There were two or three others within this group. A Mrs. Denison, half French, and a younger girl called Babe. But Mrs. Drew and Hester were intimates. They dwaddled daily in one or the other's apartment, usually lazy and lacy with negligee, lounging about on the mounds of lingerie pillows over chocolates, cigarettes, novels, Pomeranians, and always the headache powders, nerve sedatives, or smelling salts, a running line of: "Lord! I've a head!" "I need a good cry for the blues!" "Talk about a dark-brown taste!" or, "There was some kick to those cocktails last night," through their conversation.

KITTY: "Br-r-r! I'm as nervous as a cat to-day."

HESTER: "Naughty, naughty bad doggie to bite muvver's diamond ring."

KITTY: "Leave it to you to land a pear-shaped diamond on your hooks."

HESTER: "He fell for it, just like that!"

KITTY: "You could milk a billiard ball."

HESTER: "I don't see any 'quality of mercy' to spare around your flat."

There were the two years of high school, you see.

"Ed's going out to Geyser Springs next month for the cure. I told him he could not go without me unless over my dead body, he could not."

"Geyser Springs. That's thirty miles from my home town."

"Your home town? Nighty-night! I thought you was born on the corner of Forty-second Street and Broadway with a lobster claw in your mouth."

"Demopolis, Ohio."

"What is that—a skin disease?"

"My last relation in the world died out there two years ago. An aunt. Wouldn't mind some Geyser Springs myself if I could get some of this stiffness out of my joints."

"Come on! I dare you! May Denison and Chris will come in on it, and Babe can always find somebody. Make it three or four cars full and let's motor out. We all need a good boiling, anyways. Wheeler looks about ready for spontaneous combustion, and I got a twinge in my left little toe. You on?"

"I am, if he is."

"If he is!' He'd fall for life in an Igorrote village with a ring in his nose if you wanted it."

And truly enough, it did come about that on a height-of-the-season evening a highly cosmopolitan party of four couples trooped into the solid-marble foyer of the Geyser Springs Hotel, motor coated, goggled, veiled; a whole litter of pigskin and patent-leather bags, hampers, and hat boxes, two golf bags, two Pomeranians, a bull in spiked collar, furs, leather coats, monogrammed rugs, thermos bottles, air pillows, robes, and an ensemble of fourteen wardrobe trunks sent by express.

They took the "cure." Rode horseback, motored, played roulette at the casino for big stakes, and scorned the American plan of service for the smarter European idea, with a special a la carte menu for each meal. Extraordinary-looking mixed drinks, strictly against the mandates of the "cure," appeared at their table. Strange midnight goings-on were reported by the more conservative hotel guests, and the privacy of their circle was allowed full integrity by the little veranda groups of gouty ladies or middle-aged husbands with liver spots on their faces. The bath attendants reveled in the largest tips of the season. When Hester walked down the large dining room evenings, she was a signal for the craning of necks for the newest shock of her newest extreme toilette. The kinds of toilettes that shocked the women into envy and mental notes of how the underarm was cut, and the men into covert delight. Wheeler liked to sit back and put her through her paces like a high-strung filly.

"Make 'em sit up, girl! You got them all looking like dimes around here."

One night she descended to the dining room in a black evening gown so daringly lacking in back, and yet, withal, so slimly perfect an elegant thing, that an actual breathlessness hung over the hall, the clatter of dishes pausing.

There was a gold bird of paradise dipped down her hair over one shoulder, trailing its smoothness like fingers of lace. She defied with it as she walked.

"Take it from me," said Kitty, who felt fat in lavender that night, "she's going it one too strong."

Another evening she descended, always last, in a cloth of silver with a tiny, an absurd, an impeccably tight silver turban dipped down over one eye, and absolutely devoid of jewels except the pear-shaped diamond on her left forefinger.

They were a noisy, a spending, a cosmopolitan crowd of too-well-fed men and too-well-groomed women, ignored by the veranda groups of wives and mothers, openly dazzling and arousing a tremendous curiosity in the younger set, and quite obviously sought after by their own kind.

But Hester's world, too, is all run through with sharply defined social schisms.

"I wish that Irwin woman wouldn't always hang round our crowd," she said, one morning, as she and Kitty lay side by side in the cooling room after their baths, massages, manicures, and shampoos. "I don't want to be seen running with her."

"Did you see the square emerald she wore last night?"

"Fake. I know the clerk at the Synthetic Jewelry Company had it made up for her. She's cheap, I tell you. Promiscuous. Who ever heard of anybody standing back of her? She knocks around. She sells her old clothes to Tessie, my manicurist. I've got a line on her. She's cheap."

Kitty, who lay with her face under a white mud of cold cream and her little mouth merely a hole, turned on her elbow.

"We can't all be top-notchers, Hester," she said. "You're hard as nails."

"I guess I am, but you've got to be to play this game. The ones who aren't end up by stuffing the keyhole and turning on the gas. You've got to play it hard or not at all. If you've got the name, you might as well have the game."

"If I had it to do over again—well, there would be one more wife-and-mother role being played in this little old world, even if I had to play it on a South Dakota farm."

"'Whatever is worth doing is worth doing well,' I used to write in a copy book. Well, that's the way I feel about this. To me, anything is worth doing to escape the cotton stockings and lisle next to your skin. I admit I never sit down and think. You know, sit down and take stock of myself. What's the use thinking? Live! Yes," mused Hester, her arms in a wreath over her head, "I think I'd do it all over again. There's not been so many, at that. Three. The first was a salesman. He'd have married me, but I couldn't see it on six thousand a year. Nice fellow, too—an easy spender in a small way, but I couldn't see a future to ladies' neckwear. I hear he made good later in munitions. Al was a pretty good sort, too, but tight. How I hate tightness! I've been pretty lucky in the long run, I guess."

"Did I say 'hard as nails'?" said Kitty, grotesquely fitting a cigarette in the aperture of her mouth. "I apologize. Why, alongside of you a piece of flint is morning cereal. Haven't you ever had a love affair? I've been married twice—that's how chicken hearted I can be. Haven't you ever pumped a little faster just because a certain some one walked into the room?"

"Once."

"Once what?"

"I liked a fellow. Pretty much. A blond. Say, he was blond! I always think to myself, Kit, next to Gerald, you've got the bluest eyes under heaven. Only, his didn't have any dregs."

"Thanks, dearie."

"I sometimes wonder about Gerald. I ought to drive over while we're out here. Poor old Gerald Fishback!"

"Sweet name—'Fishback.' No wonder you went wrong, dearie."

"Oh, I'm not getting soft. I saw my bed and made it, nice and soft and comfy, and I'm lying on it without a whimper."

"You just bet your life you made it up nice and comfy! You've the right idea; I have to hand that to you. You command respect from them. Lord! Ed would as soon fire a teacup at me as not. But, with me, it pays. The last one he broke he made up to me with my opal-and-diamond beetle."

"Wouldn't wear an opal if it was set next to the Hope diamond."

"Superstitious, dearie?"

"Unlucky. Never knew it to fail."

"Not a superstition in my bones. I don't believe in walking under ladders or opening an umbrella in the house or sitting down with thirteen, but, Lordy! never saw the like with you! Thought you'd have the hysterics over that little old vanity mirror you broke that day out at the races."

"Br-r-r! I hated it."

"Lay easy, dearie. Nothing can touch you the way he's raking in the war contracts."

"Great—isn't it?"

"Play for a country home, dearie. I always say real estate and jewelry are something in the hand. Look ahead in this game, I always say."

"You just bet I've looked ahead."

"So have I, but not enough."

"Somehow, I never feel afraid. I could get a job to-morrow if I had to."

"Say, dearie, if it comes to that, with twenty pounds off me, there's not a chorus I couldn't land back in."

"I worked once, you know, in Lichtig's import shop."

"Fifth Avenue?"

"Yes. It was in between the salesman and Al. I sold two thousand five hundred dollars' worth of gowns the first week."

"Sure enough?"

"'Girl,' old man Lichtig said to me the day I quit—'girl,' he said, 'if ever you need this job again, comeback; it's waiting.'"

"Fine chance!"

"I've got the last twenty-five dollars I earned pinned away this minute in the pocket of the little dark-blue suit I wore to work. I paid for that suit with my first month's savings. A little dark-blue Norfolk, Lichtig let me have out of stock for twenty-seven fifty."

"Were they giving them away with a pound of tea?"

"Honest, Kitty, it was neat. Little white shirt waist, tan shoes, and one of those slick little five-dollar sailors, and every cent paid out of my salary. I could step into that outfit to-morrow, look the part, and land back that job or any other. I had a way with the trade, even back at Finley's."

"Here, hold my jewel bag, honey; I'm going to die of cold-cream suffocation if she don't soon come back and unsmear me."

"Opal beetle in it?"

"Yes, dearie; but it won't bite. It's muzzled with my diamond horseshoe."

"Nothing doing, Kit. Put it under your pillow."

"You better watch out. There's a thirteenth letter in the alphabet; you might accidentally use it some day. You're going to have a sweet time to-night, you are!"

"Why?"

"The boys have engaged De Butera to come up to the rooms."

"You mean the fortune teller over at the Stag Hotel?"

"She's not a fortune teller, you poor nervous wreck. She's the highest-priced spiritualist in the world. Moving tables—spooks—woof!"

"Faugh!" said Hester, rising from her couch and feeling with her little bare feet for the daintiest of pink-silk mules. "I could make tables move, too, at forty dollars an hour. Where's my attendant? I want an alcohol rub."

They did hold seance that night in a fine spirit of lark, huddled together in the de-luxe sitting room of one of their suites, and little half-hysterical shrieks and much promiscuous ribaldry under cover of darkness.

Madame de Butera was of a distinctly fat and earthy blondness, with a coarse-lace waist over pink, and short hands covered with turquoise rings of many shapes and blues.

Tables moved. A dead sister of Wheeler's spoke in thin, high voice. Why is it the dead are always so vocally thin and high?

A chair tilted itself on hind legs, eliciting squeals from the women. Babe spoke with a gentleman friend long since passed on, and Kitty with a deceased husband, and began to cry quite sobbily and took little sips of highball quite gulpily. May Denison, who was openly defiant, allowed herself to be hypnotized and lay rigid between two chairs, and Kitty went off into rampant hysteria until Wheeler finally placed a hundred-dollar bill over the closed eyes, and whether under it, or to the legerdemain of madam's manipulating hands, the tight eyes opened, May, amid riots of laughter, claiming for herself the hundred-dollar bill, and Kitty, quite resuscitated, jumping up for a table cancan, her yellow hair tumbling, and her china-blue eyes with the dregs in them inclined to water.

All but Hester. She sat off by herself in a peacock-colored gown that wrapped her body suavity as if the fabric were soaking wet, a band of smoky-blue about her forehead. Never intoxicated, a slight amount of alcohol had a tendency to make her morose.

"What's the matter, Cleo?" asked Wheeler, sitting down beside her and lifting her cool fingers one by one, and, by reason of some remote analogy that must have stirred within him, seeing in her a Nile queen. "What's the matter Cleo? Does the spook stuff get your goat?"

She turned on him eyes that were all troubled up, like waters suddenly wind-blown.

"God!" she said, her fingers, nails inward, closing about his arm. "Wheeler—can—can the—dead—speak?"

But fleeting as the hours themselves were the moods of them all, and the following morning there they were, the eight of them, light with laughter and caparisoned again as to hampers, veils, coats, dogs, off for a day's motoring through the springtime countryside.

"Where to?" shouted Wheeler, twisting from where he and Hester sat in the first of the cars to call to the two motor-loads behind.

"I thought Crystal Cave was the spot"—from May Denison in the last of the cars, winding her head in a scarlet veil.

"Crystal Cave it is, then."

"Is that through Demopolis?"

Followed a scanning of maps.

"Sure! Here it is! See! Granite City. Mitchell. Demopolis. Crystal Cave."

"Good Lord! Hester, you're not going to spend any time in that dump?"

"It's my home town," she replied, coldly. "The only relation I had is buried there. It's nothing out of your way to drop me on the court-house steps and pick me up as you drive back, I've been wanting to get there ever since we're down here. Wanting to stop by your home town you haven't seen in five years isn't unreasonable, is it?"

He admitted it wasn't, leaning to kiss her.

She turned to him a face soft, with one of the pouts he usually found irresistible.

"Honey," she said, "what do you think?"

"What?"

"Chris is buying May that chinchilla coat I showed you in Meyerbloom's window the day before we left."

"The deuce he is!" he said, letting go of her hand, but hers immediately covering his.

"She's wiring her sister in the 'Girlie Revue' to go in and buy it for her."

"Outrage—fifteen thousand dollars to cover a woman's back! Look at the beautiful scenery, honey! You're always prating about views. Look at those hills over there! Great—isn't it?"

"I wouldn't expect it, Wheeler, if it wasn't war year and you landing one big contract after another. I'd hate to see May show herself in that chinchilla coat when we could beat her to it by a wire. I could telegraph Meyerbloom himself. I bought the sable rug of him. I'd hate it, Wheeler, to see her and Chris beat us to it. So would you. What's fifteen thousand when one of your contracts alone runs into the hundred thousands? Honey?"

"Wire," he said, sourly, but not withdrawing his hand from hers.

* * * * *

They left her at the shady court-house steps in Demopolis, but with pleasantry and gibe.

"Give my love to the town pump."

"Rush the old oaken growler for me."

"So long!" she called, eager to be rid of them. "Pick me up at six sharp."

She walked slowly up High Street. Passers-by turned to stare, but otherwise she was unrecognized. There was a new five-and-ten-cent store, and Finley Brothers had added an ell. High Street was paved. She made a foray down into the little side street where she had spent those queerly remote first seventeen years of her life. How dim her aunt seemed! The little unpainted frame house was gone. There was a lumber yard on the site. Everything seemed to have shrunk. The street was narrower and dirtier than she recalled it.

She made one stop, at the house of Maggie Simms, a high-school chum. It was a frame house, too, and she remembered that the front door opened directly into the parlor and the side entrance was popularly used instead. But a strange sister-in-law opened the side door. Maggie was married and living in Cincinnati. Oh, fine—a master mechanic, and there were twins. She started back toward Finley's, thinking of Gerald, and halfway she changed her mind.

Maggie Simms married and living in Cincinnati. Twins! Heigh-ho! What a world! The visit was hardly a success. At half after five she was on her way back to the court-house steps. Stupid to have made it six!

And then, of course, and quite as you would have it, Gerald Fishback came along. She recognized his blondness long before he saw her. He was bigger and more tanned, and, as of old, carried his hat in his hand. She noticed that there were no creases down the front of his trousers, but the tweed was good and he gave off that intangible aroma of well-being.

She was surprised at the old thrill racing over her. Seeing him was like a stab of quick steel through the very pit of her being. She reached out, touching him, before he saw her.

"Gerald," she said, soft and teasingly.

It was actually as if he had been waiting for that touch, because before he could possibly have perceived her her name was on his lips.

"Hester!" he said, the blueness of his eyes flashing between blinks. "Not Hester?"

"Yes, Hester," she said, smiling up at him.

He grasped both her hands, stammering for words that wanted to come quicker than he could articulate.

"Hester!" he kept repeating. "Hester!"

"To think you knew me, Gerald!"

"Know you! I'd know you blindfolded. And how—I—You're beautiful, Hester! I think you've grown five years younger."

"You've got on, Gerald. You look it."

"Yes; I'm general manager now at Finley's."

"I'm so glad. Married?"

"Not while there's a Hester Bevins on earth."

She started at her own name.

"How do you know I'm not married?"

"I—I know—" he said, reddening up.

"Isn't there some place we can talk, Gerald? I've thirty minutes before my friends call for me."

"'Thirty minutes?'"

"Your rooms? Haven't you rooms or a room where we could go and sit down?"

"Why—why, no, Hester," he said, still red. "I'd rather you didn't go there. But here. Let's stop in at the St. James Hotel. There's a parlor."

To her surprise, she felt herself color up and was pleasantly conscious of her finger tips.

"You darling!" She smiled up at him.

They were seated presently in the unaired plush-and-cherry, Nottingham-and-Axminster parlor of a small-town hotel.

"Hester," he said, "you're like a vision come to earth."

"I'm a bad durl," she said, challenging his eyes for what he knew.

"You're a little saint walked down and leaving an empty pedestal in my dreams."

She placed her forefinger over his mouth.

"Sh-h!" she said. "I'm not a saint, Gerald; you know that."

"Yes," he said, with a great deal of boyishness in his defiance, "I do know it, Hester, but it is those who have been through the fire who can sometimes come out—new. It was your early environment."

"My aunt died on the town, Gerald, I heard. I could have saved her all that if I had only known. She was cheap, aunt was. Poor soul! She never looked ahead."

"It was your early environment, Hester. I've explained that often enough to them here. I'd bank on you, Hester—swear by you."

She patted him.

"I'm a pretty bad egg, Gerald. According to the standards of a town like this, I'm rotten, and they're about right. For five years, Gerald, I've—"

"The real you is ahead of—and not behind you, Hester."

"How wonderful," she said, "for you to feel that way, but—"

"Hester," he said, more and more the big boy, and his big blond head nearing hers, "I don't care about anything that's past; I only know that, for me, you are the—"

"Gerald," she said, "for God's sake!"

"I'm a two hundred-a-month man now, Hester. I want to build you the prettiest, the whitest little house in this town. Out in the Briarwood section. I'll make them kowtow to you, Hester; I—"

"Why," she said, slowly, and looking at him with a certain sadness, "you couldn't keep me in stockings, Gerald! The aigrettes on this hat cost more than one month of your salary."

"Good God!" he said.

"You're a dear, sweet boy just the same; but you remember what I told you about my crepe-de-Chine soul."

"Just the same, I love you best in those crispy white shirt waists you used to wear and the little blue suits and sailor hats. You remember that day at Finleys' picnic, Hester, that day, dear, that you—you—"

"You dear boy!"

"But it—your mistake—it—it's all over. You work now, don't you, Hester?"

Somehow, looking into the blueness of his eyes and their entreaty for her affirmative, she did what you or I might have done. She half lied, regretting it while the words still smoked on her lips.

"Why, yes, Gerald; I've held a fine position in Lichtig Brothers, New York importers. Those places sometimes pay as high as seventy-five a week. But I don't make any bones, Gerald; I've not been an angel."

"The—the salesman, Hester?"—his lips quivering with a nausea for the question.

"I haven't seen him in four years," she answered, truthfully.

He laid his cheek on her hand.

"I knew you'd come through. It was your environment. I'll marry you to-morrow—to-day, Hester. I love you."

"You darling boy!" she said, her lips back tight against her teeth. "You darling, darling boy!"

"Please, Hester! We'll forget what has been."

"Let me go," she said, rising and pinning on her hat; "let me go—or—or I'll cry, and—and I don't want to cry."

"Hester," he called, rushing after her and wanting to fold her back into his arms, "let me prove my trust—my love—"

"Don't! Let me go! Let me go!"

At slightly after six the ultra cavalcade drew up at the court-house steps. She was greeted with the pleasantries and the gibes.

"Have a good time, sweetness?" asked Wheeler, arranging her rugs.

"Yes," she said, lying back and letting her lids droop; "but tired—very, very tired."

At the hotel, she stopped a moment to write a telegram before going up for the vapor bath, nap, and massage that were to precede dinner.

"Meyerbloom & Co., Furriers. Fifth Avenue, New York," it was addressed.

* * * * *

This is not a war story except that it has to do with profiteering, parlor patriots, and the return of Gerald Fishback.

While Hester was living this tale, and the chinchilla coat was enveloping her like an ineffably tender caress, three hundred thousand of her country's youths were at strangle hold across three thousand miles of sea, and on a notorious night when Hester walked, fully dressed in a green gown of iridescent fish scales, into the electric fountain of a seaside cabaret, and Wheeler had to carry her to her car wrapped in a sable rug, Gerald Fishback was lying with his face in Flanders mud, and his eye sockets blackly deep and full of shrapnel, and a lung-eating gas cloud rolling at him across the vast bombarded dawn.

* * * * *

Hester read of him one morning, sitting up in bed against a mound of lace-over-pink pillows, a masseuse at the pink soles of her feet. It was as if his name catapulted at her from a column she never troubled to read. She remained quite still, looking at the name for a full five minutes after it had pierced her full consciousness. Then, suddenly, she swung out of bed, tilting over the masseuse.

"Tessie," she said, evenly enough, "that will do. I have to hurry to Long Island to a base hospital. Go to that little telephone in the hall—will you?—and call my car."

But the visit was not so easy of execution. It required two days of red tape and official dispensation before she finally reached the seaside hospital that, by unpleasant coincidence, only a year before had been the resort hotel of more than one dancing orgy.

She thought she would faint when she saw him, jerking herself back with a straining of all her faculties. The blood seemed to drain away from her body, leaving her ready to sink, and only the watchful and threatening eye of a man nurse sustained her. He was sitting up in bed, and she would never have recognized in him anything of Gerald except for the shining Scandinavian quality of his hair. His eyes were not bandaged, but their sockets were dry and bare like the beds of old lakes long since drained. She had only seen the like in eyeless marble busts. There were unsuspected cheek bones, pitched now very high in his face, and his neck, rising above the army nightshirt, seemed cruelly long, possibly from thinness.

"Are you Hester?" whispered the man nurse.

She nodded, her tonsils squeezed together in an absolute knot.

"He called for you all through his delirium," he said, and went out. She stood at the bedside, trying to keep down the screams from her speech when it should come. But he was too quick for her.

"Hester," he said, feeling out.

And in their embrace, her agony melted to tears that choked and seared, beat and scalded her, and all the time it was he who held her with rigid arm, whispered to her, soothed down the sobs which tore through her like the rip of silk, seeming to split her being.

"Now—now! Why, Hester! Now—now—now! Sh-h! It will be over in a minute. You mustn't feel badly. Come now, is this the way to greet a fellow that's so darn glad to see you that nothing matters? Why I can see you, Hester. Plain as day in your little crispy waist. Now, now! You'll get used to it in a minute. Now—now—"

"I can't stand it, Gerald! I can't! Can't! Kill me, Gerald, but don't ask me to stand it!"

He stroked down the side of her, lingering at her cheek.

"Sh-h! Take your time, dear," he said, with the first furry note in his voice. "I know it's hard, but take your time. You'll get used to me. It's the shock, that's all. Sh-h!"

She covered his neck with kisses and scalding tears, her compassion for him racing through her in chills.

"I could tear out my eyes, Gerald, and give them to you. I could tear out my heart and give it to you. I'm bursting of pain. Gerald! Gerald!"

There was no sense of proportion left her. She could think only of what her own physical suffering might do in penance. She would willingly have opened the arteries of her heart and bled for him on the moment. Her compassion wanted to scream. She, who had never sacrificed anything, wanted suddenly to bleed at his feet, and prayed to do so on the agonized crest of the moment.

"There's a girl! Why, I'm going to get well, Hester, and do what thousands of others of the blinded are doing. Build up a new, a useful, and a busy life."

"It's not fair! It's not fair!"

"I'm ready now, except for this old left lung. It's burnt a bit, you see—gas."

"God! God!"

"It's pretty bad, I admit. But there's another way of looking at it. There's a glory in being chosen to bear your country's wounds."

"Your beautiful eyes! Your blue, beautiful eyes! O God, what does it all mean? Living! Dying! All the rotters, all the rat-eyed ones I know, scot-free and Gerald chosen. God! God! where are you?"

"He was never so close to me as now, Hester. And with you here, dear, He is closer than ever."

"I'll never leave you, Gerald," she said, crying down into his sleeve again. "Don't be afraid of the dark, dear; I'll never leave you."

"Nonsense!" he said, smoothing her hair that the hat had fallen away from.

"Never! Never! I wish I were a mat for you to walk on. I want to crawl on my hands and knees for you. I'll never leave you, Gerald—never!"

"My beautiful Hester!" he said, unsteadily, and then again, "Nonsense!"

But, almost on the moment, the man nurse returned and she was obliged to leave him, but not without throbbing promises of the to-morrow's return, and then there took place, downstairs in an anteroom, a long, a closeted, and very private interview with a surgeon and more red tape and filing of applications. She was so weak from crying that a nurse was called finally to help her through the corridors to her car.

Gerald's left lung was burned out and he had three, possibly four, weeks to live.

All the way home, in her tan limousine with the little yellow curtains, she sat quite upright, away from the upholstery, crying down her uncovered face, but a sudden, an exultant determination hardening in her mind.

* * * * *

That night a strange conversation took place in the Riverside Drive apartment. She sat on Wheeler's left knee, toying with his platinum chain, a strained, a rather terrible pallor out in her face, but the sobs well under her voice, and its modulation about normal. She had been talking for over two hours, silencing his every interruption until he had fallen quite still.

"And—and that's all, Wheeler," she ended up. "I've told you everything. We were never more than just—friends—Gerald and me. You must take my word for it, because I swear it before God."

"I take your word, Hester," he said, huskily.

"And there he lies, Wheeler, without—without any eyes in his head. Just as if they'd been burned out by irons. And he—he smiles when he talks. That's the awful part. Smiles like—well, I guess like the angel he—he almost is. You see, he says it's a glory to carry the wounds of his country. Just think! just think! that boy to feel that, the way he lies there!"

"Poor boy! Poor, poor boy!"

"Gerald's like that. So—so full of faith. And, Wheeler, he thinks he's going to get well and lead a useful life like they teach the blind to do. He reminds me of one of those Greek statues down at the Athens Cafe. You know—broken. That's it; he's a broken statue."

"Poor fellow! Poor fellow! Do something for him. Buy the finest fruit in the town for him. Send a case of wine. Two."

"I—I think I must be torn to pieces inside, Wheeler, the way I've cried."

"Poor little girl!"

"Wheeler?"

"Now, now," he said; "taking it so to heart won't do no good. It's rotten, I know, but worrying won't help. Got me right upset, too. Come, get it off your mind. Let's take a ride. Doll up; you look a bit peaked. Come now, and to-morrow we'll buy out the town for him."

"Wheeler?" she said. "Wheeler?"

"What?"

"Don't look, Wheeler. I've something else to ask of you—something queer."

"Now, now," he said, his voice hardening but trying to maintain a chiding note; "you know what you promised after the chinchilla—no more this year until—"

"No, no; for God's sake, not that! It's still about Gerald."

"Well?"

"Wheeler, he's only got four weeks to live. Five at the outside."

"Now, now, girl; we've been all over that."

"He loves me, Wheeler, Gerald does."

"Yes?" dryly.

"It would be like doing something decent—the only decent thing I've done in all my life, Wheeler, almost like doing something for the war, the way these women in the pretty white caps have done, and you know we—we haven't turned a finger for it except to—to gain—if I was to—to marry Gerald for those few weeks, Wheeler. I know it's a—rotten sacrifice, but I guess that's the only kind I'm capable of making."

He sat squat, with his knees spread.

"You crazy?" he said.

"It would mean, Wheeler, his dying happy. He doesn't know it's all up with him. He'd be made happy for the poor little rest of his life. He loves me. You see, Wheeler, I was his first—his only sweetheart. I'm on a pedestal, he says, in his dreams. I never told you—but that boy was willing to marry me, Wheeler, knowing—some—of the things I am. He's always carried round a dream of me, you see—no, you wouldn't see, but I've been—well, I guess sort of a medallion that won't tarnish in his heart. Wheeler, for the boy's few weeks he has left? Wheeler?"

"Well, I'll be hanged!"

"I'm not turning holy, Wheeler. I am what I am. But that boy lying out there—I can't bear it! It wouldn't make any difference with us—afterward. You know where you stand with me and for always, but it would mean the dying happy of a boy who fought for us. Let me marry that boy, Wheeler. Let his light go out in happiness. Wheeler? Please, Wheeler?" He would not meet her eyes. "Wheeler?"

"Go to it, Hester," he said, coughing about in his throat and rising to walk away. "Bring him here and give him the fat of the land. You can count on me to keep out of the way. Go to it," he repeated.

And so they were married, Hester holding his hand beside the hospital cot, the man nurse and doctor standing by, and the chaplain incanting the immemorial words. A bar of sunshine lay across the bed, and Gerald pronounced each "I will" in a lifted voice that carried to the four corners of the little room. She was allowed to stay that night past hospital hours, and they talked with the dusk flowing over them.

"Hester, Hester," he said, "I should have had the strength to hold out against your making this terrible sacrifice."

"It's the happiest hour of my life," she said, kissing him.

"I feel well enough to get up now, sweetheart."

"Gerald, don't force. You've weeks ahead before you are ready for that."

"But to-morrow, dear, home! In whose car are you calling for me to-morrow to take me home?"

"In a friend's, dearest."

"Won't I be crowding up our little apartment? Describe it again to me, dearest—our home."

"It's so little, Gerald. Three rooms and the littlest, babiest kitchen. When you're once up, I'll teach its every corner to you."

Tears seeped through the line where his lids had been, and it was almost more than she could bear.

"I'll make it up to you, though, Hester. I know I should have been strong enough to hold out against your marrying me, but I'll make it up. I've a great scheme; a sort of braille system of accountancy—"

"Please, Gerald—not now!"

"If only, Hester, I felt easier about the finances. Will your savings stand the strain? Your staying at home from your work this way—and then me—"

"Gerald dear, I've told you so often—I've saved more than we need."

"My girl!"

"My dear, my dear!" she said.

* * * * *

They moved him with hardly a jar in an army ambulance, and with the yellow limousine riding alongside to be of possible aid, and she had the bed stripped of its laces and cool with linen for him, and he sighed out when they placed him on it and would not let go her hand.

"What a feeling of space for so little a room!"

"It's the open windows, love."

He lay back tiredly.

"What sweet linen!"

"I shopped it for you."

"You, too—you're in linen, Hester?"

"A percale shirt waist. I shopped it for you, too."

"Give me your hand," he said, and pressed a string of close kisses into its palm.

The simplicity of the outrageous subterfuge amazed even her. She held hothouse grapes at two dollars a pound to his lips, and he ate them through a smile.

"Naughty, extravagant girl!" he said.

"I saw them on a fruit stand for thirty cents, and couldn't resist."

"Never mind; I'll make it up to you."

Later, he asked for braille books, turning his sightless face toward her as he studied, trying to concentrate through the pain in his lung.

"If only you wouldn't insist upon the books awhile yet, dear. The doctor says it's too soon."

"I feel so strong, Hester, with you near, and, besides, I must start the pot boiling."

She kissed down into the high nap of his hair, softly.

Evenings, she read to him newspaper accounts of his fellow-soldiers, and the day of the peace, for which he had paid so terribly, she rolled his bed, alone, with a great tugging and straining, to the open window, where the wind from the river could blow in against him and steamboat whistles shoot up like rockets.

She was so inexpressibly glad for the peace day. Somehow, it seemed easier and less blackly futile to give him up.

Of Wheeler for three running weeks she had not a glimpse, and then, one day, he sent up a hamper, not a box, but an actual trunk of roses, and she, in turn, sent them up the back way to Kitty's flat, not wanting even their fragrance released.

With Kitty there were little hurried confabs each day outside the apartment door in the hallway before the elevator shaft. A veil of awe seemed to wrap the Drew woman.

"I can't get it out of my head, Hester. It's like a fairy story, and, in another way, it's a scream—Wheeler standing for this."

"Sh-h, Kitty! His ears are so sensitive."

"Quit shushing me every time I open my mouth. Poor kid! Let me have a look at him. He wouldn't know."

"No! No!"

"God! if it wasn't so sad it would be a scream—Wheeler footing the bills!"

"Oh—you! Oh—oh—you!"

"All right, all right! Don't take the measles over it. I'm going. Here's some chicken broth I brought down. Ed sent it up to me from Sherry's."

But Hester poured it into the sink for some nameless reason, and brewed some fresh from a fowl she tipped the hallboy a dollar to go out and purchase.

She slept on a cot at the foot of his bed, so sensitive to his waking that almost before he came up to consciousness she was at his side. All day she wore the little white shirt waists, a starchy one fresh each morning, and at night scratchy little unlacy nightgowns with long sleeves and high yokes. He liked to run his hand along the crispness of the fabric.

"I love you in cool stuff, Hester. You're so cool yourself, I always think of you in the little white waist and blue skirt. You remember, dear—Finleys' annual?"

"I—I'm going to dress like that for you always, Gerald."

"I won't let you be going back to work for long, sweetheart. I've some plans up my sleeve, I have."

"Yes! Yes!"

But when the end did come, it was with as much of a shock as if she had not been for days expecting it. The doctor had just left, puncturing his arm and squirting into his poor tired system a panacea for the pain. But he would not react to it, fighting down the drowsiness.

"Hester," he said, suddenly, and a little weakly, "lean down, sweetheart, and kiss me—long—long—"

She did, and it was with the pressure of her lips to his that he died.

* * * * *

It was about a week after the funeral that Wheeler came back. She was on the chaise-longue that had been dragged out into the parlor, in the webbiest of white negligees, a little large-eyed, a little subdued, but sweetening the smile she turned toward him by a trick she had of lifting the brows.

"Hel-lo, Wheeler!" she said, raising her cheek to be kissed.

He trailed his lips, but did not seek her mouth, sitting down rather awkwardly and in the spread-kneed fashion he had.

"Well, girl—you all right?"

"You helped," she said.

"It gave me a jolt, too. I made over twenty-five thousand to the Red Cross on the strength of it."

"Thank you, Wheeler."

"Lord!" he said, rising and rubbing his hands together. "Give us a couple of fingers to drink, honey; I'm cotton-mouthed."

She reached languidly for a blue-enameled bell, lying back, with her arms dangling and her smile out. Then, as if realizing that the occasion must be lifted, turned her face to him.

"Old bummer!" she said, using one of her terms of endearment for him and two-thirds closing her eyes. Then did he stoop and kiss her roundly on the lips.

* * * * *

For the remainder of this tale, I could wish for a pen supernally dipped, or for a metaphysician's plating to my vernacular, or for the linguistic patois of that land off somewhere to the west of Life. Or maybe just a neurologist's chart of Hester's nerve history would help.

In any event, after an evening of musical comedy and of gelatinous dancing, Hester awoke at four o'clock the next morning out of an hour of sound sleep, leaping to her knees there in bed like a quick flame, her gesture shooting straight up toward the jointure of wall and ceiling.

"Gerald!" she called, her smoky black hair floating around her and her arms cutting through the room's blackness. "Gerald!" Suddenly the room was not black. It was light with the Scandinavian blondness of Gerald, the head of him nebulous there above the pink-satin canopy of her dressing table, and, more than that, the drained lakes of his sockets were deep with eyes. Yes, in all their amazing blueness, but queerly sharpened to steel points that went through Hester and through her as if bayonets were pushing into her breasts and her breathing.

"Gerald!" she shrieked, in one more cry that curdled the quiet, and sat up in bed, trembling and hugging herself, and breathing in until her lips were drawn shudderingly against her teeth like wind-sucked window shades.

"Gerald!" And then the picture did a sort of moving-picture fade-out, and black Lottie came running with her hair grotesquely greased and flattened to take out the kink, and gave her a drink of water with the addition of two drops from a bottle, and turned on the night light and went back to bed.

The next morning Hester carried about what she called "a head," and, since it was Wheeler's day at Rosencranz, remained in bed until three o'clock, Kitty curled at the foot of it the greater part of the forenoon.

"It was the rotten night did me up. Dreams! Ugh! dreams!"

"No wonder," diagnosed Kitty, sweetly. "Indigestion from having your cake and eating it."

At three she dressed and called for her car, driving down to the Ivy Funeral Rooms, a Gothic Thanatopsis, set, with one of those laughs up her sleeves in which the vertical city so loves to indulge, right in the heart of the town, between an automobile-accessory shop and a quick-lunch room. Gerald had been buried from there with simple flag-draped service in the Gothic chapel that was protected from the view and roar of the Elevated trains by suitably stained windows. There was a check in Hester's purse made out for an amount that corresponded to the statement she had received from the Ivy Funeral Rooms. And right here again, for the sake of your elucidation, I could wish at least for the neurologist's chart. At the very door to the establishment—with one foot across the threshold, in fact—she paused, her face tilted toward the corner where wall and ceiling met, and at whatever she saw there her eyes dilated widely and her left hand sprang to her bosom as if against the incision of quick steel. Then, without even entering, she rushed back to her car again, urging her chauffeur, at the risk of every speed regulation, homeward.

That was the beginning of purgatorial weeks that were soon to tell on Hester. They actually brought out a streak of gray through her hair, which Lottie promptly dyed and worked under into the lower part of her coiffure. For herself, Hester would have let it remain.

Wheeler was frankly perplexed. God knows it was bad enough to be called upon to endure streaks of unreasonableness at Rosencranz, but Hester wasn't there to show that side to him if she had it. To be pretty frank about it, she was well paid not to. Well paid! He'd done his part. More than nine out of ten would have done. Been made a jay of, if the truth was known. She was a Christmas-tree bauble and was expected to throw off holiday iridescence. There were limits!

"You're off your feed, girl. Go off by yourself and speed up."

"It's the nights, Gerald. Good God—I mean Wheeler! They kill me. I can't sleep. Can't you get a doctor who will give me stronger drops? He doesn't know my case. Nerves, he calls it. It's this head. If only I could get rid of this head!"

"You women and your nerves and your heads! Are you all alike? Get out and get some exercise. Keep down your gasoline bills and it will send your spirits up. There's such a thing as having it too good."

She tried to meet him in lighter vein after that, dressing her most bizarrely, and greeting him one night in a batik gown, a new process of dyeing that could be flamboyant and narrative in design. This one, a long, sinuous robe that enveloped her slimness like a flame, beginning down around the train in a sullen smoke and rushing up to her face in a burst of crimson.

He thought her so exquisitely rare that he was not above the poor, soggy device of drinking his dinner wine from the cup of her small crimson slipper, and she dangled on his knee like the dangerous little flame she none too subtly purported to be, and he spanked her quickly and softly across the wrists because she was too nervous to hold the match steadily enough for his cigar to take light, and then kissed away all the mock sting.

But the next morning, at the fateful four o'clock, and in spite of four sleeping-drops, Lottie on the cot at the foot of her bed, and the night light burning, she awoke on the crest of such a shriek that a stiletto might have slit the silence, the end of the sheet crammed up and into her mouth, and, ignoring all of Lottie's calming, sat up on her knees, her streaming eyes on the jointure of wall and ceiling, where the open, accusing ones of Gerald looked down at her. It was not that they were terrible eyes. They were full of the sweet blue, and clear as lakes. It was only that they knew. Those eyes knew. They knew! She tried the device there at four o'clock in the morning of tearing up the still unpaid check to the Ivy Funeral Rooms, and then she curled up in bed with her hand in the negro maid's and her face half buried in the pillow.

"Help me, Lottie!" she begged; "help me!"

"Law! Pore child! Gettin' the horrors every night thisaway! I've been through it before with other ladies, but I never saw a case of the sober horrors befoh. Looks like they's the worst of all. Go to sleep, child. I's holdin'."

You see, Lottie had looked in on life where you and I might not. A bird's-eye view may be very, very comprehensive, but a domestic's-eye view can sometimes be very, very close.

And then, one night, after Hester had beat her hands down into the mattress and implored Gerald to close his accusing eyes, she sat up in bed, waiting for the first streak of dawn to show itself, railing at the pain in her head.

"God! My head! Rub it, Lottie! My head! My eyes! The back of my neck!"

The next morning she did what you probably have been expecting she would do. She rose and dressed, sending Lottie to bed for a needed rest. Dressed herself in the little old blue-serge suit that had been hanging in the very back of a closet for four years, with a five-and two ten-dollar bills pinned into its pocket, and pressed the little blue sailor hat down on the smooth, winglike quality of her hair. She looked smaller, peculiarly, indescribably younger. She wrote Wheeler a note, dropping it down the mail-chute in the hall, and then came back, looking about rather aimlessly for something she might want to pack. There was nothing; so she went out quite bare and simply, with all her lovely jewels in the leather case on the upper shelf of the bedroom closet, as she had explained to Wheeler in the note.

That afternoon she presented herself to Lichtig. He was again as you would expect—round-bellied, and wore his cigar up obliquely from one corner of his mouth. He engaged her immediately at an increase of five dollars a week, and as she was leaving with the promise to report at eight-thirty the next morning he pinched her cheek, she pulling away angrily.

"None of that!"

"My mistake," he apologized.

She considered it promiscuous and cheap, and you know her aversion for cheapness.

Then she obtained, after a few forays in and out of brownstone houses in West Forty-fifth Street, one of those hall bedrooms so familiar to human-interest stories—the iron-bed, washstand, and slop-jar kind. There was a five-dollar advance required. That left her twenty dollars.

She shopped a bit then in an Eighth Avenue department store, and, with the day well on the wane, took a street car up to the Ivy Funeral Rooms. This time she entered, but the proprietor did not recognize her until she explained. As you know, she looked smaller and younger, and there was no tan car at the curb.

"I want to pay this off by the week," she said, handing him out the statement and a much-folded ten-dollar bill. He looked at her, surprised. "Yes," she said, her teeth biting off the word in a click.

"Certainly," he replied, handing her out a receipt for the ten.

"I will pay five dollars a week hereafter."

"That will stretch it out to twenty-eight weeks," he said, still doubtfully.

"I can't help it; I must."

"Certainly," he said, "that will be all right," but looked puzzled.

That night she slept in the hall bedroom in the Eighth Avenue, machine-stitched nightgown. She dropped off about midnight, praying not to awaken at four. But she did—with a slight start, sitting up in bed, her eyes where the wall and ceiling joined.

Gerald's face was there, and his blue eyes were open, but the steel points were gone. They were smiling eyes. They seemed to embrace her, to wash her in their fluid.

All her fear and the pain in her head were gone. She sat up, looking at him, the tears streaming down over her smile and her lips moving.

Then, sighing out like a child, she lay back on the pillow, turned over, and went to sleep.

* * * * *

And this is the story of Hester which so insisted to be told. I think she must have wanted you to know. And wanted Gerald to know that you know, and, in the end, I rather think she wanted God to know.



THE VERTICAL CITY

In the most vertical city in the world men have run up their dreams and their ambitions into slim skyscrapers that seem to exclaim at the audacity of the mere mortar that sustains them.

Minarets appear almost to tamper with the stars; towers to impale the moon. There is one fifty-six-story rococo castle, built from the five-and-ten-cent-store earnings of a merchant prince, that shoots upward with the beautiful rush of a Roman candle.

Any Manhattan sunset, against a sky that looks as if it might give to the poke of a finger, like a dainty woman's pink flesh, there marches a silhouetted caravan of tower, dome, and the astonished crests of office buildings.

All who would see the sky must gaze upward between these rockets of frenzied architecture, which are as beautiful as the terrific can ever be beautiful.

In the vertical city there are no horizons of infinitude to rest the eyes; rather little breakfast napkins of it showing between walls and up through areaways. Sometimes even a lunchcloth of five, six, or maybe sixty hundred stars or a bit of daylight-blue with a caul of sunshine across, hoisted there as if run up a flagpole.

It is well in the vertical city if the eyes and the heart have a lift to them, because, after all, these bits of cut-up infinitude, as many-shaped as cookies, even when seen from a tenement window and to the accompaniment of crick in the neck, are as full of mysterious alchemy over men's hearts as the desert sky or the sea sky. That is why, up through the wells of men's walls, one glimpse of sky can twist the soul with—oh, the bitter, the sweet ache that lies somewhere within the heart's own heart, curled up there like a little protozoa. That is, if the heart and the eyes have a lift to them. Marylin's had.

* * * * *

Marylin! How to convey to you the dance of her! The silver scheherazade of poplar leaves when the breeze is playful? No. She was far nimbler than a leaf tugging at its stem. A young faun on the brink of a pool, startled at himself? Yes, a little. Because Marylin's head always had a listening look to it, as if for a message that never quite came through to her. From where? Marylin didn't know and didn't know that she didn't know. Probably that accounted for a little pucker that could sometimes alight between her eyes. Scarcely a shadow, rather the shadow of a shadow. A lute, played in a western breeze? Once a note of music, not from a lute however, but played on a cheap harmonica, had caught Marylin's heart in a little ecstasy of palpitations, but that doesn't necessarily signify. Zephyr with Aurora playing? Laughter holding both his sides?

How Marylin, had she understood it, would have kicked the high hat off of such Miltonic phrasing. Ah, she was like—herself!

And yet, if there must be found a way to convey her to you more quickly, let it be one to which Marylin herself would have dipped a bow.

She was like nothing so much as unto a whole two dollars' worth of little five-cent toy balloons held captive in a sea breeze and tugging toward some ozonic beyond in which they had never swum, yet strained so naturally toward.

That was it! A whole two dollars' worth of tugging balloons. Red—blue—orange—green—silver, jerking in hollow-sided collisions, and one fat-faced pink one for ten cents, with a smile painted on one side and a tear on the other.

And what if I were to tell you that this phantom of a delight of a Marylin, whose hair was a sieve for sun and whose laughter a streamer of it, had had a father who had been shot to death on the underslinging of a freight car in one of the most notorious prison getaways ever recorded, and whose mother—but never mind right here; it doesn't matter to the opening of this story, because Marylin, with all her tantalizing capacity for paradox, while every inch a part of it all, was not at all a part of it.

For five years, she who had known from infancy the furtive Bradstreet of some of the vertical city's most notorious aliases and gang names, and who knew, almost by baptism of fire, that there were short cuts to an easier and weightier wage envelope, had made buttonholes from eight until five on the blue-denim pleat before it was stitched down the front of men's blue-denim shirts.

At sweet sixteen she, whose mother had borne her out of wed—well, anyway, at sweet sixteen, like the maiden in the saying, she had never been kissed, nor at seventeen, but at eighteen—

It was this way. Steve Turner—"Getaway," as the quick lingo of the street had him—liked her. Too well. I firmly believe, though, that if in the lurid heat lightning of so stormy a career as Getaway's the beauty of peace and the peace of beauty ever found moment, Marylin nestled in that brief breathing space somewhere deep down within the noisy cabaret of Getaway's being. His eyes, which had never done anything of the sort except under stimulus of the horseradish which he ate in quantities off quick-lunch counters, could smart to tears at the thought of her. And over the emotions which she stirred in him, and which he could not translate, he became facetious—idiotically so.

Slim and supine as the bamboo cane he invariably affected, he would wait for her, sometimes all of the six work-a-evenings of the week, until she came down out of the grim iron door of the shirt factory where she worked, his one hip flung out, bamboo cane bent almost double, and, in his further zeal to attitudinize, one finger screwing up furiously at a vacant upper lip. That was a favorite comedy mannerism, screwing at where a mustache might have been.

"Getaway!" she would invariably admonish, with her reproach all in the inflection and with the bluest blue in her eyes he had ever seen outside of a bisque doll's.

The peculiar joy, then, of linking her sweetly resisting arm into his; of folding over each little finger, so! until there were ten tendrils at the crotch of his elbow and his heart. Of tilting his straw "katy" forward, with his importance of this possession, so that the back of his head came out in a bulge and his hip, and then of walking off with her, so! Ah yes, so!

MARYLIN (who had the mysterious little jerk in her laugh of a very young child): "Getaway, you're the biggest case!"

GETAWAY (wild to amuse her further): "Hocus pocus, Salamagundi! I smell the blood of an ice-cream sundae!"

MARYLIN (hands to her hips and her laughter full of the jerks): "Getaway, stop your monkeyshines. The cop has his eye on you!"

GETAWAY (sobered): "C'm on!"

Therein lay some of the wonder of her freshet laughter. Because to Marylin a police officer was not merely a uniformed mentor of the law, designed chiefly to hold up traffic for her passing, and with his night stick strike security into her heart as she hurried home of short, wintry evenings. A little procession of him and his equally dread brother, the plain-clothes man, had significantly patrolled the days of her childhood.

Once her mother, who had come home from a shopping expedition with the inside pocket of her voluminous cape full of a harvest of the sheerest of baby things to match Marylin's blond loveliness—batiste—a whole bolt of Brussels lace—had bitten the thumb of a policeman until it hung, because he had surprised her horribly by stepping in through the fire escape as she was unwinding the Brussels lace.

Another time, from her mother's trembling knee, she had seen her father in a crowded courtroom standing between two uniforms, four fingers peeping over each of his shoulders!

A uniform had shot her father from the underpinnings of the freight car. Her mother had died with the phantom of one marching across her delirium. Even opposite the long, narrow, and exceedingly respectable rooming house in which she now dwelt a uniform had stood for several days lately, contemplatively.

There was a menacing flicker of them almost across her eyeballs, so close they lay to her experience, and yet how she could laugh when Getaway made a feint toward the one on her beat, straightening up into exaggerated decorum as the eye of the law, noting his approach, focused.

"Getaway," said Marylin, hop-skipping to keep up with him now, "why has old Deady got his eye on you nowadays?"

Here Getaway flung his most Yankee-Doodle-Dandy manner, collapsing inward at his extremely thin waistline, arms akimbo, his step designed to be a mincing one, and his voice as soprano as it could be.

"You don't know the half of it, dearie. I've been slapping granny's wrist, just like that. Ts-s-st!"

But somehow the laughter had run out of Marylin's voice. "Getaway," she said, stopping on the sidewalk, so that when he answered his face must be almost level with hers—"you're up to something again."

"I'm up to snuff," he said, and gyrated so that the bamboo cane looped a circle.

She almost cried as she looked at him, so swift was her change of mood, her lips trembling with the quiver of flesh that has been bruised.

"Oh, Getaway!" she said, "get away." And pushed him aside that she might walk on. He did not know, nor did she, for that matter, the rustling that was all of a sudden through her voice, but it was almost one of those moments when she could make his eyes smart.

But what he said was, "For the luvagod, whose dead?"

"Me, in here," she said, very quickly, and placed her hand to her flimsy blouse where her heart beat under it.

"Whadda you mean, dead?"

"Just dead, sometimes—as if something inside of me that can't get out had—had just curled up and croaked."

The walk from the shirt factory where Marylin worked, to the long, lean house in the long, lean street where she roomed, smelled of unfastidious bedclothes airing on window sills; of garbage cans that repulsed even high-legged cats; of petty tradesmen who, mysteriously enough, with aerial clotheslines flapping their perpetually washings, worked and sweated and even slept in the same sour garments. Facing her there on these sidewalks of slops, and the unprivacy of stoops swarming with enormous young mothers and puny old children, Getaway, with a certain fox pointiness out in his face, squeezed her arm until she could feel the bite of his elaborately manicured finger nails.

"Marry me, Marylin," he said, "and you'll wear diamonds."

In spite of herself, his bay-rummed nearness was not unpleasant to her. "Cut it out—here, Getaway," she said through a blush.

He hooked her very close to him by the elbow, and together they crossed through the crash of a street bifurcated by elevated tracks.

"You hear, Marylin," he shouted above the din. "Marry me and you'll wear diamonds."

"Getaway, you're up to something again!"

"Whadda you mean?"

"Diamonds on your twenty a week! It can't be done."

His gaze lit up with the pointiness. "I tell you, Marylin, I can promise you headlights!"

"How?"

"Never you bother your little head how; O.K., though."

"How, Getaway?"

"Oh—clean—if that's what's worrying you. Clean-cut."

"It is worrying me."

"Saw one on a little Jane yesterday out to Belmont race track. A fist-load for a little trick like her. And sparkle! Say, every time that little Jane daubed some whitewash on her little nosie she gave that grand stand the squints. That's what I'm going to do. Sparkle you up! With a diamond engagement ring. Oh boy! How's that? A diamond engagement ring!"

"Oh, Getaway!" she said, with her hand on the flutter of her throat and closing her eyes as if to imprison the vision against her lids. "A pure white one with lots of fire dancing around it." And little Marylin, who didn't want to want it, actually kissed the bare dot on her left ring finger where she could feel the burn of it, and there in the crowded street, where he knew he was surest of his privacy with her, he stole a kiss off that selfsame finger, too.

"I'll make their eyes hang out on their cheeks like grapes when they see you coming along, Marylin."

"I love them because they're so clear—and clean! Mountain water that's been filtered through pebbles."

"Pebbles is right! I'm going to dike you out in one as big as a pebble. And poils! Sa-y, they're what cost the spondulicks. A guy showed me a string of little ones no bigger than pimples. Know what? That little string could knock the three spots out of a thousand-dollar bond—I mean bill!"

It was then that something flashed out of Marylin's face. A shade might have been lowered; a candle blown out.

"Getaway," she said, with a quick little dig of fingers into his forearm, "you're up to something!"

"Snuff, I said."

"What did you mean by that word, 'bond'?"

"Who built a high fence around the word 'bond'?"

"Bonds! All that stuff in the newspapers about those messengers disappearing out of Wall Street with—bonds! Getaway, are you mixed up in that? Getaway!"

"Well, well! I like that! I had you doped out for fair and warmer to-day. The weather prophet didn't predict no brainstorm."

"That's not answering."

"Well, whadda you know! Miss Sherlock Holmes finds a corkscrew in the wine cellar and is sore because it's crooked!"

"Getaway—answer."

"Whadda you want me to answer, Fairylin? That I'm the master mind behind the—"

"It worries me so! You up in Monkey's room so much lately. You think I don't know it? I do! All the comings and goings up there. Muggs Towers sneaking up to Monkey's room in that messenger boy's suit he keeps wearing all the time now. He's no more messenger boy than I am. Getaway, tell me, you and Muggs up in Monkey's room so often? Footsteps up there! Yours!"

"Gawalmighty! Now it's my footsteps!"

"I know them! Up in Monkey's room, right over mine. I know how you sneak up there evenings after you leave me. It don't look nice your going into the same house where I live, Getaway, even if it isn't to see me. It don't look right from the outside!"

"Nobody can ever say I wanted to harm a hair of your little head. I even look the other way when I pass your door. That's the kind of a modest violet I am."

"It's not that, but the looks. That's the reason, I'll bet, if the truth's known, why Monkey squirmed himself into that room over mine—to hide your comings and goings as if they was to see me."

"Nothing of the kind!"

"Everything—up there—worries me so! Monkey's room right over mine. My ceiling so full of soft footsteps that frighten me. I know your footsteps, Getaway, just as well as anything. The ball-of-your-foot—squeak! The-ball-of-your-foot—squeak!"

"Well, that's a good one! The-ball-of-me-foot—squeak!"

"Everybody tiptoeing! Muggs! Somebody's stocking feet! Monkey's. Steps that aren't honest. All on my ceiling. Monkey never ought to have rented a room in a respectable house like Mrs. Granady's. Nobody but genteel young fellows holding down genteel jobs ever had that room before. Monkey passing himself off as Mr. James Pollard, or whatever it is he calls himself, just for the cover of a respectable house—or of me, for all I know. You could have knocked me down with a feather the first time I met him in the hall. If I did right I'd squeal."

"You would, like hell."

"Of course I wouldn't, but with Mrs. Granady trying to run a respectable house, only the right kind of young fellows and girls rooming there, it's not fair. Monkey getting his nose into a house like that and hatching God knows what! Getaway, what do you keep doing up in that room—all hours—you and all the pussyfooters?"

"That's the thanks a fellow gets for letting a straight word like 'marry' slip between his teeth; that's the thanks a fellow gets for honest-to-God intentions of trying to get his girl out of a shirt factory and dike her out in—"

"But, Getaway, if I was only sure it's all straight!"

"Well, if that's all you think of me—"

"All your big-gun talk about the ring. Of course I—I'd like it. How could a girl help liking it? But only if it's on the level. Getaway—you see, I hate to act suspicious all the time, but all your new silk shirts and now the new checked suit and all. It don't match up with your twenty-dollar job in the Wall Street haberdashery."

Then Getaway threw out one of his feints of mock surprise. "Didn't I tell you, Fairylin? Well, whadda you know about that? I didn't tell her, and me thinking I did."

"What, Getaway, what?"

"Why, I'm not working there any more. Why, Gawalmighty couldn't have pleased that old screwdriver. He was so tight the dimes in his pocket used to mildew from laying. He got sore as a pup at me one day just because I—"

"Getaway, you never told me you lost that job that I got for you out of the newspaper!"

"I didn't lose it, Marylin. I heard it when it fell. Jobs is like vaccination, they take or they don't."

"They never take with you, Getaway."

"Don't you believe it. I'm on one now—"

"A job?"

"Aw, not the way you mean. Me and a guy got a business proposition on. If it goes through, I'll buy you a marriage license engraved on solid gold."

"What is it, then, the proposition?"

"Can't you trust me, Marylin, for a day or two, until it goes through? Sometimes just talking about it is enough to put the jinx on a good thing."

"You mean—"

"I mean I'm going to have money in my pockets."

"What kind of money?"

"Real money."

"Honest money?"

"Honest-to-God money. And I'm going to dike you out. That's my idea. Pink! That's the color for you. A pink sash and slippers, and one of them hats that show your yellow hair right through it, and a lace umbrella and—"

"And streamers on the hat! I've always been just crazy for streamers on a hat."

"Red-white-and-blue ones!"

"No, just pink. Wide ones to dangle it like a basket."

"And slippers with real diamond buckles."

"What do you mean, Getaway? How can you give me real diamond shoe buckles—"

"There you go again. Didn't you promise to trust me and my new business proposition?"

"I do, only you've had so many—"

"You do—only! Yah, you do, only you don't!"

"I—You see—Getaway—I know how desperate you can be—when you're cornered. I'll never forget how you—you nearly killed a cop—once! Oh, Getaway, when I think back, that time you got into such trouble with—"

"Leave it to a woman, by Jove! to spoil a fellow's good name, if she has to rub her fingers in old soot to do it."

"I—I guess it is from seeing so much around me all the time that it's in me so to suspect."

"Oh, it's in you all right. Gawalmighty knows that!"

"You see, it's because I've seen so much all my life. That's why it's been so grand these last years since I'm alone and—and away from it. Nothing to fear. My own little room and my own little job and me not getting heart failure every time I recognize a plain-clothes man on the beat or hear a night stick on the sidewalk jerk me out of my sleep. Getaway, don't do anything bad. You had one narrow escape. You're finger-printed. Headquarters wouldn't give you the benefit of a doubt if there was one. Don't—Getaway!"

"Yah, stay straight and you'll stay lonesome."

"Money wouldn't make no difference with me, anyway, if everything else wasn't all right. Nothing can be pink to me even if it is pink, unless it's honest. That's why I hold back, Getaway—there's things in you I—can't trust."

"Yah, fine chance of you holding back if I was to come rolling up to your door in a six-cylinder—"

"I tell you, no! If I was that way I wouldn't be holding down the same old job at the factory. I know plenty of boys who turn over easy money. Too easy—"

"Then marry me, Marylin, and you'll wear diamonds. In a couple of days, when this goes through, this deal with the fellows—oh, honest deal, if that's what you're opening your mouth to ask—I can stand up beside you with money in my pockets. Twenty bucks to the pastor, just like that! Then you can pick out another job and I'll hold it down for you. Bet your life I will—Oh—here, Marylin—this way—quick!"

"Getaway, why did you turn down this street so all of a sudden? This isn't my way home."

"It's only a block out of the way. Come on! Don't stand gassing."

"You-thought-that-fellow-on-the-corner-of-Dock-Street-might-be-a-plain -clothes-man!"

"What if I did? Want me to go up and kiss him?"

"Why-should-you-care, Getaway?"

"Don't."

"But—"

"Don't believe in hugging the law, though. It's enough when it hugs you."

"I want to go home, Getaway."

"Come on. I'll buy some supper. Steak and French frieds and some French pastry with a cherry on top for your little sweet tooth. That's the kind of a regular guy I am."

"No. I want to go home."

"All right, all right! I'm taking you there, ain't I?"

"Straight."

"Oh, you'll go straight, if you can't go that way anywhere but home."

They trotted the little detour in silence, the corners of her mouth wilting, he would have declared, had he the words, like a field flower in the hands of a picnicker. Marylin could droop that way, so suddenly and so whitely that almost a second could blight her.

"Now you're mad, ain't you?" he said, ashamed to be so quickly conciliatory and trying to make his voice grate.

"No, Getaway—not mad—only I guess—sad."

She stopped before her rooming house. It was as long and as lean and as brown as a witch, and, to the more fanciful, something even of the riding of a broom in the straddle of the doorway, with an empty flagpole jutting from it. And then there was the cat, too—not a black one with gold eyes, just one of the city's myriad of mackerel ones, with chewed ear and a skillful crouch for the leap from ash to garbage can.

"I'm going in now, Getaway."

"Gowann! Get into your blue dress and I'll blow you to supper."

"Not to-night."

"Mad?"

"No. I said only—"

"Sad?"

"No—tired—I guess."

"Please, Marylin."

"No. Some other time."

"When? To-morrow? It's Saturday! Coney?"

"Oh!"

He thought he detected the flash of a dimple. He did. Remember, she was very young and, being fanciful enough to find the witch in the face of her rooming house, the waves at Coney Island, peanut cluttered as they were apt to be, told her things. Silly, unrepeatable things. Nonsense things. Little secret goosefleshing things. Prettinesses. And then the shoot the chutes! That ecstatic leap of heart to lips and the feeling of folly down at the very pit of her. Marylin did like the shoot the chutes!

"All right, Getaway—to-morrow—Coney!"

He did not conceal his surge of pleasure, grasping her small hand in both his. "Good girlie!"

"Good night, Getaway," she said, but with the inflection of something left unsaid.

He felt the unfinished intonation, like a rocket that had never dropped its stick, and started up the steps after her.

"What is it, Marylin?"

"Nothing," she said and ran in.

The window in her little rear room with the zigzag of fire escape across it was already full of dusk. She took off her hat, a black straw with a little pink-cotton rose on it, and, rubbing her brow where it had left a red rut, sat down beside the window. There were smells there from a city bouquet of frying foods; from a pool of old water near a drain pipe; from the rear of a butcher shop. Slops. Noises, too. Babies, traffic, whistles, oaths, barterings, women, strife, life. On her very own ceiling the whisper of footsteps—of restless comings and goings—stealthy comings and goings—and then after an hour, suddenly and ever so softly, the ball-of-a-foot—squeak! The-ball-of-a-foot—squeak!

Marylin knew that step.

And yet she sat, quiet. A star had come out. Looking up at the napkin of sky let in through the walls of the vertical city, Marylin had learned to greet it almost every clear evening. It did something for her. It was a little voice. A little kiss. A little upside down pool of light without a spill. A little of herself up there in that beyond—that little napkin of beyond that her eyes had the lift to see.

* * * * *

Who are you, whose neck has never ached from nine hours a day, six days a week, of bending over the blue-denim pleat that goes down the front of men's shirts, to quiver a supersensitive, supercilious, and superior nose over what, I grant you, may appear on the surface to be the omelet of vulgarities fried up for you on the gladdest, maddest strip of carnival in the world?

But it is simpler to take on the cold glaze of sophistication than to remain simple. When the eyelids become weary, it is as if little red dancing shoes were being wrapped away forever, or a very tight heartstring had suddenly sagged, and when plucked at could no longer plong.

To Marylin, whose neck very often ached clear down into her shoulder blade and up into a bandeau around her brow, and to whom city walls were sometimes like slaps confronting her whichever way she turned, her enjoyment of Coney Island was as uncomplex as A B C. Untortured by any awarenesses of relative values, too simple to strive to keep simple, unself-conscious, and with a hungry heart, she was not a spectator, half ashamed of being amused. She was Coney Island! Her heart a shoot the chutes for sheer swoops of joy, her eyes full of confetti points, the surf creaming no higher than her vitality.

And it was so the evening following, as she came dancing down the kicked-up sand of the beach, in a little bright-blue frock, mercerized silk, if you please, with very brief sleeves that ended right up in the jolliest part of her arm, with a half moon of vaccination winking out roguishly beneath a finish of ribbon bow, and a white-canvas sport hat with a jockey rosette to cap the little climax of her, and by no means least, a metal coin purse, with springy insides designed to hold exactly fifty cents in nickels.

Once on the sand, which ran away, tickling each step she took, her spirits, it must be admitted, went just a little crazily off. The window, you see, where Marylin sewed her buttonholes six days the week, faced a brick wall that peeled with an old scrofula of white paint. Coney Island faced a world of sky. So that when she pinched Getaway's nose in between the lips of her coin purse and he, turning a double somersault right in his checked suit, landed seated in a sprawl of mock daze, off she went into peals of laughter only too ready to be released.

He bought her a wooden whirring machine, an instrument of noise that, because it was not utilitarian, became a toy of delicious sound.

They rode imitation ocean waves at five cents a voyage, their only mal de mer, regret when it was over. He bought her salt-water taffy, and when the little red cave of her mouth became too ludicrously full of the pully stuff he tried to kiss its state of candy paralysis, and instantly she became sober and would have no more of his nonsense.

"Getaway," she cried, snapping fingers of inspiration, "let's go in bathing!"

"I'll say we will!"

No sooner said than done. In rented bathing suits, unfastidious, if you will, but, pshaw! with the ocean for wash day, who minded! Hers a little blue wrinkly one that hit her far too far, below the knees, but her head flowered up in a polka-dotted turban, that well enough she knew bound her up prettily, and her arms were so round with that indescribable softiness of youth! Getaway, whose eyes could focus a bit when he looked at them, set up a leggy dance at sight of her. He shocked her a bit in his cheap cotton trunks—woman's very old shock to the knobby knees and hairy arms of the beach. But they immediately ran, hand in hand, down the sand and fizz! into the grin of a breaker.

Marylin with her face wet and a fringe of hair, like a streak of seaweed, down her cheek! Getaway, shivery and knobbier than ever, pushing great palms of water at her and she back at him, only less skillfully her five fingers spread and inefficient. Once in the water, he caught and held her close, and yet, for the wonder of it, almost reverentially close, as if what he would claim for himself he must keep intact.

"Marry me, Marylin," he said, with all the hubbub of the ocean about them.

She reached for some foam that hissed out before she could touch it.

"That's you," he said. "Now you are there, and now you aren't."

"I wish," she said—"oh, Getaway, there's so much I wish!"

"What do you wish?"

She looked off toward the immensity of sea and sky. "I—Oh, I don't know! Being here makes me wish—Something as beautiful as out there is what I wish."

"Out where?"

"There."

"I don't see—"

"You—wouldn't."

And then, because neither of them could swim, he began chasing her through shallow water, and in the kicked-up spray of their own merriment they emerged finally, dripping and slinky, the hairs of his forearms lashed flat, and a little drip of salt water running off the tip of her chin.

Until long after the sun went down they lay drying on the sand, her hair spread in a lovely amber flare, and, stretched full length on his stomach beside her, he built a little grave of sand for her feet. And the crowd thinned, and even before the sun dipped a faint young moon, almost as if wearing a veil, came up against the blue. They were quiet now with pleasant fatigue, and, propped up on his elbows, he spilled little rills of sand from one fist into the other.

"Gee! you're pretty, Marylin!"

"Are I, Getaway?"

"You know you are. You wasn't born with one eye shut and the other blind."

"Honest, I don't know. Sometimes I look in the mirror and hope so."

"You've had enough fellows tell you so."

"Yes, but—but not the kind of fellows that mean by pretty what I mean by pretty."

"Well, this here guy means what you mean by pretty."

"What do you mean by pretty, Getaway?"

"Pep. Peaches. Cream. Teeth. Yellow hair. Arms. Le—those little holes in your cheeks. Dimples. What do I mean by pretty? I mean you by pretty. Ain't that what you want me to mean by pretty?"

"Yes—and no—"

"Well, what the—"

"It's all right, Getaway. It's fine to be pretty, but—not enough—somehow. I—I can't explain it to you—to anybody. I guess pretty isn't the word. It's beauty I mean."

"All right, then, anything your little heart desires—beauty."

"The ocean beauty out there, I mean. Something that makes you hurt and want to hurt more and more. Beauty, Getaway. It's something you understand or something you don't. It can't be talked. It sounds silly."

"Well, then, whistle it!"

"It has to be felt."

"Peel me," he said, laying her arm to his bare bicep. "Some little gladiator, eh? Knock the stuffings out of any guy that tried to take you away from me."

She turned her head on its flare of drying hair away from him. The beach was all but quiet and the haze of the end of day in the air, almost in her eyes, too.

"Oh, Getaway!" she said, on a sigh, and again, "Getaway!"

His reserve with her, at which he himself was the first to marvel, went down a little then and he seized her bare arm, kissing it, almost sinking his teeth. The curve of her chin down into her throat, as she turned her head, had maddened him.

"Quit," she said.

"Never you mind. You'll wear diamonds," he said, in his sole phraseology of promise. "Will you get sore if I ask you something, Fairylin?"

"What?"

"Want one now?"

"Want what?"

"A diamond."

"No," she said. "When I'm out here I quit wanting things like that."

"Fine chance a fellow has to warm up to you!"

"Getaway!"

"What?"

"What did you do last night, after you walked home with me?"

"When?"

"You know when."

"Why, bless your heart, I went home, Fairylin!"

"Please, Getaway—"

"Home, Fairy."

"You were up in Monkey's room last night about eleven. Now think, Getaway!"

"Aw now—"

"You were."

"Aw now—"

"Nobody can fool me on your step. You tiptoed for all you were worth, but I knew it! The-ball-of your-foot—squeak! The-ball-of-your foot—squeak!"

"Sure enough, now you mention it, maybe for a minute around eleven, but only for a minute—"

"Please, Getaway, don't lie. It was for nearly all night. Comings and goings on my ceiling until I couldn't sleep, not because they were so noisy, but because they were so soft. Like ugly whispers. Is Monkey the friend you got the deal on with, Getaway?"

"We just sat up there talking old times—"

"And Muggs, about eleven o'clock, sneaking up through the halls, dressed like the messenger boy again. I saw him when I peeked out of the door to see who it was tiptoeing. Getaway, for God's sake—"

He closed over her wrist then, his face extremely pointed. It was a bony face, so narrow that the eyes and the cheek bones had to be pitched close, and his black hair, usually so shiny, was down in a bang now, because it was damp, and to Marylin there was something sinister in that dip of bang which frightened her.

"What you don't know don't hurt you. You hear that? Didn't I tell you that after a few days this business deal—business, get that?—will be over. Then I'm going to hold down any old job your heart desires. But first I'm going to have money in my pockets! That's the only way to make this old world sit up and take notice. Spondulicks! Then I'm going to carry you off and get spliced. See? Real money. Diamonds. If you weren't so touchy, maybe you'd have diamonds sooner than you think. Want one now?"

"Getaway, I know you're up to something. You and Monkey and Muggs are tied up with those Wall Street bond getaways."

"For the luvagod, cut that talk here! First thing I know you'll have me in a brainstorm too."

"Those fake messenger boys that get themselves hired and, instead of delivering the bonds from one office to another—disappear with them. Muggs isn't wearing that messenger's uniform for nothing. You and Monkey are working with him under cover on something. You can't pass a cop any more without tightening up. I can feel it when I have your arm. You've got that old over-your-shoulder look to you, Getaway. My father—had it. My—mother—too. Getaway!"

"By gad! you can't beat a woman!"

"You don't deny it."

"I do!"

"Oh, Getaway, I'm glad then, glad!"

"Over-the-shoulder look. Why, if I'd meet a plain-clothes this minute I'd go up and kiss him—with my teeth in his ear. That's how much I got to be afraid of."

"Oh, Getaway, I'm so glad!"

"Well, then, lay off—"

"Getaway, you jumped then! Like somebody had hit you, and it was only a kid popping a paper bag."

"You get on my nerves. You'd make a cat nervous, with your suspecting! The more a fellow tries to do for a girl like you the less—Look here now, you got to get the hell out of my business."

She did not reply, but lay to the accompaniment of his violent nervousness and pinchings into the sand, with her face still away from him, while the dusk deepened and the ocean quieted.

After a while: "Now, Marylin, don't be sore. I may be a rotten egg some ways, but when it comes to you, I'm there."

"I'm not sore, Getaway," she said, with her voice still away from him. "Only I—Let's not talk for a minute. It's so quiet out here—so full of rest."

He sat, plainly troubled, leaning back on the palms of his hands and dredging his toes into the sand. In the violet light the tender line of her chin to her throat still teased him.

Down farther along the now deserted beach a youth in a bathing suit was playing a harmonica, his knees hunched under his chin, his mouth and hand sliding at cross purposes along the harp. That was the silhouette of him against a clean sky, almost Panlike, as if his feet might be cloven.

What he played, if it had any key at all, was rather in the mood of Chopin's Nocturne in D flat major. A little sigh for the death of a day, a sob for the beauty of that death, and a hope and ecstasy for the new day yet unborn—all of that on a little throbbing mouth organ.

"Getaway," cried Marylin, and sat up, spilling sand, "that's it! That's what I meant a while ago. Hear? It can't be talked. That's it on the mouth organ!"

"It?"

"It! Yes, like I said. Somebody has to feel it inside of him, just like I do, before he can understand. Can't you feel it? Please! Listen."

"Aw, that's an old jew's-harp. I'll buy you one. How's that?"

"All right, I guess," she said, starting off suddenly toward the bathhouse.

He was relieved that she had thrown off the silence.

"Ain't mad any more, are you, Marylin?"

"No, Getaway—not mad."

"Mustn't get fussy that way with me, Marylin. It scares me off. I've had something to show you all day, but you keep scaring me off."

"What is it?" she said, tiptoe.

His mouth drew up to an oblique. "You know."

"No, I don't."

"Maybe I'll tell you and maybe I won't," he cried, scooping up a handful of sand and spraying her. "What'll you give me if I tell?"

"Why—nothing."

"Want to know?"

But at the narrowing something in his eyes she sidestepped him, stooping down at the door of her bathhouse for a last scoop of sand at him.

"No," she cried, her hair blown like spray and the same breeze carrying her laughter, guiltless of mood, out to sea.

On the way home, though, for the merest second, there recurred the puzzling quirk in her thoughtlessness.

In the crush of the electric train, packed tightly into the heart of the most yammering and petulant crowd in the world—home-going pleasure seekers—a youth rose to give her his seat. A big, beach-tanned fellow with a cowlick of hair, when he tipped her his hat, standing up off his right brow like a little apostrophe to him, and blue eyes so very wide apart, and so clear, that they ran back into his head like aisles with little lakes shining at the ends of them.

"Thank you," said Marylin, the infinitesimal second while his hat and cowlick lifted, her own gaze seeming to run down those avenues of his eyes for a look into the pools at the back.

"That was it, too, Getaway! The thing that fellow looked—that I couldn't say. He said it—with his eyes."

"Who?"

"That fellow who gave me this seat."

"I'll break his face if he goo-goos you," said Getaway, who by this time had a headache and whose feet had fitted reluctantly back into patent leather.

But inexplicably, even to herself, that night, in the shadow of the stoop of her witch of a rooming house, she let him kiss her lips. His first of her—her first to any man. It may have been that suddenly she was so extremely tired—tired of the lay of the week ahead, suggested by the smells and the noises and the consciousness of that front box pleat.

The little surrender, even though she drew back immediately, was wine to him and as truly an intoxicant.

"Marylin," he cried, wild for her lips again, "I can't be held off much longer. I'm straight with you, but I'm human, too."

"Don't, Getaway, not here! To-morrow—maybe."

"I'm crazy for you!"

"Go home now, Getaway."

"Yes—but just one more—"

"Promise me you'll go straight home from here—to bed."

"I promise. Marylin, one more. One little more. Your lips—"

"No, no—not now. Go—"

Suddenly, by a quirk in the dark, there was a flash of something down Marylin's bare third finger, so hurriedly and so rashly that it scraped the flesh.

"That's for you! I've been afraid all day. Touchy! Didn't I tell you? Diamonds! Now will you kiss me? Now will you?"

In the shadow of where she stood, looking down, it was as if she gazed into a pool of fire that was reaching in flame clear up about her head, and everywhere in the conflagration Getaway's triumphant "Now will you! Now will you!"

"Getaway," she cried, flecking her hand as if it burned, "where did you get this?"

"It's for you, Fairylin, and more like it coming. It weighs a carat and a half. That stone's worth more than a sealskin jacket. You're going to have one of those, too. Real seal! Now are you sore at me any more? Now you've a swell kick coming, haven't you? Now! Now!"

"Getaway," she cried behind her lit hand, because her palm was to her mouth and above it her eyes showing the terror in their whites, "where did you get this?"

"There!" he said, and kissed her hotly and squarely on the lips.

Somehow, with the ring off her finger and in a little pool of its light as it lay at his feet, where he stood dazed on the sidewalk, Marylin was up the stoop, through the door, up two flights, and through her own door, slamming it, locking it, and into her room, rubbing and half crying over her left third finger where the flash had been.

She was frightened, because for all of an hour she sat on the end of the cot in her little room trembling and with her palms pressed into her eyes so tightly that the darkness spun. There was quick connection in Marylin between what was emotional and what was merely sensory. She knew, from the sickness at the very pit of her, how sick were her heart and her soul—and how afraid.

She undressed in the dark—a pale darkness relieved by a lighted window across the areaway. The blue mercerized dress she slid over a hanger, covering it with one of her cotton nightgowns and putting it into careful place behind the cretonne curtain that served her as clothes closet. Her petticoat, white, with a rill of lace, she folded away. And then, in her bare feet and a pink-cotton nightgown with a blue bird machine-stitched on the yoke, stood cocked to the hurry of indistinct footsteps across her ceiling, and in the narrow slit of hallway outside her door, where the stairs led up still another flight, the-ball-of-a-foot—squeak! The sharp crack of a voice. Running.

"Getaway!" cried Marylin's heart, almost suffocating her with a dreadful spasm of intuition.

It was all so quick. In the flash of her flung-open door, as her head in its amber cloud leaned out, Getaway, bending almost double over the upper banister, his lips in his narrow face back to show a white terribleness of strain that lingered in the memory, hurled out an arm suddenly toward two men mounting the steps of the flight below him.

There was a shot then, and on the lower flight one of the men, with an immediate red mouth opening slowly in his neck, slid downstairs backward, face up.

Suddenly, from a crouching position beside her door, the second figure shot forward now, with ready and perfect aim at the already-beginning-to-be-nerveless figure of Getaway hanging over the banister with the smoking pistol.

By the reaching out of her right hand Marylin could have deflected that perfect aim. In fact, her arm sprang toward just that reflex act, then stayed itself with the jerk of one solid body avoiding collision with another.

So much quicker than it takes in the telling there marched across Marylin's sickened eyes this frieze: Her father trailing dead from the underslinging of a freight car. That moment when a uniform had stepped in from the fire escape across the bolt of Brussels lace; her mother's scream, like a plunge into the heart of a rapier. Uniforms—contemplating. On street corners. Opposite houses. Those four fingers peeping over each of her father's shoulders in the courtroom. Getaway! His foxlike face leaner. Meaner. Black mask. Electric chair. Volts. Ugh—volts! God—you know—best—help—

When the shot came that sent Getaway pitching forward down the third-floor flight she was on her own room floor in a long and merciful faint. Marylin had not reached out.

* * * * *

Time passed. Whole rows of days of buttonholes down pleats that were often groped at through tears. Heavy tears like magnifying glasses. And then, with that gorgeous and unassailable resiliency of youth, lighter tears. Fewer tears. Few tears. No tears.

Under the cretonne curtain, though, the blue mercerized frock hung unworn, and in its dark drawer remained the petticoat with its rill of lace. But one night, with a little catch in her throat (it was the last of her sobs), she took out the sport hat, and for no definite reason began to turn the jockey rosette to the side where the sun had not faded it.

These were quiet evenings in her small room. All the ceiling agitation had long ago ceased since the shame of the raided room above, and Muggs, in his absurd messenger's suit, and Monkey marching down the three flights to the clanking of steel at the wrists.

There were new footsteps now. Steps that she had also learned to know, but pleasantly. They marched out so regularly of mornings, invariably just as she was about to hook her skirtband or pull on her stockings. They came home so patly again at seven, about as she sat herself down to a bit of sewing or washing-out. They went to bed so pleasantly. Thud, on the floor, and then, after the expectant interval of unlacing, thud again. They were companionable, those footsteps, almost like reverential marching on the grave of her heart.

Marylin reversed the rosette, and as the light began to go sat down beside her window, idly, looking up. There was the star point in her patch of sky, eating its way right through the purple like a diamond, and her ache over it was so tangible that it seemed to her she could almost lift the hurt out of her heart, as if it were a little imprisoned bird. And as it grew darker there came two stars, and three, and nine, and finally the sixty hundred.

Then from the zig of the fire escape above, before it twisted down into the zag of hers, there came to Marylin, through the medley of city silences and the tears in her heart, this melody, on a jew's-harp:

If it had any key at all, it was in the mood of Chopin's Nocturne in D flat major. A little sigh for the death of a day, a sob for the beauty of that death, and the throb of an ecstasy for the new day not yet born.

Looking up against the sheer wall of the vertical city, on the ledge of fire escape above hers, and in the yellow patch of light thrown out from the room behind, a youth, with his knees hunched up under his chin, and his mouth and hand moving at cross purposes, was playing the harmonica.

Wide apart were his eyes, and blue, so that while she gazed up, smiling, as he gazed down, smiling, it was almost as if she ran up the fire escape through the long clear lanes of those eyes, for a dip into the little twin lakes at the back of them.

And—why, didn't you know?—there was a lift of cowlick to the right side of his front hair, as he sat there playing in the twilight, that was exactly the shape of an apostrophe!



THE SMUDGE

In the bleak little graveyard of Hattie Bertch's dead hopes, dead loves, and dead ecstasies, more than one headstone had long since begun to sag and the wreaths of bleeding heart to shrivel.

That was good, because the grave that is kept bubbly with tears is a tender, quivering thing, almost like an amputated bit of self that still aches with threads of life.

Even over the mound of her dead ambitions, which grave she had dug with the fingers of her heart, Hattie could walk now with unsensitive feet. It had become dry clay with cracks in it like sardonic smiles.

Smiles. That was the dreadful part, because the laugh where there have been tears is not a nice laugh, and Hattie could sit among the headstones of her dead dreams now and laugh. But not horridly. Just drearily.

There was one grave, Heart's Desire, that was still a little moist. But it, too, of late years, had begun to sink in, like an old mouth with receding gums, as if the very teeth of a smiling dream had rotted. They had.

Hattie, whose heart's desire had once been to play Juliet, played maids now. Buxom negro ones, with pale palms, white eyes, and the beat of kettledrums somewhere close to the cuticle of the balls of her feet.

She was irrevocably down on managers' and agents' lists as "comedy black." Countless the premiers she had opened to the fleck of a duster! Hattie came high, as maids go. One hundred and fifty dollars a week and no road engagements. She dressed alone. Her part in "Love Me Long" had been especially written in for the sake of the peculiar kind of comedy relief she could bring to it. A light roar of recognition swept the audience at her entrance. Once in a while, a handclap. So Hattie, whose heart's desire had once been to play Juliet, played maids now. Buxomly.

And this same Hattie, whose heart's desire had once been to kiss Love, but whose lips were still a little twisted with the taste of clay, could kiss only Love's offspring now. But not bitterly. Thanksgivingly.

Love's offspring was Marcia. Sixteen and the color and odor of an ivory fan that has lain in frangipani. And Hattie could sometimes poke her tongue into her cheek over this bit of whimsy:

It was her well-paid effort in the burnt cork that made possible, for instance, the frill of real lace that lay to the low little neck of Marcia's first party dress, as if blown there in sea spume.

Out of the profits of Hattie's justly famous Brown Cold Cream—Guaranteed Color-fast—Mulatto, Medium, Chocolate, had come Marcia's ermine muff and tippet; the enamel toilet set; the Steinway grand piano; the yearly and by no means light tuition toll at Miss Harperly's Select Day School for Girls.