"Why, sure," was the ready answer. "That's how it's allus bin."

"Yes, I know. It's always been like that. But this is something much harder." Rosebud smiled a little wistfully into the strong face above her.

"You ken gamble on me."

"Of course I can. I know that."

Another silence fell. The girl continued to draw outrageous parallelograms in the dust. Seth smoked on, waiting for her. The last rays of the setting sun were shining athwart the golden head which his dark eyes were contemplating.

"You see, I want to buy Pa and Ma the finest ranch in Montana," she said at last. "You see, I've got lots of money," she went on, laughing nervously. "At least I shall have. I'm rather selfish, too, because I'm going to live with them, always, you know. And I'd like to live on a ranch. Pa could own it, and you could be foreman and partner. And—and I could be partner too. Quite a business arrangement. Pa and you would work. That's your share of the capital. I should only find the money, and do nothing. You see? I talked it over with—er—some one, and they said that was quite a business arrangement, and thought I was rather clever."

Seth removed his pipe and cleared his throat. Rosebud had not dared to look at him while putting forward her scheme. Her heart was beating so loudly, that it seemed to her he must hear it.

"Wal," he said slowly, "it's not a bad notion in some ways, Rosie. Ther's jest the matter o' myself wrong. I 'lows you'd make a han'some return to Rube an' Ma. Guess you needn't to figger on me though. I'll stand by this old farm. I ken work it single-handed. An' I kind o' notion the Injuns around here someways."

"But we couldn't do without you."

Seth shook his head. As she beheld the movement, Rosebud's lips quivered, and a little impatient frown drew her brows together. She felt like shaking him for his stupidity.

"Well, I'm just going to do it, Seth. And—and I'm sorry I said anything to you about it. I shall buy it for Rube without telling him. And you'll help me?"

"Sure."

"Quite sure?"

"Nothin' more certain."

The girl's impatience had passed. A demure smile had replaced the frown, as she stared out at the flaming western sky. Presently she went on with a great assumption of calmness.

"I'm in a bit of a difficulty, though. You see, I want to do the thing at once, and I can't because I haven't got the money yet. I want to know if there isn't some means of arranging it. You see I only have a certain income at present. Later on, I shall get the whole fortune. It's that silly business about getting it when I'm married. And, of course, I'm not married yet, am I?"

"No."

Rosebud felt a desperate desire to run away. But she had never realized how difficult Seth was before. His uncompromising directness was enough to upset any one, she told herself.

"Well, I must raise the money now. You see, now."

"Can't be done. You see, the dollars ain't yours till you marry. Mebbe they'll never be yours. Mebbe you won't never marry. I guess every female don't allus marry. No, can't be done, I guess."

"No—o. I never looked at it like that before. No. The money isn't mine, is it? So, of course, I can't do it. Oh, Seth, I am disappointed!"

The girl's face had dropped, and there was something almost tragic in her tone. Seth heard the tone and it smote his heart, and made him long to take her in his arms and comfort her. He hated himself for what he had said.

"Why, little Rosie," he said gently, "I was only jest lookin' straight at it. Guess them dollars is yours. It's jest a question o' gettin' married."

The girl had turned away again. The sky was fast darkening, and a deep grayness was spreading from the east. And now, without turning, she said quietly—

"Yes, I must get married. But there's no one wants to marry me."

Seth drew a deep breath and stirred uneasily.

There was another long pause while Rosebud sat silently and unconsciously listening to the thumping of her own heart, and Seth tried hopelessly to relight a pipe in which all the tobacco had burnt out.

Suddenly Rosebud faced round. The growing darkness concealed the deep flush which had now taken possession of her cheeks, and spread even to brow and throat.

"But I do want that money, Seth," she said in a low tone. "And—and—you said—you promised you would help me."

There was a sharp sound of an empty pipe falling to the ground. Two strong rough hands were suddenly thrust out and rested in a steady grasp upon the girl's rounded shoulders. They slid their way upward until her soft cheeks were resting in their palms.

Rosebud felt her face lifted until she found herself gazing into the man's dark eyes which, in the darkness, were shining with a great love light. Her lids drooped before such passionate intensity. And her heart thrilled with rapture as she listened to his rough, honest words.

"Little Rosie, gal, you don't jest know what you're sayin'. I hadn't meant to, sure, but now I can't jest help it. My wits seem somehow gone, an' I don't guess as you'll ever forgive me. Ther's only one way I ken help you, little gal. 'Tain't right. 'Tain't honest, I know, but I guess I'm weak-kneed 'bout things now. I love you that bad I jest want to marry you. Guess I've loved you right along. I loved you when I picked you up in these arms nigh seven years ago. I loved you when I bandaged up that golden head o' yours. An' I've loved you—ever since. Rosie, gal, I jest don't know what I'm sayin'. How ken I? I'm daft—jest daft wi' love of you. I've tried to be honest by you. I've tried to do my duty by you—but I jest can't no longer, 'cos I love you——"

But he abruptly released her, and blindly groped on the ground for his pipe. He had suddenly realized that his actions, his words were past all forgiveness.

He did not find his pipe. Rosebud was kneeling now, and, as he stooped, his head came into contact with hers. In an instant his arms were about her slight figure, and he was crushing her to his breast in a passionate embrace.

"Oh, God! I love you, Rosie!" he cried, with all the pent-up passion of years finding vent in the exclamation.

Her face was raised to his; his lips sought hers, soft and warm. He kissed her again and again. He had no words. His whole soul was crying out for her. She was his, and he was holding her in his arms. Cost what it might afterward she was his for this one delirious moment.

But the moment passed all too swiftly. Reason returned to him, and his arms dropped from about her as he realized the enormity of his offence.

"Child—little Rosie," he cried brokenly, "I'm crazy! What—what have I done?"

But Rosebud did not go from him as he had expected she would. She did not stir. Her face was hidden from him, and he could not see the anger he expected to read there. She answered him. And her answer was meek—very, very humble.

"You've let go of me," she said in a low voice. "And—and I was so comfortable—so—so—happy!"

"Happy?" reechoed Seth.

She was in his arms again. Night had fallen and all was still. No words were spoken between them for many minutes. Those rapturous moments were theirs alone, none could see, none could know. At length it was Rosebud who looked up from the pillow of his breast. Her lovely eyes were shining even in the darkness.

"Seth—dear—you will help me? You will be my—partner in the ranch?"

And the man's answer came with a ring of deep happiness in his voice.

"Yes, Rosie, gal—if you'll make it partners for—life."

Somehow when he came to look back on these moments Seth never quite realized how it all came about—this wondrous happiness that was his. But then—yes, perhaps, he was "ter'ble slow," as Ma Sampson had said.



* * * * * *



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DARNLEY. A Romance of the times of Henry VIII. and Cardinal Wolsey. By G. P. R. James. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

In point of publication, "Darnley" is that work by Mr. James which follows "Richelieu," and, if rumor can be credited, it was owing to the advice and insistence of our own Washington Irving that we are indebted primarily for the story, the young author questioning whether he could properly paint the difference in the characters of the two great cardinals. And it is not surprising that James should have hesitated; he had been eminently successful in giving to the world the portrait of Richelieu as a man, and by attempting a similar task with Wolsey as the theme, was much like tempting fortune. Irving insisted that "Darnley" came naturally in sequence, and this opinion being supported by Sir Walter Scott, the author set about the work.

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NICK OF THE WOODS. A story of the Early Settlers of Kentucky. By Robert Montgomery Bird. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

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"Windsor Castle" is the story of Henry VIII., Catharine, and Anne Boleyn. "Bluff King Hal," although a well-loved monarch, was none too good a one in many ways. Of all his selfishness and unwarrantable acts, none was more discreditable than his divorce from Catharine, and his marriage to the beautiful Anne Boleyn. The King's love was as brief as it was vehement. Jane Seymour, waiting maid on the Queen, attracted him, and Anne Boleyn was forced to the block to make room for her successor. This romance is one of extreme interest to all readers.

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Among the old favorites in the field of what is known as historical fiction, there are none which appeal to a larger number of Americans than Horseshoe Robinson, and this because it is the only story which depicts with fidelity to the facts the heroic efforts of the colonists in South Carolina to defend their homes against the brutal oppression of the British under such leaders as Cornwallis and Tarleton.

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Take it all in all, "Horseshoe Robinson" is a work which should be found on every book-shelf, not only because it is a most entertaining story, but because of the wealth of valuable information concerning the colonists which it contains. That it has been brought out once more, well illustrated, is something which will give pleasure to thousands who have long desired an opportunity to read the story again, and to the many who have tried vainly in these latter days to procure a copy that they might read it for the first time.

THE PEARL OF ORR'S ISLAND. A story of the Coast of Maine. By Harriet Beecher Stowe. Cloth, 12mo. Illustrated. Price, $1.00.

Written prior to 1862, the "Pearl of Orr's Island" is ever new; a book filled with delicate fancies, such as seemingly array themselves anew each time one reads them. One sees the "sea like an unbroken mirror all around the pine-girt, lonely shores of Orr's Island," and straightway comes "the heavy, hollow moan of the surf on the beach, like the wild angry howl of some savage animal."

Who can read of the beginning of that sweet life, named Mara, which came into this world under the very shadow of the Death angel's wings, without having an intense desire to know how the premature bud blossomed? Again and again one lingers over the descriptions of the character of that baby boy Moses, who came through the tempest, amid the angry billows, pillowed on his dead mother's breast.

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GUY FAWKES. A Romance of the Gunpowder Treason. By Wm. Harrison Ainsworth. Cloth, 12mo. with four illustrations by George Cruikshank. Price, $1.00.

The "Gunpowder Plot" was a modest attempt to blow up Parliament, the King and his Counsellors. James of Scotland, then King of England, was weak-minded and extravagant. He hit upon the efficient scheme of extorting money from the people by imposing taxes on the Catholics. In their natural resentment to this extortion, a handful of bold spirits concluded to overthrow the government. Finally the plotters were arrested, and the King put to torture Guy Fawkes and the other prisoners with royal vigor. A very intense love story runs through the entire romance.

THE SPIRIT OF THE BORDER. A Romance of the Early Settlers in the Ohio Valley. By Zane Grey. Cloth. 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

A book rather out of the ordinary is this "Spirit of the Border." The main thread of the story has to do with the work of the Moravian missionaries in the Ohio Valley. Incidentally the reader is given details of the frontier life of those hardy pioneers who broke the wilderness for the planting of this great nation. Chief among these, as a matter of course, is Lewis Wetzel, one of the most peculiar, and at the same time the most admirable of all the brave men who spent their lives battling with the savage foe, that others might dwell in comparative security.

Details of the establishment and destruction of the Moravian "Village of Peace" are given at some length, and with minute description. The efforts to Christianize the Indians are described as they never have been before, and the author has depicted the characters of the leaders of the several Indian tribes with great care, which of itself will be of interest to the student.

By no means least among the charms of the story are the vivid word-pictures of the thrilling adventures, and the intense paintings of the beauties of nature, as seen in the almost unbroken forests.

It is the spirit of the frontier which is described, and one can by it, perhaps, the better understand why men, and women, too, willingly braved every privation and danger that the westward progress of the star of empire might be the more certain and rapid. A love story, simple and tender, runs through the book.

RICHELIEU. A tale of France in the reign of King Louis XIII. By G. P. R. James. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

In 1829 Mr. James published his first romance, "Richelieu," and was recognized at once as one of the masters of the craft.

In this book he laid the story during those later days of the great cardinal's life, when his power was beginning to wane, but while it was yet sufficiently strong to permit now and then of volcanic outbursts which overwhelmed foes and carried friends to the topmost wave of prosperity. One of the most striking portions of the story is that of Cinq Mar's conspiracy; the method of conducting criminal cases, and the political trickery resorted to by royal favorites, affording a better insight into the statecraft of that day than can be had even by an exhaustive study of history. It is a powerful romance of love and diplomacy, and in point of thrilling and absorbing interest has never been excelled.

For sale by all booksellers, or sent postpaid on receipt of price by the publishers

A. L. BURT COMPANY, 52-58 Duane St., New York.



GOOD FICTION WORTH READING.

A series of romances containing several of the old favorites in the field of historical fiction, replete with powerful romances of love and diplomacy that excel in thrilling and absorbing interest.

A COLONIAL FREE-LANCE. A story of American Colonial Times. By Chauncey C. Hotchkiss. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

A book that appeals to Americans as a vivid picture of Revolutionary scenes. The story is a strong one, a thrilling one. It causes the true American to flush with excitement, to devour chapter after chapter, until the eyes smart, and it fairly smokes with patriotism. The love story is a singularly charming idyl.

THE TOWER OF LONDON. A Historical Romance of the Times of Lady Jane Grey and Mary Tudor. By Wm. Harrison Ainsworth. Cloth, 12mo. with four illustrations by George Cruikshank. Price, $1.00.

This romance of the "Tower of London" depicts the Tower as palace, prison and fortress, with many historical associations. The era is the middle of the sixteenth century.

The story is divided into two parts, one dealing with Lady Jane Grey, and the other with Mary Tudor as Queen, introducing other notable characters of the era. Throughout the story holds the interest of the reader in the midst of intrigue and conspiracy, extending considerably over a half a century.

IN DEFIANCE OF THE KING. A Romance of the American Revolution. By Chauncey C. Hotchkiss. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

Mr. Hotchkiss has etched in burning words a story of Yankee bravery, and true love that thrills from beginning to end, with the spirit of the Revolution. The heart beats quickly, and we feel ourselves taking a part in the exciting scenes described. His whole story is so absorbing that you will sit up far into the night to finish it. As a love romance it is charming.

GARTHOWEN. A story of a Welsh Homestead. By Allen Raine. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

"This is a little idyl of humble life and enduring love, laid bare before us, very real and pure, which in its telling shows us some strong points of Welsh character—the pride, the hasty temper, the quick dying out of wrath.... We call this a well-written story, interesting alike through its romance and its glimpses into another life than ours. A delightful and clever picture of Welsh village life. The result is excellent."—Detroit Free Press.

MIFANWY. The story of a Welsh Singer. By Allan Raine. Cloth, 12mo. with four illustrations by J. Watson Davis. Price, $1.00.

"This is a love story, simple, tender and pretty as one would care to read. The action throughout is brisk and pleasing; the characters, it is apparent at once, are as true to life as though the author had known them all personally. Simple in all its situations, the story is worked up in that touching and quaint strain which never grows wearisome, no matter how often the lights and shadows of love are introduced. It rings true, and does not tax the imagination."—Boston Herald.

For sale by all booksellers, or sent postpaid on receipt of price by the publishers

A. L. BURT COMPANY, 52-58 Duane St., New York.

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