Dan Scott had peculiar ideas of his duty toward the savages. He was not romantic, but he liked to do the square thing. Besides, he had been reading up on la grippe, and he had some new medicine for it, capsules from Montreal, very powerful—quinine, phenacetine, and morphine. He was as eager to try this new medicine as a boy is to fire off a new gun. He loaded the Cometique with provisions and the medicine-chest with capsules, harnessed his team, and started up the river. Thermometer thirty degrees below zero; air like crystal; snow six feet deep on the level.

The first day's journey was slow, for the going was soft, and the track, at places, had to be broken out with snow-shoes. Camp was made at the foot of the big fall—a hole in snow, a bed of boughs, a hot fire and a blanket stretched on a couple of sticks to reflect the heat, the dogs on the other side of the fire, and Pichou close to his master.

In the morning there was the steep hill beside the fall to climb, alternately soft and slippery, now a slope of glass and now a treacherous drift of yielding feathers; it was a road set on end. But Pichou flattened his back and strained his loins and dug his toes into the snow and would not give back an inch. When the rest of the team balked the long whip slashed across their backs and recalled them to their duty. At last their leader topped the ridge, and the others struggled after him. Before them stretched the great dead-water of the river, a straight white path to No-man's-land. The snow was smooth and level, and the crust was hard enough to bear. Pichou settled down to his work at a glorious pace. He seemed to know that he must do his best, and that something important depended on the quickness of his legs. On through the glittering solitude, on through the death-like silence, sped the COMETIQUE, between the interminable walls of the forest, past the mouths of nameless rivers, under the shadow of grim mountains. At noon Dan Scott boiled the kettle, and ate his bread and bacon. But there was nothing for the dogs, not even for Pichou; for discipline is discipline, and the best of sledge-dogs will not run well after he has been fed.

Then forward again, along the lifeless road, slowly over rapids, where the ice was rough and broken, swiftly over still waters, where the way was level, until they came to the foot of the last lake, and camped for the night. The Indians were but a few miles away, at the head of the lake, and it would be easy to reach them in the morning.

But there was another camp on the Ste. Marguerite that night, and it was nearer to Dan Scott than the Indians were. Ovide Boulianne had followed him up the river, close on his track, which made the going easier.

"Does that sacre bourgeois suppose that I allow him all that pelletrie to himself and the Compagnie? Four silver fox, besides otter and beaver? NON, MERCI! I take some provision, and some whiskey. I go to make trade also." Thus spoke the shrewd Ovide, proving that commerce is no less daring, no less resolute, than philanthropy. The only difference is in the motive, and that is not always visible. Ovide camped the second night at a bend of the river, a mile below the foot of the lake. Between him and Dan Scott there was a hill covered with a dense thicket of spruce.

By what magic did Carcajou know that Pichou, his old enemy, was so near him in that vast wilderness of white death? By what mysterious language did he communicate his knowledge to his companions and stir the sleeping hatred in their hearts and mature the conspiracy of revenge?

Pichou, sleeping by the fire, was awakened by the fall of a lump of snow from the branch of a shaken evergreen. That was nothing. But there were other sounds in the forest, faint, stealthy, inaudible to an ear less keen than his. He crept out of the shelter and looked into the wood. He could see shadowy forms, stealing among the trees, gliding down the hill. Five of them. Wolves, doubtless! He must guard the provisions. By this time the rest of his team were awake. Their eyes glittered. They stirred uneasily. But they did not move from the dying fire. It was no concern of theirs what their leader chose to do out of hours. In the traces they would follow him, but there was no loyalty in their hearts. Pichou stood alone by the sledge, waiting for the wolves.

But these were no wolves. They were assassins. Like a company of soldiers, they lined up together and rushed silently down the slope. Like lightning they leaped upon the solitary dog and struck him down. In an instant, before Dan Scott could throw off his blanket and seize the loaded butt of his whip, Pichou's throat and breast were torn to rags, his life-blood poured upon the snow, and his murderers were slinking away, slavering and muttering through the forest.

Dan Scott knelt beside his best friend. At a glance he saw that the injury was fatal. "Well done, Pichou!" he murmured, "you fought a good fight."

And the dog, by a brave effort, lifted the head with the black patch on it, for the last time, licked his master', hand, and then dropped back upon the snow—contented, happy, dead.

There is but one drawback to a dog's friendship. It does not last long enough.

End of the story? Well, if you care for the other people in it, you shall hear what became of them. Dan Scott went on to the head of the lake and found the Indians, and fed them and gave them his medicine, and all of them got well except two, and they continued to hunt along the Ste. Marguerite every winter and trade with the Honourable H. B. Company. Not with Dan Scott, however, for before that year was ended he resigned his post, and went to Montreal to finish his course in medicine; and now he is a respected physician in Ontario. Married; three children; useful; prosperous. But before he left Seven Islands he went up the Ste. Marguerite in the summer, by canoe, and made a grave for Pichou's bones, under a blossoming ash tree, among the ferns and wild flowers. He put a cross over it.

"Being French," said he, "I suppose he was a Catholic. But I'll swear he was a Christian."



VI. THE WHITE BLOT



I

The real location of a city house depends upon the pictures which hang upon its walls. They are its neighbourhood and its outlook. They confer upon it that touch of life and character, that power to beget love and bind friendship, which a country house receives from its surrounding landscape, the garden that embraces it, the stream that runs near it, and the shaded paths that lead to and from its door.

By this magic of pictures my narrow, upright slice of living-space in one of the brown-stone strata on the eastward slope of Manhattan Island is transferred to an open and agreeable site. It has windows that look toward the woods and the sunset, watergates by which a little boat is always waiting, and secret passageways leading into fair places that are frequented by persons of distinction and charm. No darkness of night obscures these outlets; no neighbour's house shuts off the view; no drifted snow of winter makes them impassable. They are always free, and through them I go out and in upon my adventures.

One of these picture-wanderings has always appeared to me so singular that I would like, if it were possible, to put it into words.

It was Pierrepont who first introduced me to the picture—Pierrepont the good-natured: of whom one of his friends said that he was like Mahomet's Bridge of Paradise, because he was so hard to cross: to which another added that there was also a resemblance in the fact that he led to a region of beautiful illusions which he never entered. He is one of those enthusiastic souls who are always discovering a new writer, a new painter, a new view from some old wharf by the river, a new place to obtain picturesque dinners at a grotesque price. He swung out of his office, with his long-legged, easy stride, and nearly ran me down, as I was plodding up-town through the languor of a late spring afternoon, on one of those duty-walks which conscience offers as a sacrifice to digestion.

"Why, what is the matter with you?" he cried as he linked his arm through mine, "you look outdone, tired all the way through to your backbone. Have you been reading the 'Anatomy of Melancholy,' or something by one of the new British female novelists? You will have la grippe in your mind if you don't look out. But I know what you need. Come with me, and I will do you good."

So saying, he drew me out of clanging Broadway into one of the side streets that run toward the placid region of Washington Square. "No, no," I answered, feeling, even in the act of resistance, the pleasure of his cheerful guidance, "you are altogether wrong. I don't need a dinner at your new-found Bulgarian table-d'hote—seven courses for seventy-five cents, and the wine thrown out; nor some of those wonderful Mexican cheroots warranted to eradicate the tobacco-habit; nor a draught of your South American melon sherbet that cures all pains, except these which it causes. None of these things will help me. The doctor suggests that they do not suit my temperament. Let us go home together and have a shower-bath and a dinner of herbs, with just a reminiscence of the stalled ox—and a bout at backgammon to wind up the evening. That will be the most comfortable prescription."

"But you mistake me," said he; "I am not thinking of any creature comforts for you. I am prescribing for your mind. There is a picture that I want you to see; not a coloured photograph, nor an exercise in anatomical drawing; but a real picture that will rest the eyes of your heart. Come away with me to Morgenstern's gallery, and be healed."

As we turned into the lower end of Fifth Avenue, it seemed as if I were being gently floated along between the modest apartment-houses and old-fashioned dwellings, and prim, respectable churches, on the smooth current of Pierrepont's talk about his new-found picture. How often a man has cause to return thanks for the enthusiasms of his friends! They are the little fountains that run down from the hills to refresh the mental desert of the despondent.

"You remember Falconer," continued Pierrepont, "Temple Falconer, that modest, quiet, proud fellow who came out of the South a couple of years ago and carried off the landscape prize at the Academy last year, and then disappeared? He had no intimate friends here, and no one knew what had become of him. But now this picture appears, to show what he has been doing. It is an evening scene, a revelation of the beauty of sadness, an idea expressed in colours—or rather, a real impression of Nature that awakens an ideal feeling in the heart. It does not define everything and say nothing, like so many paintings. It tells no story, but I know it fits into one. There is not a figure in it, and yet it is alive with sentiment; it suggests thoughts which cannot be put into words. Don't you love the pictures that have that power of suggestion—quiet and strong, like Homer Martin's 'Light-house' up at the Century, with its sheltered bay heaving softly under the pallid greenish sky of evening, and the calm, steadfast glow of the lantern brightening into readiness for all the perils of night and coming storm? How much more powerful that is than all the conventional pictures of light-houses on inaccessible cliffs, with white foam streaming from them like the ends of a schoolboy's comforter in a gale of wind! I tell you the real painters are the fellows who love pure nature because it is so human. They don't need to exaggerate, and they don't dare to be affected. They are not afraid of the reality, and they are not ashamed of the sentiment. They don't paint everything that they see, but they see everything that they paint. And this picture makes me sure that Falconer is one of them."

By this time we had arrived at the door of the house where Morgenstern lives and moves and makes his profits, and were admitted to the shrine of the Commercial Apollo and the Muses in Trade.

It has often seemed to me as if that little house were a silent epitome of modern art criticism, an automatic indicator, or perhaps regulator, of the aesthetic taste of New York. On the first floor, surrounded by all the newest fashions in antiquities and BRIC-A-BRAC, you will see the art of to-day—the works of painters who are precisely in the focus of advertisement, and whose names call out an instant round of applause in the auction-room. On the floors above, in degrees of obscurity deepening toward the attic, you will find the art of yesterday—the pictures which have passed out of the glare of popularity without yet arriving at the mellow radiance of old masters. In the basement, concealed in huge packing-cases, and marked "PARIS—FRAGILE,"—you will find the art of to-morrow; the paintings of the men in regard to whose names, styles, and personal traits, the foreign correspondents and prophetic critics in the newspapers, are now diffusing in the public mind that twilight of familiarity and ignorance which precedes the sunrise of marketable fame.

The affable and sagacious Morgenstern was already well acquainted with the waywardness of Pierrepont's admiration, and with my own persistent disregard of current quotations in the valuation of works of art. He regarded us, I suppose, very much as Robin Hood would have looked upon a pair of plain yeomen who had strayed into his lair. The knights of capital, and coal barons, and rich merchants were his natural prey, but toward this poor but honest couple it would be worthy only of a Gentile robber to show anything but courteous and fair dealing.

He expressed no surprise when he heard what we wanted to see, but smiled tolerantly and led the way, not into the well-defined realm of the past, the present, or the future, but into a region of uncertain fortunes, a limbo of acknowledged but unrewarded merits, a large back room devoted to the works of American painters. Here we found Falconer's picture; and the dealer, with that instinctive tact which is the best part of his business capital, left us alone to look at it.

It showed the mouth of a little river: a secluded lagoon, where the shallow tides rose and fell with vague lassitude, following the impulse of prevailing winds more than the strong attraction of the moon. But now the unsailed harbour was quite still, in the pause of the evening; and the smooth undulations were caressed by a hundred opalescent hues, growing deeper toward the west, where the river came in. Converging lines of trees stood dark against the sky; a cleft in the woods marked the course of the stream, above which the reluctant splendours of an autumnal day were dying in ashes of roses, while three tiny clouds, poised high in air, burned red with the last glimpse of the departed sun.

On the right was a reedy point running out into the bay, and behind it, on a slight rise of ground, an antique house with tall white pillars. It was but dimly outlined in the gathering shadows; yet one could imagine its stately, formal aspect, its precise garden with beds of old-fashioned flowers and straight paths bordered with box, and a little arbour overgrown with honeysuckle. I know not by what subtlety of delicate and indescribable touches—a slight inclination in one of the pillars, a broken line which might indicate an unhinged gate, a drooping resignation in the foliage of the yellowing trees, a tone of sadness in the blending of subdued colours—the painter had suggested that the place was deserted. But the truth was unmistakable. An air of loneliness and pensive sorrow breathed from the picture; a sigh of longing and regret. It was haunted by sad, sweet memories of some untold story of human life.

In the corner Falconer had put his signature, T. F., "LARMONE," 189-, and on the border of the picture he had faintly traced some words, which we made out at last—

"A spirit haunts the year's last hours."

Pierrepont took up the quotation and completed it—

"A spirit haunts the year's last hours, Dwelling amid these yellowing bowers: To himself he talks; For at eventide, listening earnestly, At his work you may hear him sob and sigh, In the walks; Earthward he boweth the heavy stalks Of the mouldering flowers: Heavily hangs the broad sunflower Over its grave i' the earth so chilly; Heavily hangs the hollyhock, Heavily hangs the tiger-lily."

"That is very pretty poetry, gentlemen," said Morgenstern, who had come in behind us, "but is it not a little vague? You like it, but you cannot tell exactly what it means. I find the same fault in the picture from my point of view. There is nothing in it to make a paragraph about, no anecdote, no experiment in technique. It is impossible to persuade the public to admire a picture unless you can tell them precisely the points on which they must fix their admiration. And that is why, although the painting is a good one, I should be willing to sell it at a low price."

He named a sum of money in three figures, so small that Pierrepont, who often buys pictures by proxy, could not conceal his surprise.

"Certainly I should consider that a good bargain, simply for investment," said he. "Falconer's name alone ought to be worth more than that, ten years from now. He is a rising man."

"No, Mr. Pierrepont," replied the dealer, "the picture is worth what I ask for it, for I would not commit the impertinence of offering a present to you or your friend; but it is worth no more. Falconer's name will not increase in value. The catalogue of his works is too short for fame to take much notice of it; and this is the last. Did you not hear of his death last fall? I do not wonder, for it happened at some place down on Long Island—a name that I never saw before, and have forgotten now. There was not even an obituary in the newspapers."

"And besides," he continued, after a pause, "I must not conceal from you that the painting has a blemish. It is not always visible, since you have failed to detect it; but it is more noticeable in some lights than in others; and, do what I will, I cannot remove it. This alone would prevent the painting from being a good investment. Its market value will never rise."

He turned the canvas sideways to the light, and the defect became apparent.

It was a dim, oblong, white blot in the middle distance; a nebulous blur in the painting, as if there had been some chemical impurity in the pigment causing it to fade, or rather as if a long drop of some acid, or perhaps a splash of salt water, had fallen upon the canvas while it was wet, and bleached it. I knew little of the possible causes of such a blot, but enough to see that it could not be erased without painting over it, perhaps not even then. And yet it seemed rather to enhance than to weaken the attraction which the picture had for me.

"Your candour does you credit, Mr. Morgenstern," said I, "but you know me well enough to be sure that what you have said will hardly discourage me. For I have never been an admirer of 'cabinet finish' in works of art. Nor have I been in the habit of buying them, as a Circassian father trains his daughters, with an eye to the market. They come into my house for my own pleasure, and when the time arrives that I can see them no longer, it will not matter much to me what price they bring in the auction-room. This landscape pleases me so thoroughly that, if you will let us take it with us this evening, I will send you a check for the amount in the morning."

So we carried off the painting in a cab; and all the way home I was in the pleasant excitement of a man who is about to make an addition to his house; while Pierrepont was conscious of the glow of virtue which comes of having done a favour to a friend and justified your own critical judgment at one stroke.

After dinner we hung the painting over the chimney-piece in the room called the study (because it was consecrated to idleness), and sat there far into the night, talking of the few times we had met Falconer at the club, and of his reticent manner, which was broken by curious flashes of impersonal confidence when he spoke not of himself but of his art. From this we drifted into memories of good comrades who had walked beside us but a few days in the path of life, and then disappeared, yet left us feeling as if we cared more for them than for the men whom we see every day; and of young geniuses who had never reached the goal; and of many other glimpses of "the light that failed," until the lamp was low and it was time to say good-night.



II

For several months I continued to advance in intimacy with my picture. It grew more familiar, more suggestive; the truth and beauty of it came home to me constantly. Yet there was something in it not quite apprehended; a sense of strangeness; a reserve which I had not yet penetrated.

One night in August I found myself practically alone, so far as human intercourse was concerned, in the populous, weary city. A couple of hours of writing had produced nothing that would bear the test of sunlight, so I anticipated judgment by tearing up the spoiled sheets of paper, and threw myself upon the couch before the empty fireplace. It was a dense, sultry night, with electricity thickening the air, and a trouble of distant thunder rolling far away on the rim of the cloudy sky—one of those nights of restless dulness, when you wait and long for something to happen, and yet feel despondently that nothing ever will happen again. I passed through a region of aimless thoughts into one of migratory and unfinished dreams, and dropped from that into an empty gulf of sleep.

How late it was when I drifted back toward the shore of consciousness, I cannot tell. But the student-lamp on the table had burned out, and the light of the gibbous moon was creeping in through the open windows. Slowly the pale illumination crept up the eastern wall, like a tide rising as the moon declined. Now it reached the mantel-shelf and overflowed the bronze heads of Homer and the Indian Bacchus and the Egyptian image of Isis with the infant Horus. Now it touched the frame of the picture and lapped over the edge. Now it rose to the shadowy house and the dim garden, in the midst of which I saw the white blot more distinctly than ever before.

It seemed now to have taken a new shape, like the slender form of a woman, robed in flowing white. And as I watched it through half-closed eyes, the figure appeared to move and tremble and wave to and fro, as if it were a ghost.

A haunted picture! Why should it not be so? A haunted ruin, a haunted forest, a haunted ship,—all these have been seen, or imagined, and reported, and there are learned societies for investigating such things. Why should not a picture have a ghost in it?

My mind, in that curiously vivid state which lies between waking and sleeping, went through the form of careful reasoning over the question. If there may be some subtle connection between a house and the spirits of the people who have once lived in it,—and wise men have believed this,—why should there be any impassable gulf between a picture and the vanished lives out of which it has grown? All the human thought and feeling which have passed into it through the patient toil of art, remain forever embodied there. A picture is the most living and personal thing that a man can leave behind him. When we look at it we see what he saw, hour after hour, day after day, and we see it through his mood and impression, coloured by his emotion, tinged with his personality. Surely, if the spirits of the dead are not extinguished, but only veiled and hidden, and if it were possible by any means that their presence could flash for a moment through the veil, it would be most natural that they should come back again to hover around the work into which their experience and passion had been woven. Here, if anywhere, they would "Revisit the pale glimpses of the moon." Here, if anywhere, we might catch fleeting sight, as in a glass darkly, of the visions that passed before them while they worked.

This much of my train of reasoning along the edge of the dark, I remember sharply. But after this, all was confused and misty. The shore of consciousness receded. I floated out again on the ocean of forgotten dreams. When I woke, it was with a quick start, as if my ship had been made fast, silently and suddenly, at the wharf of reality, and the bell rang for me to step ashore.

But the vision of the white blot remained clear and distinct. And the question that it had brought to me, the chain of thoughts that had linked themselves to it, lingered through the morning, and made me feel sure that there was an untold secret in Falconer's life and that the clew to it must be sought in the history of his last picture.

But how to trace the connection? Every one who had known Falconer, however slightly, was out of town. There was no clew to follow. Even the name "Larmone" gave me no help; for I could not find it on any map of Long Island. It was probably the fanciful title of some old country-place, familiar only to the people who had lived there.

But the very remoteness of the problem, its lack of contact with the practical world, fascinated me. It was like something that had drifted away in the fog, on a sea of unknown and fluctuating currents. The only possible way to find it was to commit yourself to the same wandering tides and drift after it, trusting to a propitious fortune that you might be carried in the same direction; and after a long, blind, unhurrying chase, one day you might feel a faint touch, a jar, a thrill along the side of your boat, and, peering through the fog, lay your hand at last, without surprise, upon the very object of your quest.



III

As it happened, the means for such a quest were at my disposal. I was part owner of a boat which had been built for hunting and fishing cruises on the shallow waters of the Great South Bay. It was a deliberate, but not inconvenient, craft, well named the Patience; and my turn for using it had come. Black Zekiel, the captain, crew, and cook, was the very man that I would have chosen for such an expedition. He combined the indolent good-humour of the negro with the taciturnity of the Indian, and knew every shoal and channel of the tortuous waters. He asked nothing better than to set out on a voyage without a port; sailing aimlessly eastward day after day, through the long chain of landlocked bays, with the sea plunging behind the sand-dunes on our right, and the shores of Long Island sleeping on our left; anchoring every evening in some little cove or estuary, where Zekiel could sit on the cabin roof, smoking his corn-cob pipe, and meditating on the vanity and comfort of life, while I pushed off through the mellow dusk to explore every creek and bend of the shore, in my light canoe.

There was nothing to hasten our voyage. The three weeks' vacation was all but gone, when the Patience groped her way through a narrow, crooked channel in a wide salt-meadow, and entered the last of the series of bays. A few houses straggled down a point of land; the village of Quantock lay a little farther back. Beyond that was a belt of woods reaching to the water; and from these the south-country road emerged to cross the upper end of the bay on a low causeway with a narrow bridge of planks at the central point. Here was our Ultima Thule. Not even the Patience could thread the eye of this needle, or float through the shallow marsh-canal farther to the east.

We anchored just in front of the bridge, and as I pushed the canoe beneath it, after supper, I felt the indefinable sensation of having passed that way before. I knew beforehand what the little boat would drift into. The broad saffron light of evening fading over a still lagoon; two converging lines of pine trees running back into the sunset; a grassy point upon the right; and behind that a neglected garden, a tangled bower of honeysuckle, a straight path bordered with box, leading to a deserted house with a high, white-pillared porch—yes, it was Larmone.

In the morning I went up to the village to see if I could find trace of my artist's visit to the place. There was no difficulty in the search, for he had been there often. The people had plenty of recollections of him, but no real memory, for it seemed as if none of them had really known him.

"Queer kinder fellow," said a wrinkled old bayman with whom I walked up the sandy road, "I seen him a good deal round here, but 'twan't like havin' any 'quaintance with him. He allus kep' himself to himself, pooty much. Used ter stay round 'Squire Ladoo's place most o' the time—keepin' comp'ny with the gal I guess. Larmone? Yaas, that's what THEY called it, but we don't go much on fancy names down here. No, the painter didn' 'zactly live there, but it 'mounted to the same thing. Las' summer they was all away, house shet up, painter hangin' round all the time, 's if he looked fur 'em to come back any minnit. Purfessed to be paintin', but I don' see's he did much. Lived up to Mort Halsey's; died there too; year ago this fall. Guess Mis' Halsey can tell ye most of any one 'bout him."

At the boarding-house (with wide, low verandas, now forsaken by the summer boarders), which did duty for a village inn, I found Mrs. Halsey; a notable housewife, with a strong taste for ancestry, and an uncultivated world of romance still brightening her soft brown eyes. She knew all the threads in the story that I was following; and the interest with which she spoke made it evident that she had often woven them together in the winter evenings on patterns of her own.

Judge Ledoux had come to Quantock from the South during the war, and built a house there like the one he used to live in. There were three things he hated: slavery and war and society. But he always loved the South more than the North, and lived like a foreigner, polite enough, but very retired. His wife died after a few years, and left him alone with a little girl. Claire grew up as pretty as a picture, but very shy and delicate. About two years ago Mr. Falconer had come down from the city; he stayed at Larmone first, and then he came to the boarding-house, but he was over at the Ledoux' house almost all the time. He was a Southerner too, and a relative of the family; a real gentleman, and very proud though he was poor. It seemed strange that he should not live with them, but perhaps he felt more free over here. Every one thought he must be engaged to Claire, but he was not the kind of a man that you could ask questions about himself. A year ago last winter he had gone up to the city and taken all his things with him. He had never stayed away so long before. In the spring the Ledoux had gone to Europe; Claire seemed to be falling into a decline; her sight seemed to be failing, and her father said she must see a famous doctor and have a change of air.

"Mr. Falconer came back in May," continued the good lady, "as if he expected to find them. But the house was shut up and nobody knew just where they were. He seemed to be all taken aback; it was queer if he didn't know about it, intimate as he had been; but he never said anything, and made no inquiries; just seemed to be waiting, as if there was nothing else for him to do. We would have told him in a minute, if we had anything to tell. But all we could do was to guess there must have been some kind of a quarrel between him and the Judge, and if there was, he must know best about it himself.

"All summer long he kept going over to the house and wandering around in the garden. In the fall he began to paint a picture, but it was very slow painting; he would go over in the afternoon and come back long after dark, damp with the dew and fog. He kept growing paler and weaker and more silent. Some days he did not speak more than a dozen words, but always kind and pleasant. He was just dwindling away; and when the picture was almost done a fever took hold of him. The doctor said it was malaria, but it seemed to me more like a trouble in the throat, a kind of dumb misery. And one night, in the third quarter of the moon, just after the tide turned to run out, he raised up in the bed and tried to speak, but he was gone.

"We tried to find out his relations, but there didn't seem to be any, except the Ledoux, and they were out of reach. So we sent the picture up to our cousin in Brooklyn, and it sold for about enough to pay Mr. Falconer's summer's board and the cost of his funeral. There was nothing else that he left of any value, except a few books; perhaps you would like to look at them, if you were his friend?

"I never saw any one that I seemed to know so little and like so well. It was a disappointment in love, of course, and they all said that he died of a broken heart; but I think it was because his heart was too full, and wouldn't break.

"And oh!—I forgot to tell you; a week after he was gone there was a notice in the paper that Claire Ledoux had died suddenly, on the last of August, at some place in Switzerland. Her father is still away travelling. And so the whole story is broken off and will never be finished. Will you look at the books?"

Nothing is more pathetic, to my mind, than to take up the books of one who is dead. Here is his name, with perhaps a note of the place where the volume was bought or read, and the marks on the pages that he liked best. Here are the passages that gave him pleasure, and the thoughts that entered into his life and formed it; they became part of him, but where has he carried them now?

Falconer's little library was an unstudied choice, and gave a hint of his character. There was a New Testament in French, with his name written in a slender, woman's hand; three or four volumes of stories, Cable's "Old Creole Days," Allen's "Kentucky Cardinal," Page's "In Old Virginia," and the like; "Henry Esmond" and Amiel's "Journal" and Lamartine's "Raphael"; and a few volumes of poetry, among them one of Sidney Lanier's, and one of Tennyson's earlier poems.

There was also a little morocco-bound book of manuscript notes. This I begged permission to carry away with me, hoping to find in it something which would throw light upon my picture, perhaps even some message to be carried, some hint or suggestion of something which the writer would fain have had done for him, and which I promised myself faithfully to perform, as a test of an imagined friendship—imagined not in the future, but in the impossible past.

I read the book in this spirit, searching its pages carefully, through the long afternoon, in the solitary cabin of my boat. There was nothing at first but an ordinary diary; a record of the work and self-denials of a poor student of art. Then came the date of his first visit to Larmone, and an expression of the pleasure of being with his own people again after a lonely life, and some chronicle of his occupations there, studies for pictures, and idle days that were summed up in a phrase: "On the bay," or "In the woods."

After this the regular succession of dates was broken, and there followed a few scraps of verse, irregular and unfinished, bound together by the thread of a name—"Claire among her Roses," "A Ride through the Pines with Claire," "An Old Song of Claire's" "The Blue Flower in Claire's Eyes." It was not poetry, but such an unconscious tribute to the power and beauty of poetry as unfolds itself almost inevitably from youthful love, as naturally as the blossoms unfold from the apple trees in May. If you pick them they are worthless. They charm only in their own time and place.

A date told of his change from Larmone to the village, and this was written below it: "Too heavy a sense of obligation destroys freedom, and only a free man can dare to love."

Then came a number of fragments indicating trouble of mind and hesitation; the sensitiveness of the artist, the delicate, self-tormenting scruples of the lonely idealist, the morbid pride of the young poor man, contending with an impetuous passion and forcing it to surrender, or at least to compromise.

"What right has a man to demand everything and offer nothing in return except an ambition and a hope? Love must come as a giver, not as a beggar."

"A knight should not ask to wear his lady's colours until he has won his spurs."

"King Cophetua and the beggar-maid—very fine! but the other way—humiliating!"

"A woman may take everything from a man, wealth and fame and position. But there is only one thing that a man may accept from a woman—something that she alone can give—happiness."

"Self-respect is less than love, but it is the trellis that holds love up from the ground; break it down, and all the flowers are in the dust, the fruit is spoiled."

"And yet"—so the man's thought shone through everywhere—"I think she must know that I love her, and why I cannot speak."

One entry was written in a clearer, stronger hand: "An end of hesitation. The longest way is the shortest. I am going to the city to work for the Academy prize, to think of nothing else until I win it, and then come back with it to Claire, to tell her that I have a future, and that it is hers. If I spoke of it now it would be like claiming the reward before I had done the work. I have told her only that I am going to prove myself an artist, AND TO LIVE FOR WHAT I LOVE BEST. She understood, I am sure, for she would not lift her eyes to me, but her hand trembled as she gave me the blue flower from her belt."

The date of his return to Larmone was marked, but the page was blank, as the day had been.

Some pages of dull self-reproach and questioning and bewildered regret followed.

"Is it possible that she has gone away, without a word, without a sign, after what has passed between us? It is not fair. Surely I had some claim."

"But what claim, after all? I asked for nothing. And was it not pride that kept me silent, taking it for granted that if I asked, she would give?"

"It was a mistake; she did not understand, nor care."

"It was my fault; I might at least have told her that I loved her, though she could not have answered me."

"It is too late now. To-night, while I was finishing the picture, I saw her in the garden. Her spirit, all in white, with a blue flower in her belt. I knew she was dead across the sea. I tried to call to her, but my voice made no sound. She seemed not to see me. She moved like one in a dream, straight on, and vanished. Is there no one who can tell her? Must she never know that I loved her?"

The last thing in the book was a printed scrap of paper that lay between the leaves:

IRREVOCABLE

"Would the gods might give Another field for human strife; Man must live one life Ere he learns to live. Ah, friend, in thy deep grave, What now can change; what now can save?"

So there was a message after all, but it could never be carried; a task for a friend, but it was impossible. What better thing could I do with the poor little book than bury it in the garden in the shadow of Larmone? The story of a silent fault, hidden in silence. How many of life's deepest tragedies are only that: no great transgression, no shock of conflict, no sudden catastrophe with its answering thrill of courage and resistance: only a mistake made in the darkness, and under the guidance of what seemed a true and noble motive; a failure to see the right path at the right moment, and a long wandering beyond it; a word left unspoken until the ears that should have heard it are sealed, and the tongue that should have spoken it is dumb.

The soft sea-fog clothed the night with clinging darkness; the faded leaves hung slack and motionless from the trees, waiting for their fall; the tense notes of the surf beyond the sand-dunes vibrated through the damp air like chords from some mighty VIOLONO; large, warm drops wept from the arbour while I sat in the garden, holding the poor little book, and thinking of the white blot in the record of a life that was too proud to bend to the happiness that was meant for it.

There are men like that: not many perhaps, but a few; and they are the ones who suffer most keenly in this world of half-understanding and clouded knowledge. There is a pride, honourable and sensitive, that imperils the realization of love, puts it under a spell of silence and reserve, makes it sterile of blossoms and impotent of fruits. For what is it, after all, but a subtle, spiritual worship of self? And what was Falconer's resolve not to tell this girl that he loved her until he had won fame and position, but a secret, unconscious setting of himself above her? For surely, if love is supreme, it does not need to wait for anything else to lend it worth and dignity. The very sweetness and power of it lie in the confession of one life as dependent upon another for its fulfilment. It is made strong in its very weakness. It is the only thing, after all, that can break the prison bars and set the heart free from itself. The pride that hinders it, enslaves it. Love's first duty is to be true to itself, in word and deed. Then, having spoken truth and acted verity, it may call on honour to keep it pure and steadfast.

If Falconer had trusted Claire, and showed her his heart without reserve, would she not have understood him and helped him? It was the pride of independence, the passion of self-reliance that drew him away from her and divided his heart from hers in a dumb isolation. But Claire,—was not she also in fault? Might she not have known, should not she have taken for granted, the truth which must have been so easy to read in Falconer's face, though he never put it into words? And yet with her there was something very different from the pride that kept him silent. The virgin reserve of a young girl's heart is more sacred than any pride of self. It is the maiden instinct which makes the woman always the shrine, and never the pilgrim. She is not the seeker, but the one sought. She dares not take anything for granted. She has the right to wait for the voice, the word, the avowal. Then, and not till then, if the pilgrim be the chosen one, the shrine may open to receive him.

Not all women believe this; but those who do are the ones best worth seeking and winning. And Claire was one of them. It seemed to me, as I mused, half dreaming, on the unfinished story of these two lives that had missed each other in the darkness, that I could see her figure moving through the garden, beyond where the pallid bloom of the tall cosmos-flower bent to the fitful breeze. Her robe was like the waving of the mist. Her face was fair, and very fair, for all its sadness: a blue flower, faint as a shadow on the snow, trembled at her waist, as she paced to and fro along the path.

I murmured to myself, "Yet he loved her: and she loved him. Can pride be stronger than love?"

Perhaps, after all, the lingering and belated confession which Falconer had written in his diary might in some way come to her. Perhaps if it were left here in the bower of honeysuckles where they had so often sat together, it might be a sign and omen of the meeting of these two souls that had lost each other in the dark of the world. Perhaps,—ah, who can tell that it is not so?—for those who truly love, with all their errors, with all their faults, there is no "irrevocable"—there is "another field."

As I turned from the garden, the tense note of the surf vibrated through the night. The pattering drops of dew rustled as they fell from the leaves of the honeysuckle. But underneath these sounds it seemed as if I heard a deep voice saying "Claire!" and a woman's lips whispering "Temple!"



VII. A YEAR OF NOBILITY



I

ENTER THE MARQUIS

The Marquis sat by the camp-fire peeling potatoes.

To look at him, you never would have taken him for a marquis. His costume was a pair of corduroy trousers; a blue flannel shirt, patched at elbows with gray; lumberman's boots, flat-footed, shapeless, with loose leather legs strapped just below the knee, and wrinkled like the hide of an ancient rhinoceros; and a soft brown hat with several holes in the crown, as if it had done duty, at some time in its history, as an impromptu target in a shooting-match. A red woollen scarf twisted about his loins gave a touch of colour and picturesqueness.

It was not exactly a court dress, but it sat well on the powerful sinewy figure of the man. He never gave a thought to his looks, but peeled his potatoes with a dexterity which betrayed a past-master of the humble art, and threw the skins into the fire.

"Look you, m'sieu'," he said to young Winthrop Alden, who sat on a fallen tree near him, mending the fly-rod which he had broken in the morning's fishing, "look you, it is an affair of the most strange, yet of the most certain. We have known always that ours was a good family. The name tells it. The Lamottes are of la haute classe in France. But here, in Canada, we are poor. Yet the good blood dies not with the poverty. It is buried, hidden, but it remains the same. It is like these pataques. You plant good ones for seed: you get a good crop. You plant bad ones: you get a bad crop. But we did not know about the title in our family. No. We thought ours was a side-branch, an off-shoot. It was a great surprise to us. But it is certain,—beyond a doubt."

Jean Lamotte's deep voice was quiet and steady. It had the tone of assured conviction. His bright blue eyes above his ruddy mustache and bronzed cheeks, were clear and tranquil as those of a child.

Alden was immensely interested and amused. He was a member of the Boston branch of the Society for Ancestral Culture, and he recognized the favourite tenet of his sect,—the doctrine that "blood will tell." He was also a Harvard man, knowing almost everything and believing hardly anything. Heredity was one of the few unquestioned articles of his creed. But the form in which this familiar confession of faith came to him, on the banks of the Grande Decharge, from the lips of a somewhat ragged and distinctly illiterate Canadian guide, was grotesque enough to satisfy the most modern taste for new sensations. He listened with an air of gravity, and a delighted sense of the humour of the situation.

"How did you find it out?" he asked.

"Well, then," continued Jean, "I will tell you how the news came to me. It was at St. Gedeon, one Sunday last March. The snow was good and hard, and I drove in, ten miles on the lake, from our house opposite Grosse Ile. After mass, a man, evidently of the city, comes to me in the stable while I feed the horse, and salutes me.

"'Is this Jean Lamotte?'

"'At your service, m'sieu'.'

"'Son of Francois Louis Lamotte?'

"'Of no other. But he is dead, God give him repose.'

"'I been looking for you all through Charlevoix and Chicoutimi.'

"'Here you find me then, and good-day to you,' says I, a little short, for I was beginning to be shy of him.

"'Chut, chut,' says he, very friendly. 'I suppose you have time to talk a bit. How would you like to be a marquis and have a castle in France with a hundred thousand dollars?'

"For a moment I think I will lick him; then I laugh. 'Very well indeed,' says I, 'and also a handful of stars for buckshot, and the new moon for a canoe.'

"'But no,' answers the man. 'I am earnest, Monsieur Lamotte. I want to talk a long talk with you. Do you permit that I accompany you to your residence?'

"Residence! You know that little farm-house of logs where my mother lives,—you saw it last summer. But of course it is a pretty good house. It is clean. It is warm. So I bring the man home in the sleigh. All that evening he tells the story. How our name Lamotte is really De la Motte de la Luciere. How there belongs to that name an estate and a title in France, now thirty years with no one to claim it. How he, being an AVOCAT, has remarked the likeness of the names. How he has tracked the family through Montmorency and Quebec, in all the parish books. How he finds my great-grandfather's great-grandfather, Etienne de La Motte who came to Canada two hundred years ago, a younger son of the Marquis de la Luciere. How he has the papers, many of them, with red seals on them. I saw them. 'Of course,' says he, 'there are others of the family here to share the property. It must be divided. But it is large—enormous—millions of francs. And the largest share is yours, and the title, and a castle—a castle larger than Price's saw-mill at Chicoutimi; with carpets, and electric lights, and coloured pictures on the wall, like the hotel at Roberval.'

"When my mother heard about that she was pleased. But me—when I heard that I was a marquis, I knew it was true."

Jean's blue eyes were wide open now, and sparkling brightly. He had put down the pan of potatoes. He was holding his head up and talking eagerly.

Alden turned away his face to light his pipe, and hide a smile. "Did he get—any money—out of you?"—came slowly between the puffs of smoke.

"Money!" answered Jean, "of course there must be money to carry on an affair of this kind. There was seventy dollars that I had cleaned up on the lumber-job last winter, and the mother had forty dollars from the cow she sold in the fall. A hundred and ten dollars,—we gave him that. He has gone to France to make the claim for us. Next spring he comes back, and I give him a hundred dollars more; when I get my property five thousand dollars more. It is little enough. A marquis must not be mean."

Alden swore softly in English, under his breath. A rustic comedy, a joke on human nature, always pleased him; but beneath his cynical varnish he had a very honest heart, and he hated cruelty and injustice. He knew what a little money meant in the backwoods; what hard and bitter toil it cost to rake it together; what sacrifices and privations must follow its loss. If the smooth prospector of unclaimed estates in France had arrived at the camp on the Grande Decharge at that moment, Alden would have introduced him to the most unhappy hour of his life.

But with Jean Lamotte it was by no means so easy to deal. Alden perceived at once that ridicule would be worse than useless. The man was far too much in earnest. A jest about a marquis with holes in his hat! Yes, Jean would laugh at that very merrily; for he was a true VOYAGEUR. But a jest about the reality of the marquis! That struck him as almost profane. It was a fixed idea with him. Argument could not shake it. He had seen the papers. He knew it was true. All the strength of his vigorous and healthy manhood seemed to have gone into it suddenly, as if this was the news for which he had been waiting, unconsciously, since he was born.

It was not in the least morbid, visionary, abstract. It was concrete, actual, and so far as Alden could see, wholesome. It did not make Jean despise his present life. On the contrary, it appeared to lend a zest to it, as an interesting episode in the career of a nobleman. He was not restless; he was not discontented. His whole nature was at once elated and calmed. He was not at all feverish to get away from his familiar existence, from the woods and the waters he knew so well, from the large liberty of the unpeopled forest, the joyous rush of the great river, the splendid breadth of the open sky. Unconsciously these things had gone into his blood. Dimly he felt the premonitions of homesickness for them all. But he was lifted up to remember that the blood into which these things had entered was blue blood, and that though he lived in the wilderness he really belonged to la haute classe. A breath of romance, a spirit of chivalry from the days when the high-spirited courtiers of Louis XIV sought their fortune in the New World, seemed to pass into him. He spoke of it all with a kind of proud simplicity.

"It appears curious to m'sieu', no doubt, but it has been so in Canada from the beginning. There were many nobles here in the old time. Frontenac,—he was a duke or a prince. Denonville,—he was a grand seigneur. La Salle, Vaudreuil,—these are all noble, counts or barons. I know not the difference, but the cure has told me the names. And the old Jacques Cartier, the father of all, when he went home to France, I have heard that the King made him a lord and gave him a castle. Why not? He was a capable man, a brave man; he could sail a big ship, he could run the rapids of the great river in his canoe. He could hunt the bear, the lynx, the carcajou. I suppose all these men,—marquises and counts and barons,—I suppose they all lived hard, and slept on the ground, and used the axe and the paddle when they came to the woods. It is not the fine coat that makes the noble. It is the good blood, the adventure, the brave heart."

"Magnificent!" thought Alden. "It is the real thing, a bit of the seventeenth century lost in the forest for two hundred years. It is like finding an old rapier beside an Indian trail. I suppose the fellow may be the descendant of some gay young lieutenant of the regiment Carignan-Salieres, who came out with De Tracy, or Courcelles. An amour with the daughter of a habitant,—a name taken at random,—who can unravel the skein? But here's the old thread of chivalry running through all the tangles, tarnished but unbroken."

This was what he said to himself. What he said to Jean was, "Well, Jean, you and I have been together in the woods for two summers now, and marquis or no marquis, I hope this is not going to make any difference between us."

"But certainly NOT!" answered Jean. "I am well content with m'sieu', as I hope m'sieu' is content with me. While I am AU BOIS, I ask no better than to be your guide. Besides, I must earn those other hundred dollars, for the payment in the spring."

Alden tried to make him promise to give nothing more to the lawyer until he had something sure to show for his money. But Jean was politely non-committal on that point. It was evident that he felt the impossibility of meanness in a marquis. Why should he be sparing or cautious? That was for the merchant, not for the noble. A hundred, two hundred, three hundred dollars: What was that to an estate and a title? Nothing risk, nothing gain! He must live up to his role. Meantime he was ready to prove that he was the best guide on the Grande Decharge.

And so he was. There was not a man in all the Lake St. John country who knew the woods and waters as well as he did. Far up the great rivers Peribonca and Misstassini he had pushed his birch canoe, exploring the network of lakes and streams along the desolate Height of Land. He knew the Grand Brule, where the bears roam in September on the fire-scarred hills among the wide, unharvested fields of blueberries. He knew the hidden ponds and slow-creeping little rivers where the beavers build their dams, and raise their silent water-cities, like Venice lost in the woods. He knew the vast barrens, covered with stiff silvery moss, where the caribou fed in the winter. On the Decharge itself,—that tumultuous flood, never failing, never freezing, by which the great lake pours all its gathered waters in foam and fury down to the deep, still gorge of the Saguenay,—there Jean was at home. There was not a curl or eddy in the wild course of the river that he did not understand. The quiet little channels by which one could drop down behind the islands while the main stream made an impassable fall; the precise height of the water at which it was safe to run the Rapide Gervais; the point of rock on the brink of the Grande Chute where the canoe must whirl swiftly in to the shore if you did not wish to go over the cataract; the exact force of the tourniquet that sucked downward at one edge of the rapid, and of the bouillon that boiled upward at the other edge, as if the bottom of the river were heaving, and the narrow line of the FILET D'EAU along which the birch-bark might shoot in safety; the treachery of the smooth, oily curves where the brown water swept past the edge of the cliff, silent, gloomy, menacing; the hidden pathway through the foam where the canoe could run out securely and reach a favourite haunt of the ouananiche, the fish that loves the wildest water,—all these secrets were known to Jean. He read the river like a book. He loved it. He also respected it. He knew it too well to take liberties with it.

The camp, that June, was beside the Rapide des Cedres. A great ledge stretched across the river; the water came down in three leaps, brown above, golden at the edge, white where it fell. Below, on the left bank, there was a little cove behind a high point of rocks, a curving beach of white sand, a gentle slope of ground, a tent half hidden among the birches and balsams. Down the river, the main channel narrowed and deepened. High banks hemmed it in on the left, iron-coasted islands on the right. It was a sullen, powerful, dangerous stream. Beyond that, in mid-river, the Ile Maligne reared its wicked head, scarred, bristling with skeletons of dead trees. On either side of it, the river broke away into a long fury of rapids and falls in which no boat could live.

It was there, on the point of the island, that the most famous fishing in the river was found; and there Alden was determined to cast his fly before he went home. Ten days they had waited at the Cedars for the water to fall enough to make the passage to the island safe. At last Alden grew impatient. It was a superb morning,—sky like an immense blue gentian, air full of fragrance from a million bells of pink Linnaea, sunshine flattering the great river,—a morning when danger and death seemed incredible.

"To-day we are going to the island, Jean; the water must be low enough now."

"Not yet, m'sieu', I am sorry, but it is not yet."

Alden laughed rather unpleasantly. "I believe you are afraid. I thought you were a good canoeman—"

"I am that," said Jean, quietly, "and therefore,—well, it is the bad canoeman who is never afraid."

"But last September you took your monsieur to the island and gave him fine fishing. Why won't you do it for me? I believe you want to keep me away from this place and save it for him."

Jean's face flushed. "M'sieu' has no reason to say that of me. I beg that he will not repeat it."

Alden laughed again. He was somewhat irritated at Jean for taking the thing so seriously, for being so obstinate. On such a morning it was absurd. At least it would do no harm to make an effort to reach the island. If it proved impossible they could give it up. "All right, Jean," he said, "I'll take it back. You are only timid, that's all. Francois here will go down with me. We can manage the canoe together. Jean can stay at home and keep the camp. Eh, Francois?"

Francois, the second guide, was a mush of vanity and good nature, with just sense enough to obey Jean's orders, and just jealousy enough to make him jump at a chance to show his independence. He would like very well to be first man for a day,—perhaps for the next trip, if he had good luck. He grinned and nodded his head—"All ready, m'sieu'; I guess we can do it."

But while he was holding the canoe steady for Alden to step out to his place in the bow, Jean came down and pushed him aside. "Go to bed, dam' fool," he muttered, shoved the canoe out into the river, and jumped lightly to his own place in the stern.

Alden smiled to himself and said nothing for a while. When they were a mile or two down the river he remarked, "So I see you changed your mind, Jean. Do you think better of the river now?"

"No, m'sieu', I think the same."

"Well then?"

"Because I must share the luck with you whether it is good or bad. It is no shame to have fear. The shame is not to face it. But one thing I ask of you—"

"And that is?"

"Kneel as low in the canoe as you can, paddle steady, and do not dodge when a wave comes."

Alden was half inclined to turn back, and give it up. But pride made it difficult to say the word. Besides the fishing was sure to be superb; not a line had been wet there since last year. It was worth a little risk. The danger could not be so very great after all. How fair the river ran,—a current of living topaz between banks of emerald! What but good luck could come on such a day?

The canoe was gliding down the last smooth stretch. Alden lifted his head, as they turned the corner, and for the first time saw the passage close before him. His face went white, and he set his teeth.

The left-hand branch of the river, cleft by the rocky point of the island, dropped at once into a tumult of yellow foam and raved downward along the northern shore. The right-hand branch swerved away to the east, running with swift, silent fury. On the lower edge of this desperate race of brown billows, a huge whirlpool formed and dissolved every two or three minutes, now eddying round in a wide backwater into a rocky bay on the end of the island, now swept away by the rush of waves into the white rage of the rapids below.

There was the secret pathway. The trick was, to dart across the right-hand current at the proper moment, catch the rim of the whirlpool as it swung backward, and let it sweep you around to the end of the island. It was easy enough at low water. But now?

The smooth waves went crowding and shouldering down the slope as if they were running to a fight. The river rose and swelled with quick, uneven passion. The whirlpool was in its place one minute; the next, it was blotted out; everything rushed madly downward—and below was hell.

Jean checked the boat for a moment, quivering in the strong current, waiting for the TOURNIQUET to form again. Five seconds—ten seconds—"Now!" he cried.

The canoe shot obliquely into the stream, driven by strong, quick strokes of the paddles. It seemed almost to leap from wave to wave. All was going well. The edge of the whirlpool was near. Then came the crest of a larger wave,—slap—into the boat. Alden shrank involuntarily from the cold water, and missed his stroke. An eddy caught the bow and shoved it out. The whirlpool receded, dissolved. The whole river rushed down upon the canoe and carried it away like a leaf.

Who says that thought is swift and clear in a moment like that? Who talks about the whole of a man's life passing before him in a flash of light? A flash of darkness! Thought is paralyzed, dumb. "What a fool!" "Good-bye!" "If—" That is about all it can say. And if the moment is prolonged, it says the same thing over again, stunned, bewildered, impotent. Then?—The rocking waves; the sinking boat; the roar of the fall; the swift overturn; the icy, blinding, strangling water—God!

Jean was flung shoreward. Instinctively he struck out, with the current and half across it, toward a point of rock. His foot touched bottom. He drew himself up and looked back. The canoe was sweeping past, bottom upward, Alden underneath it.

Jean thrust himself out into the stream again, still going with the current, but now away from shore. He gripped the canoe, flinging his arm over the stern. Then he got hold of the thwart and tried to turn it over. Too heavy! Groping underneath he caught Alden by the shoulder and pulled him out. They would have gone down together but for the boat.

"Hold on tight," gasped Jean, "put your arm over the canoe—the other side!"

Alden, half dazed, obeyed him. The torrent carried the dancing, slippery bark past another point. Just below it, there was a little eddy.

"Now," cried Jean; "the back-water—strike for the land!"

They touched the black, gliddery rocks. They staggered out of the water; waist-deep, knee-deep, ankle-deep; falling and rising again. They crawled up on the warm moss....

The first thing that Alden noticed was the line of bright red spots on the wing of a cedar-bird fluttering silently through the branches of the tree above him. He lay still and watched it, wondering that he had never before observed those brilliant sparks of colour on the little brown bird. Then he wondered what made his legs ache so. Then he saw Jean, dripping wet, sitting on a stone and looking down the river.

He got up painfully and went over to him. He put his hand on the man's shoulder.

"Jean, you saved my life—I thank you, Marquis!"

"M'sieu'," said Jean, springing up, "I beg you not to mention it. It was nothing. A narrow shave,—but LA BONNE CHANCE! And after all, you were right,—we got to the island! But now how to get off?"



II

AN ALLIANCE OF RIVALS

Yes, of course they got off—the next day. At the foot of the island, two miles below, there is a place where the water runs quieter, and a BATEAU can cross from the main shore. Francois was frightened when the others did not come back in the evening. He made his way around to St. Joseph d'Alma, and got a boat to come up and look for their bodies. He found them on the shore, alive and very hungry. But all that has nothing to do with the story.

Nor does it make any difference how Alden spent the rest of his summer in the woods, what kind of fishing he had, or what moved him to leave five hundred dollars with Jean when he went away. That is all padding: leave it out. The first point of interest is what Jean did with the money. A suit of clothes, a new stove, and a set of kitchen utensils for the log house opposite Grosse Ile, a trip to Quebec, a little game of "Blof Americain" in the back room of the Hotel du Nord,—that was the end of the money.

This is not a Sunday-school story. Jean was no saint. Even as a hero he had his weak points. But after his own fashion he was a pretty good kind of a marquis. He took his headache the next morning as a matter of course, and his empty pocket as a trick of fortune. With the nobility, he knew very well, such things often happen; but the nobility do not complain about it. They go ahead, as if it was a bagatelle.

Before the week was out Jean was on his way to a lumber-shanty on the St. Maurice River, to cook for a crew of thirty men all winter.

The cook's position in camp is curious,—half menial, half superior. It is no place for a feeble man. But a cook who is strong in the back and quick with his fists can make his office much respected. Wages, forty dollars a month; duties, to keep the pea-soup kettle always hot and the bread-pan always full, to stand the jokes of the camp up to a certain point, and after that to whip two or three of the most active humourists.

Jean performed all his duties to perfect satisfaction. Naturally most of the jokes turned upon his great expectations. With two of the principal jokers he had exchanged the usual and conclusive form of repartee,—flattened them out literally. The ordinary BADINAGE he did not mind in the least; it rather pleased him.

But about the first of January a new hand came into the camp,—a big, black-haired fellow from Three Rivers, Pierre Lamotte DIT Theophile. With him it was different. There seemed to be something serious in his jests about "the marquis." It was not fun; it was mockery; always on the edge of anger. He acted as if he would be glad to make Jean ridiculous in any way.

Finally the matter came to a head. Something happened to the soup one Sunday morning—tobacco probably. Certainly it was very bad, only fit to throw away; and the whole camp was mad. It was not really Pierre who played the trick; but it was he who sneered that the camp would be better off if the cook knew less about castles and more about cooking. Jean answered that what the camp needed was to get rid of a badreux who thought it was a joke to poison the soup. Pierre took this as a personal allusion and requested him to discuss the question outside. But before the discussion began he made some general remarks about the character and pretensions of Jean.

"A marquis!" said he. "This bagoulard gives himself out for a marquis! He is nothing of the kind,—a rank humbug. There is a title in the family, an estate in France, it is true. But it is mine. I have seen the papers. I have paid money to the lawyer. I am waiting now for him to arrange the matter. This man knows nothing about it. He is a fraud. I will fight him now and settle the matter."

If a bucket of ice-water had been thrown over Jean he could not have cooled off more suddenly. He was dazed. Another marquis? This was a complication he had never dreamed of. It overwhelmed him like an avalanche. He must have time to dig himself out of this difficulty.

"But stop," he cried; "you go too fast. This is more serious than a pot of soup. I must hear about this. Let us talk first, Pierre, and afterwards—"

The camp was delighted. It was a fine comedy,—two fools instead of one. The men pricked up their ears and clamoured for a full explanation, a debate in open court.

But that was not Jean's way. He had made no secret of his expectations, but he did not care to confide all the details of his family history to a crowd of fellows who would probably not understand and would certainly laugh. Pierre was wrong of course, but at least he was in earnest. That was something.

"This affair is between Pierre and me," said Jean. "We shall speak of it by ourselves."

In the snow-muffled forest, that afternoon, where the great tree-trunks rose like pillars of black granite from a marble floor, and the branches of spruce and fir wove a dark green roof above their heads, these two stray shoots of a noble stock tried to untangle their family history. It was little that they knew about it. They could get back to their grandfathers, but beyond that the trail was rather blind. Where they crossed neither Jean nor Pierre could tell. In fact, both of their minds had been empty vessels for the plausible lawyer to fill, and he had filled them with various and windy stuff. There were discrepancies and contradictions, denials and disputes, flashes of anger and clouds of suspicion.

But through all the voluble talk, somehow or other, the two men were drawing closer together. Pierre felt Jean's force of character, his air of natural leadership, his bonhommie. He thought, "It was a shame for that lawyer to trick such a fine fellow with the story that he was the heir of the family." Jean, for his part, was impressed by Pierre's simplicity and firmness of conviction. He thought, "What a mean thing for that lawyer to fool such an innocent as this into supposing himself the inheritor of the title." What never occurred to either of them was the idea that the lawyer had deceived them both. That was not to be dreamed of. To admit such a thought would have seemed to them like throwing away something of great value which they had just found. The family name, the papers, the links of the genealogy which had been so convincingly set forth,—all this had made an impression on their imagination, stronger than any logical argument. But which was the marquis? That was the question.

"Look here," said Jean at last, "of what value is it that we fight? We are cousins. You think I am wrong. I think you are wrong. But one of us must be right. Who can tell? There will certainly be something for both of us. Blood is stronger than currant juice. Let us work together and help each other. You come home with me when this job is done. The lawyer returns to St. Gedeon in the spring. He will know. We can see him together. If he has fooled you, you can do what you like to him. When—PARDON, I mean if—I get the title, I will do the fair thing by you. You shall do the same by me. Is it a bargain?"

On this basis the compact was made. The camp was much amazed, not to say disgusted, because there was no fight. Well-meaning efforts were made at intervals through the winter to bring on a crisis. But nothing came of it. The rival claimants had pooled their stock. They acknowledged the tie of blood, and ignored the clash of interests. Together they faced the fire of jokes and stood off the crowd; Pierre frowning and belligerent, Jean smiling and scornful. Practically, they bossed the camp. They were the only men who always shaved on Sunday morning. This was regarded as foppish.

The popular disappointment deepened into a general sense of injury. In March, when the cut of timber was finished and the logs were all hauled to the edge of the river, to lie there until the ice should break and the "drive" begin, the time arrived for the camp to close. The last night, under the inspiration drawn from sundry bottles which had been smuggled in to celebrate the occasion, a plan was concocted in the stables to humble "the nobility" with a grand display of humour. Jean was to be crowned as marquis with a bridle and blinders:

Pierre was to be anointed as count, with a dipperful of harness-oil; after that the fun would be impromptu.

The impromptu part of the programme began earlier than it was advertised. Some whisper of the plan had leaked through the chinks of the wall between the shanty and the stable. When the crowd came shambling into the cabin, snickering and nudging one another, Jean and Pierre were standing by the stove at the upper end of the long table.

"Down with the canaille!" shouted Jean.

"Clean out the gang!" responded Pierre.

Brandishing long-handled frying-pans, they charged down the sides of the table. The mob wavered, turned, and were lost! Helter-skelter they fled, tumbling over one another in their haste to escape. The lamp was smashed. The benches were upset. In the smoky hall a furious din arose,—as if Sir Galahad and Sir Percivale were once more hewing their way through the castle of Carteloise. Fear fell upon the multitude, and they cried aloud grievously in their dismay. The blows of the weapons echoed mightily in the darkness, and the two knights laid about them grimly and with great joy. The door was too narrow for the flight. Some of the men crept under the lowest berths; others hid beneath the table. Two, endeavouring to escape by the windows, stuck fast, exposing a broad and undefended mark to the pursuers. Here the last strokes of the conflict were delivered.

"One for the marquis!" cried Jean, bringing down his weapon with a sounding whack.

"Two for the count!" cried Pierre, making his pan crack like the blow of a beaver's tail when he dives.

Then they went out into the snowy night, and sat down together on the sill of the stable-door, and laughed until the tears ran down their cheeks.

"My faith!" said Jean. "That was like the ancient time. It is from the good wood that strong paddles are made,—eh, cousin?" And after that there was a friendship between the two men that could not have been cut with the sharpest axe in Quebec.



III

A HAPPY ENDING WHICH IS ALSO A BEGINNING

The plan of going back to St. Gedeon, to wait for the return of the lawyer, was not carried out. Several of the little gods that use their own indiscretion in arranging the pieces on the puzzle-map of life, interfered with it.

The first to meddle was that highly irresponsible deity with the bow and arrows, who has no respect for rank or age, but reserves all his attention for sex.

When the camp on the St. Maurice dissolved, Jean went down with Pierre to Three Rivers for a short visit. There was a snug house on a high bank above the river, a couple of miles from the town. A wife and an armful of children gave assurance that the race of La Motte de la Luciere should not die out on this side of the ocean.

There was also a little sister-in-law, Alma Grenou. If you had seen her you would not have wondered at what happened. Eyes like a deer, face like a mayflower, voice like the "D" string in a 'cello,—she was the picture of Drummond's girl in "The Habitant":

"She's nicer girl on whole Comte, an' jus' got eighteen year— Black eye, black hair, and cheek rosee dat's lak wan Fameuse on de fall; But don't spik much,—not of dat kin',—I can't say she love me at all."

With her Jean plunged into love. It was not a gradual approach, like gliding down a smooth stream. It was not a swift descent, like running a lively rapid. It was a veritable plunge, like going over a chute. He did not know precisely what had happened to him at first; but he knew very soon what to do about it.

The return to Lake St. John was postponed till a more convenient season: after the snow had melted and the ice had broken up—probably the lawyer would not make his visit before that. If he arrived sooner, he would come back again; he wanted his money, that was certain. Besides, what was more likely than that he should come also to see Pierre? He had promised to do so. At all events, they would wait at Three Rivers for a while.

The first week Jean told Alma that she was the prettiest girl he had ever seen. She tossed her head and expressed a conviction that he was joking. She suggested that he was in the habit of saying the same thing to every girl.

The second week he made a long stride in his wooing. He took her out sleighing on the last remnant of the snow,—very thin and bumpy,—and utilized the occasion to put his arm around her waist. She cried "Laisse-moi tranquille, Jean!" boxed his ears, and said she thought he must be out of his mind.

The following Saturday afternoon he craftily came behind her in the stable as she was milking the cow, and bent her head back and kissed her on the face. She began to cry, and said he had taken an unfair advantage, while her hands were busy. She hated him.

"Well, then," said he, still holding her warm shoulders, "if you hate me, I am going home tomorrow."

The sobs calmed down quickly. She bent herself forward so that he could see the rosy nape of her neck with the curling tendrils of brown hair around it.

"But," she said, "but, Jean,—do you love me for sure?"

After that the path was level, easy, and very quickly travelled. On Sunday afternoon the priest was notified that his services would be needed for a wedding, the first week in May. Pierre's consent was genial and hilarious. The marriage suited him exactly. It was a family alliance. It made everything move smooth and certain. The property would be kept together.

But the other little interfering gods had not yet been heard from. One of them, who had special charge of what remained of the soul of the dealer in unclaimed estates, put it into his head to go to Three Rivers first, instead of to St. Gedeon.

He had a good many clients in different parts of the country,—temporary clients, of course,—and it occurred to him that he might as well extract another fifty dollars from Pierre Lamotte DIT Theophile, before going on a longer journey. On his way down from Montreal he stopped in several small towns and slept in beds of various quality.

Another of the little deities (the one that presides over unclean villages; decidedly a false god, but sufficiently powerful) arranged a surprise for the travelling lawyer. It came out at Three Rivers.

He arrived about nightfall, and slept at the hotel, feeling curiously depressed. The next morning he was worse; but he was a resolute and industrious dog, after his own fashion. So he hired a buggy and drove out through the mud to Pierre's place. They heard the wagon stop at the gate, and went out to see who it was.

The man was hardly recognizable: face pale, lips blue, eyes dull, teeth chattering.

"Get me out of this," he muttered. "I am dying. God's sake, be quick!"

They helped him to the house, and he immediately went into a convulsion. From this he passed into a raging fever. Pierre took the buggy and drove posthaste to town for a doctor.

The doctor's opinion was evidently serious, but his remarks were non-committal.

"Keep him in this room. Give him ten drops of this in water every hour. One of these powders if he becomes violent. One of you must stay with him all the time. Only one, you understand. The rest keep away. I will come back in the morning."

In the morning the doctor's face was yet more grave. He examined the patient carefully. Then he turned to Jean, who had acted as nurse.

"I thought so," said he; "you must all be vaccinated immediately. There is still time, I hope. But what to do with this gentleman, God knows. We can't send him back to the town. He has the small-pox."

That was a pretty prelude to a wedding festival. They were all at their wit's end. While the doctor scratched their arms, they discussed the situation, excitedly and with desperation. Jean was the first to stop chattering and begin to think.

"There is that old cabane of Poulin's up the road. It is empty these three years. But there is a good spring of water. One could patch the roof at one end and put up a stove."

"Good!" said the doctor. "But some one to take care of him? It will be a long job, and a bad one."

"I am going to do that," said Jean; "it is my place. This gentleman cannot be left to die in the road. Le bon Dieu did not send him here for that. The head of the family"—here he stopped a moment and looked at Pierre, who was silent—"must take the heavy end of the job, and I am ready for it."

"Good!" said the doctor again. But Alma was crying in the corner of the room.

Four weeks, five weeks, six weeks the vigil in the cabane lasted. The last patches of snow disappeared from the fields one night, as if winter had picked up its rags and vanished. The willows along the brook turned yellow; the grass greened around the spring. Scarlet buds flamed on the swamp maples. A tender mist of foliage spread over the woodlands. The chokecherries burst into a glory of white blossoms. The bluebirds came back, fluting love-songs; and the robins, carolling ballads of joy; and the blackbirds, creaking merrily.

The priest came once and saw the sick man, but everything was going well. It was not necessary to run any extra risks. Every week after that he came and leaned on the fence, talking with Jean in the doorway. When he went away he always lifted three fingers—so—you know the sign? It is a very pleasant one, and it did Jean's heart good.

Pierre kept the cabane well supplied with provisions, leaving them just inside of the gate. But with the milk it was necessary to be a little careful; so the can was kept in a place by itself, under the out-of-door oven, in the shade. And beside this can Jean would find, every day, something particular,—a blossom of the red geranium that bloomed in the farmhouse window, a piece of cake with plums in it, a bunch of trailing arbutus,—once it was a little bit of blue ribbon, tied in a certain square knot—so—perhaps you know that sign too? That did Jean's heart good also.

But what kind of conversation was there in the cabane when the sick man's delirium had passed and he knew what had happened to him? Not much at first, for the man was too weak. After he began to get stronger, he was thinking a great deal, fighting with himself. In the end he came out pretty well—for a lawyer of his kind. Perhaps he was desirous to leave the man whom he had deceived, and who had nursed him back from death, some fragment, as much as possible, of the dream that brightened his life. Perhaps he was only anxious to save as much as he could of his own reputation. At all events, this is what he did.

He told Jean a long story, part truth, part lie, about his investigations. The estate and the title were in the family; that was certain. Jean was the probable heir, if there was any heir; that was almost sure. The part about Pierre had been a—well, a mistake. But the trouble with the whole affair was this. A law made in the days of Napoleon limited the time for which an estate could remain unclaimed. A certain number of years, and then the government took everything. That number of years had just passed. By the old law Jean was probably a marquis with a castle. By the new law?—Frankly, he could not advise a client to incur any more expense. In fact, he intended to return the amount already paid. A hundred and ten dollars, was it not? Yes, and fifty dollars for the six weeks of nursing. VOILA, a draft on Montreal, a hundred and sixty dollars,—as good as gold! And beside that, there was the incalculable debt for this great kindness to a sick man, for which he would always be M. de la Motte's grateful debtor!

The lawyer's pock-marked face—the scars still red and angry—lit up with a curious mixed light of shrewdness and gratitude. Jean was somewhat moved. His castle was in ruins. But he remained noble—by the old law; that was something!

A few days later the doctor pronounced it safe to move the patient. He came with a carriage to fetch him. Jean, well fumigated and dressed in a new suit of clothes, walked down the road beside them to the farm-house gate. There Alma met him with both hands. His eyes embraced her. The air of June was radiant about them. The fragrance of the woods breathed itself over the broad valley. A song sparrow poured his heart out from a blossoming lilac. The world was large, and free, and very good. And between the lovers there was nothing but a little gate.

"I understand," said the doctor, smiling, as he tightened up the reins, "I understand that there is a title in your family, M. de la Motte, in effect that you are a marquis?"

"It is true," said Jean, turning his head, "at least so I think."

"So do I," said the doctor "But you had better go in, MONSIEUR LE MARQUIS—you keep MADAME LA MARQUISE waiting."



VIII. THE KEEPER OF THE LIGHT

At long distance, looking over the blue waters of the Gulf of St. Lawrence in clear weather, you might think that you saw a lonely sea-gull, snow-white, perching motionless on a cobble of gray rock. Then, as your boat drifted in, following the languid tide and the soft southern breeze, you would perceive that the cobble of rock was a rugged hill with a few bushes and stunted trees growing in the crevices, and that the gleaming speck near the summit must be some kind of a building—if you were on the coast of Italy or Spain you would say a villa or a farm-house. Then, as you floated still farther north and drew nearer to the coast, the desolate hill would detach itself from the mainland and become a little mountain-isle, with a flock of smaller islets clustering around it as a brood of wild ducks keep close to their mother, and with deep water, nearly two miles wide, flowing between it and the shore; while the shining speck on the seaward side stood out clearly as a low, whitewashed dwelling with a sturdy round tower at one end, crowned with a big eight-sided lantern—a solitary lighthouse.

That is the Isle of the Wise Virgin. Behind it the long blue Laurentian Mountains, clothed with unbroken forest, rise in sombre ranges toward the Height of Land. In front of it the waters of the gulf heave and sparkle far away to where the dim peaks of St. Anne des Monts are traced along the southern horizon. Sheltered a little, but not completely, by the island breakwater of granite, lies the rocky beach of Dead Men's Point, where an English navy was wrecked in a night of storm a hundred years ago.

There are a score of wooden houses, a tiny, weather-beaten chapel, a Hudson Bay Company's store, a row of platforms for drying fish, and a varied assortment of boats and nets, strung along the beach now. Dead Men's Point has developed into a centre of industry, with a life, a tradition, a social character of its own. And in one of those houses, as you sit at the door in the lingering June twilight, looking out across the deep channel to where the lantern of the tower is just beginning to glow with orange radiance above the shadow of the island—in that far-away place, in that mystical hour, you should hear the story of the light and its keeper.



I

When the lighthouse was built, many years ago, the island had another name. It was called the Isle of Birds. Thousands of sea-fowl nested there. The handful of people who lived on the shore robbed the nests and slaughtered the birds, with considerable profit. It was perceived in advance that the building of the lighthouse would interfere with this, and with other things. Hence it was not altogether a popular improvement. Marcel Thibault, the oldest inhabitant, was the leader of the opposition.

"That lighthouse!" said he, "what good will it be for us? We know the way in and out when it makes clear weather, by day or by night. But when the sky gets swampy, when it makes fog, then we stay with ourselves at home, or we run into La Trinite, or Pentecote. We know the way. What? The stranger boats? B'EN! the stranger boats need not to come here, if they know not the way. The more fish, the more seals, the more everything will there be left for us. Just because of the stranger boats, to build something that makes all the birds wild and spoils the hunting—that is a fool's work. The good God made no stupid light on the Isle of Birds. He saw no necessity of it."

"Besides," continued Thibault, puffing slowly at his pipe, "besides—those stranger boats, sometimes they are lost, they come ashore. It is sad! But who gets the things that are saved, all sorts of things, good to put into our houses, good to eat, good to sell, sometimes a boat that can be patched up almost like new—who gets these things, eh? Doubtless those for whom the good God intended them. But who shall get them when this sacre lighthouse is built, eh? Tell me that, you Baptiste Fortin."

Fortin represented the party of progress in the little parliament of the beach. He had come down from Quebec some years ago bringing with him a wife and two little daughters, and a good many new notions about life. He had good luck at the cod-fishing, and built a house with windows at the side as well as in front. When his third girl, Nataline, was born, he went so far as to paint the house red, and put on a kitchen, and enclose a bit of ground for a yard. This marked him as a radical, an innovator. It was expected that he would defend the building of the lighthouse. And he did.

"Monsieur Thibault," he said, "you talk well, but you talk too late. It is of a past age, your talk. A new time comes to the Cote Nord. We begin to civilize ourselves. To hold back against the light would be our shame. Tell me this, Marcel Thibault, what men are they that love darkness?"

"TORRIEUX!" growled Thibault, "that is a little strong. You say my deeds are evil?"

"No, no," answered Fortin; "I say not that, my friend, but I say this lighthouse means good: good for us, and good for all who come to this coast. It will bring more trade to us. It will bring a boat with the mail, with newspapers, perhaps once, perhaps twice a month, all through the summer. It will bring us into the great world. To lose that for the sake of a few birds—CA SERA B'EN DE VALEUR! Besides, it is impossible. The lighthouse is coming, certain."

Fortin was right, of course. But Thibault's position was not altogether unnatural, nor unfamiliar. All over the world, for the past hundred years, people have been kicking against the sharpness of the pricks that drove them forward out of the old life, the wild life, the free life, grown dear to them because it was so easy. There has been a terrible interference with bird-nesting and other things. All over the world the great Something that bridges rivers, and tunnels mountains, and fells forests, and populates deserts, and opens up the hidden corners of the earth, has been pushing steadily on; and the people who like things to remain as they are have had to give up a great deal. There was no exception made in favour of Dead Men's Point. The Isle of Birds lay in the line of progress. The lighthouse arrived.

It was a very good house for that day. The keeper's dwelling had three rooms and was solidly built. The tower was thirty feet high. The lantern held a revolving light, with a four-wick Fresnel lamp, burning sperm oil. There was one of Stevenson's new cages of dioptric prisms around the flame, and once every minute it was turned by clockwork, flashing a broad belt of radiance fifteen miles across the sea. All night long that big bright eye was opening and shutting. "BAGUETTE!" said Thibault, "it winks like a one-eyed Windigo."