The children shuddered.

'Now speak. Are you upon our side?'

'YES. Don't I keep telling you we are?' Robert said. 'Look here. I will give you a sign. You see this.' He held out the toy pistol. 'I shall speak to it, and if it answers me you will know that I and the others are come to guard your sacred thing—that we've just made the offerings to.'

'Will that god whose image you hold in your hand speak to you alone, or shall I also hear it?' asked the man cautiously.

'You'll be surprised when you DO hear it,' said Robert. 'Now, then.' He looked at the pistol and said—

'If we are to guard the sacred treasure within'—he pointed to the hedged-in space—'speak with thy loud voice, and we shall obey.'

He pulled the trigger, and the cap went off. The noise was loud, for it was a two-shilling pistol, and the caps were excellent.

Every man, woman, and child in the village fell on its face on the sand. The headman who had accepted the test rose first.

'The voice has spoken,' he said. 'Lead them into the ante-room of the sacred thing.'

So now the four children were led in through the opening of the hedge and round the lane till they came to an opening in the inner hedge, and they went through an opening in that, and so passed into another lane.

The thing was built something like this, and all the hedges were of brushwood and thorns: [Drawing of maze omitted.]

'It's like the maze at Hampton Court,' whispered Anthea.

The lanes were all open to the sky, but the little hut in the middle of the maze was round-roofed, and a curtain of skins hung over the doorway.

'Here you may wait,' said their guide, 'but do not dare to pass the curtain.' He himself passed it and disappeared.

'But look here,' whispered Cyril, 'some of us ought to be outside in case the Psammead turns up.'

'Don't let's get separated from each other, whatever we do,' said Anthea. 'It's quite bad enough to be separated from the Psammead. We can't do anything while that man is in there. Let's all go out into the village again. We can come back later now we know the way in. That man'll have to fight like the rest, most likely, if it comes to fighting. If we find the Psammead we'll go straight home.

It must be getting late, and I don't much like this mazy place.'

They went out and told the headman that they would protect the treasure when the fighting began. And now they looked about them and were able to see exactly how a first-class worker in flint flakes and notches an arrow-head or the edge of an axe—an advantage which no other person now alive has ever enjoyed. The boys found the weapons most interesting. The arrow-heads were not on arrows such as you shoot from a bow, but on javelins, for throwing from the hand. The chief weapon was a stone fastened to a rather short stick something like the things gentlemen used to carry about and call life-preservers in the days of the garrotters.

Then there were long things like spears or lances, with flint knives—horribly sharp—and flint battle-axes.

Everyone in the village was so busy that the place was like an ant-heap when you have walked into it by accident. The women were busy and even the children.

Quite suddenly all the air seemed to glow and grow red—it was like the sudden opening of a furnace door, such as you may see at Woolwich Arsenal if you ever have the luck to be taken there—and then almost as suddenly it was as though the furnace doors had been shut. For the sun had set, and it was night.

The sun had that abrupt way of setting in Egypt eight thousand years ago, and I believe it has never been able to break itself of the habit, and sets in exactly the same manner to the present day. The girl brought the skins of wild deer and led the children to a heap of dry sedge.

'My father says they will not attack yet. Sleep!' she said, and it really seemed a good idea. You may think that in the midst of all these dangers the children would not have been able to sleep—but somehow, though they were rather frightened now and then, the feeling was growing in them—deep down and almost hidden away, but still growing—that the Psammead was to be trusted, and that they were really and truly safe. This did not prevent their being quite as much frightened as they could bear to be without being perfectly miserable.

'I suppose we'd better go to sleep,' said Robert. 'I don't know what on earth poor old Nurse will do with us out all night; set the police on our tracks, I expect. I only wish they could find us! A dozen policemen would be rather welcome just now. But it's no use getting into a stew over it,' he added soothingly. 'Good night.'

And they all fell asleep.

They were awakened by long, loud, terrible sounds that seemed to come from everywhere at once—horrible threatening shouts and shrieks and howls that sounded, as Cyril said later, like the voices of men thirsting for their enemies' blood.

'It is the voice of the strange men,' said the girl, coming to them trembling through the dark. 'They have attacked the walls, and the thorns have driven them back. My father says they will not try again till daylight. But they are shouting to frighten us. As though we were savages! Dwellers in the swamps!' she cried indignantly.

All night the terrible noise went on, but when the sun rose, as abruptly as he had set, the sound suddenly ceased.

The children had hardly time to be glad of this before a shower of javelins came hurtling over the great thorn-hedge, and everyone sheltered behind the huts. But next moment another shower of weapons came from the opposite side, and the crowd rushed to other shelter. Cyril pulled out a javelin that had stuck in the roof of the hut beside him. Its head was of brightly burnished copper.

Then the sound of shouting arose again and the crackle of dried thorns. The enemy was breaking down the hedge. All the villagers swarmed to the point whence the crackling and the shouting came; they hurled stones over the hedges, and short arrows with flint heads. The children had never before seen men with the fighting light in their eyes. It was very strange and terrible, and gave you a queer thick feeling in your throat; it was quite different from the pictures of fights in the illustrated papers at home.

It seemed that the shower of stones had driven back the besiegers. The besieged drew breath, but at that moment the shouting and the crackling arose on the opposite side of the village and the crowd hastened to defend that point, and so the fight swayed to and fro across the village, for the besieged had not the sense to divide their forces as their enemies had done.

Cyril noticed that every now and then certain of the fighting-men would enter the maze, and come out with brighter faces, a braver aspect, and a more upright carriage.

'I believe they go and touch the Amulet,' he said. 'You know the Psammead said it could make people brave.'

They crept through the maze, and watching they saw that Cyril was right. A headman was standing in front of the skin curtain, and as the warriors came before him he murmured a word they could not hear, and touched their foreheads with something that they could not see. And this something he held in his hands. And through his fingers they saw the gleam of a red stone that they knew.

The fight raged across the thorn-hedge outside. Suddenly there was a loud and bitter cry.

'They're in! They're in! The hedge is down!'

The headman disappeared behind the deer-skin curtain.

'He's gone to hide it,' said Anthea. 'Oh, Psammead dear, how could you leave us!'

Suddenly there was a shriek from inside the hut, and the headman staggered out white with fear and fled out through the maze. The children were as white as he.

'Oh! What is it? What is it?' moaned Anthea. 'Oh, Psammead, how could you! How could you!'

And the sound of the fight sank breathlessly, and swelled fiercely all around. It was like the rising and falling of the waves of the sea.

Anthea shuddered and said again, 'Oh, Psammead, Psammead!'

'Well?' said a brisk voice, and the curtain of skins was lifted at one corner by a furry hand, and out peeped the bat's ears and snail's eyes of the Psammead.

Anthea caught it in her arms and a sigh of desperate relief was breathed by each of the four.

'Oh! which IS the East!' Anthea said, and she spoke hurriedly, for the noise of wild fighting drew nearer and nearer.

'Don't choke me,' said the Psammead, 'come inside.'

The inside of the hut was pitch dark.

'I've got a match,' said Cyril, and struck it. The floor of the hut was of soft, loose sand.

'I've been asleep here,' said the Psammead; 'most comfortable it's been, the best sand I've had for a month. It's all right. Everything's all right. I knew your only chance would be while the fight was going on. That man won't come back. I bit him, and he thinks I'm an Evil Spirit. Now you've only got to take the thing and go.'

The hut was hung with skins. Heaped in the middle were the offerings that had been given the night before, Anthea's roses fading on the top of the heap. At one side of the hut stood a large square stone block, and on it an oblong box of earthenware with strange figures of men and beasts on it.

'Is the thing in there?' asked Cyril, as the Psammead pointed a skinny finger at it.

'You must judge of that,' said the Psammead. 'The man was just going to bury the box in the sand when I jumped out at him and bit him.'

'Light another match, Robert,' said Anthea. 'Now, then quick! which is the East?'

'Why, where the sun rises, of course!'

'But someone told us—'

'Oh! they'll tell you anything!' said the Psammead impatiently, getting into its bass-bag and wrapping itself in its waterproof sheet.

'But we can't see the sun in here, and it isn't rising anyhow,' said Jane.

'How you do waste time!' the Psammead said. 'Why, the East's where the shrine is, of course. THERE!'

It pointed to the great stone.

And still the shouting and the clash of stone on metal sounded nearer and nearer. The children could hear that the headmen had surrounded the hut to protect their treasure as long as might be from the enemy. But none dare to come in after the Psammead's sudden fierce biting of the headman.

'Now, Jane,' said Cyril, very quickly. 'I'll take the Amulet, you stand ready to hold up the charm, and be sure you don't let it go as you come through.'

He made a step forward, but at that instant a great crackling overhead ended in a blaze of sunlight. The roof had been broken in at one side, and great slabs of it were being lifted off by two spears. As the children trembled and winked in the new light, large dark hands tore down the wall, and a dark face, with a blobby fat nose, looked over the gap. Even at that awful moment Anthea had time to think that it was very like the face of Mr Jacob Absalom, who had sold them the charm in the shop near Charing Cross.

'Here is their Amulet,' cried a harsh, strange voice; 'it is this that makes them strong to fight and brave to die. And what else have we here—gods or demons?'

He glared fiercely at the children, and the whites of his eyes were very white indeed. He had a wet, red copper knife in his teeth. There was not a moment to lose.

'Jane, JANE, QUICK!' cried everyone passionately.

Jane with trembling hands held up the charm towards the East, and Cyril spoke the word of power. The Amulet grew to a great arch. Out beyond it was the glaring Egyptian sky, the broken wall, the cruel, dark, big-nosed face with the red, wet knife in its gleaming teeth. Within the arch was the dull, faint, greeny-brown of London grass and trees.

'Hold tight, Jane!' Cyril cried, and he dashed through the arch, dragging Anthea and the Psammead after him. Robert followed, clutching Jane. And in the ears of each, as they passed through the arch of the charm, the sound and fury of battle died out suddenly and utterly, and they heard only the low, dull, discontented hum of vast London, and the peeking and patting of the sparrows on the gravel and the voices of the ragged baby children playing Ring-o'-Roses on the yellow trampled grass. And the charm was a little charm again in Jane's hand, and there was the basket with their dinner and the bathbuns lying just where they had left it.

'My hat!' said Cyril, drawing a long breath; 'that was something like an adventure.'

'It was rather like one, certainly,' said the Psammead.

They all lay still, breathing in the safe, quiet air of Regent's Park.

'We'd better go home at once,' said Anthea presently. 'Old Nurse will be most frightfully anxious. The sun looks about the same as it did when we started yesterday. We've been away twenty-four hours.' 'The buns are quite soft still,' said Cyril, feeling one; 'I suppose the dew kept them fresh.'

They were not hungry, curiously enough.

They picked up the dinner-basket and the Psammead-basket, and went straight home.

Old Nurse met them with amazement.

'Well, if ever I did!' she said. 'What's gone wrong? You've soon tired of your picnic.'

The children took this to be bitter irony, which means saying the exact opposite of what you mean in order to make yourself disagreeable; as when you happen to have a dirty face, and someone says, 'How nice and clean you look!'

'We're very sorry,' began Anthea, but old Nurse said—

'Oh, bless me, child, I don't care! Please yourselves and you'll please me. Come in and get your dinners comf'table. I've got a potato on a-boiling.'

When she had gone to attend to the potatoes the children looked at each other. Could it be that old Nurse had so changed that she no longer cared that they should have been away from home for twenty-four hours—all night in fact—without any explanation whatever?

But the Psammead put its head out of its basket and said—

'What's the matter? Don't you understand? You come back through the charm-arch at the same time as you go through it. This isn't tomorrow!' 'Is it still yesterday?' asked Jane.

'No, it's today. The same as it's always been. It wouldn't do to go mixing up the present and the Past, and cutting bits out of one to fit into the other.'

'Then all that adventure took no time at all?'

'You can call it that if you like,' said the Psammead. 'It took none of the modern time, anyhow.'

That evening Anthea carried up a steak for the learned gentleman's dinner. She persuaded Beatrice, the maid-of-all-work, who had given her the bangle with the blue stone, to let her do it. And she stayed and talked to him, by special invitation, while he ate the dinner.

She told him the whole adventure, beginning with—

'This afternoon we found ourselves on the bank of the River Nile,' and ending up with, 'And then we remembered how to get back, and there we were in Regent's Park, and it hadn't taken any time at all.'

She did not tell anything about the charm or the Psammead, because that was forbidden, but the story was quite wonderful enough even as it was to entrance the learned gentleman.

'You are a most unusual little girl,' he said. 'Who tells you all these things?'

'No one,' said Anthea, 'they just happen.'

'Make-believe,' he said slowly, as one who recalls and pronounces a long-forgotten word.

He sat long after she had left him. At last he roused himself with a start.

'I really must take a holiday,' he said; 'my nerves must be all out of order. I actually have a perfectly distinct impression that the little girl from the rooms below came in and gave me a coherent and graphic picture of life as I conceive it to have been in pre-dynastic Egypt. Strange what tricks the mind will play! I shall have to be more careful.'

He finished his bread conscientiously, and actually went for a mile walk before he went back to his work.



CHAPTER 6. THE WAY TO BABYLON

'How many miles to Babylon? Three score and ten! Can I get there by candle light? Yes, and back again!'

Jane was singing to her doll, rocking it to and fro in the house which she had made for herself and it. The roof of the house was the dining-table, and the walls were tablecloths and antimacassars hanging all round, and kept in their places by books laid on their top ends at the table edge.

The others were tasting the fearful joys of domestic tobogganing. You know how it is done—with the largest and best tea-tray and the surface of the stair carpet. It is best to do it on the days when the stair rods are being cleaned, and the carpet is only held by the nails at the top. Of course, it is one of the five or six thoroughly tip-top games that grown-up people are so unjust to—and old Nurse, though a brick in many respects, was quite enough of a standard grown-up to put her foot down on the tobogganing long before any of the performers had had half enough of it. The tea-tray was taken away, and the baffled party entered the sitting-room, in exactly the mood not to be pleased if they could help it.

So Cyril said, 'What a beastly mess!'

And Robert added, 'Do shut up, Jane!'

Even Anthea, who was almost always kind, advised Jane to try another song. 'I'm sick to death of that,' said she.

It was a wet day, so none of the plans for seeing all the sights of London that can be seen for nothing could be carried out. Everyone had been thinking all the morning about the wonderful adventures of the day before, when Jane had held up the charm and it had turned into an arch, through which they had walked straight out of the present time and the Regent's Park into the land of Egypt eight thousand years ago. The memory of yesterday's happenings was still extremely fresh and frightening, so that everyone hoped that no one would suggest another excursion into the past, for it seemed to all that yesterday's adventures were quite enough to last for at least a week. Yet each felt a little anxious that the others should not think it was afraid, and presently Cyril, who really was not a coward, began to see that it would not be at all nice if he should have to think himself one. So he said—

'I say—about that charm—Jane—come out. We ought to talk about it, anyhow.'

'Oh, if that's all,' said Robert.

Jane obediently wriggled to the front of her house and sat there.

She felt for the charm, to make sure that it was still round her neck.

'It ISN'T all,' said Cyril, saying much more than he meant because he thought Robert's tone had been rude—as indeed it had.

'We ought to go and look for that Amulet. What's the good of having a first-class charm and keeping it idle, just eating its head off in the stable.'

'I'M game for anything, of course,' said Robert; but he added, with a fine air of chivalry, 'only I don't think the girls are keen today somehow.'

'Oh, yes; I am,' said Anthea hurriedly. 'If you think I'm afraid, I'm not.'

'I am though,' said Jane heavily; 'I didn't like it, and I won't go there again—not for anything I won't.'

'We shouldn't go THERE again, silly,' said Cyril; 'it would be some other place.'

'I daresay; a place with lions and tigers in it as likely as not.'

Seeing Jane so frightened, made the others feel quite brave. They said they were certain they ought to go.

'It's so ungrateful to the Psammead not to,' Anthea added, a little primly.

Jane stood up. She was desperate.

'I won't!' she cried; 'I won't, I won't, I won't! If you make me I'll scream and I'll scream, and I'll tell old Nurse, and I'll get her to burn the charm in the kitchen fire. So now, then!'

You can imagine how furious everyone was with Jane for feeling what each of them had felt all the morning. In each breast the same thought arose, 'No one can say it's OUR fault.' And they at once began to show Jane how angry they all felt that all the fault was hers. This made them feel quite brave.

'Tell-tale tit, its tongue shall be split, And all the dogs in our town shall have a little bit,'

sang Robert.

'It's always the way if you have girls in anything.' Cyril spoke in a cold displeasure that was worse than Robert's cruel quotation, and even Anthea said, 'Well, I'M not afraid if I AM a girl,' which of course, was the most cutting thing of all.

Jane picked up her doll and faced the others with what is sometimes called the courage of despair.

'I don't care,' she said; 'I won't, so there! It's just silly going to places when you don't want to, and when you don't know what they're going to be like! You can laugh at me as much as you like. You're beasts—and I hate you all!'

With these awful words she went out and banged the door.

Then the others would not look at each other, and they did not feel so brave as they had done.

Cyril took up a book, but it was not interesting to read. Robert kicked a chair-leg absently. His feet were always eloquent in moments of emotion. Anthea stood pleating the end of the tablecloth into folds—she seemed earnestly anxious to get all the pleats the same size. The sound of Jane's sobs had died away.

Suddenly Anthea said, 'Oh! let it be "pax"—poor little Pussy—you know she's the youngest.'

'She called us beasts,' said Robert, kicking the chair suddenly.

'Well, said Cyril, who was subject to passing fits of justice, 'we began, you know. At least you did.' Cyril's justice was always uncompromising.

'I'm not going to say I'm sorry if you mean that,' said Robert, and the chair-leg cracked to the kick he gave as he said it.

'Oh, do let's,' said Anthea, 'we're three to one, and Mother does so hate it if we row. Come on. I'll say I'm sorry first, though I didn't say anything, hardly.'

'All right, let's get it over,' said Cyril, opening the door.'Hi—you—Pussy!'

Far away up the stairs a voice could be heard singing brokenly, but still defiantly—

'How many miles (sniff) to Babylon? Three score and ten! (sniff) Can I get there by candle light? Yes (sniff), and back again!'

It was trying, for this was plainly meant to annoy. But Anthea would not give herself time to think this. She led the way up the stairs, taking three at a time, and bounded to the level of Jane, who sat on the top step of all, thumping her doll to the tune of the song she was trying to sing.

'I say, Pussy, let it be pax! We're sorry if you are—'

It was enough. The kiss of peace was given by all. Jane being the youngest was entitled to this ceremonial. Anthea added a special apology of her own.

'I'm sorry if I was a pig, Pussy dear,' she said—'especially because in my really and truly inside mind I've been feeling a little as if I'd rather not go into the Past again either. But then, do think. If we don't go we shan't get the Amulet, and oh, Pussy, think if we could only get Father and Mother and The Lamb safe back! We MUST go, but we'll wait a day or two if you like and then perhaps you'll feel braver.'

'Raw meat makes you brave, however cowardly you are,' said Robert, to show that there was now no ill-feeling, 'and cranberries—that's what Tartars eat, and they're so brave it's simply awful. I suppose cranberries are only for Christmas time, but I'll ask old Nurse to let you have your chop very raw if you like.'

'I think I could be brave without that,' said Jane hastily; she hated underdone meat. 'I'll try.'

At this moment the door of the learned gentleman's room opened, and he looked out.

'Excuse me,' he said, in that gentle, polite weary voice of his, 'but was I mistaken in thinking that I caught a familiar word just now? Were you not singing some old ballad of Babylon?'

'No,' said Robert, 'at least Jane was singing "How many miles," but I shouldn't have thought you could have heard the words for—'

He would have said, 'for the sniffing,' but Anthea pinched him just in time.

'I did not hear ALL the words,' said the learned gentleman. 'I wonder would you recite them to me?'

So they all said together—

'How many miles to Babylon? Three score and ten! Can I get there by candle light? Yes, and back again!'

'I wish one could,' the learned gentleman said with a sigh.

'Can't you?' asked Jane.

'Babylon has fallen,' he answered with a sigh. 'You know it was once a great and beautiful city, and the centre of learning and Art, and now it is only ruins, and so covered up with earth that people are not even agreed as to where it once stood.'

He was leaning on the banisters, and his eyes had a far-away look in them, as though he could see through the staircase window the splendour and glory of ancient Babylon.

'I say,' Cyril remarked abruptly. 'You know that charm we showed you, and you told us how to say the name that's on it?'

'Yes!'

'Well, do you think that charm was ever in Babylon?'

'It's quite possible,' the learned gentleman replied. 'Such charms have been found in very early Egyptian tombs, yet their origin has not been accurately determined as Egyptian. They may have been brought from Asia. Or, supposing the charm to have been fashioned in Egypt, it might very well have been carried to Babylon by some friendly embassy, or brought back by the Babylonish army from some Egyptian campaign as part of the spoils of war. The inscription may be much later than the charm. Oh yes! it is a pleasant fancy, that that splendid specimen of yours was once used amid Babylonish surroundings.' The others looked at each other, but it was Jane who spoke.

'Were the Babylon people savages, were they always fighting and throwing things about?' For she had read the thoughts of the others by the unerring light of her own fears.

'The Babylonians were certainly more gentle than the Assyrians,' said the learned gentleman. 'And they were not savages by any means. A very high level of culture,' he looked doubtfully at his audience and went on, 'I mean that they made beautiful statues and jewellery, and built splendid palaces. And they were very learned—they had glorious libraries and high towers for the purpose of astrological and astronomical observation.'

'Er?' said Robert.

'I mean for—star-gazing and fortune-telling,' said the learned gentleman, 'and there were temples and beautiful hanging gardens—'

'I'll go to Babylon if you like,' said Jane abruptly, and the others hastened to say 'Done!' before she should have time to change her mind.

'Ah,' said the learned gentleman, smiling rather sadly, 'one can go so far in dreams, when one is young.' He sighed again, and then adding with a laboured briskness, 'I hope you'll have a—a—jolly game,' he went into his room and shut the door.

'He said "jolly" as if it was a foreign language,' said Cyril. 'Come on, let's get the Psammead and go now. I think Babylon seems a most frightfully jolly place to go to.'

So they woke the Psammead and put it in its bass-bag with the waterproof sheet, in case of inclement weather in Babylon. It was very cross, but it said it would as soon go to Babylon as anywhere else. 'The sand is good thereabouts,' it added.

Then Jane held up the charm, and Cyril said—

'We want to go to Babylon to look for the part of you that was lost. Will you please let us go there through you?'

'Please put us down just outside,' said Jane hastily; 'and then if we don't like it we needn't go inside.'

'Don't be all day,' said the Psammead.

So Anthea hastily uttered the word of power, without which the charm could do nothing.

'Ur—Hekau—Setcheh!' she said softly, and as she spoke the charm grew into an arch so tall that the top of it was close against the bedroom ceiling. Outside the arch was the bedroom painted chest-of-drawers and the Kidderminster carpet, and the washhand-stand with the riveted willow-pattern jug, and the faded curtains, and the dull light of indoors on a wet day. Through the arch showed the gleam of soft green leaves and white blossoms. They stepped forward quite happily. Even Jane felt that this did not look like lions, and her hand hardly trembled at all as she held the charm for the others to go through, and last, slipped through herself, and hung the charm, now grown small again, round her neck.

The children found themselves under a white-blossomed, green-leafed fruit-tree, in what seemed to be an orchard of such trees, all white-flowered and green-foliaged. Among the long green grass under their feet grew crocuses and lilies, and strange blue flowers. In the branches overhead thrushes and blackbirds were singing, and the coo of a pigeon came softly to them in the green quietness of the orchard.

'Oh, how perfectly lovely!' cried Anthea.

'Why, it's like home exactly—I mean England—only everything's bluer, and whiter, and greener, and the flowers are bigger.'

The boys owned that it certainly was fairly decent, and even Jane admitted that it was all very pretty.

'I'm certain there's nothing to be frightened of here,' said Anthea.

'I don't know,' said Jane. 'I suppose the fruit-trees go on just the same even when people are killing each other. I didn't half like what the learned gentleman said about the hanging gardens. I suppose they have gardens on purpose to hang people in. I do hope this isn't one.'

'Of course it isn't,' said Cyril. 'The hanging gardens are just gardens hung up—I think on chains between houses, don't you know, like trays. Come on; let's get somewhere.'

They began to walk through the cool grass. As far as they could see was nothing but trees, and trees and more trees. At the end of their orchard was another one, only separated from theirs by a little stream of clear water. They jumped this, and went on. Cyril, who was fond of gardening—which meant that he liked to watch the gardener at work—was able to command the respect of the others by telling them the names of a good many trees. There were nut-trees and almond-trees, and apricots, and fig-trees with their big five-fingered leaves. And every now and then the children had to cross another brook.

'It's like between the squares in Through the Looking-glass,' said Anthea.

At last they came to an orchard which was quite different from the other orchards. It had a low building in one corner.

'These are vines,' said Cyril superiorly, 'and I know this is a vineyard. I shouldn't wonder if there was a wine-press inside that place over there.'

At last they got out of the orchards and on to a sort of road, very rough, and not at all like the roads you are used to. It had cypress trees and acacia trees along it, and a sort of hedge of tamarisks, like those you see on the road between Nice and Cannes, or near Littlehampton, if you've only been as far as that.

And now in front of them they could see a great mass of buildings. There were scattered houses of wood and stone here and there among green orchards, and beyond these a great wall that shone red in the early morning sun. The wall was enormously high—more than half the height of St Paul's—and in the wall were set enormous gates that shone like gold as the rising sun beat on them. Each gate had a solid square tower on each side of it that stood out from the wall and rose above it. Beyond the wall were more towers and houses, gleaming with gold and bright colours. Away to the left ran the steel-blue swirl of a great river. And the children could see, through a gap in the trees, that the river flowed out from the town under a great arch in the wall.

'Those feathery things along by the water are palms,' said Cyril instructively.

'Oh, yes; you know everything,' Robert replied. 'What's all that grey-green stuff you see away over there, where it's all flat and sandy?'

'All right,' said Cyril loftily, 'I don't want to tell you anything. I only thought you'd like to know a palm-tree when you saw it again.'

'Look!' cried Anthea; 'they're opening the gates.'

And indeed the great gates swung back with a brazen clang, and instantly a little crowd of a dozen or more people came out and along the road towards them.

The children, with one accord, crouched behind the tamarisk hedge.

'I don't like the sound of those gates,' said Jane. 'Fancy being inside when they shut. You'd never get out.'

'You've got an arch of your own to go out by,' the Psammead put its head out of the basket to remind her. 'Don't behave so like a girl. If I were you I should just march right into the town and ask to see the king.'

There was something at once simple and grand about this idea, and it pleased everyone.

So when the work-people had passed (they WERE work-people, the children felt sure, because they were dressed so plainly—just one long blue shirt thing—of blue or yellow) the four children marched boldly up to the brazen gate between the towers. The arch above the gate was quite a tunnel, the walls were so thick.

'Courage,' said Cyril. 'Step out. It's no use trying to sneak past. Be bold!'

Robert answered this appeal by unexpectedly bursting into 'The British Grenadiers', and to its quick-step they approached the gates of Babylon.

'Some talk of Alexander, And some of Hercules, Of Hector and Lysander, And such great names as these. But of all the gallant heroes...'

This brought them to the threshold of the gate, and two men in bright armour suddenly barred their way with crossed spears.

'Who goes there?' they said.

(I think I must have explained to you before how it was that the children were always able to understand the language of any place they might happen to be in, and to be themselves understood. If not, I have no time to explain it now.)

'We come from very far,' said Cyril mechanically. 'From the Empire where the sun never sets, and we want to see your King.'

'If it's quite convenient,' amended Anthea. 'The King (may he live for ever!),' said the gatekeeper, 'is gone to fetch home his fourteenth wife. Where on earth have you come from not to know that?'

'The Queen then,' said Anthea hurriedly, and not taking any notice of the question as to where they had come from.

'The Queen,' said the gatekeeper, '(may she live for ever!) gives audience today three hours after sunrising.'

'But what are we to do till the end of the three hours?' asked Cyril.

The gatekeeper seemed neither to know nor to care. He appeared less interested in them than they could have thought possible. But the man who had crossed spears with him to bar the children's way was more human.

'Let them go in and look about them,' he said. 'I'll wager my best sword they've never seen anything to come near our little—village.' He said it in the tone people use for when they call the Atlantic Ocean the 'herring pond'.

The gatekeeper hesitated.

'They're only children, after all,' said the other, who had children of his own. 'Let me off for a few minutes, Captain, and I'll take them to my place and see if my good woman can't fit them up in something a little less outlandish than their present rig. Then they can have a look round without being mobbed. May I go?'

'Oh yes, if you like,' said the Captain, 'but don't be all day.'

The man led them through the dark arch into the town. And it was very different from London. For one thing, everything in London seems to be patched up out of odds and ends, but these houses seemed to have been built by people who liked the same sort of things. Not that they were all alike, for though all were squarish, they were of different sizes, and decorated in all sorts of different ways, some with paintings in bright colours, some with black and silver designs. There were terraces, and gardens, and balconies, and open spaces with trees. Their guide took them to a little house in a back street, where a kind-faced woman sat spinning at the door of a very dark room.

'Here,' he said, 'just lend these children a mantle each, so that they can go about and see the place till the Queen's audience begins. You leave that wool for a bit, and show them round if you like. I must be off now.'

The woman did as she was told, and the four children, wrapped in fringed mantles, went with her all about the town, and oh! how I wish I had time to tell you all that they saw. It was all so wonderfully different from anything you have ever seen. For one thing, all the houses were dazzlingly bright, and many of them covered with pictures. Some had great creatures carved in stone at each side of the door. Then the people—there were no black frock-coats and tall hats; no dingy coats and skirts of good, useful, ugly stuffs warranted to wear. Everyone's clothes were bright and beautiful with blue and scarlet and green and gold.

The market was brighter than you would think anything could be. There were stalls for everything you could possibly want—and for a great many things that if you wanted here and now, want would be your master. There were pineapples and peaches in heaps—and stalls of crockery and glass things, beautiful shapes and glorious colours, there were stalls for necklaces, and clasps, and bracelets, and brooches, for woven stuffs, and furs, and embroidered linen. The children had never seen half so many beautiful things together, even at Liberty's. It seemed no time at all before the woman said—

'It's nearly time now. We ought to be getting on towards the palace. It's as well to be early.' So they went to the palace, and when they got there it was more splendid than anything they had seen yet.

For it was glowing with colours, and with gold and silver and black and white—like some magnificent embroidery. Flight after flight of broad marble steps led up to it, and at the edges of the stairs stood great images, twenty times as big as a man—images of men with wings like chain armour, and hawks' heads, and winged men with the heads of dogs. And there were the statues of great kings.

Between the flights of steps were terraces where fountains played, and the Queen's Guard in white and scarlet, and armour that shone like gold, stood by twos lining the way up the stairs; and a great body of them was massed by the vast door of the palace itself, where it stood glittering like an impossibly radiant peacock in the noon-day sun.

All sorts of people were passing up the steps to seek audience of the Queen. Ladies in richly-embroidered dresses with fringy flounces, poor folks in plain and simple clothes, dandies with beards oiled and curled.

And Cyril, Robert, Anthea and Jane, went with the crowd.

At the gate of the palace the Psammead put one eye cautiously out of the basket and whispered—

'I can't be bothered with queens. I'll go home with this lady. I'm sure she'll get me some sand if you ask her to.'

'Oh! don't leave us,' said Jane. The woman was giving some last instructions in Court etiquette to Anthea, and did not hear Jane.

'Don't be a little muff,' said the Psammead quite fiercely. 'It's not a bit of good your having a charm. You never use it. If you want me you've only got to say the name of power and ask the charm to bring me to you.'

'I'd rather go with you,' said Jane. And it was the most surprising thing she had ever said in her life.

Everyone opened its mouth without thinking of manners, and Anthea, who was peeping into the Psammead's basket, saw that its mouth opened wider than anybody's.

'You needn't gawp like that,' Jane went on. 'I'm not going to be bothered with queens any more than IT is. And I know, wherever it is, it'll take jolly good care that it's safe.'

'She's right there,' said everyone, for they had observed that the Psammead had a way of knowing which side its bread was buttered.

She turned to the woman and said, 'You'll take me home with you, won't you? And let me play with your little girls till the others have done with the Queen.'

'Surely I will, little heart!' said the woman.

And then Anthea hurriedly stroked the Psammead and embraced Jane, who took the woman's hand, and trotted contentedly away with the Psammead's bag under the other arm.

The others stood looking after her till she, the woman, and the basket were lost in the many-coloured crowd. Then Anthea turned once more to the palace's magnificent doorway and said—

'Let's ask the porter to take care of our Babylonian overcoats.'

So they took off the garments that the woman had lent them and stood amid the jostling petitioners of the Queen in their own English frocks and coats and hats and boots.

'We want to see the Queen,' said Cyril; 'we come from the far Empire where the sun never sets!'

A murmur of surprise and a thrill of excitement ran through the crowd. The door-porter spoke to a black man, he spoke to someone else. There was a whispering, waiting pause. Then a big man, with a cleanly-shaven face, beckoned them from the top of a flight of red marble steps.

They went up; the boots of Robert clattering more than usual because he was so nervous. A door swung open, a curtain was drawn back. A double line of bowing forms in gorgeous raiment formed a lane that led to the steps of the throne, and as the children advanced hurriedly there came from the throne a voice very sweet and kind.

'Three children from the land where the sun never sets! Let them draw hither without fear.'

In another minute they were kneeling at the throne's foot, saying, 'O Queen, live for ever!' exactly as the woman had taught them. And a splendid dream-lady, all gold and silver and jewels and snowy drift of veils, was raising Anthea, and saying—

'Don't be frightened, I really am SO glad you came! The land where the sun never sets! I am delighted to see you! I was getting quite too dreadfully bored for anything!'

And behind Anthea the kneeling Cyril whispered in the ears of the respectful Robert—

'Bobs, don't say anything to Panther. It's no use upsetting her, but we didn't ask for Jane's address, and the Psammead's with her.'

'Well,' whispered Robert, 'the charm can bring them to us at any moment. IT said so.'

'Oh, yes,' whispered Cyril, in miserable derision, 'WE'RE all right, of course. So we are! Oh, yes! If we'd only GOT the charm.'

Then Robert saw, and he murmured, 'Crikey!' at the foot of the throne of Babylon; while Cyril hoarsely whispered the plain English fact—

'Jane's got the charm round her neck, you silly cuckoo.'

'Crikey!' Robert repeated in heart-broken undertones.



CHAPTER 7. 'THE DEEPEST DUNGEON BELOW THE CASTLE MOAT'

The Queen threw three of the red and gold embroidered cushions off the throne on to the marble steps that led up to it.

'Just make yourselves comfortable there,' she said. 'I'm simply dying to talk to you, and to hear all about your wonderful country and how you got here, and everything, but I have to do justice every morning. Such a bore, isn't it? Do you do justice in your own country?'

'No, said Cyril; 'at least of course we try to, but not in this public sort of way, only in private.' 'Ah, yes,' said the Queen, 'I should much prefer a private audience myself—much easier to manage. But public opinion has to be considered. Doing justice is very hard work, even when you're brought up to it.'

'We don't do justice, but we have to do scales, Jane and me,' said Anthea, 'twenty minutes a day. It's simply horrid.'

'What are scales?' asked the Queen, 'and what is Jane?'

'Jane is my little sister. One of the guards-at-the-gate's wife is taking care of her. And scales are music.'

'I never heard of the instrument,' said the Queen. 'Do you sing?'

'Oh, yes. We can sing in parts,' said Anthea.

'That IS magic,' said the Queen. 'How many parts are you each cut into before you do it?'

'We aren't cut at all,' said Robert hastily. 'We couldn't sing if we were. We'll show you afterwards.'

'So you shall, and now sit quiet like dear children and hear me do justice. The way I do it has always been admired. I oughtn't to say that ought I? Sounds so conceited. But I don't mind with you, dears. Somehow I feel as though I'd known you quite a long time already.'

The Queen settled herself on her throne and made a signal to her attendants. The children, whispering together among the cushions on the steps of the throne, decided that she was very beautiful and very kind, but perhaps just the least bit flighty.

The first person who came to ask for justice was a woman whose brother had taken the money the father had left for her. The brother said it was the uncle who had the money. There was a good deal of talk and the children were growing rather bored, when the Queen suddenly clapped her hands, and said—

'Put both the men in prison till one of them owns up that the other is innocent.'

'But suppose they both did it?' Cyril could not help interrupting.

'Then prison's the best place for them,' said the Queen.

'But suppose neither did it.'

'That's impossible,' said the Queen; 'a thing's not done unless someone does it. And you mustn't interrupt.'

Then came a woman, in tears, with a torn veil and real ashes on her head—at least Anthea thought so, but it may have been only road-dust. She complained that her husband was in prison.

'What for?' said the Queen.

'They SAID it was for speaking evil of your Majesty,' said the woman, 'but it wasn't. Someone had a spite against him. That was what it was.'

'How do you know he hadn't spoken evil of me?' said the Queen.

'No one could,' said the woman simply, 'when they'd once seen your beautiful face.'

'Let the man out,' said the Queen, smiling. 'Next case.'

The next case was that of a boy who had stolen a fox. 'Like the Spartan boy,' whispered Robert. But the Queen ruled that nobody could have any possible reason for owning a fox, and still less for stealing one. And she did not believe that there were any foxes in Babylon; she, at any rate, had never seen one. So the boy was released.

The people came to the Queen about all sorts of family quarrels and neighbourly misunderstandings—from a fight between brothers over the division of an inheritance, to the dishonest and unfriendly conduct of a woman who had borrowed a cooking-pot at the last New Year's festival, and not returned it yet.

And the Queen decided everything, very, very decidedly indeed. At last she clapped her hands quite suddenly and with extreme loudness, and said—

'The audience is over for today.'

Everyone said, 'May the Queen live for ever!' and went out.

And the children were left alone in the justice-hall with the Queen of Babylon and her ladies.

'There!' said the Queen, with a long sigh of relief. 'THAT'S over! I couldn't have done another stitch of justice if you'd offered me the crown of Egypt! Now come into the garden, and we'll have a nice, long, cosy talk.'

She led them through long, narrow corridors whose walls they somehow felt, were very, very thick, into a sort of garden courtyard. There were thick shrubs closely planted, and roses were trained over trellises, and made a pleasant shade—needed, indeed, for already the sun was as hot as it is in England in August at the seaside.

Slaves spread cushions on a low, marble terrace, and a big man with a smooth face served cool drink in cups of gold studded with beryls. He drank a little from the Queen's cup before handing it to her.

'That's rather a nasty trick,' whispered Robert, who had been carefully taught never to drink out of one of the nice, shiny, metal cups that are chained to the London drinking fountains without first rinsing it out thoroughly.

The Queen overheard him.

'Not at all,' said she. 'Ritti-Marduk is a very clean man. And one has to have SOME ONE as taster, you know, because of poison.'

The word made the children feel rather creepy; but Ritti-Marduk had tasted all the cups, so they felt pretty safe. The drink was delicious—very cold, and tasting like lemonade and partly like penny ices.

'Leave us,' said the Queen. And all the Court ladies, in their beautiful, many-folded, many-coloured, fringed dresses, filed out slowly, and the children were left alone with the Queen.

'Now,' she said, 'tell me all about yourselves.'

They looked at each other.

'You, Bobs,' said Cyril.

'No—Anthea,' said Robert.

'No—you—Cyril,' said Anthea. 'Don't you remember how pleased the Queen of India was when you told her all about us?'

Cyril muttered that it was all very well, and so it was. For when he had told the tale of the Phoenix and the Carpet to the Ranee, it had been only the truth—and all the truth that he had to tell. But now it was not easy to tell a convincing story without mentioning the Amulet—which, of course, it wouldn't have done to mention—and without owning that they were really living in London, about 2,500 years later than the time they were talking in.

Cyril took refuge in the tale of the Psammead and its wonderful power of making wishes come true. The children had never been able to tell anyone before, and Cyril was surprised to find that the spell which kept them silent in London did not work here. 'Something to do with our being in the Past, I suppose,' he said to himself.

'This is MOST interesting,' said the Queen. 'We must have this Psammead for the banquet tonight. Its performance will be one of the most popular turns in the whole programme. Where is it?'

Anthea explained that they did not know; also why it was that they did not know.

'Oh, THAT'S quite simple,' said the Queen, and everyone breathed a deep sigh of relief as she said it.

'Ritti-Marduk shall run down to the gates and find out which guard your sister went home with.'

'Might he'—Anthea's voice was tremulous—'might he—would it interfere with his meal-times, or anything like that, if he went NOW?'

'Of course he shall go now. He may think himself lucky if he gets his meals at any time,' said the Queen heartily, and clapped her hands.

'May I send a letter?' asked Cyril, pulling out a red-backed penny account-book, and feeling in his pockets for a stump of pencil that he knew was in one of them.

'By all means. I'll call my scribe.'

'Oh, I can scribe right enough, thanks,' said Cyril, finding the pencil and licking its point. He even had to bite the wood a little, for it was very blunt.

'Oh, you clever, clever boy!' said the Queen. 'DO let me watch you do it!'

Cyril wrote on a leaf of the book—it was of rough, woolly paper, with hairs that stuck out and would have got in his pen if he had been using one, and ruled for accounts.

'Hide IT most carefully before you come here,' he wrote, 'and don't mention it—and destroy this letter. Everything is going A1. The Queen is a fair treat. There's nothing to be afraid of.'

'What curious characters, and what a strange flat surface!' said the Queen. 'What have you inscribed?'

'I've 'scribed,' replied Cyril cautiously, 'that you are fair, and a—and like a—like a festival; and that she need not be afraid, and that she is to come at once.'

Ritti-Marduk, who had come in and had stood waiting while Cyril wrote, his Babylonish eyes nearly starting out of his Babylonish head, now took the letter, with some reluctance.

'O Queen, live for ever! Is it a charm?' he timidly asked. 'A strong charm, most great lady?'

'YES,' said Robert, unexpectedly, 'it IS a charm, but it won't hurt anyone until you've given it to Jane. And then she'll destroy it, so that it CAN'T hurt anyone. It's most awful strong!—as strong as—Peppermint!' he ended abruptly.

'I know not the god,' said Ritti-Marduk, bending timorously.

'She'll tear it up directly she gets it,' said Robert, 'That'll end the charm. You needn't be afraid if you go now.'

Ritti-Marduk went, seeming only partly satisfied; and then the Queen began to admire the penny account-book and the bit of pencil in so marked and significant a way that Cyril felt he could not do less than press them upon her as a gift. She ruffled the leaves delightedly.

'What a wonderful substance!' she said. 'And with this style you make charms? Make a charm for me! Do you know,' her voice sank to a whisper, 'the names of the great ones of your own far country?'

'Rather!' said Cyril, and hastily wrote the names of Alfred the Great, Shakespeare, Nelson, Gordon, Lord Beaconsfield, Mr Rudyard Kipling, and Mr Sherlock Holmes, while the Queen watched him with 'unbaited breath', as Anthea said afterwards.

She took the book and hid it reverently among the bright folds of her gown.

'You shall teach me later to say the great names,' she said. 'And the names of their Ministers—perhaps the great Nisroch is one of them?'

'I don't think so,' said Cyril. 'Mr Campbell Bannerman's Prime Minister and Mr Burns a Minister, and so is the Archbishop of Canterbury, I think, but I'm not sure—and Dr Parker was one, I know, and—'

'No more,' said the Queen, putting her hands to her ears. 'My head's going round with all those great names. You shall teach them to me later—because of course you'll make us a nice long visit now you have come, won't you? Now tell me—but no, I am quite tired out with your being so clever. Besides, I'm sure you'd like ME to tell YOU something, wouldn't you?'

'Yes,' said Anthea. 'I want to know how it is that the King has gone—'

'Excuse me, but you should say "the King may-he-live-for-ever",' said the Queen gently.

'I beg your pardon,' Anthea hastened to say—'the King may-he-live-for-ever has gone to fetch home his fourteenth wife? I don't think even Bluebeard had as many as that. And, besides, he hasn't killed YOU at any rate.'

The Queen looked bewildered.

'She means,' explained Robert, 'that English kings only have one wife—at least, Henry the Eighth had seven or eight, but not all at once.'

'In our country,' said the Queen scornfully, 'a king would not reign a day who had only one wife. No one would respect him, and quite right too.'

'Then are all the other thirteen alive?' asked Anthea.

'Of course they are—poor mean-spirited things! I don't associate with them, of course, I am the Queen: they're only the wives.'

'I see,' said Anthea, gasping.

'But oh, my dears,' the Queen went on, 'such a to-do as there's been about this last wife! You never did! It really was TOO funny. We wanted an Egyptian princess. The King may-he-live-for-ever has got a wife from most of the important nations, and he had set his heart on an Egyptian one to complete his collection. Well, of course, to begin with, we sent a handsome present of gold. The Egyptian king sent back some horses—quite a few; he's fearfully stingy!—and he said he liked the gold very much, but what they were really short of was lapis lazuli, so of course we sent him some. But by that time he'd begun to use the gold to cover the beams of the roof of the Temple of the Sun-God, and he hadn't nearly enough to finish the job, so we sent some more. And so it went on, oh, for years. You see each journey takes at least six months. And at last we asked the hand of his daughter in marriage.'

'Yes, and then?' said Anthea, who wanted to get to the princess part of the story.

'Well, then,' said the Queen, 'when he'd got everything out of us that he could, and only given the meanest presents in return, he sent to say he would esteem the honour of an alliance very highly, only unfortunately he hadn't any daughter, but he hoped one would be born soon, and if so, she should certainly be reserved for the King of Babylon!'

'What a trick!' said Cyril.

'Yes, wasn't it? So then we said his sister would do, and then there were more gifts and more journeys; and now at last the tiresome, black-haired thing is coming, and the King may-he-live-for-ever has gone seven days' journey to meet her at Carchemish. And he's gone in his best chariot, the one inlaid with lapis lazuli and gold, with the gold-plated wheels and onyx-studded hubs—much too great an honour in my opinion. She'll be here tonight; there'll be a grand banquet to celebrate her arrival. SHE won't be present, of course. She'll be having her baths and her anointings, and all that sort of thing. We always clean our foreign brides very carefully. It takes two or three weeks. Now it's dinnertime, and you shall eat with me, for I can see that you are of high rank.' She led them into a dark, cool hall, with many cushions on the floor. On these they sat and low tables were brought—beautiful tables of smooth, blue stone mounted in gold. On these, golden trays were placed; but there were no knives, or forks, or spoons. The children expected the Queen to call for them; but no. She just ate with her fingers, and as the first dish was a great tray of boiled corn, and meat and raisins all mixed up together, and melted fat poured all over the tray, it was found difficult to follow her example with anything like what we are used to think of as good table manners. There were stewed quinces afterwards, and dates in syrup, and thick yellowy cream. It was the kind of dinner you hardly ever get in Fitzroy Street.

After dinner everybody went to sleep, even the children.

The Queen awoke with a start.

'Good gracious!' she cried, 'what a time we've slept! I must rush off and dress for the banquet. I shan't have much more than time.'

'Hasn't Ritti-Marduk got back with our sister and the Psammead yet?' Anthea asked.

'I QUITE forgot to ask. I'm sorry,' said the Queen. 'And of course they wouldn't announce her unless I told them to, except during justice hours. I expect she's waiting outside. I'll see.'

Ritti-Marduk came in a moment later.

'I regret,' he said, 'that I have been unable to find your sister. The beast she bears with her in a basket has bitten the child of the guard, and your sister and the beast set out to come to you. The police say they have a clue. No doubt we shall have news of her in a few weeks.' He bowed and withdrew.

The horror of this threefold loss—Jane, the Psammead, and the Amulet—gave the children something to talk about while the Queen was dressing. I shall not report their conversation; it was very gloomy. Everyone repeated himself several times, and the discussion ended in each of them blaming the other two for having let Jane go. You know the sort of talk it was, don't you? At last Cyril said—

'After all, she's with the Psammead, so SHE'S all right. The Psammead is jolly careful of itself too. And it isn't as if we were in any danger. Let's try to buck up and enjoy the banquet.'

They did enjoy the banquet. They had a beautiful bath, which was delicious, were heavily oiled all over, including their hair, and that was most unpleasant. Then, they dressed again and were presented to the King, who was most affable. The banquet was long; there were all sorts of nice things to eat, and everybody seemed to eat and drink a good deal. Everyone lay on cushions and couches, ladies on one side and gentlemen on the other; and after the eating was done each lady went and sat by some gentleman, who seemed to be her sweetheart or her husband, for they were very affectionate to each other. The Court dresses had gold threads woven in them, very bright and beautiful.

The middle of the room was left clear, and different people came and did amusing things. There were conjurers and jugglers and snake-charmers, which last Anthea did not like at all.

When it got dark torches were lighted. Cedar splinters dipped in oil blazed in copper dishes set high on poles.

Then there was a dancer, who hardly danced at all, only just struck attitudes. She had hardly any clothes, and was not at all pretty. The children were rather bored by her, but everyone else was delighted, including the King.

'By the beard of Nimrod!' he cried, 'ask what you like girl, and you shall have it!'

'I want nothing,' said the dancer; 'the honour of having pleased the King may-he-live-for-ever is reward enough for me.'

And the King was so pleased with this modest and sensible reply that he gave her the gold collar off his own neck.

'I say!' said Cyril, awed by the magnificence of the gift.

'It's all right,' whispered the Queen, 'it's not his best collar by any means. We always keep a stock of cheap jewellery for these occasions. And now—you promised to sing us something. Would you like my minstrels to accompany you?'

'No, thank you,' said Anthea quickly. The minstrels had been playing off and on all the time, and their music reminded Anthea of the band she and the others had once had on the fifth of November—with penny horns, a tin whistle, a tea-tray, the tongs, a policeman's rattle, and a toy drum. They had enjoyed this band very much at the time. But it was quite different when someone else was making the same kind of music. Anthea understood now that Father had not been really heartless and unreasonable when he had told them to stop that infuriating din.

'What shall we sing?' Cyril was asking.

'Sweet and low?' suggested Anthea.

'Too soft—I vote for "Who will o'er the downs". Now then—one, two, three.

'Oh, who will o'er the downs so free, Oh, who will with me ride, Oh, who will up and follow me, To win a blooming bride?

Her father he has locked the door, Her mother keeps the key; But neither bolt nor bar shall keep My own true love from me.'

Jane, the alto, was missing, and Robert, unlike the mother of the lady in the song, never could 'keep the key', but the song, even so, was sufficiently unlike anything any of them had ever heard to rouse the Babylonian Court to the wildest enthusiasm.

'More, more,' cried the King; 'by my beard, this savage music is a new thing. Sing again!'

So they sang:

'I saw her bower at twilight gray, 'Twas guarded safe and sure. I saw her bower at break of day, 'Twas guarded then no more.

The varlets they were all asleep, And there was none to see The greeting fair that passed there Between my love and me.'

Shouts of applause greeted the ending of the verse, and the King would not be satisfied till they had sung all their part-songs (they only knew three) twice over, and ended up with 'Men of Harlech' in unison. Then the King stood up in his royal robes with his high, narrow crown on his head and shouted—

'By the beak of Nisroch, ask what you will, strangers from the land where the sun never sets!'

'We ought to say it's enough honour, like the dancer did,' whispered Anthea.

'No, let's ask for IT,' said Robert.

'No, no, I'm sure the other's manners,' said Anthea. But Robert, who was excited by the music, and the flaring torches, and the applause and the opportunity, spoke up before the others could stop him.

'Give us the half of the Amulet that has on it the name UR HEKAU SETCHEH,' he said, adding as an afterthought, 'O King, live-for-ever.'

As he spoke the great name those in the pillared hall fell on their faces, and lay still. All but the Queen who crouched amid her cushions with her head in her hands, and the King, who stood upright, perfectly still, like the statue of a king in stone. It was only for a moment though. Then his great voice thundered out—

'Guard, seize them!'

Instantly, from nowhere as it seemed, sprang eight soldiers in bright armour inlaid with gold, and tunics of red and white. Very splendid they were, and very alarming.

'Impious and sacrilegious wretches!' shouted the King. 'To the dungeons with them! We will find a way, tomorrow, to make them speak. For without doubt they can tell us where to find the lost half of It.'

A wall of scarlet and white and steel and gold closed up round the children and hurried them away among the many pillars of the great hall. As they went they heard the voices of the courtiers loud in horror.

'You've done it this time,' said Cyril with extreme bitterness.

'Oh, it will come right. It MUST. It always does,' said Anthea desperately.

They could not see where they were going, because the guard surrounded them so closely, but the ground under their feet, smooth marble at first, grew rougher like stone, then it was loose earth and sand, and they felt the night air. Then there was more stone, and steps down.

'It's my belief we really ARE going to the deepest dungeon below the castle moat this time,' said Cyril.

And they were. At least it was not below a moat, but below the river Euphrates, which was just as bad if not worse. In a most unpleasant place it was. Dark, very, very damp, and with an odd, musty smell rather like the shells of oysters. There was a torch—that is to say, a copper basket on a high stick with oiled wood burning in it. By its light the children saw that the walls were green, and that trickles of water ran down them and dripped from the roof. There were things on the floor that looked like newts, and in the dark corners creepy, shiny things moved sluggishly, uneasily, horribly.

Robert's heart sank right into those really reliable boots of his. Anthea and Cyril each had a private struggle with that inside disagreeableness which is part of all of us, and which is sometimes called the Old Adam—and both were victors. Neither of them said to Robert (and both tried hard not even to think it), 'This is YOUR doing.' Anthea had the additional temptation to add, 'I told you so.' And she resisted it successfully.

'Sacrilege, and impious cheek,' said the captain of the guard to the gaoler. 'To be kept during the King's pleasure. I expect he means to get some pleasure out of them tomorrow! He'll tickle them up!'

'Poor little kids,' said the gaoler.

'Oh, yes,' said the captain. 'I've got kids of my own too. But it doesn't do to let domestic sentiment interfere with one's public duties. Good night.'

The soldiers tramped heavily off in their white and red and steel and gold. The gaoler, with a bunch of big keys in his hand, stood looking pityingly at the children. He shook his head twice and went out.

'Courage!' said Anthea. 'I know it will be all right. It's only a dream REALLY, you know. It MUST be! I don't believe about time being only a something or other of thought. It IS a dream, and we're bound to wake up all right and safe.'

'Humph,' said Cyril bitterly. And Robert suddenly said—

'It's all my doing. If it really IS all up do please not keep a down on me about it, and tell Father—Oh, I forgot.'

What he had forgotten was that his father was 3,000 miles and 5,000 or more years away from him.

'All right, Bobs, old man,' said Cyril; and Anthea got hold of Robert's hand and squeezed it.

Then the gaoler came back with a platter of hard, flat cakes made of coarse grain, very different from the cream-and-juicy-date feasts of the palace; also a pitcher of water.

'There,' he said.

'Oh, thank you so very much. You ARE kind,' said Anthea feverishly.

'Go to sleep,' said the gaoler, pointing to a heap of straw in a corner; 'tomorrow comes soon enough.'

'Oh, dear Mr Gaoler,' said Anthea, 'whatever will they do to us tomorrow?'

'They'll try to make you tell things,' said the gaoler grimly, 'and my advice is if you've nothing to tell, make up something. Then perhaps they'll sell you to the Northern nations. Regular savages THEY are. Good night.'

'Good night,' said three trembling voices, which their owners strove in vain to render firm. Then he went out, and the three were left alone in the damp, dim vault.

'I know the light won't last long,' said Cyril, looking at the flickering brazier.

'Is it any good, do you think, calling on the name when we haven't got the charm?' suggested Anthea.

'I shouldn't think so. But we might try.'

So they tried. But the blank silence of the damp dungeon remained unchanged.

'What was the name the Queen said?' asked Cyril suddenly. 'Nisbeth—Nesbit—something? You know, the slave of the great names?'

'Wait a sec,' said Robert, 'though I don't know why you want it. Nusroch—Nisrock—Nisroch—that's it.'

Then Anthea pulled herself together. All her muscles tightened, and the muscles of her mind and soul, if you can call them that, tightened too.

'UR HEKAU SETCHEH,' she cried in a fervent voice. 'Oh, Nisroch, servant of the Great Ones, come and help us!'

There was a waiting silence. Then a cold, blue light awoke in the corner where the straw was—and in the light they saw coming towards them a strange and terrible figure. I won't try to describe it, because the drawing shows it, exactly as it was, and exactly as the old Babylonians carved it on their stones, so that you can see it in our own British Museum at this day. I will just say that it had eagle's wings and an eagle's head and the body of a man.

It came towards them, strong and unspeakably horrible.

'Oh, go away,' cried Anthea; but Cyril cried, 'No; stay!'

The creature hesitated, then bowed low before them on the damp floor of the dungeon.

'Speak,' it said, in a harsh, grating voice like large rusty keys being turned in locks. 'The servant of the Great Ones is YOUR servant. What is your need that you call on the name of Nisroch?'

'We want to go home,' said Robert.

'No, no,' cried Anthea; 'we want to be where Jane is.'

Nisroch raised his great arm and pointed at the wall of the dungeon. And, as he pointed, the wall disappeared, and instead of the damp, green, rocky surface, there shone and glowed a room with rich hangings of red silk embroidered with golden water-lilies, with cushioned couches and great mirrors of polished steel; and in it was the Queen, and before her, on a red pillow, sat the Psammead, its fur hunched up in an irritated, discontented way. On a blue-covered couch lay Jane fast asleep.

'Walk forward without fear,' said Nisroch. 'Is there aught else that the Servant of the great Name can do for those who speak that name?'

'No—oh, no,' said Cyril. 'It's all right now. Thanks ever so.'

'You are a dear,' cried Anthea, not in the least knowing what she was saying. 'Oh, thank you thank you. But DO go NOW!'

She caught the hand of the creature, and it was cold and hard in hers, like a hand of stone.

'Go forward,' said Nisroch. And they went.

'Oh, my good gracious,' said the Queen as they stood before her. 'How did you get here? I KNEW you were magic. I meant to let you out the first thing in the morning, if I could slip away—but thanks be to Dagon, you've managed it for yourselves. You must get away. I'll wake my chief lady and she shall call Ritti-Marduk, and he'll let you out the back way, and—'

'Don't rouse anybody for goodness' sake,' said Anthea, 'except Jane, and I'll rouse her.'

She shook Jane with energy, and Jane slowly awoke.

'Ritti-Marduk brought them in hours ago, really,' said the Queen, 'but I wanted to have the Psammead all to myself for a bit. You'll excuse the little natural deception?—it's part of the Babylonish character, don't you know? But I don't want anything to happen to you. Do let me rouse someone.'

'No, no, no,' said Anthea with desperate earnestness. She thought she knew enough of what the Babylonians were like when they were roused. 'We can go by our own magic. And you will tell the King it wasn't the gaoler's fault. It was Nisroch.'

'Nisroch!' echoed the Queen. 'You are indeed magicians.'

Jane sat up, blinking stupidly.

'Hold It up, and say the word,' cried Cyril, catching up the Psammead, which mechanically bit him, but only very slightly.

'Which is the East?' asked Jane.

'Behind me,' said the Queen. 'Why?'

'Ur Hekau Setcheh,' said Jane sleepily, and held up the charm.

And there they all were in the dining-room at 300, Fitzroy Street.

'Jane,' cried Cyril with great presence of mind, 'go and get the plate of sand down for the Psammead.'

Jane went.

'Look here!' he said quickly, as the sound of her boots grew less loud on the stairs, 'don't let's tell her about the dungeon and all that. It'll only frighten her so that she'll never want to go anywhere else.'

'Righto!' said Cyril; but Anthea felt that she could not have said a word to save her life.

'Why did you want to come back in such a hurry?' asked Jane, returning with the plate of sand. 'It was awfully jolly in Babylon, I think! I liked it no end.'

'Oh, yes,' said Cyril carelessly. 'It was jolly enough, of course, but I thought we'd been there long enough. Mother always says you oughtn't to wear out your welcome!'



CHAPTER 8. THE QUEEN IN LONDON

'Now tell us what happened to you,' said Cyril to Jane, when he and the others had told her all about the Queen's talk and the banquet, and the variety entertainment, carefully stopping short before the beginning of the dungeon part of the story.

'It wasn't much good going,' said Jane, 'if you didn't even try to get the Amulet.'

'We found out it was no go,' said Cyril; 'it's not to be got in Babylon. It was lost before that. We'll go to some other jolly friendly place, where everyone is kind and pleasant, and look for it there. Now tell us about your part.'

'Oh,' said Jane, 'the Queen's man with the smooth face—what was his name?'

'Ritti-Marduk,' said Cyril.

'Yes,' said Jane, 'Ritti-Marduk, he came for me just after the Psammead had bitten the guard-of-the-gate's wife's little boy, and he took me to the Palace. And we had supper with the new little Queen from Egypt. She is a dear—not much older than you. She told me heaps about Egypt. And we played ball after supper. And then the Babylon Queen sent for me. I like her too. And she talked to the Psammead and I went to sleep. And then you woke me up. That's all.'

The Psammead, roused from its sound sleep, told the same story.

'But,' it added, 'what possessed you to tell that Queen that I could give wishes? I sometimes think you were born without even the most rudimentary imitation of brains.'

The children did not know the meaning of rudimentary, but it sounded a rude, insulting word.

'I don't see that we did any harm,' said Cyril sulkily.

'Oh, no,' said the Psammead with withering irony, 'not at all! Of course not! Quite the contrary! Exactly so! Only she happened to wish that she might soon find herself in your country. And soon may mean any moment.'

'Then it's your fault,' said Robert, 'because you might just as well have made "soon" mean some moment next year or next century.'

'That's where you, as so often happens, make the mistake,' rejoined the Sand-fairy. 'I couldn't mean anything but what SHE meant by "soon". It wasn't my wish. And what SHE meant was the next time the King happens to go out lion hunting. So she'll have a whole day, and perhaps two, to do as she wishes with. SHE doesn't know about time only being a mode of thought.'

'Well,' said Cyril, with a sigh of resignation, 'we must do what we can to give her a good time. She was jolly decent to us. I say, suppose we were to go to St James's Park after dinner and feed those ducks that we never did feed. After all that Babylon and all those years ago, I feel as if I should like to see something REAL, and NOW. You'll come, Psammead?'

'Where's my priceless woven basket of sacred rushes?' asked the Psammead morosely. 'I can't go out with nothing on. And I won't, what's more.'

And then everybody remembered with pain that the bass bag had, in the hurry of departure from Babylon, not been remembered.

'But it's not so extra precious,' said Robert hastily. 'You can get them given to you for nothing if you buy fish in Farringdon Market.'

'Oh,' said the Psammead very crossly indeed, 'so you presume on my sublime indifference to the things of this disgusting modern world, to fob me off with a travelling equipage that costs you nothing. Very well, I shall go to sand. Please don't wake me.'

And it went then and there to sand, which, as you know, meant to bed. The boys went to St James's Park to feed the ducks, but they went alone.

Anthea and Jane sat sewing all the afternoon. They cut off half a yard from each of their best green Liberty sashes. A towel cut in two formed a lining; and they sat and sewed and sewed and sewed. What they were making was a bag for the Psammead. Each worked at a half of the bag. jane's half had four-leaved shamrocks embroidered on it. They were the only things she could do (because she had been taught how at school, and, fortunately, some of the silk she had been taught with was left over). And even so, Anthea had to draw the pattern for her. Anthea's side of the bag had letters on it—worked hastily but affectionately in chain stitch. They were something like this:

PSAMS TRAVEL CAR

She would have put 'travelling carriage', but she made the letters too big, so there was no room. The bag was made INTO a bag with old Nurse's sewing machine, and the strings of it were Anthea's and Jane's best red hair ribbons. At tea-time, when the boys had come home with a most unfavourable report of the St james's Park ducks, Anthea ventured to awaken the Psammead, and to show it its new travelling bag.

'Humph,' it said, sniffing a little contemptuously, yet at the same time affectionately, 'it's not so dusty.'

The Psammead seemed to pick up very easily the kind of things that people said nowadays. For a creature that had in its time associated with Megatheriums and Pterodactyls, its quickness was really wonderful.

'It's more worthy of me,' it said, 'than the kind of bag that's given away with a pound of plaice. When do you propose to take me out in it?'

'I should like a rest from taking you or us anywhere,' said Cyril. But Jane said—

'I want to go to Egypt. I did like that Egyptian Princess that came to marry the King in Babylon. She told me about the larks they have in Egypt. And the cats. Do let's go there. And I told her what the bird things on the Amulet were like. And she said it was Egyptian writing.'

The others exchanged looks of silent rejoicing at the thought of their cleverness in having concealed from Jane the terrors they had suffered in the dungeon below the Euphrates.

'Egypt's so nice too,' Jane went on, 'because of Doctor Brewer's Scripture History. I would like to go there when Joseph was dreaming those curious dreams, or when Moses was doing wonderful things with snakes and sticks.'

'I don't care about snakes,' said Anthea shuddering.

'Well, we needn't be in at that part, but Babylon was lovely! We had cream and sweet, sticky stuff. And I expect Egypt's the same.'

There was a good deal of discussion, but it all ended in everybody's agreeing to Jane's idea. And next morning directly after breakfast (which was kippers and very nice) the Psammead was invited to get into his travelling carriage.

The moment after it had done so, with stiff, furry reluctance, like that of a cat when you want to nurse it, and its ideas are not the same as yours, old Nurse came in.

'Well, chickies,' she said, 'are you feeling very dull?'

'Oh, no, Nurse dear,' said Anthea; 'we're having a lovely time. We're just going off to see some old ancient relics.'

'Ah,' said old Nurse, 'the Royal Academy, I suppose? Don't go wasting your money too reckless, that's all.'

She cleared away the kipper bones and the tea-things, and when she had swept up the crumbs and removed the cloth, the Amulet was held up and the order given—just as Duchesses (and other people) give it to their coachmen.

'To Egypt, please!' said Anthea, when Cyril had uttered the wonderful Name of Power.

'When Moses was there,' added Jane.

And there, in the dingy Fitzroy Street dining-room, the Amulet grew big, and it was an arch, and through it they saw a blue, blue sky and a running river.

'No, stop!' said Cyril, and pulled down jane's hand with the Amulet in it.

'What silly cuckoos we all are,' he said. 'Of course we can't go. We daren't leave home for a single minute now, for fear that minute should be THE minute.'

'What minute be WHAT minute?' asked Jane impatiently, trying to get her hand away from Cyril.

'The minute when the Queen of Babylon comes,' said Cyril. And then everyone saw it.

For some days life flowed in a very slow, dusty, uneventful stream.

The children could never go out all at once, because they never knew when the King of Babylon would go out lion hunting and leave his Queen free to pay them that surprise visit to which she was, without doubt, eagerly looking forward.

So they took it in turns, two and two, to go out and to stay in.

The stay-at-homes would have been much duller than they were but for the new interest taken in them by the learned gentleman.

He called Anthea in one day to show her a beautiful necklace of purple and gold beads.

'I saw one like that,' she said, 'in—'

'In the British Museum, perhaps?'

'I like to call the place where I saw it Babylon,' said Anthea cautiously.

'A pretty fancy,' said the learned gentleman, 'and quite correct too, because, as a matter of fact, these beads did come from Babylon.' The other three were all out that day. The boys had been going to the Zoo, and Jane had said so plaintively, 'I'm sure I am fonder of rhinoceroses than either of you are,' that Anthea had told her to run along then. And she had run, catching the boys before that part of the road where Fitzroy Street suddenly becomes Fitzroy Square.

'I think Babylon is most frightfully interesting,' said Anthea. 'I do have such interesting dreams about it—at least, not dreams exactly, but quite as wonderful.'

'Do sit down and tell me,' said he. So she sat down and told. And he asked her a lot of questions, and she answered them as well as she could.

'Wonderful—wonderful!' he said at last. 'One's heard of thought-transference, but I never thought I had any power of that sort. Yet it must be that, and very bad for YOU, I should think. Doesn't your head ache very much?'

He suddenly put a cold, thin hand on her forehead.

'No thank you, not at all,' said she.

'I assure you it is not done intentionally,' he went on. 'Of course I know a good deal about Babylon, and I unconsciously communicate it to you; you've heard of thought-reading, but some of the things you say, I don't understand; they never enter my head, and yet they're so astoundingly probable.'

'It's all right,' said Anthea reassuringly. 'I understand. And don't worry. It's all quite simple really.'

It was not quite so simple when Anthea, having heard the others come in, went down, and before she had had time to ask how they had liked the Zoo, heard a noise outside, compared to which the wild beasts' noises were gentle as singing birds.

'Good gracious!' cried Anthea, 'what's that?'

The loud hum of many voices came through the open window. Words could be distinguished.

''Ere's a guy!'

'This ain't November. That ain't no guy. It's a ballet lady, that's what it is.'

'Not it—it's a bloomin' looney, I tell you.'

Then came a clear voice that they knew.

'Retire, slaves!' it said.

'What's she a saying of?' cried a dozen voices. 'Some blamed foreign lingo,' one voice replied.

The children rushed to the door. A crowd was on the road and pavement.

In the middle of the crowd, plainly to be seen from the top of the steps, were the beautiful face and bright veil of the Babylonian Queen.

'Jimminy!' cried Robert, and ran down the steps, 'here she is!'

'Here!' he cried, 'look out—let the lady pass. She's a friend of ours, coming to see us.'

'Nice friend for a respectable house,' snorted a fat woman with marrows on a handcart.

All the same the crowd made way a little. The Queen met Robert on the pavement, and Cyril joined them, the Psammead bag still on his arm.

'Here,' he whispered; 'here's the Psammead; you can get wishes.'

'I wish you'd come in a different dress, if you HAD to come,' said Robert; 'but it's no use my wishing anything.'

'No,' said the Queen. 'I wish I was dressed—no, I don't—I wish THEY were dressed properly, then they wouldn't be so silly.'

The Psammead blew itself out till the bag was a very tight fit for it; and suddenly every man, woman, and child in that crowd felt that it had not enough clothes on. For, of course, the Queen's idea of proper dress was the dress that had been proper for the working-classes 3,000 years ago in Babylon—and there was not much of it.

'Lawky me!' said the marrow-selling woman, 'whatever could a-took me to come out this figure?' and she wheeled her cart away very quickly indeed.

'Someone's made a pretty guy of you—talk of guys,' said a man who sold bootlaces.

'Well, don't you talk,' said the man next to him. 'Look at your own silly legs; and where's your boots?'

'I never come out like this, I'll take my sacred,' said the bootlace-seller. 'I wasn't quite myself last night, I'll own, but not to dress up like a circus.'

The crowd was all talking at once, and getting rather angry. But no one seemed to think of blaming the Queen.

Anthea bounded down the steps and pulled her up; the others followed, and the door was shut. 'Blowed if I can make it out!' they heard. 'I'm off home, I am.'

And the crowd, coming slowly to the same mind, dispersed, followed by another crowd of persons who were not dressed in what the Queen thought was the proper way.

'We shall have the police here directly,' said Anthea in the tones of despair. 'Oh, why did you come dressed like that?'

The Queen leaned against the arm of the horse-hair sofa.

'How else can a queen dress I should like to know?' she questioned.

'Our Queen wears things like other people,' said Cyril.

'Well, I don't. And I must say,' she remarked in an injured tone, 'that you don't seem very glad to see me now I HAVE come. But perhaps it's the surprise that makes you behave like this. Yet you ought to be used to surprises. The way you vanished! I shall never forget it. The best magic I've ever seen. How did you do it?'

'Oh, never mind about that now,' said Robert. 'You see you've gone and upset all those people, and I expect they'll fetch the police. And we don't want to see you collared and put in prison.'

'You can't put queens in prison,' she said loftily. 'Oh, can't you?' said Cyril. 'We cut off a king's head here once.'

'In this miserable room? How frightfully interesting.'

'No, no, not in this room; in history.'

'Oh, in THAT,' said the Queen disparagingly. 'I thought you'd done it with your own hands.'

The girls shuddered.

'What a hideous city yours is,' the Queen went on pleasantly, 'and what horrid, ignorant people. Do you know they actually can't understand a single word I say.'

'Can you understand them?' asked Jane.

'Of course not; they speak some vulgar, Northern dialect. I can understand YOU quite well.'

I really am not going to explain AGAIN how it was that the children could understand other languages than their own so thoroughly, and talk them, too, so that it felt and sounded (to them) just as though they were talking English.

'Well,' said Cyril bluntly, 'now you've seen just how horrid it is, don't you think you might as well go home again?' 'Why, I've seen simply nothing yet,' said the Queen, arranging her starry veil. 'I wished to be at your door, and I was. Now I must go and see your King and Queen.'

'Nobody's allowed to,' said Anthea in haste; 'but look here, we'll take you and show you anything you'd like to see—anything you CAN see,' she added kindly, because she remembered how nice the Queen had been to them in Babylon, even if she had been a little deceitful in the matter of Jane and Psammead.

'There's the Museum,' said Cyril hopefully; 'there are lots of things from your country there. If only we could disguise you a little.'

'I know,' said Anthea suddenly. 'Mother's old theatre cloak, and there are a lot of her old hats in the big box.'

The blue silk, lace-trimmed cloak did indeed hide some of the Queen's startling splendours, but the hat fitted very badly. It had pink roses in it; and there was something about the coat or the hat or the Queen, that made her look somehow not very respectable.

'Oh, never mind,' said Anthea, when Cyril whispered this. 'The thing is to get her out before Nurse has finished her forty winks. I should think she's about got to the thirty-ninth wink by now.'

'Come on then,' said Robert. 'You know how dangerous it is. Let's make haste into the Museum. If any of those people you made guys of do fetch the police, they won't think of looking for you there.'

The blue silk coat and the pink-rosed hat attracted almost as much attention as the royal costume had done; and the children were uncommonly glad to get out of the noisy streets into the grey quiet of the Museum.

'Parcels and umbrellas to be left here,' said a man at the counter.

The party had no umbrellas, and the only parcel was the bag containing the Psammead, which the Queen had insisted should be brought.

'I'M not going to be left,' said the Psammead softly, 'so don't you think it.'

'I'll wait outside with you,' said Anthea hastily, and went to sit on the seat near the drinking fountain.

'Don't sit so near that nasty fountain,' said the creature crossly; 'I might get splashed.'

Anthea obediently moved to another seat and waited. Indeed she waited, and waited, and waited, and waited, and waited. The Psammead dropped into an uneasy slumber. Anthea had long ceased to watch the swing-door that always let out the wrong person, and she was herself almost asleep, and still the others did not come back.

It was quite a start when Anthea suddenly realized that they HAD come back, and that they were not alone. Behind them was quite a crowd of men in uniform, and several gentlemen were there. Everyone seemed very angry.

'Now go,' said the nicest of the angry gentlemen. 'Take the poor, demented thing home and tell your parents she ought to be properly looked after.'

'If you can't get her to go we must send for the police,' said the nastiest gentleman.

'But we don't wish to use harsh measures,' added the nice one, who was really very nice indeed, and seemed to be over all the others.

'May I speak to my sister a moment first?' asked Robert.

The nicest gentleman nodded, and the officials stood round the Queen, the others forming a sort of guard while Robert crossed over to Anthea.

'Everything you can think of,' he replied to Anthea's glance of inquiry. 'Kicked up the most frightful shine in there. Said those necklaces and earrings and things in the glass cases were all hers—would have them out of the cases. Tried to break the glass—she did break one bit! Everybody in the place has been at her. No good. I only got her out by telling her that was the place where they cut queens' heads off.'

'Oh, Bobs, what a whacker!'

'You'd have told a whackinger one to get her out. Besides, it wasn't. I meant MUMMY queens. How do you know they don't cut off mummies' heads to see how the embalming is done? What I want to say is, can't you get her to go with you quietly?'

'I'll try,' said Anthea, and went up to the Queen.

'Do come home,' she said; 'the learned gentleman in our house has a much nicer necklace than anything they've got here. Come and see it.'

The Queen nodded.

'You see,' said the nastiest gentleman, 'she does understand English.'

'I was talking Babylonian, I think,' said Anthea bashfully.

'My good child,' said the nice gentleman, 'what you're talking is not Babylonian, but nonsense. You just go home at once, and tell your parents exactly what has happened.'

Anthea took the Queen's hand and gently pulled her away. The other children followed, and the black crowd of angry gentlemen stood on the steps watching them. It was when the little party of disgraced children, with the Queen who had disgraced them, had reached the middle of the courtyard that her eyes fell on the bag where the Psammead was. She stopped short.

'I wish,' she said, very loud and clear, 'that all those Babylonian things would come out to me here—slowly, so that those dogs and slaves can see the working of the great Queen's magic.'

'Oh, you ARE a tiresome woman,' said the Psammead in its bag, but it puffed itself out.

Next moment there was a crash. The glass swing doors and all their framework were smashed suddenly and completely. The crowd of angry gentlemen sprang aside when they saw what had done this.

But the nastiest of them was not quick enough, and he was roughly pushed out of the way by an enormous stone bull that was floating steadily through the door. It came and stood beside the Queen in the middle of the courtyard.

It was followed by more stone images, by great slabs of carved stone, bricks, helmets, tools, weapons, fetters, wine-jars, bowls, bottles, vases, jugs, saucers, seals, and the round long things, something like rolling pins with marks on them like the print of little bird-feet, necklaces, collars, rings, armlets, earrings—heaps and heaps and heaps of things, far more than anyone had time to count, or even to see distinctly.

All the angry gentlemen had abruptly sat down on the Museum steps except the nice one. He stood with his hands in his pockets just as though he was quite used to seeing great stone bulls and all sorts of small Babylonish objects float out into the Museum yard.

But he sent a man to close the big iron gates.

A journalist, who was just leaving the museum, spoke to Robert as he passed.

'Theosophy, I suppose?' he said. 'Is she Mrs Besant?'

'YES,' said Robert recklessly.

The journalist passed through the gates just before they were shut.

He rushed off to Fleet Street, and his paper got out a new edition within half an hour.

MRS BESANT AND THEOSOPHY

IMPERTINENT MIRACLE AT THE BRITISH MUSEUM.

People saw it in fat, black letters on the boards carried by the sellers of newspapers. Some few people who had nothing better to do went down to the Museum on the tops of omnibuses. But by the time they got there there was nothing to be seen. For the Babylonian Queen had suddenly seen the closed gates, had felt the threat of them, and had said—

'I wish we were in your house.'

And, of course, instantly they were.

The Psammead was furious.

'Look here,' it said, 'they'll come after you, and they'll find ME. There'll be a National Cage built for me at Westminster, and I shall have to work at politics. Why wouldn't you leave the things in their places?'

'What a temper you have, haven't you?' said the Queen serenely. 'I wish all the things were back in their places. Will THAT do for you?'

The Psammead swelled and shrank and spoke very angrily.

'I can't refuse to give your wishes,' it said, 'but I can Bite. And I will if this goes on. Now then.'

'Ah, don't,' whispered Anthea close to its bristling ear; 'it's dreadful for us too. Don't YOU desert us. Perhaps she'll wish herself at home again soon.'

'Not she,' said the Psammead a little less crossly.

'Take me to see your City,' said the Queen.

The children looked at each other.

'If we had some money we could take her about in a cab. People wouldn't notice her so much then. But we haven't.'

'Sell this,' said the Queen, taking a ring from her finger.

'They'd only think we'd stolen it,' said Cyril bitterly, 'and put us in prison.'

'All roads lead to prison with you, it seems,' said the Queen.

'The learned gentleman!' said Anthea, and ran up to him with the ring in her hand.

'Look here,' she said, 'will you buy this for a pound?'

'Oh!' he said in tones of joy and amazement, and took the ring into his hand. 'It's my very own,' said Anthea; 'it was given to me to sell.'

'I'll lend you a pound,' said the learned gentleman, 'with pleasure; and I'll take care of the ring for you. Who did you say gave it to you?'

'We call her,' said Anthea carefully, 'the Queen of Babylon.'

'Is it a game?' he asked hopefully.

'It'll be a pretty game if I don't get the money to pay for cabs for her,' said Anthea.

'I sometimes think,' he said slowly, 'that I am becoming insane, or that—'

'Or that I am; but I'm not, and you're not, and she's not.'

'Does she SAY that she's the Queen of Babylon?' he uneasily asked.

'Yes,' said Anthea recklessly.

'This thought-transference is more far-reaching than I imagined,' he said. 'I suppose I have unconsciously influenced HER, too. I never thought my Babylonish studies would bear fruit like this. Horrible! There are more things in heaven and earth—'

'Yes,' said Anthea, 'heaps more. And the pound is the thing I want more than anything on earth.'

He ran his fingers through his thin hair.

'This thought-transference!' he said. 'It's undoubtedly a Babylonian ring—or it seems so to me. But perhaps I have hypnotized myself. I will see a doctor the moment I have corrected the last proofs of my book.'

'Yes, do!' said Anthea, 'and thank you so very much.'

She took the sovereign and ran down to the others.

And now from the window of a four-wheeled cab the Queen of Babylon beheld the wonders of London. Buckingham Palace she thought uninteresting; Westminster Abbey and the Houses of Parliament little better. But she liked the Tower, and the River, and the ships filled her with wonder and delight.

'But how badly you keep your slaves. How wretched and poor and neglected they seem,' she said, as the cab rattled along the Mile End Road.

'They aren't slaves; they're working-people,' said Jane.

'Of course they're working. That's what slaves are. Don't you tell me. Do you suppose I don't know a slave's face when I see it?

Why don't their masters see that they're better fed and better clothed? Tell me in three words.'

No one answered. The wage-system of modern England is a little difficult to explain in three words even if you understand it—which the children didn't.