The first lines of Pope's Iliad afford examples of many licences which an easy writer must decline:

Achilles' wrath, to Greece the direful spring Of woes unnumber'd, heav'nly Goddess sing; The wrath which hurl'd to Pluto's gloomy reign The souls of mighty chiefs untimely slain.

In the first couplet the language is distorted by inversions, clogged with superfluities, and clouded by a harsh metaphor; and in the second there are two words used in an uncommon sense, and two epithets inserted only to lengthen the line; all these practices may in a long work easily be pardoned, but they always produce some degree of obscurity and ruggedness.

Easy poetry has been so long excluded by ambition of ornament, and luxuriance of imagery, that its nature seems now to be forgotten. Affectation, however opposite to ease, is sometimes mistaken for it; and those who aspire to gentle elegance, collect female phrases and fashionable barbarisms, and imagine that style to be easy which custom has made familiar. Such was the idea of the poet who wrote the following verses to a countess cutting paper:

Pallas grew vap'rish once and odd, She would not do the least right thing Either for Goddess or for God, Nor work, nor play, nor paint, nor sing.

Jove frown'd, and "Use (he cried) those eyes So skilful, and those hands so taper; Do something exquisite and wise"— She bow'd, obey'd him, and cut paper.

This vexing him who gave her birth, Thought by all Heaven a burning shame, What does she next, but bids on earth Her Burlington do just the same?

Pallas, you give yourself strange airs; But sure you'll find it hard to spoil The sense and taste of one that bears The name of Savile and of Boyle.

Alas! one bad example shown, How quickly all the sex pursue! See, madam! see the arts o'erthrown Between John Overton and you.

It is the prerogative of easy poetry to be understood as long as the language lasts; but modes of speech, which owe their prevalence only to modish folly, or to the eminence of those that use them, die away with their inventors, and their meaning, in a few years, is no longer known.

Easy poetry is commonly sought in petty compositions upon minute subjects; but ease, though it excludes pomp, will admit greatness. Many lines in Cato's soliloquy are at once easy and sublime:

'Tis the Divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man. —If there's a Power above us, And that there is all Nature cries aloud Through all her works, he must delight in virtue, And that which he delights in must be happy.

Nor is ease more contrary to wit than to sublimity; the celebrated stanza of Cowley, on a lady elaborately dressed, loses nothing of its freedom by the spirit of the sentiment:

Th' adorning thee with so much art Is but a barb'rous skill; 'Tis like the pois'ning of a dart, Too apt before to kill.

Cowley seems to have possessed the power of writing easily beyond any other of our poets; yet his pursuit of remote thought led him often into harshness of expression.

Waller often attempted, but seldom attained it; for he is too frequently driven into transpositions. The poets, from the time of Dryden, have gradually advanced in embellishment, and consequently departed from simplicity and ease.

To require from any author many pieces of easy poetry, would be indeed to oppress him with too hard a task. It is less difficult to write a volume of lines swelled with epithets, brightened by figures, and stiffened by transpositions, than to produce a few couplets graced only by naked elegance and simple purity, which require so much care and skill, that I doubt whether any of our authors have yet been able, for twenty lines together, nicely to observe the true definition of easy poetry.



No. 78. SATURDAY, OCTOBER 13, 1759.

I have passed the summer in one of those places to which a mineral spring gives the idle and luxurious an annual reason for resorting, whenever they fancy themselves offended by the heat of London. What is the true motive of this periodical assembly, I have never yet been able to discover. The greater part of the visitants neither feel diseases nor fear them. What pleasure can be expected more than the variety of the journey, I know not, for the numbers are too great for privacy, and too small for diversion. As each is known to be a spy upon the rest, they all live in continual restraint; and having but a narrow range for censure, they gratify its cravings by preying on one another.

But every condition has some advantages. In this confinement, a smaller circle affords opportunities for more exact observation. The glass that magnifies its object contracts the sight to a point; and the mind must be fixed upon a single character to remark its minute peculiarities. The quality or habit which passes unobserved in the tumult of successive multitudes, becomes conspicuous when it is offered to the notice day after day; and, perhaps, I have, without any distinct notice, seen thousands like my late companions; for when the scene can be varied at pleasure, a slight disgust turns us aside before a deep impression can be made upon the mind.

There was a select set, supposed to be distinguished by superiority of intellects, who always passed the evening together. To be admitted to their conversation was the highest honour of the place; many youths aspired to distinction, by pretending to occasional invitations; and the ladies were often wishing to be men, that they might partake the pleasures of learned society.

I know not whether by merit or destiny, I was, soon after my arrival, admitted to this envied party, which I frequented till I had learned the art by which each endeavoured to support his character.

Tom Steady was a vehement assertor of uncontroverted truth; and by keeping himself out of the reach of contradiction had acquired all the confidence which the consciousness of irresistible abilities could have given. I was once mentioning a man of eminence, and, after having recounted his virtues, endeavoured to represent him fully, by mentioning his faults. "Sir," said Mr. Steady, "that he has faults I can easily believe, for who is without them? No man, Sir, is now alive, among the innumerable multitudes that swarm upon the earth, however wise, or however good, who has not, in some degree, his failings and his faults. If there be any man faultless, bring him forth into publick view, show him openly, and let him be known; but I will venture to affirm, and, till the contrary be plainly shown, shall always maintain, that no such man is to be found. Tell not me, Sir, of impeccability and perfection; such talk is for those that are strangers in the world: I have seen several nations, and conversed with all ranks of people; I have known the great and the mean, the learned and the ignorant, the old and the young, the clerical and the lay; but I have never found a man without a fault; and I suppose shall die in the opinion, that to be human is to be frail."

To all this nothing could be opposed. I listened with a hanging head; Mr. Steady looked round on the hearers with triumph, and saw every eye congratulating his victory; he departed, and spent the next morning in following those who retired from the company, and telling them, with injunctions of secrecy, how poor Spritely began to take liberties with men wiser than himself; but that he suppressed him by a decisive argument, which put him totally to silence.

Dick Snug is a man of sly remark and pithy sententiousness: he never immerges himself in the stream of conversation, but lies to catch his companions in the eddy: he is often very successful in breaking narratives and confounding eloquence. A gentleman, giving the history of one of his acquaintance, made mention of a lady that had many lovers: "Then," said Dick, "she was either handsome or rich." This observation being well received, Dick watched the progress of the tale; and, hearing of a man lost in a shipwreck, remarked, that "no man was ever drowned upon dry land."

Will Startle is a man of exquisite sensibility, whose delicacy of frame and quickness of discernment subject him to impressions from the slightest causes; and who, therefore, passes his life between rapture and horrour, in quiverings of delight, or convulsions of disgust. His emotions are too violent for many words; his thoughts are always discovered by exclamations. Vile, odious, horrid, detestable, and sweet, charming, delightful, astonishing, compose almost his whole vocabulary, which he utters with various contortions and gesticulations, not easily related or described.

Jack Solid is a man of much reading, who utters nothing but quotations; but having been, I suppose, too confident of his memory, he has for some time neglected his books, and his stock grows every day more scanty.

Mr. Solid has found an opportunity every night to repeat, from Hudibras,

Doubtless the pleasure is as great Of being cheated, as to cheat;

and from Waller,

Poets lose half the praise they would have got, Were it but known what they discreetly blot.

Dick Misty is a man of deep research, and forcible penetration. Others are content with superficial appearances; but Dick holds, that there is no effect without a cause, and values himself upon his power of explaining the difficult and displaying the abstruse. Upon a dispute among us, which of two young strangers was more beautiful, "You," says Mr. Misty, turning to me, "like Amaranthia better than Chloris. I do not wonder at the preference, for the cause is evident: there is in man a perception of harmony, and a sensibility of perfection, which touches the finer fibres of the mental texture; and before reason can descend from her throne, to pass her sentence upon the things compared, drives us towards the object proportioned to our faculties, by an impulse gentle, yet irresistible; for the harmonick system of the Universe, and the reciprocal magnetism of similar natures, are always operating towards conformity and union; nor can the powers of the soul cease from agitation, till they find something on which they can repose." To this nothing was opposed; and Amaranthia was acknowledged to excel Chloris.

Of the rest you may expect an account from,

Sir, yours,

ROBIN SPRITELY.



No. 79. SATURDAY, OCTOBER 20, 1759.

TO THE IDLER.

Sir,

Your acceptance of a former letter on painting gives me encouragement to offer a few more sketches on the same subject.

Amongst the painters, and the writers on painting, there is one maxim universally admitted and continually inculcated. Imitate nature is the invariable rule; but I know none who have explained in what manner this rule is to be understood; the consequence of which is, that every one takes it in the most obvious sense, that objects are represented naturally when they have such relief that they seem real. It may appear strange, perhaps, to hear this sense of the rule disputed; but it must be considered, that, if the excellency of a painter consisted only in this kind of imitation, painting must lose its rank, and be no longer considered as a liberal art, and sister to poetry, this imitation being merely mechanical, in which the slowest intellect is always sure to succeed best: for the painter of genius cannot stoop to drudgery, in which the understanding has no part; and what pretence has the art to claim kindred with poetry, but by its powers over the imagination? To this power the painter of genius directs his aim; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word.

The grand style of painting requires this minute attention to be carefully avoided, and must be kept as separate from it as the style of poetry from that of history. Poetical ornaments destroy that air of truth and plainness which ought to characterize history; but the very being of poetry consists in departing from this plain narration, and adopting every ornament that will warm the imagination. To desire to see the excellencies of each style united, to mingle the Dutch with the Italian school, is to join contrarieties which cannot subsist together, and which destroy the efficacy of each other. The Italian attends only to the invariable, the great and general ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.

If my opinion was asked concerning the works of Michael Angelo, whether they would receive any advantage from possessing this mechanical merit, I should not scruple to say, they would not only receive no advantage, but would lose, in a great measure, the effect which they now have on every mind susceptible of great and noble ideas. His works may be said to be all genius and soul; and why should they be loaded with heavy matter, which can only counteract his purpose by retarding the progress of the imagination?

If this opinion should be thought one of the wild extravagancies of enthusiasm, I shall only say, that those who censure it are not conversant in the works of the great masters. It is very difficult to determine the exact degree of enthusiasm that the arts of painting and poetry may admit. There may, perhaps, be too great an indulgence, as well as too great a restraint of imagination; and if the one produces incoherent monsters, the other produces what is full as bad, lifeless insipidity. An intimate knowledge of the passions, and good sense, but not common sense, must at last determine its limits. It has been thought, and I believe with reason, that Michael Angelo sometimes trangressed those limits; and I think I have seen figures of him of which it was very difficult to determine whether they were in the highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullitions of genius; but at least he had this merit, that he never was insipid, and whatever passion his works may excite, they will always escape contempt.

What I have had under consideration is the sublimest style, particularly that of Michael Angelo, the Homer of painting. Other kinds may admit of this naturalness, which of the lowest kind is the chief merit; but in painting, as in poetry, the highest style has the least of common nature.

One may very safely recommend a little more enthusiasm to the modern painters; too much is certainly not the vice of the present age. The Italians seem to have been continually declining, in this respect, from the time of Michael Angelo to that of Carlo Maratti, and from thence to the very bathos of insipidity to which they are now sunk; so that there is no need of remarking, that, where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools; nor did I mean to include in my idea of an Italian painter, the Venetian school, which may be said to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that, however excellent they may be in painting naturally, they would not flatter themselves very much upon it, and to the connoisseurs, that when they see a cat or fiddle painted so finely, that, as the phrase is, "it looks as if you could take it up," they would not for that reason immediately compare the painter to Raffaelle and Michael Angelo.[1]

[1] By Sir Joshua Reynolds.



No. 80. SATURDAY, OCTOBER 27, 1759.

That every day has its pains and sorrows is universally experienced, and almost universally confessed; but let us not attend only to mournful truths; if we look impartially about us, we shall find that every day has likewise its pleasures and its joys.

The time is now come when the town is again beginning to be full, and the rusticated beauty sees an end of her banishment. Those whom the tyranny of fashion had condemned to pass the summer among shades and brooks, are now preparing to return to plays, balls and assemblies, with health restored by retirement, and spirits kindled by expectation.

Many a mind, which has languished some months without emotion or desire, now feels a sudden renovation of its faculties. It was long ago observed by Pythagoras, that ability and necessity dwell near each other. She that wandered in the garden without sense of its fragrance, and lay day after day stretched upon a couch behind a green curtain, unwilling to wake, and unable to sleep, now summons her thoughts to consider which of her last year's clothes shall be seen again, and to anticipate the raptures of a new suit; the day and the night are now filled with occupation; the laces, which were too fine to be worn among rusticks, are taken from the boxes and reviewed; and the eye is no sooner closed after its labours, than whole shops of silk busy the fancy.

But happiness is nothing, if it is not known, and very little, if it is not envied. Before the day of departure a week is always appropriated to the payment and reception of ceremonial visits, at which nothing can be mentioned but the delights of London. The lady who is hastening to the scene of action flutters her wings, displays her prospects of felicity, tells how she grudges every moment of delay, and, in the presence of those whom she knows condemned to stay at home, is sure to wonder by what arts life can be made supportable through a winter in the country, and to tell how often, amidst the ecstasies of an opera, she shall pity those friends whom she has left behind. Her hope of giving pain is seldom disappointed; the affected indifference of one, the faint congratulations of another, the wishes of some openly confessed, and the silent dejection of the rest, all exalt her opinion of her own superiority.

But, however we may labour for our own deception, truth, though unwelcome, will sometimes intrude upon the mind. They who have already enjoyed the crowds and noise of the great city, know that their desire to return is little more than the restlessness of a vacant mind, that they are not so much led by hope as driven by disgust, and wish rather to leave the country than to see the town. There is commonly in every coach a passenger enwrapped in silent expectation, whose joy is more sincere, and whose hopes are more exalted. The virgin whom the last summer released from her governess, and who is now going between her mother and her aunt to try the fortune of her wit and beauty, suspects no fallacy in the gay representation. She believes herself passing into another world, and images London as an elysian region, where every hour has its proper pleasure, where nothing is seen but the blaze of wealth, and nothing heard but merriment and flattery; where the morning always rises on a show, and the evening closes on a ball; where the eyes are used only to sparkle, and the feet only to dance.

Her aunt and her mother amuse themselves on the road, with telling her of dangers to be dreaded, and cautions to be observed. She hears them as they heard their predecessors, with incredulity or contempt. She sees that they have ventured and escaped; and one of the pleasures which she promises herself is to detect their falsehoods, and be freed from their admonitions.

We are inclined to believe those whom we do not know, because they have never deceived us. The fair adventurer may, perhaps, listen to the Idler, whom she cannot suspect of rivalry or malice; yet he scarcely expects to be credited when he tells her, that her expectations will likewise end in disappointment.

The uniform necessities of human nature produce, in a great measure, uniformity of life, and for part of the day make one place like another; to dress and to undress, to eat and to sleep, are the same in London as in the country. The supernumerary hours have, indeed, a great variety both of pleasure and of pain. The stranger, gazed on by multitudes at her first appearance in the Park, is, perhaps, on the highest summit of female happiness; but how great is the anguish when the novelty of another face draws her worshippers away! The heart may leap for a time under a fine gown; but the sight of a gown yet finer puts an end to rapture. In the first row at an opera, two hours may be happily passed in listening to the musick on the stage, and watching the glances of the company; but how will the night end in despondency when she, that imagined herself the sovereign of the place, sees lords contending to lead Iris to her chair! There is little pleasure in conversation, to her whose wit is regarded but in the second place; and who can dance with ease or spirit that sees Amaryllis led out before her? She that fancied nothing but a succession of pleasures, will find herself engaged without design in numberless competitions, and mortified, without provocation, with numberless afflictions.

But I do not mean to extinguish that ardour which I wish to moderate, or to discourage those whom I am endeavouring to restrain. To know the world is necessary, since we were born for the help of one another; and to know it early is convenient, if it be only that we may learn early to despise it. She that brings to London a mind well prepared for improvement, though she misses her hope of uninterrupted happiness, will gain in return an opportunity of adding knowledge to vivacity, and enlarging innocence to virtue.



No. 81. SATURDAY, NOVEMBER 3, 1759.

As the English army was passing towards Quebec along a soft savanna between a mountain and a lake, one of the petty chiefs of the inland regions stood upon a rock surrounded by his clan, and from behind the shelter of the bushes contemplated the art and regularity of European war. It was evening, the tents were pitched: he observed the security with which the troops rested in the night, and the order with which the march was renewed in the morning. He continued to pursue them with his eye till they could be seen no longer, and then stood for some time silent and pensive.

Then turning to his followers, "My children," said he, "I have often heard from men hoary with long life, that there was a time when our ancestors were absolute lords of the woods, the meadows and the lakes, wherever the eye can reach or the foot can pass. They fished and hunted, feasted and danced, and when they were weary lay down under the first thicket, without danger and without fear. They changed their habitations, as the seasons required, convenience prompted, or curiosity allured them; and sometimes gathered the fruits of the mountain, and sometimes sported in canoes along the coast.

"Many years and ages are supposed to have been thus passed in plenty and security; when, at last, a new race of men entered our country from the great ocean. They inclosed themselves in habitations of stone, which our ancestors could neither enter by violence, nor destroy by fire. They issued from those fastnesses, sometimes covered, like the armadillo, with shells, from which the lance rebounded on the striker, and sometimes carried by mighty beasts which had never been seen in our vales or forests, of such strength and swiftness, that flight and opposition were vain alike. Those invaders ranged over the continent slaughtering, in their rage, those that resisted, and those that submitted, in their mirth. Of those that remained, some were buried in caverns, and condemned to dig metals for their masters; some were employed in tilling the ground, of which foreign tyrants devour the produce; and, when the sword and the mines have destroyed the natives, they supply their place by human beings of another colour, brought from some distant country to perish here under toil and torture.

"Some there are who boast their humanity, and content themselves to seize our chases and fisheries, who drive us from every tract of ground where fertility and pleasantness invite them to settle, and make no war upon us except when we intrude upon our own lands.

"Others pretend to have purchased a right of residence and tyranny; but surely the insolence of such bargains is more offensive than the avowed and open dominion of force. What reward can induce the possessour of a country to admit a stranger more powerful than himself? Fraud or terrour must operate in such contracts; either they promised protection which they never have afforded, or instruction which they never imparted. We hoped to be secured by their favour from some other evil, or to learn the arts of Europe, by which we might be able to secure ourselves. Their power they never have exerted in our defence, and their arts they have studiously concealed from us. Their treaties are only to deceive, and their traffick only to defraud us. They have a written law among them, of which they boast, as derived from Him who made the earth and sea, and by which they profess to believe that man will be made happy when life shall forsake him. Why is not this law communicated to us? It is concealed because it is violated. For how can they preach it to an Indian nation, when I am told that one of its first precepts forbids them to do to others what they would not that others should do to them?

"But the time, perhaps, is now approaching, when the pride of usurpation shall be crushed, and the cruelties of invasion shall be revenged. The sons of rapacity have now drawn their swords upon each other, and referred their claims to the decision of war; let us look unconcerned upon the slaughter, and remember that the death of every European delivers the country from a tyrant and a robber; for what is the claim of either nation, but the claim of the vulture to the leveret, of the tiger to the fawn? Let them then continue to dispute their title to regions which they cannot people, to purchase by danger and blood the empty dignity of dominion over mountains which they will never climb, and rivers which they will never pass. Let us endeavour, in the mean time, to learn their discipline, and to forge their weapons; and, when they shall be weakened with mutual slaughter, let us rush down upon them, force their remains to take shelter in their ships, and reign once more in our native country[1]."

[1] "How far the seizing on countries already peopled, and driving out or massacring the innocent and defenceless natives, merely because they differed from their invaders in language, in religion, in customs, in government or in colour; how far such a conduct was consonant to nature, to reason or to Christianity, deserved well to be considered by those who have rendered their names immortal by thus civilizing mankind." Blackstone, Com. ii. 7.

I love the University of Salamanca, said Johnson, with warm emotion, for when the Spaniards were in doubt as to the lawfulness of their conquering America, the University of Salamanca gave it as their opinion, that it was not lawful. Boswell, i. 434.

The untaught eloquence of Indian feeling is well preserved in the language of Gertrude of Wyoming.



No. 82. SATURDAY, NOVEMBER 10, 1759.

TO THE IDLER.

Sir,

Discoursing in my last letter on the different practice of the Italian and Dutch painters, I observed, that "the Italian painter attends only to the invariable, the great and general ideas which are fixed and inherent in universal nature."

I was led into the subject of this letter by endeavouring to fix the original cause of this conduct of the Italian masters. If it can be proved that by this choice they selected the most beautiful part of the creation, it will show how much their principles are founded on reason, and, at the same time, discover the origin of our ideas of beauty.

I suppose it will be easily granted, that no man can judge whether any animal be beautiful in its kind, or deformed, who has seen only one of that species: this is as conclusive in regard to the human figure; so that if a man, born blind, was to recover his sight, and the most beautiful woman was brought before him, he could not determine whether she was handsome or not; nor, if the most beautiful and most deformed were produced, could he any better determine to which he should give the preference, having seen only those two. To distinguish beauty, then, implies the having seen many individuals of that species. If it is asked, how is more skill acquired by the observation of greater numbers? I answer that, in consequence of having seen many, the power is acquired, even without seeking after it, of distinguishing between accidental blemishes and excrescences which are continually varying the surface of Nature's works, and the invariable general form which Nature most frequently produces, and always seems to intend in her productions.

Thus, amongst the blades of grass or leaves of the same tree, though no two can be found exactly alike, yet the general form is invariable: a naturalist, before he chose one as a sample, would examine many, since, if he took the first that occurred, it might have, by accident or otherwise, such a form as that it would scarcely be known to belong to that species; he selects, as the painter does, the most beautiful, that is, the most general form of nature.

Every species of the animal, as well as the vegetable creation, may be said to have a fixed or determinate form towards which nature is continually inclining, like various lines terminating in the centre; or it may be compared to pendulums vibrating in different directions over one central point; and as they all cross the centre, though only one passes through any other point, so it will be found that perfect beauty is oftener produced by nature than deformity; I do not mean than deformity in general, but than any one kind of deformity. To instance in a particular part of a feature: the line that forms the ridge of the nose is beautiful when it is straight; this then is the central form, which is oftener found than either concave, convex or any other irregular form that shall be proposed. As we are then more accustomed to beauty than deformity, we may conclude that to be the reason why we approve and admire it, as we approve and admire customs and fashions of dress for no other reason than that we are used to them; so that, though habit and custom cannot be said to be the cause of beauty, it is certainly the cause of our liking it; and I have no doubt but that, if we were more used to deformity than beauty, deformity would then lose the idea now annexed to it, and take that of beauty; as, if the whole world should agree that yes and no should change their meanings, yes would then deny, and no would affirm.

Whoever undertakes to proceed further in this argument, and endeavours to fix a general criterion of beauty respecting different species, or to show why one species is more beautiful than another, it will be required from him first to prove that one species is really more beautiful than another. That we prefer one to the other, and with very good reason, will be readily granted; but it does not follow from thence that we think it a more beautiful form; for we have no criterion of form by which to determine our judgment. He who says a swan is more beautiful than a dove, means little more than that he has more pleasure in seeing a swan than a dove, either from the stateliness of its motions, or its being a more rare bird; and he who gives the preference to the dove, does it from some association of ideas of innocence that he always annexes to the dove; but, if he pretends to defend the preference he gives to one or the other by endeavouring to prove that this more beautiful form proceeds from a particular gradation of magnitude, undulation of a curve, or direction of a line, or whatever other conceit of his imagination he shall fix on as a criterion of form, he will be continually contradicting himself, and find at last, that the great Mother of Nature will not be subjected to such narrow rules. Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom; custom makes, in a certain sense, white black, and black white; it is custom alone determines our preference of the colour of the Europeans to the Aethiopians; and they, for the same reason, prefer their own colour to ours. I suppose nobody will doubt, if one of their painters were to paint the goddess of beauty, but that he would represent her black, with thick lips, flat nose, and woolly hair; and, it seems to me, he would act very unnaturally if he did not; for by what criterion will any one dispute the propriety of his idea? We, indeed, say, that the form and colour of the European is preferable to that of the Aethiopian; but I know of no reason we have for it, but that we are more accustomed to it. It is absurd to say, that beauty is possessed of attractive powers, which irresistibly seize the corresponding mind with love and admiration, since that argument is equally conclusive in favour of the white and the black philosopher.

The black and white nations must, in respect of beauty, be considered as of different kinds, at least a different species of the same kind; from one of which to the other, as I observed, no inference can be drawn.

Novelty is said to be one of the causes of beauty: that novelty is a very sufficient reason why we should admire, is not denied; but, because it is uncommon, is it, therefore, beautiful? The beauty that is produced by colour, as when we prefer one bird to another, though of the same form, on account of its colour, has nothing to do with this argument, which reaches only to form. I have here considered the word beauty as being properly applied to form alone. There is a necessity of fixing this confined sense; for there can be no argument, if the sense of the word is extended to every thing that is approved. A rose may as well be said to be beautiful, because it has a fine smell, as a bird because of its colour. When we apply the word beauty we do not mean always by it a more beautiful form, but something valuable on account of its rarity, usefulness, colour, or any other property. A horse is said to be a beautiful animal; but, had a horse as few good qualities as a tortoise, I do not imagine that he would be then esteemed beautiful.

A fitness to the end proposed, is said to be another cause of beauty; but supposing we were proper judges of what form is the most proper in an animal to constitute strength or swiftness, we always determine concerning its beauty, before we exert our understanding to judge of its fitness.

From what has been said, it may be inferred, that the works of nature, if we compare one species with another, are all equally beautiful; and that preference is given from custom, or some association of ideas: and that, in creatures of the same species, beauty is the medium or centre of all various forms.

To conclude, then, by way of corollary: If it has been proved, that the painter, by attending to the invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities and accidental discriminations, deviate from the universal rule, and pollute his canvass with deformity[1].

[1] By Sir Joshua Reynolds.



No. 83. SATURDAY, NOVEMBER 17, 1759.

TO THE IDLER.

Sir,

I suppose you have forgotten that many weeks ago I promised to send you an account of my companions at the Wells. You would not deny me a place among the most faithful votaries of idleness, if you knew how often I have recollected my engagement, and contented myself to delay the performance for some reason which I durst not examine because I knew it to be false; how often I have sat down to write, and rejoiced at interruption; and how often I have praised the dignity of resolution, determined at night to write in the morning, and deferred it in the morning to the quiet hours of night.

I have at last begun what I have long wished at an end, and find it more easy than I expected to continue my narration.

Our assembly could boast no such constellation of intellects as Clarendon's band of associates. We had among us no Selden, Falkland or Waller; but we had men not less important in their own eyes, though less distinguished by the publick; and many a time have we lamented the partiality of mankind, and agreed that men of the deepest inquiry sometimes let their discoveries die away in silence, that the most comprehensive observers have seldom opportunities of imparting their remarks, and that modest merit passes in the crowd unknown and unheeded.

One of the greatest men of the society was Sim Scruple, who lives in a continual equipoise of doubt, and is a constant enemy to confidence and dogmatism. Sim's favourite topick of conversation is the narrowness of the human mind, the fallaciousness of our senses, the prevalence of early prejudice, and the uncertainty of appearances. Sim has many doubts about the nature of death, and is sometimes inclined to believe that sensation may survive motion, and that a dead man may feel though he cannot stir. He has sometimes hinted that man might, perhaps, have been naturally a quadruped; and thinks it would be very proper, that at the Foundling Hospital some children should be inclosed in an apartment in which the nurses should be obliged to walk half upon four and half upon two legs, that the younglings, being bred without the prejudice of example, might have no other guide than nature, and might at last come forth into the world as genius should direct, erect or prone, on two legs or on four.

The next, in dignity of mien and fluency of talk, was Dick Wormwood, whose sole delight is to find every thing wrong. Dick never enters a room but he shows that the door and the chimney are ill-placed. He never walks into the fields but he finds ground ploughed which is fitter for pasture. He is always an enemy to the present fashion.

He holds that all the beauty and virtue of women will soon be destroyed by the use of tea[1]. He triumphs when he talks on the present system of education, and tells us, with great vehemence, that we are learning words when we should learn things. He is of opinion that we suck in errours at the nurse's breast, and thinks it extremely ridiculous that children should be taught to use the right hand rather than the left.

Bob Sturdy considers it as a point of honour to say again what he has once said, and wonders how any man, that has been known to alter his opinion, can look his neighbours in the face. Bob is the most formidable disputant of the whole company; for, without troubling himself to search for reasons, he tires his antagonist with repeated affirmations. When Bob has been attacked for an hour with all the powers of eloquence and reason, and his position appears to all but himself utterly untenable, he always closes the debate with his first declaration, introduced by a stout preface of contemptuous civility. "All this is very judicious; you may talk, Sir, as you please; but I will still say what I said at first." Bob deals much in universals, which he has now obliged us to let pass without exceptions. He lives on an annuity, and holds that there are as many thieves as traders; he is of loyalty unshaken, and always maintains, that he who sees a Jacobite sees a rascal.

Phil Gentle is an enemy to the rudeness of contradiction and the turbulence of debate. Phil has no notions of his own, and, therefore, willingly catches from the last speaker such as he shall drop. This flexibility of ignorance is easily accommodated to any tenet; his only difficulty is, when the disputants grow zealous, how to be of two contrary opinions at once. If no appeal is made to his judgment, he has the art of distributing his attention and his smiles in such a manner, that each thinks him of his own party; but if he is obliged to speak, he then observes that the question is difficult; that he never received so much pleasure from a debate before; that neither of the controvertists could have found his match in any other company; that Mr. Wormwood's assertion is very well supported, and yet there is great force in what Mr. Scruple advanced against it. By this indefinite declaration both are commonly satisfied; for he that has prevailed is in good humour; and he that has felt his own weakness is very glad to have escaped so well.

I am, Sir, yours, &c. ROBIN SPRITELY.

[1] Dr. Johnson was, as he has humorously described himself, "a hardened and shameless tea-drinker." See his amusing Review of a Journal of Eight Days' Journey and his Reply to a paper in the Gazetteer, May 26, 1757.



No. 84. SATURDAY, NOVEMBER 24, 1759.

Biography is, of the various kinds of narrative writing, that which is most eagerly read, and most easily applied to the purposes of life.

In romances, when the wide field of possibility lies open to invention, the incidents may easily be made more numerous, the vicissitudes more sudden, and the events more wonderful; but from the time of life when fancy begins to be overruled by reason and corrected by experience, the most artful tale raises little curiosity when it is known to be false[1]; though it may, perhaps, be sometimes read as a model of a neat or elegant style, not for the sake of knowing what it contains, but how it is written; or those that are weary of themselves, may have recourse to it as a pleasing dream, of which, when they awake, they voluntarily dismiss the images from their minds.

The examples and events of history press, indeed, upon the mind with the weight of truth; but when they are reposited in the memory, they are oftener employed for show than use, and rather diversify conversation than regulate life. Few are engaged in such scenes as give them opportunities of growing wiser by the downfal of statesmen or the defeat of generals. The stratagems of war, and the intrigues of courts, are read by far the greater part of mankind with the same indifference as the adventures of fabled heroes, or the revolutions of a fairy region. Between falsehood and useless truth there is little difference. As gold which he cannot spend will make no man rich, so knowledge which he cannot apply will make no man wise.

The mischievous consequences of vice and folly, of irregular desires and predominant passions, are best discovered by those relations which are levelled with the general surface of life, which tell not how any man became great, but how he was made happy; not how he lost the favour of his prince, but how he became discontented with himself.

Those relations are, therefore, commonly of most value in which the writer tells his own story. He that recounts the life of another, commonly dwells most upon conspicuous events, lessens the familiarity of his tale to increase its dignity, shows his favourite at a distance, decorated and magnified like the ancient actors in their tragick dress, and endeavours to hide the man that he may produce a hero.

But if it be true, which was said by a French prince, "that no man was a hero to the servants of his chamber," it is equally true, that every man is yet less a hero to himself. He that is most elevated above the crowd by the importance of his employments, or the reputation of his genius, feels himself affected by fame or business but as they influence his domestick life. The high and low, as they have the same faculties and the same senses, have no less similitude in their pains and pleasures. The sensations are the same in all, though produced by very different occasions. The prince feels the same pain when an invader seizes a province, as the farmer when a thief drives away his cow. Men thus equal in themselves will appear equal in honest and impartial biography; and those whom fortune or nature places at the greatest distance may afford instruction to each other.

The writer of his own life has, at least, the first qualification of an historian, the knowledge of the truth; and though it may be plausibly objected that his temptations to disguise it are equal to his opportunities of knowing it, yet I cannot but think that impartiality may be expected with equal confidence from him that relates the passages of his own life, as from him that delivers the transactions of another.

Certainty of knowledge not only excludes mistake, but fortifies veracity. What we collect by conjecture, and by conjecture only, can one man judge of another's motives or sentiments, is easily modified by fancy or by desire; as objects imperfectly discerned take forms from the hope or fear of the beholder. But that which is fully known cannot be falsified but with reluctance of understanding, and alarm of conscience: of understanding, the lover of truth; of conscience, the sentinel of virtue.

He that writes the life of another is either his friend or his enemy, and wishes either to exalt his praise or aggravate his infamy: many temptations to falsehood will occur in the disguise of passions, too specious to fear much resistance. Love of virtue will animate panegyrick, and hatred of wickedness imbitter censure. The zeal of gratitude, the ardour of patriotism, fondness for an opinion, or fidelity to a party, may easily overpower the vigilance of a mind habitually well disposed, and prevail over unassisted and unfriended veracity.

But he that speaks of himself has no motive to falsehood or partiality except self-love, by which all have so often been betrayed, that all are on the watch against its artifices. He that writes an apology for a single action, to confute an accusation, to recommend himself to favour, is, indeed, always to be suspected of favouring his own cause; but he that sits down calmly and voluntarily to review his life for the admonition of posterity, or to amuse himself, and leaves this account unpublished, may be commonly presumed to tell truth, since falsehood cannot appease his own mind, and fame will not be heard beneath the tomb.

[1] It is somewhere recorded of a retired citizen, that he was in the habit of again and again perusing the incomparable story of Robinson Crusoe without a suspicion of its authenticity. At length a friend assured him of its being a work of fiction. What you say, replied the old man mournfully, may be true; but your information has taken away the only comfort of my age.

—Pol, me occidistis, amici, Non servastis, ait; cui sic extorta voluptas, Et demtus per vim mentis gratissimus error. HOR. Lib. ii. Ep. ii. 138.



No. 85. SATURDAY, DECEMBER 1, 1759.

One of the peculiarities which distinguish the present age is the multiplication of books. Every day brings new advertisements of literary undertakings, and we are flattered with repeated promises of growing wise on easier terms than our progenitors.

How much either happiness or knowledge is advanced by this multitude of authors, it is not very easy to decide.

He that teaches us any thing which we knew not before, is undoubtedly to be reverenced as a master.

He that conveys knowledge by more pleasing ways, may very properly be loved as a benefactor; and he that supplies life with innocent amusement, will be certainly caressed as a pleasing companion.

But few of those who fill the world with books have any pretensions to the hope either of pleasing or instructing. They have often no other task than to lay two books before them, out of which they compile a third, without any new materials of their own, and with very little application of judgment to those which former authors have supplied.

That all compilations are useless, I do not assert. Particles of science are often very widely scattered. Writers of extensive comprehension have incidental remarks upon topicks very remote from the principal subject, which are often more valuable than formal treatises, and which yet are not known because they are not promised in the title. He that collects those under proper heads is very laudably employed, for, though he exerts no great abilities in the work, he facilitates the progress of others, and by making that easy of attainment which is already written, may give some mind, more vigorous or more adventurous than his own, leisure for new thoughts and original designs.

But the collections poured lately from the press have been seldom made at any great expense of time or inquiry, and, therefore, only serve to distract choice without supplying any real want.

It is observed that "a corrupt society has many laws;" I know not whether it is not equally true, that "an ignorant age has many books." When the treasures of ancient knowledge lie unexamined, and original authors are neglected and forgotten, compilers and plagiaries are encouraged, who give us again what we had before, and grow great by setting before us what our own sloth had hidden from our view.

Yet are not even these writers to be indiscriminately censured and rejected. Truth like beauty varies its fashions, and is best recommended by different dresses to different minds; and he that recalls the attention of mankind to any part of learning which time has left behind it, may be truly said to advance the literature of his own age. As the manners of nations vary, new topicks of persuasion become necessary, and new combinations of imagery are produced; and he that can accommodate himself to the reigning taste, may always have readers who, perhaps, would not have looked upon better performances.

To exact of every man who writes, that he should say something new, would be to reduce authors to a small number; to oblige the most fertile genius to say only what is new would be to contract his volumes to a few pages. Yet, surely, there ought to be some bounds to repetition; libraries ought no more to be heaped for ever with the same thoughts differently expressed, than with the same books differently decorated.

The good or evil which these secondary writers produce is seldom of any long duration. As they owe their existence to change of fashion, they commonly disappear when a new fashion becomes prevalent. The authors that in any nation last from age to age are very few, because there are very few that have any other claim to notice than that they catch hold on present curiosity, and gratify some accidental desire, or produce some temporary conveniency.

But however the writers of the day may despair of future fame, they ought at least to forbear any present mischief. Though they cannot arrive at eminent heights of excellence, they might keep themselves harmless. They might take care to inform themselves before they attempt to inform others, and exert the little influence which they have for honest purposes.

But such is the present state of our literature, that the ancient sage, who thought a great book a great evil, would now think the multitude of books a multitude of evils. He would consider a bulky writer who engrossed a year, and a swarm of pamphleteers who stole each an hour, as equal wasters of human life, and would make no other difference between them, than between a beast of prey and a flight of locusts.



No. 86. SATURDAY, DECEMBER 8, 1759.

TO THE IDLER.

Sir,

I am a young lady newly married to a young gentleman. Our fortune is large, our minds are vacant, our dispositions gay, our acquaintances numerous, and our relations splendid. We considered that marriage, like life, has its youth; that the first year is the year of gaiety and revel, and resolved to see the shows and feel the joys of London, before the increase of our family should confine us to domestick cares and domestick pleasures.

Little time was spent in preparation; the coach was harnessed, and a few days brought us to London, and we alighted at a lodging provided for us by Miss Biddy Trifle, a maiden niece of my husband's father, where we found apartments on a second floor, which my cousin told us would serve us till we could please ourselves with a more commodious and elegant habitation, and which she had taken at a very high price, because it was not worth the while to make a hard bargain for so short a time.

Here I intended to lie concealed till my new clothes were made, and my new lodging hired; but Miss Trifle had so industriously given notice of our arrival to all her acquaintance, that I had the mortification next day of seeing the door thronged with painted coaches and chairs with coronets, and was obliged to receive all my husband's relations on a second floor.

Inconveniencies are often balanced by some advantage: the elevation of my apartments furnished a subject for conversation, which, without some such help, we should have been in danger of wanting. Lady Stately told us how many years had passed since she climbed so many steps. Miss Airy ran to the window, and thought it charming to see the walkers so little in the street; and Miss Gentle went to try the same experiment, and screamed to find herself so far above the ground.

They all knew that we intended to remove, and, therefore, all gave me advice about a proper choice. One street was recommended for the purity of its air, another for its freedom from noise, another for its nearness to the Park, another because there was but a step from it to all places of diversion, and another because its inhabitants enjoyed at once the town and country.

I had civility enough to hear every recommendation with a look of curiosity, while it was made, and of acquiescence, when it was concluded, but in my heart felt no other desire than to be free from the disgrace of a second floor, and cared little where I should fix, if the apartments were spacious and splendid.

Next day a chariot was hired, and Miss Trifle was despatched to find a lodging. She returned in the afternoon, with an account of a charming place, to which my husband went in the morning to make the contract. Being young and unexperienced, he took with him his friend Ned Quick, a gentleman of great skill in rooms and furniture, who sees, at a single glance, whatever there is to be commended or censured. Mr. Quick, at the first view of the house, declared that it could not be inhabited, for the sun in the afternoon shone with full glare on the windows of the dining-room.

Miss Trifle went out again, and soon discovered another lodging, which Mr. Quick went to survey, and found, that, whenever the wind should blow from the, east, all the smoke of the city would be driven upon it.

A magnificent set of rooms was then found in one of the streets near Westminster-Bridge, which Miss Trifle preferred to any which she had yet seen; but Mr. Quick, having mused upon it for a time, concluded that it would be too much exposed in the morning to the fogs that rise from the river.

Thus Mr. Quick proceeded to give us every day new testimonies of his taste and circumspection; sometimes the street was too narrow for a double range of coaches; sometimes it was an obscure place, not inhabited by persons of quality. Some places were dirty, and some crowded; in some houses the furniture was ill-suited, and in others the stairs were too narrow. He had such fertility of objections that Miss Trifle was at last tired, and desisted from all attempts for our accommodation.

In the mean time I have still continued to see my company on a second floor, and am asked twenty times a day when I am to leave those odious lodgings, in which I live tumultuously without pleasure, and expensively without honour. My husband thinks so highly of Mr. Quick, that he cannot be persuaded to remove without his approbation; and Mr. Quick thinks his reputation raised by the multiplication of difficulties.

In this distress to whom can I have recourse? I find my temper vitiated by daily disappointment, by the sight of pleasures which I cannot partake, and the possession of riches which I cannot enjoy. Dear Mr. Idler, inform my husband that he is trifling away, in superfluous vexation, the few months which custom has appropriated to delight; that matrimonial quarrels are not easily reconciled between those that have no children; that wherever we settle he must always find some inconvenience; but nothing is so much to be avoided as a perpetual state of inquiry and suspense.

I am, Sir,

Your humble servant,

PEGGY HEARTLESS.



No. 87. SATURDAY, DECEMBER 15, 1759.

Of what we know not, we can only judge by what we know. Every novelty appears more wonderful as it is more remote from any thing with which experience or testimony has hitherto acquainted us; and, if it passes further beyond the notions that we have been accustomed to form, it becomes at last incredible.

We seldom consider that human knowledge is very narrow, that national manners are formed by chance, that uncommon conjunctures of causes produce rare effects, or that what is impossible at one time or place may yet happen in another. It is always easier to deny than to inquire. To refuse credit confers for a moment an appearance of superiority, which every little mind is tempted to assume when it may be gained so cheaply as by withdrawing attention from evidence, and declining the fatigue of comparing probabilities. The most pertinacious and vehement demonstrator may be wearied in time by continual negation; and incredulity, which an old poet, in his address to Raleigh, calls the wit of fools, obtunds the argument which it cannot answer, as woolsacks deaden arrows though they cannot repel them.

Many relations of travellers have been slighted as fabulous, till more frequent voyages have confirmed their veracity; and it may reasonably be imagined, that many ancient historians are unjustly suspected of falsehood, because our own times afford nothing that resembles what they tell[1].

Had only the writers of antiquity informed us, that there was once a nation in which the wife lay down upon the burning pile only to mix her ashes with those of her husband, we should have thought it a tale to be told with that of Endymion's commerce with the moon. Had only a single traveller related, that many nations of the earth were black, we should have thought the accounts of the Negroes and of the Phoenix equally credible. But of black men the numbers are too great who are now repining under English cruelty; and the custom of voluntary cremation is not yet lost among the ladies of India.

Few narratives will either to men or women appear more incredible than the histories of the Amazons; of female nations of whose constitution it was the essential and fundamental law to exclude men from all participation, either of publick affairs or domestick business; where female armies marched under female captains, female farmers gathered the harvest, female partners danced together, and female wits diverted one another.

Yet several ages of antiquity have transmitted accounts of the Amazons of Caucasus; and of the Amazons of America, who have given their name to the greatest river in the world, Condamine lately found such memorials, as can be expected among erratick and unlettered nations, where events are recorded only by tradition, and new settling in the country from time to time, confuse and efface all traces of former times.

To die with husbands, or to live without them, are the two extremes which the prudence and moderation of European ladies have, in all ages, equally declined; they have never been allured to death by the kindness or civility of the politest nations, nor has the roughness and brutality of more savage countries ever provoked them to doom their male associates to irrevocable banishment. The Bohemian matrons are said to have made one short struggle for superiority; but, instead of banishing the men, they contented themselves with condemning them to servile offices; and their constitution, thus left imperfect, was quickly overthrown.

There is, I think, no class of English women from whom we are in any danger of Amazonian usurpation. The old maids seem nearest to independence, and most likely to be animated by revenge against masculine authority; they often speak of men with acrimonious vehemence, but it is seldom found that they have any settled hatred against them, and it is yet more rarely observed that they have any kindness for each other. They will not easily combine in any plot; and if they should ever agree to retire and fortify themselves in castles or in mountains, the sentinel will betray the passes in spite, and the garrison will capitulate upon easy terms, if the besiegers have handsome swordknots, and are well supplied with fringe and lace.

The gamesters, if they were united, would make a formidable body; and, since they consider men only as beings that are to lose their money, they might live together without any wish for the officiousness of gallantry or the delights of diversified conversation. But as nothing would hold them together but the hope of plundering one another, their government would fail from the defect of its principles; the men would need only to neglect them, and they would perish in a few weeks by a civil war.

I do not mean to censure the ladies of England as defective in knowledge or in spirit, when I suppose them unlikely to revive the military honours of their sex. The character of the ancient Amazons was rather terrible than lovely; the hand could not be very delicate that was only employed in drawing the bow and brandishing the battle-axe; their power was maintained by cruelty, their courage was deformed by ferocity, and their example only shows that men and women live best together.

[1] Le vrai n'est pas toujours le vraisemblable. The researches of Gibbon, Rennel and Mitford, the travels of Bruce and Belzoni have fully proved the truth of this maxim in the case of Herodotus.



No. 88. SATURDAY, DECEMBER 22, 1759.

Hodie quid egisti?

When the philosophers of the last age were first congregated into the Royal Society, great expectations were raised of the sudden progress of useful arts; the time was supposed to be near, when engines should turn by a perpetual motion, and health be secured by the universal medicine; when learning should be facilitated by a real character, and commerce extended by ships which could reach their ports in defiance of the tempest.

But improvement is naturally slow. The society met and parted without any visible diminution of the miseries of life. The gout and stone were still painful, the ground that was not ploughed brought no harvest, and neither oranges nor grapes would grow upon the hawthorn. At last, those who were disappointed began to be angry; those likewise who hated innovation were glad to gain an opportunity of ridiculing men who had depreciated, perhaps with too much arrogance, the knowledge of antiquity. And it appears, from some of their earliest apologies, that the philosophers felt with great sensibility the unwelcome importunities of those who were daily asking, "What have ye done?"

The truth is, that little had been done compared with what fame had been suffered to promise; and the question could only be answered by general apologies and by new hopes, which, when they were frustrated, gave a new occasion to the same vexatious inquiry.

This fatal question has disturbed the quiet of many other minds. He that in the latter part of his life too strictly inquires what he has done, can very seldom receive from his own heart such an account as will give him satisfaction.

We do not indeed so often disappoint others as ourselves. We not only think more highly than others of our own abilities, but allow ourselves to form hopes which we never communicate, and please our thoughts with employments which none ever will allot us, and with elevations to which we are never expected to rise; and when our days and years have passed away in common business or common amusements, and we find at last that we have suffered our purposes to sleep till the time of action is past, we are reproached only by our own reflections; neither our friends nor our enemies wonder that we live and die like the rest of mankind; that we live without notice, and die without memorial; they know not what task we had proposed, and, therefore, cannot discern whether it is finished.

He that compares what he has done with what he has left undone, will feel the effect which must always follow the comparison of imagination with reality; he will look with contempt on his own unimportance, and wonder to what purpose he came into the world; he will repine that he shall leave behind him no evidence of his having been, that he has added nothing to the system of life, but has glided from youth to age among the crowd, without any effort for distinction.

Man is seldom willing to let fall the opinion of his own dignity, or to believe that he does little only because every individual is a very little being. He is better content to want diligence than power, and sooner confesses the depravity of his will than the imbecility of his nature.

From this mistaken notion of human greatness it proceeds, that many who pretend to have made great advances in wisdom so loudly declare that they despise themselves. If I had ever found any of the self-contemners much irritated or pained by the consciousness of their meanness, I should have given them consolation by observing, that a little more than nothing is as much as can be expected from a being, who, with respect to the multitudes about him, is himself little more than nothing. Every man is obliged by the Supreme Master of the universe to improve all the opportunities of good which are afforded him, and to keep in continual activity such abilities as are bestowed upon him. But he has no reason to repine, though his abilities are small and his opportunities few. He that has improved the virtue, or advanced the happiness of one fellow-creature, he that has ascertained a single moral proposition, or added one useful experiment to natural knowledge, may be contented with his own performance, and, with respect to mortals like himself, may demand, like Augustus, to be dismissed at his departure with applause.



No. 89. SATURDAY, DECEMBER 29, 1759.

[Greek: Anechou kai apechou.] EPICT.

How evil came into the world; for what reason it is that life is overspread with such boundless varieties of misery; why the only thinking being of this globe is doomed to think merely to be wretched, and to pass his time from youth to age in fearing or in suffering calamities, is a question which philosophers have long asked, and which philosophy could never answer.

Religion informs us that misery and sin were produced together. The depravation of human will was followed by a disorder of the harmony of nature; and by that providence which often places antidotes in the neighbourhood of poisons, vice was checked by misery, lest it should swell to universal and unlimited dominion.

A state of innocence and happiness is so remote from all that we have ever seen, that though we can easily conceive it possible, and may, therefore, hope to attain it, yet our speculations upon it must be general and confused. We can discover that where there is universal innocence, there will probably be universal happiness; for, why should afflictions be permitted to infest beings who are not in danger of corruption from blessings, and where there is no use of terrour nor cause of punishment? But in a world like ours, where our senses assault us, and our hearts betray us, we should pass on from crime to crime, heedless and remorseless, if misery did not stand in our way, and our own pains admonish us of our folly.

Almost all the moral good, which is left among us, is the apparent effect of physical evil.

Goodness is divided by divines into soberness, righteousness and godliness. Let it be examined how each of these duties would be practised, if there were no physical evil to enforce it.

Sobriety, or temperance, is nothing but the forbearance of pleasure; and if pleasure was not followed by pain, who would forbear it? We see every hour those in whom the desire of present indulgence overpowers all sense of past and all foresight of future misery. In a remission of the gout, the drunkard returns to his wine, and the glutton to his feast; and if neither disease nor poverty were felt or dreaded, every one would sink down in idle sensuality, without any care of others, or of himself. To eat and drink, and lie down to sleep, would be the whole business of mankind.

Righteousness, or the system of social duty, may be subdivided into justice and charity. Of justice one of the Heathen sages has shown, with great acuteness, that it was impressed upon mankind only by the inconveniencies which injustice had produced. "In the first ages," says he, "men acted without any rule but the impulse of desire; they practised injustice upon others, and suffered it from others in their turn; but in time it was discovered, that the pain of suffering wrong was greater than the pleasure of doing it; and mankind, by a general compact, submitted to the restraint of laws, and resigned the pleasure to escape the pain."

Of charity it is superfluous to observe, that it could have no place if there were no want; for of a virtue which could not be practised, the omission could not be culpable. Evil is not only the occasional, but the efficient cause of charity; we are incited to the relief of misery by the consciousness that we have the same nature with the sufferer, that we are in danger of the same distresses, and may sometimes implore the same assistance.

Godliness, or piety, is elevation of the mind towards the Supreme Being, and extension of the thoughts to another life. The other life is future, and the Supreme Being is invisible. None would have recourse to an invisible power, but that all other subjects have eluded their hopes. None would fix their attention upon the future, but that they are discontented with the present. If the senses were feasted with perpetual pleasure, they would always keep the mind in subjection. Reason has no authority over us, but by its power to warn us against evil.

In childhood, while our minds are yet unoccupied, religion is impressed upon them, and the first years of almost all who have been well educated are passed in a regular discharge of the duties of piety. But as we advance forward into the crowds of life, innumerable delights solicit our inclinations, and innumerable cares distract our attention; the time of youth is passed in noisy frolicks; manhood is led on from hope to hope, and from project to project; the dissoluteness of pleasure, the inebriation of success, the ardour of expectation, and the vehemence of competition, chain down the mind alike to the present scene, nor is it remembered how soon this mist of trifles must be scattered, and the bubbles that float upon the rivulet of life be lost for ever in the gulph of eternity. To this consideration scarcely any man is awakened but by some pressing and resistless evil. The death of those from whom he derived his pleasures, or to whom he destined his possessions, some disease which shows him the vanity of all external acquisitions, or the gloom of age, which intercepts his prospects of long enjoyment, forces him to fix his hopes upon another state; and when he has contended with the tempests of life till his strength fails him, he flies at last to the shelter of religion.

That misery does not make all virtuous, experience too certainly informs us; but it is no less certain that of what virtue there is, misery produces far the greater part. Physical evil may be, therefore, endured with patience, since it is the cause of moral good; and patience itself is one virtue by which we are prepared for that state in which evil shall be no more[1].

[1] For a fuller exposition of Johnson's sentiments on this dark and deep subject, see his Review of Soame Jenyns' Nature and Origin of Evil.



No. 90. SATURDAY, JANUARY 5, 1760.

It is a complaint which has been made from time to time, and which seems to have lately become more frequent, that English oratory, however forcible in argument, or elegant in expression, is deficient and inefficacious, because our speakers want the grace and energy of action.

Among the numerous projectors who are desirous to refine our manners, and improve our faculties, some are willing to supply the deficiency of our speakers[1]. We have had more than one exhortation to study the neglected art of moving the passions, and have been encouraged to believe that our tongues, however feeble in themselves, may, by the help of our hands and legs, obtain an uncontroulable dominion over the most stubborn audience, animate the insensible, engage the careless, force tears from the obdurate, and money from the avaricious.

If by sleight of hand, or nimbleness of foot, all these wonders can be performed, he that shall neglect to attain the free use of his limbs may be justly censured as criminally lazy. But I am afraid that no specimen of such effects will easily be shown. If I could once find a speaker in 'Change-Alley raising the price of stocks by the power of persuasive gestures, I should very zealously recommend the study of his art; but having never seen any action by which language was much assisted, I have been hitherto inclined to doubt whether my countrymen are not blamed too hastily for their calm and motionless utterance.

Foreigners of many nations accompany their speech with action; but why should their example have more influence upon us than ours upon them? Customs are not to be changed but for better. Let those who desire to reform us show the benefits of the change proposed. When the Frenchman waves his hands and writhes his body in recounting the revolutions of a game at cards, or the Neapolitan, who tells the hour of the day, shows upon his fingers the number which he mentions; I do not perceive that their manual exercise is of much use, or that they leave any image more deeply impressed by their bustle and vehemence of communication.

Upon the English stage there is no want of action; but the difficulty of making it at once various and proper, and its perpetual tendency to become ridiculous, notwithstanding all the advantages which art and show, and custom and prejudice can give it, may prove how little it can be admitted into any other place, where it can have no recommendation but from truth and nature.

The use of English oratory is only at the bar, in the parliament, and in the church. Neither the judges of our laws nor the representatives of our people would be much affected by laboured gesticulation, or believe any man the more because he rolled his eyes, or puffed his cheeks, or spread abroad his arms, or stamped the ground, or thumped his breast, or turned his eyes sometimes to the ceiling and sometimes to the floor. Upon men intent only upon truth, the arm of an orator has little power; a credible testimony, or a cogent argument will overcome all the art of modulation, and all the violence of contortion.

It is well known that, in the city which may be called the parent of oratory, all the arts of mechanical persuasion were banished from the court of supreme judicature. The judges of the Areopagus considered action and vociferation as a foolish appeal to the external senses, and unworthy to be practised before those who had no desire of idle amusement, and whose only pleasure was to discover right.

Whether action may not be yet of use in churches, where the preacher addresses a mingled audience, may deserve inquiry. It is certain that the senses are more powerful as the reason is weaker; and that he whose ears convey little to his mind, may sometimes listen with his eyes till truth may gradually take possession of his heart. If there be any use of gesticulation, it must be applied to the ignorant and rude, who will be more affected by vehemence than delighted by propriety. In the pulpit little action can be proper, for action can illustrate nothing but that to which it may be referred by nature or by custom. He that imitates by his hand a motion which he describes, explains it by natural similitude; he that lays his hand on his breast, when he expresses pity, enforces his words by a customary allusion. But theology has few topicks to which action can be appropriated; that action which is vague and indeterminate will at last settle into habit, and habitual peculiarities are quickly ridiculous.

It is, perhaps, the character of the English to despise trifles; and that art may surely be accounted a trifle which is at once useless and ostentatious, which can seldom be practised with propriety, and which, as the mind is more cultivated, is less powerful. Yet as all innocent means are to be used for the propagation of truth, I would not deter those who are employed in preaching to common congregations from any practice which they may find persuasive: for, compared with the conversion of sinners, propriety and elegance are less than nothing.

[1] Johnson might here be glancing at the oratorical lectures of the modern Rhetor Sheridan, whose plans he delighted incessantly to ridicule. See Boswell. Many acute remarks occur in Hume's Essay on Eloquence.



No. 91. SATURDAY, JANUARY 12, 1760.

It is common to overlook what is near, by keeping the eye fixed upon something remote. In the same manner present opportunities are neglected, and attainable good is slighted, by minds busied in extensive ranges, and intent upon future advantages. Life, however short, is made still shorter by waste of time, and its progress towards happiness, though naturally slow, is yet retarded by unnecessary labour.

The difficulty of obtaining knowledge is universally confessed. To fix deeply in the mind the principles of science, to settle their limitations, and deduce the long succession of their consequences; to comprehend the whole compass of complicated systems, with all the arguments, objections and solutions, and to reposite in the intellectual treasury the numberless facts, experiments, apophthegms and positions, which must stand single in the memory, and of which none has any perceptible connexion with the rest, is a task which, though undertaken with ardour and pursued with diligence, must at last be left unfinished by the frailty of our nature.

To make the way to learning either less short or less smooth, is certainly absurd; yet this is the apparent effect of the prejudice which seems to prevail among us in favour of foreign authors, and of the contempt of our native literature, which this excursive curiosity must necessarily produce. Every man is more speedily instructed by his own language, than by any other; before we search the rest of the world for teachers, let us try whether we may not spare our trouble by finding them at home.

The riches of the English language are much greater than they are commonly supposed. Many useful and valuable books lie buried in shops and libraries, unknown and unexamined, unless some lucky compiler opens them by chance, and finds an easy spoil of wit and learning. I am far from intending to insinuate, that other languages are not necessary to him who aspires to eminence, and whose whole life is devoted to study; but to him who reads only for amusement, or whose purpose is not to deck himself with the honours of literature, but to be qualified for domestick usefulness, and sit down content with subordinate reputation, we have authors sufficient to fill up all the vacancies of his time, and gratify most of his wishes for information.

Of our poets I need say little, because they are, perhaps, the only authors to whom their country has done justice. We consider the whole succession from Spenser to Pope as superior to any names which the continent can boast; and, therefore, the poets of other nations, however familiarly they may be sometimes mentioned, are very little read, except by those who design to borrow their beauties.

There is, I think, not one of the liberal arts which may not be competently learned in the English language. He that searches after mathematical knowledge may busy himself among his own countrymen, and will find one or other able to instruct him in every part of those abstruse sciences. He that is delighted with experiments, and wishes to know the nature of bodies from certain and visible effects, is happily placed where the mechanical philosophy was first established by a publick institution, and from which it was spread to all other countries.

The more airy and elegant studies of philology and criticism have little need of any foreign help. Though our language, not being very analogical, gives few opportunities for grammatical researches, yet we have not wanted authors who have considered the principles of speech; and with critical writings we abound sufficiently to enable pedantry to impose rules which can seldom be observed, and vanity to talk of books which are seldom read.

But our own language has, from the Reformation to the present time, been chiefly dignified and adorned by the works of our divines, who, considered as commentators, controvertists, or preachers, have undoubtedly left all other nations far behind them. No vulgar language can boast such treasures of theological knowledge, or such multitudes of authors at once learned, elegant and pious. Other countries and other communions have authors, perhaps, equal in abilities and diligence to ours; but if we unite number with excellence, there is certainly no nation which must not allow us to be superior. Of morality little is necessary to be said, because it is comprehended in practical divinity, and is, perhaps, better taught in English sermons than in any other books, ancient and modern. Nor shall I dwell on our excellence in metaphysical speculations, because he that reads the works of our divines will easily discover how far human subtilty has been able to penetrate.

Political knowledge is forced upon us by the form of our constitution; and all the mysteries of government are discovered in the attack or defence of every minister. The original law of society, the rights of subjects and the prerogatives of kings, have been considered with the utmost nicety, sometimes profoundly investigated, and sometimes familiarly explained.

Thus copiously instructive is the English language; and thus needless is all recourse to foreign writers. Let us not, therefore, make our neighbours proud by soliciting help which we do not want, nor discourage our own industry by difficulties which we need not suffer.



No. 92. SATURDAY, JANUARY 19, 1760.

Whatever is useful or honourable will be desired by many who never can obtain it; and that which cannot be obtained when it is desired, artifice or folly will be diligent to counterfeit. Those to whom fortune has denied gold and diamonds decorate themselves with stones and metals, which have something of the show, but little of the value; and every moral excellence or intellectual faculty has some vice or folly which imitates its appearance.

Every man wishes to be wise, and they who cannot be wise are almost always cunning. The less is the real discernment of those whom business or conversation brings together, the more illusions are practised; nor is caution ever so necessary as with associates or opponents of feeble minds.

Cunning differs from wisdom as twilight from open day. He that walks in the sunshine goes boldly forward by the nearest way; he sees that where the path is straight and even, he may proceed in security, and where it is rough and crooked he easily complies with the turns, and avoids the obstructions. But the traveller in the dusk fears more as he sees less; he knows there may be danger, and, therefore, suspects that he is never safe, tries every step before he fixes his foot, and shrinks at every noise lest violence should approach him. Wisdom comprehends at once the end and the means, estimates easiness or difficulty, and is cautious or confident in due proportion. Cunning discovers little at a time, and has no other means of certainty than multiplication of stratagems and superfluity of suspicion. The man of cunning always considers that he can never be too safe, and, therefore, always keeps himself enveloped in a mist, impenetrable, as he hopes, to the eye of rivalry or curiosity.