[Footnote 15: 'In the steamboat!' Yes, reader, the steamboat. It is clear that there was one in Homer's time. See the art. Phaeacian in the Odyssey: if it paid then, a fortiori six hundred years after. The only point unknown about it, is the captain's name and the state-cabin fares.]

Xenophon now is quite another sort of man; he could use his pen; but also he could use his sword; and (when need was) his heels, in running away. His Grecian history of course is a mere fraction of the general history; and, moreover, our own belief, founded upon the differences of the style, is, that the work now received for his must be spurious. But in this place the question is not worth discussing. Two works remain, professedly historical, which, beyond a doubt, are his; and one of them the most interesting prose work by much which Athens has bequeathed us; though, by the way, Xenophon was living in a sort of elegant exile at a chateau in Thessaly, and not under Athenian protection, when he wrote it. Both of his great works relate to a Persian Cyrus, but to a Cyrus of different centuries. The Cyropaedia is a romance, pretty much on the plan of Fenelon's Telemaque, only (Heaven be praised!) not so furiously apoplectic. It pursues the great Cyrus, the founder of the Persian empire, the Cyrus of the Jewish prophets, from his infancy to his death-bed; and describes evidently not any real prince, according to any authentic record of his life, but, upon some basis of hints and vague traditions, improves the actual Cyrus into an ideal fiction of a sovereign and a military conqueror, as he ought to be. One thing only we shall say of this work, though no admirers ourselves of the twaddle which Xenophon elsewhere gives us as philosophic memorabilia, that the episode of Abradates and Panthea (especially the behaviour of Panthea after the death of her beloved hero, and the incident of the dead man's hand coming away on Cyrus grasping it) exceeds for pathos everything in Grecian literature, always excepting the Greek drama, and comes nearest of anything, throughout Pagan literature, to the impassioned simplicity of Scripture, in its tale of Joseph and his brethren. The other historical work of Xenophon is the Anabasis. The meaning of the title is the going-up or ascent—viz. of Cyrus the younger. This prince was the younger brother of the reigning king Artaxerxes, nearly two centuries from Cyrus the Great; and, from opportunity rather than a better title, and because his mother and his vast provincial government furnished him with royal treasures able to hire an army, most of all, because he was richly endowed by nature with personal gifts—took it into his head that he would dethrone his brother; and the more so, because he was only his half-brother. His chance was a good one: he had a Grecian army, and one from the very elite of Greece; whilst the Persian king had but a small corps of Grecian auxiliaries, long enfeebled by Persian effeminacy and Persian intermarriages. Xenophon was personally present in this expedition. And the catastrophe was most singular, such as does not occur once in a thousand years. The cavalry of the great King retreated before the Greeks continually, no doubt from policy and secret orders; so that, when a pitched battle became inevitable, the foreign invaders found themselves in the very heart of the land, and close upon the Euphrates. The battle was fought: the foreigners were victorious: they were actually singing Te Deum or Io Paean for their victory, when it was discovered that their leader, the native prince in whose behalf they had conquered, was missing; and soon after, that he was dead. What was to be done? The man who should have improved their victory, and placed them at his own right hand when on the throne of Persia, was no more; key they had none to unlock the great fortresses of the empire, none to unloose the enthusiasm of the native population. Yet such was the desperation of their circumstances, that a coup-de-main on the capital seemed their best chance. The whole army was and felt itself a forlorn hope. To go forward was desperate, but to go back much more so; for they had a thousand rivers without bridges in their rear; and, if they set their faces in that direction, they would have 300,000 light cavalry upon their flanks, besides nations innumerable—

'Dusk faces with white silken turbans wreath'd';

fierce fellows who understood no Greek, and, what was worse, no joking, but well understood the use of the scymitar. Bad as things were, they soon became worse; for the chiefs of the Grecian army, being foolish enough to accept a dinner invitation from the Persian commander-in-chief, were assassinated; and the words of Milton became intelligible—that in the lowest deep a lower deep had opened to destroy them. In this dilemma, Xenophon, the historian of the expedition, was raised to a principal command; and by admirable skill he led back the army by a different route to the Black Sea, on the coast of which he knew that there were Grecian colonies: and from one of these he obtained shipping, in which he coasted along (when he did not march by land) to the mouth of the Bosphorus and the Dardanelles. This was the famous retreat of the ten thousand; and it shows how much defect of literary skill there was in those days amongst Grecian authors, that the title of the book, The Going Up, does not apply to the latter and more interesting seven-eighths of the account. The Going Up is but the preparation or preface to the Going Down, the Anabasis to the Katabasis, in which latter part it is that Xenophon plays any conspicuous part. A great political interest, however, over and above the personal interest, attaches to this expedition: for there can be no doubt, that to this proof of weakness in the Persian empire, and perhaps to this, as recorded by Xenophon, was due the expedition of Alexander in the next generation, which changed the face of the world.

The literateurs, as we have styled Plutarch and Lucian, though far removed from the true classical era, being both posterior to Christianity, are truly interesting. And, for Lucian in particular, though he is known by reputation only as a humorous and sneering writer, we can say, upon our personal knowledge, that there are passages of more terrific effect, more German, and approaching to the sublime, than anywhere else in Greek literature, out of the tragic poets. Of Plutarch we need hardly speak; one part of his voluminous works—viz. his biographies of Greek and Roman leaders in arts[16] and arms—being so familiar to all nations; and having been selected by Rousseau as the book for him who should be limited (or, like Collins the poet, should limit himself) to one book only—a foolish choice undoubtedly, but still arguing great range of resources in Plutarch, that he should be thought of after so many myriads of modern books had widened the range of selection. Meantime, the reader is not to forget that, whatever may be his powers of amusement, a more inaccurate or faithless author as to dates, and, indeed, in all matters of research, does not exist than Plutarch. We make it a rule, whenever we see Plut. at the bottom of a dictionary article, as the authority on which it rests, to put the better half down as a bouncer. And, in fact, Joe Miller is quite as good authority for English history as Plutarch for Roman.

[Footnote 16: 'In arts,' we say, because great orators are amongst his heroes; but, after all, it is very questionable whether, simply as orators, Plutarch would have noticed them. They were also statesmen; and Mitford always treats Demosthenes as first lord of the treasury and premier. Plutarch records no poet, no artist, however brilliant.]

Now remain the orators; and of these we have a right to speak, for we have read them; and, believe us, reader, not above one or two men in a generation have. If the Editor would allow us room, we would gladly contrast them with modern orators; and we could easily show how prodigious are the advantages of modern orators in every point which can enter into a comparison. But to what purpose? Even modern orators, with all the benefit of modern interest, and of allusions everywhere intelligible, are not read in any generation after their own, pulpit orators only being excepted. So that, if the gods had made our reader a Grecian, surely he would never so far misspend his precious time, and squander his precious intellect upon old dusty quarrels, never of more value to a philosopher than a tempest in a wash-hand bason, but now stuffed with obscurities which no man can explain, and with lies to which no man can bring the counter-statement. But this would furnish matter for a separate paper.

No. II.—THE GREEK ORATORS.

Now, let us come to the orators. Isocrates, the eldest of those who have survived, is a mere scholastic rhetorician: for he was a timid man, and did not dare to confront the terrors of a stormy political audience; and hence, though he lived about an entire century, he never once addressed the Athenian citizens. It is true, that, although no bona fide orator—for he never spoke in any usual acceptation of that word, and, as a consequence, never had an opportunity of replying, which only can bring forward a man's talents as a debater—still he employed his pen upon real and upon existing questions of public policy; and did not, as so many generations of chamber rhetoricians continued to do in Greece, confine his powers to imaginary cases of political difficulty, or (what were tantamount to imaginary) cases fetched up from the long-past era of King Priam, or the still earlier era of the Seven Chiefs warring against the Seven-gated Thebes of Boeotia, or the half-fabulous era of the Argonauts. Isocrates was a man of sense—a patriot in a temperate way—and with something of a feeling for Greece generally, not merely a champion of Athens. His heart was given to politics: and, in an age when heavy clouds were gathering over the independence and the civil grandeur of his country, he had a disinterested anxiety for drawing off the lightning of the approaching storms by pacific counsels. Compared, therefore, with the common mercenary orators of the Athenian forum—who made a regular trade of promoting mischief, by inflaming the pride, jealousy, vengeance, or the martial instincts of a 'fierce democracy,' and, generally speaking, with no views, high or low, sound or unsound, that looked beyond the momentary profit to themselves from thus pandering to the thoughtless nationality of a most sensitive people—Isocrates is entitled to our respect. His writings have also a separate value, as memorials of political transactions from which the historian has gathered many useful hints; and, perhaps, to a diligent search, they might yield more. But, considered as an orator—if that title can be, with any propriety, allowed to one who declaimed only in his closet—one who, in relation to public affairs, was what, in England, when speaking of practical jurisprudence, we call a Chamber Counsel—Isocrates is languid, and with little of anything characteristic in his manner to justify a separate consideration. It is remarkable that he, beyond all other rhetoricians of that era, cultivated the rhythmus of his periods. And to this object he sacrificed not only an enormity of time, but, I have no doubt, in many cases, the freedom and natural movement of the thoughts. My reason, however, for noticing this peculiarity in Isocrates, is by way of fixing the attention upon the superiority, even artificial ornaments, of downright practical business and the realities of political strife, over the torpid atmosphere of a study or a school. Cicero, long after, had the same passion for numerositas, and the full, pompous rotundity of cadence. But in Cicero, all habits and all faculties were nursed by the daily practice of life and its impassioned realities, in the forum or in the senate. What is the consequence? Why this—that, whereas in the most laboured performance of Isocrates (which cost him, I think, one whole decennium, or period of ten years), few modern ears are sensible of any striking art, or any great result of harmony; in Cicero, on the other hand, the fine, sonorous modulations of his periodic style, are delightful to the dullest ear of any European. Such are the advantages from real campaigns, from the unsimulated strife of actual stormy life, over the torpid dreams of what the Romans called an umbratic[17] experience.

[Footnote 17: 'Umbratic.' I have perhaps elsewhere drawn the attention of readers to the peculiar effects of climate, in shaping the modes of our thinking and imaging. A life of inertia, which retreats from the dust and toil of actual experience, we (who represent the idea of effeminacy more naturally by the image of shrinking from cold) call a chimney-corner of a fireside experience; but the Romans, to whom the same effeminacy more easily fell under the idea of shrinking from the heat of the sun, called it an experience won in the shade; and a mere scholastic student, they called an umbraticus doctor.]

Isocrates I have noticed as the oldest of the surviving Greek orators: Demosthenes, of course, claims a notice more emphatically, as, by universal consent of Athens, and afterwards of Rhodes, of Rome, and other impartial judges, the greatest, or, at least, the most comprehensively great. For, by the way, it must not be forgotten—though modern critics do forget this rather important fact in weighing the reputation of Demosthenes—he was not esteemed, in his own day, as the greatest in that particular quality of energy and demoniac power ([Greek: deinotes]) which is generally assumed to have been his leading characteristic and his forte; not only by comparison with his own compatriots, but even with Cicero and the greatest men of the Roman bar. It was not of Demosthenes that the Athenians were accustomed to say, 'he thunders and lightens,' but of Pericles, an elder orator; and even amongst the written oratory of Greece, which still survives (for as to the speeches ascribed to Pericles by Thucydides, I take it for granted that, as usual, these were mere forgeries of the historian), there is a portion which perhaps exceeds Demosthenes in the naked quality of vehemence. But this, I admit, will not impeach his supremacy; for it is probable, that wherever an orator is characterised exclusively by turbulent power, or at least remembered chiefly for that quality, all the other numerous graces of eloquence were wanting to that man, or existed only in a degree which made no equipoise to his insulated gift of Jovian terror. The Gracchi, amongst the Roman orators, were probably more properly 'sons of thunder' than Crassus or Cicero, or even than Caesar himself, whose oratory, by the way, was, in this respect, like his own character and infinite accomplishments; so that even by Cicero it is rarely cited without the epithet of splendid, magnificent, &c. We must suppose, therefore, that neither Cicero nor Demosthenes was held to be at the head of their respective fields in Rome and Athens, in right of any absolute pre-eminence in the one leading power of an orator—viz. native and fervent vigour—but in right of a large comprehensive harmony of gifts, leaving possibly to some other orators, elder or rival to themselves, a superiority in each of an orator's talents taken apart, but claiming the supremacy, nevertheless, upon the whole, by the systematic union of many qualities tending to one result: pleasing the taste by the harmonious coup d'oeil from the total assemblage, and also adapting itself to a far larger variety of situations; for, after all, the mere son of thunder is disarmed, and apt to become ridiculous, if you strip him of a passionate cause, of a theme saturated with human strife, and of an excitable or tempestuous audience.

Such an audience, however, it will be said that Demosthenes had, and sometimes (but not very often in those orations which survive) such a theme. As to his audience, certainly it was all that could be wished in point of violence and combustible passion; but also it was something more. A mighty advantage it is, doubtless, to an orator, when he sees and hears his own kindling passions instantaneously reflected in the blazing eyes and fiery shouts (the fremitus) of his audience—when he sees a whole people, personally or by deputation, swayed backwards and forwards, like a field of corn in a breeze, by the movements of his own appeals. But, unfortunately, in the Athenian audience, the ignorance, the headstrong violence of prejudice, the arrogance, and, above all, the levity of the national mind—presented, to an orator the most favourite, a scene like that of an ocean always rocking with storms; like a wasp always angry; like a lunatic, always coming out of a passion or preparing to go into one. Well might Demosthenes prepare himself by sea-shore practice; in which I conceive that his purpose must have been, not so much (according to the common notion) to overcrow the noise of the forum, as to stand fire (if I may so express it) against the uproarious demonstrations of mob fury.

This quality of an Athenian audience must very seriously have interfered with the intellectual display of an orator. Not a word could he venture to say in the way of censure towards the public will—not even hypothetically to insinuate a fault; not a syllable could he utter even in the way of dissent from the favourite speculations of the moment. If he did, instantly a roar of menaces recalled him to a sense even of personal danger. And, again, the mere vivacity of his audience, requiring perpetual amusement and variety, compelled a man, as great even as Demosthenes, to curtail his arguments, and rarely, indeed, to pursue a theme with the requisite fulness of development or illustration; a point in which the superior dignity and the far less fluctuating mobility of the Roman mind gave an immense advantage to Cicero.

Demosthenes, in spite of all the weaknesses which have been arrayed against his memory by the hatred of his contemporaries, or by the anti-republican feelings of such men as Mitford, was a great man and an honest man. He rose above his countrymen. He despised, in some measure, his audience; and, at length, in the palmy days of his influence, he would insist on being heard; he would insist on telling the truth, however unacceptable; he would not, like the great rout of venal haranguers, lay any flattering unction to the capital distempers of the public mind; he would point out their errors, and warn them of their perils. But this upright character of the man, victorious over his constitutional timidity, does but the more brightly illustrate the local law and the tyranny of the public feeling. How often do we find him, when on the brink of uttering 'odious truth,' obliged to pause, and to propitiate his audience with deprecatory phrases, entreating them to give him time for utterance, not to yell him down before they had heard his sentence to the end. [Greek: Me thoryzeite]—'Gentlemen of Athens! for the love of God, do not make an uproar at what I am going to say! Gentlemen of Athens! humbly I beseech you to let me finish my sentence!' Such are his continual appeals to the better feelings of his audience. Now, it is very evident that, in such circumstances, no man could do justice to any subject. At least, when speaking not before a tribunal of justice, but before the people in council assembled—that is, in effect, on his greatest stage of all—Demosthenes (however bold at times, and restive in a matter which he held to be paramount) was required to bend, and did bend, to the local genius of democracy, reinforced by a most mercurial temperament. The very air of Attica, combined with great political power, kept its natives in a state of habitual intoxication; and even wise men would have had some difficulty in mastering, as it affected themselves, the permanent bias towards caprice and insolence.

Is this state of things at all taken into account in our modern critiques upon Demosthenes? The upshot of what I can find in most modern lecturers upon rhetoric and style, French or English, when speaking of Demosthenes, is this notable simile, by way of representing the final effect of his eloquence—'that, like a mountain torrent, swollen by melting snow, or by rain, it carries all things before it.' Prodigiously original! and exceedingly discriminative! As if such an illustration would not equally represent the effect of a lyrical poem, of Mozart's music, of a stormy chorus, or any other form whatever of impassioned vehemence. Meantime, I suspect grievously that not one of these critics has ever read a paragraph of Demosthenes. Nothing do you ever find quoted but a few notorious passages about Philip of Macedon, and the too-famous oath, by the manes of those that died at Marathon. I call it too famous, because (like Addison's comparison of Marlborough, at Blenheim, to the angel in the storm—of which a schoolmaster then living said, that nine out of every ten boys would have hit upon it in a school exercise) it has no peculiar boldness, and must have occurred to every Athenian, of any sensibility, every day of his life. Hear, on the other hand, a modern oath, and (what is most remarkable) an oath sworn in the pulpit. A dissenting clergyman (I believe, a Baptist), preaching at Cambridge, and having occasion to affirm or to deny something or other, upon his general confidence in the grandeur of man's nature, the magnificence of his conceptions, the immensity of his aspirations, &c., delivered himself thus:—'By the greatness of human ideals—by the greatness of human aspirations—by the immortality of human creations—by the Iliad—by the Odyssey'—Now, that was bold, startling, sublime. But, in the other case, neither was the oath invested with any great pomp of imagery or expression; nor, if it had—which is more to the purpose—was such an oath at all representative of the peculiar manner belonging to Demosthenes. It is always a rude and inartificial style of criticism to cite from an author that which, whether fine or not in itself, is no fair specimen of his ordinary style.

What then is the characteristic style of Demosthenes?—It is one which grew naturally, as did his defects (by which I mean faults of omission, in contradiction to such as are positive), from the composition of his audience. His audience, comprehending so much ignorance, and, above all, so much high-spirited impatience, being, in fact, always on the fret, kept the orator always on the fret. Hence arose short sentences; hence, the impossibility of the long, voluminous sweeps of beautiful rhythmus which we find in Cicero; hence, the animated form of apostrophe and crowded interrogations addressed to the audience. This gives, undoubtedly, a spirited and animated character to the style of Demosthenes; but it robs him of a large variety of structure applied to the logic, or the embellishment, or the music of his composition. His style is full of life, but not (like Cicero's) full of pomp and continuous grandeur. On the contrary, as the necessity of rousing attention, or of sustaining it, obliged the Attic orator to rely too much on the personality of direct question to the audience, and to use brief sentences, so also the same impatient and fretful irritability forbade him to linger much upon an idea—to theorise, to speculate, or, generally, to quit the direct business path of the question then under consideration—no matter for what purpose of beauty, dignity, instruction, or even of ultimate effect. In all things, the immediate—the instant—the praesens praesentissimum, was kept steadily before the eye of the Athenian orator, by the mere coercion of self-interest.

And hence, by the way, arises one most important feature of distinction between Grecian oratory (political oratory at least) on the one hand, and Roman (to which, in this point, we may add British) on the other. A Roman lawyer, senator, or demagogue, even, under proper restrictions—a British member of parliament—or even a candidate from the hustings—but, most assuredly, and by the evidence of many a splendid example, an advocate addressing a jury—may embellish his oration with a wide circuit of historical, or of antiquarian, nay, even speculative discussion. Every Latin scholar will remember the leisurely and most facetious, the good-natured and respectful, yet keenly satiric, picture which the great Roman barrister draws of the Stoic philosophy, by way of rowing old Cato, who professed that philosophy with too little indulgence for venial human errors. The judices—that is, in effect, the jury—were tickled to the soul by seeing the grave Marcus Cato badgered with this fine razor-like raillery; and there can be no doubt that, by flattering the self-respect of the jury, in presuming them susceptible of so much wit from a liberal kind of knowledge, and by really delighting them with such a display of adroit teasing applied to a man of scenical gravity, this whole scene, though quite extrajudicial and travelling out of the record, was highly useful in conciliating the good-will of Cicero's audience. The same style of liberal excursus from the more thorny path of the absolute business before the court, has been often and memorably practised by great English barristers—as, in the trial of Sacheverel, by many of the managers for the Commons; by 'the fluent Murray,' on various occasions; in the great cause of impeachment against our English Verres (or, at least, our Verres as to the situation, though not the guilt), Mr. Hastings; in many of Mr. Erskine's addresses to juries, where political rights were at stake; in Sir James Mackintosh's defence of Peltier for a libel upon Napoleon, when he went into a history of the press as applied to politics—(a liberal inquiry, but which, except in the remotest manner, could not possibly bear upon the mere question of fact before the jury); and in many other splendid instances, which have really made our trials and the annals of our criminal jurisprudence one great fund of information and authority to the historian. In the senate, I need not say how much farther, and more frequently, this habit of large generalisation, and of liberal excursion from perhaps a lifeless theme, has been carried by great masters; in particular, by Edmund Burke, who carried it, in fact, to such excess, and to a point which threatened so much to disturb the movement of public business, that, from that cause more perhaps than from rude insensibility to the value of his speculations, he put his audience sometimes in motion for dinner, and acquired (as is well-known) the surname of the Dinner Bell.[18]

[Footnote 18: Yet this story has been exaggerated; and, I believe, in strict truth, the whole case arose out of some fretful expressions of ill-temper on the part of Burke, and that the name was a retort from a man of wit, who had been personally stung by a sarcasm of the offended orator.]

Now, in the Athenian audience, all this was impossible: neither in political nor in forensic harangues was there any license by rule, or any indulgence by usage, or any special privilege by personal favour, to the least effort at improving an individual case of law or politics into general views of jurisprudence, of statesmanship, of diplomacy; no collateral discussions were tolerated—no illustrative details—no historical parallelisms—still less any philosophical moralisations. The slightest show of any tendency in these directions was summarily nipped in the bud: the Athenian gentlemen began to [Greek: thoryzein] in good earnest if a man showed symptoms of entering upon any discussion whatever that was not intensely needful and pertinent in the first place—or which, in the second place, was not of a nature to be wound up in two sentences when a summons should arise either to dinner, or to the theatre, or to the succession of some variety anticipated from another orator.

Hence, therefore, finally arises one great peculiarity of Greek eloquence; and a most unfortunate one for its chance of ever influencing a remote posterity, or, in any substantial sense, of its ever surviving in the real unaffected admiration of us moderns—that it embodies no alien, no collateral information as to manners, usages, modes of feeling—no extrinsic ornament, no side glimpses into Grecian life, no casual historical details. The cause, and nothing but the cause—the political question, and nothing but the question—- pealed for ever in the ears of the terrified orator, always on sufferance, always on his good behaviour, always afraid, for the sake of his party or of his client, lest his auditors should become angry, or become impatient, or become weary. And from that intense fear, trammeling the freedom of his steps at every turn, and overruling every motion to the right or to the left, in pure servile anxiety for the mood and disposition of his tyrannical master, arose the very opposite result for us of this day—that we, by the very means adopted to prevent weariness in the immediate auditors, find nothing surviving in Grecian orations but what does weary us insupportably through its want of all general interest; and, even amongst private or instant details of politics or law, presenting us with none that throw light upon the spirit of manners, or the Grecian peculiarities of feeling. Probably an Athenian mob would not have cared much at the prospect of such a result to posterity; and, at any rate, would not have sacrificed one atom of their ease or pleasure to obviate such a result: but, to an Athenian orator, this result would have been a sad one to contemplate. The final consequence is, that whilst all men find, or may find, infinite amusement, and instruction of the most liberal kind, in that most accomplished of statesmen and orators, the Roman Cicero—nay, would doubtless, from the causes assigned, have found, in their proportion, the same attractions in the speeches of the elder Antony, of Hortensius, of Crassus, and other contemporaries or immediate predecessors of Cicero—no person ever reads Demosthenes, still less any other Athenian orator, with the slightest interest beyond that which inevitably attaches to the words of one who wrote his own divine language with probably very superior skill.

But, from all this, results a further inference—viz. the dire affectation of those who pretend an enthusiasm in the oratory of Demosthenes; and also a plenary consolation to all who are obliged, from ignorance of Greek, to dispense with that novelty. If it be a luxury at all, it is and can be one for those only who cultivate verbal researches and the pleasures of philology.

Even in the oratory of our own times, which oftentimes discusses questions to the whole growth and motion of which we have been ourselves parties present, or even accessary—questions which we have followed in their first emersion and separation from the clouds of general politics; their advance, slow or rapid, towards a domineering interest in the public passions; their meridian altitude; and perhaps their precipitous descent downwards, whether from the consummation of their objects (as in the questions of the Slave Trade, of Catholic Emancipation, of East India Monopoly), or from a partial victory and compromise with the abuse (as in the purification of that Augean stable, prisons, and, still more, private houses for the insane), or from the accomplishment of one stage or so in a progress which, by its nature, is infinite (as in the various steps taken towards the improvement, and towards the extension of education): even in cases like these, when the primary and ostensible object of the speaker already, on its own account, possesses a commanding attraction, yet will it often happen that the secondary questions, growing out of the leading one, the great elementary themes suggested to the speaker by the concrete case before him—as, for instance, the general question of Test Laws, or the still higher and transcendent question of Religious Toleration, and the relations between the State and religious opinions, or the general history of Slavery and the commerce in the human species, the general principles of economy as applied to monopolies, the past usages of mankind in their treatment of prisoners or of lunatics—these comprehensive and transcendent themes are continually allowed to absorb and throw into the shade, for a time, the minor but more urgent question of the moment through which they have gained their interest. The capital and primary interest gives way for a time to the derivative interest; and it does so by a silent understanding between the orator and his audience. The orator is well assured that he will not be taxed with wandering; the audience are satisfied that, eventually, they will not have lost their time: and the final result is, to elevate and liberalise the province of oratory, by exalting mere business (growing originally, perhaps, out of contingencies of finance, or trade, or local police) into a field for the higher understanding; and giving to the mere necessities of our position as a nation the dignity of great problems for civilising wisdom or philosophic philanthropy. Look back to the superb orations of Edmund Burke on questions limited enough in themselves, sometimes merely personal; for instance, that on American Taxation, on the Reforms in our Household or Official Expenditure, or at that from the Bristol hustings (by its prima facie subject, therefore, a mere electioneering harangue to a mob). With what marvellous skill does he enrich what is meagre, elevate what is humble, intellectualise what is purely technical, delocalise what is local, generalise what is personal! And with what result? Doubtless to the absolute contemporaries of those speeches, steeped to the very lips in the passions besetting their topics, even to those whose attention was sufficiently secured by the domineering interest, friendly or hostile, to the views of the speaker—even to these I say, that, in so far as they were at all capable of an intellectual pleasure, those parts would be most attractive which were least occupied with the present business and the momentary details. This order of precedency in the interests of the speech held even for them; but to us, removing at every annual step we take in the century, to a greater distance from the mere business and partisan interests of the several cases, this secondary attraction is not merely the greater of the two—to us it has become pretty nearly the sole one, pretty nearly the exclusive attraction.

As to religious oratory, that stands upon a different footing—the questions afloat in that province of human speculation being eternal, or at least essentially the same under new forms, receives a strong illustration from the annals of the English senate, to which also it gives a strong and useful illustration. Up to the era of James I., the eloquence of either House could not, for political reasons, be very striking, on the very principle which we have been enforcing. Parliament met only for dispatch of business; and that business was purely fiscal, or (as at times it happened) judicial. The constitutional functions of Parliament were narrow; and they were narrowed still more severely by the jealousy of the executive government. With the expansion, or rather first growth and development of a gentry, or third estate, expanded, pari passu, the political field of their jurisdiction and their deliberative functions. This widening field, as a birth out of new existences, unknown to former laws or usages, was, of course, not contemplated by those laws or usages. Constitutional law could not provide for the exercise of rights by a body of citizens, when, as yet, that body had itself no existence. A gentry, as the depository of a vast overbalance of property, real as well as personal, had not matured itself till the latter years of James I. Consequently the new functions, which the instinct of their new situation prompted them to assume, were looked upon by the Crown, most sincerely, as unlawful usurpations. This led, as we know, to a most fervent and impassioned struggle, the most so of any struggle which has ever armed the hands of men with the sword. For the passions take a far profounder sweep when they are supported by deep thought and high principles.

This element of fervid strife was already, for itself, an atmosphere most favourable to political eloquence. Accordingly, the speeches of that day, though generally too short to attain that large compass and sweep of movement without which it is difficult to kindle or to sustain any conscious enthusiasm in an audience, were of a high quality as to thought and energy of expression, as high as their circumstantial disadvantages allowed. Lord Strafford's great effort is deservedly admired to this day, and the latter part of it has been often pronounced a chef-d'oeuvre. A few years before that era, all the orators of note were, and must have been, judicial orators; and, amongst these, Lord Bacon, to whom every reader's thoughts will point as the most memorable, attained the chief object of all oratory, if what Ben Jonson reports of him be true, that he had his audience passive to the motions of his will. But Jonson was, perhaps, too scholastic a judge to be a fair representative judge; and, whatever he might choose to say or to think, Lord Bacon was certainly too weighty—too massy with the bullion of original thought—ever to have realized the idea of a great popular orator—one who

'Wielded at will a fierce democracy,'

and ploughed up the great deeps of sentiment, or party strife, or national animosities, like a Levanter or a monsoon. In the schools of Plato, in the palaestra Stoicorum, such an orator might be potent; not in faece Romuli. If he had laboured with no other defect, had he the gift of tautology? Could he say the same thing three times over in direct sequence? For, without this talent of iteration—of repeating the same thought in diversified forms—a man may utter good heads of an oration, but not an oration. Just as the same illustrious man's essays are good hints—useful topics—for essays; but no approximation to what we, in modern days, understand by essays: they are, as an eminent author once happily expressed it to myself, 'seeds, not plants or shrubs; acorns, that is, oaks in embryo, but not oaks.'

Reverting, however, to the oratory of the Senate, from the era of its proper birth, which we may date from the opening of that our memorable Long Parliament, brought together in November of 1642,[19] our Parliamentary eloquence has now, within four years, travelled through a period of two centuries. A most admirable subject for an essay, or a Magazine article, as it strikes me, would be a bird's-eye view—or rather a bird's-wing flight—pursuing rapidly the revolutions of that memorable oracle (for such it really was to the rest of civilised Europe), which, through so long a course of years, like the Delphic oracle to the nations of old, delivered counsels of civil prudence and of national grandeur, that kept alive for Christendom the recollections of freedom, and refreshed to the enslaved Continent the old ideas of Roman patriotism, which, but for our Parliament, would have uttered themselves by no voices on earth. That this account of the position occupied by our British Parliament, in relation to the rest of Europe, at least after the publication of the Debates had been commenced by Cave, with the aid of Dr. Johnson, is, in no respect, romantic or overcharged, may be learned from the German novels of the last century, in which we find the British debates as uniformly the morning accompaniment of breakfast, at the houses of the rural gentry, &c., as in any English or Scottish county. Such a sketch would, of course, collect the characteristics of each age, show in what connection these characteristics stood with the political aspects of the time, or with the modes of managing public business (a fatal rock to our public eloquence in England!), and illustrate the whole by interesting specimens from the leading orators in each generation: from Hampden to Pulteney, amongst oppositionists or patriots; from Pulteney to O'Connell; or, again, amongst Ministers, from Hyde to Somers, from Lord Sunderland to Lords Oxford and Bolingbroke; and from the plain, downright Sir Robert Walpole, to the plain, downright Sir Robert Peel.

[Footnote 19: There was another Parliament of this same year 1642, which met in the spring (April, I think), but was summarily dissolved. A small quarto volume, of not unfrequent occurrence, I believe, contains some good specimens of the eloquence then prevalent—it was rich in thought, never wordy—in fact, too parsimonious in words and illustrations; and it breathed a high tone of religious principle as well as of pure-minded patriotism; but, for the reason stated above—its narrow circuit and very limited duration—the general character of the Parliamentary eloquence was ineffective.]

Throughout the whole of this review, the same 'moral,' if one might so call it, would be apparent—viz. that in proportion as the oratory was high and intellectual, did it travel out into the collateral questions of less instant necessity, but more durable interest; and that, in proportion as the Grecian necessity was or was not enforced by the temper of the House, or by the pressure of public business—the necessity which cripples the orator, by confining him within the severe limits of the case before him—in that proportion had or had not the oratory of past generations a surviving interest for modern posterity. Nothing, in fact, so utterly effete—not even old law, or old pharmacy, or old erroneous chemistry—nothing so insufferably dull as political orations, unless when powerfully animated by that spirit of generalisation which only gives the breath of life and the salt which preserves from decay, through every age alike. The very strongest proof, as well as exemplification of all which has been said on Grecian oratory, may thus be found in the records of the British senate.

And this, by the way, brings us round to an aspect of Grecian oratory which has been rendered memorable, and forced upon our notice, in the shape of a problem, by the most popular of our native historians—the aspect, I mean, of Greek oratory in comparison with English. Hume has an essay upon the subject; and the true answer to that essay will open a wide field of truth to us. In this little paper, Hume assumes the superiority of Grecian eloquence, as a thing admitted on all hands, and requiring no proof. Not the proof of this point did he propose to himself as his object; not even the illustration of it. No. All that, Hume held to be superfluous. His object was, to investigate the causes of this Grecian superiority; or, if investigate is too pompous a word for so slight a discussion, more properly, he inquired for the cause as something that must naturally lie upon the surface.

What is the answer? First of all, before looking for causes, a man should be sure of his facts. Now, as to the main fact at issue, I utterly deny the superiority of Grecian eloquence. And, first of all, I change the whole field of inquiry by shifting the comparison. The Greek oratory is all political or judicial: we have those also; but the best of our eloquence, by immeasurable degrees, the noblest and richest, is our religious eloquence. Here, of course, all comparison ceases; for classical Grecian religious eloquence, in Grecian attire, there is none until three centuries after the Christian era, when we have three great orators, Gregory Nazianzen, Basil—of which two I have a very fixed opinion, having read large portions of both—and a third of whom I know nothing. To our Jeremy Taylor, to our Sir Thomas Browne, there is no approach made in the Greek eloquence. The inaugural chapter of the Holy Dying, to say nothing of many another golden passage; or the famous passage in the Urn Buriall, beginning—'Now, since these bones have rested under the drums and tramplings of three conquests'—have no parallel in literature. The winding up of the former is more, in its effect, like a great tempestuous chorus from the Judas Maccabeus, or from Spohr's St. Paul, than like human eloquence.

But, grant that this transfer of the comparison is unfair—still, it is no less unfair to confine the comparison on our part to the weakest part of our oratory; but no matter—let issue be joined even here. Then we may say, at once, that, for the intellectual qualities of eloquence, in fineness of understanding, in depth and in large compass of thought, Burke far surpasses any orator, ancient or modern. But, if the comparison were pushed more widely, very certain I am, that, apart from classical prejudice, no qualities of just thinking, or fine expression, or even of artificial ornament, could have been assigned by Hume, in which the great body of our deliberative and forensic orators fall short of Grecian models; though I will admit, that, by comparison with the Roman model of Cicero, there is seldom the same artful prefiguration of the oration throughout its future course, or the same sustained rhythmus and oratorial tone. The qualities of art are nowhere so prominently expressed, nowhere aid the effect so much, as in the great Roman master.

But, as to Greece, let us now, in one word, unveil the sole advantage which the eloquence of the Athenian assembly has over that of the English senate. It is this—the public business of Athens was as yet simple and unencumbered by details; the dignity of the occasion was scenically sustained. But, in England, the vast intricacy and complex interweaving of property, of commerce, of commercial interests, of details infinite in number, and infinite in littleness, break down and fritter away into fractions and petty minutiae, the whole huge labyrinth of our public affairs. It is scarcely necessary to explain my meaning. In Athens, the question before the public assembly was, peace or war—before our House of Commons, perhaps the Exchequer Bills' Bill; at Athens, a league or no league—in England, the Tithe of Agistment Commutation-Bills' Renewal Bill; in Athens—shall we forgive a ruined enemy? in England—shall we cancel the tax on farthing rushlights? In short, with us, the infinity of details overlays the simplicity and grandeur of our public deliberations.

Such was the advantage—a mighty advantage—for Greece. Now, finally, for the use made of this advantage. To that point I have already spoken. By the clamorous and undeliberative qualities of the Athenian political audience, by its fitful impatience, and vehement arrogance, and fervid partisanship, all wide and general discussion was barred in limine. And thus occurred this singular inversion of positions—the greatest of Greek orators was obliged to treat these Catholic questions as mere Athenian questions of business. On the other hand, the least eloquent of British senators, whether from the immense advance in knowledge, or from the custom and usage of Parliament, seldom fails, more or less, to elevate his intense details of pure technical business into something dignified, either by the necessities of pursuing the historical relations of the matter in discussion, or of arguing its merits as a case of general finance, or as connected with general political economy, or, perhaps, in its bearings on peace or war. The Grecian was forced, by the composition of his headstrong auditory, to degrade and personalise his grand themes; the Englishman is forced, by the difference of his audience, by old prescription, and by the opposition of a well-informed, hostile party, into elevating his merely technical and petty themes into great national questions, involving honour and benefit to tens of millions.



THE GERMAN LANGUAGE, AND PHILOSOPHY OF KANT.

Using a New Testament, of which (in the narrative parts at least) any one word being given will suggest most of what is immediately consecutive, you evade the most irksome of the penalties annexed to the first breaking ground in a new language: you evade the necessity of hunting up and down a dictionary. Your own memory, and the inevitable suggestions of the context, furnish a dictionary pro hac vice. And afterwards, upon advancing to other books, where you are obliged to forego such aids, and to swim without corks, you find yourself already in possession of the particles for expressing addition, succession, exception, inference—in short, of all the forms by which transition or connection is effected (if, but, and, therefore, however, notwithstanding), together with all those adverbs for modifying or restraining the extent of a subject or a predicate, which in all languages alike compose the essential frame-work or extra-linear machinery of human thought. The filling-up—the matter (in a scholastic sense)—may differ infinitely; but the form, the periphery, the determining moulds into which this matter is fused—all this is the same for ever: and so wonderfully limited in its extent is this frame-work, so narrow and rapidly revolving is the clock-work of connections among human thoughts, that a dozen pages of almost any book suffice to exhaust all the [Greek: epea pteroenta][20] which express them. To have mastered these [Greek: epea pteroenta] is in effect to have mastered seven-tenths, at the least, of any language; and the benefit of using a New Testament, or the familiar parts of an Old Testament, in this preliminary drill, is, that your own memory is thus made to operate as a perpetual dictionary or nomenclator. I have heard Mr. Southey say that, by carrying in his pocket a Dutch, Swedish, or other Testament, on occasion of a long journey performed in 'muggy' weather, and in the inside of some venerable 'old heavy'—such as used to bestow their tediousness upon our respectable fathers some thirty or forty years ago—he had more than once turned to so valuable an account the doziness or the dulness of his fellow-travellers, that whereas he had 'booked' himself at the coach-office utterly [Greek: analphabetos], unacquainted with the first rudiments of the given language, he had made his parting bows to his coach brethren (secretly returning thanks to them for their stupidity), in a condition for grappling with any common book in that dialect. One of the polyglot Old or New Testaments published by Bagster, would be a perfect Encyclopaedia, or Panorganon, for such a scheme of coach discipline, upon dull roads and in dull company. As respects the German language in particular, I shall give one caution from my own experience, to the self-instructor: it is a caution which applies to the German language exclusively, or to that more than to any other, because the embarrassment which it is meant to meet, grows out of a defect of taste characteristic of the German mind. It is this: elsewhere, you would naturally, as a beginner, resort to prose authors, since the license and audacity of poetic thinking, and the large freedom of a poetic treatment, cannot fail to superadd difficulties of individual creation to the general difficulties of a strange dialect. But this rule, good for every other case, is not good for the literature of Germany. Difficulties there certainly are, and perhaps in more than the usual proportion, from the German peculiarities of poetic treatment; but even these are overbalanced in the result, by the single advantage of being limited in the extent by the metre, or (as it may happen) by the particular stanza. To German poetry there is a known, fixed, calculable limit. Infinity, absolute infinity, is impracticable in any German metre. Not so with German prose. Style, in any sense, is an inconceivable idea to a German intellect. Take the word in the limited sense of what the Greeks called [Greek: Synthesis onomaton]—i. e. the construction of sentences—I affirm that a German (unless it were here and there a Lessing) cannot admit such an idea. Books there are in German, and, in other respects, very good books too, which consist of one or two enormous sentences. A German sentence describes an arch between the rising and the setting sun. Take Kant for illustration: he has actually been complimented by the cloud-spinner, Frederic Schlegel, who is now in Hades, as a most original artist in the matter of style. 'Original' Heaven knows he was! His idea of a sentence was as follows:—We have all seen, or read of, an old family coach, and the process of packing it for a journey to London some seventy or eighty years ago. Night and day, for a week at least, sate the housekeeper, the lady's maid, the butler, the gentleman's gentleman, &c., packing the huge ark in all its recesses, its 'imperials,' its 'wills,' its 'Salisbury boots,' its 'sword-cases,' its front pockets, side pockets, rear pockets, its 'hammer-cloth cellars' (which a lady explains to me as a corruption from hamper-cloth, as originally a cloth for hiding a hamper, stored with viaticum), until all the uses and needs of man, and of human life, savage or civilised, were met with separate provision by the infinite chaos. Pretty nearly upon the model of such an old family coach packing, did Kant institute and pursue the packing and stuffing of one of his regular sentences. Everything that could ever be needed in the way of explanation, illustration, restraint, inference, by-clause, or indirect comment, was to be crammed, according to this German philosopher's taste, into the front pockets, side pockets, or rear pockets, of the one original sentence. Hence it is that a sentence will last in reading whilst a man

'Might reap an acre of his neighbour's corn.'

Nor is this any peculiarity of Kant's. It is common to the whole family of prose writers of Germany, unless when they happen to have studied French models, who cultivate the opposite extreme. As a caution, therefore, practically applied to this particular anomaly in German prose-writing, I advise all beginners to choose between two classes of composition—ballad poetry, or comedy—as their earliest school of exercise; ballad poetry, because the form of the stanza (usually a quatrain) prescribes a very narrow range to the sentences; comedy, because the form of dialogue, and the imitation of daily life in its ordinary tone of conversation, and the spirit of comedy naturally suggesting a brisk interchange of speech, all tend to short sentences. These rules I soon drew from my own experience and observation. And the one sole purpose towards which I either sought or wished for aid, respected the pronunciation; not so much for attaining a just one (which I was satisfied could not be realised out of Germany, or, at least, out of a daily intercourse with Germans) as for preventing the formation, unawares, of a radically false one. The guttural and palatine sounds of the ch, and some other German peculiarities, cannot be acquired without constant practice. But the false Westphalian or Jewish pronunciation of the vowels, diphthongs, &c., may easily be forestalled, though the true delicacy of Meissen should happen to be missed. Thus much guidance I purchased, with a very few guineas, from my young Dresden tutor, who was most anxious for permission to extend his assistance; but this I would not hear of: and, in the spirit of fierce (perhaps foolish) independence, which governed most of my actions at that time of life, I did all the rest for myself.

'It was a banner broad unfurl'd, The picture of that western world.'

These, or words like these, in which Wordsworth conveys the sudden apocalypse, as by an apparition, to an ardent and sympathising spirit, of the stupendous world of America, rising, at once, like an exhalation, with all its shadowy forests, its endless savannas, and its pomp of solitary waters—well and truly might I have applied to my first launching upon that vast billowy ocean of the German literature. As a past literature, as a literature of inheritance and tradition, the German was nothing. Ancestral titles it had none; or none comparable to those of England, Spain, or even Italy; and there, also, it resembled America, as contrasted with the ancient world of Asia, Europe, and North Africa.[21] But, if its inheritance were nothing, its prospects, and the scale of its present development, were in the amplest style of American grandeur. Ten thousand new books, we are assured by Menzel, an author of high reputation—a literal myriad—is considerably below the number annually poured from all quarters of Germany, into the vast reservoir of Leipsic; spawn infinite, no doubt, of crazy dotage, of dreaming imbecility, of wickedness, of frenzy, through every phasis of Babylonian confusion; yet, also, teeming and heaving with life and the instincts of truth—of truth hunting and chasing in the broad daylight, or of truth groping in the chambers of darkness; sometimes seen as it displays its cornucopia of tropical fruitage; sometimes heard dimly, and in promise, working its way through diamond mines. Not the tropics, not the ocean, not life itself, is such a type of variety, of infinite forms, or of creative power, as the German literature, in its recent motions (say for the last twenty years), gathering, like the Danube, a fresh volume of power at every stage of its advance. A banner it was, indeed, to me of miraculous promise, and suddenly unfurled. It seemed, in those days, an El Dorado as true and undeceiving as it was evidently inexhaustible. And the central object in this interminable wilderness of what then seemed imperishable bloom and verdure—the very tree of knowledge in the midst of this Eden—was the new or transcendental philosophy of Immanuel Kant.

[Footnote 20: [Greek: Epea pteroenta], literally winged words. To explain the use and origin of this phrase to non-classical readers, it must be understood that, originally, it was used by Homer to express the few, rapid, and significant words which conveyed some hasty order, counsel, or notice, suited to any sudden occasion or emergency: e. g. 'To him flying from the field the hero addressed these winged words—"Stop, coward, or I will transfix thee with my spear."' But by Horne Tooke, the phrase was adopted on the title-page of his Diversions of Purley, as a pleasant symbolic expression for all the non-significant particles, the articuli or joints of language, which in his well-known theory are resolved into abbreviations or compendious forms (and therefore rapid, flying, winged forms), substituted for significant forms of greater length. Thus, if is a non-significant particle, but it is an abbreviated form of an imperative in the second person—substituted for gif, or give, or grant the case—put the case that. All other particles are shown by Horne Tooke to be equally shorthand (or winged) substitutions.]

[Footnote 21: It has been rather too much forgotten, that Africa, from the northern margin of Bilidulgerid and the Great Desert, southwards—everywhere, in short, beyond Egypt, Cyrene, and the modern Barbary States—belongs, as much as America, to the New World—the world unknown to the ancients.]

I have described the gorgeousness of my expectations in those early days of my prelusive acquaintance with German literature. I have a little lingered in painting that glad aurora of my first pilgrimage to the fountains of the Rhine and of the Danube, in order adequately to shadow out the gloom and blight which soon afterwards settled upon the hopes of that golden dawn. In Kant, I had been taught to believe, were the keys of a new and a creative philosophy. Either 'ejus ductu,' or 'ejus auspiciis'—that is, either directly under his guidance, or indirectly under any influence remotely derived from his principles—I looked confidingly to see the great vistas and avenues of truth laid open to the philosophic inquirer. Alas! all was a dream. Six weeks' study was sufficient to close my hopes in that quarter for ever. The philosophy of Kant—so famous, so commanding in Germany, from about the period of the French Revolution—already, in 1805, I had found to be a philosophy of destruction, and scarcely, in any one chapter, so much as tending to a philosophy of reconstruction. It destroys by wholesale, and it substitutes nothing. Perhaps, in the whole history of man, it is an unexampled case, that such a scheme of speculation—which offers nothing seducing to human aspirations, nothing splendid to the human imagination, nothing even positive and affirmative to the human understanding—should have been able to found an interest so broad and deep among thirty-five millions of cultivated men. The English reader who supposes this interest to have been confined to academic bowers, or the halls of philosophic societies, is most inadequately alive to the case. Sects, heresies, schisms, by hundreds, have arisen out of this philosophy—many thousands of books have been written by way of teaching it, discussing it, extending it, opposing it. And yet it is a fact, that all its doctrines are negative—teaching, in no case, what we are, but simply what we are not to believe—and that all its truths are barren. Such being its unpopular character, I cannot but imagine that the German people have received it with so much ardour, from profound incomprehension of its meaning, and utter blindness to its drift—a solution which may seem extravagant, but is not so; for, even amongst those who have expressly commented on this philosophy, not one of the many hundreds whom I have myself read, but has retracted from every attempt to explain its dark places. In these dark places lies, indeed, the secret of its attraction. Were light poured into them, it would be seen that they are culs-de-sac, passages that lead to nothing; but, so long as they continue dark, it is not known whither they lead, how far, in what direction, and whether, in fact, they may not issue into paths connected directly with the positive and the infinite. Were it known that upon every path a barrier faces you insurmountable to human steps—like the barriers which fence in the Abyssinian valley of Rasselas—the popularity of this philosophy would expire at once; for no popular interest can long be sustained by speculations which, in every aspect, are known to be essentially negative and essentially finite. Man's nature has something of infinity within itself, which requires a corresponding infinity in its objects. We are told, indeed, by Mr. Bulwer, that the Kantian system has ceased to be of any authority in Germany—that it is defunct, in fact—and that we have first begun to import it into England, after its root had withered, or begun to wither, in its native soil. But Mr. Bulwer is mistaken. The philosophy has never withered in Germany. It cannot even be said that its fortunes have retrograded: they have oscillated: accidents of taste and ability in particular professors, or caprices of fashion, have given a momentary fluctuation to this or that new form of Kantianism,—an ascendency, for a period, to various, and, in some respects, conflicting, modifications of the transcendental system; but all alike have derived their power mediately from Kant. No weapons, even if employed as hostile weapons, are now forged in any armoury but that of Kant; and, to repeat a Roman figure which I used above, all the modern polemic tactics of what is called metaphysics, are trained and made to move either ejus ductu or ejus auspiciis. Not one of the new systems affects to call back the Leibnitzian philosophy, the Cartesian, or any other of earlier or later date, as adequate to the purposes of the intellect in this day, or as capable of yielding even a sufficient terminology. Let this last fact decide the question of Kant's vitality. Qui bene distinguit bene docet. This is an old adage. Now, he who imposes new names upon all the acts, the functions, and the objects of the philosophic understanding, must be presumed to have distinguished most sharply, and to have ascertained with most precision, their general relations—so long as his terminology continues to be adopted. This test, applied to Kant, will show that his spirit yet survives in Germany. Frederic Schlegel, it is true, twenty years ago, in his lectures upon literature, assures us that even the disciples of the great philosopher have agreed to abandon his philosophic nomenclature. But the German philosophic literature, since that date, tells another tale. Mr. Bulwer is, therefore, wrong; and, without going to Germany, looking only to France, he will see cause to revise his sentence. Cousin—the philosophic Cousin, the only great name in philosophy for modern France—familiar as he is with North Germany, can hardly be presumed unacquainted with a fact so striking, if it were a fact, as the extinction of a system once so triumphantly supreme as that of Kant; and yet Mr. Bulwer, admiring Cousin as he does, cannot but have noticed his efforts to naturalise Kant in France. Meantime, if it were even true that transcendentalism had lost its hold of the public mind in Germany, prima facie, this would prove little more than the fickleness of that public which must have been wrong in one of the two cases—either when adopting the system, or when rejecting it. Whatever there may be of truth and value in the system, will remain unimpeached by such caprices, whether of an individual or of a great nation; and England would still be in the right to import the philosophy, however late in the day, if it were true even (which I doubt greatly) that she is importing it.

Both truth and value there certainly is in one part of the Kantian philosophy; and that part is its foundation. I had intended, at this point, to introduce an outline of the transcendental philosophy—not, perhaps, as entering by logical claim of right into any biographical sketch, but as a very allowable digression in the record of that man's life to whom, in the way of hope and of profound disappointment, it had been so memorable an object. For two or three years before I mastered the language of Kant,[22] it had been a pole-star to my hopes, and in hypothesi agreeably to the uncertain plans of uncertain knowledge, the luminous guide to my future life—as a life dedicated and set apart to philosophy. Such it was some years before I knew it: for, at least ten long years after I came into a condition of valueing its true pretensions and measuring its capacities, this same philosophy shed the gloom of something like misanthropy upon my views and estimates of human nature; for man was an abject animal, if the limitations which Kant assigned to the motions of his speculative reason were as absolute and hopeless as, under his scheme of the understanding and his genesis of its powers, too evidently they were. I belonged to a reptile race, if the wings by which we had sometimes seemed to mount, and the buoyancy which had seemed to support our flight, were indeed the fantastic delusions which he represented them. Such, and so deep and so abiding in its influence upon my life, having been the influence of this German philosophy, according to all logic of proportions, in selecting the objects of my notice, I might be excused for setting before the reader, in its full array, the analysis of its capital sections. However, in any memorial of a life which professes to keep in view (though but as a secondary purpose) any regard to popular taste, the logic of proportions must bend, after all, to the law of the occasion—to the proprieties of time and place. For the present, therefore, I shall restrict myself to the few sentences in which it may be proper to gratify the curiosity of some readers, the two or three in a hundred, as to the peculiar distinctions of this philosophy. Even to these two or three out of each hundred, I shall not venture to ascribe a larger curiosity than with respect to the most general 'whereabouts' of its position—from what point it starts—whence and from what aspect it surveys the ground—and by what links from this starting-point it contrives to connect itself with the main objects of philosophic inquiry.

[Footnote 22: I might have mastered the philosophy of Kant, without waiting for the German language, in which all his capital works are written; for there is a Latin version of the whole, by Born, and a most admirable digest of the cardinal work (admirable for its fidelity and the skill by which that fidelity is attained), in the same language, by Rhiseldek, a Danish professor. But this fact, such was the slight knowledge of all things connected with Kant in England, I did not learn for some years.]

Immanuel Kant was originally a dogmatist in the school of Leibnitz and Wolf; that is, according to his trisection of all philosophy into dogmatic, sceptical, and critical, he was, upon all questions, disposed to a strong affirmative creed, without courting any particular examination into the grounds of this creed, or into its assailable points. From this slumber, as it is called by himself, he was suddenly aroused by the Humian doctrine of cause and effect. This celebrated essay on the nature of necessary connection—so thoroughly misapprehended at the date of its first publication to the world by its soi-disant opponents, Oswald, Beattie, &c., and so imperfectly comprehended since then by various soi-disant defenders—became in effect the 'occasional cause' (in the phrase of the logicians) of the entire subsequent philosophic scheme of Kant—every section of which arose upon the accidental opening made to analogical trains of thought, by this memorable effort of scepticism, applied by Hume to one capital phenomenon among the necessities of the human understanding. What is the nature of Hume's scepticism as applied to this phenomenon? What is the main thesis of his celebrated essay on cause and effect? For few, indeed, are they who really know anything about it. If a man really understands it, a very few words will avail to explain the nodus. Let us try. It is a necessity of the human understanding (very probably not a necessity of a higher order of intelligences) to connect its experiences by means of the idea of cause and its correlate, effect: and when Beattie, Oswald, Reid, &c. were exhausting themselves in proofs of the indispensableness of this idea, they were fighting with shadows; for no man had ever questioned the practical necessity for such an idea to the coherency of human thinking. Not the practical necessity, but the internal consistency of this notion, and the original right to such a notion, was the point of inquisition. For, attend, courteous reader, and three separate propositions will set before your eyes the difficulty. First Prop., which, for the sake of greater precision, permit me to throw into Latin:—Non datur aliquid [A] quo posito ponitur aliud [B] a priori; that is, in other words, You cannot lay your hands upon that one object or phenomenon [A] in the whole circle of natural existences, which, being assumed, will entitle you to assume a priori, any other object whatsoever [B] as succeeding it. You could not, I say, of any object or phenomenon whatever, assume this succession a priori—that is, previously to experience. Second Prop. But, if the succession of B to A be made known to you, not a priori (by the involution of B in the idea of A), but by experience, then you cannot ascribe necessity to the succession: the connection between them is not necessary but contingent. For the very widest experience—an experience which should stretch over all ages, from the beginning to the end of time—can never establish a nexus having the least approximation to necessity; no more than a rope of sand could gain the cohesion of adamant, by repeating its links through a billion of successions. Prop. Third. Hence (i. e. from the two preceding propositions), it appears that no instance or case of nexus that ever can have been offered to the notice of any human understanding, has in it, or, by possibility, could have had anything of necessity. Had the nexus been necessary, you would have seen it beforehand; whereas, by Prop. I. Non datur aliquid, quo posito ponitur aliud a priori. This being so, now comes the startling fact, that the notion of a cause includes the notion of necessity. For, if A (the cause) be connected with B (the effect) only in a casual or accidental way, you do not feel warranted in calling it a cause. If heat applied to ice (A) were sometimes followed by a tendency to liquefaction (B) and sometimes not, you would not consider A connected with B as a cause, but only as some variable accompaniment of the true and unknown cause, which might allowably be present or be absent. This, then, is the startling and mysterious phenomenon of the human understanding—that, in a certain notion, which is indispensable to the coherency of our whole experience, indispensable to the establishing any nexus between the different parts and successions of our whole train of notices, we include an accessary notion of necessity, which yet has no justification or warrant, no assignable derivation from any known or possible case of human experience. We have one idea at least—viz. the idea of causation—which transcends our possible experience by one important element, the element of necessity, that never can have been derived from the only source of ideas recognised by the philosophy of this day. A Lockian never can find his way out of this dilemma. The experience (whether it be the experience of sensation or the experience of reflection) which he adopts for his master-key, never will unlock this case; for the sum total of human experience, collected from all ages, can avail only to tell us what is, but never what must be. The idea of necessity is absolutely transcendant to experience, per se, and must be derived from some other source. From what source? Could Hume tell us? No: he, who had started the game so acutely (for with every allowance for the detection made in Thomas Aquinas, of the original suggestion, as recorded in the Biographia Literaria of Coleridge, we must still allow great merit of a secondary kind to Hume for his modern revival and restatement of the doctrine), this same acute philosopher broke down confessedly in his attempt to hunt the game down. His solution is worthless.

Kant, however, having caught the original scent from Hume, was more fortunate. He saw, at a glance, that here was a test applied to the Lockian philosophy, which showed, at the very least, its insufficiency. If it were good even for so much as it explained—which Burke is disposed to receive as a sufficient warrant for the favourable reception of a new hypothesis—at any rate, it now appeared that there was something which it could not explain. But next, Kant took a large step in advance proprio morte. Reflecting upon the one idea adduced by Hume, as transcending the ordinary source of ideas, he began to ask himself, whether it were likely that this idea should stand alone? Were there not other ideas in the same predicament; other ideas including the same element of necessity, and, therefore, equally disowning the parentage assigned by Locke? Upon investigation, he found that there were: he found that there were eleven others in exactly the same circumstances. The entire twelve he denominated categories; and the mode by which he ascertained their number—that there were so many and no more—is of itself so remarkable as to merit notice in the most superficial sketch. But, in fact, this one explanation will put the reader in possession of Kant's system, so far as he could understand it without an express and toilsome study. With this explanation, therefore, of the famous categories, I shall close my slight sketch of the system. Has the reader ever considered the meaning of the term Category—a term so ancient and so venerable from its connection with the most domineering philosophy that has yet appeared amongst men? The doctrine of the Categories (or, in its Roman appellation, of the Predicaments), is one of the few wrecks from the Peripatetic philosophy which still survives as a doctrine taught by public authority in the most ancient academic institutions of Europe. It continues to form a section in the code of public instruction; and perhaps under favour of a pure accident. For though, strictly speaking, a metaphysical speculation, it has always been prefixed as a sort of preface to the Organon (or logical treatises) of Aristotle, and has thus accidentally shared in the immortality conceded to that most perfect of human works. Far enough were the Categories from meriting such distinction. Kant was well aware of this: he was aware that the Aristotelian Categories were a useless piece of scholastic lumber: unsound in their first conception; and, though illustrated through long centuries by the schoolmen, and by still earlier Grecian philosophers, never in any one known instance turned to a profitable account. Why, then, being aware that even in idea they were false, besides being practically unsuitable, did Kant adopt or borrow a name laden with this superfetation of reproach—all that is false in theory superadded to all that is useless in practice? He did so for a remarkable reason: he felt, according to his own explanation, that Aristotle had been groping [the German word expressive of his blind procedure is herumtappen]—groping in the dark, but under a semi-conscious instinct of truth. Here is a most remarkable case or situation of the human intellect, happening alike to individuals and to entire generations—in the situation of yearning or craving, as it were, for a great idea as yet unknown, but dimly and uneasily prefigured. Sometimes the very brink, as it may be called, of such an idea is approached; sometimes it is even imperfectly discovered; but with marks in the very midst of its imperfections, which serve as indications to a person coming better armed for ascertaining the sub-conscious thought which had governed their tentative motions. As it stands in Aristotle's scheme, the idea of a category is a mere lifeless abstraction. Rising through a succession of species to genera, and from these to still higher genera, you arrive finally at a highest genus—a naked abstraction, beyond which no further regress is possible. This highest genus, this genus generalissimum, is, in peripatetic language, a category; and no purpose or use has ever been assigned to any one of these categories, of which ten were enumerated at first, beyond that of classification—i. e. a purpose of mere convenience. Even for as trivial a purpose as this, it gave room for suspecting a failure, when it was afterwards found that the original ten categories did not exhaust the possibilities of the case; that other supplementary categories (post-praedicamenti) became necessary. And, perhaps, 'more last words' might even yet be added, supplementary supplements, and so forth, by a hair-splitting intellect. Failures as gross as these, revisals still open to revision, and amendments calling for amendments, were at once a broad confession that here there was no falling in with any great law of nature. The paths of nature may sometimes be arrived at in a tentative way; but they are broad and determinate; and, when found, vindicate themselves. Still, in all this erroneous subtilisation, and these abortive efforts, Kant perceived a grasping at some real idea—fugitive indeed and coy, which had for the present absolutely escaped; but he caught glimpses of it continually in the rear; he felt its necessity to any account of the human understanding that could be satisfactory to one who had meditated on Locke's theory as probed and searched by Leibnitz. And in this uneasy state—half sceptical, half creative, rejecting and substituting, pulling down and building up—what was in sum and finally the course which he took for bringing his trials and essays to a crisis? He states this himself, somewhere in the Introduction to his Critik der reinen Vernunft; and the passage is a memorable one. Fifteen years at the least have passed since I read it; and, therefore, I cannot pretend to produce the words; but the substance I shall give; and I appeal to the candour of all his readers, whether they have been able to apprehend his meaning. I certainly did not for years. But, now that I do, the passage places his procedure in a most striking and edifying light. Astronomers, says Kant, had gone on for ages, assuming that the earth was the central body of our system; and insuperable were the difficulties which attended that assumption. At length, it occurred to try what would result from inverting the assumption. Let the earth, instead of offering a fixed centre for the revolving motions of other heavenly bodies, be supposed itself to revolve about some one of these, as the sun. That supposition was tried, and gradually all the phenomena which, before, had been incoherent, anomalous, or contradictory, began to express themselves as parts of a most harmonious system. 'Something,' he goes on to say, 'analogous to this I have practised with regard to the subject of my inquiry—the human understanding. All others had sought their central principle of the intellectual phenomena out of the understanding, in something external to the mind. I first turned my inquiries upon the mind itself. I first applied my examination to the very analysis of the understanding.' In words, not precisely these, but pretty nearly equivalent to them, does Kant state, by contradistinction, the value and the nature of his own procedure. He first, according to his own representation, thought of applying his investigation to the mind itself. Here was a passage which for years (I may say) continued to stagger and confound me. What! he, Kant, in the latter end of the 18th century, about the year 1787—he the first who had investigated the mind! This was not arrogance so much as it was insanity. Had he said—I, first, upon just principles, or with a fortunate result, investigated the human understanding, he would have said no more than every fresh theorist is bound to suppose, as his preliminary apology for claiming the attention of a busy world. Indeed, if a writer, on any part of knowledge, does not hold himself superior to all his predecessors, we are entitled to say—Then, why do you presume to trouble us? It may look like modesty, but is, in effect, downright effrontery for you to think yourself no better than other critics; you were at liberty to think so whilst no claimant of public notice—as being so, it is most arrogant in you to be modest. This would be the criticism applied justly to a man who, in Kant's situation, as the author of a new system, should use a language of unseasonable modesty or deprecation. To have spoken boldly of himself was a duty; we could not tolerate his doing otherwise. But to speak of himself in the exclusive terms I have described, does certainly seem, and for years did seem to myself, little short of insanity. Of this I am sure that no student of Kant, having the passage before him, can have known heretofore what consistent, what rational interpretation to give it; and, in candour, he ought to own himself my debtor for the light he will now receive. Yet, so easy is it to imagine, after a meaning is once pointed out, and the station given from which it shows itself as the meaning—so easy, under these circumstances, is it to imagine that one has, or that one could have, found it for one's self—that I have little expectation of reaping much gratitude for my explanation. I say this, not as of much importance one way or the other in a single case of the kind, but because a general consideration of this nature has sometimes operated to make me more indifferent or careless as to the publication of commentaries on difficult systems, when I had found myself able to throw much light on the difficulties. The very success with which I should have accomplished the task—the perfect removal of the obstacles in the student's path—were the very grounds of my assurance-that the service would be little valued. For I have found what it was occasionally, in conversation, to be too luminous—to have explained, for instance, too clearly a dark place in Ricardo. In such a case, I have known a man of the very greatest powers, mistake the intellectual effort he had put forth to apprehend my elucidation, and to meet it half way, for his own unassisted conquest over the difficulties; and, within an hour or two after, I have had, perhaps, to stand, as an attack upon myself, arguments entirely and recently furnished by myself. No case is more possible: even to apprehend a complex explanation, a man cannot be passive; he must exert considerable energy of mind; and, in the fresh consciousness of this energy, it is the most natural mistake in the world for him to feel the argument which he has, by considerable effort, appropriated to be an argument which he has originated. Kant is the most unhappy champion of his own doctrines, the most infelicitous expounder of his own meaning, that has ever existed. Neither has any other commentator succeeded in throwing a moonlight radiance upon his philosophy. Yet certain I am, that, were I, or any man, to disperse all his darkness, exactly in that proportion in which we did so—exactly in the proportion in which we smoothed all hindrances—exactly in that proportion would it cease to be known or felt that there had ever been any hindrances to be smoothed. This, however, is digression, to which I have been tempted by the interesting nature of the grievance. In a jesting way, this grievance is obliquely noticed in the celebrated couplet—

'Had you seen but these roads before they were made, You'd lift up your hands and bless Marshal Wade.'

The pleasant bull here committed conceals a most melancholy truth, and one of large extent. Innumerable are the services to truth, to justice, or society, which never can be adequately valued by those who reap their benefits, simply because the transition from the early and bad state to the final or improved state cannot be retraced or kept alive before the eyes. The record perishes. The last point gained is seen; but the starting-point, the points from which it was gained, is forgotten. And the traveller never can know the true amount of his obligations to Marshal Wade, because, though seeing the roads which the Marshal has created, he can only guess at those which he superseded. Now, returning to this impenetrable passage of Kant, I will briefly inform the reader that he may read it into sense by connecting it with a part of Kant's system, from which it is in his own delivery entirely dislocated. Going forwards some thirty or forty pages, he will find Kant's development of his own categories. And, by placing in juxtaposition with that development this blind sentence, he will find a reciprocal light arising. All philosophers, worthy of that name, have found it necessary to allow of some great cardinal ideas that transcended all the Lockian origination—ideas that were larger in their compass than any possible notices of sense or any reflex notices of the understanding; and those who have denied such ideas, will be found invariably to have supported their denial by a vitium subreptionis, and to have deduced their pretended genealogies of such ideas by means of a petitio principii—silently and stealthily putting into some step of their leger-de-main process everything that they would pretend to have extracted from it. But, previously to Kant, it is certain that all philosophers had left the origin of these higher or transcendent ideas unexplained. Whence came they? In the systems to which, Locke replies, they had been called innate or connate. These were the Cartesian systems. Cudworth, again, who maintained certain 'immutable ideas' of morality, had said nothing about their origin; and Plato had supposed them to be reminiscences from some higher mode of existence. Kant first attempted to assign them an origin within the mind itself, though not in any Lockian fashion of reflection upon sensible impressions. And this is doubtless what he means by saying that he first had investigated the mind—that is, he first for such a purpose.

Where, then, is it, in what act or function of the mind, that Kant finds the matrix of these transcendent ideas? Simply in the logical forms of the understanding. Every power exerts its agency under some laws—that is, in the language of Kant, by certain forms. We leap by certain laws—viz. of equilibrium, of muscular motion, of gravitation. We dance by certain laws. So also we reason by certain laws. These laws, or formal principles, under a particular condition, become the categories.

Here, then, is a short derivation, in a very few words, of those ideas transcending sense, which all philosophy, the earliest, has been unable to dispense with, and yet none could account for. Thus, for example, every act of reasoning must, in the first place, express itself in distinct propositions; that is, in such as contain a subject (or that concerning which you affirm or deny something), a predicate (that which you affirm or deny), and a copula, which connects them. These propositions must have what is technically called, in logic, a certain quantity, or compass (viz. must be universal, particular, or singular); and again they must have what is called quality (that is, must be affirmative, or negative, or infinite): and thus arises a ground for certain corresponding ideas, which are Kant's categories of quantity and quality.

But, to take an illustration more appropriately from the very idea which first aroused Kant to the sense of a vast hiatus in the received philosophies—the idea of cause, which had been thrown as an apple of discord amongst the schools, by Hume. How did Kant deduce this? Simply thus: it is a doctrine of universal logic, that there are three varieties of syllogism—viz. 1st, Categoric, or directly declarative [A is B]; 2nd, Hypothetic, or conditionally declarative [If C is D, then A is B]; 3rd, Disjunctive, or declarative, by means of a choice which exhausts the possible cases [A is either B, or C, or D; but not C or D; ergo B]. Now, the idea of causation, or, in Kant's language, the category of Cause and Effect, is deduced immediately, and most naturally, as the reader will acknowledge on examination, from the 2nd or hypothetic form of syllogism, when the relation of dependency is the same as in the idea of causation, and the necessary connection a direct type of that which takes place between a cause and its effect.

Thus, then, without going one step further, the reader will find grounds enough for reflection and for reverence towards Kant in these two great results: 1st, That an order of ideas has been established, which all deep philosophy has demanded, even when it could not make good its claim. This postulate is fulfilled. 2ndly, The postulate is fulfilled without mysticism or Platonic reveries. Ideas, however indispensable to human needs, and even to the connection of our thoughts, which came to us from nobody knew whence, must for ever have been suspicious; and, as in the memorable instance cited from Hume, must have been liable for ever to a question of validity. But, deduced as they now are from a matrix within our own minds, they cannot reasonably fear any assaults of scepticism.

Here I shall stop. A reader new to these inquiries may think all this a trifle. But he who reflects a little, will see that, even thus far, and going no step beyond this point, the Kantian doctrine of the Categories answers a standing question hanging aloof as a challenge to human philosophy, fills up a lacuna pointed out from the era of Plato. It solves a problem which has startled and perplexed every age: viz. this—that man is in possession, nay, in the hourly exercise, of ideas larger than he can show any title to. And in another way, the reader may measure the extent of this doctrine, by reflecting that, even so far as now stated, it is precisely coextensive with the famous scheme of Locke. For what is the capital thesis of that scheme? Simply this—that all necessity for supposing immediate impressions made upon our understandings by God, or other supernatural, or antenatal, or connatal, agencies, is idle and romantic; for that, upon examining the furniture of our minds, nothing will be found there which cannot adequately be explained out of our daily experience; and, until we find something that cannot be solved by this explanation, it is childish to go in quest of higher causes. Thus says Locke: and his whole work, upon its first plan, is no more than a continual pleading of this single thesis, pursuing it through all the plausible objections. Being, therefore, as large in its extent as Locke, the reader must not complain of the transcendental scheme as too narrow, even in that limited section of it here brought under his notice.

For the purpose of repelling it, he must do one of two things: either he must show that these categories or transcendent notions are not susceptible of the derivation and genesis here assigned to them—that is, from the forms of the logos or formal understanding; or, if content to abide by that derivation, he must allege that there are other categories besides those enumerated, and unprovided with any similar parentage.

Thus much in reply to him who complains of the doctrine here stated; as, 1st, Too narrow; or, 2nd, As insufficiently established. But, 3rd, in reply to him who wishes to see it further pursued or applied, I say that the possible applications are perhaps infinite. With respect to those made by Kant himself, they are chiefly contained in his main and elementary work, the Critik der reinen Vernunft; and they are of a nature to make any man melancholy. Indeed, let a man consider merely this one notion of causation; let him reflect on its origin; let him remember that, agreeably to this origin, it follows that we have no right to view anything in rerum natura as objectively, or in itself a cause; that when, upon the fullest philosophic proof, we call A the cause of B, we do in fact only subsume A under the notion of a cause; we invest it with that function under that relation, that the whole proceeding is merely with respect to a human understanding, and by way of indispensable nexus to the several parts of our experience; finally, that there is the greatest reason to doubt, whether the idea of causation is at all applicable to any other world than this, or any other than a human experience. Let a man meditate but a little on this or other aspects of this transcendental philosophy, and he will find the steadfast earth itself rocking as it were beneath his feet; a world about him, which is in some sense a world of deception; and a world before him, which seems to promise a world of confusion, or 'a world not realised.' All this he might deduce for himself without further aid from Kant. However, the particular purposes to which Kant applies his philosophy, from the difficulties which beset them, are unfitted for anything below a regular treatise. Suffice it to say here, that, difficult as these speculations are from one or two embarrassing doctrines on the Transcendental Consciousness, and depressing as they are from their general tendency, they are yet painfully irritating to the curiosity, and especially so from a sort of experimentum crucis, which they yield in the progress of their development on behalf of the entire doctrine of Kant—a test which, up to this hour, has offered defiance to any hostile hand. The test or defiance which I speak of, takes the shape of certain antinomies (so they are termed), severe adamantine arguments, affirmative and negative, on two or three celebrated problems, with no appeal to any possible decision, but one, which involves the Kantian doctrines. A quaestio vexata is proposed—for instance, the infinite divisibility of matter; each side of this question, thesis and antithesis, is argued; the logic is irresistible, the links are perfect, and for each side alternately there is a verdict, thus terminating in the most triumphant reductio ad absurdum—viz. that A, at one and the same time and in the same sense, is and is not B, from which no escape is available, but through a Kantian solution. On any other philosophy, it is demonstrated that this opprobrium of the human understanding, this scandal of logic, cannot be removed. This celebrated chapter of antinomies has been of great service to the mere polemics of the transcendental philosophy: it is a glove or gage of defiance, constantly lying on the ground, challenging the rights of victory and supremacy so long as it is not taken up by any antagonist, and bringing matters to a short decision when it is.