"You shall not die, Jacques; I am here—"

"Listen to one, my girl. If I had a bushel of live coal in my stomach, it could hardly burn me more. For more than a month, I have been consuming my body by a slow fire. This gentleman," he added, glancing at Morok, "this dear friend, always undertook to feed the flame. I do not regret life; I have lost the habit of work, and taken to drink and riot; I should have finished by becoming a thorough blackguard: I preferred that my friend here should amuse himself with lighting a furnace in my inside. Since what I drank just now, I am certain that it fumes like yonder punch."

"You are both foolish and ungrateful," said Morok, shrugging his shoulders; "you held out your glass, and I filled it—and, faith, we shall drink long and often together yet."

For some moments, Cephyse had not withdrawn her eyes from Morok. "I tell you, that you have long blown the fire, in which I have burnt my skin," resumed Jacques, addressing Morok in a feeble voice, "so that they may not think I die of cholera. It would look as if I had been frightened by the part I played. I do not therefore reproach you, my affectionate friend," added he, with a sardonic smile; "you dug my grave gayly—and sometimes, when, seeing the great dark hole, into which I was about to fall, I drew back a step—but you, my excellent friend, still pushed me forward, saying, 'Go on, my boy, go on!'—and I went on—and here I am—"

So saying, Sleepinbuff burst into a bitter laugh, which sent an icy shudder through the spectators of this scene.

"My good fellow," said Morok, coolly, "listen to me, and follow my advice."

"Thank you! I know your advice—and, instead of listening to you, I prefer speaking to my poor Cephyse. Before I go down to the moles, I should like to tell her what weighs on my heart."

"Jacques," replied Cephyse, "do not talk so. I tell you, you shall not die."

"Why, then, my brave Cephyse, I shall owe my life to you," returned Jacques, in a tone of serious feeling, which surprised the spectators. "Yes," resumed he, "when I came to myself, and saw you so poorly clad, I felt something good about my heart—do you know why?—it was because I said to myself, 'Poor girl! she has kept her word bravely; she has chosen to toil, and want, and suffer—rather than take another love—who would have given her what I gave her as long as I could'—and that thought, Cephyse, refreshed my soul. I needed it, for I was burning—and I burn still," added he, clinching his fists with pain; "but that made me happy—it did me good—thanks, my good, brave Cephyse—yes, you are good and brave—and you were right; for I never loved any but you in the wide world; and if, in my degradation, I had one thought that raised me a little above the filth, and made me regret that I was not better—the thought was of you! Thanks then, my poor, dear love," said Jacques, whose hot and shining eyes were becoming moist; "thanks once again," and he reached his cold hand to Cephyse; "if I die, I shall die happy—if I live, I shall live happy also. Give me your hand, my brave Cephyse!—you have acted like a good and honest creature."

Instead of taking the hand which Jacques offered her, Cephyse, still kneeling, bowed her head, and dared not raise her eyes to her lover.

"You don't answer," said he, leaning over towards the young girl; "you don't take my hand—why is this?"

The unfortunate creature only answered by stifled sobs. Borne down with shame, she held herself in so humble, so supplicating an attitude, that her forehead almost touched the feet of her lover.

Amazed at the silence and conduct of the Bacchanal Queen, Jacques looked at her with increasing agitation; suddenly he stammered out with trembling lips, "Cephyse, I know you. If you do not take my hand, it is because—"

Then, his voice failing, he added, in a dull tone, after a moment's silence, "When, six weeks ago, I was taken to prison, did you not say to me, 'Jacques, I swear that I will work—and if need be, live in horrible misery—but I will live true!' That was your promise. Now, I know you never speak false; tell me you have kept your word, and I shall believe you."

Cephyse only answered by a heart-rending sob, as she pressed the knees of Jacques against her heaving bosom. By a strange contradiction, more common than is generally thought—this man, degraded by intoxication and debauchery, who, since he came out of prison, had plunged in every excess, and tamely yielded to all the fatal incitements of Morok, yet received a fearful blow, when he learned, by the mute avowal of Cephyse, the infidelity, of this creature, whom he had loved in spite of degradation. The first impulse of Jacques was terrible. Notwithstanding his weakness and exhaustion, he succeeded in rising from his seat, and, with a countenance contracted by rage and despair, he seized a knife, before they had time to prevent him, and turned it upon Cephyse. But at the moment he was about to strike, shrinking from an act of murder, he hurled the knife far away from him, and falling back into the chair, covered his face with his hands.

At the cry of Ninny Moulin, who had, though late, thrown himself upon Jacques to take away the knife, Cephyse raised her head: Jacques's woeful dejection wrung her heart; she rose, and fell upon his neck, notwithstanding his resistance, exclaiming in a voice broken by sobs, "Jacques, if you knew! if you only knew—listen—do not condemn me without hearing me—I will tell you all, I swear to you—without falsehood—this man," and she pointed to Morok, "will not dare deny what I say; he came, and told me to have the courage to—"

"I do not reproach you. I have no right to reproach you. Let me die in peace. I ask nothing but that now," said Jacques, in a still weaker voice, as he repulsed Cephyse. Then he added, with a grievous and bitter smile, "Luckily, I have my dose. I knew—what I was doing—when I accepted the duel with brandy."

"No, you shall not die, and you shall hear me," cried Cephyse, with a bewildered air; "you shall hear me, and everybody else shall hear me. They shall see that it is not my fault. Is it not so, gentlemen? Do I not deserve pity? You will entreat Jacques to forgive me; for if driven by misery—finding no work—I was forced to this—not for the sake of any luxury—you see the rags I wear—but to get bread and shelter for my poor, sick sister—dying, and even more miserable than myself—would you not have pity upon me? Do you think one finds pleasure in one's infamy?" cried the unfortunate, with a burst of frightful laughter; then she added, in a low voice, and with a shudder, "Oh, if you knew, Jacques! it is so infamous, so horrible, that I preferred death to falling so low a second time. I should have killed myself, had I not heard you were here." Then, seeing that Jacques did not answer her, but shook his head mournfully as he sank down though still supported by Ninny Moulin, Cephyse exclaimed, as she lifted her clasped hands towards him, "Jacques! one word—for pity's sake—forgive me!"

"Gentlemen, pray remove this woman," cried Morok; "the sight of her causes my friend too painful emotions."

"Come, my dear child, be reasonable," said several of the guests, who, deeply moved by this scene, were endeavoring to withdraw Cephyse from it; "leave him, and come with us; he is not in any danger."

"Gentlemen! oh, gentlemen!" cried the unfortunate creature, bursting into tears, and raising her hands in supplication; "listen to me—I will do all that you wish me—I will go—but, in heaven's name, send for help, and do not let him die thus. Look, what pain he suffers! what horrible convulsions!"

"She is right," said one of the guests, hastening towards the door; "we must send for a doctor."

"There is no doctor to be found," said another; "they are all too busy."

"We will do better than that," cried a third; "the Hospital is just opposite, and we can carry the poor fellow thither. They will give him instant help. A leaf of the table will make a litter, and the table cloth a covering."

"Yes, yes, that is it," said several voices; "let us carry him over at once."

Jacques, burnt up with brandy, and overcome by his interview with Cephyse, had again fallen into violent convulsions. It was the dying paroxysm of the unfortunate man. They were obliged to tie him with the ends of the cloth, so as to secure him to the leaf which was to serve for a litter, which two of the guests hastened to carry away. They yielded to the supplication of Cephyse, who asked, as a last favor, to accompany Jacques to the Hospital. When the mournful procession quitted the great room of the eating-house, there was a general flight among the guests. Men and women made haste to wrap themselves in their cloaks, in order to conceal their costumes. The coaches, which had been ordered in tolerable number for the return of the masquerade, had luckily arrived. The defiance had been fully carried out, the audacious bravado accomplished, and they could now retire with the honors of war. Whilst a part of the guests were still in the room, an uproar, at first distant, but which soon drew nearer, broke out with incredible fury in the square of Notre Dame.

Jacques had been carried to the outer door of the tavern. Morok and Ninny Moulin, striving to open a passage through the crowd in the direction of the Hospital, preceded the litter. A violent reflux of the multitude soon forced them to stop, whilst a new storm of savage outcries burst from the other extremity of the square, near the angle of the church.

"What is it then?" asked Ninny Moulin of one of those ignoble figures that was leaping up before him. "What are those cries?"

"They are making mince-meat of a poisoner, like him they have thrown into the river," replied the man. "If you want to see the fun, follow me close," added he, "and peg away with your elbows, for fear you should be too late."

Hardly had the wretch pronounced these words than a dreadful shriek sounded above the roar of the crowd, through which the bearers of the litter, preceded by Morok, were with difficulty making their way. It was Cephyse who uttered that cry. Jacques (one of the seven heirs of the Rennepont family) had just expired in her arms! By a strange fatality, at the very moment that the despairing exclamation of Cephyse announced that death, another cry rose from that part of the square where they were attacking the poisoner. That distant, supplicating cry, tremulous with horrible alarm, like the last appeal of a man staggering beneath the blows of his murderers, chilled the soul of Morok in the midst of his execrable triumph.

"Damnation!" cried the skillful assassin, who had selected drunkenness and debauchery for his murderous but legal weapons; "it is the voice of the Abbe d'Aigrigny, whom they have in their clutches!"



CHAPTER XXIII. THE POISONER.

It is necessary to go back a little before relating the adventure of Father d'Aigrigny, whose cry of distress made so deep an impression upon Morok just at the moment of Jacques Rennepont's death. We have said that the most absurd and alarming reports were circulating in Paris; not only did people talk of poison given to the sick or thrown into the public fountains, but it was also said that wretches had been surprised in the act of putting arsenic into the pots which are usually kept all ready on the counters of wine-shops. Goliath was on his way to rejoin Morok, after delivering a message to Father d'Aigrigny, who was waiting in a house on the Place de l'Archeveche. He entered a wine-shop in the Rue de la Calandre, to get some refreshment, and having drunk two glasses of wine, he proceeded to pay for them. Whilst the woman of the house was looking for change, Goliath, mechanically and very innocently, rested his hand on the mouth of one of the pots that happened to be within his reach.

The tall stature of this man and his repulsive and savage countenance had already alarmed the good woman, whose fears and prejudices had previously been roused by the public rumors on the subject of poisoning; but when she saw Goliath place his hand over the mouth of one of her pots, she cried out in dismay: "Oh! my gracious! what are you throwing into that pot?" At these words, spoken in a loud voice, and with the accent of terror, two or three of the drinkers at one of the tables rose precipitately, and ran to the counter, while one of them rashly exclaimed: "It is a poisoner!"

Goliath, not aware of the reports circulated in the neighborhood, did not at first understand of what he was accused. The men raised their voices as they called on him to answer the charge; but he, trusting to his strength, shrugged his shoulders in disdain, and roughly demanded the change, which the pale and frightened hostess no longer thought of giving him.

"Rascal!" cried one of the men, with so much violence that several of the passers-by stopped to listen; "you shall have your change when you tell us what you threw in the pot!"

"Ha! did he throw anything into the wine-pot?" said one of the passers by.

"It is, perhaps, a poisoner," said another.

"He ought to be taken up," added a third.

"Yes, yes," cried those in the house—honest people perhaps, but under the influence of the general panic; "he must be taken up, for he has been throwing poison into the wine-pots."

The words "He is a poisoner" soon spread through the group, which, at first composed of three or four persons, increased every instant around the door of the wine-shop. A dull, menacing clamor began to rise from the crowd; the first accuser, seeing his fears thus shared and almost justified, thought he was acting like a good and courageous citizen in taking Goliath by the collar, and saying to him: "Come and explain yourself at the guard-house, villain!"

The giant, already provoked at insults of which he did not perceive the real meaning, was exasperated at this sudden attack; yielding to his natural brutality, he knocked his adversary down upon the counter, and began to hammer him with his fists. During this collision, several bottles and two or three panes of glass were broken with much noise, whilst the woman of the house, more and more frightened, cried out with all her might; "Help! a poisoner! Help! murder!"

At the sound of the breaking windows and these cries of distress, the passers-by, of whom the greater number believed in the stories about the poisoners, rushed into the shop to aid in securing Goliath. But the latter, thanks to his herculean strength, after struggling for some moments with seven or eight persons, knocked down two of his most furious assailants, disengaged himself from the others, drew near the counter, and, taking a vigorous spring, rushed head-foremost, like a bull about to butt, upon the crowd that blocked up the door; then, forcing a passage, by the help of his enormous shoulders and athletic arms, he made his way into the street, and ran with all speed in the direction of the square of Notre-Dame, his garments torn, his head bare, and his countenance pale and full of rage. Immediately, a number of persons from amongst the crowd started in pursuit of Goliath, and a hundred voices exclaimed: "Stop—stop the poisoner!"

Hearing these cries, and seeing a man draw near with a wild and troubled look, a butcher, who happened to be passing with his large, empty tray on his head, threw it against Goliath's shins, and taken by surprise, he stumbled and fell. The butcher, thinking he had performed as heroic an action as if he had encountered a mad dog, flung himself on Goliath, and rolled over with him on the pavement, exclaiming: "Help! it is a poisoner! Help! help!" This scene took place not far from the Cathedral, but at some distance from the crowd which was pressing round the hospital gate, as well as from the eating-house in which the masquerade of the cholera then was. The day was now drawing to a close. On the piercing call of the butcher, several groups, at the head of which were Ciboule and the quarryman, flew towards the scene of the struggle, while those who had pursued the pretended poisoner from the Rue de la Calandre, reached the square on their side.

At sight of this threatening crowd advancing towards him, Goliath, whilst he continued to defend himself against the butcher, who held him with the tenacity of a bull-dog, felt that he was lost unless he could rid himself of this adversary before the arrival of the rest; with a furious blow of the fist, therefore, he broke the jaw of the butcher, who just then was above him, and disengaging himself from his hold, he rose, and staggered a few steps forward. Suddenly he stopped. He saw that he was surrounded. Behind him rose the walls of the cathedral; to the right and left, and in front of him, advanced a hostile multitude. The groans uttered by the butcher, who had just been lifted from the ground covered with blood, augmented the fury of the populace.

This was a terrible moment for Goliath: still standing alone in the centre of a ring that grew smaller every second, he saw on all sides angry enemies rushing towards him, and uttering cries of death. As the wild boar turns round once or twice, before resolving to stand at bay and face the devouring pack, Goliath, struck with terror, made one or two abrupt and wavering movements. Then, as he abandoned the possibility of flight, instinct told him that he had no mercy to expect from a crowd given up to blind and savage fury—a fury the more pitiless as it was believed to be legitimate. Goliath determined, therefore, at least to sell his life dearly; he sought for a knife in his pocket, but, not finding it, he threw out his left leg in an athletic posture, and holding up his muscular arms, hard and stiff as bars of iron, waited with intrepidity for the shock.

The first who approached Goliath was Ciboule. The hag, heated and out of breath, instead of rushing upon him, paused, stooped down, and taking off one of the large wooden shoes that she wore, hurled it at the giant's head with so much force and with so true an aim that it struck him right in the eye, which hung half out of its socket. Goliath pressed his hands to his face, and uttered a cry of excruciating pain.

"I've made him squint!" said Ciboule, with a burst of laughter.

Goliath, maddened by the pain, instead of waiting for the attack, which the mob still hesitated to begin, so greatly were they awed by his appearance of herculean strength—the only adversary worthy to cope with him being the quarryman, who had been borne to a distance by the surging of the crowd—Goliath, in his rage, rushed headlong upon the nearest. Such a struggle was too unequal to last long; but despair redoubled the Colossus's strength, and the combat was for a moment terrible. The unfortunate man did not fall at once. For some seconds, almost buried amid a swarm of furious assailants, one saw now his mighty arm rise and fall like a sledge hammer, beating upon skulls and faces, and now his enormous head, livid and bloody, drawn back by some of the combatants hanging to his tangled hair. Here and there sudden openings and violent oscillations of the crowd bore witness to the incredible energy of Goliath's defence. But when the quarryman succeeded in reaching him, Goliath was overpowered and thrown down. A long, savage cheer in triumph announced this fall; for, under such circumstances, to "go under" is "to die." Instantly a thousand breathless and angry voices repeated the cry of "Death to the poisoner!"

Then began one of those scenes of massacre and torture, worthy of cannibals, horrible to relate, and the more incredible, that they happen almost always in the presence, and often with the aid, of honest and humane people, who, blinded by false notions and stupid prejudices, allow themselves to be led into all sorts of barbarity, under the idea of performing an act of inexorable justice. As it frequently happens, the sight of the blood which flowed in torrents from Goliath's wounds inflamed to madness the rage of his assailants. A hundred fists struck at the unhappy man; he was stamped under foot, his face and chest were beaten in. Ever and anon, in the midst of furious cries of "Death to the poisoner!" heavy blows were audible, followed by stifled groans. It was a frightful butchery. Each individual, yielding to a sanguinary frenzy, came in turn to strike his blow; or to tear off his morsel of flesh. Women—yes, women—mothers!—came to spend their rage on this mutilated form.

There was one moment of frightful terror. With his face all bruised and covered with mud, his garments in rags, his chest bare, red, gaping with wounds—Goliath, availing himself of a moment's weariness on the part of his assassins, who believed him already, finished, succeeded, by one of those convulsive starts frequent in the last agony, in raising himself to his feet for a few seconds; then, blind with wounds and loss of blood, striking about his arms in the air as if to parry blows that were no longer struck, he muttered these words, which came from his mouth, accompanied by a crimson torrent: "Mercy! I am no poisoner. Mercy!" This sort of resurrection produced so great an effect on the crowd, that for an instant they fell hack affrighted. The clamor ceased, and a small space was left around the victim. Some hearts began even to feel pity; when the quarryman, seeing Goliath blinded with blood, groping before him with his hands, exclaimed in ferocious allusion to a well-known game: "Now for blind-man's-bluff."

Then, with a violent kick, he again threw down the victim, whose head struck twice heavily on the pavement.

Just as the giant fell a voice from amongst the crowd exclaimed: "It is Goliath! stop! he is innocent."

It was Father d'Aigrigny, who, yielding to a generous impulse, was making violent efforts to reach the foremost rank of the actors in this scene, and who cried out, as he came nearer, pale, indignant, menacing: "You are cowards and murderers! This man is innocent. I know him. You shall answer for his life."

These vehement words were received with loud murmurs.

"You know that poisoner," cried the quarryman, seizing the Jesuit by the collar; "then perhaps you are a poisoner too.

"Wretch," exclaimed Father d'Aigrigny, endeavoring to shake himself loose from the grasp, "do you dare to lay hand upon me?"

"Yes, I dare do anything," answered the quarryman.

"He knows him: he's a poisoner like the other," cried the crowd, pressing round the two adversaries; whilst Goliath, who had fractured his skull in the fall, uttered a long death-rattle.

At a sudden movement of Father d'Aigrigny, who disengaged himself from the quarryman, a large glass phial of peculiar form, very thick, and filled with a greenish liquor, fell from his pocket, and rolled close to the dying Goliath. At sight of this phial, many voices exclaimed together: "It is poison! Only see! He had poison upon him."

The clamor redoubled at this accusation, and they pressed so close to Abbe d'Aigrigny, that he exclaimed: "Do not touch me! do not approach me!"

"If he is a poisoner," said a voice, "no more mercy for him than for the other."

"I a poisoner?" said the abbe, struck with horror.

Ciboule had darted upon the phial; the quarryman seized it from her, uncorked it and presenting it to Father d'Aigrigny, said to him: "Now tell us what is that?"

"It is not poison," cried Father d'Aigrigny.

"Then drink it!" returned the quarryman.

"Yes, yes! let him drink it!" cried the mob.

"Never," answered Father d'Aigrigny, in extreme alarm. And he drew back as he spoke, pushing away the phial with his hand.

"Do you see? It is poison. He dares not drink it," they exclaimed. Hemmed in on every side, Father d'Aigrigny stumbled against the body of Goliath.

"My friends," cried the Jesuit, who, without being a poisoner, found himself exposed to a terrible alternative, for his phial contained aromatic salts of extraordinary strength, designed for a preservative against the cholera, and as dangerous to swallow as any poison, "my good friends, you are in error. I conjure you, in the name of heaven—"

"If that is not poison, drink it!" interrupted the quarryman, as he again offered the bottle to the Jesuit.

"If he does not drink it, death to the poisoner of the poor!"

"Yes!—death to him! death to him!"

"Unhappy men!" cried Father d'Aigrigny, whilst his hair stood on end with terror; "do you mean to murder me?"

"What about all those, that you and your mate have killed, you wretch?"

"But it is not true—and—"

"Drink, then!" repeated the inflexible quarryman; "I ask you for the last time."

"To drink that would be death," cried Father d'Aigrigny.

"Oh! only hear the wretch!" cried the mob, pressing closer to him; "he has confessed—he has confessed!"

"He has betrayed himself!"(40)

"He said, 'to drink that would be death!'"

"But listen to me," cried the abbe, clasping his hands together; "this phial is—"

Furious cries interrupted Father d'Aigrigny. "Ciboule, make an end of that one!" cried the quarryman, spurning Goliath with his foot. "I will begin this one!" And he seized Father d'Aigrigny by the throat.

At these words, two different groups formed themselves. One, led by Ciboule, "made an end" of Goliath, with kicks and blows, stones and wooden shoes; his body was soon reduced to a horrible thing, mutilated, nameless, formless—a mere inert mass of filth and mangled flesh. Ciboule gave her cloak, which they tied to one of the dislocated ankles of the body, and thus dragged it to the parapet of the quay. There, with shouts of ferocious joy, they precipitated the bloody remains into the river. Now who does not shudder at the thought that, in a time of popular commotion, a word, a single word, spoken imprudently, even by an honest man, and without hatred, will suffice to provoke so horrible a murder.

"Perhaps it is a poisoner!" said one of the drinkers in the tavern of the Rue de la Calandre—nothing more—and Goliath had been pitilessly murdered.

What imperious reasons for penetrating the lowest depths of the masses with instruction and with light—to enable unfortunate creatures to defend themselves from so many stupid prejudices, so many fatal superstitions, so much implacable fanaticism!—How can we ask for calmness, reflection, self-control, or the sentiment of justice from abandoned beings, whom ignorance has brutalized, and misery depraved, and suffering made ferocious, and of whom society takes no thought, except when it chains them to the galleys, or binds them ready for the executioner! The terrible cry which had so startled Morok was uttered by Father d'Aigrigny as the quarryman laid his formidable hand upon him, saying to Ciboule: "Make an end of that one—I will begin this one!"

(40) This fact is historical. A man was murdered because a phial full of ammonia was found upon him. On his refusal to drink it, the populace, persuaded that the bottle contained poison, tore him to pieces.



CHAPTER XXIV. IN THE CATHEDRAL.

Night was almost come, as the mutilated body of Goliath was thrown into the river. The oscillations of the mob had carried into the street, which runs along the left side of the cathedral, the group into whose power Father d'Aigrigny had fallen. Having succeeded in freeing himself from the grasp of the quarryman, but still closely pressed by the multitude that surrounded him, crying, "Death to the poisoner!" he retreated step by step, trying to parry the blows that were dealt him. By presence of mind, address, and courage, recovering at that critical moment his old military energy, he had hitherto been able to resist and to remain firm on his feet—knowing, by the example of Goliath, that to fall was to die. Though he had little hope of being heard to any purpose, the abbe continued to call for help with all his might. Disputing the ground inch by inch, he manoeuvred so as to draw near one of the lateral walls of the church, and at length succeeded in ensconcing himself in a corner formed by the projection of a buttress, and close by a little door.

This position was rather favorable. Leaning with his back against the wall, Father d'Aigrigny was sheltered from the attacks of a portion of his assailants. But the quarryman, wishing to deprive him of this last chance of safety, rushed upon him, with the intention of dragging him out into the circle where he would have been trampled under foot. The fear of death gave Father d'Aigrigny extraordinary strength, and he was able once more to repulse the quarryman, and remain entrenched in the corner where he had taken refuge. The resistance of the victim redoubled the rage of the assailants. Cries of murderous import resounded with new violence. The quarryman again rushed upon Father d'Aigrigny, saying, "Follow me, friends! this lasts too long. Let us make an end of it."

Father d'Aigrigny saw that he was lost. His strength was exhausted, and he felt himself sinking; his legs trembled under him, and a cloud obscured his sight; the howling of the furious mob began to sound dull upon his ear. The effects of violent contusions, received during the struggle, both on the head and chest, were now very perceptible. Two or three times, a mixture of blood and foam rose to the lips of the abbe; his position was a desperate one.

"To be slaughtered by these brutes, after escaping death so often in war!" Such was the thought of Father d'Aigrigny, as the quarryman rushed upon him.

Suddenly, at the very moment when the abbe, yielding to the instinct of self-preservation, uttered one last call for help, in a heart-piercing voice, the door against which he leaned opened behind him, and a firm hand caught hold of him, and pulled him into the church. Thanks to this movement, performed with the rapidity of lightning, the quarryman, thrown forward in his attempt to seize Father d'Aigrigny, could not check his progress, and found himself just opposite to the person who had come, as it were, to take the place of the victim.

The quarryman stopped short, and then fell back a couple of paces, so much was he amazed at this sudden apparition, and impressed, like the rest of the crowd, with a vague feeling of admiration and respect at sight of him who had come so miraculously to the aid of Father d'Aigrigny. It was Gabriel. The young missionary remained standing on the threshold of the door. His long black cassock was half lost in the shadows of the cathedral; whilst his angelic countenance, with its border of long light hair, now pale and agitated by pity and grief, was illumined by the last faint rays of twilight. This countenance shone with so divine a beauty, and expressed such touching and tender compassion, that the crowd felt awed as, with his large blue eyes full of tears, and his hands clasped together, he exclaimed, in a sonorous voice: "Have mercy, my brethren! Be humane—be just!"

Recovering from his first feeling of surprise and involuntary emotion, the quarryman advanced a step towards Gabriel, and said to him: "No mercy for the poisoner! we must have him! Give him up to us, or we go and take him!"

"You cannot think of it, my brethren," answered Gabriel; "the church is a sacred place—a place of refuge for the persecuted."

"We would drag our prisoner from the altar!" answered the quarryman, roughly; "so give him up to us."

"Listen to me, my brethren," said Gabriel, extending his arms towards them.

"Down with the shaveling!" cried the quarryman; "let us go in and hunt him up in the church!"

"Yes, yes!" cried the mob, again led away by the violence of this wretch, "down with the black gown!"

"They are all of a piece!"

"Down with them!"

"Let us do as we did at the archbishop's!"

"Or at Saint-Germain-l'Auxerrois!"

"What do our likes care for a church?"

"If the priests defend the poisoners, we'll pitch them into the water too!"

"Yes, yes!"

"I'll show you the lead!" cried the quarryman; and followed by Ciboule, and a good number of determined men, he rushed towards Gabriel.

The missionary, who for some moments had watched the increasing fury of the crowd, had foreseen this movement; hastily retreating into the church, he succeeded, in spite of the efforts of the assailants, in nearly closing the door, and in barricading it by the help of a wooden bar, which he held in such a manner as would enable the door to resist for a few minutes.

Whilst he thus defended the entrance, Gabriel shouted to Father d'Aigrigny: "Fly, father! fly through the vestry! the other doors are fastened."

The Jesuit, overpowered by fatigue, covered with contusions, bathed in cold sweat, feeling his strength altogether fail, and too soon fancying himself in safety, had sunk, half fainting, into a chair. At the voice of Gabriel, he rose with difficulty, and, with a trembling step, endeavored to reach the choir, separated from the rest of the church by an iron railing.

"Quick, father!" added Gabriel, in alarm, using every effort to maintain the door, which was now vigorously assailed. "Make haste! In a few minutes it will be too late. All alone!" continued the missionary, in despair, "alone, to arrest the progress of these madmen!"

He was indeed alone. At the first outbreak of the attack, three or four sacristans and other members of the establishment were in the church; but, struck with terror, and remembering the sack of the archbishop's palace, and of Saint-Germain-l'Auxerrois, they had immediately taken flight. Some of them had concealed themselves in the organ-loft and others fled into the vestry, the doors of which they locked after them, thus cutting off the retreat of Gabriel and Father d'Aigrigny. The latter, bent double by pain, yet roused by the missionary's portentive warning, helping himself on by means of the chairs he met with on his passage, made vain efforts to reach the choir railing. After advancing a few steps, vanquished by his suffering, he staggered and fell upon the pavement, deprived of sense and motion. At the same moment, Gabriel, in spite of the incredible energy with which the desire to save Father d'Aigrigny had inspired him, felt the door giving way beneath the formidable pressure from without.

Turning his head, to see if the Jesuit had at least quitted the church, Gabriel, to his great alarm, perceived that he was lying motionless at a few steps from the choir. To abandon the half-broken door, to run to Father d'Aigrigny, to lift him in his arms, and drag him within the railing of the choir, was for the young priest an action rapid as thought; for he closed the gate of the choir just at the instant that the quarryman and his band, having finished breaking down the door, rushed in a body into the church.

Standing in front of the choir, with his arms crossed upon his breast, Gabriel waited calmly and intrepidly for this mob, still more exasperated by such unexpected resistance.

The door once forced, the assailants rushed in with great violence. But hardly had they entered the church, than a strange scene took place. It was nearly dark; only a few silver lamps shed their pale light round the sanctuary, whose far outlines disappeared in the shadow. On suddenly entering the immense cathedral, dark, silent, and deserted, the most audacious were struck with awe, almost with fear in presence of the imposing grandeur of that stony solitude. Outcries and threats died away on the lips of the most furious. They seemed to dread awaking the echoes of those enormous arches, those black vaults, from which oozed a sepulchral dampness, which chilled their brows, inflamed with anger, and fell upon their shoulders like a mantle of ice.

Religious tradition, routine, habit, the memories of childhood, have so much influence upon men, that hardly had they entered the church, than several of the quarryman's followers respectfully took off their hats, bowed their bare heads, and walked along cautiously, as if to check the noise of their footsteps on the sounding stones. Then they exchanged a few words in a low and fearful whisper. Others timidly raised their eyes to the far heights of the topmost arches of that gigantic building, now lost in obscurity, and felt almost frightened to see themselves so little in the midst of that immensity of darkness. But at the first joke of the quarryman, who broke this respectful silence, the emotion soon passed away.

"Blood and thunder!" cried he; "are you fetching breath to sing vespers? If they had wine in the font, well and good!"

These words were received with a burst of savage laughter. "All this time the villain will escape!" said one.

"And we shall be done," added Ciboule.

"One would think we had cowards here, who are afraid of the sacristans!" cried the quarryman.

"Never!" replied the others in chorus; "we fear nobody."

"Forward!"

"Yes, yes—forward!" was repeated on all sides. And the animation, which had been calmed down for a moment, was redoubled in the midst of renewed tumult. Some moments after, the eyes of the assailants, becoming accustomed to the twilight, were able to distinguish in the midst of the faint halo shed around by a silver lamp, the imposing countenance of Gabriel, as he stood before the iron railing of the choir.

"The poisoner is here, hid in some corner," cried the quarryman. "We must force this parson to give us back the villain."

"He shall answer for him!"

"He took him into the church."

"He shall pay for both, if we do not find the other!"

As the first impression of involuntary respect was effaced from the minds of the crowd, their voices rose the louder, and their faces became the more savage and threatening, because they all felt ashamed of their momentary hesitation and weakness.

"Yes, yes!" cried many voices, trembling with rage, "we must have the life of one or the other!"

"Or of both!"

"So much the worse for this priest, if he wants to prevent us from serving out our poisoner!"

"Death to him! death to him!"

With this burst of ferocious yells, which were fearfully re-echoed from the groined arches of the cathedral, the mob, maddened by rage, rushed towards the choir, at the door of which Gabriel was standing. The young missionary, who, when placed on the cross by the savages of the Rocky Mountains, yet entreated heaven to spare his executioners, had too much courage in his heart, too much charity in his soul, not to risk his life a thousand times over to save Father d'Aigrigny's—the very man who had betrayed hire by such cowardly and cruel hypocrisy.



CHAPTER XXV. THE MURDERERS.

The quarryman, followed by his gang, ran towards Gabriel, who had advanced a few paces from the choir-railing, and exclaimed, his eyes sparkling with rage: "Where is the poisoner? We will have him!"

"Who has told you, my brethren, that he is a poisoner?" replied Gabriel, with his deep, sonorous voice. "A poisoner! Where are the proofs—witnesses or victims?"

"Enough of that stuff! we are not here for confession," brutally answered the quarryman, advancing towards him in a threatening manner. "Give up the man to us; he shall be forthcoming, unless you choose to stand in his shoes?"

"Yes, yes!" exclaimed several voices; "they are 'in' with one another! One or the other we will have!"

"Very well, then; since it is so," said Gabriel, raising his head, and advancing with calmness, resignation; and fearlessness; "he or me," added he;—"it seems to make no difference to you—you are determined to have blood—take mine, and I will pardon you, my friends; for a fatal delusion has unsettled your reason."

These words of Gabriel, his courage, the nobleness of his attitude, the beauty of his countenance, had made an impression on some of the assailants, when suddenly a voice exclaimed: "Look! there is the poisoner, behind the railing!"

"Where—where?" cried they.

"There—don't you see?—stretched on the floor."

On hearing this, the mob, which had hitherto formed a compact mass, in the sort of passage separating the two sides of the nave, between the rows of chairs, dispersed in every direction, to reach the railing of the choir, the last and only barrier that now sheltered Father d'Aigrigny. During this manoeuvre the quarryman, Ciboule, and others, advanced towards Gabriel, exclaiming, with ferocious joy: "This time we have him. Death to the poisoner!"

To save Father d'Aigrigny, Gabriel would have allowed himself to be massacred at the entrance of the choir; but, a little further on, the railing, not above four feet in height, would in another instant be scaled or broken through. The Missionary lost all hope of saving the Jesuit from a frightful death. Yet he exclaimed: "Stop, poor deluded people!"—and, extending his arms, he threw himself in front of the crowd.

His words, gesture, and countenance, were expressive of an authority at once so affectionate and so fraternal, that there was a momentary hesitation amongst the mob. But to this hesitation soon succeeded the most furious cries of "Death; death!"

"You cry for his death?" cried Gabriel, growing still paler.

"Yes! yes!"

"Well, let him die," cried the missionary, inspired with a sudden thought; "let him die on the instant!"

These words of the young priest struck the crowd with amazement. For a few moments, they all stood mute, motionless, and as it were, paralyzed, looking at Gabriel in stupid astonishment.

"This man is guilty, you say," resumed the young missionary, in a voice trembling with emotion. "You have condemned him without proof, without witnesses—no matter, he must die. You reproach him with being a poisoner; where are his victims? You cannot tell—but no matter; he is condemned. You refuse to hear his defense, the sacred right of every accused person—no matter; the sentence is pronounced. You are at once his accusers, judges, and executioners. Be it so!—You have never seen till now this unfortunate man, he has done you no harm, he has perhaps not done harm to any one—yet you take upon yourselves the terrible responsibility of his death—understand me well—of his death. Be it so then! your conscience will absolve you—I will believe it. He must die; the sacredness of God's house will not save him—"

"No, no!" cried many furious voices.

"No," resumed Gabriel, with increasing warmth; "no you have determined to shed his blood, and you will shed it, even in the Lord's temple. It is, you say, your right. You are doing an act of terrible justice. But why then, so many vigorous arms to make an end of one dying man? Why these outcries? this fury? this violence? Is it thus that the people, the strong and equitable people, are wont to execute their judgments? No, no; when sure of their right, they strike their enemies, it is with the calmness of the judge, who, in freedom of soul and conscience, passes sentence. No, the strong and equitable people do not deal their blows like men blind or mad, uttering cries of rage, as if to drown the sense of some cowardly and horrible murder. No, it is not thus that they exercise the formidable right, to which you now lay claim—for you will have it—"

"Yes, we will have it!" shouted the quarryman, Ciboule, and others of the more pitiless portion of the mob; whilst a great number remained silent, struck with the words of Gabriel, who had just painted to them, in such lively colors, the frightful act they were about to commit.

"Yes," resumed the quarryman, "it is our right; we have determined to kill the poisoner!"

So saying, and with bloodshot eyes, and flushed cheek, the wretch advanced at the head of a resolute group, making a gesture as though he would have pushed aside Gabriel, who was still standing in front of the railing. But instead of resisting the bandit, the missionary advanced a couple of steps to meet him, took him by the arm, and said in a firm voice: "Come!"

And dragging, as it were, with him the stupefied quarryman, whose companions did not venture to follow at the moment, struck dumb as they were by this new incident, Gabriel rapidly traversed the space which separated him from the choir, opened the iron gate, and, still holding the quarryman by the arm, led him up to the prostrate form of Father d'Aigrigny, and said to him: "There is the victim. He is condemned. Strike!"

"I" cried the quarryman, hesitating; "I—all alone!"

"Oh!" replied Gabriel, with bitterness, "there is no danger. You can easily finish him. Look! he is broken down with suffering; he has hardly a breath of life left; he will make no resistance. Do not be afraid!"

The quarryman remained motionless, whilst the crowd, strangely impressed with this incident, approached a little nearer the railing, without daring to come within the gate.

"Strike then!" resumed Gabriel, addressing the quarryman, whilst he pointed to the crowd with a solemn gesture; "there are the judges; you are the executioner."

"No!" cried the quarryman, drawing back, and turning away his eyes; "I'm not the executioner—not I!"

The crowd remained silent. For a few moments, not a word, not a cry, disturbed the stillness of the solemn cathedral. In a desperate case, Gabriel had acted with a profound knowledge of the human heart. When the multitude, inflamed with blind rage, rushes with ferocious clamor upon a single victim, and each man strikes his blow, this dreadful species of combined murder appears less horrible to each, because they all share in the common crime; and then the shouts, the sight of blood, the desperate defence of the man they massacre, finish by producing a sort of ferocious intoxication; but, amongst all those furious madmen, who take part in the homicide, select one, and place him face to face with the victim, no longer capable of resistance, and say to him, "Strike!"—he will hardly ever dare to do so.

It was thus with the quarryman; the wretch trembled at the idea of committing a murder in cold blood, "all alone." The preceding scene had passed very rapidly; amongst the companions of the quarryman, nearest to the railing, some did not understand an impression, which they would themselves have felt as strongly as this bold man, if it had been said to them: "Do the office of executioner!" These, therefore, began to murmur aloud at his weakness. "He dares not finish the poisoner," said one.

"The coward!"

"He is afraid."

"He draws back." Hearing these words, the quarryman ran to the gate, threw it wide open, and, pointing to Father d'Aigrigny, exclaimed: "If there is one here braver than I am, let him go and finish the job—let him be, the executioner—come!"

On this proposal the murmurs ceased. A deep silence reigned once more in the cathedral. All those countenances, but now so furious, became sad, confused, almost frightened.

The deluded mob began to appreciate the ferocious cowardice of the action it had been about to commit. Not one durst go alone to strike the half expiring man. Suddenly, Father d'Aigrigny uttered a dying rattle, his head and one of his arms stirred with a convulsive movement, and then fell back upon the stones as if he had just expired.

Gabriel uttered a cry of anguish, and threw himself on his knees close to Father d'Aigrigny, exclaiming: "Great Heaven! he is dead!"

There is a singular variableness in the mind of a crowd, susceptible alike to good or evil impressions. At the heart-piercing cry of Gabriel, all these people, who, a moment before, had demanded, with loud uproar, the massacre of this man, felt touched with a sudden pity. The words: "He is dead!" circulated in low whispers through the crowd accompanied by a slight shudder, whilst Gabriel raised with one hand the victim's heavy head, and with the other sought to feel if the pulse still beat beneath the ice-cold skin.

"Mr. Curate," said the quarryman, bending towards Gabriel, "is there really no hope?"

The answer was waited for with anxiety, in the midst of deep silence. The people hardly ventured to exchange a few words in whispers.

"Blessed be God!" exclaimed Gabriel, suddenly. "His heart beats."

"His heart beats," repeated the quarryman, turning his head towards the crowd, to inform them of the good news.

"Oh! his heart beats!" repeated the others, in whispers.

"There is hope. We may yet save him," added Gabriel with an expression of indescribable happiness.

"We may yet save him," repeated the quarryman, mechanically.

"We may yet save him," muttered the crowd.

"Quick, quick," resumed Gabriel, addressing the quarryman; "help me, brother. Let us carry him to a neighboring house, where he can have immediate aid."

The quarryman obeyed with readiness. Whilst the missionary lifted Father d'Aigrigny by holding him under the arms, the quarryman took the legs of the almost inanimate body. Together, they carried him outside of the choir. At sight of the formidable quarryman, aiding the young priest to render assistance to the man whom he had just before pursued with menaces of death, the multitude felt a sudden thrill of compassion. Yielding to the powerful influence of the words and example of Gabriel, they felt themselves deeply moved, and each became anxious to offer services.

"Mr. Curate, he would perhaps be better on a chair, that one could carry upright," said Ciboule.

"Shall I go and fetch a stretcher from the hospital?" asked another.

"Mr. Curate, let me take your place; the body is too heavy for you."

"Don't trouble yourself," said a powerful man, approaching the missionary respectfully; "I can carry him alone."

"Shall I run and fetch a coach, Mr. Curate?" said a young vagabond, taking off his red cap.

"Right," said the quarryman; "run away, my buck!"

"But first, ask Mr. Curate if you are to go for a coach," said Ciboule, stopping the impatient messenger.

"True," added one of the bystanders; "we are here in a church, and Mr. Curate has the command. He is at home."

"Yes, yes; go at once, my child," said Gabriel to the obliging young vagabond.

Whilst the latter was making his way through the crowd, a voice said: "I've a little wicker-bottle of brandy; will that be of any use?"

"No doubt," answered Gabriel, hastily; "pray give it here. We can rub his temples with the spirit, and make him inhale a little."

"Pass the bottle," cried Ciboule; "but don't put your noses in it!" And, passed with caution from hand to hand, the flask reached Gabriel in safety.

Whilst waiting for the coming of the coach, Father d'Aigrigny had been seated on a chair. Whilst several good-natured people carefully supported the abbe, the missionary made him inhale a little brandy. In a few minutes, the spirit had a powerful influence on the Jesuit; he made some slight movements, and his oppressed bosom heaved with a deep sigh.

"He is saved—he will live," cried Gabriel, in a triumphant voice; "he will live, my brothers!"

"Oh! glad to hear it!" exclaimed many voices.

"Oh, yes! be glad, my brothers!" repeated Gabriel; "for, instead of being weighed down with the remorse of crime, you will have a just and charitable action to remember. Let us thank God, that he has changed your blind fury into a sentiment of compassion! Let us pray to Him, that neither you, nor those you love, may ever be exposed to such frightful danger as this unfortunate man has just escaped. Oh, my brothers!" added Gabriel, as he pointed to the image of Christ with touching emotion, which communicated itself the more easily to others from the expression of his angelic countenance; "oh, my brothers! let us never forget, that HE, who died upon that cross for the defence of the oppressed, for the obscure children of the people like to ourselves, pronounced those affectionate words so sweet to the heart; 'Love ye one another!'—Let us never forget it; let us love and help one another, and we poor people shall then become better, happier, just. Love—yes, love ye one another—and fall prostrate before that Saviour, who is the God of all that are weak, oppressed, and suffering in this world!"

So saying, Gabriel knelt down. All present respectfully followed his example, such power was there in his simple and persuasive words. At this moment, a singular incident added to the grandeur of the scene. We have said that a few seconds before the quarryman and his band entered the body of the church, several persons had fled from it. Two of these had taken refuge in the organ-loft, from which retreat they had viewed the preceding scene, themselves remaining invisible. One of these persons was a young man charged with the care of the organ, and quite musician enough to play on it. Deeply moved by the unexpected turn of an event which at first appeared so tragical, and yielding to an artistical inspiration, this young man, at the moment when he saw the people kneeling with Gabriel, could not forbear striking the notes. Then a sort of harmonious sigh, at first almost insensible, seemed to rise from the midst of this immense cathedral, like a divine aspiration. As soft and aerial as the balmy vapor of incense, it mounted and spread through the lofty arches. Little by little the faint, sweet sounds, though still as it were covered, changed to an exquisite melody, religious, melancholy, and affectionate, which rose to heaven like a song of ineffable gratitude and love. And the notes were at first so faint, so covered, that the kneeling multitude had scarcely felt surprise, and had yielded insensibly to the irresistible influence of that enchanting harmony.

Then many an eye, until now dry and ferocious, became wet with tears—many hard hearts beat gently, as they remembered the words pronounced by Gabriel with so tender an accent: "Love ye one another!" It was at this moment that Father d'Aigrigny came to himself—and opened his eyes. He thought himself under the influence of a dream. He had lost his senses in sight of a furious populace, who, with insult and blasphemy on their lips, pursued him with cries of death even to the sanctuary of the temple. He opened his eyes—and, by the pale light of the sacred lamps, to the solemn music of the organ, he saw that crowd, just now so menacing and implacable, kneeling in mute and reverential emotion, and humbly bowing their heads before the majesty of the shrine.

Some minutes after, Gabriel, carried almost in triumph on the shoulders of the crowd, entered the coach, in which Father d'Aigrigny, who by degrees had completely recovered his senses, was already reclining. By the order of the Jesuit, the coach stopped before the door of a house in the Rue de Vaugirard; he had the strength and courage to enter this dwelling alone; Gabriel was not admitted, but we shall conduct the reader thither.



CHAPTER XXVI. THE PATIENT.

At the end of the Rue de Vaugirard, there was then a very high wall, with only one small doorway in all its length. On opening this door, you entered a yard surrounded by a railing, with screens like Venetian blinds, to prevent your seeing between the rails. Crossing this courtyard, you come to a fine large garden, symmetrically planted, at the end of which stood a building two stories high, looking perfectly comfortable, without luxury, but with all that cozy simplicity which betokens discreet opulence. A few days had elapsed since Father d'Aigrigny had been so courageously rescued by Gabriel from the popular fury. Three ecclesiastics, wearing black gowns, white bands, and square caps, were walking in the garden with a slow and measured step. The youngest seemed to be about thirty years of age; his countenance was pale, hollow, and impressed with a certain ascetic austerity. His two companions, aged between fifty or sixty, had, on the contrary, faces at once hypocritical and cunning; their round, rosy cheeks shone brightly in the sunshine, whilst their triple chins, buried in fat, descended in soft folds over the fine cambric of their bands. According to the rules of their order (they belonged to the Society of Jesus), which forbade their walking only two together, these three members of the brotherhood never quitted each other a moment.

"I fear," said one of the two, continuing a conversation already begun, and speaking of an absent person, "I fear, that the continual agitation to which the reverend father has been a prey, ever since he was attacked with the cholera, has exhausted his strength, and caused the dangerous relapse which now makes us fear for his life."

"They say," resumed the other, "that never was there seen anxiety like to his."

"And moreover," remarked the young priest, bitterly, "it is painful to think, that his reverence Father Rodin has given cause for scandal, by obstinately refusing to make a public confession, the day before yesterday when his situation appeared so desperate, that, between two fits of a delirium, it was thought right to propose to him to receive the last sacraments."

"His reverence declared that he was not so ill as they supposed," answered one of the fathers, "and that he would have the last duties performed when he thought necessary."

"The fact is, that for the last ten days, ever since he was brought here dying, his life has been, as it were, only a long and painful agony; and yet he continues to live."

"I watched by him during the first three days of his malady, with M. Rousselet, the pupil of Dr. Baleinier," resumed the youngest father; "he had hardly a moment's consciousness, and when the Lord did grant him a lucid interval, he employed it in detestable execrations against the fate which had confined him to his bed."

"It is said," resumed the other, "that Father Rodin made answer to his Eminence Cardinal Malipieri, who came to persuade him to die in an exemplary manner, worthy of a son of Loyola, our blessed founder"—at these words, the three Jesuits bowed their heads together, as if they had been all moved by the same spring—"it is said, that Father Rodin made answer to his eminence: 'I do not need to confess publicly; I WANT TO LIVE, AND I WILL LIVE.'"

"I did not hear that," said the young priest, with an indignant air; "but if Father Rodin really made use of such expressions, it is—"

Here, no doubt, reflection came to him just in time, for he stole a sidelong glance at his two silent, impassible companions, and added: "It is a great misfortune for his soul; but I am certain, his reverence has been slandered."

"It was only as a calumnious report, that I mentioned those words," said the other priest, exchanging a glance with his companion.

One of the garden gates opened, and one of the three reverend fathers exclaimed, at the sight of the personage who now entered: "Oh! here is his Eminence Cardinal Malipieri, coming to pay a visit to Father Rodin."

"May this visit of his eminence," said the young priest, calmly, "be more profitable to Father Rodin than the last!"

Cardinal Malipieri was crossing the garden, on his way to the apartment occupied by Rodin.

Cardinal Malipieri, whom we saw assisting at the sort of council held at the Princess de Saint-Dizier's, now on his way to Rodin's apartment, was dressed as a layman, but enveloped in an ample pelisse of puce-colored satin, which exhaled a strong odor of camphor, for the prelate had taken care to surround himself with all sorts of anti-cholera specifics. Having reached the second story of the house, the cardinal knocked at a little gray door. Nobody answering, he opened it, and, like a man to whom the locality was well known, passed through a sort of antechamber, and entered a room in which was a turn-up bed. On a black wood table were many phials, which had contained different medicines. The prelate's countenance seemed uneasy and morose; his complexion was still yellow and bilious; the brown circle which surrounded his black, squinting eyes appeared still darker than usual.

Pausing a moment, he looked round him almost in fear, and several times stopped to smell at his anti-cholera bottle. Then, seeing he was alone, he approached a glass over the chimney-piece, and examined with much attention the color of his tongue; after some minutes spent in this careful investigation, with the result of which he appeared tolerably satisfied, he took some preservative lozenges out of a golden box, and allowed them to melt in his mouth, whilst he closed his eyes with a sanctified air. Having taken these sanitary precautions, and again pressed his bottle to his nose, the prelate prepared to enter the third room, when he heard a tolerably loud noise through the thin partition which separated him from it, and, stopping to listen, all that was said in the next apartment easily reached his ear.

"Now that my wounds are dressed, I will get up," said weak, but sharp and imperious voice.

"Do not think of it, reverend father," was answered in a stronger tone; "it is impossible."

"You shall see if it is impossible," replied the other voice.

"But, reverend father, you will kill yourself. You are not in a state to get up. You will expose yourself to a mortal relapse. I cannot consent to it."

To these words succeeded the noise of a faint struggle, mingled with groans more angry than plaintive, and the voice resumed: "No, no, father; for your own safety, I will not leave your clothes within your reach. It is almost time for your medicine; I will go and prepare it for you."

Almost immediately after, the door opened, and the prelate saw enter a man of about twenty-five years of age, carrying on his arm an old olive great-coat and threadbare black trousers, which he threw down upon a chair.

This personage was Ange Modeste Rousselet, chief pupil of Dr. Baleinier; the countenance of the young practitioner was mild, humble, and reserved; his hair, very short in front, flowed down upon his neck behind. He made a slight start in surprise on perceiving the cardinal, and bowed twice very low, without raising his eyes.

"Before anything else," said the prelate, with his marked Italian accent, still holding to his nose his bottle of camphor, "have any choleraic symptoms returned?"

"No, my lord; the pernicious fever, which succeeded the attack of cholera, still continues."

"Very good. But will not the reverend father be reasonable? What was the noise that I just heard?"

"His reverence wished absolutely to get up and dress himself; but his weakness is so great, that he could not have taken two steps from the bed. He is devoured by impatience, and we fear that this agitation will cause a mortal relapse."

"Has Dr. Baleinier been here this morning?"

"He has just left, my lord."

"What does he think of the patient?"

"He finds him in the most alarming state, my lord. The night was so bad, that he was extremely uneasy this morning. Father Rodin is at one of those critical junctures, when a few hours may decide the life or death of the patient. Dr. Baleinier is now gone to fetch what is necessary for a very painful operation, which he is about to perform on the reverend father."

"Has Father d'Aigrigny been told of this?"

"Father d'Aigrigny is himself very unwell, as your eminence knows; he has not been able to leave his bed for the last three days."

"I inquired about him as I came up," answered the prelate, "and I shall see him directly. But, to return to Father Rodin, have you sent for his confessor, since he is in a desperate state, and about to undergo a serious operation?"

"Dr. Baleinier spoke a word to him about it, as well as about the last sacraments; but Father Rodin exclaimed, with great irritation, that they did not leave him a moment's peace, that he had as much care as any one for his salvation, and that—"

"Per Bacco! I am not thinking of him," cried the cardinal, interrupting Ange Modeste Rousselet with his pagan oath, and raising his sharp voice to a still higher key; "I am not thinking of him, but of the interests of the Company. It is indispensable that the reverend father should receive the sacraments with the most splendid solemnity, and that his end should not only be Christian, but exemplary. All the people in the house, and even strangers, should be invited to the spectacle, so that his edifying death may produce an excellent sensation."

"That is what Fathers Grison and Brunet have already endeavored to persuade his reverence, my lord; but your Eminence knows with what impatience Father Rodin received this advice, and Dr. Baleinier did not venture to persist, for fear of advancing a fatal crisis."

"Well, I will venture to do it; for in these times of revolutionary impiety, a solemnly Christian death would produce a very salutary effect on the public. It would indeed be proper to make the necessary preparations to embalm the reverend father: he might then lie in state for some days, with lighted tapers, according to Romish custom. My secretary would furnish the design for the bier; it would be very splendid and imposing; from his position in the Order, Father Rodin is entitled to have everything in the most sumptuous style. He must have at least six hundred tapers, and a dozen funeral lamps, burning spirits of wine, to hang just over the body, and light it from above: the effect would be excellent. We must also distribute little tracts to the people, concerning the pious and ascetic life of his reverence—"

Here a sudden noise, like that of some piece of metal thrown angrily on the floor, was heard from the next room, in which was the sick man, and interrupted the prelate in his description.

"I hope Father Rodin has not heard you talk of embalming him, my lord," said Rousselet, in a whisper: "his bed touches the partition, and almost everything is audible through it."

"If Father Rodin has heard me," answered the cardinal, sinking his voice, and retiring to the other end of the room, "this circumstance will enable me to enter at once on the business; but, in any case, I persist in believing that the embalming and the lying in state are required to make a good effect upon the public. The people are already frightened at the cholera, and such funeral pomp would have no small influence on the imagination."

"I would venture to observe to your Eminence, that here the laws are opposed to such exhibitions."

"The laws—already the laws!" said the cardinal, angrily; "has not Rome also her laws? And is not every priest a subject of Rome? Is it not time—"

But, not choosing, doubtless, to begin a more explicit conversation with the young doctor, the prelate resumed, "We will talk of this hereafter. But, tell me, since my last visit, has the reverend father had any fresh attacks of delirium?"

"Yes, my lord; here is the note, as your Eminence commanded." So saying Rousselet delivered a paper to the prelate. We will inform the reader that this part of the conversation between Rousselet and the cardinal was carried on at a distance from the partition, so that Rodin could hear nothing of it, whilst that which related to the embalming had been perfectly audible to him.

The cardinal, having received the note from Rousselet, perused it with an expression of lively curiosity. When he had finished, he crumpled it in his hand, and said, without attempting to dissemble his vexation, "Always nothing but incoherent expression. Not two words together, from which you can draw any reasonable conclusion. One would really think this man had the power to control himself even in his delirium, and to rave about insignificant matters only."

Then, addressing Rousselet, "You are sure that you have reported everything that escaped from him during his delirium?"

"With the exception of the same phrases, that he repeated over and over again, your Eminence may be assured that I have not omitted a single word, however unmeaning."

"Show me into Father Rodin's room," said the prelate, after a moment's silence.

"But, my lord," answered the young doctor, with some hesitation, "the fit has only left him about an hour, and the reverend father is still very weak."

"The more the reason," replied the prelate, somewhat indiscreetly. Then, recollecting himself, he added, "He will the better appreciate the consolations I have to offer. Should he be asleep, awake him, and announce my visit."

"I have only orders to receive from your Eminence," said Rousselet, bowing, and entering the next room.

Left alone, the cardinal said to himself, with a pensive air, "I always come back to that. When he was suddenly attacked by the cholera, Father Rodin believed himself poisoned by order of the Holy See. He must then have been plotting something very formidable against Rome, to entertain so abominable a fear. Can our suspicions be well founded? Is he acting secretly and powerfully on the Sacred College? But then for what end? This it has been impossible to penetrate, so faithfully has the secret been kept by his accomplices. I had hoped that, during his delirium, he would let slip some word that would put us on the trace of what we are so much interested to discover. With so restless and active a mind, delirium is often the exaggeration of some dominant idea; yet here I have the report of five different fits—and nothing—no, nothing but vague, unconnected phrases."

The return of Rousselet put an end to these reflections. "I am sorry to inform my lord that the reverend father obstinately refuses to see any one. He says that he requires absolute repose. Though very weak, he has a savage and angry look, and I should not be surprised if he overheard your Eminence talk about embalming him."

The cardinal, interrupting Rousselet, said to him, "Did Father Rodin have his last fit of delirium in the night?"

"Between three and half-past five this morning, my lord."

"Between three and half-past five," repeated the prelate, as if he wished to impress this circumstance on his memory, "the attack presented no particular symptoms?"

"No, my lord; it consisted of rambling, incoherent talk, as your Eminence may see by this note."

Then, as he perceived the prelate approaching Father Rodin's door, Rousselet added, "The reverend father will positively see no one, my lord; he requires rest, to prepare for the operation; it might be dangerous—"

Without attending to these observations, the cardinal entered Rodin's chamber. It was a tolerably large room, lighted by two windows, and simply but commodiously furnished. Two logs were burning slowly in the fireplace, in which stood a coffee-pot, a vessel containing mustard poultice, etc. On the chimney-piece were several pieces of rag, and some linen bandages. The room was full of that faint chemical odor peculiar to the chambers of the sick, mingled with so putrid a stench, that the cardinal stopped at the door a moment, before he ventured to advance further. As the three reverend fathers had mentioned in their walk, Rodin lived because he had said to himself, "I want to live, and I will live."

For, as men of timid imaginations and cowardly minds often die from the mere dread of dying, so a thousand facts prove that vigor of character and moral energy may often struggle successfully against disease, and triumph over the most desperate symptoms.

It was thus with the Jesuit. The unshaken firmness of his character, the formidable tenacity of his will (for the will has sometimes a mysterious and almost terrific power), aiding the skillful treatment of Dr. Baleinier, had saved him from the pestilence with which he had been so suddenly attacked. But the shock had been succeeded by a violent fever, which placed Rodin's life in the utmost peril. This increased danger had caused the greatest alarm to Father d'Aigrigny, who felt, in spite of his rivalry and jealousy, that Rodin was the master-spirit of the plot in which they were engaged, and could alone conduct it to a successful issue.

The curtains of the room was half closed, and admitted only a doubtful light to the bed on which Rodin was lying. The Jesuit's features had lost the greenish hue peculiar to cholera patients, but remained perfectly livid and cadaverous, and so thin, that the dry, rugged skin appeared to cling to the smallest prominence of bone. The muscles and veins of the long, lean, vulture-like neck resembled a bundle of cords. The head, covered with an old, black, filthy nightcap, from beneath which strayed a few thin, gray hairs, rested upon a dirty pillow; for Rodin would not allow them to change his linen. His iron-gray beard had not been shaved for some time, and stood out like the hairs of a brush. Under his shirt he wore an old flannel waistcoat full of holes. He had one of his arms out of bed, and his bony hairy hand, with its bluish nails, held fast a cotton handkerchief of indescribable color.

You might have taken him for a corpse, had it not been for the two brilliant sparks which still burned in the depths of his eyes. In that look, in which seemed concentrated all the remaining life and energy of the man, you might read the most restless anxiety. Sometimes his features revealed the sharpest pangs; sometimes the twisting of his hands, and his sudden starts, proclaimed his despair at being thus fettered to a bed of pain, whilst the serious interests which he had in charge required all the activity of his mind. Thus, with thoughts continually on the stretch, his mind often wandered, and he had fits of delirium, from which he woke as from a painful dream. By the prudent advice of Dr. Baleinier, who considered him not in a state to attend to matters of—importance, Father d'Aigrigny had hitherto evaded Rodin's questions with regard to the Rennepont affair, which he dreaded to see lost and ruined in consequence of his forced inaction. The silence of Father d'Aigrigny on this head, and the ignorance in which they kept him, only augmented the sick man's exasperation. Such was the moral and physical state of Rodin, when Cardinal Malipieri entered his chamber against his will.



CHAPTER XXVII. THE LURE.

To understand fully the tortures of Rodin, reduced to inactivity by sickness, and to explain the importance of Cardinal Malipieri's visit, we must remember the audacious views of the ambitious Jesuit, who believed himself following in the steps of Sixtus V., and expected to become his equal. By the success of the Rennepont affair, to attain to the generalship of his Order, by the corruption of the Sacred College to ascend the pontifical throne, and then, by means of a change in the statutes of the Company, to incorporate the Society of Jesus with the Holy See, instead of leaving it independent, to equal and almost always rule the Papacy—such were the secret projects of Rodin.

Their possibility was sanctioned by numerous precedents, for many mere monks and priests had been suddenly raised to the pontifical dignity. And as for their morality, the accession of the Borgias, of Julius II., and other dubious Vicars of Christ, might excuse and authorize the pretensions of the Jesuits.

Though the object of his secret intrigues at Rome had hitherto been enveloped in the greatest mystery, suspicions had been excited in regard to his private communications with many members of the Sacred College. A portion of that college, Cardinal Malipieri at the head of them, had become very uneasy on the subject, and, profiting by his journey to France, the cardinal had resolved to penetrate the Jesuit's dark designs. If, in the scene we have just painted, the cardinal showed himself so obstinately bent on having a conference with Rodin, in spite of the refusal of the latter, it was because the prelate hoped, as we shall soon see, to get by cunning at the secret, which had hitherto been so well concealed. It was, therefore, in the midst of all these extraordinary circumstances, that Rodin saw himself the victim of a malady, which paralyzed his strength, at the moment when he had need of all his activity, and of all the resources of his mind. After remaining for some seconds motionless near the door, the cardinal, still holding his bottle under his nose, slowly approached the bed where Rodin lay.

The latter, enraged at this perseverance, and wishing to avoid an interview which for many reasons was singularly odious to him, turned his face towards the wall, and pretended to be asleep. Caring little for this feint, and determined to profit by Rodin's state of weakness, the prelate took a chair, and, conquering his repugnance, sat down close to the Jesuit's bed.

"My reverend and very dear father, how do you find yourself?" said he to him, in a honeyed tone, which his Italian accent seemed to render still more hypocritical. Rodin pretended not to hear, breathed hard, and made no answer. But the cardinal, not without disgust, shook with his gloved hand the arm of the Jesuit, and repeated in a louder voice: "My reverend and very dear father, answer me, I conjure you!"

Rodin could not restrain a movement of angry impatience, but he continued silent. The cardinal was not a man to be discouraged by so little; he again shook the arm of the Jesuit, somewhat more roughly, repeating, with a passionless tenacity that would have incensed the most patient person in the world: "My reverend and very dear father, since you are not asleep, listen to me, I entreat of you."

Irritable with pain, exasperated by the obstinacy of the prelate, Rodin abruptly turned his head, fixed on the Roman his hollow eyes, shining with lurid fire, and, with lips contracted by a sardonic smile, said to him, bitterly: "You must be very anxious, my lord, to see me embalmed, and lie in state with tapers, as you were saying just now, for you thus to come to torment me in my last moments, and hasten my end!"

"Oh, my good father! how can you talk so?" cried the cardinal, raising his hands as if to call heaven to witness to the sincerity of the tender interest he felt for the Jesuit.

"I tell you that I heard all just now, my lord; for the partition is thin," added Rodin, with redoubled bitterness.

"If you mean that, from the bottom of my soul, I desired that you should make an exemplary and Christian end, you are perfectly right, my dear father. I did say so; for, after a life so well employed, it would be sweet to see you an object of adoration for the faithful!"

"I tell you, my lord," cried Rodin, in a weak and broken voice, "that it is ferocious to express such wishes in the presence of a dying man. Yes," he added, with growing animation, that contrasted strongly with his weakness, "take care what you do; for if I am too much plagued and pestered—if I am not allowed to breathe my last breath quietly—I give you notice that you will force me to die in anything but a Christian manner, and if you mean to profit by an edifying spectacle, you will be deceived."

This burst of anger having greatly fatigued Rodin, his head fell back upon the pillow, and he wiped his cracked and bleeding lips with his old cotton handkerchief.

"Come, come, be calm, my very dear father," resumed the cardinal, with a patronizing air; "do not give way to such gloomy ideas. Doubtless, Providence reserves you for great designs, since you have been already delivered from so much peril. Let us hope that you will be likewise saved from your present danger."

Rodin answered by a hoarse growl, and turned his face towards the wall.

The imperturbable prelate continued: "The views of Providence are not confined to your salvation, my very dear father. Its power has been manifested in another way. What I am about to tell you is of the highest importance. Listen attentively."

Without turning his head, Rodin muttered in a tone of angry bitterness, which betrayed his intense sufferings: "They desire my death. My chest is on fire, my head racked with pain, and they have no pity. Oh, I suffer the tortures of the damned!"

"What! already" thought the Roman, with a smile of sarcastic malice; then he said aloud: "Let me persuade you, my very dear father—make an effort to listen to me; you will not regret it."

Still stretched upon the bed, Rodin lifted his hands clasped upon his cotton handkerchief with a gesture of despair, and then let them fall again by his side.

The cardinal slightly shrugged his shoulders, and laid great stress on what follows, so that Rodin might not lose a word of it: "My dear father, it has pleased Providence that, during your fit of raving, you have made, without knowing it, the most important revelations."

The prelate waited with anxious curiosity for the effect of the pious trap he had laid for the Jesuit's weakened faculties. But the latter, still turned towards the wall, did not appear to have heard him and remained silent.

"You are, no doubt, reflecting on my words, my dear father," resumed the cardinal; "you are right, for it concerns a very serious affair. I repeat to you that Providence has allowed you, during your delirium, to betray your most secret thoughts—happily, to me alone. They are such as would compromise you in the highest degree. In short, during your delirium of last night, which lasted nearly two hours, you unveiled the secret objects of your intrigues at Rome with many of the members of the Sacred College."

The cardinal, rising softly, stooped over the bed to watch the expression of Rodin's countenance. But the latter did not give him time. As a galvanized corpse starts into strange and sudden motion, Rodin sprang into a sitting posture at the last words of the prelate.

"He has betrayed himself," said the cardinal, in a low voice, in Italian. Then, resuming his seat, he fixed on the Jesuit his eyes, that sparkled with triumphant joy.

Though he did not hear the exclamation of Malipieri, nor remark the expression of his countenance, Rodin, notwithstanding his state of weakness, instantly felt the imprudence of his start. He pressed his hand to his forehead, as though he had been seized with a giddiness; then, looking wildly round him, he pressed to his trembling lips his old cotton handkerchief, and gnawed it mechanically for some seconds.

"Your emotion and alarm confirm the sad discoveries I have made," resumed the cardinal, still more rejoicing at the success of his trick; "and now, my dear father," added he, "you will understand that it is for your best interest to enter into the most minute detail as to your projects and accomplices at Rome. You may then hope, my dear father, for the indulgence of the Holy See—that is, if your avowals are sufficiently explicit to fill up the chasms necessarily left in a confession made during delirium."

Rodin, recovered from his first surprise, perceived, but too late, that he had fallen into a snare, not by any words he had spoken, but by his too significant movements. In fact, the Jesuit had feared for a moment that he might have betrayed himself during his delirium, when he heard himself accused of dark intrigues with Rome; but, after some minutes of reflection, his common sense suggested: "If this crafty Roman knew my secret, he would take care not to tell me so. He has only suspicions, confirmed by my involuntary start just now."

Rodin wiped the cold sweat from his burning forehead. The emotion of this scene augmented his sufferings, and aggravated the danger of his condition. Worn out with fatigue, he could not remain long in a sitting posture, and soon fell back upon the bed.

"Per Bacco!" said the cardinal to himself, alarmed at the expression of the Jesuit's face; "if he were to die before he had spoken, and so escape the snare!"

Then, leaning over the bed, the prelate asked: "What is the matter, my very dear father?"

"I am weak, my lord—I am in pain—I cannot express what I suffer."

"Let us hope, my very dear father, that this crisis will have no fatal results; but the contrary may happen, and it behooves the salvation of your soul to make instantly the fullest confession. Were it even to exhaust your strength, what is this perishable body compared to eternal life?"

"Of what confession do you speak, my lord?" said Rodin, in a feeble and yet sarcastic tone.

"What confession!" cried the amazed cardinal; "why, with regard to your dangerous intrigues at Rome."

"What intrigues?" asked Rodin.

"The intrigues you revealed during your delirium," replied the prelate, with still more angry impatience. "Were not your avowals sufficiently explicit? Why, then, this culpable hesitation to complete them?"

"My avowals—were explicit—you assure me?" said Rodin, pausing after each word for want of breath, but without losing his energy and presence of mind.

"Yes, I repeat it," resumed the cardinal; "with the exception of a few chasms, they were most explicit."

"Then why repeat them?" said Rodin, with the same sardonic smile on his violet lips.

"Why repeat them?" cried the angry prelate. "In order to gain pardon; for if there is indulgence and mercy for the repentant sinner, there must be condemnation and curses for the hardened criminal!"

"Oh, what torture! I am dying by slow fire!" murmured Rodin. "Since I have told all," he resumed, "I have nothing more to tell. You know it already."

"I know all—doubtless, I know all," replied the prelate, in a voice of thunder; "but how have I learned it? By confessions made in a state of unconsciousness. Do you think they will avail you anything? No; the moment is solemn—death is at hand, tremble to die with a sacrilegious falsehood on your lips," cried the prelate, shaking Rodin violently by the arm; "dread the eternal flames, if you dare deny what you know to be the truth. Do you deny it?"

"I deny nothing," murmured Rodin, with difficulty. "Only leave me alone!"

"Then heaven inspires you," said the cardinal, with a sigh of satisfaction; and, thinking he had nearly attained his object, he resumed, "Listen to the divine word, that will guide you, father. You deny nothing?"

"I was—delirious—and cannot—(oh! how I suffer!)" added Rodin, by way of parenthesis; "and cannot therefore—deny—the nonsense—I may have uttered!"

"But when this nonsense agrees with the truth," cried the prelate, furious at being again deceived in his expectation; "but when raving is an involuntary, providential revelation—"

"Cardinal Malipieri—your craft is no match—for my agony," answered Rodin, in a failing voice. "The proof—that I have not told my secret—if I have a secret—is—that you want to make me tell it!" In spite of his pain and weakness, the Jesuit had courage to raise himself in the bed, and look the cardinal full in the face, with a smile of bitter irony. After which he fell back on the pillow, and pressed his hands to his chest, with a long sigh of anguish.

"Damnation! the infernal Jesuit has found me out!" said the cardinal to himself, as he stamped his foot with rage. "He sees that he was compromised by his first movement; he is now upon his guard; I shall get nothing more from him—unless indeed, profiting by the state of weakness in which he is, I can, by entreaties, by threats, by terror—"

The prelate was unable to finish. The door opened abruptly, and Father d'Aigrigny entered the room, exclaiming with an explosion of joy: "Excellent news!"



CHAPTER XXVIII. GOOD NEWS.

By the alteration in the countenance of Father d'Aigrigny, his pale cheek, and the feebleness of his walk, one might see that the terrible scene in the square of Notre-Dame, had violently reacted upon his health. Yet his face was radiant and triumphant, as he entered Rodin's chamber, exclaiming: "Excellent news!"

On these words, Rodin started. In spite of his weakness, he raised his head, and his eyes shone with a curious, uneasy, piercing expression. With his lean hand, he beckoned Father d'Aigrigny to approach the bed, and said to him, in a broken voice, so weak that it was scarcely audible: "I am very ill—the cardinal has nearly finished me—but if this excellent news—relates to the Rennepont affair—of which I hear nothing—it might save me yet!"

"Be saved then!" cried Father d'Aigrigny, forgetting the recommendations of Dr. Baleinier; "read, rejoice! What you foretold is beginning to be realized!"

So saying, he drew a paper from his pocket, and delivered it to Rodin, who seized it with an eager and trembling hand. Some minutes before, Rodin would have been really incapable of continuing his conversation with the cardinal, even if prudence had allowed him to do so; nor could he have read a single line, so dim had his sight become. But, at the words of Father d'Aigrigny, he felt such a renewal of hope and vigor, that, by a mighty effort of energy and will, he rose to a sitting posture, and, with clear head, and look of intelligent animation, he read rapidly the paper that Father d'Aigrigny had just delivered to him.

The cardinal, amazed at this sudden transfiguration, asked himself if he beheld the same man, who, a few minutes before, had fallen back on his bed, almost insensible. Hardly had Rodin finished reading, than he uttered a cry of stifled joy, saying, with an accent impossible to describe: "ONE gone! it works—'tis well!" And, closing his eyes in a kind of ecstatic transport, a smile of proud triumph overspread his face, and rendered him still more hideous, by discovering his yellow and gumless teeth. His emotion was so violent, that the paper fell from his trembling hand.

"He has fainted," cried Father d'Aigrigny, with uneasiness, as he leaned over Rodin. "It is my fault, I forgot that the doctor cautioned me not to talk to him of serious matters."

"No; do not reproach yourself," said Rodin, in a low voice, half-raising himself in the bed. "This unexpected joy may perhaps cure me. Yes—I scarce know what I feel—but look at my cheeks—it seems to me, that, for the first time since I have been stretched on this bed of pain, they are a little warm."

Rodin spoke the truth. A slight color appeared suddenly on his livid and icy cheeks; his voice though still very weak, became less tremulous, and he exclaimed, in a tone of conviction that startled Father d'Aigrigny and the prelate, "This first success answers for the others. I read the future. Yes, yes; our cause will triumph. Every member of the execrable Rennepont family will be crushed—and that soon you will see—"

Then, pausing, Rodin threw himself back on the pillow, exclaiming: "Oh! I am choked with joy. My voice fails me."

"But what is it?" asked the cardinal of Father d'Aigrigny.

The latter replied, in a tone of hypocritical sanctity: "One of the heirs of the Rennepont family, a poor fellow, worn out with excesses and debauchery, died three days ago, at the close of some abominable orgies, in which he had braved the cholera with sacrilegious impiety. In consequence of the indisposition that kept me at home, and of another circumstance, I only received to-day the certificate of the death of this victim of intemperance and irreligion. I must proclaim it to the praise of his reverence"—pointing to Rodin—"that he told me, the worst enemies of the descendants of that infamous renegade would be their own bad passions, and that the might look to them as our allies against the whole impious race. And so it has happened with Jacques Rennepont."

"You see," said Rodin, in so faint a voice that it was almost unintelligible, "the punishment begins already. One of the Renneponts is dead—and believe me—this certificate," and he pointed to the paper that Father d'Aigrigny held in his hand, "will one day be worth forty millions to the Society of Jesus—and that—because—"

The lips alone finished the sentence. During some seconds, Rodin's voice had become so faint, that it was at last quite imperceptible. His larynx, contracted by violent emotion, no longer emitted any sound. The Jesuit, far from being disconcerted by this incident, finished his phrase, as it were, by expressive pantomime. Raising his head proudly he tapped his forehead with his forefinger, as if to express that it was to his ability this first success was owing. But he soon fell back again on the bed, exhausted, breathless, sinking, with his cotton handkerchief pressed once more to his parched lips. The good news, as Father d'Aigrigny called it, had not cured Rodin. For a moment only, he had had the courage to forget his pain. But the slight color on his cheek soon disappeared; his face became once more livid. His sufferings, suspended for a moment, were so much increased in violence, that he writhed beneath the coverlet, and buried his face in the pillow, extending his arms above his head, and holding them stiff as bars of iron. After this crisis, intense as it was rapid: during which Father d'Aigrigny and the prelate bent anxiously over him, Rodin, whose face was bathed in cold sweat, made a sign that he suffered less, and that he wished to drink of a potion to which he pointed. Father d'Aigrigny fetched it for him, and while the cardinal held him up with marked disgust, the abbe administered a few spoonfuls of the potion, which almost immediately produced a soothing effect.

"Shall I call M. Rousselet?" said Father d'Aigrigny, when Rodin was once more laid down in bed.

Rodin shook his head; then, with a fresh effort, he raised his right hand, opened it, and pointed with his forefinger to a desk in a corner of the room, to signify that, being no longer able to speak, he wished to write.

"I understand your reverence," said Father d'Aigrigny; "but first calm yourself. Presently, if you require it. I will give you writing materials."

Two knocks at the outer door of the next room interrupted this scene. From motives of prudence, Father d'Aigrigny had begged Rousselet to remain in the first of the three rooms. He now went to open the door, and Rousselet handed him a voluminous packet, saying: "I beg pardon for disturbing you, father, but I was told to let you have these papers instantly."

"Thank you, M. Rousselet," said Father d'Aigrigny; "do you know at what hour Dr. Baleinier will return?"

"He will not be long, father, for he wishes to perform before night the painful operation, that will have a decisive effect on the condition of Father Rodin. I am preparing what is necessary for it," added Rousselet, as he pointed to a singular and formidable apparatus, which Father d'Aigrigny examined with a kind of terror.

"I do not know if the symptom is a serious one," said the Jesuit; "but the reverend father has suddenly lost his voice."

"It is the third time this has happened within the last week," said Rousselet; "the operation of Dr. Baleiner will act both on the larynx and on the lungs."

"Is the operation a very painful one?" asked Father d'Aigrigny.

"There is, perhaps, none more cruel in surgery," answered the young doctor; "and Dr. Baleinier has partly concealed its nature from Father Rodin."

"Please to wait here for Dr. Baleinier, and send him to us as soon as he arrives," resumed Father d'Aigrigny: and, returning to the sick chamber, he sat down by the bedside, and said to Rodin, as he showed him the letter: "Here are different reports with regard to different members of the Rennepont family, whom I have had looked after by others, my indisposition having kept me at home for the last few days. I do not know, father, if the state of your health will permit you to hear—"