Y.M. The mind.

O.M. Is the mind exercising an intellectual function when it examines and accepts the evidence that the world is round?

Y.M. Yes.

O.M. Is it exercising an intellectual function when it grieves for the loss of your father?

Y.M. That is not cerebration, brain-work, it is a matter of FEELING.

O.M. Then its source is not in your mind, but in your MORAL territory?

Y.M. I have to grant it.

O.M. Is your mind a part of your PHYSICAL equipment?

Y.M. No. It is independent of it; it is spiritual.

O.M. Being spiritual, it cannot be affected by physical influences?

Y.M. No.

O.M. Does the mind remain sober with the body is drunk?

Y.M. Well—no.

O.M. There IS a physical effect present, then?

Y.M. It looks like it.

O.M. A cracked skull has resulted in a crazy mind. Why should it happen if the mind is spiritual, and INDEPENDENT of physical influences?

Y.M. Well—I don't know.

O.M. When you have a pain in your foot, how do you know it?

Y.M. I feel it.

O.M. But you do not feel it until a nerve reports the hurt to the brain. Yet the brain is the seat of the mind, is it not?

Y.M. I think so.

O.M. But isn't spiritual enough to learn what is happening in the outskirts without the help of the PHYSICAL messenger? You perceive that the question of who or what the Me is, is not a simple one at all. You say "I admire the rainbow," and "I believe the world is round," and in these cases we find that the Me is not speaking, but only the MENTAL part. You say, "I grieve," and again the Me is not all speaking, but only the MORAL part. You say the mind is wholly spiritual; then you say "I have a pain" and find that this time the Me is mental AND spiritual combined. We all use the "I" in this indeterminate fashion, there is no help for it. We imagine a Master and King over what you call The Whole Thing, and we speak of him as "I," but when we try to define him we find we cannot do it. The intellect and the feelings can act quite INDEPENDENTLY of each other; we recognize that, and we look around for a Ruler who is master over both, and can serve as a DEFINITE AND INDISPUTABLE "I," and enable us to know what we mean and who or what we are talking about when we use that pronoun, but we have to give it up and confess that we cannot find him. To me, Man is a machine, made up of many mechanisms, the moral and mental ones acting automatically in accordance with the impulses of an interior Master who is built out of born-temperament and an accumulation of multitudinous outside influences and trainings; a machine whose ONE function is to secure the spiritual contentment of the Master, be his desires good or be they evil; a machine whose Will is absolute and must be obeyed, and always IS obeyed.

Y.M. Maybe the Me is the Soul?

O.M. Maybe it is. What is the Soul?

Y.M. I don't know.

O.M. Neither does any one else.



The Master Passion

Y.M. What is the Master?—or, in common speech, the Conscience? Explain it.

O.M. It is that mysterious autocrat, lodged in a man, which compels the man to content its desires. It may be called the Master Passion—the hunger for Self-Approval.

Y.M. Where is its seat?

O.M. In man's moral constitution.

Y.M. Are its commands for the man's good?

O.M. It is indifferent to the man's good; it never concerns itself about anything but the satisfying of its own desires. It can be TRAINED to prefer things which will be for the man's good, but it will prefer them only because they will content IT better than other things would.

Y.M. Then even when it is trained to high ideals it is still looking out for its own contentment, and not for the man's good.

O.M. True. Trained or untrained, it cares nothing for the man's good, and never concerns itself about it.

Y.M. It seems to be an IMMORAL force seated in the man's moral constitution.

O.M. It is a COLORLESS force seated in the man's moral constitution. Let us call it an instinct—a blind, unreasoning instinct, which cannot and does not distinguish between good morals and bad ones, and cares nothing for results to the man provided its own contentment be secured; and it will ALWAYS secure that.

Y.M. It seeks money, and it probably considers that that is an advantage for the man?

O.M. It is not always seeking money, it is not always seeking power, nor office, nor any other MATERIAL advantage. In ALL cases it seeks a SPIRITUAL contentment, let the MEANS be what they may. Its desires are determined by the man's temperament—and it is lord over that. Temperament, Conscience, Susceptibility, Spiritual Appetite, are, in fact, the same thing. Have you ever heard of a person who cared nothing for money?

Y.M. Yes. A scholar who would not leave his garret and his books to take a place in a business house at a large salary.

O.M. He had to satisfy his master—that is to say, his temperament, his Spiritual Appetite—and it preferred books to money. Are there other cases?

Y.M. Yes, the hermit.

O.M. It is a good instance. The hermit endures solitude, hunger, cold, and manifold perils, to content his autocrat, who prefers these things, and prayer and contemplation, to money or to any show or luxury that money can buy. Are there others?

Y.M. Yes. The artist, the poet, the scientist.

O.M. Their autocrat prefers the deep pleasures of these occupations, either well paid or ill paid, to any others in the market, at any price. You REALIZE that the Master Passion—the contentment of the spirit—concerns itself with many things besides so-called material advantage, material prosperity, cash, and all that?

Y.M. I think I must concede it.

O.M. I believe you must. There are perhaps as many Temperaments that would refuse the burdens and vexations and distinctions of public office as there are that hunger after them. The one set of Temperaments seek the contentment of the spirit, and that alone; and this is exactly the case with the other set. Neither set seeks anything BUT the contentment of the spirit. If the one is sordid, both are sordid; and equally so, since the end in view is precisely the same in both cases. And in both cases Temperament decides the preference—and Temperament is BORN, not made.



Conclusion

O.M. You have been taking a holiday?

Y.M. Yes; a mountain tramp covering a week. Are you ready to talk?

O.M. Quite ready. What shall we begin with?

Y.M. Well, lying abed resting up, two days and nights, I have thought over all these talks, and passed them carefully in review. With this result: that . . . that . . . are you intending to publish your notions about Man some day?

O.M. Now and then, in these past twenty years, the Master inside of me has half-intended to order me to set them to paper and publish them. Do I have to tell you why the order has remained unissued, or can you explain so simply a thing without my help?

Y.M. By your doctrine, it is simplicity itself: outside influences moved your interior Master to give the order; stronger outside influences deterred him. Without the outside influences, neither of these impulses could ever have been born, since a person's brain is incapable or originating an idea within itself.

O.M. Correct. Go on.

Y.M. The matter of publishing or withholding is still in your Master's hands. If some day an outside influence shall determine him to publish, he will give the order, and it will be obeyed.

O.M. That is correct. Well?

Y.M. Upon reflection I have arrived at the conviction that the publication of your doctrines would be harmful. Do you pardon me?

O.M. Pardon YOU? You have done nothing. You are an instrument—a speaking-trumpet. Speaking-trumpets are not responsible for what is said through them. Outside influences—in the form of lifelong teachings, trainings, notions, prejudices, and other second-hand importations—have persuaded the Master within you that the publication of these doctrines would be harmful. Very well, this is quite natural, and was to be expected; in fact, was inevitable. Go on; for the sake of ease and convenience, stick to habit: speak in the first person, and tell me what your Master thinks about it.

Y.M. Well, to begin: it is a desolating doctrine; it is not inspiring, enthusing, uplifting. It takes the glory out of man, it takes the pride out of him, it takes the heroism out of him, it denies him all personal credit, all applause; it not only degrades him to a machine, but allows him no control over the machine; makes a mere coffee-mill of him, and neither permits him to supply the coffee nor turn the crank, his sole and piteously humble function being to grind coarse or fine, according to his make, outside impulses doing the rest.

O.M. It is correctly stated. Tell me—what do men admire most in each other?

Y.M. Intellect, courage, majesty of build, beauty of countenance, charity, benevolence, magnanimity, kindliness, heroism, and—and—

O.M. I would not go any further. These are ELEMENTALS. Virtue, fortitude, holiness, truthfulness, loyalty, high ideals—these, and all the related qualities that are named in the dictionary, are MADE OF THE ELEMENTALS, by blendings, combinations, and shadings of the elementals, just as one makes green by blending blue and yellow, and makes several shades and tints of red by modifying the elemental red. There are several elemental colors; they are all in the rainbow; out of them we manufacture and name fifty shades of them. You have named the elementals of the human rainbow, and also one BLEND—heroism, which is made out of courage and magnanimity. Very well, then; which of these elements does the possessor of it manufacture for himself? Is it intellect?

Y.M. No.

O.M. Why?

Y.M. He is born with it.

O.M. Is it courage?

Y.M. No. He is born with it.

O.M. Is it majesty of build, beauty of countenance?

Y.M. No. They are birthrights.

O.M. Take those others—the elemental moral qualities—charity, benevolence, magnanimity, kindliness; fruitful seeds, out of which spring, through cultivation by outside influences, all the manifold blends and combinations of virtues named in the dictionaries: does man manufacture any of those seeds, or are they all born in him?

Y.M. Born in him.

O.M. Who manufactures them, then?

Y.M. God.

O.M. Where does the credit of it belong?

Y.M. To God.

O.M. And the glory of which you spoke, and the applause?

Y.M. To God.

O.M. Then it is YOU who degrade man. You make him claim glory, praise, flattery, for every valuable thing he possesses—BORROWED finery, the whole of it; no rag of it earned by himself, not a detail of it produced by his own labor. YOU make man a humbug; have I done worse by him?

Y.M. You have made a machine of him.

O.M. Who devised that cunning and beautiful mechanism, a man's hand?

Y.M. God.

O.M. Who devised the law by which it automatically hammers out of a piano an elaborate piece of music, without error, while the man is thinking about something else, or talking to a friend?

Y.M. God.

O.M. Who devised the blood? Who devised the wonderful machinery which automatically drives its renewing and refreshing streams through the body, day and night, without assistance or advice from the man? Who devised the man's mind, whose machinery works automatically, interests itself in what it pleases, regardless of its will or desire, labors all night when it likes, deaf to his appeals for mercy? God devised all these things. I have not made man a machine, God made him a machine. I am merely calling attention to the fact, nothing more. Is it wrong to call attention to the fact? Is it a crime?

Y.M. I think it is wrong to EXPOSE a fact when harm can come of it.

O.M. Go on.

Y.M. Look at the matter as it stands now. Man has been taught that he is the supreme marvel of the Creation; he believes it; in all the ages he has never doubted it, whether he was a naked savage, or clothed in purple and fine linen, and civilized. This has made his heart buoyant, his life cheery. His pride in himself, his sincere admiration of himself, his joy in what he supposed were his own and unassisted achievements, and his exultation over the praise and applause which they evoked—these have exalted him, enthused him, ambitioned him to higher and higher flights; in a word, made his life worth the living. But by your scheme, all this is abolished; he is degraded to a machine, he is a nobody, his noble prides wither to mere vanities; let him strive as he may, he can never be any better than his humblest and stupidest neighbor; he would never be cheerful again, his life would not be worth the living.

O.M. You really think that?

Y.M. I certainly do.

O.M. Have you ever seen me uncheerful, unhappy.

Y.M. No.

O.M. Well, I believe these things. Why have they not made me unhappy?

Y.M. Oh, well—temperament, of course! You never let THAT escape from your scheme.

O.M. That is correct. If a man is born with an unhappy temperament, nothing can make him happy; if he is born with a happy temperament, nothing can make him unhappy.

Y.M. What—not even a degrading and heart-chilling system of beliefs?

O.M. Beliefs? Mere beliefs? Mere convictions? They are powerless. They strive in vain against inborn temperament.

Y.M. I can't believe that, and I don't.

O.M. Now you are speaking hastily. It shows that you have not studiously examined the facts. Of all your intimates, which one is the happiest? Isn't it Burgess?

Y.M. Easily.

O.M. And which one is the unhappiest? Henry Adams?

Y.M. Without a question!

O.M. I know them well. They are extremes, abnormals; their temperaments are as opposite as the poles. Their life-histories are about alike—but look at the results! Their ages are about the same—about around fifty. Burgess had always been buoyant, hopeful, happy; Adams has always been cheerless, hopeless, despondent. As young fellows both tried country journalism—and failed. Burgess didn't seem to mind it; Adams couldn't smile, he could only mourn and groan over what had happened and torture himself with vain regrets for not having done so and so instead of so and so—THEN he would have succeeded. They tried the law—and failed. Burgess remained happy—because he couldn't help it. Adams was wretched—because he couldn't help it. From that day to this, those two men have gone on trying things and failing: Burgess has come out happy and cheerful every time; Adams the reverse. And we do absolutely know that these men's inborn temperaments have remained unchanged through all the vicissitudes of their material affairs. Let us see how it is with their immaterials. Both have been zealous Democrats; both have been zealous Republicans; both have been zealous Mugwumps. Burgess has always found happiness and Adams unhappiness in these several political beliefs and in their migrations out of them. Both of these men have been Presbyterians, Universalists, Methodists, Catholics—then Presbyterians again, then Methodists again. Burgess has always found rest in these excursions, and Adams unrest. They are trying Christian Science, now, with the customary result, the inevitable result. No political or religious belief can make Burgess unhappy or the other man happy. I assure you it is purely a matter of temperament. Beliefs are ACQUIREMENTS, temperaments are BORN; beliefs are subject to change, nothing whatever can change temperament.

Y.M. You have instanced extreme temperaments.

O.M. Yes, the half-dozen others are modifications of the extremes. But the law is the same. Where the temperament is two-thirds happy, or two-thirds unhappy, no political or religious beliefs can change the proportions. The vast majority of temperaments are pretty equally balanced; the intensities are absent, and this enables a nation to learn to accommodate itself to its political and religious circumstances and like them, be satisfied with them, at last prefer them. Nations do not THINK, they only FEEL. They get their feelings at second hand through their temperaments, not their brains. A nation can be brought—by force of circumstances, not argument—to reconcile itself to ANY KIND OF GOVERNMENT OR RELIGION THAT CAN BE DEVISED; in time it will fit itself to the required conditions; later, it will prefer them and will fiercely fight for them. As instances, you have all history: the Greeks, the Romans, the Persians, the Egyptians, the Russians, the Germans, the French, the English, the Spaniards, the Americans, the South Americans, the Japanese, the Chinese, the Hindus, the Turks—a thousand wild and tame religions, every kind of government that can be thought of, from tiger to house-cat, each nation KNOWING it has the only true religion and the only sane system of government, each despising all the others, each an ass and not suspecting it, each proud of its fancied supremacy, each perfectly sure it is the pet of God, each without undoubting confidence summoning Him to take command in time of war, each surprised when He goes over to the enemy, but by habit able to excuse it and resume compliments—in a word, the whole human race content, always content, persistently content, indestructibly content, happy, thankful, proud, NO MATTER WHAT ITS RELIGION IS, NOR WHETHER ITS MASTER BE TIGER OR HOUSE-CAT. Am I stating facts? You know I am. Is the human race cheerful? You know it is. Considering what it can stand, and be happy, you do me too much honor when you think that I can place before it a system of plain cold facts that can take the cheerfulness out of it. Nothing can do that. Everything has been tried. Without success. I beg you not to be troubled.



THE DEATH OF JEAN



The death of Jean Clemens occurred early in the morning of December 24, 1909. Mr. Clemens was in great stress of mind when I first saw him, but a few hours later I found him writing steadily.

"I am setting it down," he said, "everything. It is a relief to me to write it. It furnishes me an excuse for thinking." At intervals during that day and the next I looked in, and usually found him writing. Then on the evening of the 26th, when he knew that Jean had been laid to rest in Elmira, he came to my room with the manuscript in his hand.

"I have finished it," he said; "read it. I can form no opinion of it myself. If you think it worthy, some day—at the proper time—it can end my autobiography. It is the final chapter."

Four months later—almost to the day—(April 21st) he was with Jean.

Albert Bigelow Paine.



Stormfield, Christmas Eve, 11 A.M., 1909.

JEAN IS DEAD!

Has any one ever tried to put upon paper all the little happenings connected with a dear one—happenings of the twenty-four hours preceding the sudden and unexpected death of that dear one? Would a book contain them? Would two books contain them? I think not. They pour into the mind in a flood. They are little things that have been always happening every day, and were always so unimportant and easily forgettable before—but now! Now, how different! how precious they are, now dear, how unforgettable, how pathetic, how sacred, how clothed with dignity!

Last night Jean, all flushed with splendid health, and I the same, from the wholesome effects of my Bermuda holiday, strolled hand in hand from the dinner-table and sat down in the library and chatted, and planned, and discussed, cheerily and happily (and how unsuspectingly!)—until nine—which is late for us—then went upstairs, Jean's friendly German dog following. At my door Jean said, "I can't kiss you good night, father: I have a cold, and you could catch it." I bent and kissed her hand. She was moved—I saw it in her eyes—and she impulsively kissed my hand in return. Then with the usual gay "Sleep well, dear!" from both, we parted.

At half past seven this morning I woke, and heard voices outside my door. I said to myself, "Jean is starting on her usual horseback flight to the station for the mail." Then Katy [1] entered, stood quaking and gasping at my bedside a moment, then found her tongue:

"MISS JEAN IS DEAD!"

Possibly I know now what the soldier feels when a bullet crashes through his heart.

In her bathroom there she lay, the fair young creature, stretched upon the floor and covered with a sheet. And looking so placid, so natural, and as if asleep. We knew what had happened. She was an epileptic: she had been seized with a convulsion and heart failure in her bath. The doctor had to come several miles. His efforts, like our previous ones, failed to bring her back to life.

It is noon, now. How lovable she looks, how sweet and how tranquil! It is a noble face, and full of dignity; and that was a good heart that lies there so still.

In England, thirteen years ago, my wife and I were stabbed to the heart with a cablegram which said, "Susy was mercifully released today." I had to send a like shot to Clara, in Berlin, this morning. With the peremptory addition, "You must not come home." Clara and her husband sailed from here on the 11th of this month. How will Clara bear it? Jean, from her babyhood, was a worshiper of Clara.

Four days ago I came back from a month's holiday in Bermuda in perfected health; but by some accident the reporters failed to perceive this. Day before yesterday, letters and telegrams began to arrive from friends and strangers which indicated that I was supposed to be dangerously ill. Yesterday Jean begged me to explain my case through the Associated Press. I said it was not important enough; but she was distressed and said I must think of Clara. Clara would see the report in the German papers, and as she had been nursing her husband day and night for four months [2] and was worn out and feeble, the shock might be disastrous. There was reason in that; so I sent a humorous paragraph by telephone to the Associated Press denying the "charge" that I was "dying," and saying "I would not do such a thing at my time of life."

Jean was a little troubled, and did not like to see me treat the matter so lightly; but I said it was best to treat it so, for there was nothing serious about it. This morning I sent the sorrowful facts of this day's irremediable disaster to the Associated Press. Will both appear in this evening's papers?—the one so blithe, the other so tragic?

I lost Susy thirteen years ago; I lost her mother—her incomparable mother!—five and a half years ago; Clara has gone away to live in Europe; and now I have lost Jean. How poor I am, who was once so rich! Seven months ago Mr. Roger died—one of the best friends I ever had, and the nearest perfect, as man and gentleman, I have yet met among my race; within the last six weeks Gilder has passed away, and Laffan—old, old friends of mine. Jean lies yonder, I sit here; we are strangers under our own roof; we kissed hands good-by at this door last night—and it was forever, we never suspecting it. She lies there, and I sit here—writing, busying myself, to keep my heart from breaking. How dazzlingly the sunshine is flooding the hills around! It is like a mockery.

Seventy-four years ago twenty-four days ago. Seventy-four years old yesterday. Who can estimate my age today?

I have looked upon her again. I wonder I can bear it. She looks just as her mother looked when she lay dead in that Florentine villa so long ago. The sweet placidity of death! it is more beautiful than sleep.

I saw her mother buried. I said I would never endure that horror again; that I would never again look into the grave of any one dear to me. I have kept to that. They will take Jean from this house tomorrow, and bear her to Elmira, New York, where lie those of us that have been released, but I shall not follow.

Jean was on the dock when the ship came in, only four days ago. She was at the door, beaming a welcome, when I reached this house the next evening. We played cards, and she tried to teach me a new game called "Mark Twain." We sat chatting cheerily in the library last night, and she wouldn't let me look into the loggia, where she was making Christmas preparations. She said she would finish them in the morning, and then her little French friend would arrive from New York—the surprise would follow; the surprise she had been working over for days. While she was out for a moment I disloyally stole a look. The loggia floor was clothed with rugs and furnished with chairs and sofas; and the uncompleted surprise was there: in the form of a Christmas tree that was drenched with silver film in a most wonderful way; and on a table was prodigal profusion of bright things which she was going to hang upon it today. What desecrating hand will ever banish that eloquent unfinished surprise from that place? Not mine, surely. All these little matters have happened in the last four days. "Little." Yes—THEN. But not now. Nothing she said or thought or did is little now. And all the lavish humor!—what is become of it? It is pathos, now. Pathos, and the thought of it brings tears.

All these little things happened such a few hours ago—and now she lies yonder. Lies yonder, and cares for nothing any more. Strange—marvelous—incredible! I have had this experience before; but it would still be incredible if I had had it a thousand times.

"MISS JEAN IS DEAD!"

That is what Katy said. When I heard the door open behind the bed's head without a preliminary knock, I supposed it was Jean coming to kiss me good morning, she being the only person who was used to entering without formalities.

And so—

I have been to Jean's parlor. Such a turmoil of Christmas presents for servants and friends! They are everywhere; tables, chairs, sofas, the floor—everything is occupied, and over-occupied. It is many and many a year since I have seen the like. In that ancient day Mrs. Clemens and I used to slip softly into the nursery at midnight on Christmas Eve and look the array of presents over. The children were little then. And now here is Jean's parlor looking just as that nursery used to look. The presents are not labeled—the hands are forever idle that would have labeled them today. Jean's mother always worked herself down with her Christmas preparations. Jean did the same yesterday and the preceding days, and the fatigue has cost her her life. The fatigue caused the convulsion that attacked her this morning. She had had no attack for months.

Jean was so full of life and energy that she was constantly is danger of overtaxing her strength. Every morning she was in the saddle by half past seven, and off to the station for her mail. She examined the letters and I distributed them: some to her, some to Mr. Paine, the others to the stenographer and myself. She dispatched her share and then mounted her horse again and went around superintending her farm and her poultry the rest of the day. Sometimes she played billiards with me after dinner, but she was usually too tired to play, and went early to bed.

Yesterday afternoon I told her about some plans I had been devising while absent in Bermuda, to lighten her burdens. We would get a housekeeper; also we would put her share of the secretary-work into Mr. Paine's hands.

No—she wasn't willing. She had been making plans herself. The matter ended in a compromise, I submitted. I always did. She wouldn't audit the bills and let Paine fill out the checks—she would continue to attend to that herself. Also, she would continue to be housekeeper, and let Katy assist. Also, she would continue to answer the letters of personal friends for me. Such was the compromise. Both of us called it by that name, though I was not able to see where my formidable change had been made.

However, Jean was pleased, and that was sufficient for me. She was proud of being my secretary, and I was never able to persuade her to give up any part of her share in that unlovely work.

In the talk last night I said I found everything going so smoothly that if she were willing I would go back to Bermuda in February and get blessedly out of the clash and turmoil again for another month. She was urgent that I should do it, and said that if I would put off the trip until March she would take Katy and go with me. We struck hands upon that, and said it was settled. I had a mind to write to Bermuda by tomorrow's ship and secure a furnished house and servants. I meant to write the letter this morning. But it will never be written, now.

For she lies yonder, and before her is another journey than that.

Night is closing down; the rim of the sun barely shows above the sky-line of the hills.

I have been looking at that face again that was growing dearer and dearer to me every day. I was getting acquainted with Jean in these last nine months. She had been long an exile from home when she came to us three-quarters of a year ago. She had been shut up in sanitariums, many miles from us. How eloquent glad and grateful she was to cross her father's threshold again!

Would I bring her back to life if I could do it? I would not. If a word would do it, I would beg for strength to withhold the word. And I would have the strength; I am sure of it. In her loss I am almost bankrupt, and my life is a bitterness, but I am content: for she has been enriched with the most precious of all gifts—that gift which makes all other gifts mean and poor—death. I have never wanted any released friend of mine restored to life since I reached manhood. I felt in this way when Susy passed away; and later my wife, and later Mr. Rogers. When Clara met me at the station in New York and told me Mr. Rogers had died suddenly that morning, my thought was, Oh, favorite of fortune —fortunate all his long and lovely life—fortunate to his latest moment! The reporters said there were tears of sorrow in my eyes. True—but they were for ME, not for him. He had suffered no loss. All the fortunes he had ever made before were poverty compared with this one.

Why did I build this house, two years ago? To shelter this vast emptiness? How foolish I was! But I shall stay in it. The spirits of the dead hallow a house, for me. It was not so with other members of the family. Susy died in the house we built in Hartford. Mrs. Clemens would never enter it again. But it made the house dearer to me. I have entered it once since, when it was tenantless and silent and forlorn, but to me it was a holy place and beautiful. It seemed to me that the spirits of the dead were all about me, and would speak to me and welcome me if they could: Livy, and Susy, and George, and Henry Robinson, and Charles Dudley Warner. How good and kind they were, and how lovable their lives! In fancy I could see them all again, I could call the children back and hear them romp again with George—that peerless black ex-slave and children's idol who came one day—a flitting stranger—to wash windows, and stayed eighteen years. Until he died. Clara and Jean would never enter again the New York hotel which their mother had frequented in earlier days. They could not bear it. But I shall stay in this house. It is dearer to me tonight than ever it was before. Jean's spirit will make it beautiful for me always. Her lonely and tragic death—but I will not think of that now.

Jean's mother always devoted two or three weeks to Christmas shopping, and was always physically exhausted when Christmas Eve came. Jean was her very own child—she wore herself out present-hunting in New York these latter days. Paine has just found on her desk a long list of names—fifty, he thinks—people to whom she sent presents last night. Apparently she forgot no one. And Katy found there a roll of bank-notes, for the servants.

Her dog has been wandering about the grounds today, comradeless and forlorn. I have seen him from the windows. She got him from Germany. He has tall ears and looks exactly like a wolf. He was educated in Germany, and knows no language but the German. Jean gave him no orders save in that tongue. And so when the burglar-alarm made a fierce clamor at midnight a fortnight ago, the butler, who is French and knows no German, tried in vain to interest the dog in the supposed burglar. Jean wrote me, to Bermuda, about the incident. It was the last letter I was ever to receive from her bright head and her competent hand. The dog will not be neglected.

There was never a kinder heart than Jean's. From her childhood up she always spent the most of her allowance on charities of one kind or another. After she became secretary and had her income doubled she spent her money upon these things with a free hand. Mine too, I am glad and grateful to say.

She was a loyal friend to all animals, and she loved them all, birds, beasts, and everything—even snakes—an inheritance from me. She knew all the birds; she was high up in that lore. She became a member of various humane societies when she was still a little girl—both here and abroad—and she remained an active member to the last. She founded two or three societies for the protection of animals, here and in Europe.

She was an embarrassing secretary, for she fished my correspondence out of the waste-basket and answered the letters. She thought all letters deserved the courtesy of an answer. Her mother brought her up in that kindly error.

She could write a good letter, and was swift with her pen. She had but an indifferent ear music, but her tongue took to languages with an easy facility. She never allowed her Italian, French, and German to get rusty through neglect.

The telegrams of sympathy are flowing in, from far and wide, now, just as they did in Italy five years and a half ago, when this child's mother laid down her blameless life. They cannot heal the hurt, but they take away some of the pain. When Jean and I kissed hands and parted at my door last, how little did we imagine that in twenty-two hours the telegraph would be bringing words like these:

"From the bottom of our hearts we send out sympathy, dearest of friends."

For many and many a day to come, wherever I go in this house, remembrancers of Jean will mutely speak to me of her. Who can count the number of them?

She was in exile two years with the hope of healing her malady—epilepsy. There are no words to express how grateful I am that she did not meet her fate in the hands of strangers, but in the loving shelter of her own home.

"MISS JEAN IS DEAD!"

It is true. Jean is dead.

A month ago I was writing bubbling and hilarious articles for magazines yet to appear, and now I am writing—this.

CHRISTMAS DAY. NOON.—Last night I went to Jean's room at intervals, and turned back the sheet and looked at the peaceful face, and kissed the cold brow, and remembered that heartbreaking night in Florence so long ago, in that cavernous and silent vast villa, when I crept downstairs so many times, and turned back a sheet and looked at a face just like this one—Jean's mother's face—and kissed a brow that was just like this one. And last night I saw again what I had seen then—that strange and lovely miracle—the sweet, soft contours of early maidenhood restored by the gracious hand of death! When Jean's mother lay dead, all trace of care, and trouble, and suffering, and the corroding years had vanished out of the face, and I was looking again upon it as I had known and worshipped it in its young bloom and beauty a whole generation before.

About three in the morning, while wandering about the house in the deep silences, as one does in times like these, when there is a dumb sense that something has been lost that will never be found again, yet must be sought, if only for the employment the useless seeking gives, I came upon Jean's dog in the hall downstairs, and noted that he did not spring to greet me, according to his hospitable habit, but came slow and sorrowfully; also I remembered that he had not visited Jean's apartment since the tragedy. Poor fellow, did he know? I think so. Always when Jean was abroad in the open he was with her; always when she was in the house he was with her, in the night as well as in the day. Her parlor was his bedroom. Whenever I happened upon him on the ground floor he always followed me about, and when I went upstairs he went too—in a tumultuous gallop. But now it was different: after patting him a little I went to the library—he remained behind; when I went upstairs he did not follow me, save with his wistful eyes. He has wonderful eyes—big, and kind, and eloquent. He can talk with them. He is a beautiful creature, and is of the breed of the New York police-dogs. I do not like dogs, because they bark when there is no occasion for it; but I have liked this one from the beginning, because he belonged to Jean, and because he never barks except when there is occasion—which is not oftener than twice a week.

In my wanderings I visited Jean's parlor. On a shelf I found a pile of my books, and I knew what it meant. She was waiting for me to come home from Bermuda and autograph them, then she would send them away. If I only knew whom she intended them for! But I shall never know. I will keep them. Her hand has touched them—it is an accolade—they are noble, now.

And in a closet she had hidden a surprise for me—a thing I have often wished I owned: a noble big globe. I couldn't see it for the tears. She will never know the pride I take in it, and the pleasure. Today the mails are full of loving remembrances for her: full of those old, old kind words she loved so well, "Merry Christmas to Jean!" If she could only have lived one day longer!

At last she ran out of money, and would not use mine. So she sent to one of those New York homes for poor girls all the clothes she could spare—and more, most likely.

CHRISTMAS NIGHT.—This afternoon they took her away from her room. As soon as I might, I went down to the library, and there she lay, in her coffin, dressed in exactly the same clothes she wore when she stood at the other end of the same room on the 6th of October last, as Clara's chief bridesmaid. Her face was radiant with happy excitement then; it was the same face now, with the dignity of death and the peace of God upon it.

They told me the first mourner to come was the dog. He came uninvited, and stood up on his hind legs and rested his fore paws upon the trestle, and took a last long look at the face that was so dear to him, then went his way as silently as he had come. HE KNOWS.

At mid-afternoon it began to snow. The pity of it—that Jean could not see it! She so loved the snow.

The snow continued to fall. At six o'clock the hearse drew up to the door to bear away its pathetic burden. As they lifted the casket, Paine began playing on the orchestrelle Schubert's "Impromptu," which was Jean's favorite. Then he played the Intermezzo; that was for Susy; then he played the Largo; that was for their mother. He did this at my request. Elsewhere in my Autobiography I have told how the Intermezzo and the Largo came to be associated in my heart with Susy and Livy in their last hours in this life.

From my windows I saw the hearse and the carriages wind along the road and gradually grow vague and spectral in the falling snow, and presently disappear. Jean was gone out of my life, and would not come back any more. Jervis, the cousin she had played with when they were babies together—he and her beloved old Katy—were conducting her to her distant childhood home, where she will lie by her mother's side once more, in the company of Susy and Langdon.

DECEMBER 26TH. The dog came to see me at eight o'clock this morning. He was very affectionate, poor orphan! My room will be his quarters hereafter.

The storm raged all night. It has raged all the morning. The snow drives across the landscape in vast clouds, superb, sublime—and Jean not here to see.

2:30 P.M.—It is the time appointed. The funeral has begun. Four hundred miles away, but I can see it all, just as if I were there. The scene is the library in the Langdon homestead. Jean's coffin stands where her mother and I stood, forty years ago, and were married; and where Susy's coffin stood thirteen years ago; where her mother's stood five years and a half ago; and where mine will stand after a little time.

FIVE O'CLOCK.—It is all over.

When Clara went away two weeks ago to live in Europe, it was hard, but I could bear it, for I had Jean left. I said WE would be a family. We said we would be close comrades and happy—just we two. That fair dream was in my mind when Jean met me at the steamer last Monday; it was in my mind when she received me at the door last Tuesday evening. We were together; WE WERE A FAMILY! the dream had come true—oh, precisely true, contentedly, true, satisfyingly true! and remained true two whole days.

And now? Now Jean is in her grave!

In the grave—if I can believe it. God rest her sweet spirit!

——- 1. Katy Leary, who had been in the service of the Clemens family for twenty-nine years.

2. Mr. Gabrilowitsch had been operated on for appendicitis.



THE TURNING-POINT OF MY LIFE

I

If I understand the idea, the BAZAR invites several of us to write upon the above text. It means the change in my life's course which introduced what must be regarded by me as the most IMPORTANT condition of my career. But it also implies—without intention, perhaps—that that turning-point ITSELF was the creator of the new condition. This gives it too much distinction, too much prominence, too much credit. It is only the LAST link in a very long chain of turning-points commissioned to produce the cardinal result; it is not any more important than the humblest of its ten thousand predecessors. Each of the ten thousand did its appointed share, on its appointed date, in forwarding the scheme, and they were all necessary; to have left out any one of them would have defeated the scheme and brought about SOME OTHER result. It know we have a fashion of saying "such and such an event was the turning-point in my life," but we shouldn't say it. We should merely grant that its place as LAST link in the chain makes it the most CONSPICUOUS link; in real importance it has no advantage over any one of its predecessors.

Perhaps the most celebrated turning-point recorded in history was the crossing of the Rubicon. Suetonius says:

Coming up with his troops on the banks of the Rubicon, he halted for a while, and, revolving in his mind the importance of the step he was on the point of taking, he turned to those about him and said, "We may still retreat; but if we pass this little bridge, nothing is left for us but to fight it out in arms."

This was a stupendously important moment. And all the incidents, big and little, of Caesar's previous life had been leading up to it, stage by stage, link by link. This was the LAST link—merely the last one, and no bigger than the others; but as we gaze back at it through the inflating mists of our imagination, it looks as big as the orbit of Neptune.

You, the reader, have a PERSONAL interest in that link, and so have I; so has the rest of the human race. It was one of the links in your life-chain, and it was one of the links in mine. We may wait, now, with bated breath, while Caesar reflects. Your fate and mine are involved in his decision.

While he was thus hesitating, the following incident occurred. A person remarked for his noble mien and graceful aspect appeared close at hand, sitting and playing upon a pipe. When not only the shepherds, but a number of soldiers also, flocked to listen to him, and some trumpeters among them, he snatched a trumpet from one of them, ran to the river with it, and, sounding the advance with a piercing blast, crossed to the other side. Upon this, Caesar exclaimed: "Let us go whither the omens of the gods and the iniquity of our enemies call us. THE DIE IS CAST."

So he crossed—and changed the future of the whole human race, for all time. But that stranger was a link in Caesar's life-chain, too; and a necessary one. We don't know his name, we never hear of him again; he was very casual; he acts like an accident; but he was no accident, he was there by compulsion of HIS life-chain, to blow the electrifying blast that was to make up Caesar's mind for him, and thence go piping down the aisles of history forever.

If the stranger hadn't been there! But he WAS. And Caesar crossed. With such results! Such vast events—each a link in the HUMAN RACE'S life-chain; each event producing the next one, and that one the next one, and so on: the destruction of the republic; the founding of the empire; the breaking up of the empire; the rise of Christianity upon its ruins; the spread of the religion to other lands—and so on; link by link took its appointed place at its appointed time, the discovery of America being one of them; our Revolution another; the inflow of English and other immigrants another; their drift westward (my ancestors among them) another; the settlement of certain of them in Missouri, which resulted in ME. For I was one of the unavoidable results of the crossing of the Rubicon. If the stranger, with his trumpet blast, had stayed away (which he COULDN'T, for he was the appointed link) Caesar would not have crossed. What would have happened, in that case, we can never guess. We only know that the things that did happen would not have happened. They might have been replaced by equally prodigious things, of course, but their nature and results are beyond our guessing. But the matter that interests me personally is that I would not be HERE now, but somewhere else; and probably black—there is no telling. Very well, I am glad he crossed. And very really and thankfully glad, too, though I never cared anything about it before.



II

To me, the most important feature of my life is its literary feature. I have been professionally literary something more than forty years. There have been many turning-points in my life, but the one that was the link in the chain appointed to conduct me to the literary guild is the most CONSPICUOUS link in that chain. BECAUSE it was the last one. It was not any more important than its predecessors. All the other links have an inconspicuous look, except the crossing of the Rubicon; but as factors in making me literary they are all of the one size, the crossing of the Rubicon included.

I know how I came to be literary, and I will tell the steps that lead up to it and brought it about.

The crossing of the Rubicon was not the first one, it was hardly even a recent one; I should have to go back ages before Caesar's day to find the first one. To save space I will go back only a couple of generations and start with an incident of my boyhood. When I was twelve and a half years old, my father died. It was in the spring. The summer came, and brought with it an epidemic of measles. For a time a child died almost every day. The village was paralyzed with fright, distress, despair. Children that were not smitten with the disease were imprisoned in their homes to save them from the infection. In the homes there were no cheerful faces, there was no music, there was no singing but of solemn hymns, no voice but of prayer, no romping was allowed, no noise, no laughter, the family moved spectrally about on tiptoe, in a ghostly hush. I was a prisoner. My soul was steeped in this awful dreariness—and in fear. At some time or other every day and every night a sudden shiver shook me to the marrow, and I said to myself, "There, I've got it! and I shall die." Life on these miserable terms was not worth living, and at last I made up my mind to get the disease and have it over, one way or the other. I escaped from the house and went to the house of a neighbor where a playmate of mine was very ill with the malady. When the chance offered I crept into his room and got into bed with him. I was discovered by his mother and sent back into captivity. But I had the disease; they could not take that from me. I came near to dying. The whole village was interested, and anxious, and sent for news of me every day; and not only once a day, but several times. Everybody believed I would die; but on the fourteenth day a change came for the worse and they were disappointed.

This was a turning-point of my life. (Link number one.) For when I got well my mother closed my school career and apprenticed me to a printer. She was tired of trying to keep me out of mischief, and the adventure of the measles decided her to put me into more masterful hands than hers.

I became a printer, and began to add one link after another to the chain which was to lead me into the literary profession. A long road, but I could not know that; and as I did not know what its goal was, or even that it had one, I was indifferent. Also contented.

A young printer wanders around a good deal, seeking and finding work; and seeking again, when necessity commands. N. B. Necessity is a CIRCUMSTANCE; Circumstance is man's master—and when Circumstance commands, he must obey; he may argue the matter—that is his privilege, just as it is the honorable privilege of a falling body to argue with the attraction of gravitation—but it won't do any good, he must OBEY. I wandered for ten years, under the guidance and dictatorship of Circumstance, and finally arrived in a city of Iowa, where I worked several months. Among the books that interested me in those days was one about the Amazon. The traveler told an alluring tale of his long voyage up the great river from Para to the sources of the Madeira, through the heart of an enchanted land, a land wastefully rich in tropical wonders, a romantic land where all the birds and flowers and animals were of the museum varieties, and where the alligator and the crocodile and the monkey seemed as much at home as if they were in the Zoo. Also, he told an astonishing tale about COCA, a vegetable product of miraculous powers, asserting that it was so nourishing and so strength-giving that the native of the mountains of the Madeira region would tramp up hill and down all day on a pinch of powdered coca and require no other sustenance.

I was fired with a longing to ascend the Amazon. Also with a longing to open up a trade in coca with all the world. During months I dreamed that dream, and tried to contrive ways to get to Para and spring that splendid enterprise upon an unsuspecting planet. But all in vain. A person may PLAN as much as he wants to, but nothing of consequence is likely to come of it until the magician CIRCUMSTANCE steps in and takes the matter off his hands. At last Circumstance came to my help. It was in this way. Circumstance, to help or hurt another man, made him lose a fifty-dollar bill in the street; and to help or hurt me, made me find it. I advertised the find, and left for the Amazon the same day. This was another turning-point, another link.

Could Circumstance have ordered another dweller in that town to go to the Amazon and open up a world-trade in coca on a fifty-dollar basis and been obeyed? No, I was the only one. There were other fools there—shoals and shoals of them—but they were not of my kind. I was the only one of my kind.

Circumstance is powerful, but it cannot work alone; it has to have a partner. Its partner is man's TEMPERAMENT—his natural disposition. His temperament is not his invention, it is BORN in him, and he has no authority over it, neither is he responsible for its acts. He cannot change it, nothing can change it, nothing can modify it—except temporarily. But it won't stay modified. It is permanent, like the color of the man's eyes and the shape of his ears. Blue eyes are gray in certain unusual lights; but they resume their natural color when that stress is removed.

A Circumstance that will coerce one man will have no effect upon a man of a different temperament. If Circumstance had thrown the bank-note in Caesar's way, his temperament would not have made him start for the Amazon. His temperament would have compelled him to do something with the money, but not that. It might have made him advertise the note—and WAIT. We can't tell. Also, it might have made him go to New York and buy into the Government, with results that would leave Tweed nothing to learn when it came his turn.

Very well, Circumstance furnished the capital, and my temperament told me what to do with it. Sometimes a temperament is an ass. When that is the case of the owner of it is an ass, too, and is going to remain one. Training, experience, association, can temporarily so polish him, improve him, exalt him that people will think he is a mule, but they will be mistaken. Artificially he IS a mule, for the time being, but at bottom he is an ass yet, and will remain one.

By temperament I was the kind of person that DOES things. Does them, and reflects afterward. So I started for the Amazon without reflecting and without asking any questions. That was more than fifty years ago. In all that time my temperament has not changed, by even a shade. I have been punished many and many a time, and bitterly, for doing things and reflecting afterward, but these tortures have been of no value to me; I still do the thing commanded by Circumstance and Temperament, and reflect afterward. Always violently. When I am reflecting, on these occasions, even deaf persons can hear me think.

I went by the way of Cincinnati, and down the Ohio and Mississippi. My idea was to take ship, at New Orleans, for Para. In New Orleans I inquired, and found there was no ship leaving for Para. Also, that there never had BEEN one leaving for Para. I reflected. A policeman came and asked me what I was doing, and I told him. He made me move on, and said if he caught me reflecting in the public street again he would run me in.

After a few days I was out of money. Then Circumstance arrived, with another turning-point of my life—a new link. On my way down, I had made the acquaintance of a pilot. I begged him to teach me the river, and he consented. I became a pilot.

By and by Circumstance came again—introducing the Civil War, this time, in order to push me ahead another stage or two toward the literary profession. The boats stopped running, my livelihood was gone.

Circumstance came to the rescue with a new turning-point and a fresh link. My brother was appointed secretary to the new Territory of Nevada, and he invited me to go with him and help him in his office. I accepted.

In Nevada, Circumstance furnished me the silver fever and I went into the mines to make a fortune, as I supposed; but that was not the idea. The idea was to advance me another step toward literature. For amusement I scribbled things for the Virginia City ENTERPRISE. One isn't a printer ten years without setting up acres of good and bad literature, and learning—unconsciously at first, consciously later—to discriminate between the two, within his mental limitations; and meantime he is unconsciously acquiring what is called a "style." One of my efforts attracted attention, and the ENTERPRISE sent for me and put me on its staff.

And so I became a journalist—another link. By and by Circumstance and the Sacramento UNION sent me to the Sandwich Islands for five or six months, to write up sugar. I did it; and threw in a good deal of extraneous matter that hadn't anything to do with sugar. But it was this extraneous matter that helped me to another link.

It made me notorious, and San Francisco invited me to lecture. Which I did. And profitably. I had long had a desire to travel and see the world, and now Circumstance had most kindly and unexpectedly hurled me upon the platform and furnished me the means. So I joined the "Quaker City Excursion."

When I returned to America, Circumstance was waiting on the pier—with the LAST link—the conspicuous, the consummating, the victorious link: I was asked to WRITE A BOOK, and I did it, and called it THE INNOCENTS ABROAD. Thus I became at last a member of the literary guild. That was forty-two years ago, and I have been a member ever since. Leaving the Rubicon incident away back where it belongs, I can say with truth that the reason I am in the literary profession is because I had the measles when I was twelve years old.

III

Now what interests me, as regards these details, is not the details themselves, but the fact that none of them was foreseen by me, none of them was planned by me, I was the author of none of them. Circumstance, working in harness with my temperament, created them all and compelled them all. I often offered help, and with the best intentions, but it was rejected—as a rule, uncourteously. I could never plan a thing and get it to come out the way I planned it. It came out some other way—some way I had not counted upon.

And so I do not admire the human being—as an intellectual marvel—as much as I did when I was young, and got him out of books, and did not know him personally. When I used to read that such and such a general did a certain brilliant thing, I believed it. Whereas it was not so. Circumstance did it by help of his temperament. The circumstances would have failed of effect with a general of another temperament: he might see the chance, but lose the advantage by being by nature too slow or too quick or too doubtful. Once General Grant was asked a question about a matter which had been much debated by the public and the newspapers; he answered the question without any hesitancy. "General, who planned the the march through Georgia?" "The enemy!" He added that the enemy usually makes your plans for you. He meant that the enemy by neglect or through force of circumstances leaves an opening for you, and you see your chance and take advantage of it.

Circumstances do the planning for us all, no doubt, by help of our temperaments. I see no great difference between a man and a watch, except that the man is conscious and the watch isn't, and the man TRIES to plan things and the watch doesn't. The watch doesn't wind itself and doesn't regulate itself—these things are done exteriorly. Outside influences, outside circumstances, wind the MAN and regulate him. Left to himself, he wouldn't get regulated at all, and the sort of time he would keep would not be valuable. Some rare men are wonderful watches, with gold case, compensation balance, and all those things, and some men are only simple and sweet and humble Waterburys. I am a Waterbury. A Waterbury of that kind, some say.

A nation is only an individual multiplied. It makes plans and Circumstances comes and upsets them—or enlarges them. Some patriots throw the tea overboard; some other patriots destroy a Bastille. The PLANS stop there; then Circumstance comes in, quite unexpectedly, and turns these modest riots into a revolution.

And there was poor Columbus. He elaborated a deep plan to find a new route to an old country. Circumstance revised his plan for him, and he found a new WORLD. And HE gets the credit of it to this day. He hadn't anything to do with it.

Necessarily the scene of the real turning-point of my life (and of yours) was the Garden of Eden. It was there that the first link was forged of the chain that was ultimately to lead to the emptying of me into the literary guild. Adam's TEMPERAMENT was the first command the Deity ever issued to a human being on this planet. And it was the only command Adam would NEVER be able to disobey. It said, "Be weak, be water, be characterless, be cheaply persuadable." The latter command, to let the fruit alone, was certain to be disobeyed. Not by Adam himself, but by his TEMPERAMENT—which he did not create and had no authority over. For the TEMPERAMENT is the man; the thing tricked out with clothes and named Man is merely its Shadow, nothing more. The law of the tiger's temperament is, Thou shalt kill; the law of the sheep's temperament is Thou shalt not kill. To issue later commands requiring the tiger to let the fat stranger alone, and requiring the sheep to imbue its hands in the blood of the lion is not worth while, for those commands CAN'T be obeyed. They would invite to violations of the law of TEMPERAMENT, which is supreme, and take precedence of all other authorities. I cannot help feeling disappointed in Adam and Eve. That is, in their temperaments. Not in THEM, poor helpless young creatures—afflicted with temperaments made out of butter; which butter was commanded to get into contact with fire and BE MELTED. What I cannot help wishing is, that Adam had been postponed, and Martin Luther and Joan of Arc put in their place—that splendid pair equipped with temperaments not made of butter, but of asbestos. By neither sugary persuasions nor by hell fire could Satan have beguiled THEM to eat the apple. There would have been results! Indeed, yes. The apple would be intact today; there would be no human race; there would be no YOU; there would be no ME. And the old, old creation-dawn scheme of ultimately launching me into the literary guild would have been defeated.



HOW TO MAKE HISTORY DATES STICK

These chapters are for children, and I shall try to make the words large enough to command respect. In the hope that you are listening, and that you have confidence in me, I will proceed. Dates are difficult things to acquire; and after they are acquired it is difficult to keep them in the head. But they are very valuable. They are like the cattle-pens of a ranch—they shut in the several brands of historical cattle, each within its own fence, and keep them from getting mixed together. Dates are hard to remember because they consist of figures; figures are monotonously unstriking in appearance, and they don't take hold, they form no pictures, and so they give the eye no chance to help. Pictures are the thing. Pictures can make dates stick. They can make nearly anything stick—particularly IF YOU MAKE THE PICTURES YOURSELF. Indeed, that is the great point—make the pictures YOURSELF. I know about this from experience. Thirty years ago I was delivering a memorized lecture every night, and every night I had to help myself with a page of notes to keep from getting myself mixed. The notes consisted of beginnings of sentences, and were eleven in number, and they ran something like this:

"IN THAT REGION THE WEATHER—"

"AT THAT TIME IT WAS A CUSTOM—"

"BUT IN CALIFORNIA ONE NEVER HEARD—"

Eleven of them. They initialed the brief divisions of the lecture and protected me against skipping. But they all looked about alike on the page; they formed no picture; I had them by heart, but I could never with certainty remember the order of their succession; therefore I always had to keep those notes by me and look at them every little while. Once I mislaid them; you will not be able to imagine the terrors of that evening. I now saw that I must invent some other protection. So I got ten of the initial letters by heart in their proper order—I, A, B, and so on—and I went on the platform the next night with these marked in ink on my ten finger-nails. But it didn't answer. I kept track of the figures for a while; then I lost it, and after that I was never quite sure which finger I had used last. I couldn't lick off a letter after using it, for while that would have made success certain it also would have provoked too much curiosity. There was curiosity enough without that. To the audience I seemed more interested in my fingernails than I was in my subject; one or two persons asked me afterward what was the matter with my hands.

It was now that the idea of pictures occurred to me; then my troubles passed away. In two minutes I made six pictures with a pen, and they did the work of the eleven catch-sentences, and did it perfectly. I threw the pictures away as soon as they were made, for I was sure I could shut my eyes and see them any time. That was a quarter of a century ago; the lecture vanished out of my head more than twenty years ago, but I would rewrite it from the pictures—for they remain. Here are three of them: (Fig. 1).

The first one is a haystack—below it a rattlesnake—and it told me where to begin to talk ranch-life in Carson Valley. The second one told me where to begin the talk about a strange and violent wind that used to burst upon Carson City from the Sierra Nevadas every afternoon at two o'clock and try to blow the town away. The third picture, as you easily perceive, is lightning; its duty was to remind me when it was time to begin to talk about San Francisco weather, where there IS no lightning—nor thunder, either—and it never failed me.

I will give you a valuable hint. When a man is making a speech and you are to follow him don't jot down notes to speak from, jot down PICTURES. It is awkward and embarrassing to have to keep referring to notes; and besides it breaks up your speech and makes it ragged and non-coherent; but you can tear up your pictures as soon as you have made them—they will stay fresh and strong in your memory in the order and sequence in which you scratched them down. And many will admire to see what a good memory you are furnished with, when perhaps your memory is not any better than mine.

Sixteen years ago when my children were little creatures the governess was trying to hammer some primer histories into their heads. Part of this fun—if you like to call it that—consisted in the memorizing of the accession dates of the thirty-seven personages who had ruled England from the Conqueror down. These little people found it a bitter, hard contract. It was all dates, and all looked alike, and they wouldn't stick. Day after day of the summer vacation dribbled by, and still the kings held the fort; the children couldn't conquer any six of them.

With my lecture experience in mind I was aware that I could invent some way out of the trouble with pictures, but I hoped a way could be found which would let them romp in the open air while they learned the kings. I found it, and they mastered all the monarchs in a day or two.

The idea was to make them SEE the reigns with their eyes; that would be a large help. We were at the farm then. From the house-porch the grounds sloped gradually down to the lower fence and rose on the right to the high ground where my small work-den stood. A carriage-road wound through the grounds and up the hill. I staked it out with the English monarchs, beginning with the Conqueror, and you could stand on the porch and clearly see every reign and its length, from the Conquest down to Victoria, then in the forty-sixth year of her reign—EIGHT HUNDRED AND SEVENTEEN YEARS OF English history under your eye at once!

English history was an unusually live topic in America just then. The world had suddenly realized that while it was not noticing the Queen had passed Henry VIII., passed Henry VI. and Elizabeth, and gaining in length every day. Her reign had entered the list of the long ones; everybody was interested now—it was watching a race. Would she pass the long Edward? There was a possibility of it. Would she pass the long Henry? Doubtful, most people said. The long George? Impossible! Everybody said it. But we have lived to see her leave him two years behind.

I measured off 817 feet of the roadway, a foot representing a year, and at the beginning and end of each reign I drove a three-foot white-pine stake in the turf by the roadside and wrote the name and dates on it. Abreast the middle of the porch-front stood a great granite flower-vase overflowing with a cataract of bright-yellow flowers—I can't think of their name. The vase of William the Conqueror. We put his name on it and his accession date, 1066. We started from that and measured off twenty-one feet of the road, and drove William Rufus's state; then thirteen feet and drove the first Henry's stake; then thirty-five feet and drove Stephen's; then nineteen feet, which brought us just past the summer-house on the left; then we staked out thirty-five, ten, and seventeen for the second Henry and Richard and John; turned the curve and entered upon just what was needed for Henry III.—a level, straight stretch of fifty-six feet of road without a crinkle in it. And it lay exactly in front of the house, in the middle of the grounds. There couldn't have been a better place for that long reign; you could stand on the porch and see those two wide-apart stakes almost with your eyes shut. (Fig. 2.)

That isn't the shape of the road—I have bunched it up like that to save room. The road had some great curves in it, but their gradual sweep was such that they were no mar to history. No, in our road one could tell at a glance who was who by the size of the vacancy between stakes—with LOCALITY to help, of course.

Although I am away off here in a Swedish village [1] and those stakes did not stand till the snow came, I can see them today as plainly as ever; and whenever I think of an English monarch his stakes rise before me of their own accord and I notice the large or small space which he takes up on our road. Are your kings spaced off in your mind? When you think of Richard III. and of James II. do the durations of their reigns seem about alike to you? It isn't so to me; I always notice that there's a foot's difference. When you think of Henry III. do you see a great long stretch of straight road? I do; and just at the end where it joins on to Edward I. I always see a small pear-bush with its green fruit hanging down. When I think of the Commonwealth I see a shady little group of these small saplings which we called the oak parlor; when I think of George III. I see him stretching up the hill, part of him occupied by a flight of stone steps; and I can locate Stephen to an inch when he comes into my mind, for he just filled the stretch which went by the summer-house. Victoria's reign reached almost to my study door on the first little summit; there's sixteen feet to be added now; I believe that that would carry it to a big pine-tree that was shattered by some lightning one summer when it was trying to hit me.

We got a good deal of fun out of the history road; and exercise, too. We trotted the course from the conqueror to the study, the children calling out the names, dates, and length of reigns as we passed the stakes, going a good gait along the long reigns, but slowing down when we came upon people like Mary and Edward VI., and the short Stuart and Plantagenet, to give time to get in the statistics. I offered prizes, too—apples. I threw one as far as I could send it, and the child that first shouted the reign it fell in got the apple.

The children were encouraged to stop locating things as being "over by the arbor," or "in the oak parlor," or "up at the stone steps," and say instead that the things were in Stephen, or in the Commonwealth, or in George III. They got the habit without trouble. To have the long road mapped out with such exactness was a great boon for me, for I had the habit of leaving books and other articles lying around everywhere, and had not previously been able to definitely name the place, and so had often been obliged to go to fetch them myself, to save time and failure; but now I could name the reign I left them in, and send the children.

Next I thought I would measure off the French reigns, and peg them alongside the English ones, so that we could always have contemporaneous French history under our eyes as we went our English rounds. We pegged them down to the Hundred Years' War, then threw the idea aside, I do not now remember why. After that we made the English pegs fence in European and American history as well as English, and that answered very well. English and alien poets, statesmen, artists, heroes, battles, plagues, cataclysms, revolutions—we shoveled them all into the English fences according to their dates. Do you understand? We gave Washington's birth to George II.'s pegs and his death to George III.'s; George II. got the Lisbon earthquake and George III. the Declaration of Independence. Goethe, Shakespeare, Napoleon, Savonarola, Joan of Arc, the French Revolution, the Edict of Nantes, Clive, Wellington, Waterloo, Plassey, Patay, Cowpens, Saratoga, the Battle of the Boyne, the invention of the logarithms, the microscope, the steam-engine, the telegraph—anything and everything all over the world—we dumped it all in among the English pegs according to it date and regardless of its nationality.

If the road-pegging scheme had not succeeded I should have lodged the kings in the children's heads by means of pictures—that is, I should have tried. It might have failed, for the pictures could only be effective WHEN MADE BY THE PUPIL; not the master, for it is the work put upon the drawing that makes the drawing stay in the memory, and my children were too little to make drawings at that time. And, besides, they had no talent for art, which is strange, for in other ways they are like me.

But I will develop the picture plan now, hoping that you will be able to use it. It will come good for indoors when the weather is bad and one cannot go outside and peg a road. Let us imagine that the kings are a procession, and that they have come out of the Ark and down Ararat for exercise and are now starting back again up the zigzag road. This will bring several of them into view at once, and each zigzag will represent the length of a king's reign.

And so on. You will have plenty of space, for by my project you will use the parlor wall. You do not mark on the wall; that would cause trouble. You only attach bits of paper to it with pins or thumb-tacks. These will leave no mark.

Take your pen now, and twenty-one pieces of white paper, each two inches square, and we will do the twenty-one years of the Conqueror's reign. On each square draw a picture of a whale and write the dates and term of service. We choose the whale for several reasons: its name and William's begin with the same letter; it is the biggest fish that swims, and William is the most conspicuous figure in English history in the way of a landmark; finally, a whale is about the easiest thing to draw. By the time you have drawn twenty-one wales and written "William I.—1066-1087—twenty-one years" twenty-one times, those details will be your property; you cannot dislodge them from your memory with anything but dynamite. I will make a sample for you to copy: (Fig. 3).

I have got his chin up too high, but that is no matter; he is looking for Harold. It may be that a whale hasn't that fin up there on his back, but I do not remember; and so, since there is a doubt, it is best to err on the safe side. He looks better, anyway, than he would without it.

Be very careful and ATTENTIVE while you are drawing your first whale from my sample and writing the word and figures under it, so that you will not need to copy the sample any more. Compare your copy with the sample; examine closely; if you find you have got everything right and can shut your eyes and see the picture and call the words and figures, then turn the sample and copy upside down and make the next copy from memory; and also the next and next, and so on, always drawing and writing from memory until you have finished the whole twenty-one. This will take you twenty minutes, or thirty, and by that time you will find that you can make a whale in less time than an unpracticed person can make a sardine; also, up to the time you die you will always be able to furnish William's dates to any ignorant person that inquires after them.

You will now take thirteen pieces of BLUE paper, each two inches square, and do William II. (Fig. 4.)

Make him spout his water forward instead of backward; also make him small, and stick a harpoon in him and give him that sick look in the eye. Otherwise you might seem to be continuing the other William, and that would be confusing and a damage. It is quite right to make him small; he was only about a No. 11 whale, or along there somewhere; there wasn't room in him for his father's great spirit. The barb of that harpoon ought not to show like that, because it is down inside the whale and ought to be out of sight, but it cannot be helped; if the barb were removed people would think some one had stuck a whip-stock into the whale. It is best to leave the barb the way it is, then every one will know it is a harpoon and attending to business. Remember—draw from the copy only once; make your other twelve and the inscription from memory.

Now the truth is that whenever you have copied a picture and its inscription once from my sample and two or three times from memory the details will stay with you and be hard to forget. After that, if you like, you may make merely the whale's HEAD and WATER-SPOUT for the Conqueror till you end his reign, each time SAYING the inscription in place of writing it; and in the case of William II. make the HARPOON alone, and say over the inscription each time you do it. You see, it will take nearly twice as long to do the first set as it will to do the second, and that will give you a marked sense of the difference in length of the two reigns.

Next do Henry I. on thirty-five squares of RED paper. (Fig. 5.)

That is a hen, and suggests Henry by furnishing the first syllable. When you have repeated the hen and the inscription until you are perfectly sure of them, draw merely the hen's head the rest of the thirty-five times, saying over the inscription each time. Thus: (Fig. 6).

You begin to understand how how this procession is going to look when it is on the wall. First there will be the Conqueror's twenty-one whales and water-spouts, the twenty-one white squares joined to one another and making a white stripe three and one-half feet long; the thirteen blue squares of William II. will be joined to that—a blue stripe two feet, two inches long, followed by Henry's red stripe five feet, ten inches long, and so on. The colored divisions will smartly show to the eye the difference in the length of the reigns and impress the proportions on the memory and the understanding. (Fig. 7.)

Stephen of Blois comes next. He requires nineteen two-inch squares of YELLOW paper. (Fig. 8.)

That is a steer. The sound suggests the beginning of Stephen's name. I choose it for that reason. I can make a better steer than that when I am not excited. But this one will do. It is a good-enough steer for history. The tail is defective, but it only wants straightening out.

Next comes Henry II. Give him thirty-five squares of RED paper. These hens must face west, like the former ones. (Fig. 9.)

This hen differs from the other one. He is on his way to inquire what has been happening in Canterbury.

How we arrive at Richard I., called Richard of the Lion-heart because he was a brave fighter and was never so contented as when he was leading crusades in Palestine and neglecting his affairs at home. Give him ten squares of WHITE paper. (Fig. 10).

That is a lion. His office is to remind you of the lion-hearted Richard. There is something the matter with his legs, but I do not quite know what it is, they do not seem right. I think the hind ones are the most unsatisfactory; the front ones are well enough, though it would be better if they were rights and lefts.

Next comes King John, and he was a poor circumstance. He was called Lackland. He gave his realm to the Pope. Let him have seventeen squares of YELLOW paper. (Fig. 11.)

That creature is a jamboree. It looks like a trademark, but that is only an accident and not intentional. It is prehistoric and extinct. It used to roam the earth in the Old Silurian times, and lay eggs and catch fish and climb trees and live on fossils; for it was of a mixed breed, which was the fashion then. It was very fierce, and the Old Silurians were afraid of it, but this is a tame one. Physically it has no representative now, but its mind has been transmitted. First I drew it sitting down, but have turned it the other way now because I think it looks more attractive and spirited when one end of it is galloping. I love to think that in this attitude it gives us a pleasant idea of John coming all in a happy excitement to see what the barons have been arranging for him at Runnymede, while the other one gives us an idea of him sitting down to wring his hands and grieve over it.

We now come to Henry III.; RED squares again, of course—fifty-six of them. We must make all the Henrys the same color; it will make their long reigns show up handsomely on the wall. Among all the eight Henrys there were but two short ones. A lucky name, as far as longevity goes. The reigns of six of the Henrys cover 227 years. It might have been well to name all the royal princes Henry, but this was overlooked until it was too late. (Fig. 12.)

This is the best one yet. He is on his way (1265) to have a look at the first House of Commons in English history. It was a monumental event, the situation in the House, and was the second great liberty landmark which the century had set up. I have made Henry looking glad, but this was not intentional.

Edward I. comes next; LIGHT-BROWN paper, thirty-five squares. (Fig. 13.)

That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough. Edward was the first really English king that had yet occupied the throne. The editor in the picture probably looks just as Edward looked when it was first borne in upon him that this was so. His whole attitude expressed gratification and pride mixed with stupefaction and astonishment.

Edward II. now; twenty BLUE squares. (Fig. 14.)

Another editor. That thing behind his ear is his pencil. Whenever he finds a bright thing in your manuscript he strikes it out with that. That does him good, and makes him smile and show his teeth, the way he is doing in the picture. This one has just been striking out a smart thing, and now he is sitting there with his thumbs in his vest-holes, gloating. They are full of envy and malice, editors are. This picture will serve to remind you that Edward II. was the first English king who was DEPOSED. Upon demand, he signed his deposition himself. He had found kingship a most aggravating and disagreeable occupation, and you can see by the look of him that he is glad he resigned. He has put his blue pencil up for good now. He had struck out many a good thing with it in his time.

Edward III. next; fifty RED squares. (Fig. 15.)

This editor is a critic. He has pulled out his carving-knife and his tomahawk and is starting after a book which he is going to have for breakfast. This one's arms are put on wrong. I did not notice it at first, but I see it now. Somehow he has got his right arm on his left shoulder, and his left arm on his right shoulder, and this shows us the back of his hands in both instances. It makes him left-handed all around, which is a thing which has never happened before, except perhaps in a museum. That is the way with art, when it is not acquired but born to you: you start in to make some simple little thing, not suspecting that your genius is beginning to work and swell and strain in secret, and all of a sudden there is a convulsion and you fetch out something astonishing. This is called inspiration. It is an accident; you never know when it is coming. I might have tried as much as a year to think of such a strange thing as an all-around left-handed man and I could not have done it, for the more you try to think of an unthinkable thing the more it eludes you; but it can't elude inspiration; you have only to bait with inspiration and you will get it every time. Look at Botticelli's "Spring." Those snaky women were unthinkable, but inspiration secured them for us, thanks to goodness. It is too late to reorganize this editor-critic now; we will leave him as he is. He will serve to remind us.

Richard II. next; twenty-two WHITE squares. (Fig. 16.)

We use the lion again because this is another Richard. Like Edward II., he was DEPOSED. He is taking a last sad look at his crown before they take it away. There was not room enough and I have made it too small; but it never fitted him, anyway.

Now we turn the corner of the century with a new line of monarchs—the Lancastrian kings.

Henry IV.; fourteen squares of YELLOW paper. (Fig. 17.)

This hen has laid the egg of a new dynasty and realizes the magnitude of the event. She is giving notice in the usual way. You notice I am improving in the construction of hens. At first I made them too much like other animals, but this one is orthodox. I mention this to encourage you. You will find that the more you practice the more accurate you will become. I could always draw animals, but before I was educated I could not tell what kind they were when I got them done, but now I can. Keep up your courage; it will be the same with you, although you may not think it. This Henry died the year after Joan of Arc was born.

Henry V.; nine BLUE squares. (Fig. 18)

There you see him lost in meditation over the monument which records the amazing figures of the battle of Agincourt. French history says 20,000 Englishmen routed 80,000 Frenchmen there; and English historians say that the French loss, in killed and wounded, was 60,000.

Henry VI.; thirty-nine RED squares. (Fig. 19)

This is poor Henry VI., who reigned long and scored many misfortunes and humiliations. Also two great disasters: he lost France to Joan of Arc and he lost the throne and ended the dynasty which Henry IV. had started in business with such good prospects. In the picture we see him sad and weary and downcast, with the scepter falling from his nerveless grasp. It is a pathetic quenching of a sun which had risen in such splendor.

Edward IV.; twenty-two LIGHT-BROWN squares. (Fig. 20.)

That is a society editor, sitting there elegantly dressed, with his legs crossed in that indolent way, observing the clothes the ladies wear, so that he can describe them for his paper and make them out finer than they are and get bribes for it and become wealthy. That flower which he is wearing in his buttonhole is a rose—a white rose, a York rose—and will serve to remind us of the War of the Roses, and that the white one was the winning color when Edward got the throne and dispossessed the Lancastrian dynasty.

Edward V.; one-third of a BLACK square. (Fig. 21.)

His uncle Richard had him murdered in the tower. When you get the reigns displayed upon the wall this one will be conspicuous and easily remembered. It is the shortest one in English history except Lady Jane Grey's, which was only nine days. She is never officially recognized as a monarch of England, but if you or I should ever occupy a throne we should like to have proper notice taken of it; and it would be only fair and right, too, particularly if we gained nothing by it and lost our lives besides.

Richard III.; two WHITE squares. (Fig. 22.)

That is not a very good lion, but Richard was not a very good king. You would think that this lion has two heads, but that is not so; one is only a shadow. There would be shadows for the rest of him, but there was not light enough to go round, it being a dull day, with only fleeting sun-glimpses now and then. Richard had a humped back and a hard heart, and fell at the battle of Bosworth. I do not know the name of that flower in the pot, but we will use it as Richard's trade-mark, for it is said that it grows in only one place in the world—Bosworth Field—and tradition says it never grew there until Richard's royal blood warmed its hidden seed to life and made it grow.

Henry VII.; twenty-four BLUE squares. (Fig. 23.)

Henry VII. had no liking for wars and turbulence; he preferred peace and quiet and the general prosperity which such conditions create. He liked to sit on that kind of eggs on his own private account as well as the nation's, and hatch them out and count up their result. When he died he left his heir 2,000,000 pounds, which was a most unusual fortune for a king to possess in those days. Columbus's great achievement gave him the discovery-fever, and he sent Sebastian Cabot to the New World to search out some foreign territory for England. That is Cabot's ship up there in the corner. This was the first time that England went far abroad to enlarge her estate—but not the last.

Henry VIII.; thirty-eight RED squares. (Fig. 24.)

That is Henry VIII. suppressing a monastery in his arrogant fashion.

Edward VI.; six squares of YELLOW paper. (Fig. 25.)

He is the last Edward to date. It is indicated by that thing over his head, which is a LAST—shoemaker's last.

Mary; five squares of BLACK paper. (Fig. 26.)

The picture represents a burning martyr. He is in back of the smoke. The first three letters of Mary's name and the first three of the word martyr are the same. Martyrdom was going out in her day and martyrs were becoming scarcer, but she made several. For this reason she is sometimes called Bloody Mary.

This brings us to the reign of Elizabeth, after passing through a period of nearly five hundred years of England's history—492 to be exact. I think you may now be trusted to go the rest of the way without further lessons in art or inspirations in the matter of ideas. You have the scheme now, and something in the ruler's name or career will suggest the pictorial symbol. The effort of inventing such things will not only help your memory, but will develop originality in art. See what it has done for me. If you do not find the parlor wall big enough for all of England's history, continue it into the dining-room and into other rooms. This will make the walls interesting and instructive and really worth something instead of being just flat things to hold the house together.

——- 1. Summer of 1899.



THE MEMORABLE ASSASSINATION

Note.—The assassination of the Empress of Austria at Geneva, September 10, 1898, occurred during Mark Twain's Austrian residence. The news came to him at Kaltenleutgeben, a summer resort a little way out of Vienna. To his friend, the Rev. Jos. H. Twichell, he wrote:

"That good and unoffending lady, the Empress, is killed by a madman, and I am living in the midst of world-history again. The Queen's Jubilee last year, the invasion of the Reichsrath by the police, and now this murder, which will still be talked of and described and painted a thousand a thousand years from now. To have a personal friend of the wearer of two crowns burst in at the gate in the deep dusk of the evening and say, in a voice broken with tears, 'My God! the Empress is murdered,' and fly toward her home before we can utter a question—why, it brings the giant event home to you, makes you a part of it and personally interested; it is as if your neighbor, Antony, should come flying and say, 'Caesar is butchered—the head of the world is fallen!'

"Of course there is no talk but of this. The mourning is universal and genuine, the consternation is stupefying. The Austrian Empire is being draped with black. Vienna will be a spectacle to see by next Saturday, when the funeral cort'ege marches."

He was strongly moved by the tragedy, impelled to write concerning it. He prepared the article which follows, but did not offer it for publication, perhaps feeling that his own close association with the court circles at the moment prohibited this personal utterance. There appears no such reason for withholding its publication now.