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The Valley of the Moon
by Jack London
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On the day that Otto Frank was hanged she remained indoors. The evening papers published the account. There had been no reprieve. In Sacramento was a railroad Governor who might reprieve or even pardon bank-wreckers and grafters, but who dared not lift his finger for a workingman. All this was the talk of the neighborhood. It had been Billy's talk. It had been Bert's talk.

The next day Saxon started out the Rock Wall, and the specter of Otto Frank walked by her side. And with him was a dimmer, mistier specter that she recognized as Billy. Was he, too, destined to tread his way to Otto Frank's dark end? Surely so, if the blood and strike continued. He was a fighter. He felt he was right in fighting. It was easy to kill a man. Even if he did not intend it, some time, when he was slugging a scab, the scab would fracture his skull on a stone curbing or a cement sidewalk. And then Billy would hang. That was why Otto Frank hanged. He had not intended to kill Henderson. It was only by accident that Henderson's skull was fractured. Yet Otto Frank had been hanged for it just the same.

She wrung her hands and wept loudly as she stumbled among the windy rocks. The hours passed, and she was lost to herself and her grief. When she came to she found herself on the far end of the wall where it jutted into the bay between the Oakland and Alameda Moles. But she could see no wall. It was the time of the full moon, and the unusual high tide covered the rocks. She was knee deep in the water, and about her knees swam scores of big rock rats, squeaking and fighting, scrambling to climb upon her out of the flood. She screamed with fright and horror, and kicked at them. Some dived and swam away under water; others circled about her warily at a distance; and one big fellow laid his teeth into her shoe. Him she stepped on and crushed with her free foot. By this time, though still trembling, she was able coolly to consider the situation. She waded to a stout stick of driftwood a few feet away, and with this quickly cleared a space about herself.

A grinning small boy, in a small, bright-painted and half-decked skiff, sailed close in to the wall and let go his sheet to spill the wind. "Want to get aboard?" he called.

"Yes," she answered. "There are thousands of big rats here. I'm afraid of them."

He nodded, ran close in, spilled the wind from his sail, the boat's way carrying it gently to her.

"Shove out its bow," he commanded. "That's right. I don't want to break my centerboard.... An' then jump aboard in the stern—quick!—alongside of me."

She obeyed, stepping in lightly beside him. He held the tiller up with his elbow, pulled in on the sheet, and as the sail filled the boat sprang away over the rippling water.

"You know boats," the boy said approvingly.

He was a slender, almost frail lad, of twelve or thirteen years, though healthy enough, with sunburned freckled face and large gray eyes that were clear and wistful.

Despite his possession of the pretty boat, Saxon was quick to sense that he was one of them, a child of the people.

"First boat I was ever in, except ferryboats," Saxon laughed.

He looked at her keenly. "Well, you take to it like a duck to water is all I can say about it. Where d'ye want me to land you?"

"Anywhere."

He opened his mouth to speak, gave her another long look, considered for a space, then asked suddenly: "Got plenty of time?"

She nodded.

"All day?"

Again she nodded.

"Say—I'll tell you, I'm goin' out on this ebb to Goat Island for rockcod, an' I'll come in on the flood this evening. I got plenty of lines an' bait. Want to come along? We can both fish. And what you catch you can have."

Saxon hesitated. The freedom and motion of the small boat appealed to her. Like the ships she had envied, it was outbound.

"Maybe you'll drown me," she parleyed.

The boy threw back his head with pride.

"I guess I've been sailin' many a long day by myself, an' I ain't drowned yet."

"All right," she consented. "Though remember, I don't know anything about boats."

"Aw, that's all right.—Now I'm goin' to go about. When I say 'Hard a-lee!' like that, you duck your head so the boom don't hit you, an' shift over to the other side."

He executed the maneuver, Saxon obeyed, and found herself sitting beside him on the opposite side of the boat, while the boat itself, on the other tack, was heading toward Long Wharf where the coal bunkers were. She was aglow with admiration, the more so because the mechanics of boat-sailing was to her a complex and mysterious thing.

"Where did you learn it all?" she inquired.

"Taught myself, just naturally taught myself. I liked it, you see, an' what a fellow likes he's likeliest to do. This is my second boat. My first didn't have a centerboard. I bought it for two dollars an' learned a lot, though it never stopped leaking. What d 'ye think I paid for this one? It's worth twenty-five dollars right now. What d 'ye think I paid for it?"

"I give up," Saxon said. "How much?"

"Six dollars. Think of it! A boat like this! Of course I done a lot of work, an' the sail cost two dollars, the oars one forty, an' the paint one seventy-five. But just the same eleven dollars and fifteen cents is a real bargain. It took me a long time saving for it, though. I carry papers morning and evening—there's a boy taking my route for me this afternoon—I give 'm ten cents, an' all the extras he sells is his; and I'd a-got the boat sooner only I had to pay for my shorthand lessons. My mother wants me to become a court reporter. They get sometimes as much as twenty dollars a day. Gee! But I don't want it. It's a shame to waste the money on the lessons."

"What do you want?" she asked, partly from idleness, and yet with genuine curiosity; for she felt drawn to this boy in knee pants who was so confident and at the same time so wistful.

"What do I want?" he repeated after her.

Turning his head slowly, he followed the sky-line, pausing especially when his eyes rested landward on the brown Contra Costa hills, and seaward, past Alcatraz, on the Golden Glate. The wistfulness in his eyes was overwhelming and went to her heart.

"That," he said, sweeping the circle of the world with a wave of his arm.

"That?" she queried.

He looked at her, perplexed in that he had not made his meaning clear.

"Don't you ever feel that way?" he asked, bidding for sympathy with his dream. "Don't you sometimes feel you'd die if you didn't know what's beyond them hills an' what's beyond the other hills behind them hills? An' the Golden Gate! There's the Pacific Ocean beyond, and China, an' Japan, an' India, an'... an' all the coral islands. You can go anywhere out through the Golden Gate—to Australia, to Africa, to the seal islands, to the North Pole, to Cape Horn. Why, all them places are just waitin' for me to come an' see 'em. I've lived in Oakland all my life, but I'm not going to live in Oakland the rest of my life, not by a long shot. I'm goin' to get away... away...."

Again, as words failed to express the vastness of his desire, the wave of his arm swept the circle of the world.

Saxon thrilled with him. She too, save for her earlier childhood, had lived in Oakland all her life. And it had been a good place in which to live... until now. And now, in all its nightmare horror, it was a place to get away from, as with her people the East had been a place to get away from. And why not? The world tugged at her, and she felt in touch with the lad's desire. Now that she thought of it, her race had never been given to staying long in one place. Always it had been on the move. She remembered back to her mother's tales, and to the wood engraving in her scrapbook where her half-clad forebears, sword in hand, leaped from their lean beaked boats to do battle on the blood-drenched sands of England.

"Did you ever hear about the Anglo-Saxons?" she asked the boy.

"You bet!" His eyes glistened, and he looked at her with new interest. "I'm an Anglo-Saxon, every inch of me. Look at the color of my eyes, my skin. I'm awful white where I ain't sunburned. An' my hair was yellow when I was a baby. My mother says it'll be dark brown by the time I'm grown up, worse luck. Just the same, I'm Anglo-Saxon. I am of a fighting race. We ain't afraid of nothin'. This bay—think I'm afraid of it!" He looked out over the water with flashing eye of scorn. "Why, I've crossed it when it was howlin' an' when the scow schooner sailors said I lied an' that I didn't. Huh! They were only squareheads. Why, we licked their kind thousands of years ago. We lick everything we go up against. We've wandered all over the world, licking the world. On the sea, on the land, it's all the same. Look at Ivory Nelson, look at Davy Crockett, look at Paul Jones, look at Clive, an' Kitchener, an' Fremont, an' Kit Carson, an' all of 'em."

Saxon nodded, while he continued, her own eyes shining, and it came to her what a glory it would be to be the mother of a man-child like this. Her body ached with the fancied quickening of unborn life. A good stock, a good stock, she thought to herself. Then she thought of herself and Billy, healthy shoots of that same stock, yet condemned to childlessness because of the trap of the manmade world and the curse of being herded with the stupid ones.

She came back to the boy.

"My father was a soldier in the Civil War," he was telling her, "a scout an' a spy. The rebels were going to hang him twice for a spy. At the battle of Wilson's Creek he ran half a mile with his captain wounded on his back. He's got a bullet in his leg right now, just above the knee. It's been there all these years. He let me feel it once. He was a buffalo hunter and a trapper before the war. He was sheriff of his county when he was twenty years old. An' after the war, when he was marshal of Silver City, he cleaned out the bad men an' gun-fighters. He's been in almost every state in the Union. He could wrestle any man at the railings in his day, an' he was bully of the raftsmen of the Susquehanna when he was only a youngster. His father killed a man in a standup fight with a blow of his fist when he was sixty years old. An' when he was seventy-four, his second wife had twins, an' he died when he was plowing in the field with oxen when he was ninety-nine years old. He just unyoked the oxen, an' sat down under a tree, an' died there sitting up. An' my father's just like him. He's pretty old now, but he ain't afraid of nothing. He's a regular Anglo-Saxon, you see. He's a special policeman, an' he didn't do a thing to the strikers in some of the fightin'. He had his face all cut up with a rock, but he broke his club short off over some hoodlum's head."

He paused breathlessly and looked at her.

"Gee!" he said. "I'd hate to a-ben that hoodlum."

"My name is Saxon," she said.

"Your name?"

"My first name."

"Gee!" he cried. "You're lucky. Now if mine had been only Erling—you know, Erling the Bold—or Wolf, or Swen, or Jarl!"

"What is it?" she asked.

"Only John," he admitted sadly. "But I don't let 'em call one John. Everybody's got to call me Jack. I've scrapped with a dozen fellows that tried to call me John, or Johnnie—wouldn't that make you sick?—Johnnie!"

They were now off the coal bunkers of Long Wharf, and the boy put the skiff about, heading toward San Francisco. They were well out in the open bay. The west wind had strengthened and was whitecapping the strong ebb tide. The boat drove merrily along. When splashes of spray flew aboard, wetting them, Saxon laughed, and the boy surveyed her with approval. They passed a ferryboat, and the passengers on the upper deck crowded to one side to watch them. In the swell of the steamer's wake, the skiff shipped quarter-full of water. Saxon picked up an empty can and looked at the boy.

"That's right," he said. "Go ahead an' bale out." And, when she had finished: "We'll fetch Goat Island next tack. Right there off the Torpedo Station is where we fish, in fifty feet of water an' the tide runnin' to beat the band. You're wringing wet, ain't you? Gee! You're like your name. You're a Saxon, all right. Are you married?"

Saxon nodded, and the boy frowned.

"What'd you want to do that for. Now you can't wander over the world like I'm going to. You're tied down. You're anchored for keeps."

"It's pretty good to be married, though," she smiled.

"Sure, everybody gets married. But that's no reason to be in a rush about it. Why couldn't you wait a while, like me, I'm goin' to get married, too, but not until I'm an old man an' have been everywheres."

Under the lee of Goat Island, Saxon obediently sitting still, he took in the sail, and, when the boat had drifted to a position to suit him, he dropped a tiny anchor. He got out the fish lines and showed Saxon how to bait her hooks with salted minnows. Then they dropped the lines to bottom, where they vibrated in the swift tide, and waited for bites.

"They'll bite pretty soon," he encouraged. "I've never failed but twice to catch a mess here. What d'ye say we eat while we're waiting?"

Vainly she protested she was not hungry. He shared his lunch with her with a boy's rigid equity, even to the half of a hard-boiled egg and the half of a big red apple.

Still the rockcod did not bite. From under the stern-sheets he drew out a cloth-bound book.

"Free Library," he vouchsafed, as he began to read, with one hand holding the place while with the other he waited for the tug on the fishline that would announce rockcod.

Saxon read the title. It was "Afloat in the Forest."

"Listen to this," he said after a few minutes, and he read several pages descriptive of a great flooded tropical forest being navigated by boys on a raft.

"Think of that!" he concluded. "That's the Amazon river in flood time in South America. And the world's full of places like that—everywhere, most likely, except Oakland. Oakland's just a place to start from, I guess. Now that's adventure, I want to tell you. Just think of the luck of them boys! All the same, some day I'm going to go over the Andes to the headwaters of the Amazon, all through the rubber country, an' canoe down the Amazon thousands of miles to its mouth where it's that wide you can't see one bank from the other an' where you can scoop up perfectly fresh water out of the ocean a hundred miles from land."

But Saxon was not listening. One pregnant sentence had caught her fancy. Oakland just a place to start from. She had never viewed the city in that light. She had accepted it as a place to live in, as an end in itself. But a place to start from! Why not! Why not like any railroad station or ferry depot! Certainly, as things were going, Oakland was not a place to stop in. The boy was right. It was a place to start from. But to go where? Here she was halted, and she was driven from the train of thought by a strong pull and a series of jerks on the line. She began to haul in, hand under hand, rapidly and deftly, the boy encouraging her, until hooks, sinker, and a big gasping rockcod tumbled into the bottom of the boat. The fish was free of the hook, and she baited afresh and dropped the line over. The boy marked his place and closed the book.

"They'll be biting soon as fast as we can haul 'em in," he said.

But the rush of fish did not come immediately.

"Did you ever read Captain Mayne Reid?" he asked. "Or Captain Marryatt? Or Ballantyne?"

She shook her head.

"And you an Anglo-Saxon!" he cried derisively. "Why, there's stacks of 'em in the Free Library. I have two cards, my mother's an' mine, an' I draw 'em out all the time, after school, before I have to carry my papers. I stick the books inside my shirt, in front, under the suspenders. That holds 'em. One time, deliverin' papers at Second an' Market—there's an awful tough gang of kids hang out there—I got into a fight with the leader. He hauled off to knock my wind out, an' he landed square on a book. You ought to seen his face. An' then I landed on him. An' then his whole gang was goin' to jump on me, only a couple of iron-molders stepped in an' saw fair play. I gave 'em the books to hold."

"Who won?" Saxon asked.

"Nobody," the boy confessed reluctantly. "I think I was lickin' him, but the molders called it a draw because the policeman on the beat stopped us when we'd only teen fightin' half an hour. But you ought to seen the crowd. I bet there was five hundred—"

He broke off abruptly and began hauling in his line. Saxon, too, was hauling in. And in the next couple of hours they caught twenty pounds of fish between them.

That night, long after dark, the little, half-decked skiff sailed up the Oakland Estuary. The wind was fair but light, and the boat moved slowly, towing a long pile which the boy had picked up adrift and announced as worth three dollars anywhere for the wood that was in it. The tide flooded smoothly under the full moon, and Saxon recognized the points they passed—the Transit slip, Sandy Beach, the shipyards, the nail works, Market street wharf. The boy took the skiff in to a dilapidated boat-wharf at the foot of Castro street, where the scow schooners, laden with sand and gravel, lay hauled to the shore in a long row. He insisted upon an equal division of the fish, because Saxon had helped catch them, though he explained at length the ethics of flotsam to show her that the pile was wholly his.

At Seventh and Poplar they separated, Saxon walking on alone to Pine street with her load of fish. Tired though she was from the long day, she had a strange feeling of well-being, and, after cleaning the fish, she fell asleep wondering, when good times came again, if she could persuade Billy to get a boat and go out with her on Sundays as she had gone out that day.



CHAPTER VII

She slept all night, without stirring, without dreaming, and awoke naturally and, for the first time in weeks, refreshed. She felt her old self, as if some depressing weight had been lifted, or a shadow had been swept away from between her and the sun. Her head was clear. The seeming iron band that had pressed it so hard was gone. She was cheerful. She even caught herself humming aloud as she divided the fish into messes for Mrs. Olsen, Maggie Donahue, and herself. She enjoyed her gossip with each of them, and, returning home, plunged joyfully into the task of putting the neglected house in order. She sang as she worked, and ever as she sang the magic words of the boy danced and sparkled among the notes: OAKLAND IS JUST A PLACE TO START FROM.

Everything was clear as print. Her and Billy's problem was as simple as an arithmetic problem at school: to carpet a room so many feet long, so many feet wide, to paper a room so many feet high, so many feet around. She had been sick in her head, she had had strange lapses, she had been irresponsible. Very well. All this had been because of her troubles—troubles in which she had had no hand in the making. Billy's case was hers precisely. He had behaved strangely because he had been irresponsible. And all their troubles were the troubles of the trap. Oakland was the trap. Oakland was a good place to start from.

She reviewed the events of her married life. The strikes and the hard times had caused everything. If it had not been for the strike of the shopmen and the fight in her front yard, she would not have lost her baby. If Billy had not been made desperate by the idleness and the hopeless fight of the teamsters, he would not have taken to drinking. If they had not been hard up, they would not have taken a lodger, and Billy would not be in jail.

Her mind was made up. The city was no place for her and Billy, no place for love nor for babies. The way out was simple. They would leave Oakland. It was the stupid that remained and bowed their heads to fate. But she and Billy were not stupid. They would not bow their heads. They would go forth and face fate.—Where, she did not know. But that would come. The world was large. Beyond the encircling hills, out through the Golden Gate, somewhere they would find what they desired. The boy had been wrong in one thing. She was not tied to Oakland, even if she was married. The world was free to her and Billy as it had been free to the wandering generations before them. It was only the stupid who had been left behind everywhere in the race's wandering. The strong had gone on. Well, she and Billy were strong. They would go on, over the brown Contra Costa hills or out through the Golden Gate.

The day before Billy's release Saxon completed her meager preparations to receive him. She was without money, and, except for her resolve not to offend Billy in that way again, she would have borrowed ferry fare from Maggie Donahue and journeyed to San Francisco to sell some of her personal pretties. As it was, with bread and potatoes and salted sardines in the house, she went out at the afternoon low tide and dug clams for a chowder. Also, she gathered a load of driftwood, and it was nine in the evening when she emerged from the marsh, on her shoulder a bundle of wood and a short-handled spade, in her free hand the pail of clams. She sought the darker side of the street at the corner and hurried across the zone of electric light to avoid detection by the neighbors. But a woman came toward her, looked sharply and stopped in front of her. It was Mary.

"My God, Saxon!" she exclaimed. "Is it as bad as this?"

Saxon looked at her old friend curiously, with a swift glance that sketched all the tragedy. Mary was thinner, though there was more color in her cheeks—color of which Saxon had her doubts. Mary's bright eyes were handsomer, larger—too large, too feverish bright, too restless. She was well dressed—too well dressed; and she was suffering from nerves. She turned her head apprehensively to glance into the darkness behind her.

"My God!" Saxon breathed. "And you..." She shut her lips, then began anew. "Come along to the house," she said.

"If you're ashamed to be seen with me—" Mary blurted, with one of her old quick angers.

"No, no," Saxon disclaimed. "It's the driftwood and the clams. I don't want the neighbors to know. Come along."

"No; I can't, Saxon. I'd like to, but I can't. I've got to catch the next train to F'risco. I've ben waitin' around. I knocked at your back door. But the house was dark. Billy's still in, ain't he?"

"Yes, he gets out to-morrow."

"I read about it in the papers," Mary went on hurriedly, looking behind her. "I was in Stockton when it happened." She turned upon Saxon almost savagely. "You don't blame me, do you? I just couldn't go back to work after bein' married. I was sick of work. Played out, I guess, an' no good anyway. But if you only knew how I hated the laundry even before I got married. It's a dirty world. You don't dream. Saxon, honest to God, you could never guess a hundredth part of its dirtiness. Oh, I wish I was dead, I wish I was dead an' out of it all. Listen—no, I can't now. There's the down train puffin' at Adeline. I'll have to run for it. Can I come—"

"Aw, get a move on, can't you?" a man's voice interrupted.

Behind her the speaker had partly emerged from the darkness. No workingman, Saxon could see that—lower in the world scale, despite his good clothes, than any workingman.

"I'm comin', if you'll only wait a second," Mary placated.

And by her answer and its accents Saxon knew that Mary was afraid of this man who prowled on the rim of light.

Mary turned to her.

"I got to beat it; good bye," she said, fumbling in the palm of her glove.

She caught Saxon's free hand, and Saxon felt a small hot coin pressed into it. She tried to resist, to force it back.

"No, no," Mary pleaded. "For old times. You can do as much for me some day. I'll see you again. Good bye."

Suddenly, sobbing, she threw her arms around Saxon's waist, crushing the feathers of her hat against the load of wood as she pressed her face against Saxon's breast. Then she tore herself away to arm's length, passionate, queering, and stood gazing at Saxon.

"Aw, get a hustle, get a hustle," came from the darkness the peremptory voice of the man.

"Oh, Saxon!" Mary sobbed; and was gone.

In the house, the lamp lighted, Saxon looked at the coin. It was a five-dollar piece—to her, a fortune. Then she thought of Mary, and of the man of whom she was afraid. Saxon registered another black mark against Oakland. Mary was one more destroyed. They lived only five years, on the average, Saxon had heard somewhere. She looked at the coin and tossed it into the kitchen sink. When she cleaned the clams, she heard the coin tinkle down the vent pipe.

It was the thought of Billy, next morning, that led Saxon to go under the sink, unscrew the cap to the catchtrap, and rescue the five-dollar piece. Prisoners were not well fed, she had been told; and the thought of placing clams and dry bread before Billy, after thirty days of prison fare, was too appalling for her to contemplate. She knew how he liked to spread his butter on thick, how he liked thick, rare steak fried on a dry hot pan, and how he liked coffee that was coffee and plenty of it.

Not until after nine o'clock did Billy arrive, and she was dressed in her prettiest house gingham to meet him. She peeped on him as he came slowly up the front steps, and she would have run out to him except for a group of neighborhood children who were staring from across the street. The door opened before him as his hand reached for the knob, and, inside, he closed it by backing against it, for his arms were filled with Saxon. No, he had not had breakfast, nor did he want any now that he had her. He had only stopped for a shave. He had stood the barber off, and he had walked all the way from the City Hall because of lack of the nickel carfare. But he'd like a bath most mighty well, and a change of clothes. She mustn't come near him until he was clean.

When all this was accomplished, he sat in the kitchen and watched her cook, noting the driftwood she put in the stove and asking about it. While she moved about, she told how she had gathered the wood, how she had managed to live and not be beholden to the union, and by the time they were seated at the table she was telling him about her meeting with Mary the night before. She did not mention the five dollars.

Billy stopped chewing the first mouthful of steak. His expression frightened her. He spat the meat out on his plate.

"You got the money to buy the meat from her," he accused slowly. "You had no money, no more tick with the butcher, yet here's meat. Am I right?"

Saxon could only bend her head.

The terrifying, ageless look had come into his face, the bleak and passionless glaze into his eyes, which she had first seen on the day at Weasel Park when he had fought with the three Irishmen.

"What else did you buy?" he demanded—not roughly, not angrily, but with the fearful coldness of a rage that words could not express.

To her surprise, she had grown calm. What did it matter? It was merely what one must expect, living in Oakland—something to be left behind when Oakland was a thing behind, a place started from.

"The coffee," she answered. "And the butter."

He emptied his plate of meat and her plate into the frying pan, likewise the roll of butter and the slice on the table, and on top he poured the contents of the coffee canister. All this he carried into the back yard and dumped in the garbage can. The coffee pot he emptied into the sink. "How much of the money you got left?" he next wanted to know.

Saxon had already gone to her purse and taken it out.

"Three dollars and eighty cents," she counted, handing it to him. "I paid forty-five cents for the steak."

He ran his eye over the money, counted it, and went to the front door. She heard the door open and close, and knew that the silver had been flung into the street. When he came back to the kitchen, Saxon was already serving him fried potatoes on a clean plate.

"Nothin's too good for the Robertses," he said; "but, by God, that sort of truck is too high for my stomach. It's so high it stinks."

He glanced at the fried potatoes, the fresh slice of dry bread, and the glass of water she was placing by his plate.

"It's all right," she smiled, as he hesitated. "There's nothing left that's tainted."

He shot a swift glance at her face, as if for sarcasm, then sighed and sat down. Almost immediately he was up again and holding out his arms to her.

"I'm goin' to eat in a minute, but I want to talk to you first," he said, sitting down and holding her closely. "Besides, that water ain't like coffee. Gettin' cold won't spoil it none. Now, listen. You're the only one I got in this world. You wasn't afraid of me an' what I just done, an' I'm glad of that. Now we'll forget all about Mary. I got charity enough. I'm just as sorry for her as you. I'd do anything for her. I'd wash her feet for her like Christ did. I'd let her eat at my table, an' sleep under my roof. But all that ain't no reason I should touch anything she's earned. Now forget her. It's you an' me, Saxon, only you an' me an' to hell with the rest of the world. Nothing else counts. You won't never have to be afraid of me again. Whisky an' I don't mix very well, so I'm goin' to cut whisky out. I've been clean off my nut, an' I ain't treated you altogether right. But that's all past. It won't never happen again. I'm goin' to start out fresh.

"Now take this thing. I oughtn't to acted so hasty. But I did. I oughta talked it over. But I didn't. My damned temper got the best of me, an' you know I got one. If a fellow can keep his temper in boxin', why he can keep it in bein' married, too. Only this got me too sudden-like. It's something I can't stomach, that I never could stomach. An' you wouldn't want me to any more'n I'd want you to stomach something you just couldn't."

She sat up straight on his knees and looked at him, afire with an idea.

"You mean that, Billy?"

"Sure I do."

"Then I'll tell you something I can't stomach any more. I'll die if I have to."

"Well?" he questioned, after a searching pause.

"It's up to you," she said.

"Then fire away."

"You don't know what you're letting yourself in for," she warned. "Maybe you'd better back out before it's too late."

He shook his head stubbornly.

"What you don't want to stomach you ain't goin' to stomach. Let her go."

"First," she commenced, "no more slugging of scabs."

His mouth opened, but he checked the involuntary protest.

"And, second, no more Oakland."

"I don't get that last."

"No more Oakland. No more living in Oakland. I'll die if I have to. It's pull up stakes and get out."

He digested this slowly.

"Where?" he asked finally.

"Anywhere. Everywhere. Smoke a cigarette and think it over."

He shook his head and studied her.

"You mean that?" he asked at length.

"I do. I want to chuck Oakland just as hard as you wanted to chuck the beefsteak, the coffee, and the butter."

She could see him brace himself. She could feel him brace his very body ere he answered.

"All right then, if that's what you want. We'll quit Oakland. We'll quit it cold. God damn it, anyway, it never done nothin' for me, an' I guess I'm husky enough to scratch for us both anywheres. An' now that's settled, just tell me what you got it in for Oakland for."

And she told him all she had thought out, marshaled all the facts in her indictment of Oakland, omitting nothing, not even her last visit to Doctor Hentley's office nor Billy's drinking. He but drew her closer and proclaimed his resolves anew. The time passed. The fried potatoes grew cold, and the stove went out.

When a pause came, Billy stood up, still holding her. He glanced at the fried potatoes.

"Stone cold," he said, then turned to her. "Come on. Put on your prettiest. We're goin' up town for something to eat an' to celebrate. I guess we got a celebration comin', seein' as we're going to pull up stakes an' pull our freight from the old burg. An' we won't have to walk. I can borrow a dime from the barber, an' I got enough junk to hock for a blowout."

His junk proved to be several gold medals won in his amateur days at boxing tournaments. Once up town and in the pawnshop, Uncle Sam seemed thoroughly versed in the value of the medals, and Billy jingled a handful of silver in his pocket as they walked out.

He was as hilarious as a boy, and she joined in his good spirits. When he stopped at a corner cigar store to buy a sack of Bull Durham, he changed his mind and bought Imperials.

"Oh, I'm a regular devil," he laughed. "Nothing's too good to-day—not even tailor-made smokes. An' no chop houses nor Jap joints for you an' me. It's Barnum's."

They strolled to the restaurant at Seventh and Broadway where they had had their wedding supper.

"Let's make believed we're not married," Saxon suggested.

"Sure," he agreed, "—an' take a private room so as the waiter'll have to knock on the door each time he comes in."

Saxon demurred at that.

"It will be too expensive, Billy. You'll have to tip him for the knocking. We'll take the regular dining room."

"Order anything you want," Billy said largely, when they were seated. "Here's family porterhouse, a dollar an' a half. What d'ye say?"

"And hash-browned," she abetted, "and coffee extra special, and some oysters first—I want to compare them with the rock oysters."

Billy nodded, and looked up from the bill of fare.

"Here's mussels bordelay. Try an order of them, too, an' see if they beat your Rock Wall ones."

"Why not?" Saxon cried, her eyes dancing. "The world is ours. We're just travelers through this town."

"Yep, that's the stuff," Billy muttered absently. He was looking at the theater column. He lifted his eyes from the paper. "Matinee at Bell's. We can get reserved seats for a quarter.—Doggone the luck anyway!"

His exclamation was so aggrieved and violent that it brought alarm into her eyes.

"If I'd only thought," he regretted, "we could a-gone to the Forum for grub. That's the swell joint where fellows like Roy Blanchard hangs out, blowin' the money we sweat for them."

They bought reserved tickets at Bell's Theater; but it was too early for the performance, and they went down Broadway and into the Electric Theater to while away the time on a moving picture show. A cowboy film was run off, and a French comic; then came a rural drama situated somewhere in the Middle West. It began with a farm yard scene. The sun blazed down on a corner of a barn and on a rail fence where the ground lay in the mottled shade of large trees overhead. There were chickens, ducks, and turkeys, scratching, waddling, moving about. A big sow, followed by a roly-poly litter of seven little ones, marched majestically through the chickens, rooting them out of the way. The hens, in turn, took it out on the little porkers, pecking them when they strayed too far from their mother. And over the top rail a horse looked drowsily on, ever and anon, at mathematically precise intervals, switching a lazy tail that flashed high lights in the sunshine.

"It's a warm day and there are flies—can't you just feel it?" Saxon whispered.

"Sure. An' that horse's tail! It's the most natural ever. Gee! I bet he knows the trick of clampin' it down over the reins. I wouldn't wonder if his name was Iron Tail."

A dog ran upon the scene. The mother pig turned tail and with short ludicrous jumps, followed by her progeny and pursued by the dog, fled out of the film. A young girl came on, a sunbonnet hanging down her back, her apron caught up in front and filled with grain which she threw to the buttering fowls. Pigeons flew down from the top of the film and joined in the scrambling feast. The dog returned, wading scarcely noticed among the feathered creatures, to wag his tail and laugh up at the girl. And, behind, the horse nodded over the rail and switched on. A young man entered, his errand immediately known to an audience educated in moving pictures. But Saxon had no eyes for the love-making, the pleading forcefulness, the shy reluctance, of man and maid. Ever her gaze wandered back to the chickens, to the mottled shade under the trees, to the warm wall of the barn, to the sleepy horse with its ever recurrent whisk of tail.

She drew closer to Billy, and her hand, passed around his arm, sought his hand.

"Oh, Billy," she sighed. "I'd just die of happiness in a place like that." And, when the film was ended. "We got lots of time for Bell's. Let's stay and see that one over again."

They sat through a repetition of the performance, and when the farm yard scene appeared, the longer Saxon looked at it the more it affected her. And this time she took in further details. She saw fields beyond, rolling hills in the background, and a cloud-flecked sky. She identified some of the chickens, especially an obstreperous old hen who resented the thrust of the sow's muzzle, particularly pecked at the little pigs, and laid about her with a vengeance when the grain fell. Saxon looked back across the fields to the hills and sky, breathing the spaciousness of it, the freedom, the content. Tears welled into her eyes and she wept silently, happily.

"I know a trick that'd fix that old horse if he ever clamped his tail down on me," Billy whispered.

"Now I know where we're going when we leave Oakland," she informed him.

"Where?"

"There."

He looked at her, and followed her gaze to the screen. "Oh," he said, and cogitated. "An' why shouldn't we?" he added.

"Oh, Billy, will you?"

Her lips trembled in her eagerness, and her whisper broke and was almost inaudible "Sure," he said. It was his day of royal largess.

"What you want is yourn, an' I'll scratch my fingers off for it. An' I've always had a hankerin' for the country myself. Say! I've known horses like that to sell for half the price, an' I can sure cure 'em of the habit."



CHAPTER XVIII

It was early evening when they got off the car at Seventh and Pine on their way home from Bell's Theater. Billy and Saxon did their little marketing together, then separated at the corner, Saxon to go on to the house and prepare supper, Billy to go and see the boys—the teamsters who had fought on in the strike during his month of retirement.

"Take care of yourself, Billy," she called, as he started off.

"Sure," he answered, turning his face to her over his shoulder.

Her heart leaped at the smile. It was his old, unsullied love-smile which she wanted always to see on his face—for which, armed with her own wisdom and the wisdom of Mercedes, she would wage the utmost woman's war to possess. A thought of this flashed brightly through her brain, and it was with a proud little smile that she remembered all her pretty equipment stored at home in the bureau and the chest of drawers.

Three-quarters of an hour later, supper ready, all but the putting on of the lamb chops at the sound of his step, Saxon waited. She heard the gate click, but instead of his step she heard a curious and confused scraping of many steps. She flew to open the door. Billy stood there, but a different Billy from the one she had parted from so short a time before. A small boy, beside him, held his hat. His face had been fresh-washed, or, rather, drenched, for his shirt and shoulders were wet. His pale hair lay damp and plastered against his forehead, and was darkened by oozing blood. Both arms hung limply by his side. But his face was composed, and he even grinned.

"It's all right," he reassured Saxon. "The joke's on me. Somewhat damaged but still in the ring." He stepped gingerly across the threshold. "—Come on in, you fellows. We're all mutts together."

He was followed in by the boy with his hat, by Bud Strothers and another teamster she knew, and by two strangers. The latter were big, hard-featured, sheepish-faced men, who stared at Saxon as if afraid of her.

"It's all right, Saxon," Billy began, but was interrupted by Bud.

"First thing is to get him on the bed an' cut his clothes off him. Both arms is broke, and here are the ginks that done it."

He indicated the two strangers, who shuffled their feet with embarrassment and looked more sheepish than ever.

Billy sat down on the bed, and while Saxon held the lamp, Bud and the strangers proceeded to cut coat, shirt, and undershirt from him.

"He wouldn't go to the receivin' hospital," Bud said to Saxon.

"Not on your life," Billy concurred. "I had 'em send for Doc Hentley. He'll be here any minute. Them two arms is all I got. They've done pretty well by me, an' I gotta do the same by them.—No medical students a-learnin' their trade on me."

"But how did it happens" Saxon demanded, looking from Billy to the two strangers, puzzled by the amity that so evidently existed among them all.

"Oh, they're all right," Billy dashed in. "They done it through mistake. They're Frisco teamsters, an' they come over to help us—a lot of 'em."

The two teamsters seemed to cheer up at this, and nodded their heads.

"Yes, missus," one of them rumbled hoarsely. "It's all a mistake, an'... well, the joke's on us."

"The drinks, anyway," Billy grinned.

Not only was Saxon not excited, but she was scarcely perturbed. What had happened was only to be expected.

It was in line with all that Oakland had already done to her and hers, and, besides, Billy was not dangerously hurt. Broken arms and a sore head would heal. She brought chairs and seated everybody.

"Now tell me what happened," she begged. "I'm all at sea, what of you two burleys breaking my husband's arms, then seeing him home and holding a love-fest with him."

"An' you got a right," Bud Strothers assured her. "You see, it happened this way—"

"You shut up, Bud," Billy broke it. "You didn't see anything of it."

Saxon looked to the San Francisco teamsters.

"We'd come over to lend a hand, seein' as the Oakland boys was gettin' some the short end of it," one spoke up, "an' we've sure learned some scabs there's better trades than drivin' team. Well, me an' Jackson here was nosin' around to see what we can see, when your husband comes moseyin' along. When he—"

"Hold on," Jackson interrupted. "Get it straight as you go along. We reckon we know the boys by sight. But your husband we ain't never seen around, him bein'..."

"As you might say, put away for a while," the first teamster took up the tale. "So, when we sees what we thinks is a scab dodgin' away from us an' takin' the shortcut through the alley—"

"The alley back of Campbell's grocery," Billy elucidated.

"Yep, back of the grocery," the first teamster went on; "why, we're sure he's one of them squarehead scabs, hired through Murray an' Ready, makin' a sneak to get into the stables over the back fences."

"We caught one there, Billy an' me," Bud interpolated.

"So we don't waste any time," Jackson said, addressing himself to Saxon. "We've done it before, an' we know how to do 'em up brown an' tie 'em with baby ribbon. So we catch your husband right in the alley."

"I was lookin' for Bud," said Billy. "The boys told me I'd find him somewhere around the other end of the alley. An' the first thing I know, Jackson, here, asks me for a match."

"An' right there's where I get in my fine work," resumed the first teamster.

"What?" asked Saxon.

"That." The man pointed to the wound in Billy's scalp. "I laid 'm out. He went down like a steer, an' got up on his knees dippy, a-gabblin' about somebody standin' on their foot. He didn't know where he was at, you see, clean groggy. An' then we done it."

The man paused, the tale told.

"Broke both his arms with the crowbar," Bud supplemented.

"That's when I come to myself, when the bones broke," Billy corroborated. "An' there was the two of 'em givin' me the ha-ha. 'That'll last you some time,' Jackson was sayin'. An' Anson says, 'I'd like to see you drive horses with them arms.' An' then Jackson says, 'let's give 'm something for luck.' An' with that he fetched me a wallop on the jaw—"

"No," corrected Anson. "That wallop was mine."

"Well, it sent me into dreamland over again," Billy sighed. "An' when I come to, here was Bud an' Anson an' Jackson dousin' me at a water trough. An' then we dodged a reporter an' all come home together."

Bud Strothers held up his fist and indicated freshly abraded skin.

"The reporter-guy just insisted on samplin' it," he said. Then, to Billy: "That's why I cut around Ninth an' caught up with you down on Sixth."

A few minutes later Doctor Hentley arrived, and drove the men from the rooms. They waited till he had finished, to assure themselves of Billy's well being, and then departed. In the kitchen Doctor Hentley washed his hands and gave Saxon final instructions. As he dried himself he sniffed the air and looked toward the stove where a pot was simmering.

"Clams," he said. "Where did you buy them?"

"I didn't buy them," replied Saxon. "I dug them myself."

"Not in the marsh?" he asked with quickened interest.

"Yes."

"Throw them away. Throw them out. They're death and corruption. Typhoid—I've got three cases now, all traced to the clams and the marsh."

When he had gone, Saxon obeyed. Still another mark against Oakland, she reflected—Oakland, the man-trap, that poisoned those it could not starve.

"If it wouldn't drive a man to drink," Billy groaned, when Saxon returned to him. "Did you ever dream such luck? Look at all my fights in the ring, an' never a broken bone, an' here, snap, snap, just like that, two arms smashed."

"Oh, it might be worse," Saxon smiled cheerfully.

"I'd like to know how. It might have been your neck."

"An' a good job. I tell you, Saxon, you gotta show me anything worse."

"I can," she said confidently.

"Well?"

"Well, wouldn't it be worse if you intended staying on in Oakland where it might happen again?"

"I can see myself becomin' a farmer an' plowin' with a pair of pipe-stems like these," he persisted.

"Doctor Hentley says they'll be stronger at the break than ever before. And you know yourself that's true of clean-broken bones. Now you close your eyes and go to sleep. You're all done up, and you need to keep your brain quiet and stop thinking."

He closed his eyes obediently. She slipped a cool hand under the nape of his neck and let it rest.

"That feels good," he murmured. "You're so cool, Saxon. Your hand, and you, all of you. Bein' with you is like comin' out into the cool night after dancin' in a hot room."

After several minutes of quiet, he began to giggle.

"What is it?" she asked.

"Oh, nothin'. I was just thinkin'—thinking of them mutts doin' me up—me, that's done up more scabs than I can remember."

Next morning Billy awoke with his blues dissipated. From the kitchen Saxon heard him painfully wrestling strange vocal acrobatics.

"I got a new song you never heard," he told her when she came in with a cup of coffee. "I only remember the chorus though. It's the old man talkin' to some hobo of a hired man that wants to marry his daughter. Mamie, that Billy Murphy used to run with before he got married, used to sing it. It's a kind of a sobby song. It used to always give Mamie the weeps. Here's the way the chorus goes—an' remember, it's the old man spielin'."

And with great solemnity and excruciating Batting, Billy sang:

"O treat my daughter kind-i-ly; An' say you'll do no harm, An' when I die I'll will to you My little house an' farm—My horse, my plow, my sheep, my cow, An' all them little chickens in the ga-a-rden.

"It's them little chickens in the garden that gets me," he explained. "That's how I remembered it—from the chickens in the movin' pictures yesterday. An' some day we'll have little chickens in the garden, won't we, old girl?"

"And a daughter, too," Saxon amplified.

"An' I'll be the old geezer sayin' them same words to the hired man," Billy carried the fancy along. "It don't take long to raise a daughter if you ain't in a hurry."

Saxon took her long-neglected ukulele from its case and strummed it into tune.

"And I've a song you never heard, Billy. Tom's always singing it. He's crazy about taking up government land and going farming, only Sarah won't think of it. He sings it something like this:

"We'll have a little farm, A pig, a horse, a cow, And you will drive the wagon, And I will drive the plow."

"Only in this case I guess it's me that'll do the plowin'," Billy approved. "Say, Saxon, sing 'Harvest Days.' That's a farmer's song, too."

After that she feared the coffee was growing cold and compelled Billy to take it. In the helplessness of two broken arms, he had to be fed like a baby, and as she fed him they talked.

"I'll tell you one thing," Billy said, between mouthfuls. "Once we get settled down in the country you'll have that horse you've been wishin' for all your life. An' it'll be all your own, to ride, drive, sell, or do anything you want with."

And, again, he ruminated: "One thing that'll come handy in the country is that I know horses; that's a big start. I can always get a job at that—if it ain't at union wages. An' the other things about farmin' I can learn fast enough.—Say, d'ye remember that day you first told me about wantin' a horse to ride all your life?"

Saxon remembered, and it was only by a severe struggle that she was able to keep the tears from welling into her eyes. She seemed bursting with happiness, and she was remembering many things—all the warm promise of life with Billy that had been hers in the days before hard times. And now the promise was renewed again. Since its fulfillment had not come to them, they were going away to fulfill it for themselves and make the moving pictures come true.

Impelled by a half-feigned fear, she stole away into the kitchen bedroom where Bert had died, to study her face in the bureau mirror. No, she decided; she was little changed. She was still equipped for the battlefield of love. Beautiful she was not. She knew that. But had not Mercedes said that the great women of history who had won men had not been beautiful? And yet, Saxon insisted, as she gazed at her reflection, she was anything but unlovely. She studied her wide gray eyes that were so very gray, that were always alive with light and vivacities, where, in the surface and depths, always swam thoughts unuttered, thoughts that sank down and dissolved to give place to other thoughts. The brows were excellent—she realized that. Slenderly penciled, a little darker than her light brown hair, they just fitted her irregular nose that was feminine but not weak, that if anything was piquant and that picturesquely might be declared impudent.

She could see that her face was slightly thin, that the red of her lips was not quite so red, and that she had lost some of her quick coloring. But all that would come back again. Her mouth was not of the rosebud type she saw in the magazines. She paid particular attention to it. A pleasant mouth it was, a mouth to be joyous with, a mouth for laughter and to make laughter in others. She deliberately experimented with it, smiled till the corners dented deeper. And she knew that when she smiled her smile was provocative of smiles. She laughed with her eyes alone—a trick of hers. She threw back her head and laughed with eyes and mouth together, between her spread lips showing the even rows of strong white teeth.

And she remembered Billy's praise of her teeth, the night at Germanic Hall after he had told Charley Long he was standing on his foot. "Not big, and not little dinky baby's teeth either," Billy had said, "... just right, and they fit you." Also, he had said that to look at them made him hungry, and that they were good enough to eat.

She recollected all the compliments he had ever paid her. Beyond all treasures, these were treasures to her—the love phrases, praises, and admirations. He had said her skin was cool—soft as velvet, too, and smooth as silk. She rolled up her sleeve to the shoulder, brushed her cheek with the white skin for a test, with deep scrutiny examined the fineness of its texture. And he had told her that she was sweet; that he hadn't known what it meant when they said a girl was sweet, not until he had known her. And he had told her that her voice was cool, that it gave him the feeling her hand did when it rested on his forehead. Her voice went all through him, he had said, cool and fine, like a wind of coolness. And he had likened it to the first of the sea breeze setting in the afternoon after a scorching hot morning. And, also, when she talked low, that it was round and sweet, like the 'cello in the Macdonough Theater orchestra.

He had called her his Tonic Kid. He had called her a thoroughbred, clean-cut and spirited, all fine nerves and delicate and sensitive. He had liked the way she carried her clothes. She carried them like a dream, had been his way of putting it. They were part of her, just as much as the cool of her voice and skin and the scent of her hair.

And her figure! She got upon a chair and tilted the mirror so that she could see herself from hips to feet. She drew her skirt back and up. The slender ankle was just as slender. The calf had lost none of its delicately mature swell. She studied her hips, her waist, her bosom, her neck, the poise of her head, and sighed contentedly. Billy must be right, and he had said that she was built like a French woman, and that in the matter of lines and form she could give Annette Kellerman cards and spades.

He had said so many things, now that she recalled them all at one time. Her lips! The Sunday he proposed he had said: "I like to watch your lips talking. It's funny, but every move they make looks like a tickly kiss." And afterward, that same day: "You looked good to me from the first moment I spotted you." He had praised her housekeeping. He had said he fed better, lived more comfortably, held up his end with the fellows, and saved money. And she remembered that day when he had crushed her in his arms and declared she was the greatest little bit of a woman that had ever come down the pike.

She ran her eyes over all herself in the mirror again, gathered herself together into a whole, compact and good to look upon—delicious, she knew. Yes, she would do. Magnificent as Billy was in his man way, in her own way she was a match for him. Yes, she had done well by Billy. She deserved much—all he could give her, the best he could give her. But she made no blunder of egotism. Frankly valuing herself, she as frankly valued him. When he was himself, his real self, not harassed by trouble, not pinched by the trap, not maddened by drink, her man-boy and lover, he was well worth all she gave him or could give him.

Saxon gave herself a farewell look. No. She was not dead, any more than was Billy's love dead, than was her love dead. All that was needed was the proper soil, and their love would grow and blossom. And they were turning their backs upon Oakland to go and seek that proper soil.

"Oh, Billy!" she called through the partition, still standing on the chair, one hand tipping the mirror forward and back, so that she was able to run her eyes from the reflection of her ankles and calves to her face, warm with color and roguishly alive.

"Yes?" she heard him answer.

"I'm loving myself," she called back.

"What's the game?" came his puzzled query. "What are you so stuck on yourself for!"

"Because you love me," she answered. "I love every bit of me, Billy, because... because... well, because you love every bit of me."



CHAPTER XIX

Between feeding and caring for Billy, doing the housework, making plans, and selling her store of pretty needlework, the days flew happily for Saxon. Billy's consent to sell her pretties had been hard to get, but at last she succeeded in coaxing it out of him.

"It's only the ones I haven't used," she urged; "and I can always make more when we get settled somewhere."

What she did not sell, along with the household linen and hers and Billy's spare clothing, she arranged to store with Tom.

"Go ahead," Billy said. "This is your picnic. What you say goes. You're Robinson Crusoe an' I'm your man Friday. Make up your mind yet which way you're goin' to travel?"

Saxon shook her head.

"Or how?"

She held up one foot and then the other, encased in stout walking shoes which she had begun that morning to break in about the house. "Shank's mare, eh?"

"It's the way our people came into the West," she said proudly.

"It'll be regular trampin', though," he argued. "An' I never heard of a woman tramp."

"Then here's one. Why, Billy, there's no shame in tramping. My mother tramped most of the way across the Plains. And 'most everybody else's mother tramped across in those days. I don't care what people will think. I guess our race has been on the tramp since the beginning of creation, just like we'll be, looking for a piece of land that looked good to settle down on."

After a few days, when his scalp was sufficiently healed and the bone-knitting was nicely in process, Billy was able to be up and about. He was still quite helpless, however, with both his arms in splints.

Doctor Hentley not only agreed, but himself suggested, that his bill should wait against better times for settlement. Of government land, in response to Saxon's eager questioning, he knew nothing, except that he had a hazy idea that the days of government land were over.

Tom, on the contrary, was confident that there was plenty of government hand. He talked of Honey Lake, of Shasta County, and of Humboldt.

"But you can't tackle it at this time of year, with winter comin' on," he advised Saxon. "The thing for you to do is head south for warmer weather—say along the coast. It don't snow down there. I tell you what you do. Go down by San Jose and Salinas an' come out on the coast at Monterey. South of that you'll find government land mixed up with forest reserves and Mexican rancheros. It's pretty wild, without any roads to speak of. All they do is handle cattle. But there's some fine redwood canyons, with good patches of farming ground that run right down to the ocean. I was talkin' last year with a fellow that's been all through there. An' I'd a-gone, like you an' Billy, only Sarah wouldn't hear of it. There's gold down there, too. Quite a bunch is in there prospectin', an' two or three good mines have opened. But that's farther along and in a ways from the coast. You might take a look."

Saxon shook her head. "We're not looking for gold but for chickens and a place to grow vegetables. Our folks had all the chance for gold in the early days, and what have they got to show for it?"

"I guess you're right," Tom conceded. "They always played too big a game, an' missed the thousand little chances right under their nose. Look at your pa. I've heard him tell of selling three Market street lots in San Francisco for fifty dollars each. They're worth five hundred thousand right now. An' look at Uncle Will. He had ranches till the cows come home. Satisfied? No. He wanted to be a cattle king, a regular Miller and Lux. An' when he died he was a night watchman in Los Angeles at forty dollars a month. There's a spirit of the times, an' the spirit of the times has changed. It's all big business now, an' we're the small potatoes. Why, I've heard our folks talk of livin' in the Western Reserve. That was all around what's Ohio now. Anybody could get a farm them days. All they had to do was yoke their oxen an' go after it, an' the Pacific Ocean thousands of miles to the west, an' all them thousands of miles an' millions of farms just waitin' to be took up. A hundred an' sixty acres? Shucks. In the early days in Oregon they talked six hundred an' forty acres. That was the spirit of them times—free land, an' plenty of it. But when we reached the Pacific Ocean them times was ended. Big business begun; an' big business means big business men; an' every big business man means thousands of little men without any business at all except to work for the big ones. They're the losers, don't you see? An' if they don't like it they can lump it, but it won't do them no good. They can't yoke up their oxen an' pull on. There's no place to pull on. China's over there, an' in between's a mighty lot of salt water that's no good for farmin' purposes."

"That's all clear enough," Saxon commented.

"Yes," her brother went on. "We can all see it after it's happened, when it's too late."

"But the big men were smarter," Saxon remarked.

"They were luckier," Tom contended. "Some won, but most lost, an' just as good men lost. It was almost like a lot of boys scramblin' on the sidewalk for a handful of small change. Not that some didn't have far-seein'. But just take your pa, for example. He come of good Down East stock that's got business instinct an' can add to what it's got. Now suppose your pa had developed a weak heart, or got kidney disease, or caught rheumatism, so he couldn't go gallivantin' an' rainbow chasin', an' fightin' an' explorin' all over the West. Why, most likely he'd a settled down in San Francisco—he'd a-had to—an' held onto them three Market street lots, an' bought more lots, of course, an' gone into steamboat companies, an' stock gamblin', an' railroad buildin', an' Comstock-tunnelin'.

"Why, he'd a-become big business himself. I know 'm. He was the most energetic man I ever saw, think quick as a wink, as cool as an icicle an' as wild as a Comanche. Why, he'd a-cut a swath through the free an' easy big business gamblers an' pirates of them days; just as he cut a swath through the hearts of the ladies when he went gallopin' past on that big horse of his, sword clatterin', spurs jinglin', his long hair flyin', straight as an Indian, clean-built an' graceful as a blue-eyed prince out of a fairy book an' a Mexican caballero all rolled into one; just as he cut a swath through the Johnny Rebs in Civil War days, chargin' with his men all the way through an' back again, an' yellin' like a wild Indian for more. Cady, that helped raise you, told me about that. Cady rode with your pa.

"Why, if your pa'd only got laid up in San Francisco, he would a-ben one of the big men of the West. An' in that case, right now, you'd be a rich young woman, travelin' in Europe, with a mansion on Nob Hill along with the Floods and Crockers, an' holdin' majority stock most likely in the Fairmount Hotel an' a few little concerns like it. An' why ain't you? Because your pa wasn't smart? No. His mind was like a steel trap. It's because he was filled to burstin' an' spillin' over with the spirit of the times; because he was full of fire an' vinegar an' couldn't set down in one place. That's all the difference between you an' the young women right now in the Flood and Crocker families. Your father didn't catch rheumatism at the right time, that's all."

Saxon sighed, then smiled.

"Just the same, I've got them beaten," she said. "The Miss Floods and Miss Crockers can't marry prize-fighters, and I did."

Tom looked at her, taken aback for the moment, with admiration, slowly at first, growing in his face.

"Well, all I got to say," he enunciated solemnly, "is that Billy's so lucky he don't know how lucky he is."

Not until Doctor Hentley gave the word did the splints come off Billy's arms, and Saxon insisted upon an additional two weeks' delay so that no risk would be run. These two weeks would complete another month's rent, and the landlord had agreed to wait payment for the last two months until Billy was on his feet again.

Salinger's awaited the day set by Saxon for taking back their furniture. Also, they had returned to Billy seventy-five dollars.

"The rest you've paid will be rent," the collector told Saxon. "And the furniture's second hand now, too. The deal will be a loss to Salinger's' and they didn't have to do it, either; you know that. So just remember they've been pretty square with you, and if you start over again don't forget them."

Out of this sum, and out of what was realized from Saxon's pretties, they were able to pay all their small bills and yet have a few dollars remaining in pocket.

"I hate owin' things worse 'n poison," Billy said to Saxon. "An' now we don't owe a soul in this world except the landlord an' Doc Hentley."

"And neither of them can afford to wait longer than they have to," she said.

"And they won't," Billy answered quietly.

She smiled her approval, for she shared with Billy his horror of debt, just as both shared it with that early tide of pioneers with a Puritan ethic, which had settled the West.

Saxon timed her opportunity when Billy was out of the house to pack the chest of drawers which had crossed the Atlantic by sailing ship and the Plains by ox team. She kissed the bullet hole in it, made in the fight at Little Meadow, as she kissed her father's sword, the while she visioned him, as she always did, astride his roan warhorse. With the old religious awe, she pored over her mother's poems in the scrap-book, and clasped her mother's red satin Spanish girdle about her in a farewell embrace. She unpacked the scrap-book in order to gaze a last time at the wood engraving of the Vikings, sword in hand, leaping upon the English sands. Again she identified Billy as one of the Vikings, and pondered for a space on the strange wanderings of the seed from which she sprang. Always had her race been land-hungry, and she took delight in believing she had bred true; for had not she, despite her life passed in a city, found this same land-hunger in her? And was she not going forth to satisfy that hunger, just as her people of old time had done, as her father and mother before her? She remembered her mother's tale of how the promised land looked to them as their battered wagons and weary oxen dropped down through the early winter snows of the Sierras to the vast and flowering sun-land of California: In fancy, herself a child of nine, she looked down from the snowy heights as her mother must have looked down. She recalled and repeated aloud one of her mother's stanzas:

"'Sweet as a wind-lute's airy strains Your gentle muse has learned to sing And California's boundless plains Prolong the soft notes echoing.'"

She sighed happily and dried her eyes. Perhaps the hard times were past. Perhaps they had constituted HER Plains, and she and Billy had won safely across and were even then climbing the Sierras ere they dropped down into the pleasant valley land.

Salinger's wagon was at the house, taking out the furniture, the morning they left. The landlord, standing at the gate, received the keys, shook hands with them, and wished them luck. "You're goin' at it right," he congratulated them. "Sure an' wasn't it under me roll of blankets I tramped into Oakland meself forty year ago! Buy land, like me, when it's cheap. It'll keep you from the poorhouse in your old age. There's plenty of new towns springin' up. Get in on the ground floor. The work of your hands'll keep you in food an' under a roof, an' the lend 'll make you well to do. An' you know me address. When you can spare send me along that small bit of rent. An' good luck. An' don't mind what people think. 'Tis them that looks that finds."

Curious neighbors peeped from behind the blinds as Billy and Saxon strode up the street, while the children gazed at them in gaping astonishment. On Billy's back, inside a painted canvas tarpaulin, was slung the roll of bedding. Inside the roll were changes of underclothing and odds and ends of necessaries. Outside, from the lashings, depended a frying pan and cooking pail. In his hand he carried the coffee pot. Saxon carried a small telescope basket protected by black oilcloth, and across her back was the tiny ukulele case.

"We must look like holy frights," Billy grumbled, shrinking from every gaze that was bent upon him.

"It'd be all right, if we were going camping," Saxon consoled. "Only we're not."

"But they don't know that," she continued. "It's only you know that, and what you think they're thinking isn't what they're thinking at all. Most probably they think we're going camping. And the best of it is we are going camping. We are! We are!"

At this Billy cheered up, though he muttered his firm intention to knock the block off of any guy that got fresh. He stole a glance at Saxon. Her cheeks were red, her eyes glowing.

"Say," he said suddenly. "I seen an opera once, where fellows wandered over the country with guitars slung on their backs just like you with that strummy-strum. You made me think of them. They was always singin' songs."

"That's what I brought it along for," Saxon answered.

"And when we go down country roads we'll sing as we go along, and we'll sing by the campfires, too. We're going camping, that's all. Taking a vacation and seeing the country. So why shouldn't we have a good time? Why, we don't even know where we're going to sleep to-night, or any night. Think of the fun!"

"It's a sporting proposition all right, all right," Billy considered. "But, just the same, let's turn off an' go around the block. There's some fellows I know, standin' up there on the next corner, an' I don't want to knock THEIR blocks off."



BOOK III



CHAPTER I

The car ran as far as Hayward's, but at Saxon's suggestion they got off at San Leandro.

"It doesn't matter where we start walking," she said, "for start to walk somewhere we must. And as we're looking for land and finding out about land, the quicker we begin to investigate the better. Besides, we want to know all about all kinds of land, close to the big cities as well as back in the mountains."

"Gee!—this must be the Porchugeeze headquarters," was Billy's reiterated comment, as they walked through San Leandro.

"It looks as though they'd crowd our kind out," Saxon adjudged.

"Some tall crowdin', I guess," Billy grumbled. "It looks like the free-born American ain't got no room left in his own land."

"Then it's his own fault," Saxon said, with vague asperity, resenting conditions she was just beginning to grasp.

"Oh, I don't know about that. I reckon the American could do what the Porchugeeze do if he wanted to. Only he don't want to, thank God. He ain't much given to livin' like a pig often leavin's."

"Not in the country, maybe," Saxon controverted. "But I've seen an awful lot of Americans living like pigs in the cities."

Billy grunted unwilling assent. "I guess they quit the farms an' go to the city for something better, an' get it in the neck."

"Look at all the children!" Saxon cried. "School's letting out. And nearly all are Portuguese, Billy, NOT Porchugeeze. Mercedes taught me the right way."

"They never wore glad rags like them in the old country," Billy sneered. "They had to come over here to get decent clothes and decent grub. They're as fat as butterballs."

Saxon nodded affirmation, and a great light seemed suddenly to kindle in her understanding.

"That's the very point, Billy. They're doing it—doing it farming, too. Strikes don't bother THEM."

"You don't call that dinky gardening farming," he objected, pointing to a piece of land barely the size of an acre, which they were passing.

"Oh, your ideas are still big," she laughed. "You're like Uncle Will, who owned thousands of acres and wanted to own a million, and who wound up as night watchman. That's what was the trouble with all us Americans. Everything large scale. Anything less than one hundred and sixty acres was small scale."

"Just the same," Billy held stubbornly, "large scale's a whole lot better'n small scale like all these dinky gardens."

Saxon sighed. "I don't know which is the dinkier," she observed finally, "—owning a few little acres and the team you're driving, or not owning any acres and driving a team somebody else owns for wages."

Billy winced.

"Go on, Robinson Crusoe," he growled good naturedly. "Rub it in good an' plenty. An' the worst of it is it's correct. A hell of a free-born American I've been, adrivin' other folkses' teams for a livin', a-strikin' and a-sluggin' scabs, an' not bein' able to keep up with the installments for a few sticks of furniture. Just the same I was sorry for one thing. I hated worse in Sam Hill to see that Morris chair go back—you liked it so. We did a lot of honeymoonin' in that chair."

They were well out of San Leandro, walking through a region of tiny holdings—"farmlets," Billy called them; and Saxon got out her ukulele to cheer him with a song.

First, it was "Treat my daughter kind-i-ly," and then she swung into old-fashioned darky camp-meeting hymns, beginning with:

"Oh! de Judgmen' Day am rollin' roan', Rollin', yes, a-rollin', I hear the trumpets' awful soun', Rollin', yes, a-rollin'."

A big touring car, dashing past, threw a dusty pause in her singing, and Saxon delivered herself of her latest wisdom.

"Now, Billy, remember we're not going to take up with the first piece of land we see. We've got to go into this with our eyes open—"

"An' they ain't open yet," he agreed.

"And we've got to get them open. ''Tis them that looks that finds.' There's lots of time to learn things. We don't care if it takes months and months. We're footloose. A good start is better than a dozen bad ones. We've got to talk and find out. We'll talk with everybody we meet. Ask questions. Ask everybody. It's the only way to find out."

"I ain't much of a hand at askin' questions," Billy demurred.

"Then I'll ask," she cried. "We've got to win out at this game, and the way is to know. Look at all these Portuguese. Where are all the Americans? They owned the land first, after the Mexicans. What made the Americans clear out? How do the Portuguese make it go? Don't you see? We've got to ask millions of questions."

She strummed a few chords, and then her clear sweet voice rang out gaily:

"I's g'wine back to Dixie, I's g'wine back to Dixie, I's g'wine where de orange blossoms grow, For I hear de chillun callin', I see de sad tears fallin'—My heart's turned back to Dixie, An' I mus'go."

She broke off to exclaim: "Oh! What a lovely place! See that arbor—just covered with grapes!"

Again and again she was attracted by the small places they passed. Now it was: "Look at the flowers!" or: "My! those vegetables!" or: "See! They've got a cow!"

Men—Americans—driving along in buggies or runabouts looked at Saxon and Billy curiously. This Saxon could brook far easier than could Billy, who would mutter and grumble deep in his throat.

Beside the road they came upon a lineman eating his lunch.

"Stop and talk," Saxon whispered.

"Aw, what's the good? He's a lineman. What'd he know about farmin'?"

"You never can tell. He's our kind. Go ahead, Billy. You just speak to him. He isn't working now anyway, and he'll be more likely to talk. See that tree in there, just inside the gate, and the way the branches are grown together. It's a curiosity. Ask him about it. That's a good way to get started."

Billy stopped, when they were alongside.

"How do you do," he said gruffly.

The lineman, a young fellow, paused in the cracking of a hard-boiled egg to stare up at the couple.

"How do you do," he said.

Billy swung his pack from his shoulders to the ground, and Saxon rested her telescope basket.

"Peddlin'?" the young man asked, too discreet to put his question directly to Saxon, yet dividing it between her and Billy, and cocking his eye at the covered basket.

"No," she spoke up quickly. "We're looking for land. Do you know of any around here?"

Again he desisted from the egg, studying them with sharp eyes as if to fathom their financial status.

"Do you know what land sells for around here?" he asked.

"No," Saxon answered. "Do you?"

"I guess I ought to. I was born here. And land like this all around you runs at from two to three hundred to four an' five hundred dollars an acre."

"Whew!" Billy whistled. "I guess we don't want none of it."

"But what makes it that high? Town lots?" Saxon wanted to know.

"Nope. The Porchugeeze make it that high, I guess."

"I thought it was pretty good land that fetched a hundred an acre," Billy said.

"Oh, them times is past. They used to give away land once, an' if you was good, throw in all the cattle runnin' on it."

"How about government land around here?" was Billy'a next query.

"Ain't none, an' never was. This was old Mexican grants. My grandfather bought sixteen hundred of the best acres around here for fifteen hundred dollars—five hundred down an' the balance in five years without interest. But that was in the early days. He come West in '48, tryin' to find a country without chills an' fever."

"He found it all right," said Billy.

"You bet he did. An' if him an' father 'd held onto the land it'd been better than a gold mine, an' I wouldn't be workin' for a livin'. What's your business?"

"Teamster."

"Ben in the strike in Oakland?"

"Sure thing. I've teamed there most of my life."

Here the two men wandered off into a discussion of union affairs and the strike situation; but Saxon refused to be balked, and brought back the talk to the land.

"How was it the Portuguese ran up the price of lend?" she asked.

The young fellow broke away from union matters with an effort, and for a moment regarded her with lack luster eyes, until the question sank into his consciousness.

"Because they worked the land overtime. Because they worked mornin', noon, an' night, all hands, women an' kids. Because they could get more out of twenty acres than we could out of a hundred an' sixty. Look at old Silva—Antonio Silva. I've known him ever since I was a shaver. He didn't have the price of a square meal when he hit this section and begun leasin' land from my folks. Look at him now—worth two hundred an' fifty thousan' cold, an' I bet he's got credit for a million, an' there's no tellin' what the rest of his family owns."

"And he made all that out of your folks' land?" Saxon demanded.

The young man nodded his head with evident reluctance.

"Then why didn't your folks do it?" she pursued.

The lineman shrugged his shoulders.

"Search me," he said.

"But the money was in the land," she persisted.

"Blamed if it was," came the retort, tinged slightly with color. "We never saw it stickin' out so as you could notice it. The money was in the hands of the Porchugeeze, I guess. They knew a few more 'n we did, that's all."

Saxon showed such dissatisfaction with his explanation that he was stung to action. He got up wrathfully. "Come on, an' I'll show you," he said. "I'll show you why I'm workin' for wages when I might a-ben a millionaire if my folks hadn't been mutts. That's what we old Americans are, Mutts, with a capital M."

He led them inside the gate, to the fruit tree that had first attracted Saxon's attention. From the main crotch diverged the four main branches of the tree. Two feet above the crotch the branches were connected, each to the ones on both sides, by braces of living wood.

"You think it growed that way, eh? Well, it did. But it was old Silva that made it just the same—caught two sprouts, when the tree was young, an' twisted 'em together. Pretty slick, eh? You bet. That tree'll never blow down. It's a natural, springy brace, an' beats iron braces stiff. Look along all the rows. Every tree's that way. See? An' that's just one trick of the Porchugeeze. They got a million like it.

"Figure it out for yourself. They don't need props when the crop's heavy. Why, when we had a heavy crop, we used to use five props to a tree. Now take ten acres of trees. That'd be some several thousan' props. Which cost money, an' labor to put in an' take out every year. These here natural braces don't have to have a thing done. They're Johnny-on-the-spot all the time. Why, the Porchugeeze has got us skinned a mile. Come on, I'll show you."

Billy, with city notions of trespass, betrayed perturbation at the freedom they were making of the little farm.

"Oh, it's all right, as long as you don't step on nothin'," the lineman reassured him. "Besides, my grandfather used to own this. They know me. Forty years ago old Silva come from the Azores. Went sheep-herdin' in the mountains for a couple of years, then blew in to San Leandro. These five acres was the first land he leased. That was the beginnin'. Then he began leasin' by the hundreds of acres, an' by the hundred-an'-sixties. An' his sisters an' his uncles an' his aunts begun pourin' in from the Azores—they're all related there, you know; an' pretty soon San Leandro was a regular Porchugeeze settlement.

"An' old Silva wound up by buyin' these five acres from grandfather. Pretty soon—an' father by that time was in the hole to the neck—he was buyin' father's land by the hundred-an'-sixties. An' all the rest of his relations was coin' the same thing. Father was always gettin' rich quick, an' he wound up by dyin' in debt. But old Silva never overlooked a bet, no matter how dinky. An' all the rest are just like him. You see outside the fence there, clear to the wheel-tracks in the road—horse-beans. We'd a-scorned to do a picayune thing like that. Not Silva. Why he's got a town house in San Leandro now. An' he rides around in a four-thousan'-dollar tourin' car. An' just the same his front door yard grows onions clear to the sidewalk. He clears three hundred a year on that patch alone. I know ten acres of land he bought last year,—a thousan' an acre they asked'm, an' he never batted an eye. He knew it was worth it, that's all. He knew he could make it pay. Back in the hills, there, he's got a ranch of five hundred an' eighty acres, bought it dirt cheap, too; an' I want to tell you I could travel around in a different tourin' car every day in the week just outa the profits he makes on that ranch from the horses all the way from heavy draughts to fancy steppers.

"But how?—how?—how did he get it all?" Saxon clamored.

"By bein' wise to farmin'. Why, the whole blame family works. They ain't ashamed to roll up their sleeves an' dig—sons an' daughters an' daughter-in-laws, old man, old woman, an' the babies. They have a sayin' that a kid four years old that can't pasture one cow on the county road an' keep it fat ain't worth his salt. Why, the Silvas, the whole tribe of 'em, works a hundred acres in peas, eighty in tomatoes, thirty in asparagus, ten in pie-plant, forty in cucumbers, an'—oh, stacks of other things."

"But how do they do it?" Saxon continued to demand. "We've never been ashamed to work. We've worked hard all our lives. I can out-work any Portuguese woman ever born. And I've done it, too, in the jute mills. There were lots of Portuguese girls working at the looms all around me, and I could out-weave them, every day, and I did, too. It isn't a case of work. What is it?"

The lineman looked at her in a troubled way.

"Many's the time I've asked myself that same question. 'We're better'n these cheap emigrants,' I'd say to myself. 'We was here first, an' owned the land. I can lick any Dago that ever hatched in the Azores. I got a better education. Then how in thunder do they put it all over us, get our land, an' start accounts in the banks?' An' the only answer I know is that we ain't got the sabe. We don't use our head-pieces right. Something's wrong with us. Anyway, we wasn't wised up to farming. We played at it. Show you? That's what I brung you in for—the way old Silva an' all his tribe farms. Book at this place. Some cousin of his, just out from the Azores, is makin' a start on it, an' payin' good rent to Silva. Pretty soon he'll be up to snuff an' buyin' land for himself from some perishin' American farmer.

"Look at that—though you ought to see it in summer. Not an inch wasted. Where we got one thin crop, they get four fat crops. An' look at the way they crowd it—currants between the tree rows, beans between the currant rows, a row of beans close on each side of the trees, an' rows of beans along the ends of the tree rows. Why, Silva wouldn't sell these five acres for five hundred an acre cash down. He gave grandfather fifty an acre for it on long time, an' here am I, workin' for the telephone company an' putting' in a telephone for old Silva's cousin from the Azores that can't speak American yet. Horse-beans along the road—say, when Silva swung that trick he made more outa fattenin' hogs with 'em than grandfather made with all his farmin'. Grandfather stuck up his nose at horse-beans. He died with it stuck up, an' with more mortgages on the land he had left than you could shake a stick at. Plantin' tomatoes wrapped up in wrappin' paper—ever heard of that? Father snorted when he first seen the Porchugeeze doin' it. An' he went on snortin'. Just the same they got bumper crops, an' father's house-patch of tomatoes was eaten by the black beetles. We ain't got the sabe, or the knack, or something or other. Just look at this piece of ground—four crops a year, an' every inch of soil workin' over time. Why, back in town there, there's single acres that earns more than fifty of ours in the old days. The Porchugeeze is natural-born farmers, that's all, an' we don't know nothin' about farmin' an' never did."

Saxon talked with the lineman, following him about, till one o'clock, when he looked at his watch, said good bye, and returned to his task of putting in a telephone for the latest immigrant from the Azores.

When in town, Saxon carried her oilcloth-wrapped telescope in her hand; but it was so arranged with loops, that, once on the road, she could thrust her arms through the loops and carry it on her back. When she did this, the tiny ukulele case was shifted so that it hung under her left arm.

A mile on from the lineman, they stopped where a small creek, fringed with brush, crossed the county road. Billy was for the cold lunch, which was the last meal Saxon had prepared in the Pine street cottage; but she was determined upon building a fire and boiling coffee. Not that she desired it for herself, but that she was impressed with the idea that everything at the starting of their strange wandering must be as comfortable as possible for Billy's sake. Bent on inspiring him with enthusiasm equal to her own, she declined to dampen what sparks he had caught by anything so uncheerful as a cold meal.

"Now one thing we want to get out of our heads right at the start, Billy, is that we're in a hurry. We're not in a hurry, and we don't care whether school keeps or not. We're out to have a good time, a regular adventure like you read about in books.—My! I wish that boy that took me fishing to Goat Island could see me now. Oakland was just a place to start from, he said. And, well, we've started, haven't we? And right here's where we stop and boil coffee. You get the fire going, Billy, and I'll get the water and the things ready to spread out."

"Say," Billy remarked, while they waited for the water to boil, "d'ye know what this reminds me of?"

Saxon was certain she did know, but she shook her head. She wanted to hear him say it.

"Why, the second Sunday I knew you, when we drove out to Moraga Valley behind Prince and King. You spread the lunch that day."

"Only it was a more scrumptious lunch," she added, with a happy smile.

"But I wonder why we didn't have coffee that day," he went on.

"Perhaps it would have been too much like housekeeping," she laughed; "kind of what Mary would call indelicate—"

"Or raw," Billy interpolated. "She was always springin' that word."

"And yet look what became of her."

"That's the way with all of them," Billy growled somberly. "I've always noticed it's the fastidious, la-de-da ones that turn out the rottenest. They're like some horses I know, a-shyin' at the things they're the least afraid of."

Saxon was silent, oppressed by a sadness, vague and remote, which the mention of Bert's widow had served to bring on.

"I know something else that happened that day which you'd never guess," Billy reminisced. "I bet you couldn't.

"I wonder," Saxon murmured, and guessed it with her eyes.

Billy's eyes answered, and quite spontaneously he reached over, caught her hand, and pressed it caressingly to his cheek.

"It's little, but oh my," he said, addressing the imprisoned hand. Then he gazed at Saxon, and she warmed with his words. "We're beginnin' courtin' all over again, ain't we?"

Both ate heartily, and Billy was guilty of three cups of coffee.

"Say, this country air gives some appetite," he mumbled, as he sank his teeth into his fifth bread-and-meat sandwich. "I could eat a horse, an' drown his head off in coffee afterward."

Saxon's mind had reverted to all the young lineman had told her, and she completed a sort of general resume of the information. "My!" she exclaimed, "but we've learned a lot!"

"An' we've sure learned one thing," Billy said. "An' that is that this is no place for us, with land a thousan' an acre an' only twenty dollars in our pockets."

"Oh, we're not going to stop here," she hastened to say.

"But just the same it's the Portuguese that gave it its price, and they make things go on it—send their children to school... and have them; and, as you said yourself, they're as fat as butterballs."

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