Mr. Haim, hesitating in the kitchen doorway, peered in front of him as if at a loss. George had shifted the kitchen lamp from its accustomed place.

"I'm here," said George, moving slightly in the dim light. "I thought I might as well make myself useful and clear the table for you. How is she going on?" He spoke cheerfully, even gaily, and he expected Mr. Haim to be courteously appreciative—perhaps enthusiastic in gratitude.

"Mrs. Haim is quite recovered, thank you. It was only a passing indisposition," said Mr. Haim, using one of his ridiculously stilted phrases. His tone was strange; it was very strange.

"Good!" exclaimed George, with a gaiety that was now forced, a bravado of gaiety.

He thought:

"The old chump evidently doesn't like me interfering. Silly old pompous ass!" Nevertheless his attitude towards the huffy landlord, if scornful, was good-humoured and indulgent.

Then he noticed that Mr. Haim held in his hand a half-sheet of note-paper which disturbingly seemed familiar. "What is the meaning of this, Mr. Cannon?" Mr. Haim demanded, advancing towards the brightness of the lamp and extending the paper. He was excessively excited. Excitement always intensified his age.

The offered document was the letter which George had that morning received from Marguerite. The missive was short, a mere note, but its terms could leave no doubt as to the relations between the writer and the recipient. Moreover, it ended with a hieroglyphic sign, several times repeated, whose significance is notorious throughout the civilized world.

"Where did you get that?" muttered George, with a defensive menace half formed in his voice. He faltered. His mood had not yet become definitive.

Mr. Haim answered:

"I have just picked it up in the hall, sir. The wind must have blown it off the table in your room, and the door was left open. I presume that I have the right to read papers I find lying about in my own house."

George was dashed. On returning home from Mrs. John's lunch he had changed his suit for another one almost equally smart, but of Angora and therefore more comfortable. He liked to change. He had taken the letter out of a side-pocket of the jacket and put it with his watch, money, and other kit on the table while he changed, and he had placed everything back into the proper pockets, everything except the letter. Carelessness! A moment of negligence had brought about the irremediable. The lovely secret was violated. The whole of his future life and of Marguerite's future life seemed to have been undermined and contaminated by that single act of omission. Marguerite wrote seldom to him because of the risks. But precautions had been arranged for the occasions when she had need to write, and she possessed a small stock of envelopes addressed by himself, so that Mr. Haim might never by chance, picking up an envelope from the hall floor, see George's name in his daughter's hand. And now Mr. Haim had picked up an actual letter from the hall floor. And the fault for the disaster was George's own.

"May I ask, sir, are you engaged to my daughter?" demanded Mr. Haim, getting every instant still more excited.

George had once before seen him agitated about Marguerite, but by no means to the same degree. He trembled. He shook. His dignity had a touch of the grotesque; yet it remained dignity, and it enforced respect. For George, destiny seemed to dominate the kitchen and the scullery like a presence. He and the old man were alone together in that presence, and he was abashed. He was conscious of awe. The old man's mien accused him of an odious crime, of something base and shameful. Useless to argue with himself that he was entirely guiltless, that he had the right to be the betrothed of either Mr. Haim's daughter or any other girl, and to publish or conceal the betrothal as he chose and as she chose. Yes, useless! He felt, inexplicably, a criminal. He felt that he had committed an enormity. It was not a matter of argument; it was a matter of instinct. The old man's frightful and irrational resentment was his condemnation. He could not face the old man.

He thought grievously: "I am up against this man. All politeness and conventions have vanished. It's the real, inmost me, and the real, inmost him." Nobody else could take a part in the encounter. And he was sad, because he could not blame the old man. Could he blame the old man for marrying a charwoman? Why, he could only admire him for marrying the charwoman. In marrying the charwoman the old man had done a most marvellous thing. Could he blame Marguerite? Impossible. Marguerite's behaviour was perfectly comprehensible. He understood Marguerite and he understood her father; he sympathized with both of them. But Marguerite could not understand her father, and her father could not understand either his daughter or George. Never could they understand! He alone understood. And his understanding gave him a melancholy, hopeless feeling of superiority, without at all lessening the strange conviction of guilt. He had got himself gripped by destiny. Destiny had captured all three of them. But not the fourth. The charwoman possessed the mysterious power to defy destiny. Perhaps the power lay in her simplicity.... Fool! An accursed negligence had eternally botched his high plans for peace and goodwill.

"Yes," he said. "I am."

"And how long have you been engaged, sir?"

"Oh! Since before Marguerite left here." He tried to talk naturally and calmly.

"Then you've been living here all this time like a spy—a dirty spy. My daughter behaves to us in an infamous manner. She makes an open scandal. And all the time you're——"

George suddenly became very angry. And his anger relieved and delighted him. With intense pleasure he felt his anger surging within him. He frowned savagely. His eyes blazed. But he did not move.

"Excuse me," he interrupted, with cold and dangerous fury. "She didn't do anything of the kind."

Mr. Haim went wildly on, intimidated possibly by George's defiance, but desperate:

"And all the time, I say, you stay on here, deceiving us, spying on us. Going every night to that wicked, cruel, shameful girl and tittle-tattling. Do you suppose that if we'd had the slightest idea——"

George walked up to him.

"I'm not going to stand here and listen to you talking about Marguerite like that."

Their faces were rather close together. George forced himself away by a terrific effort and left the kitchen.

"Jackanapes!"

George swung round, very pale. Then with a hard laugh he departed. He stood in the hall, and thought of Mrs. Haim upstairs. The next moment he had got his hat and overcoat and was in the street. A figure appeared in the gloom. It was Mr. Prince.

"Hallo! Going out? How are things?"

"Oh! Fine!" He could scarcely articulate. A ghastly sob impeded the words. Tears gushed into his eyes. The dimly glowing oblongs in the dark facades of the Grove seemed unbearably tragic.

III

No. 6 Romney Studios, Manresa Road, Chelsea, was at the end of the narrow alley which, running at right angles to the road, had a blank wall on its left and Romney Studios on its right. The studios themselves were nondescript shanties which reminded George of nothing so much as the office of a clerk-of-the-works nailed together anyhow on ground upon which a large building is in course of erection. They were constructed of brick, wood, waterproof felting, and that adaptable material, corrugated iron. No two were alike. None had the least pretension to permanency, comeliness, or even architectural decency. They were all horribly hot in summer, and they all needed immense stoves to render them habitable in winter. In putting them up, however, cautiously and one by one, the landlord had esteemed them to be the sort of thing that was good enough for artists and that artists would willingly accept. He had not been mistaken. Though inexpensive they were dear, but artists accepted them with eagerness. None was ever empty. Thus it was demonstrated once more that artists were exactly what capitalists and other sagacious persons had always accused them of being.

When George knocked on the door of No. 6, the entire studio, and No. 5 also, vibrated. As a rule Agg, the female Cerberus of the shanty, answered any summons from outside; but George hoped that to-night she would be absent; he knew by experience that on Sunday nights she usually paid a visit to her obstreperous family in Alexandra Grove.

The door was opened by a young man in a rich but torn and soiled eighteenth-century costume, and he looked, in the half-light of the entrance, as though he was just recovering from a sustained debauch. The young man stared haughtily in silence. Only after an appreciable hesitation did George see through the disguise and recover himself sufficiently to remark with the proper nonchalance:

"Hallo, Agg! What's the meaning of this?"

"You're before your time," said she, shutting the door.

While he took off his overcoat Agg walked up the studio. She made an astonishingly life-like young man. George and Agg were now not unfriendly; but each constantly criticized the other in silence, and both were aware of the existence of this vast body of unspoken criticism. Agg criticized more than George, who had begun to take the attitude that Agg ought to be philosophically accepted as incomprehensible rather than criticized. He had not hitherto seen her in male costume, but he would not exhibit any surprise.

"Where's Marguerite?" he inquired, advancing to the Stove and rubbing his hands above it.

"Restrain your ardour," said Agg lightly. "She'll appear in due season. I've told you—you're before your time."

George offered no retort. Despite his sharp walk, he was still terribly agitated and preoccupied, and the phenomena of the lamplit studio had not yet fully impressed his mind. He saw them, including Agg, as hallucinations gradually turning to realities. He could not be worried with Agg. His sole desire was to be alone with Marguerite immediately, and he regarded the fancy costume chiefly as an obstacle to the fulfilment of that desire, because Agg could not depart until she had changed it for something else.

Then his gaze fell upon a life-size oil-sketch of Agg in the eighteenth-century male dress. The light was bad, but it disclosed the sketch sufficiently to enable some judgment on it to be formed. The sketch was exceedingly clever, painted in the broad, synthetic manner which Steer and Sickert had introduced into England as a natural reaction from the finicking, false exactitudes of the previous age. It showed Agg, glass in hand, as a leering, tottering young drunkard in frills and velvet. The face was odious, but it did strongly resemble Agg's face. The hair was replaced by a bag wig.

"Who did that?"

"I did, of course," said Agg. She pointed to the large mirror at the opposite side of the studio.

"The dickens you did!" George murmured, struck. But now that he knew the sketch to be the work of a woman he at once became more critical, perceiving in it imitative instead of original qualities. "What is it? I mean, what's the idea at the back of it, if it isn't a rude question, Agg?"

"Title: 'Bonnie Prince Charlie,'" said Agg, without a smile. She was walking about, in a convincingly masculine style. Unfortunately she could not put her hands in her pockets, as the costume was without pockets.

"Is that your notion of the gent?"

"Didn't you know I'm supposed to be very like him?" cried Agg, vain. The stern creature had frailties. Then she smiled grimly. "Look at my cold blue eyes, my sharp chin, my curly-curly lips, my broad forehead, my clear complexion. And I hope I'm thin enough. Look!" She picked up the bag wig, which was lying on a chair, and put it on, and posed. The pose was effective.

"You seem to know a lot about this Charlie."

"Well, our well-beloved brother Sam is writing a monograph on him, you see. Besides, every one——"

"But what's the idea? What's the scheme? Why is he drunk?"

"He always was drunk. He was a confirmed drunkard at thirty. Both his fair ladies had to leave him because he was just a violent brute. And so on and so on. I thought it was about time Charlie was shown up in his true colours. And I'm doing it!... After all the sugar-stick Academy pictures of him, my picture will administer a much-needed tonic to our dear public. I expect I can get it into next year's New English Art Club, and if I do it will be the sensation of the show.... I haven't done with it yet. In fact I only started yesterday. There's going to be a lot more realism in it. All those silly Jacobite societies will furiously rage together.... And it's a bit of pretty good painting, you know."

"It is," George agreed. "But it's a wild scheme."

"Not so wild as you think, my minstrel boy. It's very, much needed. It's symbolic, that picture is. It's a symbolic antidote. Shall I tell you what put me on to it? Look here."

She led him to Marguerite's special work-table, under the curtained window. There, on a sheet of paper stretched upon a drawing-board, was the finished design which Marguerite had been labouring at for two days. It was a design for a bookbinding, and the title of the book was, The Womanly Woman, and the author of the book was Sir Amurath Onway, M.D., D.Sc., F.R.S., a famous specialist in pathology. Marguerite, under instruction from the bookbinders, had drawn a sweet picture, in quiet colours, of a womanly woman in a tea-gown, sitting in a cosy corner of a boudoir. The volume was destined to open the spring season of a publishing firm of immense and historic respectability.

"Look at it! Look at it!" Agg insisted. "I've read the book myself. Poor Marguerite had to go through the proofs, so that she could be sure of getting the spirit of the binding right. Do you know why he wrote it? He hates his wife—that's why. His wife isn't a womanly woman, and he's put all his hatred of her into this immortal rubbish. Read this great work, and you will be made to see what fine, noble creatures we men are"—she strode to and fro—"and how a woman's first duty is to recognize her inferiority to us, and be womanly.... Damme!... As soon as I saw what poor Marguerite had to do I told her I should either have to go out and kill some one, or produce an antidote. And then it occurred to me to tell the truth about one of the leading popular heroes of history." She bowed in the direction of the canvas. "I began to feel better at once. I got the costume from a friend of the learned Sam's, and I've ruined it.... I'm feeling quite bright to-night."

She gazed at George with her cold blue eyes, arraigning in his person the whole sex which she thought she despised but which her deepest instinct it was to counterfeit. George, while admiring, was a little dismayed. She was sarcastic. She had brains and knowledge and ideas. There was an intellectual foundation to her picture. And she could paint—like a witch! Oh! She was ruthlessly clever! Well, he did not like her. What he wanted, though he would not admit it, was old Onway's womanly woman. And especially in that hour he wanted the womanly woman.

"What's Marguerite up to?" he asked quietly.

"After the heat and the toil of the day she's beautifying herself for your august approval," said Agg icily. "I expect she's hurrying all she can. But naturally you expect her to be in a permanent state of waiting for you—fresh out of the cotton-wool."

The next instant Marguerite appeared from the cubicle or dressing-room which had been contrived in a corner of the studio to the left of the door. She was in her plain, everyday attire, but she had obviously just washed, and her smooth hair shone from the brush.

"Well, George."

"Well, Marguerite."

Both spoke casually. Celia Agg was the only person in the world privy to their engagement; but they permitted themselves no freedoms in front of her. As Marguerite came near to George, she delicately touched his arm—nothing more. She was smiling happily, but as soon as she looked close at his face under the lamp, her face changed completely. He thought: "She understands there's something up."

She said, not without embarrassment:

"George, I really must have some fresh air. I haven't had a breath all day. Is it raining?"

"No. Would you like to go for a walk?"

"Oh! I should!"

He was very grateful, and also impressed by the accuracy of her intuitions and her quick resourcefulness. She had comprehended at a glance that he had a profound and urgent need to be alone with her. She was marvellously comforting, precious beyond price. All his susceptibilities, wounded by the scene at Alexandra Grove, and further irritated by Agg, were instantaneously salved and soothed. Her tones, her scarcely perceptible gesture of succour, produced the assuaging miracle. She fulfilled her role to perfection. She was a talented and competent designer, but as the helpmeet of a man she had genius. His mind dwelt on her with rapture.

"You'll be going out as soon as you've changed, dear?" she said affectionately to Agg.

"Yes," answered Agg, who at the mirror was wiping from her face the painted signs of alcoholism. She had thrown off the bag wig. "You'd better take the key with you. You'll be back before I am." She sat down on one of the draped settees which were beds in disguise, and Marguerite got a hat, cloak, and gloves.

While George was resuming his overcoat, which Marguerite held for him, Agg suddenly sprang up and rushed towards them.

"Good night, Flora Macdonald," she murmured in her deep voice in Marguerite's ear, put masculine arms round her, and kissed her. It was a truly remarkable bit of male impersonating, as George had to admit, though he resented it.

Then she gave a short, harsh laugh.

"Good night, old Agg," said Marguerite, with sweet responsiveness, and smiled ingenuously at George.

George, impatient, opened the door, and the damp wind swept anew into the studio.

IV

It was a fine night; the weather had cleared, and the pavements were drying. George, looking up in a pause of the eager conversational exchanges, drew tonic air mightily into his lungs.

"Where are we?" he asked.

"Tite Street," said Marguerite. "That's the Tower House." And she nodded towards the formidable sky-scraper which another grade of landlord had erected for another grade of artists who demanded studios from the capitalist. Marguerite, the Chelsea girl, knew Chelsea, if she knew nothing else; her feet turned corners in the dark with assurance, and she had no need to look at street-signs. George regarded the short thoroughfare made notorious by the dilettantism, the modishness, and the witticisms of art. It had an impressive aspect. From the portico of one highly illuminated house a crimson carpet stretched across the pavement to the gutter; some dashing blade of the brush had maliciously determined to affront the bourgeois Sabbath. George stamped on the carpet; he hated it because it was not his carpet; and he swore to himself to possess that very carpet or its indistinguishable brother.

"I was a most frightful ass to leave that letter lying about!" he exclaimed.

"Oh! George!" she protested lovingly. "It could so easily happen—a thing like that could. It was just bad luck."

A cushion! The divinest down cushion! That was what she was! She was more. She defended a man against himself. She restored him to perfection. Her affectionate faith was a magical inspiration to him; it was, really, the greatest force in the world. Most women would have agreed with him, however tactfully, that he had been careless about the letter. An Adela would certainly have berated him in her shrewish, thin tones. A Lois would have been sarcastic, scornfully patronizing him as a 'boy.' And what would Agg have done?... They might have forgiven and even forgotten, but they would have indulged themselves first. Marguerite was exteriorly simple. She would not perhaps successfully dominate a drawing-room. She would cut no figure playing with lives at the wheel of an automobile. After all, she would no doubt be ridiculous in the costume of Bonnie Prince Charlie. But she was finer than the other women whose images floated in his mind. And she was worth millions of them. He was overpowered by the sense of his good fortune in finding her. He went cold at the thought of what he would have missed if he had not found her. He would not try to conceive what his existence would be without her, for it would be unendurable. Of this he was convinced.

"Do you think he'll go talking about it?" George asked, meaning of course Mr. Haim.

"More likely she will," said Marguerite.

He positively could feel her lips tightening. Futile to put in a word for Mrs. Haim! When he had described the swoon, Marguerite had shown neither concern nor curiosity. Not the slightest! Antipathy to her stepmother had radiated from her almost visibly in the night like the nimbus round a street lamp. Well, she did not understand; she was capable of injustice; she was quite wrong about Mrs. Haim. What matter? Her whole being was centralized on himself. He was aware of his superiority.

He went on quietly:

"If the old man gets chattering at the office, the Orgreaves will know, and the next minute the news'll be in the Five Towns. I can't possibly let my people hear from anybody else of my engagement before they hear from me. However, if it comes to the point, we'll tell everybody. Why not?"

"Oh, but dearest! It was so nice it being a secret. It was the loveliest thing in the world."

"Yes, it was jolly."

"Perhaps father will feel differently in the morning, and then you can——"

"He won't," said George flatly. "You don't know what a state he's in. I didn't tell you—he called me a spy in the house, a dirty spy. Likewise a jackanapes. Doubtless a delicate illusion to my tender years."

"He didn't!"

"He did, honestly."

"So that was what upset you so!" Marguerite murmured. It was her first admission that she had noticed his agitation.

"Did I look so upset, then?"

"George, you looked terrible. I felt the only thing to do was for us to go out at once."

"Oh! But surely I wasn't so upset as all that?" said George, finding in Marguerite's statement a reflection upon his ability to play the part of an imperturbable man of the world. "Agg didn't seem to see anything."

"Agg doesn't know you like I do."

She insinuated her arm into his. He raised his hand and took hold of hers. In the left pocket of his overcoat he could feel the somewhat unwieldy key of the studio. He was happy. The domestic feel of the key completed his happiness.

"Of course I can't stay on there," said he.

"At father's? Oh! I do wish father hadn't talked like that." She spoke sadly, not critically.

"I suppose I must sleep there to-night. But I'm not going to have my breakfast there to-morrow morning. No fear! I'll have it up town. Lucas'll be able to put me up to some new digs. He always knows about that sort of thing. Then I'll drive down and remove all my worldly in a four-wheeler."

He spoke with jauntiness, in his role of male who is easily equal to any situation. But she said in a low, tenderly commiserating voice:

"It's a shame!"

"Not a bit!" he replied. Then he suddenly stood still and brought her to a halt. Under his erratic guidance they had turned along Dilke Street, and northwards again, past the Botanical Garden. "And this is Paradise Row!" he said, surveying the broad street which they had come into.

"Paradise Row?" she corrected him softly. "No, dear, it's Queen's Road. It runs into Pimlico Road."

"I mean it used to be Paradise Row," he explained. "It was the most fashionable street in Chelsea, you know. Everybody that was anybody lived here."

"Oh! Really!" She showed an amiable desire to be interested, but her interest did not survive more than a few seconds. "I didn't know. I know Paradise Walk. It's that horrid little passage down there on the right."

She had not the historic sense; and she did not understand his mood, did not in the slightest degree suspect that events had been whipping his ambition once more, and that at that moment he was enjoying the seventeenth and even the sixteenth centuries, and thinking of Sir Thomas More and Miss More, and all manner of grandiose personages and abodes, and rebelling obstinately against the fact, that he was as yet a nonentity in Chelsea, whereas he meant in the end to yield to nobody in distinction and renown. He knew that she did not understand, and he would not pretend to himself that she did. There was no reason why she should understand. He did not particularly want her to understand.

"Let's have a look at the river, shall we?" he suggested, and they moved towards Cheyne Walk.

"Dearest," she said, "you must come and have breakfast at the studio to-morrow morning. I shall get it myself."

"But Agg won't like me poking my nose in for breakfast."

"You great silly! Don't you know she simply adores you?"

He was certainly startled by this remark, and he began to like Agg.

"Old Agg! Not she!" he protested, pleased, but a little embarrassed. "Will she be up?"

"You'll see whether she'll be up or not. Nine o'clock's the time, isn't it?"

They reached the gardens of Cheyne Walk. Three bridges hung their double chaplets of lights over the dark river. On the southern shore the shapes of high trees waved mysteriously above the withdrawn woodland glades that in daytime were Battersea Park. Here and there a tiny red gleam gave warning that a pier jutted out into the stream; but nothing moved on the water. The wind that swept clean the pavements had unclouded ten million stars. It was a wind unlike any other wind that ever blew, at once caressing and roughly challenging. The two, putting it behind them, faced eastward, and began to pass one by one the innumerable ornate gas-lamps of Chelsea Embankment, which stretched absolutely rectilinear in front of them for a clear mile. No soul but themselves was afoot. But on the left rose gigantic and splendid houses, palaces designed by modern architects, vying with almost any houses in London, some dark, others richly illuminated and full of souls luxurious, successful, and dominant. As the girl talked creatively about the breakfast, her arm pressed his, and his fingers clasped her acquiescent fingers, and her chaste and confiding passion ran through him in powerful voltaic currents from some inexhaustible source of energy in her secret heart. It seemed to him that since their ride home in the hansom from the Promenade concert her faculty for love had miraculously developed. He divined great deeps in her, and deeps beyond those deeps. The tenderness which he felt for her was inexpressible. He said not a word, keeping to himself the terrific resolves to which she, and the wind, and the spectacular majesty of London inspired him. He and she would live regally in one of those very houses, and people should kowtow to her because she was the dazzling wife of the renowned young architect, George Cannon. And he would show her to Mrs. John Orgreave and to Lois, and those women should acknowledge in her a woman incomparably their superior. They should not be able to hide their impressed astonishment when they saw her.

Nothing of all this did he impart to her as she hung supported and inspiring on his arm. He held it all in reserve for her. And then, thinking again for a moment of what she had said about Agg's liking for him, he thought of Agg's picture and of Marguerite's design which had originated the picture. It was a special design, new for Marguerite, whose bindings were generally of conventional patterns; it was to be paid for at a special price because of its elaborateness; she had worked on it for nearly two days; in particular she had stayed indoors during the whole of Sunday to finish it; and it was efficient, skilful, as good as it could be. It had filled her life for nearly two days—and he had not even mentioned it to her! In the ruthless egotism of the ambitious man he had forgotten it, and forgotten to imagine sympathetically the contents of her mind. Sharp remorse overcame him; she grew noble and pathetic in his eyes.... Contrast her modest and talented industry with the exacting, supercilious, incapable idleness of a Lois!

"That design of yours is jolly good," he said shortly without any introductory phrases.

She perceptibly started.

"Oh! George! I'm so glad you think so. I was afraid. You know it was horribly difficult—they give you no chance."

"I know. I know. You've come out of it fine."

She was in heaven; he also, because it was so easy for him to put her there. He glanced backwards a few hours into the past, and he simply could not comprehend how it was that he had been so upset by the grotesque scene with Mr. Haim in the basement of No. 8. Everything was all right; everything was utterly for the best.



CHAPTER VI

THE DINNER

I

Early on the morning of a Tuesday in the second half of June 1903, George Cannon was moving fast on a motor-bicycle westwards down the slope of Piccadilly. At any rate he had the sensation of earliness, and was indeed thereby quite invigorated; it almost served instead of the breakfast which he had not yet taken. But thousands of people travelling in the opposite direction in horse-omnibuses and in a few motor-buses seemed to regard the fact of their being abroad at that hour as dully normal. They had fought, men and girls, for places in the crammed vehicles; they had travelled from far lands such as Putney; they had been up for hours, and the morning, which was so new to George, had lost its freshness for them; they were well used to the lustrous summer glories of the Green Park; what they chiefly beheld in the Green Park was the endless lines of wayfarers, radiating from Victoria along the various avenues, on the way, like themselves, to offices, ware-houses, and shops. Of the stablemen, bus-washers, drivers, mechanics, chauffeurs, and conductors, who had left their beds much in advance even of the travellers, let us not speak—even they had begun the day later than their wives, mothers, or daughters. All this flying population, urged and preoccupied by pitiless time, gazed down upon George and saw a gay young swell without a care in the world rushing on 'one of those motor-bikes' to freedom.

George was well aware of the popular gaze, and he supported it with negligent pride. He had the air of having been born to greatness; cigarette smoke and the fumes of exploded petrol and the rattle of explosions made a fine wake behind his greatness. In two years, since he had walked into Mr. Haim's parlour, his body had broadened, his eyes had slightly hardened, and his complexion and hair had darkened. And there was his moustache, very sprightly, and there was a glint of gold in his teeth. He had poor teeth, but luxuriant hair, ruthlessly cut and disciplined and subjugated. His trousers were clipped tightly at the ankles, and his jacket loosely buttoned by the correct button; his soft felt hat achieved the architect's ideal of combining the perfectly artistic with the perfectly modish. But the most remarkable and envy-raising portion of his attire was the loose, washable, yellow gloves, with large gauntlets, designed to protect the delicately tended hands when they had to explore among machinery.

He had obtained the motor-bicycle in a peculiar way. On arriving at Axe Station for the previous Christmas holidays, he had seen two low-hung lamps brilliantly flashing instead of the higher and less powerful lamps of the dogcart, and there had been no light-reflecting flanks of a horse in front of the lamps. The dark figure sitting behind the lamps proved to be his mother. His mother herself had driven him home. He noted calmly that as a chauffeur she had the same faults as the contemned Lois Ingram. Still, she did drive, and they reached Ladderedge Hall in safety. He admired, and he was a little frightened by, his mother's terrific volition to widen her existence. She would insist on doing everything that might be done, and nobody could stop her. Who would have dreamt that she, with her narrow, troubled past, and her passionate temperament rendered somewhat harsh by strange experiences, would at the age of forty-six or so be careering about the country at the wheel of a motor-car? Ah! But she would! She would be a girl. And by her individual force she successfully carried it off! Those two plotters, she and his stepfather, had conspired to buy a motor-car in secret from him. No letter from home had breathed a word of the motor-car. He was thunder-struck, and jealous. He had spent the whole of the Christmas holidays in that car, and in four days could drive better than his mother, and also—what was more difficult—could convince her obstinate self-assurance that he knew far more about the mechanism than she did. As a fact, her notions of the mechanism, though she was convinced of their rightness, were mainly fantastic. George of course had had to punish his parents. He had considered it his duty to do so. "The least you can do," he had said discontentedly and menacingly, "the least you can do is to give me a decent motor-bike!" The guilty pair had made amends in the manner thus indicated for them. George gathered from various signs that his stepfather was steadily and rapidly growing richer. George had acted accordingly—not only in the matter of the motor-bicycle, but in other matters.

Now, on this June morning he had just begun to breast the slope rising from the hollow to Hyde Park Corner when a boy shot out from behind a huge, stationary dust-cart on the left and dashed unregarding towards him. George shouted. The boy, faced with sudden death, was happily so paralysed that he fell down, thus checking his momentum by the severest form of friction. George swerved aside, missing the small, outstretched hands by an inch or two, but missing also by an inch or two the front wheel of a tremendous motor-bus on his right. He gave a nervous giggle as he flashed by the high red side of the motor-bus; and then he deliberately looked back at the murderous boy, who had jumped up. At the same moment George was brought to a sense of his own foolishness in looking back by a heavy jolt. He had gone over half a creosoted wood block which had somehow escaped from a lozenge-shaped oasis in the road where two workmen were indolently using picks under the magic protection of a tiny, dirty red flag. Secure in the guardianship of the bit of bunting, which for them was as powerful and sacred as the flag of an empire, the two workmen gazed with indifference at George and at the deafening traffic which swirled affronting but harmless around them. George slackened speed, afraid lest the jar might have snapped the plates of his accumulator. The motor-bicycle was a wondrous thing, but as capricious and delicate as a horse. For a trifle, for nothing at all, it would cease to function. The high-tension magneto and the float-feed carburetter, whose invention was to transform the motor-bicycle from an everlasting harassment into a means of loco-motion, were yet years away in the future. However, the jar had done no harm. The episode, having occupied less than ten seconds, was closed. George felt his heart thumping. He thought suddenly of the recent Paris-Madrid automobile race, in which the elite of the world had perished. He saw himself beneath the motor-bus, and a futile staring crowd round about. Simply by a miracle was he alive. But this miracle was only one of a score of miracles. He believed strongly in luck. He had always believed in it. The smoke of the cigarette displayed his confidence to all Piccadilly. Still, his heart was thumping.

And it had not ceased to thump when a few minutes later he turned into Manresa Road. Opposite the entrance to the alley of Romney Studios, there happened to be a small hiatus in the kerbstone. George curved the machine largely round and, mounting the pavement through this hiatus, rode gingerly up the alley, in defiance of the regulations of a great city, and stopped precisely at the door of No. 6. It was a matter of honour with him to arrive thus. Not for a million would he have walked the machine up the alley. He got off, sounded a peremptory call on the horn, and tattooed with the knocker. No answer came. An apprehension visited him. By the last post on the previous night he had received a special invitation to breakfast from Marguerite. Never had he been kept waiting at the door. He knocked again. Then he heard a voice from the side of the studio:

"Come round here, George."

In the side of the studio was a very small window from which the girls, when unpresentable, would parley with early tradesmen. Agg was at the window. He could see only her head and neck, framed by the window. Her short hair was tousled, and she held a dressing-gown tight about her neck. For the first time she seemed to him like a real feminine girl, and her tones were soft as they never were when Marguerite was present with her.

"I'm very sorry," she said. "You woke me. I was fast asleep. You can't come in."

"Anything up?" he questioned, rather anxiously. "Where's Marguerite?"

"Oh, George! A dreadful night!" she answered, almost plaintively, almost demanding sympathy from the male—she, Agg! "We were wakened up at two o'clock. Mr. Prince came round to fetch Marguerite to go to No. 8."

"To go to No. 8?" he repeated, frightened, and wondered why he should be frightened. "What on earth for?"

"Mrs. Haim very ill!" Agg paused. "Something about a baby."

"And did she go?"

"Yes; she put on her things and went off at once."

He was silent. He felt the rough grip of destiny, of some strange power irresistible and unescapable, just as he had momentarily felt it in the basement of No. 8 more than eighteen months before, when the outraged Mr. Haim had quarrelled with him. The mere idea of Marguerite being at No. 8 made him feel sick. He no longer believed in his luck. "How soon d'ye think she'll be back?"

"I—I don't know, George. I should have thought she'd have been back before this."

"I'll run round there," he said curtly.

Agg was disconcertingly, astoundingly sympathetic. Her attitude increased his disturbance.

II

When George rang the bell at No. 8 Alexandra Grove his mysterious qualms were intensified. He dreaded the moment when the door should open, even though it should be opened by Marguerite herself. And yet he had a tremendous desire to see Marguerite—merely to look at her face, to examine it, to read it. His summons was not answered. He glanced about. The steps were dirty. The brass knob and the letter-flap had not been polished. After a time he pushed up the flap and gazed within, and saw the interior which he knew so well and which he had not entered for so many months. Nothing was changed in it, but it also had a dusty and neglected air. Every detail roused his memory. The door of what had once been his room was shut; he wondered what the room was now. This house held the greatest part of his history. It lived in his mind as vitally as even the boarding-house kept by his mother in a side-street in Brighton, romantic and miserable scene of his sensitive childhood. It was a solemn house for him. Through the basement window on a dark night he had first glimpsed Marguerite. Unforgettable event! Unlike anything else that had ever happened to anybody!... He heard a creak, and caught sight through the letter-aperture of a pair of red slippers, and then the lower half of a pair of trousers, descending the stairs. And he dropped the flap hurriedly. Mr. Haim was coming to open the door. Mr. Haim did open the door, started at the apparition of George, and stood defensively and forbiddingly in the very centre of the doorway.

"Oh!" said George nervously. "How is Mrs. Haim?"

"Mrs. Haim is very ill indeed." The reply was emphatic and inimical.

"I'm sorry."

Mr. Haim said nothing further. George had not seen him since the previous Saturday, having been excused by Mr. Enwright from the office on Monday on account of examination work. He did not know that Mr. Haim had not been to the office on Monday either. In the interval the man had shockingly changed. He seemed much older, and weaker too; he seemed worn out by acute anxiety. Nevertheless he so evidently resented sympathy that George was not sympathetic, and regarded him coldly as a tiresome old man. The official relations between the two had been rigorously polite and formal. No reference had ever been made by either to the quarrel in the basement or to the cause of it. And for the world in general George's engagement had remained as secret as before. Marguerite had not seen her father in the long interval, and George had seen only the factotum of Lucas & Enwright. But he now saw Marguerite's father again—a quite different person from the factotum.... Strange, how the house seemed forlorn! 'Something about a baby,' Agg had said vaguely. And it was as though something that Mr. Haim and his wife had concealed had burst from its concealment and horrified and put a curse on the whole Grove. Something not at all nice! What in the name of decent propriety was that slippered old man doing with a baby? George would not picture to himself Mrs. Haim lying upstairs. He did not care to think of Marguerite secretly active somewhere in one of those rooms. But she was there; she was initiated. He did not criticize her.

"I should like to see Marguerite," he said at length. Despite himself he had a guilty feeling.

"My daughter!" Mr. Haim took up the heavy role.

"Only for a minute," said George boyishly, and irritated by his own boyishness.

"You can't see her, sir."

"But if she knows I'm here, she'll come to me," George insisted. He saw that the old man's hatred of him was undiminished. Indeed, time had probably strengthened it.

"You can't see her, sir. This is my house."

George considered himself infinitely more mature than in the November of 1901 when the old man had worsted him. And yet he was no more equal to this situation than he had been to the former one.

"But what am I to do, then?" he demanded, not fiercely, but crossly.

"What are you to do? Don't ask me, sir. My wife is very ill indeed, and you come down the Grove making noise enough to wake the dead"—he indicated the motor-bicycle, of which the silencer was admittedly defective—"and you want to see my daughter. My daughter has more important work to do than to see you. I never heard of such callousness. If you want to communicate with my daughter you had better write—so long as she stays in this house."

Mr. Haim shut the door, which rendered his advantage over George complete.

From the post office nearly opposite the end of the Grove George dispatched a reply-paid telegram to Marguerite:

"Where and when can I see you?—GEORGE. Russell Square."

It seemed a feeble retort to Mr. Haim, but he could think of nothing better.

On the way up town he suddenly felt, not hungry, but empty, and he called in at a tea-shop. He was the only customer, in a great expanse of marble-topped tables. He sat down at a marble-topped table. On the marble-topped table next to him were twenty-four sugar-basins, and on the next to that a large number of brass bells, and on another one an infinity of cruets. A very slatternly woman was washing the linoleum in a corner of the floor. Two thin, wrinkled girls in shabby black were whispering together behind the counter. The cash-den was empty. Through the open door he could keep an eye on his motor-bicycle, which was being surreptitiously regarded by a boy theoretically engaged in cleaning the window. A big van drove up, and a man entered with pastry on a wooden tray and bantered one of the girls in black. She made no reply, being preoccupied with the responsibility of counting cakes. The man departed and the van disappeared. Nobody took the least notice of George. He might have been a customer invisible and inaudible. After the fiasco of his interview with Mr. Haim, he had not the courage to protest. He framed withering sentences to the girls in black, such as: "Is this place supposed to be open for business, or isn't it?" but they were not uttered. Then a girl in black with a plain, ugly white apron and a dowdy white cap appeared on the stairs leading from the basement, and removed for her passage a bar of stained wood lettered in gilt: 'Closed,' and she halted at George's table. She spoke no word. She just stood over him, unsmiling, placid, flaccid, immensely indifferent. She was pale, a poor sort of a girl, without vigour. But she had a decent, honest face. She was not aware that she ought to be bright, welcoming, provocative, for a penny farthing an hour. She had never heard of Hebe. George thought of the long, desolating day that lay before her. He looked at her seriously. His eyes did not challenge hers as they were accustomed to challenge Hebe's. He said in a friendly, matter-of-fact tone:

"A meat-pie, please, and a large coffee."

And she repeated in a thin voice:

"Meat-pie. Large coffee."

A minute later she dropped the order on the table, as it might have been refuse, and with it a bit of white paper. The sadness of the city, and the inexplicable sadness of June mornings, overwhelmed George as he munched at the meat-pie and drank the coffee, and reached over for the sugar and reached over for the mustard. And he kept saying to himself:

"She doesn't see her father at all for nearly two years, and then she goes off to him like that in the middle of the night—at a word."

III

The office was not at its normal. The empty cubicle of the factotum looked strange enough. But there was more than that in the abnormality. There were currents of excitement in the office. The door of the principals' room was open, and George saw John Orgreave and Everard Lucas within, leaning over one of the great flat desks. The hour was early for Lucas, and self-satisfaction was on Lucas's face as he raised it to look at the entering of George.

"I say," he remarked quietly through the doorway, "that town hall scheme is on again."

"Oh!" said George, depositing his hat and gloves and strolling into the principals' room. "Good morning, Mr. Orgreave. Got the conditions there?" For a moment his attitude of interest was a pose, but very quickly it became sincere. Astonishing how at sight of a drawing-board and a problem he could forget all that lay beyond them! He was genuinely and extremely disturbed by the course of affairs at Chelsea; nevertheless he now approached Mr. Orgreave and Lucas with eagerness, and Chelsea slipped away into another dimension.

"No," said John Orgreave, "the conditions aren't out yet. But it's all right this time. I know for a fact."

The offices of all the regular architectural competitors in London were excited that morning. For the conception of the northern town hall was a vast one. Indeed, journalists had announced, from their mysterious founts of information, that the town hall would be the largest public building erected in England during half a century. The scheme had been the sport of municipal politics for many months, for years. Apparently it could not get itself definitely born. And now the Town Clerk's wife had brought about the august parturition. It is true that her agency was unintentional. The Town Clerk had belonged to a powerful provincial dynasty of town clerks. He had the illusion that without him a great town would cease to exist. There was nothing uncommon in this illusion, which indeed is rife among town clerks; but the Town Clerk in question had the precious faculty of being able to communicate it to mayors, aldermen, and councillors. He was a force in the municipal council. Voteless, he exercised a moral influence over votes. And he happened to be opposed to the scheme for the new town hall. He gave various admirable reasons for the postponement of the scheme, but he never gave the true reasons, even to himself. The true reasons were, first, that he hated and detested the idea of moving office, and, second, that he wanted acutely to be able to say in the fullness of years that he had completed half a century of municipal work in one and the same room. If the pro-scheme party had had the wit to invent a pretext for allowing the Town Clerk to remain in the old municipal buildings, the scheme would instantly have taken life. The Town Clerk, being widowed, had consoled himself with a young second wife. This girl adored dancing; the Town Clerk adored her; and therefore where she danced he deemed it prudent to attend. Driving home from a January ball at 4 a.m. the Town Clerk had caught pneumonia. In a week he was dead, and his dynasty with him. In a couple of months the pro-scheme party had carried the council off its feet. Such are the realities, never printed in newspapers, of municipal politics in the grim north.

Sketches of the site had appeared in the architectural press. John Orgreave and Lucas were pencilling in turn upon one of these, a page torn out of a weekly. George inserted himself between them, roughly towards Lucas and deferentially towards Mr. John.

"But you've got the main axis wrong!" he exclaimed.

"How, wrong?" John Orgreave demanded.

"See here—give me the pencil, Looc."

George felt with a little thrill of satisfaction the respect for him which underlay John Orgreave's curt tone of a principal—and a principal from the Midlands. He did not miss, either, Lucas's quick, obedient, expectant gesture in surrendering the pencil. Ideas for the plan of the building sprang up multitudinously in his mind. He called; they came. He snatched towards him a blank sheet of tracing-paper, and scrawled it over with significant lines.

"That's my notion. I thought of it long ago," he said. "Or if you prefer—"

The other two were impressed. He himself was impressed. His notion, which he was modifying and improving every moment, seemed to him perfect and ever more perfect. He was intensely and happily stimulated in the act of creation; and they were all three absorbed.

"Why hasn't my desk been arranged?" said a discontented voice behind them. Mr. Enwright had arrived by the farther door from the corridor.

Lucas glanced up.

"I expect Haim hasn't come again to-day," he answered urbanely, placatingly.

"Why hasn't he come?"

"I hear his wife's very ill," said George.

"Who told you?"

"I happened to be round that way this morning."

"Oh! I thought all was over between you two."

George flushed. Nothing had ever been said in the office as to his relations with Haim, though it was of course known that George no longer lodged with the factotum. Mr. Enwright, however, often had disconcerting intuitions concerning matters to which Mr. Orgreave and Lucas were utterly insensible.

"Oh no!" George haltingly murmured.

"Well, this is all very well, this is——!" Mr. Enwright ruthlessly proceeded, beginning to marshal the instruments on his desk.

He had been a somewhat spectacular martyr for some time past. A mysterious facial neuralgia had harried his nights and days. For the greater part of a week he had dozed in an arm-chair in the office under the spell of eight tabloids of aspirin per diem. Then a specialist had decided that seven of his side teeth, already studded with gold, must leave him. Those teeth were not like any other person's teeth, and in Mr. Enwright's mind the extracting of them had become a major operation, as, for example, the taking off of a limb. He had spent three days in a nursing home in Welbeck Street. His life was now saved, and he was a convalescent, and passed several hours daily in giving to friends tragi-farcical accounts of existence in a nursing home. Mr. Enwright's career was one unending romance.

"I was just looking at that town hall affair," said John Orgreave.

"What town hall?" his partner snapped.

"The town hall," answered the imperturbable John. "George here has got an idea."

"I suppose you know Sir Hugh Corver, Bart., is to be the assessor," said Mr. Enwright in a devastating tone.

Sir Hugh Corver, formerly a mere knight, had received a baronetcy, to Mr. Enwright's deep disgust. Mr. Enwright had remarked that any decent-minded man who had been a husband and childless for twenty-four years would have regarded the supplementary honour as an insult, but that Sir Hugh was not decent-minded and, moreover, was not capable of knowing an insult when he got one. This theory of Mr. Enwright's, however, did not a bit lessen his disgust.

"Oh yes," John Orgreave admitted lamely.

"I for one am not going in for any more competitions with Corver as assessor," said Mr. Enwright. "I won't do it."

Faces fell. Mr. Enwright had previously published this resolve, but it had not been taken quite seriously. It was entirely serious. Neuralgia and a baronetcy had given it the consistency of steel.

"It isn't as if we hadn't got plenty of work in the office," said Mr. Enwright.

This was true. The firm was exceedingly prosperous.

Nobody else spoke.

"What can you expect from a fellow like Corver?" Mr. Enwright cried, with a special glance at George. "He's the upas-tree of decent architecture."

George's mood changed immediately. Profound discouragement succeeded to his creative stimulation. Mr. Enwright had reason on his side. What could you expect from a fellow like Corver? With all the ardour of a disciple George dismissed the town hall scheme, and simultaneously his private woes surged up and took full possession of him. He walked silently out of the room, and Lucas followed. As a fact, Mr. Enwright ought not to have talked in such a way before the pupils. A question of general policy should first have been discussed in private between the partners, and the result then formally announced to the staff. Mr. Enwright was not treating his partner with proper consideration. But Mr. Enwright, as every one said at intervals, was 'like that'; and his partner did not seem to care greatly.

Lucas shut the door between the principals' room and the pupils' room.

"I say," said Lucas importantly. "I've got a show on to-night. Women. Cafe Royal. I want a fourth. You must come."

"Yes," sneered George. "And what about my exam., I should like to know.... Besides, I can't."

The Final was due to begin on Thursday.

"That's all right," Lucas answered, with tact. "That's all right. I'd thought of the exam., of course. You'll have to-morrow to recover. It'll do you all the good in the world. And you know you're more than ready for the thing. You don't want to be overtrained, my son. Besides, you'll sail through it. As for 'can't,' 'can't' be damned. You've got to."

A telegraph boy, after hesitating at the empty cubicle, came straight into the room.

"Name of Cannon?"

George nodded, trembling.

The telegram read:

"Impossible to-day.—MARGUERITE."

It was an incredible telegram, as much by what it said as by what it didn't say. It overthrew George.

"Seven forty-five, and I'll drive you round," said Lucas.

"Tis well," said George.

Immediately afterwards Mr. Enwright summoned Lucas.

IV

The two young men of fashion were silent that evening as they drove to the Cafe Royal in the car which Lucas loosely called 'my car,' but which was his mother's and only to be obtained by him upon his own conditions after delicate diplomacies. The chief of his conditions was that the chauffeur should not accompany the car. Lucas, having been engaged upon outdoor work for the firm, had not seen George throughout the day. Further, he was late in calling for George, and therefore rather exacerbated in secret; and if George had not been ready and waiting for him at the club trouble might have arisen. George understood his host's mood and respected it. Lucas drove rapidly and fiercely, with appropriate frowns and settings of cruel teeth; his mien indeed had the arrogance of the performer who, having given only a fraction of his time to the acquirement of skill, reckons that he can beat the professional who has given the whole of his time. Lucas's glances at chauffeurs who hindered his swiftness were masterpieces of high disdain, and he would accelerate, after circumventing them, with positive ferocity.

George himself, an implacable critic, could not find fault with the technique of Lucas's driving. But exacerbation tells, even in the young, and at Piccadilly Circus, Lucas, in obeying a too suddenly uplifted hand of a policeman, stopped his engine. The situation, horribly humiliating for Lucas and also for George, provided pleasure for half the chauffeurs and drivers in Piccadilly Circus, and was the origin of much jocularity of a kind then fairly new. Lucas cursed the innocent engine, and George leapt down to wield the crank. But the engine, apparently resenting curses, refused to start again. No, it would not start. Lucas leapt down too. "Get out of the way," he muttered savagely to George, and scowled at the bonnet as if saying to the engine: "I'm not going to stand any of your infernal nonsense!" But still the engine refused to start.

The situation, humiliating before, was now appalling. Two entirely correct young gentlemen, in evening dress, with light overcoats and opera hats, struggling with a refractory car that in its obstinacy was far more dignified than themselves—and the car obstructing traffic at the very centre of the world in the very hour when the elect of Britain were driving by on the way to Tristan at the Opera! Sebastians both, they were martyrized by the poisoned arrows of vulgar wit, shot at them from all sides and especially from the lofty thrones of hansom-cab drivers. The policeman ordered them to shove the car to the kerb, and with the aid of a boy and the policeman himself they did so, opposite the shuttered front of Swan & Edgar's.

The two experts then examined the engine in a professional manner; they did everything but take it down; they tried in vain all known devices to conquer the recalcitrancy of engines; and when they had reached despair and fury George, startlingly visited by an idea, demanded:

"Any petrol in the tank?..." In those days men of fashion were apt to forget, at moments of crisis, that the first necessity of the engine was petrol. George behaved magnanimously. He might have extinguished Lucas with a single inflection as Lucas, shamed to the uttermost, poured a spare half-tin of petrol into the tank. He refrained.

In one minute, in less than one minute, they were at the side entrance to the Cafe Royal, which less than a minute earlier had been inconceivably distant and unattainable. Lucas dashed first into the restaurant. To keep ladies waiting in a public place was for him the very worst crime, surpassing in turpitude arson, embezzlement, and the murder of innocents. The ladies must have been waiting for a quarter of an hour, half an hour! His reputation was destroyed!

However, the ladies had not arrived.

"That's all right," Lucas breathed, at ease at last. The terrible scowl had vanished from his face, which was perfectly recomposed into its urbane, bland charm.

"Now perhaps you'll inform me who they are, old man," George suggested, relinquishing his overcoat to a flunkey, and following Lucas into the cloister set apart for the cleansing of hands which have meddled with machinery.

"The Wheeler woman is one—didn't I tell you?" Lucas answered, unsuccessfully concealing his pride.

"Wheeler?"

"Irene Wheeler. You know."

George was really impressed. Lucas had hitherto said no word as to his acquaintance with this celebrated woman. It was true that recently Lucas had been spreading himself in various ways—he had even passed his Intermediate—but George had not anticipated such a height of achievement as the feat of entertaining at a restaurant a cynosure like Irene Wheeler. George had expected quite another sort of company at dinner, for he had publicly dined with Lucas before. All day he had been abstracted, listless, and utterly desolate. All day he had gone over again and again the details of the interview with Mr. Haim, his telegram to Marguerite and her unspeakable telegram to him, hugging close a terrific grievance. Only from pique against Marguerite had he accepted Lucas's invitation. The adventure in Piccadilly Circus had somewhat enlivened him, and now the fluttering prospect of acquaintance with the legendary Irene Wheeler pushed Marguerite into the background of his mind, and excitement became quite pleasant. "And a Miss Ingram," Lucas added.

"Not Lois Ingram?" exclaimed George, suddenly dragging the names of Ingram and Wheeler out of the same drawer of his memory.

"No. Laurencine. But she has a sister named Lois. What do you know about her?" Lucas spoke challengingly, as if George had trespassed on preserves sacred to himself alone. He had not yet admitted that it was merely Mrs. John Orgreave who had put him in the way of Irene Wheeler.

George was surprised and shocked that it had never occurred to him to identify Lois Ingram's wealthy friend Miss Wheeler with the Irene Wheeler of society columns of newspapers. And Lois Ingram rose in his esteem, not because of the distinction of her friend, but because she had laid no boastful stress on the distinction of her friend.

"Don't you remember?" he said. "I told you once about a girl who jolly nearly got me into a motor accident all through her fancying herself as a chauffeur. That was Lois Ingram. Paris girl. Same lot, isn't it?"

"Oh! Was that Lois?" Lucas murmured. "Well, I'm dashed!"

They returned in a hurry to the entrance-hall, fearful lest the ladies might have arrived. However, the ladies had not arrived. Lucas had the inexpressible satisfaction of finding in an illustrated weekly a full-page portrait of Miss Irene Wheeler.

"Here you are!" he ejaculated, with an air of use, as though he was habitually picking up from the tables of fashionable restaurants high-class illustrated papers containing portraits of renowned beauties to whom he said "Come!" and they came. It was a great moment for Lucas.

Ten minutes later the ladies very calmly arrived, seeming perfectly unaware that they were three-quarters of an hour behind time. Lucas felt that, much as he already knew about life, he had learned something fresh.

To George, Irene Wheeler was not immediately recognizable as the original of her portrait. He saw the resemblance when he looked for it, but if after seeing the photograph he had met the woman in the street he would have passed her by unknowing. At first he was disappointed in her. He had never before encountered celebrated people—except architects, who, Enwright always said, never could be really celebrated—and he had to learn that celebrated people seldom differ in appearance from uncelebrated people. Nevertheless it was not to be expected that George should escape where the most experienced and the most wary of two capitals had not escaped. He did not agree that she was beautiful, but her complexion enthralled him. He had never seen such a complexion; nobody had ever seen such a complexion. It combined extremely marvellous whites and extremely marvellous pinks, and the skin had the exquisite, incredible softness of a baby's. Next he was struck by her candid, ingenuous, inquiring gaze, and by her thin voice with the slight occasional lisp. The splendid magnificence of her frock and jewels came into play later. Lastly her demeanour imposed itself. That simple gaze showed not the slightest diffidence, scarcely even modesty; it was more brazen than effrontery. She preceded the other three into the restaurant, where electricity had finally conquered the expiring daylight, and her entry obviously excited the whole room; yet, guided by two waving and fawning waiters, and a hundred glances upon her, she walked to the appointed table without a trace of self-consciousness—as naturally as a policeman down a street. When she sat down, George on her right, Lucas on her left, and the tall, virginal Laurencine Ingram opposite, she was the principal person in the restaurant. George had already passed from disappointment to an impressed nervousness. The inquisitive diners might all have been quizzing him instead of Irene Wheeler. He envied Lucas, who was talking freely to both Miss Wheeler and Laurencine about what he had ordered for dinner. That morning over a drawing-board and an architectural problem, Lucas had been humble enough to George, and George by natural right had laid the law down to Lucas; but now Lucas, who—George was obliged to admit—never said anything brilliant or original, was outshining him.... It was unquestionable that in getting Irene Wheeler to dinner, Lucas, by some mysterious talent which he possessed, had performed a feat greater even than George had at first imagined—a prodigious feat.

George waited for Irene Wheeler to begin to talk. She did not begin to talk. She was content with the grand function of existing. Lucas showed her the portrait in the illustrated paper, which he had kept. She said that it was comparatively an old one, and had been taken at the Durbar in January. "Were you at the Durbar?" asked the simpleton George. Irene Wheeler looked at him. "Yes. I was in the Viceroy's house-party," she answered mildly. And then she said to Lucas that she had sat three times to photographers that week—"They won't leave me alone"—but that the proofs were none of them satisfactory. At this Laurencine Ingram boldly and blushingly protested, maintaining that one of them was lovely. George was attracted to Laurencine, in whom he saw no likeness to her sister Lois. She could not long have left school. She was the product finished for the world; she had been taught everything that was considered desirable—even to the art of talking easily and yet virginally on all subjects at table; and she was a nice, honest, handsome girl, entirely unspoilt by the mysterious operations practised upon her. She related how she had been present when a famous photographer arrived at Miss Wheeler's flat with his apparatus, and what the famous photographer had said. The boys laughed. Miss Wheeler smiled faintly. "I'm glad we didn't have to go to that play to-night," she remarked, quitting photography. "However, I shall have to go to-morrow night. And I don't care for first nights in London, only they will have me go." In this last phrase, and in the intonation of it, was the first sign she had given of her American origin; her speech was usually indistinguishable from English English, which language she had in fact carefully acquired years earlier. George gathered that Lucas's success in getting Miss Wheeler to dinner was due to the accident of a first night being postponed at the last moment and Miss Wheeler thus finding herself with an empty evening. He covertly examined her. Why was the feat of getting Miss Wheeler to dinner enormous? Why would photographers not leave her alone? Why would theatrical managers have her accept boxes gratis which they could sell for money? Why was she asked to join the Viceregal party for the Durbar? Why was the restaurant agog? Why was he himself proud and flattered—yes, proud and flattered—to be seen at the same table with her?... She was excessively rich, no doubt; she was reputed to be the niece of a railway man in Indianapolis who was one of the major rivals of Harriman. She dressed superbly, perhaps too superbly. But there were innumerable rich and well-dressed women on earth. After all, she put her gold bag and her gloves down on the table with just the same gesture as other women did; and little big Laurencine had a gold bag too. She was not witty. He questioned whether she was essentially kind. She was not young; her age was an enigma. She had not a remarkable figure, nor unforgettable hair, nor incendiary eyes. She seemed too placid and self-centred for love. If she had loved, it must have been as she sat to photographers or occupied boxes on first nights—because 'they' would have it so. George was baffled to discover the origin of her prestige. He had to seek it in her complexion. Her complexion was indubitably miraculous. He enjoyed looking at it, though he lacked the experience to know that he was looking at a complexion held by connoisseurs who do naught else but look at complexions to be a complexion unique in Europe. George, unsophisticated, thought that the unaffected simplicity—far exceeding self-confidence—with which she acquiesced in her prestige was perhaps more miraculous than her complexion. It staggered him.

The dinner was a social success. Irene Wheeler listened adroitly, if without brilliance, and after one glass of wine George found himself quite able to talk in the Enwright manner about architecture and the profession of architecture, and also to talk about automobiles. The casualness with which he mentioned his Final Examination was superb—the examiners might have been respectfully waiting for him to arrive and discomfit them. But of course the main subject was automobiles. Even Laurencine knew the names of all the leading makers, and when the names of all the leading makers had been enumerated and their products discussed, the party seemed to think that it had accomplished something that was both necessary and stylish. When the tablecloth had been renewed, and the solemn moment came for Everard Lucas to order liqueurs, George felt almost gay. He glanced round the gilded and mirrored apartment, now alluringly animated by the subdued yet vivacious intimacies of a score of white tables, and decided that the institution of restaurants was a laudable and agreeable institution. Marguerite had receded further than ever into the background of his mind; and as for the Final, it had diminished to a formality.

"And you?" Everard asked Laurencine, after Miss Wheeler.

George had thought that Laurencine was too young for liqueurs. She had had no wine. He expected her to say 'Nothing, thanks,' as conventionally as if her late head mistress had been present. But she hesitated, smiling, and then, obedient to the profound and universal instinct which seems to guide all young women to the same liqueur, she said:

"May I have a creme de menthe? I've never had creme de menthe."

George was certainly shocked for an instant. But no one else appeared to be shocked. Miss Wheeler, in charge of Laurencine, offered no protest. And then George reflected: "And why not? Why shouldn't she have a creme de menthe?" When Laurencine raised the tiny glass to her firm, large mouth, George thought that the sight of the young virginal thing tasting a liqueur was a fine and a beautiful sight.

"It's just heavenly!" murmured Laurencine ecstatically.

Miss Wheeler was gazing at George.

"What's the matter?" he demanded, smiling, and rested one elbow on the table and looked enigmatically through the smoke of his cigar.

"I was just wondering about you," said Miss Wheeler. Her voice, always faint, had dropped to a murmur which seemed to expire as it reached George's ear.

"Why?" He was flattered.

"I've been wanting to see you."

"Really!" he laughed, rather too loudly. "What a pity I didn't know earlier!" He was disturbed as well as flattered, for such a remark from such a person as Irene Wheeler to such a person as himself was bound to be disturbing. His eyes sought audaciously to commune with hers, but hers were not responsive; they were entirely non-committal.

"You are the man that wouldn't let my friend Lois drive him in my car, aren't you?"

"Yes," he said defiantly, but rather guiltily. "Did she tell you about that? It's an awful long time ago."

"She told me something about it."

"And you've remembered it all this long while!"

"Yes," she answered, and her thin, queer tone and her tepid, impartial glance had the effect of a challenge to him to justify himself.

"And don't you think I was quite right?" he ventured.

"She drives very well." It was not the sort of answer he was expecting. His desire was to argue.

"She didn't drive very well then," he said, with conviction.

"Was that a reason for your leaving her to drive home alone?"

Women were astounding!

"She ought to have let the chauffeur drive," he maintained.

"Ah! A man mustn't expect too much from a woman."

"But I was risking my life in that car! Do you mean to say I ought to have kept on risking it?"

"I don't express any opinion on that. That was for you to decide.... You must admit it was very humiliating for poor Lois."

He felt himself cornered, but whether justly or unjustly he was uncertain.

"Was she vexed?"

"No, she wasn't vexed. Lois isn't the woman to be vexed. But I have an idea she was a little hurt."

"Did she say so?"

"Say so? Lois? She'd never say anything against anybody. Lois is a perfect angel.... Isn't she, Laurencine?"

Laurencine was being monopolized by Everard.

"What did you say?" the girl asked, collecting herself.

"I was just saying what an angel Lois is."

"Oh, she is!" the younger sister agreed, with immense and sincere emphasis.

George, startled, said to himself suddenly:

"Was I mistaken in her? Some girls you are mistaken in! They're regular bricks, but they keep it from you at first."

Somehow, in spite of a slight superficial mortification, he was very pleased by the episode of the conversation, and his curiosity was titillated.

"Lois would have come to-night instead of Laurencine," Miss Wheeler went on, "only she wasn't feeling very well."

"Is she in London? I've only seen her once from that day to this, and then we didn't get near each other owing to the crush. So we didn't speak. It was at Mrs. Orgreave's."

"Yes, I know."

"Did she tell you?"

"Yes."

"Is she at your flat?"

"Yes; but she's not well."

"Not in bed, I hope, or anything like that?"

"Oh no! She's not in bed."

Laurencine threw laughingly across the table:

"She's as well as I am."

It was another aspect of the younger sister.

When they left the restaurant it was nearly empty. They left easily, slowly, magnificently. The largesse of Everard Lucas—his hat slightly raked—in the foyer and at the portico was magnificent in both quantity and manner. There was no need to hurry; the hour, though late for the end of dinner, was early for separation. They moved and talked without the slightest diffidence, familiar and confident; the whole world was reformed and improved for them by the stimulus of food and alcohol. The night was sultry and dark. The two women threw their cloaks back from their shoulders, revealing the whiteness of toilettes. At the door the head-lights of Miss Wheeler's automobile shot horizontally right across Regent Street. The chauffeur recognized George, and George recognized the car; he was rather surprised that Miss Wheeler had not had a new car in eighteen months. Lucas spoke of his own car, which lay beyond in the middle of the side-street like a ship at anchor. He spoke in such a strain that Miss Wheeler deigned to ask him to drive her home in it. The two young men went to light the head-lights. George noticed the angry scowl on Everard's face when three matches had been blown out in the capricious breeze. The success of the fourth match restored his face to perfect benignity. He made the engine roar triumphantly, imperiously sounded his horn, plunged forward, and drew the car up in front of Miss Wheeler's. His bliss, when Miss Wheeler had delicately inserted herself into the space by his side, was stern and yet radiant. The big car, with George and Laurencine on board, followed the little one like a cat following a mouse, and Laurencine girlishly interested herself in the chase. George, with his mind on Lois, kept saying to himself: "She's been thinking about that little affair ever since last November but one. They've all been thinking about it." He felt apprehensive, but his satisfaction amounted to excitement. His attitude was: "At any rate I gave them something to think about!" Also he breathed appreciatively the atmosphere of the three women—two seen and one unseen. How extraordinarily different all of them were from Agg! They reminded him acutely of his deep need of luxury. After all, the life lived by those two men about town, George and Everard, was rather humdrum and monotonous. In spite of Everard's dash, and in spite of George's secret engagement, neither of them met enough women or enough sorts of women. George said to himself: "I shall see her to-night. We shall go up to the flat. She isn't in bed. I shall see her to-night." He wanted to see her because he had hurt her, and because she had remembered and had talked about him and had raised curiosity about him in others. Was she really unwell? Or had she been excusing herself! Was she an angel? He wanted to see her again in order to judge for himself whether she was an angel. If Laurencine said she was an angel she must be an angel. Laurencine was a jolly, honest girl. To be in the car with her was agreeable. But she was insipid. So he assessed the splendidly budding Laurencine, patronizing her a little. Miss Wheeler gave him pause. Her simple phrases had mysterious intonations. He did not understand her glance. He could not settle the first question about her—her age. She might be very wicked; certainly she could be very ruthless. And he had no hold over her. He could give her nothing that she wanted. He doubted whether any man could.

"Have you been in London long?" he asked Laurencine.

"A week," she said. "I came over with Miss Wheeler. I didn't think mother would let me, but she did."

"And did your sister come with you?"

"No; Lois only came yesterday."

"By herself?"

"Yes."

"I suppose you go about a lot?"

"Oh, we do It's such a change from Paris."

"Well, I should prefer Paris."

"You wouldn't! London's much more romantic. Paris is so hard and matter-of-fact."

"So's London."

She squirmed about lissomly on the seat.

"You don't know what I mean," she said. "I never can make people see what I mean—about anything."

He smiled indulgently and dropped the point.

"Miss Wheeler taken you to Mrs. Orgreave's yet?"

"Yes; we were there on Saturday afternoon."

"Well, what do you think of Mrs. Orgreave?"

"Oh! She's very nice," Laurencine answered, with polite tepidity; and added eagerly: "Mr. Orgreave's a dear."

George was glad that she had not been enthusiastic about Mrs. Orgreave. Her reserve showed that she could discriminate. Ecstasy was not altogether a habit. If she said that Lois was an angel, Lois probably was an angel.

The cars stopped at the foot of a huge block of masonry in a vast leafy square. George suddenly became very nervous. He thought: "I shall be seeing her in a minute."

Then, as he got out of the car, he heard Miss Wheeler saying to Lucas:

"Well, good night. And thank you so much. It's been most delightful.... We expect you soon, of course."

She actually was not asking them to go up! George was excessively disappointed. He watched Miss Wheeler and Laurencine disappear into the rich and guarded interior with envy, as though they had entered a delectable paradise to which he could not aspire; and the fact that Miss Wheeler had vaguely invited him to call did not brighten him very much. He had assumed that he would see Lois the angel that night.

V

The young men finished the evening at Pickering's. Pickering's was George's club. George considered, rightly, that in the matter of his club he had had great luck. Pickering's was a small club, and it had had vicissitudes. Most men whose worldly education had been completed in St. James's were familiar with its historical name, but few could say off-hand where it was. Its address was Candle Court, and Candle Court lay at the end of Candle Alley (a very short passage), between Duke Street and Bury Street. The Court was in fact a tiny square of several houses, chiefly used by traders and agents of respectability—as respectability is understood in St. James's; it had a lamp-post of its own. The report ran, and was believed by persons entitled to an opinion, that the Duke of Wellington had for some years hidden there the lovely desire of his heart from an inquisitive West End. Pickering's had, of course, originally been a coffee-house; later, like many other coffee-houses in the neighbourhood, it had developed into a proprietary club. Misfortunes due to the caprices of taste and to competition had brought about an arrangement by which the ownership was vested in a representative committee. The misfortunes had continued, and at the beginning of the century a crisis was reached, and Pickering's tried hard to popularize itself, thereby doing violence to its feelings. Rules were abated, and the entrance-fee fell. It was in this period that Everard Lucas, whose ears were always open for useful items, heard of it and suggested it to George. George wanted to join Lucas's club, which was in St. James's Street itself, but Lucas wisely pointed out that if they belonged to different clubs each would in practice have two clubs. Moreover, he said that George might conceivably get a permanent bedroom there. The first sight of the prim, picturesque square, the first hint of scandal about the Duke of Wellington, decided George. It was impossible for a man about town to refuse the chance of belonging to a club in a Court where the Duke of Wellington had committed follies.

George was proposed, seconded, and duly elected, together with other new blood. Some of the old blood naturally objected, but the feud was never acute. Solely owing to the impression which his young face made on the powerful and aged hall-porter, George obtained a bedroom. It was small, and at the top of the house; but it was cheap, it solved the even more tiresome and uncomfortable problem of lodging; and further it was a bedroom at Pickering's, and George could say that he lived at his club—an imposing social advantage. He soon learnt how to employ the resources of the club for his own utmost benefit. Nobody could surpass him in choosing a meal inexpensively. He could have his breakfast in his bedroom for tenpence, or even sixpence when his appetite was poor. He was well served by a valet who apparently passed his whole life on stairs and landings. This valet, courteous rather in the style of old Haim, had a brain just equal to the problems presented by his vocation. Every morning George would say: "Now, Downs, how soon can I have my bath?" or "Now, Downs, what can I have for breakfast?" And Downs would conscientiously cerebrate, and come forth after some seconds with sound solutions, such as: "I'll see if I can put you in before Mr. de Gales if you're in a hurry, sir," or "Scrambled eggs, sir—it'll make a bit of a change." And when George agreed, Downs would exhibit a restrained but real satisfaction. Yes, George had been very lucky. The club too was lucky. The oldest member, who being paralysed had not visited the club for eleven years, died and bequeathed ten thousand pounds to the institution where he had happily played cards for several decades. Pickering's was refurnished, and the stringency of its rules re-established. The right wing of the committee wished that the oldest member could have managed to die a year or two earlier and so obviated the crisis. It was recognized, however, by the more reasonable, that you cannot have everything in this world.

Pickering's was very dull; but it was still Pickering's. George was often bored at Pickering's. He soon reached the stage at which a club member asserts gloomily that the club cookery is simply damnable. Nevertheless he would have been desolated to leave Pickering's. The place was useful to him in another respect than the purely material. He learnt there the code which governs the familiar relations of men about town.

On the night of the Cafe Royal dinner, George and Lucas reclined in two easy chairs in the inner smoking-room of Pickering's. They were alone. Through the wide archway that marked the division between the inner and the outer smoking-rooms they could see one solitary old gentleman dozing in an attitude of abandonment, a magazine on his knees. Ash-trays were full of ash and cigarette ends and matches. Newspapers were scattered around, some folded inside out, some not folded, some whose component sheets had been divided for ever like the members of a ruined family. The windows were open, and one gave a view of the Court's watchful lamp-post, and the other of the house—now occupied by an art dealer and a commission agent—where the Duke had known both illusion and disillusion. The delicate sound of the collision of billiard-balls came from somewhere, and the rat-tatting of a tape-machine from somewhere else. The two friends had arrived at the condition of absolute wisdom and sagacity and tolerance which is apt to be achieved at a late hour in clubs by young and old men who have discussed at length the phenomena of society.

"Well, I must be toddling," said Lucas, yawning as he looked idly at the coloured horses on each wall who were for ever passing winning-posts or soaring over bullfinches or throwing riders into brooks.

"Here! Hold on!" George protested. "It's early."

"Is it?"

They began again to smoke and talk.

"Nice little thing, What's-her-name! What's her funny name?"

"Laurencine, do you mean? Yes." Lucas spoke coldly, with a careful indifference. George, to whom insight had not been denied, understood that Everard did not altogether care for Laurencine to be referred to as a little thing, that he had rendered Laurencine sacred by his secret approval.

"I say," said George, sitting up slightly, and increasing the intimacy of his tone, "devilish odd, wasn't it, that the Wheeler woman didn't ask us up?"

Hitherto they had avoided this question in their profound gossip. It had lain between them untouched, like a substance possibly dangerous and explosive. Yet they could not have parted without touching it, and George, with characteristic moral courage or rashness, had touched it first. Lucas was of a mind to reply succinctly that the Wheeler woman's conduct was not a bit devilish odd. But sincerity won. The dismissal at the entrance to the Mansions had affected him somewhat deeply. It had impaired the perfection of his most notable triumph. The temptation to release his feelings was too strong.

"Well, if you ask me," he answered, it was. After a little pause he went on:

"Especially seeing that she practically asked me to ask them to dinner." His nice features loosened to dissatisfaction. "The deuce she did!"

"Yes! Practically asked me! Anyhow, gave me the tip What can you do?" He implied that, far from deriving unique and unhoped-for glory from the condescension of Irene Wheeler in consenting to dine with him, he had conferred a favour on her by his invitation. He implied that brilliant women all over London competed for his invitations. His manner was entirely serious; it probably deceived even himself. George's manner corresponded, instinctively, chivalrously; but George was not deceived—at any rate in the subconscious depth of his mind.

"Exactly!" murmured George.

"Yes" said Lucas. "She said: 'I could bring Laurencine with me, if you can get another man. That would make a four.' She said she wanted to wake Laurencine up."

"Did you tell her you should ask me?" George questioned.

"Oh! She seemed to know all about you, my boy."

"Well, but she couldn't know all about me," said George insincerely. "Well, if you want to know then, she suggested I should ask you."

"But she'd never seen me!"

"She's heard of you. Mrs. Orgreave, I expect."

"Odd!... Odd!" George now pretended to be academically assessing an announcement that had no intrinsic interest for him. In reality he was greatly excited.

"Well you know what those sort of women are!" Lucas summed up wisely, as if referring to truths of knowledge common among men of their kidney.

"Oh, of course!"

The magazine slid from the knees of the sleeper. The sleeper snorted and woke up. The spell was broken. Lucas rose suddenly. "Bye-bye!" He was giving an ultimatum as to his departure.

George rose also, but slowly.

"All that doesn't explain why she didn't ask us up," said he.

But in his heart he thought he knew why Miss Wheeler hadn't asked them up. The reason was that she maliciously wanted to tantalize him, George. She had roused his curiosity about Lois, and then she had said to herself: "You think you're going to see her to-night, but you just aren't." Such, according to George, was Irene Wheeler the illustrious. He reflected on the exasperating affair until he had undressed and got into bed. But as soon as he had put out the light Marguerite appeared before him, and at the back of her were the examiners for the Final. He slept ill.



CHAPTER VII

THE RUPTURE

I

During the whole of the next day George waited for a letter from Marguerite. There was nothing at the club by the first post; he went to the office, hoping that as he had addressed his telegram from Russell Square she might have written to Russell Square; there was nothing at Russell Square. At lunch-time no word had arrived at the club; when the office closed no word had arrived at the office; the last post brought nothing to the club. He might have sent another telegram to Alexandra Grove, but he was too proud to do so. He dined alone and most miserably at the club. Inspired by unhappiness and resentment, he resolved to go to bed; in bed he might read himself to sleep. But in the hall of the club his feet faltered. Perhaps it was the sight of hats and sticks that made him vacillate, or a glimpse of reluctantly dying silver in the firmament over Candle Court. He wavered; he stood still at the foot of the stairs. The next moment he was in the street. He had decided to call on Agg at the studio. Agg might have the clue to Marguerite's astounding conduct, though he had it not. He took a hansom, after saying he would walk; he was too impatient for walking. Possibly Marguerite would be at the studio; possibly a letter of hers had miscarried; letters did miscarry. He was in a state of peculiar excitement as he paid the cabman—an enigma to himself.

The studio was quite dark. Other studios showed lights, but not Agg's. From one studio came the sound of a mandolin—he thought it was a mandolin—and the sound seemed pathetic, tragic, to his ears. Agg was perhaps in bed; he might safely arouse her; she would not object. But no! He would not do that. Pride again! It would be too humiliating for him, the affianced, to have to ask Agg: "I say, do you know anything about Marguerite?" The affianced ought to be the leading authority as to the doings of Marguerite. He turned away, walked a little, and perceived the cabman swinging himself cautiously down from his perch in order to enter a public-house. He turned back. Marguerite too might be in bed at the studio. Or the girls might be sitting in the dark, talking—a habit of theirs.... Fanciful suppositions! At any rate he would not knock at the door of the studio, would not even enter the alley again. What carried him into the Fulham Road and westwards as far as the Workhouse tower and the corner of Alexandra Grove? Feet! But surely the feet of another person, over which he had no control! He went in the lamplit dimness of Alexandra Grove like a thief; he crept into it. The silver had not yet died out of the sky; he could see it across the spaces between the dark houses; it was sad in exactly the same way as the sound of the mandolin had been sad.

What did he mean to do in the Grove? Nothing! He was just walking in it by chance. He could indeed do nothing. For if he rang at No. 8 old Haim would again confront him in the portico. He passed by No. 8 on the opposite side of the road. No light showed, except a very dim glow through the blind of the basement window to the left of the front door. Those feet beneath him strolled across the road. The basement window was wide open. The blind being narrower than the window-frame, he could see, through the railings, into the room within. He saw Marguerite. She was sitting, in an uncomfortable posture, in the rather high-seated arm-chair in which formerly, when the room was her studio, she used to sit at her work. Her head had dropped, on one shoulder. She was asleep. On the table a candle burned. His heart behaved strangely. He flushed. All his flesh tingled. The gate creaked horribly as he tiptoed into the patch of garden. He leaned over the little chasm between the level of the garden and the window, and supported himself with a hand on the lower sash. He pushed the blind sideways with the other hand.

"Marguerite!" in a whisper. Then louder: "Marguerite!"

She did not stir. She was in a deep sleep. Her hands hung limp. Her face was very pale and very fatigued. She liberated the same sadness as the sound of the mandolin and the gleam of silver in the June sky, but it was far more poignant. At the spectacle of those weary and unconscious features and of the soft, bodily form, George's resentment was annihilated. He wondered at his resentment. He was aware of nothing in himself but warm, protective love. Tenderness surged out from the impenetrable secrecy of his heart, filled him, overflowed, and floated in waves towards the sleeper. In the intense sadness, and in the uncertainty of events, he was happy.

An older man might have paused, but without hesitancy George put his foot on the window-sill, pushed down the window farther, and clambered into the room in which he had first seen Marguerite. His hat, pressing backward the blind, fell off and bounced its hard felt on the floor, which at the edges was uncarpeted. The noise of the hat and the general stir of George's infraction disturbed Marguerite, who awoke and looked up. The melancholy which she was exhaling suddenly vanished. Her steady composure in the alarm delighted George.