"If you had DIED, Peter, and YOUR FATHER had heard it wouldn't he have FELT DREADFUL? We are having BEAUTIFUL WEATHER and the seenary is fine since the leaves turned. I think there is nothing so pretty as Nature after all.

"I hope ALL DANGER from the measles will soon be over and we can ALL MEET AGAIN AT THE HOME ON THE HILL. Till then FAREWELL. "Your true friend, "SARA RAY.

"P. S. Don't let Felicity see this letter. S. R."

DAN'S LETTER

"DEAR OLD PETE:—Awful glad you cheated the doctor. I thought you weren't the kind to turn up your toes so easy. You should of heard the girls crying.

"They're all getting their winter finery now and the talk about it would make you sick. The Story Girl is getting hers from Paris and Felicity is awful jealous though she pretends she isn't. I can see through her.

"Kitt Mar was up here Thursday to see the girls. She's had the measles so she isn't scared. She's a great girl to laugh. I like a girl that laughs, don't you?

"We had a call from Peg Bowen yesterday. You should of seen the Story Girl hustling Pat out of the way, for all she says she don't believe he was bewitched. Peg had your rheumatism ring on and the Story Girl's blue beads and Sara Ray's lace soed across the front of her dress. She wanted some tobacco and some pickles. Ma gave her some pickles but said we didn't have no tobacco and Peg went off mad but I guess she wouldn't bewitch anything on account of the pickles.

"I ain't any hand to write letters so I guess I'll stop. Hope you'll be out soon. DAN."

THE STORY GIRL'S LETTER

"DEAR PETER:—Oh, how glad I am that you are getting better! Those days when we thought you wouldn't were the hardest of my whole life. It seemed too dreadful to be true that perhaps you would die. And then when we heard you were going to get better that seemed too good to be true. Oh, Peter, hurry up and get well, for we are having such good times and we miss you so much. I have coaxed Uncle Alec not to burn his potato stalks till you are well, because I remember how you always liked to see the potato stalks burn. Uncle Alec consented, though Aunt Janet said it was high time they were burned. Uncle Roger burned his last night and it was such fun.

"Pat is splendid. He has never had a sick spell since that bad one. I would send him over to be company for you, but Aunt Janet says no, because he might carry the measles back. I don't see how he could, but we must obey Aunt Janet. She is very good to us all, but I know she does not approve of me. She says I'm my father's own child. I know that doesn't mean anything complimentary because she looked so queer when she saw that I had heard her, but I don't care. I'm glad I'm like father. I had a splendid letter from him this week, with the darlingest pictures in it. He is painting a new picture which is going to make him famous. I wonder what Aunt Janet will say then.

"Do you know, Peter, yesterday I thought I saw the Family Ghost at last. I was coming through the gap in the hedge, and I saw somebody in blue standing under Uncle Alec's tree. How my heart beat! My hair should have stood up on end with terror but it didn't. I felt to see, and it was lying down quite flat. But it was only a visitor after all. I don't know whether I was glad or disappointed. I don't think it would be a pleasant experience to see the ghost. But after I had seen it think what a heroine I would be!

"Oh, Peter, what do you think? I have got acquainted with the Awkward Man at last. I never thought it would be so easy. Yesterday Aunt Olivia wanted some ferns, so I went back to the maple woods to get them for her, and I found some lovely ones by the spring. And while I was sitting there, looking into the spring who should come along but the Awkward Man himself. He sat right down beside me and began to talk. I never was so surprised in my life. We had a very interesting talk, and I told him two of my best stories, and a great many of my secrets into the bargain. They may say what they like, but he was not one bit shy or awkward, and he has beautiful eyes. He did not tell me any of his secrets, but I believe he will some day. Of course I never said a word about his Alice-room. But I gave him a hint about his little brown book. I said I loved poetry and often felt like writing it, and then I said, 'Do you ever feel like that, Mr. Dale?' He said, yes, he sometimes felt that way, but he did not mention the brown book. I thought he might have. But after all I don't like people who tell you everything the first time you meet them, like Sara Ray. When he went away he said, 'I hope I shall have the pleasure of meeting you again,' just as seriously and politely as if I was a grown-up young lady. I am sure he could never have said it if I had been really grown up. I told him it was likely he would and that he wasn't to mind if I had a longer skirt on next time, because I'd be just the same person.

"I told the children a beautiful new fairy story to-day. I made them go to the spruce wood to hear it. A spruce wood is the proper place to tell fairy stories in. Felicity says she can't see that it makes any difference where you tell them, but oh, it does. I wish you had been there to hear it too, but when you are well I will tell it over again for you.

"I am going to call the southernwood 'appleringie' after this. Beverley says that is what they call it in Scotland, and I think it sounds so much more poetical than southernwood. Felicity says the right name is 'Boy's Love,' but I think that sounds silly.

"Oh, Peter, shadows are such pretty things. The orchard is full of them this very minute. Sometimes they are so still you would think them asleep. Then they go laughing and skipping. Outside, in the oat field, they are always chasing each other. They are the wild shadows. The shadows in the orchard are the tame shadows.

"Everything seems to be rather tired growing except the spruces and chrysanthemums in Aunt Olivia's garden. The sunshine is so thick and yellow and lazy, and the crickets sing all day long. The birds are nearly all gone and most of the maple leaves have fallen.

"Just to make you laugh I'll write you a little story I heard Uncle Alec telling last night. It was about Elder Frewen's grandfather taking a pair of rope reins to lead a piano home. Everybody laughed except Aunt Janet. Old Mr. Frewen was HER grandfather too, and she wouldn't laugh. One day when old Mr. Frewen was a young man of eighteen his father came home and said, 'Sandy, I bought a piano at Simon Ward's sale to-day. You're to go to-morrow and bring it home.' So next day Sandy started off on horseback with a pair of rope reins to lead the piano home. He thought it was some kind of livestock.

"And then Uncle Roger told about old Mark Ward who got up to make a speech at a church missionary social when he was drunk. (Of course he didn't get drunk at the social. He went there that way.) And this was his speech.

"'Ladies and gentlemen, Mr. Chairman, I can't express my thoughts on this grand subject of missions. It's in this poor human critter'—patting himself on the breast—'but he can't git it out.'

"I'll tell you these stories when you get well. I can tell them ever so much better than I can write them.

"I know Felicity is wondering why I'm writing such a long letter, so perhaps I'd better stop. If your mother reads it to you there is a good deal of it she may not understand, but I think your Aunt Jane would. "I remain "your very affectionate friend, "SARA STANLEY."

I did not keep a copy of my own letter, and I have forgotten everything that was in it, except the first sentence, in which I told Peter I was awful glad he was getting better.

Peter's delight on receiving our letters knew no bounds. He insisted on answering them and his letter, painstakingly disinfected, was duly delivered to us. Aunt Olivia had written it at his dictation, which was a gain, as far as spelling and punctuation went. But Peter's individuality seemed merged and lost in Aunt Olivia's big, dashing script. Not until the Story Girl read the letter to us in the granary by jack-o-lantern light, in a mimicry of Peter's very voice, did we savour the real bouquet of it.

PETER'S LETTER

"DEAR EVERYBODY, BUT ESPECIALLY FELICITY:—I was awful glad to get your letters. It makes you real important to be sick, but the time seems awful long when you're getting better. Your letters were all great, but I liked Felicity's best, and next to hers the Story Girl's. Felicity, it will be awful good of you to send me things to eat and the rosebud plate. I'll be awful careful of it. I hope you won't catch the measles, for they are not nice, especially when they strike in, but you would look all right, even if you did have red spots on your face. I would like to try the Mexican Tea, because you want me to, but mother says no, she doesn't believe in it, and Burtons Bitters are a great deal healthier. If I was you I would get the velvet hood all right. The heathen live in warm countries so they don't want hoods.

"I'm glad you are still praying for me, Cecily, for you can't trust the measles. And I'm glad you're keeping you know what for me. I don't believe anything will happen to you if you do take the measles; but if anything does I'd like that little red book of yours, The Safe Compass, just to remember you by. It's such a good book to read on Sundays. It is interesting and religious, too. So is the Bible. I hadn't quite finished the Bible before I took the measles, but ma is reading the last chapters to me. There's an awful lot in that book. I can't understand the whole of it, since I'm only a hired boy, but some parts are real easy.

"I'm awful glad you have such a good opinion of me. I don't deserve it, but after this I'll try to. I can't tell you how I feel about all your kindness. I'm like the fellow the Story Girl wrote about who couldn't get it out. I have the picture the Story Girl gave me for my sermon on the wall at the foot of my bed. I like to look at it, it looks so much like Aunt Jane.

"Felix, I've given up praying that I'd be the only one to eat the bitter apples, and I'll never pray for anything like that again. It was a horrid mean prayer. I didn't know it then, but after the measles struck in I found out it was. Aunt Jane wouldn't have liked it. After this I'm going to pray prayers I needn't be ashamed of.

"Sara Ray, I don't know what it feels like to be going to die because I didn't know I was going to die till I got better. Mother says I was luny most of the time after they struck in. It was just because they struck in I was luny. I ain't luny naturally, Felicity. I will do what you asked in your postscript, Sara, although it will be hard.

"I'm glad Peg Bowen didn't catch you, Dan. Maybe she bewitched me that night we were at her place, and that is why the measles struck in. I'm awful glad Mr. King is going to leave the potato stalks until I get well, and I'm obliged to the Story Girl for coaxing him. I guess she will find out about Alice yet. There were some parts of her letter I couldn't see through, but when the measles strike in, they leave you stupid for a spell. Anyhow, it was a fine letter, and they were all fine, and I'm awful glad I have so many nice friends, even if I am only a hired boy. Perhaps I'd never have found it out if the measles hadn't struck in. So I'm glad they did but I hope they never will again. "Your obedient servant, "PETER CRAIG."



CHAPTER XXXI. ON THE EDGE OF LIGHT AND DARK

We celebrated the November day when Peter was permitted to rejoin us by a picnic in the orchard. Sara Ray was also allowed to come, under protest; and her joy over being among us once more was almost pathetic. She and Cecily cried in one another's arms as if they had been parted for years.

We had a beautiful day for our picnic. November dreamed that it was May. The air was soft and mellow, with pale, aerial mists in the valleys and over the leafless beeches on the western hill. The sere stubble fields brooded in glamour, and the sky was pearly blue. The leaves were still thick on the apple trees, though they were russet hued, and the after-growth of grass was richly green, unharmed as yet by the nipping frosts of previous nights. The wind made a sweet, drowsy murmur in the boughs, as of bees among apple blossoms.

"It's just like spring, isn't it?" asked Felicity.

The Story Girl shook her head.

"No, not quite. It looks like spring, but it isn't spring. It's as if everything was resting—getting ready to sleep. In spring they're getting ready to grow. Can't you FEEL the difference?"

"I think it's just like spring," insisted Felicity.

In the sun-sweet place before the Pulpit Stone we boys had put up a board table. Aunt Janet allowed us to cover it with an old tablecloth, the worn places in which the girls artfully concealed with frost-whitened ferns. We had the kitchen dishes, and the table was gaily decorated with Cecily's three scarlet geraniums and maple leaves in the cherry vase. As for the viands, they were fit for the gods on high Olympus. Felicity had spent the whole previous day and the forenoon of the picnic day in concocting them. Her crowning achievement was a rich little plum cake, on the white frosting of which the words "Welcome Back" were lettered in pink candies. This was put before Peter's place, and almost overcame him.

"To think that you'd go to so much trouble for me!" he said, with a glance of adoring gratitude at Felicity. Felicity got all the gratitude, although the Story Girl had originated the idea and seeded the raisins and beaten the eggs, while Cecily had trudged all the way to Mrs. Jameson's little shop below the church to buy the pink candies. But that is the way of the world.

"We ought to have grace," said Felicity, as we sat down at the festal board. "Will any one say it?"

She looked at me, but I blushed to the roots of my hair and shook my head sheepishly. An awkward pause ensued; it looked as if we would have to proceed without grace, when Felix suddenly shut his eyes, bent his head, and said a very good grace without any appearance of embarrassment. We looked at him when it was over with an increase of respect.

"Where on earth did you learn that, Felix?" I asked.

"It's the grace Uncle Alec says at every meal," answered Felix.

We felt rather ashamed of ourselves. Was it possible that we had paid so little attention to Uncle Alec's grace that we did not recognize it when we heard it on other lips?

"Now," said Felicity jubilantly, "let's eat everything up."

In truth, it was a merry little feast. We had gone without our dinners, in order to "save our appetites," and we did ample justice to Felicity's good things. Paddy sat on the Pulpit Stone and watched us with great yellow eyes, knowing that tidbits would come his way later on. Many witty things were said—or at least we thought them witty—and uproarious was the laughter. Never had the old King orchard known a blither merrymaking or lighter hearts.

The picnic over, we played games until the early falling dusk, and then we went with Uncle Alec to the back field to burn the potato stalks—the crowning delight of the day.

The stalks were in heaps all over the field, and we were allowed the privilege of setting fire to them. 'Twas glorious! In a few minutes the field was alight with blazing bonfires, over which rolled great, pungent clouds of smoke. From pile to pile we ran, shrieking with delight, to poke each up with a long stick and watch the gush of rose-red sparks stream off into the night. In what a whirl of smoke and firelight and wild, fantastic, hurtling shadows we were!

When we grew tired of our sport we went to the windward side of the field and perched ourselves on the high pole fence that skirted a dark spruce wood, full of strange, furtive sounds. Over us was a great, dark sky, blossoming with silver stars, and all around lay dusky, mysterious reaches of meadow and wood in the soft, empurpled night. Away to the east a shimmering silveryness beneath a palace of aerial cloud foretokened moonrise. But directly before us the potato field, with its wreathing smoke and sullen flames, the gigantic shadow of Uncle Alec crossing and recrossing it, reminded us of Peter's famous description of the bad place, and probably suggested the Story Girl's remark.

"I know a story," she said, infusing just the right shade of weirdness into her voice, "about a man who saw the devil. Now, what's the matter, Felicity?"

"I can never get used to the way you mention the—the—that name," complained Felicity. "To hear you speak of the Old Scratch any one would think he was just a common person."

"Never mind. Tell us the story," I said curiously.

"It is about Mrs. John Martin's uncle at Markdale," said the Story Girl. "I heard Uncle Roger telling it the other night. He didn't know I was sitting on the cellar hatch outside the window, or I don't suppose he would have told it. Mrs. Martin's uncle's name was William Cowan, and he has been dead for twenty years; but sixty years ago he was a young man, and a very wild, wicked young man. He did everything bad he could think of, and never went to church, and he laughed at everything religious, even the devil. He didn't believe there was a devil at all. One beautiful summer Sunday evening his mother pleaded with him to go to church with her, but he would not. He told her that he was going fishing instead, and when church time came he swaggered past the church, with his fishing rod over his shoulder, singing a godless song. Half way between the church and the harbour there was a thick spruce wood, and the path ran through it. When William Cowan was half way through it SOMETHING came out of the wood and walked beside him."

I have never heard anything more horribly suggestive than that innocent word "something," as enunciated by the Story Girl. I felt Cecily's hand, icy cold, clutching mine.

"What—what—was IT like?" whispered Felix, curiosity getting the better of his terror.

"IT was tall, and black, and hairy," said the Story Girl, her eyes glowing with uncanny intensity in the red glare of the fires, "and IT lifted one great, hairy hand, with claws on the end of it, and clapped William Cowan, first on one shoulder and then on the other, and said, 'Good sport to you, brother.' William Cowan gave a horrible scream and fell on his face right there in the wood. Some of the men around the church door heard the scream, and they rushed down to the wood. They saw nothing but William Cowan, lying like a dead man on the path. They took him up and carried him home; and when they undressed him to put him to bed, there, on each shoulder, was the mark of a big hand, BURNED INTO THE FLESH. It was weeks before the burns healed, and the scars never went away. Always, as long as William Cowan lived, he carried on his shoulders the prints of the devil's hand."

I really do not know how we should ever have got home, had we been left to our own devices. We were cold with fright. How could we turn our backs on the eerie spruce wood, out of which SOMETHING might pop at any moment? How cross those long, shadowy fields between us and our rooftree? How venture through the darkly mysterious bracken hollow?

Fortunately, Uncle Alec came along at this crisis and said he thought we'd better come home now, since the fires were nearly out. We slid down from the fence and started, taking care to keep close together and in front of Uncle Alec.

"I don't believe a word of that yarn," said Dan, trying to speak with his usual incredulity.

"I don't see how you can help believing it," said Cecily. "It isn't as if it was something we'd read of, or that happened far away. It happened just down at Markdale, and I've seen that very spruce wood myself."

"Oh, I suppose William Cowan got a fright of some kind," conceded Dan, "but I don't believe he saw the devil."

"Old Mr. Morrison at Lower Markdale was one of the men who undressed him, and he remembers seeing the marks," said the Story Girl triumphantly.

"How did William Cowan behave afterwards?" I asked.

"He was a changed man," said the Story Girl solemnly. "Too much changed. He never was known to laugh again, or even smile. He became a very religious man, which was a good thing, but he was dreadfully gloomy and thought everything pleasant sinful. He wouldn't even eat any more than was actually necessary to keep him alive. Uncle Roger says that if he had been a Roman Catholic he would have become a monk, but, as he was a Presbyterian, all he could do was to turn into a crank."

"Yes, but your Uncle Roger was never clapped on the shoulder and called brother by the devil," said Peter. "If he had, he mightn't have been so precious jolly afterwards himself."

"I do wish to goodness," said Felicity in exasperation, "that you'd stop talking of the—the—of such subjects in the dark. I'm so scared now that I keep thinking father's steps behind us are SOMETHING'S. Just think, my own father!"

The Story Girl slipped her arm through Felicity's.

"Never mind," she said soothingly. "I'll tell you another story—such a beautiful story that you'll forget all about the devil."

She told us one of Hans Andersen's most exquisite tales; and the magic of her voice charmed away all our fear, so that when we reached the bracken hollow, a lake of shadow surrounded by the silver shore of moonlit fields, we all went through it without a thought of His Satanic Majesty at all. And beyond us, on the hill, the homelight was glowing from the farmhouse window like a beacon of old loves.



CHAPTER XXXII. THE OPENING OF THE BLUE CHEST

November wakened from her dream of May in a bad temper. The day after the picnic a cold autumn rain set in, and we got up to find our world a drenched, wind-writhen place, with sodden fields and dour skies. The rain was weeping on the roof as if it were shedding the tears of old sorrows; the willow by the gate tossed its gaunt branches wildly, as if it were some passionate, spectral thing, wringing its fleshless hands in agony; the orchard was haggard and uncomely; nothing seemed the same except the staunch, trusty, old spruces.

It was Friday, but we were not to begin going to school again until Monday, so we spent the day in the granary, sorting apples and hearing tales. In the evening the rain ceased, the wind came around to the northwest, freezing suddenly, and a chilly yellow sunset beyond the dark hills seemed to herald a brighter morrow.

Felicity and the Story Girl and I walked down to the post-office for the mail, along a road where fallen leaves went eddying fitfully up and down before us in weird, uncanny dances of their own. The evening was full of eerie sounds—the creaking of fir boughs, the whistle of the wind in the tree-tops, the vibrations of strips of dried bark on the rail fences. But we carried summer and sunshine in our hearts, and the bleak unloveliness of the outer world only intensified our inner radiance.

Felicity wore her new velvet hood, with a coquettish little collar of white fur about her neck. Her golden curls framed her lovely face, and the wind stung the pink of her cheeks to crimson. On my left hand walked the Story Girl, her red cap on her jaunty brown head. She scattered her words along the path like the pearls and diamonds of the old fairy tale. I remember that I strutted along quite insufferably, for we met several of the Carlisle boys and I felt that I was an exceptionally lucky fellow to have such beauty on one side and such charm on the other.

There was one of father's thin letters for Felix, a fat, foreign letter for the Story Girl, addressed in her father's minute handwriting, a drop letter for Cecily from some school friend, with "In Haste" written across the corner, and a letter for Aunt Janet, postmarked Montreal.

"I can't think who that is from," said Felicity. "Nobody in Montreal ever writes to mother. Cecily's letter is from Em Frewen. She always puts 'In Haste' on her letters, no matter what is in them."

When we reached home, Aunt Janet opened and read her Montreal letter. Then she laid it down and looked about her in astonishment.

"Well, did ever any mortal!" she said.

"What in the world is the matter?" said Uncle Alec.

"This letter is from James Ward's wife in Montreal," said Aunt Janet solemnly. "Rachel Ward is dead. And she told James' wife to write to me and tell me to open the old blue chest."

"Hurrah!" shouted Dan.

"Donald King," said his mother severely, "Rachel Ward was your relation and she is dead. What do you mean by such behaviour?"

"I never was acquainted with her," said Dan sulkily. "And I wasn't hurrahing because she is dead. I hurrahed because that blue chest is to be opened at last."

"So poor Rachel is gone," said Uncle Alec. "She must have been an old woman—seventy-five I suppose. I remember her as a fine, blooming young woman. Well, well, and so the old chest is to be opened at last. What is to be done with its contents?"

"Rachel left instructions about them," answered Aunt Janet, referring to the letter. "The wedding dress and veil and letters are to be burned. There are two jugs in it which are to be sent to James' wife. The rest of the things are to be given around among the connection. Each members is to have one, 'to remember her by.'"

"Oh, can't we open it right away this very night?" said Felicity eagerly.

"No, indeed!" Aunt Janet folded up the letter decidedly. "That chest has been locked up for fifty years, and it'll stand being locked up one more night. You children wouldn't sleep a wink to-night if we opened it now. You'd go wild with excitement."

"I'm sure I won't sleep anyhow," said Felicity. "Well, at least you'll open it the first thing in the morning, won't you, ma?"

"No, I'll do nothing of the sort," was Aunt Janet's pitiless decree. "I want to get the work out of the way first—and Roger and Olivia will want to be here, too. We'll say ten o'clock to-morrow forenoon."

"That's sixteen whole hours yet," sighed Felicity.

"I'm going right over to tell the Story Girl," said Cecily. "Won't she be excited!"

We were all excited. We spent the evening speculating on the possible contents of the chest, and Cecily dreamed miserably that night that the moths had eaten everything in it.

The morning dawned on a beautiful world. A very slight fall of snow had come in the night—just enough to look like a filmy veil of lace flung over the dark evergreens, and the hard frozen ground. A new blossom time seemed to have revisited the orchard. The spruce wood behind the house appeared to be woven out of enchantment. There is nothing more beautiful than a thickly growing wood of firs lightly powdered with new-fallen snow. As the sun remained hidden by gray clouds, this fairy-beauty lasted all day.

The Story Girl came over early in the morning, and Sara Ray, to whom faithful Cecily had sent word, was also on hand. Felicity did not approve of this.

"Sara Ray isn't any relation to our family," she scolded to Cecily, "and she has no right to be present."

"She's a particular friend of mine," said Cecily with dignity. "We have her in everything, and it would hurt her feelings dreadfully to be left out of this. Peter is no relation either, but he is going to be here when we open it, so why shouldn't Sara?"

"Peter ain't a member of the family YET, but maybe he will be some day. Hey, Felicity?" said Dan.

"You're awful smart, aren't you, Dan King?" said Felicity, reddening. "Perhaps you'd like to send for Kitty Marr, too—though she DOES laugh at your big mouth."

"It seems as if ten o'clock would never come," sighed the Story Girl. "The work is all done, and Aunt Olivia and Uncle Roger are here, and the chest might just as well be opened right away."

"Mother SAID ten o'clock and she'll stick to it," said Felicity crossly. "It's only nine now."

"Let us put the clock on half an hour," said the Story Girl. "The clock in the hall isn't going, so no one will know the difference."

We all looked at each other.

"I wouldn't dare," said Felicity irresolutely.

"Oh, if that's all, I'll do it," said the Story Girl.

When ten o'clock struck Aunt Janet came into the kitchen, remarking innocently that it hadn't seemed anytime since nine. We must have looked horribly guilty, but none of the grown-ups suspected anything. Uncle Alec brought in the axe, and pried off the cover of the old blue chest, while everybody stood around in silence.

Then came the unpacking. It was certainly an interesting performance. Aunt Janet and Aunt Olivia took everything out and laid it on the kitchen table. We children were forbidden to touch anything, but fortunately we were not forbidden the use of our eyes and tongues.

"There are the pink and gold vases Grandmother King gave her," said Felicity, as Aunt Olivia unwrapped from their tissue paper swathings a pair of slender, old-fashioned, twisted vases of pink glass, over which little gold leaves were scattered. "Aren't they handsome?"

"And oh," exclaimed Cecily in delight, "there's the china fruit basket with the apple on the handle. Doesn't it look real? I've thought so much about it. Oh, mother, please let me hold it for a minute. I'll be as careful as careful."

"There comes the china set Grandfather King gave her," said the Story Girl wistfully. "Oh, it makes me feel sad. Think of all the hopes that Rachel Ward must have put away in this chest with all her pretty things."

Following these, came a quaint little candlestick of blue china, and the two jugs which were to be sent to James' wife.

"They ARE handsome," said Aunt Janet rather enviously. "They must be a hundred years old. Aunt Sara Ward gave them to Rachel, and she had them for at least fifty years. I should have thought one would have been enough for James' wife. But of course we must do just as Rachel wished. I declare, here's a dozen tin patty pans!"

"Tin patty pans aren't very romantic," said the Story Girl discontentedly.

"I notice that you are as fond as any one of what is baked in them," said Aunt Janet. "I've heard of those patty pans. An old servant Grandmother King had gave them to Rachel. Now we are coming to the linen. That was Uncle Edward Ward's present. How yellow it has grown."

We children were not greatly interested in the sheets and tablecloths and pillow-cases which now came out of the capacious depths of the old blue chest. But Aunt Olivia was quite enraptured over them.

"What sewing!" she said. "Look, Janet, you'd almost need a magnifying glass to see the stitches. And the dear, old-fashioned pillow-slips with buttons on them!"

"Here are a dozen handkerchiefs," said Aunt Janet. "Look at the initial in the corner of each. Rachel learned that stitch from a nun in Montreal. It looks as if it was woven into the material."

"Here are her quilts," said Aunt Olivia. "Yes, there is the blue and white counterpane Grandmother Ward gave her—and the Rising Sun quilt her Aunt Nancy made for her—and the braided rug. The colours are not faded one bit. I want that rug, Janet."

Underneath the linen were Rachel Ward's wedding clothes. The excitement of the girls waxed red hot over these. There was a Paisley shawl in the wrappings in which it had come from the store, and a wide scarf of some yellowed lace. There was the embroidered petticoat which had cost Felicity such painful blushes, and a dozen beautifully worked sets of the fine muslin "undersleeves" which had been the fashion in Rachel Ward's youth.

"This was to have been her appearing out dress," said Aunt Olivia, lifting out a shot green silk. "It is all cut to pieces—but what a pretty soft shade it was! Look at the skirt, Janet. How many yards must it measure around?"

"Hoopskirts were in then," said Aunt Janet. "I don't see her wedding hat here. I was always told that she packed it away, too."

"So was I. But she couldn't have. It certainly isn't here. I have heard that the white plume on it cost a small fortune. Here is her black silk mantle. It seems like sacrilege to meddle with these clothes."

"Don't be foolish, Olivia. They must be unpacked at least. And they must all be burned since they have cut so badly. This purple cloth dress is quite good, however. It can be made over nicely, and it would become you very well, Olivia."

"No, thank you," said Aunt Olivia, with a little shudder. "I should feel like a ghost. Make it over for yourself, Janet."

"Well, I will, if you don't want it. I am not troubled with fancies. That seems to be all except this box. I suppose the wedding dress is in it."

"Oh," breathed the girls, crowding about Aunt Olivia, as she lifted out the box and cut the cord around it. Inside was lying a dress of soft silk, that had once been white but was now yellowed with age, and, enfolding it like a mist, a long, white bridal veil, redolent with some strange, old-time perfume that had kept its sweetness through all the years.

"Poor Rachel Ward," said Aunt Olivia softly. "Here is her point lace handkerchief. She made it herself. It is like a spider's web. Here are the letters Will Montague wrote her. And here," she added, taking up a crimson velvet case with a tarnished gilt clasp, "are their photographs—his and hers."

We looked eagerly at the daguerreotypes in the old case.

"Why, Rachel Ward wasn't a bit pretty!" exclaimed the Story Girl in poignant disappointment.

No, Rachel Ward was not pretty, that had to be admitted. The picture showed a fresh young face, with strongly marked, irregular features, large black eyes, and black curls hanging around the shoulders in old-time style.

"Rachel wasn't pretty," said Uncle Alec, "but she had a lovely colour, and a beautiful smile. She looks far too sober in that picture."

"She has a beautiful neck and bust," said Aunt Olivia critically.

"Anyhow, Will Montague was really handsome," said the Story Girl.

"A handsome rogue," growled Uncle Alec. "I never liked him. I was only a little chap of ten but I saw through him. Rachel Ward was far too good for him."

We would dearly have liked to get a peep into the letters, too. But Aunt Olivia would not allow that. They must be burned unread, she declared. She took the wedding dress and veil, the picture case, and the letters away with her. The rest of the things were put back into the chest, pending their ultimate distribution. Aunt Janet gave each of us boys a handkerchief. The Story Girl got the blue candlestick, and Felicity and Cecily each got a pink and gold vase. Even Sara Ray was made happy by the gift of a little china plate, with a loudly coloured picture of Moses and Aaron before Pharaoh in the middle of it. Moses wore a scarlet cloak, while Aaron disported himself in bright blue. Pharaoh was arrayed in yellow. The plate had a scalloped border with a wreath of green leaves around it.

"I shall never use it to eat off," said Sara rapturously. "I'll put it up on the parlour mantelpiece."

"I don't see much use in having a plate just for ornament," said Felicity.

"It's nice to have something interesting to look at," retorted Sara, who felt that the soul must have food as well as the body.

"I'm going to get a candle for my candlestick, and use it every night to go to bed with," said the Story Girl. "And I'll never light it without thinking of poor Rachel Ward. But I DO wish she had been pretty."

"Well," said Felicity, with a glance at the clock, "it's all over, and it has been very interesting. But that clock has got to be put back to the right time some time through the day. I don't want bedtime coming a whole half-hour before it ought to."

In the afternoon, when Aunt Janet was over at Uncle Roger's, seeing him and Aunt Olivia off to town, the clock was righted. The Story Girl and Peter came over to stay all night with us, and we made taffy in the kitchen, which the grown-ups kindly gave over to us for that purpose.

"Of course it was very interesting to see the old chest unpacked," said the Story Girl as she stirred the contents of a saucepan vigorously. "But now that it is over I believe I am sorry that it is opened. It isn't mysterious any longer. We know all about it now, and we can never imagine what things are in it any more."

"It's better to know than to imagine," said Felicity.

"Oh, no, it isn't," said the Story Girl quickly. "When you know things you have to go by facts. But when you just dream about things there's nothing to hold you down."

"You're letting the taffy scorch, and THAT'S a fact you'd better go by," said Felicity sniffing. "Haven't you got a nose?"

When we went to bed, that wonderful white enchantress, the moon, was making an elf-land of the snow-misted world outside. From where I lay I could see the sharp tops of the spruces against the silvery sky. The frost was abroad, and the winds were still and the land lay in glamour.

Across the hall, the Story Girl was telling Felicity and Cecily the old, old tale of Argive Helen and "evil-hearted Paris."

"But that's a bad story," said Felicity when the tale was ended. "She left her husband and run away with another man."

"I suppose it was bad four thousand years ago," admitted the Story Girl. "But by this time the bad must have all gone out of it. It's only the good that could last so long."

Our summer was over. It had been a beautiful one. We had known the sweetness of common joys, the delight of dawns, the dream and glamour of noontides, the long, purple peace of carefree nights. We had had the pleasure of bird song, of silver rain on greening fields, of storm among the trees, of blossoming meadows, and of the converse of whispering leaves. We had had brotherhood with wind and star, with books and tales, and hearth fires of autumn. Ours had been the little, loving tasks of every day, blithe companionship, shared thoughts, and adventuring. Rich were we in the memory of those opulent months that had gone from us—richer than we then knew or suspected. And before us was the dream of spring. It is always safe to dream of spring. For it is sure to come; and if it be not just as we have pictured it, it will be infinitely sweeter.

THE END.