Almost daily she saw him. As in a dream he came to her and sat by her side, hour after hour, talking of many things, calm, apparently, and satisfied in her society, but strangely apathetic and indifferent. Never once in those many days had she seen his pale face light up with pleasure, nor his deep eyes show a gleam of interest; never had the tone of his voice been disturbed in its even monotony; never had the touch of his hand, when they met and parted, felt the communication of the thrill that ran through hers.

It was very bitter, for Unorna was proud with the scarcely reasoning pride of a lawless, highly gifted nature, accustomed to be obeyed and little used to bending under any influence. She brought all the skill she could command to her assistance; she talked to him, she told him of herself, she sought his confidence, she consulted him on every matter, she attempted to fascinate his imagination with tales of a life which even he could never have seen; she even sang to him old songs and snatches of wonderful melodies which, in her childhood, had still survived the advancing wave of silence that has overwhelmed the Bohemian people within the memory of living man, bringing a change into the daily life and temperament of a whole nation which is perhaps unparalleled in any history. He listened, he smiled, he showed a faint pleasure and a great understanding in all these things, and he came back day after day to talk and listen again. But that was all. She felt that she could amuse him without charming him.

And Unorna suffered terribly. Her cheek grew thinner and her eyes gleamed with sudden fires. She was restless, and her beautiful hands, from seeming to be carved in white marble, began to look as though they were chiselled out of delicate transparent alabaster. She slept little and thought much, and if she did not shed tears, it was because she was too strong to weep for pain and too proud to weep from anger and disappointment. And yet her resolution remained firm, for it was part and parcel of her inmost self, and was guarded by pride on the one hand and an unalterable belief in fate on the other.

To-day they sat together, as they had so often sat, among the flowers and the trees in the vast conservatory, she in her tall, carved chair and he upon a lower seat before her. They had been silent for some minutes. It was not yet noon, but it might have been early morning in a southern island, so soft was the light, so freshly scented the air, so peaceful the tinkle of the tiny fountain. Unorna's expression was sad, as she gazed in silence at the man she loved. There was something gone from his face, she thought, since she had first seen him, and it was to bring that something back that she would give her life and her soul if she could.

Suddenly her lips moved and a sad melody trembled in the air. Unorna sang, almost as though singing to herself. The Wanderer's deep eyes met hers and he listened.

"When in life's heaviest hour Grief crowds upon the heart One wondrous prayer My memory repeats.

"The harmony of the living words Is full of strength to heal, There breathes in them a holy charm Past understanding.

"Then, as a burden from my soul, Doubt rolls away, And I believe—believe in tears, And all is light—so light!"

She ceased, and his eyes were still upon her, calm, thoughtful, dispassionate. The colour began to rise in her cheek. She looked down and tapped upon the carved arm of the chair with an impatient gesture familiar to her.

"And what is that one prayer?" asked the Wanderer. "I knew the song long ago, but I have never guessed what that magic prayer can be like."

"It must be a woman's prayer; I cannot tell you what it is."

"And are you so sad to-day, Unorna? What makes you sing that song?"

"Sad? No, I am not sad," she answered with an effort. "But the words rose to my lips and so I sang."

"They are pretty words," said her companion, almost indifferently. "And you have a very beautiful voice," he added thoughtfully.

"Have I? I have been told so, sometimes."

"Yes. I like to hear you sing, and talk, too. My life is a blank. I do not know what it would be without you."

"I am little enough to—those who know me," said Unorna, growing pale, and drawing a quick breath.

"You cannot say that. You are not little to me."

There was a long silence. He gazed at the plants, and his glance wandered from one to the other, as though he did not see them, being lost in meditation. The voice had been calm and clear as ever, but it was the first time he had ever said so much, and Unorna's heart stood still, half fire and half ice. She could not speak.

"You are very much to me," he said again, at last. "Since I have been in this place a change has come over me. I seem to myself to be a man without an object, without so much as a real thought. Keyork tells me that there is something wanting, that the something is woman, and that I ought to love. I cannot tell. I do not know what love is, and I never knew. Perhaps it is the absence of it that makes me what I am—a body and an intelligence without a soul. Even the intelligence I begin to doubt. What sense has there ever been in all my wanderings? Why have I been in every place, in every city? What went I forth to see? Not even a reed shaken by the wind! I have spoken all languages, read thousands of books, known men in every land—and for what? It is as though I had once had an object in it all, though I know that there was none. But I have realised the worthlessness of my life since I have been here. Perhaps you have shown it to me, or helped me to see it. I cannot tell. I ask myself again and again what it was all for, and I ask in vain. I am lonely, indeed, in the world, but it has been my own choice. I remember that I had friends once, when I was younger, but I cannot tell what has become of one of them. They wearied me, perhaps, in those days, and the weariness drove me from my own home. For I have a home, Unorna, and I fancy that when old age gets me at last I shall go there to die, in one of those old towers by the northern sea. I was born there, and there my mother died and my father, before I knew them; it is a sad place! Meanwhile, I may have thirty years, or forty, or even more to live. Shall I go on living this wandering, aimless life? And if not what shall I do? Love, says Keyork Arabian—who never loved anything but himself, but to whom that suffices, for it passes the love of woman!"

"That is true, indeed," said Unorna in a low voice.

"And what he says might be true also, if I were capable of loving. But I feel that I am not. I am as incapable of that as of anything else. I ought to despise myself, and yet I do not. I am perfectly contented, and if I am not happy I at least do not realise what unhappiness means. Am I not always of the same even temper?"

"Indeed you are." She tried not to speak bitterly, but something in her tone struck him.

"Ah, I see! You despise me a little for my apathy. Yes, you are quite right. Man is not made to turn idleness into a fine art, nor to manufacture contentment out of his own culpable indifference! It is despicable—and yet, here I am."

"I never meant that," cried Unorna with sudden heat. "Even if I had, what right have I to make myself the judge of your life?"

"The right of friendship," answered the Wanderer very quietly. "You are my best friend, Unorna."

Unorna's anger rose within her. She remembered how in that very place, and but a month earlier, she had offered Israel Kafka her friendship, and it was as though a heavy retribution were now meted out to her for her cruelty on that day. She remembered his wrath and his passionate denunciations of friendship, his scornful refusal, his savage attempt to conquer her will, his failure and his defeat. She remembered how she had taken her revenge, delivering him over in his sleep to Keyork Arabian's will. She wished that, like him, she could escape from the wound of the word in a senseless lethargy of body and mind. She knew now what he had suffered, for she suffered it all herself. He, at least, had been free to speak his mind, to rage and storm and struggle. She must sit still and hide her agony, at the risk of losing all. She bit her white lips and turned her head away, and was silent.

"You are my best friend," the Wanderer repeated in his calm voice, and every syllable pierced her like a glowing needle. "And does not friendship give rights which ought to be used? If, as I think, Unorna, you look upon me as an idler, as a worthless being, as a man without as much as the shadow of a purpose in the world, it is but natural that you should despise me a little, even though you may be very fond of me. Do you not see that?"

Unorna stared at him with an odd expression for a moment.

"Yes—I am fond of you!" she exclaimed, almost harshly. Then she laughed. He seemed not to notice her tone.

"I never knew what friendship was before," he went on. "Of course, as I said, I had friends when I was little more than a boy, boys and young men like myself, and our friendship came to this, that we laughed, and feasted and hunted together, and sometimes even quarrelled, and caring little, thought even less. But in those days there seemed to be nothing between that and love, and love I never understood, that I can remember. But friendship like ours, Unorna, was never dreamed of among us. Such friendship as this, when I often think that I receive all and give nothing in return."

Again Unorna laughed, so strangely that the sound of her own voice startled her.

"Why do you laugh like that?" he asked.

"Because what you say is so unjust to yourself," she answered, nervously and scarcely seeing him where he sat. "You seem to think it is all on your side. And yet, I just told you that I was fond of you."

"I think it is a fondness greater than friendship that we feel for each other," he said, presently, thrusting the probe of a new hope into the tortured wound.

"Yes?" she spoke faintly, with averted face.

"Something more—a stronger tie, a closer bond. Unorna, do you believe in the migration of the soul throughout ages, from one body to another?"

"Sometimes," she succeeded in saying.

"I do not believe in it," he continued. "But I see well enough how men may, since I have known you. We have grown so intimate in these few weeks, we seem to understand each other so wholly, with so little effort, we spend such happy, peaceful hours together every day, that I can almost fancy our two selves having been together through a whole lifetime in some former state, living together, thinking together, inseparable from birth, and full of an instinctive, mutual understanding. I do not know whether that seems an exaggeration to you or not. Has the same idea ever crossed your mind?"

She said something, or tried to say something, but the words were inaudible; he interpreted them as expressive of assent, and went on, in a musing tone, as though talking quite as much to himself as to her.

"And that is the reason why it seems as though we must be more than friends, though we have known each other so short a time. Perhaps it is too much to say."

He hesitated, and paused. Unorna breathed hard, not daring to think of what might be coming next. He talked so calmly, in such an easy tone, it was impossible that he could be making love. She remembered the vibrations in his voice when, a month ago, he had told her his story. She remembered the inflection of the passionate cry he had uttered when he had seen the shadow of Beatrice stealing between them, she knew the ring of his speech when he loved, for she had heard it. It was not there now. And yet, the effort not to believe would have been too great for her strength.

"Nothing that you could say would be—" she stopped herself—"would pain me," she added, desperately, in the attempt to complete the sentence.

He looked somewhat surprised, and then smiled.

"No. I shall never say anything, nor do anything, which could give you pain. What I meant was this. I feel towards you, and with you, as I can fancy a man might feel to a dear sister. Can you understand that?"

In spite of herself she started. He had but just said that he would never give her pain. He did not guess what cruel wounds he was inflicting now.

"You are surprised," he said, with intolerable self-possession. "I cannot wonder. I remember to have very often thought that there are few forms of sentimentality more absurd than that which deceives a man into the idea that he can with impunity play at being a brother to a young and beautiful woman. I have always thought so, and I suppose that in whatever remains of my indolent intelligence I think so still. But intelligence is not always so reliable as instinct. I am not young enough nor foolish enough either, to propose that we should swear eternal brother-and-sisterhood—or perhaps I am not old enough, who can tell? Yet I feel how perfectly safe it would be for either of us."

The steel had been thrust home, and could go no farther. Unorna's unquiet temper rose at his quiet declaration of his absolute security. The colour came again to her cheek, a little hotly, and though there was a slight tremor in her voice when she spoke, yet her eyes flashed beneath the drooping lids.

"Are you sure it would be safe?" she asked.

"For you, of course there can be no danger possible," he said, in perfect simplicity of good faith. "For me—well, I have said it. I cannot imagine love coming near me in any shape, by degrees or unawares. It is a strange defect in my nature, but I am glad of it since it makes this pleasant life possible."

"And why should you suppose that there is no danger for me?" asked Unorna, with a quick glance and a silvery laugh. She was recovering her self-possession.

"For you? Why should there be? How could there be? No woman ever loved me, then why should you? Besides—there are a thousand reasons, one better than the other."

"I confess I would be glad to hear a few of them, my friend. You were good enough just now to call me young and beautiful. You are young too, and certainly not repulsive in appearance. You are gifted, you have led an interesting life—indeed, I cannot help laughing when I think how many reasons there are for my falling in love with you. But you are very reassuring, you tell me there is no danger. I am willing to believe."

"It is safe to do that," answered the Wanderer with a smile, "unless you can find at least one reason far stronger than those you give. Young and passably good-looking men are not rare, and as for men of genius who have led interesting lives, many thousands have been pointed out to me. Then why, by any conceivable chance, should your choice fall on me?"

"Perhaps because I am so fond of you already," said Unorna, looking away lest her eyes should betray what was so far beyond fondness. "They say that the most enduring passions are either born in a single instant, or are the result of a treacherously increasing liking. Take the latter case. Why is it impossible, for you or for me? We are slipping from mere liking into friendship, and for all I know we may some day fall headlong from friendship into love. It would be very foolish no doubt, but it seems to me quite possible. Do you not see it?"

The Wanderer laughed lightly. It was years since he had laughed, until this friendship had begun.

"What can I say?" he asked. "If you, the woman, acknowledge yourself vulnerable, how can I, the man, be so discourteous as to assure you that I am proof? And yet, I feel that there is no danger for either of us."

"You are still sure?"

"And if there were, what harm would be done?" he laughed again. "We have no plighted word to break, and I, at least, am singularly heart free. The world would not come to an untimely end if we loved each other. Indeed, the world would have nothing to say about it."

"To me, it would not," said Unorna, looking down at her clasped hands. "But to you—what would the world say, if it learned that you were in love with Unorna, that you were married to the Witch?"

"The world? What is the world to me, or what am I to it? What is my world? If it is anything, it consists of a score of men and women who chance to be spending their allotted time on earth in that corner of the globe in which I was born, who saw me grow to manhood, and who most inconsequently arrogate to themselves the privilege of criticising my actions, as they criticise each other's; who say loudly that this is right and that is wrong, and who will be gathered in due time to their insignificant fathers with their own insignificance thick upon them, as is meet and just. If that is the world I am not afraid of its judgments in the very improbable case of my falling in love with you."

Unorna shook her head. There was a momentary relief in discussing the consequences of a love not yet born in him.

"That would not be all," she said. "You have a country, you have a home, you have obligations—you have all those things which I have not."

"And not one of those which you have."

She glanced at him again, for there was a truth in the words which hurt her. Love, at least, was hers in abundance, and he had it not.

"How foolish it is to talk like this!" she exclaimed. "After all, when people love, they care very little what the world says. If I loved any one"—she tried to laugh carelessly—"I am sure I should be indifferent to everything or every one else."

"I am sure you would be," assented the Wanderer.

"Why?" She turned rather suddenly upon him. "Why are you sure?"

"In the first place because you say so, and secondly because you have the kind of nature which is above common opinion."

"And what kind of nature may that be?"

"Enthusiastic, passionate, brave."

"Have I so many good qualities?"

"I am always telling you so."

"Does it give you pleasure to tell me what you think of me?"

"Does it pain you to hear it?" asked the Wanderer, somewhat surprised at the uncertainty of her temper, and involuntarily curious as to the cause of the disturbance.

"Sometimes it does," Unorna answered.

"I suppose I have grown awkward and tactless in my lonely life. You must forgive me if I do not understand my mistake. But since I have annoyed you, I am sorry for it. Perhaps you do not like such speeches because you think I am flattering you and turning compliments. You are wrong if you think that. I am sincerely attached to you, and I admire you very much. May I not say as much as that?"

"Does it do any good to say it?"

"If I may speak of you at all I may express myself with pleasant truths."

"Truths are not always pleasant. Better not to speak of me at any time."

"As you will," answered the Wanderer bending his head as though in submission to her commands. But he did not continue the conversation, and a long silence ensued.

He wandered what was passing in her mind, and his reflections led to no very definite result. Even if the idea of her loving him had presented itself to his intelligence he would have scouted it, partly on the ground of its apparent improbability, and partly, perhaps, because he had of late grown really indolent, and would have resented any occurrence which threatened to disturb the peaceful, objectless course of his days. He put down her quick changes of mood to sudden caprice, which he excused readily enough.

"Why are you so silent?" Unorna asked, after a time.

"I was thinking of you," he answered, with a smile. "And since you forbade me to speak of you, I said nothing."

"How literal you are!" she exclaimed impatiently.

"I could see no figurative application of your words," he retorted, beginning to be annoyed at her prolonged ill humour.

"Perhaps there was none."

"In that case—"

"Oh, do not argue! I detest argument in all shapes, and most of all when I am expected to answer it. You cannot understand me—you never will—" She broke off suddenly and looked at him.

She was angry with him, with herself, with everything, and in her anger she loved him tenfold better than before. Had he not been blinded by his own absolute coldness he must have read her heart in the look she gave him, for his eyes met hers. But he saw nothing. The glance had been involuntary, but Unorna was too thoroughly a woman not to know all that it had expressed and would have conveyed to the mind of any one not utterly incapable of love, all that it might have betrayed even to this man who was her friend and talked of being her brother. She realised with terrible vividness the extent of her own passion and the appalling indifference of its objet. A wave of despair rose and swept over her heart. Her sight grew dim and she was conscious of sharp physical pain. She did not even attempt to speak, for she had no thoughts which could take the shape of words. She leaned back in her chair, and tried to draw her breath, closing her eyes, and wishing she were alone.

"What is the matter?" asked the Wanderer, watching her in surprise.

She did not answer. He rose and stood beside her, and lightly touched her hand.

"Are you ill?" he asked again.

She pushed him away, almost roughly.

"No," she answered shortly.

Then, all at once, as though repenting of her gesture, her hand sought his again, pressed it hard for a moment, and let it fall.

"It is nothing," she said. "It will pass. Forgive me."

"Did anything I said——" he began.

"No, no; how absurd!"

"Shall I go. Yes, you would rather be alone——" he hesitated.

"No—yes—yes, go away and come back later. It is the heat perhaps; is it not hot here?"

"I daresay," he answered absently.

He took her hand and then left her, wondering exceedingly over a matter which was of the simplest.

It was some time before Unorna realised that he was gone. She had suffered a severe shock, not to be explained by any word or words which he had spoken, as much as by the revelation of her own utter powerlessness, of her total failure to touch his heart, but most directly of all the consequence of a sincere passion which was assuming dangerous proportions and which threatened to sweep away even her pride in its irresistible course.

She grew calmer when she found herself alone, but in a manner she grew also more desperate. A resolution began to form itself in her mind which she would have despised and driven out of her thoughts a few hours earlier; a resolution destined to lead to strange results. She began to think of resorting once more to a means other than natural in order to influence the man she loved.

In the first moments she had felt sure of herself, and the certainty that the Wanderer had forgotten Beatrice as completely as though she had never existed had seemed to Unorna a complete triumph. With little or no common vanity she had nevertheless felt sure that the man must love her for her own sake. She knew, when she thought of it, that she was beautiful, unlike other women, and born to charm all living things. She compared in her mind the powers she controlled at will, and the influence she exercised without effort over every one who came near her. It had always seemed to her enough to wish in order to see the realisation of her wishes. But she had herself never understood how closely the wish was allied with the despotic power of suggestion which she possessed. But in her love she had put a watch over her mysterious strength and had controlled it, saying that she would be loved for herself or not at all. She had been jealous of every glance, lest it should produce a result not natural. She had waited to be won, instead of trying to win. She had failed, and passion could be restrained no longer.

"What does it matter how, if only he is mine!" she exclaimed fiercely, as she rose from her carved chair an hour after he had left her.



CHAPTER XII

Israel Kafka found himself seated in the corner of a comfortable carriage with Keyork Arabian at his side. He opened his eyes quite naturally, and after looking out of the window stretched himself as far as the limits of the space would allow. He felt very weak and very tired. The bright colour had left his olive cheeks, his lips were pale and his eyes heavy.

"Travelling is very tiring," he said, glancing at Keyork's face.

The old man rubbed his hands briskly and laughed.

"I am as fresh as ever," he answered. "It is true that I have the happy faculty of sleeping when I get a chance and that no preoccupation disturbs my appetite."

Keyork Arabian was in a very cheerful frame of mind. He was conscious of having made a great stride towards the successful realisation of his dream. Israel Kafka's ignorance, too, amused him, and gave him a fresh and encouraging proof of Unorna's amazing powers.

By a mere exercise of superior will this man, in the very prime of youth and strength, had been deprived of a month of his life. Thirty days were gone, as in the flash of a second, and with them was gone also something less easily replaced, or at least more certainly missed. In Kafka's mind the passage of time was accounted for in a way which would have seemed supernatural twenty years ago, but which at the present day is understood in practice if not in theory. For thirty days he had been stationary in one place, almost motionless, an instrument in Keyork's skilful hands, a mere reservoir of vitality upon which the sage had ruthlessly drawn to the fullest extent of its capacities. He had been fed and tended in his unconsciousness, he had, unknown to himself, opened his eyes at regular intervals, and had absorbed through his ears a series of vivid impressions destined to disarm his suspicions, when he was at last allowed to wake and move about the world again. With unfailing forethought Keyork had planned the details of a whole series of artificial reminiscences, and at the moment when Kafka came to himself in the carriage the machinery of memory began to work as Keyork had intended that it should.

Israel Kafka leaned back against the cushions and reviewed his life during the past month. He remembered very well the afternoon when, after a stormy interview with Unorna, he had been persuaded by Keyork to accompany the latter upon a rapid southward journey. He remembered how he had hastily packed together a few necessaries for the expedition, while Keyork stood at his elbow advising him what to take and what to leave, with the sound good sense of an experienced traveller, and he could almost repeat the words of the message he had scrawled on a sheet of paper at the last minute to explain his sudden absence from his lodging—for the people of the house had all been away when he was packing his belongings. Then the hurry of the departure recalled itself to him, the crowds of people at the Franz Josef station, the sense of rest in finding himself alone with Keyork in a compartment of the express train; after that he had slept during most of the journey, waking to find himself in a city of the snow-driven Tyrol. With tolerable distinctness he remembered the sights he had seen, and fragments of conversation—then another departure, still southward, the crossing of the Alps, Italy, Venice—a dream of water and sun and beautiful buildings, in which the varied conversational powers of his companion found constant material. As a matter of fact the conversation was what was most clearly impressed upon Kafka's mind, as he recalled the rapid passage from one city to another, and realised how many places he had visited in one short month. From Venice southwards, again, Florence, Rome, Naples, Sicily, by sea to Athens and on to Constantinople, familiar to him already from former visits—up the Bosphorus, by the Black Sea to Varna, and then, again, a long period of restful sleep during the endless railway journey—Pesth, Vienna, rapidly revisited and back at last to Prague, to the cold and the gray snow and the black sky. It was not strange, he thought, that his recollections of so many cities should be a little confused. A man would need a fine memory to catalogue the myriad sights which such a trip offers to the eye, the innumerable sounds, familiar and unfamiliar, which strike the ear, the countless sensations of comfort, discomfort, pleasure, annoyance and admiration, which occupy the nerves without intermission. There was something not wholly disagreeable in the hazy character of the retrospect, especially to a nature such as Kafka's, full of undeveloped artistic instincts and of a passionate love of all sensuous beauty, animate and inanimate. The gorgeous pictures rose one after the other in his imagination, and satisfied a longing of which he felt that he had been vaguely aware before beginning the journey. None of these lacked reality, any more than Keyork himself, thought it seemed strange to the young man that he should actually have seen so much in so short a time.

But Keyork and Unorna understood their art and knew how much more easy it is to produce a fiction of continuity where an element of confusion is introduced by the multitude and variety of the quickly succeeding impressions and almost destitute of incident. One occurrence, indeed, he remembered with extraordinary distinctness, and could have affirmed under oath in all its details. It had taken place in Palermo. The heat had seemed intense by contrast with the bitter north he had left behind. Keyork had gone out and he had been alone in a strange hotel. His head swam in the stifling scirocco. He had sent for a local physician, and the old-fashioned doctor had then and there taken blood from his arm. He had lost so much that he had fainted. The doctor had been gone when Keyork returned, and the sage had been very angry, abusing in most violent terms the ignorance which could still apply such methods. Israel Kafka knew that the lancet had left a wound on his arm and that the scar was still visible. He remembered, too, that he had often felt tired since, and that Keyork had invariably reminded him of the circumstances, attributing to it the weariness from which he suffered, and indulging each time in fresh abuse of the benighted doctor.

Very skilfully had the whole story been put together in all its minutest details, carefully thought out and written down in the form of a journal before it had been impressed upon his sleeping mind with all the tyrannic force of Unorna's strong will. And there was but little probability that Israel Kafka would ever learn what had actually been happening to him while he fancied that he had been travelling swiftly from place to place. He could still wonder, indeed, that he should have yielded so easily to Keyork's pressing invitation to accompany the latter upon such an extraordinary flight, but he remembered then his last interview with Unorna and it seemed almost natural that in his despair he should have chosen to go away. Not that his passion for the woman was dead. Intentionally, or by an oversight, Unorna had not touched upon the question of his love for her, in the course of her otherwise well-considered suggestions. Possibly she had believed that the statement she had forced from his lips was enough and that he would forget her without any further action on her part. Possibly, too, Unorna was indifferent and was content to let him suffer, believing that his devotion might still be turned to some practical use. However that may be, when Israel Kafka opened his eyes in the carriage he still loved her, though he was conscious that in his manner of loving a change had taken place, of which he was destined to realise the consequences before another day had passed.

When Keyork answered his first remark, he turned and looked at the old man.

"I suppose you are tougher than I," he said, languidly. "You will hardly believe it, but I have been dozing already, here, in the carriage, since we left the station."

"No harm in that. Sleep is a great restorative," laughed Keyork.

"Are you so glad to be in Prague again?" asked Kafka. "It is a melancholy place. But you laugh as though you actually liked the sight of the black houses and the gray snow and the silent people."

"How can a place be melancholy? The seat of melancholy is the liver. Imagine a city with a liver—of brick and mortar, or stone and cement, a huge mass of masonry buried in its centre, like an enormous fetish, exercising a mysterious influence over the city's health—then you may imagine a city as suffering from melancholy."

"How absurd!"

"My dear boy, I rarely say absurd things," answered Keyork imperturbably. "Besides, as a matter of fact, there is nothing absurd. But you suggested rather a fantastic idea to my imagination. The brick liver is not a bad conception. Far down in the bowels of the earth, in a black cavern hollowed beneath the lowest foundations of the oldest church, the brick liver was built by the cunning magicians of old, to last for ever, to purify the city's blood, to regulate the city's life, and in a measure to control its destinies by means of its passions. A few wise men have handed down the knowledge of the brick liver to each other from generation to generation, but the rest of the inhabitants are ignorant of its existence. They alone know that every vicissitude of the city's condition is traceable to that source—its sadness, its merriment, its carnivals and its lents, its health and its disease, its prosperity and the hideous plagues which at distant intervals kill one in ten of the population. Is it not a pretty thought?"

"I do not understand you," said Kafka, wearily.

"It is a very practical idea," continued Keyork, amused with his own fancies, "and it will yet be carried out. The great cities of the next century will each have a liver of brick and mortar and iron and machinery, a huge mechanical purifier. You smile! Ah, my dear boy, truth and phantasm are very much the same to you! You are too young. How can you be expected to care for the great problem of problems, for the mighty question of prolonging life?"

Keyork laughed again, with a meaning in his laughter which escaped his companion altogether.

"How can you be expected to care?" he repeated. "And yet men used to say that it was the duty of strong youth to support the trembling weakness of feeble old age."

His eyes twinkled with a diabolical mirth.

"No," said Kafka. "I do not care. Life is meant to be short. Life is meant to be storm, broken with gleams of love's sunshine. Why prolong it? If it is unhappy you would only draw out the unhappiness to greater lengths, and such joy as it has is joy only because it is quick, sudden, violent. I would concentrate a lifetime into an instant, if I could, and then die content in having suffered everything, enjoyed everything, dared everything in the flash of a great lightning between two total darknesses. But to drag on through slow sorrows, or to crawl through a century of contentment—never! Better be mad, or asleep, and unconscious of the time."

"You are a very desperate person!" exclaimed Keyork. "If you had the management of this unstable world you would make it a very convulsive and nervous place. We should all turn into flaming ephemerides, fluttering about the crater of a perpetually active volcano. I prefer the system of the brick liver. There is more durability in it."

The carriage stopped before the door of Kafka's dwelling. Keyork got out with him and stood upon the pavement while the porter took the slender luggage into the house. He smiled as he glanced at the leathern portmanteau which was supposed to have made such a long journey while it had in reality lain a whole month in a corner of Keyork's great room behind a group of specimens. He had opened it once or twice in that time, had disturbed the contents and had thrown in a few objects from his heterogeneous collection, as reminiscences of the places visited in imagination by Kafka, and of the acquisition of which the latter was only assured in his sleeping state. They would constitute a tangible proof of the journey's reality in case the suggestion proved less thoroughly successful than was hoped, and Keyork prided himself upon this supreme touch.

"And now," he said, taking Kafka's hand, "I would advise you to rest as long as you can. I suppose that it must have been a fatiguing trip for you, though I myself am as fresh as a May morning. There is nothing wrong with you, but you are tired. Repose, my dear boy, repose, and plenty of it. That infernal Sicilian doctor! I shall never forgive him for bleeding you as he did. There is nothing so weakening. Good-bye—I shall hardly see you again to-day, I fancy."

"I cannot tell," answered the young man absently. "But let me thank you," he added, with a sudden consciousness of obligation, "for your pleasant company, and for making me go with you. I daresay it has done me good, though I feel unaccountably tired—I feel almost old."

His tired eyes and haggard face showed that this at least was no illusion. The fancied journey had added ten years to his age in thirty days, and those who knew him best would have found it hard to recognise the brilliantly vital personality of Israel Kafka in the pale and exhausted youth who painfully climbed the stairs with unsteady steps, panting for breath and clutching at the hand-rail for support.

"He will not die this time," remarked Keyork Arabian to himself, as he sent the carriage away and began to walk towards his own home. "Not this time. But it was a sharp strain, and it would not be safe to try it again."

He thrust his gloved hands into the pockets of his fur coat, so that the stick he held stood upright against his shoulder in a rather military fashion. The fur cap sat a little to one side on his strange head, his eyes twinkled, his long white beard waved in the cold wind, and his whole appearance was that of a jaunty gnome-king, well satisfied with the inspection of his treasure chamber.

And he had cause for satisfaction, as he knew well enough when he thought of the decided progress made in the great experiment. The cost at which that progress had been obtained was nothing. Had Israel Kafka perished altogether under the treatment he had received, Keyork Arabian would have bestowed no more attention upon the catastrophe than would have been barely necessary in order to conceal it and to protect himself and Unorna from the consequences of the crime. In the duel with death, the life of one man was of small consequence, and Keyork would have sacrificed thousands to his purposes with equal indifference to their intrinsic value and with a proportionately greater interest in the result to be attained. There was a terrible logic in his mental process. Life was a treasure literally inestimable in value. Death was the destroyer of this treasure, devised by the Supreme Power as a sure means of limiting man's activity and intelligence. To conquer Death on his own ground was to win the great victory over that Power, and to drive back to an indefinite distance the boundaries of human supremacy.

It was assuredly not for the sake of benefiting mankind at large that he pursued his researches at all sacrifices and at all costs. The prime object of all his consideration was himself, as he unhesitatingly admitted on all occasions, conceiving perhaps that it was easier to defend such a position than to disclaim it. There could be no doubt that in the man's enormous self-estimation, the Supreme Power occupied a place secondary to Keyork Arabian's personality, and hostile to it. And he had taken up arms, as Lucifer, assuming his individual right to live in spite of God, Man and Nature, convinced that the secret could be discovered and determined to find it and to use it, no matter at what price. In him there was neither ambition, nor pride, nor vanity in the ordinary meaning of these words. For passion ceases with the cessation of comparison between man and his fellows, and Keyork Arabian acknowledged no ground for such a comparison in his own case. He had matched himself in a struggle with the Supreme Power, and, directly, with that Power's only active representative on earth, with death. It was well said of him that he had no beliefs, for he knew of no intermediate position between total suspension of judgment, and the certainty of direct knowledge. And it was equally true that he was no atheist, as he had sanctimoniously declared of himself. He admitted the existence of the Power; he claimed the right to assail it, and he grappled with the greatest, the most terrible, the most universal and the most stupendous of Facts, which is the Fact that all men die. Unless he conquered, he must die also. He was past theories, as he was beyond most other human weaknesses, and facts had for him the enormous value they acquire in the minds of men cut off from all that is ideal.

In Unorna he had found the instrument he had sought throughout half a lifetime. With her he had tried the great experiment and pushed it to the very end; and when he conducted Israel Kafka to his home, he already knew that the experiment had succeeded. His plan was a simple one. He would wait a few months longer for the final result, he would select his victim, and with Unorna's help he would himself grow young again.

"And who can tell," he asked himself, "whether the life restored by such means may not be more resisting and stronger against deathly influences than before? Is it not true that the older we grow the more slowly we grow old? Is not the gulf which divides the infant from the man of twenty years far wider than that which lies between the twentieth and the fortieth years, and that again more full of rapid change than the third score? Take, too, the wisdom of my old age as against the folly of a scarce grown boy, shall not my knowledge and care and forethought avail to make the same material last longer on the second trial than on the first?"

No doubt of that, he thought, as he walked briskly along the pavement and entered his own house. In his great room he sat down by the table and fell into a long meditation upon the most immediate consequences of his success in the difficult undertaking he had so skilfully brought to a conclusion. His eyes wandered about the room from one specimen to another, and from time to time a short, scornful laugh made his white beard quiver. As he had said once to Unorna, the dead things reminded him of many failures; but he had never before been able to laugh at them and at the unsuccessful efforts they represented. It was different to-day. Without lifting his head he turned up his bright eyes, under the thick, finely-wrinkled lids, as though looking upward toward that Power against which he strove. The glance was malignant and defiant, human and yet half-devilish. Then he looked down again, and again fell into deep thought.

"And if it is to be so," he said at last, rising suddenly and letting his open hand fall upon the table, "even then, I am provided. She cannot free herself from that bargain, at all events."

Then he wrapped his furs around him and went out again. Scarce a hundred paces from Unorna's door he met the Wanderer. He looked up into the cold, calm face, and put out his hand, with a greeting.

"You look as though you were in a very peaceful frame of mind," observed Keyork.

"Why should I be anything but peaceful?" asked the other, "I have nothing to disturb me."

"True, true. You possess a very fine organisation. I envy you your magnificent constitution, my dear friend. I would like to have some of it, and grow young again."

"On your principle of embalming the living, I suppose."

"Exactly," answered the sage with a deep, rolling laugh. "By the bye, have you been with our friend Unorna? I suppose that is a legitimate question, though you always tell me I am tactless."

"Perfectly legitimate, my dear Keyork. Yes, I have just left her. It is like a breath of spring morning to go there in these days."

"You find it refreshing?"

"Yes. There is something about her that I could describe as soothing, if I were aware of ever being irritable, which I am not."

Keyork smiled and looked down, trying to dislodge a bit of ice from the pavement with the point of his stick.

"Soothing—yes. That is just the expression. Not exactly the quality most young and beautiful women covet, eh? But a good quality in its way, and at the right time. How is she to-day?"

"She seemed to have a headache—or she was oppressed by the heat. Nothing serious, I fancy, but I came away, as I fancied I was tiring her."

"Not likely," observed Keyork. "Do you know Israel Kafka?" he asked suddenly.

"Israel Kafka," repeated the Wanderer thoughtfully, as though searching in his memory.

"Then you do not," said Keyork. "You could only have seen him since you have been here. He is one of Unorna's most interesting patients, and mine as well. He is a little odd."

Keyork tapped his ivory forehead significantly with one finger.

"Mad," suggested the Wanderer.

"Mad, if you prefer the term. He has fixed ideas. In the first place, he imagines that he has just been travelling with me in Italy, and is always talking of our experiences. Humour him, if you meet him. He is in danger of being worse if contradicted."

"Am I likely to meet him?"

"Yes. He is often here. His other fixed idea is that he loves Unorna to distraction. He has been dangerously ill during the last few weeks but is better now, and he may appear at any moment. Humour him a little if he wearies you with his stories. That is all I ask. Both Unorna and I are interested in the case."

"And does not Unorna care for him at all?" inquired the other indifferently.

"No, indeed. On the contrary, she is annoyed at his insistance, but sees that it is a phase of insanity and hopes to cure it before long."

"I see. What is he like? I suppose he is an Israelite."

"From Moravia—yes. The wreck of a handsome boy," said Keyork carelessly. "This insanity is an enemy of good looks. The nerves give way—then the vitality—the complexion goes—men of five and twenty years look old under it. But you will see for yourself before long. Good-bye. I will go in and see what is the matter with Unorna."

They parted, the Wanderer continuing on his way along the street with the same calm, cold, peaceful expression which had elicited Keyork's admiration, and Keyork himself going forward to Unorna's door. His face was very grave. He entered the house by a small side door and ascended by a winding staircase directly to the room from which, an hour or two earlier, he had carried the still unconscious Israel Kafka. Everything was as he had left it, and he was glad to be certified that Unorna had not disturbed the aged sleeper in his absence. Instead of going to her at once he busied himself in making a few observations and in putting in order certain of his instruments and appliances. Then at last he went and found Unorna. She was walking up and down among the plants and he saw at a glance that something had happened. Indeed the few words spoken by the Wanderer had suggested to him the possibility of a crisis, and he had purposely lingered in the inner apartment, in order to give her time to recover her self-possession. She started slightly when he entered, and her brows contracted, but she immediately guessed from his expression that he was not in one of his aggressive moods.

"I have just rectified a mistake which might have had rather serious consequences," he said, stopping before her and speaking earnestly and quietly.

"A mistake?"

"We remembered everything, except that our wandering friend and Kafka were very likely to meet, and that Kafka would in all probability refer to his delightful journey to the south in my company."

"That is true!" exclaimed Unorna with an anxious glance. "Well? What have you done?"

"I met the Wanderer in the street. What could I do? I told him that Israel Kafka was a little mad, and that his harmless delusions referred to a journey he was supposed to have made with me, and to an equally imaginary passion which he fancies he feels for you."

"That was wise," said Unorna, still pale. "How came we to be so imprudent! One word, and he might have suspected—"

"He could not have suspected all," answered Keyork. "No man could suspect that."

"Nevertheless, I suppose what we have done is not exactly—justifiable."

"Hardly. It is true that criminal law has not yet adjusted itself to meet questions of suggestion and psychic influence, but it draws the line, most certainly, somewhere between these questions and the extremity to which we have gone. Happily the law is at an immeasurable distance from science, and here, as usual in such experiments, no one could prove anything, owing to the complete unconsciousness of the principal witnesses."

"I do not like to think that we have been near to such trouble," said Unorna.

"Nor I. It was fortunate that I met the Wanderer when I did."

"And the other? Did he wake as I ordered him to do? Is all right? Is there no danger of his suspecting anything?"

It seemed as though Unorna had momentarily forgotten that such a contingency might be possible, and her anxiety returned with the recollection. Keyork's rolling laughter reverberated among the plants and filled the whole wide hall with echoes.

"No danger there," he answered. "Your witchcraft is above criticism. Nothing of that kind that you have ever undertaken has failed."

"Except against you," said Unorna, thoughtfully.

"Except against me, of course. How could you ever expect anything of the kind to succeed against me, my dear lady?"

"And why not? After all, in spite of our jesting, you are not a supernatural being."

"That depends entirely on the interpretation you give to the word supernatural. But, my dear friend and colleague, let us not deceive each other, though we are able between us to deceive other people into believing almost anything. There is nothing in all this witchcraft of yours but a very powerful moral influence at work—I mean apart from the mere faculty of clairvoyance which is possessed by hundreds of common somnambulists, and which, in you, is a mere accident. The rest, this hypnotism, this suggestion, this direction of others' wills, is a moral affair, a matter of direct impression produced by words. Mental suggestion may in rare cases succeed, when the person to be influenced is himself a natural clairvoyant. But these cases are not worth taking into consideration. Your influence is a direct one, chiefly exercised by means of your words and through the impression of power which you know how to convey in them. It is marvellous, I admit. But the very definition puts me beyond your power."

"Why?"

"Because there is not a human being alive, and I do not believe that a human being ever lived, who had the sense of independent individuality which I have. Let a man have the very smallest doubt concerning his own independence—let that doubt be ever so transitory and produced by any accident whatsoever—and he is at your mercy."

"And you are sure that no accident could shake your faith in yourself?"

"My consciousness of myself, you mean. No. I am not sure. But, my dear Unorna, I am very careful in guarding against accidents of all sorts, for I have attempted to resuscitate a great many dead people and I have never succeeded, and I know that a false step on a slippery staircase may be quite as fatal as a teaspoonful of prussic acid—or an unrequited passion. I avoid all these things and many others. If I did not, and if you had any object in getting me under your influence, you would succeed sooner or later. Perhaps the day is not far distant when I will voluntarily sleep under your hand."

Unorna glanced quickly at him.

"And in that case," he added, "I am sure you could make me believe anything you pleased."

"What are you trying to make me understand?" she asked, suspiciously, for he had never before spoken of such a possibility.

"You look anxious and weary," he said in a tone of sympathy in which Unorna could not detect the least false modulation, though she fancied from his fixed gaze that he meant her to understand something which he could not say. "You look tired," he continued, "though it is becoming to your beauty to be pale—I always said so. I will not weary you. I was only going to say that if I were under your influence—you might easily make me believe that you were not yourself, but another woman—for the rest of my life."

They stood looking at each other in silence during several seconds. Then Unorna seemed to understand what he meant.

"Do you really believe that is possible?" she asked earnestly.

"I know it. I know of a case in which it succeeded very well."

"Perhaps," she said, thoughtfully. "Let us go and look at him."

She moved in the direction of the aged sleeper's room and they both left the hall together.



CHAPTER XIII

Unorna was superstitious, as Keyork Arabian had once told her. She did not thoroughly understand herself and she had very little real comprehension of the method by which she produced such remarkable results. She was gifted with a sensitive and active imagination, which supplied her with semi-mystic formulae of thought and speech in place of reasoned explanations, and she undoubtedly attributed much of her own power to supernatural influences. In this respect, at least, she was no farther advanced than the witches of older days, and if her inmost convictions took a shape which would have seemed incomprehensible to those predecessors of hers, this was to be attributed in part to the innate superiority of her nature, and partly, also, to the high degree of cultivation in which her mental faculties had reached development.

Keyork Arabian might spend hours in giving her learned explanations of what she did, but he never convinced her. Possibly he was not convinced himself, and he still hesitated, perhaps, between the two great theories advanced to explain the phenomena of hypnotism. He had told her that he considered her influence to be purely a moral one, exerted by means of language and supported by her extraordinary concentrated will. But it did not follow that he believed what he told her, and it was not improbable that he might have his own doubts on the subject—doubts which Unorna was not slow to suspect, and which destroyed for her the whole force of his reasoning. She fell back upon a sort of grossly unreasonable mysticism, combined with a blind belief in those hidden natural forces and secret virtues of privileged objects, which formed the nucleus of mediaeval scientific research. The field is a fertile one for the imagination and possesses a strange attraction for certain minds. There are men alive in our own time to whom the transmutation of metals does not seem an impossibility, nor the brewing of the elixir of life a matter to be scoffed at as a matter of course. The world is full of people who, in their inmost selves, put faith in the latent qualities of precious stones and amulets, who believe their fortunes, their happiness, and their lives to be directly influenced by some trifling object which they have always upon them. We do not know enough to state with assurance that the constant handling of any particular metal, or gem, may not produce a real and invariable corresponding effect upon the nerves. But we do know most positively that, when the belief in such talismans is once firmly established, the moral influence they exert upon men through the imagination is enormous. From this condition of mind to that in which auguries are drawn from outward and apparently accidental circumstances, is but a step. If Keyork Arabian inclined to the psychic rather than to the physical school in his view of Unorna's witchcraft and in his study of hypnotism in general, his opinion resulted naturally from his great knowledge of mankind, and of the unacknowledged, often unsuspected, convictions which in reality direct mankind's activity. It was this experience, too, and the certainty to which it had led him, that put him beyond the reach of Unorna's power so long as he chose not to yield himself to her will. Her position was in reality diametrically opposed to his, and although he repeated his reasonings to her from time to time, he was quite indifferent to the nature of her views, and never gave himself any real trouble to make her change them. The important point was that she should not lose anything of the gifts she possessed, and Keyork was wise enough to see that the exercise of them depended in a great measure upon her own conviction regarding their exceptional nature.

Unorna herself believed in everything which strengthened and developed that conviction, and especially in the influences of time and place. It appeared to her a fortunate circumstance, when she at last determined to overcome her pride, that the resolution should have formed itself exactly a month after she had so successfully banished the memory of Beatrice from the mind of the man she loved. She felt sure of producing a result as effectual if, this time, she could work the second change in the same place and under the same circumstances as the first. And to this end everything was in her favour. She needed not to close her eyes to fancy that thirty days had not really passed between then and now, as she left her house in the afternoon with the Wanderer by her side.

He had come back and had found her once more herself, calm, collected, conscious of her own powers. No suspicion of the real cause of the disturbance he had witnessed crossed his mind, still less could he guess what thing she meditated as she directed their walk towards that lonely place by the river which had been the scene of her first great effort. She talked lightly as they went, and he, in that strange humour of peaceful, well-satisfied indifference which possessed him, answered her in the same strain. It was yet barely afternoon, but there was already a foretaste of coming evening in the chilly air.

"I have been thinking of what you said this morning," she said, suddenly changing the current of the conversation. "Did I thank you for your kindness?" She smiled as she laid her hand gently upon his arm, to cross a crowded street, and she looked up into his quiet face.

"Thank me? For what? On the contrary—I fancied that I had annoyed you."

"Perhaps I did not quite understand it all at first," she answered thoughtfully. "It is hard for a woman like me to realise what it would be to have a brother—or a sister, or any one belonging to me. I needed to think of the idea. Do you know that I am quite alone in the world?"

The Wanderer had accepted her as he found her, strangely alone, indeed, and strangely independent of the world, a beautiful, singularly interesting woman, doing good, so far as he knew, in her own way, separated from ordinary existence by some unusual circumstances, and elevated above ordinary dangers by the strength and the pride of her own character. And yet, indolent and indifferent as he had grown of late, he was conscious of a vague curiosity in regard to her story. Keyork either really knew nothing, or pretended to know nothing of her origin.

"I see that you are alone," said the Wanderer. "Have you always been so?"

"Always. I have had an odd life. You could not understand it, if I told you of it."

"And yet I have been lonely too—and I believe I was once unhappy, though I cannot think of any reason for it."

"You have been lonely—yes. But yours was another loneliness more limited, less fatal, more voluntary. It must seem strange to you—I do not even positively know of what nation I was born."

Her companion looked at her in surprise, and his curiosity increased.

"I know nothing of myself," she continued. "I remember neither father nor mother. I grew up in the forest, among people who did not love me, but who taught me, and respected me as though I were their superior, and who sometimes feared me. When I look back, I am amazed at their learning and their wisdom—and ashamed of having learned so little."

"You are unjust to yourself."

Unorna laughed.

"No one ever accused me of that," she said. "Will you believe it? I do not even know where that place was. I cannot tell you even the name of the kingdom in which it lay. I learned a name for it and for the forest, but those names are in no map that has ever fallen into my hands. I sometimes feel that I would go to the place if I could find it."

"It is very strange. And how came you here?"

"I was told the time had come. We started at night. It was a long journey, and I remember feeling tired as I was never tired before or since. They brought me here, they left me in a religious house among nuns. Then I was told that I was rich and free. My fortune was brought with me. That, at least, I know. But those who received it and who take care of it for me, know no more of its origin than I myself. Gold tells no tales, and the secret has been well kept. I would give much to know the truth—when I am in the humour."

She sighed, and then laughed again.

"You see why it is that I find the idea of a brother so hard to understand," she added, and then was silent.

"You have all the more need of understanding it, my dear friend," the Wanderer answered, looking at her thoughtfully.

"Yes—perhaps so. I can see what friendship is. I can almost guess what it would be to have a brother."

"And have you never thought of more than that?" He asked the question in his calmest and most friendly tone, somewhat deferentially as though fearing lest it should seem tactless and be unwelcome.

"Yes, I have thought of love also," she answered, in a low voice. But she said nothing more, and they walked on for some time in silence.

They came out upon the open place by the river which she remembered so well. Unorna glanced about her and her face fell. The place was the same, but the solitude was disturbed. It was not Sunday as it had been on that day a month ago. All about the huge blocks of stone, groups of workmen were busy with great chisels and heavy hammers, hewing and chipping and fashioning the material that it might be ready for use in the early spring. Even the river was changed. Men were standing upon the ice, cutting it into long symmetrical strips, to be hauled ashore. Some of the great pieces were already separated from the main ice, and sturdy fellows, clad in dark woollen, were poling them over the dark water to the foot of the gently sloping road where heavy carts stood ready to receive the load when cut up into blocks. The dark city was taking in a great provision of its own coldness against the summer months.

Unorna looked about her. Everywhere there were people at work, and she was more disappointed than she would own to herself at the invasion of the solitude. The Wanderer looked from the stone-cutters to the ice-men with a show of curiosity.

"I have not seen so much life in Prague for many a day," he observed.

"Let us go," answered Unorna, nervously. "I do not like it. I cannot bear the sight of people to-day."

They turned in a new direction, Unorna guiding her companion by a gesture. They were near to the Jewish quarter, and presently were threading their way through narrow and filthy streets thronged with eager Hebrew faces, and filled with the hum of low-pitched voices chattering together, not in the language of the country, but in a base dialect of German. They were in the heart of Prague, in that dim quarter which is one of the strongholds of the Israelite, whence he directs great enterprises and sets in motion huge financial schemes, in which Israel sits, as a great spider in the midst of a dark web, dominating the whole capital with his eagle's glance and weaving the destiny of the Bohemian people to suit his intricate speculations. For throughout the length and breadth of Slavonic and German Austria the Jew rules, and rules alone.

Unorna gathered her furs more closely about her, in evident disgust at her surroundings, but still she kept on her way. Her companion, scarcely less familiar with the sights of Prague than she herself, walked by her side, glancing carelessly at the passing people, at the Hebrew signs, at the dark entrances that lead to courts within courts and into labyrinths of dismal lanes and passages, looking at everything with the same serene indifference, and idly wondering what made Unorna choose to walk that way. Then he saw that she was going towards the cemetery. They reached the door, were admitted and found themselves alone in the vast wilderness.

In the midst of the city lies the ancient burial ground, now long disused but still undisturbed, many acres of uneven land, covered so thickly with graves, and planted so closely with granite and sandstone slabs, that the paths will scarce allow two persons to walk side by side. The stones stand and lie in all conceivable positions, erect, slanting at every angle, prostrate upon the earth or upon others already fallen before them—two, three, and even four upon a grave, where generations of men have been buried one upon the other—stones large and small, covered with deep-cut inscriptions in the Hebrew character, bearing the sculpture of two uplifted hands, wherever the Kohns, the children of the tribe of Aaron, are laid to rest, or the gracefully chiselled ewer of the Levites. Here they lie, thousands upon thousands of dead Jews, great and small, rich and poor, wise and ignorant, neglected individually, but guarded as a whole with all the tenacious determination of the race to hold its own, and to preserve the sacredness of its dead. In the dim light of the winter's afternoon it is as though a great army of men had fallen fighting there, and had been turned to stone as they fell. Rank upon rank they lie, with that irregularity which comes of symmetry destroyed, like columns and files of soldiers shot down in the act of advancing. And in winter, the gray light falling upon the untrodden snow throws a pale reflection upwards against each stone, as though from the myriad sepulchres a faintly luminous vapour were rising to the outer air. Over all, the rugged brushwood and the stunted trees intertwine their leafless branches and twigs in a thin, ghostly network of gray, that clouds the view of the farther distance without interrupting it, a forest of shadowy skeletons clasping fleshless, bony hands one with another, from grave to grave, as far as the eye can see.

The stillness in the place is intense. Not a murmur of distant life from the surrounding city disturbs the silence. At rare intervals a strong breath of icy wind stirs the dead branches and makes them crack and rattle against the gravestones and against each other as in a dance of death. It is a wild and dreary place. In the summer, indeed, the thick leafage lends it a transitory colour and softness, but in the depth of winter, when there is nothing to hide the nakedness of truth, when the snow lies thick upon the ground and the twined twigs and twisted trunks scarce cast a tracery of shadow under the sunless sky, the utter desolation and loneliness of the spot have a horror of their own, not to be described, but never to be forgotten.

Unorna walked forward in silence, choosing a path so narrow that her companion found himself obliged to drop behind and follow in her footsteps. In the wildest part of this wilderness of death there is a little rising of the ground. Here both the gravestones and the stunted trees are thickest, and the solitude is, if possible, even more complete than elsewhere. As she reached the highest point Unorna stood still, turned quickly towards the Wanderer and held out both her hands towards him.

"I have chosen this place, because it is quiet," she said, with a soft smile.

Hardly knowing why he did so, he laid his hands in hers and looked kindly down to her upturned face.

"What is it?" he asked, meeting her eyes.

She was silent, and her fingers did not unclasp themselves. He looked at her, and saw for the hundredth time that she was very beautiful. There was a faint colour in her cheeks, and her full lips were just parted as though a loving word had escaped them which she would not willingly recall. Against the background of broken neutral tints, her figure stood out, an incarnation of youth and vitality. If she had often looked weary and pale of late, her strength and freshness had returned to her now in all their abundance. The Wanderer knew that he was watching her, and knew that he was thinking of her beauty and realising the whole extent of it more fully than ever before, but beyond this point his thoughts could not go. He was aware that he was becoming fascinated by her eyes, and he felt that with every moment it was growing harder for him to close his own, or to look away from her, and then, an instant later, he knew that it would be impossible. Yet he made no effort. He was passive, indifferent, will-less, and her gaze charmed him more and more. He was already in a dream, and he fancied that the beautiful figure shone with a soft, rosy light of its own in the midst of the gloomy waste. Looking into her sunlike eyes, he saw there twin images of himself, that drew him softly and surely into themselves until he was absorbed by them and felt that he was no longer a reality but a reflection. Then a deep unconsciousness stole over all his senses and he slept, or passed into that state which seems to lie between sleep and trance.

Unorna needed not to question him this time, for she saw that he was completely under her influence. Yet she hesitated at the supreme moment, and then, though to all real intents she was quite alone, a burning flush of shame rose to her face, and her heart sank within her. She felt that she could not do it.

She dropped his hands. They fell to his sides as though they had been of lead. Then she turned from him and pressed her aching forehead against a tall weather-worn stone that rose higher than her own height from the midst of the hillock.

Her woman's nature rebelled against the trick. It was the truest thing in her and perhaps the best, which protested so violently against the thing she meant to do; it was the simple longing to be loved for her own sake, and of the man's own free will, to be loved by him with the love she had despised in Israel Kafka. But would this be love at all, this artificial creation of her suggestion reacting upon his mind? Would it last? Would it be true, faithful, tender? Above all, would it be real, even for a moment? She asked herself a thousand questions in a second of time.

Then the ready excuse flashed upon her—the pretext which the heart will always find when it must have its way. Was it not possible, after all, that he was beginning to love her even now? Might not that outburst of friendship which had surprised her and wounded her so deeply, be the herald of a stronger passion? She looked up quickly and met his vacant stare.

"Do you love me?" she asked, almost before she knew what she was going to say.

"No." The answer came in the far-off voice that told of his unconsciousness, a mere toneless monosyllable breathed upon the murky air. But it stabbed her like the thrust of a jagged knife. A long silence followed, and Unorna leaned against the great slab of carved sandstone.

Even to her there was something awful in his powerless, motionless presence. The noble face, pale and set as under a mask, the thoughtful brow, the dominating features, were not those of a man born to be a plaything to the will of a woman. The commanding figure towered in the grim surroundings like a dark statue, erect, unmoving, and in no way weak. And yet she knew that she had but to speak and the figure would move, the lips would form words, the voice would reach her ear. He would raise this hand or that, step forwards or backwards, at her command, affirm what she bid him affirm, and deny whatever she chose to hear denied. For a moment she wished that he had been as Keyork Arabian, stronger than she; then, with the half-conscious comparison the passion for the man himself surged up and drowned every other thought. She almost forgot that for the time he was not to be counted among the living. She went to him, and clasped her hands upon his shoulder, and looked up into his scarce-seeing eyes.

"You must love me," she said, "you must love me because I love you so. Will you not love me, dear? I have waited so long for you!"

The soft words vibrated in his sleeping ear but drew forth neither acknowledgment nor response. Like a marble statue he stood still, and she leaned upon his shoulder.

"Do you not hear me?" she cried in a more passionate tone. "Do you not understand me? Why is it that your love is so hard to win? Look at me! Might not any man be proud to love me? Am I not beautiful enough for you? And yet I know that I am fair. Or are you ashamed because people call me a witch? Why then I will never be one again, for your sake! What do I care for it all? Can it be anything to me—can anything have worth that stands between me and you? Ah, love—be not so very hard!"

The Wanderer did not move. His face was as calm as a sculptured stone.

"Do you despise me for loving you?" she asked again, with a sudden flush.

"No. I do not despise you." Something in her tone had pierced through his stupor and had found an answer. She started at the sound of his voice. It was as though he had been awake and had known the weight of what she had been saying, and her anger rose at the cold reply.

"No—you do not despise me, and you never shall!" she exclaimed passionately. "You shall love me, as I love you—I will it, with all my will! We are created to be all, one to the other, and you shall not break through the destiny of love. Love me, as I love you—love me with all your heart, love me with all your mind, love me with all your soul, love me as man never loved woman since the world began! I will it, I command it—it shall be as I say—you dare not disobey me—you cannot if you would."

She paused, but this time no answer came. There was not even a contraction of the stony features.

"Do you hear all I say?" she asked.

"I hear."

"Then understand and answer me," she said.

"I do not understand. I cannot answer."

"You must. You shall. I will have it so. You cannot resist my will, and I will it with all my might. You have no will—you are mine, your body, your soul, and your thoughts, and you must love me with them all from now until you die—until you die," she repeated fiercely.

Again he was silent. She felt that she had no hold upon his heart or mind, seeing that he was not even disturbed by her repeated efforts.

"Are you a stone, that you do not know what love is?" she cried, grasping his hand in hers and looking with desperate eyes into his face.

"I do not know what love is," he answered, slowly.

"Then I will tell you what love is," she said, and she took his hand and pressed it upon her own brow.

The Wanderer started at the touch, as though he would have drawn back. But she held him fast, and so far, at least, he was utterly subject to her. His brow contracted darkly, and his face grew paler.

"Read it there," she cried. "Enter into my soul and read what love is, in his own great writing. Read how he steals suddenly into the sacred place, and makes it his, and tears down the old gods and sets up his dear image in their stead—read how he sighs, and speaks, and weeps, and loves—and forgives not, but will be revenged at the last. Are you indeed of stone, and have you a stone for a heart? Love can melt even stones, being set in man as the great central fire in the earth to burn the hardest things to streams of liquid flame! And see, again, how very soft and gentle he can be! See how I love you—see how sweet it is—how very lovely a thing it is to love as woman can. There—have you felt it now? Have you seen into the depths of my soul and into the hiding-places of my heart? Let it be so in your own, then, and let it be so for ever. You understand now. You know what it all is—how wild, how passionate, how gentle and how great! Take to yourself this love of mine—is it not all yours? Take it, and plant it with strong roots and seeds of undying life in your own sleeping breast, and let it grow, and grow, till it is even greater than it was in me, till it takes us both into itself, together, fast bound in its immortal bonds, to be two in one, in life and beyond life, for ever and ever and ever to the end of ends!"

She ceased and she saw that his face was no longer expressionless and cold. A strange light was upon his features, the passing radiance of a supreme happiness seen in the vision of a dream. Again she laid her hands upon his shoulder clasped together, as she had done at first. She knew that her words had touched him and she was confident of the result, confident as one who loves beyond reason. Already in imagination she fancied him returning to consciousness, not knowing that he had slept, but waking with a gentle word just trembling upon his lips, the words she longed to hear.

One moment more, she thought. It was good to see that light upon his face, to fancy how that first word would sound, to feel that the struggle was past and that there was nothing but happiness in the future, full, overflowing, overwhelming, reaching from earth to heaven and through time to eternity. One moment, only, before she let him wake—it was such glory to be loved at last! Still the light was there, still that exquisite smile was on his lips. And they would be always there now, she thought.

At last she spoke.

"Then love, since you are mine, and I am yours, wake from the dream to life itself—wake, not knowing that you have slept, knowing only that you love me now and always—wake, love wake!"

She waved her delicate hand before his eyes and still resting the other upon his shoulder, watched the returning brightness in the dark pupils that had been glazed and fixed a moment before. And as she looked, her own beauty grew radiant in the splendour of a joy even greater than she had dreamed of. As it had seemed to him when he had lost himself in her gaze, so now she also fancied that the grim, gray wilderness was full of a soft rosy light. The place of the dead was become the place of life; the great solitude was peopled as the whole world could never be for her; the crumbling gravestones were turned to polished pillars in the temple of an immortal love, and the ghostly, leafless trees blossomed with the undying flowers of the earthly paradise.

One moment only, and then all was gone. The change came, sure, swift and cruel. As she looked, it came, gradual, in that it passed through every degree, but sudden also, as the fall of a fair and mighty building, which being undermined in its foundations passes in one short minute through the change from perfect completeness to hopeless and utter ruin.

All the radiance, all the light, all the glory were gone in an instant. Her own supremely loving look had not vanished, her lips still parted sweetly, as forming the word that was to answer his, and the calm indifferent face of the waking man was already before her.

"What is it?" he asked, in his kind and passionless voice. "What were you going to ask me, Unorna?"

It was gone. The terribly earnest appeal had been in vain. Not a trace of that short vision of love remained impressed upon his brain.

With a smothered cry of agony Unorna leaned against the great slab of stone behind her and covered her eyes. The darkness of night descended upon her, and with it the fire of a burning shame.

Then a loud and cruel laugh rang through the chilly air, such a laugh as the devils in hell bestow upon the shame of a proud soul that knows its own infinite bitterness. Unorna started and uncovered her eyes, her suffering changed in a single instant to ungovernable and destroying anger. She made a step forwards and then stopped short, breathing hard. The Wanderer, too, had turned, more quickly than she. Between two tall gravestones, not a dozen paces away, stood a man with haggard face and eyes on fire, his keen, worn features contorted by a smile in which unspeakable satisfaction struggled for expression with a profound despair.

The man was Israel Kafka.



CHAPTER XIV

The Wanderer looked from Unorna to Kafka with profound surprise. He had never seen the man and had no means of knowing who he was, still less of guessing what had brought him to the lonely place, or why he had broken into a laugh, of which the harsh, wild tones still echoed through the wide cemetery. Totally unconscious of all that had happened to himself during the preceding quarter of an hour, the Wanderer was deprived of the key to the situation. He only understood that the stranger was for some reason or other deeply incensed against Unorna, and he realised that the intruder had, on the moment of appearance, no control over himself.

Israel Kafka remained where he stood, between the two tall stones, one hand resting on each, his body inclined a little forward, his dark, sunken eyes, bloodshot and full of a turbid, angry brightness, bent intently upon Unorna's face. He looked as though he were about to move suddenly forwards, but it was impossible to foresee that he might not as suddenly retreat, as a lean and hungry tiger crouches for a moment in uncertainty whether to fight or fly, when after tracking down his man he finds him not alone and defenceless as he had anticipated, but well-armed and in company.

The Wanderer's indolence was only mental, and was moreover transitory and artificial. When he saw Unorna advance, he quickly placed himself between her and Israel Kafka, and looked from one to the other.

"Who is this man?" he asked. "And what does he want of you?"

Unorna made as though she would pass him. But he laid his hand upon her arm with a gesture that betrayed his anxiety for her safety. At his touch, her face changed for a moment and a faint blush dyed her cheek.

"You may well ask who I am," said the Moravian, speaking in a voice half-choked with passion and anger. "She will tell you she does not know me—she will deny my existence to my face. But she knows me very well. I am Israel Kafka."

The Wanderer looked at him more curiously. He remembered what he had heard but a few hours earlier from Keyork concerning the young fellow's madness. The situation now partially explained itself.

"I understand," he said, looking at Unorna. "He seems to be dangerous. What shall I do with him?"

He asked the question as calmly as though it had referred to the disposal of an inanimate object, instead of to the taking into custody of a madman.

"Do with me?" cried Kafka, advancing suddenly a step forwards from between the slabs. "Do with me? Do you speak of me as though I were a dog—a dumb animal—but I will——"

He choked and coughed, and could not finish the sentence. There was a hectic flush in his cheek and his thin, graceful frame shook violently from head to foot. Unable to speak for the moment, he waved his hand in a menacing gesture. The Wanderer shook his head rather sadly.

"He seems very ill," he said, in a tone of compassion.

But Unorna was pitiless. She knew what her companion could not know, namely, that Kafka must have followed them through the streets to the cemetery and must have overheard Unorna's passionate appeal and must have seen and understood the means she was using to win the Wanderer's love. Her anger was terrible. She had suffered enough secret shame already in stooping to the use of her arts in such a course. It had cost her one of the greatest struggles of her life, and her disappointment at the result had been proportionately bitter. In that alone she had endured almost as much pain as she could bear. But to find suddenly that her humiliation, her hot speech, her failure, the look which she knew had been on her face until the moment when the Wanderer awoke, that all this had been seen and heard by Israel Kafka was intolerable. Even Keyork's unexpected appearance could not have so fired her wrath. Keyork might have laughed at her afterwards, but her failure would have been no triumph to him. Was not Keyork enlisted on her side, ready to help her at all times, by word or deed, in accordance with the terms of their agreement? But of all men Kafka, whom she had so wronged, was the one man who should have been ignorant of her defeat and miserable shame.

"Go!" she cried, with a gesture of command. Her eyes flashed and her extended hand trembled.

There was such concentrated fury in a single word that the Wanderer started in surprise, ignorant as he was of the true state of things.

"You are uselessly unkind," he said gravely. "The poor man is mad. Let me take him away."

"Leave him to me," she answered imperiously. "He will obey me."

But Israel Kafka did not turn. He rested one hand upon the slab and faced her. As when many different forces act together at one point, producing after the first shock a resultant little expected, so the many passions that were at work in his face finally twisted his lips into a smile.

"Yes," he said, in a low tone, which did not express submission. "Leave me to her! Leave me to the Witch and to her mercy. It will be the end this time. She is drunk with her love of you and mad with her hatred of me."

Unorna grew suddenly pale, and would have again sprung forward. But the Wanderer stopped her and held her arm. At the same time he looked into Kafka's eyes and raised one hand as though in warning.

"Be silent!" he exclaimed.

"And if I speak, what then?" asked the Moravian with his evil smile.

"I will silence you," answered the Wanderer coldly. "Your madness excuses you, perhaps, but it does not justify me in allowing you to insult a woman."

Kafka's anger took a new direction. Even madmen are often calmed by the quiet opposition of a strong and self-possessed man. And Kafka was not mad. He was no coward either, but the subtlety of his race was in him. As oil dropped by the board in a wild tempest does not calm the waves, but momentarily prevents their angry crests from breaking, so the Israelite's quick tact veiled the rough face of his dangerous humour.

"I insult no one," he said, almost deferentially. "Least of all her whom I have worshipped long and lost at last. You accuse me unjustly of that, and though my speech may have been somewhat rude, yet may I be forgiven for the sake of what I have suffered. For I have suffered much."

Seeing that he was taking a more courteous tone, the Wanderer folded his arms and left Unorna free to move, awaiting her commands, or the further development of events. He saw in her face that her anger was not subsiding, and he wondered less at it after hearing Kafka's insulting speech. It was a pity, he thought, that any one should take so seriously a maniac's words, but he was nevertheless resolved that they should not be repeated. After all, it would be an easy matter, if the man again overstepped the bounds of gentle speech, to take him bodily away from Unorna's presence.

"And are you going to charm our ears with a story of your sufferings?" Unorna asked, in a tone so cruel, that the Wanderer expected a quick outburst of anger from Kafka, in reply. But he was disappointed in this. The smile still lingered on the Moravian's face, when he answered, and his expressive voice, no longer choking with passion, grew very soft and musical.

"It is not mine to charm," he said. "It is not given to me to make slaves of all living things with hand and eye and word. Such power Nature does not give to all, she has given none to me. I have no spell to win Unorna's love—and if I had, I cannot say that I would take a love thus earned."

He paused a moment and Unorna grew paler. She started, but then did not move again. His words had power to wound her, but she trembled lest the Wanderer should understand their hidden meaning, and she was silent, biding her time and curbing her passion.

"No," continued Kafka, "I was not thus favoured in my nativity. The star of love was not in the ascendant, the lord of magic charms was not trembling upon my horizon, the sun of earthly happiness was not enthroned in my mid-heaven. How could it be? She had it all, this Unorna here, and Nature, generous in one mad moment, lavished upon her all there was to give. For she has all, and we have nothing, as I have learned and you will learn before you die."

He looked at the Wanderer as he spoke. His hollow eyes seemed calm enough, and in his dejected attitude and subdued tone there was nothing that gave warning of a coming storm. The Wanderer listened, half-interested and yet half-annoyed by his persistence. Unorna herself was silent still.

"The nightingale was singing on that night," continued Kafka. "It was a dewy night in early spring, and the air was very soft, when Unorna first breathed it. The world was not asleep but dreaming, when her eyes first opened to look upon it. Heaven had put on all its glories—across its silent breast was bound the milk-white ribband, its crest was crowned with God's crown-jewels, the great northern stars, its mighty form was robed in the mantle of majesty set with the diamonds of suns and worlds, great and small, far and near—not one tiny spark of all the myriad million gems was darkened by a breath of wind-blown mist. The earth was very still, all wrapped in peace and lulled in love. The great trees pointed their dark spires upwards from the temple of the forest to the firmament of the greater temple on high. In the starlight the year's first roses breathed out the perfume gathered from the departed sun, and every dewdrop in the short, sweet grass caught in its little self the reflection of heaven's vast glory. Only, in the universal stillness, the nightingale sang the song of songs, and bound the angel of love with the chains of her linked melody and made him captive in bonds stronger than his own."

Israel Kafka spoke dreamily, resting against the stone beside him, seemingly little conscious of the words that fell in oriental imagery from his lips. In other days Unorna had heard him speak like this to her, and she had loved the speech, though not the man, and sometimes for its sake she had wished her heart could find its fellow in his. And even now, the tone and the words had a momentary effect upon her. What would have sounded as folly, overwrought, sentimental, almost laughable, perhaps, to other women, found an echo in her own childish memories and a sympathy in her belief in her own mysterious nature. The Wanderer had heard men talk as Israel Kafka talked, in other lands, where speech is prized by men and women not for its tough strength but for its wealth of flowers.

"And love was her first captive," said the Moravian, "and her first slave. Yes, I will tell you the story of Unorna's life. She is angry with me now. Well, let it be. It is my fault—or hers. What matter? She cannot quite forget me out of mind—and I? Has Lucifer forgotten God?"

He sighed, and a momentary light flashed in his eyes. Something in the blasphemous strength of the words attracted the Wanderer's attention. Utterly indifferent himself, he saw that there was something more than madness in the man before him. He found himself wondering what encouragement Unorna had given the seed of passion that it should have grown to such strength, and he traced the madness back to the love, instead of referring the love to the madness. But he said nothing.

"So she was born," continued Kafka, dreaming on. "She was born amid the perfume of the roses, under the starlight, when the nightingale was singing. And all things that lived, loved her, and submitted to her voice and hand, and to her eyes and to her unspoken will, as running water follows the course men give it, winding and gliding, falling and rushing, full often of a roar of resistance that covers the deep, quick-moving stream, flowing in spite of itself through the channel that is dug for it to the determined end. And nothing resisted her. Neither man nor woman nor child had any strength to oppose against her magic. The wolf hounds licked her feet, the wolves themselves crouched fawning in her path. For she is without fear—as she is without mercy. Is that strange? What fear can there be for her who has the magic charm, who holds sleep in the one hand and death in the other, and between whose brows is set the knowledge of what shall be hereafter? Can any one harm her? Has any one the strength to harm her? Is there anything on earth which she covets and which shall not be hers?"