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"He is a literary man: I know that from the small, yet fluent writing, and the cross marks for periods show that he has written for newspapers and corrected his own proofs—He is unusually definite in what he desires and accustomed to having his imperious way about most things. In this case, he is easily pleased—merely perfection is his desire."
"Shirley is generally prompt, and is apt to breeze in here any second now, with his two hundred pounds and six feet of brawn and ginger. I wonder—"
"Why do you suppose such a paragon is desired by your friend? Who is he? What is he like, not an ordinary actor—" and the wondrous eyes darkened with a curious thought.
"My dear lady, no one has discovered the mental secrets of Montague Shirley. He apparently wastes his life as do other popular society men with much money and more time on their hands. Yet, somehow, I always feel in his presence as one does when standing on the bow of an ocean liner, with the salt breeze whizzing into your heart. He is a force of nature, yet he explains nothing: a thorough man of the world; droll, sarcastic, generous and I believe for democracy he is unequaled by any Tammany politician: he knows more policemen, dopes, conductors, beggars, chauffeurs, gangsters, bartenders, jobless actors, painters, preachers, anarchists, and all the rest of New York's flotsam and jetsam than any one in the world. He is always the polished gentleman, and yet they take him man for man."
"What does this unusual person do for a living?"
"Nothing but living!"
Her interest was naturally undiminshed by this perfervid tribute, and she clapped her dainty hands together with sudden mirth.
"You know why I came here, and why to you, Mr. Holloway. You know who I am, and although I answer none of those exorbitant terms except that I am not known by sight along your big street Broadway, why not recommend me for the position?"
"But you, of all people!" Holloway's face was a study in amazement. "You can't tell what wild project he has in view. Shirley is a wild Indian, in many things you know—just when you least expect it. I have known him a dozen years."
He paused to weigh the matter, and his sense of humor conquered. He roared with mirth, which was joined in more sedately by the unknown girl. "That settles it. You couldn't start on your campaign in a better way. You shall be the Lady of Mystery in this story! I will not breathe a hint of your identity to Shirley, and no one else knows, of course. What a ripping good joke: I'm glad you came here the first hour after your landing in New York."
"What shall I call myself? I have it—a romantic name, which will be worth laughing over later—let me see—Helene Marigold. Is that flowery enough?"
"Shirley will be sure you are an actress when he hears that. Mum is the word, may you never have stage fright and never miss a cue—Here he comes now!"
The criminologist rushed into the office impetuously, dropping his bag on the floor, and doffing his hat as he beheld the pretty companion of Holloway.
"On time to the minute, as usual, Shirley. Your note came, and I followed your instructions. Let me present to you your new star, Miss Helene Marigold, who just disembarked on the steamer from England this morning. You have secured a young lady who is making all Europe sit up and rub its eyes. I believe I have at last found a match for you, Prince of the Unexpected!"
Shirley held forth his fervent hand, and was surprised at the almost masculine sincerity with which the delicately gloved fingers returned the pressure. He looked into the blue eyes with a challenging scrutiny, and received as frank an answer!
Dick Holloway indulged in an unobserved smile, as he turned to look out of the window, lost for the nonce in mirthful speculation.
CHAPTER VIII. WHEN GREEK MEETS GREEK
"Dick, you can help me further, with your dramatic knowledge. I feel in duty bound to tell Miss Marigold that she is risking her life, if she takes up this task."
Instead of hesitancy, which Shirley half expected, the girl's face flushed with quickened interest, and her eyes sparkled with enjoyment as he unfolded the situation. At the mention of Grimsby, Holloway grunted with disgust—it may have been a variety of professional jealousy. Who knows? However, the problem fascinated the mysterious young woman, who blushed, in spite of herself, when Shirley put his blunt question to her.
"And you are willing to assume for a time the character of one of these stage moths, whom rich men of this type pursue and woo, wine, dine and boast about? Will it interfere with your own work? Any salary arranged by Mr. Holloway is agreeable, for this unusual task."
"The game, not the money, is the attraction. I will be ready when you pronounce my cue."
"Splendid. Dick, will you assist Miss Marigold in selecting an attractive apartment in a theatrical hotel this afternoon. I will call for her at four-thirty, to take her to tea. She may not know me, at first glance: that depends upon the help you give me at the Astor. I will expect you there in an hour. I haven't acted since I left the college shows: with a hundred chances to one against my success, even I am not bored."
He hurried from the office, and Holloway noted the glow in the girl's glance which followed his stalwart figure. Holloway was a good tactician: there were reasons why he enjoyed this new role of match-maker de luxe, yet he played his hand far more subtly than at poker. Which was well!
Ensconced in the Astor, Shirley was soon busy before the cheval glass, from which were suspended three photographs of William Grimsby, obtained from a photographic news syndicate.
Coat and waistcoat had been removed, as he discriminatingly applied the dry cosmetics with skill which suggested that he had disguised himself for daylight purposes far more than he would admit. By the time he had powdered his thick locks with the white pulverized chalk, and donned a pair of horn-rim glasses of amber tint, his whole personality had changed. The similarity was startling to the prototype who was admitted to the room a few minutes later.
"Why, I beg pardon—I have come to the wrong suite," were Grimsby's apologetic words, as he essayed to retreat.
"You are the first victim of the mirage. Do you like the caricature?"
"Astounding, my friend!" gasped Grimsby, sinking into the chair. Shirley drew him to the mirror, to make a closer study of the lines of senility and late hours. A few delicate touches of purple and blue, some retouching of the nostrils, and he drew on the suit provided by his elder. Dick Holloway was announced, and Shirley ordered some wine and a dinner for one! At Grimsby's surprise, Shirley, smiled indulgently.
"I am selfish—I will have a little supper party by myself, and spare you in nothing. I want you to eat, to drink, to pour wine, to take out your wallet, to walk, to sit down, to laugh, to scold! You have a task, sir: I will imitate you move by move! This is a rare experiment."
"Great Scott! Which is you?" cried Holloway who entered with the burdened waiter.
"Neither. We're both me!" chuckled the criminologist. "But let me introduce you to my twin—"
The two men exchanged formalities with an undercurrent of dislike. Shirley lost no time. He compelled the old man to run through his paces, as Holloway criticized each study in miming. Just as the capitalist would swing his arms, limp with his left leg, shift his head ever so little, from side to side in his walk, so Shirley copied him. A word here, an exhortation there, and Shirley improved steadily under Holloway's analytical direction. At last the lesson was ended, with the manager's pronounciamento of "graduation cum lauda."
"I'll have to star you, Monty," he declared, as Shirley put on the fur greatcoat of the old man, grasping the gold headed cane, and drooping his shoulders in a perfect imitation of the other's attitude.
"Perhaps it will be necessary. The chorus men have invaded society with their fox-trots and maxixe steps. We club men will have to countercharge the enemy, for self-preservation, to play heavy villains upon the stage. Eh?"
He turned toward Grimsby, who was well wearied with the trying ordeal, and evidencing a growing nervousness about his own escape.
"You know how to leave, according to my plan? Wrap the muffler well around the lower part of your face, button this second overcoat closely about your neck, and enter the private carriage which I ordered for 'Mr. Lee,' waiting now at the Forty-fifth Street Side. Then drive leisurely to the West Forty-second Street Ferry, where you can catch the late afternoon train for your country place."
"Good-bye, Mr. Shirley. I have been an old curmudgeon with you, I fear. You have taught this old dog new tricks in several ways, young man. Neither I nor my friends will forget your bravery. They are all out of the city by now, according to word from my private secretary. Your field is clear. Good luck, sir!"
Shirley and Holloway left the rooms first. Neither addressed the other on the lift, as it descended to the street level. Holloway casually followed Monty as he stiffly walked to the big red limousine waiting at the Forty-fourth Street entrance of the hostelry. The chauffeur sprang out, opening the door with a respectful salute. The disguise was successful!
"Home!" grunted Shirley, sinking back into the car, with collar high about his neck and the soft hat half concealing his eyes. He scrutinized the faces of the passers-by, photographing in that receptive memory of his the ugly features of two men, who peered into the limousine from under the visors of their black caps. The car sped up town through the bewildering maze of street traffic. The chauffeur helped him up the steps of the brownstone mansion, while Grimsby's old butler swung open the glass door, with a helping hand under the feeble arm.
Shirley puffed and grunted impatiently until he heard the door close behind him. Then straightening up, he turned upon the startled butler.
"Well, my man. Go out and tell the chauffeur to leave for the country at once, as Mr. Grimsby already ordered him to do."
"My Gawd, sir!" exclaimed the servant, paling perceptibly. "What's come over you, sir?—Oh, I beg pardon, sir, you're the other gentleman. You certainly fooled me, sir—You're bloody brave, sir, to do all this for the master. Are we in any danger?"
"Not a bit—whatever happens will be outside the house. Just keep up the secret, as you value your master's life. Go, and tell the man. I must kill time here in the library, reading until four o'clock."
Shirley threw aside the greatcoat, and walked to the window of the small reception room which faced the street, to draw aside the curtains and watch the chauffeur, as he entered the machine to speed away. A black automobile slowly passed the house, bearing two men on the driver's seat. From under the visors of their black caps they scrutinized the building, to hastily look away as they observed the face at the window.
Shirley made a note of the number of the machine. He could have sworn that this was the same car which had passed him that morning at dawn when the grip was snatched from his hand.
He returned to the library, where he lost himself in the rare old volumes of Grimsby's life collection: the criminologist was a booklover and the hours drifted by as in a happy playtime, until the butler came to tell him the time.
"Great Scott! I must hurry. Call a taxi, for me. I will go to Holloway's office to learn where Miss Marigold has been ensconced."
He sat in the machine before the office building, as he sent the chauffeur up to Dick's office, to inquire for a message to "Mr. Grimsby." A note was brought down, informing him that the girl awaited him in the Hotel California, a few blocks above. The machine started off once more, and Shirley laughed at the droll situation in which he found himself.
"I wonder who Helene Marigold can be? I wonder what Holloway meant precisely when he predicted that I would meet my match. I am not seeking one kind—and blue eyes, surrounded by red-gold hair and peaches and cream will not shake my determination."
But the best laid determinations of bachelor hearts gang aft agley!
Down at the Hotel California, famous for its rare collection of attractive feminine guests and the manifold breach-of-promise suits which had emanated from the palm bedecked entrance, Helene Marigold was indulging herself in a delighted, albeit highly amused, inspection of sundry large boxes which had been arriving from shops in the neighborhood.
"As nearly as I can imagine this must look like the bower of a Broadway Phryne. All that is missing is a family portrait in crayon of the father who was a coal miner, the presence of a buxom financial genius for the stage mother, and a Chinese chow-dog on a cerise velvet cushion. But who ever attains perfection here below?"
She lifted some filmy gowns which had arrived in the latest parcel to her chin, peering over the sheerness of the lacy cascade, into the mirror of the dressing-table.
"If good old Jack could see me now? Poor, old, stupid, dear, silly Jack! I must write to him at once, for he is largely responsible for my present unusual surroundings. How pleased this would not make him, the old dear."
With the thought, she sat down before the escritoire, dipping a pearl and gold pen, as she paused for the words with which to begin the note. Another knock came at the door. It could not be another gown. She had told Holloway to keep all her personal baggage at the steamer dock until she had finished her lark! At the portal a diminutive messenger delivered a large white box, ornately bound in lavender ribbons. When she unwrapped it, hidden in the folds of many reams of delicate tissue, she found a gorgeous bunch of orchids.
"How beautiful! I wonder who could have—" then she found a white card, and read it aloud, with a mirthful peal of laughter.
"To Lollypop's little Bonbon Tootems—from her foolish old Da-Da!"
Helene turned toward the window, to gaze out over the mysterious, foreign motley array of roofs and obtruding skyscrapers of this curious district.
"This mysterious man plays his part with a sense of humor. If only he will be different and not mean the flowers, ever!"
And she forgot to finish the note which was to have gone to faraway, stupid, dear old Jack.
Ten minutes later an aged gentleman entered the gorgeous foyer of the Hotel California, impatiently presenting his card to the bell-boy, for announcement to Miss Marigold. The lad, true to tradition, quietly confided the name to the interested clerk, before doing so. As the visitor was shown to the elevator, the clerk turned to his assistant with a nudge.
"There's the easiest spender of the Lobster Club. That means good trade here, with this new peach in the crate. These old ginks are hard as Bessemer armor-plate in business, but oh, how soft the tumble for a new shade of peroxide."
"Mr. Grimsby" was soon sitting on the velour divan, at a comfortable distance from possible eavesdroppers at the door. She was putting the finishing touches to her preparation for the butterfly role. Shirley felt an unexpected thrill at this little intimacy of their relations: the rooms were permeated with the most delicate suggestion of a curious perfume, which was strange to him. Somehow it fitted her personality so effectually: for despite the physical appeal of her beauty, now accentuated by the risque costume which she had donned, at the professional suggestion of Dick Holloway, there was a pervasive spirituality in the girl's face, her hands, and the tones of her soft voice.
She turned to smile at him, her dimples playing hide and seek with the white pearls beneath the unduly scarlet lip.
"Isn't this a ripping good situation for a novel?" she began.
"Yes, too good at present, Miss Marigold. There are too many, important people to be affected for it ever to be given to the public, for the identities would all be exposed ruthlessly. Besides, no one would believe it: it seems too improbable, being real life. It will be more improbable before we finish the adventure, I suspect. Can I trust your discretion to keep it secret? You know, I have a deal of skepticism about the best of women."
Helene reddened under that keen glance, and he saw that he had offended her.
"I beg your pardon: I know that we shall work it out together, with absolute mutual trust."
Such an earnest vibrance was in his voice that somehow she was reminded of another voice: her mind went back to the neglected letter to Jack. What could have caused her to be so remiss? She would not let herself dwell on the subject—instead, with a surprising deftness, she caught up Shirley's own cue, for a staggering question of her own.
"Are you sure that you have absolutely confided in me? Did you start at the beginning, when you told the story to-day."
"What do you mean?" and Shirley caught the glance sharply.
"Your unusual rapidity of action, Mr. Shirley, for a mere interested friend! It is queer how wonderfully your mind has connected this work, and the various accidental happenings, to evolve this clever ruse in which I am to assist. It doesn't seem so amateurish as you would make it. You seem mysterious to me."
"Do you think I am the voice? Here is a chance for real detective work, if you can double the game, and capture me?" was the laughing retort. "I don't believe you trust me."
The girl stood up before him, and after one deep look, her eyes fell before his. Those exquisite lashes sent a tiny flutter through the case-hardened heart of the club man, despite his desperate determination to be a Stoic.
"I do trust you," the voice was impetuous, almost petulant. "You are a real man: I merely give you credit for being better than the class of rich young men of whom you pretend to be an absolute type. But there, I waste words and time. Is my costume for this little opera boufe satisfactory to you? Do you like my warpaint and battle armor?"
She stood before him, a glorious bird of paradise. The wanton display of a maddening curve of slender ankle, through the slash of the clinging gown imparted just the needed allurement to stamp her as a Vestal of the temple of Madness. The cunning simplicity of the draping over her shoulders—luminous with the iridiscent gleam of ivory skin beneath, accentuated by the voluptuous beauty of her youthful bosom—the fleeting change of colors and contours as she slowly turned about in this maddening soul-trap of silk and laces—all these were not lost on the senses of Shirley. As the depths of those blue eyes opened before his gaze, a mad, a ridiculous aching to crush her in his arms, surprised the professional consulting criminologist! For this swift instant, all memory of the Van Cleft case, of every other problem, was driven from his mind, as a blinding blast of seething desire surged about him.
Then the old resolution, the conquering will of the man of one purpose, beat back the flames of this threatening conflagration. His eyes narrowed, his hands dropped to his side, and he squinted at her with the frigid dissective gaze of an artist studying the curves of a model.
"You must rouge your cheeks more, blue your eyelids and redden your lips even yet. Then be generous with the powder—and that wonderful perfume."
An inscrutable smile played about the sensitive lips, as Helene turned to her dressing-table. Shirley stood with his face to the window; he did not observe it, nor would he have understood its menace to his own peace of mind. Helene, however, did. She was a woman.
"May I smoke a cigarette? I am afraid I am almost a fiend, for I seem to crave the foolish comfort that I imagine they give, in times of nervous drain."
"No, Lollypop's little Bonton Tootems enjoys their fragrance. Don't ever ask me again. I have completed the mural decoration with futurist extravagance in the color scheme. My cloak, sir!"
He tossed it about her, and took up his hat and gold-headed stick. With a final glance at his own careful make-up, he started after her for the street.
"Some chikabiddy!" was the remark of the clerk to the head bell-boy. The words reached the ears of Shirley and Helene. Her hand trembled on his arm as they entered a waiting taxicab. She looked pathetically at him, as she asked.
"Don't you think I am interested, sincere and loyal, to brave such remarks as these, and the other worse things they will say before long? I wouldn't dare do this, if I were not sure that no one in America but you and Mr. Holloway knows me. To wear this horrid stuff on my face—to dress in these vulgar clothes—to impersonate such a girl! You know I'm not nearly as bad as I'm painted!"
Shirley clasped her white-gloved hand and nodded. He was studying the pedestrians for a familiar twain of faces. He was not disappointed, as the car swung into Broadway.
"Look—those two men have been following me wherever I have gone. They are a pair of old-fashioned pirates. Don't forget their faces!"
CHAPTER IX. IN THE GARDEN OF TEMPTATION
Their destination, one of the score of tango tea-rooms which had sprung to mushroom popularity within the year, was soon reached. Leaning heavily upon his stick, limping like his aged model, and spluttering impatiently, Shirley was assisted by the uniformed door man into the lobby. Helene followed meekly. Four hat boys from the check-room made the conventional scramble for his greatcoat, hat and stick, nearly upsetting him in their eagerness. Then Shirley led the way into the half light of the tropical, indoor garden, picking a way through the tables to a distant wall seat, embowered with electric grapes and artificial vines.
"Sit down, my darling child," said the pseudo Grimsby, as he dropped into a seat behind the table, which was protected from the lights, and furthest away from any possible visitors. "We are early, avoiding the crush. Soon the crowd will be here. We must have some champagne at once, to assist me in my defensive tactics. You will have to do most of the talking. Remember, we are going to the Winter Garden musical review when we leave here: you may tell this to whom you will."
Helene looked about curiously, as the big tea-room began to fill with its usual late afternoon crowd of patrons,—young, old and indeterminate in age. Women of maturely years, young misses from "finishing" schools, demimondaine, social "bounders" deluded by the glitter of their own jewelry and the thrill of their wasted money that they were climbing into New York society—these and other curious types rubbed elbows in this melting pot of folly. The tinkle of glasses, the increasing buzz of conversation, the empty laughter of too many emptied cocktail glasses mingled with the droning music of an Hawaiian string quartette in the far corner.
Suddenly, with banging tampani and the crash of cymbals, rattle of tambourines and beating of tomtoms, the barbaric Ethiopians of the dancing orchestra began their syncopated outrages against every known law of harmony—swinging weirdly into the bewitching, tickling, tingling rhythm of a maxixe.
"How strange!" murmured Helene, as the waiter brought them some champagne and indigestible pastries—the true ingredients of 'dansant the'.
"Yes, on with the dance-let joy be unrefined! The fall of the Roman Empire was the bounce of a rubber nursery ball, compared with this New York avalanche of luxurious satiation! Now, my child, old Da-da, is going to become too intoxicated to talk three words to any of these gallants and their lassies. Grimsby did not write a monologue for me, so I must pantomime: you will have to carry the speaking part of our playlet. Flatter them—but don't leave my side to dance!"
The first bottle of wine had been carried away by the waiter, (half emptied it is true,) as he filled a second order. Shirley shielded his face beneath a drooping spray of artificial blooms from the top of their wallbower. Several young men were approaching them, and the criminologist noted with relief that they evidenced their afternoon libations even so early. Eyes dulled with over-stimulus were the less analytical. Chance was favoring him. The newcomers were garbed in that debonair and "cultured" modishness so dear to the hearts of magazine illustrators. Faces, weak with sunken cheek lines, strong in creases of selfishness, darkened by the brush strokes of nocturnal excesses and seared, all of them with the brand mark of inbred rascality, identified them to Shirley as members of that shrewd class of sycophants who feast on the follies of the more amateurish moths of the Broadway Candles.
"Hello, old pop Grimsby!"
"You're in the dark of the moon, Grimmie! I couldn't make you out but for those horn rimmed head lights."
"Welcome to the joy-parlor, old scout."
The greetings of the juvenile buzzards varied only in phraseology: their portent was identical: "Open wine."
"Poor Mr Grimsby is so ill this afternoon, but sit down and have something with us," volunteered Helene tremulously.
The bees gathered about the table to feast on the vinous honey, while Shirley, mumbling a few words, maintained his partial obscurity, with one hand to his forehead.
"Fine boysh, m'deah. Boysh, meet little Bonbon—my protashsh!"
Little Bonbon was a pronounced attraction. Her vivacious charm drew the eyes away from Shirley, who studied the expressions of the weasel faces about him. The girl's heart sickened under the brutal frankness of a dozen calculating eyes, yet she valiantly maintained her part, while Shirley marveled at her clever simulation of silly, giggly, semi-intoxication. One youth deserted them to disappear through the distant dining room entrance. The comments about the table were interesting to the keen-eared masquerader.
"Old Grimsby's picked a live one, this time!"—"What show is she with?"—"Won't Pinkie be sore?" The criminologist was not left to wonder as to the identity of "Pinkie," for an older man, walking behind a red-headed girl in a luridly modern gown, approached the table with the absent guest. The men were talking earnestly, the girl staring angrily at Shirley's, beautiful companion.
"Hey, here come's Reggie! Sit down, Reg. Pop has passed away, but his credit is still strong."
"There's Pinkie—come, my dear, and join the Ladies' Aid Society and have a lemonade," jested another youth, making a place for the girl in the aisle.
Pinkie's dark-haired companion sank somewhat unsteadily into a chair next the girl. He frowned and rubbed his forehead, as though to clear his mind for needed concentration. He shook Shirley's arm, and spoke sharply.
"Look up; Grimmie. I never saw you feel your wine so early in the afternoon. It was a lucky day for me on Wall Street, so I celebrated myself. You are here earlier than usual. Everybody have some champagne with me."
As he beckoned to the waiter, the red-haired girl bestowed a murderous look upon Helene, who was sniffing some flowers which she had drawn from the vase on the table.
"Who's that Jane?" she demanded, her voice-shaking with jealousy. "Grimmie, you act as if you were doped. Introduce us to your swell friend. Wake him, Reg Warren."
Helene's jeweled white hand protected the safety-first dozing of her companion, as, through the interstices of his fingers, he studied the inscrutable difference between the face of Warren and the other youths about them.
"Let Pop dream of a new way to make a million!" laughed one young man. "His money grows while he sleeps."
"Yes, let him dream on," laughed Helene, with a shrill giggle. "When he makes that extra million he can star me on Broadway, in my own show. He, he!"
"You'll have to spend half of it at John the Barber's getting your voice marceled and your face manicured," snarled Pinkie. "Come, Reg, and dance with me: these bounders bore me."
"Run along, Pinkie, and fox-trot your grouch away with Shine Taylor. Here comes the wine I ordered—What's your name, girlie? Where did you meet Grimsby?"
"Oh, we're old friends," and Helene maliciously spilled a bottle over the interrogator's waistcoat, as she reached forward to shake his hand. "My name's Bonbon, you wouldn't believe me if I told you my real name, anyway. Who are you?"
"I'm not Neptune," he retorted, as he mopped the bubbles with a napkin. "You've started in badly." Shirley mentally disagreed. His stupor still obsessed him, but he noted with interest that Warren paid the check for his bottle with a new one-hundred dollar bill. Warren could elicit nothing from Helene but silly laughter, and so he arose impatiently, as Shine Taylor returned to whisper something in his ear. "I must be getting back to my apartment. Bring Grimsby up to it to-night: a little bromo will bring him back to the land of the living. I'll have a jolly crowd there—top floor of the Somerset, on Fifty-sixth Street, you know, near Sixth Avenue. Come up after the show."
"We're going to the Winter Garden," suggested Helene, at a nudge from Shirley, and Warren nodded.
"I'll try to see you later, anyway. Goodbye!"
Losing interest in the proceedings, as the time for reckoning the bill approached, the other gallants followed these two. Alone, again, Shirley ordered some black coffee, and smiled at his assistant.
"He told the truth for once."
"What do you mean?"
"He will try to see us later. That man is a member of the murderous clan whom we seek. 'To-night is the night' for the exit of William Grimsby—but, perhaps we may have a stage wait which will surprise them."
Gradually the guests thinned out in the tea-room, but Shirley cautiously waited until the last.
"Do you believe these young men are all members of the gang?" asked the girl. "Why do you suppose these men are all criminals? They surely look a bad lot."
"There are two general reasons why men go wrong. One is hard luck, aided by tempting opportunity—they hope to make a success out of failure, and then keep on the straight path for the rest of their lives. Such men are the absconders, the forgers, the bank-wreckers, and even the petty thieves. But once branded with the prison bars and stripes, they seldom find it possible to turn against the tide in which they find themselves: so they become habitual offenders. They are the easiest criminals to detect. The second class are the born crooks, who are lazy, sharp-witted and without enough will-power to battle against the problems of honesty in work. It is easy enough to succeed if a man is clever and unscrupulous without a shred of generosity. The hard problem is to be affectionate, human, and conquer every-day battles by remaining actively honest, when your rivals are not straight. The born crook is safer from prison than the weakling of the first class." He looked down at the coffee, and then continued.
"I do not believe all these young men are in this curious plot. They are merely the small fry of the fishing banks: they are petty rascals, with occasional big game. But somewhere, behind this sinister machine, is a guiding hand on the throttle, a brain which is profound, an eye which is all-seeing and a heart as cold as an Antartic mountain. There is the exceptional type of criminal who is greedy—for money and its luxurious possibilities; selfish—with regard for no other heart in the world; crafty—with the cunning of an Apache, enjoying the thrill of crime and cruelty; refined and vainglorious—with pride in his skill to thwart justice and confidence in his ability to continually broaden the scope of his work. Crime is the ruling passion of this unknown man. And the way to catch him is by using that passion as a bait upon the hook. I am the wriggling little angle worm who will dangle before his eyes to-night. But I do not expect to land him—I merely purpose to learn his identity, to draw the net of the law about him, in such a way as to keep the Grimsby and Van Cleft names from the case."
"And how can that be done?"
"That, young lady, is my 'fatal secret.' The subplot developing within my mind is still nebulous with me,—you would lose all interest, as would I, if you knew what was going to happen. But the time has passed, and now we can go to the theatre. I bought the tickets by messenger this afternoon. I will let you do the talking to the chauffeur and the usher."
They left the tea-room, the last guests out.
It was a touching sight to see the elderly gentleman supported on one side by a fat French waiter, and on the opposite, by the solicitous girl. The old Civil War wound was unusually troublesome.
CHAPTER X. WHEN IT'S DARK IN THE PARK
At the entrance of the restaurant the starter tooted his shrill whistle, and a driver began to crank his automobile in the waiting line of cars. According to the rules of the taxi stands he was next in order. But, as is frequently the custom in the hotly contested district of "good fares" another car "cut in" from across the street. This taxi swung quickly around and drew up before the waiting criminologist.
Grunting and mumbling, as though still deep in his cups, Monty allowed himself to be half pushed, half lifted into the car by the attendant. Helene followed him. "Winter Garden," she directed, and the machine sped away, while the thwarted driver in the rear sent a volley of anathemas after his successful competitor.
Shirley scrutinized the interior of the machine, but there seemed nothing to distinguish it from the thousands of other piratical craft which pillage the public with the aid of the taximeter clock on the port beam! Soon they were at the big Broadway playhouse, where Shirley floundered out first, after the ungallant manner of many sere-and-yellow beaux. He swayed unsteadily, teetering on his cane, as Helene leaped lightly to the sidewalk beside him. The driver stood by the door of the car, leering at him.
"Here, keep the change," and Shirley handed him a generous bill.
"Shall I wait fer ye, gov'nor? I ain't got no call to-night. I'll be around here all evening."
The criminologist nodded, and the chauffeur handed Helene the carriage number check.
"Don't let 'em steal de old gink, inside, girlie. He's strong fer de chorus chickens."
Helene shuddered before the hawk-like glare of his malevolent eyes, but in her part, she shook her head with a laugh, and followed airily after her escort.
"Good-evening, sir. Back again to-night, I see," volunteered the ticket taker, to whom William Grimsby was a familiar visitant. Shirley reeled with steadied and studied equilibrium, into the foyer of the theatre, as he nodded. Their seats were purposely in the rear of a side box, well protected from the audience by the holders of the front positions. The criminologist appeared to relapse into dreams of bygone days, while his companion peered into the vast audience and then at the nimble limbed chorus on the stage with piquant curiosity.
"For years I wanted to see an American stage and an American audience," she confided in an undertone, "and to think that when I do so, it is acting myself, on the other side of the footlights in a stranger, more dramatic part than any one else in the theatre. A curious world, isn't it?"
Shirley breathed deeply, drinking in the maddening perfume of her glorious hair, so perilously near his own face. The shimmer of her shoulders, the adorable curves of that enticing scarlet mouth murmuring so near his own, and yet so far away, in this soul-racking game of make-believe, stirred his blood as nothing else had done in all the kalaediscopic years.
"Yes, a more than curious world. How things have changed since last evening when I planned a sleepy evening at the opera. I wonder what the outcome will be?"
Helene looked up at him quickly, then as suddenly toward the Russian danseuse within the golden frame of the great proscenium. The orchestra, with its maddening Slavic music, stirred her pulses with a strange telepathy. The evening wore along, until the final curtain. Shirley, with cumbersome effort helped her with her cloak, dropping his hat and stick more than once in simulated awkwardness. The electric numerals of the carriage call soon brought the grimy-faced chauffeur.
"Jack on the spot, gov'nor, that's me!" and he swung the door open.
"We'll go get some supper—no, we'll take little 'scursion in Central Park, first," and his voice was thick, "correct, cabbie. Drive us shru Central Park."
"Are you going to take a chance in a dark park?" Helene asked him, as they sat within the car, while the chauffeur cranked. Shirley was sharply observing the man. A pedestrian crossed directly in front of the machine, brushing against the driver, as he fumbled with the lamp. If there were an interchange of words, the criminologist could not detect it.
"Surely. The park is good. We can be free of interference from the police. Are you afraid?"
"No—" yet, it was a pardonably weak little voice which uttered the valiant monosyllable.
"Here, Miss Marigold. Take this revolver. Don't use it until you have to, but then don't hesitate a second."
The machine started slowly up the street. Shirley groped about the sides and bottom of the car, to make sure that no one could be concealed within it. They were advancing up Broadway in leisurely fashion. It might have been for the purpose of allowing some to follow. Shirley wondered, then sniffed the air suspiciously. The girl looked at him with a silent question.
"Quick, tear off your glove and let me have that diamond ring I noticed on your finger, the large solitaire, not the dinner ring."
Unquestioningly she obeyed. There was a strange Oriental odor in the car—suggestive of an incense. The car was gliding up Central Park West, toward one of the road entrances into the Park proper. Shirley's hand clutched the ring, tensely. The driver, tactfully looking straight to the front, gave no heed to the occupants of the Death Car. He was, by this time speeding too rapidly for either of his passengers to have leaped out without injury. Shirley understood the smoothness of the voice's system, by now. His hand slid to the top of the glass door pane, on the right. Down the glass, across the bottom, down from the other corner, and then over the top line, he cut with the diamond, using a peculiar pressure. He rose to his feet, gave the lower part of the pane a sharp tap. The glass, practically cut loose from its case, now dropped and would have slid out to the roadway with a crash had he not dexterously caught it, to draw it into the car. Quickly he repeated the operation with the door pane at the left. A nauseating, weakening something in the car sent Helene's head spinning; she choked for breath and lay back weakly, despite her will. Shirley turned to the small glass square in the rear. This came out more easily. He lay the glass with the others, on the floor of the car. The good clear air whirled through the openings, reviving the girl.
"Keep your eyes open, and that revolver ready. Now is the time. Pretend to sleep."
Shirley had drawn his own automatic by this time, and he realized that the machine was slowing down. The chauffeur, as they passed a walk light, looked back, observing that the two were apparently unconscious. He slowed down still more, and tooted his horn three times. A large touring car passed them, to stop some distance ahead. Then it sped on, as Shirley's taxi followed lazily.
A figure suddenly came out of the darkness of the road. The driver stopped the taxi, and walked around the front, as though to adjust the lamp. The door opened slowly. A face covered with a black handkerchief obtruded. A hand slid up the detective's knee, along his side toward the abdomen, and a protruding thumb began a singular pressure directly below the criminologist's heart. Shirley's analysis for Dr. MacDonald had been correct! But jiu-jitsu is essentially a game for two.
Shirley's left hand suddenly shot forth to the neck of his assailant. His muscular fingers closed in a deft and vice-like pinch directly below the silk handkerchief. It was the pneumogastric nerve, which he reached: a nerve which, when deadened by Oriental skill, paralyzes the vocal chords. Not a sound emanated from the mysterious man, even when Shirley's right hand shot forward, under the chin of the other, for a deft blow across the thorax. The other tumbled backward.
"What's wrong, Chief? Too much gas?" cried the chauffeur rushing to the side of the fallen man. As the driver dropped to his knees, Shirley flung himself like a tiger upon the rascal's back. The struggle was brief—the same silent silencer accomplished its purpose. Before the man knew what had happened to him, he was dragged inside the car, and another deft pinch sent him to oblivion!
"Hit him over the forehead with the butt of the revolver if he opens his mouth," grunted Shirley. "This is the chauffeur, now I'll get the other one."
Just then a cry came from the darkness: it was a passing patrolman.
"What you doing in that auto?"
But Shirley waited for no parley-explanations, showing his hand, laying the whole scandal before the morning edition of the newspapers, were all out of question now. He must take up the pursuit later. He caught up, the chauffeur's cap, sprang into the driver's seat, and the car shot forward like a race horse as he threw forward the lever. The astonished policeman was within twenty-five yards of the spot, when the auto disappeared in the darkness. He pursued it vainly.
A few moments later, a man with a handkerchief across his face, groaned and then raised himself on his elbow, there in the roadway. He could not remember where he was, nor why. Slowly he crawled on hands and knees, into the rhododendrons by the roadside, where he again lost consciousness.
A big touring car rounded the curve of the roadway.
"Not a sign of the Chief," said the driver. "He must have gone back to the garage with the Monk. But that's a fool idea. Let's get down there right away."
The injured man's memory returned, and he rose stiffly to his feet. He limped out of the Park, putting away the handkerchief, muttering profanity and trying to fathom the mystery. As nearly as he could reason it out, he must have been struck by another machine from the rear.
Far up in the northernmost driveway of the Park, where shrub grown banks and rocky uplands shelter the thoroughfares, Shirley stopped his runaway taxicab.
"Let me have his rubber coat, for I'm going to hide this car out on Long Island. It's a long ride, but this man and his machine will disappear as completely as though they had been dumped in the ocean."
Shirley manacled the prisoner, and gagged him with a tightly knotted handkerchief. He put the greatcoat of Grimsby's about Helene's shoulders, as he brought her to the front seat of the machine. Then he shut the doors on the prisoner, and drove the automobile out through the Easterly entrance of the park.
"I'm not really brave, Mr. Montague," said the tired voice at his side. "I'm so glad I'm sitting by you, instead of back inside. We will be home soon, won't we? I'm so exhausted—my first day in a strange country, you know."
Shirley, with the skill of a racing expert, guided the machine through the maze of streets toward the Bridge over the East River. The touch of that sweet shoulder, as it unconsciously nestled against his own, sent through him a tremor which he had not experienced during the weird silent battle in the dark.
"A strange night, in a strange country. Are you sorry you tried it?"
With a sidelong glance, he caught the starry light in her eyes as she looked up at him: there seemed more than the mere reflection of passing street lamps.
"A wonderful night: I'm glad, so glad, not sorry," was her dreamy response. She lapsed into silence as the somnolent drone of the motor and the whirr of the wheels caused the tired eyes to close sleepily.
When he looked at her again, as they were speeding down the bridge Plaza in Long Island City, she was dozing. The drowsy head touched his shoulder; she seemed like a child, worn out with games, trustingly asleep in the care of a big, strong brother.
CHAPTER XI. A TURN IN THE TRAIL
Helene was still asleep when Shirley stopped the engine of the taxi before a stately Colonial mansion seated back among the pines of a beautiful Long Island estate. They had been driving for more than an hour. The girl stirred languorously as he strove to awaken her. She murmured drowsily:
"No, Jack, dear. Emphatically no. Let's not talk about it any more, dear boy."
"Who can Jack be?" and a surprising pang shot through Montague Shirley's heart. "Jack, dear! Well, and what's it my business. She is a stranger. She lives her life and I mine. But, at any rate, that settles some silly things I've been thinking. I'm less awake than she is."
This time he tried with better success, and Helene rubbed her eyes, with hands stiffened by the brisk bite of the chill wind. She gazed at the dimly lit house, at the big figure beside her, as Shirley sprang to the ground—then remembered it all, and trembled despite herself.
"Oh, it's you, Mr. Shirley," and she summoned up a little throaty laugh, as she arose stiffly. "What a queer place to be in!"
"We are a long way from New York's white lights, Miss Marigold. This is the country home of a good old friend of mine. You can remain here for the rest of the night, as his wife's guest. To-morrow, when you are rested, he can send you to the city in one of his cars."
"You are the most curious man in two continents. I am bewildered. First, you kidnap a chauffeur and privateer his car, then me. Now you besiege a friend and wish to leave me on his doorstep as a foundling."
"I'm sorry—it's the exigency of war! We must finish what we started. This is the only place I know where I could thoroughly hide my trail. We must wake up Jim, but first I will have a look at our guest."
Shirley walked around the car, shooting the beam from his pocket flashlight in through the open window of the taxi, to be met by the wicked black eyes of his prisoner, who uttered volumes of unpronounceable hatred.
"You are still with us, little bright eyes. A pleasant trip, I trust? I hope you found the air good—I tried to improve the ventilation for your benefit, as well as my own." Only a subdued gurgle answered him.
"Oh, what will they think of me—in this immodest gown, with this paint on my face, and at this hour of night?" pleaded Helene, as he started toward the door of the mansion.
"It would be awful at that," and Shirley paused at the beseeching tone of the girl. "I want you to meet Mrs. Jim as well as Jim. I am afraid they would think this was the echo of an old college escapade, and misjudge you. Let me think—"
He led her to a little summer-house close by, and tucked the big coat about her as he added: "It's dark here—the wind doesn't reach you, and I'll take you back to town in five minutes. Will that do?"
As she nodded, he hurried to the door where he yanked vigorously at the bell. An angry head protruded from an upper story, after many encores of the peals.
"Aw, what the dickens? Go some place else and find out!"
"Jim, Jim. It's Monty! Come down and let me in quick."
The window closed with a bang as the head was withdrawn, while a light soon appeared in the beveled panes of the big front door.
"You poor boob," was the cheerful greeting as it swung wide, "What brings you out here? I thought it was the usual joy party which had lost its way. They always pick me out for an information bureau. Come on in!"
Shirley spoke rapidly, in a low tone. The girl in the dark summer-house marveled at the rapid change of mien, as Jim suddenly ran down the steps to gaze into the taxicab, then nodding to Shirley. The house-holder as promptly returned through his front door, while Shirley swiftly unmanacled the prisoner enough to let him walk, stiff and awkward from the long ordeal in the car. The stern grip, of his captor prompted obedience.
Friend Jim had appeared with warmer garments, carrying a lantern. At the door of the stable Jim's stentorian yell to the groom seemed useless, but the two men entered. Helene felt miserably weak and deserted, in the chill night, but she was cheered by seeing the energetic Shirley reappear, pushing open the doors of the garage, which was connected with the stable. He hurried to the deserted taxicab, where he seemed busied for several minutes, the glow of his pocket lamp shooting out now and then. Through the door of the garage a long, rakish-looking racing car was being pushed out by Jim and his sleepy groom. There was a cheery shout from the taxi, and Helene heard a ripping sound. Shirley reappeared, carrying an oblong box.
"I have the gas generator:—it was built in, under the seat, and controlled by a battery wire from the front lamp, Jim. A nice little mechanism. Well, old pal, please apologize to Mrs. Merrivale for my rude interruption of her beauty sleep. Keep a fatherly eye on Gentleman Mike, and the taxicab under cover. I'll communicate with you very soon. So long."
To Helene's amazement, Shirley cranked the racer, jumped in and seemed to be starting away without her, down the sweep of the driveway. Could he have forgotten her? The man must indeed be mad, as some of his actions indicated! But her aroused indignation was turned to admiration of his finesse, for suddenly he veered the lights of the car toward the garage door, throwing them in the faces of Jim and his servant. He leaped out again, walking past the place of concealment.
"Slip into the car, while I go inside with them. I'll come out on the run, and no one will be the wiser."
With this passing stage direction he rushed toward his accomodating friend, with some final directions. They were apparently humorous in content, for both the other men roared with mirth, as he walked inside the building, with them, an arm around the shoulder of each. Helene obeyed him, hiding as best she could in the low seat of the throbbing machine. As Shirley returned, Jim Merrivale was still laughing blithely.
"Good-bye, you old maniac: you'll be the death of me. I'll take care of the star boarder, however, and feed him champagne and mushrooms."
With a roar, Shirley started the engines, as he bounced into the seat, and they sped down the curving driveway, with Helene leaning forward, unobserved.
"There, we've had a little by-play that friend Jim didn't guess. I always enjoy a little intrigue," he laughed, as they whizzed along toward distant New York. "But, I had to lie, and lie, and lie—like the light that lies in women's eyes. What a jolly game!"
He was a big boy, happy in the excitement, and bubbling with his superabundance of vitality. Helene felt curiously drawn toward him, in this mood: she remembered a little paragraph she had read in a book that day:
"A woman loves a man for the boy spirit that she discovers in him: she loves him out of pity when it dies!" Then she fearsomely changed the current of her thoughts, to complain pathetically of the cold wind!
"There, now, I am so thoughtless," was his apology, as he stopped the car, to wrap the overcoat more closely about her, and tuck her comfortably in a big fur. Through the darkened streets of the suburb they raced, entering the silent factory districts, which presaged the nearness of the river. It was well on toward daybreak before they rolled over the Queensboro Bridge to Manhattan. It was his second day without sleep, but Shirley was sustained by the bizarre nature of the exploit: he could have kept at the steering wheel for an eternity.
"Are you glad we're getting back?" he asked. Helene shook her head, then she answered dreamily.
"Do you remember something from one of Browning's poems, that I do? It's just silly for us, but I understand it better now."
Shirley surprised her by quoting it, as he looked ahead into the dark street through which they swung, his unswerving hand steady on the wheel:
"What if we still ride on, we two, With life forever old yet new, Changed not in kind, but in degree, The instant made eternity,— And heaven just prove that I and she Ride, ride together, forever ride?"
A quick flush, not caused by the biting wind, suffused her cheek beneath the remnants of the rouge. Then she laughed up at him appreciatively.
"Curious how our minds ran that way, and hit the very same poem, wasn't it?"
Shirley smiled back, as he swung down Fifth Avenue.
"Not so curious after all!"
Soon they drew up before the ornate portal of the California Hotel, where late arrivals were so customary as to cause no comment. He bade her good-night, words seeming futile after their long hours together. The drive in the car to the club was short. Paddy the door man was instructed to send down to Shirley's own garage for a mechanic to store the car until further orders. The criminologist had ere this rubbed off his grease paint, so that his appearance was not unusual. Once in his rooms he treated himself to a piping hot shower, cleaned off the powder from his dark locks, and as he smoked a soothing cigarette, in his bathrobe, studied the mechanism of the gas generator for a few moments.
"That was made by an expert who understands infernal machines with a malevolent genius. I must look out for him," he mused. "Well, I promised Professor MacDonald that I would not sleep until I had come face to face with the voice. I have fulfilled the vow: now for forgetfulness."
He tumbled into bed, but not to oblivion. For his dreams were disturbed by tantalizing visions of certain sun-gold locks and blue eyes not at all in their simple connection with the business end of the Van Cleft mystery.
CHAPTER XII. THE HAND OF THE VOICE
It took stoicism to the Nth degree for Shirley to respond to the early telephone call next morning, from the clerk of the club. A few minutes of violent exercise, in the hand ball court, the plunge, a short swim in the natatorium and a rub down from the Swedish masseur, however, brought him around to the mood for another adventure. Sending for the racing car he began the round-up of details. There was, first of all, Captain Cronin to be visited in Bellevue. Here he was agreeably surprised to find the detective chief recuperating with the abettance of his rugged Celtic physique. The nurse told Shirley that another day's treatment would allow the Captain to return to his own home: Shirley knew this meant the executive office of the Holland Detective Agency.
"And sure, Monty, when I have a free foot once again, I'm going to apply it to them gangsters who put me to sleep."
"Just what I want you to do, Captain! I 'phoned to your men this morning while I had breakfast at the club: they have that taxicab which was left near Van Cleft's house. It's put away safely, Cleary said. There are two gangsters where the dogs won't bite them; today they are sending out to Jim Merrivale's house to get the third and he'll be busy with a little private third degree. I have no evidence which would connect the man who tried to kill me last night with the other murders, except in a circumstantial way. What I must do is to follow up the trail, and get the gentleman carrying out the bales, in other words, with the goods on him."
"You'll get him, Monty, if I know you. The fellow hasn't called up at all on the telephone to-day. I think he's afraid of you."
"No, Captain Cronin, not that! He's up to some new game. Well, I'm off—take care of yourself and don't eat anything the nurse doesn't bring you with her own hands. I wouldn't put anything past this gang."
He shook hands and hurried out of the hospital, with several more errands to complete. He looked vainly about him for the gray racing-car. It was gone! Here was another unexpected interference with his work, and Shirley, sotto voce, expressed himself more practically than politely. He hurried to an ambulance driver who stood in a doorway, solacing his jangled nerves with a corn-cob smoke.
"Neighbor, did you see any one take the gray car standing here a few minutes ago?"
"Yep, a feller just came out of the hospital entry, cranked her and jumped in."
"How long ago?"
"Well, I just returned with a suicide actor case five minutes ago."
"Then you might have seen him enter first?"
"Nope. Not a sign. All I seen was the way he cranked the machine, and he didn't waste any elbow grease doin' it, either. He knew the trick. That's what I thought when I seen him, even if he did look like a dude."
Shirley hurried to the entry once more. This was the only portal through which visitors were admitted to the hospital for the purpose of calling on patients. He hastened to the uniformed attendant who took down the names of all applicants. This man, upon inquiry, was a trifle dubious. True, there had been two Italian women and before them—yes, there had been a young chap with a green velour hat, and white spats. He had asked about a Captain Cronin, and when told that a visitor was already seeing the patient, agreed to wait outside. It had been about five minutes before. The man was indefinite about more details. Shirley hurried to the telephone booth in the corridor. To Headquarters he reported the theft of car "99835 N.Y.," giving a description of its special features and its make. This warning he knew would be telephoned to all stations within five minutes, so that every policeman in New York would be on the lookout for the missing machine. Satisfied, he left the hospital, to walk across the long block to the nearest north and south avenue, where he might catch a surface car.
Suddenly he halted, to mutter in astonishment at a sight which was the surprise of the morning: it was the missing car standing peacefully on the next corner.
"I wonder what that means?" he murmured, as he stopped to study with great interest the window of an Italian green grocer. A sidelong glance at the car and its surroundings revealed nothing out of the way. He retraced his steps to the hospital, wasted ten minutes with a cigarette or two, and still no one seemed to take an interest in the automobile. Finally he walked up to the car, trying the lock of which he had the only key. Apparently it had been untampered with, for the key worked perfectly. Here was Jim Merrivale's car, a good three hundred yards away from the place where he had locked it to prevent any moving. He felt certain that keen eyes had him under surveillance, yet he could not observe any observers within the range of his own vision. It was simply a stupid, quiet slum neighborhood and at the time, unusually deserted by the customary hordes of children and dogs!
What had been the purpose in moving it such a short distance?
Where had it been in the twenty-five minutes since he had left it at the entrance to the hospital?
Why had it been left here, of all places, where he would naturally walk if desirous of taking a street-car?
There seemed no immediate answer to the conundrums. So, he nonchalantly clambered into the car, after cranking it. The mechanism seemed in perfect order. Puzzled, he started to speed up the street, when he observed a white envelope close by his foot, on the floor of the car.
He picked it up, and tearing it open quickly read this simple message.
"To whom it may concern: It is frequently advisable to mind your own business—is it not? Answer: Yes!"
"Huh," grunted Shirley. "While not thrilling in originality, it is a lasting truth which nobody can deny. I'll save this and frame it on the walls of my rooms."
As he drove around the corner and up the Avenue, there was suddenly a terrific explosion, which threw him completely out of the machine! The car, without a driver, its engines whirring madly, dashed into a helpless corner fruit stand, scattering oranges, bananas, apples and desolation in its wake, as it vainly endeavored to climb to the second story with super-mechanical intelligence! Shirley, stunned and bruised, fell to the pavement where he lay until an excited patrolman rushed to his rescue.
A little "first aid" work brought Shirley back to consciousness, and he stiffly rose to his feet, with a head throbbing too much for any real thinking.
"What's the matter with your auto?" cried the policeman. "Can't you run it? Let's see the number." The officer took out his notebook, to jot down the details according to police rules. Then he turned on Shirley in amazement. "Be gorry, it's car 99835 N.Y. I just wrote the number down when I came on post with my squad! This car is stolen. You come with me!"
Shirley had been adjusting the mechanism, and the wheels had ceased their whirring. He tried to expostulate in a dazed way, realizing that for once the department was working with a vengeful promptness. He was hoist by his own petard!
"I'm the owner of the car," he began, rubbing his aching forehead.
"What's yer name?"
"Montague Shirley!" The policeman laughed, as he caught the criminologist by the shoulder, and blew his whistle for another man from post duty.
"You lie. This car is owned by James Merrivale. You can't put over raw stuff like that on me. I'm no rookie—Here, Joe," (as the other policeman ran up through the growing, jeering crowd,) "watch this machine. This guy's one of them auto Raffles, and I done a good job when I lands him. I'm going to the station-house now."
The other policeman was examining the car, when he called to his fellow officer: "Here, Sim, did you see this car was blown up inside the seat?"
Shirley, his acuteness returned by this time, ran to the car eluding his captor's hold. He had not observed before the jagged shattered hole torn in the side of the leather side. It had all happened so swiftly, that his professional instincts were slow in reasserting themselves after the "buck" of the car.
"You're right," he exclaimed. "There's an alarm clock and a dry battery—the same man made this who built the gas-generator—"
"Whadd'ye mean—ain't you the feller after all?" asked the first patrolman, beginning to get dubious about his arrest.
"No, I am no thief. But just take me to the station-house quick, and turn in your report. Let this other man guard that car. Hurry up!"
"Say, feller, who do you think is making this arrest? You'll go to the station-house when I get ready."
"Then you're ready now," snapped the criminologist. "You'll see me discharged very promptly, when I speak to the Commissioner over the wire."
The officer was supercilious until the station-house was reached. He had heard this blatant talk before. What was his surprise when Shirley telephoned to the head of the Department and then called the Captain to the instrument.
"Release Mr. Shirley at once," was the crisp order. "Give him any men or assistance he needs."
"Well, whadd'ye know about that? Not even entered on the blotter to credit me with a good arrest!" The patrolman turned away in disgust.
"Do you want any of the reserves, sir?" The Captain was scrupulously polite.
"Not one. I'm going to study that machine again. You might detail a plain clothes man to walk along the other side of the street for luck. Good-day."
The automobile to which he returned was still the object of community interest. Shirley took the remains of the bomb which had caused his sudden elevation. The policeman approached him from the fruit store.
"The man wants damages for the stock you destroyed, mister. I'll fix it up with him if you want—about twenty-five dollars will do."
"Well, hand him this five-dollar bill and see if that won't dry some of the imported tears," retorted Shirley with a laugh. In a few minutes he was bowling along on a surface car, to the club. There was no longer any use in trying to hide his identity or address, for the conspirators knew at least of his interest and assistance in the case: although in this as all others he was not known to be a professional sleuth.
In the quiet of his room he drew out magnifying glasses and other instruments for a thorough analysis of the remains of the infernal machine. He compared this with the mechanism of the gas-generator which had been placed in the seat of the Death taxi. There was evidence that it had come from the same source. Shirley sniffed at the generator and the peculiar odor still clinging to it was familiar.
"Well, I think I will have a little surprise for Mr. Voice, the next time we grapple, which will be an encore of his own tune, with a new verse!"
He went to a cabinet, took out a small glass vial, filled with a limpid liquid and placed it within his own pocket. Then he prepared for a new line of activities for the day. His first duty was a call on Pat Cleary, superintendent of the Holland Agency.
"The Captain is progressing splendidly," was his answer to the anxious query. "He will be back in the harness again to-morrow. How are the prisoners?"
"They have tried to break out twice and gave my doorman a black eye. But they got four in return: Nick is no mollycoddle, you know. I can't quite get the number of these fellows, for they are not registered down at Headquarters, in the Rogue's Gallery. Their finger-prints are new ones in this district, too. They look like imported birds, Mr. Shirley. What do you think?"
Cleary's opinion of the club man had been gaining in ascendency.
"They may be visitors from another city, but I think the state will keep them here as guests for a nice long time, Cleary. They say New York is inhospitable to strangers, but we occasionally pay for board and room from the funds of the taxpayers without a kick. We saved the day for the Van Clefts, all right. The paper told of a beautiful but quiet funeral ceremony, while the daughter has postponed her marriage for six months."
Then he recounted the adventure of the exploding car. Cleary lit his malodorous pipe, and shook his head thoughtfully.
"Young man, you know your own affairs best. But with all your money, you'd better take to the tall pines yourself, like these old guys in the 'Lobster Club.' That's the advice of a man who's in the business for money not glory. This is a bum game. They'll get me some day, some of these yeggs or bunk artists that I've sent away for recuperation, as the doctors call it. But I'm doing it for bread and beefsteak, while it lasts. You run along and play—a good way from the fire, or you'll get more than your fingers burnt. Take their hint and beat it while the beating's good."
A glint of steel shone from the eyes of the criminologist as he lit another cigarette and took up his walking-stick.
"Why, Cleary, this is what I call real sport. Why go hunting polar bears and tigers when we've got all this human game around the Gold Coast of Manhattan? I'm tired of furs: I want a few scalps. Good-morning."
As Cleary went up the stairway to renew the ginger of the Third Degree for the two prisoners, he smiled to himself, and muttered:
"The guy ain't such a boob as he looks: he's just a high-class nut. I'd enjoy it myself if it wasn't my regular work."
At Dick Holloway's office Shirley was greeted with an eager demand for his report of the former evening's activities. An envious look was on the face of the theatrical manager.
"Shucks, Monty! It's a shame that all this sport is private stock, and can't be bottled up and peddled to the public, for they're just crazy about gangster melodrama. They're paying opera prices for the old time ten-twent-and-thirt-melodrama, right on Broadway. Hurry up and get the man and I'll have him dramatized while the craze is rampant."
"Not while I own the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject of gate-receipts."
"I'm not so certain of that," and Holloway's smile was quizzical.
"What do you mean? Who is this Helene Marigold? I have a right to know in a case like this."
"Good intuition, as far as you go. But you're guessing wrong, for she has nothing to do with my little joke. But why worry about her?" laughed Holloway. His friend had leaned forward, intensely, clutching his cane, with an unusually serious look on his face. Holloway had never seen Shirley take such an interest in any woman before. He arose from his desk-chair and walked to the broad window, which overlooked the thronging sidewalks of Broadway.
"Down there is the biggest, busiest street in the world filled with women of all hues and shades. This is the first time you ever looked so anxious about any combination of lace, curls, silks and gew-gaws before. You have been the bright and shining example of indifferent bachelor freedom which has made me—thrice divorced—so envious of your unalloyed, unalimonied joy. Don't betray the feet of clay which have supported my idol!"
The baffling smile of the debonair club man returned to Shirley's face, as he twitted back: "Purely an altruistic inquiry, Dick. I feared that you might be risking your own heart and the modicum of freedom which you still possess. But I'll wager a supper-party for four that I'll find out who she is, without either you or she telling me."
"Taken. At last I'm to have a free banquet, after years of business entertaining. You have met a girl who will match your wits—I expect the sparks to fly. Well, she's worth while—I might do worse—but in perfect fairness she ought to do better. How about it?"
"Yes, with Jack," and Shirley tapped the walking stick on the floor with an emphatic thump, while Holloway regarded him in startled surprise.
"Who is Jack?"
"You see—I am learning already. But, you and I are drifting from my task. I wish that you would take me to call on Miss Marigold, in my present lack of disguise. I do not care for that ancient garb any longer. It was stretching the chances rather far, but thanks to the darkness, the champagne, and good fortune, I succeeded in impersonating our aged friend without detection. I will not return to Grimsby's house, but propose now to get down to brass tacks with Mr. Voice, even though the tacks be hard to sit upon. I wish to use her as a bait, by taking her out to tea and getting a first-hand speaking acquaintance with these convivial assassins."
"Monty, you are wasting your talents outside the pages of a play manuscript, but we will make that call instanter."
In leisure, they promenaded up the crowded Gay Wide Way, through the noontime crowd of theatrical folk who dot the thoroughfare in this part of the city. His adversaries were to have every opportunity to observe his movements and draw their own conclusions. At the Hotel California new comment buzzed between the garrulous clerk and the switchboard person, at sight of the well-known manager and his prosperous-looking companion.
"Who is that come on?" asked the clerk of the bellboy.
"Sure, dat's Montague Shirley, one of dem rich ginks from de College Club on Forty-fourth Street, where I used to woik in de check room. If I had dat guy's money I'd buy a hotel like dis."
"Then I see where Holloway, with that blonde dame upstairs, will be putting on a new musical show, with a new angel. It's a great business, Miss Gwendolyn—no wonder they call it art." And the clerk removed a silk handkerchief from his coat cuff, to dust the register wistfully. "Why didn't I devote my talents to the drama instead of room-keys and due-bills?"
But Miss Gwendolyn was too busy talking to the Milwaukee drummer in Room 72 to formulate a logical reason. Shirley and Holloway improved the time by taking the elevator to the top floor where Helene greeted them at the door of her pretty apartment. She welcomed them happily, declaring it had been a lonesome morning.
"Weren't you resting from that long thrill of last night, in which you starred?" asked Holloway.
"It was too thrilling for me to sleep: I know I look a perfect frump, this morning. I tossed on the pillow, watching the dawn over your towering New York roofs, so nervous and almost miserable. But, with company, it's all right again."
Holloway laughed inwardly at the warmth of the glance which she bestowed upon Shirley. From the angle of an audience, he was beginning to observe a phase of this double play of personalities which was unseen by either of the participants. Two sleepless nights, after such a first evening together, and what then? He imagined the denouement, with a growing enjoyment of his vantage-point as the game advanced.
"To-day, I am reversing the usual progress of history," said Shirley, as he sat down in the window-seat. "From second juvenility I am returning to the first. In other words, I wish to become your adoring suitor in the role of Montague Shirley."
"I don't understand," and her eyes widened in wonder, not without an accompanying blush which did not escape Holloway.
"No longer a lamb in sheep's clothing, I want to entertain you, without the halo of William Grimsby's millions. I want to take tea with these gentle-voiced cut-throats, who after my warning to-day, are directing their attention to me." He narrated the narrow escape from death in the racing-car. Helene's eyes darkened with an uncertainty which he had hardly expected. Perhaps she would refuse to carry out their compact along these dangerous lines.
"Do you feel it wise to place yourself beneath this new menace?"
"The sword of Damocles is over me now, I know. To run would be a confession of weakness and open the field for his further activities, with the rear-guard continuously exposed. There is nothing like the personal equation. I will call at five this afternoon, if you are willing, Miss Marigold?"
"I will fight it out to the end," and she placed her warm hand firmly within his own. The two friends departed, Shirley retracing his steps to the club where many things were to be studied and planned. His system of debit and credit records of facts known and needed, was one which brought finite results. As he smoked and pondered at his ease, a tapping on the study door aroused him from his vagrant speculations. At his call, a respectful Japanese servant presented a note, just left by a messenger-boy. He tore the envelope and read it.
"Montague Shirley:—The third time is finis. As a friend you accomplished the purpose you sought. There is no grudge against you. Why seek one? It is fatal for you to remain in the city. Leave while you have time."
That was all. The chirography was the same as that upon the note of the racing-car episode. Shirley locked up the missive in his cabinet, and smiled at the increasing tenseness of the situation.
"The writer of these two notes may have an opportunity to leave town himself before long, to rest his nerves in the quiet valley of the Hudson, at Ossining. My friend the enemy will soon be realizing a deficit in his rolling-stock and gentlemanly assistants. Two automobiles and three prisoners to date. There should be additional results before midnight. I wonder where he gardens into fruition these flowers of crime?"
And even as he pondered, a curious scene was being enacted within a dozen city blocks of the commodious club house.
CHAPTER XIII. THE SPIDER'S WEB
The setting was a bleak and musty cellar, beneath an old stable of dingy, brick construction. The building had been modernized to the extent of one single decoration on the street front, an electric sign: "Garage." On the floor, level with the sidewalk, stood half a dozen automobiles of varied manufacture and age. Near the wide swinging doors of oak, stood a big, black limousine. Two taxicabs of the usual appearance occupied the space next to this, while a handsome machine faced them on the opposite side of the room. Two ancient machines were backed against the wall, in the rear.
In the basement beneath, several men were grouped in the front compartment, which was separated by a thick wooden partition from the rear of the cellar. Three dusty incandescents illuminated this space. In the back a curious arrangement of two large automobile headlights set on deal tables directed glaring rays toward the one door of the partition. In the center of the rear room was another table, standing behind a screen of wire gauze, at the bottom of which was cut a small semicircle, large enough for the protrusion of a white, tense hand, whose fingers were even now spasmodically clenching in nervous indication of fury. Behind either lamp was a heavy black screen, which effectually shut off ingress to that portion of the room.
The man standing between the table and the closed door of the partition, full in the light of the lamps, watched the hand as though fascinated. He could see nothing else, for behind the gauze all was darkness. Absolutely invisible, sat the possessor of the hand, observing the face of his interviewer, on the brighter side of the gauze.
"So, there's no word from the Monk?"
"No, chief. De bloke's disappeared. Either he got so much swag offen dis old Grimsby guy, after youse got de bumps, or he had cold feet and beat it wid de machine."
"It's a crooked game on me." rasped the voice behind the screen. "I'll send him up for this. You know how far my lines go out. What about Dutch Jake and Ben the Bite?"
The man before the screen shook his head in helpless bewilderment There was a suggestion of fright in his manner, as well.
"Can't find out a t'ing, gov'nor. I hopes you don't blame me for dis. I'm doin' my share. Dey just disappears dat night w'en you sends 'em to shadder Van Cleft's joint. My calcerlation is—"
"I'm not paying you to calculate. I've trusted you and lost six thousand dollars' worth of automobiles for my pains. You can just calculate this, that unless I get some news about Jake, Ben and the Monk by this time tomorrow, I'll send some news down to Police headquarters on Lafayette Street that will make you wish you had never been born."
For some reason not difficult to guess, the suggestion had a galvanic effect on the bewildered one. His hands trembled as he raised them imploringly to the screen.
"Oh, gov'nor, wot have I done? Ain't I been on de level wid yez? Say, I ain't never even seen yez for de fourteen months I've been yer gobetween. I've been beat up by de cops, pinched and sent to de workhouse 'cause I wouldn't squeal, and now ye t'reatens me. Did I ever fall down on a trick ontil dis week? You'se ain't goin' ter welch on me, are you'se? I ain't no welcher meself, an' ye knows it."
The other snapped out curtly: "Very well, cut out the sob stuff. It's up to you to prove that there hasn't been a leak somewhere or a double cross. Send in those rummies,—I want to give them the once over again. There's a nigger in the woodpile somewhere, and I'm no abolitionist! Quick now. Get a wiggle on."
The hand was withdrawn from the little opening, as the lieutenant advanced into the front compartment of the cellar. He beckoned meaningly to the others to follow him. They obeyed with a slinking walk, which showed that they were obsessed by some great dread, in that unseen presence, in the heart of the spider-web!
"Which one of you is the stool pigeon," came the harsh query.
"W'y, gov'nor, none of us. You'se knows us," whined one of the men.
"Yes, and I know enough to send you all to Atlanta or Sing Sing or Danamora, for the rest of your rotten lives, if I want to."
The rascals stared vainly into the black vacuum of the screen, blinking in the glaring lights, cowering instinctively before the unseen but certain malignancy of the power behind that mysterious wall.
"I brought you here to New York," continued the master, "you are making more money with less work and risk than ever before. But you're playing false with me, and I know some one is slipping information where it oughtn't to go. I'm going to skin alive the one who I catch. There's one eye that never sleeps, don't forget that."
"Gee, boss, wot do we know to slip?" advanced the most forward of them. "We follers orders, and gets our kale and dat's all. We ain't never even seen ya, and don't know even wot de whole game is. Don't queer us, gov'nor!"
"Go out front again, and shut off this blab. I warn you that's all-Now, Phil, give this to the men. Tell them to keep off the cocaine—they're getting to be a lot of bone heads lately. Too much dope will spoil the best crook in the world."
The white hand passed out a roll of crisp, new currency to the lieutenant of the gang, who gingerly reached for it, as though he expected the tapering fingers to claw him.
"Fifty dollars to each man. No holding out. Remember, every one of them is spying on the other to me. I'm not a Rip Van Winkle. Now, I want you to keep this fellow Montague Shirley covered but don't put him away until I give you the word. Send the bunch upstairs, for I don't want to be disturbed the next two hours. And just keep off the coke yourself. You're scratching your face a good deal these days—I know the signs."
Phil expostulated nervously. "Oh, gov'nor, I ain't no fiend—just once and a while I gets a little rummy, and brightens up. It takes too much money to git it now, anyway. Goodbye, chief."
As he closed the wooden door to pay the gangsters, there was a slight grating noise, which followed a double click. A bar of wood automatically slid down into position behind the door, blocking a possible opening from the front of the cellar. The lights suddenly were darkened. The sound of shuffling feet would have indicated to a listener that the owner of the nervous hand was retreating to the rear of the darkened den. A noise resembling that of the turn of a rusty hinge might have then been heard: there was a metallic clang, the rattle of a sliding chain and the rear room was as empty as it was black!
In the front room, after payment from the red-headed ruffian, Phil, the men clambered in single file up a wooden ladder to the street level. A trap-door was put into place and closed. Then the men began to shoot "craps" for a readjustment of the spoils, with the result that Red Phil, as his henchmen called him, was the smiling possessor of most of the money, without the erstwhile necessity of "holding out."
Then the gangsters scattered to the nearby gin-shops to while away the time before darkness should call for their evil activities. It was a cheerful little assortment of desperadoes, yet in appearance they did not differ from most of the habitues of New York garages, those cesspools of urban criminality.
From his club, Shirley telephoned Jim Merrivale in his downtown office, purposely giving another name, as he addressed his friend—a pseudonym upon which they had agreed during the night call. Shirley was suspicious of all telephones, by this time, and his guarded inquiry gave no possible clue to a wiretapping eavesdropper.
"How is the new bull-dog?" was the question, after the first guarded greeting. "Is he still muzzled?"
"Yes, Mr. Smith," responded Merrivale, "and the meanest specimen I have ever seen outside a Zoo! When I sent the groom out to feed him this morning, he snarled and tried to claw him. He's on a hunger strike. I looked up the license number on his collar but he's not registered in this state." (This, Shirley knew, meant the automobile tag under the machine which had been captured.)
"When are you apt to send for him—I don't think I'll keep him any longer than I can help."
"I'll send out from the dog store, with a letter signed by me. Feed him a little croton oil to cure his disposition. Good-bye, for now, Jim. I'll write you, this day."
Shirley hung up, and smiled with satisfaction at the news. The man would be glad to get bread and water, before long, he felt assured. However, he despatched a note to Cleary, of the Holland Agency, enclosing a written order to Merrivale to deliver over the prisoner, for safer keeping in the city.
This disposed of the started out from the club house for his afternoon of dissipation. As he left the doorway, he noticed the two men with the black caps standing not far away. They were engrossed in the rolling of cigarettes, but the swift glance which they shot at him did not escape Monty.
"Like the poor and the bill collectors, they are always with us," was his thought, as he calmly strolled over to the Hotel California. He determined to place them in a quiet, sheltered retreat at the earliest opportunity. He found Helene more attractive than ever.
"Shall I put on this wretched rouge again to-day," was the plaintive question, after the first greeting. "I hate it so—and yet, will do whatever you order."
"Your role calls for it, my dear girl. Perhaps we may close the dramatic engagement sooner than we expect. To-night should be an eventful one, for I will accept every lead which Reginald Warren offers. I would like to have a record of his voice, and that of some of his friends. There is a difference between the telephone voice and that heard face to face,—you would be a good witness if I could persuade him to sing or speak for me into a record. You can straighten out the difficulties of this case, if you will, in a thoroughly feminine manner."
"And what, sir, is that, I pray you?"
"Give him the opportunity—to fall in love with you."
Helene's cheeks flushed a stronger carmine than the rouge which she was administering, as she looked up in quick embarrassment.
"I don't want him to love me. I want no man to love me," was the petulant answer.
"Doubtless you have reason to be satisfied as things are," replied Shirley, puffing a cigarette, "but the softness of cerebral conditions increases in direct ratio with the mushiness of the affections. If it is important to us—and you are my partner in this fascinating business venture—will you not sacrifice your emotions to that extent: merely to let him lead himself on, as most men do?" He paused for a critical observation of her, and then added: "You are even more beautiful to-day than you were yesterday. He cannot help loving you if he is given the chance!"
Helene's white fingers crushed the orchid which she was pinning to the bosom of her gown. Her intent gaze met the mask of Shirley's ingenuous smile, reading in his telltale eyes a message which needed no court interpreter! Quickly she turned to her mirror to put the finishing touches to her coiffure, the golden curls so alluringly wilful.
"Your flattery, sir, is very cruel. Beware! I may take it seriously. What would happen if my verdant heart were to fall a victim to the cunning wiles of the voice? Remember, I have only met two men, since I came to America, yesterday. And they are both pronounced woman-haters. I will take you at your word, about Mr. Reginald Warren, and loosen my blandishments to the best of my rustic ability."
A wayward twinkle in her eyes should have warned Shirley that she was planning a little mischief. But, he was too preoccupied in finding the real front of her baffling street cloak to observe it. They left for the tearoom, while Helene still laughed to herself over certain subtle possibilities which she saw in the situation.
CHAPTER XIV. A PILGRIMAGE INTO FRIVOLITY
Rather early, again, for the usual throng, they were able to choose their position to their liking: to-day, it was in the center of the big room, close by the space cleared for the dancing. Gradually the tables were occupied, apparently by the identical people of the afternoon before, so marked is the peculiar character of the dance-mad individuality. To-day he varied his menu with a mild order of cocktails—for now he was not emulating the Epicurean record of the bibulous Grimsby. They observed with amusement the weird contortions, seldom graced by a vestige of rhythm or beauty, with which the intent dancers spun and zigzagged.
"Considering how much money they pay to learn these steps from dancing-masters, there is unusually small value in the market, Miss Marigold. I resigned myself to the approach of the sunset years, and became a voluntary exile in the garden of the wallflowers, when society dancing became mathematical."
"I don't understand?"
"Once it was possible to chat, to smile, to woo or to silently enjoy the music and the measures of the dance in company with a sympathetic partner. Now, however, since the triumph of the 'New Mode,' one must count 'one-two-three,' and one's partner is more captious than a schoolmarm! What puzzles me is the need for new steps, to be learned from expensive teachers, when it's so easy to slide down hill in this part of New York. But here endeth the sermon, for I recognize the amiable Pinkie at that other table, where she is studying your face with the malevolence of a cobra."
Helene slowly turned her eyes toward the other girl, who now advanced with forced effusiveness.
"Oh, my dear, and you're back again today. But where is dear old Grimmie; he is a nice old soul, though a trifle near-sighted. He wasn't half seas over last night—he was a war-zone submarine, out for a long-distance record!"
She impudently seated herself at the table with them, sending a questioning glance at the handsome companion of her quondam rival. Helene instinctively drew back, but a warning glance from Shirley plunged her into her assumed character, and she greeted the other girl with the quasi-comradeship of their class.
"Oh, yes, dear. Grimsby was a little poisoned by the salad or something like that: he was actually disagreeable with me, of all people in the world. But, I have so many friends that Grimsby does not give me any worry. He means nothing in my life. You seemed quite worried over him, though—"
"Yes, girlie," was Pinkie's effort to parry. "I was upset—not because he was with you, but to see the old chap showing his age. His taste has deteriorated so much since he started wearing glasses. But why don't you introduce me to your gentleman friend?"
Helene's faint smile expressed volumes, as she turned toward the modest Shirley with a bow of condescension. "This is Pinkie, one of old Grimsby's sweethearts, Mr. Shirley. I'm sure you'll like her."
"Are you Montague Shirley?" demanded the auburn-haired coquette with sudden interest. As Shirley nodded, she caught his hand with an ardent glance, ogling him impressively, as she continued: "I've heard a lot of you. I'm just that pleased to meet you!"
An indefinable resentment crept over Helene. How could this creature of the demi-monde have even distant acquaintance of such a wholesome, superior man as her escort? The effusiveness was irritating, and the overacted kittenishness of the girl made her sick at heart, although she betrayed no sign of her feeling. Helene could not understand that despite its mammoth size, New York is relatively provincial in the club and theatrical community, his acquaintanceship numbering into the thousands. Town Topics, the social gossipers of the newspapers and talkative club men bandied names about in such wise that it was easy for members of Pinkie's profession to satisfy their hopeful curiosity—prompted by visions of eventual social conquest on the one hand and a professional desire to memorize street numbers on the Wealth Highway for ultimate financial manipulations. As one of the richest members of the exclusive bachelor set, Montague Shirley, even unknown to himself, occupied reserved niches in the ambitions of a hundred and one fair plotters! |
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