It was Mrs. Flynn who gave Rosalie information concerning Charley's arrival at the shop of Louis Trudel the tailor. The morning after Charley came, Mrs. Flynn had called for a waistcoat of the Seigneur, who was expected home from a visit to Quebec. She found Charley standing at a table pressing seams, and her quick eye took him in with knowledge and instinct. She was the one person, save Rosalie, who could always divert old Louis, and this morning she puckered his sour face with amusement by the story of the courtship of the widow Plomondon and Germain Boily the horse-trainer, whose greatest gift was animal-training, and greatest weakness a fondness for widows, temporary and otherwise. Before she left the shop, with the stranger's smile answering to her nod, she had made up her mind that Charley was a tailor by courtesy only. So she told Rosalie a few moments afterwards.

"'Tis a man, darlin', that's seen the wide wurruld. 'Tis himisperes he knows, not parrishes. Fwhat's he doin' here, I dun'no'. Fwhere's he come from, I dun'no'. French or English, I dun'no'. But a gintleman born, I know. 'Tis no tailor, darlin', but tailorin' he'll do as aisy as he'll do a hunderd other things anny day. But how he shlipped in here, an' when he shlipped in here, an' what's he come for, an' how long he's stayin', an' meanin' well, or doin' ill, I dun'no', darlin', I dun' no'."

"I don't think he'll do ill, Mrs. Flynn," said Rosalie, in English.

"An' if ye haven't seen him, how d'ye know?" asked Mrs. Flynn, taking a pinch of snuff.

"I have seen him—but not in the tailor-shop. I saw him at Jo Portugais' a fortnight ago."

"Aisy, aisy, darlin'. At Jo Portugais'—that's a quare place for a stranger. 'Tis not wid Jo's introducshun I'd be comin' to Chaudiere."

"He comes with the Cure's introduction."

"An' how d'ye know that, darlin'?"

"The Curb was at Jo Portugais' with monsieur when I went there."

"You wint there!"

"To take him a letter—the stranger." "What's his name, darlin'?"

"The letter I took him was addressed, 'To the Sick Man at Jo Portugais' House at Vadrome Mountain.'"

"Ah, thin, the Cure knows. 'Tis some rich man come to get well, and plays at bein' tailor. But why didn't the letther come to his name, I wander now? That's what I wander."

Rosalie shook her head, and looked reflectively through the window towards the tailor-shop.

"How manny times have ye seen him?"

"Only once;" answered Rosalie truthfully. She did not, however, tell Mrs. Flynn that she had thrice walked nearly to Vadrome Mountain in the hope of seeing him again; and that she had gone to her favourite resort, the Rest of the Flax-Beaters, lying in the way of the riverpath from Vadrome Mountain, on the chance of his passing. She did not tell Mrs. Flynn that there had scarcely been a waking hour when she had not thought of him.

"What Portugais knows, he'll not be tellin'," said Mrs. Flynn, after a moment. "An' 'tis no business of ours, is it, darlin'? Shure, there's Jo comin' out of the tailor-shop now!"

They both looked out of the window, and saw Jo encounter Filion Lacasse the saddler, and Maximilian Cour the baker. The three stood in the middle of the street for a minute, Jo talking freely. He was usually morose and taciturn, but now he spoke as though eager to unburden his mind—Charley and he had agreed upon what should be said to the people of Chaudiere.

The sight of the confidences among the three was too much for Mrs. Flynn. She opened the door of the post office and called to Jo. "Like three crows shtandin' there!" she said. "Come in—ma'm'selle says come in, and tell your tales here, if they're fit to hear, Jo Portugais. Who are you to say no when ma'm'selle bids!" she added.

Very soon afterwards Jo was inside the post-office, telling his tale with the deliberation of a lesson learned by heart.

"It's all right, as ma'm'selle knows," he said. "The Cure was there when ma'm'selle brought a letter to M'sieu' Mallard. The Cure knows all. M'sieu' come to my house sick-and he stayed there. There is nothing like the pine-trees and the junipers to cure some things. He was with me very quiet some time. The Cure come and come. He knows. When m'sieu' got well, he say, 'I will not go from Chaudiere; I will stay. I am poor, and I will earn my bread here.' At first, when he is getting well, he is carpent'ring. He makes cupboards and picture-frames. The Cure has one of the cupboards in the sacristy; the frames he puts on the Stations of the Cross in the church."

"That's good enough for me!" said Maximilian Cour. "Did he make them for nothing?" asked Filion Lacasse solemnly.

"Not one cent did he ask. What's more, he's working for Louis Trudel for nothing. He come through the village yesterday; he see Louis old and sick on his bench, and he set down and go to work."

"That's good enough for me," said the saddler. "If a man work for the Church for nothing, he is a Christian. If he work for Louis Trudel for nothing, he is a fool—first-class—or a saint. I wouldn't work for Louis Trudel if he give me five dollars a day."

"Tiens! the man that work for Louis Trudel work for the Church, for all old Louis makes goes to the Church in the end—that is his will. The Notary knows," said Maximilian Cour.

"See there, now," interposed Mrs. Flynn, pointing across the street to the tailor-shop. "Look at that grocer-man stickin' in his head; and there's Magloire Cadoret and that pig of a barber, Moise Moisan, starin' through the dure, an'—"

As she spoke, the barber and his companion suddenly turned their faces to the street, and started forward with startled exclamations, the grocer following. They all ran out from the post-office. Not far up the street a crowd was gathering. Rosalie locked the office-door and followed the others quickly.

In front of the Hotel Trois Couronnes a painful thing was happening. Germain Boily, the horse-trainer, fresh from his disappointment with the widow Plomondon, had driven his tamed moose up to the Trois Couronnes, and had drunk enough whiskey to make him ill-tempered. He had then begun to "show off" the animal, but the savage instincts of the moose being roused, he had attacked his master, charging with wide-branching horns, and striking with his feet. Boily was too drunk to fight intelligently. He went down under the hoofs of the enraged animal, as his huge boar- hound, always with him, fastened on the moose's throat, dragged him to the ground, and tore gaping wounds in his neck.

It was all the work of a moment. People ran from the doorways and sidewalks, but stayed at a comfortable distance until the moose was dragged down; then they made to approach the insensible man. Before any one could reach him, however, the great hound, with dripping fangs, rushed to his master's body, and, standing over it, showed his teeth savagely. The hotel-keeper approached, but the bristles of the hound stood up, he prepared to attack, and the landlord drew back in haste. Then M. Dauphin, the Notary, who had joined the crowd, held out a hand coaxingly, and with insinuating rhetoric drew a little nearer than the landlord had done; but he retreated precipitously as the hound crouched back for a spring. Some one called for a gun, and Filion Lacasse ran into his shop. The animal had now settled down on his master's body, his bloodshot eyes watching in menace. The one chance seemed to be to shoot him, and there must be no bungling, lest his prostrate master suffer at the same time. The crowd had melted away into the houses, and were now standing at doorways and windows, ready for instant retreat.

Filion Lacasse's gun was now at disposal, but who would fire it? Jo Portugais was an expert shot, and he reached out a hand for the weapon.

As he did so, Rosalie Evanturel cried: "Wait, oh, wait!" Before any one could interfere she moved along the open space to the mad beast, speaking soothingly, and calling his name.

The crowd held their breath. A woman fainted. Some wrung their hands, and Jo Portugais, with blanched face, stood with gun half raised. With assured kindness of voice and manner, Rosalie walked deliberately over to the hound. At first the animal's bristles came up, and he prepared to spring, but murmuring to him, she held out her hand, and presently laid it on his huge head. With a growl of subjection, the dog drew from the body of his master, and licked Rosalie's fingers as she knelt beside Boily and felt his heart. She put her arm round the dog's neck, and said to the crowd, "Some one come—only one—ah, yes, you, Monsieur!" she added, as Charley, who had just arrived on the scene, came forward. "Only you, if you can lift him. Take him to my house."

Her arm still round the dog, she talked to him, as Charley came forward, and, lifting up the body of the little horse-trainer, drew him across his shoulder. The hound at first resented the act, but under Rosalie's touch became quiet, and followed at their heels towards the post-office, licking the wounded man's hands as they hung down. Inside M. Evanturel's house the injured man was laid upon a couch. Charley examined his wounds, and, finding them severe, advised that the Cure be sent for, while he and Jo Portugais set about restoring him to consciousness. Jo had skill of a sort, and his crude medicaments were efficacious.

When the Cure came, the injured man was handed over to his care, and he arranged that in the evening Boily should be removed to his house, to await the arrival of the doctor from the next parish.

This was Charley's public introduction to the people of Chaudiere, and it was his second meeting with Rosalie Evanturel.

The incident brought him into immediate prominence. Before he left the post-office, Filion Lacasse, Maximilian Cour, and Mrs. Flynn had given forth his history, as related by Jo Portugais. The village was agog with excitement.

But attention was not centred on himself, for Rosalie's courage had set the parish talking. When the Notary stood on the steps of the saddler's shop, and with fine rhetoric proposed a vote of admiration for the girl, the cheering could be heard inside the post-office, and it brought Mrs. Flynn outside.

"'Tis for her, the darlin'—for Ma'm'selle Rosalie—they're splittin' their throats!" she said to Charley as he was making his way from the sick man's room to the street door. "Did ye iver see such an eye an' hand? That avil baste that's killed two Injins already—an' all the men o' the place sneakin' behind dures, an' she walkin' up cool as leaf in mornin' dew, an' quietin' the divil's own! Did ye iver see annything like it, sir—you that's seen so much?"

"Madame, it is not touch of hand alone, or voice alone," answered Charley.

"Shure, 'tis somethin' kin in baste an' maid, you're manin' thin?"

"Quite so, Madame."

"Simple like, an' understandin' what Noah understood in that ark av his —for talk to the bastes he must have, explainin' what was for thim to do."

"Like that, Madame."

"Thrue for you, sir, 'tis as you say. There's language more than tongue of man can shpake. But listen, thin, to me"—her voice got lower— "for 'tis not the furst time, a thing like that, the lady she is— granddaughter of a Seigneur, and descinded from nobility in France! 'Tis not the furst time to be doin' brave things. Just a shlip of a girl she was, three years ago, afther her mother died, an' she was back from convint. A woman come to the parish an' was took sick in the house of her brother—from France she was. Small-pox they said at furst. 'Twas no small-pox, but plague, got upon the seas. Alone she was in the house —her brother left her alone, the black-hearted coward. The people wouldn't go near the place. The Cure was away. Alone the woman was— poor soul! Who wint—who wint and cared for her? Who do ye think, sir?"

"Mademoiselle?"

"None other. 'Go tell Mrs. Flynn,' says she, 'to care for my father till I come back,' an' away she wint to the house of plague. A week she stayed, an' no one wint near her. Alone she was with the woman and the plague. 'Lave her be,' said the Cure when he come back; "tis for the love of God. God is with her—lave her be, and pray for her,' says he. An' he wint himself, but she would not let him in. ''Tis my work,' says she. ''Tis God's work for me to do,' says she. 'An' the woman will live if 'tis God's will,' says she. 'There's an agnus dei on her breast,' says she. 'Go an' pray,' says she. Pray the Cure did, an' pray did we all, but the woman died of the plague. All alone did Rosalie draw her to the grave on a stone-boat down the lane, an' over the hill, an' into the churchyard. An' buried her with her own hands at night, no one knowin' till the mornin', she did. So it was. An' the burial over, she wint back an' burned the house to the ground—sarve the villain right that lave the sick woman alone! An' her own clothes she burned, an' put on the clothes I brought her wid me own hand. An' for that thing she did, the love o' God in her heart, is it for Widdy Flynn or Cure or anny other to forgit? Shure the Cure was for iver broken-hearted, for that he was sick abed for days an' could not go to the house when the woman died, an' say to Rosalie, 'Let me in for her last hour.' But the word of Rosalie —shure 'twas as good as the words of a praste, savin' the Cure prisince wheriver he may be!"

This was the story of Rosalie which Mrs. Flynn told Charley, as he stood at the street door of the post-office. When she had finished, Charley went back into the room where Rosalie sat beside the sick man's couch, the hound at her feet. She came forward, surprised, for he had bade her good-bye but a few minutes before.

"May I sit and watch for an hour longer, Mademoiselle?" he said. "You will have your duties in the post-office."

"Monsieur—it is good of you," she answered.

For two hours Charley watched her going in and out, whispering directions to Mrs. Flynn, doing household duty, bringing warmth in with her, and leaving light behind her.

It was afternoon when he returned to his bench in the tailor-shop, and was received by old Louis Trudel in peevish silence. For an hour they worked in silence, and then the tailor said:

"A brave girl—that. We will work till nine to-night!"



CHAPTER XV

THE MARK IN THE PAPER

Chaudiere was nearing the last of its nine-days' wonder. It had filed past the doorway of the tailor-shop; it had loitered on the other side of the street; it had been measured for more clothes than in three months past—that it might see Charley at work in the shop, cross-legged on a bench, or wielding the goose, his eye glass in his eye. Here was sensation indeed, for though old M. Rossignol, the Seigneur, had an eye- glass, it was held to his eye—a large bone-bound thing with a little gold handle; but no one in Chaudiere had ever worn a glass in his eye like that. Also, no one in Chaudiere had ever looked quite like "M'sieu'"—for so it was that, after the first few days (a real tribute to his importance and sign of the interest he created) Charley came to be called "M'sieu'," and the Mallard was at last entirely dropped.

Presently people came and stood at the tailor's door and talked, or listened to Louis Trudel and M'sieu' talking. And it came to be noised abroad that the stranger talked as well as the Cure and better than the Notary. By-and-by they associated his eye-glass with his talent, so that it seemed, as it were, to be the cause of it. Yet their talk was ever of simple subjects, of everyday life about them, now and then of politics, occasionally of the events of the world filtered to them through vast tracts of country. There was one subject which, however, was barred; perhaps because there was knowledge abroad that M'sieu' was not a Catholic, perhaps because Charley himself adroitly changed the conversation when it veered that way.

Though the parish had not quite made up its mind about him, there were a number of things in his favour. In the first place, the Cure seemed satisfied; secondly, he minded his own business. Also, he was working for Louis Trudel for nothing. These things Jo Portugais diligently impressed on the minds of all who would listen.

From above the frosted part of the windows of the post-office, in the corner where she sorted letters, Rosalie could look over at the tailor's shop at an angle; could sometimes even see M'sieu' standing at the long table with a piece of chalk, a pair of shears, or a measure. She watched the tailor-shop herself, but it annoyed her when she saw any one else do so. She resented—she was a woman and loved monopoly—all inquiry regarding M'sieu', so frequently addressed to her.

One afternoon, as Charley came out, on his way to the house on Vadrome Mountain, she happened to be outside. He saw her, paused, lifted his fur cap, and crossed the street to her.

"Have you, perhaps, paper, pens, and ink for sale, Mademoiselle?"

"Yes, oh yes; come in, Monsieur Mallard."

"Ah, it is nice of you to remember me," he answered. "I see you every day—often," she answered.

"Of course, we are neighbours," he responded. "The man—the horse- trainer—is quite well again?"

"He has gone home almost well," she answered. She placed pens, paper, and ink before him. "Will these do?"

"Perfectly," he answered mechanically, and laid a few pens and a bottle of ink beside the paper.

"You were very brave that day," he said—they had not talked together since, though seeing each other so often.

"Oh, no; I knew he would make friends with me—the hound."

"Of course," he rejoined.

"We should show animals that we trust them," she said, in some confusion, for being near him made her heart throb painfully.

He did not answer. Presently his eye glanced at the paper again, and was arrested. He ran his fingers over it, and a curious look flashed across his face. He held the paper up to the light quickly, and looked through it. It was thin, half-foreign paper, without lines, and there was a water-mark in it-large, shadowy, filmy—Kathleen.

It was paper made in the mills which had belonged to Kathleen's uncle. This water-mark was made to celebrate their marriage-day. Only for one year had this paper been made, and then the trade in it was stopped. It had gone its ways down the channels of commerce, and here it was in his hand, a reminder, not only of the old life, but, as it were, the parchment for the new. There it was, a piece of plain good paper, ready for pen and ink and his letter to the Cure's brother in Paris—the only letter he would ever write, ever again until he died, so he told himself; but hold it up to the light and there was the name over which his letter must be written—Kathleen, invisible but permanent, obscured, but brought to life by the raising of a hand.

The girl caught the flash of feeling in his face, saw him holding the paper up to the light, and then, with an abstracted air, calmly lay it down.

"That will do, thank you," he said. "Give me the whole packet." She wrapped it up for him without a word, and he laid down a two-dollar note, the last he had in the world.

"How much of this paper have you?" he asked. The girl looked under the counter. "Six packets," she said. "Six, and a few sheets over."

"I will take it all. But keep it for me, for a week, or perhaps a fortnight, will you?" He did not need all this paper to write letters upon, yet he meant to buy all the paper of this sort that the shop contained. But he must get money from Louis Trudel—he would speak about it to-morrow.

"Monsieur does not want me to sell even the loose sheets?"

"No. I like the paper, and I will take it all."

"Very good, Monsieur."

Her heart was beating hard. All this man did had peculiar significance to her. His look seemed to say: "Do not fear. I will tell you things."

She gave him the parcel and the change, and he turned to go. "You read much?" he asked, almost casually, yet deeply interested in the charm and intelligence of her face.

"Why, yes, Monsieur," she answered quickly. "I am always reading."

He did not speak at once. He was wondering whether, in this primitive place, such a mind and nature would be the wiser for reading; whether it were not better to be without a mental aspiration, which might set up false standards.

"What are you reading now?" he asked, with his hand on the door.

"Antony and Cleopatra, also Enoch Arden," she answered, in good English, and without accent.

His head turned quickly towards her, but he did not speak.

"Enoch Arden is terrible," she added eagerly. "Don't you think so, Monsieur?"

"It is very painful," he answered. "Good-night." He opened the door and went out.

She ran to the door and watched him go down the street. For a little she stood thinking, then, turning to the counter, and snatching up a sheet of the paper he had bought, held it up to the light. She gave a cry of amazement.

"Kathleen!" she exclaimed.

She thought of the start he gave when he looked at the water-mark; she thought of the look on his face when he said he would buy all this paper she had.

"Who was Kathleen?" she whispered, as though she was afraid some one would hear. "Who was Kathleen!" she said again resentfully.



CHAPTER XVI

MADAME DAUPHIN HAS A MISSION

One day Charley began to know the gossip of the village about him from a source less friendly than Jo Portugais. The Notary's wife, bringing her boy to be measured for a suit of broadcloth, asked Charley if the things Jo had told about him were true, and if it was also true that he was a Protestant, and perhaps an Englishman. As yet, Charley had been asked no direct questions, for the people of Chaudiere had the consideration of their temperament; but the Notary's wife was half English, and being a figure in the place, she took to herself more privileges than did old Madame Dugal, the Cure's sister.

To her ill-disguised impertinence in English, as bad as her French and as fluent, Charley listened with quiet interest. When she had finished her voluble statement she said, with a simper and a sneer-for, after all, a Notary's wife must keep her position—"And now, what is the truth about it? And are you a Protestant?"

There was a sinister look in old Trudel's eyes as, cross-legged on his table, he listened to Madame Dauphin. He remembered the time, twenty- five years ago, when he had proposed to this babbling woman, and had been rejected with scorn—to his subsequent satisfaction; for there was no visible reason why any one should envy the Notary, in his house or out of it. Already Trudel had a respect for the tongue of M'sieu'. He had not talked much the few days he had been in the shop, but, as the old man had said to Filion Lacasse the saddler, his brain was like a pair of shears— it went clip, clip, clip right through everything. He now hoped that his new apprentice, with the hand of a master-workman, would go clip, clip through madame's inquisitiveness. He was not disappointed, for he heard Charley say:

"One person in the witness-box at a time, Madame. Till Jo Portugais is cross-examined and steps down, I don't see what I can do!"

"But you are a Protestant!" said the woman snappishly. This man was only a tailor, dressed in fulled cloth, and no doubt his past life would not bear inspection; and she was the Notary's wife, and had said to people in the village that she would find out the man's history from himself.

"That is one good reason why I should not go to confession," he replied casually, and turned to a table where he had been cutting a waistcoat— for the first time in his life.

"Do you think I'm going to stand your impertinence? Do you know who I am?"

Charley calmly put up his monocle. He looked at the foolish little woman with so cruel a flash of the eye that she shrank back.

"I should know you anywhere," he said.

"Come, Stephan," she said nervously to her boy, and pulled him towards the door.

On the instant Charley's feeling changed. Was he then going to carry the old life into the new, and rebuke a silly garish woman whose faults were generic more than personal? He hurried forward to the door and courteously opened it for her.

"Permit me, Madame," he said.

She saw that there was nothing ironical in this politeness. She had a sudden apprehension of an unusual quality called "the genteel," for no storekeeper in Chaudiere ever opened or shut a shop-door for anybody. She smiled a vacuous smile; she played "the lady" terribly, as, with a curious conception of dignity, she held her body stiff as a ramrod, and with a prim merci sailed into the street.

This gorgeous exit changed her opinion of the man she had been unable to catechise. Undoubtedly he had snubbed her—that was the word she used in her mind—but his last act had enabled her, in the sight of several habitants and even of Madame Dugal, "to put on airs," as the charming Madame Dugal said afterwards.

Thinking it better to give the impression that she had had a successful interview, she shook her head mysteriously when asked about M'sieu', and murmured, "He is quite the gentleman!" which she thought a socially distinguished remark.

When she had gone, Charley turned to old Louis.

"I don't want to turn your customers away," he said quietly, "but there it is! I don't need to answer questions as a part of the business, do I?"

There was a sour grin on the face of old Trudel. He grunted some inaudible answer, then, after a pause, added: "I'd have been hung for murder, if she'd answered the question I asked her once as I wanted her to."

He opened and shut his shears with a sardonic gesture.

Charley smiled, and went to the window. For a minute he stood watching Madame Dauphin and Rosalie at the post-office door. The memory of his talk with Rosalie was vivid to him at the moment. He was thinking also that he had not a penny in the world to pay for the rest of the paper he had bought. He turned round and put on his coat slowly.

"What are you doing that for?" asked the old man, with a kind of snarl, yet with trepidation.

"I don't think I'll work any more to-day."

"Not work! Smoke of the devil, isn't Sunday enough to play in? You're not put out by that fool wife of Dauphin's?"

"Oh no—not that! I want an understanding about wages."

To Louis the dread crisis had come. He turned a little green, for he was very miserly-for the love of God.

He had scarcely realised what was happening when Charley first sat down on the bench beside him. He had been taken by surprise. Apart from the excitement of the new experience, he had profited by the curiosity of the public, for he had orders enough to keep him busy until summer, and he had had to give out work to two extra women in the parish, though he had never before had more than one working for him. But his ruling passion was strong in him. He always remembered with satisfaction that once when the Cure was absent and he was supposed to be dying, a priest from another parish came, and, the ministrations over, he had made an offering of a gold piece. When the young priest hesitated, his fingers had crept back to the gold piece, closed on it, and drawn it back beneath the coverlet again. He had then peacefully fallen asleep. It was a gracious memory.

"I don't need much, I don't want a great deal," continued Charley when the tailor did not answer, "but I have to pay for my bed and board, and I can't do it on nothing."

"How have you done it so far?" peevishly replied the tailor.

"By working after hours at carpentering up there"—he made a gesture towards Vadrome Mountain. "But I can't go on doing that all the time, or I'll be like you too soon."

"Be like me!" The voice of the tailor rose shrilly.

"Be like me! What's the matter with me?"

"Only that you're in a bad way before your time, and that you mayn't get out of this hole without stepping into another. You work too hard, Monsieur Trudel."

"What do you want—wages?"

Charley inclined his head. "If you think I'm worth them."

The tailor viciously snipped a piece of cloth. "How can I pay you wages, if you stand there doing nothing?" "This is my day for doing nothing," Charley answered pleasantly, for the tailor-man amused him, and the whimsical mental attitude of his past life was being brought to the surface by this odd figure, with big spectacles pushed up on a yellow forehead, and shrunken hands viciously clutching the shears.

"You don't mean to say you're not going to work to-day, and this suit of clothes promised for to-morrow night—for the Manor House too!"

With a piece of chalk Charley idly made heads on brown paper. "After all, why should clothes be the first thing in one's mind—when they are some one else's! It's a beautiful day outside. I've never felt the sun so warm and the air so crisp and sweet—never in all my life."

"Then where have you lived?" snapped out the tailor with a sneer. "You must be a Yankee—they have only what we leave over down there!" —he jerked his head southward. "We don't stop to look at weather here. I suppose you did where you come from?"

Charley smiled in a distant sort of way. "Where I came from, when we weren't paid for our work we always stopped to consider our health—and the weather. I don't want a great deal. I put it to you honestly. Do you want me? If you do, will you give me enough to live on—enough to buy a suit of clothes a year, to pay for food and a room? If I work for you for nothing, I have to live on others for nothing, or kill myself as you're doing."

There was no answer at once, and Charley went on: "I came to you because I saw you wanted help badly. I saw that you were hard-pushed and sick—"

"I wasn't sick," interrupted the tailor with a snarl.

"Well, overworked, which is the same thing in the end. I did the best I could: I gave you my hands—awkward enough they were at first, I know, but—"

"It's a lie. They weren't awkward," churlishly cut in the tailor.

"Well, perhaps they weren't so awkward, but they didn't know quite what to do—"

"You knew as well as if you'd been taught," came back in a growl.

"Well, then, I wasn't awkward, and I had a knack for the work. What was more, I wanted work. I wanted to work at the first thing that appealed to me. I had no particular fancy for tailoring—you get bowlegged in time!"—the old spirit was fighting with the new—"but here you were at work, and there I was idle, and I had been ill, and some one who wasn't responsible for me—a stranger-worked for me and cared for me. Wasn't it natural, when you were playing the devil with yourself, that I should step in and give you a hand? You've been better since—isn't that so?" The tailor did not answer.

"But I can't go on as we are, though I want only enough to keep me going," Charley continued.

"And if I don't give you what you want, you'll leave?"

"No. I'm never going to leave you. I'm going to stay here, for you'll never get another man so cheap; and it suits me to stay—you need some one to look after you."

A curious soft look suddenly flashed into the tailor's eyes.

"Will you take on the business after I'm gone?" he asked at last. "It's along time to look ahead, I know," he added quickly, for not in words would he acknowledge the possibility of the end.

"I should think so," Charley answered, his eyes on the bright sun and the soft snow on the trees beyond the window.

The tailor snatched up a pattern and figured on it for a moment. Then he handed it to Charley. "Will that do?" he asked with anxious, acquisitive look, his yellow eyes blinking hard.

Charley looked at it musingly, then said "Yes, if you give me a room here."

"I meant board and lodging too," said Louis Trudel with an outburst of eager generosity, for, as it was, he had offered about one-half of what Charley was worth to him.

Charley nodded. "Very well, that will do," he said, and took off his coat and went to work. For a long time they worked silently. The tailor was in great good-humour; for the terrible trial was over, and he now had an assistant who would be a better tailor than himself. There would be more profit, more silver nails for the church door, and more masses for his soul.

"The Cure says you are all right. . . . When will you come here?" he said at last.

"To-morrow night I shall sleep here," answered Charley.

So it was arranged that Charley should come to live in the tailor's house, to sleep in the room which the tailor had provided for a wife twenty-five years before—even for her that was now known as Madame Dauphin.

All morning the tailor chuckled to himself. When they sat down at noon to a piece of venison which Charley had prepared himself—taking the frying-pan out of the hands of Margot Patry, the old servant, and cooking it to a turn—Louis Trudel saw his years lengthen to an indefinite period. He even allowed himself to nervously stand up, bow, shake Charley's hand jerkingly, and say:

"M'sieu', I care not what you are or where you come from, or even if you're a Protestant, perhaps an Englishman. You're a gentleman and a tailor, and old Louis Trudel will not forget you. It shall be as you said this morning—it is no day for work. We will play, and the clothes for the Manor can go to the devil. Smoke of hell-fire, I will go and have a pipe with that, poor wretch the Notary!"

So, a wonderful thing happened. Louis Trudel, on a week-day and a market-day, went to smoke a pipe with Narcisse Dauphin, and to tell him that M. Mallard was going to stay with him for ever, at fine wages. He also announced that he had paid this whole week's wages in advance; but he did not tell what he did not know—that half the money had already been given to old Margot, whose son lay ill at home with a broken leg, and whose children were living on bread and water. Charley had slowly drawn from the woman the story of her life as he sat by the kitchen fire and talked to her, while her master was talking to the Notary.



CHAPTER XVII

THE TAILOR MAKES A MIDNIGHT FORAY

Since the day Charley had brought home the paper bought at the post- office, and water-marked Kathleen, he had, at odd times, written down his thoughts, and promptly torn the paper up again or put it in the fire. In the repression of the new life, in which he must live wholly alone, so far as all past habits of mind were concerned, it was a relief to record his passing reflections, as he had been wont to do when the necessity for it was less. Writing them here was like the bursting of an imprisoned stream; it was relaxing the ceaseless eye of vigilance; freeing an imprisoned personality. This personality was not yet merged into that which must take its place, must express itself in the involuntary acts which tell of a habit of mind and body—no longer the imitative and the histrionic, but the inherent and the real.

On the afternoon of the day that old Louis agreed to give him wages, and went to smoke a pipe with the Notary, Charley scribbled down his thoughts on this matter of personality and habit.

"Who knows," he wrote, "which is the real self? A child comes into the world gin-begotten, with the instinct for liquor in his brain, like the scent of the fox in the nostrils of the hound. And that seems the real. But the same child caught up on the hands of chance is carried into another atmosphere, is cared for by ginhating minds and hearts: habit fastens on him—fair, decent, and temperate habit—and he grows up like the Cure yonder, a brother of Aaron. Which is the real? Is the instinct for the gin killed, or covered? Is the habit of good living mere habit and mere acting, in which the real man never lives his real life, or is it the real life?

"Who knows! Here am I, born with a question in my mouth, with the ever- present 'non possumus' in me. Here am I, to whom life was one poor futility; to whom brain was but animal intelligence abnormally developed; to whom speechless sensibility and intelligence was the only reality; to whom nothing from beyond ever sent a flash of conviction, an intimation, into my soul—not one. To me God always seemed a being of dreams, the creation of a personal need and helplessness, the despairing cry of the victims of futility—And here am I flung like a stone from a sling into this field where men believe in God as a present and tangible being; who reply to all life's agonies and joys and exultations with the words 'C'est le bon Dieu.' And what shall I become? Will habit do its work, and shall I cease to be me? Shall I, in the permanency of habit, become like unto this tailor here, whose life narrows into one sole cause; whose only wish is to have the Church draw the coverlet of forgiveness and safety over him; who has solved all questions in a blind belief or an inherited predisposition—which? This stingy, hard, unhappy man—how should he know what I am denied! Or does he know? Is it all illusion? If there is a God who receives such devotion, to the exclusion of natural demand and spiritual anxieties, why does not this tailor 'let his light so shine before men that they may see his good works, and glorify his Father which is in heaven?' That is it. Therefore, wherefore, tailor- man? Therefore, wherefore, God? Show me a sign from Heaven, tailor- man!"

Seated on his bench in the shop, with his eyes ever and anon raised towards the little post-office opposite, he wrote these words. Afterwards he sat and thought till the shadows deepened, and the tailor came in to supper. Then he took up the pieces of paper, and, going to the fire, which was still lighted of an evening, thrust them inside.

Louis Trudel saw the paper burning, and, glancing down, he noticed that one piece—the last—had slipped to the floor and was lying under the table. He saw the pencil still in Charley's hand. Forthwith his natural suspicion leaped up, and the cunning of the monomaniac was upon him. With all his belief in le bon Dieu and the Church, Louis Trudel trusted no one. One eye was ever open to distrust man, while the other was ever closed with blind belief in Heaven.

As Charley stooped to put wood in the fire, the tailor thrust a foot forward and pushed the piece of paper further under the table.

That night the tailor crept down into the shop, felt for the paper in the dark, found it, and carried it away to his room. All kinds of thoughts had raged through his diseased mind. It was a letter, perhaps, and if a letter, then he would gain some facts about the man's life. But if it was a letter, why did he burn it? It was said that he never received a letter and never sent one, therefore it was little likely to be a letter. if not a letter, then what could it be? Perhaps the man was English and a spy of the English government, for was there not disaffection in some of the parishes? Perhaps it was a plan of robbery. To such a state of hallucination did his weakened mind come, that he forgot the kindly feeling he had had for this stranger who had worked for him without pay. Suspicion, the bane of sick old age, was hot on him. He remembered that M'sieu' had put an arm through his when they went upstairs, and that now increased suspicion. Why should the man have been so friendly? To lull him into confidence, perhaps, and then to rob and murder him in his sleep. Thank God, his ready money was well hid, and the rest was safe in the bank far away! He crept back to his room with the paper in his hand. It was the last sheet of what Charley had written, and had been accidentally brushed off on the floor. It was in French, and, holding the candle close, he slowly deciphered the crabbed, characteristic handwriting.

His eyes dilated, his yellow cheeks took on spots of unhealthy red, his hand trembled. Anger seized him, and he mumbled the words over and over again to himself. Twice or thrice, as the paper lay in one hand, he struck it with the clinched fist of the other, muttering and distraught.

"This tailor here. . . . This stingy, hard, unhappy man. . . . If there is a God! . . . Therefore, wherefore, tailor-man? . . . Therefore, wherefore, God? . . . Show me a sign from Heaven, tailor- man!"

Hatred of himself, blasphemy, the profane and hellish humour of—of the infidel! A Protestant heretic—he was already damned; a robber—you could put him in jail; a spy—you could shoot him or tar and feather him; a murderer—you could hang him. But an infide—this was a deadly poison, a black danger, a being capable of all crimes. An infidel—"Therefore, wherefore, tailor-man? . . . Therefore, wherefore, God? . . . Show me a sign from Heaven, tailor-man!"

The devil laughing—the devil incarnate come to mock a poor tailor, to sow plague through a parish where all were at peace in the bosom of the Church. The tailor had three ruling passions—cupidity, vanity, and religion. Charley had now touched the three, and the whole man was alive. His cupidity had been flattered by the unpaid service of a capable assistant, but now he saw that he was paying the devil a wage. His vanity was overwhelmed by a satanic ridicule. His religion and his God had been assaulted in so shameful a way that no punishment could be great enough for the man of hell. In religion he was a fanatic; he was a demented fanatic now.

He thrust the paper into his pocket, then crept out into the hall and to the door of Charley's bedroom. He put his ear to the door. After a moment he softly raised the latch, and opened the door and listened again. 'M'sieu' was in a deep sleep.

Louis Trudel scarcely knew why he had listened, why he had opened the door and stood looking at the figure in the bed, barely definable in the semi-darkness of the room. If he had meant harm to the helpless man, he had brought no weapon; if he had been curious, there the man was peacefully sleeping!

His sick, morbid imagination was so alive, that he scarcely knew what he did. As he stood there listening, hatred and horror in his heart, a voice said to him: "Thou shalt do no murder." The words kept ringing in his ears. Yet he had not thought of murder. The fancied command itself was his first temptation towards such a deed. He had thought of raising the parish, of condign punishment of many sorts, but not this. As he closed the door softly, killing entered his mind and stayed there. "Thou shalt not" had been the first instigation to "Thou shalt."

It haunted him as he returned to his room, undressed himself, and went to bed. He could not sleep. "Show me a sign from Heaven, tailor-man!" The challenge had been to himself. He must respond to it. The duty lay with him; he must answer this black infidel for the Church, for faith, for God.

The more he thought of it, the more Charley's face came before him, with the monocle shining and hard in the eye. The monocle haunted him. That was the infidel's sign. "Show me a sign from Heaven, tailor-man!" What sign should he show?

Presently he sat up straight in bed. In another minute he was out and dressing. Five minutes later he was on his way to the parish church. When he reached it he took a tool from his pocket and unscrewed a small iron cross from the front door. It was a cross which had been blessed by the Pope, and had been brought to Chaudiere by the beloved mother of the Cure, now dead.

"When I have done with it I will put it back," he said, as he thrust it inside his shirt, and hurried stealthily back to his house. As he got into bed he gave a noiseless, mirthless laugh. All night he lay with his yellow eyes wide open, gazing at the ceiling. He was up at dawn, hovering about the fire in the shop.



CHAPTER XVIII

THE STEALING OF THE CROSS

If Charley had been less engaged with his own thoughts, he would have noticed the curious baleful look in the eyes of the tailor; but he was deeply absorbed in a struggle that had nothing to do with Louis Trudel.

The old fever of thirst and desire was upon him. All morning the door of Jolicoeur's saloon was opening and shutting before his mind's eye, and there was a smell of liquor everywhere. It was in his nostrils when the hot steam rose from the clothes he was pressing, in the thick odour of the fulled cloth, in the melting snow outside the door.

Time and again he felt that he must run out of the shop and away to the little tavern where white whiskey was sold to unwise habitants. But he fought on. Here was the heritage of his past, the lengthening chain of slavery to his old self—was it his real self? Here was what would prevent him from forgetting all that he had been and not been, all the happiness he might have had, all that he had lost—the ceaseless reminder. He was still the victim to a poison which gave not only a struggle of body, but a struggle of soul—if he had a soul.

"If he had a soul!" The phrase kept repeating itself to him even as he fought the fever in his throat, resisting the temptation to take that medicine which the Curb's brother had sent him.

"If he had a soul!" The thinking served as an antidote, for by the ceaseless iteration his mind was lulled into a kind of drowse. Again and again he went to the pail of water that stood on the window-sill, and lifting it to his lips, drank deep and full, to quench the wearing thirst.

"If he had a soul!" He looked at Louis Trudel, silent and morose, the clammy yellow of a great sickness in his face and hands, but his mind only intent on making a waistcoat—and the end of all things very near! The words he had written the night before came to him: "Therefore, wherefore, tailor-man? Therefore, wherefore, God? . . . Show me a sign from Heaven, tailor-man!" As if in reply to his thoughts there came the sound of singing, and of bells ringing in the parish church.

A procession with banners was coming near. It was a holy day, and Chaudiere was mindful of its duties. The wanderers of the parish had come home for Easter. All who belonged to Chaudiere and worked in the woods or shanties, or lived in big cities far away, were returned—those who could return—to take the holy communion in the parish church. Yesterday the parish had been alive with a pious hilarity. The great church had been crowded beyond the doors, the streets had been full of cheerily dressed habitants. There had, however, come a sudden chill to the seemly rejoicings—the little iron cross blessed by the Pope had been stolen from the door of the church!

The fact had been told to the Cure as he said the Mass, and from the altar steps, before going to the pulpit, he referred to the robbery with poignant feeling; for the relic had belonged to a martyr of the Church, who, two centuries before, had laid down his life for the Master on the coast of Africa.

Louis Trudel had heard the Cure's words, and in his place at the rear of the church he smiled sourly to himself. In due time the little cross should be returned, but it had work to do first. He did not take the holy communion this Easter day, or go to confession as was his wont. Not, however, until a certain day later did the Cure realise this, though for thirty years the tailor had never omitted his Easter-time duties.

The people guessed and guessed, but they knew not on whom to cast suspicion at first. No sane Catholic of Chaudiere could possibly have taken the holy thing. Presently a murmur crept about that M'sieu' might have been the thief. He was not a Catholic, and—who could tell? Who knew where he came from? Who knew what he had been? Perhaps a jail- bird-robber-murderer! Charley, however, stitched on, intent upon his own struggle.

The procession passed the doorway: men bearing banners with sacred texts, acolytes swinging censers, a figure of the Saviour carved in wood borne aloft, the Cure under a silk canopy, and a long line of habitants following with sacred song. People fell upon their knees in the street as the procession passed, and the Cure's face was bent here and there, his hand raised in blessing.

Old Louis got up from his bench, and, putting on a coat over his wool jacket, hastened to the doorway, knelt down, made the sign of the cross, and said a prayer. Then he turned quickly towards Charley, who, looking at the procession, then at the tailor, then back again at the procession, smiled.

Charley was hardly conscious of what he did. His mind had ranged far beyond this scene to the large issues which these symbols represented. Was it one universal self-deception? Was this "religion" the pathetic, the soul-breaking make-believe of mortality? So he smiled—at himself, at his own soul, which seemed alone in this play, the skeleton in armour, the thing that did not belong. His own words written that fateful day before he died at the Cote Dorion came to him:

"Sacristan, acolyte, player, or preacher, Each to his office, but who holds the key? Death, only Death, thou, the ultimate teacher, Wilt show it to me!"

He was suddenly startled from his reverie, through which the procession was moving—a cloud of witnesses. It was the voice of Louis Trudel, sharp and piercing:

"Don't you believe in God and the Son of God?"

"God knows!" answered Charley slowly in reply—an involuntary exclamation of helplessness, an automatic phrase deflected from its first significance to meet a casual need of the mind. Yet it seemed like satire, like a sardonic, even vulgar, humour. So it struck Louis Trudel, who snatched up a hot iron from the fire and rushed forward with a snarl. So astounded was Charley that he did not stir. He was not prepared for the sudden onslaught. He did not put up his hand even, but stared at the tailor, who, within a foot of him, stopped short with the iron poised.

Louis Trudel repented in time. With the cunning of the monomaniac he realised that an attack now might frustrate his great stroke. It would bring the village to his shop door, precipitate the crisis upon the wrong incident.

As it chanced, only one person in Chaudiere saw the act. That was Rosalie Evanturel across the way. She saw the iron raised, and looked for M'sieu' to knock the tailor down; but, instead, she beheld the tailor go back and put the iron on the fire again. She saw also that M'sieu' was speaking, though she could hear no words.

Charley's words were simple enough. "I beg your pardon, Monsieur," he said across the room to old Louis; "I meant no offence at all. I was trying to think it out in a human sort of way. I suppose I wanted a sign from Heaven—wanted too much, no doubt."

The tailor's lips twitched, and his hand convulsively clutched the shears at his side.

"It is no matter now," he answered shortly. "I have had signs from Heaven; perhaps you will have one too!"

"It would be worth while," rejoined Charley musingly. Charley wondered bitterly if he had made an irreparable error in saying those ill-chosen words. This might mean a breach between them, and so make his position in the parish untenable. He had no wish to go elsewhere—where could he go? It mattered little what he was, tinker or tailor. He had now only to work his way back to the mind of the peasant; to be an animal with intelligence; to get close to mother earth, and move down the declivity of life with what natural wisdom were possible. It was his duty to adapt himself to the mind of such as this tailor; to acquire what the tailor and his like had found—an intolerant belief and an inexpensive security, to be got through yielding his nature to the great religious dream. And what perfect tranquillity, what smooth travelling found therein.

Gazing across the street towards the little post-office, he saw Rosalie Evanturel at the window. He fell to thinking about her. Rosalie, on her part, kept wondering what old Louis' violence meant.

Presently she saw a half-dozen men come quickly down the street, and, before they reached the tailorshop, stand in a group talking excitedly. Afterwards one came forward from the others quickly—Filion Lacasse the saddler. He stopped short at the tailor's door. Looking at Charley, he exclaimed roughly:

"If you don't hand out the cross you stole from the church door, we'll tar and feather you, M'sieu'." Charley looked up, surprised. It had never occurred to him that they could associate him with the theft. "I know nothing of the cross," he said quietly. "You're the only heretic in the place. You've done it. Who are you? What are you doing here in Chaudiere?"

"Working at my trade," was Charley's quiet answer. He looked towards Louis Trudel, as though to see how he took this ugly charge.

Old Louis responded at once. "Get away with you, Filion Lacasse," he croaked. "Don't come here with your twaddle. M'sieu' hasn't stole the cross. What does he want with a cross? He's not a Catholic."

"If he didn't steal the cross, why, he didn't," answered the saddler; "but if he did, what'll you say for yourself, Louis? You call yourself a good Catholic—bah!—when you've got a heretic living with you."

"What's that to you?" growled the tailor, and reached out a nervous hand towards the iron. "I served at the altar before you were born. Sacre! I'll make your grave-clothes yet, and be a good Catholic when you're in the churchyard. Be off with you. Ach," he sharply added, when Filion did not move, "I'll cut your hair for you!" He scrambled off the bench with his shears.

Filion Lacasse disappeared with his friends, and the old man settled back on his bench.

Charley, looking up quietly from his work, said "Thank you, Monsieur."

He did not notice what an evil look was in Louis Trudel's face as it turned towards him, but Rosalie Evanturel, standing outside, saw it; and she stole back to the post-office ill at ease and wondering.

All that day she watched the tailor's shop, and even when the door was shut in the evening, her eyes were fastened on the windows.



ETEXT EDITOR'S BOOKMARKS:

Is the habit of good living mere habit and mere acting Suspicion, the bane of sick old age



THE RIGHT OF WAY

By Gilbert Parker

Volume 3.



XIX. THE SIGN FROM HEAVEN XX. THE RETURN OF THE TAILOR XXI. THE CURE HAS AN INSPIRATION XXII. THE WOMAN WHO SAW XXIII. THE WOMAN WHO DID NOT TELL XXIV. THE SEIGNEUR TAKES A HAND IN THE GAME XXV. THE COLONEL TELLS HIS STORY XXVI. A SONG, A BOTTLE, AND A GHOST XXVII. OUT ON THE OLD TRAIL XXVIII. THE SEIGNEUR GIVES A WARNING



CHAPTER XIX

THE SIGN FROM HEAVEN

The agitation and curiosity possessing Rosalie all day held her in the evening when the wooden shutters of the tailor's shop were closed and only a flickering light showed through the cracks. She was restless and uneasy during supper, and gave more than one unmeaning response to the remarks of her crippled father, who, drawn up for supper in his wheel- chair, was more than usually inclined to gossip.

Damase Evanturel's mind was stirred concerning the loss of the iron cross; the threat made by Filion Lacasse and his companions troubled him. The one person beside the Cure, Jo Portugais, and Louis Trudel, to whom M'sieu' talked much, was the postmaster, who sometimes met him of an evening as he was taking the air. More than once he had walked behind the wheel-chair and pushed it some distance, making the little crippled man gossip of village matters.

As the two sat at supper the postmaster was inclined to take a serious view of M'sieu's position. He railed at Filion Lacasse; he called the suspicious habitants clodhoppers, who didn't know any better—which was a tribute to his own superior birth; and at last, carried away by a feverish curiosity, he suggested that Rosalie should go and look through the cracks in the shutters of the tailor-shop and find out what was going on within. This was indignantly rejected by Rosalie, but the more she thought, the more uneasy she became. She ceased to reply to her father's remarks, and he at last relapsed into gloom, and said that he was tired and would go to bed. Thereupon she wheeled him inside his bedroom, bade him good-night, and left him to his moodiness, which, however, was soon absorbed in a deep sleep, for the mind of the little grey postmaster could no more hold trouble or thought than a sieve.

Left alone, Rosalie began to be tortured. What were they doing in the house opposite?

Go and look through the windows? But she had never spied on people in her life! Yet would it be spying? Would it not be pardonable? In the interest of the man who had been attacked in the morning by the tailor, who had been threatened by the saddler, and concerning whom she had seen a signal pass between old Louis and Filion Lacasse, would it not be a humane thing to do? It might be foolish and feminine to be anxious, but did she not mean well, and was it not, therefore, honourable?

The mystery inflamed her imagination. Charley's passiveness when he was assaulted by old Louis and afterwards threatened by the saddler seemed to her indifference to any sort of danger—the courage of the hopeless life, maybe. Instantly her heart overflowed with sympathy. Monsieur was not a Catholic perhaps? Well, so much the more he should be befriended, for he was so much the more alone and helpless. If a man was born a Protestant —or English—he could not help it, and should not be punished in this world for it, since he was sure to be punished in the next.

Her mind became more and more excited. The postoffice had been long since closed, and her father was asleep—she could hear him snoring. It was ten o'clock, and there was still a light in the tailor's shop. Usually the light went out before nine o'clock. She went to the post- office door and looked out. The streets were empty; there was not a light burning anywhere, save in the house of the Notary. Down towards the river a sleigh was making its way over the thin snow of spring, and screeching on the stones. Some late revellers, moving homewards from the Trois Couronnes, were roaring at the top of their voices the habitant chanson, 'Le Petit Roger Bontemps':

"For I am Roger Bontemps, Gai, gai, gai! With drink I am full and with joy content, Gai, gaiment!"

The chanson died away as she stood there, and still the light was burning in the shop opposite. A thought suddenly came to her. She would go over and see if the old housekeeper, Margot Patry, had gone to bed. Here was the solution to the problem, the satisfaction of modesty and propriety.

She crossed the street quickly, hurried round the corner of the house, and was passing the side-window of the shop, when a crack in the shutters caught her eye. She heard something fall on the floor within. Could it be that the tailor and M'sieu' were working at so late an hour? She had an irresistible impulse, and glued her eye to the crack.

But presently she started back with a smothered cry. There by the great fireplace stood Louis Trudel picking up a red-hot cross with a pair of pincers. Grasping the iron firmly just below the arms of the cross, the tailor held it up again. He looked at it with a wild triumph, yet with a malignancy little in keeping with the object he held—the holy relic he had stolen from the door of the parish church. The girl gave a low cry of dismay.

She saw old Louis advance stealthily towards the door of the shop leading into the house. In bewilderment, she stood still an instant, then, with a sudden impulse, she ran to the kitchen-door and tried it softly. It was not locked. She opened it, entered quickly, and found old Margot standing in the middle of the room in her night-dress.

"Oh, Rosalie, Rosalie!" cried the old woman, "something's going to happen. M'sieu' Trudel has been queer all evening. I peeped in the key- hole of the shop just now, and—"

"Yes, yes, I've seen too. Come!" said Rosalie, and going quickly to the door, opened it, and passed through to another room. Here she opened another door, leading into the hall between the shop and the house. Entering the hall, she saw a glimmer of light above. It was the reddish glow of the iron cross held by old Louis. She crept softly up the stone steps. She heard a door open very quietly. She hurried now, and came to the landing. She saw the door of Charley's room open—all the village knew what room he slept in—and the moonlight was streaming in at the window.

She saw the sleeping man on the bed, and the tailor standing over him. Charley was lying with one arm thrown above his head; the other lay over the side of the bed.

As she rushed forward, divining old Louis' purpose, the fiery cross descended, and a voice cried: "'Show me a sign from Heaven, tailor-man!'"

This voice was drowned by that of another, which, gasping with agony out of a deep sleep, as the body sprang upright, cried: "God-oh God!" Rosalie's hand grasped old Louis' arm too late. The tailor sprang back with a horrible laugh, striking her aside, and rushed out to the landing.

"Oh, Monsieur, Monsieur!" cried Rosalie, and, snatching a scarf from her bosom, thrust it in upon the excoriated breast, as Charley, hardly realising what had happened, choked back moans of pain.

"What did he do?" he gasped.

"The iron cross from the church door!" she answered. "A minute, one minute, Monsieur!"

She rushed out upon the landing in time to see the tailor stumble on the stairs and fall head forwards to the bottom, at the feet of Margot Patry.

Rosalie paid no heed to the fallen man. "Oil! flour! Quick!" she cried. "Quick! Quick!" She stepped over the body of the tailor, snatched at Margot's arm, and dragged her into the kitchen. "Quick-oil and flour!"

The old woman showed her where they were, moaning and whining.

"He tried to kill Monsieur," cried Rosalie, "burned him on the breast with the holy cross!"

With oil and flour she hurried back, over the body of the tailor, up the stairs, and into Charley's room. Charley was now out of bed and half dressed, though choking with pain, and preserving consciousness only by a great effort.

"Good Mademoiselle!" he said.

She took the scarf off gently, soaked it in oil and splashed it with flour, and laid it quickly back on the burnt flesh.

Margot came staggering into the room.

"I cannot rouse him. I cannot rouse him. He is dead! He is dead!" she whimpered.

"He—"

Charley swayed forward towards the woman, recovered himself, and said:

"Now not a word of what he did to me, remember. Not one word, or you will go to jail with him. If you keep quiet, I'll say nothing. He didn't know what he was doing." He turned to Rosalie. "Not a word of this, please," he moaned. "Hide the cross."

He moved towards the door. Rosalie saw his purpose, and ran out ahead of him and down the stairs to where the tailor lay prone on his face, one hand still holding the pincers. The little iron cross lay in a dark corner. Stooping, she lifted up the tailor's head, then felt his heart.

"He is not dead," she cried. "Quick, Margot, some water," she added, to the whimpering woman. Margot tottered away, and came again presently with the water.

"I will go for some one to help," Rosalie said, rising to her feet, as she saw Charley come slowly down the staircase, his face white with misery. She ran and took his arm to help him down.

"No, no, dear Mademoiselle," he said; "I shall be all right presently. You must get help to carry him up stairs. Bring the Notary; he and I can carry him up."

"You, Monsieur! You—it would kill you! You are terribly hurt."

"I must help to carry him, else people will be asking questions," he answered painfully. "He is going to die. It must not be known—you understand!" His eyes searched the floor until they found the cross. Rosalie picked it up with the pincers. "It must not be known what he did to me," Charley said to the muttering and weeping old woman. He caught her shoulder with his hand, for she seemed scarcely to heed.

She nodded. "Yes, yes, M'sieu', I will never speak." Rosalie was standing in the door. "Go quickly, Mademoiselle," he said. She disappeared with the iron cross, and flying across the street, thrust it inside the post-office, then ran to the house of the Notary.



CHAPTER XX

THE RETURN OF THE TAILOR

Twenty minutes later the tailor was lying in his bed, breathing, but still unconscious, the Notary, M'sieu', and the doctor of the next parish, who by chance was in Chaudiere, beside him. Charley's face was drawn and haggard with pain, for he had helped to carry old Louis to bed, though every motion of his arms gave him untold agony. In the doorway stood Rosalie and Margot Patry.

"Will he live?" asked the Notary.

The doctor shook his head. "A few hours, perhaps. He fell downstairs?"

Charley nodded. There was silence for some time, as the doctor went on with his ministrations, and the Notary sat drumming his fingers on the little table beside the bed. The two women stole away to the kitchen, where Rosalie again pressed secrecy on Margot. In the interest of the cause she had even threatened Margot with a charge of complicity. She had heard the phrase "accessory before the fact," and she used it now with good effect.

Then she took some fresh flour and oil, and thrust them inside the bedroom door where Charley now sat clinching his hands and fighting down the pain. Careful as ever of his personal appearance, however, he had brushed every speck of flour from his clothes, and buttoned his coat up to the neck.

Nearly an hour passed, and then the Cure appeared. When he entered the sick man's room, Charley followed, and again Rosalie and old Margot came and stood within the doorway.

"Peace be to this house!" said the Cure. He had a few minutes of whispered conversation with the doctor, and then turned to Charley.

"He fell down-stairs, Monsieur? You saw him fall?"

"I was in my room—I heard him fall, Cure."

"Had he been ill during the day?"

"He appeared to be feeble, and he seemed moody."

"More than usual, Monsieur?" The Cure had heard of the incident of the morning when Filion Lacasse accused Charley of stealing the cross.

"Rather more than usual, Monsieur."

The Cure turned towards the door. "You, Mademoiselle Rosalie, how came you to know?"

"I was in the kitchen with Margot, who was not well."

The Cure looked at Margot, who tearfully nodded. "I was ill," she said, "and Rosalie was here with me. She helped M'sieu' and me. Rosalie is a good girl, and kind to me," she whimpered.

The Cure seemed satisfied, and after looking at the sick man for a moment, he came close to Charley. "I am deeply pained at what happened to-day," he said courteously. "I know you have had nothing to do with the beloved little cross."

The Notary tried to draw near and listen, but the Cure's look held him back. The doctor was busy with his patient.

"You are only just, Monsieur," said Charley in response, wishing that these kind eyes were fixed anywhere than on his face.

All at once the Cure laid a hand upon his arm. "You are ill," he said anxiously. "You look very ill indeed. See, Vaudrey," he added to the doctor, "you have another patient here!"

The friendly, oleaginous doctor came over and peered into Charley's face. "Ill-sure enough!" he said. "Look at this sweat!" he pointed to the drops of perspiration on Charley's forehead. "Where do you suffer?"

"Severe pains all through my body," Charley answered simply, for it seemed easier to tell the truth, as near as might be.

"I must look to you," said the doctor. "Go and lie down, and I will come to you."

Charley bowed, but did not move. Just then two things drew the attention of all: the tailor showed returning consciousness, and there was noise of many voices outside the house and the tramping of feet below-stairs.

"Go and tell them no one must come up," said the doctor to the Notary, and the Cure made ready to say the last offices for the dying.

Presently the noise below-stairs diminished, and the priest's voice rose in the office, vibrating and touching. The two women sank to their knees, the doctor followed, his eyes still fixed on the dying man. Presently, however, Charley did the same; for something penetrating and reasonable in the devotion touched him.

All at once Louis Trudel opened his eyes. Staring round with acute excitement, his eyes fell on the Cure, then upon Charley.

"Stop—stop, M'sieu' le Cure!" he cried. "There's other work to do." He gasped and was convulsed, but the pallor of his face was alive with fire from the distempered eyes. He snatched from his breast the paper Charley had neglected to burn. He thrust it into the Curb's hand.

"See—see!" he croaked. "He is an infidel—black infidel—from hell!" His voice rose in a kind of shriek, piercing to every corner of the house. He pointed at Charley with shaking finger.

"He wrote it there—on that paper. He doesn't—believe in God."

His strength failed him, his hand clutched tremblingly at the air. He laughed, a dry, crackling laugh, and his mouth opened twice or thrice to speak, but gasping breaths only came forth. With a last effort, however- -as the priest, shocked, stretched out his hand and said: "Have done, have done, Trudel!"—he cried, in a voice that quavered shrilly:

"He asked—tailor-man—sign—from—Heaven. Look-look!" He pointed wildly at Charley. "I—gave him—sign of—"

But that was the end. With a shudder the body collapsed in a formless heap, and the tailor-man was gone to tell of the work he had done for his faith on earth.



CHAPTER XXI

THE CURE HAS AN INSPIRATION

White and malicious faces peered through the doorway. There was an ugly murmur coming up the staircase. Many habitants had heard Louis Trudel's last words, and had passed them on with vehement exaggeration.

Chaudiere had been touched in its most superstitious corner. Protestantism was a sin, but atheism was a crime against humanity. The Protestant might be the victim of a mistake, but the atheist was the deliberate son of darkness, the source of fearful dangers. An atheist in their midst was like a scorpion in a flower-bed—no one could tell when and where he would sting. Rough misdemeanours among them had been many, there had once been a murder in the parish, but the undefined horrors of infidelity were more shameful than crimes the eye could see.

To the minds of these excited people the tailor-man's death was due to the infidel before them. They were ready to do all that might become a Catholic intent to avenge the profaned honour of the Church and the faith. Bodily harm was the natural form for their passion to take.

"Bring him out—let us have him!" they cried with fierce gestures, to which Rosalie Evanturel turned a pained, indignant face.

As the Curb stood with the paper in his hand, his face set and bitter, Rosalie made a step forward. She meant to tell the truth about Louis Trudel, and show how good this man was, who stood charged with an imaginary crime. But she met the warning eye of the man himself, calm and resolute, she saw the suffering in the face, endured with what composure! and she felt instantly that she must obey him, and that—who could tell?—his plan might be the best in the end. She looked at the Cure anxiously. What would he say and do? In the Cure's heart and mind a great struggle was going on. All his inherent prejudice, the hereditary predisposition of centuries, the ingrain hatred of atheism, were alive in him, hardening his mind against the man before him. His first impulse was to let Charley take his fate at the hands of the people of Chaudiere, whatever it might be. But as he looked at the man, as he recalled their first meeting, and remembered the simple, quiet life he had lived among them—charitable, and unselfish—the barriers of creed and habit fell down, and tears unbidden rushed into his eyes.

The Cure had, all at once, the one great inspiration of his life—its one beautiful and supreme imagining. For thus he reasoned swiftly:

Here he was, a priest who had shepherded a flock of the faithful passed on to him by another priest before him, who again had received them from a guardian of the fold—a family of faithful Catholics whose thoughts never strayed into forbidden realms. He had done no more than keep them faithful and prevent them from wandering—counselling, admonishing, baptising, and burying, giving in marriage and blessing, sending them on their last great journey with the cachet of Holy Church upon them. But never once, never in all his life, had he brought a lost soul into the fold. If he died to-night, he could not say to St. Peter, when he arrived at Heaven's gate: "See, I have saved a soul!" Before the Throne he could not say to Him who cried: "Go ye into all the world and preach the gospel to every creature"—he could not say: "Lord, by Thy grace I found this soul in the wilderness, in the dark and the loneliness, having no God to worship, denial and rebellion in his heart; and behold, I took him to my breast, and taught him in Thy name, and led him home to Thy haven, the Church!"

Thus it was that the Cure dreamed a dream. He would set his life to saving this lost soul. He would rescue him from the outer darkness.

His face suffused, he handed the paper in his hand back to the man who had written the words upon it. Then he lifted his hand against the people at the door and the loud murmuring behind them.

"Peace—peace!" he said, as though from the altar. "Leave this room of death, I command you. Go at once to your homes. This man"—he pointed to Charley—"is my friend. Who seeks to harm him, would harm me. Go hence and pray. Pray for yourselves, pray for him, and for me; and pray for the troubled soul of Louis Trudel. Go in peace."

Soon afterwards the house was empty, save for the Cure, Charley, old Margot, and the Notary.

That night Charley sat in the tailor's bedroom, rigid and calm, though racked with pain, and watched the candles flickering beside the dead body. He was thinking of the Cure's last words to the people.

"I wonder—I wonder," he said, and through his eyeglass he stared at the crucifix that threw a shadow on the dead man's face. Morning found him there. As dawn crept in he rose to his feet. "Whither now?" he said, like one in a dream.



CHAPTER XXII

THE WOMAN WHO SAW

Up to the moment of her meeting with Charley, Rosalie Evanturel's life had been governed by habit, which was lightly coloured by temperament. Since the eventful hour on Vadrome Mountain it had become a life of temperament, in which habit was involuntary and mechanical. She did her daily duties with a good heart, but also with a sense superior to the practical action. This grew from day to day, until, in the tragical days wherein she had secretly played a great part, she moved as in a dream, but a dream so formal that no one saw any change taking place in her, or associated her with the events happening across the way.

She had been compelled to answer many questions, for it was known she was in the tailor's house when Louis Trudel fell down-stairs, but what more was there to tell than that she had run for the Notary, and sent word to the Cure, and that she was present when the tailor died, charging M'sieu' with being an infidel? At first she was ill disposed to answer any questions, but she soon felt that attitude would only do harm. For the first time in her life she was face to face with moral problems—the beginning of sorrow, of knowledge, and of life.

In all secrets there is a kind of guilt, however beautiful or joyful they may be, or for what good end they may be set to serve. Secrecy means evasion, and evasion means a problem to the moral mind. To the primitive mind, with its direct yes and no, there is danger of it becoming a tragical problem ere it is realised that truth is various and diverse. Perhaps even with that Mary who hid the matter in her heart—the exquisite tragedy and glory of Christendom—there was a delicate feeling of guilt, the guilt of the hidden though lofty and beautiful thing.

If secrecy was guilt, then Charley and Rosalie were bound together by a bond as strong as death: Rosalie held the key to a series of fateful days and doings.

In ordinary course, they might have known each other for five years and not have come to this sensitive and delicate association. With one great plunge she had sprung into the river of understanding. In the moment that she had thrust her scarf into his scorched breast, in that little upper room, the work of years had been done.

As long as he lived, that mark must remain on M'sieu's breast—the red, smooth scar of a cross! She had seen the sort of shining scar a bad burn makes, and at thought of it she flushed, trembled, and turned her head away, as though some one were watching her. Even in the night she flushed and buried her face in the pillow when the thought flashed through her mind; though when she had soaked the scarf in oil and flour and laid it on the angry wound she had not flushed at all, was determined, quiet, and resourceful.

That incident had made her from a girl into a woman, from a child of the convent into a child of the world. She no longer thought and felt as she had done before. What she did think or feel could not easily have been set down, for her mind was one tremulous confusion of unusual thoughts, her heart was beset by new feelings, her imagination, suddenly finding itself, was trying its wings helplessly. The past was full of wonder and event, the present full of surprises.

There was M'sieu' established already in Louis Trudel's place, having been granted a lease of the house and shop by the Curte, on the part of the parish, to which the property had been left; receiving also a gift of the furniture and of old Margot, who remained where she had been so many years. She could easily see Charley at work—pale and suffering still —for the door was generally open in the sweet April weather, with the birds singing, and the trees bursting into blossom. Her wilful imagination traced the cross upon his breast—it almost seemed as if it were outside upon his clothes, exposed to every eye, a shining thing all fire, not a wound inside, for which old Margot prepared oiled linen now.

The parish was as perturbed as her own mind, for the mystery of the stolen cross had never been cleared up, and a few still believed that M'sieu' had taken it. They were of those who kept hinting at dark things which would yet be worked upon the infidel in the tailor's shop. These were they to whom the Curb's beautiful ambition did not appeal. He had said that if the man were an infidel, then they must pray that he be brought into the fold; but a few were still suspicious, and they said in Rosalie's presence: "Where is the little cross? M'sieu' knows."

He did know. That was the worst of it. The cross was in her possession. Was it not necessary, then, to quiet suspicion for his sake? She had locked the relic away in a cupboard in her bedroom, and she carried the key of it always in her pocket. Every day she went and looked at it, as at some ghostly token. To her it was a symbol, not of supernatural things, but of life in its new reality to her. It was M'sieu', it was herself, it was their secret—she chafed inwardly that Margot should share a part of that secret. If it were only between their two selves— between M'sieu' and herself! If Margot—she paused suddenly, for she was going to say, If Margot would only die! She was not wicked enough to wish that; yet in the past few weeks she had found herself capable of thinking things beyond the bounds of any past experience.

She found a solution at last. She would go to-night secretly and nail the cross again on the church door, and so stop the chatter of evil tongues. The moon set very early now, and as every one in Chaudiere was supposed to be in bed by ten o'clock, the chances of not being seen were in her favour. She received the final impetus to her resolution by a quarrelsome and threatening remark of Jo Portugais to some sharp-tongued gossip in the post-office. She was glad that Jo should defend M'sieu', but she was jealous of his friendship for the tailor. Besides, did there not appear to be a secret between Jo and M'sieu'? Was it not possible that Jo knew where M'sieu' came from, and all about him? Of late Jo had come in and gone out of the shop oftener than in the past, had even brought her bunches of mosses for her flower-pots, the first budding lilacs, and some maple-sugar made from the trees on Vadrome Mountain. She remembered that when she was a girl at school, years ago—ten years ago—Jo Portugais, then scarcely out of his teens, a cheerful, pleasant, quick-tempered lad, had brought her bunches of the mountain-ash berry; that once he had mended the broken runner of her sled; and yet another time had sent her a birch-bark valentine at the convent, where it was confiscated by the Mother Superior. Since those days he had become a dark morose figure, living apart from men, never going to confession, seldom going to Mass, unloving and unlovable.

There was only one other person in the parish more unloved. That was the woman called Paulette Dubois, who lived in the little house at the outer gate of the Manor. Paulette Dubois had a bad name in the parish—so bad that all women shunned her, and few men noticed her. Yet no one could say that at the present time she did not live a careful life, justifying, so far as eye could see, the protection of the Seigneur, M. Rossignol, a man of queer habits and queerer dress, a dabbler in physical science, a devout Catholic, and a constant friend of the Cure. He it was who, when an effort was made to drive Paulette out of the parish, had said that she should not go unless she wished; that, having been born in Chaudiere, she had a right to live there and die there; and if she had sinned there, the parish was in some sense to blame. Though he had no lodge-gates, and though the seigneury was but a great wide low-roofed farmhouse, with an observatory, and a chimney-piece dating from the time of Louis the Fourteenth, the Seigneur gave Paulette Dubois a little hut at his outer gate, which had been there since the great Count Frontenac visited Chaudiere. Probably Rosalie spoke to Paulette Dubois more often than did any one else in the parish, but that was because the woman came for little things at the shop, and asked for letters, and every week sent one—to a man living in Montreal. She sent these letters, but not more than once in six months did she get a reply, and she had not had one in a whole year. Yet every week she asked, and Rosalie found it hard to answer her politely, and sometimes showed it.

So it was that the two disliked each other without good cause, save that they were separated by a chasm as wide as a sea. The one disliked the other because she must recognise her; the other chafed because she could be recognised by Rosalie officially only.

The late afternoon of the day in which Rosalie decided to nail the cross on the church door again, Paulette arrived to ask for letters at the moment that the office wicket was closed, and Rosalie had answered that it was after office hours, and had almost closed the door in her face. As she turned away Jo Portugais came out of the tailor-shop opposite. He saw Paulette, and stood still an instant. She did the same. A strange look passed across the face of each, then they turned and went in opposite directions.

Never in her life had time gone so slowly with Rosalie. She watched the clock. A dozen times she went to the front door and looked out. She tried to read—it was no use; she tried to spin-her fingers trembled; she sorted the letters in the office again, and rearranged every letter and parcel and paper in its little pigeonhole—then did it all over again. She took out again the letter Paulette had dropped in the letter-box; it was addressed in the name of the man at Montreal. She looked at it in a kind of awe, as she had ever done the letters of this woman who was without the pale. They had a sense of mystery, an air of forbidden imagination.

She put the letter back, went to the door again, and looked out. It was now time to go. Drawing a hood over her head, she stepped out into the night. There was a little frost, though spring was well forward, and the smell of the rich earth and the budding trees was sweet to the sense. The moon had just set, but the stars were shining, and here and there patches of snow on the hillside and in the fields added to the light. Yet it was not bright enough to see far, and as Rosalie moved down the street she did not notice a figure at a little distance behind, walking on the new-springing grass by the roadside. All was quiet at the tavern; there was no light in the Notary's house—as a rule, he sat up late, reading; and even the fiddle of Maximilian Cour, the baker, was silent. The Cure's windows were dark, and the church with its white tin spire stood up sentinel-like above the village.

Rosalie had the fateful cross in her hand as she softly opened the gate of the churchyard and approached the great oak doors. Taking a screw- driver and some screws from her pocket, she felt with a finger for the old screw-holes in the door. Then she began her work, looking fearfully round once or twice at first. Presently, however, because the screws were larger than the old ones, it became much harder; the task called forth more strength, and drove all thought of being seen out of her mind for a space. At last, however, she gave the final turn to the handle, and every screw was in its place, its top level and smooth with the iron of the cross. She stopped and looked round again with an uneasy feeling. She could see no one, hear no one, but she began to tremble, and, overcome, she fell on her knees before the door, and, with her fingers on the foot of the little cross, prayed passionately; for herself, for Monsieur.

Suddenly she heard footsteps inside the church. They were coming towards the doorway, nearer and nearer. At first she was so struck with terror that she could not move. Then with a little cry she sprang to her feet, rushed to the gate, threw it open, ran out into the road, ind wildly on towards home. She did not stop for at least three hundred yards. Turning and looking back she saw at the church door a pale round light. With another cry she sped on, and did not pause till she reached the house. Then, bursting in and locking the door, she hurried to her room, undressed quickly, got into bed without saying her prayers, and buried her face in the pillow, shivering and overwrought.

The footsteps she had heard were those of the Cure and Jo Portugais. The Cure had sent for Jo to do some last work upon a little altar, to be used the next day for the first time. The carpenter and the carver in wood who were responsible for the work had fallen victims to white whiskey on the very last day of their task, and had been driven from the church by the Cure, who then sent for Jo. Rosalie had not seen the light at the shrine, as it was on the side of the church farthest from the village.

Their labour finished, the two came towards the front door, the Cure's lantern in his hand. Opening the door, Jo heard the sound of footsteps and saw a figure flying down the road. As the Cure came out abstractedly, he glanced sorrowfully towards the place where the little cross was used to be. He gave a wondering cry, and almost dropped the lantern.

"See, see, Portugais," he said, "our little cross again!" Jo nodded. "So it seems, Monsieur," he said.

At that instant he saw a hood lying on the ground, and as the Cure held up the lantern, peering at the little cross, he hastily picked it up and thrust it inside his coat.

"Strange—very strange!" said the Cure. "It must have been done while we were inside. It was not there when we entered."

"We entered by the vestry door," said Jo.

"Ah, true-true," responded the Cure.

"It comes as it went," said Jo. "You can't account for some things."

The Cure turned and looked at Jo curiously. "Are you then so superstitious, Jo? Nonsense; it is the work of human hands—very human hands," he added sadly.

"There is nothing to show," said the Cure, seeing Jo's glance round.

"As you see, M'sieu' le Cure."

"Well, it is a mystery which time no doubt will clear up. Meanwhile, let us be thankful to God," said the Cure.

They parted, the Cure going through a side-gate into his own garden, Jo passing out of the churchyard-gate through which Rosalie had gone. He looked down the road towards the village.

"Well!" said a voice in his ear. Paulette Dubois stood before him.

"It was you, then," he said, with a glowering look. "What did you want with it?"

"What do you want with the hood in your coat there?" She threw her head back with a spiteful laugh. "Whose do you think it is?" he said quietly.

"You and the schoolmaster made verses about her once."

"It was Rosalie Evanturel?" he asked, with aggravating composure.

"You have the hood-look at it! You saw her running down the road; I saw her come, watched her, and saw her go. She is a thief—pretty Rosalie— thief and postmistress! No doubt she takes letters too."

"The ones you wait for, and that never come—eh?" Her face darkened with rage and hatred. "I will tell the world she's a thief," she sneered.

"Who will believe you?"

"You will." She was hard and fierce, and looked him in the eyes squarely. "You'll give evidence quick enough, if I ask you."

"I wouldn't do anything you asked me to-nothing, if it was to save my life."

"I'll prove her a thief without you. She can't deny it."

"If you try it, I'll—" He stopped, husky and shaking.

"You'll kill me, eh? You killed him, and you didn't hang. Oh no, you wouldn't kill me, Jo," she added quickly, in a changed voice. "You've had enough of that kind of thing. If I'd been you, I'd rather have hung —ah, sure!" She suddenly came close to him. "Do you hate me so bad, Jo?" she said anxiously. "It's eight years—do you hate me so bad as then?"

"You keep your tongue off Rosalie Evanturel," he said, and turned on his heel.

She caught his arm. "We're both bad, Jo. Can't we be friends?" she said eagerly, her voice shaking.

He did not reply.

"Don't drive a woman too hard," she said between her teeth.

"Threats! Pah!" he rejoined. "What do you think I'm made of?"

"I'll find that out," she said, and, turning on her heel, ran down the road towards the Manor House. "What had Rosalie to do with the cross?" Jo said to himself. "This is her hood." He took it out and looked at it. "It's her hood—but what did she want with the cross?"

He hurried on, and as he neared the post-office he saw the figure of a woman in the road. At first he thought it might be Rosalie, but as he came nearer he saw it was not. The woman was muttering and crying. She wandered to and fro bewilderedly. He came up, caught her by the arm, and looked into her face.

It was old Margot Patry.



CHAPTER XXIII

THE WOMAN WHO DID NOT TELL

"Oh, M'sieu', I am afraid."

"Afraid of what, Margot?"

"Of the last moment, M'sieu' le Cure."

"There will be no last moment to your mind—you will not know it when it comes, Margot."

The woman trembled. "I am not sorry to die. But I am afraid; it is so lonely, M'sieu' le Cure."

"God is with us, Margot."

"When we are born we do not know. It is on the shoulders of others. When we die we know, and we have to answer."

"Is the answering so hard, Margot?"

The woman shook her head feebly and sadly, but did not speak.

"You have been a good mother, Margot." She made no sign.

"You have been a good neighbour; you have done unto others as you would be done by."

She scarcely seemed to hear.

"You have been a good servant—doing your duty in season and out of season; honest and just and faithful."

The woman's fingers twitched on the coverlet, and she moved her head restlessly.

The Curb almost smiled, for it seemed as if Margot were finding herself wanting. Yet none in Chaudiere but knew that she had lived a blameless life—faithful, friendly, a loving and devoted mother, whose health had been broken by sleepless attendance at sick-beds by night, while doing her daily work at the house of the late Louis Trudel.

"I will answer for the way you have done your duty, Margot," said the Cure. "You have been a good daughter of the Church."

He paused a minute, and in the pause some one rose from a chair by the window and looked out on the sunset sky. It was Charley. The woman heard, and turned her eyes towards him. "Do you wish him to go?" asked the Cure.

"No, no—oh no, M'sieu'!" she said eagerly. She had asked all day that either Rosalie or M'sieu' should be in the room with her. It would seem as though she were afraid she had not courage enough to keep the secret of the cross without their presence. Charley had yielded to her request, while he shrank from granting it. Yet, as he said to himself, the woman was keeping his secret—his and Rosalie's—and she had some right to make demand.

When the Cure asked the question of old Margot, he turned expectantly, and with a sense of relief. He thought it strange that the Cure should wish him to remain. The Cure, on his part, was well pleased to have him in the influence of a Christian death-bed. A time must come when the last confidences of the dying woman could be given to no ears but his own, but meanwhile it was good that M'sieu' should be there.

"M'sieu' le Cure," said the dying woman, "must I tell all?"

"All what, Margot?"

"All that is sin?"

"There is no must, Margot."

"If you should ask me, M'sieu'—"

She paused, and the man at the window turned and looked curiously at her. He saw the problem in the woman's mind: had she the right to die with the secret of another's crime upon her mind?

"The priest does not ask, Margot: it is you who confess your sins. That is between you and God."

The Cure spoke firmly, for he wanted the man at the window to clearly understand.

"But if there are the sins of others, and you know, and they trouble your soul, M'sieu'?"

"You have nothing to do with the sins of others; it is enough to repent of your own sins. The priest has nothing to do with any sins but those confessed by the sinner to himself. Your own sins are your sole concern to-night, Margot."

The woman's face seemed to clear a little, and her eyes wandered to the man at the window with less anxiety. Charley was wondering whether, after all, she would have the courage to keep her word, whether spiritual terror would surmount the moral attitude of honour. He was also wondering how much right he had to put the strain upon the woman in her desperate hour. "How long did the doctor say I could live?" the woman asked presently.

"Till morning, perhaps, Margot."

"I should like to live till sunrise," she answered, "till after breakfast. Rosalie makes good tea," she added musingly.

The Cure almost smiled. "There is the Living Bread, my daughter."

She nodded. "But I should like to see the sunrise and have Rosalie bring me tea," she persisted.

"Very well, Margot. We will ask God for that."

Her mind flew back again to the old question.

"Is it wrong to keep a secret?" she asked, her face turned away from the man at the window.

"If it is the secret of a sin, and the sin is your own—yes, Margot."

"And if the sin is not your own?"

"If you share the sin, and if the secret means injury to others, and a wrong is being done, and the law can right that wrong, then you must go to the law, not to your priest."

The Cure's look was grave, even anxious, for he saw that the old woman's mind was greatly disturbed. But her face cleared now, and stayed so. "It has all been a mix and a muddle," she answered; "and it hurt my poor head, M'sieu' le Cure, but now I think I under stand. I am not afraid; I will confess."

The Cure had made it clear to her that she could carry to her grave the secret of the little cross and the work it had done, and so keep her word and still not injure her chances of salvation. She was content. She no longer needed the helpful presence of M'sieu' or Rosalie. Charley instinctively felt what was in her mind, and came towards the bed.

"I will tell Mademoiselle Rosalie about the tea," he said to her.

She looked up at him, almost smiling. "Thank you, good M'sieu'," she said.

"I will confess now, M'sieu' le Cure" she continued. Charley left the room.

Towards morning Margot waked out of a brief sleep, and found the Cure and his sister and others about her bed.

"Is it near sunrise?" she whispered.

"It is just sunrise. See; God has been good," answered the Cure, drawing open the blind and letting in the first golden rays.

Rosalie entered the room with a cup of tea, and came towards the bed.

Old Margot looked at the girl, at the tea, and then at the Cure.

"Drink the tea for me, Rosalie," she whispered. Rosalie did as she was asked.

She looked round feebly; her eyes were growing filmy. "I never gave—so much—trouble—before," she managed to say. "I never had—so much— attention.... I can keep—a secret too," she said, setting her lips feebly with pride. "But I—never—had—so much—attention—before; have I—Rosalie?"

Rosalie did not need to answer, for the woman was gone. The crowning interest of her life had come all at the last moment, as it were, and she had gone away almost gladly and with a kind of pride.