"It's an ingenious one, at all events," commented Colwyn. "But would such a careful deliberate murderer overlook the key when he returned?"

"Nothing more likely," said the confident superintendent. "It's in trifles like this that murderers give themselves away. The notorious Deeming, who murdered several wives, and disposed of their bodies by burying them under hearthstones and covering them with cement, would probably never have been caught if he had not taken away with him a canary which belonged to the last woman he murdered. It was a clue that couldn't be missed—like the silk skein in Fair Rosamond's Bower."

"Here's another point: why did not Ronald, having disposed of the body, disappear at once, instead of waiting for the morning?"

"Because if his room had been found empty in the morning, as well as that of Mr. Glenthorpe's, the double disappearance would have aroused instant suspicion and search. Ronald gauged the moment of his departure very cleverly, in my opinion. On the one hand, he wanted to get away before the discovery of Mr. Glenthorpe's empty bedroom; and, on the other hand, he wished to stay at the inn long enough to suggest that he had no reason for flight, but was merely compelled to make an early departure. The trouble and risk he took to conceal the body outside prove conclusively that he thought the pit a sufficiently safe hiding-place to retard discovery of the crime for a considerable time, and he probably thought that even when it was discovered that Mr. Glenthorpe was missing his absence would not, at first, arouse suspicions that he had met with foul play.

"It was not as though Mr. Glenthorpe was living at home with relatives who would have immediately raised a hue and cry. He was a lonely old man living in an inn amongst strangers, who were not likely to be interested in his goings and comings. That suggests another alternative theory to account for the key in the door: Ronald may have left it in the door to convey the impression that Mr. Glenthorpe had gone out for an early walk. That belief would at least gain Ronald a few hours to make good his escape from this part of the country and get away by train before any suspicions were aroused. The fact that none of Mr. Glenthorpe's clothes were missing was not likely to be discovered in an inn until suspicion was aroused. Ronald laid his plans well, but how was he to know that in his path to the pit he walked over soil as plastic and impressionable as wax?"

"But in spite of that you assume he knew exactly where this pit was situated?"

"Nothing more likely. It is well-known to archaeologists. Ronald may well have heard of it while staying at Durrington, or he may have known of it personally through some previous visit to this part of the world. And there is also evidence that Mr. Glenthorpe told him of the hut circles and the pit during dinner last night."

"Just one more doubt, Superintendent. How do you account for the cracked gas globe and the broken incandescent mantle?"

"Ronald probably knocked his head against it as he approached the bed," said Galloway promptly.

"Hardly. Ronald's height, according to the description, is five feet ten inches. That happens to be also my height, and I can pass under the gas globe without touching it."

"Then it was broken when Ronald was carrying the corpse downstairs," replied Galloway, after a moment's reflection. "He carried the corpse on his shoulders and part of the body would be above his head."

"Superintendent Galloway has an answer for everything," said Colwyn with a smile, to Mr. Cromering. "He is persuasive if not always convincing."

"The case seems clear enough to me," said the chief constable thoughtfully. "Come, gentlemen, let us return to the inn. We have a number of things to do, and not much time to do them in."



CHAPTER VI

The inn, seen in the grey evening of a grey day, had a stark and sinister aspect, an atmosphere of mystery and secretiveness, an air of solitary aloofness in the dreary marshes, standing half shrouded in the night mists which were sluggishly crawling across the oozing flats from the sea. It was not a place where people could be happy—this battered abode of a past age on the edge of the North Sea, with the bitter waters of the marshes lapping its foundations, and the cold winds for ever wailing round its gaunt white walls.

The portion buried in the hillside, with only the tops of the windows peering above, suggested the hidden holes and burrowing byways of a dead and gone generation of smugglers who had used the inn in the heyday of Norfolk's sea prosperity. It may have been a thought of the possibilities of the inn as a hiding place which prompted Mr. Cromering to exclaim, after gazing at it attentively for some seconds:

"We had better go through this place from the bottom."

As they approached the inn a stout short man, who was looking out from the low and narrow doorway, retreated into the interior, and immediately afterwards the long figure of the innkeeper emerged as though he had been awaiting the return of the party, and had posted somebody to watch for them.

The innkeeper showed no surprise on receiving Mr. Cromering's instruction to show them over the inn. Walking before them he led them along a side passage opposite the bar, opening doors as he went, and drawing aside for them to enter and look at the rooms thus revealed.

It was a strange rambling old place inside, full of nooks and crannies, and unexpected odd corners and apertures, short galleries and stone passages winding everywhere and leading nowhere; the downstairs rooms on different levels, with stone steps into them, and queer slits of windows pierced high up in the thick walls. On the ground floor a central passage divided the inn into two portions. On the one side were several rooms, some empty and destitute of furniture, others barely furnished and empty, and a big gloomy kitchen in which a stout countrywoman, who shook and bobbed at the sight of the visitors, was washing greens at a dirty deal table. Off the kitchen were two small rooms, poorly furnished as servants' bedrooms, and the windows of these looked out on the marshes at the back of the house. On the other side of the centre passage was the bar, which was subterranean at the far end, with the cellar adjoining tunnelled into the hillside. In the recesses of the cellar the short stout man they had seen at the doorway was, by the light of a tallow candle, affixing a spigot to one of the barrels which stood against the earthen wall. Behind the bar was a small bar parlour, and behind that two more rooms, the house on that side finishing in a low and narrow gallery running parallel with the outside wall.

The staircase upstairs opened into a stone passage, running from the front of the inn to the back. On the left-hand side of the passage, going from the head of the stairs to the back of the house, were four rooms. The first was a small, comfortably furnished sitting room, where Mr. Glenthorpe and his guest had dined the previous night. The bed chamber of the murdered man adjoined this room. Next came the room in which Ronald had slept, and then an empty lumber room. There were four bedrooms on the other side, all unfurnished, except one at the far end of the passage, the lumber-room. The innkeeper explained that the murdered man had been the sole occupant of that wing of the house until the previous night, when Mr. Ronald had occupied the room next to him. At this end of the passage another and narrower passage ran at right angles from it along the back of the house, with several rooms opening off it on one side only. The first of these rooms was empty; the next room contained a small iron bedstead, a chair, and a table, and the innkeeper said that it was his bedroom. At the next door he paused, and turning to Mr. Cromering hesitatingly remarked:

"This is my mother's room, sir. She is an invalid."

"We will not disturb your mother, we will merely glance into the room," said the kindly chief constable.

"It is not that, sir. She is——" He broke off abruptly, and knocked at the door.

After a few moments' pause there was the sound of somebody within turning a key in the lock, then the door was opened by a young girl, who, at the sight of the visitors, walked hurriedly across to a bedstead at the far end of the room, on which something grey was moving, and stood in front of it as though she would guard the occupant of the bed from the intruding eyes of strangers.

"It's all right, Peggy," said the innkeeper. "We shall not be here long. My daughter is afraid you will disturb her grandmother," he said turning to the gentlemen. "My mother is——" A motion of his finger towards his forehead completed the sentence more significantly than words.

The figure on the bed in the corner was in the shadow, but they could make it out to be that of an old and shrivelled woman in a grey flannel nightdress, who was sitting up in bed, swinging backward and forward, holding some object in her arms, clasped tightly to her breast, while her small dark eyes, deepset under furrowed brows, gazed at the visitors with the unmeaning stare of an animal.

But Colwyn's eyes were drawn to the girl at the bedside. She was beautiful, of a type sufficiently rare to attract attention anywhere. Her delicate profile and dainty grace shone in the shadow of the sordid room like an exquisite picture. He was aware of a skin of transparent whiteness, a wistful sensitive mouth, a pair of wonderful eyes with the green-grey colour of the sea in their depths, and a crown of red-gold hair. She was poorly, almost shabbily, dressed, but the crude cheap garbing of a country dressmaker was unable to mar the graceful outlines of her slim young figure. But it was the impassivity of the face and detachment of attitude which chained Colwyn's attention and stimulated his intellectual curiosity. The human face is usually an index to the owner's character, but this girl's face was a mask which revealed nothing. The features might have been marble for anything they displayed, as she stood by the bedside regarding with grave inscrutable eyes the group of men in the doorway. There was something pathetic in the contrast between her grace and beauty and stillness and the uncouth gestures and meaningless stare of the old woman in the bed behind her.

The old woman, moving from side to side with the unhappy restlessness which characterises the insane, dropped over the side of the bed the object she had been nursing in her arms, and looked at the girl with the dumb entreaty of an animal. The girl stooped down by the side of the bed, picked up the fallen article, and restored it to the mad woman. It was a doll.

Mr. Cromering, who saw the action and the article, flushed like a man who had seen something which should be kept secret, and turned to leave the room. The others followed, and immediately afterwards they heard the door closed after them, and the key turned in the lock.

Superintendent Galloway, who had more of the inquiring turn of mind of the police official than the chief constable, asked the innkeeper several questions about his mother and her condition. The innkeeper said her insanity was the outcome of an accident which had happened two years before. She was sitting dozing by the kitchen fire when a large boiler of water overturned, scalding her terribly, and the shock and pain had sent her mad. She had never left the bedroom since, and had gradually become reduced to a condition of imbecility, alternated by occasional outbursts of violence.

"Is she ever allowed out of the room?" asked Superintendent Galloway quickly, as though a sudden thought had struck him.

"Never, sir; she never tries to get out of bed except when she's violent. She will sit there for hours, playing with a doll, but when she has her paroxysms she runs round and round the room, crying out as you heard her just now, and throwing the things about. Did you notice, sir, that there was no glassware in the room? She has tried to injure herself with glass and crockery in her violent fits."

"How often does she have paroxysms of violent madness?" asked the chief constable.

"Not often, sir; usually about the turn of the moon, or when there is a gale at sea."

"There was a gale at sea last night," said Colwyn. "Did your mother have an attack then?"

"Peggy said when she came downstairs last night she thought there were signs of an attack coming on, but when I looked in on Mother as I was going to bed, shortly before eleven, she seemed quiet enough, so I locked her door and went to bed."

"Do you mean to say that you leave this poor mad woman in her bedroom all night alone?" asked the chief constable.

"It's the best thing to be done, sir," replied the innkeeper, with an apologetic air. "We tried having somebody to sleep with her, but it only made her worse, and the doctor who saw her last year said it wasn't necessary. Peggy is with her a lot in the daytime, and often until she goes to bed. So she's really not left alone very much, because Ann goes into her room as soon as she gets up in the morning—about six o'clock."

"And is your mother always secured in her room—is the door always locked?" asked Superintendent Galloway.

"Yes, sir: the door is always locked inside or outside, and when I go to bed at night I take the key into my room and hang it on a nail. Ann comes in and gets it in the morning."

"You did that last night, as usual?"

"Yes, sir. Mother was quiet—just as you saw her now. She is quiet most of the time."

"God help her, poor soul!" exclaimed the chief constable. "Where does this passage lead to, Benson?" he asked, as if to change the conversation, pointing to a gloomy gallery running off the passage in which they were standing.

"It leads to two rooms looking out over the end of the inn, sir," replied the innkeeper. "They are the only two rooms you haven't seen."

"Who occupies this room?" asked Superintendent Galloway, opening the door of the first, and disclosing a small, plainly furnished bedroom.

"My daughter, sir."

"The next one is empty and unfurnished, like many of the others," observed the chief constable. "This place seems too big for you, Benson. Were all these rooms destitute of furniture when you took over the inn?"

"Not all, sir, but the inn being too big for me I sold the furniture for what it would fetch. It was no use to me."

"Why don't you take a smaller place?" asked Superintendent Galloway, abruptly. "You'll never do any good on this part of the coast—it's played out, and there's no population."

"I'm well aware of that, sir, but it's difficult for a man like me to make a shift once he gets into a place. There's Mother for one thing."

"She ought to be placed in a lunatic asylum," said the superintendent, looking sternly at the innkeeper.

"It's a hard thing, sir, to put your own mother away. Besides, begging your pardon, she's hardly bad enough for a lunatic asylum."

"Let us go downstairs, Galloway, if we have seen the whole of the inn," said the chief constable, breaking into this colloquy. "Time is really getting on."

They went downstairs again to the small room they had been shown into when they first entered the inn, Mr. Cromering after despatching the innkeeper for refreshments for the party glanced once more at his watch, and remarked to Colwyn that he was afraid he would have to ask him to drive him in his car back to Durrington without delay.

"Galloway will stay here for the inquest to-morrow," he added. "But I must get back to Norwich to-night."

"It is not necessary to go back to Durrington, to get to Norwich," said Colwyn; "there's a train passes through Heathfield on the branch line, at 5.40." He consulted his own watch as he spoke. "It's now just four o'clock. Heathfield cannot be more than six miles away across country. I can run you over there in twenty minutes. That would give you an hour or so more here. I am speaking for myself as well as you," he added, with a smile. "I should like to know a little more about this case."

"But I shall be taking you out of your way, and delaying the return of you and Sir Henry to Durrington."

"I should like to return here and stay until after the inquest. Perhaps Sir Henry would not mind returning to Durrington from Heathfield. He will be able to catch the Durrington train at Cottenden, and get back to his hotel in time for dinner. Would you mind, Sir Henry?"

"Not in the least," replied Sir Henry politely.

"Then I think I might stay a little longer," said the chief constable. "What's the road like to Heathfield, Galloway? You know something about this part of the country."

"Very bad," replied the superintendent uncompromisingly, who had his own reasons for wanting to get rid of his superior officer and the detective.

"It will be all right in daylight, and I'll risk it coming back," said the detective cheerfully.

He spoke with the resolute air of one used to making prompt decisions, and Mr. Cromering yielded with the feeble smile of a man who was rather glad to be released of the task of making up his own mind. The entrance of the innkeeper with refreshments put an end to the discussion. He thrust upon the police officials present the responsibility of breaking the licensed hours in which liquor might be drunk in war time by serving them with sherry, old brandy, and biscuits.

The chief constable made himself a party to this breach of the law by helping himself to a glass of sherry. The wine was excellent and dry, and he poured himself out another. The result of this stimulant was directly apparent in the firm tones with which he announced his intention of examining those inmates of the inn who could throw any light on the murder of the previous night. He directed Superintendent Galloway to sit beside him and take notes of the information thus elicited for the use of the coroner the following day.

"I think it would be as well to begin with the story of the innkeeper," he added. "Please pull that bell-rope, Galloway."



CHAPTER VII

The innkeeper answered the bell in person, and was ordered by the chief constable to take a seat and tell everything he knew about the previous night's events, without equivocation or reserve. He took a chair at the table, his bright bird's glance wandering from one to the other of the faces opposite him as he smoothed with one claw-like hand the thatch of iron-grey hair which hung down over his forehead almost to his eyes.

"Where shall I begin?" he asked.

"You had better start by telling us how this young man Ronald came to your house yesterday afternoon, and then give us an account of the subsequent events, so far as you know them," said the chief constable.

"I was down near the breakwater yesterday evening, setting some eel-lines in the canal, when he arrived," commenced the innkeeper. "When I came in, Charles—that's the waiter—told me there was a young gentleman in the bar parlour waiting to see me. I went into the parlour, and saw the young man sitting near the door. He looked very tired and weary, and said he wished to stay at the inn for the night."

"How was he dressed?" asked Superintendent Galloway, looking up from his note-book.

"In a grey Norfolk suit, with knickerbockers, and a soft felt hat."

"Had you ever seen him before?"

"No, sir. He was a complete stranger to me. I could see he was a gentleman. I told him I could not take him in, as the inn was only a poor rough place, with no accommodation for gentlefolk at the best of times, let alone war-time. The young gentleman said he was very tired and would sleep anywhere, and was not particular about food. He told me he had lost his way on the marshes, and a fisherman had directed him to the inn."

"Did he say where he had come from?" asked the chief constable.

"No, sir, and I didn't think to ask him. I might have done so, but Mr. Glenthorpe walked into the parlour just then, carrying some partridges in his hand. He didn't see the young gentleman at first—he was sitting in the corner behind the door—but told me to have one of the partridges cooked for his dinner. They had just been given to him, he said, by the farmer whose land he was going to excavate next week. As he turned to go out he saw the young gentleman sitting in the corner, and he said, in his hearty way: 'Good evening, sir; it is not often that we have any society in these parts.' The young gentleman told him what he had told me—how he had wandered away from Durrington and got lost, and had come to the inn in the hopes of getting a bed for the night. 'Glad to see a civilised human being in these parts,' said Mr. Glenthorpe. 'I hope you'll give me the pleasure of your company at dinner. Benson, tell Ann to cook another partridge.' 'I don't know whether the innkeeper will allow me that pleasure,' replied the young gentleman. 'He says he cannot put me up for the night.' 'Of course he'll put you up,' said Mr. Glenthorpe. 'Not even a Norfolk innkeeper would turn you out on to the North Sea marshes at this time of year.' That settled the question, because I couldn't afford to offend Mr. Glenthorpe, and besides, his providing the dinner helped me out of a difficulty. So I went out to give orders about the dinner, leaving Mr. Glenthorpe and him sitting together talking."

"Did you get him to fill in a registration form?" asked Superintendent Galloway.

"I forgot to ask him, sir," replied the innkeeper.

"That is gross and inexcusable carelessness on your part, Benson," said Galloway sternly. "I shall have to report it."

"I do not understand much about these things, sir," replied the innkeeper apologetically. "It is so rarely that we have a visitor to the place."

"The authorities will hold you responsible. You are supposed to know the law, and help to carry it out. What's the use of devising regulations for the security of the country if they are not carried out? You innkeepers and hotel-keepers are really very careless. Go on with your story, Benson."

"He and Mr. Glenthorpe had dinner together in the little upstairs sitting room which Mr. Glenthorpe kept for his own private use. He did his writing in it, and the flints and fossils he discovered in his excavations were stored in the cupboards. His meals were always taken up there, and last night he ordered the dinner to be taken up there as usual, and the table to be laid for two. Charles waited at table, but I was up there twice—first time with some sherry, and the second time was about an hour afterwards, when the gentlemen had finished dinner. I took up a bottle of some old brandy that the inn used to be famous for—it's the same that you gentlemen have been drinking. When I knocked at the door with the brandy it was Mr. Glenthorpe who called 'Come in!' He was standing in front of the fire, with a fossil in his hand, and he was telling the young man about how he came to discover it. I put the brandy on the table and left the room.

"That was the last time I saw him alive. Charles came down with the dinner things about half-past nine, and said he was not wanted upstairs any more. Charles went to bed shortly afterwards—he sleeps in one of the two rooms off the kitchen. I went to my own bedroom before ten, after first telling Ann, the servant, who was doing some ironing in the kitchen, to turn off the gas at the meter if the gentlemen retired before she finished, but not to bother if they were still sitting up. It had been decided that the young gentleman should occupy the bedroom next to Mr. Glenthorpe, and Ann was a bit late with her ordinary work because it had taken her some time to get his room ready. The room had not been occupied for some time, and she'd had to air the bed-clothes and make the bed afresh.

"The next morning I was a bit late getting down—there's nothing to open the inn for in the mornings—and Ann told me as soon as I got down that the young gentleman had left nearly an hour before. She had taken him up an early cup of tea at seven o'clock, and he opened the door to her knock, and took it from her. He was fully dressed, except for his boots, which he had in his hand, and he asked her to clean them, as he wanted to leave at once. She was walking away with the boots, when he called her back and took them from her, saying that it didn't matter about cleaning them, as he was in a hurry. When she gave him the boots he put a note into her hand, and said that was to pay for his bill.

"It was the key in the outside of Mr. Glenthorpe's room which led to us finding out that he was not in the room. As I told you upstairs, sir, he used to always lock his door when he went to bed and put the key under the pillow. Ann noticed the key in the outside of the door when she went up with his breakfast tray—he never took early morning tea but he always breakfasted in his room. That would be about eight o'clock. She thought it strange to see the key in the door, and as she could get no answer to her knock she tried the door, found it unlocked and the room empty. She came downstairs and told me. I thought at first that Mr. Glenthorpe might have got up early to go and look at his excavations, but I went up to his room and saw the signs of a struggle and blood-stains on the bed-clothes, and I knew that something must have happened to him. I went into the village and told Constable Queensmead. He came to the inn, and made a search inside and outside and found the footprints leading to the pit on the rise. One of Mr. Glenthorpe's men who had been down the pit for flints was lowered by a rope, and brought up the body."

The innkeeper took a leather wallet from his pocket and produced from it a Treasury L1 note. "This is the note the young gentleman left behind with Ann to pay his bill," he explained, pushing it across the table to the chief constable.

"I would draw your attention, sir, to the fact that this Treasury note is one of the first issue—printed in black on white paper," remarked Superintendent Galloway to his superior officer. "Constable Queensmead has ascertained that the L300 which Mr. Glenthorpe drew out of the bank yesterday was all in L1 notes of the first issue. That money is missing from the dead man's effects."

The chief constable looked thoughtfully at the note through his glasses, and then passed it to Colwyn, who examined it closely, and took a note of the number, and held it up to the light to see the watermark.

"Did you or the servant find any weapon in Mr. Glenthorpe's room?" asked the chief constable.

"No, sir."

"You have missed a knife though, have you not?" asked Superintendent Galloway.

"Yes, sir."

"What sort of a knife?"

"A table-knife."

"Was it one of the knives sent up to the sitting-room last night?"

"Yes, sir. At least Charles says so. He has charge of the cutlery."

"Then Charles had better tell us about it," interposed the chief constable. "You say you went to bed before ten o'clock, Benson. Did you hear anything in the night?"

"No, sir, I fell asleep almost immediately. My room is a good distance from Mr. Glenthorpe's room."

"I do not think we have any more questions to ask you, Benson."

"Pardon the curiosity of a medical man, Mr. Cromering," remarked Sir Henry, "but would it be possible to ask the innkeeper whether he noticed anything peculiar about Mr. Ronald's demeanour, when he arrived at the inn, or when he saw him at dinner subsequently?"

"You hear that question, Benson?" said the chief constable. "Did you notice anything strange about Mr. Ronald's conduct when first he came to the inn or at any time?"

"I cannot say I did, sir. I thought he looked very tired when he first came into the inn, and his eyes were heavy as though with want of sleep."

"He seemed quite sane and rational?"

"Quite, sir."

"Did you notice any symptoms of mental disturbance or irritability about him at any time?" struck in Sir Henry Durwood.

"No, sir. He was a little bit angry at first when I said I couldn't take him in, but he struck me as quite cool and collected."

Sir Henry looked a little disappointed at this reply. He asked no more questions, but entered a note in a small note-book which he took from his waistcoat pocket. Mr. Cromering intimated to the innkeeper that he had finished questioning him, and would like to examine the waiter, Charles.

"If you wouldn't mind pulling the bell-rope behind you, sir," hinted the innkeeper.

In response to a pull at the old-fashioned bell-rope, the stout country servant, who had been washing greens in the kitchen, entered the room.

"Where is Charles, Ann?" asked the innkeeper.

"He's in the kitchen," replied the woman nervously.

"Then tell him he is wanted here immediately."

"You run your inn in a queer sort of way, Benson," remarked Superintendent Galloway, in his loud voice, as the woman went away on her errand. "Why couldn't Charles have answered the bell himself, if he is in the kitchen? What does he wait on, if not the bar parlour?"

"Charles is stone deaf, sir," replied the innkeeper.



CHAPTER VIII

The man who entered the room was of sufficiently remarkable appearance to have attracted attention anywhere. He was short, but so fat that he looked less than his actual height, which was barely five feet. His ponderous head, which was covered with short stiff black hair, like a brush, seemed to merge into his body without any neck, and two black eyes glittered like diamond points in the white expanse of his hairless face. As he advanced towards the table these eyes roved quickly from one to the other of the faces on the other side of the table. He was in every way a remarkable contrast to his employer, and a painter in search of a subject might have been tempted to take the pair as models for a picture of Don Quixote and Sancho Panza.

"Take that chair and answer my questions," said Mr. Cromering, addressing the waiter in a very loud voice. "Oh, I forgot," he added, to the innkeeper. "How do you manage to communicate with him if he is stone deaf?"

"Quite easily, sir. Charles understands the lip language—he reads your lips while you speak. It is not even necessary to raise your voice, so long as you pronounce each word distinctly."

"Sit down, Charles—do you understand me?" said the chief constable doubtfully. By way of helping the waiter to comprehend he pointed to the chair the innkeeper had vacated.

The waiter crossed the room and took the chair. Like so many fat men, his movements were quick, agile, and noiseless, but as he came forward it was noticeable that his right arm was deformed, and much shorter than the other.

The chief constable eyed the strange figure before him in some perplexity, and the fat white-faced deaf man confronted him stolidly, with his black twinkling eyes fixed on his face. His gaze, which was directed to the mouth and did not reach the eyes, was so disconcerting to Mr. Cromering that he cleared his throat with several nervous "hems" before commencing his examination:

"Your name is——?"

"Charles Lynn, sir."

The reply was delivered in a whispered voice, the not infrequent result of prolonged deafness, complete isolation from the rest of humanity causing the gradual loss of sound values in the afflicted person; but the whisper, coming from such a mountain of flesh, conveyed the impression that the speaker's voice was half-strangled in layers of fat, and with difficulty gasped a way to the air. Mr. Cromering looked hard at the waiter as though suspecting him of some trick, but Charles' eyes were fixed on the mouth of his interrogator, awaiting his next question.

"I understand that you waited on the two gentlemen in the upstairs sitting-room last night"—Mr. Cromering still spoke in such an unnecessarily loud voice that he grew red in the face with the exertion—"the gentleman who was murdered, and the young man Ronald, who came to the inn last night. Do you understand me?"

"Yes, sir. I waited on the gentlemen, sir."

"Very well. I want you to tell us all that took place between these gentlemen while you were in the room. You were there all through the dinner, I suppose?"

"Yes, sir, but I didn't follow all of the conversation because of my infirmity." He touched his ears as he spoke. "I gathered some remarks of Mr. Glenthorpe's, because he told me to stand opposite him and watch his lips for orders, but I didn't get much of what the young gentleman said, because I was standing behind his chair most of the time so as to see Mr. Glenthorpe's lips better."

"Well, tell us all you did gather of the conversation, and everything you saw."

"I beg your pardon, sir"—the interruption came from Superintendent Galloway—"but would it not be advisable to get from the waiter first something of what passed between him and Ronald when Ronald came to the inn last night? The waiter was the first to see him, Benson says."

"Quite right. I had forgotten. Tell us, Charles, what passed when Ronald first came to the inn in the afternoon."

"It was between five and six o'clock, sir, when the young gentleman came to the front door and asked for the landlord. I told him he was out, but would be back shortly. The young gentleman said he was very tired, as he had walked a long distance and lost his way in the marshes, and would I show him into a private room and send him some refreshments. I took him into the bar parlour—this room, sir—and brought him refreshments. He seemed very tired—hardly able to lift one leg after the other."

"Did he look ill—or strange?"

"I didn't notice anything strange about him, sir, but he dropped into a chair as though he was exhausted, and told me to send the landlord to him as soon as he came in. I left him sitting there, and when Mr. Benson returned I told him, and he went in to him. I didn't see the young gentleman again until I waited on him and Mr. Glenthorpe at dinner in the upstairs sitting-room."

"Very good. Tell us what happened there."

"I laid the table, and took up the dinner at half-past seven. Those were Mr. Glenthorpe's orders. When I went up the first time the table was covered with flints and fossils, which Mr. Glenthorpe was showing the young gentleman, and I helped Mr. Glenthorpe put these back into the cupboards, and then I laid the table. When I took up the dinner the gentlemen sat down to it, and Mr. Glenthorpe rang for Mr. Benson, and told him to bring up some sherry. When the sherry came up Mr. Glenthorpe told the young gentleman that it was a special wine sent down by his London wine merchants, and he asked Mr. Ronald what he thought of it. Mr. Ronald said he thought it was an excellent dry wine. The gentlemen didn't talk much during dinner, though Mr. Glenthorpe was a little upset about the partridges. He said they had been cooked too dry. He asked the young gentleman what he thought of them, but I don't know what he replied, for I was not watching his lips.

"Mr. Glenthorpe quite recovered himself by the time coffee was served, and was talking a lot about his researches in the neighbourhood. It was very learned talk, but it seemed to interest Mr. Ronald, for he asked a number of questions. Mr. Glenthorpe seemed very pleased with his interest, and told him about a valuable discovery made in a field near what he called the hut circles. He said he had bought the field off the farmer for L300, and was going to commence his excavations immediately. As the farmer refused to take a cheque for the land he had been over to the bank at Heathfield for the money, and had brought it back with him so as to pay it over in the morning and take possession of the field. Mr. Glenthorpe complained that the bank had made him take all the money in Treasury notes, and he took them out of his pocket and showed them to the young gentleman, saying how bulky they were, and pointing out that they were all of the first issue."

"And what did Ronald say to that?"

If the chief constable's question covered a trap, the waiter seemed unconscious of it.

"I wasn't looking at him, sir, and did not hear his reply. After putting the money back in his pocket, Mr. Glenthorpe told me to go downstairs and tell Mr. Benson to bring up some of the old brandy. Mr. Benson came back with me, and Mr. Glenthorpe took the bottle from him and filled the glasses himself, telling the young gentleman that the brandy was the best in England, a relic of the old smuggling days, but far too good for scoundrels who had never paid the King's revenue one half-penny. Then when Mr. Benson had left the room he began to talk about the field again, and how anxious he was to start the excavations. That was about all I heard, sir, for shortly afterwards Mr. Glenthorpe told me to clear away the things, which took me several trips downstairs, because, not having the full use of my right hand, I have to use a small tray. It was not till this morning, when I was cleaning the cutlery, that I noticed that one of the knives I had taken upstairs the night before was missing. I think that is all, sir."

The silence which followed, broken only by the rapid travelling of Superintendent Galloway's pen across the paper, revealed how intently the fat man's auditors had followed his whispered recital of the events before the murder. It was Superintendent Galloway who, putting down his fountain pen, asked the waiter to describe the knife he had missed.

"It was a small, white-handled knife, sir—not one of the dinner knives, but one of the smaller ones."

"Are you sure it was one of the knives you took upstairs last night?"

"Quite sure, sir. We are very short of good cutlery, and I picked out this knife to put by the young gentleman's plate because it was a very good one. It and the carving-knife are the only two knives we have in that particular white-handled pattern."

"Was this knife sharp?"

"Very sharp, with a rather thin blade. I keep all my cutlery in good order, sir."

"You seem to have heard a lot that passed last night in spite of your deafness," said Superintendent Galloway, in the blustering manner he had found very useful in browbeating rural witnesses in the police courts. "Is it customary for waiters to listen to everything that is said when they are waiting at table?"

"I did not hear everything, sir," rejoined the waiter, and his soft whisper was in striking contrast to the superintendent's hectoring tones. "I explained to the other gentleman that I heard very little the young gentleman said, because I wasn't watching his lips. It was principally Mr. Glenthorpe's part of the conversation I have related. I followed almost everything he said because I was watching his lips closely the whole of the time."

"Why?" snapped Superintendent Galloway.

"It was Mr. Glenthorpe's strict instructions that I was to watch his lips closely every time I waited on him, because of my infirmity. He disliked very much being waited on by a deaf waiter when first he came to the inn. He said he didn't want to have to bellow out when he wanted anything. But when he found that I could understand lip language, and could follow what he was saying by watching his lips, he allowed me to wait on him, but he gave me strict instructions never to take my eyes off him when I was waiting on him, because he disliked having to repeat an order."

At the request of Sir Henry, Superintendent Galloway asked the waiter if he had noticed anything peculiar in the actions of the murdered man's guest during the dinner. The waiter replied that he had not noticed the young gentleman particularly. So far as his observation went the young gentleman had acted just like an ordinary young gentleman, and he had noticed nothing strange or eccentric about him.

Mr. Cromering decided to occupy the remaining time at his disposal by questioning Ann. The stout servant was brought from the kitchen in a state of trepidation, and, after curtsying awkwardly to the assembled gentlemen, flopped heavily into a chair, covered her face with her apron, and burst into sobs. Her story—which was extracted from her with much difficulty—bore out the innkeeper's account of her early morning interview with Ronald. She said the poor young gentleman had opened the door when she knocked with his tea. He was fully dressed, with his boots in his hand, and he said he wouldn't wait for any breakfast, though she had offered to cook him some fresh fish the master had caught the day before. He asked her to clean his boots, but as she was carrying them away he called her back and said he would wear them as they were. They were all covered with mud—a regular mask of mud. She wanted to rub the mud off, but he said that didn't matter: he was in a hurry to get away. While she had them in her hands she turned them up and looked at the bottoms, intending to put them to the kitchen fire to dry them if the soles were wet, and it was then she noticed that there was a circular rubber heel on one which was missing on the other—only the iron peg being left. She took particular notice of the peg, because she intended to hammer it down in the kitchen, thinking it must be very uncomfortable to walk on, but the young gentleman didn't give her the chance—he just took the boots from her and walked into his room, shutting the door behind him.

Thus far Ann proceeded, between convulsive sobs and jelly-like tremors of her fat frame. By dint of further questioning, it was elicited from her that during this colloquy at the bedroom door the young gentleman had put a pound note into her hand, and told her to give it to her master in payment of his bill. "It won't be so much as that, sir," she had said. "What about the change?"

"Oh, damn the change!" the young gentleman had said, very impatient-like, and then he had said, "Here's something for yourself," and put five shillings into her hand.

"Did the young gentleman seem at all excited during the time you saw him?" asked the chief constable, anticipating the inevitable question from Sir Henry.

"I don't know what you mean by excited, sir. He seemed rarely impatient to be gone, though anybody might be excited at having to walk across them nasty marshes in the morning mist without a bite to stay the stomach. I only hope he didn't catch a chill, the poor young man."

Further questions on this point only brought forth another shower of tears, and a sobbing asseveration that she hadn't taken particular notice of the young gentleman, who was a kind, liberal-hearted gentleman, no matter what some folk might think. It was evident that the tip of five shillings had won her heart.

The chief constable waited for the storm to subside before he was able to extract the information that Ann hadn't seen the young gentleman leave the house. He had gone when she took up Mr. Glenthorpe's breakfast nearly an hour later, and made the discovery that the key of Mr. Glenthorpe's room was in the outside of the door, and his room empty. The young gentleman could easily have left the inn without being seen, for she and Charles were in the kitchen, and nobody else was downstairs at the time.

It was in response to Colwyn's whispered suggestion that the chief constable asked Ann if she had turned off the gas at the meter the previous night. Yes, she had, she said. She heard the gentlemen leave the sitting-room upstairs and say good-night to each other as they went to their bedrooms, and she turned off the gas at the meter underneath the stair five minutes afterwards, when she had finished her ironing, and went to bed herself. That would be about half-past ten.

Mr. Cromering, who did not understand the purport of the question, was satisfied with the answer, and allowed the servant to retire. But Colwyn, as he went out to the front to get the motor ready for the journey to Heathfield, was of a different opinion.

"Ann may have turned off the gas as she said," he thought, "but it was turned on again during the night. Did Ann know this, and keep it back, or was it turned on and off again without her knowledge?"



CHAPTER IX

"Everything fits in beautifully," said Superintendent Galloway confidently. "I never knew a clearer case. All that remains for me to do is to lay my hands on this chap Ronald, and an intelligent jury will see to the rest."

The police official and the detective had dined together in the small bar parlour on Colwyn's return from driving Mr. Cromering and Sir Henry Durwood to Heathfield Station. The superintendent had done more than justice to the meal, and a subsequent glass of the smugglers' brandy had so mellowed the milk of human kindness in his composition that he felt inclined for a little friendly conversation with his companion.

"You are very confident," said Colwyn.

"Of course I am confident. I have reason to be so. Everything I have seen to-day supports my original theory about this crime."

"And what is your theory as to the manner in which this crime was committed? I have gathered a general idea of the line you are taking by listening to your conversation this afternoon, but I should like you to state your theory in precise terms. It is an interesting case, with some peculiar points about it which a frank discussion might help to elucidate."

Superintendent Galloway looked suspiciously at Colwyn out of his small hard grey eyes. His official mind scented an attempt to trap him, and his Norfolk prudence prompted him to get what he could from the detective but to give nothing away in return.

"I see you're suspicious of me, Galloway," continued Colwyn with a smile. "You've heard of city detectives and their ways, and you're thinking to yourself that a Norfolk man is more than a match for any of them."

This sally was so akin to what was passing in the superintendent's mind that a grim smile momentarily relaxed his rugged features.

"My thoughts are my own, I suppose," he said.

"Not when you've just given them away," replied Colwyn, in a bantering tone. "My dear Galloway, your ingenuous countenance is a mirror to your mind, in which he who runs may read. But you are quite wrong in suspecting me. I have no ulterior motive. My only interest in this crime—or in any crime—is to solve it. Anybody can have the credit, as far as I am concerned. Newspaper notoriety is nothing to me."

"You've managed to get a good deal of it without looking for it, then," retorted the superintendent cannily. "It was only the other day I was reading a long article in one of the London newspapers about you, praising you for tracking the criminals in the Treasury Bonds case. The police were not mentioned."

"Fame—or notoriety—sometimes comes to those who seek it least," replied the detective genially. "I assure you that article came unasked. I'm a stranger to the political art of keeping sweet with the journalists—it was a statesman, you know, who summed up gratitude as a lively sense of favours to come. Now, in this case, let us play fair, actuated by the one desire to see that justice is done. This case does not strike me as quite such a simple affair as it seems to you. You approach it with a preconceived theory to which you are determined to adhere. Your theory is plausible and convincing—to some extent—but that is all the more reason why you should examine and test every link in the chain. You cannot solve difficult points by ignoring them and, to my mind, there are some difficult and perplexing features about this case which do not altogether fit in with your theory."

"If my mind is an open book to you perhaps you'll tell me what my theory is," responded Superintendent Galloway, sourly.

"Yes; that's a fair challenge." The detective pushed back his chair, and stood with his back against the mantelpiece, with a cigar in his mouth. "Your theory in this case is that chance and opportunity have made the crime and the criminal. Chance brings this young man Ronald to this lonely Norfolk inn, and sees to it that he is allowed to remain when the landlord wants to turn him away. Chance throws him into the society of a man of culture and education, who is only too glad of the opportunity of relieving the tedium of his surroundings in this rough uncultivated place by passing a few hours in the companionship of a man of his own rank of life. Chance contrives that this gentleman shall have in his possession a large sum of money which he shows to Ronald, who is greatly in need of money. Opportunity suggests the murder, provides the weapon, and gives Ronald the next room to his intended victim in a wing of the inn occupied by nobody else.

"Your theory as to how the murder was actually committed strikes me as possible enough—up to a certain point. You think that Ronald, after waiting until everybody in the inn is likely to be asleep, steals out of his own room to the room of his victim. He finds the door locked. Chance, however, has thoughtfully provided him with a window opening on to a hillside, which enables him to climb out of his own window and into the window of the next room. He gets in, murders Mr. Glenthorpe, secures his money, and, finding the key of his bedroom under the pillow, carries the body of his victim downstairs, and outside, casting it into a deep hole some distance from the house, in the hope of preventing or retarding discovery of the crime. Through an oversight he forgets the key in the door, which he had placed in the outside before carrying off the body, intending when he returned to lock the door and carry the key away with him.

"Next morning you have the highly suspicious circumstance of the young man's hurried departure, his refusal to have his boots cleaned, the incident of the L1 note, and the unshakable fact that the footprints leading to and from the pit where the body was discovered had been made by his boots.

"As a further contributory link in the chain of evidence against Ronald, you intend to use the fact that he was turned out of the Grand Hotel, Durrington, the previous day because he couldn't pay his hotel bill, because this fact, combined with the fact that Mr. Glenthorpe showed him the money he had drawn from the bank at Heathfield, supplies a strong motive for the crime. In this connection you intend to try to establish that the Treasury note which Ronald left to pay his inn bill was one of those in Mr. Glenthorpe's possession, because it happens to be one of the First Treasury issue, printed in black and white, and all Mr. Glenthorpe's notes were of that issue, according to the murdered man's own statement. That, I take it, is the police theory of this case."

"It is," said Superintendent Galloway. "You've put it a bit more fancifully than I should, but it comes to the same thing. But what do you make out of the incident at the Grand Hotel, Durrington, yesterday morning? You were there, and saw it all. Does it seem strange to you that Ronald should have come straight to this inn and committed a murder after making that scene at the hotel? Do you think it suggests that Ronald has, well—impulses of violence, let us say?" Superintendent Galloway poured himself out another glass of old brandy and sipped it deliberately, watching the detective cautiously between the sips.

Colwyn was silent for a moment. He was quick to comprehend the double-barrelled motive which underlay the superintendent's question, and he had no intention of letting the police officer pump him for his own ends.

"Sir Henry Durwood would be better able to answer that question than I," he said.

"I asked him when we were driving over here this afternoon, but he shut up like an oyster—you know what these professional men are, with their stiff-and-starched ideas of etiquette," grumbled the superintendent.

A flicker of amusement showed in Colwyn's eyes. Really the superintendent was easily drawn, for an East Anglian countryman. "After all, it is only Sir Henry Durwood's opinion that Ronald intended violence at the Grand," he said. "Sir Henry did not give him the opportunity to carry out his intention—if he had such an intention."

"Exactly my opinion," exclaimed Superintendent Galloway, eagerly rising to the fly. "I have ascertained that Ronald's behaviour during the time he was staying at the hotel was that of an ordinary sane Englishman. The proprietor says he was quite a gentleman, with nothing eccentric or peculiar about him, and the servants say the same. They are the best judges, after all. And nobody noticed anything peculiar about him at the breakfast table except yourself and Sir Henry—and what happened? Nothing, except that he was a bit excited—and no wonder, after the young man had just been ordered to leave the hotel. Then Sir Henry grabbed hold of him and he fainted—or pretended to faint; it may have been all part of his game. Sir Henry may have thought he intended to do something or other, but no British judge would admit that as evidence for the defence. This chap Ronald is as sane as you or me, and a deep, cunning cold-blooded scoundrel to boot. If the defence try to put up a plea of insanity they'll find themselves in the wrong box. There's not a jury in the world that wouldn't hang him on the evidence against him."

This time Colwyn could not forbear smiling at the guileless way in which Superintendent Galloway had revealed the thoughts which had been passing through his mind. But his amusement was momentary, and it was in a grave, earnest tone that he replied:

"The hotel incident is a puzzling one, but I agree with you that it doesn't enter into the police case against Ronald. It is your duty to deal with the facts of the case, and if you think that Ronald committed this murder——"

"If I think that Ronald committed this murder!" Superintendent Galloway's interruption was both amazed and indignant. "I'm as certain he committed the murder as if I saw him do it with my own eyes. Did you, or anybody else, ever see a clearer case?"

"It is because the circumstantial evidence against him is so strong that I speak as I do," continued Colwyn, in the same earnest tones. "Innocent men have been hanged in England before now on circumstantial evidence. It is for that very reason that we should guard ourselves against the tendency to accept the circumstantial evidence against him as proof of his guilt, instead of examining all the facts with an open mind. We are the investigators of the circumstances: it is not for us to prejudge. That is the worst of circumstantial evidence: it tends to prejudgment, and sometimes to the ignoring of circumstances and facts which might tell in favour of the suspect, if they were examined with a more impartial eye. It is for these reasons that I am always careful to suspend judgment in cases of circumstantial evidence, and examine carefully even the smallest trifles which might tell in favour of the man to whom circumstantial evidence points.

"Have you discovered anything, since you have been at the inn, which shakes the theory that Ronald is the murderer?"

"I have come to the conclusion that the case is much more complex and puzzling than was at first supposed."

"I should like to know what makes you think that," returned Superintendent Galloway. "Up to the present I have seen nothing to shake my conviction that Ronald is the guilty man. What have you discovered that makes you think otherwise?"

"I do not go as far as that—yet. But I have come across certain things which, to my mind, need elucidation before it is possible to pronounce definitely on Ronald's guilt or innocence. To take them consecutively, let me repeat that I cannot reconcile Ronald's excitable conduct at the Durrington hotel with his supposed actions at the inn. In the former case he behaved like a man who, whether insane or merely excited, had not the slightest fear of the consequences. At this inn he acted like a crafty cautious scoundrel who had weighed the consequences of his acts beforehand, and took every possible precaution to save his own skin. You see nothing inconsistent in this——"

"I do not," interjected the superintendent firmly.

"Quite so. Then, the next point that perplexes me is why Ronald took the trouble to carry the body of his victim to the pit and throw it in."

"For the motive of concealment, and to retard discovery. But for the footprints it would probably have given him several days—perhaps weeks—in which to make good his escape."

"Did he not run a bigger risk of discovery by carrying the body downstairs in an occupied house, and across several hundred yards of open land close to the village?"

"Not in a remote spot like this. They keep early hours in this part of the country. I guarantee if you walked through the village now you wouldn't see a soul stirring."

"Ronald was not likely to know that. Next, how did Ronald, a stranger to the place, know the locality of this pit so accurately as to be able to walk straight to it?"

"Easily. He might have approached the inn from that side, and passed it on his way. And nothing is more likely than Mr. Glenthorpe would tell him about the pit in the course of his conversation about the excavations. There is also the possibility that Ronald knew of the existence of the pit from a previous visit to this part of the country."

"My next point is that Ronald was put to sleep in what he imagined was an upstairs bedroom. How did he discover that his bedroom, and the bedroom of Mr. Glenthorpe's adjoining, opened on to a hillside which enabled him to get out of one bedroom and into the other?"

"Again, Mr. Glenthorpe probably told him—he seems to have been a garrulous old chap, according to all accounts. Or Ronald may have looked out of his window when he was retiring, and seen it for himself. I always look out of a bedroom window, and particularly if it is a strange bedroom, before getting into bed."

"These are matters of opinion, and, though your explanations are possible ones, I do not agree with you. We are looking at this case from entirely different points of view. You believe that Ronald committed the murder, and you are allowing that belief to colour everything connected with the case. I am looking at this murder as a mystery which has not yet been solved, and, without excluding the possibility that Ronald is the murderer, I am not going, because of the circumstantial evidence against him, to accept his guilt as a foregone conclusion until I have carefully examined and tested all the facts for and against that theory.

"The one outstanding probability is that Mr. Glenthorpe was murdered for his money. Now, excluding for the time being the circumstantial evidence against Ronald—though without losing sight of it—the next point that arises is was he murdered by somebody in the inn or by somebody from outside—say, for example, one of the villagers employed on his excavation works. The waiter's story of the missing knife suggests the former theory, but I do not regard that evidence as incontrovertible. The knife might have been stolen from the kitchen by a man who had been drinking at the bar; indeed, until we have recovered the weapon it is not even established that this was the knife with which the murder was committed. It might have been some other knife. We must not take the waiter's story for granted until we have recovered the knife, and not necessarily then. But that story, as it stands, inclines to support the theory that the murder was committed by somebody in the inn. On the other hand, the theory of an outside murderer lends itself to a very plausible reconstruction of the crime. Suppose, for example, the murder had been committed by one of Mr. Glenthorpe's workmen, actuated by the dual motives of revenge and robbery, or by either motive. Apparently the whole village knew of Mr. Glenthorpe's intention to draw this money which was in his possession when he was murdered—he seems to have been a man who talked very freely of his private affairs—and the amount, L300, would be a fortune to an agricultural labourer or a fisherman. Such a man would know all about the bedroom windows on that side of the inn opening on to the hillside, and would naturally choose that means of entry to commit the crime. And, if he were a labourer in Mr. Glenthorpe's employ, the thought of concealing the body by casting it into the pit would probably occur to him."

"I do not think there is much in that theory," said Superintendent Galloway thoughtfully. "Still, it is worth putting to the test. I'll inquire in the morning if any of the villagers are suspicious characters, or whether any of Glenthorpe's men had a grudge against him."

"Now let us leave theories and speculations and come to facts. Our investigations of the murdered man's room this afternoon gave us several clues, not the least important of which is that we are enabled to fix the actual time of the murder with some degree of accuracy. It is always useful, in a case of murder, to be able to establish the approximate time at which it was committed. In this case, the murder was certainly committed between the hours of 11 p.m. and 11.30 p.m., and, in all probability, not much before half-past eleven."

"How do you fix it so accurately as that?" asked the police officer, looking keenly at the detective.

"According to Ann, the gentlemen went to their rooms about half-past ten, and she turned off the gas downstairs shortly afterwards, and went to bed herself. When we examined the room this afternoon, we found patches of red mud of the same colour and consistency of the soil outside the window leading from the window to the bedside, and a pool—a small isolated pool—of water near the open window. There were, as you recollect, no footprints outside the window. On the other hand, the footprints from the inn to the pit are clear and distinct. Rain commenced to fall last night shortly before eleven, but it did not fall heavily until eleven o'clock. From then till half-past eleven it was a regular downpour, when it ceased, and it has not rained since. Now, the patches of red mud in the bedroom, and the obliteration of footprints outside the window, prove that the murderer entered the room during the storm, but the footprints leading to the pit prove that the body was not removed from the room until the rain had completely ceased, otherwise they would have been obliterated also, or partly obliterated. These facts make it clear that the murder was committed between eleven and half-past, but the pool of water near the window enables us to fix the time more accurately still, and say that he entered the room during the time the rain was at its heaviest—that is, between ten minutes past and half-past eleven."

"I'm hanged if I see how you fix it so definitely," said the superintendent, who had been following the other's deductions with interest. "The pool of water may have collected at any time, once the window was open."

"My dear Galloway, you are working on the rule-of-thumb deduction that the rain blew in the open window and formed the pool. As a matter of fact, it did nothing of the kind. The wind was blowing the other way, and away from that side of the house. Furthermore, the hill on that side of the inn acts as a natural barrier against rain and weather."

"Then how the deuce do you account for the water in the room?"

"Surely you have not forgotten the piece of black material we found sticking on the nail outside the window?"

"I have not forgotten it, but I do not see how you connect it with the pool of water."

"Because it is a piece of umbrella silk. The murderer was carrying an umbrella—and an open umbrella—have you the piece of silk? If so, let us look at it."

The superintendent produced the square inch of silk from his waistcoat pocket, and examined it closely: "Of course it's umbrella silk," he exclaimed, slapping his leg. "Funny I didn't recognise it at the time."

"Perhaps I wouldn't have recognised it myself, but for the fact that a piece of umbrella silk formed an important clue in a recent case I was engaged upon," replied the detective. "Experience counts for a lot—sometimes. See, this piece of silk is hemmed on the edge—pretty conclusive proof that the murderer was carrying the umbrella open, to shield him from the rain, and that it caught on the nail outside the window, tearing off the edge. He closed it as he got inside the window, and placed it near the window-sill, and the rain dripped off it and formed the pool of water. The size of the pool, and the fact that the murderer carried an open umbrella to shield him, prove pretty conclusively that he made his entrance into the room during the time the rain was falling heaviest—which was between 11.10 p.m. and 11.30.

"We now come to what is the most important discovery of all—the pieces of candle-grease we found in the murdered man's bedroom. They help to establish two curious facts, the least important of which is that somebody tried to light the gas in Mr. Glenthorpe's room last night, and, failing to do so, went downstairs and turned on the gas at the meter."

"What if they did?" grunted Superintendent Galloway, pouring out another glass of brandy. He was secretly annoyed at having overlooked the clue of the umbrella silk, and was human enough to be angry with the detective for opening his eyes to the fact. "I don't see how you're going to prove it, and, even if you did, it doesn't matter a dump one way or the other."

"We'll let that point go," rejoined Colwyn curtly. "Your attitude in shutting your eyes to facts hardly encourages me to proceed, but I'll try. Would you mind showing me those bits of candle-grease you picked up in the bedroom?"

Superintendent Galloway produced a metal match-box from his pocket, emptied some pieces of candle-grease, a burnt wooden match and a broken matchhead from it, and sat back eyeing the detective with a supercilious smile. Colwyn, after examining them closely, brought from his own pocket an envelope, and shook several more pieces of candle-grease on the table.

"Look at these pieces of candle-grease side by side," he said. "Yours were picked up alongside the bed; I found mine underneath the gas burner."

Superintendent Galloway glanced at the pieces of candle-grease with the same supercilious smile. "I see them," he said. "They are pieces of candle-grease. What of them?"

"Do you not see that they are different kinds of candle-grease? The pieces you picked up alongside the bed are tallow; mine, picked up from underneath the gas-globe, are wax."

The Superintendent had not noticed the difference in the candle-grease, but he thought it beneath his dignity to examine them again. "The murderer may have had two candles," he said oracularly. "Anyway, what does it matter? They're both candle-grease."

Colwyn swept his fragments back into his pocket with a quick impatient gesture. "Both candle-grease, as you say," he returned sharply. "We do not seem to be making much progress in our investigations, so let us discontinue them. Good-night."



CHAPTER X

Colwyn went to bed, but not to sleep. Hour after hour he lay awake, staring into the darkness, endeavouring to put together the facts he had discovered during the afternoon's investigations at the inn. But they resembled those irritating odd-shaped pieces of a puzzle which refuse to fit into the remainder no matter which way they are turned. Try as he would, he could not fit his clues into harmony with the police theory of the murder.

On the other hand, he could not, nor did he attempt, to shut his eyes to the strong case against Ronald, for he fully realised that there was much to be explained in the young man's actions before any alternative theory to that held by the police could be sustained. But so far he did not see his way to an alternative theory. He sought vainly for a foundation on which to build his clues and discoveries; for some overlooked trifle which would help him to read aright the true order and significance of the jumbled assortment of events in this strange case.

In the first place, was Ronald's explanation, about losing his way and wandering to the inn by chance, the true one? The police accepted it without question, but was it likely that a man who was in the habit of taking long walks about the coast would lose his way easily? As against that doubt, there were the statements of the innkeeper and the deaf waiter that they had never seen Ronald before. If Ronald were not guilty, why had he departed so hurriedly from the inn that morning? And if he were not the murderer what was the explanation of the damning evidence of the footprints leading to the pit in which the body of the murdered man had been flung? If the discovery of the two kinds of candle-grease in Mr. Glenthorpe's bedroom indicated that two persons were in the room on the night of the murder, who were those two persons, and what did they both go there for?

He reflected that his only tangible reason, so far, for not accepting the police theory was based on the belief that two people had been in the murdered man's room, and that belief rested on the discovery of a spot of candle-grease which in itself was merely presumptive, but not conclusive evidence. It was necessary to establish beyond doubt the supposition that two people had been in the room before he could presume to draw inferences from it. And, if he succeeded in establishing that supposition, might not Ronald have been one of the two persons, and the actual murderer? What was the significance of the broken incandescent burner, the turned-on gas, and the faint mark under the window?

These questions revolved in Colwyn's head in a circle, always bringing him back to his starting point that the solution of the case did not lie on the surface, and that the police theory could not be made to fit in with his own discoveries. The latter were in themselves internal evidence that the whole truth had not yet been brought to light.

Gradually the line of the circle grew nebulous, and Colwyn was fast falling asleep through sheer weariness, when a slight sharp sound, like that made by turning a key in a lock, brought him back to wide-eyed wakefulness. He sat up in bed, listening with strained ears, feeling for the box of matches at his bedside. He found them, and endeavoured to strike a light. But the matches were war matches, and one after another broke off in his hand against the side of the box. He tried holding the next close to the head, but the head flew off. With a muttered malediction on British manufacturers, Colwyn struck several more in rapid succession before he succeeded in lighting the candle at his bedside. He got quietly out of bed, and, leaving the candle on the table, opened his door noiselessly and looked out into the passage.

He had been put to sleep in a small bedroom in the deserted upstairs wing where the murder had been committed. His room was opposite the lumber room, which was three doors away from the room in which the body of the dead man lay. When the question of accommodation for Superintendent Galloway and himself had been discussed, the former had chosen to have a bed made up in the bar parlour downstairs as more comfortable and snug than any of the bedrooms upstairs, but Colwyn had consented to sleep in the deserted wing. The innkeeper, who had lighted him upstairs, had apologised for the humble room and scanty furniture, but Colwyn had laughingly accepted the shortcomings of the room as a point of no importance, and had stood at his door for some moments watching a queer effect in shadows caused by the innkeeper's candle throwing gigantic wavering outlines of his gaunt retreating figure on the bare stone wall as he went down the side passage to his own bedroom.

Colwyn, looking out into the passage, could hear or see nothing to account for the sound that had startled him into wakefulness. The candle by his bedside gave a feeble glimmer which did not reach to the door, and the passage was as dark and silent as the interior of a vault. The stillness and blackness seemed to float into the bedroom like a cloud. But he was certain he had not been mistaken. A door had been unlocked somewhere in the darkness, and it had been unlocked by human hands. Who had come to that deserted wing of the inn in the small hours, and on what business? He decided to explore the passage and find out.

He left the door of his room partly open while he donned a few articles of clothing, and pulled a pair of slippers on his feet. He glanced at his watch, and noted with surprise that it wanted but a few minutes to three o'clock. He extinguished his candle and, taking his electric torch, crept silently into the passage.

He recalled the arrangements of the rooms as he had observed them the previous afternoon. There were three more bedrooms adjoining his, all empty. On the other side of the passage was the lumber room opposite, next came the room in which Ronald slept, then the dead man's room, and finally the sitting-room he had occupied. The door of the sitting-room opened not very far from the head of the stairs.

Colwyn first examined the bedrooms on his side of the passage, stepping as noiselessly as a cat, opening and shutting each door without a sound, and scrutinising the interiors by the light of his torch. They were empty and deserted, as he had seen them the previous afternoon. On reaching the end of the passage he glanced over the head of the staircase, but there was no light glimmering in the square well of darkness and no sound in the lower part of the house to suggest that anybody was stirring downstairs. He turned away, and made his way back along the passage, trying the doors on the other side with equal precaution as he went. The first three doors—the sitting-room, the murdered man's bedroom, and Ronald's bedroom—were locked, as he had seen them locked the previous afternoon by Superintendent Galloway, who had carried the keys away with him until after the inquest on the body.

The lumber room at the other end of the passage had not been locked, and the door stood ajar. Colwyn entered it, and by the glancing light of the torch looked over the heavy furniture, mouldering linen, and stiffly upended bedpoles and curtain rods which nearly filled the room. The clock of a bygone generation stood on the mantel-piece, and the black winding hole in its white face seemed to leer at him like an evil eye as the light of the torch fell on it. But nobody had been in the room. The dust which encrusted the furniture and the floor had not been disturbed for months.

Colwyn returned, puzzled, to his own room. Could he have been mistaken? Was it possible that the sound he had heard had been caused by the door of the lumber room swinging to? No! the sound had been too clear and distinct to admit the possibility of mistake, and it had been made by the grating of a key in a lock, not by a swinging door. He stood in the darkness by his open door, listening intently. Several minutes passed in profound silence, and then there came a scraping, spluttering sound. Somebody not far away had struck a match. Looking cautiously out into the passage, he saw, to his utter amazement, a gleam of light appear beneath the door in which the dead man lay. The next moment the gleam moved up the line of the door sideways, cutting into the darkness outside like a knife. The gleam became broader until the whole door was revealed. Somebody inside was opening it. Even as he looked a hand stole forth from the aperture through which the light streamed, and rested on the jamb outside.

Colwyn was a man of strong nerves, but that sudden manifestation of light and a human hand from a sealed death chamber momentarily unbalanced his common sense, and caused it to swing like a pendulum towards the supernatural. He would not have been surprised if the light and the hand had been followed by the apparition of the murdered man on the threshold, demanding vengeance on his murderer. The feeling passed immediately, and with the return of reason the detective stepped back into his room, closed his door quietly, and watched through a knife's edge slit for the visitor to the death chamber to appear.

The door of the dead man's room opened gently, and the face of the innkeeper's daughter peered forth into the darkness, her impassive face, behind which everything was hid, showing like a beautiful waxen mask against the light of the candle she held in her hand. Her clear gaze rested on Colwyn's door, and it seemed to him for a moment as though their glances met through the slit, then her eyes swept along the passage from one end to the other. As if satisfied by the scrutiny that she had nothing to fear, she stepped forth from the death chamber, closed and locked the door behind her, withdrew the key, walked swiftly along the passage to the head of the stairs, and descended them.

Colwyn opened his door and followed her. He paused outside to pick up the boots which he had placed there to be cleaned, and carrying them in his hand, ran quickly to the head of the stairs. Looking over the landing, he saw the girl reach the bottom of the stairs and turn down the passage towards the back door, still carrying the lighted candle in her hand.

When Colwyn reached the bottom, the girl and the light had disappeared. But a swift gust of wind in the passage revealed to him that she had gone out by the back door, and closed it after her. He followed along the passage till he felt the latch of the back door in his hand. The door yielded to the lifting of the latch, and he found himself in the open air.

It was a grey northern night, with a bitter wind driving the sea mist in billows over the marshes, and a waning half moon shining fitfully through the dingy clouds which scudded across a lead-coloured sky. By the light of the moon he saw the figure of the girl, already some distance from the house, swiftly making her way along the reedy canal path which threaded the oozing marshes.

Colwyn was not a stranger to marshlands. He had waded knee-deep from dawn to dusk through Irish bogs after wild geese; he had followed the migratory seafowl of Finland, Russia and Serbia into their Scottish breeding haunts, and he had once tried to keep pace with the sweep of the Bore over the Solway Marshes, but he had never undertaken a task so difficult as following this girl across a Norfolk marshland. The path she trod so unhesitatingly was narrow, and slippery, with the canal on one side and the marshes on the other. In keeping clear of the canal Colwyn frequently found himself slipping into the marshes. His feet and legs speedily became wet and caked with ooze, and once he nearly lost one of his boots, which he had pulled on hurriedly outside the inn, and left unlaced.

But the girl walked straight on with a swift and even gait, treading the narrow path across the morass as securely as though she had been on the high road. Colwyn soon realised that the path they were following was taking them straight across the marshes to the sea. The surging of the waves against the breakwater sounded increasingly loud on his ears, and after a while he saw the breakwater itself rise momentarily out of the darkness like a yellow wall, only to disappear again. But presently it was visible once more, looming out in increasing clearness, with a ghostly glimmering of the grey waters of the North Sea heaving turbulently outside.

As they neared the breakwater the path became drier and firmer, and the light of the moon, falling through a ragged rift in the scurrying clouds, showed a line of sand banks and strips of tussock-land emerging from the marshes as the marshes approached the sea.

The girl kept on with the same resolute pace, until she reached a spot where the canal found its outlet to the sea. There she turned aside and skirted the breakwater wall for a little distance, as if searching for something. The next moment she was scaling the breakwater wall. Colwyn was too far away to intercept her, or reach her if she slipped. He stopped and watched her climb to the top of the wall, and stand there, like a creature of the sea, with the spray leaping hungrily at her slight figure. He saw her take something from the bosom of her dress and cast it into the wild waste of seething waters in front of her. Having done this she turned to descend the breakwater. Colwyn had barely time to leave the path, and take refuge in the shadow of the wall, before she reached the path again and set out to retrace her steps across the lonely marshes.



CHAPTER XI

Colwyn waited on the marshes until the coming of the dawn revealed the breakwater and the sea crashing against it. A brief scrutiny of the white waste of waters, raging endlessly against the barrier, convinced him of the futility of attempting to discover what the innkeeper's daughter had thrown from the breakwater wall an hour before. The sea would retain her secret.

The sea mist hung heavily over the marshes as Colwyn cautiously picked his way back along the slippery canal path. Sooner than he expected, the inn appeared from the grey mist like a sheeted ghost. Colwyn stood for a few moments regarding the place attentively. There was something weird and sinister about this lonely inn on the edge of the marshes. Strange things must have happened there in the past, but the lawless secrets of a bygone generation of smugglers had been safely kept by the old inn. The cold morning light imparted the semblance of a leer to the circular windows high up in the white wall, as though they defied the world to discover the secret of the death of Roger Glenthorpe.

There was no sign of life about the inn as Colwyn approached it. The back door yielded to his pull on the latch, and he gained his room unobserved; apparently all the inmates were still wrapped in slumber. Colwyn spent half an hour or so in making some sort of a toilet. He had brought a suit-case with him in the car, so he changed his wet clothes, shaved himself in cold water, washed, and brushed his hair. He looked at his watch, and found that it was after six o'clock. He wondered if the girl Peggy was sleeping after her night's adventure.

A swishing noise, somewhere in the lower regions, broke the profound stillness of the house. Somebody was washing the floor, somewhere. Colwyn opened his door and went downstairs. Ann, the stout servant, was washing the passage. She was on her hands and knees, with her back towards the staircase, swabbing vigorously, and did not see the detective descending the stairs.

"Good morning, Ann," said Colwyn, pleasantly.

She turned her head quickly, with a start, and Colwyn could have sworn that the quick glance she gave him was one of fear. But she merely said, "Good morning, sir," and went on with her work, while the detective stood looking at her. She finished the passage in a few minutes and got awkwardly to her feet, wiping her red hands on her coarse apron.

"You and I are the only early risers in the house, it seems, Ann," said Colwyn, still regarding her attentively.

"If you please, sir, Charles is up, and gone out to the canal to see if there are any fish for breakfast on the master's night lines."

"Fresh fish for breakfast! Well, that's a very good thing," replied the detective, reflecting it was just as well that he had got in before Charles went out. "What time does Mr. Benson come down?"

"About half-past seven, sir, as a general rule, but sometimes he has his breakfast in bed."

"That's not a bad idea at times, Ann. But I see you are impatient to get on with your work. Would you mind if I went into the kitchen and talked to you while you are preparing breakfast?"

Again there was a gleam of fear in the woman's eyes as she looked quickly at the detective, but her voice was self-possessed as she replied:

"Very well, sir," and turned down the passage which led to the kitchen.

"What time was it when you turned off the gas the night before last?" asked Colwyn, when the kitchen was reached. "You told us yesterday that it was about half-past ten, but you did not seem very sure of the exact time. Can you not fix it accurately? Try and think."

The look the woman gave Colwyn this time was undoubtedly one of relief.

"Well, sir," she said, "I usually turn off the gas at ten o'clock, but, to tell you the truth, I was a little bit late that night."

"A little bit late, eh? That means you forgot all about it."

"I did forget about it, and that's the truth. The master told me not to turn off the meter until the gentlemen in the parlour upstairs had gone to bed. Charles told me when he came down from the upstairs parlour with the last of the dinner things that the gentlemen were still sitting in front of the fire talking, but some time after Charles had come down and gone to bed I heard them moving about upstairs, as though they were going to their rooms."

"What time was that?" asked the detective.

"Just half-past ten. I happened to glance at the kitchen clock at the time. Charles, who had been told that he wouldn't be wanted upstairs again, had gone to bed quite half an hour before, but I didn't go until I had folded some clothes which I had airing in front of the kitchen fire. When I did get to bed, and was just falling off to sleep, I suddenly remembered that I had forgotten to turn off the gas at the meter. I got out of bed again, lit my candle, and went up the passage to the meter, which is just under the foot of the stairs, turned off the gas, and went back to bed."

"Did you notice the time then?"

"The kitchen clock was just chiming eleven as I got back to my bed."

"You are sure it was not twelve?"

"Quite sure, sir."

"Did you hear any sound upstairs?"

"No, sir. It was as quiet as the dead."

"Was it raining at that time?"

"It started to rain heavens hard just as I got back to bed, but before that the wind was moaning round the house, as it do moan in these parts, and I knew we was in for a storm. I was glad enough to get back to my warm bed."

"You might have seen something, if you had been a little later. The staircase is the only way the body could have been brought down from there." The detective pointed to the room above where the dead man lay.

The woman trembled violently.

"It's God's mercy I didn't see something," she said, and her voice fell to a husky whisper. "I should 'a' died wi' fright if I had seen it being brought downstairs. All day long I've been thanking God I didn't see anything."

"Do nobody else but you and Charles sleep downstairs?"

"Nobody, sir. I sleep in a small room off the kitchen, but Charles sleeps in one of the rooms in the passage which leads off the kitchen, the first room, not far from my own. But that'd been no help to me if I'd seen anything. I might have screamed the house down before Charles would have heard me, he being stone deaf."

"Quite true, Ann. And now is that all you have to tell me about the gas?"

The woman seemed to have some difficulty in replying, but finally she stammered out in an embarrassed voice, plucking at her apron the while:

"Yes, sir."

"Look at me, Ann, and tell me the truth. Come now, it will be better for everybody."

The countrywoman looked at the detective with whitening face, and there was something in his penetrating gaze that kept her frightened eyes fixed on his.

"Please, sir——"

"Yes, Ann, go on," prompted the detective encouragingly.

But the woman didn't go on; there crept into her face instead an obstinate look, her mouth closed tightly, and her hands ceased twitching.

"I've told you everything, sir," she said quietly.

"You've not told me you found the meter turned on when you got up next morning," replied the detective sternly.

The woman's fat face turned haggard with anxiety, and then she began to cry softly with her apron to her eyes.

"Why did you not tell us this, Ann?"

"If you please, sir, I thought that the master mightn't like it if he knew. He's very particular about having the gas turned off at night, and he might have thought I had forgotten it."

Colwyn gave her another searching look.

"Even if that were true, Ann, you have no right to keep back anything that may tend to shield the guilty, or injure the innocent."

"I didn't think it mattered, sir."

"You still say that you heard nothing after you went to bed?"

"No, sir. I fell asleep as soon as I got into bed."

"So you said before, but you did not tell us the whole truth yesterday, you know, and I do not know whether to believe you now."

"Hush, sir, there's somebody coming down the passage."

Colwyn strolled into the passage and encountered Superintendent Galloway coming towards the kitchen. He stared at the detective and exclaimed:

"Hello, you're up early."

"Yes; I found it difficult to sleep, so I came downstairs."

"I hope you've not been making love to Ann," said Galloway, who had his own sense of humour. "I'm looking for this infernal waiter, Charles. He is never about when he's wanted. Charles! Charles!"

Superintendent Galloway's shouts brought Ann hurrying from the kitchen, and she explained to him, as she had explained to Colwyn, that Charles had gone on to the marshes to look for fish.

"Send him to my room as soon as he comes in; I've other fish for him to fry," grumbled the superintendent. "A queer household this," he said to Colwyn, as they walked along the passage. "Ah, here is Charles, fish and all."

The fat waiter was hurrying in with a string of fish in his hand, and he came towards them in response to Superintendent Galloway's commanding gesture. The superintendent told him to go out and intercept Constable Queensmead before he went out with his search party, and bring him to the inn. Charles nodded an indication that he understood the instruction, and turned away to execute it.

"I want Queensmead to get a dozen of the village blockheads together for a jury," he said to Colwyn. "The coroner sent me word before we left Durrington yesterday that he'd be over this morning, but he did not say what time, and I forgot to ask him. He's the man to kick up a devil of a shindy if he came and found we were not ready for him."

Queensmead speedily appeared in response to the summons, listened quietly to Superintendent Galloway's laconic command to catch a jury and catch them quick, and went back to the village to secure twelve good men and true.

Colwyn and Galloway meanwhile breakfasted together in the bar parlour, on some of the fish which Charles had brought in. As nothing followed the fish Superintendent Galloway, who was an excellent trencherman, rang the bell and ordered the waiter to bring some eggs and bacon. The waiter hesitated a moment, and then said that he believed they were out of bacon. There were some eggs, if they would do.

"Bring me a couple, boiled, as quick as you like," said the superintendent. "This is a queer kind of inn," he grumbled to Colwyn. "They don't give you enough to eat."

"I think they're a little short themselves," replied Colwyn.

"By Jove, I believe you're right!" said the superintendent, staring hard at the edibles on the table before him. "There's not much here—a piece of butter no bigger than a walnut, a spoonful of jam, and tea as weak as water. Come to think of it, they gave us nothing but some of Glenthorpe's left over game for dinner last night. You're right, they are hard up."

Superintendent Galloway looked at Colwyn with as much animation on his heavy features as though he had lighted on some new and important discovery. Colwyn, who had finished his breakfast and was not particularly interested in the conversation, strolled out with the intention of smoking a cigar outside the front door. In the passage he encountered Ann, bearing a tray with two cups and saucers, a pot of tea and some bread and butter which she proceeded to carry upstairs. Colwyn wondered for whom the breakfast was intended. There were three people upstairs—the father, his daughter, and the poor mad woman, and the breakfast was laid for two. The appearance of the innkeeper descending the stairs, answered the question. Colwyn accosted him as he came down.

"You're a late riser, Benson."

"Yes, sir, it's a bit difficult to handle Mother in the morning: the only way to keep her quiet is for me to stay with her until Peggy is ready to go to her and give her her breakfast. Mother is quiet enough with Peggy and me, but nobody else can do anything with her, and sometimes nobody can do anything with her except my daughter. She spends a lot of time with her, sir."

The innkeeper looked more like a bird than ever as he proffered this explanation, standing at the foot of the stairs dressed as he had been the previous night, with his bright bird's eyes peering from beneath his shock of iron-grey hair at the man in front of him. Colwyn noticed that his hair had been recently wet, and plastered straight down so that it hung like a ridge over his forehead—just as it had been the previous night. Colwyn wondered why the man wore his hair like that. Did he always affect that eccentric style of hairdressing, or had he adopted it to alter his personal appearance—to disguise himself, or to conceal something?

"It's no life for a young girl," said the detective, in answer to the innkeeper's last remark.

"I know that, sir. But what am I to do? I cannot afford to keep a nurse. Peggy never complains. She's used to it. But if you'll excuse me, sir. I must go and get the room ready for the inquest."

"What room is it going to be held in?"

"Superintendent Galloway told me to put a table and some chairs into the last empty room off the passage leading into the kitchen. It's the biggest room in the house, and there are plenty of chairs in the lumber room upstairs."

"It should do excellently for the purpose, I should think," said Colwyn.

A few moments later he saw the innkeeper and the waiter carrying chairs from the lumber room downstairs into the empty room, where Ann dusted them. Then they carried in a small table from another room. Superintendent Galloway, with inky fingers and a red face, and a sheaf of foolscap papers in his hand, came bustling out of the bar parlour to superintend the arrangements. When the chairs had been placed to his liking he ordered the innkeeper to bring him a glass of ale. While he was drinking it Constable Queensmead entered the front door with a file of shambling, rough-looking villagers trailing behind him, and announced to his superior officer that the men were intended to form a jury. Superintendent Galloway seemed quite satisfied with their appearance, and remarked to Colwyn that he didn't care how soon the coroner arrived—now he had the jury and witnesses ready for him.

"How many witnesses do you propose to call?" said Colwyn.

"Five: Queensmead, Benson, the waiter, and the two men who found the footprints leading to the pit and who recovered the body and brought it here. That's enough for a committal. The coroner will no doubt bring a doctor from Heathfield to certify the cause of death. I've got all the statements ready. I took Benson's and the waiter's yesterday. The waiter's evidence is the principal thing, of course. Do you remember suggesting to me last night the possibility of this murder having been committed by one of Mr. Glenthorpe's workmen with a grudge against him? Well, it's a very strange thing, but Queensmead was telling me this morning that one of Mr. Glenthorpe's workmen had a grudge against him. He's a chap named Hyson, the local ne'er-do-well, who was almost starving when Mr. Glenthorpe came to the district. Glenthorpe was warned against employing him, but the fellow got round him with a piteous tale, and he put him on. He proved to be just as ungrateful as the average British workman, and caused the old gentleman a lot of trouble. He seems to have been a bit of a sea lawyer, and tried to disaffect the other workmen by talking to them about socialism, and the rights of labour, and that sort of rubbish. When I heard this I had the chap brought to the inn and cross-questioned him a bit, but I am certain that he had nothing to do with the murder. He's a weak, spineless sort of chap, full of argument and fond of beer—that's his character in the village—and the last man in the world to commit a murder like this. I flatter myself," added Superintendent Galloway in a tone of mingled self-complacency and pride, "that I know a murderer when I see one."

"Have you made any inquiries about umbrellas?" asked Colwyn.

"Yes. Apparently Ronald did not bring an umbrella with him, though it's cost me some trouble to establish that fact. It is astonishing how unobservant people are about such things as umbrellas, sticks, and handbags. Most people remember faces and clothes with some accuracy, but cannot recall whether a person carried an umbrella or walking-stick. Charles is not sure whether Ronald carried an umbrella, Benson thinks he did not, and Ann is sure he didn't. The balance of evidence being on the negative side, I assume that Ronald did not bring an umbrella to the inn, because it was more likely to have been noticed if he had. I next inquired about the umbrellas in the house. At first I was told there were only two—a cumbrous, Robinson Crusoe sort of affair, kept in the kitchen and used by the servant, and a smaller one, belonging to Benson's daughter. I have examined both. The covering of the girl's umbrella is complete. Ann's is rent in several places, but the covering is blue, whereas the piece of umbrella covering we found adhering to Mr. Glenthorpe's window is black. While I was questioning Ann she suddenly remembered that there was another umbrella in that lumber-room upstairs. We went upstairs to look for it, but we couldn't find it, though Ann says she saw it there a day or two before the murder. I think we may assume that Ronald took it."