In the face of this, however, Cowperwood was not disturbed. He did not believe in either the strength of the masses or their ultimate rights, though he sympathized with the condition of individuals, and did believe that men like himself were sent into the world to better perfect its mechanism and habitable order. Often now, in these preliminary days, he looked at the large companies of men with their horses gathered in and about the several carbarns of the company, and wondered at their state. So many of them were so dull. They were rather like animals, patient, inartistic, hopeless. He thought of their shabby homes, their long hours, their poor pay, and then concluded that if anything at all could be done for them it would be pay them decent living wages, which he proposed to do—nothing more. They could not be expected to understand his dreams or his visions, or to share in the magnificence and social dominance which he craved. He finally decided that it would be as well for him to personally visit the various newspaper publishers and talk the situation over with them. Addison, when consulted as to this project, was somewhat dubious. He had small faith in the newspapers.

He had seen them play petty politics, follow up enmities and personal grudges, and even sell out, in certain cases, for pathetically small rewards.

"I tell you how it is, Frank," remarked Addison, on one occasion. "You will have to do all this business on cotton heels, practically. You know that old gas crowd are still down on you, in spite of the fact that you are one of their largest stockholders. Schryhart isn't at all friendly, and he practically owns the Chronicle. Ricketts will just about say what he wants him to say. Hyssop, of the Mail and the Transcript, is an independent man, but he's a Presbyterian and a cold, self-righteous moralist. Braxton's paper, the Globe, practically belongs to Merrill, but Braxton's a nice fellow, at that. Old General MacDonald, of the Inquirer, is old General MacDonald. It's all according to how he feels when he gets up in the morning. If he should chance to like your looks he might support you forever and forever until you crossed his conscience in some way. He's a fine old walrus. I like him. Neither Schryhart nor Merrill nor any one else can get anything out of him unless he wants to give it. He may not live so many years, however, and I don't trust that son of his. Haguenin, of the Press, is all right and friendly to you, as I understand. Other things being equal, I think he'd naturally support you in anything he thought was fair and reasonable. Well, there you have them. Get them all on your side if you can. Don't ask for the LaSalle Street tunnel right away. Let it come as an afterthought—a great public need. The main thing will be to avoid having the other companies stirring up a real fight against you. Depend on it, Schryhart will be thinking pretty hard about this whole business from now on. As for Merrill—well, if you can show him where he can get something out of it for his store, I guess he'll be for you."

It is one of the splendid yet sinister fascinations of life that there is no tracing to their ultimate sources all the winds of influence that play upon a given barque—all the breaths of chance that fill or desert our bellied or our sagging sails. We plan and plan, but who by taking thought can add a cubit to his stature? Who can overcome or even assist the Providence that shapes our ends, rough hew them as we may. Cowperwood was now entering upon a great public career, and the various editors and public personalities of the city were watching him with interest. Augustus M. Haguenin, a free agent with his organ, the Press, and yet not free, either, because he was harnessed to the necessity of making his paper pay, was most interested. Lacking the commanding magnetism of a man like MacDonald, he was nevertheless an honest man, well-intentioned, thoughtful, careful. Haguenin, ever since the outcome of Cowperwood's gas transaction, had been intensely interested in the latter's career. It seemed to him that Cowperwood was probably destined to become a significant figure. Raw, glittering force, however, compounded of the cruel Machiavellianism of nature, if it be but Machiavellian, seems to exercise a profound attraction for the conventionally rooted. Your cautious citizen of average means, looking out through the eye of his dull world of seeming fact, is often the first to forgive or condone the grim butcheries of theory by which the strong rise. Haguenin, observing Cowperwood, conceived of him as a man perhaps as much sinned against as sinning, a man who would be faithful to friends, one who could be relied upon in hours of great stress. As it happened, the Haguenins were neighbors of the Cowperwoods, and since those days when the latter had attempted unsuccessfully to enter Chicago society this family had been as acceptable as any of those who had remained friendly.

And so, when Cowperwood arrived one day at the office of the Press in a blowing snow-storm—it was just before the Christmas holidays—Haguenin was glad to see him. "It's certainly real winter weather we're having now, isn't it?" he observed, cheerfully. "How goes the North Chicago Street Railway business?" For months he, with the other publishers, had been aware that the whole North Side was to be made over by fine cable-tracks, power-houses, and handsome cars; and there already was talk that some better arrangement was to be made to bring the passengers into the down-town section.

"Mr. Haguenin," said Cowperwood, smilingly—he was arrayed in a heavy fur coat, with a collar of beaver and driving-gauntlets of dogskin—"we have reached the place in this street-railway problem on the North Side where we are going to require the assistance of the newspapers, or at least their friendly support. At present our principal difficulty is that all our lines, when they come down-town, stop at Lake Street—just this side of the bridges. That means a long walk for everybody to all the streets south of it, and, as you probably know, there has been considerable complaint. Besides that, this river traffic is becoming more and more what I may say it has been for years—an intolerable nuisance. We have all suffered from it. No effort has ever been made to regulate it, and because it is so heavy I doubt whether it ever can be systematized in any satisfactory way. The best thing in the long run would be to tunnel under the river; but that is such an expensive proposition that, as things are now, we are in no position to undertake it. The traffic on the North Side does not warrant it. It really does not warrant the reconstruction of the three bridges which we now use at State, Dearborn, and Clark; yet, if we introduce the cable system, which we now propose, these bridges will have to be done over. It seems to me, seeing that this is an enterprise in which the public is as much interested almost as we are, that it would only be fair if the city should help pay for this reconstruction work. All the land adjacent to these lines, and the property served by them, will be greatly enhanced in value. The city's taxing power will rise tremendously. I have talked to several financiers here in Chicago, and they agree with me; but, as is usual in all such cases, I find that some of the politicians are against me. Since I have taken charge of the North Chicago company the attitude of one or two papers has not been any too friendly." (In the Chronicle, controlled by Schryhart, there had already been a number of references to the probability that now, since Cowperwood and his friends were in charge, the sky-rocketing tactics of the old Lake View, Hyde Park, and other gas organizations would be repeated. Braxton's Globe, owned by Merrill, being semi-neutral, had merely suggested that it hoped that no such methods would be repeated here.) "Perhaps you may know," Cowperwood continued, "that we have a very sweeping programme of improvement in mind, if we can obtain proper public consideration and assistance."

At this point he reached down in one of his pockets and drew forth astutely drafted maps and blue-prints, especially prepared for this occasion. They showed main cable lines on North Clark, La Salle, and Wells streets. These lines coming down-town converged at Illinois and La Salle streets on the North Side—and though Cowperwood made no reference to it at the moment, they were indicated on the map in red as running over or under the river at La Salle Street, where was no bridge, and emerging therefrom, following a loop along La Salle to Munroe, to Dearborn, to Randolph, and thence into the tunnel again. Cowperwood allowed Haguenin to gather the very interesting traffic significance of it all before he proceeded.

"On the map, Mr. Haguenin, I have indicated a plan which, if we can gain the consent of the city, will obviate any quarrel as to the great expense of reconstructing the bridges, and will make use of a piece of property which is absolutely without value to the city at present, but which can be made into something of vast convenience to the public. I am referring, as you see"—he laid an indicative finger on the map in Mr. Haguenin's hands—"to the old La Salle Street tunnel, which is now boarded up and absolutely of no use to any one. It was built apparently under a misapprehension as to the grade the average loaded wagon could negotiate. When it was found to be unprofitable it was sold to the city and locked up. If you have ever been through it you know what condition it is in. My engineers tell me the walls are leaking, and that there is great danger of a cave-in unless it is very speedily repaired. I am also told that it will require about four hundred thousand dollars to put it in suitable condition for use. My theory is that if the North Chicago Street Railway is willing to go to this expense for the sake of solving this bridge-crush problem, and giving the residents of the North Side a sensible and uninterrupted service into the business heart, the city ought to be willing to make us a present of this tunnel for the time being, or at least a long lease at a purely nominal rental."

Cowperwood paused to see what Haguenin would say.

The latter was looking at the map gravely, wondering whether it was fair for Cowperwood to make this demand, wondering whether the city should grant it to him without compensation, wondering whether the bridge-traffic problem was as serious as he pointed out, wondering, indeed, whether this whole move was not a clever ruse to obtain something for nothing.

"And what is this?" he asked, laying a finger on the aforementioned loop.

"That," replied Cowperwood, "is the only method we have been able to figure out of serving the down-town business section and the North Side, and of solving this bridge problem. If we obtain the tunnel, as I hope we shall, all the cars of these North Side lines will emerge here"—he pointed to La Salle and Randolph—"and swing around—that is, they will if the city council give us the right of way. I think, of course, there can be no reasonable objection to that. There is no reason why the citizens of the North Side shouldn't have as comfortable an access to the business heart as those of the West or South Side."

"None in the world," Mr. Haguenin was compelled to admit. "Are you satisfied, however, that the council and the city should sanction the gift of a loop of this kind without some form of compensation?"

"I see no reason why they shouldn't," replied Cowperwood, in a somewhat injured tone. "There has never been any question of compensation where other improvements have been suggested for the city in the past. The South Side company has been allowed to turn in a loop around State and Wabash. The Chicago City Passenger Railway has a loop in Adams and Washington streets."

"Quite so," said Mr. Haguenin, vaguely. "That is true. But this tunnel, now—do you think that should fall in the same category of public beneficences?"

At the same time he could not help thinking, as he looked at the proposed loop indicated on the map, that the new cable line, with its string of trailers, would give down-town Chicago a truly metropolitan air and would provide a splendid outlet for the North Side. The streets in question were magnificent commercial thoroughfares, crowded even at this date with structures five, six, seven, and even eight stories high, and brimming with heavy streams of eager life—young, fresh, optimistic. Because of the narrow area into which the commercial life of the city tended to congest itself, this property and these streets were immensely valuable—among the most valuable in the whole city. Also he observed that if this loop did come here its cars, on their return trip along Dearborn Street, would pass by his very door—the office of the Press—thereby enhancing the value of that property of which he was the owner.

"I certainly do, Mr. Haguenin," returned Cowperwood, emphatically, in answer to his query. "Personally, I should think Chicago would be glad to pay a bonus to get its street-railway service straightened out, especially where a corporation comes forward with a liberal, conservative programme such as this. It means millions in growth of property values on the North Side. It means millions to the business heart to have this loop system laid down just as I suggest."

He put his finger firmly on the map which he had brought, and Haguenin agreed with him that the plan was undoubtedly a sound business proposition. "Personally, I should be the last to complain," he added, "for the line passes my door. At the same time this tunnel, as I understand it, cost in the neighborhood of eight hundred thousand or a million dollars. It is a delicate problem. I should like to know what the other editors think of it, and how the city council itself would feel toward it."

Cowperwood nodded. "Certainly, certainly," he said. "With pleasure. I would not come here at all if I did not feel that I had a perfectly legitimate proposition—one that the press of the city should unite in supporting. Where a corporation such as ours is facing large expenditures, which have to be financed by outside capital, it is only natural that we should wish to allay useless, groundless opposition in advance. I hope we may command your support."

"I hope you may," smiled Mr. Haguenin. They parted the best of friends.

The other publishers, guardians of the city's privileges, were not quite so genial as Haguenin in their approval of Cowperwood's proposition. The use of a tunnel and several of the most important down-town streets might readily be essential to the development of Cowperwood's North Side schemes, but the gift of them was a different matter. Already, as a matter of fact, the various publishers and editors had been consulted by Schryhart, Merrill, and others with a view to discovering how they felt as to this new venture, and whether Cowperwood would be cheerfully indorsed or not. Schryhart, smarting from the wounds he had received in the gas war, viewed this new activity on Cowperwood's part with a suspicious and envious eye. To him much more than to the others it spelled a new and dangerous foe in the street-railway field, although all the leading citizens of Chicago were interested.

"I suppose now," he said one evening to the Hon. Walter Melville Hyssop, editor and publisher of the Transcript and the Evening Mail, whom he met at the Union League, "that this fellow Cowperwood will attempt some disturbing coup in connection with street-railway affairs. He is just the sort. I think, from an editorial point of view, his political connections will bear watching." Already there were rumors abroad that McKenty might have something to do with the new company.

Hyssop, a medium-sized, ornate, conservative person, was not so sure. "We shall find out soon enough, no doubt, what propositions Mr. Cowperwood has in hand," he remarked. "He is very energetic and capable, as I understand it."

Hyssop and Schryhart, as well as the latter and Merrill, had been social friends for years and years.

After his call on Mr. Haguenin, Cowperwood's naturally selective and self-protective judgment led him next to the office of the Inquirer, old General MacDonald's paper, where he found that because of rhuematism and the severe, inclement weather of Chicago, the old General had sailed only a few days before for Italy. His son, an aggressive, mercantile type of youth of thirty-two, and a managing editor by the name of Du Bois were acting in his stead. In the son, Truman Leslie MacDonald, an intense, calm, and penetrating young man, Cowperwood encountered some one who, like himself, saw life only from the point of view of sharp, self-centered, personal advantage. What was he, Truman Leslie MacDonald, to derive from any given situation, and how was he to make the Inquirer an even greater property than it had been under his father before him? He did not propose to be overwhelmed by the old General's rather flowery reputation. At the same time he meant to become imposingly rich. An active member of a young and very smart set which had been growing up on the North Side, he rode, drove, was instrumental in organizing a new and exclusive country club, and despised the rank and file as unsuited to the fine atmosphere to which he aspired. Mr. Clifford Du Bois, the managing editor, was a cool reprobate of forty, masquerading as a gentleman, and using the Inquirer in subtle ways for furthering his personal ends, and that under the old General's very nose. He was osseous, sandy-haired, blue-eyed, with a keen, formidable nose and a solid chin. Clifford Du Bois was always careful never to let his left hand know what his right hand did.

It was this sapient pair that received Cowperwood in the old General's absence, first in Mr. Du Bois's room and then in that of Mr. MacDonald. The latter had already heard much of Cowperwood's doings. Men who had been connected with the old gas war—Jordan Jules, for instance, president of the old North Chicago Gas Company, and Hudson Baker, president of the old West Chicago Gas Company—had denounced him long before as a bucaneer who had pirated them out of very comfortable sinecures. Here he was now invading the North Chicago street-railway field and coming with startling schemes for the reorganization of the down-town business heart. Why shouldn't the city have something in return; or, better yet, those who helped to formulate the public opinion, so influential in the success of Cowperwood's plans? Truman Leslie MacDonald, as has been said, did not see life from his father's point of view at all. He had in mind a sharp bargain, which he could drive with Cowperwood during the old gentleman's absence. The General need never know.

"I understand your point of view, Mr. Cowperwood," he commented, loftily, "but where does the city come in? I see very clearly how important this is to the people of the North Side, and even to the merchants and real-estate owners in the down-town section; but that simply means that it is ten times as important to you. Undoubtedly, it will help the city, but the city is growing, anyhow, and that will help you. I've said all along that these public franchises were worth more than they used to be worth. Nobody seems to see it very clearly as yet, but it's true just the same. That tunnel is worth more now than the day it was built. Even if the city can't use it, somebody can."

He was meaning to indicate a rival car line.

Cowperwood bristled internally.

"That's all very well," he said, preserving his surface composure, "but why make fish of one and flesh of another? The South Side company has a loop for which it never paid a dollar. So has the Chicago City Passenger Railway. The North Side company is planning more extensive improvements than were ever undertaken by any single company before. I hardly think it is fair to raise the question of compensation and a franchise tax at this time, and in connection with this one company only."

"Um—well, that may be true of the other companies. The South Side company had those streets long ago. They merely connected them up. But this tunnel, now—that's a different matter, isn't it? The city bought and paid for that, didn't it?"

"Quite true—to help out men who saw that they couldn't make another dollar out of it," said Cowperwood, acidly. "But it's of no use to the city. It will cave in pretty soon if it isn't repaired. Why, the consent of property-owners alone, along the line of this loop, is going to aggregate a considerable sum. It seems to me instead of hampering a great work of this kind the public ought to do everything in its power to assist it. It means giving a new metropolitan flavor to this down-town section. It is time Chicago was getting out of its swaddling clothes."

Mr. MacDonald, the younger, shook his head. He saw clearly enough the significance of the points made, but he was jealous of Cowperwood and of his success. This loop franchise and tunnel gift meant millions for some one. Why shouldn't there be something in it for him? He called in Mr. Du Bois and went over the proposition with him. Quite without effort the latter sensed the drift of the situation.

"It's an excellent proposition," he said. "I don't see but that the city should have something, though. Public sentiment is rather against gifts to corporations just at present."

Cowperwood caught the drift of what was in young MacDonald's mind.

"Well, what would you suggest as a fair rate of compensation to the city?" he asked, cautiously, wondering whether this aggressive youth would go so far as to commit himself in any way.

"Oh, well, as to that," MacDonald replied, with a deprecatory wave of his hand, "I couldn't say. It ought to bear a reasonable relationship to the value of the utility as it now stands. I should want to think that over. I shouldn't want to see the city demand anything unreasonable. Certainly, though, there is a privilege here that is worth something."

Cowperwood flared inwardly. His greatest weakness, if he had one, was that he could but ill brook opposition of any kind. This young upstart, with his thin, cool face and sharp, hard eyes! He would have liked to tell him and his paper to go to the devil. He went away, hoping that he could influence the Inquirer in some other way upon the old General's return.

As he was sitting next morning in his office in North Clark Street he was aroused by the still novel-sounding bell of the telephone—one of the earliest in use—on the wall back of him. After a parley with his secretary, he was informed that a gentleman connected with the Inquirer wished to speak with him.

"This is the Inquirer," said a voice which Cowperwood, his ear to the receiver, thought he recognized as that of young Truman MacDonald, the General's son. "You wanted to know," continued the voice, "what would be considered adequate compensation so far as that tunnel matter is concerned. Can you hear me?"

"Yes," replied Cowperwood.

"Well, I should not care to influence your judgment one way or the other; but if my opinion were asked I should say about fifty thousand dollars' worth of North Chicago Street Railway stock would be satisfactory."

The voice was young, clear, steely.

"To whom would you suggest that it might be paid?" Cowperwood asked, softly, quite genially.

"That, also, I would suggest, might be left to your very sound judgment."

The voice ceased. The receiver was hung up.

"Well, I'll be damned!" Cowperwood said, looking at the floor reflectively. A smile spread over his face. "I'm not going to be held up like that. I don't need to be. It isn't worth it. Not at present, anyhow." His teeth set.

He was underestimating Mr. Truman Leslie MacDonald, principally because he did not like him. He thought his father might return and oust him. It was one of the most vital mistakes he ever made in his life.



Chapter XXIV

The Coming of Stephanie Platow

During this period of what might have been called financial and commercial progress, the affairs of Aileen and Cowperwood had been to a certain extent smoothed over. Each summer now, partly to take Aileen's mind off herself and partly to satisfy his own desire to see the world and collect objects of art, in which he was becoming more and more interested, it was Cowperwood's custom to make with his wife a short trip abroad or to foreign American lands, visiting in these two years Russia, Scandinavia, Argentine, Chili, and Mexico. Their plan was to leave in May or June with the outward rush of traffic, and return in September or early October. His idea was to soothe Aileen as much as possible, to fill her mind with pleasing anticipations as to her eventual social triumph somewhere—in New York or London, if not Chicago—to make her feel that in spite of his physical desertion he was still spiritually loyal.

By now also Cowperwood was so shrewd that he had the ability to simulate an affection and practise a gallantry which he did not feel, or, rather, that was not backed by real passion. He was the soul of attention; he would buy her flowers, jewels, knickknacks, and ornaments; he would see that her comfort was looked after to the last detail; and yet, at the very same moment, perhaps, he would be looking cautiously about to see what life might offer in the way of illicit entertainment. Aileen knew this, although she could not prove it to be true. At the same time she had an affection and an admiration for the man which gripped her in spite of herself.

You have, perhaps, pictured to yourself the mood of some general who has perhaps suffered a great defeat; the employee who after years of faithful service finds himself discharged. What shall life say to the loving when their love is no longer of any value, when all that has been placed upon the altar of affection has been found to be a vain sacrifice? Philosophy? Give that to dolls to play with. Religion? Seek first the metaphysical-minded. Aileen was no longer the lithe, forceful, dynamic girl of 1865, when Cowperwood first met her. She was still beautiful, it is true, a fair, full-blown, matronly creature not more than thirty-five, looking perhaps thirty, feeling, alas, that she was a girl and still as attractive as ever. It is a grim thing to a woman, however fortunately placed, to realize that age is creeping on, and that love, that singing will-o'-the-wisp, is fading into the ultimate dark. Aileen, within the hour of her greatest triumph, had seen love die. It was useless to tell herself, as she did sometimes, that it might come back, revive. Her ultimately realistic temperament told her this could never be. Though she had routed Rita Sohlberg, she was fully aware that Cowperwood's original constancy was gone. She was no longer happy. Love was dead. That sweet illusion, with its pearly pink for heart and borders, that laughing cherub that lures with Cupid's mouth and misty eye, that young tendril of the vine of life that whispers of eternal spring-time, that calls and calls where aching, wearied feet by legion follow, was no longer in existence.

In vain the tears, the storms, the self-tortures; in vain the looks in the mirror, the studied examination of plump, sweet features still fresh and inviting. One day, at the sight of tired circles under her eyes, she ripped from her neck a lovely ruche that she was adjusting and, throwing herself on her bed, cried as though her heart would break. Why primp? Why ornament? Her Frank did not love her. What to her now was a handsome residence in Michigan Avenue, the refinements of a French boudoir, or clothing that ran the gamut of the dressmaker's art, hats that were like orchids blooming in serried rows? In vain, in vain! Like the raven that perched above the lintel of the door, sad memory was here, grave in her widow weeds, crying "never more." Aileen knew that the sweet illusion which had bound Cowperwood to her for a time had gone and would never come again. He was here. His step was in the room mornings and evenings; at night for long prosaic, uninterrupted periods she could hear him breathing by her side, his hand on her body. There were other nights when he was not there—when he was "out of the city"—and she resigned herself to accept his excuses at their face value. Why quarrel? she asked herself. What could she do? She was waiting, waiting, but for what?

And Cowperwood, noting the strange, unalterable changes which time works in us all, the inward lap of the marks of age, the fluted recession of that splendor and radiance which is youth, sighed at times perhaps, but turned his face to that dawn which is forever breaking where youth is. Not for him that poetic loyalty which substitutes for the perfection of young love its memories, or takes for the glitter of passion and desire that once was the happy thoughts of companionship—the crystal memories that like early dews congealed remain beaded recollections to comfort or torture for the end of former joys. On the contrary, after the vanishing of Rita Sohlberg, with all that she meant in the way of a delicate insouciance which Aileen had never known, his temperament ached, for he must have something like that. Truth to say, he must always have youth, the illusion of beauty, vanity in womanhood, the novelty of a new, untested temperament, quite as he must have pictures, old porcelain, music, a mansion, illuminated missals, power, the applause of the great, unthinking world.

As has been said, this promiscuous attitude on Cowperwood's part was the natural flowering out of a temperament that was chronically promiscuous, intellectually uncertain, and philosophically anarchistic. From one point of view it might have been said of him that he was seeking the realization of an ideal, yet to one's amazement our very ideals change at times and leave us floundering in the dark. What is an ideal, anyhow? A wraith, a mist, a perfume in the wind, a dream of fair water. The soul-yearning of a girl like Antoinette Nowak was a little too strained for him. It was too ardent, too clinging, and he had gradually extricated himself, not without difficulty, from that particular entanglement. Since then he had been intimate with other women for brief periods, but to no great satisfaction—Dorothy Ormsby, Jessie Belle Hinsdale, Toma Lewis, Hilda Jewell; but they shall be names merely. One was an actress, one a stenographer, one the daughter of one of his stock patrons, one a church-worker, a solicitor for charity coming to him to seek help for an orphan's home. It was a pathetic mess at times, but so are all defiant variations from the accustomed drift of things. In the hardy language of Napoleon, one cannot make an omelette without cracking a number of eggs.

The coming of Stephanie Platow, Russian Jewess on one side of her family, Southwestern American on the other, was an event in Cowperwood's life. She was tall, graceful, brilliant, young, with much of the optimism of Rita Sohlberg, and yet endowed with a strange fatalism which, once he knew her better, touched and moved him. He met her on shipboard on the way to Goteborg. Her father, Isadore Platow, was a wealthy furrier of Chicago. He was a large, meaty, oily type of man—a kind of ambling, gelatinous formula of the male, with the usual sound commercial instincts of the Jew, but with an errant philosophy which led him to believe first one thing and then another so long as neither interfered definitely with his business. He was an admirer of Henry George and of so altruistic a programme as that of Robert Owen, and, also, in his way, a social snob. And yet he had married Susetta Osborn, a Texas girl who was once his bookkeeper. Mrs. Platow was lithe, amiable, subtle, with an eye always to the main social chance—in other words, a climber. She was shrewd enough to realize that a knowledge of books and art and current events was essential, and so she "went in" for these things.

It is curious how the temperaments of parents blend and revivify in their children. As Stephanie grew up she had repeated in her very differing body some of her father's and mother's characteristics—an interesting variability of soul. She was tall, dark, sallow, lithe, with a strange moodiness of heart and a recessive, fulgurous gleam in her chestnut-brown, almost brownish-black eyes. She had a full, sensuous, Cupid's mouth, a dreamy and even languishing expression, a graceful neck, and a heavy, dark, and yet pleasingly modeled face. From both her father and mother she had inherited a penchant for art, literature, philosophy, and music. Already at eighteen she was dreaming of painting, singing, writing poetry, writing books, acting—anything and everything. Serene in her own judgment of what was worth while, she was like to lay stress on any silly mood or fad, thinking it exquisite—the last word. Finally, she was a rank voluptuary, dreaming dreams of passionate union with first one and then another type of artist, poet, musician—the whole gamut of the artistic and emotional world.

Cowperwood first saw her on board the Centurion one June morning, as the ship lay at dock in New York. He and Aileen were en route for Norway, she and her father and mother for Denmark and Switzerland. She was hanging over the starboard rail looking at a flock of wide-winged gulls which were besieging the port of the cook's galley. She was musing soulfully—conscious (fully) that she was musing soulfully. He paid very little attention to her, except to note that she was tall, rhythmic, and that a dark-gray plaid dress, and an immense veil of gray silk wound about her shoulders and waist and over one arm, after the manner of a Hindu shawl, appeared to become her much. Her face seemed very sallow, and her eyes ringed as if indicating dyspepsia. Her black hair under a chic hat did not escape his critical eye. Later she and her father appeared at the captain's table, to which the Cowperwoods had also been invited.

Cowperwood and Aileen did not know how to take this girl, though she interested them both. They little suspected the chameleon character of her soul. She was an artist, and as formless and unstable as water. It was a mere passing gloom that possessed her. Cowperwood liked the semi-Jewish cast of her face, a certain fullness of the neck, her dark, sleepy eyes. But she was much too young and nebulous, he thought, and he let her pass. On this trip, which endured for ten days, he saw much of her, in different moods, walking with a young Jew in whom she seemed greatly interested, playing at shuffleboard, reading solemnly in a corner out of the reach of the wind or spray, and usually looking naive, preternaturally innocent, remote, dreamy. At other times she seemed possessed of a wild animation, her eyes alight, her expression vigorous, an intense glow in her soul. Once he saw her bent over a small wood block, cutting a book-plate with a thin steel graving tool.

Because of Stephanie's youth and seeming unimportance, her lack of what might be called compelling rosy charm, Aileen had become reasonably friendly with the girl. Far subtler, even at her years, than Aileen, Stephanie gathered a very good impression of the former, of her mental girth, and how to take her. She made friends with her, made a book-plate for her, made a sketch of her. She confided to Aileen that in her own mind she was destined for the stage, if her parents would permit; and Aileen invited her to see her husband's pictures on their return. She little knew how much of a part Stephanie would play in Cowperwood's life.

The Cowperwoods, having been put down at Goteborg, saw no more of the Platows until late October. Then Aileen, being lonely, called to see Stephanie, and occasionally thereafter Stephanie came over to the South Side to see the Cowperwoods. She liked to roam about their house, to dream meditatively in some nook of the rich interior, with a book for company. She liked Cowperwood's pictures, his jades, his missals, his ancient radiant glass. From talking with Aileen she realized that the latter had no real love for these things, that her expressions of interest and pleasure were pure make-believe, based on their value as possessions. For Stephanie herself certain of the illuminated books and bits of glass had a heavy, sensuous appeal, which only the truly artistic can understand. They unlocked dark dream moods and pageants for her. She responded to them, lingered over them, experienced strange moods from them as from the orchestrated richness of music.

And in doing so she thought of Cowperwood often. Did he really like these things, or was he just buying them to be buying them? She had heard much of the pseudo artistic—the people who made a show of art. She recalled Cowperwood as he walked the deck of the Centurion. She remembered his large, comprehensive, embracing blue-gray eyes that seemed to blaze with intelligence. He seemed to her quite obviously a more forceful and significant man than her father, and yet she could not have said why. He always seemed so trigly dressed, so well put together. There was a friendly warmth about all that he said or did, though he said or did little. She felt that his eyes were mocking, that back in his soul there was some kind of humor over something which she did not understand quite.

After Stephanie had been back in Chicago six months, during which time she saw very little of Cowperwood, who was busy with his street-railway programme, she was swept into the net of another interest which carried her away from him and Aileen for the time being. On the West Side, among a circle of her mother's friends, had been organized an Amateur Dramatic League, with no less object than to elevate the stage. That world-old problem never fails to interest the new and the inexperienced. It all began in the home of one of the new rich of the West Side—the Timberlakes. They, in their large house on Ashland Avenue, had a stage, and Georgia Timberlake, a romantic-minded girl of twenty with flaxen hair, imagined she could act. Mrs. Timberlake, a fat, indulgent mother, rather agreed with her. The whole idea, after a few discursive performances of Milton's "The Masque of Comus," "Pyramus and Thisbe," and an improved Harlequin and Columbine, written by one of the members, was transferred to the realm of the studios, then quartered in the New Arts Building. An artist by the name of Lane Cross, a portrait-painter, who was much less of an artist than he was a stage director, and not much of either, but who made his living by hornswaggling society into the belief that he could paint, was induced to take charge of these stage performances.

By degrees the "Garrick Players," as they chose to call themselves, developed no little skill and craftsmanship in presenting one form and another of classic and semi-classic play. "Romeo and Juliet," with few properties of any kind, "The Learned Ladies" of Moliere, Sheridan's "The Rivals," and the "Elektra" of Sophocles were all given. Considerable ability of one kind and another was developed, the group including two actresses of subsequent repute on the American stage, one of whom was Stephanie Platow. There were some ten girls and women among the active members, and almost as many men—a variety of characters much too extended to discuss here. There was a dramatic critic by the name of Gardner Knowles, a young man, very smug and handsome, who was connected with the Chicago Press. Whipping his neatly trousered legs with his bright little cane, he used to appear at the rooms of the players at the Tuesday, Thursday, and Saturday teas which they inaugurated, and discuss the merits of the venture. Thus the Garrick Players were gradually introduced into the newspapers. Lane Cross, the smooth-faced, pasty-souled artist who had charge, was a rake at heart, a subtle seducer of women, who, however, escaped detection by a smooth, conventional bearing. He was interested in such girls as Georgia Timberlake, Irma Ottley, a rosy, aggressive maiden who essayed comic roles, and Stephanie Platow. These, with another girl, Ethel Tuckerman, very emotional and romantic, who could dance charmingly and sing, made up a group of friends which became very close. Presently intimacies sprang up, only in this realm, instead of ending in marriage, they merely resulted in sex liberty. Thus Ethel Tuckerman became the mistress of Lane Cross; an illicit attachment grew up between Irma Ottley and a young society idler by the name of Bliss Bridge; and Gardner Knowles, ardently admiring Stephanie Platow literally seized upon her one afternoon in her own home, when he went ostensibly to interview her, and overpersuaded her. She was only reasonably fond of him, not in love; but, being generous, nebulous, passionate, emotional, inexperienced, voiceless, and vainly curious, without any sense of the meums and teums that govern society in such matters, she allowed this rather brutal thing to happen. She was not a coward—was too nebulous and yet forceful to be such. Her parents never knew. And once so launched, another world—that of sex satisfaction—began to dawn on her.

Were these young people evil? Let the social philosopher answer. One thing is certain: They did not establish homes and raise children. On the contrary, they led a gay, butterfly existence for nearly two years; then came a gift in the lute. Quarrels developed over parts, respective degrees of ability, and leadership. Ethel Tuckerman fell out with Lane Cross, because she discovered him making love to Irma Ottley. Irma and Bliss Bridge released each other, the latter transferring his affections to Georgia Timberlake. Stephanie Platow, by far the most individual of them all, developed a strange inconsequence as to her deeds. It was when she was drawing near the age of twenty that the affair with Gardner Knowles began. After a time Lane Cross, with his somewhat earnest attempt at artistic interpretation and his superiority in the matter of years—he was forty, and young Knowles only twenty-four—seemed more interesting to Stephanie, and he was quick to respond. There followed an idle, passionate union with this man, which seemed important, but was not so at all. And then it was that Stephanie began dimly to perceive that it was on and on that the blessings lie, that somewhere there might be some man much more remarkable than either of these; but this was only a dream. She thought of Cowperwood at times; but he seemed to her to be too wrapped up in grim tremendous things, far apart from this romantic world of amateur dramatics in which she was involved.



Chapter XXV

Airs from the Orient

Cowperwood gained his first real impression of Stephanie at the Garrick Players, where he went with Aileen once to witness a performance of "Elektra." He liked Stephanie particularly in this part, and thought her beautiful. One evening not long afterward he noticed her in his own home looking at his jades, particularly a row of bracelets and ear-rings. He liked the rhythmic outline of her body, which reminded him of a letter S in motion. Quite suddenly it came over him that she was a remarkable girl—very—destined, perhaps, to some significant future. At the same time Stephanie was thinking of him.

"Do you find them interesting?" he asked, stopping beside her.

"I think they're wonderful. Those dark-greens, and that pale, fatty white! I can see how beautiful they would be in a Chinese setting. I have always wished we could find a Chinese or Japanese play to produce sometime."

"Yes, with your black hair those ear-rings would look well," said Cowperwood.

He had never deigned to comment on a feature of hers before. She turned her dark, brown-black eyes on him—velvety eyes with a kind of black glow in them—and now he noticed how truly fine they were, and how nice were her hands—brown almost as a Malay's.

He said nothing more; but the next day an unlabeled box was delivered to Stephanie at her home containing a pair of jade ear-rings, a bracelet, and a brooch with Chinese characters intagliated. Stephanie was beside herself with delight. She gathered them up in her hands and kissed them, fastening the ear-rings in her ears and adjusting the bracelet and ring. Despite her experience with her friends and relatives, her stage associates, and her paramours, she was still a little unschooled in the world. Her heart was essentially poetic and innocent. No one had ever given her much of anything—not even her parents. Her allowance thus far in life had been a pitiful six dollars a week outside of her clothing. As she surveyed these pretty things in the privacy of her room she wondered oddly whether Cowperwood was growing to like her. Would such a strong, hard business man be interested in her? She had heard her father say he was becoming very rich. Was she a great actress, as some said she was, and would strong, able types of men like Cowperwood take to her—eventually? She had heard of Rachel, of Nell Gwynne, of the divine Sarah and her loves. She took the precious gifts and locked them in a black-iron box which was sacred to her trinkets and her secrets.

The mere acceptance of these things in silence was sufficient indication to Cowperwood that she was of a friendly turn of mind. He waited patiently until one day a letter came to his office—not his house—addressed, "Frank Algernon Cowperwood, Personal." It was written in a small, neat, careful hand, almost printed.

I don't know how to thank you for your wonderful present. I didn't mean you should give them to me, and I know you sent them. I shall keep them with pleasure and wear them with delight. It was so nice of you to do this.

STEPHANIE PLATOW.

Cowperwood studied the handwriting, the paper, the phraseology. For a girl of only a little over twenty this was wise and reserved and tactful. She might have written to him at his residence. He gave her the benefit of a week's time, and then found her in his own home one Sunday afternoon. Aileen had gone calling, and Stephanie was pretending to await her return.

"It's nice to see you there in that window," he said. "You fit your background perfectly."

"Do I?" The black-brown eyes burned soulfully. The panneling back of her was of dark oak, burnished by the rays of an afternoon winter sun.

Stephanie Platow had dressed for this opportunity. Her full, rich, short black hair was caught by a childish band of blood-red ribbon, holding it low over her temples and ears. Her lithe body, so harmonious in its graven roundness, was clad in an apple-green bodice, and a black skirt with gussets of red about the hem; her smooth arms, from the elbows down, were bare. On one wrist was the jade bracelet he had given her. Her stockings were apple-green silk, and, despite the chill of the day, her feet were shod in enticingly low slippers with brass buckles.

Cowperwood retired to the hall to hang up his overcoat and came back smiling.

"Isn't Mrs. Cowperwood about?"

"The butler says she's out calling, but I thought I'd wait a little while, anyhow. She may come back."

She turned up a dark, smiling face to him, with languishing, inscrutable eyes, and he recognized the artist at last, full and clear.

"I see you like my bracelet, don't you?"

"It's beautiful," she replied, looking down and surveying it dreamily. "I don't always wear it. I carry it in my muff. I've just put it on for a little while. I carry them all with me always. I love them so. I like to feel them."

She opened a small chamois bag beside her—lying with her handkerchief and a sketch-book which she always carried—and took out the ear-rings and brooch.

Cowperwood glowed with a strange feeling of approval and enthusiasm at this manifestation of real interest. He liked jade himself very much, but more than that the feeling that prompted this expression in another. Roughly speaking, it might have been said of him that youth and hope in women—particularly youth when combined with beauty and ambition in a girl—touched him. He responded keenly to her impulse to do or be something in this world, whatever it might be, and he looked on the smart, egoistic vanity of so many with a kindly, tolerant, almost parental eye. Poor little organisms growing on the tree of life—they would burn out and fade soon enough. He did not know the ballad of the roses of yesteryear, but if he had it would have appealed to him. He did not care to rifle them, willy-nilly; but should their temperaments or tastes incline them in his direction, they would not suffer vastly in their lives because of him. The fact was, the man was essentially generous where women were concerned.

"How nice of you!" he commented, smiling. "I like that." And then, seeing a note-book and pencil beside her, he asked, "What are you doing?"

"Just sketching."

"Let me see?"

"It's nothing much," she replied, deprecatingly. "I don't draw very well."

"Gifted girl!" he replied, picking it up. "Paints, draws, carves on wood, plays, sings, acts."

"All rather badly," she sighed, turning her head languidly and looking away. In her sketch-book she had put all of her best drawings; there were sketches of nude women, dancers, torsos, bits of running figures, sad, heavy, sensuous heads and necks of sleeping girls, chins up, eyelids down, studies of her brothers and sister, and of her father and mother.

"Delightful!" exclaimed Cowperwood, keenly alive to a new treasure. Good heavens, where had been his eyes all this while? Here was a jewel lying at his doorstep—innocent, untarnished—a real jewel. These drawings suggested a fire of perception, smoldering and somber, which thrilled him.

"These are beautiful to me, Stephanie," he said, simply, a strange, uncertain feeling of real affection creeping over him. The man's greatest love was for art. It was hypnotic to him. "Did you ever study art?" he asked.

"No."

"And you never studied acting?"

"No."

She shook her head in a slow, sad, enticing way. The black hair concealing her ears moved him strangely.

"I know the art of your stage work is real, and you have a natural art which I just seem to see. What has been the matter with me, anyhow?"

"Oh no," she sighed. "It seems to me that I merely play at everything. I could cry sometimes when I think how I go on."

"At twenty?"

"That is old enough," she smiled, archly.

"Stephanie," he asked, cautiously, "how old are you, exactly?"

"I will be twenty-one in April," she answered.

"Have your parents been very strict with you?"

She shook her head dreamily. "No; what makes you ask? They haven't paid very much attention to me. They've always liked Lucille and Gilbert and Ormond best." Her voice had a plaintive, neglected ring. It was the voice she used in her best scenes on the stage.

"Don't they realize that you are very talented?"

"I think perhaps my mother feels that I may have some ability. My father doesn't, I'm sure. Why?"

She lifted those languorous, plaintive eyes.

"Why, Stephanie, if you want to know, I think you're wonderful. I thought so the other night when you were looking at those jades. It all came over me. You are an artist, truly, and I have been so busy I have scarcely seen it. Tell me one thing."

"Yes."

She drew in a soft breath, filling her chest and expanding her bosom, while she looked at him from under her black hair. Her hands were crossed idly in her lap. Then she looked demurely down.

"Look, Stephanie! Look up! I want to ask you something. You have known something of me for over a year. Do you like me?"

"I think you're very wonderful," she murmured.

"Is that all?"

"Isn't that much?" she smiled, shooting a dull, black-opal look in his direction.

"You wore my bracelet to-day. Were you very glad to get it?"

"Oh yes," she sighed, with aspirated breath, pretending a kind of suffocation.

"How beautiful you really are!" he said, rising and looking down at her.

She shook her head.

"No."

"Yes!"

"No."

"Come, Stephanie! Stand by me and look at me. You are so tall and slender and graceful. You are like something out of Asia."

She sighed, turning in a sinuous way, as he slipped his arm her. "I don't think we should, should we?" she asked, naively, after a moment, pulling away from him.

"Stephanie!"

"I think I'd better go, now, please."



Chapter XXVI

Love and War

It was during the earlier phases of his connection with Chicago street-railways that Cowperwood, ardently interesting himself in Stephanie Platow, developed as serious a sex affair as any that had yet held him. At once, after a few secret interviews with her, he adopted his favorite ruse in such matters and established bachelor quarters in the down-town section as a convenient meeting-ground. Several conversations with Stephanie were not quite as illuminating as they might have been, for, wonderful as she was—a kind of artistic godsend in this dull Western atmosphere—she was also enigmatic and elusive, very. He learned speedily, in talking with her on several days when they met for lunch, of her dramatic ambitions, and of the seeming spiritual and artistic support she required from some one who would have faith in her and inspire her by his or her confidence. He learned all about the Garrick Players, her home intimacies and friends, the growing quarrels in the dramatic organization. He asked her, as they sat in a favorite and inconspicuous resort of his finding, during one of those moments when blood and not intellect was ruling between them, whether she had ever—

"Once," she naively admitted.

It was a great shock to Cowperwood. He had fancied her refreshingly innocent. But she explained it was all so accidental, so unintentional on her part, very. She described it all so gravely, soulfully, pathetically, with such a brooding, contemplative backward searching of the mind, that he was astonished and in a way touched. What a pity! It was Gardner Knowles who had done this, she admitted. But he was not very much to blame, either. It just happened. She had tried to protest, but— Wasn't she angry? Yes, but then she was sorry to do anything to hurt Gardner Knowles. He was such a charming boy, and he had such a lovely mother and sister, and the like.

Cowperwood was astonished. He had reached that point in life where the absence of primal innocence in a woman was not very significant; but in Stephanie, seeing that she was so utterly charming, it was almost too bad. He thought what fools the Platows must be to tolerate this art atmosphere for Stephanie without keeping a sharp watch over it. Nevertheless, he was inclined to believe from observation thus far that Stephanie might be hard to watch. She was ingrainedly irresponsible, apparently—so artistically nebulous, so non-self-protective. To go on and be friends with this scamp! And yet she protested that never after that had there been the least thing between them. Cowperwood could scarcely believe it. She must be lying, and yet he liked her so. The very romantic, inconsequential way in which she narrated all this staggered, amused, and even fascinated him.

"But, Stephanie," he argued, curiously, "there must been some aftermath to all this. What happened? What did you do?"

"Nothing." She shook her head.

He had to smile.

"But oh, don't let's talk about it!" she pleaded. "I don't want to. It hurts me. There was nothing more."

She sighed, and Cowperwood meditated. The evil was now done, and the best that he could do, if he cared for her at all—and he did—was to overlook it. He surveyed her oddly, wonderingly. What a charming soul she was, anyhow! How naive—how brooding! She had art—lots of it. Did he want to give her up?

As he might have known, it was dangerous to trifle with a type of this kind, particularly once awakened to the significance of promiscuity, and unless mastered by some absorbing passion. Stephanie had had too much flattery and affection heaped upon her in the past two years to be easily absorbed. Nevertheless, for the time being, anyhow, she was fascinated by the significance of Cowperwood. It was wonderful to have so fine, so powerful a man care for her. She conceived of him as a very great artist in his realm rather than as a business man, and he grasped this fact after a very little while and appreciated it. To his delight, she was even more beautiful physically than he had anticipated—a smoldering, passionate girl who met him with a fire which, though somber, quite rivaled his own. She was different, too, in her languorous acceptance of all that he bestowed from any one he had ever known. She was as tactful as Rita Sohlberg—more so—but so preternaturally silent at times.

"Stephanie," he would exclaim, "do talk. What are you thinking of? You dream like an African native."

She merely sat and smiled in a dark way or sketched or modeled him. She was constantly penciling something, until moved by the fever of her blood, when she would sit and look at him or brood silently, eyes down. Then, when he would reach for her with seeking hands, she would sigh, "Oh yes, oh yes!"

Those were delightful days with Stephanie.

In the matter of young MacDonald's request for fifty thousand dollars in securities, as well as the attitude of the other editors—Hyssop, Braxton, Ricketts, and so on—who had proved subtly critical, Cowperwood conferred with Addison and McKenty.

"A likely lad, that," commented McKenty, succintly, when he heard it. "He'll do better than his father in one way, anyhow. He'll probably make more money."

McKenty had seen old General MacDonald just once in his life, and liked him.

"I should like to know what the General would think of that if he knew," commented Addison, who admired the old editor greatly. "I'm afraid he wouldn't sleep very well."

"There is just one thing," observed Cowperwood, thoughtfully. "This young man will certainly come into control of the Inquirer sometime. He looks to me like some one who would not readily forget an injury." He smiled sardonically. So did McKenty and Addison.

"Be that as it may," suggested the latter, "he isn't editor yet." McKenty, who never revealed his true views to any one but Cowperwood, waited until he had the latter alone to observe:

What can they do? Your request is a reasonable one. Why shouldn't the city give you the tunnel? It's no good to anyone as it is. And the loop is no more than the other roads have now. I'm thinking it's the Chicago City Railway and that silk-stocking crowd on State Street or that gas crowd that's talking against you. I've heard them before. Give them what they want, and it's a fine moral cause. Give it to anyone else, and there's something wrong with it. It's little attention I pay to them. We have the council, let it pass the ordinances. It can't be proved that they don't do it willingly. The mayor is a sensible man. He'll sign them. Let young MacDonald talk if he wants to. If he says too much you can talk to his father. As for Hyssop, he's an old grandmother anyhow. I've never known him to be for a public improvement yet that was really good for Chicago unless Schryhart or Merrill or Arneel or someone else of that crowd wanted it. I know them of old. My advice is to go ahead and never mind them. To hell with them! Things will be sweet enough, once you are as powerful as they are. They'll get nothing in the future without paying for it. It's little enough they've ever done to further anything that I wanted.

Cowperwood, however, remained cool and thoughtful. Should he pay young MacDonald? he asked himself. Addison knew of no influence that he could bring to bear. Finally, after much thought, he decided to proceed as he had planned. Consequently, the reporters around the City Hall and the council-chamber, who were in touch with Alderman Thomas Dowling, McKenty's leader on the floor of council, and those who called occasionally—quite regularly, in fact—at the offices of the North Chicago Street Railway Company, Cowperwood's comfortable new offices in the North Side, were now given to understand that two ordinances—one granting the free use of the La Salle Street tunnel for an unlimited period (practically a gift of it), and another granting a right of way in La Salle, Munroe, Dearborn, and Randolph streets for the proposed loop—would be introduced in council very shortly. Cowperwood granted a very flowery interview, in which he explained quite enthusiastically all that the North Chicago company was doing and proposed to do, and made clear what a splendid development it would assure to the North Side and to the business center.

At once Schryhart, Merrill, and some individuals connected with the Chicago West Division Company, began to complain in the newspaper offices and at the clubs to Ricketts, Braxton, young MacDonald, and the other editors. Envy of the pyrotechnic progress of the man was as much a factor in this as anything else. It did not make the slightest difference, as Cowperwood had sarcastically pointed out, that every other corporation of any significance in Chicago had asked and received without money and without price. Somehow his career in connection with Chicago gas, his venturesome, if unsuccessful effort to enter Chicago society, his self-acknowledged Philadelphia record, rendered the sensitive cohorts of the ultra-conservative exceedingly fearful. In Schryhart's Chronicle appeared a news column which was headed, "Plain Grab of City Tunnel Proposed." It was a very truculent statement, and irritated Cowperwood greatly. The Press (Mr. Haguenin's paper), on the other hand, was most cordial to the idea of the loop, while appearing to be a little uncertain as to whether the tunnel should be granted without compensation or not. Editor Hyssop felt called upon to insist that something more than merely nominal compensation should be made for the tunnel, and that "riders" should be inserted in the loop ordinance making it incumbent upon the North Chicago company to keep those thoroughfares in full repair and well lighted. The Inquirer, under Mr. MacDonald, junior, and Mr. Du Bois, was in rumbling opposition. No free tunnels, it cried; no free ordinances for privileges in the down-town heart. It had nothing to say about Cowperwood personally. The Globe, Mr. Braxton's paper, was certain that no free rights to the tunnel should be given, and that a much better route for the loop could be found—one larger and more serviceable to the public, one that might be made to include State Street or Wabash Avenue, or both, where Mr. Merrill's store was located. So it went, and one could see quite clearly to what extent the interests of the public figured in the majority of these particular viewpoints.

Cowperwood, individual, reliant, utterly indifferent to opposition of any kind, was somewhat angered by the manner in which his overtures had been received, but still felt that the best way out of his troubles was to follow McKenty's advice and get power first. Once he had his cable-conduit down, his new cars running, the tunnel rebuilt, brilliantly lighted, and the bridge crush disposed of, the public would see what a vast change for the better had been made and would support him. Finally all things were in readiness and the ordinance jammed through. McKenty, being a little dubious of the outcome, had a rocking-chair brought into the council-chamber itself during the hours when the ordinances were up for consideration. In this he sat, presumably as a curious spectator, actually as a master dictating the course of liquidation in hand. Neither Cowperwood nor any one else knew of McKenty's action until too late to interfere with it. Addison and Videra, when they read about it as sneeringly set forth in the news columns of the papers, lifted and then wrinkled their eyebrows.

"That looks like pretty rough work to me," commented Addison. "I thought McKenty had more tact. That's his early Irish training."

Alexander Rambaud, who was an admirer and follower of Cowperwood's, wondered whether the papers were lying, whether it really could be true that Cowperwood had a serious political compact with McKenty which would allow him to walk rough-shod over public opinion. Rambaud considered Cowperwood's proposition so sane and reasonable that he could not understand why there should be serious opposition, or why Cowperwood and McKenty should have to resort to such methods.

However, the streets requisite for the loop were granted. The tunnel was leased for nine hundred and ninety-nine years at the nominal sum of five thousand dollars per year. It was understood that the old bridges over State, Dearborn, and Clark streets should be put in repair or removed; but there was "a joker" inserted elsewhere which nullified this. Instantly there were stormy outbursts in the Chronicle, Inquirer, and Globe; but Cowperwood, when he read them, merely smiled. "Let them grumble," he said to himself. "I put a very reasonable proposition before them. Why should they complain? I'm doing more now than the Chicago City Railway. It's jealousy, that's all. If Schryhart or Merrill had asked for it, there would have been no complaint."

McKenty called at the offices of the Chicago Trust Company to congratulate Cowperwood. "The boys did as I thought they would," he said. "I had to be there, though, for I heard some one say that about ten of them intended to ditch us at the last moment."

"Good work, good work!" replied Cowperwood, cheerfully. "This row will all blow over. It would be the same whenever we asked. The air will clear up. We'll give them such a fine service that they'll forget all about this, and be glad they gave us the tunnel."

Just the same, the morning after the enabling ordinances had passed, there was much derogatory comment in influential quarters. Mr. Norman Schryhart, who, through his publisher, had been fulminating defensively against Cowperwood, stared solemnly at Mr. Ricketts when they met.

"Well," said the magnate, who imagined he foresaw a threatened attack on his Chicago City Street Railway preserves, "I see our friend Mr. Cowperwood has managed to get his own way with the council. I am morally certain he uses money to get what he is after as freely as a fireman uses water. He's as slippery as an eel. I should be glad if we could establish that there is a community of interest between him and these politicians around City Hall, or between him and Mr. McKenty. I believe he has set out to dominate this city politically as well as financially, and he'll need constant watching. If public opinion can be aroused against him he may be dislodged in the course of time. Chicago may get too uncomfortable for him. I know Mr. McKenty personally, but he is not the kind of man I care to do business with."

Mr. Schryhart's method of negotiating at City Hall was through certain reputable but somewhat slow-going lawyers who were in the employ of the South Side company. They had never been able to reach Mr. McKenty at all. Ricketts echoed a hearty approval. "You're very right," he said, with owlish smugness, adjusting a waistcoat button that had come loose, and smoothing his cuffs. "He's a prince of politicians. We'll have to look sharp if we ever trap him" Mr. Ricketts would have been glad to sell out to Mr. Cowperwood, if he had not been so heavily obligated to Mr. Schryhart. He had no especial affection for Cowperwood, but he recognized in him a coming man.

Young MacDonald, talking to Clifford Du Bois in the office of the Inquirer, and reflecting how little his private telephone message had availed him, was in a waspish, ironic frame of mind.

"Well," he said, "it seems our friend Cowperwood hasn't taken our advice. He may make his mark, but the Inquirer isn't through with him by a long shot. He'll be wanting other things from the city in the future."

Clifford Du Bois regarded his acid young superior with a curious eye. He knew nothing of MacDonald's private telephone message to Cowperwood; but he knew how he himself would have dealt with the crafty financier had he been in MacDonald's position.

"Yes, Cowperwood is shrewd," was his comment. "Pritchard, our political man, says the ways of the City Hall are greased straight up to the mayor and McKenty, and that Cowperwood can have anything he wants at any time. Tom Dowling eats out of his hand, and you know what that means. Old General Van Sickle is working for him in some way. Did you ever see that old buzzard flying around if there wasn't something dead in the woods?"

"He's a slick one," remarked MacDonald. "But as for Cowperwood, he can't get away with this sort of thing very long. He's going too fast. He wants too much."

Mr. Du Bois smiled quite secretly. It amused him to see how Cowperwood had brushed MacDonald and his objections aside—dispensed for the time being with the services of the Inquirer. Du Bois confidently believed that if the old General had been at home he would have supported the financier.

Within eight months after seizing the La Salle Street tunnel and gobbling four of the principal down-town streets for his loop, Cowperwood turned his eyes toward the completion of the second part of the programme—that of taking over the Washington Street tunnel and the Chicago West Division Company, which was still drifting along under its old horse-car regime. It was the story of the North Side company all over again. Stockholders of a certain type—the average—are extremely nervous, sensitive, fearsome. They are like that peculiar bivalve, the clam, which at the slightest sense of untoward pressure withdraws into its shell and ceases all activity. The city tax department began by instituting proceedings against the West Division company, compelling them to disgorge various unpaid street-car taxes which had hitherto been conveniently neglected. The city highway department was constantly jumping on them for neglect of street repairs. The city water department, by some hocus-pocus, made it its business to discover that they had been stealing water. On the other hand were the smiling representatives of Cowperwood, Kaifrath, Addison, Videra, and others, approaching one director or stockholder after another with glistening accounts of what a splendid day would set in for the Chicago West Division Company if only it would lease fifty-one per cent. of its holdings—fifty-one per cent. of twelve hundred and fifty shares, par value two hundred dollars—for the fascinating sum of six hundred dollars per share, and thirty per cent. interest on all stock not assumed.

Who could resist? Starve and beat a dog on the one hand; wheedle, pet, and hold meat in front of it on the other, and it can soon be brought to perform. Cowperwood knew this. His emissaries for good and evil were tireless. In the end—and it was not long in coming—the directors and chief stockholders of the Chicago West Division Company succumbed; and then, ho! the sudden leasing by the Chicago West Division Company of all its property—to the North Chicago Street Railway Company, lessee in turn of the Chicago City Passenger Railway, a line which Cowperwood had organized to take over the Washington Street tunnel. How had he accomplished it? The question was on the tip of every financial tongue. Who were the men or the organization providing the enormous sums necessary to pay six hundred dollars per share for six hundred and fifty shares of the twelve hundred and fifty belonging to the old West Division company, and thirty per cent. per year on all the remainder? Where was the money coming from to cable all these lines? It was simple enough if they had only thought. Cowperwood was merely capitalizing the future.

Before the newspapers or the public could suitably protest, crowds of men were at work day and night in the business heart of the city, their flaring torches and resounding hammers making a fitful bedlamic world of that region; they were laying the first great cable loop and repairing the La Salle Street tunnel. It was the same on the North and West Sides, where concrete conduits were being laid, new grip and trailer cars built, new car-barns erected, and large, shining power-houses put up. The city, so long used to the old bridge delays, the straw-strewn, stoveless horse-cars on their jumping rails, was agog to see how fine this new service would be. The La Salle Street tunnel was soon aglow with white plaster and electric lights. The long streets and avenues of the North Side were threaded with concrete-lined conduits and heavy street-rails. The powerhouses were completed and the system was started, even while the contracts for the changes on the West Side were being let.

Schryhart and his associates were amazed at this swiftness of action, this dizzy phantasmagoria of financial operations. It looked very much to the conservative traction interests of Chicago as if this young giant out of the East had it in mind to eat up the whole city. The Chicago Trust Company, which he, Addison, McKenty, and others had organized to manipulate the principal phases of the local bond issues, and of which he was rumored to be in control, was in a flourishing condition. Apparently he could now write his check for millions, and yet he was not beholden, so far as the older and more conservative multimillionaires of Chicago were concerned, to any one of them. The worst of it was that this Cowperwood—an upstart, a jail-bird, a stranger whom they had done their best to suppress financially and ostracize socially, had now become an attractive, even a sparkling figure in the eyes of the Chicago public. His views and opinions on almost any topic were freely quoted; the newspapers, even the most antagonistic, did not dare to neglect him. Their owners were now fully alive to the fact that a new financial rival had appeared who was worthy of their steel.



Chapter XXVII

A Financier Bewitched

It was interesting to note how, able though he was, and bound up with this vast street-railway enterprise which was beginning to affect several thousand men, his mind could find intense relief and satisfaction in the presence and actions of Stephanie Platow. It is not too much to say that in her, perhaps, he found revivified the spirit and personality of Rita Sohlberg. Rita, however, had not contemplated disloyalty—it had never occurred to her to be faithless to Cowperwood so long as he was fond of her any more than for a long time it had been possible for her, even after all his philanderings, to be faithless to Sohlberg. Stephanie, on the other hand, had the strange feeling that affection was not necessarily identified with physical loyalty, and that she could be fond of Cowperwood and still deceive him—a fact which was based on her lack as yet of a true enthusiasm for him. She loved him and she didn't. Her attitude was not necessarily identified with her heavy, lizardish animality, though that had something to do with it; but rather with a vague, kindly generosity which permitted her to feel that it was hard to break with Gardner Knowles and Lane Cross after they had been so nice to her. Gardner Knowles had sung her praises here, there, and everywhere, and was attempting to spread her fame among the legitimate theatrical enterprises which came to the city in order that she might be taken up and made into a significant figure. Lane Cross was wildly fond of her in an inadequate way which made it hard to break with him, and yet certain that she would eventually. There was still another man—a young playwright and poet by the name of Forbes Gurney—tall, fair, passionate—who had newly arrived on the scene and was courting her, or, rather, being courted by her at odd moments, for her time was her own. In her artistically errant way she had refused to go to school like her sister, and was idling about, developing, as she phrased it, her artistic possibilities.

Cowperwood, as was natural, heard much of her stage life. At first he took all this palaver with a grain of salt, the babbling of an ardent nature interested in the flighty romance of the studio world. By degrees, however, he became curious as to the freedom of her actions, the ease with which she drifted from place to place—Lane Cross's studio; Bliss Bridge's bachelor rooms, where he appeared always to be receiving his theatrical friends of the Garrick Players; Mr. Gardner Knowles's home on the near North Side, where he was frequently entertaining a party after the theater. It seemed to Cowperwood, to say the least, that Stephanie was leading a rather free and inconsequential existence, and yet it reflected her exactly—the color of her soul. But he began to doubt and wonder.

"Where were you, Stephanie, yesterday?" he would ask, when they met for lunch, or in the evenings early, or when she called at his new offices on the North Side, as she sometimes did to walk or drive with him.

"Oh, yesterday morning I was at Lane Cross's studio trying on some of his Indian shawls and veils. He has such a lot of those things—some of the loveliest oranges and blues. You just ought to see me in them. I wish you might."

"Alone?"

"For a while. I thought Ethel Tuckerman and Bliss Bridge would be there, but they didn't come until later. Lane Cross is such a dear. He's sort of silly at times, but I like him. His portraits are so bizarre."

She went off into a description of his pretentious but insignificant art.

Cowperwood marveled, not at Lane Cross's art nor his shawls, but at this world in which Stephanie moved. He could not quite make her out. He had never been able to make her explain satisfactorily that first single relationship with Gardner Knowles, which she declared had ended so abruptly. Since then he had doubted, as was his nature; but this girl was so sweet, childish, irreconcilable with herself, like a wandering breath of air, or a pale-colored flower, that he scarcely knew what to think. The artistically inclined are not prone to quarrel with an enticing sheaf of flowers. She was heavenly to him, coming in, as she did at times when he was alone, with bland eyes and yielding herself in a kind of summery ecstasy. She had always something artistic to tell of storms, winds, dust, clouds, smoke forms, the outline of buildings, the lake, the stage. She would cuddle in his arms and quote long sections from "Romeo and Juliet," "Paolo and Francesca," "The Ring and the Book," Keats's "Eve of St. Agnes." He hated to quarrel with her, because she was like a wild rose or some art form in nature. Her sketch-book was always full of new things. Her muff, or the light silk shawl she wore in summer, sometimes concealed a modeled figure of some kind which she would produce with a look like that of a doubting child, and if he wanted it, if he liked it, he could have it. Cowperwood meditated deeply. He scarcely knew what to think.

The constant atmosphere of suspicion and doubt in which he was compelled to remain, came by degrees to distress and anger him. While she was with him she was clinging enough, but when she was away she was ardently cheerful and happy. Unlike the station he had occupied in so many previous affairs, he found himself, after the first little while, asking her whether she loved him instead of submitting to the same question from her.

He thought that with his means, his position, his future possibilities he had the power to bind almost any woman once drawn to his personality; but Stephanie was too young and too poetic to be greatly impaired by wealth and fame, and she was not yet sufficiently gripped by the lure of him. She loved him in her strange way; but she was interested also by the latest arrival, Forbes Gurney. This tall, melancholy youth, with brown eyes and pale-brown hair, was very poor. He hailed from southern Minnesota, and what between a penchant for journalism, verse-writing, and some dramatic work, was somewhat undecided as to his future. His present occupation was that of an instalment collector for a furniture company, which set him free, as a rule, at three o'clock in the afternoon. He was trying, in a mooning way, to identify himself with the Chicago newspaper world, and was a discovery of Gardner Knowles.

Stephanie had seen him about the rooms of the Garrick Players. She had looked at his longish face with its aureole of soft, crinkly hair, his fine wide mouth, deep-set eyes, and good nose, and had been touched by an atmosphere of wistfulness, or, let us say, life-hunger. Gardner Knowles brought a poem of his once, which he had borrowed from him, and read it to the company, Stephanie, Ethel Tuckerman, Lane Cross, and Irma Ottley assembled.

"Listen to this," Knowles had suddenly exclaimed, taking it out of his pocket.

It concerned a garden of the moon with the fragrance of pale blossoms, a mystic pool, some ancient figures of joy, a quavered Lucidian tune.

"With eerie flute and rhythmic thrum Of muted strings and beaten drum."

Stephanie Platow had sat silent, caught by a quality that was akin to her own. She asked to see it, and read it in silence.

"I think it's charming," she said.

Thereafter she hovered in the vicinity of Forbes Gurney. Why, she could scarcely say. It was not coquetry. She just drew near, talked to him of stage work and her plays and her ambitions. She sketched him as she had Cowperwood and others, and one day Cowperwood found three studies of Forbes Gurney in her note-book idyllicly done, a note of romantic feeling about them.

"Who is this?" he asked.

"Oh, he's a young poet who comes up to the Players—Forbes Gurney. He's so charming; he's so pale and dreamy."

Cowperwood contemplated the sketches curiously. His eyes clouded.

"Another one of Stephanie's adherents," he commented, teasingly. "It's a long procession I've joined. Gardner Knowles, Lane Cross, Bliss Bridge, Forbes Gurney."

Stephanie merely pouted moodily.

"How you talk! Bliss Bridge, Gardner Knowles! I admit I like them all, but that's all I do do. They're just sweet and dear. You'd like Lane Cross yourself; he's such a foolish old Polly. As for Forbes Gurney, he just drifts up there once in a while as one of the crowd. I scarcely know him."

"Exactly," said Cowperwood, dolefully; "but you sketch him." For some reason Cowperwood did not believe this. Back in his brain he did not believe Stephanie at all, he did not trust her. Yet he was intensely fond of her—the more so, perhaps, because of this.

"Tell me truly, Stephanie," he said to her one day, urgently, and yet very diplomatically. "I don't care at all, so far as your past is concerned. You and I are close enough to reach a perfect understanding. But you didn't tell me the whole truth about you and Knowles, did you? Tell me truly now. I sha'n't mind. I can understand well enough how it could have happened. It doesn't make the least bit of difference to me, really."

Stephanie was off her guard for once, in no truly fencing mood. She was troubled at times about her various relations, anxious to put herself straight with Cowperwood or with any one whom she truly liked. Compared to Cowperwood and his affairs, Cross and Knowles were trivial, and yet Knowles was interesting to her. Compared to Cowperwood, Forbes Gurney was a stripling beggar, and yet Gurney had what Cowperwood did not have—a sad, poetic lure. He awakened her sympathies. He was such a lonely boy. Cowperwood was so strong, brilliant, magnetic.

Perhaps it was with some idea of clearing up her moral status generally that she finally said: "Well, I didn't tell you the exact truth about it, either. I was a little ashamed to."

At the close of her confession, which involved only Knowles, and was incomplete at that, Cowperwood burned with a kind of angry resentment. Why trifle with a lying prostitute? That she was an inconsequential free lover at twenty-one was quite plain. And yet there was something so strangely large about the girl, so magnetic, and she was so beautiful after her kind, that he could not think of giving her up. She reminded him of himself.

"Well, Stephanie," he said, trampling under foot an impulse to insult or rebuke and dismiss her, "you are strange. Why didn't you tell me this before? I have asked and asked. Do you really mean to say that you care for me at all?"

"How can you ask that?" she demanded, reproachfully, feeling that she had been rather foolish in confessing. Perhaps she would lose him now, and she did not want to do that. Because his eyes blazed with a jealous hardness she burst into tears. "Oh, I wish I had never told you! There is nothing to tell, anyhow. I never wanted to."

Cowperwood was nonplussed. He knew human nature pretty well, and woman nature; his common sense told him that this girl was not to be trusted, and yet he was drawn to her. Perhaps she was not lying, and these tears were real.

"And you positively assure me that this was all—that there wasn't any one else before, and no one since?"

Stephanie dried her eyes. They were in his private rooms in Randolph Street, the bachelor rooms he had fitted for himself as a changing place for various affairs.

"I don't believe you care for me at all," she observed, dolefully, reproachfully. "I don't believe you understand me. I don't think you believe me. When I tell you how things are you don't understand. I don't lie. I can't. If you are so doubting now, perhaps you had better not see me any more. I want to be frank with you, but if you won't let me—"

She paused heavily, gloomily, very sorrowfully, and Cowperwood surveyed her with a kind of yearning. What an unreasoning pull she had for him! He did not believe her, and yet he could not let her go.

"Oh, I don't know what to think," he commented, morosely. "I certainly don't want to quarrel with you, Stephanie, for telling me the truth. Please don't deceive me. You are a remarkable girl. I can do so much for you if you will let me. You ought to see that."

"But I'm not deceiving you," she repeated, wearily. "I should think you could see."

"I believe you," he went on, trying to deceive himself against his better judgment. "But you lead such a free, unconventional life."

"Ah," thought Stephanie, "perhaps I talk too much."

"I am very fond of you. You appeal to me so much. I love you, really. Don't deceive me. Don't run with all these silly simpletons. They are really not worthy of you. I shall be able to get a divorce one of these days, and then I would be glad to marry you."

"But I'm not running with them in the sense that you think. They're not anything to me beyond mere entertainment. Oh, I like them, of course. Lane Cross is a dear in his way, and so is Gardner Knowles. They have all been nice to me."

Cowperwood's gorge rose at her calling Lane Cross dear. It incensed him, and yet he held his peace.

"Do give me your word that there will never be anything between you and any of these men so long as you are friendly with me?" he almost pleaded—a strange role for him. "I don't care to share you with any one else. I won't. I don't mind what you have done in the past, but I don't want you to be unfaithful in the future."

"What a question! Of course I won't. But if you don't believe me—oh, dear—"

Stephanie sighed painfully, and Cowperwood's face clouded with angry though well-concealed suspicion and jealousy.

"Well, I'll tell you, Stephanie, I believe you now. I'm going to take your word. But if you do deceive me, and I should find it out, I will quit you the same day. I do not care to share you with any one else. What I can't understand, if you care for me, is how you can take so much interest in all these affairs? It certainly isn't devotion to your art that's impelling you, is it?"

"Oh, are you going to go on quarreling with me?" asked Stephanie, naively. "Won't you believe me when I say that I love you? Perhaps—" But here her histrionic ability came to her aid, and she sobbed violently.

Cowperwood took her in his arms. "Never mind," he soothed. "I do believe you. I do think you care for me. Only I wish you weren't such a butterfly temperament, Stephanie."

So this particular lesion for the time being was healed.



Chapter XXVIII

The Exposure of Stephanie

At the same time the thought of readjusting her relations so that they would avoid disloyalty to Cowperwood was never further from Stephanie's mind. Let no one quarrel with Stephanie Platow. She was an unstable chemical compound, artistic to her finger-tips, not understood or properly guarded by her family. Her interest in Cowperwood, his force and ability, was intense. So was her interest in Forbes Gurney—the atmosphere of poetry that enveloped him. She studied him curiously on the various occasions when they met, and, finding him bashful and recessive, set out to lure him. She felt that he was lonely and depressed and poor, and her womanly capacity for sympathy naturally bade her be tender.

Her end was easily achieved. One night, when they were all out in Bliss Bridge's single-sticker—a fast-sailing saucer—Stephanie and Forbes Gurney sat forward of the mast looking at the silver moon track which was directly ahead. The rest were in the cockpit "cutting up"—laughing and singing. It was very plain to all that Stephanie was becoming interested in Forbes Gurney; and since he was charming and she wilful, nothing was done to interfere with them, except to throw an occasional jest their way. Gurney, new to love and romance, scarcely knew how to take his good fortune, how to begin. He told Stephanie of his home life in the wheat-fields of the Northwest, how his family had moved from Ohio when he was three, and how difficult were the labors he had always undergone. He had stopped in his plowing many a day to stand under a tree and write a poem—such as it was—or to watch the birds or to wish he could go to college or to Chicago. She looked at him with dreamy eyes, her dark skin turned a copper bronze in the moonlight, her black hair irradiated with a strange, luminous grayish blue. Forbes Gurney, alive to beauty in all its forms, ventured finally to touch her hand—she of Knowles, Cross, and Cowperwood—and she thrilled from head to toe. This boy was so sweet. His curly brown hair gave him a kind of Greek innocence and aspect. She did not move, but waited, hoping he would do more.