Scattered here and there through the stacks of unpublished manuscript which constitute this formidable Autobiography and Diary of mine, certain chapters will in some distant future be found which deal with "Claimants"—claimants historically notorious: Satan, Claimant; the Golden Calf, Claimant; the Veiled Prophet of Khorassan, Claimant; Louis XVII., Claimant; William Shakespeare, Claimant; Arthur Orton, Claimant; Mary Baker G. Eddy, Claimant—and the rest of them. Eminent Claimants, successful Claimants, defeated Claimants, royal Claimants, pleb Claimants, showy Claimants, shabby Claimants, revered Claimants, despised Claimants, twinkle star-like here and there and yonder through the mists of history and legend and tradition—and, oh, all the darling tribe are clothed in mystery and romance, and we read about them with deep interest and discuss them with loving sympathy or with rancorous resentment, according to which side we hitch ourselves to. It has always been so with the human race. There was never a Claimant that couldn't get a hearing, nor one that couldn't accumulate a rapturous following, no matter how flimsy and apparently unauthentic his claim might be. Arthur Orton's claim that he was the lost Tichborne baronet come to life again was as flimsy as Mrs. Eddy's that she wrote SCIENCE AND HEALTH from the direct dictation of the Deity; yet in England nearly forty years ago Orton had a huge army of devotees and incorrigible adherents, many of whom remained stubbornly unconvinced after their fat god had been proven an impostor and jailed as a perjurer, and today Mrs. Eddy's following is not only immense, but is daily augmenting in numbers and enthusiasm. Orton had many fine and educated minds among his adherents, Mrs. Eddy has had the like among hers from the beginning. Her Church is as well equipped in those particulars as is any other Church. Claimants can always count upon a following, it doesn't matter who they are, nor what they claim, nor whether they come with documents or without. It was always so. Down out of the long-vanished past, across the abyss of the ages, if you listen, you can still hear the believing multitudes shouting for Perkin Warbeck and Lambert Simnel.
A friend has sent me a new book, from England—THE SHAKESPEARE PROBLEM RESTATED—well restated and closely reasoned; and my fifty years' interest in that matter—asleep for the last three years—is excited once more. It is an interest which was born of Delia Bacon's book—away back in the ancient day—1857, or maybe 1856. About a year later my pilot-master, Bixby, transferred me from his own steamboat to the PENNSYLVANIA, and placed me under the orders and instructions of George Ealer—dead now, these many, many years. I steered for him a good many months—as was the humble duty of the pilot-apprentice: stood a daylight watch and spun the wheel under the severe superintendence and correction of the master. He was a prime chess-player and an idolater of Shakespeare. He would play chess with anybody; even with me, and it cost his official dignity something to do that. Also—quite uninvited—he would read Shakespeare to me; not just casually, but by the hour, when it was his watch and I was steering. He read well, but not profitably for me, because he constantly injected commands into the text. That broke it all up, mixed it all up, tangled it all up—to that degree, in fact, that if we were in a risky and difficult piece of river an ignorant person couldn't have told, sometimes, which observations were Shakespeare's and which were Ealer's. For instance:
What man dare, I dare!
Approach thou WHAT are you laying in the leads for? what a hell of an idea! like the rugged ease her off a little, ease her off! rugged Russian bear, the armed rhinoceros or the THERE she goes! meet her, meet her! didn't you KNOW she'd smell the reef if you crowded in like that? Hyrcan tiger; take any ship but that and my firm nerves she'll be in the WOODS the first you know! stop he starboard! come ahead strong on the larboard! back the starboard! . . . NOW then, you're all right; come ahead on the starboard; straighten up and go 'long, never tremble: or be alive again, and dare me to the desert DAMNATION can't you keep away from that greasy water? pull her down! snatch her! snatch her baldheaded! with thy sword; if trembling I inhabit then, lay in the leads!—no, only with the starboard one, leave the other alone, protest me the baby of a girl. Hence horrible shadow! eight bells—that watchman's asleep again, I reckon, go down and call Brown yourself, unreal mockery, hence!
He certainly was a good reader, and splendidly thrilling and stormy and tragic, but it was a damage to me, because I have never since been able to read Shakespeare in a calm and sane way. I cannot rid it of his explosive interlardings, they break in everywhere with their irrelevant, "What in hell are you up to NOW! pull her down! more! MORE!—there now, steady as you go," and the other disorganizing interruptions that were always leaping from his mouth. When I read Shakespeare now I can hear them as plainly as I did in that long-departed time—fifty-one years ago. I never regarded Ealer's readings as educational. Indeed, they were a detriment to me.
His contributions to the text seldom improved it, but barring that detail he was a good reader; I can say that much for him. He did not use the book, and did not need to; he knew his Shakespeare as well as Euclid ever knew his multiplication table.
Did he have something to say—this Shakespeare-adoring Mississippi pilot—anent Delia Bacon's book?
Yes. And he said it; said it all the time, for months—in the morning watch, the middle watch, and dog watch; and probably kept it going in his sleep. He bought the literature of the dispute as fast as it appeared, and we discussed it all through thirteen hundred miles of river four times traversed in every thirty-five days—the time required by that swift boat to achieve two round trips. We discussed, and discussed, and discussed, and disputed and disputed and disputed; at any rate, HE did, and I got in a word now and then when he slipped a cog and there was a vacancy. He did his arguing with heat, with energy, with violence; and I did mine with the reverse and moderation of a subordinate who does not like to be flung out of a pilot-house and is perched forty feet above the water. He was fiercely loyal to Shakespeare and cordially scornful of Bacon and of all the pretensions of the Baconians. So was I—at first. And at first he was glad that that was my attitude. There were even indications that he admired it; indications dimmed, it is true, by the distance that lay between the lofty boss-pilotical altitude and my lowly one, yet perceptible to me; perceptible, and translatable into a compliment—compliment coming down from about the snow-line and not well thawed in the transit, and not likely to set anything afire, not even a cub-pilot's self-conceit; still a detectable complement, and precious.
Naturally it flattered me into being more loyal to Shakespeare—if possible—than I was before, and more prejudiced against Bacon—if possible—that I was before. And so we discussed and discussed, both on the same side, and were happy. For a while. Only for a while. Only for a very little while, a very, very, very little while. Then the atmosphere began to change; began to cool off.
A brighter person would have seen what the trouble was, earlier than I did, perhaps, but I saw it early enough for all practical purposes. You see, he was of an argumentative disposition. Therefore it took him but a little time to get tired of arguing with a person who agreed with everything he said and consequently never furnished him a provocative to flare up and show what he could do when it came to clear, cold, hard, rose-cut, hundred-faceted, diamond-flashing REASONING. That was his name for it. It has been applied since, with complacency, as many as several times, in the Bacon-Shakespeare scuffle. On the Shakespeare side. |
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