There is a large round table in the northeast corner of Andre's at which six can sit. To this table Grainger and Mary Adrian made their way. Kappelman and Reeves were already there. And Miss Tooker, who designed the May cover for the Ladies' Notathome Magazine. And Mrs. Pothunter, who never drank anything but black and white highballs, being in mourning for her husband, who—oh, I've forgotten what he did—died, like as not.

Spaghetti-weary reader, wouldst take one penny-in-the-slot peep into the fair land of Bohemia? Then look; and when you think you have seen it you have not. And it is neither thimbleriggery nor astigmatism.

The walls of the Cafe Andre were covered with original sketches by the artists who furnished much of the color and sound of the place. Fair woman furnished the theme for the bulk of the drawings. When you say "sirens and siphons" you come near to estimating the alliterative atmosphere of Andre's.

First, I want you to meet my friend, Miss Adrian. Miss Tooker and Mrs. Pothunter you already know. While she tucks in the fingers of her elbow gloves you shall have her daguerreotype. So faint and uncertain shall the portrait be:

Age, somewhere between twenty-seven and highneck evening dresses. Camaraderie in large bunches—whatever the fearful word may mean. Habitat—anywhere from Seattle to Terra del Fuego. Temperament uncharted—she let Reeves squeeze her hand after he recited one of his poems; but she counted the change after sending him out with a dollar to buy some pickled pig's feet. Deportment 75 out of a possible 100. Morals 100.

Mary was one of the princesses of Bohemia. In the first place, it was a royal and a daring thing to have been named Mary. There are twenty Fifines and Heloises to one Mary in the Country of Elusion.

Now her gloves are tucked in. Miss Tooker has assumed a June poster pose; Mrs. Pothunter has bitten her lips to make the red show; Reeves has several times felt his coat to make sure that his latest poem is in the pocket. (It had been neatly typewritten; but he has copied it on the backs of letters with a pencil.) Kappelman is underhandedly watching the clock. It is ten minutes to nine. When the hour comes it is to remind him of a story. Synopsis: A French girl says to her suitor: "Did you ask my father for my hand at nine o'clock this morning, as you said you would?" "I did not," he. replies. "At nine o'clock I was fighting a duel with swords in the Bois de Boulogne." "Coward!" she hisses.

The dinner was ordered. You know how the Bohemian feast of reason keeps up with the courses. Humor with the oysters; wit with the soup; repartee with the entree; brag with the roast; knocks for Whistler and Kipling with the salad; songs with the coffee; the slapsticks with the cordials.

Between Miss Adrian's eyebrows was the pucker that shows the intense strain it requires to be at ease in Bohemia. Pat must come each sally, mot, and epigram. Every second of deliberation upon a reply costs you a bay leaf. Fine as a hair, a line began to curve from her nostrils to her mouth. To hold her own not a chance must be missed. A sentence addressed to her must be as a piccolo, each word of it a stop, which she must be prepared to seize upon and play. And she must always be quicker than a Micmac Indian to paddle the light canoe of conversation away from the rocks in the rapids that flow from the Pierian spring. For, plodding reader, the handwriting on the wall in the banquet hall of Bohemia is "Laisser faire." The gray ghost that sometimes peeps through the rings of smoke is that of slain old King Convention. Freedom is the tyrant that holds them in slavery.

As the dinner waned, hands reached for the pepper cruet rather than for the shaker of Attic salt. Miss Tooker, with an elbow to business, leaned across the table toward Grainger, upsetting her glass of wine.

"Now while you are fed and in good humor," she said, "I want to make a suggestion to you about a new cover."

"A good idea," said Grainger, mopping the tablecloth with his napkin. "I'll speak to the waiter about it."

Kappelman, the painter, was the cut-up. As a piece of delicate Athenian wit he got up from his chair and waltzed down the room with a waiter. That dependent, no doubt an honest, pachydermatous, worthy, tax-paying, art-despising biped, released himself from the unequal encounter, carried his professional smile back to the dumb-waiter and dropped it down the shaft to eternal oblivion. Reeves began to make Keats turn in his grave. Mrs. Pothunter told the story of the man who met the widow on the train. Miss Adrian hummed what is still called a chanson in the cafes of Bridgeport. Grainger edited each individual effort with his assistant editor's smile, which meant: "Great! but you'll have to send them in through the regular channels. If I were the chief now—but you know how it is."

And soon the head waiter bowed before them, desolated to relate that the closing hour had already become chronologically historical; so out all trooped into the starry midnight, filling the street with gay laughter, to be barked at by hopeful cabmen and enviously eyed by the dull inhabitants of an uninspired world.

Grainger left Mary at the elevator in the trackless palm forest of the Idealia. After he had gone she came down again carrying a small hand-bag, 'phoned for a cab, drove to the Grand Central Station, boarded a 12.55 commuter's train, rode four hours with her burnt-umber head bobbing against the red-plush back of the seat, and landed during a fresh, stinging, glorious sunrise at a deserted station, the size of a peach crate, called Crocusville.

She walked a mile and clicked the latch of a gate. A bare, brown cottage stood twenty yards back; an old man with a pearl-white, Calvinistic face and clothes dyed blacker than a raven in a coal-mine was washing his hands in a tin basin on the front porch.

"How are you, father?" said Mary timidly.

"I am as well as Providence permits, Mary Ann. You will find your mother in the kitchen."

In the kitchen a cryptic, gray woman kissed her glacially on the forehead, and pointed out the potatoes which were not yet peeled for breakfast. Mary sat in a wooden chair and decorticated spuds, with a thrill in her heart.

For breakfast there were grace, cold bread, potatoes, bacon, and tea.

"You are pursuing the same avocation in the city concerning which you have advised us from time to time by letter, I trust," said her father.

"Yes," said Mary, "I am still reviewing books for the same publication."

After breakfast she helped wash the dishes, and then all three sat in straight-back chairs in the bare-floored parlor.

"It is my custom," said the old man, "on the Sabbath day to read aloud from the great work entitled the 'Apology for Authorized and Set Forms of Liturgy,' by the ecclesiastical philosopher and revered theologian, Jeremy Taylor."

"I know it," said Mary blissfully, folding her hands.

For two hours the numbers of the great Jeremy rolled forth like the notes of an oratorio played on the violoncello. Mary sat gloating in the new sensation of racking physical discomfort that the wooden chair brought her. Perhaps there is no happiness in life so perfect as the martyr's. Jeremy's minor chords soothed her like the music of a tom-tom. "Why, oh why," she said to herself, "does some one not write words to it?"

At eleven they went to church in Crocusville. The back of the pine bench on which she sat had a penitential forward tilt that would have brought St. Simeon down, in jealousy, from his pillar. The preacher singled her out, and thundered upon her vicarious head the damnation of the world. At each side of her an adamant parent held her rigidly to the bar of judgment. An ant crawled upon her neck, but she dared not move. She lowered her eyes before the congregation—a hundred-eyed Cerberus that watched the gates through which her sins were fast thrusting her. Her soul was filled with a delirious, almost a fanatic joy. For she was out of the clutch of the tyrant, Freedom. Dogma and creed pinioned her with beneficent cruelty, as steel braces bind the feet of a crippled child. She was hedged, adjured, shackled, shored up, strait-jacketed, silenced, ordered. When they came out the minister stopped to greet them. Mary could only hang her head and answer "Yes, sir," and "No, sir," to his questions. When she saw that the other women carried their hymn-books at their waists with their left hands, she blushed and moved hers there, too, from her right.

She took the three-o'clock train back to the city. At nine she sat at the round table for dinner in the Cafe Andre. Nearly the same crowd was there.

"Where have you been to-day?" asked Mrs. Pothunter. "I 'phoned to you at twelve."

"I have been away in Bohemia," answered Mary, with a mystic smile.

There! Mary has given it away. She has spoiled my climax. For I was to have told you that Bohemia is nothing more than the little country in which you do not live. If you try to obtain citizenship in it, at once the court and retinue pack the royal archives and treasure and move away beyond the hills. It is a hillside that you turn your head to peer at from the windows of the Through Express.

At exactly half past eleven Kappelman, deceived by a new softness and slowness of riposte and parry in Mary Adrian, tried to kiss her. Instantly she slapped his face with such strength and cold fury that he shrank down, sobered, with the flaming red print of a hand across his leering features. And all sounds ceased, as when the shadows of great wings come upon a flock of chattering sparrows. One had broken the paramount law of sham-Bohemia—the law of "Laisser faire." The shock came not from the blow delivered, but from the blow received. With the effect of a schoolmaster entering the play-room of his pupils was that blow administered. Women pulled down their sleeves and laid prim hands against their ruffled side locks. Men looked at their watches. There was nothing of the effect of a brawl about it; it was purely the still panic produced by the sound of the ax of the fly cop, Conscience hammering at the gambling-house doors of the Heart.

With their punctilious putting on of cloaks, with their exaggerated pretense of not having seen or heard, with their stammering exchange of unaccustomed formalities, with their false show of a light-hearted exit I must take leave of my Bohemian party. Mary has robbed me of my climax; and she may go.

But I am not defeated. Somewhere there exists a great vault miles broad and miles long—more capacious than the champagne caves of France. In that vault are stored the anticlimaxes that should have been tagged to all the stories that have been told in the world. I shall cheat that vault of one deposit.

Minnie Brown, with her aunt, came from Crocusville down to the city to see the sights. And because she had escorted me to fishless trout streams and exhibited to me open-plumbed waterfalls and broken my camera while I Julyed in her village, I must escort her to the hives containing the synthetic clover honey of town.

Especially did the custom-made Bohemia charm her. The spaghetti wound its tendrils about her heart; the free red wine drowned her belief in the existence of commercialism in the world; she was dared and enchanted by the rugose wit that can be churned out of California claret.

But one evening I got her away from the smell of halibut and linoleum long enough to read to her the manuscript of this story, which then ended before her entrance into it. I read it to her because I knew that all the printing-presses in the world were running to try to please her and some others. And I asked her about it.

"I didn't quite catch the trains," said she. "How long was Mary in Crocusville?"

"Ten hours and five minutes," I replied.

"Well, then, the story may do," said Minnie. "But if she had stayed there a week Kappelman would have got his kiss."



THE FERRY OF UNFULFILMENT

At the street corner, as solid as granite in the "rush-hour" tide of humanity, stood the Man from Nome. The Arctic winds and sun had stained him berry-brown. His eye still held the azure glint of the glaciers.

He was as alert as a fox, as tough as a caribou cutlet and as broad-gauged as the aurora borealis. He stood sprayed by a Niagara of sound—the crash of the elevated trains, clanging cars, pounding of rubberless tires and the antiphony of the cab and truck-drivers indulging in scarifying repartee. And so, with his gold dust cashed in to the merry air of a hundred thousand, and with the cakes and ale of one week in Gotham turning bitter on his tongue, the Man from Nome sighed to set foot again in Chilkoot, the exit from the land of street noises and Dead Sea apple pies.

Up Sixth avenue, with the tripping, scurrying, chattering, bright-eyed, homing tide came the Girl from Sieber-Mason's. The Man from Nome looked and saw, first, that she was supremely beautiful after his own conception of beauty; and next, that she moved with exactly the steady grace of a dog sled on a level crust of snow. His third sensation was an instantaneous conviction that he desired her greatly for his own. This quickly do men from Nome make up their minds. Besides, he was going back to the North in a short time, and to act quickly was no less necessary.

A thousand girls from the great department store of Sieber-Mason flowed along the sidewalk, making navigation dangerous to men whose feminine field of vision for three years has been chiefly limited to Siwash and Chilkat squaws. But the Man from Nome, loyal to her who had resurrected his long cached heart, plunged into the stream of pulchritude and followed her.

Down Twenty-third street she glided swiftly, looking to neither side; no more flirtatious than the bronze Diana above the Garden. Her fine brown hair was neatly braided; her neat waist and unwrinkled black skirt were eloquent of the double virtues—taste and economy. Ten yards behind followed the smitten Man from Nome.

Miss Claribel Colby, the Girl from Sieber-Mason's, belonged to that sad company of mariners known as Jersey commuters. She walked into the waiting-room of the ferry, and up the stairs, and by a marvellous swift, little run, caught the ferry-boat that was just going out. The Man from Nome closed up his ten yards in three jumps and gained the deck close beside her.

Miss Colby chose a rather lonely seat on the outside of the upper-cabin. The night was not cold, and she desired to be away from the curious eyes and tedious voices of the passengers. Besides, she was extremely weary and drooping from lack of sleep. On the previous night she had graced the annual ball and oyster fry of the West Side Wholesale Fish Dealers' Assistants' Social Club No. 2, thus reducing her usual time of sleep to only three hours.

And the day had been uncommonly troublous. Customers had been inordinately trying; the buyer in her department had scolded her roundly for letting her stock run down; her best friend, Mamie Tuthill, had snubbed her by going to lunch with that Dockery girl.

The Girl from Sieber-Mason's was in that relaxed, softened mood that often comes to the independent feminine wage-earner. It is a mood most propitious for the man who would woo her. Then she has yearnings to be set in some home and heart; to be comforted, and to hide behind some strong arm and rest, rest. But Miss Claribel Colby was also very sleepy.

There came to her side a strong man, browned and dressed carelessly in the best of clothes, with his hat in his hand.

"Lady," said the Man from Nome, respectfully, "excuse me for speaking to you, but I—I—I saw you on the street, and—and—"

"Oh, gee!" remarked the Girl from Sieber-Mason's, glancing up with the most capable coolness. "Ain't there any way to ever get rid of you mashers? I've tried everything from eating onions to using hatpins. Be on your way, Freddie."

"I'm not one of that kind, lady," said the Man from Nome—"honest, I'm not. As I say, I saw you on the street, and I wanted to know you so bad I couldn't help followin' after you. I was afraid I wouldn't ever see you again in this big town unless I spoke; and that's why I done so."

Miss Colby looked once shrewdly at him in the dim light on the ferry-boat. No; he did not have the perfidious smirk or the brazen swagger of the lady-killer. Sincerity and modesty shone through his boreal tan. It seemed to her that it might be good to hear a little of what he had to say.

"You may sit down," she said, laying her hand over a yawn with ostentatious politness; "and—mind—don't get fresh or I'll call the steward."

The Man from Nome sat by her side. He admired her greatly. He more than admired her. She had exactly the looks he had tried so long in vain to find in a woman. Could she ever come to like him? Well, that was to be seen. He must do all in his power to stake his claim, anyhow.

"My name's Blayden," said he—"Henry Blayden."

"Are you real sure it ain't Jones?" asked the girl, leaning toward him, with delicious, knowing raillery.

"I'm down from Nome," he went on with anxious seriousness. "I scraped together a pretty good lot of dust up there, and brought it down with me."

"Oh, say!" she rippled, pursuing persiflage with engaging lightness, "then you must be on the White Wings force. I thought I'd seen you somewhere."

"You didn't see me on the street to-day when I saw you."

"I never look at fellows on the street."

"Well, I looked at you; and I never looked at anything before that I thought was half as pretty."

"Shall I keep the change?"

"Yes, I reckon so. I reckon you could keep anything I've got. I reckon I'm what you would call a rough man, but I could be awful good to anybody I liked. I've had a rough time of it up yonder, but I beat the game. Nearly 5,000 ounces of dust was what I cleaned up while I was there."

"Goodness!" exclaimed Miss Colby, obligingly sympathetic. "It must be an awful dirty place, wherever it is."

And then her eyes closed. The voice of the Man from Nome had a monotony in its very earnestness. Besides, what dull talk was this of brooms and sweeping and dust? She leaned her head back against the wall.

"Miss," said the Man from Nome, with deeper earnestness and monotony, "I never saw anybody I liked as well as I do you. I know you can't think that way of me right yet; but can't you give me a chance? Won't you let me know you, and see if I can't make you like me?"

The head of the Girl from Sieber-Mason's slid over gently and rested upon his shoulder. Sweet sleep had won her, and she was dreaming rapturously of the Wholesale Fish Dealers' Assistants' ball.

The gentleman from Nome kept his arms to himself. He did not suspect sleep, and yet he was too wise to attribute the movement to surrender. He was greatly and blissfully thrilled, but he ended by regarding the head upon his shoulder as an encouraging preliminary, merely advanced as a harbinger of his success, and not to be taken advantage of.

One small speck of alloy discounted the gold of his satisfaction. Had he spoken too freely of his wealth? He wanted to be liked for himself.

"I want to say, Miss," he said, "that you can count on me. They know me in the Klondike from Juneau to Circle City and down the whole length of the Yukon. Many a night I've laid in the snow up there where I worked like a slave for three years, and wondered if I'd ever have anybody to like me. I didn't want all that dust just myself. I thought I'd meet just the right one some time, and I done it to-day. Money's a mighty good thing to have, but to have the love of the one you like best is better still. If you was ever to marry a man, Miss, which would you rather he'd have?"

"Cash!"

The word came sharply and loudly from Miss Colby's lips, giving evidence that in her dreams she was now behind her counter in the great department store of Sieber-Mason.

Her head suddenly bobbed over sideways. She awoke, sat straight, and rubbed her eyes. The Man from Nome was gone.

"Gee! I believe I've been asleep," said Miss Colby "Wonder what became of the White Wings!"



THE TALE OF A TAINTED TENNER

Money talks. But you may think that the conversation of a little old ten-dollar bill in New York would be nothing more than a whisper. Oh, very well! Pass up this sotto voce autobiography of an X if you like. If you are one of the kind that prefers to listen to John D's checkbook roar at you through a megaphone as it passes by, all right. But don't forget that small change can say a word to the point now and then. The next time you tip your grocer's clerk a silver quarter to give you extra weight of his boss's goods read the four words above the lady's head. How are they for repartee?

I am a ten-dollar Treasury note, series of 1901. You may have seen one in a friend's hand. On my face, in the centre, is a picture of the bison Americanus, miscalled a buffalo by fifty or sixty millions of Americans. The heads of Capt. Lewis and Capt. Clark adorn the ends. On my back is the graceful figure of Liberty or Ceres or Maxine Elliot standing in the centre of the stage on a conservatory plant. My references is—or are—Section 3,588, Revised Statutes. Ten cold, hard dollars—I don't say whether silver, gold, lead or iron—Uncle Sam will hand you over his counter if you want to cash me in.

I beg you will excuse any conversational breaks that I make—thanks, I knew you would—got that sneaking little respect and agreeable feeling toward even an X, haven't you? You see, a tainted bill doesn't have much chance to acquire a correct form of expression. I never knew a really cultured and educated person that could afford to hold a ten-spot any longer than it would take to do an Arthur Duffy to the nearest That's All! sign or delicatessen store.

For a six-year-old, I've had a lively and gorgeous circulation. I guess I've paid as many debts as the man who dies. I've been owned by a good many kinds of people. But a little old ragged, damp, dingy five-dollar silver certificate gave me a jar one day. I was next to it in the fat and bad-smelling purse of a butcher.

"Hey, you Sitting Bull," says I, "don't scrouge so. Anyhow, don't you think it's about time you went in on a customs payment and got reissued? For a series of 1899 you're a sight."

"Oh, don't get crackly just because you're a Buffalo bill," says the fiver. "You'd be limp, too, if you'd been stuffed down in a thick cotton-and-lisle-thread under an elastic all day, and the thermometer not a degree under 85 in the store."

"I never heard of a pocketbook like that," says I. "Who carried you?"

"A shopgirl," says the five-spot.

"What's that?" I had to ask.

"You'll never know till their millennium comes," says the fiver.

Just then a two-dollar bill behind me with a George Washington head, spoke up to the fiver:

"Aw, cut out yer kicks. Ain't lisle thread good enough for yer? If you was under all cotton like I've been to-day, and choked up with factory dust till the lady with the cornucopia on me sneezed half a dozen times, you'd have some reason to complain."

That was the next day after I arrived in New York. I came in a $500 package of tens to a Brooklyn bank from one of its Pennsylvania correspondents—and I haven't made the acquaintance of any of the five and two spot's friends' pocketbooks yet. Silk for mine, every time.

I was lucky money. I kept on the move. Sometimes I changed hands twenty times a day. I saw the inside of every business; I fought for my owner's every pleasure. It seemed that on Saturday nights I never missed being slapped down on a bar. Tens were always slapped down, while ones and twos were slid over to the bartenders folded. I got in the habit of looking for mine, and I managed to soak in a little straight or some spilled Martini or Manhattan whenever I could. Once I got tied up in a great greasy roll of bills in a pushcart peddler's jeans. I thought I never would get in circulation again, for the future department store owner lived on eight cents' worth of dog meat and onions a day. But this peddler got into trouble one day on account of having his cart too near a crossing, and I was rescued. I always will feel grateful to the cop that got me. He changed me at a cigar store near the Bowery that was running a crap game in the back room. So it was the Captain of the precinct, after all, that did me the best turn, when he got his. He blew me for wine the next evening in a Broadway restaurant; and I really felt as glad to get back again as an Astor does when he sees the lights of Charing Cross.

A tainted ten certainly does get action on Broadway. I was alimony once, and got folded in a little dogskin purse among a lot of dimes. They were bragging about the busy times there were in Ossining whenever three girls got hold of one of them during the ice cream season. But it's Slow Moving Vehicles Keep to the Right for the little Bok tips when you think of the way we bison plasters refuse to stick to anything during the rush lobster hour.

The first I ever heard of tainted money was one night when a good thing with a Van to his name threw me over with some other bills to buy a stack of blues.

About midnight a big, easy-going man with a fat face like a monk's and the eye of a janitor with his wages raised took me and a lot of other notes and rolled us into what is termed a "wad" among the money tainters.

"Ticket me for five hundred," said he to the banker, "and look out for everything, Charlie. I'm going out for a stroll in the glen before the moonlight fades from the brow of the cliff. If anybody finds the roof in their way there's $60,000 wrapped in a comic supplement in the upper left-hand corner of the safe. Be bold; everywhere be bold, but be not bowled over. 'Night."

I found myself between two $20 gold certificates. One of 'em says to me:

"Well, old shorthorn, you're in luck to-night. You'll see something of life. Old Jack's going to make the Tenderloin look like a hamburg steak."

"Explain," says I. "I'm used to joints, but I don't care for filet mignon with the kind of sauce you serve."

"'Xcuse me," said the twenty. "Old Jack is the proprietor of this gambling house. He's going on a whiz to-night because he offered $50,000 to a church and it refused to accept it because they said his money was tainted."

"What is a church?" I asked.

"Oh, I forgot," says the twenty, "that I was talking to a tenner. Of course you don't know. You're too much to put into the contribution basket, and not enough to buy anything at a bazaar. A church is—a large building in which penwipers and tidies are sold at $20 each."

I don't care much about chinning with gold certificates. There's a streak of yellow in 'em. All is not gold that's quitters.

Old Jack certainly was a gild-edged sport. When it came his time to loosen up he never referred the waiter to an actuary.

By and by it got around that he was smiting the rock in the wilderness; and all along Broadway things with cold noses and hot gullets fell in on our trail. The third Jungle Book was there waiting for somebody to put covers on it. Old Jack's money may have had a taint to it, but all the same he had orders for his Camembert piling up on him every minute. First his friends rallied round him; and then the fellows that his friends knew by sight; and then a few of his enemies buried the hatchet; and finally he was buying souvenirs for so many Neapolitan fisher maidens and butterfly octettes that the head waiters were 'phoning all over town for Julian Mitchell to please come around and get them into some kind of order.

At last we floated into an uptown cafe that I knew by heart. When the hod-carriers' union in jackets and aprons saw us coming the chief goal kicker called out: "Six—eleven—forty-two—nineteen—twelve" to his men, and they put on nose guards till it was clear whether we meant Port Arthur or Portsmouth. But old Jack wasn't working for the furniture and glass factories that night. He sat down quiet and sang "Ramble" in a half-hearted way. His feelings had been hurt, so the twenty told me, because his offer to the church had been refused.

But the wassail went on; and Brady himself couldn't have hammered the thirst mob into a better imitation of the real penchant for the stuff that you screw out of a bottle with a napkin.

Old Jack paid the twenty above me for a round, leaving me on the outside of his roll. He laid the roll on the table and sent for the proprietor.

"Mike," says he, "here's money that the good people have refused. Will it buy of your wares in the name of the devil? They say it's tainted."

"I will," says Mike, "and I'll put it in the drawer next to the bills that was paid to the parson's daughter for kisses at the church fair to build a new parsonage for the parson's daughter to live in."

At 1 o'clock when the hod-carriers were making ready to close up the front and keep the inside open, a woman slips in the door of the restaurant and comes up to Old Jack's table. You've seen the kind—black shawl, creepy hair, ragged skirt, white face, eyes a cross between Gabriel's and a sick kitten's—the kind of woman that's always on the lookout for an automobile or the mendicancy squad—and she stands there without a word and looks at the money.

Old Jack gets up, peels me off the roll and hands me to her with a bow.

"Madam," says he, just like actors I've heard, "here is a tainted bill. I am a gambler. This bill came to me to-night from a gentleman's son. Where he got it I do not know. If you will do me the favor to accept it, it is yours."

The woman took me with a trembling hand.

"Sir," said she, "I counted thousands of this issue of bills into packages when they were virgin from the presses. I was a clerk in the Treasury Department. There was an official to whom I owed my position. You say they are tainted now. If you only knew—but I won't say any more. Thank you with all my heart, sir—thank you—thank you."

Where do you suppose that woman carried me almost at a run? To a bakery. Away from Old Jack and a sizzling good time to a bakery. And I get changed, and she does a Sheridan-twenty-miles-away with a dozen rolls and a section of jelly cake as big as a turbine water-wheel. Of course I lost sight of her then, for I was snowed up in the bakery, wondering whether I'd get changed at the drug store the next day in an alum deal or paid over to the cement works.

A week afterward I butted up against one of the one-dollar bills the baker had given the woman for change.

"Hallo, E35039669," says I, "weren't you in the change for me in a bakery last Saturday night?"

"Yep," says the solitaire in his free and easy style.

"How did the deal turn out?" I asked.

"She blew E17051431 for mills and round steak," says the one-spot. "She kept me till the rent man came. It was a bum room with a sick kid in it. But you ought to have seen him go for the bread and tincture of formaldehyde. Half-starved, I guess. Then she prayed some. Don't get stuck up, tenner. We one-spots hear ten prayers, where you hear one. She said something about 'who giveth to the poor.' Oh, let's cut out the slum talk. I'm certainly tired of the company that keeps me. I wish I was big enough to move in society with you tainted bills."

"Shut up," says I; "there's no such thing. I know the rest of it. There's a 'lendeth to the Lord' somewhere in it. Now look on my back and read what you see there."

"This note is a legal tender at its face value for all debts public and private."

"This talk about tainted money makes me tired," says I.



ELSIE IN NEW YORK

No, bumptious reader, this story is not a continuation of the Elsie series. But if your Elsie had lived over here in our big city there might have been a chapter in her books not very different from this.

Especially for the vagrant feet of youth are the roads of Manhattan beset "with pitfall and with gin." But the civic guardians of the young have made themselves acquainted with the snares of the wicked, and most of the dangerous paths are patrolled by their agents, who seek to turn straying ones away from the peril that menaces them. And this will tell you how they guided my Elsie safely through all peril to the goal that she was seeking.

Elsie's father had been a cutter for Fox & Otter, cloaks and furs, on lower Broadway. He was an old man, with a slow and limping gait, so a pot-hunter of a newly licensed chauffeur ran him down one day when livelier game was scarce. They took the old man home, where he lay on his bed for a year and then died, leaving $2.50 in cash and a letter from Mr. Otter offering to do anything he could to help his faithful old employee. The old cutter regarded this letter as a valuable legacy to his daughter, and he put it into her hands with pride as the shears of the dread Cleaner and Repairer snipped off his thread of life.

That was the landlord's cue; and forth he came and did his part in the great eviction scene. There was no snowstorm ready for Elsie to steal out into, drawing her little red woollen shawl about her shoulders, but she went out, regardless of the unities. And as for the red shawl—back to Blaney with it! Elsie's fall tan coat was cheap, but it had the style and fit of the best at Fox & Otter's. And her lucky stars had given her good looks, and eyes as blue and innocent as the new shade of note paper, and she had $1 left of the $2.50. And the letter from Mr. Otter. Keep your eye on the letter from Mr. Otter. That is the clue. I desire that everything be made plain as we go. Detective stories are so plentiful now that they do not sell.

And so we find Elsie, thus equipped, starting out in the world to seek her fortune. One trouble about the letter from Mr. Otter was that it did not bear the new address of the firm, which had moved about a month before. But Elsie thought she could find it. She had heard that policemen, when politely addressed, or thumbscrewed by an investigation committee, will give up information and addresses. So she boarded a downtown car at One Hundred and Seventy-seventh street and rode south to Forty-second, which she thought must surely be the end of the island. There she stood against the wall undecided, for the city's roar and dash was new to her. Up where she had lived was rural New York, so far out that the milkmen awaken you in the morning by the squeaking of pumps instead of the rattling of cans.

A kind-faced, sunburned young man in a soft-brimmed hat went past Elsie into the Grand Central Depot. That was Hank Ross, of the Sunflower Ranch, in Idaho, on his way home from a visit to the East. Hank's heart was heavy, for the Sunflower Ranch was a lonesome place, lacking the presence of a woman. He had hoped to find one during his visit who would congenially share his prosperity and home, but the girls of Gotham had not pleased his fancy. But, as he passed in, he noted, with a jumping of his pulses, the sweet, ingenuous face of Elsie and her pose of doubt and loneliness. With true and honest Western impulse he said to himself that here was his mate. He could love her, he knew; and he would surround her with so much comfort, and cherish her so carefully that she would be happy, and make two sunflowers grow on the ranch where there grew but one before.

Hank turned and went back to her. Backed by his never before questioned honesty of purpose, he approached the girl and removed his soft-brimmed hat. Elsie had but time to sum up his handsome frank face with one shy look of modest admiration when a burly cop hurled himself upon the ranchman, seized him by the collar and backed him against the wall. Two blocks away a burglar was coming out of an apartment-house with a bag of silverware on his shoulder; but that is neither here nor there.

"Carry on yez mashin' tricks right before me eyes, will yez?" shouted the cop. "I'll teach yez to speak to ladies on me beat that ye're not acquainted with. Come along."

Elsie turned away with a sigh as the ranchman was dragged away. She had liked the effect of his light blue eyes against his tanned complexion. She walked southward, thinking herself already in the district where her father used to work, and hoping to find some one who could direct her to the firm of Fox & Otter.

But did she want to find Mr. Otter? She had inherited much of the old cutter's independence. How much better it would be if she could find work and support herself without calling on him for aid!

Elsie saw a sign "Employment Agency" and went in. Many girls were sitting against the wall in chairs. Several well-dressed ladies were looking them over. One white-haired, kind-faced old lady in rustling black silk hurried up to Elsie.

"My dear," she said in a sweet, gentle voice, "are you looking for a position? I like your face and appearance so much. I want a young woman who will be half maid and half companion to me. You will have a good home and I will pay you $30 a month."

Before Elsie could stammer forth her gratified acceptance, a young woman with gold glasses on her bony nose and her hands in her jacket pockets seized her arm and drew her aside.

"I am Miss Ticklebaum," said she, "of the Association for the Prevention of Jobs Being Put Up on Working Girls Looking for Jobs. We prevented forty-seven girls from securing positions last week. I am here to protect you. Beware of any one who offers you a job. How do you know that this woman does not want to make you work as a breaker-boy in a coal mine or murder you to get your teeth? If you accept work of any kind without permission of our association you will be arrested by one of our agents."

"But what am I to do?" asked Elsie. "I have no home or money. I must do something. Why am I not allowed to accept this kind lady's offer?"

"I do not know," said Miss Ticklebaum. "That is the affair of our Committee on the Abolishment of Employers. It is my duty simply to see that you do not get work. You will give me your name and address and report to our secretary every Thursday. We have 600 girls on the waiting list who will in time be allowed to accept positions as vacancies occur on our roll of Qualified Employers, which now comprises twenty-seven names. There is prayer, music and lemonade in our chapel the third Sunday of every month."

Elsie hurried away after thanking Miss Ticklebaum for her timely warning and advice. After all, it seemed that she must try to find Mr. Otter.

But after walking a few blocks she saw a sign, "Cashier wanted," in the window of a confectionery store. In she went and applied for the place, after casting a quick glance over her shoulder to assure herself that the job-preventer was not on her trail.

The proprietor of the confectionery was a benevolent old man with a peppermint flavor, who decided, after questioning Elsie pretty closely, that she was the very girl he wanted. Her services were needed at once, so Elsie, with a thankful heart, drew off her tan coat and prepared to mount the cashier's stool.

But before she could do so a gaunt lady wearing steel spectacles and black mittens stood before her, with a long finger pointing, and exclaimed: "Young woman, hesitate!"

Elsie hesitated.

"Do you know," said the black-and-steel lady, "that in accepting this position you may this day cause the loss of a hundred lives in agonizing physical torture and the sending as many souls to perdition?"

"Why, no," said Elsie, in frightened tones. "How could I do that?"

"Ruin," said the lady—"the demon rum. Do you know why so many lives are lost when a theatre catches fire? Brandy balls. The demon rum lurking in brandy balls. Our society women while in theatres sit grossly intoxicated from eating these candies filled with brandy. When the fire fiend sweeps down upon them they are unable to escape. The candy stores are the devil's distilleries. If you assist in the distribution of these insidious confections you assist in the destruction of the bodies and souls of your fellow-beings, and in the filling of our jails, asylums and almshouses. Think, girl, ere you touch the money for which brandy balls are sold."

"Dear me," said Elsie, bewildered. "I didn't know there was rum in brandy balls. But I must live by some means. What shall I do?"

"Decline the position," said the lady, "and come with me. I will tell you what to do."

After Elsie had told the confectioner that she had changed her mind about the cashiership she put on her coat and followed the lady to the sidewalk, where awaited an elegant victoria.

"Seek some other work," said the black-and-steel lady, "and assist in crushing the hydra-headed demon rum." And she got into the victoria and drove away.

"I guess that puts it up to Mr. Otter again," said Elsie, ruefully, turning down the street. "And I'm sorry, too, for I'd much rather make my way without help."

Near Fourteenth street Elsie saw a placard tacked on the side of a doorway that read: "Fifty girls, neat sewers, wanted immediately on theatrical costumes. Good pay."

She was about to enter, when a solemn man, dressed all in black, laid his hand on her arm.

"My dear girl," he said, "I entreat you not to enter that dressing-room of the devil."

"Goodness me!" exclaimed Elsie, with some impatience. "The devil seems to have a cinch on all the business in New York. What's wrong about the place?"

"It is here," said the solemn man, "that the regalia of Satan—in other words, the costumes worn on the stage—are manufactured. The stage is the road to ruin and destruction. Would you imperil your soul by lending the work of your hands to its support? Do you know, my dear girl, what the theatre leads to? Do you know where actors and actresses go after the curtain of the playhouse has fallen upon them for the last time?"

"Sure," said Elsie. "Into vaudeville. But do you think it would be wicked for me to make a little money to live on by sewing? I must get something to do pretty soon."

"The flesh-pots of Egypt," exclaimed the reverend gentleman, uplifting his hands. "I beseech you, my child, to turn away from this place of sin and iniquity."

"But what will I do for a living?" asked Elsie. "I don't care to sew for this musical comedy, if it's as rank as you say it is; but I've got to have a job."

"The Lord will provide," said the solemn man. "There is a free Bible class every Sunday afternoon in the basement of the cigar store next to the church. Peace be with you. Amen. Farewell."

Elsie went on her way. She was soon in the downtown district where factories abound. On a large brick building was a gilt sign, "Posey & Trimmer, Artificial Flowers." Below it was hung a newly stretched canvas hearing the words, "Five hundred girls wanted to learn trade. Good wages from the start. Apply one flight up."

Elsie started toward the door, near which were gathered in groups some twenty or thirty girls. One big girl with a black straw hat tipped down over her eyes stepped in front of her.

"Say, you'se," said the girl, "are you'se goin' in there after a job?"

"Yes," said Elsie; "I must have work."

"Now don't do it," said the girl. "I'm chairman of our Scab Committee. There's 400 of us girls locked out just because we demanded 50 cents a week raise in wages, and ice water, and for the foreman to shave off his mustache. You're too nice a looking girl to be a scab. Wouldn't you please help us along by trying to find a job somewhere else, or would you'se rather have your face pushed in?"

"I'll try somewhere else," said Elsie.

She walked aimlessly eastward on Broadway, and there her heart leaped to see the sign, "Fox & Otter," stretching entirely across the front of a tall building. It was as though an unseen guide had led her to it through the by-ways of her fruitless search for work.

She hurried into the store and sent in to Mr. Otter by a clerk her name and the letter he had written her father. She was shown directly into his private office.

Mr. Otter arose from his desk as Elsie entered and took both hands with a hearty smile of welcome. He was a slightly corpulent man of nearly middle age, a little bald, gold spectacled, polite, well dressed, radiating.

"Well, well, and so this is Beatty's little daughter! Your father was one of our most efficient and valued employees. He left nothing? Well, well. I hope we have not forgotten his faithful services. I am sure there is a vacancy now among our models. Oh, it is easy work—nothing easier."

Mr. Otter struck a bell. A long-nosed clerk thrust a portion of himself inside the door.

"Send Miss Hawkins in," said Mr. Otter. Miss Hawkins came.

"Miss Hawkins," said Mr. Otter, "bring for Miss Beatty to try on one of those Russian sable coats and—let's see—one of those latest model black tulle hats with white tips."

Elsie stood before the full-length mirror with pink cheeks and quick breath. Her eyes shone like faint stars. She was beautiful. Alas! she was beautiful.

I wish I could stop this story here. Confound it! I will. No; it's got to run it out. I didn't make it up. I'm just repeating it.

I'd like to throw bouquets at the wise cop, and the lady who rescues Girls from Jobs, and the prohibitionist who is trying to crush brandy balls, and the sky pilot who objects to costumes for stage people (there are others), and all the thousands of good people who are at work protecting young people from the pitfalls of a great city; and then wind up by pointing out how they were the means of Elsie reaching her father's benefactor and her kind friend and rescuer from poverty. This would make a fine Elsie story of the old sort. I'd like to do this; but there's just a word or two to follow.

While Elsie was admiring herself in the mirror, Mr. Otter went to the telephone booth and called up some number. Don't ask me what it was.

"Oscar," said he, "I want you to reserve the same table for me this evening. . . . What? Why, the one in the Moorish room to the left of the shrubbery. . . . Yes; two. . . . Yes, the usual brand; and the '85 Johannisburger with the roast. If it isn't the right temperature I'll break your neck. No; not her . . . No, indeed . . . A new one—a peacherino, Oscar, a peacherino!"

Tired and tiresome reader, I will conclude, if you please, with a paraphrase of a few words that you will remember were written by him—by him of Gad's Hill, before whom, if you doff not your hat, you shall stand with a covered pumpkin—aye, sir, a pumpkin.

Lost, Your Excellency. Lost Associations and Societies. Lost, Right Reverends and Wrong Reverends of every order. Lost, Reformers and Lawmakers, born with heavenly compassion in your hearts, but with the reverence of money in your souls. And lost thus around us every day.

THE END