Like European children, they have a set of small sayings or acts for use on appropriate occasions. A youngster may come up to another who is eating a luscious mango; when requested for a bite, he is apt to draw down the lower lid of his eye and coolly answer, "I will make a sound like swallowing for you," and then go on with the feast. He may even hold out the tempting fruit, as if to comply with the request, then suddenly jerk it back and shout "kilat." [77] This is often the signal for a scuffle.

As the children grow older, they begin more and more to take their place in the village life. The little girl becomes the chief guardian of a new arrival in the family; and with the little one strapped on her back, she romps and plays, while the baby enjoys it all or sleeps serenely (Plate XII). The boy also assists his father and mother in the fields, but still he finds some time for games of a more definite character than those just described. Probably the most popular of these is known as agbita or lipi.

This is played with the large disk-shaped seeds of the lipi plant (Ilocano lipai). Each player puts two disks in line, then all go to a distance and shoot toward them. The shooter is held between the thumb and first finger of the left hand, and is propelled forward by the index finger of the right. The one whose seed goes the farthest gets first shot, and the others follow in order. All seeds knocked down belong to the player, and if any are still in line after each has had his turn, the leader shoots again. When each boy has had two shots, or when all the disks are down, a new line is made; and he whose seed lies at the greatest distance shoots first.

Another common game is patpatinglad, which has certain resemblances to cricket. A small cylinder-shaped missel, called papa-anak ("little duck"), about four inches long, is set in a shallow groove, so that one end stands free; it is then struck and batted with a bamboo stock—papa-ina ("mother duck"). The lad who has driven his missel the farthest is the winner, and hence has the privilege of batting away the papa-anak of the other players, so that they will have to chase them. If he likes, he may take hold of the feet of a looser and compel him to walk on his hands to secure this missel. A loser is sometimes taken by the head and feet, and is swung in a circle,

A game frequently seen in the lowland valleys is also common to the Ilocano children, who call it San Pedro. Lines are drawn on the ground to enclose a space about thirty feet square (see diagram Fig. 2). The boys at d try to run between the lines, and at the same time evade the guards a, b, and c. Guard a can run along line 1, or 4 as far as 2. Guard b must stay on line 2; and c must keep on 3. When the runners are captured, they become the guards.

From the preceding paragraphs it may be surmized that the youth is quite untrained and untaught. It is true that he spends no time in a class-room; he passes through no initiation at the time of puberty, neither are there ceremonies or observances of any kind which reveal to him the secret knowledge of the tribe, yet he quickly learns his place in society, and at an early age begins to absorb its customs and beliefs. He sits about the village fires in the evenings, and listens to the tales of long ago, or hears the elders discuss the problems of their daily life. During the hot midday hours, he lounges in the field-houses, while his parents relate the fate of lazy children; or tell of punishments sent by the spirits on those who fail to follow the customs of the ancestors, or give heed to the omens. He attends the ceremonies, where he not only learns the details of these important events, but with his own eyes sees the bodies of the mediums possessed by superior beings, and thus the close relationship of the spirit world to his people is forcibly brought to his notice. He is never debarred from the dances or other activities; in fact, he is encouraged to take part in them or to imitate his elders. Soon custom gathers him into its net, and unless he is the exceptional individual, or comes in intimate contact with outsiders, he never escapes.

It has already been seen that he begins very early to take an active part in the village life, but it is many years before he assumes a position of importance in the group. It is only when age and experience have gained for him the respect of his fellows that he begins to have a voice in the more weighty affairs of Tinguian life.

Engagement and Marriage.—Since there are no clans or other groupings to limit the number of families in which unions may be contracted, the only impediments are former marriage ties or blood relationship. Cousins may not marry, neither is a man allowed to wed his step-sister, his wife's sister, or her mother.

Engagement takes place while the children are very young, sometimes while they are still babes-in-arms; but usually the contract is made when they are six or eight years of age.

The boy's parents take the initiative, and having selected a suitable girl, they broach the subject to her family. This is not done directly, but through an intermediary, generally a relative, "who can talk much and well." He carries with him three beads—one red, one yellow, and one agate, [78] which he offers "as an evidence of affection," and then proceeds to relate the many desirable qualities of the groom and his family, as well as the advantages to be gained by the union. If the suit is favored, the beads are attached to the girl's wrist as a sign of her engagement, and a day is set for the pakalon [79] or price fixing.

On the appointed day, friends and relatives gather at the girl's home and, after several hours of feasting and drinking, settle down to the real business on hand. A large pig is slaughtered, and its liver is carefully examined; for, should the omens be unfavorable, it would be useless to continue the negotiations further at that time (cf. p. 307). If the signs are good, the happy crowd forms a circle, and then begins a long and noisy discussion of the price which the girl should bring. Theoretically, the payment is made in horses, carabao, jars, blankets, and rice, but as each article is considered as having a value of five pesos ($2.50), the money is frequently substituted, especially by people in poor circumstances.

A portion of the agreed price is paid at once, and is distributed between the girl's parents and her relatives, who thus become vitally interested in the successful termination of the match; for should it fail of consummation, they must return the gifts received. The balance of the payment is often delayed for a considerable time, and it not infrequently happens that there is still a balance due when the man dies. In such a case no division of his property can be made until the marriage agreement is settled in full.

The completion of the list is the signal for great rejoicing; liquor circulates freely, the men sing daleng (cf. p. 440), and tadek (cf. p. 440) is danced far into the night.

In the yard where the dancing takes place, three inverted rice-mortars are placed one above the other, "to serve as a table for the spirits who always attend." A dish of liquor is placed on it, while at its side is a spear decorated with a man's belt.

These engagement-parties are the great social affairs of the year, and friends will journey long distances to be present, but the betrothed couple is seldom in evidence, and in many instances the groom is absent.

Following their engagement the children live with their parents until such a time as they are considered old enough to maintain their own home. If the lad comes from a well-to-do family, it is probable that the final ceremony will take place before either of the couple reaches puberty; but, if the groom must earn a living, the marriage may be delayed until he is eighteen or nineteen years old (Plate XIII).

When the time for the fulfillment of the agreement arrives, the boy goes, in company, at night to the girl's house. He has a headaxe hanging from his belt, but he is the only one so armed. An earlier writer [80] has described a feigned attack on the house of the bride as a part of the marriage ceremony, but the present writer did not witness anything of the sort, nor could he learn of any such action.

The groom carries with him a small part of the marriage payment and a valuable jar; these he presents to his parents-in-law, and from that time on he may never call them or their near relatives by name. Should he do so, "he will have boils and the first child will be insane."

The bride's people have provided a coconut shell filled with water and a wooden dish [81] containing cooked rice. These are placed between the couple, as they sit in the center of the room (Plate XIV). The boy's mother drops two beads into the shell cup, and bids them drink; for, "as the two beads always go together at the bottom, so you will go together and will not part. The cool water will keep you from becoming angry."

Great care must be exercised in handling the cup; for should the contents be shaken the couple will become dizzy, and in old age their heads and hands will shake. After they have drunk, each takes a handful of rice, and squeezes it into a ball. The girl drops hers through the slits in the bamboo floor as an offering to the spirits, but the boy tosses his into the air. If it breaks or rolls, it is a bad sign, and the couple is apt to part, or their children die. In such a circumstance, the marriage is usually deferred, and tried again at a later date; but repeated scattering of the rice generally results in the annulling of the agreement. [82] Should anything in the dwelling fall or be broken during the ceremony, it is halted at once; to proceed further that night would be to court misfortune. However, it may be undertaken again a few days later.

The guests depart immediately after the rice ceremony. No food or drink is offered to them, nor is there any kind of celebration. [83]

That night the couple sleep with a pillow between them, [84] and under the groom's pillow is a head-axe. Early in the morning, the girl's mother or some other elderly female of her family awakens them, and leads the way to the village spring. Arriving there, she pours water in a coconut shell, which contains a cigar from which the couple have drawn smoke; [85] she adds leaves of bamboo and agiwas, and washes their faces with the liquid, "to show that they now have all in common; that the tobacco may keep them and their children from becoming insane; that the agiwas will keep them in health; and the bamboo will make them strong and insure many children, the same as it has many sprouts." On their way home, the boy cuts a dangla shrub (Vitex negundo L.) with his head-axe, and later attaches it to the door of their home, "so that they may have many children."

Throughout that day the doors and windows are kept tightly closed; for should the young people see birds or chickens having intercourse, they are apt to become insane, and their first born have sore or crossed eyes.

The next morning is known as sipsipot ("the watching"). Accompanied by the girl's parents, the couple goes to the father's fields. On the way they carefully observe any signs which animals, birds, or nature, may give them. When they reach the fields, the boy shows his respect for his elders by cutting the grass along the borders with his head-axe. This service also counteracts any bad sign which they may have received that morning. He next takes a little of the soil on his axe, and both he and his bride taste of it, "so that the ground will yield good harvests" for them, and they will become rich. [86]

Nowadays the couple goes to the home, prepared by the groom and his parents, as soon as it is ready, but the tales indicate [87] that in former times they lived for a time with the boy's parents. They are accompanied by the groom's mother, and go very early in the morning, as they are then less apt to receive bad signs from the birds. The girl carries her sleeping mat and two pillows; but before she has deposited these in her new dwelling, she seats herself on the bamboo floor with her legs stretched out in front. It then becomes necessary for the groom to present her with a string of agate beads equal in length to the combined width of the bamboo slats which she covers. Before she can eat of her husband's rice, he must give her a string of beads, or she will become ill; she may not open his granary until a like present has been given, or the resident spirit will make her blind; neither may she take food from the pots or water from the jars, until other beads have been presented to her.

If the girl comes from another village, it is customary to make a payment to her parents for each stream crossed on the journey to the new home; another is demanded before she goes up the house ladder, and still others when she enters the house, and her belongings are brought in. [88]

A common occurrence in Ba-ak and the San Juan district is for the parents of the girl to spread rows of baskets, Chinese plates or jars on the floor and to offer them to the groom. Before he can accept them, he must make a return gift of money, beads, and the like for each one. It is explained by the elders that, when the young people see all the gifts spread out on the floor, they will appreciate the expense involved, and will be less likely to separate.

If at any time the relatives of the girl have reason to doubt the husband's affection, they go to his home, and hold a gathering known as nagkakalo-nan. They place a pig, a jar, and a number of baskets on the floor; and the husband is obliged to exchange money and other gifts for them, if he desires to convince the people of his continued love. After the pig has been served as food, the old men deliberate; and should they decide that the relatives have erred, they assess the whole cost of the gathering to the plaintiffs, and return the gifts. If the charge is sustained, the relatives recover the price of the pig, and retain the articles received in exchange for the baskets and dishes.

Divorce is not uncommon, and is effected by a council similar to that just described. An attempt to reconcile the couple is made, but if that fails, the old men decide who is at fault, and assess the expenses of the gathering to that one. If blame attaches to the husband, he must complete any part of the marriage price still due; but if the woman is guilty, her parents and relatives must return the gifts distributed at the time of the engagement. The chief causes for divorce are cruelty or laziness on the part of the man, or unfaithfulness of the woman.

Small children are generally left with the mother, but when they are old enough to decide, they may choose between their parents. However, the father must aid in the support of his offspring, and they share in his property when he dies. Either party to a divorce may remarry at any time.

The Tinguian recognize only one wife, but a man may have as many concubines (pota), as he can secure. The pota lives in a house of her own, but she is held somewhat in contempt by the other woman, and is seldom seen in the social gatherings or in other homes. Her children belong to the father, and she has no right of appeal to the old men, except in cases of cruelty. Men with concubines do not suffer in the estimation of their fellows, but are considered clever to have won two or three women.

The pota is generally faithful to one man, and prostitution is almost unknown. Unfaithfulness on the part of a betrothed girl, or wife, or even a pota is almost certain to cause serious trouble, and is likely to end in a murder.

The early pledging and marriage of the children has reduced illicit sexual intercourse to a minimum; nevertheless, it sometimes happens that an unbetrothed girl, not a pota, is found to be pregnant. In such a case the man is expected to make a gift of about one hundred pesos to the girl's people, and he must support the child when finally it comes into his keeping. Neither party to such an occurrence loses standing in the community unless the father should fail to redeem the child. Should this happen, he would be a subject of ridicule in the community, and a fine might also result. The usual outcome of such an illicit union is that the girl becomes the pota of her child's father.

Death and Burial.—Sickness and death are usually caused by unfriendly spirits; [89] sometimes Kadaklan himself thus punishes those who refuse to obey the customs; sometimes they are brought about by mortals who practise magic, or by individuals themselves as punishment for violated taboos; and finally violent death is recognized as coming from human agency.

The methods of cajoling the spirits, of overcoming magic, and thwarting evil designs are discussed in another chapter (cf. pp. 295 et seq.). If all these fail, and the patient dies, the family and relatives at once don old garments, and enter on a period of mourning, while friends and relatives assist in the disposal of the corpse.

A funeral is a great event in a Tinguian village. The dead is bathed, "so that his spirit [90] may be clean," and is placed in a bamboo seat at the end of the house. This seat, which is known as sangadel, is constructed by placing three long bamboo poles against the wall and resting a frame of bamboo slats on them, to a height of about three feet. A mat is attached to the top, and is stretched onto the floor in front.

The corpse is dressed in its best garments, beads and silver wire surround its neck, while above and about it are many valuable blankets, belts, clouts, woven skirts, and the like, which the spirit is to take with him to the ancestors in Maglawa, his future home. A live chicken is placed behind the chair as an offering, but following the funeral it becomes the property of the friend, who removes the poles from the house. The flesh of a small pig is also offered to the spirits, while the intestines are hung just outside the door, until the body is buried. In the yard at the north-east corner of the house stands an inverted rice-mortar on which is a dish of basi,—an offering to the spirit Al-lot, who in return prevents the people from becoming angry.

The needs of the spirit of the deceased are looked after by the members of the family. It is their duty to place two small jars of liquor near to the corpse and to bring food to it, when the others are eating.

Up to this point only those spirits who attend the ceremony with friendly intent have been provided for, but the Tinguian realize that there are others who must be kept at a distance or at least be compelled to leave the body unharmed. The first of these evil beings to be guarded against is Kadongayan, [91] who in former times used to attend each funeral and amuse himself by sliting the mouth of the corpse, so that it extended from ear to ear. Through the friendly instruction of Kaboniyan it was learned that, if a live chicken, with its mouth split down to its throat, were fastened to the door of the house, its suffering would be noticed by the evil spirit, who, fearing similar treatment, would not attempt to enter the dwelling. [92]

The spirit Ibwa is also much feared. [93] Long ago he used to mingle with the people in human form, without harming them, but the thoughtless act of a mourner started him on the evil course he has since pursued. In those times, it is said, the corpse was kept in the dwelling seven days; and, as the body decomposed, the liquid which came from it was caught in dishes, and was placed in the grave. On the occasion referred to, he was handed a cup of the "lard" to drink. He immediately acquired a great liking for this disgusting dish, and frequently even devoured the body as well. Since he fears iron, it is possible to drive him away by using metal weapons. It is also necessary to guard the grave against him and the spirit Selday, who demands blood or the corpse.

Akop is another evil spirit, who has a head, long slimy arms and legs, but no body. He is always near the place of death, awaiting an opportunity to embrace the spouse of the deceased, and once let the living feel his cold embrace, death is sure to follow. So a barricade of pillows is erected at one corner of the room, and behind this the wife is compelled to remain during the three days the body is kept in the house, while throughout the night she sleeps under a fish net, in the meshes of which the long fingers of the spirit are sure to become entangled. Meanwhile, two or three old women sit near the corpse fanning it and wailing continually, at the same time keeping close watch to prevent the spirits from approaching the body or the widow (Plate XVI). From time to time the wife may creep over to the corpse, and wailing and caressing it beg the spirit not to depart. [94] According to custom, she has already taken off her beads, has put on old garments and a bark head-band, and has placed over her head a large white blanket, which she wears until after the burial. [95] Likewise all the relatives don old garments, and are barred from all work. The immediate family is under still stricter rules. Corn is their only food; they may not touch anything bloody, neither can they swing their arms as they walk. They are prohibited from mounting a horse, and under no circumstances are they allowed to leave the village or join in merry-making. Failure to obey these rules is followed by swift punishment, generally meted out by the spirit of the dead. [96] Except for the wife, these restrictions are raised after the blood and oil ceremony (described in a later paragraph), but the widow continues in mourning until the Layog is celebrated, at the end of a year.

According to many informants among the older men, it was formerly necessary, following the death of an adult, for the men to put on white head-bands and go out on a head-hunt. Until their return it was impossible to hold the ceremony which released the relatives from the taboo. [97] During the first two days that the body is in the house, the friends and relatives gather to do honor to the dead and to partake of the food and drink, which are always freely given at such a time; but there is neither music, singing, or dancing. [98]

On the morning of the third day, the male guests assemble in the yard, and after drinking basi they select one of their number and proceed to beat him across the wrist or thigh, with a light rod (Plate XVII). Two hundred blows are required, but since the stick is split at one end only, one hundred strokes are given. This whipping is not severe, but the repeated blows are sufficient to cause the flesh to swell. As soon as the first man is beaten, he takes the rod and then proceeds to apply one hundred and fifty strokes [99] to each man present, excepting only those whose wives are pregnant. Should one of the latter be punished, his wife would suffer a miscarriage. The avowed purpose of this whipping is "to make all the people feel as sorry as the relatives of the dead man."

Burial in most of the valley towns is beneath the house, "as it is much easier to defend the body against evil spirits, and the grave is also protected against the rain." In Manabo and many mountain villages, however, burial is in the yard. It is customary to open a grave already occupied by several of the relatives of the deceased.

Toward noon of the last day, some of the men begin clearing away the bamboo, which protects the old burial, and to remove the dirt.

The grave is generally of one of the forms indicated in Fig. 3, and when a depth of about three feet has been reached, the workers encounter stone slabs which protect a lower chamber. [100] When these are reached, the diggers make an opening and thrusting in burning pine-sticks, they call to the dead within, "You must light your pipes with these." As soon as the slabs are raised, the oldest female relative of the deceased goes into the grave, gathers up the bones of the last person interred, ties them into a bundle, and reburies them in one corner. There is at present no such type of burial chamber, as is described by La Gironiere, [101] nor is there a memory or tradition of such an arrangement. As his visit took place less than a century ago, it is unlikely that all trace of it would have been lost. The heavy rainfall in this district would make the construction and maintenance of such a chamber almost impossible, while the dread of leaving the corpses thus exposed to hostile spirits and the raids of enemies in search of heads would also argue against such a practice. His description of the mummifying or drying of the corpse by means of fires built around it [102] is likewise denied by the old men of Manabo, who insist that they never had such a custom. It certainly does not exist to-day. In a culture, in which the influence of custom is as strong as it is here, it would seem that the care of the corpse, which is intimately related to the condition of the spirit in its final abode, would be one of the last things to change, while the proceedings following a death are to-day so uniform throughout the Tinguian belt, that they argue for a considerable antiquity.

When the grave is ready, the fact is announced in the dwelling, and is the signal for renewed lamentation. The wife and near relatives throw themselves on the corpse, caressing it and crying wildly. Whatever there may have been of duty or respect in the wailing of the first two days, this parting burst of sorrow is genuine. Tears stand in the eyes of many, while others cease their wailing and sob convulsively. After a time an old woman brings in some oldot seeds, each strung on a thread, and fastens one on the wrist of each person, as a protection against the evil spirit Akop, who, having been defeated in his designs against the widow, may seek to vent his anger on others.

When this has been done, a medium seats herself in front of the body; and, covering her face with her hands, begins to chant and wail, bidding the spirit to enter her body. Suddenly she falls back in a faint, while suppressed excitement is manifested by all the onlookers. After a moment or two, fire and water are placed at her head and feet, "in order to frighten the spirit away," and then the medium gives the last message of the dead man to his family. This is, except for very rare exceptions, the only time that the spirits of the deceased communicate with mortals; and it is, so far as the writer has been able to learn, the only occasion when the medium repeats messages given to her. At other times she is possessed by natural spirits, [103] who then talk directly with mortals.

As a last preparation for the grave, a small hole is burned in each garment worn by the dead person, for otherwise the spirit Ibwa will envy him his clothing and attempt to steal them. The corpse is then wrapped in a mat, and is carried from the house. [104] The bearers go directly to the balaua, [105] and rest the body in it for a moment. Unless this is done, the spirit will be poor in its future life and unable to build balaua.

The body is deposited full length in the grave, the stone slabs are relaid, the chinks between them filled in with damp clay, and the grave is refilled. [106] As the last earth is pushed in, a small pig is killed, and its blood is sprinkled on the loose soil. Meanwhile Selday is besought to respect the grave and leave it untouched. The animal is cut up, and a small piece is given to each guest, who will stop on the way to his home, and place the meat on the ground as an offering, meanwhile repeating a diam. Should he fail to do this, sickness or death is certain to visit his home or village.

As a further protection against evily disposed spirits, especially Ibwa, an iron plough-point is placed over the grave, "for most evil spirits fear iron;" and during this night and the nine succeeding, a fire is kept burning at the grave and at the foot of the house-ladder. [107]

That night the men spend about an hour in the house of mourning, singing sang-sangit, a song in which they praise the dead man, encourage the widow, and bespeak the welfare of the family. The wailers still remain in the dwelling to protect the widow, and a male relative is detailed to see that the fire at the foot of the ladder is kept burning brightly.

Early the next morning, the widow, closely guarded by the wailers, goes to the river, throws her headband into the water, and then goes in herself. As she sinks in the water, an old man throws a bundle of burning rice-straw on her. "The water will wash away some of the sorrow, and the fire will make her thoughts clear." Upon her return to the village, the grave is enclosed with a bamboo fence, and above it is hung a shallow box-like frame, known as patay, in which are placed the articles needed by the spirit. [108] Within the house the mat and pillow of the dead are laid ready for use, and at meal time food is placed beside it. The length of time that the mat is left spread out differs somewhat between towns and families. In some cases it is taken up at the end of the period of taboo, while in others it is not rolled up; nor are the windows of the house opened until after the celebration of the Layog ceremony, a year later.

The taboo is usually strictly observed through ten days; but should there be some urgent reason, such as planting or reaping, it may be raised somewhat earlier. It is concluded by the blood and oil ceremony. The lakay, the other old men of the settlement, and all the relatives, gather in the house of mourning, while the mediums prepare for the ceremony. They kill a small pig and collect its blood in a dish; in another receptacle they place oil. A brush has been made out of a variety of leaves, and this the medium dips into the blood and oil, then draws it over the wrists or ankles of each person present, meanwhile saying, "Let the lew-lew (Fiscus hauili Blanco) leaves take the sickness and death to another town; let the kawayan ("bamboo") make them grow fast and be strong as it is, and have many branches; let the atilwag (Breynia acuminata Nuell. Arg.) turn the sickness to other towns." A little oil is rubbed on the head of each person present; and all, except the widow, are then freed from restrictions. She must still refrain from wearing her beads, ornaments, or good clothing; and she is barred from taking part in any merry-making until after the Layog ceremony. [109]

At the conclusion of the anointing, the old men discuss the disposal of the property and other matters of importance in connection with the death.

The Layog. [110]—Several months after the burial (generally after the lapse of a year), the friends and relatives are summoned in the Layog,—a ceremony held with the avowed intention "to show respect for the dead and to cause the family to forget their sorrow." Friends come from near and far; and rice, pigs, cows or carabaos are prepared for food, while basi flows freely. It is said that the liquor served at this time is "like tears for the dead." A medium goes to the guardian stones of the village, and there offers rice mixed with blood; she oils the stones, places new yellow headbands on each one, and after dancing tadek, returns to the gathering. Often she is accompanied by a number of men, who shout on their return trip "to frighten away evil spirits."

Near the house a chair is made ready for the deceased, and in it are placed clothing and food. In the yard four crossed spears form the frame-work on which a shield rests (Plate XVIII) [111] and on this are beads, food, and garments—offerings for the spirits; while near the house ladder is the spirits' table made of inverted rice mortars.

The duration of this ceremony depends largely on the wealth of the family, for the relatives must furnish everything needed at this time. Games are played, and there is much drinking and singing; but before the members of the family may take part, they are dressed in good garments, and the blood and oil ceremony is repeated on them. At the conclusion of the dancing, they go into the house, roll up the mat used by the dead, open the doors and windows, and all are again free to do as they wish. Should they fail to roll up the mat at this time, it must remain until another Layog is held; and during the interval all the former restrictions are in force. [112]

About twenty years ago, a great number of people in Patok died of cholera; and since then the people of that village have held a Layog in their honor each November, to the expense of which all contribute. As this is just before the rice-harvest, a time when all the people wear their best garments, it is customary for the old men to allow bereaved families to participate in this ceremony and then release them from mourning.

Beliefs Concerning the Spirit of the Dead.—Direct questioning brings out some differences of opinion, in the various districts, concerning the spirit of the dead. In Manabo, a town influenced both by the Igorot of the Upit River valley and the Christianized Ilocano of San Jose, the spirit is said to go at once to the great spirit Kadaklan, and then to continue on "to the town where it lives." "It is like a person, but is so light that it can be carried along by the wind when it blows." [113] The people of Ba-ay, a mountain village partially made up of immigrants from the eastern side of the Cordillera Central, claim that the spirits of the dead go to a mountain called Singet, where they have a great town. Here, it is also stated, the good are rewarded with fine houses, while the bad have to be content with hovels. The general belief, however, is that the spirit (kalading) has a body like that of the living person, but is usually invisible, although spirits have appeared, and have even sought to injure living beings. Immediately following death, the spirit stays near to its old home, ready to take vengeance on any relative, who fails to show his body proper respect. After the blood and oil ceremony, he goes to his future home, Maglawa, carrying with him gifts for the ancestors, which the people have placed about his corpse. In Maglawa he finds conditions much the same as on earth; people are rich and poor; they need houses; they plant and reap; and they conduct ceremonies for the superior beings, just as they had done during their life on earth. Beyond this, the people do not pretend to be posted, "for Kaboniyan did not tell." With the exception of the people of Ba-ay and a few individuals influenced by Christianity, the Tinguian has no idea of reward or punishment in the future life, but he does believe that the position of the spirit in its new home can be affected by the acts of the living (cf. p. 289). No trace of a belief in re-incarnation was found in any district inhabited by this tribe.

Life and Death.—The foregoing details concerning birth, childhood, sickness, and death, seem to give us an insight into the Tinguian conception of life and death. For him life and death do not appear to be but incidents in an endless cycle of birth, death, and re-incarnation ad infinitum, such as pictured by Levy-Bruhl; [114] yet, in many instances, his acts and beliefs fit in closely with the theory outlined by that author. In this society, there is only a weak line of demarcation between the living and the dead, and the dead for a time at least participate more or less in the life of the living. This is equally true of the unborn child, whose future condition, physical and mental, may be largely moulded by the acts of others. According to Levy-Bruhl, this would indicate that the child at delivery is not fully born, is not as yet a member of the group; and the succeeding ceremonies are necessary to its full participation in life. Death is likewise of long duration. Following the last breath, the spirit remains near by until the magic power of the funeral severs, to an extent, his participation with society. The purpose of the final ceremony is to complete the rupture between the living and the dead.

To the writer, the facts of Tinguian life and beliefs suggest a somewhat different explanation. We have seen how strong individuals may be affected by magical practices. The close connection between an individual, his garments, or even his name, must be considered to apply with quite as much force to the helpless infant and the afterbirth. So strong is this bond, that even unintentional acts may injure the babe. Evil spirits are always near; and, unless great precautions are taken, they will injure adults if they can get them at a disadvantage, particularly when they are asleep. The child is not able to protect itself from these beings; therefore the adults perform such acts, as they think will secure the good will and help of friendly spirits, while they bribe or buy up those who might otherwise be hostile; and lastly they make use of such magical objects and ceremonies, as will compel the evil spirits to leave the infant alone. As the child grows in size and strength, he is less in need of protection; and at an early age he is treated like the other younger members of the community. Naming follows almost immediately after birth, while puberty and initiation ceremonies are entirely lacking. Apparently then, a child is considered as being fully alive at birth, and at no time does he undergo any rites or ceremonies which make him more a part of the community than he was on the first day he saw the light.

When death occurs, the spirit remains near to the corpse until after the funeral, and even then is close by until the ten days of taboo are over. He still finds need of nourishment, and hence food is placed near to his mat. As at birth, he is not in a position to protect his body from the designs of evil spirits, and if his relatives fail to give the corpse proper care, it is certain to be mutilated; likewise certain acts of the living towards the corpse can affect the position of the spirit in Maglawa. Hence it is of supreme importance that the former owner guards against any possible neglect or injury to the body, and it seems plausible that the presence of the spirit near its old haunts may be for the purpose of seeing that its body is carefully attended to. The folktales tell of several instances, in which the spirits took vengeance on relatives who neglected their bodies, or violated the period of taboo. [115]

When the danger period is past, the spirit at once leaves its old home, and returns again only at the time of the Layog. From that time on, he continues his existence in the upper world, neither troubling, nor being troubled by mortals on earth. [116] Ancestor worship does not occur here, nor are offerings made to the dead, other than those described above.



CHAPTER IV

RELIGION AND MAGIC

The Tinguian has been taught by his elders that he is surrounded by a great body of spirits, some good, some malevolent. The folk-tales handed down from ancient times add their authority to the teachings of older generations, while the individual himself has seen the bodies of the mediums possessed by the superior beings; he has communicated with them direct, has seen them cure the sick and predict coming events. At many a funeral, he has seen the medium squat before the corpse, chanting a weird song, and then suddenly become possessed by the spirit of the deceased; and, finally, he or some of his friends or townspeople are confident that they have seen and talked to ghosts of the recently departed. All these beings are real to him; he is so certain of their existence that he seldom speculates about them or their acts.

Some of these spirits are always near; and a part of them, at least, take more than an ordinary interest in human affairs. Thanks to the teachings of the elders, the Tinguian knows how to propitiate them; and, if necessary, he may even compel friendly action on the part of many. Toward the less powerful of the evily disposed beings, he shows indifference or insolence; he may make fun of, or lie to, and cheat them during the day, but he is careful to guard himself at night against their machinations. To the more powerful he shows the utmost respect; he offers them gifts of food, drink, and material objects; and conducts ceremonies in the manner demanded by them. Having done these things, he feels that he is a party to a bargain; and the spirits must, on their part, repay by granting the benefits desired. Not entirely content with these precautions, he performs certain magical acts which prevent evil spirits from doing harm to an individual or a community, and by the same means he is able to control storms, the rise of streams, and the growth of crops. It is doubtful if the Tinguian has ever speculated in regard to this magical force, yet he clearly separates it from the power resident in the spirit world. It appears to be a great undifferentiated force to which spirits, nature, and men are subject alike.

If a troublesome question arises, or an evident inconsistency in his beliefs is called to his attention, he disposes of it by the simple statement that it is kadauyan ("custom"), "was taught by the ancestors," and hence is not subject to question.

His religion holds forth no threat of punishment in a future world, neither are there rewards in that existence to urge men to better deeds. The chief teaching is that the customs of ancient times must be faithfully followed; to change is to show disrespect for the dead, for the spirits who are responsible for the customs, which are synonymous with law.

Custom and religion have become so closely interwoven in this society that it is well-nigh impossible to separate them. The building of a house, the planting, harvesting and care of the rice, the procedure at a birth, wedding, or funeral, in short, all the events of the social and economic life, are so governed by custom and religious beliefs, that it is safe to say that nearly every act in the life of the Tinguian is directed or affected by these forces.

Two classes of spirits are recognized; first, those who have existed through all time, whom we shall call natural spirits; second, the spirits of deceased mortals. The latter reside forever in Maglawa, a place midway between earth and sky; but a small number of them have joined the company of the natural spirits. Except for these few, they are not worshiped, and no offerings are made to them, after the period of mourning is past. The members of the first class cover a wide range, from Kadaklan, the great spirit who resides above, to Kaboniyan, the teacher and helper, to those resident in the guardian stones, to the half human, half bird-like alan, to the low, mean spirits who delight to annoy mortals. These beings are usually invisible, but at times of ceremonies they enter the bodies of the mediums, possess them, and thus communicate with the people. On rare occasions they are visible in their own forms, as when Kaboniyan appeared as the antagonist and later as the friend of Sayen. [117]

These beings are addressed, first through certain semi-magical formulas, know as diams. These are seldom prayers or supplications, but are a part of a definite ritual, the whole of which is expected to gain definite favors.

At the beginning, and during the course of all ceremonies, animals are killed. A part of the flesh and the blood is mixed with rice, and is offered to the spirits; but the bulk of the offering is eaten by the participants. Liquor is consumed in great quantities at such a time, but a small amount is always poured out for the use of the superior beings. Finally, the mediums summon the spirits into their bodies; and, when possessed, they are no longer considered as persons, but are the spirits themselves. The beings who appear in this way talk directly with the people; they offer advice, give information concerning affairs in the spirit world, and oftentimes they mingle with the people on equal terms, joining in their dances and taking a lively interest in their daily affairs.

The people seldom pray to or supplicate the invisible spirits; but when they are present in the bodies of the mediums, they make requests, and ask advice, as they would from any friend or acquaintance. With many, the Tinguian is on amicable terms, while toward Kaboniyan he exhibits a degree of respect and gratitude which is close to affection. He realizes that there are many unfriendly spirits, but he has means of controlling or thwarting their evil designs; and hence he does not live in that state of perpetual fear which is so often pictured as the condition of the savage.

The Spirits.—A great host of unnamed spirits are known to exist; they often attend the ceremonies and sometimes enter the bodies of the mediums, and in this way new figures appear from time to time. In addition to these, there are certain superior beings who are well known, and who, as already indicated, exercise a potent influence on the daily life of the people. The following list will serve to give some idea of these spirits and their attributes; while the names of the less important will be found in connection with the detailed description of the ceremonies.

Kadaklan ("the greatest"), a powerful male spirit, who lives in the sky, created the earth, sun, moon, and stars. The stars are only stones, but the sun and moon are lights. At times Kadaklan enters the body of a favored medium, and talks directly with the people; but more frequently he takes other means of communication. Oftentimes he sends his dog Kimat, the lightening, to bite a tree or strike a field or house, and in this way makes known his wish that the owner celebrate the Padiam ceremony (cf. p. 401). All other beings are in a measure subservient to him, and his wishes are frequently made known through them. Thunder is his drum with which he amuses himself during stormy weather, but sometimes he plays on it even on clear days.

Agemem is the wife of Kadaklan. She lives in the ground. Little is known of her except that she has given birth to two sons, [118] whose chief duty is to see that the commands of their father are obeyed.

Adam and Baliyen are the sons of Kadaklan. The name of the first boy is suggestive of Christian influence, but there are no traditions or further details to link him with the Biblical character.

Kaboniyan is the friend and helper of the people, and by many is classed above or identified with Kadaklan. At times he lives in the sky; again in a great cave near Patok. [119] From this cave came the jars which could talk and move, here were found the copper gongs used in the dances, and here too grew the wonderful tree which bore the agate beads so prized by the women. This spirit gave the Tinguian rice and sugar-cane, taught them how to plant and reap, how to foil the designs of ill-disposed spirits, the words of the diams and the details of many ceremonies. Further to bind himself to the people, it is said, he married "in the first times" a woman from Manabo. He is summoned in nearly every ceremony, and there are several accounts of his having appeared in his own form. According to one of these, he is of immense proportions; his spear is as large as a tree, and his head-axe the size of the end of the house. [120]

Apdel is the spirit who resides in the guardian stones (pinaing) at the gate of the town. During a ceremony, or when the men are away for a fight, it becomes his special duty to protect the village from sickness and enemies. He has been known to appear as a red rooster or as a white dog.

Idadaya, who lives in the east (daya), is a powerful spirit who attends the Pala-an ceremony. He rides a horse, which he ties to the little structure built during the rite. Ten grand-children reside with him, and they all wear in their hair the igam (notched feathers attached to a stick). When these feathers lose their lustre, they can only be restored by the celebration of Pala-an(cf. p. 328). Hence the owners cause some mortal, who has the right to conduct the ceremony, to become ill, and then inform him through the mediums as to the cause of his affliction. The names of the grand-children are as follows: Pensipenondosan, Logosen, Bakoden, Bing-gasan, Bakdangan, Giligen, Idomalo, Agkabkabayo, Ebloyan, and Agtabtabokal.

Kaiba-an is the spirit who lives in the little house or saloko in the rice-fields, and who protects the growing crops. Offerings are made to him, when a new field is constructed, when the rice is transplanted, and at harvest time. "The ground which grows" (that is the nest of the white ant) is said to be made by him.

Makaboteng, also called Sanadan, is the guardian of the deer and wild hogs. His good will is necessary if the dogs are to be successful in the chase; consequently he is summoned to many ceremonies, where he receives the most courteous treatment. In one ceremony he declared, "I can become the sunset sky."

Sabian or Isabian is the guardian of the dogs.

Bisangolan ("the place of opening or tearing") is a gigantic spirit, who lives near the river, and who in time of floods uses his head-axe and walking-stick to keep the logs and refuse from jamming. "He is very old, like the world, and he pulls out his beard with his finger nails and his knife. His seat is a wooden plate." He appears in the Dawak, Tangpap, and Sayang ceremonies, holding a rooster and a bundle of rice. In Ba-ak he is called Ibalinsogoan, and is the first spirit summoned in Dawak.

Kakalonan, also known as Boboyonan, is the one who makes friends, and who learns the source of troubles. When summoned at the beginning of a ceremony, he tells what needs to be done, in order to insure the results desired.

Sasagangen, sometimes called Ingalit, are spirits whose business it is to take heads and put them on the saga or in the saloko (cf. p. 310). Headache is caused by them.

Abat are numerous spirits who cause sore feet and headache. Salono and bawi are built for them (cf. pp. 309-310). The spirits of Ibal, who live in Daem, are responsible for most sickness among children, but they are easily appeased with blood and rice. The Ibal ceremony is held for them.

Maganawan, who lives in Nagbotobotan ("the place near which the rivers empty into the hole, where all streams go") is one of the spirits, called in the Sangasang ceremony, and for whom the blood of the rooster mixed with rice is put into the saloko, which stands in the yard.

Inawen is a pregnant female spirit, who lives in the sea, and who demands the blood of a chicken mixed with rice to satisfy her capricious appetite. She also attends the Sangasang.

Kideng is a tall, fat spirit with nine heads. He is the servant of Inawen, and carries the gifts of mortals to his mistress.

Ibwa is an evil spirit, who once mingled with the people in human form. Due to the thoughtless act of a mourner at a funeral, he became so addicted to the taste of human flesh, that it has since then been necessary to protect the corpse from him. He fears iron, and hence a piece of that metal is always laid on the grave. Holes are burned in each garment placed on the body to keep him from stealing them.

Akop is likewise evil. He has a head, long slimy arms and legs, but no body. He always frequents the place of death, and seeks to embrace the spouse of the deceased. Should he succeed, death follows quickly. To defeat his plans, the widow is closely guarded by the wailers; she also sleeps under a fish net as an additional protection against his long fingers, and she wears seeds which are disliked by this being.

Kadongayan indulges in the malicious sport of slitting the mouth of the corpse back to the ears. In order to frighten him away, a live chicken, with its mouth split to its throat, is placed by the door, during the time the body is in the house. When he sees the sufferings of the bird, he fears to enter the dwelling lest the people treat him in the same manner.

Selday is an ill-disposed being. He causes people to have sore feet, and only relieves them, when offerings are made to him in the saloko or bawi. He lives in the wooded hill, but quickly learns of a death, and appears at the open grave. Unless he is bought off with an offering, the blood of a small pig, he is almost certain to make away with the body, or cause a great sickness to visit the village. As the mourners return home, after the burial, they place bits of the slaughtered animal by the trail, so that he will not make them ill.

Bayon is a male spirit, who dwells in the sky, and who comes to earth as a fresh breeze. He once stole a girl from Layogan, changed her two breasts into one, placed this in the center of her chest, and married her.

Lokadaya is the human wife of Bayon. She now appears to have joined the company of the natural spirits and to be immortal. At times, both she and her husband enter the bodies of the mediums.

Agonan is the spirit who knows many dialects. He lives in Dingolowan.

Gilen attends many ceremonies, and occupies an important place in Tangpap; yet little is known of him.

Inginlaod are spirits who live in the west.

Ginobayan is a female spirit, always present in the Tangpap ceremony.

Sangalo is a spirit who gives good and bad signs.

Dapeg, Balingen-ngen, Benisalsal, and Kikiba-an, are all disturbers and mischief-makers. They cause illness, sore feet, headache, and bad dreams. They are important only because of the frequency with which they appear.

Al-lot attends festivals and prevents quarrels.

Liblibayan, Banbanayo, and Banbantay, are lesser spirits, who formerly aided "the people of the first times."

The term "Alan" comprises a large body of spirits with half human, half bird-like forms. They have wings and can fly; their toes are at the back of their feet, and their fingers attach to the wrists and point backward. Often they hang from the branches of trees, like bats, but they are also pictured as having fine houses and great riches. They are sometimes hostile or mischievous, but more frequently are friendly. They play a very important part in the mythology, but not in the cult. [121]

Komau is a giant spirit, who, according to tradition, was killed by the hero Sayen. Among the Ilocano and some of the Tinguian, the Komau is known as a great invisible bird, which steals people and their possessions. He does not visit the people through the bodies of the mediums.

Anito is a general term used to designate members of the spirit world.

A survey of the foregoing list brings out a noticeable lack of nature-spirits; of trees, rocks, and natural formations considered as animate; and of guardian spirits of families and industries. There is a strong suggestion, however, in the folk-tales to the effect that this has not always been the case; and even to-day there are some conflicts regarding the status of certain spirits. In the village of Manabo, thunder is known as Kidol; in Likuan and Bakaok, as Kido-ol; and in each place he is recognized as a powerful spirit. In Ba-ay, two types of lightning are known to be spirits. The flash from the sky is Salit, that "from the ground" is Kilawit. Here thunder is Kadaklan, but the sun is the all powerful being. He is male, and is "so powerful that he does not need or desire ceremonies or houses." The moon is likewise a powerful spirit, but female.

In the discussion of the tales [122] it was suggested that these and other ideas, which differ from those held by the majority of the tribe, may represent older conceptions, which have been swamped, or may have been introduced into Abra by emigrants from the north and east.

The Mediums.—The superior beings talk with mortals through the aid of mediums, known individually and collectively as alopogan ("she who covers her face"). [123] These are generally women past middle life, though men are not barred from the profession, who, when chosen, are made aware of the fact by having trembling fits when they are not cold, by warnings in dreams, or by being informed by other mediums that they are desired by the spirits. A woman may live the greater part of her life without any idea of becoming a medium, and then because of such a notification will undertake to qualify. She goes to one already versed, and from her learns the details of the various ceremonies, the gifts suitable for each spirit, and the chants or diams which must be used at certain times. This is a considerable task, for the diams must be learned word for word; and, likewise, each ceremony must be conducted, just as it was taught by the spirits to the "people of the first times." The training occupies several months; and when all is ready, the candidate secures her piling. This is a collection of large sea-shells attached to cords, which is kept in a small basket together with a Chinese plate and a hundred fathoms of thread (Plate XIX). New shells may be used, but it is preferable to secure, if possible, the piling of a dead medium. Being thus supplied, the novice seeks the approval of the spirits and acceptance as a medium. The wishes of the higher beings are learned by means of a ceremony, in the course of which a pig is killed, and its blood mixed with rice is scattered on the ground. The liver of the animal is eagerly examined; for, if certain marks appear on it, the candidate is rejected, or must continue her period of probation for several months, before another trial can be made. During this time she may aid in ceremonies, but she is not possessed by the spirits. When finally accepted, she may begin to summon the spirits into her body. She places offerings on a mat, seats herself in front of them, and calls the attention of the spirits by striking her piling, or a bit of lead, against a plate; then covering her face with her hands, she begins to chant. Suddenly she is possessed; and then, no longer as a human, but as the spirit itself, she talks with the people, asking and answering questions, or giving directions, as to what shall be done to avert sickness and trouble, or to bring good fortune.

Certain mediums are visited only by low, mean spirits; others, by both good and bad; while still others may be possessed even by Kadaklan, the greatest of all. It is customary for the spirit of a deceased mortal to enter the body of a medium, just before the corpse is to be buried, to give messages to the family; but he seldom comes again in this manner.

The pay of a medium is small, usually a portion of a sacrificed animal, a few bundles of rice, and some beads; but this payment is more than offset by the restrictions placed on her. At no time may she eat of carabao, wild pig, wild chicken, or shrimp; nor may she touch peppers—all prized articles of food.

The inducements for a person to enter this vocation are so few that a candidate begins her training with reluctance; but, once accepted by the spirits, the medium yields herself fully and sincerely to their wishes. When possessed by a spirit, her own personality is submerged, and she does many things of which she is apparently ignorant, when she emerges from the spell. Oftentimes, as she squats by the mat, summoning the spirits, her eyes take on a far-away stare; the veins of her face and neck stand out prominently, while the muscles of her arms and legs are tense; then, as she is possessed, she assumes the character and habits of the superior being. If it is a spirit supposed to dwell in Igorot or Kalinga land, she speaks in a dialect unfamiliar to her hearers, orders them to dance in Igorot fashion, and then instructs them in dances, which she or her townspeople could never have seen. [124] At times she carries on sleight-of-hand tricks, as when she places beads in a dish of oil, and dances with it high above her head, until the beads vanish. A day or two later she will recover them from the hair of some participant in the ceremony. Most of her acts are in accordance with a set procedure; yet at times she goes further, and does things which seem quite inexplainable.

One evening, in the village of Manabo, we were attending a ceremony. Spirit after spirit had appeared, and at their order dances and other acts had taken place. About ten o'clock a brilliant flash of lightning occurred, although it was not a stormy evening. The body of the medium was at that time possessed by Amangau, a head-hunting spirit. He at once stopped his dance, and announced that he had just taken the head of a boy from Luluno, and that the people of his village were even then dancing about the skull. Earlier in the evening we had noticed this lad (evidently a consumptive) among the spectators. When the spirit made this claim, we looked for him, but he had vanished. A little later we learned that he had died of a hemorrhage at about the time of the flash.

Such occurrences make a deep impression on the mind of the people, and strengthen their belief in the spirit world; but, so far as could be observed, the prestige of the medium was in nowise enhanced.

Since most of the ceremonies are held to keep the family or individual in good health, the medium takes the place of a physician. She often makes use of simple herbs and medicinal plants, but always with the idea that the treatment is distasteful to the being, who has caused the trouble, and not with any idea of its curative properties. Since magic and religion are practically the same in this society, the medium is the one who usually conducts or orders the magic rites; and for the same reason she, better than all others, can read the signs and omens sent by members of the spirit world.

Magic and Omens.—The folk-tales are filled with accounts of magical acts, performed by "the people of the first times." They annihilated time and space, commanded inanimate objects to do their will, created human beings from pieces of betel-nut, and caused the magical increase of food and drink. Those days have passed, yet magical acts still pervade all the ceremonies; nature is overcome, while the power to work evil by other than human means is a recognized fact of daily life. In the detailed accounts of the ceremonies will be found many examples of these magical acts, but the few here mentioned will give a good idea of all.

In one ceremony, a blanket is placed over the family, and on their heads a coconut is cut in two, and the halves are allowed to fall; for, "as they drop to the ground, so does sickness and evil fall away from the people." A bound pig is placed in the center of the floor, and water is poured into its ear that, "as it shakes out the water, so may evil spirits and sickness be thrown out of the place." At one point in the Tangpap ceremony, a boy takes the sacrificial blood and rice from a large dish, and puts it in a number of smaller ones, then returns it again to the first; for, "when the spirits make a man sick, they take a part of his life. When they make him well, they put it back, just as the boy takes away a part of the food, gives it to the spirits, and then replaces it," The same idea appears in the dance which follows. The boy and the medium take hold of a winnower, raise it in the air, and dance half way around a rice-mortar; then return, as they came, and replace it, "just as the spirits took away a part of the patient's life, but now will put it back."

The whole life of a child can be determined, or at least largely influenced, by the treatment given the afterbirth, while the use of bamboo and other prolific plants, at this time and at a wedding, promote growth and fertility.

A piece of charcoal attached to a certain type of notched stick is placed in the rice-seed beds, and thus the new leaves are compelled to turn the dark green color of sturdy plants.

If a river is overflowing its banks, it can be controlled by cutting off a pig's head and throwing it into the waters. An even more certain method is to have a woman, who was born on the other side of the river, take her weaving baton and plant it on the bank. The water will not rise past this barrier.

Blackening of the teeth is a semi-magical procedure. A mixture of tan-bark and iron salts is twice applied to the teeth, and is allowed to remain several hours; but, in order to obtain the desired result, it is necessary to use the mixture after nightfall and to remove it, before the cocks begin to crow, in the morning. If the fowls are heard, while the teeth are being treated, they will remain white; likewise they will refuse to take the color, should their owner approach a corpse or grave.

On well-travelled trails one often sees, at the tops of high hills, piles of stones, which have been built up during many years. As he ascends a steep slope, each traveller picks up a small stone, and carries it to the top, where he places it on the pile. As he does so, he leaves his weariness behind him, and continues his journey fresh and strong.

The use of love-charms is widespread: certain roots and leaves, when oiled or dampened with saliva, give forth a pleasant odor, which compels the affection of a woman, even in spite of her wishes. [125]

Evil magic, known as gamot ("poison") is also extensively used. A little dust taken from the footprint of a foe, a bit of clothing, or an article recently handled by him, is placed in a dish of water, and is stirred violently. Soon the victim begins to feel the effect of this treatment, and within a few hours becomes insane. To make him lame, it is only necessary to place poison on articles recently touched by his feet. Death or impotency can be produced by placing poison on his garments. A fly is named after a person, and is placed in a bamboo tube. This is set near the fire, and in a short time the victim of the plot is seized with fever. Likewise magical chants and dances, carried on beneath a house, may bring death to all the people of the dwelling.

A combination of true poisoning and magical practice is also found. To cause consumption or some wasting disease, a snake is killed, and its head cut off; then the body is hung up, and the liquor coming from the decomposing flesh is caught in a shell cup. This fluid is introduced into the victim's food, or some of his belongings are treated with it. If the subject dies, his relatives may get revenge on the poisoner. This is accomplished by taking out the heart of a pig and inserting it in the mouth or stomach of the victim. This must be done under the cover of darkness, and the corpse be buried at once. A high bamboo fence is then built around the grave, so that no one can reach it. The person responsible for the death will fall ill at once, and will die unless he is able to secure one of the victim's garments or dirt from the grave.

The actual introduction of poison in food and drink is thought to be very common. The writer attended one ceremony following which a large number of the guests fell sick. The illness was ascribed to magic poisoning, yet it was evident that the cause was over-indulgence in fresh pork by people, who for months had eaten little if any meat.

Omens.—The ability to foretell future events by the flight or calls of birds, actions of animals, by the condition of the liver and gall of sacrificed pigs, or by the movements of certain articles under the questioning of a medium, is an undoubted fact in this society.

A small bird known as labeg, is the messenger of the spirits, who control the Bakid and Sangasang ceremonies. When this bird enters the house, it is caught at once, its feathers are oiled; beads are attached to its feet, and it is released with the promise that the ceremony will be celebrated at once. This bird accompanies the warriors, and warns or encourages them with its calls. If it flies across their path from right to left, all is well; but if it comes from the left, they must return home, or trouble will befall the party.

The spirits of Sangasang make use of other birds and animals to warn the builders of a house, if the location selected does not please them. All the Tinguian know that the arrival of snakes, big lizards, deer, or wild hogs at the site of a new house is a bad sign.

If a party or an individual is starting on a journey, and the kingfisher (salaksak) flies from in front toward the place just left, it is a command to return at once; else illness in the village or family will compel a later return. [126] Should the koling cry awit, awit ("to carry, to carry"), an immediate return is necessary, or a member of the party will die, and will be carried home. When a snake crawls across the trail, and goes into a hole, it is a certain warning that, unless the trip is given up, some of the party will die, and be buried in the ground.

The falling of a tree across the trail, when the groom is on his way to the home of his bride, threatens death for the couple, while the breaking or falling of an object during the marriage ceremony presages misfortune.

Not all the signs are evil; for, if a man is starting to hunt, or trade, and he sees a hawk fly in front of him and catch a bird or chicken, he may on that day secure all the game he can carry, or can trade on his own terms.

All the foregoing are important, but the most constantly employed method of foretelling the future is to examine the gall and liver of slain pigs. These animals are killed in all great ceremonies, at the conclusion of a medium's probation period, at birth, death, and funeral observances, and for other important events. If a head-hunt is to be attempted, the gall sack is removed, and is carefully examined, for if it is large and full, and the liquor in it is bitter, the enemy will be powerless; but if the sack is small, and only partially filled with a weak liquor, it will fare ill with the warriors who go into battle. For all other events, the liver itself gives the signs. When it is full and smooth, the omens are favorable; but if it is pitted, has black specks on it, is wrinkled, or has cross lines on it, the spirits are ill-disposed, and the project should be delayed. If, however, the matter is very urgent, another pig or a fowl may be offered in the hope that the attitude of the spirits may be changed. If the liver of the new sacrifice is good, the ceremony or raid may continue. The blood of these animals is always mixed with rice, and is scattered about for the superior beings, but the flesh is cooked, and is consumed by the mortals. [127]

To recover stolen and misplaced articles or animals, one of three methods is employed. The first is to attach a cord to a jar-cover or the shells used by a medium. This is suspended so that it hangs freely, and questions are put to it. If the answer is "yes," it will swing to and fro. The second method is to place a bamboo stick horizontally on the ground and then to stand an egg on it. As the question is asked, the egg is released. If it falls, the answer is in the negative; if it stands, it replies "yes." The third and more common way is to place a head-axe on the ground, then to blow on the end of a spear and put it point down on the blade of the axe. If it balances, the answer is "yes."

Ceremonial Structures and Paraphernalia.—As has been indicated, the Tinguian holds many ceremonies in honor of the superior beings; and, in connection with these, builds numerous small structures, and employs various paraphernalia, most of which bear definite names, and have well established uses. Since a knowledge of these structures and devices is necessary to a full understanding of the ceremonies, an alphabetical list is here furnished, before proceeding to the detailed discussion of the rites.

Alalot: Two arches of bamboo, which support a grass roof. A small jar of basi stands in this structure for the use of visiting spirits. Is generally constructed during the Sayang ceremony, but in Bakaok it is built alone to cure sickness or to change a bad disposition (Plate XX, No. 4).

Aligang: A four-pronged fork of a branch in which a jar of basi and other offerings are placed for the Igorot spirits of Talegteg (Salegseg). It is placed at the corner of the house during Sayang.

Ansisilit: The framework placed beside the guardian stones on the sixteenth morning of Sayang. It closely resembles the Inapapayag.

Balabago (known in Manabo as Talagan): A long bamboo bench with a roofing of betel leaves. It is intended as a seat for guests, both spirit and human, during important ceremonies.

Balag: A seat of wood or bamboo, placed close to the house-ladder during the Sayang ceremony. Above and beside it are alangtin leaves, branches of the lanoti tree, sugar-cane, and a leafy branch of bamboo. Here also are found a net equipped with lead sinkers, a top-shaped device, and short sections of bamboo filled with liquor. In some towns this is the seat of the honored guest, who dips basi for the dancers. In San Juan this seat is called Patogau.

Balaua: This, the largest and most important of the spirit structures, is built during the Sayang ceremony. The roofing is of plaited bamboo, covered with cogon grass. This is supported by eight uprights, which likewise furnish attachment for the bamboo flooring. There are no sides to the building, but it is so sturdily constructed that it lasts through several seasons. Except for the times of ceremony, it is used as a lounging place for the men, or as a loom-room by the women. Quite commonly poles are run lengthwise of the structure, at the lower level of the roof; and this "attic," as well as the space beneath the floor, is used for the storage of farming implements, bundles of rattan and thatching (Plate XXI).

Balitang: A large seat like the Balabago, but with a grass roofing. It is used as a seat for visitors during great ceremonies and festivals. This name is applied, in Manabo, to a little house, built among the bananas for the spirit Imalbi.

Bani-it or Bunot: Consists of a coconut husk suspended from a pole. The feathers of a rooster are stuck into the sides. It is made as a cure for sick-headache, also for lameness.

Bangbangsal: Four long bamboo poles are set in the ground, and are roofed over to make a shelter for the spirits of Sayaw, who come in the Tangpap ceremony.

Batog: An unhusked coconut, resting on three bamboo sticks, goes by this name. It always appears in the Sayang ceremony, close to the Balag, but its use and meaning are not clear.

Bawi, also called Babawi, Abarong, and Sinaba-an: A name applied to any one of the small houses, built in the fields or gardens as a home for the spirits Kaiba-an, Abat, Selday, and some others of lesser importance (Plate XXII).

Idasan: A seat or bench which stands near the house-ladder during the Sayang. A roof of cogon grass protects ten bundles of unthreshed rice, which lie on it. This rice is later used as seed. In the San Juan district, the place of the Idasan seems to be taken by three bamboo poles, placed in tripod fashion, so as to support a basket of rice. This is known as Pinalasang.

Inapapayag: Two-forked saplings or four reeds are arranged so as to support a shield or a cloth "roof" (Plate XVIII). During Sayang and some other ceremonies, it stands in the yard, or near to the town gate; and on it food and drink are placed for visiting spirits. During the celebration of Layog (cf. p. 290), it is built near to the dancing space, and contains offerings for the spirit of the dead. A spear with a colored clout is stuck into the ground close by; and usually an inverted rice mortar also stands here, and supports a dish of basi. In the mountain village of Likuan it is built alone as a cure for sickness. A pig is killed and the mediums summon the spirits as in Dawak (cf. p. 316).

Kalang: A wooden box, the sides of which are cut to resemble the head and horns of a carabao. The spirits are not thought to reside here, but do come to partake of the food and drink placed in it. It is attached to the roof of the dwelling or in the balaua or kalangan. New offerings are placed in the kalang, before the men go to fight, or when the Sayang ceremony is held. It also holds the head-bands worn by the mediums, when making Dawak (Fig. 4, No. 2).

Kalangan: the place of the kalang. This is similar to the balaua, but is smaller and, as a rule, has only four supporting timbers (Plate XXIII).

Pala-an: Four long poles, usually three of bamboo, and one of a resinous tree known as anteng (Canarium villosum Bl.) are set in a square and support, near the top, a platform of bamboo (Plate XXIV). Offerings are made both on and below the Pala-an during the ceremony of that name, and in the more important rites.

Pangkew: Three bamboo poles are planted in the ground in a triangle, but they lean away from each other at such an angle, as to admit of a small platform midway of their length. A roofing of cogon grass completes the structure. It is built during Sayang, and contains a small jar of basi. The roof is always adorned with coconut blossoms (Plate XX).

Sagang: Sharpened bamboo poles about eight feet in length on which the skulls of enemies were formerly exhibited. The pointed end was pushed through the foramen magnum, and the pole was then planted near the gate of the town.

Saloko, also called Salokang and Sabut: This is a bamboo pole about ten feet long, one end of which is split into several strips; these are forced apart, and are interwoven with other strips, thus forming a sort of basket. When such a pole is erected near to a house, or at the gate of the town, it is generally in connection with a ceremony made to cure headache. It is also used in the fields as a dwelling place for the spirit Kaiba-an (Plate XXV).

The Saloko ceremony and the diam, which accompanies it, seem to indicate that this pole originated in connection with head-hunting; and its presence in the fields gives a hint that in former times a head-hunt may have been a necessary preliminary to the rice-planting.

Sogayob: A covered porch, which is built along one side of the house during the Sayang ceremony. In it hang the vines and other articles, used by the female dancers in one part of the rite. A portion of one of the slaughtered pigs is placed here for the spirits of Bangued. In Lumaba the Sogayob is built alone as a part of a one-day ceremony; while in Sallapadan it follows Kalangan after an interval of about three months.

Taltalabong: Following many ceremonies a small bamboo raft with arched covering is constructed. In it offerings are placed for spirits, who have been unable to attend the rite. In Manabo it is said that the raft is intended particularly for the sons of Kadaklan (Plate XXVI).

Tangpap: Two types of structure appear under this name. When it is built as a part of the Tangpap ceremony, it is a small house with a slanting roof resting on four poles. About three feet above the ground, an interwoven bamboo floor is lashed to the uprights (Plate XXVII). In the Sayang ceremony, there are two structures which go by this name (Plate XX, Nos. 2 and 3). The larger has two floors, the smaller only one. On each floor is a small pot of basi, daubed with white.

Taboo Gateway: At the gate of a town, one sometimes finds a defensive wall of bamboo, between the uprights of which are thrust bamboo spears in order to catch evil spirits, while on the gate proper are vines and leaves pleasing to the good spirits. Likewise in the saloko, which stands close by, are food and drink or betel-nut. All this generally appears when an epidemic is in a nearby village, in order to frighten the bearers of the sickness away, and at the same time gain the aid of well-disposed spirits. At such a time many of the people wear wristlets and anklets of bamboo, interwoven with roots and vines which are displeasing to the evil beings (Plate XXVIII).

Ceremonial Paraphernalia.—Akosan (Fig. 4, No. 4): A prized shell, with top and bottom cut off, is slipped over a belt-like cloth. Above it are a series of wooden rings and a wooden imitation of the shell. This, when hung beside the dead, is both pleasing to the spirit of the deceased, and a protection to the corpse against evil beings.

Aneb (Fig. 4, No. 1): The name usually given to a protective necklace placed about the neck of a young child to keep evil spirits at a distance. The same name is also given to a miniature shield, bow and arrow, which hang above the infant.

Dakidak (Fig. 4, Nos. 3-3a): Long poles, one a reed, the other bamboo, split at one end so they will rattle. The medium strikes them on the ground to attract the spirits to the food served on the talapitap.

Igam: Notched feathers, often with colored yarn at the ends, attached to sticks. These are worn in the hair during the Pala~an and Sayang ceremonies, to please the spirits of the east, called Idadaya.

Inalson: A sacred blanket made of white cotton. A blue or blue and red design is formed, where the breadths join, and also along the borders. It is worn over the shoulders of the medium during the Gipas ceremony (cf. p. 263).

Lab-labon: Also called Adug. In Buneg and nearby towns, whose inhabitants are of mixed Tinguian and Kalinga blood, small incised pottery houses are found among the rice jars, and are said to be the residences of the spirits, who multiply the rice. They are sometimes replaced with incised jars decorated with vines. The idea seems to be an intrusion into the Tinguian belt. The name is probably derived from labon, "plenty" or "abundance" (Plate XXIX).

Piling (Plate XIX): A collection of large sea-shells attached to cords. They are kept in a small basket together with one hundred fathoms of thread and a Chinese plate, usually of ancient make. The whole makes up the medium's outfit, used when she is summoning the spirits.

Pinapa: A large silk blanket with yellow strips running lengthwise. Such blankets are worn by certain women when dancing da-eng, and they are also placed over the feet of a corpse.

Sado (Fig. 4, No. 3): The shallow clay dishes in which the spirits are fed on the talapitap.

Salogeygey: The outside bark of a reed is cut at two points, from opposite directions, so that a double fringe of narrow strips stands out. One end is split, saklag leaves are inserted, and the whole is dipped or sprinkled in sacrificial blood, and placed in each house during the Sagobay ceremony. The same name is applied to the magical sticks, which are placed in the rice seed-beds to insure lusty plants (cf. p. 399).

Sangadel: The bamboo frame on which a corpse is placed during the funeral.

Tabing: A large white blanket with which one corner of the room is screened off during the Sayang and other ceremonies. In this "room" food and other offerings are made for the black, deformed, and timid spirits who wish to attend the ceremony unobserved.

Takal: Armlets made of boar's tusks, which are worn during certain dances in Sayang.

Talapitap (Fig. 4, No. 3): A roughly plaited bamboo frame on which the spirits are fed during the more important rites. Used in connection with the dakidak and clay dishes (sado).

Tongatong (Fig. 4, No. 5): The musical instrument, which appears in many ceremonials. It consists of six or more bamboo tubes of various lengths. The players hold a tube in each hand, and strike their ends on a stone, which lies between them, the varying lengths of the cylinders giving out different notes.