|
There had been confusion in the capital many a time before, but probably never was there such a commotion as arose when it was known that the conqueror of Gaul, the man who had for years marched through that great region as a mighty monarch, was on the way towards it. That the consuls were endowed with dictatorial power for the emergency, availed little. A few days before, some one had asked Pompey what he should do for an army if Csar should leave his province with his soldiers, and he replied haughtily that he should need but to stamp on the ground and soldiers would spring up. Now he stamped, and stamped in vain; no volunteers came at his call. The venerable senators, successors of those who had remained in their seats when the barbarians were coming, hastened away for dear life; they did not make the usual sacrifices; they did not take their goods and chattels; they even forgot the public treasure, which would have been of the utmost use to them and to the cause of Pompey.
Csar's army supported him as a whole, but there was one self-important man among the leaders of it who proved an exception. Titus Labienus, who had been with Csar in Spain, who had performed some brilliant feats when Vercingetorix revolted, and who was in all his master's confidence, had allowed his little mind to become filled with pride and ambition until he began to believe that he was at the bottom of Csar's success, and probably as great a general as he! He was ready to allow the Pompeians to beguile him from his allegiance, and at last went over to them. Csar, to show how little he cared for the defection of Labienus, hastened to send his baggage after him; but in Rome he was welcomed with acclamations. Cicero, the trimmer, exclaimed: "Labienus has behaved quite like a hero!" and believed that Csar had received a tremendous blow by his defection. This deserter's act had, however, no effect whatever on the progress of Csar, who, though it was the middle of winter, marched onwards, receiving the surrender of city after city, giving to all the conquered citizens the most liberal terms, and thus binding them firmly to his cause. [Footnote: As Csar approached Rome, Cato took flight, and, determined to mourn until death the unhappy lot of his country, allowed his hair to grow, and resigned himself to unavailing grief. Too weak and perplexed to stand against opposing troubles, he fondly thought that resolutions and laws and a temporizing policy might avail to bring happiness and order to a distraught commonwealth.]
Pompey did not even attempt to interrupt the triumphant career of his enemy, but determined to find safety out of Italy, and hastened to Brundusium as fast as possible. After mastering the whole country, Csar reached the same port before Pompey was able to get away, and began a siege, in the progress of which Pompey escaped. Csar was not able to follow, on account of a want of vessels. He therefore turned back to Rome, where he encountered no opposition, except from Metellus, a tribune of the people, who attempted to keep him from taking possession of the gold in the temple of Saturn, traditionally supposed to have been that which Camillus had recovered from Brennus. It was intended for use in case the Gauls should make another invasion, but Csar said that he had conquered the Gauls, and they need be feared no more. "Stand aside, young man!" he exclaimed; "it is easier for me to do than to say!" Metellus saw that it was not worth while to discuss the question with such a man, and prudently stepped aside.
Csar did not remain at Rome at this time, but hastened to Spain, where partisans of Pompey were in arms, leaving Marc Antony in charge of Italy in general, and Marcus Lepidus responsible for order in the city. Both of these men were destined to become more prominent in the future. At the same time, legions were sent to Sicily and Sardinia, and their success, which was easily gained, preserved the city from a scarcity of grain. Csar himself overcame the Pompeians in Spain, and, in accordance with his policy in Italy, dismissed them unharmed. Most of their soldiers were taken into his own army. He then felt free to continue his movements against Pompey himself, and returned to the capital.
For eleven days Csar was dictator of Rome, receiving the office from Lepidus, who had been authorized to give it by those senators who had not fled with Pompey. In that short period he passed laws calling home the exiles; giving back their rights as citizens to the children of those who had suffered in the Sullan proscription; and affording relief to debtors. Then, causing the senate to declare him consul, he started for Brundusium to pursue his rival. It was the fourth of January, 48, when he sailed for the coast of Epirus, and the following day he landed on the soil of Greece. He met Pompey at Dyrrachium, but his force was so small that he was defeated. He then retreated to the southeast, and another battle was fought on the plain of Pharsalia, in Thessaly, June 6, 48. The forces were still very unequal, Pompey having more than two soldiers to one of Csar's; but Csar's were the better warriors, and Pompey was totally defeated. Feeling that every thing was now lost, Pompey sought an asylum in Egypt; and there he was assassinated by order of the reigning monarch, who hoped to win the favor of Csar in his contest with his sister, Cleopatra, who claimed the throne.
Csar followed his adversary with his usual promptness, and when he had reached Egypt was shown his rival's severed head, from which he turned with real or feigned sadness and tears. This alarmed the king and his partisans, and they still further lost heart when Cleopatra won Csar to her support by the charms of her personal beauty.
After a brief struggle known as the Alexandrine War, which closed in March, 47, Csar placed the queen and her brother on the throne. It was at this time that the great Library and Museum at Alexandria were destroyed by fire. Four hundred thousand volumes were said to have been burned. The next month Csar was called from Egypt to Pontus, where a son of Mithridates was in arms, and, after a campaign of five days, he gained a decisive victory at a place called Zela, boastfully announcing his success to the senate in three short words: "Veni, vidi, vici" (I came, I saw, I overcame). In September, Csar was again in Rome, where he remained only three months, arranging affairs. There were fears lest he should make a proscription, but he proceeded to no such extremity, exercising his characteristic clemency towards those who had been opposed to him. A revolt occurred at this time among the soldiers at Capua, and they marched to Rome, but Csar cowed them by a display of haughty coolness.
The remnant of the adherents of Pompey gathered together and went to Africa, whither Csar followed, and after a short campaign defeated them on the field of Thapsus, April 6, 46. They were commanded by Scipio, father-in-law of Pompey, and by Cato, who had accepted the position after it had been declined by Cicero, his superior in rank. After the defeat of Thapsus Cato retreated to Utica, where he deliberately put an end to his life after occupying several hours in reading Plato's Phdo, a dialogue on the immortality of the soul. From the place of his death he is known in history as Cato of Utica.
When the news of this final victory reached Rome Csar was appointed dictator for ten years, and a thanksgiving lasting forty days was decreed. He was also endowed with a newly created office-that of Overseer of Public Morals (Prfectus Morum). Temples and statues were dedicated to his honor; a golden chair was assigned for his use when he sat in the senate; the month Quintilis was renamed after him Julius (July); and other unheard of honors were thrust upon him by a servile senate. He was also called the Father of his Country (a title that had been before borne by Camillus and Cicero), and four triumphs were celebrated for him. On his own part, Csar feasted the people at twenty-two thousand tables, and caused combats of wild animals and gladiators to be celebrated in the arenas beneath awnings of the richest silks.
The great conqueror now prepared to carry out schemes of a beneficent nature which would have been of great value to the world; but their achievement was interfered with, first by war and then by his own death. He intended to unify the regions controlled by the republic by abolishing offensive political distinctions, and to develop them by means of a geographical survey which would have occupied years to complete under the most competent management; and he wished to codify the Roman law, which had been growing up into a universal jurisprudence, a work which Cicero looked upon as a hopeless though brilliant vision, and one that Justinian actually accomplished, though not until six hundred years later. He contemplated also the erection of vast public works. His knowledge of astronomy led him to accomplish one important change, for which we have reason to remember him to-day. He reformed the calendar, substituting the one used until 1582 (known from him as the Julian calendar) for that which was then current. [Footnote: The Gregorian calendar was introduced in the Catholic states of Europe in 1582, but owing to popular prejudice England did not begin to use it until 1752, in which year September 3d became, by act of Parliament, September 14th. Usage in America followed that of the mother country.] Three hundred and fifty-five days had been called a year from the time of Numa Pompilius, but as that number did not correspond with the actual time of the revolution of the earth around the sun, it had been customary to intercalate a month, every second year, of twenty-two and twenty-three days alternately, and one day had also been added to make a fortunate number. This made the adaptation of the nominal year to the actual a matter of great intricacy, the duty being intrusted to the chief pontiffs. These officers were often corrupted, and managed to effect political ends from time to time by the addition or omission of the intercalary days and months. At this time the civil calendar was some weeks in advance of the actual time, so that the consuls, for example, who should have entered office January 1, 46, really assumed their power October 13, 47. The Julian calendar made the year to consist of 365 days and six hours, which was correct within a few minutes; but, by the time of Pope Gregory XIII, this had amounted to ten days, and a new reform was instituted. Csar now added ninety days to the year in order to make the year 45 begin at the proper time, inserting a new month between the 23d and 24th of February, and adding two new months after the end of November, so that the long year thus manufactured (445 days) was very justly called the "year of confusion", or "the last year of confusion."
Csar had also in mind plans of conquest. He had not forgotten that the Roman arms had been unsuccessful at Carrh, and he wished to subdue the Parthians, but the ghost of Pompey would not down. His sons raised the banner of revolt in Spain, and the officers sent against them did not succeed in their efforts to assert the supremacy of Rome. It was necessary that Csar himself should go there, and accordingly he set out in September. Twenty-seven days later he was on the ground, and though he found himself in the face of greater difficulties than he had anticipated, a few months sufficed to completely overthrow the enemy, who were defeated finally at the battle of Munda, not far from Gibraltar (March, 17, 45). Thirty thousand of them perished. Csar did not return to Rome until September, because affairs of the province required attention. Again he celebrated a triumph, marked by games and shows, and new honors from the senate.
Csar's ambition now made him wish to continue the supreme power in his family, and he fixed upon a great-nephew named Octavius as his successor. In the fifth year of his consulate (B.C. 44), on the feast of Lupercalia (Feb. 15th), he attempted to take a more important step. He prevailed upon Marc Antony to make him an offer of the kingly diadem, but as he immediately saw that it was not pleasing to the people that he should accept it, he pushed the glittering coronet from him, amid their plaudits, as though he would not think of assuming any sign of authority that the people did not freely offer him themselves. [Footnote: "I saw Mark Antony offer him a crown; yet 't was not a crown neither, 't was one of these coronets; and, as I told you, he put it by once; but for all that, to my thinking, he would fain have had it. Then he offered it to him again; then he put it by again; but to my thinking, he was very loth to lay his fingers off it. And then he offered it the third time; he put it the third time by, and still as he refused it, the rabblement shouted and clapped their chapped hands, and threw up their sweaty night-caps, and uttered such a deal of stinking breath because Csar refused the crown, that it had almost choked Csar; for he swooned and fell down at it." Casca's account, in Shakespeare's Julius Csar, act i., sc. 2.] Csar still longed for the name of king, however, and became irritated because it was not given him. This was shown in his intercourse with the nobles, and they were now excited against him by one Caius Cassius Longinus (commonly called simply Cassius), who had wandered and fought with Crassus in Parthia, but had escaped from that disastrous campaign. He had been a follower of Pompey, and had fallen into Csar's hands shortly after the battle of Pharsalia. Though he owed his life to Csar, he was personally hostile to him, and his feelings were so strong that he formed a plot for his destruction, in which sixty or eighty persons were involved. Among these was Marcus Junius Brutus, then about forty years of age, who had also been with Pompey at Pharsalia. He was of illustrious pedigree, and claimed to be descended from the shadowy hero of his name, who is said to have pursued the Tarquins with such patriotic zeal. His life also had been spared by Csar at Pharsalia, and he had made no opposition to his acts as dictator. Cato was his political model, and at about this time, he divorced his wife to marry Portia, Cato's daughter. Cassius had married Junia Tertulla, half- sister of Brutus, and now offered him the place of chief adviser of the conspirators, who determined upon a sudden and bold effort to assassinate the dictator. They intended to make it appear that patriotism gave them the reason for their act, but in this they failed.
The senate was to convene on the Ides of March, and Csar was warned that danger awaited him; but he was not to be deterred, and entered the chamber amid the applause of the people. The conspirators crowded about him, keeping his friends at a distance, and at a concerted signal he was grasped by the hands and embraced by some, while others stabbed him with their fatal daggers. He fell at the base of the statue of Pompey, pierced with more than a score of wounds. It is said that when he noticed Brutus in the angry crowd, he exclaimed in surprise and sorrow: "Et tu Brute!" (And thou, too, Brutus!).
Brutus had prepared a speech to deliver to the senate, but when he looked around, he found that senators, centurions, lictors, and attendants, all had fled, and the place was empty. He then marched with his accomplices to the forum. It was crowded with an excited multitude, but it was not a multitude of friends. The assassins saw that there was no safety for them in the city. Lepidus was at the gates with an army, and Antony had taken possession of the papers and treasures of Csar, which gave him additional power; but all parties were in doubt as to the next steps, and a reconciliation was determined upon as giving time for reflection. Cassius went to sup with Antony, and Brutus with Lepidus. This shows plainly that the good of the republic was not the cause nearest the hearts of the principal actors; but that each, like a wary player at chess, was only anxious lest some adversary should get an advantage over him.
The senate was immediately convened, and under the direction of Cicero, who became its temporary leader, it was voted that the acts of Csar, intended as well as performed, should be ratified, and that the conspirators should be pardoned, and assigned to the provinces that Csar had designated them for.
Antony now showed himself a consummate actor, and a master of the art of moving the multitude. He prepared for the obsequies of the dictator, at which he was to deliver the oration, and, while pretending to endeavor to hold back the people from violence against the murderers, managed to excite them to such an extent that nothing could restrain them. He brought the body into the Campus Martius for the occasion, and there in its presence displayed the bloody garment through which the daggers of the conspirators had been thrust; identified the rents made by the leader, Cassius, the "envious Casca," the "well-beloved Brutus," and the others; and displayed a waxen effigy that he had prepared for the occasion, bearing all the wounds. He called upon the crowd the while, as it swayed to and fro in its threatening violence, to listen to reason, but at the same time told them that if he possessed the eloquence of a Brutus he would ruffle up their spirits and put a tongue in every wound of Csar that would move the very stones of Rome to rise in mutiny. He said that if the people could but hear the last will of the dictator, they would dip their kerchiefs in his blood—yea, beg a hair of him for memory, and, dying, mention it in their wills as a rich legacy to their children.
The oration had its natural effect. The people, stirred from one degree of frenzy to another, piled up chairs, benches, tables, brushwood, even ornaments and costly garments for a funeral pile, and burned the whole in the forum. Unable to restrain themselves, they rushed with brands from the fire towards the homes of the conspirators to wreak vengeance upon them. Brutus and Cassius had fled from the city, and the others could not be found, so that the fury of their hate died out for want of new fuel upon which to feed.
Antony was now the chief man of Rome, and it was expected that he would demand the dictatorship. To the astonishment of all, he proposed that the office itself should be forever abolished, thus keeping up his pretence of moderation; but, on the other hand, he asked for a body- guard, which the senate granted, and he surrounded himself with a force of six thousand men. He appointed magistrates as he wished, recalled exiles, and freed any from prison whom he desired, under pretence of following the will of Csar.
It soon became apparent that, in the words of Cicero addressed to Cassius, the state seemed to have been "emancipated from the king, but not from the kingly power," for no one could tell where Antony would stop his pretence of carrying out the plans of Csar. The republic was doubtless soon to end, and it was not plain what new misery was in store for the distracted people.
XVII.
HOW THE REPUBLIC BECAME AN EMPIRE.
When Csar had planned to go to Parthia, he sent in that direction some of his legions, which wintered at Apollonia, just over the Adriatic, opposite Brundusium, and with them went the young and sickly nephew whom Csar had mentioned in his will as his heir. While the young man was engaged in familiarizing himself with the soldiers and their life, a freedman arrived in camp to announce from his mother the tragedy of the Ides of March. The soldiers offered to go with him to avenge his uncle's death, but he decided to set out at once and alone for the capital. At Brundusium he was received by the army with acclamations. He did not hesitate to assume the name Csar, and to claim the succession, though he thus bound himself to pay the legacies that Csar had made to the people. He was known as Caius Julius Csar Octavianus, or, briefly, as Octavius. [Footnote: Octavius was son of Caius Octavius and Atia, daughter of Julia, sister of Julius Csar, and was born Sept. 23, B.C. 63. His true name was the same as that of his father, but he is usually mentioned in history as Augustus, an untranslatable title that he assumed when he became emperor. His descent was traced from Atys, son of Alba, an old Latin hero.] Csar had bequeathed his magnificent gardens on the opposite side of the Tiber to the public as a park, and to every citizen in Rome a gift of three hundred sesterces, equal to ten or fifteen dollars. These provisions could not easily be carried out except by Antony, who had taken possession of Csar's moneys, and who was at the moment the most powerful man in the republic. Next to him stood Lepidus, who was in command of the army. These two seemed to stand between Octavius and his heritage.
Octavius understood the value of money, and took possession of the public funds at Brundusium, captured such remittances from the provinces as he could reach, and sent off to Asia to see how much he could secure of the amount provided for the Parthian expedition, just as though all this had been his own personal property.
Thus the timid but ambitious youth began to prepare himself for supreme authority. When he reached Rome his mother and other friends warned him of the risks involved in his course, but he was resolute. He had made the acquaintance at Apollonia of Marcus Vipsanius Agrippa, then twenty years of age, who afterwards became a skilful warrior and always was a valuable adviser, and now he determined to make a friend of Cicero. This remarkable orator had already been intimate with all the prominent men of his day; had at one time or another flattered or cajoled Curio, Cassius, Crassus, Pompey, Antony, and Csar, and now, after thoroughly canvassing the probabilities, he decided to take the side of Octavius, though he was loth to break with either Brutus or Antony. His weakness is plainly and painfully presented by his own hand in his interesting letters, which add much light to the story of this period. [Footnote: James Anthony Froude says: "In Cicero, Nature half-made a great man and left him uncompleted. Our characters are written in our forms, and the bust of Cicero is the key to his history. The brow is broad and strong, the nose large, the lips tightly compressed, the features lean and keen from restless intellectual energy. The loose, bending figure, the neck too weak for the weight of the head, explain the infirmity of will, the passion, the cunning, the vanity, the absence of manliness and veracity. He was born into an age of violence with which he was too feeble to contend. The gratitude of mankind for his literary excellence will forever preserve his memory from too harsh a judgment."—"Csar, a Sketch," chapter xxvii.]
Octavius gathered together enough money to pay the legacies of Csar by sales of property, and by loans, in spite of the fact that Antony refused to give up any that he had taken. He artfully won the soldiers and the people by his liberality (that could not fail to be contrasted with the grasping action of Antony), and by the shows with which he amused them. Thus with it all he managed to make the world believe that he was not laying plans of ambition, but simply wished to protect the state from the selfish designs of his rival. In this effort he was supported by the oratory of Cicero, who began to compose and deliver or publish a remarkable series of fourteen speeches known as Philippics, from their resemblance to the four acrimonious invectives against Philip of Macedon which the great Demosthenes launched at Athens during the eleven years in which he strove to arouse the weakened Greeks from inactivity and pusillanimity (352-342 B.C.).
Cicero entered Rome on the first of September, and delivered his first Philippic the next day, in the same Temple of Concord in which he had denounced Catiline twenty years before. He then retired from the city, and did not hear the abusive tirade with which Antony attempted to blacken his reputation. In October he prepared a second speech, which was not delivered, but was given to the public in November. This is the most elaborate and the best of the Philippics, and it is also much more fierce than the former. The last of the series was delivered April 22, 43. Antony was soon declared a public enemy, and Cicero in his speeches constantly urged a vigorous prosecution of the war against him.
Octavius gained the confidence of the army, and then demanded the consulate of the senate. When that powerful office had been obtained, he broke with the senate, and marched to the northward, ostensibly to conquer Antony and Lepidus, who were coming down with another great army. Instead of precipitating a battle, Lepidus contrived to have a meeting on a small island in a tributary of the Po, not far from the present site of Bologna, and there, toward the end of October, it was agreed that the government of the Roman world should be peaceably divided between the three captains, who were to be called Triumvirs for the settlement of the affairs of the republic. They were to retain their offices until the end of December, 38, Lepidus ruling Spain; Octavius, Sicily, Sardinia, and Africa; and Antony, the two Gauls; while Italy was to be governed by the three in common, their authority being paramount to senate, consuls, and laws. This is known as the Second Triumvirate, though we must remember that the former arrangement, made by Csar, Pompey, and Crassus, was simply a private league without formal sanction of law. The second triumvirate was proclaimed November, 27, 43 B.C.
The first work of the three rulers was to rid themselves of all whom they feared as enemies, and we have to imagine them sitting down to make out a list of those who, like the sufferers at the dreadful time of Marius and Sulla, were proscribed. Among the prominent men seventeen were first chosen to be butchered, and on the horrid list are found the names of a cousin of Octavius, a brother of Lepidus, and an uncle of Antony. To the lasting execration of Octavius, he consented that Cicero, who had so valiantly fought for him, should be sacrificed to the vengeance of Antony, whom the orator had scarified with his burning words.
This was but the beginning of blood-shedding, for when the triumvirs reached Rome they issued list after list of the doomed, some names being apparently included at the request of daughters, wives, and friends to gratify private malice. The head and hands of Cicero were cut off and sent to be affixed to the rostra, where they had so often been seen during his life. It is said that on one occasion a head was presented to Antony, and he exclaimed: "I do not recognize it, show it to my wife"; and that on another, when a man begged a few moments of respite that he might send his son to intercede with Antony, he was told that it was that son who had demanded his death. The details are too horrible for record, and yet it is said that the massacre was not so general as in the former instance. In this reign of terror, three hundred senators died, and two thousand knights.
While these events had occurred in Rome, Brutus and Cassius had been successfully pursuing their conquests in Syria and Greece, and were now masters of the eastern portion of the Roman world. When they heard of the triumvirate and the proscription, they determined to march into Europe; but Antony and Octavius were before them, and the opposed forces met on the field of Philippi, which lies nine miles from the gean Sea, on the road between Europe and Asia, the Via Egnatia, which ran then as now from Dyrrachium and Apollonia in Illyricum, by way of Thessalonica to Constantinople, or Byzantium, as it was then called. Brutus engaged the forces of Octavius, and Cassius those of Antony. Antony made head against his opponent; but Octavius, who was less of a commander, and fell into a fit of illness on the beginning of the battle, gave way before Brutus, though in consequence of misinformation of the progress of the struggle, Cassius killed himself just before a messenger arrived to tell him of his associate's success. Twenty days afterwards the struggle was renewed on the same ground, and Brutus was defeated, upon which he likewise put an end to his own life. If the murderers of Csar had fought for the republic, there was no hope for that cause now. The three rulers were reduced to two, for Lepidus was ignored after the victory of his associates, and it only remained to eliminate the second member of the triumvirate to establish the monarchy. For the present, Octavius and Antony divided the government between them, Antony taking the luxurious East, and leaving to Octavius the invidious task of governing Italy and allotting lands to the veterans.
Thousands of the inhabitants of Cisalpine Gaul were expelled from their homes to supply the soldiers with farms, but still they remained unsatisfied, and Italy was filled with complaints which Octavius was unable to allay. Antony, on the other hand, gave himself up to the grossest dissipation, careless of consequences. At Tarsus, he had an interview with Cleopatra, then twenty-eight years of age, whom he had seen years before when he had accompanied Gabinius to Alexandria, and later, when she had lived at Rome the favorite of Csar. Henceforth he was her willing slave. She sailed up the river Cydnus in a vessel propelled by silver oars that moved in unison with luxurious music, and filled the air with fragrance as she went, while beautiful slaves held the rudder and the ropes. The careless and pleasure-loving warrior forgot every thing in his wild passion for the Egyptian queen. He forgot his wife, Fulvia, but she was angry with Octavius because he had renounced his wife Claudia, her daughter, and stirred up a threatening revolt against him, which she fondly hoped might also serve to recall Antony from the fascinations of Cleopatra. With her supporters she raised a considerable army, by taking the part of the Italians who had been dispossessed to give farms to the veterans, and by pretending also to favor the soldiers, to whom rich spoils from Asia were promised. They were, however, pushed from place to place until they found themselves shut up in the town of Perusia, in Etruria, where they were besieged and forced to surrender, by the military skill of Agrippa, afterwards known as one of the ablest generals of antiquity.
Meantime, Antony's fortunes in the East were failing, and he determined upon a brave effort to overthrow Octavius. He sailed for Brundusium, and laid siege to it; but the soldiers on both sides longed for peace. Fulvia had died, and mutual friends prevailed upon Octavius and Antony to make peace and portion out the world anew. Again the East fell to Antony and the West to his colleague. Antony married Octavia, sister of Octavius, and both repaired to the capital, where they celebrated games and festivities in honor of the marriage and the reconciliation. This was at the end of the year 40 B.C.
The next year peace was effected with Sextus, a son of the great Pompey, who had been proscribed as one of the murderers of Csar, though he had really had no share in that deed. He had been engaged in marauding expeditions having for their purpose the injury of the triumvirs, and at this time had been able to cut off a considerable share of the supply of grain from Sicily and Africa. He was indemnified for the loss of his private property and was given an important command for five years. This agreement was never consummated, for Antony had not been consulted and refused to carry out a portion of it that depended upon him. Again Pompey entered upon his marauding expeditions, and the price of grain rose rapidly at Rome. Two years were occupied in preparing a fleet, which was placed under command of Agrippa, who defeated Pompey off Naulochus, on the northwestern coast of Sicily (Sept. 3, 36.)
In the midst of the preparations for the war with Pompey, (B.C. 37) discord had arisen between Antony and Octavius, and the commander of the Eastern army set out for Italy with a fleet of three hundred sail. Octavius forbade his landing, and he kept on his course to Tarentum, where a conference was held. There were present on this memorable occasion, besides the two triumvirs, Agrippa, the great general; Octavia, sister of one triumvir and wife of the other, one of the noblest women of antiquity; and Caius Cilnius Mcenas, a wealthy patron of letters, who had also been present when the negotiations were made previous to the peace of Brundusium, three years before. Probably the satiric poet Horace was also one of the group, for he gives, in one of his satires, an account of a journey from Rome to Brundusium, which he is supposed to have made at the time that Mcenas was hurrying to the conference.
Horace says that he set out from Rome accompanied by Heliodorus, a rhetorician whom he calls by far the most learned of the Greeks, and that they found a middling inn at Aricia, the first stopping-place, on the Appian Way, sixteen miles out, at the foot of the Alban mount.
Next they rested, or rather tried to rest, at Appii Forum, a place stuffed with sailors, and then took a boat on the canal for Tarracina. He gives a vivid picture of the confusion of such a place, where the watermen and the slaves of the travellers were mutually liberal in their abuse of each other, and the gnats and frogs drove off sleep. Drunken passengers, also, added to the din by the songs that their potations incited them to. At Feronia the passengers left the boat, washed their faces and hands, and crawled onward three miles up to the heights of Anxur, where Mcenas and others joined the party. Slowly they made their way past Fundi, and Formi, where they seem to have been well entertained. The next day they were rejoiced by the addition of the poet Virgil and several more friends to the party, and pleasantly they jogged onwards until their mules deposited their pack- saddles at Capua, where Mcenas was soon engaged in a game of tennis, while Horace and Virgil sought repose. The next stop was not far from the celebrated Caudine Forks, at a friend's villa, where they were very hospitably entertained, and supplied with a bountiful supper, at which buffoons performed some droll raillery. Thence they went directly to Beneventum, where the bustling landlord almost burned himself and those he entertained in cooking their dainty dinner, the kitchen fire falling through the floor and spreading the flames towards the highest part of the roof. It was a ludicrous moment, for the hungry guests and frightened slaves hardly knew whether to snatch their supper from the flames or to try to extinguish the fire.
From Beneventum the travellers rode on in sight of the Apuleian mountains to the village of Trivicum, where the poet gives us a glimpse of the customs of the times when he tells us that tears were brought to their eyes by the green boughs with the leaves upon them with which a fire was made on the hearth. Hence for twenty-four miles the party was bowled away in chaises to a little town that the poet does not name, where water was sold, the worst in the world, he thought it, but where the bread was very fine. Through Canusium they went to Rubi, reaching that place fatigued because they had made a long journey and had been troubled by rains. Two days more took them through Barium and Egnatia to Brundusium, where the journey ended.
At this conference it was agreed that the triumvirate should continue five years longer, Antony agreeing to assist Octavius with 120 ships against Pompey, and Octavius contributing a large land force to help Antony against the Parthians. After Pompey had been overcome, Lepidus claimed Sicily, but Octavius seduced his soldiers from him, and obliged him to throw himself upon his rival's mercy. He was permitted to retire into private life, but was allowed to enjoy his property and dignities. He lived in the ease that he loved until 13 B.C., first at Circeii, not far from Tarracina, and afterwards at Rome, where he was deprived of honors and rank. Lepidus had not been a strong member of the triumvirate for a long time, but after this he was not allowed to interfere even nominally in affairs of government. Antony and Octavius were now to wrestle for the supremacy, and the victor was to be autocrat.
For three years after his marriage with Octavia, Antony seems to have been able to conquer the fascinations of the Egyptian queen, but then, when he was preparing to advance into Parthia, he allowed himself to fall again into her power, and the chances that he could hold his own against Octavius were lessened (B.C. 37). He advanced into Syria, but called Cleopatra to him there, and delayed his march to remain with her, overwhelming her with honors. When at last he did open the campaign, he encountered disaster, and, hardly escaping the fate of Crassus, retreated to Alexandria, where he gave himself up entirely to his enchantress. He laid aside the dress and manners of a Roman, and appeared as an Eastern monarch, vainly promising Cleopatra that he would conquer Octavius and make Alexandria the capital of the world. The rumors of the mad acts of Antony were carried to Rome, where Octavius was growing in popularity, and it was inevitable that a contrast should be made between the two men. Octavius easily made the people believe that they had every thing to fear from Antony. The nobles who sided with Antony urged him to dismiss Cleopatra, and enter upon a contest with his rival untrammelled; but, on the contrary, in his infatuation he divorced Octavia.
War was declared against Cleopatra, for Antony was ignored, and Octavius as consul was directed to push it. Mcenas was placed in command at Rome, Agrippa took the fleet, and the consul himself the land forces. The decisive struggle took place off the west coast of Greece, north of the islands of Samos and Leucas, near the promontory of Actium, which gained its celebrity from this battle (September 2, B.C. 31). The ships of Agrippa were small, and those of Antony large, but difficult of management, and Cleopatra soon became alarmed for her safety, She attempted to flee, and Antony sailed after her, leaving those who were fighting for them. Agrippa obtained a decisive victory, and Octavius likewise overcame the forces on land.
Agrippa was sent back to Rome, and for a year Octavius busied himself in Greece and Asia Minor, adding to his popularity by his mildness in the treatment of the conquered. He had intended to pass the winter at Samos, but troubles among the veterans called him to Italy, where he calmed the rising storm, and returned again to his contest, after an absence of only twenty-seven days.
Both Cleopatra and Antony sent messengers to solicit the favor of Octavius, but he was cold and did not satisfy them, and calmly pushed his plans. An effort was made by Cleopatra to flee to some distant Arabian resort, but it failed: Antony made a show of resistance, but found that his forces were not to be trusted, and both then put an end to their lives, leaving Octavius master of Egypt, as he was of the rest of the world. He did not hasten back to Rome, where he knew that Mcenas and Agrippa were faithfully attending to his interests, but occupied himself another year away from the capital in regulating the affairs of his new province.
In the summer of the year 29, however, Octavius left Samos, where he had spent the winter in rest, and entered Rome amid the acclamations of the populace, celebrating triumphs for the conquest of Dalmatia, of Actium, and of Egypt, and distributing the gold he had won with such prodigality that interest on loans was reduced two thirds and the price of lands doubled. Each soldier received a thousand sesterces (about $40), each citizen four hundred, and a certain sum was given to the children, the whole amounting to some forty million dollars.
Octavius marked the end of the old era by himself closing the gates of the temple of Janus for the third time in the history of Rome, and by declaring that he had burned all the papers of Antony. Several months later, by suppressing all the laws of the triumvirate he emphasized still more the fact which he wished the people to understand, that he had broken with the past.
The Roman Republic was ended. The Empire was not established in name, but the government was in reality absolute. The chief ruler united in himself all the great offices of the state, but concealed his strength and power, professing himself the minister of the senate, to which, however, he dictated the decrees that he ostentatiously obeyed.
XVIII.
SOME MANNERS AND CUSTOMS OF THE ROMAN PEOPLE.
We have now traced the career of the people of Rome from the time when they were the plain and rustic subjects of a king, through their long history as a conquering republic, down to the period when they lost the control of government and fell into the hands of a ruler more autocratic than their earlier tyrants. The heroic age of the republic had now long since passed away, and with it had gone even the admiration of those personal qualities which had lain at the foundation of the national greatness.
History at its best is to such an extent made up of stories of the doings of rulers and fighting-men, who happen by their mere strength and physical force to have made themselves prominent, that it is often read without conveying any actual familiarity with the people it is ostensibly engaged with. The soldiers and magistrates of whom we have ourselves been reading were but few, and we may well ask what the millions of other citizens were doing all these ages. How did they live? What were their joys and griefs? We have, it is true, not failed to get an occasional glimpse of the intimate life of the people who were governed, as we have seen a Virginia passing through the forum to her school, and a Lucretia spinning among her maidens, and we have learned that in the earliest times the workers were honored so much that they were formed into guilds, and had a very high position among the centuries (see pages 31 and 50), but these were only suggestions that make us all the more desirous to know particulars.
Rome had not become a really magnificent city, even after seven hundred years of existence. We know that it was a mere collection of huts in the time of Romulus, and that after the burning of the principal edifices by the Gauls, it was rebuilt in a hurried and careless manner, the houses being low and mean, the streets narrow and crooked, so that when the population had increased to hundreds of thousands the crowds found it difficult to make their way along the thoroughfares, and vehicles with wheels were not able to get about at all, except in two of the streets. The streets were paved, it is true, and there were roads and aqueducts so well built and firm that they claim our admiration even in their ruins.
The Roman house at first was extremely simple, being of but one room called the atrium, or darkened chamber, because its walls were stained by the smoke that rose from the fire upon the hearth and with difficulty found its way through a hole in the roof. The aperture also admitted light and rain, the water that dripped from the roof being caught in a cistern that was formed in the middle of the room. The atrium was entered by way of a vestibule open to the sky, in which the gentleman of the house put on his toga as he went out. [Footnote: When Cincinnatus went out to work in the field, he left his toga at home, wearing his tunic only, and was "naked" (nudus), as the Romans said. The custom illustrates MATT, xxiv., 18. (See p. 86.)] Double doors admitted the visitor to the entrance-hall or ostium. There was a threshold, upon which it was unlucky to place the left foot; a knocker afforded means of announcing one's approach, and a porter, who had a small room at the side, opened the door, showing the caller the words Cave canem (beware of the dog), or Salve (welcome), or perchance the dog himself reached out toward the visitor as far as his chain would allow. Sometimes, too, there would be noticed in the mosaic of the pavement the representation of the faithful domestic animal which has so long been the companion as well as the protector of his human friend. Perhaps myrtle or laurel might be seen on a door, indicating that a marriage was in process of celebration, or a chaplet announcing the happy birth of an heir. Cypress, probably set in pots in the vestibule, indicated a death, as a crape festoon does upon our own door-handles, while torches, lamps, wreaths, garlands, branches of trees, showed that there was joy from some cause in the house.
In the "black room" the bed stood; there the meals were cooked and eaten, there the goodman received his friends, and there the goodwife sat in the midst of her maidens spinning. The original house grew larger in the course of time: wings were built on the sides, and the Romans called them wings as well as we (ala, a wing). Beyond the black room a recess was built in which the family records and archives were preserved, but with it for a long period the Roman house stopped its growth.
Before the empire came, however, there had been great progress in making the dwelling convenient as well as luxurious. Another hall had been built out from the room of archives, leading to an open court, surrounded by columns, known as the peristylum (peri about, stulos, a pillar), which was sometimes of great magnificence. Bedchambers were made separate from the atrium, but they were small, and would not seem very convenient to modern eyes.
The dining-room, called the triclinium (Greek, kline, a bed) from its three couches, was a very important apartment. In it were three lounges surrounding a table, on each of which three guests might be accommodated. The couches were elevated above the table, and each man lay almost flat on his breast, resting on his left elbow, and having his right hand free to use, thus putting the head of one near the breast of the man behind him, and making natural the expression that he lay in the bosom of the other. [Footnote: In the earliest times the Romans sat at table on benches. The habit of reclining was introduced from Greece, but Roman women sat at table long after the men had fallen into the new way.] As the guests were thus arranged by threes, it was natural that the rule should have been made that a party at dinner should not be less in number than the Graces nor more than the Muses, though it has remained a useful one ever since.
Spacious saloons or parlors were added to the houses, some of which were surrounded with galleries and highly adorned. In these the dining- tables were spread on occasions of more ceremony than usual. After the capture of Syracuse, and the increase of familiarity with foreign art, picture-rooms were built in private dwellings; and after the second Punic war, book-rooms became in some sort a necessity. Before the republic came to an end, it was so fashionable to have a book-room that ignorant persons who might not be able to read even the titles of their own books endeavored to give themselves the appearance of erudition by building book-rooms in their houses and furnishing them with elegance. The books were in cases arranged around the walls in convenient manner, and busts and statues of the Muses, of Minerva, and of men of note were used then as they are now for ornaments. [Footnote: The books were rolls of the rind (liber) of the Egyptian papyrus, which early became an article of commerce, or of parchment, written on but one side and stained of a saffron color on the other. Slaves were employed to make copies of books that were much in demand, and booksellers bought and sold them.] House-philosophers were often employed to open to the uninstructed the stores of wisdom contained in the libraries.
As wealth and luxury increased, the Romans added the bath-room to their other apartments. In the early ages they had bathed for comfort and cleanliness once a week, but the warm bath was apparently unknown to them. In time this became very common, and in the days of Cicero there were hot and cold baths, both public and private, which were well patronized. Some were heated by fires in flues, directly under the floors, which produced a vapor bath. The bath was, however, considered a luxury, and at a later date it was held a capital offence to indulge in one on a religious holiday, and the public baths were closed when any misfortune happened to the republic.
Comfort and convenience united to take the cooking out of the atrium (which then became a reception-room) into a separate apartment known as the culina, or kitchen, in which was a raised platform on which coals might be burned and the processes of broiling, boiling, and roasting might be carried on in a primitive manner, much like the arrangement still to be seen at Rome. On the tops of the houses, after a while, terraces were planned for the purpose of basking in the sun, and sometimes they were furnished with shrubs, fruit-trees, and even fishponds. Often there were upwards of fifty rooms in a house on a single floor; but in the course of time land became so valuable that other stories were added, and many lived in flats. A flat was sometimes called an insula, which meant, properly, a house not joined to another, and afterwards was applied to hired lodgings. Domus, a house, meant a dwelling occupied by one family, whether it were an insula or not.
The floors of these rooms were sometimes, but not often, laid with boards, and generally were formed of stone, tiles, bricks, or some sort of cement. In the richer dwellings they were often inlaid with mosaics of elegant patterns. The walls were often faced with marble, but they were usually adorned with paintings; the ceilings were left uncovered, the beams supporting the floor or the roof above being visible, though it was frequently arched over. The means of lighting, either by day or night, were defective. The atrium was, as we have seen, lighted from above, and the same was true of other apartments—those at the side being illuminated from the larger ones in the middle of the house. There were windows, however, in the upper stories, though they were not protected by glass, but covered with shutters or lattice-work, and, at a later period, were glazed with sheets of mica. Smoking lamps, hanging from the ceiling or supported by candelabra, or candles, gave a gloomy light by night in the houses, and torches without.
The sun was chiefly depended upon for heat, for there were no proper stoves, though braziers were used to burn coals upon, the smoke escaping through the aperture in the ceiling, and, in rare cases, hot- air furnaces were constructed below, the heat being conveyed to the upper rooms through pipes. There has been a dispute regarding chimneys, but it seems almost certain that the Romans had none in their dwellings, and, indeed, there was little need of them for purposes of artificial warmth in so moderate a climate as theirs.
Such were some of the chief traits of the city houses of the Romans. Besides these, there were villas in the country, some of which were simply farm-houses, and others places of rest and luxury supported by the residents of cities. The farm villa was placed, if possible, in a spot secluded from visitors, protected from the severest winds, and from the malaria of marshes, in a well-watered place near the foot of a well-wooded mountain. It had accommodations for the kitchen, the wine- press, the farm-superintendent, the slaves, the animals, the crops, and the other products of the farm. There were baths, and cellars for the wine and for the confinement of the slaves who might have to be chained.
Varro thus describes life at a rural household: "Manius summons his people to rise with the sun, and in person conducts them to the scene of their daily work. The youths make their own bed, which labor renders soft to them, and supply themselves with water-pot and lamp. Their drink is the clear fresh spring; their fare, bread, with onions as a relish. Every thing prospers in house and field. The house is no work of art, but an architect might learn symmetry from it. Care is taken of the field that it shall not be left disorderly, and waste or go to ruin through slovenliness or neglect; and, in return, grateful Ceres wards off damage from the produce, that the high-piled sheaves may gladden the heart of the husbandman. Here hospitality still holds good; every one who has but imbibed mother's milk is welcome. The bread-pantry, the wine-vat, and the store of sausages on the rafter,—lock and key are at the service of the traveller, and piles of food are set before him; contented, the sated guest sits, looking neither before him nor behind, dozing by the hearth in the kitchen. The warmest double-wool sheepskin is spread as a couch for him. Here people still, as good burgesses, obey the righteous law which neither out of envy injures the innocent, nor out of favor pardons the guilty. Here they speak no evil against their neighbors. Here they trespass not with their feet on the sacred hearth, but honor the gods with devotion and with sacrifices; throw to the familiar spirit his little bit of flesh into his appointed little dish, and when the master of the household dies accompany the bier with the same prayer with which those of his father and of his grandfather were borne forth."
The pleasure villa had many of the appointments of the town house, but was outwardly more attractive, of course. It stood in the midst of grassy slopes, was approached through avenues of trees leading to the portico, before which was a terrace and ornaments made of box-trees cut into fantastic forms representing animals. The dining-room stood out from the other buildings, and was light and airy. Perhaps a grand bedchamber was likewise built out from the others, so that it might have the warmth of the sun upon it through the entire day. Connected with the establishment were walks ornamented with flowerbeds, closely clipped hedges, and trees tortured into all sorts of unnatural shapes. There were shaded avenues for gentle exercise afoot or in litters; there were fountains, and perhaps a hippodrome formed like a circus, with paths divided by hedges and surrounded by large trees in which the luxurious owner and his guests might run or exercise themselves in the saddle. [Footnote: Roman extravagance ran riot in the appointments of the villa. One is mentioned that sold for some $200,000, chiefly because it comprised a desirable fish-pond. A late writer says of the site of Pompey's villa on a slope of the Alban hills: "It has never ceased in all the intervening ages to be a sort of park, and very fine ruins, from out of whose massive arches grow a whole avenue of live oaks, attest to the magnificence which must once have characterized the place. The still beautiful grounds stretch along the shore of the lake as far as the gate of the town of Albano.... The house in Rome I occupy, stands in the old villa of Mcenas, an immense tract of land comprising space enough to contain a good-sized city.... Where did the Plebs live? and what air did they and their children breathe? Who cared or knew, so long as Pompey or Csar fared sumptuously? What marvel that there were revolutions!"]
In such houses the Roman family lived, composed as families must be, of parents and children, to which were usually added servants, for after the earlier times of simplicity had passed away it became so fashionable to keep slaves to perform all the different domestic labors, that one could hardly claim to be respectable unless he had at least ten in his household. The first question asked regarding a stranger was: "How many slaves does he keep?" and upon its answer depended the social position the person would have in the inquirer's estimation. The son did not pass from his father's control while that parent lived, but the daughter might do so by marriage. The power of the father over his children and grandchildren, as well as over his slaves was very great, and the family spirit was exceedingly strong.
When a man and a woman had agreed to marry, and the parents and friends had given their consent, there was sometimes a formal meeting at the maiden's house, at which the marriage-agreement was written out on tablets and signed by the engaged persons. It seems, too, that in some cases the man placed a ring on the hand of his betrothed. It was no slight affair to choose the wedding-day, for no day that was marked ater on the calendar would be considered fit for the purpose of the rites that were to accompany the ceremony. The calends (the first day of the month), the nones (the fifth or seventh), and the ides (the thirteenth or fifteenth), would not do, nor would any day in May or February, nor many of the festivals.
In early times, the bride dressed herself in a long white robe, adorned with ribbons, and a purple fringe, and bound herself with a girdle on her wedding day. She put on a bright yellow veil and shoes of the same color, and submitted to the solemn religious rites that were to make her a wife. The pair walked around the altar hand in hand, received the congratulations of their friends, and the bride, taken with apparent force from the arms of her mother, as the Sabine women were taken in the days of Romulus, was conducted to her new home carrying a distaff and a spindle, emblems of the industry that was thought necessary in the household work that she was to perform or direct. Strong men lifted her over the threshold, lest her foot should trip upon it, and her husband saluted her with fire and water, symbolic of welcome, after which he presented her the keys. A feast was then given to the entire train of friends and relatives, arid probably the song was sung of which Talasia was the refrain. [Footnote: See page 22.] Sometimes the husband gave another entertainment the next day, and there were other religious rites after which the new wife took her proud position as mater-familias, sharing the honors of her husband, and presiding over the household.
The wives and daughters made the cloth and the dresses of the household, in which they had ample occupation, but their labors did not end there. [Footnote: Varro contrasts the later luxury with past frugality, setting in opposition the spacious granaries, and simple farm arrangements of the good old times, and the peacocks and richly inlaid doors of a degenerate age. Formerly even the city matron turned the spindle with her own hand, while at the same time she kept her eye upon the pot on the hearth; now the wife begs the husband for a bushel of pearls, and the daughter demands a pound of precious stones: then the wife was quite content if the husband gave her a trip once or twice in the year in an uncushioned wagon; now she sulks if he go to his country estate without her, and as she travels my lady is attended to the villa by the fashionable host of Greek menials and singers.] The grinding of grain and the cooking was done by the servants, but the wife had to superintend all the domestic operations, among which was included the care of the children, though old Cato thought it was necessary for him to look after the washing and swaddling of his children in person, and to teach them what he thought they ought to know. The position of the woman was entirely subordinate to the husband, though in the house she was mistress. She belonged to the household and not to the community, and was to be called to account for her doings by her father, her husband, or her near male relatives, not by her political ruler. She could acquire property and inherit money the same as a man could, however. When the pure and noble period of Roman history had passed, women became as corrupt as the rest of the community. The watering-places were scenes of unblushing wickedness; women of quality, but not of character, masquerading before the gay world with the most reckless disregard of all the proprieties of life. [Footnote: Cato the Elder, who enjoyed uttering invectives against women, was free in denouncing their chattering, their love of dress, their ungovernable spirit, and condemned the whole sex as plaguy and proud, without whom men would probably be more godly.]
The garments of Roman men and women were of extreme simplicity for a long period, but the desire of display and the love of ornament succeeded in making them at last highly adorned and varied. Both men and women wore two principal garments, the tunic next to the body, and the pallium which was thrown over it when going abroad; but they also each had a distinctive article of dress, the men wearing the toga (originally worn also by women), a flowing outer garment which no foreigner could use, and the women the stola, which fell over the tunic to the ankles and was bound about the waist by a girdle. Boys and girls wore a toga with a broad border of purple, but when the boy became a man he threw this off and wore one of the natural white color of the wool.
Sometimes the stola was clasped over the shoulder, and in some instances it had sleeves. The pallium was a square outer garment of woollen goods, put on by women as well as men when going out. It came into use during the civil wars, but was forbidden by Augustus. Both sexes also wore in travelling a thick, long cloak without sleeves, called the pnula, and the men wore also over the toga a dark cloak, the lacerna.
On their feet the men wore slippers, boots, and shoes of various patterns. The soccus was a slipper not tied, worn in the house; and the solea a very light sandal, also used in the house only. The sandalium proper was a rich and luxurious sandal introduced from Greece and worn by women only. The baxa was a coarse sandal made of twigs, used by philosophers and comic actors; the calcus was a shoe that covered the foot, though the toes were often exposed; and the cothurnus, a laced boot worn by horsemen, hunters, men of authority, and tragic actors, and it left the toes likewise exposed.
An examination of the mysteries of the dressing-rooms of the ladies of Rome displays most of the toilet conveniences that women still use. They dressed their hair in a variety of styles (see page 155), and used combs, dyes, oils, and pomades just as they now do. They had mirrors, perfumes, soaps in great variety, hair-pins, ear-rings, bracelets, necklaces, gay caps and turbans, and sometimes ornamental wigs.
The change that came over Rome during the long period of the kingdom and the republic is perhaps as evident in the table customs as in any respect. For centuries the simple Roman sat down at noon to a plain dinner of boiled pudding made of spelt (far), and fruits, which, with milk, butter, and vegetables, formed the chief articles of his diet. His table was plain, and his food was served warm but once a day. When the national horizon had been enlarged by the foreign wars, and Asiatic and Greek influences began to be felt, hot dishes were served oftener, and the two courses of the principal meal no longer sufficed to satisfy the fashionable appetite. A baker's shop was opened at the time of the war with Perseus, and scientific cookery rapidly came into vogue.
We cannot follow the course of the history of increasing luxury in its details. Towards the end of the republic, breakfast (jentaculum), consisting of bread and cheese, with perhaps dried fruit, was taken at a very early hour, in an informal way, the guests not even sitting down. At twelve or one o'clock luncheon followed (prandium). There was considerable variety in this meal. The principal repast of the day (cna) occurred late in the afternoon, some time just before sunset, there having been the same tendency to make the hour later and later that has been manifested in England and America. There were three usual courses, the first comprising stimulants to the appetite, eggs, olives, oysters, lettuce, and a variety of other such delicacies. For the second course the whole world was put under requisition. There were turbots and sturgeon, eels and prawns, boar's flesh and venison, pheasants and peacocks, ducks and capons, turtles and flamingoes, pickled tunny-fishes, truffles and mushrooms, besides a variety of other dishes that it is impossible to mention here. After these came the dessert, almonds and raisins and dates, cheese-cakes and sweets and apples. Thus the egg came at the beginning, and the apple, representative of fruit in general, at the end, a fact that gave Horace ground for his expression, ab ovo usque ad mala, from the egg to the apple, from the beginning to the end. [Footnote: The practical side of the Roman priesthood was the priestly cuisine; the augural and pontifical banquets were, as we may say, the official gala days in the life of a Roman epicure, and several of them form epochs in the history of gastronomy: the banquet on the occasion of the inauguration of the augur Quintus Hortensius, for instance, brought roast peacocks into vogue.—Mommsen. Book IV., chap. 12.]
The Roman dinner was served with all the ostentatious elegance and formality of our own days, if not with more. The guests assembled in gay dresses ornamented with flowers; they took off their shoes, lest the couch, inlaid with ivory, perhaps, or adorned with cloth of gold, should be soiled; and laid themselves down to eat, each one adjusting his napkin carefully, and taking his position according to his relative importance, the middle place being deemed the most honorable. About the tables stood the servants, dressed in the tunic, and carrying napkins or rough cloths to wipe off the table, which was of the richest wood and covered by no cloth. While some served the dishes, often of magnificent designs, other slaves offered the feasters water to rinse their hands, or cooled the room with fans. At times music and dances were added to give another charm to the scene.
The first occupation of the Romans was agriculture, in which was included the pasturage of flocks and herds. In process of time trades were learned, and manufactures (literally making with the hand, manus, the hand, facere, to make) were introduced, but not, of course, to any thing like the extent familiar in our times. There were millers and shoe-makers, butchers and tanners, bakers and blacksmiths, besides other tradesmen and laborers. In the process of time there were also artists, but in this respect Rome did not excel as Greece had long before. There were also physicians, lawyers, and teachers, besides office-holders. [Footnote: There were office-seekers, also, and of the most persistent kind, throughout the whole history of the republic, and they practised the corrupt arts of the most ingenious of the class in modern times. The candidate went about clad in a toga of artificial whiteness (candidus, white), accompanied by a nomenclator, who gave him the names of the voters they might meet, so that he could compliment them by addressing them familiarly, and he shook them by the hand. He "treated" the voters to drink or food in a very modern fashion, though with a more than modern profusion; and he went to the extreme of bribing them if treating did not suffice. Against these practices Coriolanus haughtily protests, in Shakespeare's play. Sometimes candidates canvassed for votes outside of Rome, as Cicero proposed in one of his letters to Atticus.]
When the Roman wished to go from place to place he had a variety of modes among which to choose, as we have already had suggested by Horace in his account of the trip from Rome to Brundusium. He might have his horse saddled, and his saddle-bags packed, as our fathers did of yore; he could do as one of the rich provincial governors described by Cicero did when, at the opening of a Sicilian spring, he entered his rose- scented litter, carried by eight bearers, reclining on a cushion of Maltese gauze, with garlands about his head and neck, applying a delicate scent-bag to his nose as he went. There were wagons and cars, in which he might drive over the hard and smooth military roads, and canals; and along the routes, there were, as Horace has told us, taverns at which hospitality was to be expected.
The Roman law was remarkable for embodying in itself "the eternal principles of freedom and of subordination, of property and legal redress," which still reign unadulterated and unmodified, as Mommsen says; and this system this strong people not only endured but actually ordained for itself, and it involved the principle that a free man could not be tortured, a principle which other European peoples embraced only after a terrible and bloody struggle of a thousand years.
One of the punishments is worthy of mention here. We have already noticed its infliction. It was ordered that a person might not live in a certain region, or that he be confined to a certain island, and that he be interdicted from fire and water, those two essentials to life, in case he should overstep the bounds mentioned. These elements with the Romans had a symbolical meaning, and when the husband received his bride with fire and water, he signified that his protection should ever be over her. Thus their interdiction meant the withdrawal of the protection of the state from a person, which left him an outlaw. Such a law could only have been made after the nation had become possessed of regions somewhat remote from its centre of power. England can now exile its criminals to another hemisphere, and Russia to a distant region of deserts and cold, but neither country could have punished by exile before it owned such regions.
XIX.
THE ROMAN READING AND WRITING.
In the earliest times the education of young Romans was probably confined to instruction in dancing and music, though they became acquainted with the processes of agriculture by being called upon to practise them in company with their elders. It was not long before the elementary attainments of reading, writing, and counting were brought within their reach, even among the lower orders and the slaves, and we know that it was thought important to make the latter class proficient in many departments of scholarship.
The advance in the direction of real mental culture was, however, not great until after the contact with Greece. So long as the Romans remained a strong and self-centred people, deriving little but tribute from peoples beyond the Italian peninsula, and looking with disdain upon all outside that limit, there was not much to stimulate their mental progress; but when contrast with another civilization showed that there was much power to be gained by knowledge, it was naturally more eagerly sought. The slaves and other foreigners, to whom the instruction of the children was assigned, were familiar with the Greek language, and it had the great advantage over Latin of being the casket in which an illustrious literature was preserved. For this reason Roman progress in letters was founded upon that of Greece.
The Roman parent for a long time made the Twelve Tables the text-book from which his children were taught, thus giving them a smattering of reading, of writing, and of the laws of the land at once. Roman authorship and the study of grammar, however, were about coincident in their beginnings with the temporary cessation of war and the second closing of the temple of Janus. Cato the elder prepared manuals for the instruction of youth (or, perhaps, one manual in several parts), which gave his views on morals, oratory, medicine, war, and agriculture (a sort of encyclopdia), and a history entitled Origines, which recounted the traditions of the kings, told the story of the origin of the Italian towns, of the Punic wars, and of other events down to the time of his own death. [Footnote: See page 153. "Cato's encyclopdia... was little more than an embodiment of the old Roman household knowledge, and truly when compared with the Hellenic culture of the period, was scanty enough."—MOMMSEN, bk. IV., ch. 12.] This seems to have originated in the author's natural interest in the education of his son, a stimulating cause of much literature of the same kind since.
The Roman knowledge of medicine came first from the Etruscans, to whom they are said to have owed so much other culture, and subsequently from the Greeks. The first person to make a distinct profession of medicine at Rome, however, was not an Etruscan, but a Greek, named Archagathus, who settled there in the year 219, just before the second Punic war broke out. He was received with great respect, and a shop was bought for him at the public expense; but his practice, which was largely surgical, proved too severe to be popular. In earlier days the father had been the family physician, and Cato vigorously reviled the foreign doctors, and like the true conservative that he was, strove to bring back the good old times that his memory painted; but his efforts did not avail, and the professional practice of the healing art not only became one of the most lucrative in Rome, but remained for a long period almost a monopoly in the hands of foreigners. Science, among the latest branches of knowledge to be freed from the swaddling-clothes of empiricism, received, in its applied form, some attention, though mathematics and physics were not specially favored as subjects of investigation.
The progress of Roman culture is distinctly shown by a comparison of the curriculum of Cato with that of Marcus Terentius Varro, a long-time friend of Cicero, though ten years his senior. [Footnote: Varro is said to have written of his youth. "For me when a boy there sufficed a single rough coat and a single undergarment, shoes without stockings, a horse without a saddle. I had no daily warm bath, and but seldom a river bath." Still, he utters warnings against over-feeding and over- sleeping, as well as against cakes and high living, pointing to his own youthful training, and says that dogs were in his later years more judiciously cared for than children.] Varro obtained from Quintilian the title "the most learned of the Romans," and St. Augustine said that it was astonishing that he could write so much, and that one could scarcely believe that anybody could find time even to read all that he wrote. He was proscribed by the triumvirs at the same time that Cicero was, but was fortunate enough to escape and subsequently to be placed under the protection of Augustus. Cato thought that a proper man ought to study oratory, medicine, husbandry, war, and law, and was at liberty to look into Greek literature a little, that he might cull from the mass of chaff and rubbish, as he affected to deem it, some serviceable maxims of practical experience, but he might not study it thoroughly. Varro extended the limit of allowed and fitting studies to grammar, logic, rhetoric, geometry, arithmetic, astronomy, music, medicine, and architecture.
Young children were led to their first studies by the kindergarten path of amusement, learning their letters as we learned them ourselves by means of blocks, and spelling by repeating the letters and words in unison after the instructor. Dictation exercises were turned to account in the study of grammar and orthography, and writing was taught by imitation, though the "copy-book" was not paper, but a tablet covered with a thin coating of wax, and the pen a stylus, pencil-shaped, sharp at one end and flat at the other, so that the mark made by the point might be smoothed out by reversing the instrument. Thus vertere stilum, to turn the stylus, meant to correct or to erase. [Footnote: See illustrations on pages 23 and 219.] The first school-book seems to have been an Odyssey, by one Livius Andronicus, probably a Tarentine, who was captured during the wars in Southern Italy. He became a slave, of course, and was made instructor of his master's children. He familiarized himself with the Latin language, and wrote dramas in it. Thus though he was a native of Magna Grcia, he is usually mentioned as the first Roman poet. It is not known whether his Odyssey and other writings were imitations of the Greek or translations, but it matters little; they were immediately appreciated and held their own so well that they were read in schools as late as the time of Horace. This first awakener of Roman literary effort was born at the time of Pyrrhus and died before the battle of Zama.
A few other Roman writers of prominence claim our attention. With some reason the Romans looked upon Ennius as the father of their literature. He, like Andronicus, was a native of Magna Grcia, claiming lordly ancestors, and boasting that the spirit of Homer, after passing through many mortal bodies, had entered his own. His works remain only in fragments gathered from others who had quoted them, and we cannot form any accurate opinion of his rank as a poet; but we know that his success was so great that Cicero considered him the prince of Roman song, that Virgil was indebted to him for many thoughts and expressions, and that even the brilliance of the Augustan poets did not lessen his reputation. His utterances were vigorous, bold, fresh, and full of the spirit of the brave old days. He found the language rough, uncultivated, and unformed, and left it softer, more harmonious, and possessed of a system of versification. He was born in 239 B.C., the year after the first plays of Andronicus had been exhibited on the Roman stage, and died just before the complete establishment of the universal empire of Rome as a consequence of the battle of Pydna. [Footnote: See Page 164.]
At the head of the list of Roman prose annalists stands the name of Quintus Fabius Pictor, at one time a senator, who wrote a history of his nation beginning, probably, like other Roman works of its class, with the coming of neas, and narrating later events, to the end of the second Punic war, with some degree of minuteness. He wrote in Greek, and made the usual effort to preserve and transmit a sufficiently good impression of the greatness of his own people. That Pictor was a senator proves his social importance, which is still further exemplified by the fact that after the carnage of Cann, he was sent to Delphi to learn for his distressed countrymen how they might appease the angry gods. We only know that his history was of great value from the frequent use that was made of it by subsequent investigators in the antiquities of the Roman people, because no manuscript of it has been preserved.
Titus Maccius, surnamed, from the flatness of his feet, Plautus, was the greatest among the comic poets of Rome. Of humble origin, he was driven to literature by his necessities, and it was while turning the crank of a baker's hand-mill that he began the work by which he is now known. He wrote three plays which were accepted by the managers of the public games, and he was thus able to turn his back upon menial drudgery. Born at an Umbrian village during the first Punic war, not far from the year when Regulus was taken, [Footnote: See page 133.] he came to Rome at an early age, and after he began to write, produced a score or more of plays which captivated both the learned and the uneducated by their truth to the life that they depicted, and they held their high reputation long after the death of the author. Moderns have also attested their merit, and our great dramatist in his amusing Comedy of Errors imitated the Menoechmi of this early play-wright. [Footnote: Rude farces, known as Atellan Fabula, were introduced into Rome after the contact with the Campanians, from one of whose towns, Atella, they received their name. Though they were at a later time divided into acts, they seem to have been at first simply improvised raillery and satire without dramatic connection. The Atellan plays were later than the imitations of Etruscan acting mentioned on page 110.]
Publius Terentius Afer, commonly known as Terrence, the second and last of the comic poets, was of no higher social position than Plautus, and was no more a Roman than the other writers we have referred to, for he was a native of Carthage, Rome's great rival, where he was born at the time that Hannibal was a refugee at the court of Antiochus at Ephesus. In spite of his foreign origin, Terence was of sufficient ability to exchange the slave-pen of Carthage for the society of the best circles in Rome, and he attained to such purity and ease in the use of his adopted tongue that Cicero and Csar scarcely surpass him in those respects. His first play, the Andria (the Woman of Andros), was produced in 166 B.C., the year before Polybius and the other Achans were transported to Rome. [Footnote: See page 164; and portrait, page 141] It has been imitated and copied in modern times, and notably by Sir Richard Steele in his Conscious Lovers. Andria was followed by Hecyra (the Stepmother), Heautontimoroumenos, (the Self- Tormentor), Eunuchus (the Eunuch), Phormio (named from a parasite who is an active agent in the plot), and Adelphi (the Brothers), the plot of which was mainly derived from a Greek play of the same title. This foreign influence is further shown in the names of these plays, which are Greek.
Cato, the Censor, found time among his varied public labors to contribute to the literature of his language. His Origines and other works have already been mentioned. [Footnote: See pages 153 and 239.] The varied literary productions of Cicero have also come under our notice, [Footnote: See page 202] but they deserve more attention, though they are too many to be enumerated. Surpassing all others in the art of public speaking, he was evidently well prepared to write on rhetoric and oratory as he did; but his general information and scholarly taste led him to go far beyond this limit, and he made considerable investigations in the domains of politics, history, and philosophy, law, theology, and morals, besides practising his hand in his earlier years on the manufacture of verses that have not added to his reputation. The writings of Cicero of greatest interest to us now are his orations and correspondence, both of which give us intimate information concerning life and events that is of inestimable value, and it is conveyed in a literary style at once so appropriate and attractive that it is itself forgotten in the impressive interest of the narrative. The period covered by the eight hundred letters of Cicero that have been preserved is one of the utmost importance in Roman history, and the author and his correspondents were in the hottest of the exciting movements of the time.
When he writes without reserve, he gives his modern readers confidential revelations of the utmost piquancy; and when he words his epistles with diplomatic care, he displays with equal acuteness, to the student familiar with the intrigues of public life at Rome at the time, the sinuosities of contemporary statesmanship and the wiles of the wary politician, and the revelation is all the more entertaining and important because it is an unintentional exhibition. The orations of Cicero are likewise storehouses of details connected with public and private life, gathered with the minute care of an advocate persistently in earnest and determined not to allow any item to pass unnoticed that might affect the decision of his cause.
The learned Varro, already mentioned, deserves far more attention than we can afford him. He had the advantage at an early age of the acquaintance of a scholar of high attainments in Greek and Latin literature, who was well acquainted also with the history of his own country, from whom he imbibed a love of intellectual pursuits. During the wars with the pirates (in which he obtained the naval crown) and with Mithridates, he held a high command, and after supporting Pompey and the senate during the civil struggles, he was compelled to surrender to Csar (though he was not changed in his opinions), and passed over to Greece, where he was finally overcome by the dictator, and owed his subsequent opportunities for study to the clemency of his conqueror, who gave him pardon after the battle of Pharsalia. All the rest of his life was passed aloof from the storm that raged around him, the circumstances of his proscription and pardon being the only indication of his personal connection with it. He died in the year 28 B.C., after the temple of Janus had been closed the third time, when Augustus had entered upon the enjoyment of his absolute power.
Of nearly five hundred works that Varro is said to have written, one only has come down to our time complete, though some portions of another are also preserved. The first is a laboriously methodical and thorough treatise on agriculture. The other work (a treatise on Latin grammar) is of value in its mutilated and imperfect state (it seems never to have received its author's final revision), because it preserves many terms and forms that would otherwise have been lost, besides much curious information concerning ancient civil and religious usages. In regard to the derivation of words, his principles are sound, but his practice is often amusingly absurd. We must remember, however, that the science of language did not advance beyond infancy until after our own century had opened. The great reputation of Varro was founded upon a work now lost, entitled "Book of Antiquities," in the first part of which he discussed the creation and history of man, especially of man in Italy from the foundation of the city in 753 B.C. (which date he established), not omitting reference to neas, of course, and presenting details of the manners and social customs of the people during all their career. In a second part Varro gave his attention to Divine Antiquities, and as St. Augustine drew largely from it in his "City of God," we may be said to be familiar with it at second hand. It was a complete mythology of Italy, minutely describing every thing relating to the services of religion, the festivals, temples, offerings, priests, and so on. Probably the loss of the works of Varro may be accounted for by their lack of popular interest, or by their infelicities of style, which rendered them little attractive to readers.
Julius Csar must be included among the authors of Rome, though most of his works are lost, his Commentaries (mentioned on p. 226) being the only one remaining. This book is written in Latin of great purity, and shows that the author was master of a clear style, though the nature of the work did not admit him to exhibit many of the graces of diction. The Commentaries seem to have been put into form in winter quarters, though roughly written during the actual campaigns. Csar always took pleasure in literary pursuits and in the society of men of letters.
Valerius Catullus, a contemporary of the writers just named, was born when Cinna was Consul (B.C. 87), and died at the age of thirty or forty, for the dates given as that of his death are quite doubtful. His father was a man of means and a friend of Csar, whom he frequently entertained. Catullus owned a villa near Tibur, but he took up his abode at Rome when very young, and mingled freely in the gayest society, the expensive pleasures of which made great inroads upon his moderate wealth. Like other Romans, he looked to a career in the provinces for means of improving his fortune, but was disappointed, and like our own Chaucer, but more frequently, he pours forth lamentations to his empty purse. He was evidently a friend of most of the prominent men of letters of his time, and he entered freely into the debauchery of the period. Thus his verse gives a representation of the debased manners of the day in gay society. His style was remarkably felicitous, and it is said that he adorned all that he touched. Most of his poems are quite short, and their subjects range from a touching outburst of genuine grief for a brother's death to a fugitive epigram of the most voluptuous triviality. His verses display ease and impetuosity, tumultuous merriment and wild passion, playful grace and slashing invective, vigorous simplicity and ingenious imitation of the learned stiffness and affectation of the Alexandrian school. They are strongly national, despite the author's use of foreign materials, and made Catullus exceedingly popular among his countrymen.
Lucretius (Titus Lucretius Carus) was a native of Italy, whose birth is said to have occurred B.C. 95, His death was caused by his own hand, or by a philtre administered by another, about 50 B.C., and very little is known about his life. His great work, entitled About the Nature of Things (De Rerum Natura), is a long poem, in which an attempt is made to present in clear terms the leading principles of the philosophy of Epicurus, and it is acknowledged to be one of the greatest of the world's didactic poems. He undertakes to demonstrate that the miseries of men may be traced to a slavish dread of the gods; and in order to remove such apprehensions, he would prove that no divinity ever interposed in the affairs of the earth, either as creator or director. The Romans were not, as we have had occasion to observe, inclined to philosophic pursuits, and Lucretius certainly labored with all the force of an extraordinary genius to lead them into such studies. He brought to bear upon his task the power of sublime and graceful verse, and it has been said that but for him "we could never have formed an adequate idea of the strength of the Latin language. We might have dwelt with pleasure upon the softness, flexibility, richness, and musical tone of that vehicle of thought which could represent with full effect the melancholy tenderness of Tibullus, [Footnote: Albius Tibullus was a poet of singular gentleness and amiability, who wrote verses of exquisite finish, gracefully telling the story of his worldly misfortunes and expressing the fluctuations that marked his indulgence in the tender passion, in which his experience was extensive and his record real. He was a warm friend of Horace.] the exquisite ingenuity of Ovid, [Footnote: Ovid (Publius Ovidius Naso) was born March 20, B.C. 43, and did not compose his first work, The Art of Love (Ars Amatoria), until he was more than fifty years of age. He wrote subsequently The Metamorphoses, in fifteen books; The Fasti, containing accounts of the Roman festivals; and the Elegies, composed during his banishment to a town on the Euxine, near the mouth of the Danube, where he died, A.D. 18. Niebuhr places him after Catullus the most poetical among the Roman poets, and ranks him first for facility. He did not direct his genius by a sound judgment, and has the unenviable fame of having been the first to depart from the canons of correct Greek taste.] the inimitable felicity and taste of Horace, the gentleness and high spirit of Virgil, and the vehement declamation of Juvenal, but, had the verses of Lucretius perished, we should never have known that it could give utterance to the grandest conceptions with all that sustained majesty and harmonious swell in which the Grecian Muse rolls forth her loftiest outpourings."
Caius Sallustius Crispus (Sallust) was born the year that Marius died (B.C. 86) of a plebeian family, and during the civil wars was a partisan of Csar, whom he accompanied to Africa, after having brought to him the news of the mutiny of his troops in Campania (B.C. 46). [Footnote: See page 245.] Left as governor, Sallust seems to have pursued the methods common to that class, for he became immensely rich. Upon his return from Africa, he retired to an extensive estate on the Quirinal Hill, and lived through the direful days which followed the death of Csar. He died in the year 34 B.C., his last years being devoted to diligent pursuits of literature. His two works are Catilina, a history of the suppression of the conspiracy of Catiline, and Jugurtha, a history of the war against Jugurtha, in both of which he took great pains with his style. As he witnessed many of the events he described, his books have a great value to the student of the periods. Roman writers asserted that he imitated the style of Thucydides, but there is an air of artificiality about his work which he did not have the skill to conceal. He has the honor of being the first Roman to write history, as distinguished from mere annals.
Livy (Titus Livius) was born in the year of Csar's first consulship (B.C. 59), at Patavium (Padua), and died A.D. 17. His writings, like those of Ovid, come therefore rather into the period of the empire. His great work is the History of Rome, which he modestly called simply Annales. Little is known of his life, but he was of very high repute as a writer in his own day, for it is said by Pliny that a Spaniard travelled all the way from his distant home merely to see him, and as soon as his desire had been accomplished, returned. Livy's history comprised one hundred and forty-two books, of which thirty-five only are extant, though with the exception of two of the missing books valuable epitomes are preserved. Though wanting many of the traits of the historian, and though he was of course incapable of looking at history with the modern philosophic spirit, Livy was honest and candid, and possessed a wonderful command of his native language. His work enjoyed an unbounded popularity, not entirely to be accounted for by the fascinations of his theme, He realized his desire to present a clear and probable narrative, and no history of Rome can now be written without constant reference to his pages.
Horace (Quintus Horatius Flaccus) was born on the river Aufidus, in the year 65 B.C., and was son of a freeman who seems to have been a publican or collector of taxes. At about the age of twelve, after having attended the local school at Venusia, to which the children of the rural aristocracy resorted, he was taken to Rome, where he enjoyed the advantages of the best means of education. He studied Livius Andronicus, and Homer, and was flogged with care by at least one of his masters. He was accompanied at the capital by his father, of whom he always speaks with great respect, and because he mingled with boys of high rank, was well dressed and attended by slaves. The gentle watchfulness of the father guarded Horace from all the temptations of city life, and at the age of eighteen he went to Athens, as most well- educated Romans were obliged to, and studied in the academic groves, though for a while he was swept away by the youthful desire to acquire military renown under Brutus, who came there after the murder of Csar. Like the others of the republican army, he fled from the field of Philippi, and found his military ardor thoroughly cooled. He thenceforth devoted himself to letters. Returning to Rome, he attracted notice by his verses, and became a friend of Mcenas and Virgil, the former of whom bestowed upon him a farm sufficient to sustain him. His life thereafter was passed in frequent interchange of town and country residence, a circumstance which is reflected with charming grace in his verses. His rural home is described in his epistles. It was not extensive, but was pleasant, and he enjoyed it to the utmost. His poetry is deficient in the highest properties of verse, but as the fresh utterances of a man of the world who was possessed of quick observation and strong common-sense, and who was honest and bold, they have always charmed their readers. The Odes of Horace are unrivalled for their grace and felicitous language, but express no great depth of feeling. His Satires do not originate from moral indignation, but the writer playfully shoots folly as it flies, and exhibits a wonderful keenness of observation of the ways of men in the world. His Epistles are his most perfect work, and are, indeed, among the most original and polished forms of Roman verse. His Art of Poetry is not a complete theory of poetic art, and is supposed to have been written simply to suggest the difficulties to be met on the way to perfection by a versifier destitute of the poetic genius. The works of Horace were immediately popular, and in the next generation became text-books in the schools. |
|