Behind, in the village, frightened people flocked about the tailor-shop. Within, Mrs. Flynn and the Notary crudely but tenderly bound up the dreadful wound in Charley's side, while Rosalie pillowed his head on her bosom.

With a strange quietness Rosalie gave orders to the Notary and Mrs. Flynn. There was a light in her eyes—an unnatural light—of strength and presence of mind. Her hand was steady, and as gently as a mother with a child she wiped the moist forehead, and poured a little brandy between the set teeth.

"Stand back—give him air," she said, in a voice of authority to those who crowded round.

People fell back in awe, for, amid tears and excitement and fear, this girl had a strange convincing calm. By the time Charley's wound was stopped, messengers were on the way to the Cure and the Seigneur. By Rosalie's instructions the dead body of the robber was removed, Charley's bed up-stairs was prepared for him, a fire was lighted, and twenty hands were ready to do accurately her will. Now and again she felt his pulse, and she watched his face intently. In her bitter sorrow her heart had a sort of thankfulness, for his head was on her breast, he was in her arms. It had been given her once more to come first to his rescue, and with one wild cry, unheard by any one, to call out his beloved name.

The world of Chaudiere, roused by the shooting, had then burst in upon them; but that one moment had been hers, no matter what came after. She had no illusions—she knew that the end was near: the end of all for him and for them both.

The Cure entered and hurried forward. There was the seal of the parish intact on the door of the safe, but at what cost!

"He has given his life for the church," he said, then commanded all to leave, save those needed to carry the wounded man up-stairs.

Still it was Rosalie that directed the removal. She held his hand; she saw that he was carefully laid down; she raised his head to a proper height; she moistened his lips and fanned him. Meanwhile the Cure fell upon his knees, and the noise of talk and whispering ceased in the house.

But presently there was loud murmuring and shuffling of feet outside again, and Rosalie left the room hurriedly and went below to stop it. She met the men who were bringing the body of Jo Portugais into the shop.

Up-stairs the Cure's voice prayed: "Of Thy mercy, O Lord, hear our prayer. Grant that he be brought into Thy Church ere his last hour come. Forgive, O Lord—"

Charley stirred and opened his eyes. He saw the Cure bowed in prayer; he heard the trembling voice. He touched the white head with his hand.



CHAPTER LIX

IN WHICH CHARLEY MEETS A STRANGER

The Cure came to his feet with a joyful cry. "Monsieur—my son," he said, bending over him.

"Is it all over?" Charley asked calmly, almost cheerfully. Death now was the only solution of life's problems, and he welcomed it from the void.

The Cure went to the door and locked it. The deepest desire of his life must here be uttered, his great aspiration be realised.

"My son," he said, as he came softly to the bedside again, "you have given to us all you had—your charity, your wisdom, your skill. You have "—it was hard, but the man's wound was mortal, and it must be said "you have consecrated our new church with your blood. You have given all to us; we will give all to you—"

There was a soft knocking at the door. He went and opened it a very little. "He is conscious, Rosalie," he whispered. "Wait—wait—one moment."

Then came the Seigneur's voice saying that Jo was gone, and that all the robbers had escaped, save the two disposed of by Charley and Jo.

The Cure turned to the bed once more. "What did he say about Jo?" Charley asked.

"He is dead, my son, and the quack-doctor also. The others have escaped."

Charley turned his face away. "Au revoir, Jo," he said into the great distance.

Then there was silence for a moment, while outside the door a girl prayed, with an old woman's arm around her.

The Cure leaned over Charley again. "Shall not the sacraments of the Church comfort you in your last hours?" he said. "It is the way, the truth, and the life. It is the Voice that says: 'Peace' to the vexed mind. Human intellect is vanity; only the soul survives. Will you not hear the Voice? Will you not give us who love and honour you the right to make you ours for ever? Will you not come to the bosom of that Church for which you have given all?"

"Tell them so," Charley said, and he motioned towards the window, under which the people were gathered.

With a glad exclamation the Cure hastened to the window, and, in a voice of sorrowful exultation, spoke to the people below.

Charley reckoned swiftly with his fate. What was there now to do? If his wound was not mortal, what tragedy might now come! For Billy's hand —the hand of Kathleen's brother—had brought him low. If the robbers and murderers were captured, he must be dragged into the old life, and to what an issue—all the old problems carried into more terrible conditions. And Rosalie—in his half-consciousness he had felt her near him; he felt her near him now. Rosalie—in any case, what could there be for her? Nothing. He had heard the Cure whisper her name at the door. She was outside-praying for him. He stretched out a hand as though he saw her, and his lips framed her name. In his weakness and fading life he had no anguish in the thought of her. Life and Love were growing distant though he loved her as few love and live. She would be removed from want by him—there were the pearls and the money in the safe with the money of the Church; there was the letter to the Cure, his last testament, leaving all to her. He, sleeping, would fear no foe; she, awake in the living world, would hold him in dear remembrance. Death were the better thing for all. Then Kathleen in her happiness would be at peace; and even Billy might go unmolested, for, who was there to recognise Billy, now that Portugais was dead?

He heard the Cure's voice at the window—"Oh, my dear people, God has given him to us at last. I go now to prepare him for his long journey, to—"

Charley realised and shuddered. Receive the sacraments of the Church? Be made ready by the priest for his going hence—end all the soul's interrogations, with the solving of his own mortal problems? Say "I believe," confess his sins, and, receiving absolution, lie down in peace.

He suddenly raised himself on his elbow, flinging his body over. The bandage of his wound was displaced, and blood gushed out upon the white clothes of the bed. "Rosalie!" he gasped. "Rosalie, my love! God keep . . . "

As he sank back he heard the priest's anguished voice above him, calling for help. He smiled.

"Rosalie—" he whispered. The priest ran and unlocked the door, and Rosalie entered, followed by the Seigneur and Mrs. Flynn.

"Quick! Quick!" said the priest. "The bandage slipped."

The bandage slipped—or was it slipped? Who knows!

Blind with agony, and as in a direful dream, Rosalie made her way to the bed. The sight of his ensanguined body roused her, and, murmuring his name—continually murmuring his name—she assisted Mrs. Flynn to bind up the wound again. Standing where she stood when she had stayed Louis Trudel's arm long ago, with an infinite tenderness she touched the scar- the scar of the cross—on his breast. Terrible as was her grief, her heart had its comfort in the thought—who could rob her of that for ever?—that he would die a martyr. It did not matter now who knew the story of her love. It could not do him harm. She was ready to proclaim it to all the world. And those who watched knew that they were in the presence of a great human love.

The priest made ready to receive the unconscious man into the Church. Had Charley not said, "Tell them so?" Was it not now his duty to say the sacred offices over a son of the Church in his last bitter hour? So it was done while he lay unconscious.

For hours he lay still, and then the fevered blood, poisoned by the bullet which had brought him down, made him delirious, gave him hallucinations—open-eyed illusions. All the time Rosalie knelt at the foot of the bed, her piteous tearless eyes for ever fixed on his face.

Towards evening, with an unnatural strength, he sat up in bed.

"See," he whispered, "that woman in the corner there. She has come to take me, but I will not go." Fantasy after fantasy possessed him- fantasy, strangely mixed with facts of his own past. Now it was Kathleen, now Billy, now Jo Portugais, now John Brown, now Suzon Charlemagne at the Cote Dorion, again Jo Portugais. In strange, touching sentences he spoke to them, as though they were present before him. At length he stopped abruptly, and gazed straight before him—over the head of Rosalie into the distance.

"See," he said, pointing, "who is that? Who? I can't see his face—it is covered. So tall-so white! He is opening his arms to me. He is coming—closer—closer. Who is it?"

"It is Death, my son," said the priest in his ear, with a pitying gentleness.

The Cure's voice seemed to calm the agitated sense, to bring it back to the outer precincts of understanding. There was an awe-struck silence as the dying man fumbled, fumbled, over his breast, found his eye-glass, and, with a last feeble effort, raised it to his eye, shining now with an unearthly fire. The old interrogation of the soul, the elemental habit outlived all else in him. The idiosyncrasy of the mind automatically expressed itself.

"I beg—your—pardon," he whispered to the imagined figure, and the light died out of his eyes, "have I—ever—been—introduced—to you?"

"At the hour of your birth, my son," said the priest, as a sobbing cry came from the foot of the bed.

But Charley did not hear. His ears were for ever closed to the voices of life and time.



CHAPTER LX

THE HAND AT THE DOOR

The eve of the day of the memorable funeral two belated visitors to the Passion Play arrived in the village, unknowing that it had ended, and of the tragedy which had set a whole valley mourning; unconscious that they shared in the bitter fortunes of the tailor-man, of whom men and women spoke with tears. Affected by the gloom of the place, the two visitors at once prepared for their return journey, but the manner of the tailorman's death arrested their sympathies, touched the humanity in them. The woman was much impressed.

They asked to see the body of the man. They were taken to the door of the tailor-shop, while their horses were being brought round. Within the house itself they were met by an old Irishwoman, who, in response to their wish "to see the brave man's body," showed them into a room where a man lay dead with a bullet through his heart. It was the body of Jo Portugais, whose master and friend lay in another room across the hallway. The lady turned back in disappointment—the dead man was little like a hero.

The Irishwoman had meant to deceive her, for at this moment a girl who loved the tailor was kneeling beside his body, and, if possible, Mrs. Flynn would have no curious eyes look upon that scene.

When the visitors came into the hall again, the man said: "There was another; Kathleen—a woodsman." But standing by the nearly closed door, behind which lay the dead tailor of Chaudiere—they could see the holy candles flickering within—Kathleen whispered "We've seen the tailor— that's enough. It's only the woodsman there. I prefer not, Tom."

With his fingers at the latch, the man hesitated, even as Mrs. Flynn stepped apprehensively forward; then, shrugging a shoulder, he responded to Kathleen's hand on his arm. They went down the stairs together, and out to their carriage.

As they drove away, Kathleen said: "It's strange that men who do such fine things should look so commonplace."

"The other one might have been more uncommon," he replied.

"I wonder!" she said, with a sigh of relief, as they passed the bounds of the village. Then she caught herself flushing, for she suddenly realised that the exclamation was one so often on the lips of a dead, disgraced man whose name she once had borne.

If the door of the little room upstairs had opened to the fingers of the man beside her, the tailor of Chaudiere, though dead, would have been dearly avenged.



CHAPTER LXI

THE CURE SPEAKS

The Cure stood with his back to the ruins of the church, at his feet two newly made graves, and all round, with wistful faces, crowds of reverent habitants. A benignant sorrow made his voice in perfect temper with the pensive striving of this latest day of spring. At the close of his address he said:

"I owe you much, my people. I owe him more, for it was given him, who knew not God, to teach us how to know Him better. For his past, it is not given you to know. It is hidden in the bosom of the Church. Sinner he once was, criminal never, as one can testify who knows all"—he turned to the Abbe Rossignol, who stood beside him, grave and compassionate— "and his sins were forgiven him. He is the one sheaf which you and I may carry home rejoicing from the pagan world of unbelief. What he had in life he gave to us, and in death he leaves to our church all that he has not left to a woman he loved—to Rosalie Evanturel."

There was a gasping murmur among the people, but they stilled again, and strained to hear.

"He leaves her a little fortune, and to us all else he had. Let us pray for his soul, and let us comfort her who, loving deeply, reaped no harvest of love.

"The law may never reach his ruthless murderers, for there is none to recognise their faces; and were they ten times punished, how should it avail us now! Let us always remember that, in his grave, our friend bears on his breast the little iron cross we held so dear. That is all we could give—our dearest treasure. I pray God that, scarring his breast in life, it may heal all his woes in death, and be a saving image on his bosom in the Presence at the last."

He raised his hands in benediction.



EPILOGUE

Never again was there a Passion Play in the Chaudiere Valley. Spring- times and harvests and long winters came and went, and a blessing seemed to be upon the valley, for men prospered, and no untoward things befel the people. So it was for twenty years, wherein there had been going and coming in quiet. Some had gone upon short mortal journeys and had come back, some upon long immortal voyages, and had never returned. Of the last were the Seigneur and a woman once a Magdalene; but in a house beside a beautiful church, with a noble doorway, lived the Cure, M. Loisel, aged and serene. There never was a day, come rain or shine, in which he was not visited by a beautiful woman, whose life was one with the people of the valley.

There was no sorrow in the parish which the lady did not share, with the help of an old Irishwoman called Mrs. Flynn. Was there sickness in the parish, her hand smoothed the pillow and soothed the pain. Was there trouble anywhere, her face brought light to the door way. Did any suffer ill-repute, her word helped to restore the ruined name. They did not know that she forgave so much in all the world, because she thought she had so much in herself to forgive.

She was ever called "Madame Rosalie," and she cherished the name, and gave commands that when her grave came to be made near to a certain other grave, Madame Rosalie should be carved upon the stone. Cheerfulness and serenity were ever with her, undisturbed by wish to probe the mystery of the life which had once absorbed her own. She never sought to know whence the man came; it was sufficient to know whither he had gone, and that he had been hers for a brief dream of life. It was better to have lived the one short thrilling hour with all its pain, than never to have known what she knew or felt what she had felt. The mystery deepened her romance, and she was even glad that the ruffians who slew him were never brought to justice. To her mind they were but part of the mystic machinery of fate.

For her the years had given many compensations, and so she told the Cure, one midsummer day, when she brought to visit him the orphaned son of Paulette Dubois, graduated from his college in France and making ready to go to the far East.

"I have had more than I deserve—a thousand times," she said.

The Cure smiled, and laid a gentle hand upon her own. "It is right for you to think so," he said, "but after a long life, I am ready to say that, one way or another, we earn all the real happiness we have. I mean the real happiness—the moments, my child. I once had a moment full of happiness."

"May I ask?" she said.

"When my heart first went out to him"—he turned his face towards the churchyard.

"He was a great man," she said proudly.

The Cure looked at her benignly: she was a woman, and she had loved the man. He had, however, come to a stage of life where greatness alone seemed of little moment. He forbore to answer her, but he pressed her hand.



ETEXT EDITOR'S BOOKMARKS:

Youth is the only comrade for youth



ETEXT EDITOR'S BOOKMARKS FOR THE ENTIRE "RIGHT OF WAY":

A left-handed boy is all right in the world Always hoping the best from the worst of us Damnable propinquity Good fathers think they have good daughters Have not we all something to hide—with or without shame? He has wheeled his nuptial bed into the street He left his fellow-citizens very much alone He had had acquaintances, but never friendships, and never loves Hugging the chain of denial to his bosom I have a good memory for forgetting I am only myself when I am drunk I should remember to forget it Importunity with discretion was his motto In all secrets there is a kind of guilt Is the habit of good living mere habit and mere acting It is good to live, isn't it? Know how bad are you, and doesn't mind Liquor makes me human Nervous legs at a gallop Pathetically in earnest Shure, if we could always be 'about the same,' we'd do So say your prayers, believe all you can, don't ask questions Strike first and heal after—"a kick and a lick" Suspicion, the bane of sick old age Things that once charmed charm less Was not civilisation a mistake Who knows! Youth is the only comrade for youth

THE END