"Then came a sort of torpor of the soul, a somnolent sense of comfort in spite of the pains which still continued, but which, however, had ceased to make themselves felt. It was one of those sensations which we are willing to endure and not any of those frightful wrenches against which our tortured body protests.

"Soon, the strange and delightful sense of emptiness which I felt in my chest extended to my limbs, which, in their turn, became light, as light as if the flesh and the bones had been melted and the skin only were left, the skin necessary to enable me to realize the sweetness of living, of bathing in this well-being. Then I perceived that I was no longer suffering. The pain had gone, melted also, evaporated. And I heard voices, four voices, two dialogues, without understanding what was said. At one time, there were only indistinct sounds, at another time a word reached my ear. But I recognized that this was only the humming I had heard before, accentuated. I was not asleep; I was not awake; I comprehended, I felt, I reasoned with the utmost clearness and depth, with extraordinary energy and intellectual pleasure, with a singular intoxication arising from this separation of my mental faculties.

"It was not like the dreams caused by haschich or the somewhat sickly visions that come from opium; it was an amazing acuteness of reasoning, a new way of seeing, judging, and appreciating the things of life, and with the certainty, the absolute consciousness that this was the true way.

"And the old image of the Scriptures suddenly came back to my mind. It seemed to me that I had tasted of the Tree of Knowledge, that all the mysteries were unveiled, so much did I find myself under the sway of a new, strange, and irrefutable logic. And arguments, reasonings, proofs, rose up in a heap before my brain only to be immediately displaced by some stronger proof, reasoning, argument. My head had in fact, become a battle-ground of ideas. I was a superior being, armed with invincible intelligence, and I experienced a huge delight at the manifestation of my power.

"It lasted a long, long time. I still kept inhaling the ether from the opening of my flagon. Suddenly I perceived that it was empty."

The four men exclaimed at the same time:

"Doctor, a prescription at once for a liter of ether!"

But the doctor, putting on his hat, replied:

"As for that, certainly not; go and get poisoned by others!"

And he left them.

Ladies and gentlemen, what is your idea on the subject?



MOONLIGHT

Madame Julie Roubere was awaiting her elder sister, Madame Henriette Letore, who had just returned after a trip to Switzerland.

The Letore household had left nearly five weeks ago. Madame Henriette had allowed her husband to return alone to their estate in Calvados, where some matters of business required his attention, and come to spend a few days in Paris with her sister. Night came on. In the quiet parlor, darkened by twilight shadows, Madame Roubere was reading, in an absent-minded fashion, raising her eyes whenever she heard a sound.

At last, she heard a ring at the door, and presently her sister appeared, wrapped in a traveling cloak. And immediately without any formal greeting, they clasped each other ardently, only desisting for a moment to begin embracing each other over again. Then they talked, asking questions about each other's health, about their respective families, and a thousand other things, gossiping, jerking out hurried, broken sentences and rushing about while Madame Henriette was removing her hat and veil.

It was now quite dark. Madame Roubere rang for a lamp, and as soon as it was brought in, she scanned her sister's face, and was on the point of embracing her once more. But she held back, scared and astonished at the other's appearance. Around her temples, Madame Letore had two long locks of white hair. All the rest of her hair was of a glossy, raven-black hue; but there alone, at each side of her head, ran as it were, two silvery streams which were immediately lost in the black mass surrounding them. She was nevertheless only twenty-four years old, and this change had come on suddenly since her departure for Switzerland.

Without moving, Madame Roubere gazed at her in amazement, tears rising to her eyes, as she thought that some mysterious and terrible calamity must have fallen on her sister. She asked:

"What is the matter with you, Henriette?"

Smiling with a sad face, the smile of one who is heartsick, the other replied:

"Why nothing I assure you. Were you noticing my white hair?"

But Madame Roubere impetuously seized her by the shoulders, and with a searching glance at her repeated:

"What is the matter with you? Tell me what is the matter with you. And if you tell me a falsehood, I'll soon find it out."

They remained face to face, and Madame Henriette, who became so pale that she was near fainting, had two pearly tears at each corner of her drooping eyes.

Her sister went on asking:

"What has happened to you? What is the matter with you? Answer me!"

Then, in a subdued voice, the other murmured:

"I have—I have a lover."

And, hiding her forehead on the shoulder of her younger sister, she sobbed.

Then, when she had grown a little calmer, when the heaving of her breast had subsided, she commenced to unbosom herself, as if to cast forth this secret from herself, to empty this sorrow of hers into a sympathetic heart.

Thereupon, holding each other's hands tightly grasped, the two women went over to a sofa in a dark corner of the room, into which they sank, and the younger sister, passing her arm over the elder one's neck, and drawing her close to her heart, listened.

* * * * *

"Oh! I recognize that there was no excuse for one; I do not understand myself, and since that day I feel as if I were mad. Be careful my child, about yourself—be careful! If you only knew how weak we are, how quickly we yield, we fall. All it needs is a nothing, so little, so little, a moment of tenderness, one of those sudden fits of melancholy which steal into your soul, one of those longings to open your arms, to love, to embrace, which we all have at certain moments.

"You know my husband, and you know how fond of him I am; but he is mature and sensible, and cannot even comprehend the tender vibrations of a woman's heart. He is always, always the same, always good, always smiling, always kind, always perfect. Oh! how I sometimes have wished that he would roughly clasp me in his arms, that he would embrace me with those slow, sweet kisses which make two beings intermingle, which are like mute confidences! How I wished that he was self-abandoned and even weak, so that he should have need of me, of my caress, of my tears!

"This all seems very silly; but we women are made like that. How can we help it?

"And yet the thought of deceiving never came near me. To-day, it has happened, without love, without reason, without anything, simply because the moon shone one night on the Lake of Lucerne.

"During the month when we were traveling together, my husband, with his calm indifference, paralyzed my enthusiasm, extinguished my poetic ardor. When we were descending the mountain paths at sun-rise, when as the four horses galloped along with the diligence, we saw, in the transparent morning haze, valleys, woods, streams, and villages, I clasped my hands with delight, and said to him: 'What a beautiful scene, darling! Kiss me now!' He only answered with a smile of chilling kindliness: 'There is no reason why we should kiss each other because you like the landscape.'

"And his words froze me to the heart. It seems to me that when people love each other, they ought to feel more moved by love than ever in the presence of beautiful scenes.

"Indeed he prevented the effervescent poetry that bubbled up within me from gushing out. How can I express it? I was almost like a boiler, filled with steam and hermetically sealed.

"One evening (we had been for four days staying in the Hotel de Fluelen), Robert, having got one of his sick headaches, went to bed immediately after dinner, and I went to take a walk all alone along the edge of the lake.

"It was a night such as one might read of in a fairy tale. The full moon showed itself in the middle of the sky; the tall mountains, with their snowy crests seemed to wear silver crowns; the waters of the lake glittered with tiny rippling motions. The air was mild, with that kind of penetrating freshness which softens us till we seem to be swooning, to be deeply affected without any apparent cause. But how sensitive, how vibrating, the heart is at such moments! How quickly it leaps up, and how intense are its emotions!

"I sat down on the grass, and gazed at that vast lake so melancholy and so fascinating, and a strange thing passed into me; I became possessed with an insatiable need of love, a revolt against the gloomy dullness of my life. What! Would it never be my fate to be clasped in the arms of a man whom I loved on a bank like this under the glowing moonlight? Was I never then, to feel on my lips those kisses so deep, delicious, and intoxicating which lovers exchange on nights that seem to have been made by God for passionate embraces? Was I never to know such ardent, feverish love in the moonlit shadows of a summer's night?

"And I burst out weeping like a woman who has lost her reason. I heard some person stirring behind me. A man was intently gazing at me. When I turned my head round, he recognized me, and, advancing, said:

"'You are weeping, Madame?'

"It was a young barrister who was traveling with his mother, and whom we had often met. His eyes had frequently followed me.

"I was so much confused that I did not know what answer to give or what to think of the situation. I told him I felt ill.

"He walked on by my side in a natural and respectable fashion, and began talking to me about what we had seen during our trip. All that I had felt he translated into words; everything that made me thrill he understood perfectly, better than I did myself. And all of a sudden he recited some verses of Alfred de Musset. I felt myself choking, seized with indescribable emotion. It seemed to me that the mountains themselves, the lake, the moonlight, were singing to me about things ineffably sweet.

"And it happened, I don't know how, I don't know why, in a sort of hallucination.

"As for him I did not see him again till the morning of his departure.

"He gave me his card!"

* * * * *

And, sinking into her sister's arms, Madame Letore, broke into groans—almost into shrieks.

Then, Madame Roubere, with a self-contained and serious air, said very gently:

"You see, sister, very often it is not a man that we love, but love. And your real lover that night was the moonlight."



THE CORSICAN BANDIT

The road with a gentle winding reached the middle of the forest. The huge pine-trees spread above our heads a mournful-looking vault, and gave forth a kind of long, sad wail, while at either side their straight slender trunks formed, as it were, an army of organ-pipes, from which seemed to issue that monotonous music of the wind through the tree-tops.

After three hours' walking there was an opening in this row of tangled branches. Here and there an enormous pine-parasol, separated from the others, opening like an immense umbrella, displayed its dome of dark green; then, all of a sudden, we gained the boundary of the forest, some hundreds of meters below the defile which leads into the wild valley of Niolo.

On the two projecting heights which commanded a view of this pass, some old trees grotesquely twisted, seemed to have mounted with painful efforts, like scouts who had started in advance of the multitude heaped together in the rear. When we turned round, we saw the entire forest stretched beneath our feet, like a gigantic basin of verdure, whose edges, which seemed to reach the sky, were composed of bare rocks shutting in on every side.

We resumed our walk, and, ten minutes later, we found ourselves in the defile.

Then I beheld an astonishing landscape. Beyond another forest, a valley, but a valley such as I had never seen before, a solitude of stone ten leagues long, hollowed out between two high mountains, without a field or a tree to be seen. This was the Niolo valley, the fatherland of Corsican liberty, the inaccessible citadel, from which the invaders had never been able to drive out the mountaineers.

My companion said to me: "Is it here, too, that all our bandits have taken refuge?"

Ere long we were at the further end of this chasm so wild, so inconceivably beautiful.

Not a blade of grass, not a plant—nothing but granite. As far as our eyes could reach, we saw in front of us a desert of glittering stone, heated like an oven by a burning sun, which seemed to hang for that very purpose right above the gorge. When we raised our eyes towards the crests, we stood dazzled and stupefied by what we saw. They looked red and notched like festoons of coral, for all the summits are made of porphyry; and the sky overhead seemed violet, lilac, discolored by the vicinity of these strange mountains. Lower down the granite was of scintillating gray, and under our feet it seemed rasped, pounded; we were walking over shining powder. At our right, along a long and irregular course, a tumultuous torrent ran with a continuous roar. And we staggered along under this heat, in this light, in this burning, arid, desolate valley cut by this ravine of turbulent water which seemed to be ever hurrying onward, without being able to fertilize these rocks, lost in this furnace which greedily drank it up without being penetrated or refreshed by it.

But suddenly there was visible at our right a little wooden cross sunk in a little heap of stones. A man had been killed there; and I said to my companion:

"Tell me about your bandits."

He replied:

"I knew the most celebrated of them, the terrible St. Lucia. I will tell you his history.

"His father was killed in a quarrel by a young man of the same district, it is said; and St. Lucia was left alone with his sister. He was a weak and timid youth, small, often ill, without any energy. He did not proclaim the vendetta against the assassin of his father. All his relatives came to see him, and implored of him to take vengeance; he remained deaf to their menaces and their supplications.

"Then, following the old Corsican custom, his sister, in her indignation, carried away his black clothes, in order that he might not wear mourning for a dead man who had not been avenged. He was insensible to even this outrage, and rather than take down from the rack his father's gun, which was still loaded, he shut himself up, not daring to brave the looks of the young men of the district.

"He seemed to have even forgotten the crime and he lived with his sister in the obscurity of their dwelling.

"But, one day, the man who was suspected of having committed the murder, was about to get married. St. Lucia did not appear to be moved by this news, but, no doubt, out of sheer bravado, the bridegroom, on his way to the church, passed before the two orphans' house.

"The brother and the sister, at their window, were eating little fried cakes when the young man saw the bridal procession moving past the house. Suddenly he began to tremble, rose up without uttering a word, made the sign of the cross, took the gun which was hanging over the fireplace, and he went out.

"When he spoke of this later on, he said: 'I don't know what was the matter with me; it was like fire in my blood; I felt that I should do it, that in spite of everything I could not resist, and I concealed the gun in a cave on the road to Corte.'

"An hour later, he came back, with nothing in his hand, and with his habitual air of sad weariness. His sister believed that there was nothing further in his thoughts.

"But when night fell he disappeared.

"His enemy had, the same evening, to repair to Corte on foot, accompanied by his two bridesmen.

"He was pursuing his way, singing as he went, when St. Lucia stood before him, and looking straight in the murderer's face, exclaimed: 'Now is the time!' and shot him point-blank in the chest.

"One of the bridesmen fled; the other stared at the young man saying:

"'What have you done, St. Lucia?'

"Then he was going to hasten to Corte for help, but St. Lucia said in stern tone:

"'If you move another step, I'll shoot you through the legs.'

"The other, aware that till now he had always appeared timid, said to him: 'You would not dare to do it!' and he was hurrying off when he fell instantaneously, his thigh shattered by a bullet.

"And St. Lucia, coming over to where he lay, said:

"'I am going to look at your wound; if it is not serious, I'll leave you there; if it is mortal I'll finish you off.'

"He inspected the wound, considered it mortal, and slowly re-loading his gun, told the wounded man to say a prayer, and shot him through the head.

"Next day he was in the mountains.

"And do you know what this St. Lucia did after this?

"All his family were arrested by the gendarmes. His uncle, the cure, who was suspected of having incited him to this deed of vengeance, was himself put into prison, and accused by the dead man's relatives. But he escaped, took a gun in his turn, and went to join his nephew in the cave.

"Next, St. Lucia killed, one after the other, his uncle's accusers, and tore out their eyes to teach the others never to state what they had seen with their eyes.

"He killed all the relatives, all the connections of his enemy's family. He massacred during his life fourteen gendarmes, burned down the houses of his adversaries, and was up to the day of his death the most terrible of the bandits, whose memory we have preserved."

* * * * *

The sun disappeared behind Monte Cinto and the tall shadow of the granite mountain went to sleep on the granite of the valley. We quickened our pace in order to reach before night the little village of Albertaccio, nothing better than a heap of stones welded beside the stone flanks of a wild gorge. And I said as I thought of the bandit:

"What a terrible custom your vendetta is!"

My companion answered with an air of resignation:

"What, would you have? A man must do his duty!"



A DEAD WOMAN'S SECRET

She had died painlessly, tranquilly, like a woman whose life was irreproachable, and she now lay on her back in bed, with closed eyes, calm features, her long white hair carefully arranged as if she had again made her toilet ten minutes before her death, all her pale physiognomy so composed, now that she had passed away, so resigned that one felt sure a sweet soul had dwelt in that body, that this serene grandmother had spent an untroubled existence, that this virtuous woman had ended her life without any shock, without any remorse.

On his knees, beside the bed, her son, a magistrate of inflexible principles, and her daughter Marguerite, in religion, Sister Eulalie, were weeping distractedly. She had from the time of their infancy armed them with an inflexible code of morality, teaching them a religion without weakness and a sense of duty without any compromise. He, the son, had become a magistrate, and, wielding the weapon of the law, he struck down without pity the feeble and the erring. She, the daughter, quite penetrated with the virtue that had bathed her in this austere family, had become the spouse of God through disgust with men.

They had scarcely known their father; all they knew was that he had made their mother unhappy without learning any further details. The nun passionately kissed one hand of her dead mother, which hung down, a hand of ivory like that of Christ in the large crucifix which lay on the bed. At the opposite side of the prostrate body, the other hand seemed still to grasp the rumpled sheet with that wandering movement which is called the fold of the dying, and the lines had retained little wavy creases as a memento of those last motions which precede the eternal motionlessness. A few light taps at the door caused the two sobbing heads to rise up, and the priest who had just dined, entered the apartment. He was flushed, a little puffed, from the effects of the process of digestion which had just commenced; for he had put a good dash of brandy into his coffee in order to counteract the fatigue caused by the last nights he had remained up and that which he anticipated from the night that was still in store for him. He had put on a look of sadness, that simulated sadness of the priest to whom death is a means of livelihood. He made the sign of the cross, and coming over to them with his professional gesture said:

"Well, my poor children, I have come to help you to pass these mournful hours."

But Sister Eulalie suddenly rose up.

"Thanks, father, but my brother and I would like to be left alone with her. These are the last moments that we now have for seeing her; so we want to feel ourselves once more, the three of us, just as we were years ago when we—we—we were only children, and our poor—poor mother—"

She was unable to finish with the flood of tears that gushed from her eyes, and the sobs that were choking her.

But the priest bowed, with a more serene look on his face, for he was thinking of his bed. "Just as you please, my children."

Then, he knelt down, again crossed himself, prayed, rose up, and softly stole away murmuring as he went: "She was a saint."

They were left alone, the dead woman and her children. A hidden timepiece kept regularly ticking in its dark corner, and through the open window the soft odors of hay and of woods penetrated with faint gleams of moonlight. No sound in the fields outside, save the wandering notes of toads and now and then the humming of some nocturnal insect darting into like a ball, and knocking itself against the wall.

An infinite peace, a divine melancholy, a silent serenity surrounded this dead woman, seemed to emanate from her, to evaporate from her into the atmosphere outside and to calm Nature itself.

Then the magistrate, still on his knees, his head pressed against the bed-clothes, in a far-off, heart-broken voice that pierced through the sheets and the coverlet, exclaimed:

"Mamma, mamma, mamma!" And the sister, sinking down on the floor, striking the wood with her forehead fanatically, twisting herself about and quivering like a person in an epileptic fit, groaned: "Jesus, Jesus—mamma—Jesus!"

And both of them shaken by a hurricane of grief panted with a rattling in their throats.

Then the fit gradually subsided, and they now wept in a less violent fashion, like the rainy calm that follows a squall on a storm-beaten sea. Then, after some time, they rose, and fixed their glances on the beloved corpse. And memories, those memories of the past, so sweet, so torturing to-day, came back to their minds with all those little forgotten details, those little details so intimate and familiar, which make the being who is no more live over again. They recalled circumstances, words, smiles, certain intonations of voice which belonged to one whom they should hear speaking to them again. They saw her once more happy and calm, and phrases she used in ordinary conversation rose to their lips. They even remembered a little movement of the hand peculiar to her, as if she were keeping time when she was saying something of importance.

And they loved her as they had never before loved her. And by the depth of their despair they realized how strongly they had been attached to her, and how desolate they would find themselves now.

She had been their mainstay, their guide, the best part of their youth, of that happy portion of their lives which had vanished; she had been the bond that united them to existence, the mother, the mamma, the creative flesh, the tie that bound them to their ancestors. They would henceforth be solitary, isolated; they would have nothing on earth to look back upon.

The nun said to her brother:

"You know how mamma used always to read over her old letters. They are all there in her drawer. Suppose we read them in our turn, and so revive all her life this night by her side? It would be like a kind of road of the cross, like making the acquaintance of her mother, of grandparents whom we never knew, whose letters are there, and of whom she has so often talked to us, you remember?"

* * * * *

And they drew forth from the drawer a dozen little packets of yellow paper, carefully tied up and placed close to one another. They flung these relics on the bed, and selecting one of them on which the word "Father" was written, they opened and read what was in it.

It consisted of those very old letters which are to be found in old family writing-desks, those letters which have the flavor of another century. The first said, "My darling," another "My beautiful little girl," then others "My dear child," and then again "My dear daughter." And suddenly the nun began reading aloud, reading for the dead her own history, all her tender souvenirs. And the magistrate listened, while he leaned on the bed, with his eyes on his mother's face. And the motionless corpse seemed happy.

Sister Eulalie, interrupting herself, said: "We ought to put them into the grave with her, to make a winding-sheet of them, and bury them with her."

And then she took up another packet, on which the descriptive word did not appear.

And in a loud tone she began: "My adored one, I love you to distraction. Since yesterday I have been suffering like a damned soul burned by the recollection of you. I feel your lips on mine, your eyes under my eyes, your flesh under my flesh. I love you! I love you! You have made me mad! My arms open! I pant with an immense desire to possess you again. My whole body calls out to you, wants you. I have kept in my mouth the taste of your kisses."

The magistrate rose up; the nun stopped reading. He snatched the letter from her, and sought for the signature. There was none, save under the words, "He who adores you," the name "Henry." Their father's name was Rene. So then he was not the man.

Then, the son, with rapid fingers, fumbled in the packet of letters took another of them, and read: "I can do without your caresses no longer."

And, standing up, with the severity of a judge passing sentence, he gazed at the impassive face of the dead woman.

The nun, straight as a statue, with teardrops standing at each corner of her eyes, looked at her brother, waiting to see what he meant to do. Then he crossed the room, slowly reached the window, and looked out thoughtfully into the night.

When he turned back, Sister Eulalie, her eyes now quite dry, still remained standing near the bed, with a downcast look.

He went over to the drawer and flung in the letters which he had picked up from the floor. Then he drew the curtains round the bed.

And when the dawn made the candles on the table look pale, the son rose from his armchair, and without even a parting glance at the mother whom he had separated from them and condemned, he said slowly:

"Now, my sister, let us leave the room."



THE CAKE

Let us say that her name was Madame Anserre so as not to reveal her real name.

She was one of those Parisian comets which leave, as it were, a trail of fire behind them. She wrote verses and novels; she had a poetic heart, and was ravishingly beautiful. She opened her doors to very few—only to exceptional people, those who are commonly described as princes of something or other.

To be a visitor at her house constituted a claim, a genuine claim of intellect: at least this was the estimate set on her invitations.

Her husband played the part of an obscure satellite. To be the husband of a star is not an easy thing. This husband had, however, an original idea, that of creating a State within a State, of possessing a merit of his own, a merit of the second order; it is true; but he did, in fact, in this fashion, on the days when his wife held receptions, hold receptions also on his own account. He had his special set who appreciated him, listened to him, and bestowed on him more attention than they did on his brilliant partner.

He had devoted himself to agriculture—to agriculture in the Chamber. There are in the same way generals in the Chamber—those who are born, who live, and who die, on the round leather chairs of the War Office, are all of this sort, are they not? Sailors in the Chambers—viz., in the Admiralty—Colonizers in the Chamber, etc., etc. So he had studied agriculture, indeed he had studied it deeply, in its relations with the other sciences, with political economy, with the Fine Arts—we dress up the Fine Arts with every kind of science, since we even call the horrible railway bridges "works of art." At length he reached the point when it was said of him: "He is a man of ability." He was quoted in the Technical Reviews; his wife had succeeded in getting him appointed a member of a committee at the Ministry of Agriculture.

This latest glory was quite sufficient for him.

Under the pretext of diminishing the expenses, he sent out invitations to his friends for the day when his wife received hers, so that they associated together, or rather they did not—they formed two groups. Madame, with her escort of artists, academicians, and Ministers, occupied a kind of gallery, furnished and decorated in the style of the Empire. Monsieur generally withdrew with his agriculturists into a smaller portion of the house used as a smoking-room and ironically described by Madame Anserre as the Salon of Agriculture.

The two camps were clearly separated. Monsieur, without jealousy, moreover, sometimes penetrated into the Academy, and cordial handshakings were exchanged, but the Academy entertained infinite contempt for the Salon of Agriculture, and it was rarely that one of the princes of science, of thought, or of anything else mingled with the agriculturists.

These receptions occasioned little expense—a cup of tea, a cake, that was all. Monsieur, at an earlier period, had claimed two cakes, one for the academy, and one for the agriculturists, but Madame having rightly suggested that this way of acting seemed to indicate two camps, two receptions, two parties, Monsieur did not press the matter, so that they used only one cake, of which Madame Anserre did the honors at the Academy, and which then passed into the Salon de Agriculture.

Now, this cake was soon, for the Academy, a subject of observation well calculated to arouse curiosity. Madame Anserre never cut it herself. That function always fell to the lot of one or other of the illustrious guests. The particular duty, which was supposed to carry with it honorable distinction, was performed by each person for a pretty long period, in one case for three months, scarcely ever for more; and it was noticed that the privilege of "cutting the cake" carried with it a heap of other marks of superiority—a sort of royalty, or rather very accentuated vice-royalty.

The reigning cutter spoke in a haughty tone, with an air of marked command; and all the favors of the mistress of the house were for him alone.

These happy individuals were in moments of intimacy described in hushed tones behind doors as the "favorites of the cake," and every change of favorite introduced into the Academy a sort of revolution. The knife was a scepter, the pastry an emblem; the chosen ones were congratulated. The agriculturists never cut the cake. Monsieur himself was always excluded, although he ate his share.

The cake was cut in succession by poets, by painters, and by novelists. A great musician had the privilege of measuring the portions of the cake for some time; an ambassador succeeded him. Sometimes a man less well-known, but elegant and sought after, one of those who are called according to the different epochs, "true gentleman," or "perfect knight," or "dandy," or something else, seated himself, in his turn, before the symbolic cake. Each of them, during his ephemeral reign, exhibited greater consideration towards the husband; then, when the hour of his fall had arrived, he passed on the knife towards the other and mingled once more with the crowd of followers and admirers of the "beautiful Madame Anserre."

This state of things lasted a long time, but comets do not always shine with the same brilliance. Everything gets worn out in society. One would have said that gradually the eagerness of the cutters grew feebler; they seemed to hesitate at times when the tray was held out to them; this office, once so much coveted, became less and less desired. It was retained for a shorter time; they appeared to be less proud of it.

Madame Anserre was prodigal of smiles and civilities. Alas! no one was found any longer to cut it voluntarily. The new comers seemed to decline the honor. The "old favorites" reappeared one by one like dethroned princes who have been replaced for a brief spell in power. Then, the chosen ones became few, very few. For a month (O, prodigy!) M. Anserre cut open the cake; then he looked as if he were getting tired of it; and one evening Madame Anserre, the beautiful Madame Anserre, was seen cutting it herself. But this appeared to be very wearisome to her, and, next day, she urged one of her guests so strongly to do it that he did not dare to refuse.

The symbol was too well-known, however; the guests stared at one another with scared anxious faces. To cut the cake was nothing, but the privileges to which this favor had always given a claim now frightened people; therefore, the moment the dish made its appearance the academicians rushed pell-mell into the Salon of Agriculture, as if to shelter themselves behind the husband, who was perpetually smiling. And when Madame Anserre, in a state of anxiety, presented herself at the door with a cake in one hand and the knife in the other, they all seemed to form a circle around her husband as if to appeal to him for protection.

Some years more passed. Nobody cut the cake now; but yielding to an old inveterate habit, the lady who had always been gallantly called "the beautiful Madame Anserre" looked out each evening for some devotee to take the knife, and each time the same movement took place around her, a general flight, skillfully arranged, and full of combined maneuvers that showed great cleverness, in order to avoid the offer that was rising to her lips.

But, one evening, a young man presented himself at her reception—an innocent, unsophisticated youth. He knew nothing about the mystery of the cake; accordingly, when it appeared, and when all the rest ran away, when Madame Anserre took from the man-servant's hands the dish and the pastry, he remained quietly by her side.

She thought that perhaps he knew about the matter; she smiled, and in a tone which showed some emotion, said:

"Will you be kind enough, dear Monsieur, to cut this cake?"

He displayed the utmost readiness, and took off his gloves, flattered at such an honor being conferred on him.

"Oh, to be sure Madame, with the greatest pleasure."

Some distance away in the corner of the gallery, in the frame of the door which led into the Salon of the Agriculturists, faces which expressed utter amazement were staring at him. Then, when the spectators saw the new comer cutting without any hesitation, they quickly came forward.

An old poet jocosely slapped the neophyte on the shoulder.

"Bravo, young man!" he whispered in his ear.

The others gazed at him with curiosity. Even the husband appeared to be surprised. As for the young man, he was astonished at the consideration which they suddenly seemed to show towards him; above all, he failed to comprehend the marked attentions, the manifest favor, and the species of mute gratitude which the mistress of the house bestowed on him.

It appears, however, that he eventually found out.

At what moment, in what place, was the revelation made to him? Nobody could tell; but, when he again presented himself at the reception, he had a preoccupied air, almost a shamefaced look, and he cast around him a glance of uneasiness.

The bell rang for tea. The man-servant appeared. Madame Anserre, with a smile, seized the dish, casting a look about her for her young friend; but he had fled so precipitately that no trace of him could be seen any longer. Then, she went looking everywhere for him, and ere long she discovered him in the Salon of the Agriculturists. With his arm locked in that of the husband, he was consulting that gentleman as to the means employed for destroying phylloxera.

"My dear Monsieur," she said to him, "will you be so kind as to cut this cake for me?"

He reddened to the roots of his hair, and hanging down his head, stammered out some excuses. Thereupon M. Anserre took pity on him, and turning towards his wife, said:

"My dear, you might have the goodness not to disturb us. We are talking about agriculture. So get your cake cut by Baptiste."

And since that day nobody has ever cut Madame Anserre's cake.



A LIVELY FRIEND

They had been constantly in each other's society for a whole winter in Paris. After having lost sight of each other, as generally happens in such cases, after leaving college, the two friends met again one night, long years after, already old and white-haired, the one a bachelor, the other married.

M. de Meroul lived six months in Paris and six months in his little chateau of Tourbeville. Having married the daughter of a gentleman in the district, he had lived a peaceful, happy life with the indolence of a man who has nothing to do. With a calm temperament and a sedate mind, without any intellectual audacity or tendency towards revolutionary independence of thought, he passed his time in mildly regretting the past, in deploring the morals and the institutions of to-day, and in repeating every moment to his wife, who raised her eyes to Heaven, and sometimes her hands also, in token of energetic assent:

"Under what a government do we live, great God!"

Madame de Meroul mentally resembled her husband, just as if they had been brother and sister. She knew by tradition that one ought, first of all, to reverence the Pope and the King!

And she loved them and respected them from the bottom of her heart, without knowing them, with a poetic exaltation, with a hereditary devotion, with all the sensibility of a well-born woman. She was kindly in every fold of her soul. She had no child, and was incessantly regretting it.

When M. de Meroul came across his old school fellow Joseph Mouradour at a ball, he experienced from this meeting a profound and genuine delight, for they had been very fond of one another in their youth.

After exclamations of astonishment over the changes caused by age in their bodies and their faces, they had asked one another a number of questions as to their respective careers.

Joseph Mouradour, a native of the South of France, had become a Councilor General in his own neighborhood. Frank in his manners, he spoke briskly and without any circumspection telling all his thoughts with sheer indifference to prudential considerations. He was a Republican, of that race of good-natured Republicans who make their own ease the law of their existence, and who carry freedom of speech to the verge of brutality.

He called at his friend's address in Paris, and was immediately a favorite, on account of his easy cordiality, in spite of his advanced opinions. Madame de Meroul exclaimed:

"What a pity! such a charming man!"

M. de Meroul said to his friend, in a sincere and confidential tone: "You cannot imagine what a wrong you do to our country." He was attached to his friend nevertheless, for no bonds are more solid than those of childhood renewed in later life. Joseph Mouradour chaffed the husband and wife, called them "my loving turtles," and occasionally gave vent to loud declarations against people who were behind the age, against all sorts of prejudices and traditions.

When he thus directed the flood of his democratic eloquence, the married pair, feeling ill at ease, kept silent through a sense of propriety and good-breeding; then the husband tried to turn off the conversation, in order to avoid any friction. Joseph Mouradour did not want to know anyone unless he was free to say what he liked.

Summer came round. The Merouls knew no greater pleasure than to receive their old friends in their country house at Tourbeville. It was an intimate and healthy pleasure, the pleasure of homely gentlefolk who had spent most of their lives in the country. They used to go to the nearest railway station to meet some of their guests, and drove them to the house in their carriage, watching for compliments on their district, on the rapid vegetation, on the condition of the roads in the department, on the cleanliness of the peasants' houses, on the bigness of the cattle they saw in the fields, on everything that met the eye as far as the edge of the horizon.

They liked to have it noticed that their horse trotted in a wonderful manner for an animal employed a part of the year in field-work; and they awaited, with anxiety the newcomer's opinion on their family estate, sensitive to the slightest word, grateful for the slightest gracious attention.

Joseph Mouradour was invited, and he announced his arrival.

The wife and the husband came to meet the train, delighted to have the opportunity of doing the honors of their house.

As soon as he perceived them, Joseph Mouradour jumped out of his carriage with a vivacity which increased their satisfaction. He grasped their hands warmly, congratulated them, and intoxicated them with compliments.

He was quite charming in his manner as they drove along the road to the house; he expressed astonishment at the height of the trees, the excellence of the crops, and the quickness of the horse.

When he placed his foot on the steps in front of the chateau, M. de Meroul said to him with a certain friendly solemnity:

"Now you are at home."

Joseph Mouradour answered: "Thanks old fellow; I counted on that. For my part, besides, I never put myself out with my friends. That's the only hospitality I understand."

Then, he went up to his own room, where he put on the costume of a peasant, as he was pleased to describe it, and he came down again not very long after, attired in blue linen, with yellow boots, in the careless rig-out of a Parisian out for a holiday. He seemed, too to have become more common, more jolly, more familiar, having assumed along with his would-be rustic garb a free and easy swagger which he thought suited the style of dress. His new apparel somewhat shocked M. and Madame de Meroul who even at home on their estate always remained serious and respectable, as the particle "de" before their name exacted a certain amount of ceremonial even with their intimate friends.

After lunch, they went to visit the farms; and the Parisian stupefied the respectable peasants by talking to them as if he were a comrade of theirs.

In the evening, the cure dined at the house—a fat old priest, wearing his Sunday suit, who had been specially asked that day in order to meet the newcomer.

When Joseph saw him he made a grimace, then he stared at the priest in astonishment as if he belonged to some peculiar race of beings, the like of which he had never seen before at such close quarters. He told a few smutty stories allowable enough with a friend after dinner, but apparently somewhat out of place in the presence of an ecclesiastic. He did not say, "Monsieur l'Abbe," but merely "Monsieur"; and he embarrassed the priest with philosophical views as to the various superstitions that prevailed on the surface of the globe.

He remarked:

"Your God, monsieur, is one of those persons whom we must respect, but also one of those who must be discussed. Mine is called Reason; he has from time immemorial been the enemy of yours."

The Merouls, greatly put out, attempted to divert his thoughts.

The cure left very early.

Then the husband gently remarked:

"You went a little too far with that priest."

But Joseph immediately replied:

"That's a very good joke, too! Am I to bother my brains about a devil-dodger? At any rate, do me the favor of not ever again having such an old fogy to dinner. Curses on his impudence!"

"But, my friend, remember his sacred character."

Joseph Mouradour interrupted him:

"Yes, I know. We must treat them like girls, who get roses for being well behaved! That's all right, my boy! When these people respect my convictions, I will respect theirs!"

This was all that happened that day.

Next morning, Madame de Meroul, on entering her drawing-room, saw lying on the table three newspapers which made her draw back in horror. "Le Voltaire," "Le Republique Francaise," and "La Justice."

Presently, Joseph Mouradour, still in his blue blouse, appeared on the threshold, reading "L'Intransigeant" attentively. He exclaimed:

"There is a splendid article by Rochefort. This fellow is marvelous."

He read the article in a loud voice, laying so much stress on its most striking passages that he did not notice the entrance of his friend.

M. de Meroul had a paper in each hand. "Le Gaulois" for himself and "Le Clarion" for his wife.

The ardent prose of the master-writer who overthrew the empire, violently declaimed, recited in the accent of the South, rang through the peaceful drawing-room, shook the old curtains with their rigid folds, seemed to splash the walls, the large upholstered chairs, the solemn furniture fixed in the same position for the past century, with a hail of words, rebounding, impudent, ironical and crushing.

The husband and the wife, the one standing, the other seated, listened in a state of stupor, so scandalized that they no longer even ventured to make a gesture. Mouradour launched out the concluding passage in the article as one lets forth a jet of fireworks, then in an emphatic tone remarked:

"That's a stinger, eh?"

But suddenly he perceived the two prints belonging to his friend, and he seemed himself for a moment overcome with astonishment. Then, he came across to his host with great strides, demanding in angry tone:

"What do you want to do with these papers?" M. de Meroul replied in a hesitating voice:

"Why, these—these are my—my newspapers."

"Your newspapers! Look here, now, you are only laughing at me! You will do me the favor to read mine, to stir you up with a few new ideas, and, as for yours—this is what I do with them—"

And before his host, filled with confusion, could prevent him, he seized the two newspapers and flung them out through the window. Then he gravely placed "La Justice" in the hands of Madame de Meroul and "Le Voltaire" in those of her husband, and he sank into an armchair to finish "L'Intransigeant."

The husband and the wife, through feelings of delicacy, made a show of reading a little, then they handed back the Republican newspapers, which they touched with their finger-tips as if they had been poisoned.

Then he burst out laughing, and said:

"A week of this sort of nourishment, and I'll have you converted to my ideas."

At the end of the week, in fact, he ruled the house. He had shut the door on the cure, whom Madame Meroul went to see in secret. He gave orders that neither the "Gaulois" nor the "Clarion" were to be admitted into the house, which a man-servant went to get in a mysterious fashion at the post-office, and which, on his entrance, were hidden away under the sofa cushions. He regulated everything just as he liked, always charming, always good-natured, a jovial and all powerful tyrant.

Other friends were about to come on a visit, religious people with Legitimist opinions. The master and mistress of the chateau considered it would be impossible to let them meet their lively guest, and, not knowing what to do, announced to Joseph Mouradour one evening that they were obliged to go away from home for a few days about a little matter of business, and they begged of him to remain in the house alone.

He showed no trace of emotion, and replied:

"Very well; 'tis all the same to me; I'll wait here for you as long as you like. What I say is this—there need be no ceremony between friends. You're quite right to look after your own affairs—why the devil shouldn't you? I'll not take offense at your doing that, quite the contrary. It only makes me feel quite at my ease with you. Go, my friends—I'll wait for you."

M. and Madame Meroul started next morning.

He is waiting for them.



THE ORPHAN

Mademoiselle Source had adopted this boy under very sad circumstances. She was at the time thirty-six years old. She was deformed, having in her infancy slipped off her nurse's lap into the fireplace, and getting her face so shockingly burned that it ever afterwards presented a frightful appearance. This deformity had made her resolve not to marry, for she did not want any man to marry her for her money.

A female neighbor of hers, being left a widow during her pregnancy, died in child-birth, without leaving a sou. Mademoiselle Source took the new-born child, put him out to nurse, reared him, sent him to a boarding-school, then brought him home in his fourteenth year, in order to have in her empty house somebody who would love her, who would look after her, who would make her old age pleasant.

She resided on a little property four leagues away from Rennes, and she now dispensed with a servant. The expenses having increased to more than double what they had been since this orphan's arrival, her income of three thousand francs was no longer sufficient to support three persons.

She attended to the housekeeping and the cooking herself, and she sent out the boy on errands, letting him further occupy himself with cultivating the garden. He was gentle, timid, silent, and caressing. And she experienced a deep joy, a fresh joy at being embraced by him, without any apparent surprise or repugnance being exhibited by him on account of her ugliness. He called her "Aunt" and treated her as a mother.

In the evening they both sat down at the fireside, and she got nice things ready for him. She heated some wine and toasted a slice of bread, and it made a charming little meal before going to bed. She often took him on her knees and covered him with kisses, murmuring in his ear with passionate tenderness. She called him: "My little flower, my cherub, my adored angel, my divine jewel." He softly accepted her caresses, concealing his head on the old maid's shoulder. Although he was now nearly fifteen years old, he had remained small and weak, and had a rather sickly appearance.

Sometimes Mademoiselle Source brought him to the city, to see two married female relatives of hers, distant cousins, who were living in the suburbs, and who were the only members of her family in existence. The two women had always found fault with her for having adopted this boy on account of the inheritance; but for all that they gave her a cordial welcome, having still hopes of getting a share for themselves, a third, no doubt, if what she possessed were only equally divided.

She was happy, very happy, always taken up with her adopted child. She bought books for him to improve his mind, and he devoted himself ardently to reading.

He no longer now climbed on her knees to fondle her as he had formerly done; but instead would go and sit down in his little chair in the chimney-corner and open a volume. The lamp placed at the edge of the little table, above his head, shone on his curly hair, and on a portion of his forehead; he did not move, he did not raise his eyes, he did not make any gesture. He read on, interested, entirely absorbed in the adventures which formed the subject of the book.

She, seated opposite to him, gazed at him with an eager, steady look, astonished at his studiousness, often on the point of bursting into tears.

She said to him now and then: "You will fatigue yourself, my treasure!" in the hope that he would raise his head, and come across to embrace her; but he did not even answer her; he had not heard or understood what she was saying; he paid no attention to anything save what he read in these pages.

For two years he devoured an incalculable number of volumes. His character changed.

After this, he asked Mademoiselle Source many times for money, which she gave him. As he always wanted more, she ended by refusing, for she was both regular and energetic, and knew how to act rationally when it was necessary to do so. By dint of entreaties he obtained a large sum one night from her; but when he urged her to give him another sum a few days later, she showed herself inflexible, and did not give way to him further, in fact.

He appeared to be satisfied with her decision.

He again became quiet, as he had formerly been, loving to remain seated for entire hours, without moving, plunged in deep reverie. He now did not even talk to Madame Source, merely answering her remarks with short, formal words. Nevertheless, he was agreeable and attentive in his manner towards her; but he never embraced her now.

She had by this time grown slightly afraid of him when they sat facing one another at night at opposite sides of the chimney-piece. She wanted to wake him up, to make him say something, no matter what, that would break this dreadful silence, which was like the darkness of a wood. But he did not appear to listen to her, and she shuddered with the terror of a poor feeble woman when she had spoken to him five or six times successively without being able to get a word out of him.

What was the matter with him? What was going on in that closed up head? When she had been thus two or three hours sitting opposite him, she felt herself getting daft, and longed to rush away and to escape into the open country in order to avoid that mute, eternal companionship and also some vague danger, which she could not define, but of which she had a presentiment.

She frequently shed tears when she was alone. What was the matter with him? When she gave expression to a desire, he unmurmuringly carried it into execution. When she wanted to have anything brought to her from the city, he immediately went there to procure it. She had no complaint to make of him; no, indeed! And yet....

Another year flitted by, and it seemed to her that a new modification had taken place in the mind of the young man. She perceived it; she felt it; she divined it. How? No matter! She was sure she was not mistaken; but she could not have explained in what the unknown thoughts of this strange youth had changed.

It seemed to her that till now he had been like a person in a hesitating frame of mind who had suddenly arrived at a determination. This idea came to her one evening as she met his glance, a fixed singular glance which she had not seen in his face before.

Then, he commenced to watch her incessantly and she wished she could hide herself in order to avoid that cold eye, riveted on her.

He kept staring at her, evening after evening for hours together, only averting his eyes when she said, utterly unnerved:

"Do not look at me like that, my child!"

Then he hung down his head.

But, the moment her back was turned, she once more felt that his eyes were upon her. Wherever she went he pursued her with his persistent gaze.

Sometimes, when she was walking in her little garden, she suddenly noticed him squatted on the stump of a tree as if he were lying in wait for her; and again when she sat in front of the house mending stockings while he was digging some cabbage-bed, he kept watching her, as he worked, in a sly, continuous fashion.

It was in vain that she asked him:

"What's the matter with you, my boy? For the last three years you have become very different. I don't find you the same. Tell me what ails you, and what you are thinking of, I beg of you."

He invariably replied, in a quiet, weary tone:

"Why, nothing ails me, Aunt!"

And when she persisted, appealing to him thus:

"Ah! my child, answer me, answer me when I speak to you. If you knew what grief you caused me, you would always answer, and you would not look at me that way. Have you any trouble? Tell me! I'll console you!"

He went away with a tired air, murmuring:

"But there is nothing the matter with me, I assure you."

He had not grown much, having always a childish aspect, although the features of his face were those of a man. They were, however, hard and badly-cut. He seemed incomplete, abortive, only half-finished, and disquieting as a mystery. He was a close, impenetrable being, in whom there seemed always to be some active, dangerous mental travail taking place.

Mademoiselle Source was quite conscious of all this, and she could not from that time forth, sleep at night, so great was her anxiety. Frightful terrors, dreadful nightmares assailed her. She shut herself up in her own room, and barricaded the door, tortured by fear.

What was she afraid of? She could not tell.

Fear of everything, of the night, of the walls, of the shadows thrown by the moon on the white curtains of the windows, and above all, fear of him.

Why?

What had she to fear? Did she know what it was?

She could live this way no longer! She felt certain that a misfortune threatened her, a frightful misfortune.

She set forth secretly one morning, and went into the city to see her relatives. She told them about the matter in a gasping voice. The two women thought she was going mad and tried to reassure her.

She said:

"If you knew the way he looks at me from morning till night. He never takes his eyes off me! At times, I feel a longing to cry for help, to call in the neighbors, so much am I afraid. But what could I say to them? He does nothing to me except to keep looking at me."

The two female cousins asked:

"Is he ever brutal to you? Does he give you sharp answers?"

She replied:

"No, never; he does everything I wish; he works hard; he is steady; but I am so frightened I don't mind that much. He has something in his head, I am certain of that—quite certain. I don't care to remain all alone like that with him in the country."

The relatives, scared by her words, declared to her that they were astonished, and could not understand her; and they advised her to keep silent about her fears and her plans, without, however, dissuading her from coming to reside in the city, hoping in that way that the entire inheritance would eventually fall into their hands.

They even promised to assist her in selling her house and in finding another near them.

Mademoiselle Source returned home. But her mind was so much upset that she trembled at the slightest noise, and her hands shook whenever any trifling disturbance agitated her.

Twice she went again to consult her relatives, quite determined now not to remain any longer in this way in her lonely dwelling. At last, she found a little cottage in the suburbs, which suited her, and she privately bought it.

The signature of the contract took place on a Tuesday morning, and Mademoiselle Source devoted the rest of the day to the preparations for her change of residence.

At eight o'clock in the evening she got into the diligence which passed within a few hundred yards of her house, and she told the conductor to let her down in the place where it was his custom to stop for her. The man called out to her as he whipped his horses:

"Good evening, Mademoiselle Source—good night!"

She replied as she walked on:

"Good evening, Pere Joseph." Next morning, at half-past seven, the postman who conveyed letters to the village, noticed at the cross-road, not far from the high road, a large splash of blood not yet dry. He said to himself: "Hallo! some boozer must have got a bleeding in the nose."

But he perceived ten paces farther on a pocket-handkerchief also stained with blood. He picked it up. The linen was fine, and the postman in alarm, made his way over to the dike, where he fancied he saw a strange object.

Mademoiselle Source was lying at the bottom on the grass, her throat cut open with a knife.

An hour later, the gendarmes, the examining magistrate, and other authorities made an inquiry as to the cause of death.

The two female relatives, called as witnesses, told all about the old maid's fears and her last plans.

The orphan was arrested. Since the death of the woman who had adopted him, he wept from morning till night, plunged at least to all appearance, in the most violent grief.

He proved that he had spent the evening up to eleven o'clock in a cafe. Ten persons had seen him, having remained there till his departure.

Now the driver of the diligence stated that he had set down the murdered woman on the road between half-past nine and ten o'clock.

The accused was acquitted. A will, a long time made, which had been left in the hands of a notary in Rennes, made him universal legatee. So he inherited everything.

For a long time, the people of the country put him into a quarantine, as they still suspected him. His house, which was that of the dead woman, was looked upon as accursed. People avoided him in the street.

But he showed himself so good-natured, so open, so familiar, that gradually these horrible doubts were forgotten. He was generous, obliging, ready to talk to the humblest about anything as long as they cared to talk to him.

The notary, Maitre Rameay, was one of the first to take his part, attracted by his smiling loquacity. He said one evening at a dinner at the tax-collector's house:

"A man who speaks with such facility and who is always in good humor could not have such a crime on his conscience."

Touched by his argument, the others who were present reflected, and they recalled to mind the long conversations with this man who made them stop almost by force at the road corners to communicate his ideas to them, who insisted on their going into his house when they were passing by his garden, who could crack a joke better than the lieutenant of the gendarmes himself, and who possessed such contagious gayety that, in spite of the repugnance with which he inspired them, they could not keep from always laughing in his company.

All doors were opened to him, after a time.

He is, to-day, the mayor of his own township.



THE BLIND MAN

How is it that the sunlight gives us such joy? Why does this radiance when it falls on the earth fill us with so much delight of living? The sky is all blue, the fields are all green, the houses all white; and our ravished eyes drink in those bright colors which bring mirthfulness to our souls. And then there springs up in our hearts a desire to dance, a desire to run, a desire to sing, a happy lightness of thought, a sort of enlarged tenderness; we feel a longing to embrace the sun.

The blind, as they sit in the doorways, impassive in their eternal darkness, remain as calm as ever in the midst of this fresh gayety, and, not comprehending what is taking place around them, they keep every moment stopping their dogs from gamboling.

When, at the close of the day, they are returning home on the arm of a young brother or a little sister, if the child says: "It was a very fine day!" the other answers: "I could notice that 'twas fine. Loulou wouldn't keep quiet."

I have known one of these men whose life was one of the most cruel martyrdoms that could possibly be conceived.

He was a peasant, the son of a Norman farmer. As long as his father and mother lived, he was more or less taken care of; he suffered little save from his horrible infirmity; but as soon as the old people were gone, an atrocious life of misery commenced for him. A dependent on a sister of his, everybody in the farmhouse treated him as a beggar who is eating the bread of others. At every meal the very food he swallowed was made a subject of reproach against him; he was called a drone, a clown; and although his brother-in-law had taken possession of his portion of the inheritance, the soup was given to him grudgingly—just enough to save him from dying.

His face was very pale, and his two big white eyes were like wafers; and he remained unmoved in spite of the insults inflicted upon him, so shut up in himself that one could not tell whether he felt them at all.

Moreover, he had never known any tenderness, his mother having always treated him unkindly, and caring scarcely at all for him; for in country places the useless are obnoxious, and the peasants would be glad, like hens, to kill the infirm of their species.

As soon as the soup had been gulped down, he went to the door in summer-time and sat down, to the chimney-corner in winter time, and, after that, never stirred all night. He made no gesture, no movement; only his eyelids, quivering from some nervous affection, fell down sometimes over his white, sightless orbs. Had he any intellect, any thinking faculty, any consciousness of his own existence? Nobody cared to inquire as to whether he had or no.

For some years things went on in this fashion. But his incapacity for doing anything as well as his impassiveness eventually exasperated his relatives, and he became a laughing-stock, a sort of martyred buffoon, a prey given over to native ferocity, to the savage gaiety of the brutes who surrounded him.

It is easy to imagine all the cruel practical jokes inspired by his blindness. And, in order to have some fun in return for feeding him, they now converted his meals into hours of pleasure for the neighbors and of punishment for the helpless creature himself.

The peasants from the nearest houses came to this entertainment; it was talked about from door to door, and every day the kitchen of the farmhouse was full of people. Sometimes they put on the table, in front of his plate, when he was beginning to take the soup, some cat or some dog. The animal instinctively scented out the man's infirmity, and, softly approaching, commenced eating noiselessly, lapping up the soup daintily; and, when a rather loud licking of the tongue awakened the poor fellow's attention, it would prudently scamper away to avoid the blow of the spoon directed at it by the blind man at random!

Then the spectators huddled against the walls burst out laughing, nudged each other, and stamped their feet on the floor. And he, without ever uttering a word, would continue eating with the aid of his right hand, while stretching out his left to protect and defend his plate.

At another time they made him chew corks, bits of wood, leaves, or even filth, which he was unable to distinguish.

After this, they got tired even of these practical jokes; and the brother-in-law, mad at having to support him always, struck him, cuffed him incessantly, laughing at the useless efforts of the other to ward off or return the blows. Then came a new pleasure—the pleasure of smacking his face. And the plough-men, the servant girls, and even every passing vagabond were every moment giving him cuffs, which caused his eyelashes to twitch spasmodically. He did not know where to hide himself, and remained with his arms always held out to guard against people coming too close to him.

At last he was forced to beg.

He was placed somewhere on the high-road on market-days, and as soon as he heard the sound of footsteps or the rolling of a vehicle, he reached out his hat, stammering:—

"Charity, if you please!"

But the peasant is not lavish, and for whole weeks he did not bring back a sou.

Then he became the victim of furious, pitiless hatred. And this is how he died.

One winter the ground was covered with snow, and it froze horribly. Now his brother-in-law led him one morning at this season a great distance along the high-road in order that he might solicit alms. The blind man was left there all day, and when night came on, the brother-in-law told the people of his house that he could find no trace of the mendicant. Then he added:

"Pooh! best not bother about him! He was cold, and got someone to take him away. Never fear! he's not lost. He'll turn up soon enough to-morrow to eat the soup."

Next day, he did not come back.

After long hours of waiting, stiffened with the cold, feeling that he was dying, the blind man began to walk. Being unable to find his way along the road, owing to its thick coating of ice, he went on at random, falling into dykes, getting up again, without uttering a sound, his sole object being to find some house where he could take shelter.

But by degrees the descending snow made a numbness steal over him, and his feeble limbs being incapable of carrying him farther, he had to sit down in the middle of an open field. He did not get up again.

The white flakes which kept continually falling buried him, so that his body, quite stiff and stark, disappeared under the incessant accumulation of their rapidly thickening mass; and nothing any longer indicated the place where the corpse was lying.

His relatives made pretense of inquiring about him and searching for him for about a week. They even made a show of weeping.

The winter was severe, and the thaw did not set in quickly. Now, one Sunday, on their way to mass, the farmers noticed a great flight of crows, who were whirling endlessly above the open field, and then, like a shower of black rain, descended in a heap at the same spot, ever going and coming.

The following week these gloomy birds were still there. There was a crowd of them up in the air, as if they had gathered from all corners of the horizon; and they swooped down with a great cawing into the shining snow, which they filled curiously with patches of black, and in which they kept rummaging obstinately. A young fellow went to see what they were doing, and discovered the body of the blind man, already half devoured, mangled. His wan eyes had disappeared, pecked out by the long, voracious beaks.

And I can never feel the glad radiance of sunlit days without sadly remembering and gloomily pondering over the fate of the beggar so disinherited in life that his horrible death was a relief for all those who had known him.



A WIFE'S CONFESSION

My friend, you have asked me to relate to you the liveliest recollections of my life. I am very old, without relatives, without children; so I am free to make a confession to you. Promise me one thing—never to reveal my name.

I have been much loved, as you know; I have often myself loved. I was very beautiful; I may say this to-day, when my beauty is gone. Love was for me the life of the soul, just as the air is the life of the body. I would have preferred to die rather than exist without affection, without having somebody always to care for me. Women often pretend to love only once with all the strength of their hearts; it has often happened to be so violent in one of my attachments that I thought it would be impossible for my transports ever to end. However, they always died out in a natural fashion, like a fire when it has no more fuel.

I will tell you to-day the first of my adventures, in which I was very innocent, but which led to the others. The horrible vengeance of that dreadful chemist of Pecq recalls to me the shocking drama of which I was, in spite of myself, a spectator.

I had been a year married to a rich man, Comte Herve de Ker—— a Breton of ancient family, whom I did not love, you understand. True love needs, I believe at any rate, freedom and impediments at the same time. The love which is imposed, sanctioned by law, and blessed by the priest—can we really call that love? A legal kiss is never as good as a stolen kiss. My husband was tall in stature, elegant, and a really fine gentleman in his manners. But he lacked intelligence. He spoke in a downright fashion, and uttered opinions that cut like the blade of a knife. He created the impression that his mind was full of ready-made views instilled into him by his father and mother, who had themselves got them from their ancestors. He never hesitated, but on every subject immediately made narrow-minded suggestions, without showing any embarrassment and without realizing that there might be other ways of looking at things. One felt that his head was closed up, that no ideas circulated in it, none of those ideas which renew a man's mind and make it sound, like a breath of fresh air passing through an open window into a house.

The chateau in which we lived was situated in the midst of a desolate tract of country. It was a large, melancholy structure, surrounded by enormous trees, with tufts of moss on it resembling old men's white beards. The park, a real forest, was enclosed in a deep trench called the ha-ha; and at its extremity, near the moorland, we had big ponds full of reeds and floating grass. Between the two, at the edge of a stream which connected them, my husband had got a little hut built for shooting wild ducks.

We had, in addition to our ordinary servants, a keeper, a sort of brute devoted to my husband to the death, and a chambermaid, almost a friend, passionately attached to me. I had brought her back from Spain with me five years before. She was a deserted child. She might have been taken for a gipsy with her dusky skin, her dark eyes, her hair thick as a wood and always clustering around her forehead. She was at the time sixteen years old, but she looked twenty.

The autumn was beginning. We hunted much, sometimes on neighboring estates, sometimes on our own; and I noticed a young man, the Baron de C——, whose visits at the chateau became singularly frequent. Then he ceased to come; I thought no more about it; but I perceived that my husband changed in his demeanor towards me.

He seemed taciturn and preoccupied; he did not kiss me; and, in spite of the fact that he did not come into my room, as I insisted on separate apartments in order to live a little alone, I often at night heard a furtive step drawing near my door, and withdrawing a few minutes after.

As my window was on the ground-floor I thought I had also often heard someone prowling in the shadow around the chateau. I told my husband about it, and, having looked at me intently for some seconds, he answered:

"It is nothing—it is the keeper."

* * * * *

Now, one evening, just after dinner, Herve, who appeared to be extraordinarily gay, with a sly sort of gaiety, said to me:

"Would you like to spend three hours out with the guns, in order to shoot a fox who comes every evening to eat my hens?"

I was surprised. I hesitated; but, as he kept staring at me with singular persistency, I ended by replying:

"Why, certainly, my friend." I must tell you that I hunted like a man the wolf and the wild boar. So it was quite natural that he should suggest this shooting expedition to me.

But my husband, all of a sudden, had a curiously nervous look; and all the evening he seemed agitated, rising up and sitting down feverishly.

About ten o'clock, he suddenly said to me:

"Are you ready?"

I rose; and, as he was bringing me my gun himself, I asked:

"Are we to load with bullets or with deershot?"

He showed some astonishment; then he rejoined:

"Oh! only with deershot; make your mind easy! that will be enough."

Then, after some seconds, he added in a peculiar tone:

"You may boast of having splendid coolness."

I burst out laughing.

"I? Why, pray? Coolness because I went to kill a fox? But what are you thinking of, my friend?"

And we quietly made our way across the park. All the household slept. The full moon seemed to give a yellow tint to the old gloomy building, whose slate roof glittered brightly. The two turrets that flanked it had two plates of light on their summits, and no noise disturbed the silence of this clear, sad night, sweet and still, which seemed in a death-trance. Not a breath of air, not a shriek from a toad, not a hoot from an owl; a melancholy numbness lay heavy on everything. When we were under the trees in the park, a sense of freshness stole over me, together with the odor of fallen leaves. My husband said nothing; but he was listening, he was watching, he seemed to be smelling about in the shadows, possessed from head to foot by the passion for the chase.

We soon reached the edges of the ponds.

Their tufts of rushes remained motionless; not a breath of air caressed it; but movements which were scarcely perceptible ran through the water. Sometimes the surface was stirred by something, and light circles gathered around, like luminous wrinkles enlarging indefinitely.

When we reached the hut where we were to lie in wait, my husband made me go in first; then he slowly loaded his gun, and the dry cracking of the powder produced a strange effect on me. He saw that I was shuddering, and asked:

"Does this trial happen to be quite enough for you? If so, go back."

I was much surprised, and I replied:

"Not at all. I did not come to go back without doing anything. You seem queer this evening."

He murmured, "As you wish," and we remained there without moving.

At the end of about half-an-hour, as nothing broke the oppressive stillness of this bright autumn night, I said, in a low tone:

"Are you quite sure he is passing this way?"

Herve winced as if I had bitten him, and with his mouth close to my ear, he said:

"Make no mistake about it. I am quite sure."

And once more there was silence.

I believe I was beginning to get drowsy when my husband pressed my arm, and his voice, changed to a hiss, said:

"Do you see him over there under the trees?"

I looked in vain; I could distinguish nothing. And slowly Herve now cocked his gun, all the time fixing his eyes on my face.

I was myself making ready to fire, and suddenly, thirty paces in front of us, appeared in the full light of the moon a man who was hurrying forward with rapid movements, his body bent, as if he were trying to escape.

I was so stupefied that I uttered a loud cry; but, before I could turn round, there was a flash before my eyes; I heard a deafening report, and I saw the man rolling on the ground, like a wolf hit by a bullet.

I burst into dreadful shrieks, terrified, almost going mad; then a furious hand—it was Herve's—seized me by the throat. I was flung down on the ground, then carried off by his strong arms. He ran, holding me up, till we reached the body lying on the grass, and he threw me on top of it violently, as if he wanted to break my head.

I thought I was lost; he was going to kill me; and he had just raised his heel up to my forehead when, in his turn, he was gripped, knocked down before I could yet realize what had happened.

I rose up abruptly, and I saw kneeling on top of him Porquita, my maid, clinging like a wild cat to him with desperate energy, tearing off his beard, his moustache, and the skin of his face.

Then, as if another idea had suddenly taken hold of her mind, she rose up, and, flinging herself on the corpse, she threw her arms around the dead man, kissing his eyes and his mouth, opening the dead lips with her own lips, trying to find in them a breath and a long, long kiss of lovers.

My husband, picking himself up, gazed at me. He understood, and falling at my feet, said:

"Oh! forgive me, my darling, I suspected you, and I killed this girl's lover. It was my keeper that deceived me."

But I was watching the strange kisses of that dead man and that living woman, and her sobs and her writhings of sorrowing love—

And at that moment I understood that I might be unfaithful to my husband.



RELICS OF THE PAST

My dear Colette,—I do not know whether you remember a verse of M. Sainte-Beuve which we have read together, and which has remained fixed in my memory; for me this verse speaks eloquently; and it has very often reassured my poor heart, especially for some time past. Here it is:

"To be born, to live, and die in the same house."

I am now all alone in this house where I was born, where I have lived, and where I hope to die. It is not gay every day, but it is pleasant; for there I have souvenirs all around me.

My son Henri is a barrister; he comes to see me twice a year. Jeanne is living with her husband at the other end of France, and it is I who go to see her each autumn. So here I am, all, all alone, but surrounded by familiar objects which incessantly speak to me about my own people, the dead, and the living separated from me by distance.

I no longer read much; I am too old for that; but I am constantly thinking, or rather dreaming. I do not dream as I used to do long ago. You may recall to mind any wild fancies, the adventures our brains concocted when we were twenty, and all the horizons of happiness that dawned upon us!

Nothing out of all our dreaming has been realized, or rather it is quite a different thing that has happened, less charming, less poetic, but sufficient for those who know how to accept their lot in this world bravely.

Do you know why we women are so often unhappy? It is because we are taught in our youth to believe too much in happiness! We are never brought up with the idea of fighting, of striving, of suffering. And, at the first shock, our hearts are broken; we look forward, with blind faith, to cascades of fortunate events. What does happen is at best but a partial happiness, and thereupon we burst out sobbing. Happiness, the real happiness that we dream of, I have come to know what that is. It does not consist in the arrival of great bliss, for any great bliss that falls to our share is to be found in the infinite expectation of a succession of joys to which we never attain. Happiness is happy expectation; it is the horizon of hope; it is, therefore, endless illusion; and, old as I am, I create illusions for myself still, in fact, every day I live; only their object is changed, my desires being no longer the same. I have told you that I spend my brightest hours in dreaming. What else should I do?

I have two ways of doing this. I am going to tell you what they are; they may perhaps prove useful to you.

Oh! the first is very simple; it consists in sitting down before my fire in a low armchair made soft for my old bones, and looking back at the things that have been put aside.

One life is so short, especially a life entirely spent in the same spot:

"To be born, to live, and die in the same house."

The things that bring back the past to our recollection are heaped, pressed together; and, we are old, it sometimes seems no more than ten days since we were young. Yes; everything slips away from us, as if life itself were but a single day: morning, evening, and then comes night—a night without a dawn!

When I gaze into the fire, for hours and hours, the past rises up before me as though it were but yesterday. I no longer think of my present existence; reverie carries me away; once more I pass through all the changes of my life.

And I often am possessed by the illusion that I am a young girl, so many breaths of bygone days are wafted back to me, so many youthful sensations and even impulses, so many throbbings of my young heart—all the passionate ardor of eighteen; and I have clear, as fresh realities, visions of forgotten things. Oh! how vividly, above all, do the memories of my walks as a young girl come back to me! There, in the armchair of mine, before the fire, I saw once more, a few nights since, a sunset on Mont Saint-Michel, and immediately afterwards I was riding on horseback through the forest of Uville with the odors of the damp sand and of the flowers steeped in dew, and the evening star sending its burning reflection through the water and bathing my face in its rays as I galloped through the copse. And all I thought of then, my poetic enthusiasm at the sight of the boundless sea, my keen delight at the rustling of the branches as I passed, my most trivial impressions, every fragment of thought, desire, or feeling, all, all came back to me as if I were there still, as if fifty years had not glided by since then, to chill my blood and moderate my hopes. But my other way of reviving the long ago is much better.

You know, or you do not know, my dear Colette, that we destroy nothing in the house. We have upstairs, under the roof, a large room for cast-off things which we call "the lumber-room." Everything which is no longer used is thrown there. I often go up there, and gaze around me. Then I find once more a heap of nothings that I had ceased to think about, and that recalled a heap of things to my mind. They are not those beloved articles of furniture which we have known since our childhood and to which are attached recollections of events of joys or sorrows, dates in our history, which, from the fact of being intermingled with our lives, have assumed a kind of personality, a physiognomy, which are the companions of our pleasant or gloomy house, the only companions, alas! that we are sure not to lose, the only ones that will not die, like the others—those whose features, whose loving eyes, whose lips, whose voices, have vanished for ever. But I find instead among the medley of worn-out gewgaws those little old insignificant objects which have hung on by our side for forty years without ever having been noticed by us, and which, when we suddenly lay eyes on them again, have somehow the importance, the significance of relics of the past. They produce on my mind the effect of those people—whom we have known for a very long time without ever having seen them as they really are, and who, all of a sudden, some evening, quite unexpectedly, break out into a stream of interminable talk, and tell us all about themselves down to their most hidden secrets, of which we had never even suspected the existence.

And I move about from one object to the other with a little thrill in my heart every time something fixes my attention. I say to myself: "See there! I broke that the night Paul started for Lyons;" or else, "Ah! there is mamma's little lantern, which she used to carry with her going to her evening devotions on dark winter nights." There are even things in this room which have no story to tell me, which have come down from my grandparents, things therefore, whose history and adventures are utterly unknown to those who are living to-day, and whose very owners nobody knows now. Nobody has seen the hands that used to touch them or the eyes that used to gaze at them. These are the things that make me have long, long dreams. They represent to my mind desolate people whose last remaining friend is dead. You, my dear Colette, can scarcely comprehend all this, and you will smile at my simplicity, my childish, sentimental whims. You are a Parisian, and you Parisians do not understand this interior life, those eternal echoes of one's own heart. You live in the outer world, with all your thoughts in the open. Living alone as I do, I can only speak about myself. When you are answering this letter, tell me a little about yourself, that I may also be able to put myself in your place, as you will be able to put yourself in mine to-morrow.

But you will never completely understand M. de Sainte Beuve's verse:

"To be born, to live, and to die in one house."

A thousand kisses, my old friend,

ADELAIDE.



THE PEDDLER

How many trifling occurrences, things which have left only a passing impression on our minds, humble dramas of which we have got a mere glimpse so that we have to guess at or suspect their real nature, are, while we are still young and inexperienced, threads, so to speak, guiding us, step by step, towards a knowledge of the painful truth!

Every moment, when I am retracing my steps during the long wandering reveries which distract my thoughts along the path through which I saunter at random, my soul takes wing, and suddenly I recall little incidents of a gay or sinister character which, emerging from the shades of the past, flit before my memory as the birds flit through the bushes before my eyes.

This summer, I wandered along a road in Savoy which commands a view of the right bank of the Lake of Bourget, and, while my glance floated over that mass of water, mirror-like and blue, with a unique blue, pale, tinted with glittering beams by the setting sun, I felt my heart stirred by that attachment which I have had since my childhood for the surface of lakes, for rivers, and for the sea. On the opposite bank of the vast liquid plate, so wide that you did not see the ends of it, one vanishing in the Rhone, and the other in the Bourget, rose the high mountain, jagged like a crest up to the topmast peak of the "Cats's Tooth." On either side of the road, vines, trailing from tree to tree, choked under their leaves their slender supporting branches, and they extended in garlands through the fields, green, yellow, and red garlands, festooning from one trunk to the other, and spotted with clusters of dark grapes.

The road was deserted, white, and dusty. All of a sudden, a man emerged out of the thicket of large trees which shuts in the village of Saint-Innocent, and, bending under a load, he came towards me, leaning on a stick.