"Mordioux!" said the musketeer, coolly, "the king is going to have an attack of determination of blood to the head. Where the deuce did you get hold of that idea, Monsieur Colbert? You have no luck."

"Monsieur," said the financier, drawing himself up, "my zeal for the king's service inspired me with the idea."

"Bah!"

"Monsieur, Melun is a city, an excellent city, which pays well, and which it would be imprudent to displease."

"There now! I, who do not pretend to be a financier, saw only one idea in your idea."

"What was that, monsieur?"

"That of causing a little annoyance to M. Fouquet, who is making himself quite giddy on his donjons yonder, in waiting for us."

This was a home-stroke, hard enough in all conscience. Colbert was completely thrown out of his saddle by it, and retired, thoroughly discomfited. Fortunately, the speech was now at an end; the king drank the wine which was presented to him, and then every one resumed the progress through the city. The king bit his lips in anger, for the evening was closing in, and all hope of a walk with La Valliere was at an end. In order that the whole of the king's household should enter Vaux, four hours at least were necessary, owing to the different arrangements. The king, therefore, who was boiling with impatience, hurried forward as much as possible, in order to reach it before nightfall. But, at the moment he was setting off again, other and fresh difficulties arose.

"Is not the king going to sleep at Melun?" said Colbert, in a low tone of voice, to D'Artagnan.

M. Colbert must have been badly inspired that day, to address himself in that manner to the chief of the musketeers; for the latter guessed that the king's intention was very far from that of remaining where he was. D'Artagnan would not allow him to enter Vaux except he were well and strongly accompanied; and desired that his majesty would not enter except with all the escort. On the other hand, he felt that these delays would irritate that impatient character beyond measure. In what way could he possibly reconcile these two difficulties? D'Artagnan took up Colbert's remark, and determined to repeat it to the king.

"Sire," he said, "M. Colbert has been asking me if your majesty does not intend to sleep at Melun."

"Sleep at Melun! What for?" exclaimed Louis XIV. "Sleep at Melun! Who, in Heaven's name, can have thought of such a thing when M. Fouquet is expecting us this evening?"

"It was simply," returned Colbert, quickly, "the fear of causing your majesty any delay; for, according to established etiquette, you cannot enter any place, with the exception of your own royal residences, until the soldiers' quarters have been marked out by the quartermaster, and the garrison properly distributed."

D'Artagnan listened with the greatest attention, biting his mustache to conceal his vexation; and the queens listened attentively also. They were fatigued, and would have liked to have gone to rest without proceeding any farther; and, especially, in order to prevent the king walking about in the evening with M. de Saint-Aignan and the ladies of the court; for, if etiquette required the princesses to remain within their own rooms, the ladies of honor, as soon as they had performed the services required of them, had no restrictions placed upon them, but were at liberty to walk about as they pleased. It will easily be conjectured that all these rival interests, gathering together in vapors, must necessarily produce clouds, and that the clouds would be followed by a tempest. The king had no mustache to gnaw, and therefore kept biting the handle of his whip instead, with ill-concealed impatience. How could he get out of it? D'Artagnan looked as agreeable as possible, and Colbert as sulky as he could. Whom was there he could get in a passion with?

"We will consult the queen," said Louis XIV., bowing to the royal ladies. And this kindness of consideration, which softened Maria-Theresa's heart, who was of a kind and generous disposition, when left to her own free will, replied:

"I shall be delighted to do whatever your majesty wishes."

"How long will it take us to get to Vaux?" inquired Anne of Austria, in slow and measured accents, and placing her hand upon her bosom, where the seat of her pain lay.

"An hour for your majesties' carriages," said D'Artagnan; "the roads are tolerably good."

The king looked at him. "And a quarter of an hour for the king," he hastened to add.

"We should arrive by daylight?" said Louis XIV.

"But the billetting of the king's military escort," objected Colbert, softly, "will make his majesty lose all the advantage of his speed, however quick he may be."

"Double ass that you are!" thought D'Artagnan; "if I had any interest or motive in demolishing your credit, I could do it in ten minutes. If I were in the king's place," he added, aloud, "I should, in going to M. Fouquet, leave my escort behind me; I should go to him as a friend; I should enter accompanied only by my captain of the guards; I should consider that I was acting more nobly, and should be invested with a still more sacred character by doing so."

Delight sparkled in the king's eyes. "That is indeed a very good suggestion. We will go to see a friend as friends; those gentlemen who are with the carriages can go slowly: but we who are mounted will ride on." And he rode off, accompanied by all those who were mounted. Colbert hid his ugly head behind his horse's neck.

"I shall be quits," said D'Artagnan, as he galloped along, "by getting a little talk with Aramis this evening. And then, M. Fouquet is a man of honor. Mordioux! I have said so, and it must be so."

And this was the way how, toward seven o'clock in the evening, without announcing his arrival by the din of trumpets, and without even his advanced guard, without out-riders or musketeers, the king presented himself before the gate of Vaux, where Fouquet, who had been informed of his royal guest's approach, had been waiting for the last half-hour, with his head uncovered, surrounded by his household and his friends.



CHAPTER LXXXVII.

NECTAR AND AMBROSIA.

M. Fouquet held the stirrup of the king, who, having dismounted, bowed most graciously, and more graciously still held out his hand to him, which Fouquet, in spite of a slight resistance on the king's part, carried respectfully to his lips. The king wished to wait in the first courtyard for the arrival of the carriages, nor had he long to wait, for the roads had been put into excellent order by the surintendant, and a stone would hardly have been found of the size of an egg the whole way from Melun to Vaux; so that the carriages, rolling along as though on a carpet, brought the ladies to Vaux, without jolting or fatigue, by eight o'clock. They were received by Madame Fouquet, and at the moment these made their appearance, a light as bright as day burst forth from all the trees, and vases, and marble statues. This species of enchantment lasted until their majesties had retired into the palace. All these wonders and magical effects which the chronicler has heaped up, or rather, preserved, in his recital, at the risk of rivaling the creations of a romancist; these splendors whereby night seemed conquered and nature corrected; together with every delight and luxury combined for the satisfaction of all the senses, as well as of the mind, Fouquet did in real truth offer to his sovereign in that enchanting retreat of which no monarch could at that time boast of possessing an equal. We do not intend to describe the grand banquet, at which all the royal guests were present, nor the concerts, nor the fairy-like and magical transformations and metamorphoses; it will be more than enough for our purpose to depict the countenance which the king assumed, and which, from being gay, soon wore a gloomy, constrained, and irritated expression. He remembered his own residence, royal though it was, and the mean and indifferent style of luxury which prevailed there, and which comprised only that which was merely useful for the royal wants, without being his own personal property. The large vases of the Louvre, the old furniture and plate of Henry II., of Francis I., of Louis XI., were merely historical monuments of earlier days; they were nothing but specimens of art, the relics of his predecessors; while with Fouquet, the value of the article was as much in the workmanship as in the article itself. Fouquet ate from a gold service, which artists in his own employ had modeled and cast for himself alone. Fouquet drank wines of which the king of France did not even know the name, and drank them out of goblets each more precious than the whole royal cellar.

What, too, can be said of the apartments, the hangings, the pictures, the servants and officers, of every description, of his household? What can be said of the mode of service in which etiquette was replaced by order; stiff formality by personal, unrestrained comfort; the happiness and contentment of the guest became the supreme law of all who obeyed the host. The perfect swarm of busily engaged persons moving about noiselessly; the multitude of guests—who were, however, even less numerous than the servants who waited on them—the myriads of exquisitely prepared dishes, of gold and silver vases; the floods of dazzling light, the masses of unknown flowers of which the hot-houses had been despoiled, and which were redundant with all the luxuriance of unequaled beauty; the perfect harmony of everything which surrounded them, and which indeed was no more than the prelude of the promised fete, more than charmed all who were there, and who testified their admiration over and over again, not by voice or gesture, but by deep silence and rapt attention, those two languages of the courtier which acknowledge the hand of no master powerful enough to restrain them.

As for the king, his eyes filled with tears; he dared not look at the queen. Anne of Austria, whose pride, as it ever had been, was superior to that of any creature breathing, overwhelmed her host by the contempt with which she treated everything handed to her. The young queen, kind-hearted by nature and curious by disposition, praised Fouquet, ate with an exceedingly good appetite, and asked the names of the different fruits which were placed upon the table. Fouquet replied that he was not aware of their names. The fruits came from his own stores: he had often cultivated them himself, having an intimate acquaintance with the cultivation of exotic fruits and plants. The king felt and appreciated the delicacy of the reply, but was only the more humiliated at it; he thought that the queen was a little too familiar in her manners, and that Anne of Austria resembled Juno a little too much, in being too proud and haughty; his chief anxiety, however, was himself, that he might remain cold and distant in his behavior, bordering slightly on the limits of extreme disdain or of simple admiration.

But Fouquet had foreseen all that; he was, in fact, one of those men who foresee everything. The king had expressly declared that so long as he remained under M. Fouquet's roof he did not wish his own different repasts to be served in accordance with the usual etiquette, and that he would, consequently, dine with the rest of the society; but by the thoughtful attention of the surintendant, the king's dinner was served up separately, if one may so express it, in the middle of the general table; the dinner, wonderful in every respect, from the dishes of which it was composed, comprised everything the king liked, and which he generally preferred to anything else. Louis had no excuse—he, indeed, who had the keenest appetite in his kingdom—for saying that he was not hungry. Nay, M. Fouquet even did better still; he certainly, in obedience to the king's expressed desire, seated himself at the table, but as soon as the soups were served, he rose and personally waited on the king, while Madame Fouquet stood behind the queen-mother's armchair. The disdain of Juno and the sulky fits of temper of Jupiter could not resist this excess of kindly feeling and polite attention. The queen ate a biscuit dipped in a glass of San-Lucar wine; and the king ate of everything, saying to M. Fouquet: "It is impossible, Monsieur le Surintendant, to dine better anywhere." Whereupon the whole court began, on all sides, to devour the dishes spread before them, with such enthusiasm that it looked like a cloud of Egyptian locusts settling down upon the uncut crops.

As soon, however, as his hunger was appeased, the king became dull and gloomy again; the more so in proportion to the satisfaction he fancied he had manifested, and particularly on account of the deferential manner which his courtiers had shown toward Fouquet. D'Artagnan, who ate a good deal and drank but little, without allowing it to be noticed, did not lose a single opportunity, but made a great number of observations which he turned to good profit.

When the supper was finished, the king expressed a wish not to lose the promenade. The park was illuminated; the moon, too as if she had placed herself at the orders of the Lord of Vaux, silvered the trees and lakes with her bright phosphoric light. The air was soft and balmy; the graveled walks through the thickly set avenues yielded luxuriously to the feet. The fete was complete in every respect, for the king, having met La Valliere in one of the winding paths of the wood, was able to press her by the hand and say, "I love you," without any one overhearing him except M. d'Artagnan who followed, and M. Fouquet who preceded him.

The night of magical enchantments stole on. The king having requested to be shown his room, there was immediately a movement in every direction. The queens passed to their own apartments, accompanied by the music of theorbos and lutes; the king found his musketeers awaiting him on the grand flight of steps, for M. Fouquet had brought them on from Melun, and had invited them to supper. D'Artagnan's suspicions at once disappeared. He was weary, he had supped well, and wished, for once in his life, thoroughly to enjoy a fete given by a man who was in every sense of the word a king. "M. Fouquet," he said, "is the man for me."

The king was conducted with the greatest ceremony to the chamber of Morpheus, of which we owe some slight description to our readers. It was the handsomest and the largest in the palace. Lebrun had painted on the vaulted ceiling the happy, as well as disagreeable, dreams with which Morpheus affects kings as well as other men. Everything that sleep gives birth to that is lovely, its perfumes, its flowers and nectar, the wild voluptuousness or deep repose of the senses, had the painter enriched with his frescoes. It was a composition as soft and pleasing in one part as dark and gloomy and terrible in another. The poisoned chalice, the glittering dagger suspended over the head of the sleeper; wizards and phantoms with hideous masks, those half dim shadows, more terrific than the brightness of flame or the blackness of night; these, and such as these, he had made the companions of his more pleasing pictures. No sooner had the king entered the room than a cold shiver seemed to pass through him, and on Fouquet asking him the cause of it, the king replied, as pale as death:

"I am sleepy, that is all."

"Does your majesty wish for your attendants at once."

"No; I have to talk with a few persons first," said the king. "Will you have the goodness to tell M. Colbert I wish to see him." Fouquet bowed and left the room.



CHAPTER LXXXVIII.

A GASCON, AND A GASCON AND A HALF.

D'Artagnan had determined to lose no time, and in fact he never was in the habit of doing so. After having inquired for Aramis, he had looked for him in every direction until he had succeeded in finding him. Besides, no sooner had the king entered into Vaux, than Aramis had retired to his own room, meditating, doubtlessly, some new piece of gallant attention for his majesty's amusement. D'Artagnan desired the servants to announce him, and found on the second story, (in a beautiful room called the Blue Room, on account of the color of its hangings) the bishop of Vannes in company with Porthos and several of the modern Epicureans. Aramis came forward to embrace his friend, and offered him the best seat. As it was after awhile generally remarked among those present that the musketeer was reserved, and wished for an opportunity for conversing secretly with Aramis, the Epicureans took their leave. Porthos, however, did not stir; for true it is that having dined exceedingly well, he was fast asleep in his armchair; and the freedom of conversation therefore was not interrupted by a third person. Porthos had a deep, harmonious snore, and people might talk in the midst of its loud bass without fear of disturbing him. D'Artagnan felt that he was called upon to open the conversation.



"Well, and so we have come to Vaux," he said.

"Why, yes, D'Artagnan. And how do do you like the place?"

"Very much, and I like M. Fouquet also."

"Is he not a charming host?"

"No one could be more so."

"I am told that the king began by showing a great distance in his manner toward M. Fouquet, but that his majesty became much more cordial afterward."

"You did not notice it, then, since you say you have been told so?"

"No; I was engaged with those gentlemen who have just left the room about the theatrical performances and the tournament which are to take place to-morrow."

"Ah, indeed! you are the comptroller-general of the fetes, here, then?"

"You know I am a friend of all kinds of amusement where the exercise of the imagination is required; I have always been a poet in one way or another."

"Yes, I remember the verses you used to write, they were charming."

"I have forgotten them; but I am delighted to read the verses of others, when those others are known by the names of Moliere, Pellisson, La Fontaine, etc."

"Do you know what idea occurred to me this evening, Aramis?"

"No; tell me what it was, for I should never be able to guess it, you have so many."

"Well, the idea occurred to me, that the true king of France is not Louis XIV."

"What!" said Aramis, involuntarily, looking the musketeer full in the eyes.

"No, it is Monsieur Fouquet."

Aramis breathed again and smiled.

"Ah! you are like all the rest, jealous," he said. "I would wager that it was M. Colbert who turned that pretty phrase." D'Artagnan, in order to throw Aramis off his guard, related Colbert's misadventure with regard to the vin de Melun.

"He comes of a mean race, does Colbert," said Aramis.

"Quite true."

"When I think, too," added the bishop, "that that fellow will be your minister within four months, and that you will serve him as blindly as you did Richelieu or Mazarin—"

"And as you serve M. Fouquet," said D'Artagnan.

"With this difference, though, that M. Fouquet is not M. Colbert."

"True, true," said D'Artagnan, as he pretended to become sad and full of reflection; and then, a moment after, he added, "Why do you tell me that M. Colbert will be minister in four months?"

"Because M. Fouquet will have ceased to be so," replied Aramis.

"He will be ruined, you mean?" said D'Artagnan.

"Completely so."

"Why does he give these fetes, then?" said the musketeer, in a tone so full of thoughtful consideration, and so well assumed, that the bishop was for the moment deceived by it. "Why did you not dissuade him from it?"

The latter part of the phrase was just a little too much, and Aramis' former suspicions were again aroused. "It is done with the object of humoring the king."

"By ruining himself?"

"Yes, by ruining himself for the king."

"A singular calculation that."

"Necessity."

"I don't see that, dear Aramis."

"Do you not? Have you not remarked M. Colbert's daily increasing antagonism, and that he is doing his utmost to drive the king to get rid of the surintendant?"

"One must be blind not to see it."

"And that a cabal is formed against M. Fouquet?"

"That is well known."

"What likelihood is there that the king would join a party formed against a man who will have spent everything he had to please him."

"True, true," said D'Artagnan, slowly, hardly convinced, yet curious to broach another phase of the conversation. "There are follies, and follies," he resumed, "and I do not like those you are committing."

"What do you allude to?"

"As for the banquet, the ball, the concert, the theatricals, the tournaments, the cascades, the fireworks, the illuminations, and the presents—these are all well and good, I grant; but why were not these expenses sufficient? Was it necessary to have new liveries and costumes for your whole household?"

"You are quite right. I told M. Fouquet that myself; he replied that if he were rich enough he would offer the king a newly erected chateau, from the vanes at the top of the house to the very cellar: completely new inside and out; and that, as soon as the king had left, he would burn the whole building and its contents, in order that it might not be made use of by any one else."

"How completely Spanish!"

"I told him so, and he then added this: 'Whoever advises me to spare expense, I shall look upon as my enemy.'"

"It is positive madness; and that portrait, too!"

"What portrait?" said Aramis.

"That of the king, and the surprise as well."

"What surprise?"

"The surprise you seem to have in view, and on account of which you took some specimens away, when I met you at Percerin's." D'Artagnan paused. The shaft was discharged, and all he had to do was to wait and watch its effect.

"That is merely an act of graceful attention," replied Aramis.

D'Artagnan went up to his friend, took hold of both his hands, and looking him full in the eyes, said: "Aramis, do you still care for me a very little?"

"What a question to ask!"

"Very good. One favor, then. Why did you take some patterns of the king's costumes at Percerin's?"

"Come with me and ask poor Lebrun, who has been working upon them for the last two days and two nights."

"Aramis, that may be the truth for everybody else, but for me—"

"Upon my word, D'Artagnan, you astonish me."

"Be a little considerate for me. Tell me the exact truth; you would not like anything disagreeable to happen to me, would you?"

"My dear friend, you are becoming quite incomprehensible. What suspicion can you possibly have got hold of?"

"Do you believe in my instinctive feelings? Formerly, you used to have faith in them. Well, then, an instinct tells me, that you have some concealed project on foot."

"I—a project?"

"I am convinced of it."

"What nonsense!"

"I am not only sure of it, but I would even swear it."

"Indeed, D'Artagnan, you cause me the greatest pain. Is it likely, if I have any project in hand, that I ought to keep secret from you, I should tell you about it? If I had one that I could and ought to have revealed, should I not have already told it to you?"

"No, Aramis, no. There are certain projects which are never revealed until the favorable opportunity arrives."

"In that case, my dear fellow," returned the bishop, laughing, "the only thing now is, that the 'opportunity' has not yet arrived."

D'Artagnan shook his head with a sorrowful expression. "Oh, friendship, friendship!" he said, "what an idle word you are! Here is a man who, if I were but to ask it, would suffer himself to be cut in pieces for my sake."

"You are right," said Aramis, nobly.

"And this man, who would shed every drop of blood in his veins for me, will not open the smallest corner of his heart. Friendship, I repeat, is nothing but a mere unsubstantial shadow and a lure, like everything else in this world which is bright and dazzling."

"It is not thus you should speak of our friendship," replied the bishop, in a firm, assured voice: "for ours is not of the same nature as those you have been speaking of."

"Look at us, Aramis; three out of the old 'four.' You are deceiving me; I suspect you; and Porthos is fast asleep. An admirable trio of friends, don't you think so? A beautiful relic of former times."

"I can only tell you one thing, D'Artagnan, and I swear it on the Bible; I love you just as I used to do. If I ever suspect you, it is on account of others, and not on account of either of us. In everything I may do, and should happen to succeed in, you will find your fourth. Will you promise me the same favor?"

"If I am not mistaken, Aramis, your words—at the moment you pronounce them—are full of generous feeling."

"That is possible."

"You are conspiring against M. Colbert. If that be all, mordioux, tell me so at once. I have the instrument in my own hand, and will pull out the tooth easily enough."

Aramis could not restrain a smile of disdain which passed across his noble features. "And supposing that I were conspiring against Colbert, what harm would there be in that?"

"No, no; that would be too trifling a matter for you to take in hand, and it was not on that account you asked Percerin for those patterns of the king's costumes. Oh! Aramis, we are not enemies, remember, but brothers. Tell me what you wish to undertake, and, upon the word of a D'Artagnan, if I cannot help you, I will swear to remain neuter."

"I am undertaking nothing," said Aramis.

"Aramis, a voice speaks within me, and seems to enlighten my darkness; it is a voice which has never yet deceived me. It is the king you are conspiring against."

"The king?" exclaimed the bishop, pretending to be annoyed.

"Your face will not convince me; the king. I repeat."

"Will you help me?" said Aramis, smiling ironically.

"Aramis, I will do more than help you—I will do more than remain neuter—I will save you."

"You are mad, D'Artagnan."

"I am the wiser of the two, in this matter."

"You to suspect me of wishing to assassinate the king!"

"Who spoke of that at all?" said the musketeer.

"Well, let us understand each other. I do not see what any one can do to a legitimate king as ours is, if he does not assassinate him." D'Artagnan did not say a word. "Besides, you have your guards and your musketeers here," said the bishop.

"True."

"You are not in M. Fouquet's house, but in your own."

"True; but in spite of that, Aramis, grant me, for pity's sake, but one single word of a true friend."

"A friend's word is the truth itself. If I think of touching, even with my finger, the son of Anne of Austria, the true king of this realm of France—if I have not the firm intention of prostrating myself before his throne—if in every idea I may entertain to-morrow, here at Vaux will not be the most glorious day my king ever enjoyed—may Heaven's lightning blast me where I stand!" Aramis had pronounced these words, with his face turned toward the alcove of his own bedroom; where D'Artagnan, seated with his back toward the alcove, could not suspect that any one was lying concealed. The earnestness of his words, the studied slowness with which he pronounced them, the solemnity of his oath, gave the musketeer the most complete satisfaction. He took hold of both Aramis' hands, and shook them cordially. Aramis had endured reproaches without turning pale, and had blushed as he listened to words of praise. D'Artagnan, deceived, did him honor: but, D'Artagnan, trustful and reliant, made him feel ashamed. "Are you going away?" he said, as he embraced him, in order to conceal the flush on his face.

"Yes; my duty summons me. I have to get the watchword. It seems I am to be lodged in the king's anteroom. Where does Porthos sleep?"

"Take him away with you if you like, for he snores like a park of artillery."

"Ah! he does not stay with you, then?" said D'Artagnan.

"Not the least in the world. He has his room to himself, but I don't know where."

"Very good!" said the musketeer; from whom this separation of the two associates removed his last suspicion, and he touched Porthos lightly on the shoulder; the latter replied by a terrible yawn. "Come," said D'Artagnan.

"What, D'Artagnan, my dear fellow, is that you! What a lucky chance! Oh, yes—true; I had forgotten; I am at the fetes at Vaux."

"Yes; and your beautiful dress too."

"Yes, it was very attentive on the part of Monsieur Coquelin de Voliere, was it not?"

"Hush!" said Aramis. "You are walking so heavily, you will make the flooring give way."

"True," said the musketeer; "this room is above the dome, I think."

"And I did not choose it for a fencing-room, I assure you," added the bishop. "The ceiling of the king's room has all the sweetness and calm delights of sleep. Do not forget, therefore, that my flooring is merely the covering of his ceiling. Good-night, my friends, and in ten minutes I shall be fast asleep." And Aramis accompanied them to the door, laughing quietly all the while. As soon as they were outside, he bolted the door, hurriedly; closed up the chinks of the windows, and then called out, "Monseigneur!—monseigneur!' Philippe made his appearance from the alcove, as he pushed aside a sliding panel placed behind the bed.

"M. d'Artagnan entertains a great many suspicions, it seems," he said.

"Ah!—you recognized M. d'Artagnan, then?"

"Before you called him by his name, even."

"He is your captain of musketeers."

"He is very devoted to me," replied Philippe, laying a stress upon the personal pronoun.

"As faithful as a dog; but he bites sometimes. If D'Artagnan does not recognize you before the other has disappeared, rely upon D'Artagnan to the end of the world; for, in that case, if he has seen nothing, he will keep his fidelity. If he sees, when it is too late, he is a Gascon, and will never admit that he has been deceived."

"I thought so. What are we to do, now?"

"You will go and take up your post at our place of observation, and watch the moment of the king's retiring to rest, so as to learn how that ceremony is performed."

"Very good. Where shall I place myself?"

"Sit down on this folding-chair. I am going to push aside a portion of the flooring: you will look through the opening, which answers to one of the false windows made in the dome of the king's apartment. Can you see?"

"Yes," said Philippe, starting as at the sight of an enemy: "I see the king!"

"What is he doing?"

"He seems to wish some man to sit down close to him."

"M. Fouquet."

"No, no; wait a moment—"

"Look at the notes and portraits, my prince."

"The man whom the king wishes to sit down in his presence is M. Colbert."

"Colbert sit down in the king's presence!" exclaimed Aramis, "it is impossible."

"Look."

Aramis looked through the opening in the flooring. "Yes," he said, "Colbert himself. Oh, monseigneur! what can we be going to hear—and what can result from this intimacy?"

"Nothing good, for M. Fouquet, at all events."

The prince did not deceive himself.

We have seen that Louis XIV. had sent for Colbert, and that Colbert had arrived. The conversation began between them by the king according to him one of the highest favors that he had ever done; it was true the king was alone with his subject. "Colbert," said he, "sit down."

The intendant, overcome with delight, for he feared he should be dismissed, refused this unprecedented honor.

"Does he accept?" said Aramis.

"No, he remains standing."

"Let us listen, then." And the future king and the future pope listened eagerly to the simple mortals whom they held under their feet, ready to crush them if they had liked.

"Colbert," said the king, "you have annoyed me exceedingly to-day."

"I know it, sire."

"Very good; I like that answer. Yes, you knew it, and there was courage in having done it."

"I ran the risk of displeasing your majesty but I risked also concealing what were your true interests from you."

"What! you were afraid of something on my account?"

"I was, sire, even if it were of nothing more than an indigestion," said Colbert; "for people do not give their sovereigns such banquets as the one of to-day except it be to stifle them under the weight of good living." Colbert waited the effect which this coarse jest would produce upon the king; and Louis XIV., who was the vainest and the most fastidiously delicate man in his kingdom, forgave Colbert the joke.

"The truth is," he said, "that M. Fouquet has given me too good a meal. Tell me, Colbert, where does he get all the money required for this enormous expenditure—can you tell?"

"Yes, I do know, sire."

"Will you be able to prove it with tolerable certainty?"

"Easily; to the very farthing."

"I know you are very exact."

"It is the principal qualification required in an intendant of finances."

"But all are not so."

"I thank your majesty for so flattering a compliment from your own lips."

"M. Fouquet, therefore, is rich—very rich, and I suppose every man knows he is so."

"Every one, sire; the living as well as the dead."

"What does that mean, Monsieur Colbert?"

"The living are witnesses of M. Fouquet's wealth—they admire and applaud the result produced; but the dead, wiser and better informed than we are, know how that wealth was obtained—and they rise up in accusation."

"So that M. Fouquet owes his wealth to some cause or other."

"The occupation of an intendant very often favors those who practice it."

"You have something to say to me more confidentially. I perceive; do not be afraid, we are quite alone."

"I am never afraid of anything under the shelter of my own conscience, and under the protection of your majesty," said Colbert, bowing.

"If the dead therefore were to speak—"

"They do speak sometimes, sire—read."

"Ah!" then murmured Aramis, in the prince's ear, who, close beside him, listened without losing a syllable, "since you are placed here, monseigneur, in order to learn the vocation of a king, listen to a piece of infamy—of a nature truly royal. You are about to be a witness of one of those scenes which the foul fiend alone can conceive and execute. Listen attentively—you will find your advantage in it."

The prince redoubled his attention, and saw Louis XIV. take from Colbert's hand a letter which the latter held out to him.

"The late cardinal's handwriting," said the king.

"Your majesty has an excellent memory," replied Colbert, bowing; "it is an immense advantage for a king who is destined for hard work, to recognize handwritings at the first glance."

The king read Mazarin's letter, and, as its contents are already known to the reader, in consequence of the misunderstanding between Madame de Chevreuse and Aramis, nothing further would be learned if we stated them here again.

"I do not quite understand," said the king, greatly interested.

"Your majesty has not yet acquired the habit of going through the public accounts."

"I see that it refers to money which had been given to M. Fouquet."

"Thirteen millions. A tolerably good sum."

"Yes. Well, and these thirteen millions are wanting to balance the total of the accounts. That is what I do not very well understand. How was this deficit possible?"

"Possible, I do not say; but there is no doubt about the fact that it really is so."

"You say that these thirteen millions are found to be wanting in the accounts?"

"I do not say so, but the registry does."

"And this letter of M. Mazarin indicates the employment of that sum, and the name of the person with whom it was deposited?"

"As your majesty can judge for yourself."

"Yes; and the result is, then, that M. Fouquet has not yet restored the thirteen millions."

"That results from the accounts, certainly, sire."

"Well, and, consequently—"

"Well, sire, in that case, inasmuch as M. Fouquet has not yet given back the thirteen millions, he must have appropriated them to his own purposes; and with those thirteen millions one could incur four times, and a little more as much expense, and make four times as great a display as your majesty was able to do at Fontainebleau, where we only spent three millions altogether, if you remember."

For a blunderer, the souvenir he had evoked was a very skillfully-contrived piece of baseness; for by the remembrance of his own fete he, for the first time, perceived its inferiority compared with that of Fouquet. Colbert received back again at Vaux what Fouquet had given him at Fontainebleau, and, as a good financier, he returned it with the best possible interest. Having once disposed the king's mind in that way, Colbert had nothing of much importance to detain him. He felt that such was the case, for the king too had again sunk into a dull and gloomy state. Colbert awaited the first word from the king's lips with as much impatience as Philippe and Aramis did from their place of observation.

"Are you aware what is the natural consequence of all this, Monsieur Colbert?" said the king, after a few moments' reflection.

"No, sire, I do not know."

"Well, then, the fact of the appropriation of the thirteen millions, if it can be proved—"

"But it is so already."

"I mean if it were to be declared and certified, M. Colbert."

"I think it will be to-morrow, if your majesty—"

"Were we not under M. Fouquet's roof, you were going to say, perhaps," replied the king, with something of nobleness in his manner.

"The king is in his own palace where-ever he may be, and especially in houses which his own money has paid for."

"I think," said Philippe, in a low tone to Aramis, "that the architect who constructed this dome ought, anticipating what use could be made of it, so to have contrived that it might easily be made to fall on the heads of scoundrels such as that M. Colbert."

"I thought so too," replied Aramis; "but M. Colbert is so very near the king at this moment."

"That is true, and that would open the succession."

"Of which your younger brother would reap all the advantage, monseigneur. But stay, let us keep quiet, and go on listening."

"We shall not have long to listen," said the young prince.

"Why not, monseigneur?"

"Because, if I were the king, I should not reply anything further."

"And what would you do?"

"I should wait until to-morrow morning to give myself time for reflection."

Louis XIV. at last raised his eyes, and finding Colbert attentively waiting for his next remark, said, hastily changing the conversation, "M. Colbert, I perceive it is getting very late, and I shall now retire to bed. By to-morrow morning I shall have made up my mind."

"Very good, sire," returned Colbert, greatly incensed, although he restrained himself in the presence of the king.

The king made a gesture of adieu, and Colbert withdrew with a respectful bow. "My attendants," cried the king; and, as they entered the apartment, Philippe was about to quit his post of observation.

"A moment longer," said Aramis to him, with his accustomed gentleness of manner; "what has just now taken place is only a detail, and to-morrow we shall have no occasion to think anything more about it; but the ceremony of the king's retiring to rest, the etiquette observed in addressing the king, that indeed is of the greatest importance. Learn, sire, and study well how you ought to go to bed of a night. Look! look!"



CHAPTER LXXXIX.

COLBERT.

History will tell us, or rather history has told us, of the various events of the following day, of the splendid fetes given by the surintendant to his sovereign. There was nothing but amusement and delight allowed to prevail throughout the whole of the following day; there was a promenade, a banquet, a comedy to be acted, and a comedy, too, in which, to his great amazement, Porthos recognized M. Coquelin de Voliere as one of the actors, in the piece called "Les Facheux." Full of preoccupation, however, from the scene of the previous evening, and hardly recovered from the effects of the poison which Colbert had then administered to him, the king, during the whole of the day, so brilliant in its effects, so full of unexpected and startling novelties, in which all the wonders of the "Arabian Nights' Entertainments" seemed to be reproduced for his especial amusement—the king, we say, showed himself cold, reserved, and taciturn. Nothing could smooth the frowns upon his face; everyone who observed him noticed that a deep feeling of resentment, of remote origin, increased by slow degrees, as the source becomes a river, thanks to the thousand threads of water which increase its body, was keenly alive in the depths of the king's heart. Toward the middle of the day only did he begin to resume a little serenity of manner, and by that time he had, in all probability, made up his mind. Aramis, who followed him step by step in his thoughts, as in his walk, concluded that the event that he was expecting would not be long before it was announced. This time Colbert seemed to walk in concert with the bishop of Vannes, and had he received for every annoyance which he inflicted on the king a word of direction from Aramis, he could not have done better. During the whole of the day the king, who, in all probability, wished to free himself from some of the thoughts which disturbed his mind, seemed to seek La Valliere's society as actively as he seemed to show his anxiety to flee that of M. Colbert or M. Fouquet. The evening came. The king had expressed a wish not to walk in the park until after cards in the evening. In the interval between supper and the promenade, cards and dice were introduced.

The king won a thousand pistoles, and having won them, put them in his pocket, and then rose, saying, "And now, gentlemen, to the park." He found the ladies of the court already there. The king, we have before observed, had won a thousand pistoles, and had put them in his pocket; but M. Fouquet had somehow contrived to lose ten thousand, so that among the courtiers there was still left a hundred and ninety thousand francs profit to divide, a circumstance which made the countenances of the courtiers and the officers of the king's household the most joyous countenances in the world. It was not the same, however, with the king's face; for notwithstanding his success at play, to which he was by no means insensible, there still remained a slight shade of dissatisfaction. Colbert was waiting for or upon him at the corner of one of the avenues; he was most probably waiting there in consequence of a rendezvous which had been given him by the king, as Louis XIV., who had avoided him, or who had seemed to avoid him, suddenly made him a sign, and they then struck into the depths of the park together. But La Valliere, as well, had observed the king's gloomy aspect and kindling glances; she had remarked this—and as nothing which lay hidden or smoldering in his heart was impenetrable to her affection—she understood that this repressed wrath menaced some one; she prepared to withstand the current of his vengeance and intercede like an angel of mercy. Overcome by sadness, nervously agitated, deeply distressed at having been so long separated from her lover, disturbed at the sight of that emotion which she had divined, she accordingly presented herself to the king with an embarrassed aspect, which, in his then disposition of mind, the king interpreted unfavorably. Then, as they were alone, or nearly alone, inasmuch as Colbert, as soon as he perceived the young girl approaching, had stopped and drawn back a dozen paces—the king advanced toward La Valliere and took her by the hand. "Mademoiselle," he said to her, "should I be guilty of an indiscretion if I were to inquire if you were indisposed? for you seem to breathe as if you were oppressed by some secret cause of uneasiness, and your eyes are filled with tears."

"Oh! sire, if I be indeed so, and if my eyes are indeed full of tears, I am sorrowful only at the sadness which seems to oppress your majesty."

"My sadness? You are mistaken, mademoiselle; no, it is not sadness I experience."

"What is it, then, sire?"

"Humiliation."

"Humiliation? oh! sire, what a word for you to use."

"I mean, mademoiselle, that wherever I may happen to be, no one else ought to be the master. Well, then, look round you on every side, and judge whether I am not eclipsed—I, the king of France—before the king of these wide domains. Oh!" he continued, clenching his hands and teeth, "when I think that this king—"

"Well, sire?" said Louise, terrified.

"—That this king is a faithless, unworthy servant, who becomes proud and self-sufficient with property which belongs to me, and which he has stolen. And, therefore, am I about to change this impudent minister's fete into a sorrow and mourning, of which the nymph of Vaux, as the poets say, shall not soon lose the remembrance."

"Oh! your majesty—"

"Well, mademoiselle, are you about to take M. Fouquet's part?" said Louis, impatiently.

"No, sire; I will only ask whether you are well informed. Your majesty has more than once learned the value of accusations made at court."

Louis XIV. made a sign for Colbert to approach. "Speak, Monsieur Colbert," said the young prince, "for I almost believe that Mademoiselle de la Valliere has need of your assurance before she can put any faith in the king's word. Tell mademoiselle what M. Fouquet has done; and you, mademoiselle, will perhaps have the kindness to listen. It will not be long."

Why did Louis XIV. insist upon it in such a manner? A very simple reason—his heart was not at rest; his mind was not thoroughly convinced; he imagined there was some dark, hidden, tortuous intrigue concealed beneath these thirteen millions of francs; and he wished that the pure heart of La Valliere, which had revolted at the idea of a theft or robbery, should approve—even were it only a single word—the resolution he had taken, and which, nevertheless, he hesitated about carrying into execution.

"Speak, monsieur," said La Valliere to Colbert, who had advanced; "speak, since the king wishes me to listen to you. Tell me, what is the crime with which M. Fouquet is charged?"

"Oh! not very heinous, mademoiselle," he returned, "a simple abuse of confidence."

"Speak, speak, Colbert; and when you shall have related it, leave us, and go and inform M. d'Artagnan that I have certain orders to give him."

"M. d'Artagnan, sire!" exclaimed La Valliere; "but why send for M. d'Artagnan? I entreat you to tell me."

"Pardieu! in order to arrest this haughty, arrogant Titan, who, true to his menace, threatens to scale my heaven."

"Arrest M. Fouquet, do you say?"

"Ah! does that surprise you?"

"In his own house?"

"Why not? If he be guilty, he is guilty in his own house as anywhere else."

"M. Fouquet, who at this moment is ruining himself for his sovereign!"

"In plain truth, mademoiselle, it seems as if you were defending this traitor."

Colbert began to chuckle silently. The king turned round at the sound of this suppressed mirth.

"Sire," said La Valliere, "it is not M. Fouquet I am defending: it is yourself."

"Me! you defend me?"

"Sire, you would be dishonoring yourself, if you were to give such an order."

"Dishonor myself?" murmured the king, turning pale with anger. "In plain truth, mademoiselle, you show a strange persistence in what you say."

"If I do so, sire, my only motive is that of serving your majesty," replied the noble-hearted girl; "for that I would risk, I would sacrifice my very life, without the slightest reserve."

Colbert seemed inclined to grumble and complain. La Valliere, that timid, gentle lamb, turned round upon him, and with a glance like lightning imposed silence upon him. "Monsieur," she said, "when the king acts well, whether, in doing so, he does either myself or those who belong to me an injury, I have nothing to say; but were the king to confer a benefit either upon me or mine, and if he acted badly, I should tell him so."

"But it appears to me, mademoiselle," Colbert ventured to say, "that I too love the king."

"Yes, monsieur, we both love him, but each in a different manner," replied La Valliere, with such an accent that the heart of the young king was powerfully affected by it. "I love him so deeply, that the whole world is aware of it; so purely, that the king himself does not doubt my affection. He is my king and my master; I am the humblest of his servants. But he who touches his honor touches my life. Therefore, I repeat, that they dishonor the king who advise him to arrest M. Fouquet under his own roof."

Colbert hung down his head, for he felt that the king had abandoned him. However, as he bent his head, he murmured, "Mademoiselle, I have only one word to say."

"Do not say it, then, monsieur; for I would not listen to it. Besides, what could you have to tell me? That M. Fouquet has been guilty of certain crimes? I know he has, because the king has said so: and from the moment the king said, 'I think so,' I have no occasion for other lips to say, 'I affirm it.' But, were M. Fouquet the vilest of men, I should say aloud, 'M. Fouquet's person is sacred to the king because he is the king's host. Were his house a den of thieves, were Vaux a cave of coiners or robbers, his home is sacred, his palace is inviolable, since his wife is living in it; and that is an asylum which even executioners would not dare to violate.'"

La Valliere paused, and was silent. In spite of himself, the king could not but admire her; he was overpowered by the passionate energy of her voice; by the nobleness of the cause she advocated. Colbert yielded, overcome by the inequality of the struggle. At last, the king breathed again more freely, shook his head, and held out his hand to La Valliere. "Mademoiselle," he said gently, "why do you decide against me? Do you know what this wretched fellow will do, if I give him time to breathe again?"

"Is he not a prey which will always be within your grasp?"

"And if he escapes, and takes to flight?" exclaimed Colbert.

"Well, monsieur, it will always remain on record, to the king's eternal honor, that he allowed M. Fouquet to flee; and the more guilty he may have been, the greater will the king's honor and glory appear, when compared with such misery and such shame."

Louis kissed La Valliere's hand, as he knelt before her.

"I am lost!" thought Colbert; then suddenly his face brightened up again. "Oh! no, no, not yet," he said to himself.

And while the king, protected from observation by the thick covert of an enormous lime, pressed La Valliere to his breast, with all the ardor of ineffable affection, Colbert tranquilly looked among the papers in his pocket-book, and drew out of it a paper folded in the form of a letter, slightly yellow, perhaps, but which must have been very precious, since the intendant smiled as he looked at it; he then bent a look, full of hatred, upon the charming group which the young girl and the king formed together—a group which was revealed for a moment, as the light of the approaching torches shone upon it. Louis noticed the light reflected upon La Valliere's white dress. "Leave me, Louise," he said, "for some one is coming."

"Mademoiselle, mademoiselle, some one is coming," cried Colbert, to expedite the young girl's departure.

Louise disappeared rapidly among the trees; and then, as the king, who had been on his knees before the young girl, was rising from his humble posture, Colbert exclaimed, "Ah! Mademoiselle de la Valliere has let something fall."

"What is it?" inquired the king.

"A paper—a letter—something white; look there, sire."

The king stooped down immediately, and picked up the letter, crumpling it in his hand as he did so; and at the same moment the torches arrived, inundating the darkness of the scene with a flood of light as bright as day.



CHAPTER XC.

JEALOUSY.

The torches we have just referred to, the eager attention which every one displayed, and the new ovation paid to the king by Fouquet, arrived in time to suspend the effect of a resolution which La Valliere had already considerably shaken in Louis XIV.'s heart. He looked at Fouquet with a feeling almost of gratitude for having given La Valliere an opportunity of showing herself so generously disposed, so powerful in the influence she exercised over his heart. The moment of the last and greatest display had arrived. Hardly had Fouquet conducted the king toward the chateau, than a mass of fire burst from the dome of Vaux with a prodigious uproar, pouring a flood of dazzling light on every side, and illumining the remotest corners of the gardens. The fireworks began. Colbert, at twenty paces from the king, who was surrounded and feted by the owner of Vaux, seemed, by the obstinate persistence of his gloomy thoughts, to do his utmost to recall Louis's attention, which the magnificence of the spectacle was already, in his opinion, too easily diverting. Suddenly, just as Louis was on the point of holding it out to Fouquet, he perceived in his hand the paper which, as he believed, La Valliere had dropped at his feet as she hurried away. The still stronger magnet of love drew the young prince's attention toward the souvenir of his idol: and, by the brilliant light, which increased momentarily in beauty, and drew forth from the neighboring villages loud exclamations of admiration, the king read the letter, which he supposed was a loving and tender epistle which La Valliere had destined for him. But as he read it, a death-like pallor stole over his face, and an expression of deep-seated wrath, illumined by the many-colored fires which rose brightly and soaringly around the scene, produced a terrible spectacle, which every one would have shuddered at, could they only have read into his heart, which was torn by the most stormy and most bitter passions. There was no truce for him now, influenced as he was by jealousy and mad passion. From the very moment when the dark truth was revealed to him, every gentler feeling seemed to disappear; pity, kindness of consideration, the religion of hospitality, all were forgotten. In the bitter pang which wrung his heart, still too weak to hide his sufferings, he was almost on the point of uttering a cry of alarm, and calling his guards to gather round him. This letter which Colbert had thrown down at the king's feet, the reader has doubtless guessed, was the same that had disappeared with the porter Toby at Fontainebleau, after the attempt which Fouquet had made upon La Valliere's heart. Fouquet saw the king's pallor, and was far from guessing the evil; Colbert saw the king's anger, and rejoiced inwardly at the approach of the storm. Fouquet's voice drew the young prince from his wrathful reverie.

"What is the matter, sire?" inquired the surintendant, with an expression of graceful interest.

Louis made a violent effort over himself, as he replied, "Nothing."

"I am afraid your majesty is suffering?"

"I am suffering, and have already told you so, monsieur; but it is nothing."

And the king, without waiting for the termination of the fireworks, turned toward the chateau. Fouquet accompanied him, and the whole court followed after them, leaving the remains of the fireworks burning for their own amusement. The surintendant endeavored again to question Louis XIV., but could not succeed in obtaining a reply. He imagined there had been some misunderstanding between Louis and La Valliere in the park, which had resulted in a slight quarrel; and that the king, who was not ordinarily sulky by disposition, but completely absorbed by his passion for La Valliere, had taken a dislike to every one because his mistress had shown herself offended with him. This idea was sufficient to console him; he had even a friendly and kindly smile for the young king, when the latter wished him good-night. This, however, was not all the king had to submit to; he was obliged to undergo the usual ceremony, which on that evening was marked by the closest adherence to the strictest etiquette. The next day was the one fixed for the departure; it was but proper that the guests should thank their host, and should show him a little attention in return for the expenditure of his twelve millions. The only remark, approaching to amiability, which the king could find to say to M. Fouquet, as he took leave of him, was in these words, "Monsieur Fouquet, you shall hear from me. Be good enough to desire M. d'Artagnan to come here."

And the blood of Louis XIV., who had so profoundly dissimulated his feelings, boiled in his veins; and he was perfectly ready to get M. Fouquet's throat cut, with the same readiness, indeed, as his predecessor had caused the assassination of le Marechal d'Ancre; and so he disguised the terrible resolution he had formed, beneath one of those royal smiles which are the lightning flashes indicating coups d'etat. Fouquet took the king's hand and kissed it; Louis shuddered throughout his whole frame, but allowed M. Fouquet to touch his hand with his lips. Five minutes afterward, D'Artagnan, to whom the royal order had been communicated, entered Louis XIV.'s apartment. Aramis and Philippe were in theirs, still eagerly attentive and still listening with all their ears. The king did not even give the captain of the musketeers time to approach his armchair, but ran forward to meet him. "Take care," he exclaimed, "that no one enters here."

"Very good, sire," replied the captain, whose glance had for a long time past analyzed the ravages on the king's countenance. He gave the necessary order at the door; but returning to the king, he said, "Is there something fresh the matter, your majesty?"

"How many men have you here?" inquired the king, without making any other reply to the question addressed to him.

"What for, sire?"

"How many men have you, I say?" repeated the king, stamping upon the ground with his foot.

"I have the musketeers."

"Well; and what others?"

"Twenty guards and thirteen Swiss."

"How many men will be required to—"

"To do what, sire?" replied the musketeer, opening his large, calm eyes.

"To arrest M. Fouquet."

D'Artagnan fell back a step. "To arrest M. Fouquet!" he burst forth.

"Are you going to tell me that it is impossible!" exclaimed the king, with cold and vindictive passion.

"I never said that anything is impossible," replied D'Artagnan, wounded to the quick.

"Very well; do it, then."

D'Artagnan turned on his heel, and made his way toward the door; it was but a short distance, and he cleared it in half a dozen paces; when he reached it he suddenly paused and said, "Your majesty will forgive me, but, in order to effect this arrest, I should like written directions."

"For what purpose—and since when has the king's word been insufficient for you?"

"Because the word of a king, when it springs from a feeling of anger, may possibly change when the feeling changes."

"A truce to set phrases, monsieur; you have another thought besides that?"

"Oh, I, at least, have certain thoughts and ideas, which, unfortunately, others have not," D'Artagnan replied, impertinently.

The king, in the tempest of his wrath, hesitated, and drew back in the face of D'Artagnan's frank courage, just as a horse crouches on his haunches under the strong hand of a bold and experienced rider. "What is your thought?" he exclaimed.

"This, sire," replied D'Artagnan: "you cause a man to be arrested when you are still under his roof; and passion is alone the cause of that. When your anger shall have passed away you will regret what you have done; and then I wish to be in a position to show you your signature. If that, however, should fail to be a reparation, it will at least show us that the king is wrong to lose his temper."

"Wrong to lose his temper!" cried the king, in a loud, passionate voice. "Did not my father, my grandfather too, before me, lose their temper at times, in Heaven's name?"

"The king your father and the king your grandfather never lost their temper except when under the protection of their own palace."

"The king is master wherever he may be."

"That is a flattering complimentary phrase which cannot proceed from any one but M. Colbert: but it happens not to be the truth. The king is at home in every man's house when he has driven its owner out of it."

The king bit his lips, but said nothing.

"Can it be possible?" said D'Artagnan; "here is a man who is positively ruining himself in order to please you, and you wish to have him arrested! Mordioux! Sire, if my name were Fouquet, and people treated me in that manner, I would swallow at a single gulp all the fireworks and other things, and I would set fire to them, and blow myself and everybody else up to the sky. But it is all the same: it is your wish, and it shall be done."

"Go," said the king; "but have you men enough?"

"Do you suppose I am going to take a whole host to help me? Arrest M. Fouquet! why, that is so easy that a very child might do it! It is like drinking a glass of bitters: one makes an ugly face, and that is all."

"If he defends himself?"

"He! not at all likely. Defend himself when such extreme harshness as you are going to practice makes the man a very martyr! Nay, I am sure that if he has a million of francs left, which I very much doubt, he would be willing enough to give it in order to have such a termination as this. But what does that matter? it shall be done at once."

"Stay," said the king; "do not make his arrest a public affair."

"That will be more difficult."

"Why so?"

"Because nothing is easier than to go up to M. Fouquet in the midst of a thousand enthusiastic guests who surround him, and say, 'In the king's name, I arrest you.' But to go up to him, to turn him first one way and then another, to drive him up into one of the corners of the chess-board in such a way that he cannot escape; to take him away from his guests, and keep him a prisoner for you, without one of them, alas! having heard anything about it; that, indeed, is a real difficulty, the greatest of all, in truth: and I hardly see how it is to be done."

"You had better say it is impossible, and you will have finished much sooner. Heaven help me, but I seem to be surrounded by people who prevent me doing what I wish."

"I do not prevent your doing anything. Are you decided?"

"Take care of M. Fouquet, until I shall have made up my mind by to-morrow morning."

"That shall be done, sire."

"And return, when I rise in the morning, for further orders; and now leave me to myself."

"You do not even want M. Colbert, then?" said the musketeer, firing this last shot as he was leaving the room. The king started. With his whole mind fixed on the thought of revenge, he had forgotten the cause and substance of the offense.

"No, no one," he said; "no one here. Leave me."

D'Artagnan quitted the room. The king closed the door with his own hands, and began to walk up and down his apartment at a furious pace, like a wounded bull in an arena, dragging after him the colored streamers and iron darts. At last he began to take comfort in the expression of his violent feelings.

"Miserable wretch that he is! not only does he squander my finances, but with his ill-gotten plunder he corrupts secretaries, friends, generals, artists, and all, and tries to rob me of the one to whom I am most attached. And that is the reason why that perfidious girl so boldly took his part! Gratitude! and who can tell whether it was not a stronger feeling—love itself?" He gave himself up for a moment to his bitter reflections. "A satyr!" he thought, with that abhorrent hate with which young men regard those more advanced in life, who still think of love. "A man who has never found opposition or resistance in any one, who lavishes his gold and jewels in every direction, and who retains his staff of painters in order to take the portraits of his mistresses in the costume of goddesses." The king trembled with passion as he continued, "He pollutes and profanes everything that belongs to me! He destroys everything that is mine. He will be my death at last, I know. That man is too much for me; he is my mortal enemy, and he shall fall! I hate him—I hate him—I hate him!" and as he pronounced these words, he struck the arm of the chair in which he was sitting violently over and over again, and then rose like one in an epileptic fit. "To-morrow! to-morrow! oh, happy day!" he murmured, "when the sun rises, no other rival will that bright orb have but me. That man shall fall so low, that when people look at the utter ruin which my anger shall have wrought, they will be forced to confess at least that I am indeed greater than he." The king, who was incapable of mastering his emotions any longer, knocked over with a blow of his fist a small table placed close to his bedside, and in the bitterness of feeling from which he was suffering, almost weeping, and half suffocated by his passion, he threw himself on his bed, dressed as he was, and bit the sheets in the extremity of his passion, trying to find repose of body at least there. The bed creaked beneath his weight, and with the exception of a few broken sounds, which escaped from his overburdened chest, absolute silence soon reigned in the chamber of Morpheus.



CHAPTER XCI.

HIGH TREASON.

The ungovernable fury which took possession of the king at the sight and at the perusal of Fouquet's letter to La Valliere by degrees subsided into a feeling of pain and extreme weariness. Youth, invigorated by health and lightness of spirits, and requiring that what it loses should be immediately restored—youth knows not those endless, sleepless nights which enable us to realize the fable of the vulture unceasingly feeding on Prometheus. In instances where the man of middle life, in his acquired strength of will and purpose, and the old man, in his state of exhaustion, find an incessant augmentation of their bitter sorrow, a young man, surprised by the sudden appearance of a misfortune, weakens himself in sighs, and groans, and tears, in direct struggles with it, and is thereby far sooner overthrown by the inflexible enemy with whom he is engaged. Once overthrown, his struggles cease. Louis could not hold out more than a few minutes, at the end of which he had ceased to clench his hands, and to burn up with his looks the invisible objects of his hatred; he soon ceased to attack with his violent imprecations not M. Fouquet alone, but even La Valliere herself: from fury he subsided into despair, and from despair to prostration. After he had thrown himself for a few minutes to and fro convulsively on his bed, his nerveless arms fell quietly down; his head lay languidly on his pillow; his limbs, exhausted from his excessive emotions, still trembled occasionally, agitated by slight muscular contractions; and from his breast only faint and unfrequent sighs still issued. Morpheus, the tutelary deity of the apartment, toward whom Louis raised his eyes, wearied by his anger and reddened by his tears, showered down upon him the sleep-inducing poppies with which his hands were filled; so that the king gently closed his eyes and fell asleep.

Then it seemed to him, as it often happens in that first sleep, so light and gentle, which raises the body above the couch, the soul above the earth—it seemed to him, we say, as if the god Morpheus, painted on the ceiling, looked at him with eyes resembling human eyes; that something shone brightly, and moved to and fro in the dome above the sleeper; that the crowd of terrible dreams which thronged together in his brain, and which were interrupted for a moment, half-revealed a human face, with a hand resting against the mouth, and in an attitude of deep and absorbed meditation. And strange enough, too, this man bore so wonderful a resemblance to the king himself, that Louis fancied he was looking at his own face reflected in a mirror; with the exception, however, that the face was saddened by a feeling of the profoundest pity. Then it seemed to him as if the dome gradually retired, escaping from his gaze, and that the figures and attributes painted by Lebrun became darker and darker as the distance became more and more remote. A gentle, easy movement, as regular as that by which a vessel plunges beneath the waves, had succeeded to the immovableness of the bed. Doubtless the king was dreaming, and in this dream the crown of gold which fastened the curtains together seemed to recede from his vision, just as the dome, to which it remained suspended, had done, so that the winged genius which, with both its hands, supported the crown, seemed, though vainly so, to call upon the king, who was fast disappearing from it. The bed still sunk. Louis, with his eyes open, could not resist the deception of this cruel hallucination. At last, as the light of the royal chamber faded away into darkness and gloom, something cold, gloomy, and inexplicable in its nature seemed to infect the air. No paintings, nor gold, nor velvet hangings, were visible any longer, nothing but walls of a dull gray color, which the increasing gloom made darker every moment. And yet the bed still continued to descend, and after a minute, which seemed in its duration almost an age to the king, it reached a stratum of air, black and still as death, and then it stopped. The king could no longer see the light in his room, except as from the bottom of a well we can see the light of day. "I am under the influence of a terrible dream," he thought. "It is time to awaken from it. Come! let me wake up."

Every one has experienced what the above remark conveys; there is hardly a person who, in the midst of a nightmare, whose influence is suffocating, has not said to himself by the help of that light which still burns in the brain when every human light is extinguished, "It is nothing but a dream after all." This was precisely what Louis XIV. said to himself; but when he said, "Come, come! wake up," he perceived that not only was he already awake, but still more, that he had his eyes open also; he then looked all round him. On his right hand and on his left two armed men stood silently, each wrapped in a huge cloak, and the face covered with a mask; one of them held a small lamp in his hand, whose glimmering light revealed the saddest picture a king could look upon. Louis could not help saying to himself that his dream still lasted, and that all he had to do to cause it to disappear was to move his arms or to say something aloud; he darted from his bed, and found himself upon the damp moist ground. Then, addressing himself to the man who held the lamp in his hand, he said:

"What is this, monsieur, and what is the meaning of this jest?"

"It is no jest," replied in a deep voice the masked figure that held the lantern.

"Do you belong to M. Fouquet?" inquired the king, greatly astonished at his situation.

"It matters very little to whom we belong," said the phantom; "we are your masters now, that is sufficient."

The king, more impatient than intimidated, turned to the other masked figure. "If this is a comedy," he said, "you will tell M. Fouquet that I find it unseemly and improper, and that I desire it should cease."

The second masked person to whom the king had addressed himself was a man of huge stature and vast circumference. He held himself erect and motionless as a block of marble. "Well!" added the king, stamping his foot, "you do not answer!"

"We do not answer you, my good monsieur," said the giant in a stentorian voice, "because there is nothing to answer."

"At least, tell me what you want?" exclaimed Louis, folding his arms with a passionate gesture.

"You will know by-and-by," replied the man who held the lamp.

"In the meantime tell me where I am?"

"Look."

Louis looked all round him; but by the light of the lamp which the masked figure raised for the purpose, he could perceive nothing but the damp walls which glistened here and there with the slimy traces of the snail. "Oh! oh! a dungeon," said the king.

"No, a subterranean passage."

"Which leads—?"

"Will you be good enough to follow us."

"I shall not stir from hence!" cried the king.

"If you are obstinate, my dear young friend," replied the taller and stouter of the two, "I will lift you up in my arms, will roll you up in a cloak, and if you are stifled there, why so much the worse for you."

And as he said this, he disengaged from beneath his cloak a hand of which Milo of Crotona would have envied him the possession, on the day when he had that unhappy idea of rending his last oak. The king dreaded violence, for he could well believe that the two men into whose power he had fallen had not gone so far with any idea of drawing back, and that they would consequently be ready to proceed to extremities, if necessary. He shook his head, and said: "It seems I have fallen into the hands of a couple of assassins. Move on, then."

Neither of the men answered a word to this remark. The one who carried the lantern walked the first, the king followed him, while the second masked figure closed the procession. In this manner they passed along a winding gallery of some length, with as many staircases leading out of it as are to be found in the mysterious and gloomy palaces of Ann Radcliff's creation. All these windings and turnings, during which the king heard the sound of falling water over his head, ended at last in a long corridor closed by an iron door. The figure with the lamp opened the door with one of the keys he wore suspended at his girdle, where, during the whole of the time, the king had heard them rattle. As soon as the door was opened and admitted the air, Louis recognized the balmy odors which are exhaled by the trees after a hot summer's day. He paused, hesitatingly, for a moment or two; but his huge companion who followed him thrust him out of the subterranean passage.

"Another blow," said the king, turning toward the one who had just had the audacity to touch his sovereign; "what do you intend to do with the king of France?"

"Try and forget that word," replied the man with the lamp, in a tone which as little admitted of a reply as one of the famous decrees of Minos.

"You deserve to be broken on the wheel for the word you have just made use of," said the giant, as he extinguished the lamp his companion handed to him; "but the king is too kind-hearted."

Louis, at that threat made so sudden a movement that it seemed as if he meditated flight; but the giant's hand was in a moment placed on his shoulder, and fixed him motionless where he stood. "But tell me, at least, where we are going," said the king.

"Come," replied the former of the two men, with a kind of respect in his manner, and leading his prisoner toward a carriage which seemed to be in waiting.

The carriage was completely concealed amid the trees. Two horses, with their feet fettered, were fastened by a halter to the lower branches of a large oak.

"Get in," said the same man, opening the carriage door and letting down the step. The king obeyed, seated himself at the back of the carriage, the padded door of which was shut and locked immediately upon him and his guide. As for the giant, he cut the fastenings by which the horses were bound, harnessed them himself, and mounted on the box of the carriage, which was unoccupied. The carriage set off immediately at a quick trot, turned into the road to Paris, and in the forest of Senart found a relay of horses fastened to the trees in the same manner the first horses had been, and without a postilion. The man on the box changed the horses, and continued to follow the road toward Paris with the same rapidity, and entered the city about three o'clock in the morning. The carriage proceeded along the Faubourg Saint-Antoine, and after having called out to the sentinel, "by the king's order," the driver conducted the horses into the circular inclosure of the Bastille, looking out upon the courtyard, called La Cour du Gouvernement. There the horses drew up, reeking with sweat, at the flight of steps, and a sergeant of the guard ran forward. "Go and wake the governor," said the coachman in a voice of thunder.

With the exception of this voice, which might have been heard at the entrance of the Faubourg Saint-Antoine, everything remained as calm in the carriage as in the prison. Ten minutes afterward, M. de Baisemeaux appeared in his dressing-gown on the threshold of the door. "What is the matter now?" he asked; "and whom have you brought me there?"

The man with the lantern opened the carriage-door, and said two or three words to the one who acted as driver, who immediately got down from his seat, took up a short musket which he kept under his feet, and placed its muzzle on the prisoner's chest.



"And fire at once if he speaks!" added aloud the man who alighted from the carriage.

"Very good!" replied his companion, without any other remark.

With this recommendation, the person who had accompanied the king in the carriage ascended the flight of steps, at the top of which the governor was awaiting him. "Monsieur d'Herblay!" said the latter.

"Hush!" said Aramis. "Let us go into your room."

"Good heavens! what brings you here at this hour?"

"A mistake, my dear Monsieur de Baisemeaux," Aramis replied, quietly. "It appears that you were quite right the other day."

"What about?" inquired the governor.

"About the order of release, my dear friend."

"Tell me what you mean, monsieur—no, monseigneur," said the governor, almost suffocated by surprise and terror.

"It is a very simple affair; you remember, dear M. de Baisemeaux, that an order of release was sent to you."

"Yes, for Marchiali."

"Very good! we both thought that it was for Marchiali?"

"Certainly; you will recollect, however, that I would not believe it, but that you compelled me."

"Oh! Baisemeaux, my good fellow, what a word to make use of!—strongly recommended, that was all."

"Strongly recommended, yes; strongly recommended to give him up to you: and that you carried him off with you in your carriage."

"Well, my dear Monsieur de Baisemeaux, it was a mistake; it was discovered at the ministry, so that I now bring you an order from the king to set at liberty—Seldon, that poor Scotch fellow, you know."

"Seldon! are you sure this time?"

"Well, read it yourself," added Aramis, handing him the order.

"Why," said Baisemeaux, "this order is the very same that has already passed through my hands."

"Indeed?

"It is the very one I assured you I saw the other evening. Parbleu! I recognize it by the blot of ink."

"I do not know whether it is that; but all I know is, that I bring it for you."

"But, then, about the other?"

"What other?"

"Marchiali?"

"I have got him here with me."

"But that is not enough for me. I require a new order to take him back again."

"Don't talk such nonsense, my dear Baisemeaux; you talk like a child! Where is the order you received respecting Marchiali?"

Baisemeaux ran to his iron chest and took it out. Aramis seized hold of it, coolly tore it in four pieces, held them to the lamp, and burned them. "Good heavens! what are you doing?" exclaimed Baisemeaux, in an extremity of terror.

"Look at your position a little quietly, my dear governor," said Aramis, with his imperturbable self-possession, "and you will see how very simple the whole affair is. You no longer possess any order justifying Marchiali's release."

"I am a lost man!"

"Far from it, my good fellow, since I have brought Marchiali back to you, and it is just the same as if he had never left."

"All!" said the governor, completely overcome by terror.

"Plain enough, you see; and you will go and shut him up immediately."

"I should think so, indeed."

"And you will hand over this Seldon to me, whose liberation is authorized by this order. Do you understand?"

"I—I—"

"You do understand, I see," said Aramis. "Very good." Baisemeaux clasped his hands together.

"But why, at all events, after having taken Marchiali away from me, do you bring him back again?" cried the unhappy governor, in a paroxysm of terror, and completely dumfounded.

"For a friend, such as you are," said Aramis—"for so devoted a servant, I have no secrets;" and he put his mouth close to Baisemeaux's ear, as he said in a low tone of voice, "you know the resemblance between that unfortunate fellow, and—"

"And the king?—yes!"

"Very good; the very first use that Marchiali made of his liberty was to persist—. Can you guess what?"

"How is it likely I should guess?"

"To persist in saying that he was the king of France; to dress himself up in clothes like those of the king; and then pretend to assume that he was the king himself."

"Gracious heavens!"

"That is the reason why I have brought him back again, my dear friend. He is mad, and lets every one see how mad he is."

"What is to be done, then?"

"That is very simple; let no one hold any communication with him. You understand, that when his peculiar style of madness came to the king's ears, the king, who had pitied his terrible affliction, and saw how his kindness of heart had been repaid by such black ingratitude, became perfectly furious; so that, now—and remember this very distinctly, dear Monsieur de Baisemeaux, for it concerns you most closely—so that there is now, I repeat, sentence of death pronounced against all those who may allow him to communicate with any one else but me, or the king himself. You understand, Baisemeaux, sentence of death!"

"You need not ask me whether I understand."

"And now, let us go down, and conduct this poor devil back to his dungeon again, unless you prefer he should come up here."

"What would be the good of that?"

"It would be better, perhaps, to enter his name in the prison book at once!"

"Of course, certainly; not a doubt of it."

"In that case, have him up."

Baisemeaux ordered the drums to be beaten, and the bell to be rung, as a warning to every one to retire, in order to avoid meeting a prisoner, about whom it was desired to observe a certain mystery. Then, when the passages were free, he went to take the prisoner from the carriage, at whose breast Porthos, faithful to the directions which had been given him, still kept his musket leveled. "Ah! is that you, miserable wretch?" cried the governor, as soon as he perceived the king. "Very good, very good." And immediately, making the king get out of the carriage, he led him, still accompanied by Porthos, who had not taken off his mask, and Aramis, who again resumed his, up the stairs, to the second Bertaudiere, and opened the door of the room in which Philippe for six long years had bemoaned his existence. The king entered into the cell without pronouncing a single word: he was pale and haggard. Baisemeaux shut the door upon him, turned the key twice in the lock, and then returned to Aramis. "It is quite true," he said, in a low tone, "that he has a rather strong resemblance to the king; but still less so than you said."

"So that," said Aramis, "you would not have been deceived by the substitution of the one for the other."

"What a question!"

"You are a most valuable fellow, Baisemeaux," said Aramis; "and now, set Seldon free."

"Oh, yes. I was going to forget that. I will go and give orders at once."

"Bah! to-morrow will be time enough."

"'To-morrow!'—oh, no. This very minute."

"Well; go off to your affairs, I shall go away to mine. But it is quite understood, is it not?"

"What is quite understood?"

"That no one is to enter the prisoner's cell, except with an order from the king; an order which I will myself bring."

"Quite so. Adieu, monseigneur."

Aramis returned to his companion. "Now, Porthos, my good fellow, back again to Vaux, and as fast as possible."

"A man is light and easy enough, when he has faithfully served his king; and, in serving him, saved his country," said Porthos. "The horses will be as light as if they had nothing at all behind them. So let us be off." And the carriage, lightened of a prisoner, who might well be—as he in fact was—very heavy for Aramis, passed across the drawbridge of the Bastille, which was raised again immediately behind it.



CHAPTER XCII.

A NIGHT AT THE BASTILLE.

Pain, anguish, and suffering in human life, are always in proportion to the strength with which a man is endowed. We will not pretend to say that Heaven always apportions to a man's capability of endurance the anguish with which He afflicts him; such, indeed, would not be exact, since Heaven permits the existence of death, which is, sometimes, the only refuge open to those who are too closely pressed—too bitterly afflicted, as far as the body is concerned. Suffering is in proportion to the strength which has been accorded to a person; in other words, the weak suffer more, where the trial is the same, than the strong. And what are the elementary principles, we may ask, which compose human strength? Is it not—more than anything else—exercise, habit, experience? We shall not even take the trouble to demonstrate that, for it is an axiom in morals, as in physics. When the young king, stupefied and crushed in every sense and feeling, found himself led to a cell in the Bastille, he fancied that death itself is but a sleep; that it too, has its dreams as well; that the bed had broken through the flooring of his room at Vaux; that death had resulted from the occurrence; and that, still carrying out his dream, as the king, Louis XIV., now no longer living, was dreaming one of those horrors, impossible to realize in life, which is termed dethronement, imprisonment and insult toward a sovereign who formerly wielded unlimited power. To be present at—an actual witness, too—of this bitterness of death; to float, undecisively, in an incomprehensible mystery, between resemblance and reality; to hear everything, to see everything, without interfering with a single detail of agonizing suffering, was—so the king thought within himself—a torture far more terrible, since it might last forever. "Is this what is termed eternity—hell?" he murmured, at the moment the door closed upon him, which Baisemeaux had himself shut.

He did not even look round him; and in the room, leaning with his back against the wall, he allowed himself to be carried away by the terrible supposition that he was already dead, as he closed his eyes, in order to avoid looking upon something even worse still. "How can I have died?" he said to himself, sick with terror. "The bed might have been let down by some artificial means? But no! I do not remember to have received any contusion, nor any shock either. Would they not rather have poisoned me at one of my meals, or with the fumes of wax, as they did my ancestress, Jeanne d'Albret?" Suddenly the chill of the dungeon seemed to fall like a cloak upon Louis's shoulders. "I have seen," he said, "my father lying dead upon his funeral couch, in his regal robes. That pale face, so calm and worn; those hands, once so skillful, lying nerveless by his side; those limbs stiffened by the icy grasp of death; nothing there betokened a sleep peopled with dreams. And yet how numerous were the dreams which Heaven might have sent that royal corpse—him, whom so many others had preceded, hurried away by him into eternal death! No, that king was still the king; he was enthroned still upon that funeral couch, as upon a velvet armchair; he had not abdicated aught of his majesty. God, who had not punished him, cannot, will not punish me, who have done nothing."

A strange sound attracted the young man's attention. He looked round him, and saw on the mantel-shelf, just below an enormous crucifix, coarsely painted in fresco on the wall, a rat of enormous size engaged in nibbling a piece of dry bread, but fixing, all the time, an intelligent and inquiring look upon the new occupant of the cell. The king could not resist a sudden impulse of fear and disgust; he moved back toward the door uttering a loud cry; and, as if he but needed this cry, which escaped from his breast almost unconsciously, to recognize himself, Louis knew that he was alive and in full possession of his natural senses. "A prisoner!" he cried. "I—I, a prisoner!" He looked round him for a bell to summon some one to him. "There are no bells at the Bastille," he said, "and it is in the Bastille I am imprisoned. In what way can I have been made a prisoner? It must have been owing to a conspiracy of M. Fouquet. I have been drawn to Vaux as into a snare. M. Fouquet cannot be acting alone in this affair. His agent—. That voice I but just now heard was M. d'Herblay's; I recognized it. Colbert was right, then. But what is Fouquet's object? To reign in my place and stead?—Impossible! Yet, who knows!" thought the king, relapsing into gloom again. "Perhaps, my brother, the Duc d'Orleans, is doing that which my uncle wished to do during the whole of his life against my father. But the queen?—My mother, too? And La Valliere? Oh! La Valliere, she will have been abandoned to Madame. Dear, dear girl! Yes, it is—it must be so. They must have shut her up, as they have me. We are separated forever!" And at this idea of separation, the poor lover burst into a flood of tears, and sobs and groans.

"There is a governor in this place," the king continued, in a fury of passion; "I will speak to him, I will summon him to me."

He called, but no voice replied to his. He seized hold of his chair, and hurled it against the massive oaken door. The wood resounded against the door, and awakened many a mournful echo in the profound depths of the staircase; but from a human creature, not one.

This was a fresh proof for the king of the slight regard in which he was held at the Bastille. Therefore, when his first fit of anger had passed away, having remarked a barred window, through which there passed a stream of light, lozenge-shaped, which must be, he knew, the bright orb of approaching day, Louis began to call out, at first gently enough, then louder and louder still; but no one replied to him. Twenty other attempts which he made, one after another, obtained no other or better success. His blood began to boil within him, and mount to his head. His nature was such, that, accustomed to command, he trembled at the idea of disobedience. By degrees, his anger increased more and more. The prisoner broke the chair, which was too heavy for him to lift, and made use of it as a battering-ram to strike against the door. He struck so loudly, and so repeatedly, that the perspiration soon began to pour down his face. The sound became tremendous and continuous; some stifled, smothered cries replied in different directions. This sound produced a strange effect upon the king. He paused to listen to it; it was the voices of the prisoners, formerly his victims, now his companions. The voices ascended like vapors through the thick ceilings and the massive walls, and rose in accusation against the author of this noise, as doubtless their sighs and tears accused, in whispered tones, the author of their captivity. After having deprived so many people of their liberty, the king came among them to rob them of their rest. This idea almost drove him mad; it redoubled his strength, or rather his will, bent upon obtaining some information, or a conclusion to the affair. With a portion of the broken chair he recommenced the noise. At the end of an hour, Louis heard something in the corridor, behind the door of his cell, and a violent blow, which was returned upon the door itself, made him cease his own.

"Are you mad?" said a rude brutal voice. "What is the matter with you this morning?"

"This morning!" thought the king; but he said aloud, politely, "Monsieur, are you the governor of the Bastille?"

"My good fellow, your head is out of sorts," replied the voice; "but that is no reason why you should make such a terrible disturbance. Be quiet, mordioux!"

"Are you the governor?" the king inquired again.

He heard a door on the corridor close; the jailer had just left, not even condescending to reply a single word. When the king had assured himself of his departure, his fury knew no longer any bounds. As agile as a tiger, he leaped from the table to the window, and struck the iron bars with all his might. He broke a pane of glass, the pieces of which fell clanking into the courtyard below. He shouted with increasing hoarseness, "The governor, the governor!" This access lasted fully an hour, during which time he was in a burning fever. With his hair in disorder and matted on his forehead, his dress torn and whitened, his linen in shreds, the king never rested until his strength was utterly exhausted, and it was not until then that he clearly understood the pitiless thickness of the walls, the impenetrable nature of the cement, invincible to all other influence but that of time, and possessed of no other weapon but despair. He leaned his forehead against the door, and let the feverish throbbings of his heart calm by degrees; it had seemed as if one single additional pulsation would have made it burst.

"A moment will come when the food which is given to the prisoners will be brought to me. I shall then see some one, I shall speak to him, and get an answer."

And the king tried to remember at what hour the first repast of the prisoners was served at the Bastille; he was ignorant even of this detail. The feeling of remorse at this remembrance smote him like the keen thrust of a dagger, that he should have lived for five-and-twenty years a king, and in the enjoyment of every happiness, without having bestowed a moment's thought on the misery of those who had been unjustly deprived of their liberty. The king blushed from very shame. He felt that Heaven, in permitting this fearful humiliation, did no more than render to the man the same torture as was inflicted by that man upon so many others. Nothing could be more efficacious for re-awakening his mind to religious influences, than the prostration of his heart, and mind, and soul beneath the feeling of such acute wretchedness. But Louis dared not even kneel in prayer to God to entreat him to terminate his bitter trial.

"Heaven is right," he said; "Heaven acts wisely. It would be cowardly to pray to Heaven for that which I have so often refused to my own fellow-creatures."

He had reached this stage of his reflections, that is, of his agony of mind, when a similar noise was again heard behind his door, followed this time by the sound of the key in the lock, and of the bolts being withdrawn from their staples. The king bounded forward to be nearer to the person who was about to enter, but, suddenly reflecting that it was a movement unworthy of a sovereign, he paused, assumed a noble and calm expression, which for him was easy enough, and waited with his back turned toward the window, in order, to some extent, to conceal his agitation from the eyes of the person who was about entering. It was only a jailer with a basket of provisions. The king looked at the man with restless anxiety, and waited until he spoke.

"Ah!" said the latter, "you have broken your chair. I said you had done so! Why, you must have become quite mad."

"Monsieur," said the king, "be careful what you say; it will be a very serious affair for you."

The jailer placed the basket on the table, and looked at his prisoner steadily.

"What do you say?" he said.

"Desire the governor to come to me," added the king, in accents full of calm dignity.

"Come, my boy," said the turnkey, "you have always been very quiet and reasonable, but you are getting vicious, it seems, and I wish you to know it in time. You have broken your chair, and made a great disturbance; that is an offense punishable by imprisonment in one of the lower dungeons. Promise me not to begin over again, and I will not say a word about it to the governor."

"I wish to see the governor," replied the king, still controlling his passion.

"He will send you off to one of the dungeons, I tell you: so take care."

"I insist upon it, do you hear?"

"Ah! ah! your eyes are becoming wild again. Very good! I shall take away your knife."

And the jailer did what he said, quitted the prisoner, and closed the door, leaving the king more astounded, more wretched, and more isolated than ever. It was useless, though he tried it, to make the same noise again on his door, and equally useless that he threw the plates and dishes out of the window; not a single sound was heard in answer. Two hours afterward he could not be recognized as a king, a gentleman, a man, a human being; he might rather be called a madman, tearing the door with his nails, trying to tear up the flooring of his cell, and uttering such wild and fearful cries that the old Bastille seemed to tremble to its very foundations for having revolted against its master.