And now Leviatt's voice rose again, insolent, carrying an unmistakable personal application.

"Stafford hires a stray-man," he said, sneering. "This man claims to have been bit by a rattler an' lays up over night in Ben Radford's cabin—makin' love to Mary Radford."

Ferguson turned his head slightly, surveying the range boss with a cold, alert eye.

"A little while ago," he said evenly, "I heard a man inside tellin' about some of the boys learnin' their lessons from a girl over on Bear Flat. I reckon, Leviatt, that you've been over there to learn your'n. An' now you've got to let these boys know——!"

Just a rustle it was—a snake-like motion. And then Ferguson's gun was out; its cold muzzle pressed deep into the pit of Leviatt's stomach, and Ferguson's left hand was pinning Leviatt's right to his side, the range boss's hand still wrapped around the butt of his half-drawn weapon. Then came Ferguson's voice again, dry, filled with a quiet earnestness:

"I ain't goin' to hurt you—you're still tenderfoot with a gun. I just wanted to show these boys that you're a false alarm. I reckon they know that now."

Leviatt sneered. There was a movement behind Ferguson. Tucson's gun was half way out of its holster. And then arose Rope's voice as his weapon came out and menaced Tucson.

"Three in this game would make it odd, Tucson," he said quietly. "If there's goin' to be any shootin', let's have an even break, anyway."

Tucson's hand fell away from his holster; he stepped back toward the door, away from the range boss and Ferguson.

Leviatt's face had crimsoned. "Mebbe I was runnin' a little bit wild——" he began.

"That's comin' down right handsome," said Ferguson.

He sheathed his gun and deliberately turned his back on Leviatt. The latter stood silent for a moment, his face gradually paling. Then he turned to where Tucson had taken himself and with his friend entered the bunkhouse. In an instant the old talk arose and the laughter, but many furtive glances swept Ferguson as he stood, talking quietly with Rope.

The following morning Stafford came upon Rope while the latter was throwing the saddle on his pony down at the corral gate.

"I heard something about some trouble between Dave Leviatt an' the new stray-man," said Stafford. "I reckon it wasn't serious?"

Rope turned a grave eye upon the manager. "Shucks," he returned, "I reckon it wasn't nothin' serious. Only," he continued with twitching lips, "Dave was takin' the stray-man's measure."

Stafford smiled grimly. "How did the stray-man measure up?" he inquired, a smile working at the corners of his mouth. "I reckon he wasn't none shy?"

Rope grinned, admiration glinting his eyes. "He's sure man's size," he returned, giving his attention to the saddle cinch.



CHAPTER VIII

THE FINDING OF THE ORPHAN

During the few first days of his connection with the Two Diamond Ferguson had reached the conclusion that he would do well to take plenty of time to inquire into the situation before attempting any move. He had now been at the Two Diamond for two weeks and he had not even seen Radford. Nor had he spoken half a dozen words with Stafford. The manager had observed certain signs that had convinced him that speech with the stray-man was unnecessary and futile. If he purposed to do anything he would do it in his own time and in his own way. Stafford mentally decided that the stray-man was "set in his ways."

The wagon outfit had departed,—this time down the river. Rope Jones had gone with the wagon, and therefore Ferguson was deprived of the companionship of a man who had unexpectedly taken a stand with him in his clash with Leviatt and for whom he had conceived a great liking.

With the wagon had gone Leviatt also. During the week that had elapsed between the clash at the bunkhouse and the departure of the wagon the range boss had given no sign that he knew of the existence of Ferguson. Nor had he intimated by word or sign that he meditated revenge upon Rope because of the latter's championship of the stray-man. If he had any such intention he concealed it with consummate skill. He treated Rope with a politeness that drew smiles to the faces of the men. But Ferguson saw in this politeness a subtleness of purpose that gave him additional light on the range boss's character. A man who held his vengeance at his finger tips would have taken pains to show Rope that he might expect no mercy. Had Leviatt revealed an open antagonism to Rope, the latter might have known what to expect when at last the two men would reach the open range and the puncher be under the direct domination of the man he had offended.

There were many ways in which a petty vengeance might be gratified. It was within the range boss's power to make life nearly unbearable for the puncher. If he did this it would of course be an unworthy vengeance, and Ferguson had little doubt that any vengeance meditated by Leviatt would not be petty.

Ferguson went his own way, deeply thoughtful. He was taking his time. Certain things were puzzling him. Where did Leviatt stand in this rustling business? That was part of the mystery. Stafford had told him that he had Leviatt's word that Radford was the thief who had been stealing the Two Diamond cattle. Stafford had said also that it had been Leviatt who had suggested employing a gunfighter—had even gone to Dry Bottom with the manager for the purpose of finding one. And now that one had been employed Leviatt had become suddenly antagonistic to him.

And Leviatt was in the habit of visiting the Radford cabin. Of course he might be doing this for the purpose of spying upon Ben Radford, but if that were the case why had he shown so venomous when he had seen Ferguson sitting on the porch on the evening of the day after the latter had been bitten by the rattler?

Mary Radford had told him that Leviatt was her brother's friend. If he was a friend of the brother why had he suggested that Stafford employ a gunfighter to shoot him? Here was more mystery.

On a day soon after the departure of the wagon outfit he rode away through the afternoon sunshine. Not long did his thoughts dwell upon the mystery of the range boss and Ben Radford. He kept seeing a young woman kneeling in front of him, bathing and binding his foot. Scraps of a conversation that he had not forgotten revolved in his mind and brought smiles to his lips.

"She didn't need to act so plum serious when she told me that I didn't know that I had any right to set there an' make pretty speeches to her. . . . She wouldn't need to ask me to stay at the cabin all night. I could have gone on to the Two Diamond. I reckon that snake bite wasn't so plum dangerous that I'd have died if I'd have rode a little while."

As he came out of a little gully a few miles up the river and rode along the crest of a ridge that rose above endless miles of plains, his thoughts went back to that first night in the bunkhouse when the outfit had come in from the range. Satisfaction glinted in his eyes.

"I reckon them boys didn't make good with her. An' I expect that some day Leviatt will find he's been wastin' his time."

He frowned at thought of Leviatt and unconsciously his spurs drove hard against the pony's flanks. The little animal sprang forward, tossing his head spiritedly. Ferguson grinned and patted its flank with a remorseful hand.

"Well, now, Mustard," he said, "I wasn't reckonin' on takin' my spite out on you. You don't expect I thought you was Leviatt." And he patted the flank again.

He rode down the long slope of the rise and struck the level, traveling at a slow lope through a shallow washout. The ground was broken and rocky here and the snake-like cactus caught at his stirrup leathers. A rattler warned from the shadow of some sage-brush and, remembering his previous experience, he paused long enough to shoot its head off.

"There," he said, surveying the shattered snake, "I reckon you ain't to blame for me bein' bit by your uncle or cousin, or somethin', but I ain't never goin' to be particular when I see one of your family swingin' their head that suggestive."

He rode on again, reloading his pistol. For a little time he traveled at a brisk pace and then he halted to breathe Mustard. Throwing one leg over the pommel, he turned half way around in the saddle and swept the plains with a casual glance.

He sat erect instantly, focusing his gaze upon a speck that loomed through a dust cloud some miles distant. For a time he watched the speck, his eyes narrowing. Finally he made out the speck to be a man on a pony.

"He's a-fannin' it some," he observed, shading his eyes with his hands; "hittin' up the breeze for fair." He meditated long, a critical smile reaching his lips.

"It's right warm to-day. Not just the kind of an atmosphere that a man ought to be runnin' his horse reckless in." He meditated again.

"How far would you say he's off, Mustard? Ten miles, I reckon you'd say if you was a knowin' horse."

The horseman had reached a slight ridge and for a moment he appeared on the crest of it, racing his pony toward the river. Then he suddenly disappeared.

Ferguson smiled coldly. Again his gaze swept the plains and the ridges about him. "I don't see nothin' that'd make a man ride like that in this heat," he said. "Where would he have come from?" He stared obliquely off at a deep gully almost hidden by an adjoining ridge.

"It's been pretty near an hour since I shot that snake. I didn't see no man about that time. If he was around here he must have heard my gun—an' sloped." He smiled and urged his pony about. "I reckon we'll go look around that gully a little, Mustard," he said.

Half an hour later he rode down into the gully. After going some little distance he came across a dead cow, lying close to an overhanging rock rim. A bullet hole in the cow's forehead told eloquently of the manner of her death.

Ferguson dismounted and laid a hand on her side. The body was still warm. A four-months' calf was nudging the mother with an inquisitive muzzle. Ferguson took a sharp glance at its ears and then drove it off to get a look at the brand. There was none.

"Sleeper," he said quietly. "With the Two Diamond ear-mark. Most range bosses make a mistake in not brandin' their calves. Seems as if they're trustin' to luck that rustlers won't work on them. I must have scared this one off."

He swung into the saddle, a queer light in his eyes. "Mustard, old boy, we're goin' to Bear Flat. Mebbe Radford's hangin' around there now. An' mebbe he ain't. But we're goin' to see."

But he halted a moment to bend a pitying glance at the calf.

"Poor little dogie," he said; "poor little orphan. Losin' your mother—just like a human bein'. I call that mean luck."

Then he was off, Mustard swinging in a steady lope down the gully and up toward the ridge that led to the river trail.



CHAPTER IX

WOULD YOU BE A "CHARACTER"?

The sun was still a shimmering white blur in the great arc of sky when Ferguson rode around the corner of the cabin in Bear Flat, halted his pony, and sat quietly in the saddle before the door. His rapid eye had already swept the horse corral, the sheds, and the stable. If the horseman that he had seen riding along the ridge had been Radford he would not arrive for quite a little while. Meantime, he would learn from Miss Radford what direction the young man had taken on leaving the cabin.

Ferguson was beginning to take an interest in this game. At the outset he had come prepared to carry out his contract. In his code of ethics it was not a crime to shoot a rustler. Experience had taught him that justice was to be secured only through drastic action. In the criminal category of the West the rustler took a place beside the horse thief and the man who shot from behind.

But before taking any action Ferguson must be convinced of the guilt of the man he was hunting, and nothing had yet occurred that would lead him to suspect Radford. He did not speculate on what course he would take should circumstances prove Radford to be the thief. Would the fact that he was Mary Radford's brother affect his decision? He preferred to answer that question when the time came—if it ever came. One thing was certain; he was not shooting anyone unless the provocation was great.

His voice was purposely loud when he called "Whoa, Mustard!" to his pony, but his eyes were not purposely bright and expectant as they tried to penetrate the semi-darkness of the interior of the cabin for a glimpse of Miss Radford.

He heard a movement presently, and she was at the door looking at him, her hands folded in her apron, her eyes wide with unmistakable pleasure.

"Why, I never expected to see you again!" she exclaimed.

She came out and stood near the edge of the porch, making a determined attempt to subdue the flutter of excitement that was revealed in a pair of very bright eyes and a tinge of deep color in her cheeks.

"Then I reckon you thought I had died, or stampeded out of this country?" he answered, grinning. "I told you I'd be comin' back here."

But the first surprise was over, and she very properly retired to the shelter of a demurely polite reserve.

"So you did!" she made reply. "You told me you were comin' over to see my brother. But he is not here now."

Had he been less wise he would have reminded her that it had been she who had told him that he might come to see her brother. But to reply thus would have discomfited her and perhaps have brought a sharp reply. He had no doubt that some of the other Two Diamond men had made similar mistakes, but not he. He smiled broadly. "Mebbe I did," he said; "sometimes I'm mighty careless in handlin' the truth. Mebbe I thought then that I'd come over to see your brother. But we have different thoughts at different times. You say your brother ain't here now?"

"He left early this morning to go down the river," she informed him. "He said he would be back before sun-down."

His eyes narrowed perceptibly. "Down" the river meant that Radford's trail led in the general direction of the spot where he had seen the fleeing horseman and the dead Two Diamond cow with her orphaned calf. Yet this proved nothing. Radford might easily have been miles away when the deed had been done. For the present there was nothing he could do, except to wait until Radford returned, to form whatever conclusions he might from the young man's appearance when he should find a Two Diamond man at the cabin. But anxiety to see the brother was not the only reason that would keep him waiting.

He removed his hat and sat regarding it with a speculative eye. Miss Radford smiled knowingly.

"I expect I have been scarcely polite," she said. "Won't you get off your horse?"

"Why, yes," he responded, obeying promptly; "I expect Mustard's been doin' a lot of wonderin' why I didn't get off before."

If he had meant to imply that her invitation had been tardy he had hit the mark fairly, for Miss Radford nibbled her lips with suppressed mirth. The underplay of meaning was not the only subtleness of the speech, for the tone in which it had been uttered was rich in interrogation, as though its author, while realizing the pony's dimness of perception, half believed the animal had noticed Miss Radford's lapse of hospitality.

"I'm thinkin' you are laughin' at me again, ma'am," he said as he came to the edge of the porch and stood looking up at her, grinning.

"Do you think I am laughing?" she questioned, again biting her lips to keep them from twitching.

"No-o. I wouldn't say that you was laughin' with your lips—laughin' regular. But there's a heap of it inside of you—tryin' to get out."

"Don't you ever laugh inwardly?" she questioned.

He laughed frankly. "I expect there's times when I do."

"But you haven't lately?"

"Well, no, I reckon not."

"Not even when you thought your horse might have noticed that I had neglected to invite you off?"

"Did I think that?" he questioned.

"Of course you did."

"Well, now," he drawled. "An' so you took that much interest in what I was thinkin'! I reckon people who write must know a lot."

Her face expressed absolute surprise. "Why, who told you that I wrote?" she questioned.

"Nobody told me, ma'am. I just heard it. I heard a man tell another man that you had threatened to make him a character in a book you was writin'."

Her face was suddenly convulsed. "I imagine I know whom you mean," she said. "A young cowboy from the Two Diamond used to annoy me quite a little, until one day I discouraged him."

His smile grew broad at this answer. But he grew serious instantly.

"I don't think there is much to write about in this country, ma'am," he said.

"You don't? Why, I believe you are trying to discourage me!"

"I reckon you won't listen to me, ma'am, if you want to write. I've heard that anyone who writes is a special kind of a person an' they just can't help writin'—any more'n I can help comin' over here to see your brother. You see, they like it a heap."

They both laughed, she because of the clever way in which he had turned the conversation to his advantage; he through sheer delight. But she did purpose to allow him to dwell on the point he had raised, so she adroitly took up the thread where he had broken off to apply his similitude.

"Some of that is true," she returned, giving him a look on her own account; "especially about a writer loving his work. But I don't think one needs to be a 'special' kind of person. One must be merely a keen observer."

He shook his head doubtfully. "I see everything that goes on around me," he returned. "Most of the time I can tell pretty near what sort a man is by lookin' at his face and watching the way he moves. But I reckon I'd never make a writer. Times when I look at this country—at a nice sunset, for instance, or think what a big place this country is—I feel like sayin' somethin' about it; somethin' inside of me seems kind of breathless-like—kind of scarin' me. But I couldn't write about it."

She had felt it, too, and more than once had sat down with her pencil to transcribe her thoughts. She thought that it was not exactly fear, but an overpowering realization of her own atomity; a sort of cringing of the soul away from the utter vastness of the world; a growing consciousness of the unlimited bigness of things; an insight of the infinite power of God—the yearning of the soul for understanding of the mysteries of life and existence.

She could sympathize with him, for she knew exactly how he had felt. She turned and looked toward the distant mountains, behind which the sun was just then swimming—a great ball of shimmering gold, which threw off an effulgent expanse of yellow light that was slowly turning into saffron and violet as it met the shadows below the hills.

"Whoever saw such colors?" she asked suddenly, her face transfixed with sheer delight.

"It's cert'nly pretty, ma'am."

She clapped her hands. "It is magnificent!" she declared enthusiastically. She came closer to him and stretched an arm toward the mountains. "Look at that saffron shade which is just now blending with the streak of pearl striking the cleft between those hills! See the violet tinge that has come into that sea of orange, and the purple haze touching the snow-caps of the mountains. And now the flaming red, the deep yellow, the slate blue; and now that gauzy veil of lilac, rose, and amethyst, fading and dulling as the darker shadows rise from the valleys!"

Her flashing eyes sought Ferguson's. Twilight had suddenly come.

"It is the most beautiful country in the world!" she said positively.

He was regarding her with gravely humorous eyes. "It cert'nly is pretty, ma'am," he returned. "But you can't make a whole book out of one sunset."

Her eyes flashed. "No," she returned. "Nor can I make a whole book out of only one character. But I am going to try and draw a word picture of the West by writing of the things that I see. And I am going to try and have some real characters in it. I shall try to have them talk and act naturally."

She smiled suddenly and looked at him with a significant expression. "And the hero will not be an Easterner—to swagger through the pages of the book, scaring people into submission through the force of his compelling personality. He will be a cowboy who will do things after the manner of the country—a real, unaffected care-free puncher!"

"Have you got your eye on such a man?" he asked, assuring himself that he knew of no man who would fill the requirements she had named.

"I don't mind telling you that I have," she returned, looking straight at him.

It suddenly burst upon him. His face crimsoned. He felt like bolting. But he managed to grin, though she could see that the grin was forced.

"It's gettin' late, ma'am," he said, as he turned toward his pony. "I reckon I'll be gettin' back to the Two Diamond."

She laughed mockingly as he settled into the saddle. There was a clatter of hoofs from around the corner of the cabin.

"Wait!" she commanded. "Ben is coming!"

But there was a rush of wind that ruffled her apron, a clatter, and she could hear Mustard's hoofs pounding over the matted mesquite that carpeted the clearing. Ferguson had fled.



CHAPTER X

DISAPPEARANCE OF THE ORPHAN

During the night Ferguson had dreamed dreams. A girl with fluffy brown hair and mocking eyes had been the center of many mental pictures that had haunted him. He had seen her seated before him, rapidly plying a pencil. Once he imagined he had peered over her shoulder. He had seen a sketch of a puncher, upon which she appeared to be working, representing a man who looked very like himself. He could remember that he had been much surprised. Did writers draw the pictures that appeared in their books?

This puncher was sitting in a chair; one foot was bandaged. As he watched over the girl's shoulder he saw the deft pencil forming the outlines of another figure—a girl. As this sketch developed he saw that it was to represent Miss Radford herself. It was a clever pencil that the girl wielded, for the scene was strikingly real. He even caught subtle glances from her eyes. But as he looked the scene changed and the girl stood at the edge of the porch, her eyes mocking him. And then to his surprise she spoke. "I am going to put you into a book," she said.

Then he knew why she had tolerated him. He had grown hot and embarrassed. "You ain't goin' to put me in any book, ma'am," he had said. "You ain't givin' me a square deal. I wouldn't love no girl that would put me into a book."

He had seen a sudden scorn in her eyes. "Love!" she said, her lips curling. "Do you really believe that I would allow a puncher to make love to me?"

And then the scene had changed again, and he was shooting the head off a rattler. "I don't want you to love me!" he had declared to it. And then while the snake writhed he saw another head growing upon it, and a face. It was the face of Leviatt; and there was mockery in this face also. While he looked it spoke.

"You'll nurse him so's he won't die?" it had said.

When he awakened his blood was surging with a riotous anger. The dream was bothering him now, as he rode away from the ranchhouse toward the gully where he had found the dead Two Diamond cow. He had not reported the finding of the dead cow, intending to return the next morning to look the ground over and to fetch the "dogie" back to the home ranch. It would be time enough then to make a report of the occurrence to Stafford.

It was mid-morning when he finally reached the gully and rode down into it. He found the dead cow still there. He dismounted to drive away some crows that had gathered around the body. Then he noticed that the calf had disappeared. It had strayed, perhaps. A calf could not be depended upon to remain very long beside its dead mother, though he had known cases where they had. But if it had strayed it could not be very far away. He remounted his pony and loped down the gully, reaching the ridge presently and riding along this, searching the surrounding country with keen glances. He could see no signs of the calf. He came to a shelf-rock presently, beside which grew a tangled gnarl of scrub-oak brush. Something lay in the soft sand and he dismounted quickly and picked up a leather tobacco pouch. He examined this carefully. There were no marks on it to tell who might be the owner.

"A man who loses his tobacco in this country is mighty careless," he observed, smiling; "or in pretty much of a hurry."

He went close to the thicket, looking down at it, searching the sand with interest. Presently he made out the impression of a foot in a soft spot and, looking further, saw two furrows that might have been made by a man kneeling. He knelt in the furrows himself and with one hand parted the brush. He smiled grimly as, peering into the gully, he saw the dead Two Diamond cow on the opposite side.

He stepped abruptly away from the thicket and looked about him. A few yards back there was a deep depression in the ridge, fringed with a growth of nondescript weed. He approached this and peered into it. Quite recently a horse had been there. He could plainly see the hoof-prints—where the animal had pawed impatiently. He returned to the thicket, convinced.

"Some one was here yesterday when I was down there lookin' at that cow," he decided. "They was watchin' me. That man I seen ridin' that other ridge was with the one who was here. Now why didn't this man slope too?"

He stood erect, looking about him. Then he smiled.

"Why, it's awful plain," he said. "The man who was on this ridge was watchin'. He heard my gun go off, when I shot that snake. I reckon he figgered that if he tried to ride away on this ridge whoever'd done the shootin' would see him. An' so he didn't go. He stayed right here an' watched me when I rode up." He smiled. "There ain't no use lookin' for that dogie. The man that stayed here has run him off."

There was nothing left for Ferguson to do. He mounted and rode slowly along the ridge, examining the tobacco pouch. And then suddenly he discovered something that brought an interested light to his eyes. Beneath the greasy dirt on the leather he could make out the faint outlines of two letters. Time had almost obliterated these, but by moistening his fingers and rubbing the dirt from the leather he was able to trace them. They had been burned in, probably branded with a miniature iron.

"D. L," he spelled.

He rode on again, his lips straightening into serious lines.

He mentally catalogued the names he had heard since coming to the Two Diamond. None answered for the initials "D. L." It was evident that the pouch could belong to no one but Dave Leviatt. In that case what had Leviatt been doing on the ridge? Why, he had been watching the rustler, of course. In that case the man must be known to him. But what had become of the dogie? What would have been Leviatt's duty, after the departure of the rustlers? Obviously to drive the calf to the herd and report the occurrence to the manager.

Leviatt may have driven the calf to the herd, but assuredly he had not reported the occurrence to the manager, for he had not been in to the ranchhouse. Why not?

Ferguson pondered long over this, while his pony traveled the river trail toward the ranchhouse. Finally he smiled. Of course, if the man on the ridge had been Leviatt, he must have been there still when Ferguson came up, or he would not have been there to drive the Two Diamond calf to the herd after Ferguson had departed. In that case he must have seen Ferguson, and must be waiting for the latter to make the report to the manager. But what motive would he have in this?

Here was more mystery. Ferguson might have gone on indefinitely arranging motives, but none of them would have brought him near the truth.

He could, however, be sure of three things. Leviatt had seen the rustler and must know him; he had seen Ferguson, and knew that he knew that a rustler had been in the gully before him; and for some mysterious reason he had not reported to the manager. But Ferguson had one advantage that pleased him, even drew a grim smile to his lips as he rode on his way. Leviatt may have seen him near the dead Two Diamond cow, but he certainly was not aware that Ferguson knew he himself had been there during the time that the rustler had been at work.

Practically, of course, this knowledge would avail Ferguson little. Yet it was a good thing to know, for Leviatt must have some reason for secrecy, and if anything developed later Ferguson would know exactly where the range boss stood in the matter.

Determined to investigate as far as possible, he rode down the river for a few miles, finally reaching a broad plain where the cattle were feeding. Some cowboys were scattered over this plain, and before riding very far Ferguson came upon Rope. The latter spurred close to him, grinning.

"I'm right glad to see you," said the puncher. "You've been keepin' yourself pretty scarce. Scared of another run-in with Leviatt?"

"Plum scared," returned Ferguson. "I reckon that man'll make me nervous—give him time."

"Yu' don't say?" grinned Rope. "I wasn't noticin' that you was worryin' about him."

"I'm right flustered," returned Ferguson. "Where's he now?"

"Gone down the crick—with Tucson."

Ferguson smoothed Mustard's mane. "Leviatt been with you right along?"

"He went up the crick yesterday," returned Rope, looking quickly at the stray-man.

"Went alone, I reckon?"

"With Tucson." Rope was trying to conceal his interest in these questions.

But apparently Ferguson's interest was only casual. He turned a quizzical eye upon Rope. "You an' Tucson gettin' along?" he questioned.

"Me an' him's of the same mind about one thing," returned Rope.

"Well, now." Ferguson's drawl was pregnant with humor. "You surprise me. An' so you an' him have agreed. I reckon you ain't willin' to tell me what you've agreed about?"

"I'm sure tellin'," grinned Rope. "Me an' him's each dead certain that the other's a low down horse thief."

The eyes of the two men met fairly. Both smiled.

"Then I reckon you an' Tucson are lovin' one another about as well as me an' Leviatt," observed Ferguson.

"There ain't a turruble lot of difference," agreed Rope.

"An' so Tucson's likin' you a heap," drawled Ferguson absently. He gravely contemplated the puncher. "I expect you was a long ways off yesterday when Leviatt an' Tucson come in from up the crick?" he asked.

"Not a turruble ways off," returned Rope. "I happened to have this end an' they passed right close to me. They clean forgot to speak."

"Well, now," said Ferguson. "That was sure careless of them. But I reckon they was busy at somethin' when they passed. In that case they wouldn't have time to speak. I've heard tell that some folks can't do more'n one thing at a time."

Rope laughed. "They was puttin' in a heap of their time tryin' to make me believe they didn't see me," he returned. "Otherwise they wasn't doin' anything."

"Shucks!" declared Ferguson heavily. "I reckon them men wouldn't go out of their way to drive a poor little dogie in off the range. They're that hard hearted."

"Correct," agreed Rope. "You ain't missin' them none there."

Ferguson smiled, urging his pony about. "I'm figgerin' on gettin' back to the Two Diamond," he said. He rode a few feet and then halted, looking back over his shoulder. "You ain't givin' Tucson no chancst to say you drawed first?" he warned.

Rope laughed grimly. "If there's any shootin' goin' on," he replied, "Tucson ain't goin' to say nothin' after it's over."

"Well, so-long," said Ferguson, urging his pony forward. He heard Rope's answer, and then rode on, deeply concerned over his discovery.

Leviatt and Tucson had ridden up the river the day before. They had returned empty handed. And so another link had been added to the chain of mystery. Where was the dogie?



CHAPTER XI

A TOUCH OF LOCAL COLOR

A few months before her first meeting with Ferguson, Mary Radford had come West with the avowed purpose of "absorbing enough local color for a Western novel." Friends in the East had encouraged her; an uncle (her only remaining relative, beside her brother) had assisted her. So she had come.

The uncle (under whose care she had been since the death of her mother, ten years before) had sent her to a medical college, determined to make her a finished physician. But Destiny had stepped in. Quite by accident Miss Radford had discovered that she could write, and the uncle's hope that she might one day grace the medical profession had gone glimmering—completely buried under a mass of experimental manuscript.

He professed to have still a ray of hope until after several of the magazines had accepted Mary's work. Then hope died and was succeeded by silent acquiescence and patient resignation. Having a knowledge of human nature far beyond that possessed by the average person, the uncle had realized that if Mary's inclination led to literature it was worse than useless to attempt to interest her in any other profession. Therefore, when she had announced her intention of going West he had interposed no objection; on the contrary had urged her to the venture. What might have been his attitude had not Ben Radford been already in the West is problematical. Very seldom do we decide a thing until it confronts us.

Mary Radford had been surprised at the West. From Ben's cabin in the flat she had made her first communion with this new world that she had worshipped at first sight. It was as though she had stepped out of an old world into one that was just experiencing the dawn of creation's first morning. At least so it had seemed to her on the morning she had first stepped outside her brother's cabin to view her first sunrise.

She had breathed the sweet, moisture-laden breezes that had seemed to almost steal over the flat where she had stood watching the shadows yield to the coming sun. The somber hills had become slowly outlined; the snow caps of the distant mountain peaks glinted with the brilliant shafts that struck them and reflected into the dark recesses below. Nature was king here and showed its power in a mysterious, though convincing manner.

In the evening there would come a change. Through rifts in the mountains descended the sun, spreading an effulgent expanse of yellow light—like burnished gold. In the shadows were reflected numerous colors, all quietly blended, making contrasts of perfect harmony. There were the sinuous buttes that bordered the opposite shore of the river—solemn sentinels guarding the beauty and purity of this virgin land. Near her were sloping hills, dotted with thorny cactus and other prickly plants, and now rose a bald rock spire with its suggestion of grim lonesomeness. In the southern and eastern distances were the plains, silent, vast, unending. It seemed she had come to dwell in a land deserted by some cyclopean race. Its magnificent, unchanging beauty had enthralled her.

She had not lacked company. She found that the Two Diamond punchers were eager to gain her friendship. Marvelous excuses were invented for their appearance at the cabin in the flat. She thought that Ben's friendship was valued above that of all other persons in the surrounding country.

But she found the punchers gentlemen. Though their conversation was unique and their idioms picturesque, they compared favorably with the men she had known in the East. Did they lack the subtleties, they made up for this by their unfailing deference. And they were never rude; their very bashfulness prevented that.

Through them she came to know much of many things. They contrived to acquaint her with the secretive peculiarities of the prairie dog, and—when she would listen with more than ordinary attention—they would loose their wonderful imaginations in the hope of continuing the conversation. Then it was that the subject under discussion would receive exhaustive, and altogether unnecessary, elucidation. The habits of the prairie-dog were not alone betrayed to the ears of the young lady. The sage-fowl's inherent weaknesses were paraded before her; the hoot of the owl was imitated with ludicrous solemnity; other fowl were described with wonderful attention to detail; and the inevitable rattlesnake was pointed out to her as a serpent whose chief occupation in life was that of posing in the shadow of the sage-brush as a target for the revolver of the cowpuncher.

The quaintness of the cowboy speech, his incomparable bashfulness, amused her, while she was strangely affected by his earnestness. She attended to the chickens and immediately her visitors became interested in them and fell to discussing them as though they had done nothing all their days but build hen-houses and runways. But she had them on botany. The flower beds were deep, unfathomable mysteries to them, and they stood afar while she cultivated the more difficult plants and encouraged the hardier to increased beauty.

But she had not been content to view this land of mystery from her brother's cabin. The dignity of nature had cast its thrall upon her. She was impressed with the sublimity of the climate, the wonderful sunshine, the crystal light of the days and the quiet peace and beauty of the nights. The lure of the plains had taken her upon long rides, and the cottonwood, filling a goodly portion of the flat, was the scene of many of her explorations.

The pony with which her brother had provided her was—Ben Radford declared—a shining example of sterling horse-honesty. She did not know that Ben knew horses quite as well as he knew men or she would not have allowed him to see the skeptical glance she had thrown over the drowsy-eyed beast that he saddled for her. But she was overjoyed at finding the pony all that her brother had said of it. The little animal was tireless, and often, after a trip over the plains, or to Dry Bottom to mail a letter, she would return by a roundabout trail.

Meanwhile the novel still remained unwritten. Perhaps she had not yet "absorbed" the "local color"; perhaps inspiration was tardy. At all events she had not written a word. But she was beginning to realize the possibilities; deep in her soul something was moving that would presently flow from her pen.

It would not be commonplace—that she knew. Real people would move among the pages of her book; real deeds would be done. And as the days passed she decided. She would write herself into her book; there would be the first real character. The story would revolve about her and another character—a male one—upon whom she had not decided—until the appearance of Ferguson. After he had come she was no longer undecided—she would make him the hero of her story.

The villain she had already met—in Leviatt. Something about this man was repellant. She already had a description of him in the note book that she always carried. Had Leviatt read the things she had written of him he would have discontinued his visits to the cabin.

Several of the Two Diamond punchers, also, were noted as being possible secondary characters. She had found them very amusing. But the hero would be the one character to whom she would devote the concentrated effort of her mind. She would make him live in the pages; a real, forceful magnetic human being that the reader would instantly admire. She would bare his soul to the reader; she would reveal his mental processes—not involved, but leading straight and true to——

But would she? Had she not so far discovered a certain craftiness in the character of the Two Diamond stray-man that would indicate subtlety of thought?

This knowledge had been growing gradually upon her since their second meeting, and it had become an obstacle that promised difficulties. Of course she could make Ferguson talk and act as she pleased—in the book. But if she wanted a real character she would have to portray him as he was. To do this would require study. Serious study of any character would inspire faithful delineation.

She gave much thought to him now, keeping this purpose in view. She questioned Ben concerning him, but was unable to gain satisfying information. He had been hired by Stafford, her brother told her, holding the position of stray-man.

"I've seen him once, down the other side of the cottonwood," the young man had said. "He ain't saying much to anyone. Seems to be a quiet sort—and deep. Pretty good sort though."

She was pleased over Ben's brief estimate of the stray-man. It vindicated her judgment. Besides, it showed that her brother was not averse to friendship with him.

Leviatt she saw with her brother often, and occasionally he came to the cabin. His attitude toward her was one of frank admiration, but he had received no encouragement. How could he know that he was going to be the villain in her book—soon to be written?

Shall we take a peep into that mysterious note book? Yes, for later we shall see much of it.

"Dave Leviatt," she had written in one place. "Age thirty-five. Tall, slender; walks with a slight stoop. One rather gets the impression that the stoop is a reflection of the man's nature, which seems vindictive and suggests a low cunning. His eyes are small, deep set, and glitter when he talks. But they are steady, and cold—almost merciless. One's thoughts go instantly to the tiger. I shall try to create that impression in the reader's mind."

In another place she had jotted this down: "I shouldn't want anyone killed in my book, but if I find this to be necessary Leviatt must do the murder. But I think it would be better to have him employ some other person to do it for him; that would give him just the character that would fit him best. I want to make him seem too cowardly—no, not cowardly, because I don't think he is a coward: but too cunning—to take chances of being caught."

Evidently she had been questioning Ben, for in another place she had written:

"Ferguson. I must remember this—all cowboys do not carry two guns. Ben does, because he says he is ambidextrous, shooting equally well with either hand. But he does not tie the bottoms of his holsters down, like Ferguson; he says some men do this, but usually they are men who are exceptionally rapid in getting their revolvers out and that tying down the bottoms of the holsters facilitates removing the weapons. They are accounted to be dangerous men.

"Ben says when a man is quick to shoot out here he is called a gun-man, and that if he carries two revolvers he is a two-gun man. Ben laughs at me when I speak of a 'revolver'; they are known merely as 'guns' out here. I must remember this. Ben says that though he likes Ferguson quite well, he is rather suspicious of him. He seems to be unable to understand why Stafford should employ a two-gun man to look up stray cows."

Below this appeared a brief reference to Ferguson.

"He is not a bit conceited—rather bashful, I should say. But embarrassment in him is attractive. No hero should be conceited. There is a wide difference between impertinence and frankness. Ferguson seems to speak frankly, but with a subtle shade. I think this is a very agreeable trait for a hero in a novel."

There followed more interesting scraps concerning Leviatt, which would have caused the range boss many bad moments. And there were interesting bits of description—jotted down when she became impressed with a particularly odd view of the country. But there were no more references to Ferguson. He—being the hero of her novel—must be studied thoroughly.



CHAPTER XII

THE STORY BEGINS

Miss Radford tied her pony to the trunk of a slender fir-balsam and climbed to the summit of a small hill. There were some trees, quite a bit of grass, some shrubbery, on the hill—and no snakes. She made sure of this before seating herself upon a little shelf of rock, near a tall cedar.

Half a mile down the river she could see a corner of Ben's cabin, a section of the corral fence, and one of the small outbuildings. Opposite the cabin, across the river, rose the buttes that met her eyes always when she came to the cabin door. This hill upon which she sat was one that she saw often, when in the evening, watching the setting sun, she followed its golden rays with her eyes. Many times, as the sun had gone slowly down into a rift of the mountains, she had seen the crest of this hill shimmering in a saffron light; the only spot in the flat that rose above the somber, oncoming shadows of the dusk.

From here, it seemed, began the rose veil that followed the broad saffron shaft that led straight to the mountains. Often, watching the beauty of the hill during the long sunset, she had felt a deep awe stirring her. Romance was here, and mystery; it was a spot favored by the Sun-Gods, who surrounded it with a glorious halo, lingeringly, reluctantly withdrawing as the long shadows of the twilight crept over the face of the world.

It was not her first visit to the hill. Many times she had come here, charmed with the beauty of the view, and during one of those visits she had decided that seated on the shelf rock on the summit of the hill she would write the first page of the book. It was for this purpose that she had now come.

After seating herself she opened a small handbag, producing therefrom many sheets of paper, a much-thumbed copy of Shakespeare, and a pencil. She was tempted to begin with a description of the particular bit of country upon which she looked, for long ago she had decided upon Bear Flat for the locale of the story. But she sat long nibbling at the end of the pencil, delaying the beginning for fear of being unable to do justice to it.

She began at length, making several false starts and beginning anew. Finally came a paragraph that remained. Evidently this was satisfactory, for another paragraph followed; and then another, and still another. Presently a complete page. Then she looked up with a long-drawn sigh of relief. The start had been made.

She had drawn a word picture of the flat; dwelling upon the solitude, the desolation, the vastness, the swimming sunlight, the absence of life and movement. But as she looked, critically comparing what she had written with the reality, there came a movement—a horseman had ridden into her picture. He had come down through a little gully that led into the flat and was loping his pony through the deep saccatone grass toward the cabin.

It couldn't be Ben. Ben had told her that he intended riding some thirty miles down the river and he couldn't be returning already. She leaned forward, watching intently, the story forgotten.

The rider kept steadily on for a quarter of an hour. Then he reached the clearing in which the cabin stood; she saw him ride through it and disappear. Five minutes later he reappeared, hesitated at the edge of the clearing and then urged his pony toward the hill upon which she sat. As he rode out of the shadows of the trees within an eighth of a mile of her the sunlight shone fairly upon the pony. She would have known Mustard among many other ponies.

She drew a sudden, deep breath and sat erect, tucking back some stray wisps of hair from her forehead. Did the rider see her?

For a moment it seemed that the answer would be negative, for he disappeared behind some dense shrubbery on the plain below and seemed to be on the point of passing the hill. But just at the edge of the shrubbery Mustard suddenly swerved and came directly toward her. Through the corners of her eyes she watched while Ferguson dismounted, tied Mustard close to her own animal, and stood a moment quietly regarding her.

"You want to look at the country all by yourself?" he inquired.

She pretended a start, looking down at him in apparent surprise.

"Why," she prevaricated, "I thought there was no one within miles of me!"

She saw his eyes flash in the sunlight. "Of course," he drawled, "there's such an awful darkness that no one could see a pony comin' across the flat. You think you'll be able to find your way home?"

She flushed guiltily and did not reply. She heard him clambering up over the loose stones, and presently he stood near her. She made a pretense of writing.

"Did you stop at the cabin?" she asked without looking up.

He regarded her with amused eyes, standing loosely, his arms folded, the fingers of his right hand pulling at his chin. "Did I stop?" he repeated. "I couldn't rightly say. Seems to me as though I did. You see, I didn't intend to, but I was ridin' down that way an' I thought I'd stop in an' have a talk with Ben."

"Oh!" Sometimes even a monosyllable is pregnant with mockery.

"But he wasn't there. Nobody was there. I wasn't reckonin' on everybody runnin' off."

She turned and looked straight at him. "Why," she said, "I shouldn't think our running away would surprise you. You see, you set us an example in running away the other day."

He knew instantly that she referred to his precipitate retreat on the night she had hinted that she intended putting him into her story. She shot another glance at him and saw his face redden with embarrassment, but he showed no intention of running now.

"I've been thinkin' of what you said," he returned. "You couldn't put me into no book. You don't know anything about me. You don't know what I think. Then how could you do it?"

"Of course," she returned, turning squarely around to him and speaking seriously, "the story will be fiction, and the plot will have no foundation in fact. But I shall be very careful to have my characters talk and act naturally. To do this I shall have to study the people whom I wish to characterize."

He was moved by an inward mirth. "You're still thinkin' of puttin' me into the book?" he questioned.

She nodded, smiling.

"Then," he said, very gravely, "you hadn't ought to have told me. You didn't show so clever there. Ain't you afraid that I'll go to actin' swelled? If I do that, you'd not have the character you wanted."

"I had thought of that, too," she returned seriously. "If you were that kind of a man I shouldn't want you in the book. How do you know that I haven't told you for the purpose of discovering if you would be affected in that manner?"

He scratched his head, contemplating her gravely. "I reckon you're travelin' too fast for me, ma'am," he said.

His expression of frank amusement was good to see. He stood before her, plainly ready to surrender. Absolutely boyish, he seemed to her—a grown-up boy to be sure, but with a boy's enthusiasms, impulses, and generosity. Yet in his eyes was something that told of maturity, of conscious power, of perfect trust in his ability to give a good account of himself, even in this country where these qualities constituted the chief rule of life.

A strange emotion stirred her, a sudden quickening of the pulse told her that something new had come into her life. She drew a deep, startled breath and felt her cheeks crimsoning. She swiftly turned her head and gazed out over the flat, leaving him standing there, scarcely comprehending her embarrassment.

"I reckon you've been writin' some of that book, ma'am," he said, seeing the papers lying on the rock beside her. "I don't see why you should want to write a Western story. Do folks in the East get interested in knowin' what's goin' on out here?"

She suddenly thought of herself. Had she found it interesting? She looked swiftly at him, appraising him from a new viewpoint, feeling a strange, new interest in him.

"It would be strange if they didn't," she returned. "Why, it is the only part of the country in which there still remains a touch of romance. You must remember that this is a young country; that its history began at a comparatively late date. England can write of its feudal barons; France of its ancient aristocracy; but America can look back only to the Colonial period—and the West."

"Mebbe you're right," he said, not convinced. "But I expect there ain't a heap of romance out here. Leastways, if there is it manages to keep itself pretty well hid."

She smiled, thinking of the romance that surrounded him—of which, plainly, he was not conscious. To him, romance meant the lights, the crowds, the amusements, the glitter and tinsel of the cities of the East, word of which had come to him through various channels. To her these things were no longer novel,—if they had ever been so—and so for her romance must come from the new, the unusual, the unconventional. The West was all this, therefore romance dwelt here.

"Of course it all seems commonplace to you," she returned; "perhaps even monotonous. For you have lived here long."

He laughed. "I've traveled a heap," he said. "I've been in California, Dakota, Wyoming, Texas, an' Arizona. An' now I'm here. Savin' a man meets different people, this country is pretty much all the same."

"You must have had a great deal of experience," she said. "And you are not very old."

He gravely considered her. "I would say that I am about the average age for this country. You see, folks don't live to get very old out here—unless they're mighty careful."

"And you haven't been careful?"

He smiled gravely. "I expect you wouldn't call it careful. But I'm still livin'."

His words were singularly free from boast.

"That means that you have escaped the dangers," she said. "I have heard that a man's safety in this country depends largely upon his ability to shoot quickly and accurately. I suppose you are accounted a good shot?"

The question was too direct. His eyes narrowed craftily.

"I expect you're thinkin' of that book now ma'am," he said. "There's a heap of men c'n shoot. You might say they're all good shots. I've told you about the men who can't shoot good. They're either mighty careful, or they ain't here any more. It's always one or the other."

"Oh, dear!" she exclaimed, shuddering slightly. "In that case I suppose the hero in my story will have to be a good shot." She laughed. "I shouldn't want him to get half way through the story and then be killed because he was clumsy in handling his weapon. I am beginning to believe that I shall have to make him a 'two-gun' man. I understand they are supposed to be very good shots."

"I've seen them that wasn't," he returned gravely and shortly.

"How did you prove that?" she asked suddenly.

But he was not to be snared. "I didn't say I'd proved it," he stated. "But I've seen it proved."

"How proved?"

"Why," he said, his eyes glinting with amusement, "they ain't here any more, ma'am."

"Oh. Then it doesn't follow that because a man wears two guns he is more likely to survive than is the man who wears only one?"

"I reckon not, ma'am."

"I see that you have the bottoms of your holsters tied down," she said, looking at them. "Why have you done that?"

"Well," he declared, drawling his words a little, "I've always found that there ain't any use of takin' chances on an accident. You mightn't live to tell about it. An' havin' the bottoms of your holsters tied down keeps your guns from snaggin'. I've seen men whose guns got snagged when they wanted to use them. They wasn't so active after."

"Then I shall have to make my hero a 'two-gun' man," she said. "That is decided. Now, the next thing to do is to give some attention to his character. I think he ought to be absolutely fearless and honest and incapable of committing a dishonorable deed. Don't you think so?"

While they had talked he had come closer to her and stood beside the shelf rock, one foot resting on it. At her question he suddenly looked down at the foot, shifting it nervously, while a flush started from above the blue scarf at his throat and slowly suffused his face.

"Don't you think so?" she repeated, her eyes meeting his for an instant.

"Why, of course, ma'am," he suddenly answered, the words coming sharply, as though he had only at that instant realized the import of the question.

"Why," said she, aware of his embarrassment, "don't you think there are such men?"

"I expect there are, ma'am," he returned; "but in this country there's a heap of argument could be made about what would be dishonorable. If your two-gun should happen to be a horse thief, or a rustler, I reckon we could get at it right off."

"He shan't be either of those," she declared stoutly. "I don't think he would stoop to such contemptible deeds. In the story he is employed by a ranch owner to kill a rustler whom the owner imagines has been stealing his cattle."

His hands were suddenly behind him, the fingers clenched. His eyes searched her face with an alert, intense gaze. His embarrassment was gone; his expression was saturnine, his eyes narrowed with a slight mockery. And his voice came, cold, deliberate, even.

"I reckon you've got your gun-man true to life, ma'am," he said.

She laughed lightly, amused over the sudden change that she saw and felt in him. "Of course the gun-man doesn't really intend to kill the rustler," she said. "I don't believe I shall have any one killed in the story. The gun-man is merely attracted by the sum of money promised him by the ranch owner, and when he accepts it is only because he is in dire need of work. Don't you think that could be possible?"

"That could happen easy in this country, ma'am," he returned.

She laughed delightedly. "That vindicates my judgment," she declared.

He was regarding her with unwavering eyes. "Is that gun-man goin' to be the hero in your story, ma'am?" he asked quietly.

"Why, of course."

"An' I'm to be him?"

She gave him a defiant glance, though she blushed immediately.

"Why do you ask?" she questioned in reply. "You need have no fear that I will compel my hero to do anything dishonorable."

"I ain't fearin' anything," he returned. "But I'd like to know how you come to think of that. Do writers make them things up out of their own minds, or does someone tell them?"

"Those things generally have their origin in the mind of the writer," she replied.

"Meanin' that you thought of that yourself?" he persisted.

"Of course."

He lifted his foot from the rock and stood looking gravely at her. "In most of the books I have read there's always a villain. I reckon you're goin' to have one?"

"There will be a villain," she returned.

His eyes flashed queerly. "Would you mind tellin' me who you have picked out for your villain?" he continued.

"I don't mind," she said. "It is Leviatt."

He suddenly grinned broadly and held out his right hand to her. "Shake, ma'am," he said. "I reckon if I was writin' a book Leviatt would be the villain."

She rose from the rock and took his outstretched hand, her eyes drooping as they met his. He felt her hand tremble a little, and he looked at it, marveling. She glanced up, saw him looking at her hand, swiftly withdrew it, and turned from him, looking down into the flat at the base of the hill. She started, uttering the sharp command:

"Look!"

Perhaps a hundred yards distant, sitting on his pony in a lounging attitude, was a horseman. While they looked the horseman removed his broad brimmed hat, bowed mockingly, and urged his pony out into the flat. It was Leviatt.

On the slight breeze a laugh floated back to them, short, sharp, mocking.

For a time they stood silent, watching the departing rider. Then Ferguson's lips wreathed into a feline smile.

"Kind of dramatic, him ridin' up that-a-way," he said. "Don't you think puttin' him in the book will spoil it, ma'am?"



CHAPTER XIII

"DO YOU SMOKE?"

Leviatt rode down through the gully where Miss Radford had first caught sight of Ferguson when he had entered the flat. He disappeared in this and five minutes later came out upon a ridge above it. The distance was too great to observe whether he turned to look back. But just before he disappeared finally they saw him sweep his hat from his head. It was a derisive motion, and Miss Radford colored and shot a furtive glance at Ferguson.

The latter stood loosely beside her, his hat brim pulled well down over his forehead. As she looked she saw his eyes narrow and his lips curve ironically.

"What do you suppose he thought?" she questioned, her eyes drooping away from his.

"Him?" Ferguson laughed. "I expect you could see from his actions that he wasn't a heap tickled." Some thought was moving him mightily. He chuckled gleefully. "Now if you could only put what he was thinkin' into your book, ma'am, it sure would make interestin' readin'."

"But he saw you holding my hand!" she declared, aware of the uselessness of telling him this, but unable to repress her indignation over the thought that Leviatt had seen.

"Why, I expect he did, ma'am!" he returned, trying hard to keep the pleasure out of his voice. "You see, he must have been lookin' right at us. But there ain't nothin' to be flustered over. I reckon that some day, if he's around, he'll see me holdin' your hand again."

The red in her cheeks deepened. "Why, how conceited you are!" she said, trying to be very severe, but only succeeding in making him think that her eyes were prettier than he had thought.

"I don't think I am conceited, ma'am," he returned, smiling. "I've liked you right well since the beginning. I don't think it's conceit to tell a lady that you're thinkin' of holdin' her hand."

She was looking straight at him, trying to be very defiant. "And so you have liked me?" she taunted. "I am considering whether to tell you that I was not thinking of you as a possible admirer."

His eyes flashed. "I don't think you mean that, ma'am," he said. "You ain't treated me like you treated some others."

"Some others?" she questioned, not comprehending.

He laughed. "Them other Two Diamond men that took a shine to you. I've heard that you talked right sassy to them. But you ain't never been sassy to me. Leastways, you ain't never told me to 'evaporate'."

She was suddenly convulsed. "They have told you that?" she questioned. And then not waiting for an answer she continued more soberly: "And so you thought that in view of what I have said to those men you had been treated comparatively civilly. I am afraid I have underestimated you. Hereafter I shall talk less intimately to you."

"I wouldn't do that, ma'am," he pleaded. "You don't need to be afraid that I'll be too fresh."

"Oh, dear!" she exclaimed, with a pretense of delight. "It will be very nice to know that I can talk to you without fear of your placing a false construction on my words. But I am not afraid of you."

He stepped back from the rock, hitching at his cartridge belt. "I'm goin' over to the Two Diamond now, ma'am," he said. "And since you've said you ain't afraid of me, I'm askin' you if you won't go ridin' with me tomorrow. There's a right pretty stretch of country about fifteen miles up the crick that you'd be tickled over."

Should she tell him that she had explored all of the country within thirty miles? The words trembled on her lips but remained unspoken.

"Why, I don't know," she objected. "Do you think it is quite safe?"

He smiled and stepped away from her, looking back over his shoulder. "Thank you, ma'am," he said. "I'll ride over for you some time in the mornin'." He continued down the hill, loose stones rattling ahead of him. She looked after him, radiant.

"But I didn't say I would go," she called. And then, receiving no answer to this, she waited until he had swung into the saddle and was waving a farewell to her.

"Don't come before ten o'clock!" she advised.

She saw him smile and then she returned to her manuscript.

When the Sun-Gods kissed the crest of the hill and bathed her in the rich rose colors that came straight down to the hill through the rift in the mountains, she rose and gathered up her papers. She had not written another line.

It was late in the afternoon when Leviatt rode up to the door of Stafford's office and dismounted. He took plenty of time walking the short distance that lay between him and the door, and growled a savage reply to a loafing puncher, who asked him a question. Once in the office he dropped glumly into a chair, his eyes glittering vengefully as his gaze rested on Stafford, who sat at his desk, engaged in his accounts. Through the open window Stafford had seen the range boss coming and therefore when the latter had entered he had not looked up.

Presently he finished his work and drew back from the desk. Then he took up a pipe, filled it with tobacco, lighted it, and puffed with satisfaction.

"Nothin's happened?" he questioned, glancing at his range boss.

Leviatt's reply was short. "No. Dropped down to see how things was runnin'."

"Things is quiet," returned Stafford. "There ain't been any cattle missed for a long time. I reckon the new stray-man is doin' some good."

Leviatt's eyes glowed. "If you call gassin' with Mary Radford doin' good, why then, he's doin' it!" he snapped.

"I ain't heard that he's doin' that," returned Stafford.

"I'm tellin' you about it now," said Leviatt. "I seen him to-day; him an' her holdin' hands on top of a hill in Bear Flat." He sneered. "He's a better ladies' man than a gunfighter. I reckon we made a mistake in pickin' him up."

Stafford smiled indulgently. "He's cert'nly a good looker," he said. "I reckon some girls would take a shine to him. But I ain't questionin' his shootin'. I've been in this country a right smart while an' I ain't never seen another man that could bore a can six times while it's in the air."

Leviatt's lips drooped. "He could do that an' not have nerve enough to shoot a coyote. Him not clashin' with Ben Radford proves he ain't got nerve."

Stafford smiled. The story of how the stray-man had closed Leviatt's mouth was still fresh in his memory. He was wondering whether Leviatt knew that he had heard about the incident.

"Suppose you try him?" he suggested. "That'd be as good a way as any to find out if he's got nerve."

Leviatt's face bloated poisonously, but he made no answer. Apparently unaware that he had touched a tender spot Stafford continued.

"Mebbe his game is to get in with the girl, figgerin' that he'll be more liable that way to get a chancst at Ben Radford. But whatever his game is, I ain't interferin'. He's got a season contract an' I ain't breakin' my word with the cuss. I ain't takin' no chances with him."

Leviatt rose abruptly, his face swelling with an anger that he was trying hard to suppress. "He'd better not go to foolin' with Mary Radford, damn him!" he snapped.

"I reckon that wind is blowin' in two directions," grinned Stafford. "When I see him I'll tell him——" A clatter of hoofs reached the ears of the two men, and Stafford turned to the window. "Here's the stray-man now," he said gravely.

Both men were silent when Ferguson reached the door. He stood just inside, looking at Stafford and Leviatt with cold, alert eyes. He nodded shortly to Stafford, not removing his gaze from the range boss. The latter deliberately turned his back and looked out of the window.

There was insolence in the movement, but apparently it had no effect upon the stray-man, beyond bringing a queer twitch into the corners of his mouth. He smiled at Stafford.

"Anything new?" questioned the latter, as he had questioned Leviatt.

"Nothin' doin'," returned Ferguson.

Leviatt now turned from the window. He spoke to Stafford, sneering. "Ben Radford's quite a piece away from where he's hangin' out," he said. He again turned to the window.

Ferguson's lips smiled, but his eyes narrowed. Stafford stiffened in his chair. He watched the stray-man's hands furtively, fearing the outcome of this meeting. But Ferguson's hands were nowhere near his guns. They were folded over his chest—lightly—the fingers of his right hand caressing his chin.

"You ridin' up the crick to-day?" he questioned of Leviatt. His tone was mild, yet there was a peculiar quality in it that hinted at hardness.

"No," answered Leviatt, without turning.

Ferguson began rolling a cigarette. When he had done this he lighted it and puffed slowly. "Well, now," he said, "that's mighty peculiar. I'd swore that I saw you over in Bear Flat."

Leviatt turned. "You've been pickin' posies too long with Mary Radford," he sneered.

Ferguson smiled. "Mebbe I have," he returned. "There's them that she'll let pick posies with her, an' them that she won't."

Leviatt's face crimsoned with anger. "I reckon if you hadn't been monkeyin' around too much with the girl, you'd have run across that dead Two Diamond cow an' the dogie that she left," he sneered.

Ferguson's lips straightened. "How far off was you standin' when that cow died?" he drawled.

A curse writhed through Leviatt's lips. "Why, you damned——"

"Don't!" warned Ferguson. He coolly stepped toward Leviatt, holding by the thongs the leather tobacco pouch from which he had obtained the tobacco to make his cigarette. When he had approached close to the range boss he held the pouch up before his eyes.

"I reckon you'd better have a smoke," he said quietly; "they say it's good for the nerves." He took a long pull at the cigarette. "It's pretty fair tobacco," he continued. "I found it about ten miles up the crick, on a ridge above a dry arroyo. I reckon it's your'n. It's got your initials on it."

The eyes of the two men met in a silent battle. Leviatt's were the first to waver. Then he reached out and took the pouch. "It's mine," he said shortly. Again he looked straight at Ferguson, his eyes carrying a silent message.

"You see anything else?" he questioned.

Ferguson smiled. "I ain't sayin' anything about anything else," he returned.

Thus, unsuspectingly, did Stafford watch and listen while these two men arranged to carry on their war man to man, neither asking any favor from the man who, with a word, might have settled it. With his reply that he wasn't "sayin' anything about anything else," Ferguson had told Leviatt that he had no intention of telling his suspicions to any man. Nor from this moment would Leviatt dare whisper a derogatory word into the manager's ear concerning Ferguson.



CHAPTER XIV

ON THE EDGE OF THE PLATEAU

Now that Ferguson was satisfied beyond doubt that Leviatt had been concealed in the thicket above the bed of the arroyo where he had come upon the dead Two Diamond cow, there remained but one disturbing thought: who was the man he had seen riding along the ridge away from the arroyo? Until he discovered the identity of the rider he must remain absolutely in the dark concerning Leviatt's motive in concealing the name of this other actor in the incident. He was positive that Leviatt knew the rider, but he was equally positive that Leviatt would keep this knowledge to himself.

But on this morning he was not much disturbed over the mystery. Other things were troubling him. Would Miss Radford go riding with him? Would she change her mind over night?

As he rode he consulted his silver timepiece. She had told him not to come before ten. The hands of his watch pointed to ten thirty when he entered the flat, and it was near eleven when he rode up to the cabin door—to find Miss Radford—arrayed in riding skirt, dainty boots, gauntleted gloves, blouse, and soft felt hat—awaiting him at the door.

"You're late," she said, smiling as she came out upon the porch.

If he had been less wise he might have told her that she had told him not to come until after ten and that he had noticed that she had been waiting for him in spite of her apparent reluctance of yesterday. But he steered carefully away from this pitfall. He dismounted and threw the bridle rein over Mustard's head, coming around beside the porch.

"I wasn't thinkin' to hurry you, ma'am," he said. "But I reckon we'll go now. It's cert'nly a fine day for ridin'." He stood silent for a moment, looking about him. Then he flushed. "Why, I'm gettin' right box-headed, ma'am," he declared. "Here I am standin' an' makin' you sick with my palaver, an' your horse waitin' to be caught up."

He stepped quickly to Mustard's side and uncoiled his rope. She stood on the porch, watching him as he proceeded to the corral, caught the pony, and flung a bridle on it. Then he led the animal to the porch and cinched the saddle carefully. Throwing the reins over the pommel of the saddle, he stood at the animal's head, waiting.

She came to the edge of the porch, placed a slender, booted foot into the ox-bow stirrup, and swung gracefully up. In an instant he had vaulted into his own saddle, and together they rode out upon the gray-white floor of the flat.

They rode two miles, keeping near the fringe of cottonwoods, and presently mounted a long slope. Half an hour later Miss Radford looked back and saw the flat spread out behind, silent, vast, deserted, slumbering in the swimming white sunlight. A little later she looked again, and the flat was no longer there, for they had reached the crest of the slope and their trail had wound them round to a broad level, from which began another slope, several miles distant.

They had ridden for more than two hours, talking very little, when they reached the crest of the last rise and saw, spreading before them, a level many miles wide, stretching away in three directions. It was a grass plateau, but the grass was dry and drooping and rustled under the ponies' hoofs. There were no trees, but a post oak thicket skirted the southern edge, and it was toward this that he urged his pony. She followed, smiling to think that he was deceiving himself in believing that she had not yet explored this place.

They came close to the thicket, and he swung off his horse and stood at her stirrup.

"I was wantin' you to see the country from here," he said, as he helped her down. She watched him while he picketed the horses, so that they might not stray. Then they went together to the edge of the thicket, seating themselves in a welcome shade.

At their feet the plateau dropped sheer, as though cut with a knife, and a little way out from the base lay a narrow ribbon of water that flowed slowly in its rocky bed, winding around the base of a small hill, spreading over a shallow bottom, and disappearing between the buttes farther down.

Everything beneath them was distinguishable, though distant. Knobs rose here; there a flat spread. Mountains frowned in the distance, but so far away that they seemed like papier-mache shapes towering in a sea of blue. Like a map the country seemed as Miss Radford and Ferguson looked down upon it, yet a big map, over which one might wonder; more vast, more nearly perfect, richer in detail than any that could be evolved from the talents of man.

Ridges, valleys, gullies, hills, knobs, and draws were all laid out in a vast basin. Miss Radford's gaze swept down into a section of flat near the river.

"Why, there are some cattle down there!" she exclaimed.

"Sure," he returned; "they're Two Diamond. Way off there behind that ridge is where the wagon is." He pointed to a long range of flat hills that stretched several miles. "The boys that are workin' on the other side of that ridge can't see them cattle like we can. Looks plum re-diculous."

"There are no men with those cattle down there," she said, pointing to those below in the flat.

"No," he returned quietly; "they're all off on the other side of the ridge."

She smiled demurely at him. "Then we won't be interrupted—as we were yesterday," she said.

Did she know that this was why he had selected this spot for the end of the ride? He looked quickly at her, but answered slowly.

"They couldn't see us," he said. "If we was out in the open we'd be right on the skyline. Then anyone could see us. But we've got this thicket behind us, an' I reckon from down there we'd be pretty near invisible."

He turned around, clasping his hands about one knee and looking squarely at her. "I expect you done a heap with your book yesterday—after I went away?"

Her cheeks colored a little under his straight gaze.

"I didn't stay there long," she equivocated. "But I got some very good ideas, and I am glad that I didn't write much. I should have had to destroy it, because I have decided upon a different beginning. Ben made the trip to Dry Bottom yesterday, and last night he told something that had happened there that has given me some very good material for a beginning."

"That's awful interestin'," he observed. "So now you'll be able to start your book with somethin' that really happened?"

"Real and original," she returned, with a quick glance at him. "Ben told me that about a month ago some men had a shooting match in Dry Bottom. They used a can for a target, and one man kept it in the air until he put six bullet holes through it. Ben says he is pretty handy with his weapons, but he could never do that. He insists that few men can, and he is inclined to think that the man who did do it must have been a gunfighter. I suppose you have never tried it?"

Over his lips while she had been speaking had crept the slight mocking smile which always told better than words of the cold cynicism that moved him at times. Did she know anything? Did she suspect him? The smile masked an interest that illumined his eyes very slightly as he looked at her.

"I expect that is plum slick shootin'," he returned slowly. "But some men can do it. I've knowed them. But I ain't heard that it's been done lately in this here country. I reckon Ben told you somethin' of how this man looked?"

He had succeeded in putting the question very casually, and she had not caught the note of deep interest in his voice.

"Why it's very odd," she said, looking him over carefully; "from Ben's description I should assume that the man looked very like you!"

If her reply had startled him he gave little evidence of it. He sat perfectly quiet, gazing with steady eyes out over the big basin. For a time she sat silent also, her gaze following his. Then she turned.

"That would be odd, wouldn't it?" she said.

"What would?" he answered, not looking at her.

"Why, if you were the man who had done that shooting! It would follow out the idea of my plot perfectly. For in my story the hero is hired to shoot a supposed rustler, and of course he would have to be a good shot. And since Ben has told me the story of the shooting match I have decided that the hero in my story shall be tested in that manner before being employed to shoot the rustler. Then he comes to the supposed rustler's cabin and meets the heroine, in much the same manner that you came. Now if it should turn out that you were the man who did the shooting in Dry Bottom my story up to this point would be very nearly real. And that would be fine!"

She had allowed a little enthusiasm to creep into her voice, and he looked up at her quickly, a queer expression in his eyes.

"You goin' to have your 'two-gun' man bit by a rattler?" he questioned.

"Well, I don't know about that. It would make very little difference. But I should be delighted to find that you were the man who did the shooting over at Dry Bottom. Say that you are!"

Even now he could not tell whether there was subtlety in her voice The old doubt rose again in his mind. Was she really serious in saying that she intended putting all this in her story, or was this a ruse, concealing an ulterior purpose? Suppose she and her brother suspected him of being the man who had participated in the shooting match in Dry Bottom? Suppose the brother, or she, had invented this tale about the book to draw him out? He was moved to an inward humor, amused to think that either of them should imagine him shallow enough to be caught thus.

But what if they did catch him? Would they gain by it? They could gain nothing, but the knowledge would serve to put them on their guard. But if she did suspect him, what use was there in evasion or denial? He smiled whimsically.

"I reckon your story is goin' to be real up to this point," he returned. "A while back I did shoot at a can in Dry Bottom."

She gave an exclamation of delight. "Now, isn't that marvelous? No one shall be able to say that my beginning will be strictly fiction." She leaned closer to him, her eyes alight with eagerness. "Now please don't say that you are the man who shot the can five times," she pleaded. "I shouldn't want my hero to be beaten at anything he undertook. But I know that you were not beaten. Were you?"

He smiled gravely. "I reckon I wasn't beat," he returned.

She sat back and surveyed him with satisfaction.

"I knew it," she stated, as though in her mind there had never existed any doubt of the fact. "Now," she said, plainly pleased over the result of her questioning, "I shall be able to proceed, entirely confident that my hero will be able to give a good account of himself in any situation."

Her eyes baffled him. He gave up watching her and turned to look at the world beneath him. He would have given much to know her thoughts. She had said that from her brother's description of the man who had won the shooting match at Dry Bottom she would assume that that man had looked very like him. Did her brother hold this opinion also?

Ferguson cared very little if he did. He was accustomed to danger, and he had gone into this business with his eyes open. And if Ben did know—— Unconsciously his lips straightened and his chin went forward slightly, giving his face an expression of hardness that made him look ten years older. Watching him, the girl drew a slow, full breath. It was a side of his character with which she was as yet unacquainted, and she marveled over it, comparing it to the side she already knew—the side that he had shown her—quiet, thoughtful, subtle. And now at a glance she saw him as men knew him—unyielding, unafraid, indomitable.

Yet there was much in this sudden revelation of character to admire. She liked a man whom other men respected for the very traits that his expression had revealed. No man would be likely to adopt an air of superiority toward him; none would attempt to trifle with him. She felt that she ought not to trifle, but moved by some unaccountable impulse, she laughed.

He turned his head at the laugh and looked quizzically at her.

"I hope you were not thinking of killing some one?" she taunted.

His right hand slowly clenched. Something metallic suddenly glinted his eyes, to be succeeded instantly by a slight mockery. "You afraid some one's goin' to be killed?" he inquired slowly.

"Well—no," she returned, startled by the question. "But you looked so—so determined that I—I thought——"

He suddenly seized her arm and drew her around so that she faced the little stretch of plain near the ridge about which they had been speaking previously. His lips were in straight lines again, his eyes gleaming interestedly.

"You see that man down there among them cattle?" he questioned.

Following his gaze, she saw a man among perhaps a dozen cattle. At the moment she looked the man had swung a rope, and she saw the loop fall true over the head of a cow the man had selected, saw the pony pivot and drag the cow prone. Then the man dismounted, ran swiftly to the side of the fallen cow, and busied himself about her hind legs.