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The Standard Oratorios - Their Stories, Their Music, And Their Composers
by George P. Upton
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INDEX.

Ainsworth, Henry, 313. Albrechtsberger, 239. Allison, Richard, 312. Appendix, 329. Astorga, 253. Athalia, 21.

Bach, 19-21, 24, 26, 30, 61, 65, 269, 275; life of, 31. Bailey, Daniel, 320. Bailey, Thomas, 320. Bay Psalm Book, 313, 314. Beethoven, 23, 91, 161, 174, 218, 219, 235, 236, 282, 307; life of, 51. Belshazzar, 22. Benedict, 205. Bennett, Sterndale, 26, 200, 274, 290; life of, 60. Berlioz, 27, 30, 259; life of, 68. Billings, William, 321-326. Blow, Dr., 30. Bononcini, 17, 115. Bradbury, 328. Brahms, 27, 92, 272; life of, 78.

Caldara, 17. Carissimi, 15. Cherubini, 27, 68, 71, 178. Chopin, 258, 272. Christmas Oratorio (Bach), 20, 33. Christmas Oratorio (Saint-Saens), 269. Christus (Liszt), 186. Christus (Mendelssohn), 25, 229. Cimarosa, 23. Colonna, 17, 27. Costa, 82. Cotton, John, 314. Creation, 136, 162. Croft, Dr., 30.

Damon, William, 311. Das juengste Gericht, 23, 283, 286. Deborah, 21. Der Tod Jesu, 20. Des Heilands letzte Stunden, 24. Dettingen Te Deum, 155. Die Auferstehung Christi, 19. Die Sieben Woerte Christi, 19. Dutton, 327. Dvorak, 253; life of, 90. Dyer, 328.

Eli, 84. Elijah, 25, 218. Eliot, John, 313, 318. Emilio del Cavaliere, 14, 15. Engedi, 58. Esther, 21.

Fall of Babylon, 24. Federici, 17. Flagg, Josiah, 320. French, Jacob, 327. Fux, 22.

Gabrielli, 18. German Requiem, 27, 80. Gluck, 160. Gould, Nathaniel D., 328. Gounod, 15, 20, 26; life of, 96. Graun, 20, 30. Gretry, 174.

Habeneck, 75, 76, 77. Handel, 17, 18, 19, 20, 21, 22, 24, 26, 30; life of, 114. Handel and Haydn Society, 327. Hasse, 22. Hastings, Thomas, 328. Haydn, 19, 22, 23, 26, 28, 80, 136, 253, 307; life of, 159. Heine, 256, 257. Hiller, 26, 70, 222, 256, 273. Himmel, 23. Holden, Oliver, 326. Holyoke, Samuel, 326. Hubbard, John, 327. Hymn of Praise, 25, 213.

Israel in Egypt, 21, 23, 117. Italian oratorio composers, 15 Ives, 328.

Joachim, 78, 92. Johnson, 328. Joseph, 22. Joshua, 22, 154. Judas Maccabaeus, 22, 149.

Keiser, Reinhard, 19, 20.

Kimball, Jacob, 326.

La Rappresentazione dell' Anima e del Corpo, 14. Last Judgment, 23, 283. Latimer, 310. Law, Andrew, 326. Legend of the Holy Elizabeth, 180. Light of the World, 294. Liszt, 78, 256, 258; life of, 177. Lyon, James, 320.

Macfarren, George A., 30; life of, 199. Mackenzie, 191. Magnificat (Bach), 48. Magnificats, 26, 30. Martin Luther, 309. Mason, Lowell, 328. Massenet, 26. Mattheson, 20. Mazzocchi, 17. Mendelssohn, 24, 25, 26, 30, 60, 256, 257; life of, 206. Messe des Morts, 27, 71. Messiah, 21, 23, 25, 39, 140. Meyerbeer, 83. Mors et Vita, 26, 106. Moscheles, 257, 271. Mount of Olives, 23, 53. Mozart, 30, 60, 282, 307; life of, 234. Mysteries and miracle-plays, 10, 11, 12.

Neukomm, 253.

Oratorio, its origin, 9; in England, 21; in Germany, 22; oratorios of the present century, 23-26.

Paine, 26, 245. Palestrina, 27, 28, 96, 253, 307. Paradise and the Peri, 25, 273. Paradise Lost, 26, 264. Passion Music, 18, 19, 20. Pistocchi, 17. Playford's Psalms, 320. Porpora, 22, 115, 160. Prodigal Son, 292. Protestant Psalmody, 309. Psalmody in England, 310. Puritan reforms, 310.

Ravenscroft Collection, 312. Redemption, 26, 98. Reed, Daniel, 327. Remenyi, 78. Requiem (Manzoni), 27, 303. Requiem (Mozart), 236. Requiems, 26, 27. Rheinthaler, 26. Richter, Jean Paul, 273. Root, George F., 328. Rose of Sharon, 192. Rossini, 222, 303, 307; life of, 251. Rubinstein, 26; life of, 258.

Sacred dramas, 13, 14. Sacred Music in America, 309. Saint-Saens, 26, 267. Salieri, 23, 168, 177. Samson, 22, 131. Sarti, 30. Saul, 21, 125. Scarlatti, 16. Schneider, 24. Schubert, 23, 91, 273. Schumann, 25, 60, 78, 79, 81; life of, 271. Schuetz, 18. Seasons, 22, 170. Sebastiani, 19. Shaw, Oliver, 327. Spohr, 23, 26, 52, 91; life of, 280. St. John Passion, 20. St. John the Baptist, 201. St. Matthew Passion, 20, 24, 39. St. Paul, 25, 208. St. Peter, 26, 246. Stabat Mater (Dvorak), 28, 92. Stabat Mater (Rossini), 28, 253. Stabat Maters, 27. Stephani, 18. Sternhold and Hopkins, 311, 313. Stradella, 16, 17. Sullivan, 30, 290. Swan, Timothy, 327. Symmes, Thomas, 317.

Tansur and Williams, 320. Te Deums, 28, 29. Telemann, 20. Thalberg, 258. The Bleeding and Dying Jesus, 19. Theile, 19. Theodora, 22. Thomas, Theodore, 80, 99, 192, 246, 269, 291. Tower of Babel, 26, 260. Tufts, John, 319.

Verdi, 256; life of, 301. Victor Hugo, 69, 178. Vittoria, 27. Von Buelow, 179, 307.

Wagner, 65, 83, 179, 186, 268, 282. Walter, Thomas, 320. Weber, 281. Weniawski, 259. Winter, 23. Woman of Samaria, 26, 62. Woodbury, 328.

Zingarelli, 23.



UPTON'S MUSICAL HANDBOOKS.

UNIFORM IN STYLE.

I.

The Standard Operas. Their Plots, their Music, and their Composers. A Handbook. 12mo, yellow edges, $1.50; extra gilt, gilt edges, $2.00.

II.

The Standard Oratorios. Their Stories, their Music, and their Composers. A Handbook. 12mo, yellow edges, $1.50; extra gilt, gilt edges, $2.00.

III.

The Standard Cantatas. Their Stories, their Music, and their Composers. A Handbook. 12mo, yellow edges, $1.50; extra gilt, gilt edges, $2.00.

IV.

The Standard Symphonies. Their History, their Music, and their Composers. A Handbook. 12mo, yellow edges, $1.50; extra gilt, gilt edges, $2.00.

THE STANDARD OPERAS. Their Plots, their Music, and their Composers. By George P. Upton, author of "Woman in Music," etc., etc.

12mo, flexible cloth, yellow edges $1.50 The same, extra gilt, gilt edges $2.00

"Mr. Upton has performed a service that can hardly be too highly appreciated, in collecting the plots, music, and the composers of the standard operas, to the number of sixty-four, and bringing them together in one perfectly arranged volume.... His work is one simply invaluable to the general reading public. Technicalities are avoided, the aim being to give to musically uneducated lovers of the opera a clear understanding of the works they hear. It is description, not criticism, and calculated to greatly increase the intelligent enjoyment of music."—Boston Traveller.

"Among the multitude of handbooks which are published every year, and are described by easy-going writers of book-notices as supplying a long-felt want, we know of none which so completely carries out the intention of the writer as 'The Standard Operas,' by Mr. George P. Upton, whose object is to present to his readers a comprehensive sketch of each of the operas contained in the modern repertory.... There are thousands of music-loving people who will be glad to have the kind of knowledge which Mr. Upton has collected for their benefit, and has cast in a clear and compact form."—R. H. Stoddard, in "Evening Mail and Express" (New York).

"The summaries of the plots are so clear, logical, and well written, that one can read them with real pleasure, which cannot be said of the ordinary operatic synopses. But the most important circumstance is that Mr. Upton's book is fully abreast of the times."—The Nation (New York).

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THE STANDARD CANTATAS. Their Stories, their Music, and their Composers. A Handbook. By George P. Upton. 12mo, 367 pages, yellow edges, price, $1.50; extra gilt, gilt edges, $2.00.

In half calf, gilt top $3.25 In half morocco, gilt edges 3.75 In tree calf, gilt edges 5.50

The "Standard Cantatas" forms the third volume in the uniform series which already includes the now well known "Standard Operas" and the "Standard Oratorios." This latest work deals with a class of musical compositions, midway between the opera and the oratorio, which is growing rapidly in favor both with composers and audiences.

As in the two former works, the subject is treated, so far as possible, in an untechnical manner, so that it may satisfy the needs of musically uneducated music lovers, and add to their enjoyment by a plain statement of the story of the cantata and a popular analysis of its music, with brief pertinent selections from its poetical text.

The book includes a comprehensive essay on the origin of the cantata, and its development from rude beginnings; biographical sketches of the composers; carefully prepared descriptions of the plots and the music; and an appendix containing the names and dates of composition of all the best known cantatas from the earliest times.

This series of works on popular music has steadily grown in favor since the appearance of the first volume on the Operas. When the series is completed, as it will be next year by a volume on the Standard Symphonies, it will be, as the New York 'Nation' has said, indispensable to every musical library.

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BIOGRAPHIES OF MUSICIANS.

LIFE OF LISZT. With Portrait. LIFE OF HAYDN. With Portrait. LIFE OF MOZART. With Portrait. LIFE OF WAGNER. With Portrait. LIFE OF BEETHOVEN. With Portrait.

From the German of Dr. Louis Nohl.

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Of the "Life of Liszt," the Herald (Boston) says: "It is written in great simplicity and perfect taste, and is wholly successful in all that it undertakes to portray."

Of the "Life of Haydn," the Gazette (Boston) says: "No fuller history of Haydn's career, the society in which he moved, and of his personal life can be found than is given in this work."

Of the "Life of Mozart," the Standard says: "Mozart supplies a fascinating subject for biographical treatment. He lives in these pages somewhat as the world saw him, from his marvellous boyhood till his untimely death."

Of the "Life of Wagner," the American (Baltimore) says: "It gives in vigorous outlines those events of the life of the tone poet which exercised the greatest influences upon his artistic career.... It is a story of a strange life devoted to lofty aims."

Of the "Life of Beethoven," the National Journal of Education says: "Beethoven was great and noble as a man, and his artistic creations were in harmony with his great nature. The story of his life, outlined in this volume, is of the deepest interest."

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MUSIC-STUDY IN GERMANY. By Amy Fay. Eighth edition. 12mo, 352 pages. Price, $1.25.

"One of the brightest small books we have seen is Amy Fay's 'Music-Study in Germany.' These letters were written home by a young lady who went to Germany to perfect her piano-playing. They are full of simple, artless, yet sharp and intelligent sayings concerning the ways and tastes of the fatherland.... Her observation is close and accurate, and the sketches of Tausig, Liszt, and other musical celebrities are capitally done."—Christian Advocate (New York).

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THE SURGEON'S STORIES

By Z. Topelius, Professor of History, University of Finland. Translated from the original Swedish, comprising—

Times of Gustaf Adolf, Times of Battle and Rest, Times of Charles XII., Times of Frederick I., Times of Linnaeus, Times of Alchemy.

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FAMILIAR TALKS ON ENGLISH LITERATURE. A Manual embracing the Great Epochs of English Literature, from the English conquest of Britain, 449, to the death of Walter Scott, 1832. By Abby Sage Richardson, Fourth edition, revised. Price $1.50.

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TALES OF ANCIENT GREECE. By the Rev. Sir G. W. Cox, Bart., M.A., Trinity College, Oxford.

12mo, cloth, price, $1.25.

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SHORT HISTORY OF FRANCE, FOR YOUNG PEOPLE. By Miss E. S. Kirkland, author of "Six Little Cooks," "Dora's House-keeping," &c.

12mo, cloth, price, $1.25.

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LAUREL-CROWNED TALES.

Abdallah; or, The Four-Leaved Shamrock. By Edouard Laboulaye. Translated by Mary L. Booth.

Rasselas, Prince of Abyssinia. By Samuel Johnson.

Raphael; or, Pages of the Book of Life at Twenty. From the French of Alphonse de Lamartine.

The Vicar of Wakefield. By Oliver Goldsmith.

The Epicurean. By Thomas Moore.

Picciola. By X. B. Saintine.

An Iceland Fisherman. By Pierre Loti.

Other volumes in preparation.

Handsomely printed from new plates, on fine laid paper, 12mo, cloth, with gilt tops, price per volume, $1.00.

In half calf or half morocco, $2.50.

In planning this series, the publishers have aimed at a form which should combine an unpretentious elegance suited to the fastidious book-lover with an inexpensiveness that must appeal to the most moderate buyer.

It is the intent to admit to the series only such tales as have for years or for generations commended themselves not only to the fastidious and the critical, but also to the great multitude of the refined reading public,—tales, in short, which combine purity and classical beauty of style with perennial popularity.

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THE BOOK-LOVER. A Guide to the Best Reading. By James Baldwin, Ph.D. Sixth edition, 16mo, cloth, gilt top, 201 pages. Price, $1.00.

In half calf or half morocco, $2.75.

Of this book, on the best in English Literature, which has already been declared of the highest value by the testimony of the best critics in this country, an edition of one thousand copies has just been ordered for London, the home of English Literature,—a compliment of which its scholarly western author may justly be proud.

We know of no work of the kind which gives so much useful information in so small a space.—Evening Telegram, New York.

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Mr. Baldwin has written in this monograph a delightful eulogium of books and their manifold influence, and has gained therein two classes of readers,—the scholarly class, to which he belongs, and the receptive class, which he has benefited.—Evening Mail and Express, New York.

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WE TWO ALONE IN EUROPE. By Mary L. Ninde. Illustrated from Original Designs.

12mo, 348 pages, price, $1.50.

The foreign travels which gave rise to this volume were of a novel and perhaps unprecedented kind. Two young American girls started for "the grand tour" with the father of one of them, and he being compelled to return home from London they were courageous enough to continue their journeyings alone. They spent two years in travel,—going as far north as the North Cape and south to the Nile, and including in their itinerary St. Petersburg and Moscow. Miss Ninde's narrative is written in a fresh and sprightly but unsensational style, which, with the unusual experiences portrayed, renders the work quite unlike the ordinary books of travel.

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As the work of a bright American girl, the book is sure to command wide attention. The volume is handsomely bound and copiously illustrated with views drawn, if we mistake not, by the author's own fair hands, so well do they accord with the vivacious spirit of her narrative.—Times, Troy, New York.

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THE HUMBLER POETS. A Collection of Newspaper and Periodical Verse. 1870 to 1885. By Slason Thompson. Crown 8vo, 459 pages, cloth, gilt top. Price, $2.00.

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The publishers have done well in issuing this volume in a style of literary and artistic excellence, such as is given to the works of the poets of name and fame, because the contents richly entitle it to such distinction.—Home Journal, Boston.

The high poetic character of these poems, as a whole, is surprising. As a unit, the collection makes an impression which even a genius of the highest order would not be adequate to produce.... Measured by poetic richness, variety, and merit of the selections contained, the collection is a rarely good one flavored with the freshness and aroma of the present time.—Independent, New York.

Mr. Thompson winnowed out the chaff from the heap, and has given us the golden grain in this volume. Many old newspaper favorites will be recognized in this collection,—many of those song-waifs which have been drifting up and down the newspaper world for years, and which nobody owns but everybody loves. We are glad for ourselves that some one has been kind and tender-hearted enough to take in these fugitive children of the Muses and give them a safe and permanent home. The selection has been made with rare taste and discrimination, and the result is a delightful volume.—Observer, New York.

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LIFE OF ABRAHAM LINCOLN, By the Hon. Isaac N. Arnold. With Steel Portrait. 8vo, cloth, 471 pages. Price, $1.50.

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It is decidedly the best and most complete Life of Lincoln that has yet appeared.—Contemporary Review, London.

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THE AZTECS. Their History, Manners, and Customs. From the French of Lucien Biart. Authorized translation by J. L. Garner.

Illustrated, 8vo, 340 pages, price, $2.00.

The author has travelled through the country of whose former glories his book is a recital, and his studies and discoveries leaven the book throughout. The volume is absorbingly interesting, and is as attractive in style as it is in material.—Saturday Evening Gazette, Boston.

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The twilight origin of the present race is graphically presented: those strange people whose traces have almost vanished from off the face of the earth again live before us. Their taxes and tributes, their marriage ceremonies, their burial customs, laws, medicines, food, poetry, and dances are described.... The book is a very interesting one, and is brought out with copious illustrations.—The Traveller, Boston.

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Transcriber's Notes to the Electronic Edition

In the name "Dvorak", the caron over the "R" and the diacrit over the "V" have been omitted. On the other hand, an accent has been consistently applied to the "a". The publisher's catalog and ads were moved to the back of the book, and assigned arbitrary page numbers. In the original, they were not numbered. The (few) footnotes were moved to chapter ends; in the original they were in page footers.

THE END

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