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"I do," he said quietly.
"And yet you offer me your friendship?"
He bowed in acquiescence.
"Why?" she asked.
"For Paul's sake, my dear lady."
She shrugged her shoulders and turned away from him.
"Of course," she said, "it is quite easy to be rude. As it happens, it is precisely for Paul's sake that I took the trouble of speaking to you on this matter. I do not wish him to be troubled with such small domestic affairs; and therefore, if we are to live under the same roof, I shall deem it a favor if you will, at all events, conceal your disapproval of me."
He bowed gravely and kept silence. Etta sat with a little patch of color on either cheek, looking into the fire until the door was opened and Maggie came in.
Steinmetz went toward her with his grave smile, while Etta hid a face which had grown haggard.
Maggie glanced from one to the other with frank interest. The relationship between these two had rather puzzled her of late.
"Well," said Steinmetz, "and what of St. Petersburg?"
"I am not disappointed," replied Maggie. "It is all I expected and more. I am not blasee like Etta. Every thing interests me."
"We were discussing Petersburg when you came in," said Steinmetz, drawing forward a chair. "The princess does not like it. She complains of—nerves."
"Nerves!" exclaimed Maggie, turning to her cousin. "I did not suspect you of having them."
Etta smiled, a little wearily.
"One never knows," she answered, forcing herself to be light, "what one may come to in old age. I saw a gray hair this morning. I am nearly thirty-three, you know. When glamour goes, nerves come."
"Well, I suppose they do—especially in Russia, perhaps. There is a glamour about Russia, and I mean to cultivate it rather than nerves. There is a glamour about every thing—the broad streets, the Neva, the snow, and the cold. Especially the people. It is always especially the people, is it not?"
"It is the people, my dear young lady, that lend interest to the world."
"Paul took me out in a sleigh this morning," went on Maggie, in her cheerful voice that knew no harm. "I liked every thing—the policemen in their little boxes at the street corners, the officers in their fur coats, the cabmen, every-body. There is something so mysterious about them all. One can easily make up stories about every-body one meets in Petersburg. It is so easy to think that they are not what they seem. Paul, Etta, even you, Herr Steinmetz, may not be what you seem."
"Yes, that is so," answered Steinmetz, with a laugh.
"You may be a Nihilist," pursued Maggie. "You may have bombs concealed up your sleeves; you may exchange mysterious passwords with people in the streets; you may be much less innocent than you appear."
"All that may be so," he admitted.
"You may have a revolver in the pocket of your dress-coat," went on Maggie, pointing to the voluminous garment with her fan.
His hand went to the pocket in question, and produced exactly what she had suggested. He held out his hand with a small silver-mounted revolver lying in the palm of it.
"Even that," he said, "may be so."
Maggie looked at it with a sudden curiosity, her bright eyes grave.
"Loaded?" she asked.
"Yes."
"Then I will not examine it. How curious! I wonder how near to the mark I may have been in other ways."
"I wonder," said Steinmetz, looking at Etta. "And now tell us something about the princess. What do you suspect her of?"
At this moment Paul came into the room, distinguished-looking and grave.
"Miss Delafield," pursued Steinmetz, turning to the new-comer, "is telling us her suspicions about ourselves. I am already as good as condemned to Siberia. She is now about to sit in judgment on the princess."
Maggie laughed.
"Herr Steinmetz has pleaded guilty to the worst accusation," she said. "On the other counts I leave him to his own conscience."
"Any thing but that," urged Steinmetz.
Paul came forward, and Maggie rather obviously avoided looking at him.
"Tell us of Paul's crimes first," said Etta, rather hurriedly. She glanced at the clock, whither Karl Steinmetz's eyes had also travelled.
"Oh, Paul," said Maggie, rather indifferently. Indeed, it seemed as if her lightness of heart had suddenly failed her. "Well, perhaps he is deeply involved in schemes for the resurrection of the Polish kingdom, or something of that sort."
"That sounds tame," put in Steinmetz. "I think you would construct a better romance respecting the princess. In books it is always the beautiful princesses who are most deeply dyed in crime."
Maggie opened her fan and closed it again.
"Well," she said, tapping on the arm of her chair with it; "I give Etta a mysterious past. She is the sort of person who would laugh and dance at a ball with the knowledge that there was a mine beneath the floor."
"I do not think I am," said Etta, with a shudder. She rose rather hurriedly, and crossed the room with a great rustle of silks.
"Stop her!" she whispered, as she passed Steinmetz.
CHAPTER XXI
A SUSPECTED HOUSE
The Countess Lanovitch and Catrina were sitting together in the too-luxurious drawing-room that overlooked the English Quay and the Neva. The double windows were rigorously closed, while the inner panes were covered with a thick rime. The sun was just setting over the marshes that border the upper waters of the Gulf of Finland, and lit up the snow-clad city with a rosy glow which penetrated to the room where the two women sat.
Catrina was restless, moving from chair to chair, from fire-place to window, with a lack of repose which would certainly have touched the nerves of a less lethargic person than the countess.
"My dear child!" that lady was exclaiming with lackadaisical horror, "we cannot go to Thors yet. The thought is too horrible. You never think of my health. Besides, the gloom of the everlasting snow is too painful. It makes me think of your poor mistaken father, who is probably shovelling it in Siberia. Here, at all events, one can avoid the window—one need not look at it."
"The policy of shutting one's eyes is a mistake," said Catrina.
She had risen, and was standing by the window, her stunted form being framed, as it were, in a rosy glow of pink.
The countess heaved a little sigh and gazed idly at the fire. She did not understand Catrina. She was afraid of her. There was something rugged and dogged which the girl had inherited from her father—that Slavonic love of pain for its own sake—which makes Russian patriots and thinkers strange, incomprehensible beings.
"I question it, Catrina," said the elder lady; "but perhaps it is a matter of health. Dr. Stantovitch told me, quite between ourselves, that if I had given way to my grief at the time of the trial he would not have held himself responsible for the consequences."
"Dr. Stantovitch," said Catrina, "is a humbug."
"My dear child!" exclaimed the countess, "he attends all the noble ladies of Petersburg."
"Precisely," answered Catrina.
She was woman enough to enter into futile arguments with her mother, and man enough to despise herself for doing it.
"Why do you want to go back to Thors so soon?" murmured the elder lady, with a little sigh of despair. She knew she was playing a losing game very badly. She was mentally shuddering at the recollection of former sleigh-journeying from Tver to Thors.
"Because I am sure father would like us to be there this hard winter."
"But your father is in Siberia," put in the countess, which remark was ignored.
"Because if we do not go before the snow begins to melt we shall have to do the journey in carriages over bad roads, which is sure to knock you up. Because our place is at Thors, and no one wants us here. I hate Petersburg. It is no use living here unless one is rich and beautiful and popular. We are none of those things, so we are better at Thors."
"But we have many nice friends here, dear. You will see, this afternoon. I expect quite a reception. By the way, I hope Kupfer has sent the little cakes. Your father used to be so fond of them. I wonder if we could send him a box to Siberia. He would enjoy them, poor man! He might give some to the prison people, and thus obtain a little alleviation. Yes; the Comte de Chauxville said he would come on my first reception-day, and, of course, Paul and his wife must return my call. They will come to-day. I am anxious to see her. They say she is beautiful and dresses well."
Catrina's broad white teeth gleamed for a moment in the flickering firelight, as she clenched them over her lower lip.
"And therefore Paul's happiness in life is assured," she said, in a hard voice.
"Of course. What more could he want?" murmured the countess, in blissful ignorance of any irony.
Catrina looked at her mother with a gleam of utter contempt in her eyes. That is one of the privileges of a great love, whether it bring happiness or misery—the contempt for all who have never known it.
While they remained thus the sound of sleigh-bells on the quiet English Quay made itself heard through the double windows. There was a clang of many tones, and the horses pulled up with a jerk. The color left Catrina's face quite suddenly, as if wiped away, leaving her ghastly. She was going to see Paul and his wife.
Presently the door opened, and Etta came into the room with the indomitable assurance which characterized her movements and earned for her a host of feminine enemies.
"Mme. la Comtesse," she said, with her most gracious smile, taking the limp hand offered to her by the Countess Lanovitch.
Catrina stood in the embrasure of the window, hating her.
Paul followed on his wife's heels, scarcely concealing his boredom. He was not a society man. Catrina came forward and exchanged a formal bow with Etta, who took in her plainness and the faults of her dress at one contemptuous glance. She smiled with the perfect pity of a good figure for no figure at all. Paul was shaking hands with the countess. When he took Catrina's hand her fingers were icy, and twitched nervously within his grasp.
The countess was already babbling to Etta in French. The Princess Howard Alexis always began by informing Paul's friends that she knew no Russian. For a moment Paul and Catrina were left, as it were, alone. When the countess was once fairly roused from her chronic lethargy her voice usually acquired a metallic ring which dominated any other conversation that might be going on in the room.
"I wish you happiness," said Catrina, and no one heard her but Paul. She did not raise her eyes to his, but looked vaguely at his collar. Her voice was short and rather breathless, as if she had just emerged from deep water.
"Thank you," answered Paul simply.
He turned and somewhat naturally looked at his wife. Catrina's thoughts followed his. A man is at a disadvantage in the presence of the woman who loves him. She usually sees through him—a marked difference between masculine and feminine love. Catrina looked up sharply and caught his eyes resting on Etta.
"He does not love her—he does not love her!" was the thought that instantly leaped into her brain.
And if she had said it to him he would have contradicted her flatly and honestly, and in vain.
"Yes," the countess was saying with lazy volubility; "Paul is one of our oldest friends. We are neighbors in the country, you know. He has always been in and out of our house like one of the family. My poor husband was very fond of him."
"Is your husband dead, then?" asked Etta in a low voice, with a strange haste.
"No; he is only in Siberia. You have perhaps heard of his misfortune—Count Stepan Lanovitch."
Etta nodded her head with the deepest sympathy.
"I feel for you, countess," she said. "And yet you are so brave—and mademoiselle," she said, turning to Catrina. "I hope we shall see more of each other in Tver."
Catrina bowed jerkily and made no reply. Etta glanced at her sharply. Perhaps she saw more than Catrina knew.
"I suppose," she said to the countess, with that inclusive manner which spreads the conversation out, "that Paul and Mlle. de Lanovitch were playmates?"
The reply lay with either of the ladies, but Catrina turned away.
"Yes," answered the countess; "but Catrina is only twenty-four—ten years younger than Paul."
"Indeed!" with a faint, cutting surprise.
Indeed Etta looked younger than Catrina. On a l'age de son coeur, and if the heart be worn it transmits its weariness to the face, where such signs are ascribed to years. So the little stab was justified by Catrina's appearance.
While the party assembled were thus exchanging social amenities, a past master in such commerce joined them in the person of Claude de Chauxville.
He smiled his mechanical, heartless smile upon them all, but when he bowed over Etta's hand his face was grave. He expressed no surprise at seeing Paul and Etta, though his manner betokened that emotion. There was no sign of this meeting having been a prearranged matter, brought about by himself through the easy and innocent instrumentality of the countess.
"And you are going to Tver, no doubt?" he said almost at once to Etta.
"Yes," answered that lady, with a momentary hunted look in her eyes. It is strange how an obscure geographical name may force its way into our lives, never to be forgotten. Queen Mary of England struck a note of the human octave when she protested that the word "Calais" was graven on her heart. It seemed to Etta that "Tver" was written large wheresoever she turned, for the conscience looks through a glass and sees whatever may be written thereon overspreading every prospect.
"The prince," continued De Chauxville, turning to Paul, "is a great sportsman, I am told—a mighty hunter. I wonder why Englishmen always want to kill something."
Paul smiled, without making an immediate answer. He was not the man to be led into the danger of repartee by such as De Chauxville.
"We have a few bears left," he said.
"You are fortunate," protested De Chauxville. "I shot one when I was younger. I was immensely afraid, and so was the bear. I have a great desire to try again."
Etta glanced at Paul, who returned De Chauxville's bland gaze with all the imperturbability of a prince.
The countess's cackling voice broke in at this juncture, as perhaps De Chauxville had intended it to do.
"Then why not come and shoot ours?" she said. "We have quite a number of them in the forests at Thors."
"Ah, Mme. la Comtesse," he answered, with outspread, deprecatory hands, "but that would be taking too great an advantage of your hospitality and your well-known kindness."
He turned to Catrina, who received him with a half-concealed frown. The countess bridled and looked at her daughter with obvious maternal meaning, as one who was saying, "There—you bungled your prince, but I have procured you a baron."
"The abuse of hospitality is the last refuge of the needy," continued De Chauxville oracularly. "But my temptation is strong; shall I yield to it, mademoiselle?"
Catrina smiled unwillingly.
"I would rather leave it to your own conscience," she said. "But I fail to see the danger you anticipate."
"Then I accept, madame," said De Chauxville, with the engaging frankness which ever had a false ring in it.
If the whole affair had been prearranged in Claude de Chauxville's mind, it certainly succeeded more fully than is usually the case with human schemes. If, on the other hand, this invitation was the result of chance, Fortune had favored Claude de Chauxville beyond his deserts.
The little scene had played itself out before the eyes of Paul, who did not want it; of Etta, who desired it; and of Catrina, who did not exactly know what she wanted, with the precision of a stage-play carefully rehearsed.
Claude de Chauxville had unscrupulously made use of feminine vanity with all the skill that was his. A little glance toward Etta, as he accepted the invitation, conveyed to her the fact that she was the object of his clever little plot; that it was in order to be near her that he had forced the Countess Lanovitch to invite him to Thors; and Etta, with all her shrewdness, was promptly hoodwinked. Vanity is a handicap assigned to clever women by Fate, who handicaps us all without appeal. De Chauxville saw by a little flicker of the eyelids that he had not missed his mark. He had hit Etta where his knowledge of her told him she was unusually vulnerable. He had made one ally. The countess he looked upon with a wise contempt. She was easier game than Etta. Catrina he understood well enough. Her rugged simplicity had betrayed her secret to him before he had been five minutes in the room. Paul he despised as a man lacking finesse and esprit—a truly French form of contempt. For Frenchmen have yet to learn that such qualities have remarkably little to do with love.
Claude de Chauxville was one of those men—alas! too many—who owe their success in life almost entirely to some feminine influence or another. Whenever he came into direct opposition to men it was his instinct to retire from the field. Behind Paul's back he despised him; before his face he cringed.
"Then, perhaps," he said, when the princess was engaged in the usual farewells with the countess, and Paul was moving toward the door—"then, perhaps, prince, we may meet again before the spring—if the countess intends her invitation to be taken seriously."
"Yes," answered Paul; "I often shoot at Thors."
"If you do not happen to come over, perhaps I may be allowed to call and pay my respects—or is the distance too great?"
"You can do it in an hour and a half with a quick horse, if the snow is good," answered Paul.
"Then I may make it au revoir?" enquired De Chauxville, holding out a frank hand.
"Au revoir," said Paul, "if you wish it."
And he turned to say good-by to Catrina.
As De Chauxville had arrived later than the other visitors, it was quite natural that he should remain after they had left, and it may be safely presumed that he took good care to pin the Countess Lanovitch down to her rash invitation.
"Why is that man coming to Tver?" said Paul, rather gruffly, when Etta and he were settled beneath the furs of the sleigh. "We do not want him there."
"I expect," replied Etta rather petulantly, "that we shall be so horribly dull that even M. de Chauxville will be a welcome alleviation."
Paul said nothing. He gave a little sign to the driver, and the horses leaped forward with a musical clash of their silver bells.
CHAPTER XXII
THE SPIDER AND THE FLY
It is to be feared that there is a lamentable lack of local color in the present narrative. Having safely arrived at Petersburg, we have nothing to tell of that romantic city—no hints at deep-laid plots, no prison, nor tales of jail-birds—tales with salt on them, bien entendu—the usual grain. We have hardly mentioned the Nevski Prospekt, which street by ancient right must needs figure in all Russian romance. We have instead been prating of drawing-rooms and mere interiors of houses, which to-day are the same all the world over. A Japanese fan is but a Japanese fan, whether it hang on the wall of a Canadian drawing-room or the matting of an Indian bungalow. An Afghan carpet is the same on any floor. It is the foot that treads the carpet which makes one to differ from another.
Whether it be in Petersburg or Pekin, it still must be the human being that lends the interest to the still life around it. A truce, therefore, to picturesque description—sour grapes to the present pen—of church and fort and river, with which the living persons of whom we tell have little or nothing to do.
Maggie was alone in the great drawing-room of the house at the end of the English Quay—alone and grave. Some people, be it noted, are gravest when alone, and they are wise, for the world has too much gravity for us to go about it with a long face, making matters worse. Let each of us be the centre of his own gravity. Maggie Delafield had, perhaps, that spark in the brain for which we have but an ugly word. We call it "pluck." And by it we are enabled to win a losing game—and, harder still, to lose a losing game—without much noise or plaint.
Whatever this girl's joys or sorrows may have been—and pray you, madam, remember that no man ever knows his neighbor's heart!—she succeeded as well as any in concealing both. There are some women who tell one just enough about themselves to prove that they can understand and sympathize. Maggie was of these; but she told no more.
She was alone when Paul came into the room. It was a large room, with more than one fire-place. Maggie was reading, and she did not look round. Paul stopped—warming himself by the fire nearest to the door. He was the sort of man to come into a room without any remark.
Maggie looked up for a moment, glancing at the wood fire. She seemed to know for certain that it was Paul.
"Have you been out?" she asked.
"Yes—calling."
He came toward her, standing beside her with his hands clasped behind his back, looking into the fire.
"Socially," he said, with a quiet humor, "I am not a success."
Her book dropped upon her knees, her two hands crossed upon its pages. She stared at the glowing logs as if his thoughts were written there.
"I do not want to give way," he went on, "to a habit of morbid introspection, but socially I am a horrid failure."
There was a little smile on the girl's face, not caused by his grave humor. It would appear that she was smiling at something beyond that—something only visible to her own mental vision.
"Perhaps you do not try," she suggested practically.
"Oh, yes, I do. I try in several languages. I have no small-talk."
"You see," she said gravely, "you are a large man."
"Does that make any difference?" he asked simply.
She turned and looked at him as he towered by her side—looked at him with a queer smile.
"Yes," she answered, "I think so."
For some moments they remained thus without speaking—in a peaceful silence. Although the room was very large, it was peaceful. What is it, by the way, that brings peace to the atmosphere of a room, of a whole house sometimes? It can only be something in the individuality of some person in it. We talk glibly of the comfort of being settled—the peacefulness, the restfulness of it. Some people, it would appear, are always settled—of settled convictions, settled mind, settled purpose. Paul Howard Alexis was perhaps such a person.
At all events, the girl sitting in the low chair by his side seemed to be under some such influence, seemed to have escaped the unrest which is said to live in palaces.
When she spoke it was with a quiet voice, as one having plenty of time and leisure.
"Where have you been?" she asked practically. Maggie was always practical.
"To the Lanovitches', where we met the Baron de Chauxville."
"Ah!"
"Why—ah?"
"Because I dislike the Baron de Chauxville," answered Maggie in her decisive way.
"I am glad of that—because I hate him!" said Paul. "Have you any reason for your dislike?"
Miss Delafield had a reason, but it was not one that she could mention to Paul. So she gracefully skirted the question.
"He has the same effect upon me as snails," she explained airily.
Then, as if to salve her conscience, she gave the reason, but disguised, so that he did not recognize it.
"I have seen more of M. de Chauxville than you have," she said gravely. "He is one of those men of whom women do see more. When men are present he loses confidence, like a cur when a thoroughbred terrier is about. He dislikes you. I should take care to give M. de Chauxville a wide berth if I were you, Paul."
She had risen, after glancing at the clock. She turned down the page of her book, and looking up suddenly, met his eyes, for a moment only.
"We are not likely to drop into a close friendship," said Paul. "But—he is coming to Thors, twenty miles from Osterno."
There was a momentary look of anxiety in the girl's eyes, which she turned away to hide.
"I am sorry for that," she said. "Does Herr Steinmetz know it?"
"Not yet."
Maggie paused for a moment. She was tracing with the tip of her finger a pattern stamped on the binding of the book. It would seem that she had something more to say. Then suddenly she went away without saying it.
In the meantime Claude de Chauxville had gently led the Countess Lanovitch to invite him to stay to dinner. He accepted the invitation with becoming reluctance, and returned to the Hotel de Berlin, where he was staying, in order to dress. He was fully alive to the expediency of striking while the iron is hot—more especially where women are concerned. Moreover, his knowledge of the countess led him to fear that she would soon tire of his society. This lady had a lamentable facility for getting to the bottom of her friends' powers of entertainment within a few days. It was De Chauxville's intention to make secure his invitation to Thors, and then to absent himself from the countess.
At dinner he made himself vastly agreeable, recounting many anecdotes fresh from Paris, which duly amused the Countess Lanovitch, and somewhat shocked Catrina, who was not advanced or inclined to advance.
After dinner the guest asked Mlle. Catrina to play. He opened the grand piano in the inner drawing-room with such gallantry and effusion that the sanguine countess, post-prandially somnolescent in her luxurious chair, began rehearsing different modes of mentioning her son-in-law, the baron.
"Yes," she muttered to herself, "and Catrina is plain—terribly plain."
Thereupon she fell asleep.
De Chauxville had a good memory, and was, moreover, a good and capable liar. So Catrina did not find out that he knew nothing whatever of music. He watched the plain face as the music rose and fell, himself impervious to its transcendent tones. With practised cunning he waited until Catrina was almost intoxicated with music—an intoxication to which all great musicians are liable.
"Ah!" he said. "I envy you your power. With music like that one can almost imagine that life is what one would wish it to be."
She did not answer, but she wandered off into another air—a slumber song.
"The Schlummerlied," said De Chauxville softly. "It almost has the power to send a sorrow to sleep."
This time she answered him—possibly because he had not looked at her.
"Such never sleep," she said.
"Do you know that, too?" he asked, not in a tone that wanted reply.
She made no answer.
"I am sorry," he went on. "For me it is different, I am a man. I have man's work to do. I can occupy myself with ambition. At all events, I have a man's privilege of nursing revenge."
He saw her eyes light up, her breast heave with a sudden sigh. Something like a smile wavered for a moment beneath his waxed mustache.
Catrina's fingers, supple and strong, struck in great chords the air of a gloomy march from the half-forgotten muse of some monastic composer. While she played, Claude de Chauxville proceeded with his delicate touch to play on the hidden chords of an untamed heart.
"A man's privilege," he repeated musingly.
"Need it be such?" she asked.
For the first time his eyes met hers.
"Not necessarily," he answered, and her eyes dropped before his narrow gaze.
He sat back in his chair, content for the moment with the progress he had made. He glanced at the countess. He was too experienced a man to be tricked. The countess was really asleep. Her cap was on one side, her mouth open. A woman who is pretending to sleep usually does so in becoming attitudes.
De Chauxville did not speak again for some minutes. He sat back in his chair, leaning his forehead on his hand, while he peeped through his slim fingers. He could almost read the girl's thoughts as she put them into music.
"She does not hate him yet," he was reflecting. "But she needs only to see him with Etta a few times and she will come to it."
The girl played on, throwing all the pain in her passionate, untamed heart into the music. She knew nothing of the world; for half of its temptations, its wiles, its wickednesses were closed to her by the plain face that God had given her. For beautiful women see the worst side of human nature—they usually deal with the worst of men. Catrina was an easy tool in the hands of such as Claude de Chauxville; for he had dealt with women and that which is evil in women all his life, and the only mistakes he ever made were those characteristic errors of omission attaching to a persistent ignorance of the innate good in human nature. It is this same innate good that upsets the calculations of most villains.
Absorbed as she was in her great grief, Catrina was in no mood to seek for motives—to split a moral straw. She only knew that this man seemed to understand her as no one had ever understood her. She was content with the knowledge that he took the trouble to express and to show a sympathy of which those around her had not suspected her to be in need.
The moment had been propitious, and Claude de Chauxville, with true Gallic insight, had seized it. Her heart was sore and lonely—almost breaking—and she was without the worldly wisdom which tells us that such hearts must, at all costs, be hidden from the world. She was without religious teaching—quite without that higher moral teaching which is independent of creed and conformity, which is only learnt at a good mother's knee. Catrina had not had a good mother. She had had the countess—a weak-minded, self-indulgent, French-novel-reading woman. Heaven protect our children from such mothers!
In the solitude of her life Catrina Lanovitch had conceived a great love—a passion such as a few only are capable of attaining, be it for weal or woe. She had seen this love ignored—walked under foot by its object with a grave deliberation which took her breath away when she thought of it. It was all in all to her; to him it was nothing. Her philosophy was simple. She could not sit still and endure. At this time it seemed unbearable. She must turn and rend some one. She did not know whom. But some one must suffer. It was in this that Claude de Chauxville proposed to assist her.
"It is preposterous that people should make others suffer and go unpunished," he said, intent on his noble purpose.
Catrina's eyelids flickered, but she made no answer. The soreness of her heart had not taken the form of a definite revenge as yet. Her love for Paul was still love, but it was perilously near to hatred. She had not reached the point of wishing definitely that he should suffer, but the sight of Etta—beautiful, self-confident, carelessly possessive in respect to Paul—had brought her within measurable distance of it.
"The arrogance of those who have all that they desire is insupportable," the Frenchman went on in his favorite, non-committing, epigrammatic way.
Catrina—a second Eve—glanced at him, and her silence gave him permission to go on.
"Some men have a different code of honor for women, who are helpless."
Catrina knew vaguely that unless a woman is beloved by the object of her displeasure, she cannot easily make him suffer.
She clenched her teeth over her lower lip. As she played, a new light was dawning in her eyes. The music was a marvel, but no one in the room heard it.
"I would be pitiless to all such men," said De Chauxville. "They deserve no pity, for they have shown none. The man who deceives a woman is worthy of—"
He never finished the sentence. Her deep, passionate eyes met his. Her hands came down with one final crash on the chords. She rose and crossed the room.
"Mother," she said, "shall I ring for tea?"
When the countess awoke, De Chauxville was turning over some sheets of music at the piano.
CHAPTER XXIII
A WINTER SCENE
Between Petersburg and the sea there are several favorite islands more or less assigned to the foreigners residing in the Russian capital. Here the English live, and in summer the familiar cries of the tennis-lawn may be heard, while in winter snow-shoeing, skating, and tobogganing hold merry sway.
It was here, namely, on the island of Christeffsky, that a great ice fete was held on the day preceding the departure of the Howard Alexis household for Tver. The fete was given by one of the foreign ambassadors—a gentleman whose wife was accredited to the first place in Petersburg society. It was absolutely necessary, Steinmetz averred, for the whole Howard Alexis party to put in an appearance.
The fete was supposed to begin at four in the afternoon, and by five o'clock all St. Petersburg—all, c'est a dire, worthy of mention in that aristocratic city—had arrived. One may be sure Claude de Chauxville arrived early, in beautiful furs with a pair of silver-plated skates under his arm. He was an influential member of the Cercle des Patineurs in Paris. Steinmetz arrived soon after, to look on, as he told his many friends. He was, he averred, too stout to skate and too heavy for the little iron sleds on the ice-hills.
"No, no!" he said, "there is nothing left for me but to watch. I shall watch De Chauxville," he added, turning to that graceful skater with a grim smile. De Chauxville nodded and laughed.
"You have been doing that any time this twenty years, mon ami," he said, as he stood upright on his skates and described an easy little figure on the outside edge backward.
"And have always found you on slippery ground."
"And never a fall," said De Chauxville over his shoulder, as he shot away across the brilliantly lighted pond.
It was quite dark. A young moon was rising over the city, throwing out in dark relief against the sky a hundred steeples and domes. The long, thin spire of the Fortress Church—the tomb of the Romanoffs—shot up into the heavens like a dagger. Near at hand, a thousand electric lights and colored lanterns, cunningly swung on the branches of the pines, made a veritable fairyland. The ceaseless song of the skates, on ice as hard as iron, mingled with the strains of a band playing in a kiosk with open windows. From the ice-hills came the swishing scream of the iron runners down the terrific slope. The Russians are a people of great emotions. There is a candor in their recognition of the needs of the senses which does not obtain in our self-conscious nature. These strangely constituted people of the North—a budding nation, a nation which shall some day overrun the world—are easily intoxicated. And there is a deliberation about their methods of seeking this enjoyment which appears at times almost brutal. There is nothing more characteristic than the ice-hill.
Imagine a slope as steep as a roof, paved with solid blocks of ice, which are subsequently frozen together by flooding with water; imagine a sledge with steel runners polished like a knife; imagine a thousand lights on either side of this glittering path, and you have some idea of an ice-hill. It is certainly the strongest form of excitement imaginable—next, perhaps, to whale-fishing.
There is no question of breathing, once the sledge has been started by the attendant. The sensation is somewhat suggestive of a fall from a balloon, and yet one goes to the top again, as surely as the drunkard will return to his bottle. Fox-hunting is child's play to it, and yet grave men have prayed that they might die in pink.
Steinmetz was standing at the foot of the ice-hill when an arm was slipped within his.
"Will you take me down?" asked Maggie Delafield.
He turned and smiled at her—fresh and blooming in her furs.
"No, my dear young lady. But thank you for suggesting it."
"Is it very dangerous?"
"Very. But I think you ought to try it. It is a revelation. It is an epoch in your life. When I was a younger man I used to sneak away to an ice-hill where I was not known, and spend hours of the keenest enjoyment. Where is Paul?"
"He has just gone over there with Etta."
"She refuses to go?"
"Yes," answered Maggie.
Steinmetz looked down at his companion with his smile of quiet resignation.
"You tell me you are afraid of mice," he said.
"I hate mice," she replied. "Yes—I suppose I am afraid of them."
"The princess is not afraid of rats—she is afraid of very little, the princess—and yet she will not go on the ice-hill. What strange creatures, mademoiselle! Come, let us look for Paul. He is the only man who may be trusted to take you down."
They found Paul and Etta together in one of the brilliantly lighted kiosks where refreshments were being served, all hot and steaming, by fur-clad servants. It was a singular scene. If a coffee-cup was left for a few moments on the table by the watchful servitors, the spoon froze to the saucer. The refreshments—bread and butter, dainty sandwiches of caviare, of pate de foie gras, of a thousand delicatessen from Berlin and Petersburg—were kept from freezing on hot-water dishes. The whole scene was typical of life in the northern capital, where wealth wages a successful fight against climate. Open fires burned brilliantly in iron tripods within the doorway of the tent, and at intervals in the gardens. In a large hall a string band consoled those whose years or lungs would not permit of the more vigorous out-door entertainments.
Steinmetz made known to Paul Maggie's desire to risk her life on the ice-hills, and gallantly proposed to take care of the princess until his return.
"Then," said Etta gayly, "you must skate. It is much too cold to stand about. They are going to dance a cotillon."
"If it is your command, princess, I obey with alacrity."
Etta spoke rapidly, looking round her all the while with the bright enjoyment which overspreads the faces of some women at almost any form of entertainment, provided there be music, brilliant lights, and a crowd of people. One cannot help wondering a little what the minds of such fair ladies must consist of, to be thrown off their balance by such outward influences. Etta's eyes gleamed with excitement. She was beautifully dressed in furs, which adornment she was tall and stately enough to carry to full advantage. She held her graceful head with regal hauteur, every inch a princess. She was enjoying her keenest pleasure—a social triumph. No whisper escaped her, no glance, no nudge of admiring or envious notice. On Steinmetz's arm she passed out of the tent; the touch of her hand on his sleeve reminded him of a thoroughbred horse stepping on to turf, so full of life, of electric thrill, of excitement was it. But then, Karl Steinmetz was a cynic. No one else could have thought of comparing Etta's self-complaisant humor to that of a horse in a racing paddock.
They procured skates and glided off hand in hand, equally proficient, equally practised, maybe on this same lake; for both had learned to skate in Russia.
They talked only of the present, of the brilliancy of the fete, of the music, of the thousand lights. Etta was quite incapable of thinking or talking of any other subject at that moment.
Steinmetz distinguished Claude de Chauxville easily enough, and avoided him with some success for a short time. But De Chauxville soon caught sight of them.
"Here is M. de Chauxville," said Etta, with a pleased ring in her voice. "Leave me with him. I expect you are tired."
"I am not tired, but I am obedient," replied Steinmetz, as the Frenchman came up with his fur cap in his hand, bowing gracefully. Claude de Chauxville usually overdid things. There is something honest in a clumsy bow which had no place in his courtly obeisance.
Although Steinmetz continued to skate in a leisurely way, he also held to his original intention of looking on. He saw Paul and Maggie come back to the edge of the lake, accompanied by an English lady of some importance in Russia, with whom Maggie presently went away to the concert-room.
Steinmetz glided up to Paul, who was lighting a cigarette at the edge of the pond, where an attendant stood by an open wood fire with cigarettes and hot beverages.
"Get a pair of skates," said the German. "This ice is marvellous—colossa-a-a-l."
He amused himself with describing figures, like a huge grave-minded boy, until Paul joined him.
"Where is Etta?" asked the prince at once.
"Over there with De Chauxville."
Paul said nothing for a few moments. They skated side by side round the lake. It was too cold to stand still even for a minute.
"I told you," remarked Paul at length, "that that fellow is coming to Thors."
"I wish he would go to the devil," said Steinmetz.
"No doubt he will in time," answered Paul carelessly.
"Yes; but not soon enough. I assure you, Paul, I do not like it. We are just in that position that the least breath of suspicion will get us into endless trouble. The authorities know that Stepan Lanovitch has escaped. At any moment the Charity League scandal may be resuscitated. We do not want fellows like De Chauxville prowling about. I know the man. He is a d—d scoundrel who would sell his immortal soul if he could get a bid for it. What is he coming to Thors for? He is not a sportsman; why, he would be afraid of a cock pheasant, though he would be plucky enough among the hens. You don't imagine he is in love with Catrina, do you?"
"No," said Paul sharply, "I don't."
Steinmetz raised his bushy eyebrows. Etta and De Chauxville skated past them at that moment, laughing gayly.
"I have been thinking about it," went on Steinmetz, "and I have come to the conclusion that our friend hates you personally. He has a grudge against you of some sort. Of course he hates me—cela va sans dire. He has come to Russia to watch us. That I am convinced of. He has come here bent on mischief. It may be that he is hard up and is to be bought. He is always to be bought, ce bon De Chauxville, at a price. We shall see."
Steinmetz paused and glanced at Paul. He could not tell him more. He could not tell him that his wife had sold the Charity League papers to those who wanted them. He could not tell him all that he knew of Etta's past. None of these things could Karl Steinmetz, in the philosophy that was his, tell to the person whom they most concerned. And who are we that we may hold him wrong? The question of telling and withholding is not to be dismissed in a few words. But it seems very certain that there is too much telling, too much speaking out, and too little holding in, in these days of much publicity. There is a school of speakers-out, and would to Heaven they would learn to hold their tongues. There is a school for calling a spade by no other name, and they have still to learn that the world is by no means interested in their clatter of shovels.
The Psalmist knew much of which he did not write, and the young men of the modern school of poesy and fiction know no more, but they lack the good taste of the singer of old. That is all.
Karl Steinmetz was a man who formed his opinion on the best basis—namely, experience, and that had taught him that a bold reticence does less harm to one's neighbor than a weak volubility.
Paul was an easy subject for such treatment. His own method inclined to err on the side of reticence. He gave few confidences and asked none, as is the habit of Englishmen.
"Well," he said, "I do not suppose he will stay long at Thors, and I know that he will not stay at all at Osterno. Besides, what harm can he actually do to us? He cannot well go about making enquiries. To begin with, he knows no Russian."
"I doubt that," put in Steinmetz.
"And, even if he does, he cannot come poking about in Osterno. Catrina will give him no information. Maggie hates him. You and I know him. There is only the countess."
"Who will tell him all she knows! She would render that service to a drosky driver."
Paul shrugged his shoulders.
There was no mention of Etta. They stood side by side, both thinking of her, both looking at her, as she skated with De Chauxville. There lay the danger, and they both knew it. But she was the wife of one of them and their lips were necessarily sealed.
"And it will be permitted," Claude de Chauxville happened to be saying at that moment, "that I call and pay my respects to an exiled princess?"
"There will be difficulties," answered Etta, in that tone which makes it necessary to protest that difficulties are nothing under some circumstances—the which De Chauxville duly protested with much fervor.
"You think that twenty miles of snow would deter me," he said.
"Well, they might."
"They might if—well—"
He left the sentence unfinished—the last resource of the sneak and the coward who wishes to reserve to himself the letter of the denial in the spirit of the meanest lie.
CHAPTER XXIV
HOME
A tearing, howling wind from the north—from the boundless snow-clad plains of Russia that lie between the Neva and the Yellow Sea; a gray sky washed over as with a huge brush dipped in dirty whitening; and the plains of Tver a spotless, dazzling level of snow.
The snow was falling softly and steadily, falling, as it never falls in England, in little more than fine powder, with a temperature forty degrees below freezing-point. A drift—constant, restless, never altering—sped over the level plain like the dust on a high-road before a steady wind. This white scud—a flying scud of frozen water—was singularly like the scud that is blown from the crest of the waves by a cyclone in the China Seas. Any object that broke the wind—a stunted pine, a broken tree-trunk, a Government road-post—had at its leeward side a high, narrow snow-drift tailing off to the dead level of the plain. Where the wind dropped the snow rose at once. But these objects were few and far between. The deadly monotony of the scene—the trackless level, the preposterous dimensions of the plain, the sense of distance that is conveyed only by the steppe and the great desert of Gobi when the snow lies on it—all these tell the same grim truth to all who look on them: the old truth that man is but a small thing and his life but as the flower of the grass.
Across the plain of Tver, before the north wind, a single sleigh was tearing as fast as horse could lay hoof to ground—a sleigh driven by Paul Howard Alexis, and the track of it was as a line drawn from point to point across a map.
A striking feature of the winter of Northern Russia is the glorious uncertainty of its snowfalls. At Tver the weather-wise had said:
"The snow has not all fallen yet. More is coming. It is yellow in the sky, although March is nearly gone."
The landlord of the hotel (a good enough resting-place facing the broad Volga) had urged upon M. le Prince the advisability of waiting, as is the way of landlords all the world over. But Etta had shown a strange restlessness, a petulant desire to hurry forward at all risks. She hated Tver; the hotel was uncomfortable, there was an unhealthy smell about the place.
Paul acceded readily enough to her wishes. He rather liked Tver. In a way he was proud of this busy town—a centre of Russian civilization. He would have liked Etta to be favorably impressed with it, as any prejudice would naturally reflect upon Osterno, 140 miles across the steppe. But with a characteristic silent patience he made the necessary preparations for an immediate start.
The night express from St. Petersburg had deposited them on the platform in the early morning. Steinmetz had preceded them. Closed sleighs from Osterno were awaiting them. A luxurious breakfast was prepared at the hotel. Relays of horses were posted along the road. The journey to Osterno had been carefully planned and arranged by Steinmetz—a king among organizers. The sleigh drive across the steppe was to be accomplished in ten hours.
The snow had begun to fall as they clattered across the floating bridge of Tver. It had fallen ever since, and the afternoon lowered gloomily. In America such visitations are called "blizzards"; here in Russia it is merely "the snow." The freezing wind is taken as a matter of course.
At a distance of one hundred miles from Tver, the driver of the sleigh containing Etta, Maggie, and Paul had suddenly rolled off his perch. His hands were frostbitten; a piteous blue face peered out at his master through ice-laden eyebrows, mustache, and beard. In a moment Maggie was out in the snow beside the two men, while Etta hastily closed the door.
"He is all right," said Paul; "it is only the cold. Pour some brandy into his mouth while I hold the ice aside. Don't take off your gloves. The flask will stick to your fingers."
Maggie obeyed with her usual breezy readiness, turning to nod reassurance to Etta, who, truth to tell, had pulled up the rime-covered windows, shutting out the whole scene.
"He must come inside," said Maggie. "We are nice and warm with all the hot-water cans."
Paul looked rather dubiously toward the sleigh.
"You can carry him, I suppose?" said the girl cheerfully. "He is not very big—he is all fur coat."
Etta looked rather disgusted, but made no objection, while Paul lifted the frozen man into the seat he had just vacated.
"When you are cold I will drive," cried Maggie, as Paul shut the door. "I should love it."
Thus it came about that a single sleigh was speeding across the plain of Tver.
Paul, with the composure that comes of a large experience, gathered the reins in his two hands, driving with both and with extended arms, after the manner of Russian yemschiks. For a man must accommodate himself to circumstance, and fingerless gloves are not conducive to a finished style of handling the ribbons.
This driver knew that the next station was twenty miles off; that at any moment the horses might break down or plunge into a drift. He knew that in the event of such emergencies it would be singularly easy for four people to die of cold within a few miles of help. But he had faced such possibilities a hundred times before in this vast country, where the standard price of a human life is no great sum. He was not, therefore, dismayed, but rather took delight in battling with the elements, as all strong men should, and most of them, thank Heaven, do.
Moreover he battled successfully, and before the moon was well up drew rein outside the village of Osterno, to accede at last to the oft-repeated prayer of the driver that he might return to his task.
"It is not meet," the man had gruffly said, whenever a short halt was made to change horses, "that a great prince should drive a yemschik."
"It is meet," answered Paul simply, "for one man to help another."
Then this man of deeds and not of words clambered into the sleigh and drew up the windows, hiding his head as he drove through his own village, where every man was dependent for life and being on his charity.
They were silent, for the ladies were tired and cold.
"We shall soon be there," said Paul reassuringly. But he did not lower the windows and look out, as any man might have wished to do on returning to the place of his birth.
Maggie sat back, wrapped in her furs. She was meditating over the events of the day, and more particularly over a certain skill, a quickness of touch, a deft handling of stricken men which she had noted far out on the snowy steppe a few hours earlier. Paul was a different man when he had to deal with pain and sickness; he was quicker, brighter, full of confidence in himself. For the great sympathy was his—that love of the neighbor which is thrown like a mantle over the shoulders of some men, making them different from their fellows, securing to them that love of great and small which, perchance, follows some when they are dead to that place where a human testimony may not be all in vain.
At the castle all was in readiness for the prince and princess, their departure from Tver having been telegraphed. On the threshold of the great house, before she had entered the magnificent hall, Etta's eyes brightened, her fatigue vanished. She played her part before the crowd of bowing servants with that forgetfulness of mere bodily fatigue which is expected of princesses and other great ladies. She swept up the broad staircase, leaning on Paul's arm, with a carriage, a presence, a dazzling wealth of beauty, which did not fail to impress the onlookers. Whatever Etta may have failed to bring to Paul Howard Alexis as a wife, she made him a matchless princess.
He led her straight through the drawing-room to the suite of rooms which were hers. These consisted of an ante-room, a small drawing-room, and her private apartments beyond.
Paul stopped in the drawing-room, looking round with a simple satisfaction in all that had been done by his orders for Etta's comfort.
"These," he said, "are your rooms."
He was no adept at turning a neat phrase—at reeling off a pretty honeymoon welcome. Perhaps he expected her to express delight, to come to him, possibly, and kiss him, as some women would have done.
She looked round critically.
"Yes," she said, "they are very nice."
She crossed the room and drew aside the curtain that covered the double-latticed windows. The room was so warm that there was no rime on the panes. She gave a little shudder, and he went to her side, putting his strong, quiet arm around her.
Below them, stretching away beneath the brilliant moonlight, lay the country that was his inheritance, an estate as large as a large English county. Immediately beneath them, at the foot of the great rock upon which the castle was built, nestled the village of Osterno—straggling, squalid.
"Oh!" she said dully, "this is Siberia; this is terrible!"
It had never presented itself to him in that light, the wonderful stretch of country over which they were looking.
"It is not so bad," he said, "in the daylight."
And that was all; for he had no persuasive tongue.
"That is the village," he went on, after a little pause. "Those are the people who look to us to help them in their fight against terrible odds. I hoped—that you would be interested in them."
She looked down curiously at the little wooden huts, half-buried in the snow; the smoking chimneys; the twinkling, curtainless windows.
"What do you expect me to do?" she asked in a queer voice.
He looked at her in a sort of wonderment. Perhaps it seemed to him that a woman should have no need to ask such a question.
"It is a long story," he said; "I will tell you about it another time. You are tired now, after your journey."
His arm slipped from her waist. They stood side by side. And both were conscious of a feeling of difference. They were not the same as they had been in London. The atmosphere of Russia seemed to have had some subtle effect upon them.
Etta turned and sat slowly down on a low chair before the fire. She had thrown her furs aside, and they lay in a luxurious heap on the floor. The maids, hearing that the prince and princess were together, waited silently in the next room behind the closed door.
"I think I had better hear it now," said Etta.
"But you are tired," protested her husband. "You had better rest until dinner-time."
"No; I am not tired."
He came toward her and stood with one elbow on the mantel-piece, looking down at her—a quiet, strong man, who had already forgotten his feat of endurance of a few hours earlier.
"These people," he said, "would die of starvation and cold and sickness if we did not help them. It is simply impossible for them in the few months that they can work the land to cultivate it so as to yield any more than their taxes. They are overtaxed, and no one cares. The army must be kept up and a huge Civil Service, and no one cares what happens to the peasants. Some day the peasants must turn, but not yet. It is a question for all Russian land-owners to face, and nobody faces it. If any one tries to improve the condition of his peasants—they were happier a thousand times as serfs—the bureaucrats of Petersburg mark him down and he is forced to leave the country. The whole fabric of this Government is rotten, but every-one, except the peasants, would suffer by its fall, and therefore it stands."
Etta was staring into the fire. It was impossible to say whether she heard with comprehension or not. Paul went on:
"There is nothing left, therefore, but to go and do good by stealth. I studied medicine with that view. Steinmetz has scraped and economized the working of the estate for the same purpose. The Government will not allow us to have a doctor; they prevent us from organizing relief and education on anything like an adequate scale. They do it all by underhand means. They have not the pluck to oppose us openly! For years we have been doing what we can. We have almost eradicated cholera. They do not die of starvation now. And they are learning—very slowly, but still they are learning. We—I—thought you might be interested in your people; you might want to help."
She gave a short little nod. There was a suggestion of suspense in her whole being and attitude, as if she were waiting to hear something which she knew could not be avoided.
"A few years ago," he went on, "a gigantic scheme was set on foot. I told you a little about it—the Charity League."
Her lips moved, but no sound came from them, so she nodded a second time. A tiny carriage-clock on the mantel-piece struck seven, and she looked up in a startled way, as if the sound had frightened her. The castle was quite still. Silence seemed to brood over the old walls.
"That fell through," he went on, "as I told you. It was betrayed. Stepan Lanovitch was banished. He has escaped, however; Steinmetz has seen him. He succeeded in destroying some of the papers before the place was searched after the robbery—one paper in particular. If he had not destroyed that, I should have been banished. I was one of the leaders of the Charity League. Steinmetz and I got the thing up. It would have been for the happiness of millions of peasants if it had not been betrayed. In time—we shall find out who did it."
He paused. He did not say what he would do when he had found out.
Etta was staring into the fire. Her lips were dry. She hardly seemed to be breathing.
"It is possible," he went on in his strong, quiet, inexorable voice, "that Stepan Lanovitch knows now."
Etta did not move. She was staring into the fire—staring—staring.
Then she slowly fainted, rolling from the low chair to the fur hearth-rug.
Paul picked her up like a child and carried her to the bedroom, where the maids were waiting to dress her.
"Here," he said, "your mistress has fainted from the fatigue of the journey."
And, with his practised medical knowledge, he himself tended her.
CHAPTER XXV
OSTERNO
"Always gay; always gay!" laughed Steinmetz, rubbing his broad hands together and looking down into the face of Maggie, who was busy at the breakfast-table.
"Yes," answered the girl, glancing toward Paul, leaning against the window reading his letters. "Yes, always gay. Why not?"
Karl Steinmetz saw the glance. It was one of the little daily incidents that one sees and half forgets. He only half forgot it.
"Why not, indeed?" he answered. "And you will be glad to hear that Ivanovitch is as ready as yourself this morning to treat the matter as a joke. He is none the worse for his freezing, and all the better for his experience. You have added another friend, my dear young lady, to a list which is, doubtless, a very long one."
"He is a nice man," answered Maggie. "How is it," she asked, after a little pause, "that there are more men in the lower classes whom one can call nice than among their betters?"
Paul paused between two letters, hearing the question. He looked up as if interested in the answer, but did not join in the conversation.
"Because dealing with animals and with nature is more conducive to niceness than too much trafficking with human beings," replied Steinmetz promptly.
"I suppose that is it," said Maggie, lifting the tea-pot lid and looking in. "At all events, it is the sort of answer one might expect from you. You are always hard on human nature."
"I take it as I find it," replied Steinmetz, with a laugh, "but I do not worry about it like some people. Now, Paul would like to alter the course of the world."
As he spoke he half turned toward Paul, as if suggesting that he should give an opinion, and this little action had the effect of putting a stop to the conversation. Maggie had plenty to say to Steinmetz, but toward Paul her mental attitude was different. She was probably unaware of this little fact.
"There," she said, after a pause, "I have obeyed Etta's instructions. She does not want us to begin, I suppose?"
"No," replied Paul. "She will be down in a minute."
"I hope the princess is not overtired," said Steinmetz, with a certain formal politeness which seemed to accompany any mention of Etta's name.
"Not at all, thank you," replied Etta herself, coming into the room at that moment. She looked fresh and self-confident. "On the contrary, I am full of energy and eagerness to explore the castle. One naturally takes an interest in one's baronial halls."
With this she walked slowly across to the window. She stood there looking out, and every one in the room was watching. On looking for the first time on the same view, a few moments earlier, Maggie had uttered a little cry of surprise, and had then remained silent. Etta looked out of the window and said nothing. It was a most singular out-look—weird, uncouth, prehistoric, as some parts of the earth still are. The castle was built on the edge of a perpendicular cliff. On this side it was impregnable. Any object dropped from the breakfast-room window would fall a clear two hundred feet to the brawling Oster River. The rock was black, and shining like the topmost crags of an Alpine mountain where snow and ice have polished the bare stone. Beyond and across the river lay the boundless steppe—a sheet of virgin snow.
Etta stood looking over this to the far horizon, where the white snow and the gray sky softly merged into one. Her first remark was characteristic, as first and last remarks usually are.
"And as far as you can see is yours?" she asked.
"Yes," answered Paul simply, with that calm which only comes with hereditary possession.
The observation attracted Steinmetz's attention. He went to another window, and looked across the waste critically.
"Four times as far as we can see is his," he said.
Etta looked out slowly and comprehensively, absorbing it all like a long, sweet drink. There was no hereditary calmness in her sense of possession.
"And where is Thors?" she asked.
Paul stretched out his arm, pointing with a lean, steady finger:
"It lies out there," he answered.
Another of the little incidents that are only half forgotten. Some of the persons assembled in that room remembered the pointing finger long afterward.
"It makes one feel very small," said Etta, turning to the breakfast-table—"at no time a pleasant sensation. Do you know," she said, after a little pause, "I think it probable that I shall become very fond of Osterno, but I wish it was nearer to civilization."
Paul looked pleased. Steinmetz had a queer expression on his face. Maggie murmured something about one's surroundings making but little difference to one's happiness, and the subject was wisely shelved.
After breakfast Steinmetz withdrew.
"Now," said Paul, "shall I show you the old place, you and Maggie?"
Etta signified her readiness, but Maggie said that she had letters to write, that Etta could show her the castle another time, when the men were out shooting, perhaps.
"But," said Etta, "I shall do it horribly badly. They are not my ancestors, you know. I shall attach the stories to the wrong people, and locate the ghost in the wrong room. You will be wise to take Paul's guidance."
"No, thank you," replied Maggie, quite firmly and frankly. "I feel inclined to write; and the feeling is rare, so I must take advantage of it."
The girl looked at her cousin with something in her honest blue eyes that almost amounted to wonder. Etta was always surprising her. There was a whole gamut of feeling, an octave of callow, half-formed girlish instincts, of which Etta seemed to be deprived. If she had ever had them, no trace was left of their whilom presence. At first Maggie had flatly refused to come to Russia. When Paul pressed her to do so, she accepted with a sort of wonder. There was something which she did not understand.
The same instinct made her refuse now to accompany Paul and Etta over their new home. Again Etta pressed her, showing her lack of some feeling which Maggie indefinitely knew she ought to have had. This time Paul made no sign. He added no word to Etta's persuasions, but stood gravely looking at his wife.
When the door had closed behind them, Maggie stood for some minutes by the window looking out over the snow-clad plain, the rugged, broken rocks beneath her.
Then she turned to the writing-table. She resolutely took pen and paper, but the least thing seemed to distract her attention—the coronet on the note-paper cost her five minutes of far-off reflection. She took up the pen again, and wrote "Dear Mother."
The room grew darker. Maggie looked up. The snow had begun again. It was driving past the window with a silent, purposeful monotony. The girl drew the writing-case toward her. She examined the pen critically and dipped it into the ink. But she added nothing to the two words already written.
The castle of Osterno is almost unique in the particular that one roof covers the ancient and the modern buildings. The vast reception-rooms, worthy of the name of state-rooms, adjoin the small stone-built apartments of the fortress which Paul's ancestors held against the Tartars. This grimmer side of the building Paul reserved to the last for reasons of his own, and Etta's manifest delight in the grandeur of the more modern apartments fully rewarded him. Here, again, that side of her character manifested itself which has already been shown. She was dazzled and exhilarated by the splendor of it all, and the immediate effect was a feeling of affection toward the man to whom this belonged; who was in act, if not in word, laying it at her feet.
When they passed from the lofty rooms to the dimmer passages of the old castle Etta's spirits visibly dropped, her interest slackened. He told her of tragedies enacted in by-gone times—such ancient tales of violent death and broken hearts as attach themselves to gray stone walls and dungeon keeps. She only half listened, for her mind was busy with the splendors they had left behind, with the purposes to which such splendors could be turned. And the sum total of her thoughts was gratified vanity.
Her bright presence awakened the gloom of ages within the dimly lit historic rooms. Her laugh sounded strangely light and frivolous and shallow in the silence of the ages which had brooded within these walls since the days of Tamerlane. It was perhaps the greatest tragedy of the Alexis family, this beautiful tragedy that walked by the side of Paul.
"I am glad your grandfather brought French architects here and built the modern side," she said. "These rooms are, of course, very interesting, but gloomy—horribly gloomy, Paul. There is a smell of ghosts and dulness."
"All the same, I like these rooms," answered Paul. "Steinmetz and I used to live entirely on this side of the house. This is the smoking-room. We shot those bears, and all the deer. That is a wolf's head. He killed a keeper before I finished him off."
Etta looked at her husband with a curious little smile. She sometimes felt proud of him, despite the ever present knowledge that, intellectually speaking, she was his superior. There was something strong and simple and manly in a sort of mediaeval way that pleased her in this big husband of hers.
"And how did you finish him off?" she asked.
"I choked him. That bear knocked me down, but Steinmetz shot him. We were four days out in the open after that elk. This is a lynx—a queer face—rather like De Chauxville; the dogs killed him."
"But why do you not paper the room," asked Etta, with a shiver, "instead of this gloomy panelling? It is so mysterious and creepy. Quite suggestive of secret passages."
"There are no secret passages," answered Paul. "But there is a room behind here. This is the door. I will show it to you presently. I have things in there I want to show you. I keep all my medicines and appliances in there. It is our secret surgery and office. In that room the Charity League was organized."
Etta turned away suddenly and went to the narrow window, where she sat on a low window-seat, looking down into the snow-clad depths.
"I did not know you were a doctor," she said.
"I doctor the peasants," replied Paul, "in a rough-and-ready way. I took my degree on purpose. But, of course, they do not know that it is I; they think I am a doctor from Moscow. I put on an old coat, and wear a scarf, so that they cannot see my face. I only go to them at night. It would never do for the Government to know that we attempt to do good to the peasants. We have to keep it a secret even from the people themselves. And they hate us. They groan and hoot when we drive through the village. But they never attempt to do us any harm; they are too much afraid of us."
When Etta rose and came toward him her face was colorless.
"Let me see this room," she said.
He opened the door and followed her into the apartment, which has already been described. Here he told further somewhat bald details of the work he had attempted to do. It is to be feared that he made neither an interesting nor a romantic story of it. There were too many details—too much statistic, and no thrilling realism whatever. The experiences of a youthful curate in Bethnal Green would have made high tragedy beside the tale that this man told his wife of the land upon which God has assuredly laid His curse—Aceldama, the field of blood.
Etta listened, and despite herself she became interested. She was sitting in a chair usually occupied by Steinmetz. There was a faint aroma of tobacco-smoke. The atmosphere of the room was manly and energetic.
Paul showed her his simple stores of medicine—the old coat saturated with disinfectants which had become the recognized outward sign of the Moscow doctor.
"And do other people, other noblemen, try to do this sort of thing too?" asked Etta at length.
"Catrina Lanovitch does," replied Paul.
"What? The girl with the hair?"
"Yes," answered Paul. He had never noticed Catrina's hair. Etta's appraising eye had seen more in one second than Paul had perceived in twenty years.
"Yes," he answered. "But, of course, she is handicapped."
"By her appearance?"
"No; by her circumstances. Her name is sufficient to handicap her every moment in this country. But she does a great deal. She—she found me out, confound her!"
Etta had risen; she was looking curiously at the cupboard where Paul's infected clothes were hanging. He had forbidden her to go near it. She turned and looked at him.
"Found you out! How?" she asked, with a queer smile.
"Saw through my disguise."
"Yes—she would do that!" said Etta aloud to herself.
"What is this door?" she asked, after a pause.
"It leads to an inner room," replied Paul, "where Steinmetz usually works."
He passed in front of her and opened the door. As he was doing so Etta went on in the train of her thoughts:
"So Catrina knows?"
"Yes."
"And no one else?"
Paul made no answer; for he had passed on into the smaller room, where Steinmetz was seated at a writing-table.
"Except, of course, Herr Steinmetz?" Etta went on interrogatively.
"Madame," said the German, looking up with his pleasant smile, "I know every thing."
And he went on writing.
CHAPTER XXVI
BLOODHOUNDS
The table d'hote of the Hotel de Moscou at Tver had just begun. The soup had been removed; the diners were engaged in igniting their first cigarette at the candles placed between each pair of them for that purpose. By nature the modern Russian is a dignified and somewhat reserved gentleman. By circumstance he has been schooled into a state of guarded unsociability. If there is a seat at a public table conveniently removed from those occupied by earlier arrivals the new-comer invariably takes it. In Russia one converses—as in Scotland one jokes—with difficulty.
A Russian table d'hote is therefore any thing but hilarious in its tendency. A certain number of grave-faced gentlemen and a few broad-jowled ladies are visibly constrained by the force of circumstance to dine at the same table and hour, et voila tout. There is no pretence that any more sociable and neighborly motive has brought them together. Indeed, they each suspect the other of being a German, or a Nihilist, or, worse still, a Government servant. They therefore sit as far apart as possible, and smoke cigarettes between and during the courses with that self-centred absorption which would be rude, if it were not entirely satisfactory, to the average Briton. The ladies, of course, have the same easy method of showing a desire for silence and reflection in a country where nurses carrying infants usually smoke in the streets, and where a dainty confectioner's assistant places her cigarette between her lips in order to leave her hands free for the service of her customers.
The table d'hote of the Hotel de Moscou at Tver was no exception to the general rule. In Russia, by the way, there are no exceptions to general rules. The personal habits of the native of Cronstadt differ in no way from those of the Czar's subject living in Petropavlovsk, eight thousand miles away.
Around the long table of the host were seated, at respectable intervals, a dozen or more gentlemen, who gazed stolidly at each other from time to time, while the host himself smiled broadly upon them all from that end of the room where the lift and the smell of cooking exercise their calling—the one to spoil the appetite, the other to pander to it when spoilt.
Of these dozen gentlemen we have only to deal with one—a man of broad, high forehead, of colorless eyes, of a mask-like face, who consumed what was put before him with as little noise as possible. Known in Paris as "Ce bon Vassili," this traveller. But in Paris one does not always use the word bon in its English sense of "good."
M. Vassili was evidently desirous of attracting as little attention as circumstances would allow. He was obviously doing his best to look like one who travelled in the interest of braid or buttons. Moreover, when Claude de Chauxville entered the table d'hote room, he concealed whatever surprise he may have felt behind a cloud of cigarette smoke. Through the same blue haze he met the Frenchman's eye, a moment later, without the faintest twinkle of recognition.
These two worthies went through the weird courses provided by a cook professing a knowledge of French cuisine without taking any compromising notice of each other. When the meal was over Vassili inscribed the number of his bedroom in large figures on the label of his bottle of St. Emilion—after the manner of wise commercial-travellers in continental hotels. He subsequently turned the bottle round so that Claude de Chauxville could scarcely fail to read the number, and with a vague and general bow he left the room.
In his apartment the genial Vassili threw more wood into the stove, drew forward the two regulation arm-chairs, and lighted all the candles provided. He then rang the bell and ordered liqueurs. There was evidently something in the nature of an entertainment about to take place in apartment No. 44 of the Hotel de Moscou.
Before long a discreet knock announced the arrival of the expected visitor.
"Entrez!" cried Vassili; and De Chauxville stood before him, with a smile which in French is called crane.
"A pleasure," said Vassili, behind his wooden face, "that I did not anticipate in Tver."
"And consequently one that carries its own mitigation. An unanticipated pleasure, mon ami, is always inopportune. I make no doubt that you were sorry to see me."
"On the contrary. Will you sit?"
"I can hardly believe," went on De Chauxville, taking the proffered chair, "that my appearance was opportune—on the principle, ha! ha! that a flower growing out of place is a weed. Gentlemen of the—eh—Home Office prefer, I know, to travel quietly!" He spread out his expressive hands as if smoothing the path of M. Vassili through this stony world. "Incognito," he added guilelessly.
"One does not publish one's name from the housetops," replied the Russian, with a glimmer of pride in his eyes, "especially if it happen to be not quite obscure; but between friends, my dear baron—between friends."
"Yes. Then what are you doing in Tver?" enquired De Chauxville, with engaging frankness.
"Ah, that is a long story. But I will tell you—never fear—I will tell you on the usual terms."
"Viz?" enquired the Frenchman, lighting a cigarette.
Vassili accepted the match with a bow, and did likewise. He blew a guileless cloud of smoke toward the dingy ceiling.
"Exchange, my dear baron, exchange."
"Oh, certainly," replied De Chauxville, who knew that Vassili was in all probability fully informed as to his movements past and prospective. "I am going to visit some old friends in this Government—the Lanovitches, at Thors."
"Ah!"
"You know them?"
Vassili raised his shoulders and made a little gesture with his cigarette, as much as to say, "Why ask?"
De Chauxville looked at his companion keenly. He was wondering whether this man knew that he—Claude de Chauxville—loved Etta Howard Alexis, and consequently hated her husband. He was wondering how much or how little this impenetrable individual knew and suspected.
"I have always said," observed Vassili suddenly, "that for unmitigated impertinence give me a diplomatist."
"Ah! And what would you desire that I should, for the same commodity, give you now?"
"A woman."
There was a short silence in the room while these two birds of a feather reflected.
Suddenly Vassili tapped himself on the chest with his forefinger.
"It was I," he said, "who crushed that very dangerous movement—the Charity League."
"I know it."
"A movement, my dear baron, to educate the moujik, if you please. To feed him and clothe him, and teach him—to be discontented with his lot. To raise him up and make a man of him. Pah! He is a beast. Let him be treated as such. Let him work. If he will not work, let him starve and die."
"The man who cannot contribute toward the support of those above him in life is superfluous," said De Chauxville glibly.
"Precisely. Now, my dear baron, listen to me!" The genial Vassili leaned forward and tapped with one finger on the knee of De Chauxville, as if knocking at the door of his attention.
"I am all ears, mon bon monsieur," replied the Frenchman, rather coldly. He had just been reflecting that, after all, he did not want any favor from Vassili for the moment, and the manner of the latter was verging on the familiar.
"The woman—who—sold—me—the Charity League papers dined at my house in Paris—a fortnight ago," said Vassili, with a staccato tap on his companion's knee by way of emphasis to each word.
"Then, my friend, I cannot—congratulate—you—on the society—in—which you move," replied De Chauxville, mimicking his manner.
"Bah! She was a princess!"
"A princess?"
"Yes, of your acquaintance, M. le Baron! And she came to my house with her—eh—husband—the Prince Paul Howard Alexis."
This was news indeed. De Chauxville leaned back and passed his slim white hand across his brow with a slow pressure, as if wiping some writing from a slate—as if his forehead bore the writing of his thoughts and he was wiping it away. And the thoughts he thus concealed—who can count them? For thoughts are the quickest and the longest and the saddest things of this life. The first thought was that if he had known this three months earlier he could have made Etta marry him. And that thought had a thousand branches. With Etta for his wife he might have been a different man. One can never tell what the effect of an acquired desire may be. One can only judge by analogy, and it would seem that it is a frustrated desire that makes the majority of villains.
But the news coming, thus too late, only served an evil purpose. For in that flash of thought Claude de Chauxville saw Paul's secrets given to him; Paul's wealth meted out to him; Paul in exile; Paul dead in Siberia, where death comes easily; Paul's widow Claude de Chauxville's wife. He wiped all the thoughts away, and showed to Vassili a face that was as composed and impertinent as usual.
"You said 'her—eh—husband,'" he observed. "Why? Why did you add that little 'eh,' my friend?"
Vassili rose and walked to the door that led through into his bedroom from the salon in which they were sitting. It was possible to enter the bedroom from another door and overhear any conversation that might be passing in the sitting-room. The investigation was apparently satisfactory, for the Russian came back. But he did not sit down. Instead, he stood leaning against the tall china stove.
"Needless to tell you," he observed, "the antecedents of the—princess."
"Quite needless."
"Married seven years ago to Charles Sydney Bamborough," promptly giving the unnecessary information which was not wanted.
De Chauxville nodded.
"Where is Sydney Bamborough?" asked Vassili, with his mask-like smile.
"Dead," replied the other quietly.
"Prove it."
De Chauxville looked up sharply. The cigarette dropped from his fingers to the floor. His face was yellow and drawn, with a singular tremble of the lips, which were twisted to one side.
"Good God!" he whispered hoarsely.
There was only one thought in his mind—a sudden wild desire to rise up and stand by Etta against the whole world. Verily we cannot tell what love may make of us, whither it may lead us. We only know that it never leaves us as it found us.
Then, leaning quietly against the stove, Vassili stated his case.
"Rather more than a year ago," he said, "I received an offer of the papers connected with a great scheme in this country. After certain enquiries had been made I accepted the offer. I paid a fabulous price for the papers. They were brought to me by a lady wearing a thick veil—a lady I had never seen before. I asked no questions, and paid her the money. It subsequently transpired that the papers had been stolen, as you perhaps know, from the house of Count Stepan Lanovitch—the house to which you happen to be going—at Thors. Well, that is all ancient history. It is to be supposed that the papers were stolen by Sydney Bamborough, who brought them here—probably to this hotel, where his wife was staying. He handed her the papers, and she conveyed them to me in Paris. But before she reached Petersburg they would have been missed by Stepan Lanovitch, who would naturally suspect the man who had been staying in his house, Bamborough—a man with a doubtful reputation in the diplomatic world, a professed doer of dirty jobs. Foreseeing this, and knowing that the League was a big thing, with a few violent members on its books, Sydney Bamborough did not attempt to leave Russia by the western route. He probably decided to go through Nijni, down the Volga, across the Caspian, and so on to Persia and India. You follow me?"
"Perfectly!" answered De Chauxville coldly.
"I have been here a week," went on the Russian spy, "making enquiries. I have worked the whole affair out, link by link, till the evening when the husband and wife parted. She went west with the papers. Where did he go?"
De Chauxville picked up the cigarette, looked at it curiously, as at a relic—the relic of the moment of strongest emotion through which he had ever passed—and threw it into the ash-tray. He did not speak, and after a moment Vassili went on, stating his case with lawyer-like clearness.
"A body was found on the steppe," he said; "the body of a middle-aged man dressed as a small commercial traveller would dress. He had a little money in his pocket, but nothing to identify him. He was buried here in Tver by the police, who received their information by an anonymous post-card posted in Tver. The person who had found the body did not want to be implicated in any enquiry. Now, who found the body? Who was the dead man? Mrs. Sydney Bamborough has assumed that the dead man was her husband; on the strength of that assumption she has become a princess. A frail foundation upon which to build up her fortunes, eh?"
"How did she know that the body had been found?" asked De Chauxville, perceiving the weak point in his companion's chain of argument.
"It was reported shortly in the local newspapers," replied Vassili, "and repeated in one or two continental journals, as the police were of opinion that the man was a foreigner. Any one watching the newspapers would see it—otherwise the incident might pass unobserved."
"And you think," said De Chauxville, suppressing his excitement with an effort, "that the lady has risked every thing upon a supposition?"
"Knowing the lady, I do."
De Chauxville's dull eyes gleamed for a moment with an unwonted light. All the civilization of the ages will not eradicate the primary instincts of men—and one of these, in good and bad alike, is to protect women. The Frenchman bit the end of his cigarette, and angrily wiped the tobacco from his lips.
"She may have information of which you are ignorant," he suggested.
"Precisely. It is that particular point which gives me trouble at the present moment. It is that that I wish to discover."
De Chauxville looked up coolly. He saw his advantage.
"Hence your sudden flow of communicativeness?" he said.
Vassili nodded.
"You cannot find out for yourself, so you seek my help?" went on the Frenchman.
Again the Russian nodded his head.
"And your price?" said De Chauxville, drawing in his feet and leaning forward, apparently to study the pattern of the carpet. The action concealed his face. He was saving Etta, and he was ashamed of himself.
"When you have the information you may name your own price," said the Russian coldly.
There was a long silence. Before speaking De Chauxville turned and took a glass of liqueur from the table. His hand was not quite steady. He raised the glass quickly and emptied it. Then he rose and looked at his watch. The silence was a compact.
"When the lady dined with you in Paris, did she recognize you?" he asked.
"Yes; but she did not know that I recognized her."
For the moment they both overlooked Steinmetz.
De Chauxville stood reflecting.
"And your theory," he said, "respecting Sydney Bamborough—what is it?"
"If he got away to Nijni and the Volga, it is probable that he is in Eastern Siberia or in Persia at this moment. He has not had time to get right across Asia yet."
De Chauxville moved toward the door. With his fingers on the handle he paused again.
"I leave early to-morrow morning," he said.
Vassili nodded, or rather he bowed, in his grand way.
Then De Chauxville went out of the room. They did not shake hands. There is sometimes shame among thieves.
CHAPTER XXVII
IN THE WEB
"What I propose is that Catrina takes you for a drive, my dear baron, with her two ponies."
The countess had taken very good care to refrain from making this proposal to Catrina alone. She was one of those mothers who rule their daughters by springing surprises upon them in a carefully selected company where the daughter is not free to reply.
De Chauxville bowed with outspread hands.
"If it will not bore mademoiselle," he replied.
The countess looked at her daughter with an unctuous smile, as if to urge her on to make the most of this opportunity. It was one of the countess's chief troubles that she could not by hook or crook involve Catrina in any sort of a love intrigue. She was the sort of mother who would have preferred to hear scandal about her daughter to hearing nothing.
"If it will not freeze monsieur," replied Catrina, with uncompromising honesty.
De Chauxville laughed in his frank way.
"I am not afraid of coldness—of the atmosphere, mademoiselle," he replied. "I am most anxious to see your beautiful country. It was quite dark during the last hour of my journey last night, and I had snow-sleepiness. I saw nothing."
"You will see nothing but snow," said Catrina.
"Which is like the reserve of a young girl," added the Frenchman. "It keeps warm that which is beneath it."
"You need not be afraid with Catrina," chimed in the countess, nodding and becking in a manner that clearly showed her assumption to herself of some vague compliment. "She drives beautifully. She is not nervous in that way. I have never seen any one drive like her."
"I have no doubt," said De Chauxville, "that mademoiselle's hands are firm, despite their diminutiveness."
The countess was charmed—and showed it. She frowned at Catrina, who remained grave and looked at the clock.
"When would you like to go?" she asked De Chauxville, with that complete absence of affectation which the Russian, of all women of the world, alone have mastered in their conversation with men.
"Am I not at your service—now and always?" responded the gallant baron.
"I hope not," replied Catrina quietly. "There are occasions when I have no use for you. Shall we say eleven o'clock?" |
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