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At this same hour in the council-chamber itself were assembling as hungry and bold a company of gray wolves as was ever gathered under one roof. The room was large, ornamented to the south by tall windows, its ceiling supporting a heavy, intricate chandelier, its sixty-six aldermanic desks arranged in half-circles, one behind the other; its woodwork of black oak carved and highly polished; its walls a dark blue-gray decorated with arabesques in gold—thus giving to all proceedings an air of dignity and stateliness. Above the speaker's head was an immense portrait in oil of a former mayor—poorly done, dusty, and yet impressive. The size and character of the place gave on ordinary occasions a sort of resonance to the voices of the speakers. To-night through the closed windows could be heard the sound of distant drums and marching feet. In the hall outside the council door were packed at least a thousand men with ropes, sticks, a fife-and-drum corps which occasionally struck up "Hail! Columbia, Happy Land," "My Country, 'Tis of Thee," and "Dixie." Alderman Schlumbohm, heckled to within an inch of his life, followed to the council door by three hundred of his fellow-citizens, was there left with the admonition that they would be waiting for him when he should make his exit. He was at last seriously impressed.
"What is this?" he asked of his neighbor and nearest associate, Alderman Gavegan, when he gained the safety of his seat. "A free country?"
"Search me!" replied his compatriot, wearily. "I never seen such a band as I have to deal with out in the Twentieth. Why, my God! a man can't call his name his own any more out here. It's got so now the newspapers tell everybody what to do."
Alderman Pinski and Alderman Hoherkorn, conferring together in one corner, were both very dour. "I'll tell you what, Joe," said Pinski to his confrere; "it's this fellow Lucas that has got the people so stirred up. I didn't go home last night because I didn't want those fellows to follow me down there. Me and my wife stayed down-town. But one of the boys was over here at Jake's a little while ago, and he says there must 'a' been five hundred people around my house at six o'clock, already. Whad ye think o' that?"
"Same here. I don't take much stock in this lynching idea. Still, you can't tell. I don't know whether the police could help us much or not. It's a damned outrage. Cowperwood has a fair proposition. What's the matter with them, anyhow?"
Renewed sounds of "Marching Through Georgia" from without.
Enter at this time Aldermen Ziner, Knudson, Revere, Rogers, Tiernan, and Kerrigan. Of all the aldermen perhaps Messrs. Tiernan and Kerrigan were as cool as any. Still the spectacle of streets blocked with people who carried torches and wore badges showing slip-nooses attached to a gallows was rather serious.
"I'll tell you, Pat," said "Smiling Mike," as they eventually made the door through throngs of jeering citizens; "it does look a little rough. Whad ye think?"
"To hell with them!" replied Kerrigan, angry, waspish, determined. "They don't run me or my ward. I'll vote as I damn please."
"Same here," replied Tiernan, with a great show of courage. "That goes for me. But it's putty warm, anyhow, eh?"
"Yes, it's warm, all right," replied Kerrigan, suspicious lest his companion in arms might be weakening, "but that'll never make a quitter out of me."
"Nor me, either," replied the Smiling One.
Enter now the mayor, accompanied by a fife-and-drum corps rendering "Hail to the Chief." He ascends the rostrum. Outside in the halls the huzzas of the populace. In the gallery overhead a picked audience. As the various aldermen look up they contemplate a sea of unfriendly faces. "Get on to the mayor's guests," commented one alderman to another, cynically.
A little sparring for time while minor matters are considered, and the gallery is given opportunity for comment on the various communal lights, identifying for itself first one local celebrity and then another. "There's Johnnie Dowling, that big blond fellow with the round head; there's Pinski—look at the little rat; there's Kerrigan. Get on to the emerald. Eh, Pat, how's the jewelry? You won't get any chance to do any grafting to-night, Pat. You won't pass no ordinance to-night."
Alderman Winkler (pro-Cowperwood). "If the chair pleases, I think something ought to be done to restore order in the gallery and keep these proceedings from being disturbed. It seems to me an outrage, that, on an occasion of this kind, when the interests of the people require the most careful attention—"
A Voice. "The interests of the people!"
Another Voice. "Sit down. You're bought!"
Alderman Winkler. "If the chair pleases—"
The Mayor. "I shall have to ask the audience in the gallery to keep quiet in order that the business in hand may be considered." (Applause, and the gallery lapses into silence.)
Alderman Guigler (to Alderman Sumulsky). "Well trained, eh?"
Alderman Ballenberg (pro-Cowperwood, getting up—large, brown, florid, smooth-faced). "Before calling up an ordinance which bears my name I should like to ask permission of the council to make a statement. When I introduced this ordinance last week I said—"
A Voice. "We know what you said."
Alderman Ballenberg. "I said that I did so by request. I want to explain that it was at the request of a number of gentlemen who have since appeared before the committee of this council that now has this ordinance—"
A Voice. "That's all right, Ballenberg. We know by whose request you introduced it. You've said your little say."
Alderman Ballenberg. "If the chair pleases—"
A Voice. "Sit down, Ballenberg. Give some other boodler a chance."
The Mayor. "Will the gallery please stop interrupting."
Alderman Horanek (jumping to his feet). "This is an outrage. The gallery is packed with people come here to intimidate us. Here is a great public corporation that has served this city for years, and served it well, and when it comes to this body with a sensible proposition we ain't even allowed to consider it. The mayor packs the gallery with his friends, and the papers stir up people to come down here by thousands and try to frighten us. I for one—"
A Voice. "What's the matter, Billy? Haven't you got your money yet?"
Alderman Hvranek (Polish-American, intelligent, even artistic looking, shaking his fist at the gallery). "You dare not come down here and say that, you coward!"
A Chorus of Fifty Voices. "Rats!" (also) "Billy, you ought to have wings."
Alderman Tiernan (rising). "I say now, Mr. Mayor, don't you think we've had enough of this?"
A Voice. "Well, look who's here. If it ain't Smiling Mike."
Another Voice. "How much do you expect to get, Mike?"
Alderman Tiernan (turning to gallery). "I want to say I can lick any man that wants to come down here and talk to me to my face. I'm not afraid of no ropes and no guns. These corporations have done everything for the city—"
A Voice. "Aw!"
Alderman Tiernan. "If it wasn't for the street-car companies we wouldn't have any city."
Ten Voices. "Aw!"
Alderman Tiernan (bravely). "My mind ain't the mind of some people."
A Voice. "I should say not."
Alderman Tiernan. "I'm talking for compensation for the privileges we expect to give."
A Voice. "You're talking for your pocket-book."
Alderman Tiernan. "I don't give a damn for these cheap skates and cowards in the gallery. I say treat these corporations right. They have helped make the city."
A Chorus of Fifty Voices. "Aw! You want to treat yourself right, that's what you want. You vote right to-night or you'll be sorry."
By now the various aldermen outside of the most hardened characters were more or less terrified by the grilling contest. It could do no good to battle with this gallery or the crowd outside. Above them sat the mayor, before them reporters, ticking in shorthand every phrase and word. "I don't see what we can do," said Alderman Pinski to Alderman Hvranek, his neighbor. "It looks to me as if we might just as well not try."
At this point arose Alderman Gilleran, small, pale, intelligent, anti-Cowperwood. By prearrangement he had been scheduled to bring the second, and as it proved, the final test of strength to the issue. "If the chair pleases," he said, "I move that the vote by which the Ballenberg fifty-year ordinance was referred to the joint committee of streets and alleys be reconsidered, and that instead it be referred to the committee on city hall."
This was a committee that hitherto had always been considered by members of council as of the least importance. Its principal duties consisted in devising new names for streets and regulating the hours of city-hall servants. There were no perquisites, no graft. In a spirit of ribald defiance at the organization of the present session all the mayor's friends—the reformers—those who could not be trusted—had been relegated to this committee. Now it was proposed to take this ordinance out of the hands of friends and send it here, from whence unquestionably it would never reappear. The great test had come.
Alderman Hoberkorn (mouthpiece for his gang because the most skilful in a parliamentary sense). "The vote cannot be reconsidered." He begins a long explanation amid hisses.
A Voice. "How much have you got?"
A Second Voice. "You've been a boodler all your life."
Alderman Hoberkorn (turning to the gallery, a light of defiance in his eye). "You come here to intimidate us, but you can't do it. You're too contemptible to notice."
A Voice. "You hear the drums, don't you?"
A Second Voice. "Vote wrong, Hoberkorn, and see. We know you."
Alderman Tiernan (to himself). "Say, that's pretty rough, ain't it?"
The Mayor. "Motion overruled. The point is not well taken."
Alderman Guigler (rising a little puzzled). "Do we vote now on the Gilleran resolution?"
A Voice. "You bet you do, and you vote right."
The Mayor. "Yes. The clerk will call the roll."
The Clerk (reading the names, beginning with the A's). "Altvast?" (pro-Cowperwood).
Alderman Altvast. "Yea." Fear had conquered him.
Alderman Tiernan (to Alderman Kerrigan). "Well, there's one baby down."
Alderman Kerrigan. "Yep."
"Ballenberg?" (Pro-Cowperwood; the man who had introduced the ordinance.)
"Yea."
Alderman Tiernan. "Say, has Ballenberg weakened?"
Alderman Kerrigan. "It looks that way."
"Canna?"
"Yea."
"Fogarty?"
"Yea."
Alderman Tiernan (nervously). "There goes Fogarty."
"Hvranek?"
"Yea."
Alderman Tiernan. "And Hvranek!"
Alderman Kerrigan (referring to the courage of his colleagues). "It's coming out of their hair."
In exactly eighty seconds the roll-call was in and Cowperwood had lost—41 to 25. It was plain that the ordinance could never be revived.
Chapter LXII
The Recompense
You have seen, perhaps, a man whose heart was weighted by a great woe. You have seen the eye darken, the soul fag, and the spirit congeal under the breath of an icy disaster. At ten-thirty of this particular evening Cowperwood, sitting alone in the library of his Michigan Avenue house, was brought face to face with the fact that he had lost. He had built so much on the cast of this single die. It was useless to say to himself that he could go into the council a week later with a modified ordinance or could wait until the storm had died out. He refused himself these consolations. Already he had battled so long and so vigorously, by every resource and subtlety which his mind had been able to devise. All week long on divers occasions he had stood in the council-chamber where the committee had been conducting its hearings. Small comfort to know that by suits, injunctions, appeals, and writs to intervene he could tie up this transit situation and leave it for years and years the prey of lawyers, the despair of the city, a hopeless muddle which would not be unraveled until he and his enemies should long be dead. This contest had been so long in the brewing, he had gone about it with such care years before. And now the enemy had been heartened by a great victory. His aldermen, powerful, hungry, fighting men all—like those picked soldiers of the ancient Roman emperors—ruthless, conscienceless, as desperate as himself, had in their last redoubt of personal privilege fallen, weakened, yielded. How could he hearten them to another struggle—how face the blazing wrath of a mighty populace that had once learned how to win? Others might enter here—Haeckelheimer, Fishel, any one of a half-dozen Eastern giants—and smooth out the ruffled surface of the angry sea that he had blown to fury. But as for him, he was tired, sick of Chicago, sick of this interminable contest. Only recently he had promised himself that if he were to turn this great trick he would never again attempt anything so desperate or requiring so much effort. He would not need to. The size of his fortune made it of little worth. Besides, in spite of his tremendous vigor, he was getting on.
Since he had alienated Aileen he was quite alone, out of touch with any one identified with the earlier years of his life. His all-desired Berenice still evaded him. True, she had shown lately a kind of warming sympathy; but what was it? Gracious tolerance, perhaps—a sense of obligation? Certainly little more, he felt. He looked into the future, deciding heavily that he must fight on, whatever happened, and then—
While he sat thus drearily pondering, answering a telephone call now and then, the door-bell rang and the servant brought a card which he said had been presented by a young woman who declared that it would bring immediate recognition. Glancing at it, Cowperwood jumped to his feet and hurried down-stairs into the one presence he most craved.
There are compromises of the spirit too elusive and subtle to be traced in all their involute windings. From that earliest day when Berenice Fleming had first set eyes on Cowperwood she had been moved by a sense of power, an amazing and fascinating individuality. Since then by degrees he had familiarized her with a thought of individual freedom of action and a disregard of current social standards which were destructive to an earlier conventional view of things. Following him through this Chicago fight, she had been caught by the wonder of his dreams; he was on the way toward being one of the world's greatest money giants. During his recent trips East she had sometimes felt that she was able to read in the cast of his face the intensity of this great ambition, which had for its ultimate aim—herself. So he had once assured her. Always with her he had been so handsome, so pleading, so patient.
So here she was in Chicago to-night, the guest of friends at the Richelieu, and standing in Cowperwood's presence.
"Why, Berenice!" he said, extending a cordial hand.
"When did you arrive in town? Whatever brings you here?" He had once tried to make her promise that if ever her feeling toward him changed she would let him know of it in some way. And here she was to-night—on what errand? He noted her costume of brown silk and velvet—how well it seemed to suggest her cat-like grace!
"You bring me here," she replied, with an indefinable something in her voice which was at once a challenge and a confession. "I thought from what I had just been reading that you might really need me now."
"You mean—?" he inquired, looking at her with vivid eyes. There he paused.
"That I have made up my mind. Besides, I ought to pay some time."
"Berenice!" he exclaimed, reproachfully.
"No, I don't mean that, either," she replied. "I am sorry now. I think I understand you better. Besides," she added, with a sudden gaiety that had a touch of self-consolation in it, "I want to."
"Berenice! Truly?"
"Can't you tell?" she queried.
"Well, then," he smiled, holding out his hands; and, to his amazement, she came forward.
"I can't explain myself to myself quite," she added, in a hurried low, eager tone, "but I couldn't stay away any longer. I had the feeling that you might be going to lose here for the present. But I want you to go somewhere else if you have to—London or Paris. The world won't understand us quite—but I do."
"Berenice!" He smothered her cheek and hair.
"Not so close, please. And there aren't to be any other ladies, unless you want me to change my mind."
"Not another one, as I hope to keep you. You will share everything I have..."
For answer—
How strange are realities as opposed to illusion!
In Retrospect
The world is dosed with too much religion. Life is to be learned from life, and the professional moralist is at best but a manufacturer of shoddy wares. At the ultimate remove, God or the life force, if anything, is an equation, and at its nearest expression for man—the contract social—it is that also. Its method of expression appears to be that of generating the individual, in all his glittering variety and scope, and through him progressing to the mass with its problems. In the end a balance is invariably struck wherein the mass subdues the individual or the individual the mass—for the time being. For, behold, the sea is ever dancing or raging.
In the mean time there have sprung up social words and phrases expressing a need of balance—of equation. These are right, justice, truth, morality, an honest mind, a pure heart—all words meaning: a balance must be struck. The strong must not be too strong; the weak not too weak. But without variation how could the balance be maintained? Nirvana! Nirvana! The ultimate, still, equation.
Rushing like a great comet to the zenith, his path a blazing trail, Cowperwood did for the hour illuminate the terrors and wonders of individuality. But for him also the eternal equation—the pathos of the discovery that even giants are but pygmies, and that an ultimate balance must be struck. Of the strange, tortured, terrified reflection of those who, caught in his wake, were swept from the normal and the commonplace, what shall we say? Legislators by the hundred, who were hounded from politics into their graves; a half-hundred aldermen of various councils who were driven grumbling or whining into the limbo of the dull, the useless, the commonplace. A splendid governor dreaming of an ideal on the one hand, succumbing to material necessity on the other, traducing the spirit that aided him the while he tortured himself with his own doubts. A second governor, more amenable, was to be greeted by the hisses of the populace, to retire brooding and discomfited, and finally to take his own life. Schryhart and Hand, venomous men both, unable to discover whether they had really triumphed, were to die eventually, puzzled. A mayor whose greatest hour was in thwarting one who contemned him, lived to say: "It is a great mystery. He was a strange man." A great city struggled for a score of years to untangle that which was all but beyond the power of solution—a true Gordian knot.
And this giant himself, rushing on to new struggles and new difficulties in an older land, forever suffering the goad of a restless heart—for him was no ultimate peace, no real understanding, but only hunger and thirst and wonder. Wealth, wealth, wealth! A new grasp of a new great problem and its eventual solution. Anew the old urgent thirst for life, and only its partial quenchment. In Dresden a palace for one woman, in Rome a second for another. In London a third for his beloved Berenice, the lure of beauty ever in his eye. The lives of two women wrecked, a score of victims despoiled; Berenice herself weary, yet brilliant, turning to others for recompense for her lost youth. And he resigned, and yet not—loving, understanding, doubting, caught at last by the drug of a personality which he could not gainsay.
What shall we say of life in the last analysis—"Peace, be still"? Or shall we battle sternly for that equation which we know will be maintained whether we battle or no, in order that the strong become not too strong or the weak not too weak? Or perchance shall we say (sick of dullness): "Enough of this. I will have strong meat or die!" And die? Or live?
Each according to his temperament—that something which he has not made and cannot always subdue, and which may not always be subdued by others for him. Who plans the steps that lead lives on to splendid glories, or twist them into gnarled sacrifices, or make of them dark, disdainful, contentious tragedies? The soul within? And whence comes it? Of God?
What thought engendered the spirit of Circe, or gave to a Helen the lust of tragedy? What lit the walls of Troy? Or prepared the woes of an Andromache? By what demon counsel was the fate of Hamlet prepared? And why did the weird sisters plan ruin to the murderous Scot?
Double, double toil and trouble, Fire burn and cauldron bubble.
In a mulch of darkness are bedded the roots of endless sorrows—and of endless joys. Canst thou fix thine eye on the morning? Be glad. And if in the ultimate it blind thee, be glad also! Thou hast lived.
THE END |
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