The low Ebb to which Dancing is now fallen, is altogether owing to this Silence. The Art is esteem'd only as an amusing Trifle; it lies altogether uncultivated, and is unhappily fallen under the Imputation of Illiterate and Mechanick: And as Terence in one of his Prologues, complains of the Rope-dancers drawing all the Spectators from his Play, so may we well say, that Capering and Tumbling is now preferred to, and supplies the Place of just and regular Dancing on our Theatres. It is therefore, in my opinion, high time that some one should come in to its Assistance, and relieve it from the many gross and growing Errors that have crept into it, and over-cast its real Beauties; and to set Dancing in its true light, would shew the Usefulness and Elegancy of it, with the Pleasure and Instruction produc'd from it; and also lay down some fundamental Rules, that might so tend to the Improvement of its Professors, and Information of the Spectators, that the first might be the better enabled to perform, and the latter render'd more capable of judging, what is (if there be any thing) valuable in this Art.

To encourage therefore some ingenious Pen capable of so generous an Undertaking, and in some measure to relieve Dancing from the Disadvantages it at present lies under, I, who teach to dance, have attempted a small Treatise as an Essay towards an History of Dancing; in which I have enquired into its Antiquity, Original, and Use, and shewn what Esteem the Ancients had for it: I have likewise considered the Nature and Perfection of all its several Parts, and how beneficial and delightful it is, both as a Qualification and an Exercise; and endeavoured to answer all Objections that have been maliciously rais'd against it. I have proceeded to give an Account of the particular Dances of the Greeks and Romans, whether religious, warlike, or civil; and taken particular notice of that Part of Dancing relating to the ancient Stage, and in which the Pantomimes had so great a share: Nor have I been wanting in giving an historical Account of some particular Masters excellent in that surprising Art. After which, I have advanced some Observations on the modern Dancing, both as to the Stage, and that Part of it so absolutely necessary for the Qualification of Gentlemen and Ladies; and have concluded with some short Remarks on the Origin and Progress of the Character by which Dances are writ down, and communicated to one Master from another. If some great Genius after this would arise, and advance this Art to that Perfection it seems capable of receiving, what might not be expected from it? For if we consider the Origin of Arts and Sciences, we shall find that some of them took rise from Beginnings so mean and unpromising, that it is very wonderful to think that ever such surprizing Structures should have been raised upon such ordinary Foundations. But what cannot a great Genius effect? Who would have thought that the clangorous Noise of a Smiths Hammers should have given the first rise to Musick? Yet Macrobius in his second Book relates, that Pythagoras, in passing by a Smiths Shop, found that the Sounds proceeding from the Hammers were either more grave or acute, according to the different Weights of the Hammers. The Philosopher, to improve this Hint, suspends different Weights by Strings of the same Bigness, and found in like manner that the Sounds answered to the Weights. This being discover'd, he finds out those Numbers which produc'd Sounds that were Consonants: As, that two Strings of the same Substance and Tension, the one being double the Length, of the other, give that Interval which is called Diapason, or an Eighth; the same was also effected from two Strings of the same Length and Size, the one having four times the Tension of the other. By these Steps, from so mean a Beginning, did this great Man reduce, what was only before Noise, to one of the most delightful Sciences, by marrying it to the Mathematicks; and by that means caused it to be one of the most abstract and demonstrative of Sciences. Who knows therefore but Motion, whether Decorous or Representative, may not (as it seems highly probable it may) be taken into consideration by some Person capable of reducing it into a regular Science, tho not so demonstrative as that proceeding from Sounds, yet sufficient to entitle it to a Place among the magnify'd Arts.

Now, Mr. SPECTATOR, as you have declared your self Visitor of Dancing-Schools, and this being an Undertaking which more immediately respects them, I think my self indispensably obliged, before I proceed to the Publication of this my Essay, to ask your Advice, and hold it absolutely necessary to have your Approbation; and in order to recommend my Treatise to the Perusal of the Parents of such as learn to dance, as well as to the young Ladies, to whom, as Visitor, you ought to be Guardian.

I am, SIR,

Your most humble Servant.

Salop, March 19, 1711-12.

T.



[Footnote 1: John Weaver.]



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No. 335. Tuesday, March 25, 1712. Addison.



Respicere exemplar vitae morumque jubebo Doctum imitatorem, et veras hinc ducere voces.

Hor.



My Friend Sir ROGER DE COVERLEY, when we last met together at the Club, told me, that he had a great mind to see the new Tragedy [1] with me, assuring me at the same time, that he had not been at a Play these twenty Years. The last I saw, said Sir ROGER, was the Committee, which I should not have gone to neither, had not I been told before-hand that it was a good Church-of-England Comedy. [2] He then proceeded to enquire of me who this Distrest Mother was; and upon hearing that she was Hectors Widow, he told me that her Husband was a brave Man, and that when he was a Schoolboy he had read his Life at the end of the Dictionary. My Friend asked me, in the next place, if there would not be some danger in coming home late, in case the Mohocks should be Abroad. I assure you, says he, I thought I had fallen into their Hands last Night; for I observed two or three lusty black Men that follow'd me half way up Fleet-street, and mended their pace behind me, in proportion as I put on to get away from them. You must know, continu'd the Knight with a Smile, I fancied they had a mind to hunt me; for I remember an honest Gentleman in my Neighbourhood, who was served such a trick in King Charles the Seconds time; for which reason he has not ventured himself in Town ever since. I might have shown them very good Sport, had this been their Design; for as I am an old Fox-hunter, I should have turned and dodg'd, and have play'd them a thousand tricks they had never seen in their Lives before. Sir ROGER added, that if these Gentlemen had any such Intention, they did not succeed very well in it: for I threw them out, says he, at the End of Norfolk street, where I doubled the Corner, and got shelter in my Lodgings before they could imagine what was become of me. However, says the Knight, if Captain SENTRY will make one with us to-morrow night, and if you will both of you call upon me about four a-Clock, that we may be at the House before it is full, I will have my own Coach in readiness to attend you, for John tells me he has got the Fore-Wheels mended.

The Captain, who did not fail to meet me there at the appointed Hour, bid Sir ROGER fear nothing, for that he had put on the same Sword which he made use of at the Battel of Steenkirk. Sir ROGERS Servants, and among the rest my old Friend the Butler, had, I found, provided themselves with good Oaken Plants, to attend their Master upon this occasion. When he had placed him in his Coach, with my self at his Left-Hand, the Captain before him, and his Butler at the Head of his Footmen in the Rear, we convoy'd him in safety to the Play-house, where, after having marched up the Entry in good order, the Captain and I went in with him, and seated him betwixt us in the Pit. As soon as the House was full, and the Candles lighted, my old Friend stood up and looked about him with that Pleasure, which a Mind seasoned with Humanity naturally feels in its self, at the sight of a Multitude of People who seem pleased with one another, and partake of the same common Entertainment. I could not but fancy to myself, as the old Man stood up in the middle of the Pit, that he made a very proper Center to a Tragick Audience. Upon the entring of Pyrrhus, the Knight told me, that he did not believe the King of France himself had a better Strut. I was indeed very attentive to my old Friends Remarks, because I looked upon them as a Piece of natural Criticism, and was well pleased to hear him at the Conclusion of almost every Scene, telling me that he could not imagine how the Play would end. One while he appeared much concerned for Andromache; and a little while after as much for Hermione: and was extremely puzzled to think what would become of Pyrrhus.

When Sir ROGER saw Andromache's obstinate Refusal to her Lovers Importunities, he whisper'd me in the Ear, that he was sure she would never have him; to which he added, with a more than ordinary Vehemence, you cant imagine, Sir, what tis to have to do with a Widow. Upon Pyrrhus his threatning afterwards to leave her, the Knight shook his Head, and muttered to himself, Ay, do if you can. This Part dwelt so much upon my Friends Imagination, that at the close of the Third Act, as I was thinking of something else, he whispered in my Ear, These Widows, Sir, are the most perverse Creatures in the World. But pray, says he, you that are a Critick, is this Play according to your Dramatick Rules, as you call them? Should your People in Tragedy always talk to be understood? Why, there is not a single Sentence in this Play that I do not know the Meaning of.

The Fourth Act very luckily begun before I had time to give the old Gentleman an Answer: Well, says the Knight, sitting down with great Satisfaction, I suppose we are now to see Hectors Ghost. He then renewed his Attention, and, from time to time, fell a praising the Widow. He made, indeed, a little Mistake as to one of her Pages, whom at his first entering, he took for Astyanax; but he quickly set himself right in that Particular, though, at the same time, he owned he should have been very glad to have seen the little Boy, who, says he, must needs be a very fine Child by the Account that is given of him. Upon Hermione's going off with a Menace to Pyrrhus, the Audience gave a loud Clap; to which Sir ROGER added, On my Word, a notable young Baggage!

As there was a very remarkable Silence and Stillness in the Audience during the whole Action, it was natural for them to take the Opportunity of these Intervals between the Acts, to express their Opinion of the Players, and of their respective Parts. Sir ROGER hearing a Cluster of them praise Orestes, struck in with them, and told them, that he thought his Friend Pylades was a very sensible Man; as they were afterwards applauding Pyrrhus, Sir ROGER put in a second time; And let me tell you, says he, though he speaks but little, I like the old Fellow in Whiskers as well as any of them. Captain SENTRY seeing two or three Waggs who sat near us, lean with an attentive Ear towards Sir ROGER, and fearing lest they should Smoke the Knight, pluck'd him by the Elbow, and whisper'd something in his Ear. that lasted till the Opening of the Fifth Act. The Knight was wonderfully attentive to the Account which Orestes gives of Pyrrhus his Death, and at the Conclusion of it, told me it was such a bloody Piece of Work, that he was glad it was not done upon the Stage. Seeing afterwards Orestes in his raving Fit, he grew more than ordinary serious, and took occasion to moralize (in his way) upon an Evil Conscience, adding, that Orestes, in his Madness, looked as if he saw something.

As we were the first that came into the House, so we were the last that went out of it; being resolved to have a clear Passage for our old Friend, whom we did not care to venture among the justling of the Crowd. Sir ROGER went out fully satisfied with his Entertainment, and we guarded him to his Lodgings in the same manner that we brought him to the Playhouse; being highly pleased, for my own part, not only with the Performance of the excellent Piece which had been presented, but with the Satisfaction which it had given to the good old Man.

L.



[Footnote 1: This is a fourth puff (see Nos. 223, 229, 290) of Addison's friend Ambrose Philips. The art of packing a house to secure applause was also practised on the first night of the acting of this version of Andromaque.]

[Footnote 2: The Committee, or the Faithful Irishman, was written by Sir Robert Howard soon after the Restoration, with for its heroes two Cavalier colonels, whose estates are sequestered, and their man Teg (Teague), an honest blundering Irishman. The Cavaliers defy the Roundhead Committee, and the day may come says one of them, when those that suffer for their consciences and honour may be rewarded. Nobody who heard this from the stage in the days of Charles II. could feel that the day had come. Its comic Irishman kept the Committee on the stage, and in Queen Anne's time the thorough Tory still relished the stage caricature of the maintainers of the Commonwealth in Mr. Day with his greed, hypocrisy, and private incontinence; his wife, who had been cookmaid to a gentleman, but takes all the State matters on herself; and their empty son Abel, who knows Parliament-men and Sequestrators, and whose profound contemplations are caused by the constervation of his spirits for the nations good.]



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No. 336. Wednesday, March 26, 1712. Steele.



—Clament periisse pudorem Cuncti pene patres, ea cum reprehendere coner, Quae gravis AEsopus, quae doctus Roscius egit: Vel quia nil rectum, nisi quod placuit sibi, ducunt; Vel quia turpe putant parere minoribus, et, quae Imberbes didicere, senes perdenda fateri.

Hor.

Mr. SPECTATOR,

As you are the daily Endeavourer to promote Learning and good Sense, I think myself obliged to suggest to your Consideration whatever may promote or prejudice them.. There is an Evil which has prevailed from Generation to Generation, which grey Hairs and tyrannical Custom continue to support; I hope your Spectatorial Authority will give a seasonable Check to the Spread of the Infection; I mean old Mens overbearing the strongest Sense of their Juniors by the mere Force of Seniority; so that for a young Man in the Bloom of Life and Vigour of Age to give a reasonable Contradiction to his Elders, is esteemed an unpardonable Insolence, and regarded as a reversing the Decrees of Nature. I am a young Man, I confess, yet I honour the grey Head as much as any one; however, when in Company with old Men, I hear them speak obscurely, or reason preposterously (into which Absurdities, Prejudice, Pride, or Interest, will sometimes throw the wisest) I count it no Crime to rectifie their Reasoning, unless Conscience must truckle to Ceremony, and Truth fall a Sacrifice to Complaisance. The strongest Arguments are enervated, and the brightest Evidence disappears, before those tremendous Reasonings and dazling Discoveries of venerable old Age: You are young giddy-headed Fellows, you have not yet had Experience of the World. Thus we young Folks find our Ambition cramp'd, and our Laziness indulged, since, while young, we have little room to display our selves; and, when old, the Weakness of Nature must pass for Strength of Sense, and we hope that hoary Heads will raise us above the Attacks of Contradiction. Now, Sir, as you would enliven our Activity in the pursuit of Learning, take our Case into Consideration; and, with a Gloss on brave Elihus Sentiments, assert the Rights of Youth, and prevent the pernicious Incroachments of Age. The generous Reasonings of that gallant Youth would adorn your Paper; and I beg you would insert them, not doubting but that they will give good Entertainment to the most intelligent of your Readers.

So these three Men ceased to answer Job, because he was righteous in his own Eyes. Then was kindled the Wrath of Elihu the Son of Barachel the Buzite, of the Kindred of Ram: Against Job was his Wrath kindled, because he justified himself rather than God. Also against his three Friends was his Wrath kindled, because they had found no Answer, and yet had condemned Job. Now Elihu had waited till Job had spoken, because they were elder than he. When Elihu saw there was no Answer in the Mouth of these three Men, then his Wrath was kindled. And Elihu the Son of Barachel the Buzite answered and said, I am young, and ye are very old, wherefore I was afraid, and durst not shew you mine Opinion. I said, Days should speak, and Multitude of Years should teach Wisdom. But there is a Spirit in Man; and the Inspiration of the Almighty giveth them Understanding. Great Men are not always wise: Neither do the Aged understand Judgment. Therefore I said, hearken to me, I also will shew mine Opinion. Behold, I waited for your Words; I gave ear to your Reasons, whilst you searched out what to say. Yea, I attended unto you: And behold there was none of you that convinced Job, or that answered his Words; lest ye should say, we have found out Wisdom: God thrusteth him down, not Man. Now he hath not directed his Words against me: Neither will I answer him with your Speeches. They were amazed, they answered no more: They left off speaking. When I had waited (for they spake not, but stood still and answered no more) I said, I will answer also my Part, I also will shew mine Opinion. For I am full of Matter, the Spirit within me constraineth me. Behold my Belly is as Wine which hath no vent, it is ready to burst like new Bottles. I will speak that I may be refreshed: I will open my Lips, and answer. Let me not, I pray you, accept any Man's Person, neither let me give flattering Titles unto Man. For I know not to give flattering Titles; in so doing my Maker would soon take me away. [1]



Mr. SPECTATOR,

I have formerly read with great Satisfaction your Papers about Idols, and the Behaviour of Gentlemen in those Coffee-houses where Women officiate, and impatiently waited to see you take India and China Shops into Consideration: But since you have pass'd us over in silence, either that you have not as yet thought us worth your Notice, or that the Grievances we lie under have escaped your discerning Eye, I must make my Complaints to you, and am encouraged to do it because you seem a little at leisure at this present Writing. I am, dear Sir, one of the top China-Women about Town; and though I say it, keep as good Things, and receive as fine Company as any o this End of the Town, let the other be who she will: In short, I am in a fair Way to be easy, were it not for a Club of Female Rakes, who under pretence of taking their innocent Rambles, forsooth, and diverting the Spleen, seldom fail to plague me twice or thrice a-day to cheapen Tea, or buy a Skreen; What else should they mean? as they often repeat it. These Rakes are your idle Ladies of Fashion, who having nothing to do, employ themselves in tumbling over my Ware. One of these No-Customers (for by the way they seldom or never buy any thing) calls for a Set of Tea-Dishes, another for a Bason, a third for my best Green-Tea, and even to the Punch Bowl, there's scarce a piece in my Shop but must be displaced, and the whole agreeable Architecture disordered; so that I can compare em to nothing but to the Night-Goblins that take a Pleasure to over-turn the Disposition of Plates and Dishes in the Kitchens of your housewifely Maids. Well, after all this Racket and Clutter, this is too dear, that is their Aversion; another thing is charming, but not wanted: The Ladies are cured of the Spleen, but I am not a Shilling the better for it. Lord! what signifies one poor Pot of Tea, considering the Trouble they put me to? Vapours, Mr. SPECTATOR, are terrible Things; for though I am not possess'd by them my self, I suffer more from em than if I were. Now I must beg you to admonish all such Day-Goblins to make fewer Visits, or to be less troublesome when they come to ones Shop; and to convince em, that we honest Shop-keepers have something better to do, than to cure Folks of the Vapours gratis. A young Son of mine, a School-Boy, is my Secretary, so I hope you'll make Allowances. I am, SIR, Your constant Reader, and very humble Servant, Rebecca the Distress'd.

March the 22nd.

T.



[Footnote 1: Job, ch. xii.]



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No. 337. Thursday, March 27, 1712. Budgell.



Fingit equum tenera docilem cervice Magister, Ire viam quam monstrat eques—

Hor.



I have lately received a third Letter from the Gentleman, who has already given the Publick two Essays upon Education. As his Thoughts seem to be very just and new upon this Subject, I shall communicate them to the Reader.



SIR,

If I had not been hindered by some extraordinary Business, I should have sent you sooner my further Thoughts upon Education. You may please to remember, that in my last Letter I endeavoured to give the best Reasons that could be urged in favour of a private or publick Education. Upon the whole it may perhaps be thought that I seemed rather enclined to the latter, though at the same time I confessed that Virtue, which ought to be our first and principal Care, was more usually acquired in the former.

I intend therefore, in this Letter, to offer at Methods, by which I conceive Boys might be made to improve in Virtue, as they advance in Letters.

I know that in most of our public Schools Vice is punished and discouraged whenever it is found out; but this is far from being sufficient, unless our Youth are at the same time taught to form a right Judgment of Things, and to know what is properly Virtue.

To this end, whenever they read the Lives and Actions of such Men as have been famous in their Generation, it should not be thought enough to make them barely understand so many Greek or Latin Sentences, but they should be asked their Opinion of such an Action or Saying, and obliged to give their Reasons why they take it to be good or bad. By this means they would insensibly arrive at proper Notions of Courage, Temperance, Honour and Justice.

There must be great Care taken how the Example of any particular Person is recommended to them in gross; instead of which, they ought to be taught wherein such a Man, though great in some respects, was weak and faulty in others. For want of this Caution, a Boy is often so dazzled with the Lustre of a great Character, that he confounds its Beauties with its Blemishes, and looks even upon the faulty Parts of it with an Eye of Admiration.

I have often wondered how Alexander, who was naturally of a generous and merciful Disposition, came to be guilty of so barbarous an Action as that of dragging the Governour of a Town after his Chariot. I know this is generally ascribed to his Passion for Homer; but I lately met with a Passage in Plutarch, which, if I am not very much mistaken, still gives us a clearer Light into the Motives of this Action. Plutarch tells us, that Alexander in his Youth had a Master named Lysimachus, who, tho he was a Man destitute of all Politeness, ingratiated himself both with Philip and his Pupil, and became the second Man at Court, by calling the King Peleus, the Prince Achilles, and himself Phoenix. It is no wonder if Alexander having been thus used not only to admire, but to personate Achilles, should think it glorious to imitate him in this piece of Cruelty and Extravagance.

To carry this Thought yet further, I shall submit it to your Consideration, whether instead of a Theme or Copy of Verses, which are the usual Exercises, as they are called in the School-phrase, it would not be more proper that a Boy should be tasked once or twice a Week to write down his Opinion of such Persons and Things as occur to him in his Reading; that he should descant upon the Actions of Turnus and AEneas, shew wherein they excelled or were defective, censure or approve any particular Action, observe how it might have been carried to a greater Degree of Perfection, and how it exceeded or fell short of another. He might at the same time mark what was moral in any Speech, and how far it agreed with the Character of the Person speaking. This Exercise would soon strengthen his Judgment in what is blameable or praiseworthy, and give him an early Seasoning of Morality.

Next to those Examples which may be met with in Books, I very much approve Horace's Way of setting before Youth the infamous or honourable Characters of their Contemporaries: That Poet tells us, this was the Method his Father made use of to incline him to any particular Virtue, or give him an Aversion to any particular Vice. If, says Horace, my Father advised me to live within Bounds, and be contented with the Fortune he should leave me; Do not you see (says he) the miserable Condition of Burr, and the Son of Albus? Let the Misfortunes of those two Wretches teach you to avoid Luxury and Extravagance. If he would inspire me with an Abhorrence to Debauchery, do not (says he) make your self like Sectanus, when you may be happy in the Enjoyment of lawful Pleasures. How scandalous (says he) is the Character of Trebonius, who was lately caught in Bed with another Man's Wife? To illustrate the Force of this Method, the Poet adds, That as a headstrong Patient, who will not at first follow his Physicians Prescriptions, grows orderly when he hears that his Neighbours die all about him; so Youth is often frighted from Vice, by hearing the ill Report it brings upon others.

Xenophon's Schools of Equity, in his Life of Cyrus the Great, are sufficiently famous: He tells us, that the Persian Children went to School, and employed their Time as diligently in learning the Principles of Justice and Sobriety, as the Youth in other Countries did to acquire the most difficult Arts and Sciences: their Governors spent most part of the Day in hearing their mutual Accusations one against the other, whether for Violence, Cheating, Slander, or Ingratitude; and taught them how to give Judgment against those who were found to be any ways guilty of these Crimes. I omit the Story of the long and short Coat, for which Cyrus himself was punished, as a Case equally known with any in Littleton.

The Method, which Apuleius tells us the Indian Gymnosophists took to educate their Disciples, is still more curious and remarkable. His Words are as follow: When their Dinner is ready, before it is served up, the Masters enquire of every particular Scholar how he has employed his Time since Sun-rising; some of them answer, that having been chosen as Arbiters between two Persons they have composed their Differences, and made them Friends; some, that they have been executing the Orders of their Parents; and others, that they have either found out something new by their own Application, or learnt it from the Instruction of their Fellows: But if there happens to be any one among them, who cannot make it appear that he has employed the Morning to advantage, he is immediately excluded from the Company, and obliged to work, while the rest are at Dinner.

It is not impossible, that from these several Ways of producing Virtue in the Minds of Boys, some general Method might be invented. What I would endeavour to inculcate, is, that our Youth cannot be too soon taught the Principles of Virtue, seeing the first Impressions which are made on the Mind are always the strongest.

The Archbishop of Cambray makes Telemachus say, that though he was young in Years, he was old in the Art of knowing how to keep both his own and his Friends Secrets. When my Father, says the Prince, went to the Siege of Troy, he took me on his Knees, and after having embraced and blessed me, as he was surrounded by the Nobles of Ithaca, O my Friends, says he, into your Hands I commit the Education of my Son; if ever you lov'd his Father, shew it in your Care towards him; but above all, do not omit to form him just, sincere, and faithful in keeping a Secret. These Words of my Father, says Telemachus, were continually repeated to me by his Friends in his Absence; who made no scruple of communicating to me in their Uneasiness to see my Mother surrounded with Lovers, and the Measures they designed to take on that Occasion. He adds, that he was so ravished at being thus treated like a Man, and at the Confidence reposed in him, that he never once abused it; nor could all the Insinuations of his Fathers Rivals ever get him to betray what was committed to him under the Seal of Secrecy.

There is hardly any Virtue which a Lad might not thus learn by Practice and Example.

I have heard of a good Man, who used at certain times to give his Scholars Six Pence apiece, that they might tell him the next day how they had employ'd it. The third part was always to be laid out in Charity, and every Boy was blamed or commended as he could make it appear that he had chosen a fit Object.

In short, nothing is more wanting to our publick Schools, than that the Masters of them should use the same care in fashioning the Manners of their Scholars, as in forming their Tongues to the learned Languages. Where-ever the former is omitted, I cannot help agreeing with Mr. Locke, That a Man must have a very strange Value for Words, when preferring the Languages of the Greeks and Romans to that which made them such brave Men, he can think it worth while to hazard the Innocence and Virtue of his Son for a little Greek and Latin.

As the Subject of this Essay is of the highest Importance, and what I do not remember to have yet seen treated by any Author, I have sent you what occurr'd to me on it from my own Observation or Reading, and which you may either suppress or publish as you think fit.

I am, SIR, Yours, &c.

X.



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No. 338. Friday, March 28, 1712.



[—Nil fuit unquam Tam dispar sibi.

Hor. [1]]



I find the Tragedy of the Distrest Mother is publish'd today: The Author of the Prologue, I suppose, pleads an old Excuse I have read somewhere, of being dull with Design; and the Gentleman who writ the Epilogue [2] has, to my knowledge, so much of greater moment to value himself upon, that he will easily forgive me for publishing the Exceptions made against Gayety at the end of serious Entertainments, in the following Letter: I should be more unwilling to pardon him than any body, a Practice which cannot have any ill Consequence, but from the Abilities of the Person who is guilty of it.

Mr. SPECTATOR,

I had the Happiness the other Night of sitting very near you, and your worthy Friend Sir ROGER, at the acting of the new Tragedy, which you have in a late Paper or two so justly recommended. I was highly pleased with the advantageous Situation Fortune had given me in placing me so near two Gentlemen, from one of which I was sure to hear such Reflections on the several Incidents of the Play, as pure Nature suggested, and from the other such as flowed from the exactest Art and Judgment: Tho I must confess that my Curiosity led me so much to observe the Knights Reflections, that I was not so well at leisure to improve my self by yours. Nature, I found, play'd her Part in the Knight pretty well, till at the last concluding Lines she entirely forsook him. You must know, Sir, that it is always my Custom, when I have been well entertained at a new Tragedy, to make my Retreat before the facetious Epilogue enters; not but that those Pieces are often very well writ, but having paid down my Half Crown, and made a fair Purchase of as much of the pleasing Melancholy as the Poets Art can afford me, or my own Nature admit of, I am willing to carry some of it home with me; and cant endure to be at once trick'd out of all, tho by the wittiest Dexterity in the World. However, I kept my Seat tother Night, in hopes of finding my own Sentiments of this Matter favour'd by your Friends; when, to my great Surprize, I found the Knight entering with equal Pleasure into both Parts, and as much satisfied with Mrs. Oldfield's Gaiety, as he had been before with Andromache's Greatness. Whether this were no other than an Effect of the Knights peculiar Humanity, pleas'd to find at last, that after all the tragical Doings every thing was safe and well, I don't know. But for my own part, I must confess, I was so dissatisfied, that I was sorry the Poet had saved Andromache, and could heartily have wished that he had left her stone-dead upon the Stage. For you cannot imagine, Mr. SPECTATOR, the Mischief she was reserv'd to do me. I found my Soul, during the Action, gradually work'd up to the highest Pitch; and felt the exalted Passion which all generous Minds conceive at the Sight of Virtue in Distress. The Impression, believe me, Sir, was so strong upon me, that I am persuaded, if I had been let alone in it, I could at an Extremity have ventured to defend your self and Sir ROGER against half a Score of the fiercest Mohocks: But the ludicrous Epilogue in the Close extinguish'd all my Ardour, and made me look upon all such noble Atchievements, as downright silly and romantick. What the rest of the Audience felt, I cant so well tell: For my self, I must declare, that at the end of the Play I found my Soul uniform, and all of a Piece; but at the End of the Epilogue it was so jumbled together, and divided between Jest and Earnest, that if you will forgive me an extravagant Fancy, I will here set it down. I could not but fancy, if my Soul had at that Moment quitted my Body, and descended to the poetical Shades in the Posture it was then in, what a strange Figure it would have made among them. They would not have known what to have made of my motley Spectre, half Comick and half Tragick, all over resembling a ridiculous Face, that at the same time laughs on one side and cries o tother. The only Defence, I think, I have ever heard made for this, as it seems to me, most unnatural Tack of the Comick Tail to the Tragick Head, is this, that the Minds of the Audience must be refreshed, and Gentlemen and Ladies not sent away to their own Homes with too dismal and melancholy Thoughts about them: For who knows the Consequence of this? We are much obliged indeed to the Poets for the great Tenderness they express for the Safety of our Persons, and heartily thank them for it. But if that be all, pray, good Sir, assure them, that we are none of us like to come to any great Harm; and that, let them do their best, we shall in all probability live out the Length of our Days, and frequent the Theatres more than ever. What makes me more desirous to have some Reformation of this matter, is because of an ill Consequence or two attending it: For a great many of our Church-Musicians being related to the Theatre, they have, in Imitation of these Epilogues, introduced in their farewell Voluntaries a sort of Musick quite foreign to the design of Church-Services, to the great Prejudice of well-disposed People. Those fingering Gentlemen should be informed, that they ought to suit their Airs to the Place and Business; and that the Musician is obliged to keep to the Text as much as the Preacher. For want of this, I have found by Experience a great deal of Mischief: For when the Preacher has often, with great Piety and Art enough, handled his Subject, and the judicious Clark has with utmost Diligence culled out two Staves proper to the Discourse, and I have found in my self and in the rest of the Pew good Thoughts and Dispositions, they have been all in a moment dissipated by a merry Jigg from the Organ-Loft. One knows not what further ill Effects the Epilogues I have been speaking of may in time produce: But this I am credibly informed of, that Paul Lorrain [3]—has resolv'd upon a very sudden Reformation in his tragical Dramas; and that at the next monthly Performance, he designs, instead of a Penitential Psalm, to dismiss his Audience with an excellent new Ballad of his own composing. Pray, Sir, do what you can to put a stop to those growing Evils, and you will very much oblige

Your Humble Servant, Physibulus.



[Footnote 1:

[—Servetur ad imum Qualis ab incepto processerit, et sibi constet.

Hor. ]



[Footnote 2: The Prologue was by Steele. Of the Epilogue Dr. Johnson said (in his Lives of the Poets, when telling of Ambrose Philips),

It was known in Tonson's family and told to Garrick, that Addison was himself the author of it, and that when it had been at first printed with his name, he came early in the morning, before the copies were distributed, and ordered it to be given to Budgell, that it might add weight to the solicitation which he was then making for a place.

Johnson calls it

the most successful Epilogue that was ever yet spoken on the English theatre.

The three first nights it was recited twice, and whenever afterwards the play was acted the Epilogue was still expected and was spoken. This is a fifth paper for the benefit of Ambrose Philips, inserted, perhaps, to make occasion for a sixth (No. 341) in the form of a reply to Physibulus.]

[Footnote 3: Paul Lorrain was the Ordinary of Newgate. He died in 1719. He always represented his convicts as dying Penitents, wherefore in No. 63 of the Tatler they had been called Paul Lorrains Saints. ]



* * * * *



No. 339 Saturday, March 29, 1712. Addison



[—Ut his exordia primis Omnia, et ipse tener Mundi concreverit orbis. Tum durare solum et discludere Nerea ponto Coeperit, et rerum pauliatim sumere formas.

Virg. [1]]



Longinus has observed, [2] that there may be a Loftiness in Sentiments, where there is no Passion, and brings Instances out of ancient Authors to support this his Opinion. The Pathetick, as that great Critick observes, may animate and inflame the Sublime, but is not essential to it. Accordingly, as he further remarks, we very often find that those who excel most in stirring up the Passions, very often want the Talent of writing in the great and sublime manner, and so on the contrary. Milton has shewn himself a Master in both these ways of Writing. The Seventh Book, which we are now entring upon, is an Instance of that Sublime which is not mixed and worked up with Passion. The Author appears in a kind of composed and sedate Majesty; and tho the Sentiments do not give so great an Emotion as those in the former Book, they abound with as magnificent Ideas. The Sixth Book, like a troubled Ocean, represents Greatness in Confusion; the seventh Affects the Imagination like the Ocean in a Calm, and fills the Mind of the Reader, without producing in it any thing like Tumult or Agitation.

The Critick above mentioned, among the Rules which he lays down for succeeding in the sublime way of writing, proposes to his Reader, that he should imitate the most celebrated Authors who have gone before him, and been engaged in Works of the same nature; [3] as in particular, that if he writes on a poetical Subject, he should consider how Homer would have spoken on such an Occasion. By this means one great Genius often catches the Flame from another, and writes in his Spirit, without copying servilely after him. There are a thousand shining Passages in Virgil, which have been lighted up by Homer.

Milton, tho his own natural Strength of Genius was capable of furnishing out a perfect Work, has doubtless very much raised and ennobled his Conceptions, by such an Imitation as that which Longinus has recommended.

In this Book, which gives us an Account of the six Days Works, the Poet received but very few Assistances from Heathen Writers, who were Strangers to the Wonders of Creation. But as there are many glorious strokes of Poetry upon this Subject in Holy Writ, the Author has numberless Allusions to them through the whole course of this Book. The great Critick I have before mentioned, though an Heathen, has taken notice of the sublime Manner in which the Lawgiver of the Jews has describ'd the Creation in the first Chapter of Genesis; [4] and there are many other Passages in Scripture, which rise up to the same Majesty, where this Subject is touched upon. Milton has shewn his Judgment very remarkably, in making use of such of these as were proper for his Poem, and in duly qualifying those high Strains of Eastern Poetry, which were suited to Readers whose Imaginations were set to an higher pitch than those of colder Climates.

Adams Speech to the Angel, wherein he desires an Account of what had passed within the Regions of Nature before the Creation, is very great and solemn. The following Lines, in which he tells him, that the Day is not too far spent for him to enter upon such a subject, are exquisite in their kind.

And the great Light of Day yet wants to run Much of his Race, though steep, suspense in Heavn Held by thy Voice; thy potent Voice he hears, And longer will delay, to hear thee tell His Generation, &c.

The Angels encouraging our first Parent[s] in a modest pursuit after Knowledge, with the Causes which he assigns for the Creation of the World, are very just and beautiful. The Messiah, by whom, as we are told in Scripture, the Worlds were made, comes forth in the Power of his Father, surrounded with an Host of Angels, and cloathed with such a Majesty as becomes his entring upon a Work, which, according to our Conceptions, [appears [5]] the utmost Exertion of Omnipotence. What a beautiful Description has our Author raised upon that Hint in one of the Prophets. And behold there came four Chariots out from between two Mountains, and the Mountains were Mountains of Brass. [6]

About his Chariot numberless were pour Cherub and Seraph, Potentates and Thrones, And Virtues, winged Spirits, and Chariots wing'd, From th' Armoury of Gold, where stand of old Myriads between two brazen Mountains lodg'd Against a solemn Day, harness'd at hand; Celestial Equipage! and now came forth Spontaneous, for within them Spirit liv'd, Attendant on their Lord: Heavn open'd wide Her ever-during Gates, Harmonious Sound! On golden Hinges moving—

I have before taken notice of these Chariots of God, and of these Gates of Heaven; and shall here only add, that Homer gives us the same Idea of the latter, as opening of themselves; tho he afterwards takes off from it, by telling us, that the Hours first of all removed those prodigious Heaps of Clouds which lay as a Barrier before them.

I do not know any thing in the whole Poem more sublime than the Description which follows, where the Messiah is represented at the head of his Angels, as looking down into the Chaos, calming its Confusion, riding into the midst of it, and drawing the first Out-Line of the Creation.

On Heavenly Ground they stood, and from the Shore They view'd the vast immeasurable Abyss, Outrageous as a Sea, dark, wasteful, wild; Up from the bottom turned by furious Winds And surging Waves, as Mountains to assault Heavens height, and with the Center mix the Pole.

Silence, ye troubled Waves, and thou Deep, Peace! Said then th' Omnific Word, your Discord end:

Nor staid; but, on the Wings of Cherubim Up-lifted, in Paternal Glory rode Far into Chaos, and the World unborn; For Chaos heard his Voice. Him all His Train Follow'd in bright Procession, to behold Creation, and the Wonders, of his Might. Then staid the fervid Wheels, and in his Hand He took the Golden Compasses, prepar'd In Gods eternal Store, to circumscribe This Universe, and all created Things: One Foot he center'd, and the other turn'd Round, through the vast Profundity obscure; And said, Thus far extend, thus far thy bounds, This be thy just Circumference, O World!

The Thought of the Golden Compasses is conceived altogether in Homers Spirit, and is a very noble Incident in this wonderful Description. Homer, when he speaks of the Gods, ascribes to them several Arms and Instruments with the same greatness of Imagination. Let the Reader only peruse the Description of Minerva's AEgis, or Buckler, in the Fifth Book, with her Spear, which would overturn whole Squadrons, and her Helmet, that was sufficient to cover an Army drawn out of an hundred Cities: The Golden Compasses in the above-mentioned Passage appear a very natural Instrument in the Hand of him, whom Plato somewhere calls the Divine Geometrician. As Poetry delights in cloathing abstracted Ideas in Allegories and sensible Images, we find a magnificent Description of the Creation form'd after the same manner in one of the Prophets, wherein he describes the Almighty Architect as measuring the Waters in the Hollow of his Hand, meting out the Heavens with his Span, comprehending the Dust of the Earth in a Measure, weighing the Mountains in Scales, and the Hills in a Balance. Another of them describing the Supreme Being in this great Work of Creation, represents him as laying the Foundations of the Earth, and stretching a Line upon it: And in another place as garnishing the Heavens, stretching out the North over the empty Place, and hanging the Earth upon nothing. This last noble Thought Milton has express'd in the following Verse:

And Earth self-ballanc'd on her Center hung.

The Beauties of Description in this Book lie so very thick, that it is impossible to enumerate them in this Paper. The Poet has employ'd on them the whole Energy of our Tongue. The several great Scenes of the Creation rise up to view one after another, in such a manner, that the Reader seems present at this wonderful Work, and to assist among the Choirs of Angels, who are the Spectators of it. How glorious is the Conclusion of the first Day.

—Thus was the first Day Ev'n and Morn Nor past uncelebrated nor unsung By the Celestial Quires, when Orient Light Exhaling first from Darkness they beheld; Birth-day of Heavn and Earth! with Joy and Shout The hollow universal Orb they fill'd.

We have the same elevation of Thought in the third Day, when the Mountains were brought forth, and the Deep was made.

Immediately the Mountains huge appear Emergent, and their broad bare Backs up-heave Into the Clouds, their Tops ascend the Sky: So high as heav'd the tumid Hills, so low Down sunk a hollow Bottom, broad and deep, Capacious Bed of Waters—

We have also the rising of the whole vegetable World described in this Days Work, which is filled with all the Graces that other Poets have lavish'd on their Descriptions of the Spring, and leads the Readers Imagination into a Theatre equally surprising and beautiful.

The several Glories of the Heavns make their Appearance on the Fourth Day.

First in his East the glorious Lamp was seen, Regent of Day; and all th' Horizon round Invested with bright Rays, jocund to round His Longitude through Heavns high Road: the gray Dawn, and the Pleiades before him danced, Shedding sweet Influence. Less bright the Moon, But opposite in level'd West was set, His Mirror, with full face borrowing her Light From him, for other Lights she needed none In that aspect, and still that distance keeps Till Night; then in the East her turn she shines, Revolv'd on Heavns great Axle, and her Reign With thousand lesser Lights dividual holds, With thousand thousand Stars! that then appear'd Spangling the Hemisphere—

One would wonder how the Poet could be so concise in his Description of the six Days Works, as to comprehend them within the bounds of an Episode, and at the same time so particular, as to give us a lively Idea of them. This is still more remarkable in his Account of the Fifth and Sixth Days, in which he has drawn out to our View the whole Animal Creation, from the Reptil to the Behemoth. As the Lion and the Leviathan are two of the noblest Productions in [the [7]] World of living Creatures, the Reader will find a most exquisite Spirit of Poetry in the Account which our Author gives us of them. The Sixth Day concludes with the Formation of Man, upon which the Angel takes occasion, as he did after the Battel in Heaven, to remind Adam of his Obedience, which was the principal Design of this his Visit.

The Poet afterwards represents the Messiah returning into Heaven, and taking a Survey of his great Work. There is something inexpressibly Sublime in this part of the Poem, where the Author describes that great Period of Time, filled with so many Glorious Circumstances; when the Heavens and Earth were finished; when the Messiah ascended up in triumph thro the Everlasting Gates; when he looked down with pleasure upon his new Creation; when every Part of Nature seem'd to rejoice in its Existence; when the Morning-Stars sang together, and all the Sons of God shouted for joy.

So Ev'n and Morn accomplished the sixth Day: Yet not till the Creator from his Work Desisting, tho unwearied, up return'd, Up to the Heavn of Heavns, his high Abode; Thence to behold this new created World, Th' Addition of his Empire, how it shewed In prospect from his Throne, how good, how fair, Answering his great Idea: Up he rode, Follow'd with Acclamation, and the Sound Symphonious of ten thousand Harps, that tuned Angelick Harmonies; the Earth, the Air Resounding (thou rememberst, for thou heardst) The Heavens and all the Constellations rung; The Planets in their Station listning stood, While the bright Pomp ascended jubilant. Open, ye everlasting Gates, they sung, Open, ye Heavens, your living Doors; let in The great Creator from his Work return'd Magnificent, his six Days Work, a World!

I cannot conclude this Book upon the Creation, without mentioning a Poem which has lately appeared under that Title. [8] The Work was undertaken with so good an Intention, and is executed with so great a Mastery, that it deserves to be looked upon as one of the most useful and noble Productions in our English Verse. The Reader cannot but be pleased to find the Depths of Philosophy enlivened with all the Charms of Poetry, and to see so great a Strength of Reason, amidst so beautiful a Redundancy of the Imagination. The Author has shewn us that Design in all the Works of Nature, which necessarily leads us to the Knowledge of its first Cause. In short, he has illustrated, by numberless and incontestable Instances, that Divine Wisdom, which the Son of Sirach has so nobly ascribed to the Supreme Being in his Formation of the World, when he tells us, that He created her, and saw her, and numbered her, and poured her out upon all his Works.

L.



[Footnote 1: [Ovid.]]

[Footnote 2: On the Sublime, Sec. 8.]

[Footnote 3: Sec.14.]

[Footnote 4: Longinus, Sec. 9:

"So likewise the Jewish legislator, no ordinary person, having conceived a just idea of the power of God, has nobly expressed it in the beginning of his law. And God said,—What? Let there be Light, and there was Light. Let the Earth be, and the Earth was." ]

[Footnote 5: [looks like]:—]

[Footnote 6: Zechariah vi. i. ]

[Footnote 7: this]

[Footnote 8: Sir Richard Blackmore's Creation appeared in 1712. Besides this praise of it from Addison, its religious character caused Dr. Johnson to say that if Blackmore

had written nothing else it would have transmitted him to posterity among the first favourites of the English muse.

But even with the help of all his epics it has failed to secure him any such place in the estimation of posterity. This work is not an epic, but described on its title page as a Philosophical Poem, Demonstrating the Existence and Providence of a God. It argues in blank verse, in the first two of its seven books, the existence of a Deity from evidences of design in the structure and qualities of earth and sea, in the celestial bodies and the air; in the next three books it argues against objections raised by Atheists, Atomists, and Fatalists; in the sixth book proceeds with evidences of design, taking the structure of man's body for its theme; and in the next, which is the last book, treats in the same way of the Instincts of Animals and of the Faculties and Operations of the Soul. This is the manner of the Poem:

The Sea does next demand our View; and there No less the Marks of perfect skill appear. When first the Atoms to the Congress came, And by their Concourse form'd the mighty Frame, What did the Liquid to th' Assembly call To give their Aid to form the ponderous Ball? First, tell us, why did any come? next, why In such a disproportion to the Dry! Why were the Moist in Number so outdone, That to a Thousand Dry, they are but one,

It is hardly a mark of perfect skill that there are five or six thousand of such dry lines in Blackmore's poem, and not even one that should lead a critic to speak in the same breath of Blackmore and Milton.]



* * * * *



No. 340 Monday, March 31, 1712. Steele.



Quis novus hic nostris successit sedibus Hospes? Quem sese Ore ferens! quam forti Pectore et Armis!

Virg.



I take it to be the highest Instance of a noble Mind, to bear great Qualities without discovering in a Man's Behaviour any Consciousness that he is superior to the rest of the World. Or, to say it otherwise, it is the Duty of a great Person so to demean himself, as that whatever Endowments he may have, he may appear to value himself upon no Qualities but such as any Man may arrive at: He ought to think no Man valuable but for his publick Spirit, Justice and Integrity; and all other Endowments to be esteemed only as they contribute to the exerting those Virtues. Such a Man, if he is Wise or Valiant, knows it is of no Consideration to other Men that he is so, but as he employs those high Talents for their Use and Service. He who affects the Applauses and Addresses of a Multitude, or assumes to himself a Pre-eminence upon any other Consideration, must soon turn Admiration into Contempt. It is certain, that there can be no Merit in any Man who is not conscious of it; but the Sense that it is valuable only according to the Application of it, makes that Superiority amiable, which would otherwise be invidious. In this Light it is considered as a Thing in which every Man bears a Share: It annexes the Ideas of Dignity, Power, and Fame, in an agreeable and familiar manner, to him who is Possessor of it; and all Men who are Strangers to him are naturally incited to indulge a Curiosity in beholding the Person, Behaviour, Feature, and Shape of him, in whose Character, perhaps, each Man had formed something in common with himself. Whether such, or any other, are the Causes, all Men have [a yearning [1]] Curiosity to behold a Man of heroick Worth; and I have had many Letters from all Parts of this Kingdom, that request I would give them an exact Account of the Stature, the Mein, the Aspect of the Prince [2] who lately visited England, and has done such Wonders for the Liberty of Europe. It would puzzle the most Curious to form to himself the sort of Man my several Correspondents expect to hear of, by the Action mentioned when they desire a Description of him: There is always something that concerns themselves, and growing out of their own Circumstances, in all their Enquiries. A Friend of mine in Wales beseeches me to be very exact in my Account of that wonderful Man, who had marched an Army and all its Baggage over the Alps; and, if possible, to learn whether the Peasant who shew'd him the Way, and is drawn in the Map, be yet living. A Gentleman from the University, who is deeply intent on the Study of Humanity, desires me to be as particular, if I had Opportunity, in observing the whole Interview between his Highness and our late General. Thus do Mens Fancies work according to their several Educations and Circumstances; but all pay a Respect, mixed with Admiration, to this illustrious Character. I have waited for his Arrival in Holland, before I would let my Correspondents know, that I have not been so uncurious a Spectator, as not to have seen Prince Eugene. It would be very difficult, as I said just now, to answer every Expectation of those who have writ to me on that Head; nor is it possible for me to find Words to let one know what an artful Glance there is in his Countenance who surprized Cremona; how daring he appears who forced the Trenches of Turin; But in general I can say, that he who beholds him, will easily expect from him any thing that is to be imagined or executed by the Wit or Force of Man. The Prince is of that Stature which makes a Man most easily become all Parts of Exercise, has Height to be graceful on Occasions of State and Ceremony, and no less adapted for Agility and Dispatch: his Aspect is erect and compos'd; his Eye lively and thoughtful, yet rather vigilant than sparkling; his Action and Address the most easy imaginable, and his Behaviour in an Assembly peculiarly graceful in a certain Art of mixing insensibly with the rest, and becoming one of the Company, instead of receiving the Courtship of it. The Shape of his Person, and Composure of his Limbs, are remarkably exact and beautiful. There is in his Look something sublime, which does not seem to arise from his Quality or Character, but the innate Disposition of his Mind. It is apparent that he suffers the Presence of much Company, instead of taking Delight in it; and he appeared in Publick while with us, rather to return Good-will, or satisfy Curiosity, than to gratify any Taste he himself had of being popular. As his Thoughts are never tumultuous in Danger, they are as little discomposed on Occasions of Pomp and Magnificence: A great Soul is affected in either Case, no further than in considering the properest Methods to extricate it self from them. If this Hero has the strong Incentives to uncommon Enterprizes that were remarkable in Alexander, he prosecutes and enjoys the Fame of them with the Justness, Propriety, and good Sense of Caesar. It is easy to observe in him a Mind as capable of being entertained with Contemplation as Enterprize; a Mind ready for great Exploits, but not impatient for Occasions to exert itself. The Prince has Wisdom and Valour in as high Perfection as Man can enjoy it; which noble Faculties in conjunction, banish all Vain-Glory, Ostentation, Ambition, and all other Vices which might intrude upon his Mind to make it unequal. These Habits and Qualities of Soul and Body render this Personage so extraordinary, that he appears to have nothing in him but what every Man should have in him, the Exertion of his very self, abstracted from the Circumstances in which Fortune has placed him. Thus were you to see Prince Eugene, and were told he was a private Gentleman, you would say he is a Man of Modesty and Merit: Should you be told That was Prince Eugene, he would be diminished no otherwise, than that part of your distant Admiration would turn into familiar Good-will. This I thought fit to entertain my Reader with, concerning an Hero who never was equalled but by one Man; [3] over whom also he has this Advantage, that he has had an Opportunity to manifest an Esteem for him in his Adversity.

T.



[Footnote 1: [an earning]]



[Footnote 2: Prince Eugene of Savoy, grandson of a duke of Savoy, and son of Eugene Maurice, general of the Swiss, and Olympia Mancini, a niece of Mazarin, was born at Paris in 1663, and intended for the church, but had so strong a bent towards a military life, that when refused a regiment in the French army he served the Emperor as volunteer against the Turks. He stopped the march of the French into Italy when Louis XIV. declared war with Austria, and refused afterwards from Louis a Marshals staff, a pension, and the Government of Champagne. Afterwards in Italy, by the surprise of Cremona he made Marshal Villeroi his prisoner, and he was Marlborough's companion in arms at Blenheim and in other victories. It was he who saved Turin, and expelled the French from Italy. He was 49 years old in 1712, and had come in that year to England to induce the court to continue the war, but found Marlborough in disgrace and the war very unpopular. He had been feasted by the city, and received from Queen Anne a sword worth L5000, which he wore at her birthday reception. He had also stood as godfather to Steele's third son, who was named after him.]

[Footnote 3: Marlborough.]



* * * * *



No. 341. Tuesday, April 1, 1712. Budgell. [1]



—Revocate animos moestumque timorem Mittite—

Virg.



Having, to oblige my Correspondent Physibulus, printed his Letter last Friday, in relation to the new Epilogue, he cannot take it amiss, if I now publish another, which I have just received from a Gentleman who does not agree with him in his Sentiments upon that Matter.



SIR,

I am amazed to find an Epilogue attacked in your last Fridays Paper, which has been so generally applauded by the Town, and receiv'd such Honours as were never before given to any in an English Theatre.

The Audience would not permit Mrs. Oldfield to go off the Stage the first Night, till she had repeated it twice; the second Night the Noise of Ancoras was as loud as before, and she was again obliged to speak it twice: the third Night it was still called for a second time; and, in short, contrary to all other Epilogues, which are dropt after the third Representation of the Play, this has already been repeated nine times.

I must own I am the more surprized to find this Censure in Opposition to the whole Town, in a Paper which has hitherto been famous for the Candour of its Criticisms.

I can by no means allow your melancholy Correspondent, that the new Epilogue is unnatural because it is gay. If I had a mind to be learned, I could tell him that the Prologue and Epilogue were real Parts of the ancient Tragedy; but every one knows that on the British Stage they are distinct Performances by themselves, Pieces entirely detached from the Play, and no way essential to it.

The moment the Play ends, Mrs. Oldfield is no more Andromache, but Mrs. Oldfield; and tho the Poet had left Andromache stone-dead upon the Stage, as your ingenious Correspondent phrases it, Mrs. Oldfield might still have spoke a merry Epilogue. We have an Instance of this in a Tragedy [2] where there is not only a Death but a Martyrdom. St. Catherine was there personated by Nell Gwin; she lies stone dead upon the Stage, but upon those Gentlemen's offering to remove her Body, whose Business it is to carry off the Slain in our English Tragedies, she breaks out into that abrupt Beginning of what was a very ludicrous, but at the same time thought a very good Epilogue.

Hold, are you mad? you damn'd confounded Dog, I am to rise and speak the Epilogue.

This diverting Manner was always practised by Mr. Dryden, who if he was not the best Writer of Tragedies in his time, was allowed by every one to have the happiest Turn for a Prologue or an Epilogue. The Epilogues to Cleomenes, Don Sebastian, The Duke of Guise, Aurengzebe, and Love Triumphant, are all Precedents of this Nature.

I might further justify this Practice by that excellent Epilogue which was spoken a few Years since, after the Tragedy of Phaedra and Hippolitus; with a great many others, in which the Authors have endeavour'd to make the Audience merry. If they have not all succeeded so well as the Writer of this, they have however shewn that it was not for want of Good-will.

I must further observe, that the Gaiety of it may be still the more proper, as it is at the end of a French Play; since every one knows that Nation, who are generally esteem'd to have as polite a Taste as any in Europe, always close their Tragick Entertainments with what they call a Petite Piece, which is purposely design'd to raise Mirth, and send away the Audience well pleased. The same Person who has supported the chief Character in the Tragedy, very often plays the principal Part in the Petite Piece; so that I have my self seen at Paris, Orestes and Lubin acted the same Night by the same Man.

Tragi-Comedy, indeed, you have your self in a former Speculation found fault with very justly, because it breaks the Tide of the Passions while they are yet flowing; but this is nothing at all to the present Case, where they have already had their full Course.

As the new Epilogue is written conformable to the Practice of our best Poets, so it is not such an one which, as the Duke of Buckingham says in his Rehearsal, might serve for any other Play; but wholly rises out of the Occurrences of the Piece it was composed for.

The only Reason your mournful Correspondent gives against this Facetious Epilogue, as he calls it, is, that he has mind to go home melancholy. I wish the Gentleman may not be more Grave than Wise. For my own part, I must confess I think it very sufficient to have the Anguish of a fictitious Piece remain upon me while it is representing, but I love to be sent home to bed in a good humour. If Physibulus is however resolv'd to be inconsolable, and not to have his Tears dried up, he need only continue his old Custom, and when he has had his half Crowns worth of Sorrow, slink out before the Epilogue begins.

It is pleasant enough to hear this Tragical Genius complaining of the great Mischief Andromache had done him: What was that? Why, she made him laugh. The poor Gentleman's Sufferings put me in mind of Harlequins Case, who was tickled to Death. He tells us soon after, thro a small Mistake of Sorrow for Rage, that during the whole Action he was so very sorry, that he thinks he could have attack'd half a score of the fiercest Mohocks in the Excess of his Grief. I cannot but look upon it as an happy Accident, that a Man who is so bloody-minded in his Affliction, was diverted from this Fit of outragious Melancholy. The Valour of this Gentleman in his Distress, brings to ones memory the Knight of the sorrowful Countenance, who lays about him at such an unmerciful rate in an old Romance. I shall readily grant him that his Soul, as he himself says, would have made a very ridiculous Figure, had it quitted the Body, and descended to the Poetical Shades, in such an Encounter.

As to his Conceit of tacking a Tragic Head with a Comic Tail, in order to refresh the Audience, it is such a piece of Jargon, that I don't know what to make of it.

The elegant Writer makes a very sudden Transition from the Play-house to the Church, and from thence, to the Gallows.

As for what relates to the Church, he is of Opinion, that these Epilogues have given occasion to those merry Jiggs from the Organ-Loft which have dissipated those good Thoughts, and Dispositions he has found in himself, and the rest of the Pew, upon the singing of two Staves cull'd out by the judicious and diligent Clark.

He fetches his next Thought from Tyburn; and seems very apprehensive lest there should happen any Innovations in the Tragedies of his Friend Paul Lorrain.

In the mean time, Sir, this gloomy Writer, who is so mightily scandaliz'd at a gay Epilogue after a serious Play, speaking of the Fate of those unhappy Wretches who are condemned to suffer an ignominious Death by the Justice of our Laws, endeavours to make the Reader merry on so improper an occasion, by those poor Burlesque Expressions of Tragical Dramas, and Monthly Performances.

I am, Sir, with great Respect, Your most obedient, most humble Servant,

Philomeides.

X.



[Footnote 1: Budgell here defends with bad temper the Epilogue which Addison ascribed to him. Probably it was of his writing, but transformed by Addison's corrections.]

[Footnote 2: Dryden's Maximin.]



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No. 342. Wednesday, April 2, 1712. Steele.



Justitiae partes sunt non violare homines: Verecundiae non offendere.

Tull.



As Regard to Decency is a great Rule of Life in general, but more especially to be consulted by the Female World, I cannot overlook the following Letter which describes an egregious Offender.

Mr. SPECTATOR,

I was this Day looking over your Papers, and reading in that of December the 6th with great delight, the amiable Grief of Asteria for the Absence of her Husband, it threw me into a great deal of Reflection. I cannot say but this arose very much from the Circumstances of my own Life, who am a Soldier, and expect every Day to receive Orders; which will oblige me to leave behind me a Wife that is very dear to me, and that very deservedly. She is, at present, I am sure, no way below your Asteria for Conjugal Affection: But I see the Behaviour of some Women so little suited to the Circumstances wherein my Wife and I shall soon be, that it is with a Reluctance I never knew before, I am going to my Duty. What puts me to present Pain, is the Example of a young Lady, whose Story you shall have as well as I can give it you. Hortensius, an Officer of good Rank in her Majesty's Service, happen'd in a certain Part of England to be brought to a Country-Gentleman's House, where he was receiv'd with that more than ordinary Welcome, with which Men of domestick Lives entertain such few Soldiers whom a military Life, from the variety of Adventures, has not render'd over-bearing, but humane, easy, and agreeable: Hortensius stay'd here some time, and had easy Access at all hours, as well as unavoidable Conversation at some parts of the Day with the beautiful Sylvana, the Gentleman's Daughter. People who live in Cities are wonderfully struck with every little Country Abode they see when they take the Air; and tis natural to fancy they could live in every neat Cottage (by which they pass) much happier than in their present Circumstances. The turbulent way of Life which Hortensius was used to, made him reflect with much Satisfaction on all the Advantages of a sweet Retreat one day; and among the rest, you'll think it not improbable, it might enter into his Thought, that such a Woman as Sylvana would consummate the Happiness. The World is so debauched with mean Considerations, that Hortensius knew it would be receiv'd as an Act of Generosity, if he asked for a Woman of the Highest Merit, without further Questions, of a Parent who had nothing to add to her personal Qualifications. The Wedding was celebrated at her Fathers House: When that was over, the generous Husband did not proportion his Provision for her to the Circumstances of her Fortune, but considered his Wife as his Darling, his Pride, and his Vanity, or rather that it was in the Woman he had chosen that a Man of Sense could shew Pride or Vanity with an Excuse, and therefore adorned her with rich Habits and valuable Jewels. He did not however omit to admonish her that he did his very utmost in this; that it was an Ostentation he could not but be guilty of to a Woman he had so much Pleasure in, desiring her to consider it as such; and begged of her also to take these Matters rightly, and believe the Gems, the Gowns, the Laces would still become her better, if her Air and Behaviour was such, that it might appear she dressed thus rather in Compliance to his Humour that Way, than out of any Value she her self had for the Trifles. To this Lesson, too hard for Woman, Hortensius added, that she must be sure to stay with her Friends in the Country till his Return. As soon as Hortensius departed, Sylvana saw in her Looking-glass that the Love he conceiv'd for her was wholly owing to the Accident of seeing her: and she is convinced it was only her Misfortune the rest of Mankind had not beheld her, or Men of much greater Quality and Merit had contended for one so genteel, tho bred in Obscurity; so very witty, tho never acquainted with Court or Town. She therefore resolved not to hide so much Excellence from the World, but without any Regard to the Absence of the most generous Man alive, she is now the gayest Lady about this Town, and has shut out the Thoughts of her Husband by a constant Retinue of the vainest young Fellows this Age has produced: to entertain whom, she squanders away all Hortensius is able to supply her with, tho that Supply is purchased with no less Difficulty than the Hazard of his Life.

Now, Mr. SPECTATOR, would it not be a Work becoming your Office to treat this Criminal as she deserve[s]? You should give it the severest Reflections you can: You should tell Women, that they are more accountable for Behaviour in Absence than after Death. The Dead are not dishonour'd by their Levities; the Living may return, and be laugh'd at by empty Fops, who will not fail to turn into Ridicule the good Man who is so unseasonable as to be still alive, and come and spoil good Company.

I am, SIR, your most Obedient Humble Servant.

All Strictness of Behaviour is so unmercifully laugh'd at in our Age, that the other much worse Extreme is the more common Folly. But let any Woman consider which of the two Offences an Husband would the more easily forgive, that of being less entertaining than she could to please Company, or raising the Desires of the whole Room to his disadvantage; and she will easily be able to form her Conduct. We have indeed carry'd Womens Characters too much into publick Life, and you shall see them now-a-days affect a sort of Fame: but I cannot help venturing to disoblige them for their Service, by telling them, that the utmost of a Woman's Character is contained in Domestick Life; she is blameable or praiseworthy according as her Carriage affects the House of her Father or her Husband. All she has to do in this World, is contain'd within the Duties of a Daughter, a Sister, a Wife, and a Mother: All these may be well performed, tho a Lady should not be the very finest Woman at an Opera or an Assembly. They are likewise consistent with a moderate share of Wit, a plain Dress, and a modest Air. But when the very Brains of the Sex are turned, and they place their Ambition on Circumstances, wherein to excel is no addition to what is truly commendable, where can this end, but, as it frequently does, in their placing all their Industry, Pleasure and Ambition on things, which will naturally make the Gratifications of Life last, at best, no longer than Youth and good Fortune? And when we consider the least ill Consequence, it can be no less than looking on their own Condition as Years advance, with a disrelish of Life, and falling into Contempt of their own Persons, or being the Derision of others. But when they consider themselves as they ought, no other than an additional Part of the Species, (for their own Happiness and Comfort, as well as that of those for whom they were born) their Ambition to excel will be directed accordingly; and they will in no part of their Lives want Opportunities of being shining Ornaments to their Fathers, Husbands, Brothers, or Children.

T



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No. 343. Thursday, April 3, 1712. Addison.



—Errat et illinc Huc venit, hinc illuc, et quoslibet occupat artus Spiritus: eque feris humana in corpora transit, Inque feras noster—

Pythag. ap. Ov.



Will. Honeycomb, who loves to shew upon occasion all the little Learning he has picked up, told us yesterday at the Club, that he thought there might be a great deal said for the Transmigration of Souls, and that the Eastern Parts of the World believed in that Doctrine to this day. Sir Paul Rycaut, [1] says he, gives us an Account of several well-disposed Mahometans that purchase the Freedom of any little Bird they see confined to a Cage, and think they merit as much by it, as we should do here by ransoming any of our Countrymen from their Captivity at Algiers. You must know, says WILL., the Reason is, because they consider every Animal as a Brother or Sister in disguise, and therefore think themselves obliged to extend their Charity to them, tho under such mean Circumstances. They'll tell you, says WILL., that the Soul of a Man, when he dies, immediately passes into the Body of another Man, or of some Brute, which he resembled in his Humour, or his Fortune, when he was one of us.

As I was wondring what this profusion of Learning would end in, WILL. told us that Jack Freelove, who was a Fellow of Whim, made Love to one of those Ladies who throw away all their Fondness [on [2]] Parrots, Monkeys, and Lap-dogs. Upon going to pay her a Visit one Morning, he writ a very pretty Epistle upon this Hint. Jack, says he, was conducted into the Parlour, where he diverted himself for some time with her favourite Monkey, which was chained in one of the Windows; till at length observing a Pen and Ink lie by him, he writ the following Letter to his Mistress, in the Person of the Monkey; and upon her not coming down so soon as he expected, left it in the Window, and went about his Business.

The Lady soon after coming into the Parlour, and seeing her Monkey look upon a Paper with great Earnestness, took it up, and to this day is in some doubt, says WILL., whether it was written by Jack or the Monkey.

Madam, Not having the Gift of Speech, I have a long time waited in vain for an Opportunity of making myself known to you; and having at present the Conveniences of Pen, Ink, and Paper by me, I gladly take the occasion of giving you my History in Writing, which I could not do by word of Mouth. You must know, Madam, that about a thousand Years ago I was an Indian Brachman, and versed in all those mysterious Secrets which your European Philosopher, called Pythagoras, is said to have learned from our Fraternity. I had so ingratiated my self by my great Skill in the occult Sciences with a Daemon whom I used to converse with, that he promised to grant me whatever I should ask of him. I desired that my Soul might never pass into the Body of a brute Creature; but this he told me was not in his Power to grant me. I then begg'd that into whatever Creature I should chance to Transmigrate, I might still retain my Memory, and be conscious that I was the same Person who lived in different Animals. This he told me was within his Power, and accordingly promised on the word of a Daemon that he would grant me what I desired. From that time forth I lived so very unblameably, that I was made President of a College of Brachmans, an Office which I discharged with great Integrity till the day of my Death. I was then shuffled into another Human Body, and acted my Part so very well in it, that I became first Minister to a Prince who reigned upon the Banks of the Ganges. I here lived in great Honour for several Years, but by degrees lost all the Innocence of the Brachman, being obliged to rifle and oppress the People to enrich my Sovereign; till at length I became so odious that my Master, to recover his Credit with his Subjects, shot me thro the Heart with an Arrow, as I was one day addressing my self to him at the Head of his Army.

Upon my next remove I found my self in the Woods, under the shape of a Jack-call, and soon listed my self in the Service of a Lion. I used to yelp near his Den about midnight, which was his time of rouzing and seeking after his Prey. He always followed me in the Rear, and when I had run down a fat Buck, a wild Goat, or an Hare, after he had feasted very plentifully upon it himself, would now and then throw me a Bone that was but half picked for my Encouragement; but upon my Being unsuccessful in two or three Chaces, he gave me such a confounded Gripe in his Anger, that I died of it.

In my next Transmigration I was again set upon two Legs, and became an Indian Tax-gatherer; but having been guilty of great Extravagances, and being marry'd to an expensive Jade of a Wife, I ran so cursedly in debt, that I durst not shew my Head. I could no sooner step out of my House, but I was arrested by some body or other that lay in wait for me. As I ventur'd abroad one Night in the Dusk of the Evening, I was taken up and hurry'd into a Dungeon, where I died a few Months after.

My Soul then enter'd into a Flying-Fish, and in that State led a most melancholy Life for the space of six Years. Several Fishes of Prey pursued me when I was in the Water, and if I betook my self to my Wings, it was ten to one but I had a flock of Birds aiming at me. As I was one day flying amidst a fleet of English Ships, I observed a huge Sea-Gull whetting his Bill and hovering just over my Head: Upon my dipping into the Water to avoid him, I fell into the Mouth of a monstrous Shark that swallow'd me down in an instant.

I was some Years afterwards, to my great surprize, an eminent Banker in Lombard-street; and remembring how I had formerly suffered for want of Money, became so very sordid and avaritious, that the whole Town cried shame of me. I was a miserable little old Fellow to look upon, for I had in a manner starved my self, and was nothing but Skin and Bone when I died.

I was afterwards very much troubled and amazed to find my self dwindled into an Emmet. I was heartily concerned to make so insignificant a Figure, and did not know but some time or other I might be reduced to a Mite if I did not mend my Manners. I therefore applied my self with great diligence to the Offices that were allotted me, and was generally look'd upon as the notablest Ant in the whole Molehill. I was at last picked up, as I was groaning under a Burden, by an unlucky Cock-Sparrow that lived in the Neighbourhood, and had before made great depredations upon our Commonwealth.

I then better'd my Condition a little, and lived a whole Summer in the Shape of a Bee; but being tired with the painful and penurious Life I had undergone in my two last Transmigrations, I fell into the other Extream, and turned Drone. As I one day headed a Party to plunder an Hive, we were received so warmly by the Swarm which defended it, that we were most of us left dead upon the Spot.

I might tell you of many other Transmigrations which I went thro: how I was a Town-Rake, and afterwards did Penance in a Bay Gelding for ten Years; as also how I was a Taylor, a Shrimp, and a Tom-tit. In the last of these my Shapes I was shot in the Christmas Holidays by a young Jack-a-napes, who would needs try his new Gun upon me.

But I shall pass over these and other several Stages of Life, to remind you of the young Beau who made love to you about Six Years since. You may remember, Madam, how he masked, and danced, and sung, and play'd a thousand Tricks to gain you; and how he was at last carry'd off by a Cold that he got under your Window one Night in a Serenade. I was that unfortunate young Fellow, whom you were then so cruel to. Not long after my shifting that unlucky Body, I found myself upon a Hill in AEthiopia, where I lived in my present Grotesque Shape, till I was caught by a Servant of the English Factory, and sent over into Great Britain: I need not inform you how I came into your Hands. You see, Madam, this is not the first time that you have had me in a Chain: I am, however, very happy in this my Captivity, as you often bestow on me those Kisses and Caresses which I would have given the World for, when I was a Man. I hope this Discovery of my Person will not tend to my Disadvantage, but that you will still continue your accustomed Favours to Your most Devoted Humble Servant, Pugg.

P.S. I would advise your little Shock-dog to keep out of my way; for as I look upon him to be the most formidable of my Rivals, I may chance one time or other to give him such a Snap as he wont like.

L.



[Footnote 1: Sir Paul Rycaut, the son of a London merchant, after an education at Trinity College, Cambridge, went in 1661 to Constantinople as Secretary to the Embassy. He published in 1668 his Present State of the Ottoman Empire, in three Books, and in 1670 the work here quoted, A Particular Description of the Mahometan Religion, the Seraglio, the Maritime and Land Forces of Turkey, abridged in 1701 in Savages History of the Turks, and translated into French by Bespier in 1707. Consul afterwards at Smyrna, he wrote by command of Charles II. a book on The Present State of the Greek and American Churches, published 1679. After his return from the East he was made Privy Councillor and Judge of the High Court of Admiralty. He was knighted by James II., and one of the first Fellows of the Royal Society. He published between 1687 and 1700, the year of his death, Knolless History of the Turks, with a continuation of his own, and also translated Platinas Lives of the Popes and Garcilaso de la Vegas History of Peru.]